Browse content similar to Jonty Hearnden vs Danny Sebastian - Foreign Antiques Market. Check below for episodes and series from the same categories and more!
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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's | 0:00:04 | 0:00:05 | |
best-loved antiques experts | 0:00:05 | 0:00:06 | |
against each other in an all-out battle for profits. | 0:00:06 | 0:00:10 | |
I think I see a bargain. | 0:00:10 | 0:00:11 | |
Each day, one pair of duelling dealers | 0:00:12 | 0:00:15 | |
will face a mighty challenge. | 0:00:15 | 0:00:16 | |
Oh, yeah. | 0:00:16 | 0:00:18 | |
Putting their reputations | 0:00:18 | 0:00:19 | |
on the line... | 0:00:19 | 0:00:20 | |
Ready for battle. | 0:00:20 | 0:00:21 | |
..they'll give you | 0:00:21 | 0:00:22 | |
the insider's view of the trade... | 0:00:22 | 0:00:24 | |
I'm a big boy. I'm a player. | 0:00:24 | 0:00:27 | |
..along with their top tips | 0:00:27 | 0:00:28 | |
and savvy secrets... | 0:00:28 | 0:00:29 | |
It's not all about what you spend, it's about what you make. | 0:00:29 | 0:00:32 | |
..showing you how to make the most money... | 0:00:32 | 0:00:35 | |
-It really is war. -..from buying and selling. | 0:00:35 | 0:00:38 | |
You've got to be in there like a whippet. | 0:00:38 | 0:00:40 | |
Coming up... Jonty makes the find of a lifetime. | 0:00:41 | 0:00:45 | |
This is what I've searched the world for high and low - | 0:00:45 | 0:00:49 | |
an etching by Salvador Dali. | 0:00:49 | 0:00:52 | |
Danny goes all French... | 0:00:52 | 0:00:53 | |
C'est bon. C'est bon. Monsieur, c'est bon. | 0:00:53 | 0:00:58 | |
..and one of our dealers decides, if you don't ask, you don't get. | 0:00:58 | 0:01:02 | |
The price tag for this is £1,200. | 0:01:02 | 0:01:04 | |
I think it's worth every single penny. | 0:01:04 | 0:01:06 | |
This is Put Your Money Where Your Mouth Is. | 0:01:06 | 0:01:09 | |
Bonjour, spectateurs. | 0:01:25 | 0:01:27 | |
Please listen very carefully. | 0:01:27 | 0:01:29 | |
I will say this only once. | 0:01:29 | 0:01:32 | |
In the beautiful town of Annecy in South Eastern France, | 0:01:32 | 0:01:35 | |
two mysterious antiques agents are undercover and over eager. | 0:01:35 | 0:01:40 | |
They've prepped hard for this assignment, | 0:01:40 | 0:01:42 | |
and now they're ready to spy the rarest valuables, | 0:01:42 | 0:01:45 | |
each prepared to do absolutely anything | 0:01:45 | 0:01:48 | |
to prevent the other from pulling off | 0:01:48 | 0:01:50 | |
a winning heist. | 0:01:50 | 0:01:51 | |
First up, it's an international man of mystery, | 0:01:52 | 0:01:55 | |
trained to the rim of his government-issue glasses. | 0:01:55 | 0:01:58 | |
This inside man is full of antiques intel and isn't afraid to use it. | 0:01:58 | 0:02:01 | |
He won't stop till he's in 00 profit heaven. | 0:02:01 | 0:02:05 | |
It's... | 0:02:05 | 0:02:06 | |
I'm going to get in there as quickly as I can | 0:02:08 | 0:02:10 | |
to get as many bargains as I can - right now. | 0:02:10 | 0:02:13 | |
His adversary is a master of disguise. | 0:02:13 | 0:02:16 | |
This covert chameleon has so many identities | 0:02:16 | 0:02:18 | |
that even he doesn't know who he is any more. | 0:02:18 | 0:02:21 | |
He's incognito, and in with a good chance | 0:02:21 | 0:02:23 | |
of making this money-making mission possible. | 0:02:23 | 0:02:26 | |
It's... | 0:02:27 | 0:02:28 | |
Keep your eye on me. I'm going to do well today. | 0:02:31 | 0:02:33 | |
You watch and see. | 0:02:33 | 0:02:35 | |
Their challenge is to bag the best French fancies, | 0:02:35 | 0:02:38 | |
sell them on back in Blighty | 0:02:38 | 0:02:40 | |
and rake in the profits for charity. | 0:02:40 | 0:02:43 | |
This message is about to self-destruct. | 0:02:43 | 0:02:45 | |
Let's hope our dealers don't. | 0:02:45 | 0:02:47 | |
Bonjour, young man. | 0:02:47 | 0:02:49 | |
-How are you? -Very good. | 0:02:49 | 0:02:50 | |
What a place, hey! | 0:02:50 | 0:02:52 | |
-Yeah, it's nice. -Mountains, the lake. | 0:02:52 | 0:02:53 | |
-Have you been to Annecy before? -Never in my life. | 0:02:53 | 0:02:56 | |
I was here a long time ago. | 0:02:56 | 0:02:57 | |
But I seem to remember the market was quite an expensive market. | 0:02:57 | 0:03:01 | |
There's lots of tourists here, so beware. | 0:03:01 | 0:03:03 | |
-Beware! -I tell you what. | 0:03:03 | 0:03:05 | |
-I speak French. I speak a bit of French. So... -Do you? | 0:03:05 | 0:03:08 | |
My parents are from the Caribbean, which was a French colony, | 0:03:08 | 0:03:10 | |
so, I might have an advantage on you. | 0:03:10 | 0:03:12 | |
Hey, I'm worried already. | 0:03:12 | 0:03:14 | |
You better had be an' all, you better had be. | 0:03:14 | 0:03:16 | |
Enjoy. Spend your money wisely. | 0:03:16 | 0:03:18 | |
-Au revoir. -Yes. | 0:03:18 | 0:03:20 | |
Au revoir. Del Boy showing off his French there. | 0:03:20 | 0:03:23 | |
So, both our dealers head into the market | 0:03:23 | 0:03:26 | |
to see what they can spend their £750-worth of euros on. | 0:03:26 | 0:03:30 | |
-Bonjour. -Now Jonty's out of ear shot, | 0:03:30 | 0:03:32 | |
what is Danny's top secret plan of action? | 0:03:32 | 0:03:35 | |
My strategy today is to charm them, make them laugh, | 0:03:35 | 0:03:39 | |
really get in amongst them and get myself some bargains. | 0:03:39 | 0:03:43 | |
So, Danny is aiming to blend in with the locals | 0:03:43 | 0:03:45 | |
and win them over with charisma. | 0:03:45 | 0:03:47 | |
Eh? Very sneaky. | 0:03:47 | 0:03:49 | |
But, is Agent Jonty on to him already? | 0:03:49 | 0:03:53 | |
I'm convinced Danny is going to be | 0:03:53 | 0:03:55 | |
trying his sales patter on the French. | 0:03:55 | 0:03:57 | |
Will they understand him? | 0:03:57 | 0:03:59 | |
Will they get any sense out of him whatsoever? | 0:03:59 | 0:04:01 | |
I'm not so sure. | 0:04:01 | 0:04:03 | |
While he's gas-bagging, I'm going to be concentrating on my purchases. | 0:04:03 | 0:04:07 | |
Yes, you've got to get up earlier than that to outsmart The Hitman. | 0:04:08 | 0:04:12 | |
In fact, he's already fawning over his first, potential purchase. | 0:04:12 | 0:04:16 | |
Now this is really attractive. | 0:04:17 | 0:04:19 | |
This is what I like to find in French markets - | 0:04:19 | 0:04:20 | |
something that's a little bit unusual. | 0:04:20 | 0:04:22 | |
This is an Art Deco figure. | 0:04:22 | 0:04:24 | |
So it's made in the 1930s. | 0:04:24 | 0:04:26 | |
Back home, an object like this would be worth | 0:04:26 | 0:04:28 | |
several hundreds of pounds to the right buyer. | 0:04:28 | 0:04:31 | |
Now there's a bit of damage down at the bottom here, | 0:04:31 | 0:04:34 | |
but I think it's still worth a punt. | 0:04:34 | 0:04:36 | |
TRANSLATION: | 0:04:36 | 0:04:37 | |
That's 60 euros. | 0:04:38 | 0:04:40 | |
Jonty secures a 20-euro discount for the damage, | 0:04:54 | 0:04:57 | |
spending £34.48 on his first item. | 0:04:57 | 0:05:00 | |
This is my Art Deco fawn, which I bought. | 0:05:01 | 0:05:04 | |
And you can tell it's Art Deco | 0:05:04 | 0:05:06 | |
because the plinth it's standing on is very simple indeed. | 0:05:06 | 0:05:10 | |
Around that period of before the war, just post the war, | 0:05:10 | 0:05:13 | |
they produced lovely models like this here in France. | 0:05:13 | 0:05:16 | |
Is this a little DEAR? | 0:05:16 | 0:05:18 | |
I don't think so. | 0:05:18 | 0:05:19 | |
So, the jokes don't get any better in France, then. | 0:05:21 | 0:05:23 | |
Elsewhere, on the cobbled streets of Annecy, | 0:05:23 | 0:05:26 | |
Danny spotted an iron pestle and mortar | 0:05:26 | 0:05:28 | |
and thinks he could crush the competition with it. | 0:05:28 | 0:05:31 | |
You wouldn't have that in your kitchen, would you? | 0:05:31 | 0:05:33 | |
But I like it. It's quite quirky. | 0:05:33 | 0:05:36 | |
It's a nice, big, decorative lump. | 0:05:36 | 0:05:38 | |
I'm going to find out what sort of money I could buy it for. | 0:05:38 | 0:05:40 | |
Yes. Just how much can a rusty old pestle and mortar be? | 0:05:40 | 0:05:44 | |
How many? | 0:05:44 | 0:05:45 | |
2,000! Ow! | 0:05:45 | 0:05:47 | |
-200?! -Yes. | 0:05:48 | 0:05:50 | |
200! | 0:05:50 | 0:05:52 | |
You said 2,000. | 0:05:52 | 0:05:53 | |
I don't speak English. | 0:05:53 | 0:05:54 | |
No. You're speaking it now. | 0:05:54 | 0:05:56 | |
So... | 0:05:56 | 0:05:57 | |
What's your best? | 0:05:58 | 0:06:01 | |
180 euros. | 0:06:01 | 0:06:03 | |
I've got to try and get a bit more off it than that. | 0:06:03 | 0:06:05 | |
Mademoiselle... | 0:06:05 | 0:06:07 | |
140. | 0:06:07 | 0:06:09 | |
I'll tell you what. I'm going to go straight in at 160 | 0:06:09 | 0:06:12 | |
and tell them that's it. | 0:06:12 | 0:06:13 | |
Oui? | 0:06:16 | 0:06:17 | |
Oui, monsieur? Ah! C'est bon, c'est bon. | 0:06:19 | 0:06:23 | |
Yes. | 0:06:23 | 0:06:24 | |
We come to an agreement. | 0:06:24 | 0:06:25 | |
-Cushty. -Mangetout, Del Boy. | 0:06:27 | 0:06:30 | |
Danny leaps the language barrier, | 0:06:30 | 0:06:32 | |
and the rather rusty kitchen crusher | 0:06:32 | 0:06:34 | |
is his for just under £138. | 0:06:34 | 0:06:37 | |
Got to be a Victorian piece this. | 0:06:39 | 0:06:41 | |
Absolutely fabulous - I've never seen one this big. | 0:06:41 | 0:06:43 | |
It's rusty and all sorts inside. | 0:06:43 | 0:06:46 | |
But one thing's for sure, | 0:06:46 | 0:06:48 | |
you're not going to be ponging any nutmegs or anything in there | 0:06:48 | 0:06:52 | |
that you're going to use in a dish. | 0:06:52 | 0:06:53 | |
It's really for decorative purposes. | 0:06:53 | 0:06:55 | |
There's something about it that I think everyone's going to love. | 0:06:55 | 0:06:59 | |
Yes, it's a must for RUST-IC food lovers. | 0:06:59 | 0:07:02 | |
Our spies are level-pegging on one buy each, | 0:07:02 | 0:07:05 | |
but Danny's not done yet. | 0:07:05 | 0:07:07 | |
He's got another domestic item under surveillance. | 0:07:07 | 0:07:10 | |
1950s, Formica sewing table. | 0:07:10 | 0:07:13 | |
Very nice. Beautiful legs. | 0:07:13 | 0:07:15 | |
The colour's not the greatest. | 0:07:15 | 0:07:16 | |
For retro you want vibrant, you want funky. | 0:07:16 | 0:07:19 | |
Had it been yellow, orange, blue, red... | 0:07:19 | 0:07:22 | |
Woo! I'd have been on fire. | 0:07:22 | 0:07:24 | |
This one's a bit of a grey, mucky green. | 0:07:24 | 0:07:27 | |
But the legs are nice. | 0:07:27 | 0:07:30 | |
So, will Danny use his French to get a good deal? | 0:07:30 | 0:07:33 | |
How much? | 0:07:33 | 0:07:35 | |
Er, papier? | 0:07:37 | 0:07:38 | |
No, we're back to writing numbers again. | 0:07:39 | 0:07:42 | |
Straight away he's put on it 90 euros. | 0:07:42 | 0:07:45 | |
I don't like the sound of it. | 0:07:45 | 0:07:46 | |
Danny tries an offer of 40 euros. | 0:07:46 | 0:07:49 | |
I'm starting right low on this one. | 0:07:49 | 0:07:51 | |
The antiques assassin strikes again. | 0:07:52 | 0:07:55 | |
Oh! Hang on. He's OK. | 0:07:55 | 0:07:56 | |
TRANSLATION: | 0:07:56 | 0:07:58 | |
He's put in 75 and he's said dernier prix. | 0:08:01 | 0:08:04 | |
I think that means that's the end of it. | 0:08:04 | 0:08:06 | |
It's not the end of it. I want that piece and he's got to come down. | 0:08:06 | 0:08:09 | |
Oui. Dernier. | 0:08:09 | 0:08:10 | |
-All right. -Oh! | 0:08:15 | 0:08:16 | |
THEY LAUGH | 0:08:16 | 0:08:19 | |
60 euros. | 0:08:19 | 0:08:20 | |
That'll do me. | 0:08:20 | 0:08:21 | |
Danny finally seals the deal for just under £52 | 0:08:21 | 0:08:24 | |
and is so happy he bursts into song. | 0:08:24 | 0:08:28 | |
# Oh, monsieur, monsieur, c'est bon | 0:08:28 | 0:08:32 | |
# C'est bon, c'est bon, monsieur, c'est bon. # | 0:08:32 | 0:08:36 | |
Yeah, that's enough now, thank you. | 0:08:36 | 0:08:38 | |
I've got myself a beautiful, continental, 1950s sewing box. | 0:08:38 | 0:08:42 | |
Formica-topped. | 0:08:42 | 0:08:44 | |
Always check there's no cracks or chips or anything, | 0:08:44 | 0:08:47 | |
because that devalues it quite considerably. | 0:08:47 | 0:08:50 | |
But this is absolutely beautiful. | 0:08:50 | 0:08:53 | |
Open it up. Double doors. | 0:08:53 | 0:08:56 | |
It's full of gear in here. | 0:08:56 | 0:08:58 | |
Bobbins. Vintage threads. | 0:08:58 | 0:08:59 | |
Bits of cloth. I'll tell you what, I've got myself a right steal here. | 0:08:59 | 0:09:03 | |
In fact, it's not a steal, it's not a deal. | 0:09:03 | 0:09:05 | |
This is the sale of the century. | 0:09:05 | 0:09:07 | |
Jonty, the big Hitman, I've got this one sewn up. | 0:09:07 | 0:09:10 | |
Indeed. With Jonty trailing behind on one buy to Danny's two, | 0:09:12 | 0:09:16 | |
his cool eye has settled on something | 0:09:16 | 0:09:18 | |
he hopes will put his competitor on ice. | 0:09:18 | 0:09:21 | |
This is a beautiful, silver-plated-topped ice bucket. | 0:09:21 | 0:09:24 | |
We've got a crystal base, | 0:09:24 | 0:09:26 | |
you need to check that everything here | 0:09:26 | 0:09:27 | |
on the underside is in good condition. | 0:09:27 | 0:09:29 | |
No scratches, no marks, no chips. | 0:09:29 | 0:09:31 | |
That's really important because it's completely unrestorable | 0:09:31 | 0:09:34 | |
most of the time. | 0:09:34 | 0:09:36 | |
You've got this lovely, silver-plated top to it. | 0:09:36 | 0:09:39 | |
Date-wise, 1950s, 1960s. | 0:09:39 | 0:09:43 | |
There's a little price tag on it, which does help me. | 0:09:43 | 0:09:45 | |
55 euros. | 0:09:45 | 0:09:47 | |
We're in the right ballpark already. | 0:09:47 | 0:09:49 | |
Let's see what I can get it for. | 0:09:49 | 0:09:51 | |
Brilliant. OK. Merci, madame. | 0:09:54 | 0:09:56 | |
Jonty gets a speedy 15-euro discount, | 0:09:56 | 0:09:59 | |
capturing the ice bucket for just over £34, | 0:09:59 | 0:10:02 | |
leaving The Hitman shaken and stirred. | 0:10:02 | 0:10:05 | |
Look at the quality in an object like this! | 0:10:05 | 0:10:07 | |
Wow! I just think it's going to look so cool back home. | 0:10:07 | 0:10:11 | |
With our dealers now neck and neck on two buys a piece, | 0:10:11 | 0:10:14 | |
Danny knows he'll have to go deep undercover to unearth the gems. | 0:10:14 | 0:10:18 | |
And with that in mind, he decides to go full French. | 0:10:18 | 0:10:22 | |
Bonjour, bonjour, bonjour. C'est bon, c'est bon, | 0:10:22 | 0:10:25 | |
c'est bon, c'est bon. | 0:10:25 | 0:10:26 | |
C'est bon, bon. | 0:10:28 | 0:10:29 | |
That should do it. With his real identity safe for now, | 0:10:30 | 0:10:33 | |
he's spotted something he could store | 0:10:33 | 0:10:36 | |
his classified documents in, and swoops. | 0:10:36 | 0:10:38 | |
I mean, what would this really have been used for? | 0:10:38 | 0:10:42 | |
It's got to be some sort of filing. | 0:10:42 | 0:10:43 | |
It's probably the '60s. It's plywood. | 0:10:43 | 0:10:45 | |
So, it's not that old but it looks well. | 0:10:45 | 0:10:48 | |
TRANSLATION: | 0:10:48 | 0:10:51 | |
Time for Danny to get his trusty pen and paper out. | 0:11:04 | 0:11:07 | |
-135. -No. | 0:11:07 | 0:11:09 | |
140? | 0:11:11 | 0:11:12 | |
-140, OK. -140, OK. Give me your hand. | 0:11:15 | 0:11:17 | |
We've got a deal. | 0:11:18 | 0:11:20 | |
Danny files away his third purchase for £120.69 | 0:11:20 | 0:11:24 | |
and he's all fired up. | 0:11:24 | 0:11:25 | |
Jonty, you'd better be buying good because I'm buying brilliant. | 0:11:27 | 0:11:31 | |
You ain't going to stand a chance against me today, boy. | 0:11:31 | 0:11:34 | |
By Jove. | 0:11:34 | 0:11:35 | |
That takes us to the halfway mark. | 0:11:35 | 0:11:37 | |
Time to find out who's cracked the code and who's being reassigned. | 0:11:37 | 0:11:41 | |
With a £750 budget, Jonty's spent carefully so far, | 0:11:43 | 0:11:47 | |
investing £68.96 on two items, | 0:11:47 | 0:11:51 | |
leaving a healthy £681.04 in his kitty. | 0:11:51 | 0:11:55 | |
Danny's bought more and splashed more cash. | 0:11:55 | 0:11:58 | |
£310.34 on three items, | 0:11:58 | 0:12:01 | |
leaving a healthy £439.66 for the rest of the day. | 0:12:01 | 0:12:05 | |
Aye-up, Jonty, I've caught you on the move. | 0:12:06 | 0:12:09 | |
-Are you buying it? -It'll remind me of you, a bit of a joker. | 0:12:09 | 0:12:12 | |
Hey! Just be careful what you're saying here now. | 0:12:12 | 0:12:15 | |
-How are you getting on? -Good. | 0:12:15 | 0:12:17 | |
-Really? -Yeah, very good. -That's surprising. | 0:12:17 | 0:12:19 | |
I'll tell you what... I've got it all that you said this morning. | 0:12:19 | 0:12:22 | |
It's really dear here. | 0:12:22 | 0:12:23 | |
There's no bargains. | 0:12:23 | 0:12:25 | |
There's plenty of bargains here, Jonty. | 0:12:25 | 0:12:26 | |
There's plenty of bargains here. | 0:12:26 | 0:12:28 | |
What I find quite interesting, | 0:12:28 | 0:12:29 | |
The dealers are quite happy to do a bit of a deal. | 0:12:29 | 0:12:31 | |
-How many pieces have you got? -I've got a few. | 0:12:31 | 0:12:33 | |
-I'm doing all right. -Do you want to know how many I've got? | 0:12:33 | 0:12:35 | |
I'm not really that bothered. Go on, tell me. | 0:12:35 | 0:12:37 | |
I'm not going to. | 0:12:37 | 0:12:38 | |
HE LAUGHS | 0:12:38 | 0:12:40 | |
-I'll see you later. -I'll see you later. | 0:12:40 | 0:12:42 | |
Our clandestine customers are keeping things on the QT, | 0:12:44 | 0:12:48 | |
but has Danny ruffled Jonty's feathers | 0:12:48 | 0:12:50 | |
more than he was letting on? | 0:12:50 | 0:12:53 | |
I've just seen Danny. | 0:12:53 | 0:12:54 | |
He's doing all right. He's buying a few things. | 0:12:54 | 0:12:57 | |
I'm worried, because I thought he was going to be a fish out of water. | 0:12:57 | 0:13:00 | |
I'd better get cracking. | 0:13:00 | 0:13:02 | |
I've not even covered this market and I've bought some nice bits. | 0:13:02 | 0:13:06 | |
You know what? Ding, ding. | 0:13:06 | 0:13:09 | |
Danny's round. | 0:13:09 | 0:13:10 | |
So, confident, Danny plunges headfirst back into the market. | 0:13:10 | 0:13:14 | |
And his radar soon uncovers a mysterious book. | 0:13:14 | 0:13:18 | |
Look! | 0:13:18 | 0:13:19 | |
-First edition. -300 euros. | 0:13:19 | 0:13:22 | |
Is it? | 0:13:22 | 0:13:24 | |
That's piqued his interest, but it seems to be written in some sort | 0:13:24 | 0:13:27 | |
of unbreakable code. | 0:13:27 | 0:13:28 | |
What is it? | 0:13:28 | 0:13:29 | |
Latin. | 0:13:29 | 0:13:32 | |
No need for the portable enigma. | 0:13:32 | 0:13:34 | |
It's just Latin. | 0:13:34 | 0:13:36 | |
I've got a book they're sort of saying is a book of law. | 0:13:36 | 0:13:38 | |
It's about 300 years old. | 0:13:38 | 0:13:40 | |
It's not my field whatsoever. | 0:13:40 | 0:13:42 | |
In this game, you've got to take chances, you've got to take a punt. | 0:13:42 | 0:13:46 | |
If it's the right money, it's exactly what I'll be doing. | 0:13:46 | 0:13:50 | |
-How much money? -Seven? | 0:13:50 | 0:13:52 | |
Seven what? Seven, oh, hold on. | 0:13:52 | 0:13:55 | |
-Seven euros? -Nice try. | 0:13:55 | 0:13:58 | |
-Seven zero. -70. 70. | 0:13:58 | 0:14:00 | |
-What's your price? -25. | 0:14:00 | 0:14:02 | |
Danny's bids are lethal today, and he's not backing down. | 0:14:06 | 0:14:09 | |
25. | 0:14:09 | 0:14:10 | |
Yeah. Yeah. | 0:14:14 | 0:14:16 | |
He's told me 30. | 0:14:17 | 0:14:18 | |
I'll have a go at that. | 0:14:18 | 0:14:19 | |
Danny and his dangerous charm offensive | 0:14:20 | 0:14:22 | |
bagged the ancient book for £25.86, | 0:14:22 | 0:14:25 | |
and he nudges even further ahead with four purchases | 0:14:25 | 0:14:28 | |
to Jonty's two. | 0:14:28 | 0:14:30 | |
This is a lovely, decorative piece. | 0:14:30 | 0:14:32 | |
It's really getting my juices going | 0:14:32 | 0:14:35 | |
to want to get a bit of research done on it, | 0:14:35 | 0:14:37 | |
and find out what it really is. | 0:14:37 | 0:14:39 | |
It might be something special. | 0:14:39 | 0:14:41 | |
Jonty, I hope it is. | 0:14:41 | 0:14:44 | |
Looks like the heat's got to Danny. | 0:14:44 | 0:14:47 | |
All that's left is his hat. | 0:14:47 | 0:14:48 | |
Yes, with Danny's disguises foxing even Agent Jonty, | 0:14:49 | 0:14:53 | |
there really is no stopping him now. | 0:14:53 | 0:14:55 | |
Codename Del Boy has just found some early 20th-century industrial lights | 0:14:55 | 0:14:59 | |
and he's lit up. | 0:14:59 | 0:15:01 | |
When you talk about Decorative with a capital D, | 0:15:01 | 0:15:05 | |
you're talking this pair of lights here. | 0:15:05 | 0:15:07 | |
I spotted them, I love them. | 0:15:07 | 0:15:08 | |
This... | 0:15:08 | 0:15:09 | |
..is boombastic. | 0:15:11 | 0:15:12 | |
So, with the help of a friendly local translator, | 0:15:14 | 0:15:17 | |
Danny switches to haggle mode. | 0:15:17 | 0:15:19 | |
What's the very best price you can give me? | 0:15:19 | 0:15:21 | |
-180. -150, we've got a deal. | 0:15:23 | 0:15:25 | |
I've got a right hard customer here. | 0:15:26 | 0:15:28 | |
These are absolutely beautiful. | 0:15:28 | 0:15:31 | |
I really like them. They don't look like a set of lights. | 0:15:31 | 0:15:33 | |
I know, hanging down over a bar, or something like that, | 0:15:33 | 0:15:35 | |
even in someone's house, in a kitchen... | 0:15:35 | 0:15:38 | |
Magnificento! | 0:15:38 | 0:15:40 | |
165. | 0:15:40 | 0:15:41 | |
We've got a deal. | 0:15:43 | 0:15:44 | |
The magnificento lights cost Danny just over £142, | 0:15:44 | 0:15:48 | |
and fortune is shining down on our foreign agent today. | 0:15:48 | 0:15:51 | |
He's made contact with the ultimate inside man | 0:15:51 | 0:15:54 | |
and is about to extract all his intel. | 0:15:54 | 0:15:56 | |
Listen to this. | 0:15:56 | 0:15:58 | |
Yves, it's an absolute pleasure to meet you. | 0:15:58 | 0:16:00 | |
It is nice to meet you as well. | 0:16:00 | 0:16:02 | |
Once I bought it, you turned round | 0:16:02 | 0:16:04 | |
and said you used to be in the company... | 0:16:04 | 0:16:05 | |
-Talk to me. -You made a real great deal | 0:16:05 | 0:16:09 | |
buying this lumiere because I recognise in this lumiere | 0:16:09 | 0:16:13 | |
the glass refractor, it's not a reflector, it's a refractor, | 0:16:13 | 0:16:16 | |
refracting the light instead of reflecting it. | 0:16:16 | 0:16:19 | |
In the past, public lighting was not made | 0:16:19 | 0:16:21 | |
with bulbs, with electric bulbs. | 0:16:21 | 0:16:24 | |
-It was made with... -Gas. | 0:16:24 | 0:16:25 | |
-With gas. -Yes. | 0:16:25 | 0:16:27 | |
And this is why it was in glass, to withstand the heat. | 0:16:27 | 0:16:32 | |
This company made, for example, the refractor, | 0:16:32 | 0:16:35 | |
the glass lenses for lighthouses. | 0:16:35 | 0:16:37 | |
So, was it a good buy? | 0:16:37 | 0:16:38 | |
I mean, I paid 165 euros for it. | 0:16:38 | 0:16:41 | |
This lumiere is unique and it is worth much more than that. | 0:16:41 | 0:16:45 | |
So you did a great deal. | 0:16:45 | 0:16:47 | |
One, because you did not only buy a lumiere, | 0:16:47 | 0:16:50 | |
you buy a piece of history. | 0:16:50 | 0:16:51 | |
-Yes. -So you did very well. | 0:16:51 | 0:16:54 | |
-Congratulations. -That'll do me. | 0:16:54 | 0:16:56 | |
Thank you very much. Thank you. | 0:16:56 | 0:16:58 | |
Now, wasn't that a stroke of luck? | 0:16:58 | 0:17:00 | |
And talking of luck, across the market, | 0:17:00 | 0:17:03 | |
Jonty has just made an extraordinary discovery. | 0:17:03 | 0:17:06 | |
This is a lithograph by the great surrealist artist, | 0:17:06 | 0:17:11 | |
none other than Salvador Dali. | 0:17:11 | 0:17:14 | |
This is a limited edition and we have the number here, 160 of 250. | 0:17:14 | 0:17:19 | |
It's a great colour. | 0:17:19 | 0:17:21 | |
And you can tell that this is original | 0:17:21 | 0:17:23 | |
because you can see the impression in the plate. | 0:17:23 | 0:17:27 | |
If I flip it over... | 0:17:27 | 0:17:28 | |
..we see that we have a certificate on the back here, | 0:17:30 | 0:17:34 | |
which gives it authenticity. | 0:17:34 | 0:17:36 | |
What is your best price? | 0:17:36 | 0:17:37 | |
380? | 0:17:39 | 0:17:40 | |
If we do 360, I'll buy it. | 0:17:41 | 0:17:43 | |
Non... Non. | 0:17:45 | 0:17:47 | |
-370. -No. | 0:17:47 | 0:17:49 | |
No, it's impossible. | 0:17:49 | 0:17:51 | |
OK. We'll buy at 380. | 0:17:51 | 0:17:53 | |
Jonty can't believe it. | 0:17:54 | 0:17:56 | |
A signed Dali for just under £328. | 0:17:56 | 0:18:00 | |
This... | 0:18:00 | 0:18:01 | |
is what I search the world for, high and low - | 0:18:01 | 0:18:04 | |
an etching by Salvador Dali. | 0:18:04 | 0:18:06 | |
This is so fantastic. | 0:18:06 | 0:18:09 | |
It really is very, very exciting. | 0:18:09 | 0:18:12 | |
It's entitled Voices Of My Beloved, and it was made by Dali in 1972. | 0:18:12 | 0:18:17 | |
He produced this on an etching board, | 0:18:17 | 0:18:19 | |
it would have been hand-coloured, | 0:18:19 | 0:18:20 | |
and then reproduced 250 times only, | 0:18:20 | 0:18:23 | |
and then that etching board would have been destroyed. | 0:18:23 | 0:18:26 | |
This is his pencil signature down here on the bottom | 0:18:26 | 0:18:29 | |
right-hand corner. | 0:18:29 | 0:18:30 | |
I paid, what, 380 euros for it. | 0:18:30 | 0:18:32 | |
And believe you me, it's worth an awful lot more money than that. | 0:18:33 | 0:18:37 | |
Hitman can barely conceal his glee. | 0:18:37 | 0:18:40 | |
Unaware of Jonty's artistic triumph, | 0:18:40 | 0:18:43 | |
Danny has decided his five French fancies are enough. | 0:18:43 | 0:18:46 | |
Well, I'm all bought up. | 0:18:46 | 0:18:48 | |
I wonder how Jonty is getting on. | 0:18:48 | 0:18:50 | |
I'm going to go and get myself something nice to eat. | 0:18:50 | 0:18:52 | |
Jonty, bon appetit. | 0:18:52 | 0:18:55 | |
While Danny chows down, Jonty is still keen to splash the cash. | 0:18:55 | 0:18:58 | |
And he's spied a deadly looking implement. | 0:18:58 | 0:19:01 | |
Well, I just think that's a bit of fun. | 0:19:01 | 0:19:03 | |
It's a baguette slicer. | 0:19:03 | 0:19:06 | |
How French is that? | 0:19:07 | 0:19:08 | |
We have a price tag of 65 euros. | 0:19:08 | 0:19:11 | |
If it was slightly less, then I could be in for a purchase. | 0:19:11 | 0:19:14 | |
TRANSLATION: | 0:19:14 | 0:19:16 | |
40? 40. | 0:19:20 | 0:19:22 | |
OK. | 0:19:27 | 0:19:28 | |
Tres bon. Jonty slices 20 euros off the asking price, | 0:19:31 | 0:19:34 | |
and shakes on £38.79. | 0:19:34 | 0:19:37 | |
Now, this is not strictly antique. | 0:19:37 | 0:19:39 | |
It's second-hand. | 0:19:39 | 0:19:41 | |
It's the kind of object that I know will sell back at home, | 0:19:41 | 0:19:43 | |
possibly to a deli, to a restaurant. | 0:19:43 | 0:19:47 | |
It's a flavour... A taste of France. | 0:19:47 | 0:19:50 | |
Jonty had better watch his fingers, and Danny had better watch his back | 0:19:50 | 0:19:53 | |
because The Hitman is closing in on his lead. | 0:19:53 | 0:19:56 | |
And he's spotted something he thinks will be perfect | 0:19:56 | 0:19:59 | |
for the modern spy about town. | 0:19:59 | 0:20:01 | |
This is so cool. Look at this. | 0:20:01 | 0:20:03 | |
This is an adjustable hat stand. | 0:20:03 | 0:20:05 | |
And look at the label on the top. | 0:20:05 | 0:20:07 | |
Paris. Wow! | 0:20:07 | 0:20:10 | |
So, it's sort of silver-plated, so it's brass. | 0:20:10 | 0:20:12 | |
And the silver plate is wearing away. | 0:20:12 | 0:20:15 | |
It has that lovely feel to it. | 0:20:15 | 0:20:16 | |
Date-wise, I would suspect that it's probably 1920s. | 0:20:16 | 0:20:21 | |
We've got an adjust... | 0:20:21 | 0:20:22 | |
So, in your shop window, you put your best bonnet, | 0:20:22 | 0:20:25 | |
your best bowler hat on top of that. | 0:20:25 | 0:20:28 | |
TRANSLATION: | 0:20:28 | 0:20:30 | |
-70. -Would you take 50? | 0:20:32 | 0:20:34 | |
No, it's not possible for me. | 0:20:34 | 0:20:36 | |
-Yes. Yes, yes. -Sorry, | 0:20:36 | 0:20:38 | |
it's not possible for me. Sorry, sorry. | 0:20:38 | 0:20:40 | |
-Not possible. -So we are saying 70. | 0:20:40 | 0:20:42 | |
-OK. -OK. | 0:20:44 | 0:20:46 | |
Hard man. | 0:20:47 | 0:20:48 | |
The seller wouldn't budge on price, | 0:20:48 | 0:20:50 | |
and the hat stand is his for £60.34. | 0:20:50 | 0:20:54 | |
And that's it. | 0:20:54 | 0:20:56 | |
The French file is closed. | 0:20:56 | 0:20:57 | |
Our secretive scavengers have finished their furtive market frisk | 0:20:57 | 0:21:01 | |
and it's time to tot up the totals. | 0:21:01 | 0:21:04 | |
They both started the day with £750 worth of their own euros to spend. | 0:21:04 | 0:21:08 | |
Jonty hopes he's created a covetable cash, | 0:21:09 | 0:21:12 | |
with his five purchases, costing £495.68. | 0:21:12 | 0:21:16 | |
But Danny is confident his hoard will win the day. | 0:21:16 | 0:21:20 | |
Five sellables for £478.44. | 0:21:20 | 0:21:25 | |
Time for a bit of show and tell. | 0:21:25 | 0:21:26 | |
-Hey. -Danny boy. | 0:21:28 | 0:21:30 | |
Hey. What a day, eh? | 0:21:30 | 0:21:31 | |
-Fantastic. -Best buy? | 0:21:31 | 0:21:33 | |
I'm going to go with my lights. | 0:21:33 | 0:21:34 | |
I absolutely love them. | 0:21:34 | 0:21:36 | |
Very impressive. | 0:21:36 | 0:21:37 | |
The chap who was the CEO of the company | 0:21:37 | 0:21:40 | |
that used to manufacture 'em, | 0:21:40 | 0:21:41 | |
he was at the market, he's given me all the info. | 0:21:41 | 0:21:44 | |
So he shone a light on it for you? | 0:21:44 | 0:21:45 | |
Ooh! I like it. | 0:21:45 | 0:21:47 | |
-I like it. -I bought something for you. | 0:21:47 | 0:21:49 | |
Something to hang your hat on. | 0:21:49 | 0:21:51 | |
-Because that is lovely. -Very nice. -Very simple. | 0:21:51 | 0:21:54 | |
-Got Paris written all over it. -All over it. It's all over it. | 0:21:54 | 0:21:57 | |
Even on the underside, as well. | 0:21:57 | 0:21:59 | |
You've got this needle and thread thing going on. | 0:21:59 | 0:22:01 | |
The haberdashery look. | 0:22:01 | 0:22:02 | |
You are a secret sewer, is that right? | 0:22:02 | 0:22:04 | |
Yeah, well, I'm thinking about stitching you up. | 0:22:04 | 0:22:07 | |
It's cool, it's funky. | 0:22:07 | 0:22:09 | |
It's a nice shape. But my piece of resistance... | 0:22:09 | 0:22:12 | |
..is my lovely signed Dali etching. | 0:22:12 | 0:22:16 | |
-Is it Dali? -Absolutely. | 0:22:16 | 0:22:18 | |
That is Dali's signature there. | 0:22:18 | 0:22:20 | |
When I bought my lot, I thought, I've got this game wrapped up. | 0:22:20 | 0:22:24 | |
But now I'm getting worried. | 0:22:24 | 0:22:26 | |
Well, you should be worried because that's worth a lot of money. | 0:22:26 | 0:22:29 | |
Now, do you fancy a trip around the lake on a pedalo? | 0:22:29 | 0:22:31 | |
Of course I do. Let's talk about your Dali. | 0:22:31 | 0:22:33 | |
Battle weary and laden with booty, our duo head back to Blighty, | 0:22:38 | 0:22:43 | |
but there's no time to put their feet up as they undertake the | 0:22:43 | 0:22:47 | |
gargantuan challenge of selling all their French treasures. | 0:22:47 | 0:22:50 | |
They must hunt down buyers, haggle hard, | 0:22:50 | 0:22:52 | |
and maximise profits for their chosen charities. | 0:22:52 | 0:22:55 | |
Back at his Oxfordshire hideout, Jonty is surveying his wares. | 0:22:57 | 0:23:02 | |
Still looks good. | 0:23:03 | 0:23:04 | |
I was so pleased with my purchases in the south of France. | 0:23:04 | 0:23:07 | |
For every single object that I've got here, I'm very, very pleased with. | 0:23:07 | 0:23:10 | |
Starting off with the fawn... | 0:23:10 | 0:23:12 | |
It's not bronze, it's spelter, which is a cheaper alloy. | 0:23:12 | 0:23:15 | |
So I can't get too much for my little fawn, here. | 0:23:15 | 0:23:18 | |
But I still think it's a very, very decorative object. | 0:23:18 | 0:23:21 | |
The ice bucket, wow! | 0:23:21 | 0:23:23 | |
I will always find a home for that. | 0:23:23 | 0:23:25 | |
I love the fact it's silver-plated and we've got the crystal, there, as well. | 0:23:25 | 0:23:28 | |
But my best, best object has to be my signed Dali piece. | 0:23:28 | 0:23:31 | |
I was so excited when I stumbled across that. | 0:23:31 | 0:23:34 | |
That's from a series entitled The Song Of Songs of Solomon, | 0:23:34 | 0:23:39 | |
which is a set of 12 etchings, which demonstrates Dali's enthusiasm | 0:23:39 | 0:23:45 | |
for religious scenes. | 0:23:45 | 0:23:48 | |
It's on handmade paper and the very exciting thing, which I've discovered, | 0:23:48 | 0:23:52 | |
is that the gold that glistens on the top, here, | 0:23:52 | 0:23:56 | |
is literally gold dust applied to it. | 0:23:56 | 0:23:59 | |
So not only have we got a signed Dali piece, here, | 0:23:59 | 0:24:02 | |
we've also got gold as well. | 0:24:02 | 0:24:04 | |
It really is beautiful. | 0:24:04 | 0:24:06 | |
Jonty also needs to find buyers for his baguette cutter and hat stand. | 0:24:08 | 0:24:13 | |
In Wellingborough, Del Boy seems confused about which country he's in. | 0:24:13 | 0:24:17 | |
Bonjour, Bonjour. | 0:24:17 | 0:24:19 | |
What a beautiful day I had at Annecy. | 0:24:19 | 0:24:22 | |
And I've got some fantastic bits, let me tell you. | 0:24:22 | 0:24:25 | |
My favourite piece has got to be these public lights. | 0:24:25 | 0:24:27 | |
I mean, they're great. They're really decorative. | 0:24:27 | 0:24:30 | |
Having a closer look, I don't think they've got a lot of age to them. | 0:24:30 | 0:24:34 | |
But I'm not bothered about that. | 0:24:34 | 0:24:35 | |
I don't know where I'm going to sell them yet, but one thing's for sure, | 0:24:35 | 0:24:38 | |
wherever I do sell them, I want strong money. | 0:24:38 | 0:24:42 | |
Equally my favourite piece is this bank of drawers. | 0:24:42 | 0:24:45 | |
They're not really made that great. | 0:24:45 | 0:24:47 | |
I like it when I can see some distinctive dovetail joints. | 0:24:47 | 0:24:51 | |
But I'm not bothered about that. | 0:24:51 | 0:24:53 | |
What I'm bothered about is that they are decorative on the front. | 0:24:53 | 0:24:57 | |
On the face of these, they're absolutely cracking. | 0:24:57 | 0:25:00 | |
I tell you what, nice big lump, that. | 0:25:00 | 0:25:02 | |
It's a great decorative piece in a pharmaceutical company, | 0:25:02 | 0:25:06 | |
or in a chemist. | 0:25:06 | 0:25:08 | |
I just know that somebody is going to adore that piece as much as I do. | 0:25:08 | 0:25:12 | |
All said and done, I had a fantastic day and I've got one thing to say | 0:25:12 | 0:25:16 | |
to you, hit man, "Ferme la bouche!" | 0:25:16 | 0:25:19 | |
That is what I'm going to do to you when I've sold all this gear and | 0:25:19 | 0:25:22 | |
made a big profit. | 0:25:22 | 0:25:23 | |
That means shut your mouth! Charming. | 0:25:23 | 0:25:26 | |
As well as getting feisty in French, | 0:25:26 | 0:25:28 | |
Danny also has to find buyers for his Latin book and '50s sewing box. | 0:25:28 | 0:25:34 | |
Having evaluated their treasures, it's time to turn them all into | 0:25:34 | 0:25:37 | |
cold, hard cash. | 0:25:37 | 0:25:39 | |
Our brave profiteers waste no time getting straight on the road | 0:25:39 | 0:25:41 | |
and remember, until the crucial handshake, no deal is truly sealed. | 0:25:41 | 0:25:45 | |
First on the Hit Man's profit quest is the Oxfordshire town of | 0:25:48 | 0:25:51 | |
Wallingford, where he hopes to find his French fawn a home with vintage | 0:25:51 | 0:25:55 | |
storeowner, Sarah. | 0:25:55 | 0:25:56 | |
So, this is my fawn, which I bought in the south of France. | 0:25:58 | 0:26:01 | |
-Right. -It's made of spelter. | 0:26:01 | 0:26:03 | |
And we've got this lovely marble base. | 0:26:04 | 0:26:06 | |
The base dates it to 1930. | 0:26:06 | 0:26:08 | |
-Right. Yeah. -And the fawn is in just perfect condition. | 0:26:08 | 0:26:12 | |
-Very sweet. -What do you think? Good impressions? Do you like it? | 0:26:12 | 0:26:15 | |
I like it a lot. I think at Christmas time, | 0:26:15 | 0:26:17 | |
it might be quite nice to have in our displays. | 0:26:17 | 0:26:19 | |
Yes? So the price for my fawn... | 0:26:19 | 0:26:21 | |
-Yeah. -..is £80. | 0:26:21 | 0:26:24 | |
A little bit high. | 0:26:24 | 0:26:25 | |
You were going to say a little bit too dear, weren't you? | 0:26:25 | 0:26:28 | |
-It's a little bit dear, yes. -It's not, it's a very nice dear! | 0:26:28 | 0:26:30 | |
Would you take 60? | 0:26:32 | 0:26:33 | |
-Yes. -OK, thank you. | 0:26:34 | 0:26:36 | |
Thank you very much indeed. | 0:26:36 | 0:26:37 | |
The Hit Man doesn't mess around and pockets a speedy £25.52 profit. | 0:26:37 | 0:26:42 | |
Danny is in Northampton, where his first nibble of interest has come | 0:26:44 | 0:26:47 | |
from a fashion designer called Amanda. | 0:26:47 | 0:26:50 | |
I've brought along this sewing box. | 0:26:50 | 0:26:52 | |
Now, this is an iconic 1950s design. | 0:26:52 | 0:26:55 | |
-Is it? -Absolutely fantastic. Yes. | 0:26:55 | 0:26:58 | |
It's Formica top, which is quite normal in the 1950s. | 0:26:58 | 0:27:02 | |
It is something that anybody who's into retro would really find very appealing. | 0:27:02 | 0:27:06 | |
But I think its home is here. | 0:27:06 | 0:27:10 | |
-Is it? -I think so, yes. -It depends on how much. | 0:27:10 | 0:27:12 | |
I would be really happy if you could cross my palm with £180. | 0:27:12 | 0:27:15 | |
-That's too much. -It's just too much? It's too much. | 0:27:15 | 0:27:18 | |
What sort of price are you talking about, then? | 0:27:18 | 0:27:21 | |
I'm not going to pay more than £40. | 0:27:21 | 0:27:24 | |
-Oh, no, Amanda. We're way out. -Why? | 0:27:24 | 0:27:26 | |
I mean, I bought this in France and it cost me a lot more money than that. | 0:27:26 | 0:27:31 | |
I'll give you £60. | 0:27:31 | 0:27:33 | |
No, we've got to go about it a bit more than that. | 0:27:33 | 0:27:35 | |
I really like it but I can't go any more than that. | 0:27:35 | 0:27:38 | |
70, that's it. | 0:27:38 | 0:27:40 | |
-And... I'm sweating. -I'm also sweating. Can you see? | 0:27:40 | 0:27:44 | |
I wasn't sweating... I'll give you 65. That's it. | 0:27:44 | 0:27:48 | |
-70 and we've got a deal. -No, no. 65. -69. -No, 65. | 0:27:48 | 0:27:52 | |
-69. -65. -68. -65. -68. -65. | 0:27:52 | 0:27:56 | |
We'll go 66, job done. Lovely. | 0:27:56 | 0:28:01 | |
Blimey. Danny met his match, there. | 0:28:01 | 0:28:03 | |
And that's a somewhat bijou profit of just over £14. | 0:28:03 | 0:28:07 | |
What a negotiator. | 0:28:09 | 0:28:11 | |
And he doesn't have much more luck with his antique book, | 0:28:11 | 0:28:14 | |
selling it to a dealer in Lancashire for £40, | 0:28:14 | 0:28:17 | |
scraping himself just over £14 profit. | 0:28:17 | 0:28:20 | |
At Hit Man HQ in Oxfordshire, it's the moment of truth, | 0:28:22 | 0:28:26 | |
as Jonty's found a contact who's interested in Dali. | 0:28:26 | 0:28:29 | |
He's invited him over for a viewing. | 0:28:29 | 0:28:31 | |
-Ah, Perry. -Jonty. Hi. -How are you? | 0:28:31 | 0:28:34 | |
With framing costs, the early '70s etching owes Jonty over £388, | 0:28:34 | 0:28:38 | |
so the Hit Man needs to deliver a killer sales pitch. | 0:28:38 | 0:28:42 | |
So, Perry, here it is. | 0:28:42 | 0:28:44 | |
-Wow. Pretty good. -First impressions? | 0:28:44 | 0:28:46 | |
Good. I like it. The thing like the gold at the top and the colours, | 0:28:46 | 0:28:50 | |
you know, just enough colour to make it interesting, not overdone. | 0:28:50 | 0:28:53 | |
I think it's pretty striking. | 0:28:53 | 0:28:55 | |
And if you take a closer look at this gold, | 0:28:55 | 0:28:57 | |
if you come and have a really good look, here, and you move around, | 0:28:57 | 0:29:00 | |
you can actually see the gold dust and I've not seen that in Dali works before. | 0:29:00 | 0:29:04 | |
So this was an etching that was produced by Dali called | 0:29:04 | 0:29:07 | |
The Voice of My Beloved. | 0:29:07 | 0:29:09 | |
And it's a very typical Dali because you've got this mass movement and | 0:29:09 | 0:29:15 | |
everything, of course, was surreal. | 0:29:15 | 0:29:17 | |
He was the surreal master of the 20th century. | 0:29:17 | 0:29:20 | |
Here we see it's a limited edition of 250. | 0:29:22 | 0:29:25 | |
And this is, of course, Dali's signature which is quite fantastic. | 0:29:25 | 0:29:30 | |
So, I've had it framed, and on the reverse, as well, is the certificate | 0:29:30 | 0:29:35 | |
that came with it from the gallery in France. | 0:29:35 | 0:29:39 | |
I shouldn't say it's too good, should I? | 0:29:39 | 0:29:41 | |
Because I know what's coming next. | 0:29:41 | 0:29:42 | |
But, yeah, I think it's a really, really nice painting. | 0:29:42 | 0:29:45 | |
-Really good. -The price tag for this is £1,200. | 0:29:45 | 0:29:48 | |
I think it's worth every single penny. | 0:29:48 | 0:29:50 | |
You know, I was thinking more, | 0:29:50 | 0:29:52 | |
because I like round numbers, of £1,000. | 0:29:52 | 0:29:56 | |
If we could squeeze it up a bit I'm happy to do a deal. | 0:29:56 | 0:29:59 | |
-1,100 is fine. -1,050. | 0:29:59 | 0:30:03 | |
I'm happy. 1,050 is lovely. | 0:30:03 | 0:30:05 | |
Perry, it's all yours. | 0:30:05 | 0:30:07 | |
And that, ladies and gents, is how you do it. | 0:30:07 | 0:30:10 | |
A colossal profit of over £661. | 0:30:10 | 0:30:13 | |
And even the Hit Man looks a trifle dazed. | 0:30:15 | 0:30:17 | |
Wow. £1,050. | 0:30:19 | 0:30:22 | |
Now that's what I call surreal. | 0:30:22 | 0:30:24 | |
Well, while Jonty regains his composure, | 0:30:24 | 0:30:27 | |
Danny is in south London hoping to make some proper cash | 0:30:27 | 0:30:30 | |
with his third French fancy. | 0:30:30 | 0:30:32 | |
He's brought his unusual drawers that owe him just under £121 to | 0:30:32 | 0:30:36 | |
show vintage furniture shop owner, Julie. | 0:30:36 | 0:30:39 | |
One thing I do notice you've got a lot in here, | 0:30:39 | 0:30:41 | |
you've got a lot of drawers. | 0:30:41 | 0:30:42 | |
We're the shop that sells tonnes of chests of drawers. | 0:30:42 | 0:30:44 | |
We probably sell five chests of drawers a week. | 0:30:44 | 0:30:46 | |
We need them all the time. | 0:30:46 | 0:30:48 | |
Plenty of drawers but you ain't got a bank of drawers. | 0:30:48 | 0:30:50 | |
-I haven't got a bank of drawers. -No, you haven't. | 0:30:50 | 0:30:52 | |
I've got two swivel chairs coming in and I thought once that sofa goes | 0:30:52 | 0:30:56 | |
I'll put those in the window and this in the middle. | 0:30:56 | 0:30:58 | |
-It'll look brilliant. -Oh, Julie. | 0:30:58 | 0:31:00 | |
So, I've sort of got, I had... | 0:31:00 | 0:31:02 | |
-You've got plans. -I've got plans for it. | 0:31:02 | 0:31:04 | |
I've got to be honest, when you look at the corners, | 0:31:04 | 0:31:06 | |
they're kind of butted together. | 0:31:06 | 0:31:08 | |
I mean, you've been in the game a long time, you can see it for | 0:31:08 | 0:31:11 | |
yourself, you know. If they was, you know, | 0:31:11 | 0:31:12 | |
beautifully dovetailed and so forth then... | 0:31:12 | 0:31:15 | |
The price would be much higher than I'm going to get them from you. | 0:31:15 | 0:31:19 | |
-Need I say more. -So, yeah. | 0:31:19 | 0:31:21 | |
But the front of it, it looks amazing. | 0:31:21 | 0:31:23 | |
It looks good. People are going to like it. | 0:31:23 | 0:31:25 | |
If it's in the window and they see it driving past they're going to go, | 0:31:25 | 0:31:28 | |
"Yeah, we like that." | 0:31:28 | 0:31:29 | |
So, Julie, all we've got to worry about now is the price. | 0:31:29 | 0:31:32 | |
Give us £350. | 0:31:32 | 0:31:33 | |
£350 is too high. | 0:31:33 | 0:31:35 | |
I think it's more like 200 quid. | 0:31:35 | 0:31:37 | |
-How about 300? -No, 300's too high. | 0:31:37 | 0:31:40 | |
300's still too much? | 0:31:40 | 0:31:41 | |
It's still too much. | 0:31:41 | 0:31:42 | |
Two and three quarters, £275. | 0:31:42 | 0:31:45 | |
-You're getting there. -Give us 260. | 0:31:45 | 0:31:47 | |
-I was going to go 200. -Give us 240. -240, done. | 0:31:47 | 0:31:51 | |
240, done. Lovely. | 0:31:51 | 0:31:52 | |
Thank you very much. Lovely doing business with you. | 0:31:52 | 0:31:54 | |
Julie fought her corner but Danny still walks away with over | 0:31:54 | 0:31:59 | |
£119 profit and he's back in the game. | 0:31:59 | 0:32:01 | |
So far Jonty has sold two of his five French treasures and banked a | 0:32:03 | 0:32:07 | |
whopping £687.20 profit. | 0:32:07 | 0:32:10 | |
Danny has done three deals but had a slow start with just under £148 | 0:32:11 | 0:32:16 | |
profit in his pocket. | 0:32:16 | 0:32:18 | |
He may be sitting pretty but Hit Man Hearndon isn't kicking back and relaxing. | 0:32:21 | 0:32:26 | |
Oh, no. He's on his way to the pub, for work, not for pleasure. | 0:32:26 | 0:32:30 | |
Look what I've got. I've got my baguette cutter. | 0:32:30 | 0:32:33 | |
Now, I've brought it along to show Nicky who's the landlady of my | 0:32:33 | 0:32:37 | |
local watering hole. So, hopefully, she might be interested in cutting a deal. | 0:32:37 | 0:32:43 | |
Those jokes just never get better, do they? | 0:32:45 | 0:32:47 | |
Remember, this cost him nearly £39. | 0:32:47 | 0:32:50 | |
Ah, Nicky, hard at work, I see. | 0:32:52 | 0:32:54 | |
-Of course. -Look what I've brought you. -Lovely. What is this? | 0:32:54 | 0:32:58 | |
This, believe it or not, is a French bread cutter. | 0:32:58 | 0:33:03 | |
-Look at that. -Oh, my goodness. That's quite scary. -So you put your | 0:33:03 | 0:33:05 | |
baguette or roll or whatever it is there and away you go. | 0:33:05 | 0:33:08 | |
And I thought the perfect person for this would be you and your chefs. | 0:33:08 | 0:33:12 | |
-Yes. -More to the point. Have you seen anything like that before? | 0:33:12 | 0:33:15 | |
-I haven't. -Have a look at this. | 0:33:15 | 0:33:16 | |
The actual blade itself is in really good condition. | 0:33:16 | 0:33:19 | |
-How old is it, then? -Probably no more than 40 years old. | 0:33:19 | 0:33:22 | |
So it's still in very much sort of working order. | 0:33:22 | 0:33:25 | |
-Yeah. -But I just love the fact that, actually, if you have a look on the | 0:33:25 | 0:33:28 | |
blade there itself, there's a label there which says made in France and | 0:33:28 | 0:33:31 | |
I just think it's fantastic. It's a mere snip. | 0:33:31 | 0:33:34 | |
A mere snip? | 0:33:34 | 0:33:35 | |
-At £80. -It's quite a bit. | 0:33:35 | 0:33:37 | |
I know it's quite a bit because it's a fine quality item we have here. | 0:33:37 | 0:33:41 | |
-65? -I'd be more happy at 70. | 0:33:41 | 0:33:44 | |
-Yeah, that would be lovely. -Fantastic, thank you very much. | 0:33:44 | 0:33:47 | |
-OK. -Brilliant. -Thank you. | 0:33:47 | 0:33:48 | |
Jonty nearly doubles his money adding just over £31 profit to | 0:33:48 | 0:33:53 | |
-his pot. -I wonder how Danny's getting along | 0:33:53 | 0:33:55 | |
because I just keep on making dough. | 0:33:55 | 0:33:57 | |
Yes, thank you, Jonty. | 0:33:59 | 0:34:01 | |
Danny is keeping busy on the mean streets of London and is on the | 0:34:01 | 0:34:04 | |
trail of a buyer for his favourite item. | 0:34:04 | 0:34:06 | |
I've got me lights delivered to the Trafalgar Hotel. | 0:34:08 | 0:34:11 | |
Cara, she is the arts manager. | 0:34:11 | 0:34:15 | |
She looks after all the installations that's going on. | 0:34:15 | 0:34:18 | |
She's looked at me lights. | 0:34:18 | 0:34:19 | |
I'm just hoping they're going to be good enough to be housed there. | 0:34:19 | 0:34:23 | |
Come on, let's go and have a look. | 0:34:23 | 0:34:25 | |
He's had them rewired and safety tested so the lights now owe him | 0:34:26 | 0:34:30 | |
nearly £154. | 0:34:30 | 0:34:33 | |
-Cara. -Hello, dear. -How are you? -I'm very well, thank you. | 0:34:33 | 0:34:37 | |
I'm seeing a great look of glee on your face when you're looking at | 0:34:37 | 0:34:40 | |
these lights. It looks like you're adoring them. | 0:34:40 | 0:34:42 | |
Well, they are very nice. | 0:34:42 | 0:34:44 | |
-They're lovely pieces. -So, I bought them in France. | 0:34:44 | 0:34:46 | |
You know, these are quite special. | 0:34:46 | 0:34:48 | |
They're very decorative and they're very contemporary, they're very in, | 0:34:48 | 0:34:51 | |
-they're in trend. -Absolutely, yeah. -They're in vogue. | 0:34:51 | 0:34:53 | |
They've got this nice polished steel. | 0:34:53 | 0:34:55 | |
You know, it's got a great long chain, | 0:34:55 | 0:34:57 | |
which is quite nice, as well, when you sort of hang it from a high ceiling. | 0:34:57 | 0:35:00 | |
Yeah, nice and versatile. | 0:35:00 | 0:35:01 | |
They definitely would complement the style of the hotel, you know, | 0:35:01 | 0:35:06 | |
and the contemporary feel of the hotel and that's something that's | 0:35:06 | 0:35:09 | |
really important to us. | 0:35:09 | 0:35:10 | |
-Shall we talk money? -Let's talk money. | 0:35:10 | 0:35:13 | |
I'd like to achieve round about £650 for the set. | 0:35:13 | 0:35:17 | |
-Right. -What are you thinking? -That's... That's... | 0:35:17 | 0:35:20 | |
There's a look of fear on your face. | 0:35:20 | 0:35:23 | |
Yeah, that is a lot more than what we would want to pay. | 0:35:23 | 0:35:25 | |
I mean, I do love how they look. | 0:35:25 | 0:35:27 | |
So, what sort of price have you got in mind? | 0:35:27 | 0:35:30 | |
We'd be looking more around the kind of £400 mark. | 0:35:30 | 0:35:35 | |
Can you push the boat out a little bit? | 0:35:35 | 0:35:38 | |
For you, Danny? | 0:35:38 | 0:35:40 | |
-For me. -I mean, I would say 425. | 0:35:40 | 0:35:45 | |
-Can you say 475? -I can say 450. -460? | 0:35:45 | 0:35:50 | |
-450 would be wonderful. -450. -And we'll shake. | 0:35:50 | 0:35:53 | |
-If it's going to be wonderful, I'll have a deal at that. -Excellent. | 0:35:53 | 0:35:56 | |
So, Danny walks away with a sparkling profit of over £296 on his lights. | 0:35:56 | 0:36:01 | |
You're never going to get a problem selling if you buy right. | 0:36:03 | 0:36:07 | |
I made a healthy profit so I'm happy. | 0:36:07 | 0:36:09 | |
Cara's happy. Everyone's a winner. | 0:36:09 | 0:36:11 | |
Just hopefully not you, Jonty. | 0:36:12 | 0:36:14 | |
Hm. Let's not mention Dali. | 0:36:17 | 0:36:20 | |
Jonty does still have two items left to find homes for, though. | 0:36:20 | 0:36:23 | |
And he's got a meeting with Oxfordshire milliner, Louise. | 0:36:23 | 0:36:26 | |
A milliner is somebody who makes hats, so I'm hoping I've got the | 0:36:27 | 0:36:32 | |
-perfect object for them. -Yes, joining the dots there, Hit Man. | 0:36:32 | 0:36:36 | |
But can he turn a profit on the £60 purchase price? | 0:36:36 | 0:36:40 | |
-Louise, how are you? -Hi, I'm well thank you. | 0:36:40 | 0:36:42 | |
-How are you? -Good to see you. -And you. | 0:36:42 | 0:36:44 | |
-Wow, look at this array of hats. -Yeah, amazing, isn't it? | 0:36:44 | 0:36:47 | |
-So how many hats have you got, here? -Roughly about 1,200 altogether. | 0:36:47 | 0:36:50 | |
Really? So over 1,000 hats? | 0:36:50 | 0:36:52 | |
-Yes. -How many hat stands have you got? | 0:36:52 | 0:36:55 | |
Not... Well, I've got a few, but not that many. | 0:36:55 | 0:36:57 | |
I've brought you another one. Have a look at that. | 0:36:57 | 0:36:59 | |
Wow, that looks lovely. It has a nice weight to it, as well. | 0:36:59 | 0:37:02 | |
Yes. When I picked it up, it was so nice to see that because it's so important. | 0:37:02 | 0:37:05 | |
It is. Some of them, if they're too flimsy then that's not good for the hat. | 0:37:05 | 0:37:08 | |
Now, we've got these maker's marks on the top, here. | 0:37:08 | 0:37:10 | |
So this is the maker, VN Siegel, on the top, there. | 0:37:10 | 0:37:14 | |
But it's all repeated on the underside as well. | 0:37:14 | 0:37:17 | |
Oh, lovely, that's nice. | 0:37:17 | 0:37:18 | |
There's a sort of impressed mark on the base. | 0:37:18 | 0:37:20 | |
-Yeah. -So this is sort of cast metal on the underside. | 0:37:20 | 0:37:24 | |
-Yes. -And then it's all screwed. | 0:37:24 | 0:37:25 | |
So it goes up-and-down as well, so this adjusts. | 0:37:25 | 0:37:28 | |
-If I can just put that there. -Yeah. -Can you see that goes up like so? | 0:37:28 | 0:37:31 | |
You can adjust it to whatever height you want. | 0:37:31 | 0:37:33 | |
Very nice, yeah, nice height. | 0:37:33 | 0:37:34 | |
So, date wise, I think we're looking at 1920s. | 0:37:34 | 0:37:37 | |
So, it's brass but it's also been coated as well. | 0:37:37 | 0:37:41 | |
-OK. -So the brass is actually coming through. -I can see it there, yeah. | 0:37:41 | 0:37:43 | |
-So, do you like it? -I do like it, yeah. -OK. | 0:37:43 | 0:37:45 | |
It's ideal, it would be very good for showing off my bespoke pieces | 0:37:45 | 0:37:48 | |
-to customers when they're coming in for their meetings. -Really? -Yeah. | 0:37:48 | 0:37:51 | |
-Price, I'm looking for £120 for it. -About 90? -I need a bit more. -100? | 0:37:51 | 0:37:56 | |
-Uh, yeah. -Deal. -Yeah. | 0:37:56 | 0:37:58 | |
So, Jonty nets another tidy profit of just under £40 without even | 0:37:58 | 0:38:03 | |
breaking a sweat. | 0:38:03 | 0:38:06 | |
Very good, look at this. | 0:38:06 | 0:38:08 | |
Now, listen to me young Del Boy, | 0:38:08 | 0:38:10 | |
if you want to get ahead, go to a hat shop. | 0:38:10 | 0:38:13 | |
Yes, if you want good jokes, don't call Hit Man. | 0:38:13 | 0:38:17 | |
The last stop on his profit quest is to sell his crystal 1960s ice bucket | 0:38:17 | 0:38:22 | |
to contact, Fiona, in Oxfordshire. | 0:38:22 | 0:38:24 | |
-I'll do 70. -Hm. 60? | 0:38:24 | 0:38:27 | |
Go on, then, 60 quid. | 0:38:29 | 0:38:31 | |
Topping up his coffers with a final £25.52. | 0:38:31 | 0:38:35 | |
See? That's how you do it, Danny. You've just got to be ice cool. | 0:38:35 | 0:38:38 | |
With Jonty over the finish line, | 0:38:40 | 0:38:41 | |
Danny's got a final London buyer up his sleeve. | 0:38:41 | 0:38:45 | |
He's brought his pestle and mortar to show natural herb supplier, Steve, | 0:38:45 | 0:38:49 | |
hoping for a profit on his £138 investment. | 0:38:49 | 0:38:52 | |
Don't you even think about making anything with that yet, Steve. | 0:38:54 | 0:38:57 | |
-You've not bought it yet. -OK, Danny. Nice to meet you. | 0:38:57 | 0:39:00 | |
Pleasure. I've noticed that in your cabinets, here, you've got some... | 0:39:00 | 0:39:04 | |
We sell pestle and mortars and have done for as long as I can remember. | 0:39:04 | 0:39:07 | |
I mean, they are still made in the UK. | 0:39:07 | 0:39:09 | |
They would be grinding down the herbs, | 0:39:09 | 0:39:12 | |
so you grind down roots to make them easier to make infusions from. | 0:39:12 | 0:39:16 | |
We sell an awful lot of them and have done for as long as I can remember. | 0:39:16 | 0:39:21 | |
-So they are a popular... -You just be careful, Steve. | 0:39:21 | 0:39:24 | |
You're making me put your... I'm thinking a bigger price for this | 0:39:24 | 0:39:26 | |
-piece here, now. -Well, I don't think many people would be able to use this. | 0:39:26 | 0:39:30 | |
It's not really in the condition that you'd want it to be. | 0:39:30 | 0:39:32 | |
-It's not, no. -I think it would make a very nice display item. | 0:39:32 | 0:39:36 | |
Well, I mean, Steve, you took the words right out of my mouth. | 0:39:36 | 0:39:40 | |
I bought it in France. | 0:39:40 | 0:39:42 | |
It's a great shame, really, that it didn't have a sort of date on it. | 0:39:42 | 0:39:47 | |
-Yeah. -And I can't seem to find out where it was originally used. | 0:39:47 | 0:39:52 | |
It looks more like the type of pestle and mortar you'd use to get | 0:39:52 | 0:39:56 | |
the husks off corn and things like that. | 0:39:56 | 0:39:59 | |
But it's an interesting looking object. | 0:39:59 | 0:40:02 | |
I'm sure it's something that we'd like to have to display. | 0:40:02 | 0:40:05 | |
It just depends on the sort of money that you're looking for. | 0:40:05 | 0:40:09 | |
Well, I mean, I think it's quite rare. | 0:40:09 | 0:40:11 | |
What I do know is you won't find it on the high street, you know. | 0:40:11 | 0:40:16 | |
Wouldn't have thought you would've done, no! | 0:40:16 | 0:40:18 | |
I'd be happy with three and a half hundred quid. | 0:40:18 | 0:40:21 | |
I was thinking more like 200. | 0:40:21 | 0:40:22 | |
-What's the best you can do? -The most I'm prepared to pay, 250. | 0:40:22 | 0:40:26 | |
265. | 0:40:26 | 0:40:27 | |
Call it 260 and we've got a deal. | 0:40:28 | 0:40:30 | |
We'll have a deal. | 0:40:30 | 0:40:31 | |
Del Boy just made himself over £122 profit on a rusty pestle and mortar. | 0:40:32 | 0:40:37 | |
Impressive. | 0:40:37 | 0:40:39 | |
Yes! That's me all finished up. | 0:40:39 | 0:40:42 | |
I always get a kind of feeling at this sort of time that the results | 0:40:42 | 0:40:45 | |
are going to be coming up soon, and all I've got to say... | 0:40:45 | 0:40:48 | |
Good luck, Jonty and may the best man win. | 0:40:49 | 0:40:52 | |
How very sporting. Now, both our experts took £750 worth of euros | 0:40:53 | 0:40:59 | |
to the market in France. | 0:40:59 | 0:41:01 | |
Jonty bagged himself five items with a total spend of £556.41, | 0:41:01 | 0:41:07 | |
including framing costs. | 0:41:07 | 0:41:08 | |
Danny also came home with five treasures, costing just under £490, | 0:41:08 | 0:41:14 | |
including electrical costs. | 0:41:14 | 0:41:15 | |
But, of course, all that matters now is profit. | 0:41:17 | 0:41:20 | |
All the money our delectable duo have made will go straight to their | 0:41:20 | 0:41:23 | |
chosen charities, so buckle up and prepare yourselves as we find out | 0:41:23 | 0:41:27 | |
who is today's Put Your Money Where Your Mouth Is champion. | 0:41:27 | 0:41:31 | |
-Bonjour, Danny. -Bonjour, monsieur. -Annecy, what a market! | 0:41:32 | 0:41:36 | |
-What a beautiful place. Did you enjoy it? -Oh, I loved it. | 0:41:36 | 0:41:38 | |
-That lamp I bought. Do you remember the lights? -The industrial lights? | 0:41:38 | 0:41:41 | |
-That's right. -Yeah. | 0:41:41 | 0:41:43 | |
Well, I sold them in the heart of London to a very grand hotel. | 0:41:43 | 0:41:46 | |
-Did you? Not a dealer? -No, not a dealer. | 0:41:46 | 0:41:48 | |
They wouldn't pay enough. | 0:41:48 | 0:41:49 | |
So, you know, I got strong money for it there, but I must say, | 0:41:49 | 0:41:52 | |
on the other side of the coin, do you remember my sewing box, | 0:41:52 | 0:41:55 | |
-my 1950s sewing box? -That dodgy looking thing. | 0:41:55 | 0:41:58 | |
Well, I loved it. | 0:41:58 | 0:41:59 | |
I thought it was absolutely fantastic. | 0:41:59 | 0:42:01 | |
But the lady who bought it off me, | 0:42:01 | 0:42:03 | |
she wasn't as keen on it as what I was because she gave me quite a... | 0:42:03 | 0:42:06 | |
-Hard time? -Yeah, she did give me a hard time, yes. | 0:42:06 | 0:42:09 | |
-Well, she speaks my language, then. -How did you get on, then? | 0:42:09 | 0:42:12 | |
-Well, just one word. -Oh, it's the Dali! | 0:42:12 | 0:42:15 | |
-Dali. -How did you get on? -Well, I sold it. -You sold it. | 0:42:15 | 0:42:18 | |
-Well, I had no doubt about that at all. -For a small profit. | 0:42:18 | 0:42:21 | |
Hey, let's have a look in these suitcases and see how big those profits were. | 0:42:21 | 0:42:24 | |
Shall we have a look? One, two, three. | 0:42:24 | 0:42:26 | |
Oh, made a small profit! | 0:42:28 | 0:42:29 | |
You never made... I knew it was a big profit on that piece. | 0:42:29 | 0:42:32 | |
It was a great item. I'm really pleased, really pleased. | 0:42:32 | 0:42:35 | |
-Yes, pleased when you found it. -But look at you, you've done so well, too. | 0:42:35 | 0:42:38 | |
-I've still got a foot in yet. -Haven't we done well? | 0:42:38 | 0:42:40 | |
-We have done well. -Well done. | 0:42:40 | 0:42:41 | |
So, Jonty stole the show with his amazing artwork, and he's delighted. | 0:42:43 | 0:42:47 | |
Well, was it ever in doubt? | 0:42:49 | 0:42:51 | |
It was the Dali what done it. | 0:42:51 | 0:42:53 | |
As soon as I saw that, I knew it was a winner. | 0:42:53 | 0:42:55 | |
Quite surreal, really. | 0:42:56 | 0:42:58 | |
Oh, gutted, pipped to the post. | 0:42:58 | 0:43:00 | |
But I always knew I was going to struggle against that Dali. | 0:43:00 | 0:43:03 | |
One thing's for sure, though, you just can't win them all. | 0:43:03 | 0:43:06 | |
But the Wellingborough wheeler dealer gets another chance at the | 0:43:07 | 0:43:11 | |
crown tomorrow, when our gents go head-to-head | 0:43:11 | 0:43:13 | |
at a fast-paced London auction. | 0:43:13 | 0:43:15 |