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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profits. | 0:00:07 | 0:00:10 | |
I think I see a bargain! | 0:00:10 | 0:00:11 | |
Each day, one pair of duelling dealers will face | 0:00:11 | 0:00:14 | |
-a mighty challenge... -Ooh, yeah! | 0:00:14 | 0:00:17 | |
-..putting their reputations on the line. -Ready for battle. | 0:00:17 | 0:00:21 | |
-They'll give you the insider's view of the trade... -I'm a big boy. | 0:00:21 | 0:00:25 | |
I'm a player. | 0:00:25 | 0:00:26 | |
..along with their top tips and savvy secrets... | 0:00:26 | 0:00:29 | |
It's not all about what you spend, it's about what you make. | 0:00:29 | 0:00:32 | |
-..showing you how to make the most money... -It really is war! | 0:00:32 | 0:00:36 | |
-..from buying and selling. -You've got to be in there like a whippet! | 0:00:36 | 0:00:40 | |
-Coming up, there's auction room aggro... -I'm not shaking your hand! | 0:00:42 | 0:00:46 | |
Get off my lot, you! | 0:00:46 | 0:00:47 | |
..fancy footwear gets Jonty hot under the collar... | 0:00:47 | 0:00:51 | |
-And your buyer number, sir? -Sorry? -Is that your number? | 0:00:51 | 0:00:55 | |
He's so overwhelmed with them sexy shoes he's just bought, | 0:00:55 | 0:00:58 | |
he's forgot to show the number. | 0:00:58 | 0:01:00 | |
-..and Danny debuts his chess prowess. -Check! | 0:01:00 | 0:01:04 | |
This is Put Your Money Where Your Mouth Is. | 0:01:04 | 0:01:07 | |
Welcome, brave viewers, | 0:01:24 | 0:01:26 | |
as you are about to behold two antiques adversaries, | 0:01:26 | 0:01:30 | |
as they stick their heads above the collectibles trenches and go | 0:01:30 | 0:01:33 | |
over the top to battle each other for the worthiest valuables. | 0:01:33 | 0:01:37 | |
BANGS GAVEL | 0:01:37 | 0:01:39 | |
Flying the flag for Oxfordshire, | 0:01:39 | 0:01:41 | |
it's the auction room action man with a lethal bidding arm and | 0:01:41 | 0:01:45 | |
armour-plated knowledge, | 0:01:45 | 0:01:47 | |
it's Jonty The Hitman Hearnden. | 0:01:47 | 0:01:51 | |
What do I know? Well, quite a bit, actually. | 0:01:51 | 0:01:53 | |
His cunning combatant is the Wellingborough Warrior, | 0:01:55 | 0:01:58 | |
armed with a sharp sword of determination, | 0:01:58 | 0:02:00 | |
and an even sharper tongue - | 0:02:00 | 0:02:02 | |
it's Danny Del Boy Sebastian. | 0:02:02 | 0:02:05 | |
It's not about the dog in the fight, it's the fight in the dog, | 0:02:05 | 0:02:08 | |
and right about now, I'm growling. | 0:02:08 | 0:02:11 | |
-Sorry. -BANGS GAVEL | 0:02:11 | 0:02:14 | |
Today, the war rages at Chiswick Auctions in our capital city, | 0:02:14 | 0:02:17 | |
where over 850 lots, including art and fashion, | 0:02:17 | 0:02:21 | |
will be going under the hammer. | 0:02:21 | 0:02:24 | |
They need to bag the best booty and sell on to make profit for charity. | 0:02:24 | 0:02:28 | |
Only the dealer with the quickest eye and the steeliest nerve | 0:02:28 | 0:02:32 | |
will win this auction room argie-bargie, but who will it be? | 0:02:32 | 0:02:36 | |
-Danny, how are you? -Not so bad at all, Hitman. Not so bad. | 0:02:37 | 0:02:40 | |
Are you familiar with auction rooms? Familiar territory for purchasing? | 0:02:40 | 0:02:44 | |
-Absolutely! -Yeah? Do lots of buying here? | 0:02:44 | 0:02:46 | |
Yeah, a lot of buying at auction rooms, definitely. | 0:02:46 | 0:02:49 | |
Don't think this is your ground here, you know! I know we're in classy Chiswick, | 0:02:49 | 0:02:53 | |
and I know there's a lot of art on the wall. | 0:02:53 | 0:02:55 | |
There's also a lot of competition. We're in West London, lots of money around, | 0:02:55 | 0:02:59 | |
so it's not just you that's going to be my competition, I reckon, today. | 0:02:59 | 0:03:03 | |
So, what are you going to be buying today? | 0:03:03 | 0:03:06 | |
Don't worry. You'll see what I'm buying. There's no telling! | 0:03:06 | 0:03:09 | |
-I'm not giving away nowt! -A silly question. | 0:03:09 | 0:03:11 | |
I might even be on your card, you know. | 0:03:11 | 0:03:13 | |
-Why's that? -Well, I've seen a couple of bits of art. | 0:03:13 | 0:03:17 | |
There's art, but there's more strings to my bow. | 0:03:17 | 0:03:19 | |
There better had be! And don't start playing the violin when things get rough. | 0:03:19 | 0:03:23 | |
See you later. | 0:03:25 | 0:03:26 | |
So, both reckon their bidding arms will be up and down like | 0:03:28 | 0:03:31 | |
fiddlers' elbows, but if they're to invest their £1,000 budget wisely, | 0:03:31 | 0:03:35 | |
they'll need cast iron game plans. | 0:03:35 | 0:03:37 | |
Early part of the sale today is fashion. Just not really my bag! | 0:03:39 | 0:03:44 | |
But my strategy today is to play Jonty at his own game. | 0:03:44 | 0:03:48 | |
There's plenty of art here and I'm just hoping that I can paint myself up a profit. | 0:03:48 | 0:03:54 | |
So, canny Danny is plotting to take Jonty's usual items hostage, is he? | 0:03:54 | 0:03:58 | |
How will the Hitman retaliate? | 0:03:58 | 0:04:01 | |
To buy successfully in auctions, you have to be patient. | 0:04:01 | 0:04:05 | |
You have to look at almost everything in the auction sale closely. | 0:04:05 | 0:04:09 | |
So, I have done that, I've had a really good look around, | 0:04:09 | 0:04:13 | |
I've circled in my catalogue as many items as I humanly possibly can. | 0:04:13 | 0:04:17 | |
I believe that's my recipe for success. I've done it before. | 0:04:17 | 0:04:21 | |
In fact, it's a piece of cake. | 0:04:21 | 0:04:23 | |
So, for Jonty, it's all in the planning, | 0:04:23 | 0:04:27 | |
and with so much on offer here, that could prove to be a canny tactic. | 0:04:27 | 0:04:31 | |
Keeping his word about muscling in on Jonty's territory, | 0:04:31 | 0:04:34 | |
Danny has shuffled towards an oil painting with an estimate | 0:04:34 | 0:04:37 | |
of £90-120, which he thinks could be a big hitter. | 0:04:37 | 0:04:41 | |
It's the first black world champion, John Jack Johnson. | 0:04:41 | 0:04:45 | |
I've looked at the back and it's all secure, all in keeping. | 0:04:45 | 0:04:48 | |
It's about black history, it's about boxing. | 0:04:48 | 0:04:51 | |
I love that. I think I'm going to have a bid on this. | 0:04:51 | 0:04:55 | |
Hitman, I've got him in my corner! | 0:04:55 | 0:04:57 | |
Determined to get in on the pre-ruck rummage, Jonty | 0:04:59 | 0:05:02 | |
has found something he hopes will help him rise above the competition. | 0:05:02 | 0:05:06 | |
Beautiful, beautiful, beautiful. | 0:05:06 | 0:05:10 | |
The detail is absolutely stunning in these shoes. | 0:05:10 | 0:05:13 | |
The only way to apply this beadwork is to do it by hand. | 0:05:13 | 0:05:17 | |
Salvatore Ferragamo, great Italian name. | 0:05:17 | 0:05:21 | |
These shoes have never been worn. | 0:05:21 | 0:05:22 | |
They're size three, which is not necessarily a good thing, but the | 0:05:22 | 0:05:27 | |
great thing is that they are perfect and the estimate in the | 0:05:27 | 0:05:30 | |
catalogue is £50-80. There has to be a margin there. | 0:05:30 | 0:05:34 | |
Me buying ladies' shoes? Well, anything to beat Danny! | 0:05:34 | 0:05:38 | |
Meanwhile, always thinking one move ahead, | 0:05:38 | 0:05:41 | |
Danny has spotted a way to checkmate his rival. | 0:05:41 | 0:05:44 | |
I've found this little chess set. | 0:05:44 | 0:05:46 | |
Boxwood and ebony, quite nice. Early 20th century. | 0:05:46 | 0:05:50 | |
One thing's for sure, this game is getting more and more popular. | 0:05:50 | 0:05:53 | |
Quite a dab hand at it myself. Estimated 80-100. | 0:05:53 | 0:05:58 | |
Bit rich, that. I'd like to buy these for about £40-50. | 0:05:58 | 0:06:02 | |
-Just might be worth a punt. -Across the saleroom, | 0:06:04 | 0:06:07 | |
Jonty has caught the scent of something alluring. | 0:06:07 | 0:06:10 | |
This bottle was designed for display purposes only. | 0:06:10 | 0:06:13 | |
Today, these are very, very desirable, very collectible. | 0:06:13 | 0:06:18 | |
-So desirable, in fact... -It's a nice cologne bottle. | 0:06:18 | 0:06:22 | |
The estimate on it is £100-150. | 0:06:22 | 0:06:25 | |
I don't want to be paying that sort of money for it. | 0:06:25 | 0:06:28 | |
Tell you what though, I've seen Jonty having a sniff around it. | 0:06:28 | 0:06:31 | |
Got a little feeling that he might be after this and if that's the | 0:06:31 | 0:06:33 | |
case, it's going to be a big battle on because I like this myself. | 0:06:33 | 0:06:37 | |
Yes, watch your back, Jonty. It's war already. | 0:06:37 | 0:06:40 | |
Our brave little soldiers have completed their reconnaissance, | 0:06:40 | 0:06:43 | |
so without further ado, it's time for our enemies to take their | 0:06:43 | 0:06:47 | |
places and ready themselves for battle. | 0:06:47 | 0:06:50 | |
Lot 101, it's seven silk ties and I've already got £60 on the internet. | 0:06:50 | 0:06:55 | |
As the auction gets going, without any warning, | 0:06:55 | 0:06:57 | |
Jonty launches a surprise early attack. | 0:06:57 | 0:07:00 | |
£70 bid. | 0:07:00 | 0:07:02 | |
-Hey up! -In the room, at £70. Do I see five anywhere? | 0:07:02 | 0:07:06 | |
I think Jonty's on it! | 0:07:06 | 0:07:08 | |
Selling then for £70 to a room bidder. | 0:07:08 | 0:07:10 | |
-BANGS GAVEL -756. | 0:07:10 | 0:07:13 | |
I'm off. | 0:07:13 | 0:07:15 | |
Like a coiled spring, Jonty leapt into action, | 0:07:15 | 0:07:18 | |
securing the ties for £86.80, including fees. | 0:07:18 | 0:07:22 | |
In the late '80s or early '90s, these ties were very, | 0:07:22 | 0:07:27 | |
very fashionable. Take a look at this. | 0:07:27 | 0:07:30 | |
That is so trendy, even today. | 0:07:30 | 0:07:32 | |
Even though this collection here is, what, 30, maybe even 40 years old. | 0:07:32 | 0:07:37 | |
A retailer worth her salt would be very, | 0:07:37 | 0:07:39 | |
very keen to get their hands on ties of this kind of quality. | 0:07:39 | 0:07:43 | |
But Jonty's only just getting warmed up, | 0:07:43 | 0:07:45 | |
as another set of vintage neck attire is up next. | 0:07:45 | 0:07:48 | |
So, running on my theme with my ties, | 0:07:48 | 0:07:50 | |
this next lot is a collection of silk scarves. | 0:07:50 | 0:07:54 | |
I think they're lovely. Very commercial, very saleable. | 0:07:54 | 0:07:57 | |
But with an upper guide of £100, they're not cheap. | 0:07:57 | 0:08:00 | |
Straight in here at £60, with me. Do I see five? | 0:08:00 | 0:08:03 | |
-65. 70 here. 75. 80. -He's on it again! | 0:08:03 | 0:08:07 | |
He's had ties and now he's got scarves! | 0:08:07 | 0:08:09 | |
90 with me. | 0:08:09 | 0:08:11 | |
95 with you, sir. Do I see 100 anywhere? Selling then for 95... | 0:08:11 | 0:08:14 | |
-Hey up! -Would you like to bid? -Er, no, thanks. | 0:08:14 | 0:08:17 | |
-Are you sure? -Yes. -OK. -Yeah, sure. -Don't listen to him. | 0:08:17 | 0:08:20 | |
All right then. Selling for £95. | 0:08:20 | 0:08:23 | |
Danny's giving it large. He's giving it large. | 0:08:24 | 0:08:27 | |
But I've made my purchases. Two down, what's he got? Nothing. | 0:08:27 | 0:08:32 | |
Despite Danny's attempts to drive the price up, Jonty still | 0:08:32 | 0:08:35 | |
manages to stay below the estimate, paying £117.80, fees included. | 0:08:35 | 0:08:41 | |
I have the world's stockpile of silk scarves here. | 0:08:41 | 0:08:44 | |
This scarf sitting on the top here still | 0:08:44 | 0:08:46 | |
has its retail label attached to it, so therefore, by definition, | 0:08:46 | 0:08:50 | |
this has never been worn, so this scarf sitting on the top is perfect. | 0:08:50 | 0:08:55 | |
Underneath here, I know there are a couple of Gucci scarves as well, | 0:08:55 | 0:08:58 | |
so there's a lot here that I just need to properly wade through, | 0:08:58 | 0:09:01 | |
have a good examination of, but is worth its weight in gold. | 0:09:01 | 0:09:06 | |
Jonty is leading 2-nil and he's not done yet. | 0:09:06 | 0:09:10 | |
Up next are the Italian evening shoes he spotted earlier with | 0:09:10 | 0:09:14 | |
a guide price of £50-80. | 0:09:14 | 0:09:16 | |
And he's about to step delicately into the firing line. | 0:09:16 | 0:09:19 | |
Who will bid me £50? | 0:09:19 | 0:09:21 | |
30. | 0:09:21 | 0:09:23 | |
-Hey up. -40. | 0:09:23 | 0:09:25 | |
40 bid on my left. | 0:09:26 | 0:09:27 | |
-He likes these. They might suit him! -Cheeky Del Boy! | 0:09:27 | 0:09:31 | |
-45 on the internet. 50 bid. -Ooh, he's got competition. | 0:09:31 | 0:09:34 | |
60 bid. | 0:09:34 | 0:09:36 | |
-Selling then to the gentleman on the left for £60. -BANGS GAVEL | 0:09:36 | 0:09:40 | |
-Got my shoes for £60. -And your buyer number, sir? | 0:09:40 | 0:09:43 | |
-Sorry? -Buyer's number? | 0:09:43 | 0:09:45 | |
Is that your number? 756, thank you. | 0:09:45 | 0:09:48 | |
He's so overwhelmed with them sexy shoes he's just bought, | 0:09:48 | 0:09:51 | |
he forgot to even show them the number. | 0:09:51 | 0:09:53 | |
Yes, forgetful Jonty spends just over £74 with fees on the | 0:09:53 | 0:09:58 | |
designer shoes and our dedicated follower of fashion strides | 0:09:58 | 0:10:01 | |
even further in front, snaring this collection of costume | 0:10:01 | 0:10:05 | |
jewellery for just over £74 with costs. | 0:10:05 | 0:10:08 | |
That man in the corner there, his smile is beginning to disappear. | 0:10:08 | 0:10:14 | |
Jonty's now bought four items. He must be feeling really good. | 0:10:14 | 0:10:20 | |
This is the fashion auction. | 0:10:20 | 0:10:21 | |
The antiques and the general auction is coming on later. | 0:10:21 | 0:10:24 | |
That's when I come into my prime. Don't worry. Don't worry. | 0:10:24 | 0:10:29 | |
Yeah, we're not worried, Danny, but what exactly has Jonty bought? | 0:10:29 | 0:10:33 | |
Now, you never thought I was the world's expert in costume jewellery. | 0:10:33 | 0:10:37 | |
Well, I'll let you into a little secret. I am not. | 0:10:37 | 0:10:40 | |
But what I do know is a bargain when I see one. | 0:10:40 | 0:10:43 | |
This is the little gem, the Christian Lacroix cross. | 0:10:43 | 0:10:47 | |
I would hope that this is worth roughly what I paid for my collection. | 0:10:47 | 0:10:52 | |
It's all the same colour, all the same kind of style, | 0:10:52 | 0:10:55 | |
which dates this to the late '80s, early '90s. | 0:10:55 | 0:10:58 | |
That chunky gold was the fashion. Now, there's a revival. | 0:10:58 | 0:11:02 | |
There has to be a profit here. | 0:11:02 | 0:11:05 | |
And that one-sided flurry of bidding brings us to the halfway mark. | 0:11:05 | 0:11:09 | |
So, let's call a temporary truce while we tot up the totals. | 0:11:09 | 0:11:13 | |
From £1,000 budget, Jonty | 0:11:13 | 0:11:15 | |
has so far bought four lots in the | 0:11:15 | 0:11:19 | |
fashion auction, spending £353.40, | 0:11:19 | 0:11:23 | |
leaving him with just under £647. | 0:11:23 | 0:11:26 | |
Danny is yet to start buying, | 0:11:26 | 0:11:28 | |
preferring to save his full kitty of £1,000 for the later general sale. | 0:11:28 | 0:11:33 | |
-Danny. -Hello, dear fella. | 0:11:33 | 0:11:35 | |
-Now, um... -You've put all your eggs in one basket. | 0:11:35 | 0:11:38 | |
I've bought four items. | 0:11:38 | 0:11:40 | |
Can you just tell me how many you've bought? | 0:11:40 | 0:11:42 | |
-I'm trying to count now. What's going on? -The thing is... | 0:11:42 | 0:11:45 | |
-You're not into ladies' fashion really, are you? -No, I'm not. | 0:11:45 | 0:11:48 | |
-I'll leave that to you. -In fact, you're not even into fashion. | 0:11:48 | 0:11:51 | |
-I mean... -Listen, don't write me off. -I'm not. | 0:11:51 | 0:11:55 | |
-I'm not. -The furniture's coming this afternoon. Are you going to buy any furniture? | 0:11:55 | 0:11:59 | |
It just depends on how much money I've got left. | 0:11:59 | 0:12:01 | |
-You've spent nearly all of it. -I have. | 0:12:01 | 0:12:04 | |
Hey, I tell you what, I'll see you later. | 0:12:04 | 0:12:06 | |
BANGS GAVEL And after that brief suspension of hostilities, | 0:12:06 | 0:12:10 | |
our dealing duo take aim once more. | 0:12:10 | 0:12:12 | |
And with the general sale about to start, Danny is all fired up. | 0:12:12 | 0:12:17 | |
Now, it's my time. | 0:12:17 | 0:12:19 | |
I've got a full packet to spend and plenty of time to spend it in. | 0:12:19 | 0:12:23 | |
-It's at £60 and selling. -BANGS GAVEL | 0:12:23 | 0:12:25 | |
Yes, good things come to those who wait and Danny has waited for | 0:12:25 | 0:12:29 | |
a very long time. | 0:12:29 | 0:12:30 | |
So, when an oil painting with a guide price of £80-120 is up, | 0:12:30 | 0:12:33 | |
so is Del Boy's hand. | 0:12:33 | 0:12:36 | |
£40 for the internet. And five anywhere else? | 0:12:36 | 0:12:38 | |
-Here we go. -He's bidding. | 0:12:38 | 0:12:40 | |
And five with the gentleman. At £45. | 0:12:40 | 0:12:43 | |
The moths have flown out of his book. Look. | 0:12:43 | 0:12:45 | |
60 to the internet, if they want to bid. | 0:12:45 | 0:12:47 | |
£60. And five, sir? | 0:12:47 | 0:12:50 | |
-65. -Creeping up a little bit, but I'm not worried. | 0:12:50 | 0:12:53 | |
It's still well under the estimate. | 0:12:53 | 0:12:55 | |
-Bit of a competition online. -70 on the internet. And five in the room. | 0:12:55 | 0:12:59 | |
And 90. Five, sir? | 0:12:59 | 0:13:00 | |
And £95 in the room. Any further interest in the gallery? | 0:13:00 | 0:13:04 | |
I do want that auctioneer to put the hammer down. | 0:13:04 | 0:13:07 | |
The gavel's up and it's coming down at £95, with you, selling. | 0:13:07 | 0:13:10 | |
-BANGS GAVEL -Got it! You're now in Danny's show! | 0:13:10 | 0:13:13 | |
-Goodness me! -Jonty, I'm on your heels, son. | 0:13:13 | 0:13:17 | |
-That's one under the belt. -Danny stayed within the estimate, | 0:13:17 | 0:13:21 | |
paying £117.80 with costs for the painting of London's Grosvenor Road. | 0:13:21 | 0:13:26 | |
It's quite quaint, really, you know. Got the London bus on it. | 0:13:26 | 0:13:30 | |
It's nice proportions. Nicely done, really. | 0:13:30 | 0:13:34 | |
And of course, the place is still there today, so just gives | 0:13:34 | 0:13:38 | |
me an angle to probably sell it somewhere in that vicinity. | 0:13:38 | 0:13:42 | |
And that was just a warm up. | 0:13:42 | 0:13:44 | |
The next lot coming up is a lovely bronze and I tell you what, | 0:13:44 | 0:13:47 | |
I've got a feeling this is going to come straight out of the traps. Here we go. | 0:13:47 | 0:13:50 | |
It's going to come straight out of the traps and all of a sudden, it'll be in my stable. | 0:13:50 | 0:13:54 | |
The guide is £100-200, so can Danny get it for a good price? | 0:13:55 | 0:13:59 | |
-I can take £90. Any further interest? At 85 with me. -Go on, then. | 0:13:59 | 0:14:03 | |
-90? -Yeah, why not? -Are you sure? At £90 with you, sir. | 0:14:03 | 0:14:06 | |
He's off. | 0:14:06 | 0:14:07 | |
-At 90 with the gentleman. -BANGS GAVEL | 0:14:07 | 0:14:10 | |
-Wallop! -It's upside down, sir. -Oh! | 0:14:10 | 0:14:13 | |
Danny wins that one horse race, securing the model for just under | 0:14:13 | 0:14:17 | |
£112 and you can tell he likes it because he's gone all high pitched! | 0:14:17 | 0:14:23 | |
-HIGH PITCHED: -It's very nice. Decorative. | 0:14:23 | 0:14:25 | |
Got a nice patina on it. | 0:14:25 | 0:14:27 | |
And of course, there's plenty of definition on it. | 0:14:27 | 0:14:30 | |
When I look at it with my eye, I say to myself, this is repro. | 0:14:30 | 0:14:35 | |
It's got to be. | 0:14:35 | 0:14:37 | |
It's got a name on the back, but that doesn't really mean a lot. | 0:14:37 | 0:14:40 | |
I think it's just made in the style of - it's got Mene on it, | 0:14:40 | 0:14:43 | |
he was a great sculptor, working with bronze. | 0:14:43 | 0:14:47 | |
It doesn't have to be an original piece. | 0:14:47 | 0:14:49 | |
Doesn't have to be an expensive piece. | 0:14:49 | 0:14:51 | |
That is decorative and it's commercial. | 0:14:51 | 0:14:55 | |
And hopefully, we're going to gallop away to a profit. | 0:14:55 | 0:14:58 | |
Danny's closing the gap, with two buys to Jonty's four. | 0:14:58 | 0:15:02 | |
Can he make it three in a row with the next lot? | 0:15:02 | 0:15:04 | |
It's coming up soon, the perfume bottle's coming up. | 0:15:05 | 0:15:08 | |
I know Jonty's been sniffing all over it. | 0:15:08 | 0:15:10 | |
I know he wants a piece of that and all. | 0:15:10 | 0:15:13 | |
He's after it too. | 0:15:13 | 0:15:16 | |
Our boys are going in to nose-to-nose combat. | 0:15:16 | 0:15:19 | |
-For the cologne bottle, £100 for it. -50? | 0:15:19 | 0:15:22 | |
-I can't make it 50, I'm afraid. -60? | 0:15:22 | 0:15:26 | |
£80 to start, please. | 0:15:26 | 0:15:28 | |
-I'll do 70. -80, I'm bid. | 0:15:28 | 0:15:30 | |
-Got it. -Found a commission. 85. | 0:15:30 | 0:15:32 | |
90. Five. At £95. 100, I'll take. | 0:15:32 | 0:15:36 | |
Jonty's joined in. | 0:15:36 | 0:15:37 | |
£95. | 0:15:37 | 0:15:39 | |
100, against. | 0:15:39 | 0:15:41 | |
Jonty's in on it. I knew it. I knew he was going to come in. | 0:15:41 | 0:15:44 | |
110, the bid. 115, would you like? 115. 120. | 0:15:44 | 0:15:48 | |
He'll go up. I don't want him to have it. | 0:15:48 | 0:15:50 | |
125. 130. | 0:15:50 | 0:15:53 | |
-But just as we reach the upper estimate... -Shake of the head. | 0:15:53 | 0:15:56 | |
..Danny surrenders. | 0:15:56 | 0:15:57 | |
For £150 then, if everyone else is done. At 150, it sells. | 0:15:57 | 0:16:01 | |
-BANGS GAVEL -150, 756. | 0:16:01 | 0:16:05 | |
-Hey. -Get off my lot. I'm not shaking your hand! | 0:16:05 | 0:16:08 | |
Get off my lot! No, I don't want to shake your hand! Get off my lot! | 0:16:08 | 0:16:11 | |
-You're running me up. -I bid on it first! | 0:16:11 | 0:16:15 | |
He's not shaking my hand now. It really is war. | 0:16:15 | 0:16:17 | |
Mm, there's no love lost between our combatants, | 0:16:17 | 0:16:21 | |
but after splashing £186, including costs, on the giant perfume | 0:16:21 | 0:16:26 | |
bottle, will Jonty be smelling the sweet scent of success? | 0:16:26 | 0:16:30 | |
So, what we've got here is a large display perfume bottle. | 0:16:30 | 0:16:34 | |
Inside the glass here, it says Pierre Cardin. | 0:16:34 | 0:16:38 | |
Great male perfumery from France. | 0:16:38 | 0:16:40 | |
It was designed to sit on shop counters to show just how | 0:16:40 | 0:16:44 | |
beautiful your products were. | 0:16:44 | 0:16:46 | |
Larger than life. £150? Well, that's what I call another bargain. | 0:16:46 | 0:16:52 | |
Danny's now trailing two items to Jonty's five, | 0:16:53 | 0:16:56 | |
but up next is the early 20th century chess set | 0:16:56 | 0:16:59 | |
he spotted earlier, so Del Boy could be in with a chance of catching up. | 0:16:59 | 0:17:04 | |
Chess set is estimated at 60-80. | 0:17:04 | 0:17:06 | |
If I can get it for the estimation, I'll be quite happy. | 0:17:06 | 0:17:10 | |
497, a very early 20th century boxwood and ebony | 0:17:10 | 0:17:13 | |
Old English patent chess set. | 0:17:13 | 0:17:15 | |
At £30. Two. | 0:17:15 | 0:17:17 | |
35. 38. | 0:17:17 | 0:17:19 | |
-40. And two. -He's going. | 0:17:19 | 0:17:22 | |
-(Might be lucky here.) -£42 to my left. | 0:17:22 | 0:17:25 | |
-£42 and that will do me. Get that hammer down quick. -BANGS GAVEL | 0:17:25 | 0:17:28 | |
-Good for you, sunshine. -Told you, didn't it? | 0:17:28 | 0:17:31 | |
When I get going, I get moving. I'm cooking with gas! | 0:17:31 | 0:17:35 | |
The antique chess set is Danny's for under the estimate, £52.08, | 0:17:35 | 0:17:39 | |
including fees. | 0:17:39 | 0:17:41 | |
And keen to manoeuvre himself into an even stronger position, | 0:17:41 | 0:17:44 | |
he's about to bid on the boxer portrait that he championed earlier. | 0:17:44 | 0:17:48 | |
There we go. He's coming up now. | 0:17:48 | 0:17:50 | |
£80 for it. | 0:17:50 | 0:17:52 | |
Bid. Five, I'll take. Short and sweet. It goes then for 80. | 0:17:52 | 0:17:55 | |
-There we go. -At £85, standing bid in front of me. | 0:17:55 | 0:17:58 | |
-BANGS GAVEL -I've got it. -755. | 0:17:58 | 0:18:01 | |
That will do me! | 0:18:01 | 0:18:02 | |
Great! | 0:18:02 | 0:18:03 | |
That's purchase number four under his belt for £105.40, fees included. | 0:18:03 | 0:18:08 | |
Maybe they should call me the Hitman! | 0:18:10 | 0:18:12 | |
Indeed. | 0:18:12 | 0:18:13 | |
Del Boy is really racing now and before long is neck and neck | 0:18:13 | 0:18:17 | |
with item number five, an oil painting of a horse. | 0:18:17 | 0:18:20 | |
At £25, it goes. | 0:18:20 | 0:18:22 | |
-There it goes. -BANGS GAVEL | 0:18:22 | 0:18:24 | |
Buying it for £31, with fees. | 0:18:24 | 0:18:27 | |
It's very contemporary, that I do know. | 0:18:29 | 0:18:31 | |
It's got a lovely frame and it's very pleasing to the eye. | 0:18:31 | 0:18:34 | |
Let's just hope it takes me over the hurdles...and beats Jonty to | 0:18:34 | 0:18:39 | |
the winning post! | 0:18:39 | 0:18:40 | |
And as he races down the final furlong, straining to pull | 0:18:40 | 0:18:43 | |
into the lead, Danny sets his sights on something to keep his bubbles in. | 0:18:43 | 0:18:47 | |
110 for the champagne bath. | 0:18:47 | 0:18:49 | |
At £110. | 0:18:49 | 0:18:52 | |
£110, it's at. | 0:18:52 | 0:18:53 | |
-115? -No, I've got a reserve of 120, sorry. -That'll do. | 0:18:53 | 0:18:57 | |
-£120. -BANGS GAVEL | 0:18:57 | 0:18:59 | |
Sold. | 0:18:59 | 0:19:00 | |
That will do me. £120? A tiny bit rich, but I can work with that. | 0:19:00 | 0:19:05 | |
It's a nice lump. | 0:19:05 | 0:19:07 | |
120. | 0:19:07 | 0:19:09 | |
Danny seals the deal at £148.80 with premium, | 0:19:09 | 0:19:13 | |
but will he have something to celebrate when it comes to selling? | 0:19:13 | 0:19:17 | |
This is a nice champagne bath. Tell you what, you'll fit a magnum in there, it's that big. | 0:19:17 | 0:19:21 | |
But it's lovely. Silver plate. Do I know the age? | 0:19:21 | 0:19:24 | |
Well, I think it's quite new because when it comes of age, | 0:19:24 | 0:19:26 | |
you start seeing these black marks around electroplate and it's | 0:19:26 | 0:19:30 | |
just not there. | 0:19:30 | 0:19:31 | |
Lovely little beading along the top. | 0:19:31 | 0:19:34 | |
Nice little lion faces here. Paw feet. | 0:19:34 | 0:19:37 | |
It's commercial, it's sellable, it's desirable. Who knows? | 0:19:37 | 0:19:40 | |
-At the end of the week, might be popping a bottle with this one. -CORK POPS | 0:19:40 | 0:19:45 | |
So, with both our boys spent up, let's find out who is leading | 0:19:45 | 0:19:50 | |
the charge and who is waving the white flag. | 0:19:50 | 0:19:53 | |
From £1,000 budget, Jonty bought | 0:19:53 | 0:19:56 | |
five lots and spent £539.40. | 0:19:56 | 0:19:59 | |
After a late start, Danny bought six lots, spending slightly more, | 0:19:59 | 0:20:03 | |
£566.68. | 0:20:03 | 0:20:06 | |
But now, all that matters is profits. | 0:20:06 | 0:20:09 | |
Our duelling dealers have battled heroically, | 0:20:10 | 0:20:13 | |
but what do they make of each other's arsenal? | 0:20:13 | 0:20:15 | |
-Well, well, well. Look at this. This is like chalk and cheese. -It is, | 0:20:15 | 0:20:19 | |
-indeed, yeah. -You've got traditional items and I've got like this sort of | 0:20:19 | 0:20:22 | |
-fashion thing going on here. -Yes. -What's that about? When I walked in here, | 0:20:22 | 0:20:26 | |
I never thought I would actually walk away with these sorts of items. | 0:20:26 | 0:20:29 | |
-That, I love. That cologne bottle. -Any regrets? | 0:20:29 | 0:20:32 | |
Not at the price that it got sold for. | 0:20:32 | 0:20:35 | |
So, Danny, what's your favourite item then? | 0:20:35 | 0:20:37 | |
My favourite item has got to be really the Afro-American world champion boxer. | 0:20:37 | 0:20:42 | |
A great thing, got a portrait of him there, I think it's fantastic. | 0:20:42 | 0:20:45 | |
-That really is very nice, I have to say. -You missed that one. | 0:20:45 | 0:20:48 | |
-A little confession, I absolutely did. -That ice bucket though. | 0:20:48 | 0:20:51 | |
-Champagne Danny! -You can call me that if you want. -So, how much did you pay for it? | 0:20:51 | 0:20:55 | |
-A tenner? -Er, no. I do feel that I paid a tad over the top, to be honest. | 0:20:55 | 0:21:00 | |
-But it's a nice example. -Yeah. Can I sell you a tie? | 0:21:00 | 0:21:02 | |
No, no, no. I wear neckerchiefs. I don't really wear a tie too much. | 0:21:02 | 0:21:05 | |
Well, I've got something here for you as well. | 0:21:05 | 0:21:08 | |
Well, they look a bit more like women's headscarves. | 0:21:08 | 0:21:10 | |
Um, we'll leave all the women's ware to you, Jonty. | 0:21:10 | 0:21:13 | |
And on that tip, I think you've got a lot of fashion here, | 0:21:13 | 0:21:16 | |
but let me tell you one or two things about fashion and style... | 0:21:16 | 0:21:20 | |
Well, now our boys must hightail it back to their headquarters | 0:21:24 | 0:21:27 | |
and prepare themselves mentally and physically for the next stage of the competition. | 0:21:27 | 0:21:32 | |
If they thought it was tough in the saleroom, | 0:21:32 | 0:21:34 | |
they ain't seen nothing yet. | 0:21:34 | 0:21:36 | |
Now, they must find buyers for all their lots and bank as much | 0:21:36 | 0:21:39 | |
profit as possible for their chosen charities. | 0:21:39 | 0:21:42 | |
Back in Oxfordshire, Jonty is channelling Mr Selfridge. | 0:21:45 | 0:21:49 | |
Welcome to my clothes store. Who would have thought it? | 0:21:49 | 0:21:52 | |
I have bought all of this at an auction sale! How extraordinary! | 0:21:52 | 0:21:57 | |
The Ferragamo shoes was a real punt for me, but they are a great label. | 0:21:57 | 0:22:02 | |
Ferragamo from Florence is a company established in 1920. | 0:22:02 | 0:22:05 | |
It really is a very great name. | 0:22:05 | 0:22:08 | |
The reason why I bought the costume jewellery is simply for one object, | 0:22:08 | 0:22:11 | |
which is the rather heavy gilt cross. | 0:22:11 | 0:22:15 | |
On the underside, it's got the label Christian Lacroix and when you're | 0:22:15 | 0:22:18 | |
buying costume jewellery like this, it's really good to have a label. | 0:22:18 | 0:22:21 | |
Most of the others don't really have labels on them at all, | 0:22:21 | 0:22:24 | |
which is a minus, not a plus. So when it comes to costume jewellery, | 0:22:24 | 0:22:28 | |
I'm not going to be too greedy when it comes to price. | 0:22:28 | 0:22:31 | |
A profit, any profit, will do. | 0:22:31 | 0:22:33 | |
Have a look at my perfume bottle. | 0:22:33 | 0:22:35 | |
I just think it's a great sculptural piece, it's a great shape, | 0:22:35 | 0:22:40 | |
and I think it's commercial as well. | 0:22:40 | 0:22:43 | |
Do I smell the smell of success? I certainly do. | 0:22:43 | 0:22:46 | |
Jonty also has to find buyers for his mixed lot of ties and the | 0:22:48 | 0:22:52 | |
silk scarves. | 0:22:52 | 0:22:54 | |
In Wellingborough, the opposition is getting ready to enter the ring. | 0:22:54 | 0:22:59 | |
Well, I'm back at HQ and I've got my lovely auction bits here. | 0:22:59 | 0:23:03 | |
Firstly, my favourite, this lovely oil painting. | 0:23:03 | 0:23:06 | |
It's of John Arthur "Jack" Johnson. | 0:23:06 | 0:23:09 | |
He was world champion from 1908 and he reigned right up to about 1917. | 0:23:09 | 0:23:16 | |
I know a lot of people who are in the boxing world | 0:23:16 | 0:23:19 | |
who are really going to appreciate this fantastic painting | 0:23:19 | 0:23:22 | |
that we've got of this fella. | 0:23:22 | 0:23:23 | |
I tell you what, this lovely painting I've got here | 0:23:23 | 0:23:26 | |
of a chestnut mare, I don't think I'm going to get | 0:23:26 | 0:23:29 | |
a lot of problems selling that. | 0:23:29 | 0:23:31 | |
I know for a fact there's a lot of people out there | 0:23:31 | 0:23:34 | |
who like equestrian so that's where I'm going to be heading with that - | 0:23:34 | 0:23:37 | |
somebody who loves horses. | 0:23:37 | 0:23:38 | |
My chess set - what a fabulous piece. | 0:23:38 | 0:23:41 | |
I'm going to do some research and see if I can find somebody | 0:23:41 | 0:23:43 | |
who's in a chess association, something of that description, | 0:23:43 | 0:23:47 | |
and I'm going to try and sell them an original set. | 0:23:47 | 0:23:49 | |
Fantastic bronze I picked up here. | 0:23:49 | 0:23:51 | |
I don't think I'm going to get a lot of problems, | 0:23:51 | 0:23:53 | |
to be quite honest with you, selling that. | 0:23:53 | 0:23:55 | |
I just hope that I gallop away with a profit | 0:23:55 | 0:23:57 | |
when it comes to selling all these pieces. | 0:23:57 | 0:23:59 | |
Danny also needs to find buyers for his modern champagne bath | 0:23:59 | 0:24:03 | |
and mid-century London street painting. | 0:24:03 | 0:24:06 | |
It's all about bagging the best prices now | 0:24:06 | 0:24:09 | |
so our daring duo plunder their contacts books | 0:24:09 | 0:24:12 | |
to line up potential buyers, but, remember, until money changes hands, | 0:24:12 | 0:24:16 | |
no deal is ever sealed. | 0:24:16 | 0:24:18 | |
Danny decides to stay in the Midlands | 0:24:21 | 0:24:23 | |
to kick off his selling spree. | 0:24:23 | 0:24:25 | |
He's come to a boxing club in Northamptonshire | 0:24:25 | 0:24:28 | |
in the hope of selling his Jack Johnson painting... | 0:24:28 | 0:24:31 | |
..to club sponsor, Rob. | 0:24:32 | 0:24:35 | |
Remember, it cost him just over £105. | 0:24:35 | 0:24:39 | |
BELL RINGS | 0:24:39 | 0:24:41 | |
-How long's this gym been going? -It's been here since, I think, 1964. | 0:24:41 | 0:24:45 | |
-Has it? -Mmm. -I brought this picture along today. -I like that. | 0:24:45 | 0:24:49 | |
-That is John "Jack" Johnson. -Yeah, Jack Johnson. | 0:24:49 | 0:24:51 | |
And he was the first black world heavyweight champion back in 1908. | 0:24:51 | 0:24:56 | |
I mean, I don't think the painting is as old as the chap, | 0:24:56 | 0:25:01 | |
but it's still a great example of this great guy, really. | 0:25:01 | 0:25:05 | |
It's got down here "painting by numbers" - | 0:25:05 | 0:25:07 | |
-what does that mean? -HE LAUGHS | 0:25:07 | 0:25:09 | |
I tell you what, he's too big to argue with, you know what I mean? | 0:25:09 | 0:25:12 | |
I'm getting a bit worried now. Do you want to talk some money? | 0:25:12 | 0:25:14 | |
-Yeah, we can talk. -Rob, I was looking for around... | 0:25:14 | 0:25:18 | |
I'd like to talk about £400. | 0:25:18 | 0:25:21 | |
I'd like you to go a lot lower. | 0:25:22 | 0:25:23 | |
It's in a nice frame, it's a great picture. | 0:25:23 | 0:25:25 | |
I mean, it's not got a date or even a signature on it, | 0:25:25 | 0:25:29 | |
-I appreciate that. -That's where you are losing your money with me. | 0:25:29 | 0:25:32 | |
What would you be happy to pay? | 0:25:32 | 0:25:33 | |
-250, done. -Cor, no, Rob... -Cos I know you're going to try and... | 0:25:33 | 0:25:37 | |
-That's a low blow, that is. -Yeah, well... -320. | 0:25:37 | 0:25:41 | |
I tell you what, done. | 0:25:41 | 0:25:42 | |
So, 300 quid, you get in the ring with one of them lads... | 0:25:42 | 0:25:45 | |
I quite like my face. I don't want to lose my face. | 0:25:45 | 0:25:47 | |
I tell you what, go on the pads with John, then, and we'll call it 300. | 0:25:47 | 0:25:51 | |
-Deal. -Deal? -Yeah, deal. | 0:25:51 | 0:25:53 | |
He'll do anything in the name of profit. | 0:25:53 | 0:25:56 | |
That's nearly £195 into Del Boy's pot. | 0:25:56 | 0:26:00 | |
Time to hit the ring. | 0:26:00 | 0:26:03 | |
Step up, let's go. | 0:26:03 | 0:26:04 | |
Jab. That's it. Left, right. | 0:26:04 | 0:26:06 | |
-Faster! Come on, Dan, you said you'd boxed before. Straight right. -Ooh! | 0:26:06 | 0:26:11 | |
Come on! Come on, come on! | 0:26:11 | 0:26:15 | |
Come on! Left, right! Straight right! | 0:26:15 | 0:26:17 | |
-Left, right! -Ooh! -Right! | 0:26:17 | 0:26:20 | |
Time. | 0:26:20 | 0:26:21 | |
-I think I'm a champion! -Well done! Good lad. | 0:26:21 | 0:26:25 | |
I tell you what, I'm going to stick to selling antiques. | 0:26:25 | 0:26:29 | |
I'm going to leave that boxing to that crew over there. | 0:26:29 | 0:26:32 | |
I'm finished! | 0:26:32 | 0:26:33 | |
With the opposition delivering a knockout blow | 0:26:33 | 0:26:37 | |
with his very first sale, | 0:26:37 | 0:26:39 | |
any lesser expert would be quaking in his loafers. | 0:26:39 | 0:26:42 | |
But Jonty's keeping his cool | 0:26:42 | 0:26:44 | |
and starting his forage for fashionable profits. | 0:26:44 | 0:26:47 | |
First stop, a vintage clothing store in Didcot, | 0:26:47 | 0:26:50 | |
armed with his silk scarves. | 0:26:50 | 0:26:53 | |
The owner is enthusiastic about anything to do with the 1960s, | 0:26:53 | 0:26:57 | |
'70s or '80s. | 0:26:57 | 0:26:59 | |
I'm hoping that this is going to be very, very exciting. | 0:26:59 | 0:27:02 | |
Yes, and he's hoping Jenny is enthusiastic about the price. | 0:27:02 | 0:27:07 | |
They cost the Hitman nearly £118. | 0:27:07 | 0:27:11 | |
-Hello. -Hello! -Good to see you. -Good to see you, too. | 0:27:11 | 0:27:13 | |
-Now, are you excited to see these? -I am. | 0:27:13 | 0:27:16 | |
Cos I think these are absolutely gorgeous. | 0:27:16 | 0:27:19 | |
-Do you want to have a look? -Well, I can't wait to see them. | 0:27:19 | 0:27:21 | |
Look at the colour of that. | 0:27:21 | 0:27:23 | |
-Just open at the top there. -Oh, wow! -Do you see the designer label Gucci? | 0:27:23 | 0:27:28 | |
I think this one here is quite interesting. | 0:27:28 | 0:27:30 | |
-Oh, lovely colours as well. -Nice colours. | 0:27:30 | 0:27:33 | |
This is a Ferragamo silk scarf or more of a hanky, really, | 0:27:33 | 0:27:37 | |
-that's still got its original shop label, look. -Yeah. | 0:27:37 | 0:27:41 | |
And this is another Gucci scarf here. | 0:27:41 | 0:27:44 | |
And then we have the Liberties - hanky as well. | 0:27:45 | 0:27:48 | |
Never been blown upon! | 0:27:48 | 0:27:49 | |
THEY LAUGH | 0:27:49 | 0:27:51 | |
No, it's in immaculate condition. | 0:27:51 | 0:27:53 | |
-Can we open that one up and have a look? -Let's have a look. | 0:27:53 | 0:27:56 | |
-Wow, look at that. -Look at that! | 0:27:56 | 0:27:58 | |
But I've also noticed that this is signed here by the artist. | 0:27:58 | 0:28:02 | |
-Oh, that's... -Is that a good sign? -That is a good sign, isn't it? | 0:28:02 | 0:28:05 | |
And these are now back into fashion, aren't they? | 0:28:05 | 0:28:07 | |
-People wanting to buy these and use them and wear them. -Yep. | 0:28:07 | 0:28:10 | |
-And collect them. -Collect them, yes. -Yeah. -I just love the colours. | 0:28:10 | 0:28:15 | |
Well, I'm glad you said that because I'm here to sell! | 0:28:15 | 0:28:18 | |
-Surprise, surprise(!) -I'm looking for £250 for this whole collection. | 0:28:19 | 0:28:23 | |
I could do... | 0:28:23 | 0:28:25 | |
-..200. -Couldn't do a bit more? 210? | 0:28:26 | 0:28:29 | |
-210. -Jenny, thank you very much. -Thank you. | 0:28:29 | 0:28:32 | |
A speedy deal by Jonty to kick things off. | 0:28:32 | 0:28:37 | |
In Northamptonshire, Del Boy's recovering from his boxing, | 0:28:38 | 0:28:42 | |
but is preparing for a mental battle with his next potential buyer. | 0:28:42 | 0:28:45 | |
He's brought his £52 chess set to show game enthusiast, Dave. | 0:28:46 | 0:28:51 | |
Am I right in saying you are a chess expert? | 0:28:52 | 0:28:55 | |
Well, I do quite a lot with primary school chess. | 0:28:55 | 0:28:58 | |
I teach chess around a number of schools in the county. | 0:28:58 | 0:29:02 | |
Well, Dave, I see you've got rulers here, | 0:29:02 | 0:29:04 | |
I see you've got a magnifying glass. What's going on? | 0:29:04 | 0:29:07 | |
Basically, I just wanted to have a look at what you've actually | 0:29:07 | 0:29:09 | |
-brought today, Danny. -Let's have a look. I've got a great set here. | 0:29:09 | 0:29:13 | |
I bought these, actually, at auction. | 0:29:13 | 0:29:15 | |
These little pieces are boxwood | 0:29:15 | 0:29:16 | |
and then the black pieces, they're ebony. | 0:29:16 | 0:29:20 | |
-I'd sort of look at them as mid-20th century. -Very nice carving to those. | 0:29:20 | 0:29:26 | |
Let's get rid of this and then we'll see if all the pieces are there. | 0:29:26 | 0:29:29 | |
-OK. -You want to see that all the pieces are there, don't you? | 0:29:29 | 0:29:32 | |
Yeah, that's right, we need the full 32 - 16 each. | 0:29:32 | 0:29:35 | |
-The final piece - we're all there. -That's it, that's it. | 0:29:35 | 0:29:38 | |
I'll just take a look at one of the kings if I may, Danny. | 0:29:38 | 0:29:41 | |
-Yeah, OK. -What measurement should it be? | 0:29:41 | 0:29:43 | |
Lots of kings are round about 3.5 inches and guess what, | 0:29:43 | 0:29:47 | |
-it's 3.5 inches or thereabouts! -That's a good start. | 0:29:47 | 0:29:50 | |
I do really quite like it, I must be honest. | 0:29:50 | 0:29:52 | |
Well, that's good. What would you do with them? | 0:29:52 | 0:29:54 | |
So I'd like to take this into my schools | 0:29:54 | 0:29:57 | |
because we tend to have a knockout tournament once a year | 0:29:57 | 0:30:01 | |
and I'd like the final to be played with this set | 0:30:01 | 0:30:05 | |
and we would have this as the special set for the final. | 0:30:05 | 0:30:08 | |
Well, let's talk price. I mean, would I be fair in saying £120? | 0:30:08 | 0:30:13 | |
It's going to be less. Could I go 40? | 0:30:13 | 0:30:15 | |
-85. -How about if I said 60? | 0:30:15 | 0:30:17 | |
-80. -65. -78. -70. -I tell you what, I'll have a little wager with you. | 0:30:17 | 0:30:24 | |
What if we say we'll have a game of chess? If I win, you give me 85. | 0:30:24 | 0:30:30 | |
If you win, you give me 75. | 0:30:30 | 0:30:34 | |
Go on, then. Yeah, OK. I can't resist that. | 0:30:34 | 0:30:36 | |
Is there a quick way we could play? | 0:30:36 | 0:30:38 | |
What we could do, we could play Take Me chess. | 0:30:38 | 0:30:40 | |
So, you've got to lose your pieces and be left only with the king. | 0:30:40 | 0:30:44 | |
-We'll shake on that. -Yeah, OK, then. | 0:30:44 | 0:30:47 | |
So, our brave knight rides into chessboard battle. | 0:30:47 | 0:30:50 | |
-OK, go on. -A good cagey opening. I'll go there. | 0:30:50 | 0:30:54 | |
He keeps his cool as the pieces fall. | 0:30:54 | 0:30:57 | |
Check! | 0:30:57 | 0:30:58 | |
HE LAUGHS | 0:30:58 | 0:31:00 | |
You're putting up a good fight here. | 0:31:00 | 0:31:02 | |
But then Dave delivers the killer blow. | 0:31:02 | 0:31:04 | |
-Oh, you've won! -That was good. -You win some, you lose some. 75 quid. | 0:31:05 | 0:31:12 | |
-It is. -Well done. Thanks very much, Dave. -All the best. | 0:31:12 | 0:31:16 | |
Danny fought valiantly and leaves with a profit of... | 0:31:16 | 0:31:22 | |
Down in his usual stomping ground of the Home Counties, | 0:31:22 | 0:31:26 | |
Jonty's keeping his focus firmly on fashion. | 0:31:26 | 0:31:29 | |
With Marlow high street as his catwalk, | 0:31:29 | 0:31:32 | |
Jonty prepares to showcase not one | 0:31:32 | 0:31:34 | |
but two items from this season's Hearnden collection. | 0:31:34 | 0:31:37 | |
He has an appointment at a designer boutique, | 0:31:37 | 0:31:40 | |
where he hopes owner, Mary, | 0:31:40 | 0:31:41 | |
will be dazzled by his cologne bottle and shoes. | 0:31:41 | 0:31:44 | |
# Cos he's a dedicated follower of fashion... # | 0:31:44 | 0:31:51 | |
-Don't they look good? -I love them. | 0:31:52 | 0:31:53 | |
So, the perfume bottle, I don't know if you really noticed there, | 0:31:53 | 0:31:56 | |
but on the underside there impressed into the glass is Pierre Cardin. | 0:31:56 | 0:32:00 | |
-Oh, I hadn't realised that. -Can you see that down at the bottom there? | 0:32:00 | 0:32:02 | |
-It would be lovely for display purposes. -I know. | 0:32:02 | 0:32:04 | |
So, if you were to purchase this from me, is that the sort of thing | 0:32:04 | 0:32:07 | |
you would do is use it as a bit of a sort of model... | 0:32:07 | 0:32:09 | |
I would use it in the shop, | 0:32:09 | 0:32:11 | |
either in the window or in the display cabinet, yeah. | 0:32:11 | 0:32:13 | |
That's brilliant. | 0:32:13 | 0:32:14 | |
It owes Jonty £186. | 0:32:14 | 0:32:17 | |
The price for this is £250. | 0:32:17 | 0:32:20 | |
I think that's a good price. | 0:32:20 | 0:32:21 | |
-You happy about that? -Yeah. -Brilliant, fantastic. | 0:32:21 | 0:32:24 | |
-Great, so we have a definite sale for that? -We have a sale. | 0:32:24 | 0:32:26 | |
Shake hands. | 0:32:26 | 0:32:27 | |
He didn't even have to haggle and that's a profit. | 0:32:27 | 0:32:31 | |
Now, it's time to talk footwear. | 0:32:31 | 0:32:33 | |
-I want you to have a look at the shoes as well. -OK. | 0:32:33 | 0:32:37 | |
I have a little confession to make. | 0:32:37 | 0:32:39 | |
They're size three and I think that's a bit small. | 0:32:39 | 0:32:42 | |
Not really, not in a dress agency | 0:32:42 | 0:32:43 | |
because a lot of ladies are size six and eight | 0:32:43 | 0:32:46 | |
so they've got small feet to go with small sizes. | 0:32:46 | 0:32:49 | |
-Or I could cut my toes off, maybe. -They're not for you! | 0:32:49 | 0:32:52 | |
OK, they're not for me, but they're really, really beautiful. | 0:32:52 | 0:32:54 | |
If you have a look on the underside, | 0:32:54 | 0:32:56 | |
I have a sense that these have not been worn once. | 0:32:56 | 0:33:00 | |
Doesn't look like it. | 0:33:00 | 0:33:01 | |
He needs at least £75. | 0:33:01 | 0:33:03 | |
-So, are you interested in the shoes as well? -They're really lovely. | 0:33:03 | 0:33:06 | |
Good. They're a snip at £175. | 0:33:06 | 0:33:09 | |
SHARP INTAKE OF BREATH | 0:33:09 | 0:33:11 | |
-Can we do a better price? -150? -A little bit less? -Tempt me. -£100? | 0:33:11 | 0:33:16 | |
-What about 125? -You've got a deal. -Yeah? -Yeah. -Brilliant. | 0:33:16 | 0:33:21 | |
So, Jonty put his best foot forward and that's a profit on the shoes. | 0:33:21 | 0:33:26 | |
So, Danny, you were laughing at me in the auction room | 0:33:28 | 0:33:31 | |
for buying ladies' fashion items. | 0:33:31 | 0:33:33 | |
But after those two sales, I think I've had the last laugh. | 0:33:33 | 0:33:37 | |
Well, don't count your chickens, Hitman, there's a way to go yet, | 0:33:38 | 0:33:42 | |
although both our boys have hit the ground running. | 0:33:42 | 0:33:45 | |
Jonty's sold three of his five fashion finds | 0:33:45 | 0:33:48 | |
and his profits stand at... | 0:33:48 | 0:33:49 | |
Danny has found a home for two of his six lots | 0:33:52 | 0:33:56 | |
and is just in front with... | 0:33:56 | 0:33:58 | |
And now the Wellingborough warrior sets off at a trot | 0:34:02 | 0:34:05 | |
for a meeting with his next potential buyer. | 0:34:05 | 0:34:08 | |
He's in the Lancashire town of Clitheroe | 0:34:08 | 0:34:10 | |
to meet country store owner and equestrian enthusiast, Kevin. | 0:34:10 | 0:34:14 | |
Now, I know he's interested in my bronze horse, | 0:34:14 | 0:34:17 | |
but what I've also brought along | 0:34:17 | 0:34:20 | |
is my equestrian picture, my oil painting. | 0:34:20 | 0:34:23 | |
I'm just hoping I can kill two horses with one stone! | 0:34:23 | 0:34:27 | |
Yes, or something like that. | 0:34:27 | 0:34:29 | |
He paid over £111 for the bronze and £31 for the painting. | 0:34:29 | 0:34:35 | |
Hey up! | 0:34:35 | 0:34:36 | |
-Good morning! -Good morning, sir! How are you, Daniel? | 0:34:36 | 0:34:39 | |
Not so bad at all, thank you. | 0:34:39 | 0:34:41 | |
I tell you what, has somebody beat me to it? | 0:34:41 | 0:34:43 | |
You've got bronzes here like... | 0:34:43 | 0:34:44 | |
Well, as you can see, look, I've a stable of them. | 0:34:44 | 0:34:47 | |
A lot of our customers, anybody that's into the countryside, | 0:34:47 | 0:34:50 | |
they love anything in bronze. | 0:34:50 | 0:34:53 | |
And what do you think of that bronze? | 0:34:53 | 0:34:55 | |
-It is nice, isn't it? -In the style of Mene. I mean... -"In the style"? | 0:34:55 | 0:35:00 | |
-So it's not a Mene? -Well, where can you find one of them? | 0:35:00 | 0:35:03 | |
-No, I'm just checking. -No, it's not a Mene, I must say. | 0:35:03 | 0:35:06 | |
-No, it's not. -All right, OK. | 0:35:06 | 0:35:07 | |
-OK. -But great patination. -It has. -Nice definition. | 0:35:07 | 0:35:11 | |
Well, I think, Danny, I could give this a good home, | 0:35:11 | 0:35:13 | |
dependent on price. | 0:35:13 | 0:35:14 | |
Before we get to the price of this, | 0:35:14 | 0:35:16 | |
I just might have something else up your street. | 0:35:16 | 0:35:18 | |
Look at this beauty - chestnut mare. Nice oil painting, lovely framed. | 0:35:18 | 0:35:24 | |
It might be relatively modern, but I still think a very good example. | 0:35:24 | 0:35:29 | |
It's nice. Depends what you've got on it, though. | 0:35:29 | 0:35:31 | |
Or have you brought that, is it like a buy one, get one free? | 0:35:31 | 0:35:34 | |
Depending on what you pay for the horse, for the bronze. | 0:35:34 | 0:35:37 | |
All right, well, if you put that down and I know that's free. | 0:35:37 | 0:35:40 | |
Five and three-quarters. | 0:35:40 | 0:35:42 | |
It's nice, but you've got a retail price on it. | 0:35:42 | 0:35:45 | |
I mean, I would willingly give you 200 on that. | 0:35:45 | 0:35:49 | |
-Three and a half for the two. -I tell you what, 275, done now. | 0:35:49 | 0:35:54 | |
285 and we've got a deal. | 0:35:54 | 0:35:55 | |
-275. -280. | 0:35:55 | 0:35:58 | |
Go on! | 0:35:58 | 0:36:00 | |
-Eeh, you're hard work! -HE LAUGHS | 0:36:00 | 0:36:02 | |
Del Boy gallops away with over £137 combined profit | 0:36:02 | 0:36:07 | |
in his saddle bag and he tops up his total again | 0:36:07 | 0:36:10 | |
when he sells his 20th century champagne bath | 0:36:10 | 0:36:13 | |
to Skipton wine bar owner, Ian. | 0:36:13 | 0:36:15 | |
-280. -282. | 0:36:15 | 0:36:19 | |
-Every penny helps. -281. -Deal. -OK. | 0:36:19 | 0:36:22 | |
Nearly doubling his money with a cork-popping profit. | 0:36:22 | 0:36:28 | |
Jonty needs to play catch-up and fast, | 0:36:28 | 0:36:31 | |
but it seems our Hitman has made a fashion faux pas. | 0:36:31 | 0:36:34 | |
So, I've come a cropper. I've made a loss on my silk ties. | 0:36:36 | 0:36:41 | |
Nobody wanted to buy them. Ladies' fashion - not a problem. | 0:36:41 | 0:36:45 | |
But silk ties - yes. | 0:36:45 | 0:36:47 | |
Now, I've sold them to a dealer and I've made a loss - £26.80 loss. Ow! | 0:36:47 | 0:36:53 | |
She'll probably sell them online individually, | 0:36:54 | 0:36:56 | |
but I didn't have time to do that. | 0:36:56 | 0:36:58 | |
I had to sell them as one big bulk item so onwards and upwards. | 0:36:58 | 0:37:04 | |
Bad luck, old chap! Just £60 for the ties means his coffers take a hit. | 0:37:04 | 0:37:10 | |
So, with one lot left to shift, he needs his final profit to be golden. | 0:37:11 | 0:37:16 | |
He's in Marlow with his collection of '80s bling. | 0:37:18 | 0:37:22 | |
Ah, the '80s - a time of big hair, | 0:37:22 | 0:37:24 | |
big phones and if Jonty's in luck, big profits. | 0:37:24 | 0:37:30 | |
I have already had my costume jewellery delivered to Neil. | 0:37:30 | 0:37:34 | |
Now, Neil runs a local jewellery shop. | 0:37:34 | 0:37:37 | |
He specialises in jewellery, but also costume jewellery. | 0:37:37 | 0:37:41 | |
Let's see what he thinks. | 0:37:41 | 0:37:43 | |
With only one piece having a maker's mark, | 0:37:44 | 0:37:46 | |
the jewels have been giving Jonty the jitters. | 0:37:46 | 0:37:49 | |
So, will he manage to turn a profit on his £74 investment? | 0:37:49 | 0:37:54 | |
-I see it's arrived. -It has. Good morning, Jonty, how are you? -Good. | 0:37:54 | 0:37:58 | |
-Good, good, good. -Fantastic. | 0:37:58 | 0:37:59 | |
-They look so nice under this light as well. -It does. | 0:37:59 | 0:38:01 | |
-It's looking quite interesting. -What's your assessment? | 0:38:01 | 0:38:04 | |
Because I love this Christian Lacroix cross, | 0:38:04 | 0:38:06 | |
but it all looks rather dazzling under this light. | 0:38:06 | 0:38:09 | |
This piece, in particular, | 0:38:09 | 0:38:10 | |
is probably by far the most interesting | 0:38:10 | 0:38:12 | |
because it has a branded name | 0:38:12 | 0:38:14 | |
and this is something that we could probably pass on to collectors. | 0:38:14 | 0:38:17 | |
But I had a look on the underside of all the other pieces as well | 0:38:17 | 0:38:20 | |
and I couldn't really see any marks that I recognised. | 0:38:20 | 0:38:22 | |
But, nevertheless, | 0:38:22 | 0:38:24 | |
they're still quite interesting sort of nice pieces. | 0:38:24 | 0:38:27 | |
How big is this market? Is it a growing market? | 0:38:27 | 0:38:29 | |
It's not a huge market | 0:38:29 | 0:38:30 | |
because obviously there's no metal weight value in any of the items, | 0:38:30 | 0:38:33 | |
but, nevertheless, it's for those | 0:38:33 | 0:38:35 | |
that like something a little bit bolder and brighter, | 0:38:35 | 0:38:38 | |
I think there's some interesting pieces, yes. | 0:38:38 | 0:38:41 | |
-You're saying all the right things. -Well, I hope so, yes. | 0:38:41 | 0:38:43 | |
So, I was hoping for my collection to get £150 for this collection. | 0:38:43 | 0:38:48 | |
Right. I think we could probably get to sort of £100 | 0:38:48 | 0:38:52 | |
-in total for all of them. -Oh, dear. | 0:38:52 | 0:38:54 | |
What about 130? Would that be all right? | 0:38:54 | 0:38:56 | |
We could go to 120. | 0:38:56 | 0:38:58 | |
Yeah, I'll do 120. Brilliant. | 0:38:58 | 0:39:01 | |
So, Jonty deposits a final profit into his pot | 0:39:01 | 0:39:05 | |
and he's feeling relieved. | 0:39:05 | 0:39:07 | |
Well, I'm going to let you into a little secret. | 0:39:07 | 0:39:10 | |
Between you and me, I wasn't quite sure how that was going to pan out, | 0:39:10 | 0:39:13 | |
but, hey, I made a sale and another profit. | 0:39:13 | 0:39:17 | |
With the opposition over the finish line, Danny is in the Big Smoke | 0:39:19 | 0:39:22 | |
and he's tracked down the Pimlico pub | 0:39:22 | 0:39:25 | |
that features in his oil painting. | 0:39:25 | 0:39:27 | |
Now, that looks familiar, doesn't it? | 0:39:27 | 0:39:29 | |
The only thing missing is the church. I'm here to see Senan. | 0:39:29 | 0:39:34 | |
He's the owner. I've brought along my Charles Grimme. | 0:39:34 | 0:39:38 | |
I'm just hoping that he loves this piece of nostalgic history | 0:39:38 | 0:39:43 | |
and gives me a good profit. | 0:39:43 | 0:39:45 | |
The painting owes him nearly £118 so he needs to think big. | 0:39:45 | 0:39:51 | |
-Daniel, how are you? -Not so bad at all. How are you? -Good, thank you. | 0:39:51 | 0:39:54 | |
-How long have you been here? -A little over seven years. | 0:39:54 | 0:39:57 | |
I don't know if you've been here long enough | 0:39:57 | 0:39:59 | |
to know the history of the area. | 0:39:59 | 0:40:01 | |
Yeah, I'm very interested in history and I've done | 0:40:01 | 0:40:03 | |
a good bit of research myself. | 0:40:03 | 0:40:04 | |
I know a lot of stuff from the neighbours as well. | 0:40:04 | 0:40:06 | |
The pub is on this picture. | 0:40:06 | 0:40:08 | |
-It's hard to see it, to be honest, because... -I can see it. | 0:40:08 | 0:40:10 | |
I've seen it. I've looked outside and I've eyed it up. | 0:40:10 | 0:40:13 | |
Well, it's just here. That's it there. | 0:40:13 | 0:40:15 | |
The church is beautiful, actually. | 0:40:15 | 0:40:17 | |
-It's a pity they demolished it, isn't it? -1974, I believe. | 0:40:17 | 0:40:20 | |
I bought it in auction, a lovely painting by Charles Grimme. | 0:40:20 | 0:40:23 | |
-I can even date it for you.. -Great, what's the date? | 0:40:23 | 0:40:26 | |
Well, I've done some research. | 0:40:26 | 0:40:28 | |
This Routemaster bus going along this road didn't start till 1963. | 0:40:28 | 0:40:34 | |
-Right, must be early '60s, then. -Exactly. | 0:40:34 | 0:40:37 | |
You'd find a nice place for this, wouldn't you, | 0:40:37 | 0:40:39 | |
in your office, behind the bar? | 0:40:39 | 0:40:41 | |
I'm sure I can find a nice place for it | 0:40:41 | 0:40:43 | |
and my neighbours would love it, too. | 0:40:43 | 0:40:44 | |
I'd be willing to give you maybe £120 for it. | 0:40:44 | 0:40:47 | |
-Ooh, Senan, you're too light. -Yeah? | 0:40:47 | 0:40:49 | |
Really I wanted about £300 and I thought that was going | 0:40:49 | 0:40:52 | |
-to be a fair offer. -220, maybe? | 0:40:52 | 0:40:54 | |
-Can you squeeze to 250? -OK. All right, done. | 0:40:54 | 0:40:57 | |
-Have I got a deal? -You've got a deal at 250. -250? -Yeah, OK. | 0:40:57 | 0:41:00 | |
-Senan, you're a star. -OK. | 0:41:00 | 0:41:02 | |
Danny's aced it again! | 0:41:02 | 0:41:04 | |
That's a final profit on his scoresheet and he's done and dusted. | 0:41:04 | 0:41:11 | |
Both our boys took £1,000 of their own money to the auction in London. | 0:41:11 | 0:41:16 | |
Jonty bought five lots and spent... | 0:41:16 | 0:41:18 | |
Danny bagged himself six lots and spent... | 0:41:21 | 0:41:24 | |
But, of course, what matters now is profits. | 0:41:27 | 0:41:30 | |
All the money our duo have made will go to charities of their choice | 0:41:30 | 0:41:33 | |
so it's time to reveal who is today's | 0:41:33 | 0:41:35 | |
Put Your Money Where Your Mouth Is champion. | 0:41:35 | 0:41:39 | |
-Danny, how are you? -Not so bad at all, not so bad at all, Hitman. | 0:41:40 | 0:41:44 | |
-So, auction sale. -Yes, how did you get on? | 0:41:44 | 0:41:47 | |
Well, I just went completely off-piste. | 0:41:47 | 0:41:49 | |
I bought items that I would not normally buy. | 0:41:49 | 0:41:51 | |
-Course you did, you bought a load of fashion. -I did. -Good profits? -Yeah. | 0:41:51 | 0:41:55 | |
The best one was the one you ran me up on, | 0:41:55 | 0:41:57 | |
-that perfume bottle. -Oh, yes, I remember. I ran you up on it! | 0:41:57 | 0:42:00 | |
I started that first. | 0:42:00 | 0:42:01 | |
I did pretty well on that and the scarves, | 0:42:01 | 0:42:05 | |
they did pretty well as well. What about you? | 0:42:05 | 0:42:07 | |
Do you remember the oil on board, | 0:42:07 | 0:42:08 | |
-the African-American boxer world champion? -That was a nice thing. | 0:42:08 | 0:42:11 | |
That was a nice thing and found a good home - | 0:42:11 | 0:42:14 | |
went to an associate of mine who's into boxing and so forth. | 0:42:14 | 0:42:17 | |
He bought it. | 0:42:17 | 0:42:18 | |
And then do you remember my Charles Grimme, another painting? | 0:42:18 | 0:42:21 | |
The pub, the King William IV? | 0:42:21 | 0:42:23 | |
That went back to the King William IV. | 0:42:23 | 0:42:25 | |
A red bus came by, just like you seen on the picture. | 0:42:25 | 0:42:29 | |
Something tells me you've done pretty well on this one. | 0:42:29 | 0:42:32 | |
-Well, we shall soon find out. -Shall we have a look? -Why not? | 0:42:32 | 0:42:35 | |
-Let's have a look, come on. -OK, so here we go. | 0:42:35 | 0:42:37 | |
-BOTH: -One, two, three... | 0:42:37 | 0:42:38 | |
-BOTH: -Ohhhh! | 0:42:40 | 0:42:42 | |
-Now, there's a gap there now. -That's a big margin. -Well.. -Wow! Well done. | 0:42:42 | 0:42:47 | |
-I need it against you, I do! -Well done. | 0:42:47 | 0:42:50 | |
So, it's a resounding victory for the Wellingborough wheelerdealer | 0:42:50 | 0:42:54 | |
and he's like the cat that got the cream. | 0:42:54 | 0:42:57 | |
Ding-ding! That round was definitely mine | 0:42:57 | 0:43:00 | |
and I suppose it was down to that boxing painting. | 0:43:00 | 0:43:04 | |
Well, I tried and I tried really hard, | 0:43:04 | 0:43:07 | |
but it just wasn't good enough on the day. | 0:43:07 | 0:43:10 | |
Danny, I salute you. | 0:43:10 | 0:43:12 | |
But Jonty will come back fighting tomorrow | 0:43:12 | 0:43:15 | |
when our gents ride into battle at a West Sussex car-boot sale. | 0:43:15 | 0:43:18 | |
HE LAUGHS | 0:43:18 | 0:43:20 |