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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:06 | |
against each other in an all-out battle for profit. | 0:00:06 | 0:00:10 | |
I think I can see a bargain! | 0:00:10 | 0:00:12 | |
Each day, one pair of duelling dealers | 0:00:12 | 0:00:14 | |
will face a mighty challenge. | 0:00:14 | 0:00:16 | |
Oh, yeah! | 0:00:16 | 0:00:18 | |
Putting their reputations on the line. | 0:00:18 | 0:00:20 | |
Ready for battle! | 0:00:20 | 0:00:22 | |
They'll give you the insider's view of the trade... | 0:00:22 | 0:00:24 | |
I'm a big boy, I'm a player. | 0:00:24 | 0:00:26 | |
..along with their top tips and savvy secrets... | 0:00:26 | 0:00:29 | |
It's not all about what you spend, it's about what you make. | 0:00:29 | 0:00:32 | |
..showing you how to make the most money... | 0:00:32 | 0:00:35 | |
It really is war! | 0:00:35 | 0:00:36 | |
..from buying and selling. | 0:00:36 | 0:00:38 | |
You've got to be in there like a whippet. | 0:00:38 | 0:00:40 | |
Today, viewers, it's the finale of a thrilling week | 0:00:42 | 0:00:44 | |
and the biggest battle yet. The mighty Showdown. | 0:00:44 | 0:00:48 | |
Coming up, Paul dreams of striking the jackpot... | 0:00:48 | 0:00:52 | |
There was a set of pottery like this in four panels, | 0:00:52 | 0:00:54 | |
went for over £100,000. | 0:00:54 | 0:00:57 | |
..John pops his cork for an unusual bit of upcycling... | 0:00:57 | 0:01:00 | |
I've seen a number of items made from old champagne bottles, | 0:01:00 | 0:01:04 | |
but I haven't seen one made into a little serving table. | 0:01:04 | 0:01:07 | |
..and will our dealers make a profit | 0:01:07 | 0:01:09 | |
in the toughest Showdown test, the auction? | 0:01:09 | 0:01:12 | |
I'm delighted with that, that's brilliant. | 0:01:12 | 0:01:14 | |
I'm delighted too. Through gritted teeth! | 0:01:14 | 0:01:16 | |
This is Put Your Money Where Your Mouth Is. | 0:01:16 | 0:01:19 | |
In today's Showdown, our superhuman dealers | 0:01:34 | 0:01:37 | |
flex their muscles and sharpen their talons | 0:01:37 | 0:01:39 | |
as they prepare to fight for the title of top dealer. | 0:01:39 | 0:01:43 | |
There is but one way to reign supreme - | 0:01:43 | 0:01:46 | |
make the most profit and the accolade is guaranteed. | 0:01:46 | 0:01:49 | |
First up is our Northern Powerhouse of Porcelain, | 0:01:51 | 0:01:54 | |
a giant of the antiques world | 0:01:54 | 0:01:55 | |
who can scale mountains of tat to wrench the bargains | 0:01:55 | 0:01:58 | |
from the hands of the competition. | 0:01:58 | 0:02:00 | |
His quirky humour hides razor-sharp knowledge and extensive experience. | 0:02:00 | 0:02:05 | |
Why, it's Paul "Mr Morecambe" Hayes. | 0:02:05 | 0:02:09 | |
It really is the North versus the South today, John. | 0:02:09 | 0:02:11 | |
And do you know what? I've got the upper hand. | 0:02:11 | 0:02:13 | |
His opposition today is a champion of upcycling, | 0:02:13 | 0:02:16 | |
a trinkets tour de force, | 0:02:16 | 0:02:18 | |
who will tirelessly track down a bargain and won't desist | 0:02:18 | 0:02:21 | |
until he's pummelled the price tag. | 0:02:21 | 0:02:23 | |
A snappy dresser who can turn a sow's ear | 0:02:23 | 0:02:25 | |
into a profit-making silk purse. | 0:02:25 | 0:02:28 | |
It's John "The Hammer" Cameron. | 0:02:28 | 0:02:31 | |
I'm in it to win it. I come out swinging and I come down hard. | 0:02:31 | 0:02:34 | |
Paul Hayes, I've got my eye zoomed in on you. | 0:02:34 | 0:02:37 | |
Our experts have £1,000 of their own money to spend | 0:02:37 | 0:02:40 | |
across four different locations - | 0:02:40 | 0:02:42 | |
an auction, | 0:02:42 | 0:02:44 | |
a car boot, | 0:02:44 | 0:02:45 | |
a foreign antiques market | 0:02:45 | 0:02:47 | |
and a UK antiques fair. | 0:02:47 | 0:02:50 | |
Once they've landed their booty they must use their talents and charm | 0:02:50 | 0:02:53 | |
to sell the lot, and any profit they make | 0:02:53 | 0:02:55 | |
will go to their chosen charities. | 0:02:55 | 0:02:57 | |
But the Showdown has a twist. | 0:02:59 | 0:03:01 | |
At least half their items must be sold at the special Showdown Auction | 0:03:01 | 0:03:06 | |
where our dealers have no control over the buying public. | 0:03:06 | 0:03:09 | |
As the plot thickens, | 0:03:09 | 0:03:10 | |
they must stand and watch as their items go under the hammer. | 0:03:10 | 0:03:13 | |
Only one will be crowned king, but who will it be? | 0:03:14 | 0:03:17 | |
-Good morning, John. -Morning, Mr Hayes. | 0:03:19 | 0:03:20 | |
-Welcome to the North. -Is this a battle of the cheap suits today? | 0:03:20 | 0:03:23 | |
It must be, yeah! | 0:03:23 | 0:03:24 | |
Good job they're waterproof, isn't it(?) | 0:03:24 | 0:03:26 | |
Well, "Welcome to the mighty Showdown. | 0:03:26 | 0:03:28 | |
"The rules are straightforward. | 0:03:28 | 0:03:29 | |
"You must each buy two items across four different locations. | 0:03:29 | 0:03:32 | |
"You have £1,000 to spend." | 0:03:32 | 0:03:34 | |
This says here, "You can sell up to four items wherever you want." | 0:03:34 | 0:03:38 | |
That's always good. "The rest will be sold at the Showdown Auction | 0:03:38 | 0:03:41 | |
"in direct competition with your opponent." | 0:03:41 | 0:03:43 | |
-That's you. -Is that me? -Yeah, that's you! | 0:03:43 | 0:03:45 | |
"The winner is the expert who makes the most profit." | 0:03:45 | 0:03:48 | |
So, have you got your eye on anything already? | 0:03:48 | 0:03:50 | |
-I've had a look at the catalogue. Have you? -Yeah. | 0:03:50 | 0:03:52 | |
First thing I'm going to buy is an umbrella! | 0:03:52 | 0:03:54 | |
Well, the first thing I'm going to buy is a cup of tea! Come on. | 0:03:54 | 0:03:56 | |
Two sugars, am I right? | 0:03:56 | 0:03:57 | |
Our opponents are armed and dangerous, | 0:03:59 | 0:04:01 | |
so let the battle commence with round one, the auction. | 0:04:01 | 0:04:04 | |
Our dashing dealers have arrived at Warrington Auction in Cheshire, | 0:04:06 | 0:04:10 | |
where they'll need to purchase two items each. | 0:04:10 | 0:04:12 | |
So, what are their moneymaking strategies? | 0:04:12 | 0:04:15 | |
I'm on the lookout for a couple of items for the mighty Showdown. | 0:04:15 | 0:04:18 | |
Now, at least four of those Showdown items have to be sold at auction, | 0:04:18 | 0:04:22 | |
so I'm unlikely to sell my auction items here today at auction again, | 0:04:22 | 0:04:25 | |
because you're paying two lots of commission, | 0:04:25 | 0:04:27 | |
and you'd have to buy really well in the first place to make a profit. | 0:04:27 | 0:04:30 | |
For Paul, it's more about psyching himself up | 0:04:32 | 0:04:34 | |
than any complex buying strategy. | 0:04:34 | 0:04:36 | |
You know what? It's a lot harder than it looks. | 0:04:36 | 0:04:39 | |
I've got two by two items for the Showdown, | 0:04:39 | 0:04:41 | |
which really is the test of the whole week. | 0:04:41 | 0:04:44 | |
It separates the men from the boys, | 0:04:44 | 0:04:45 | |
and do you know what? I'm quite nervous. | 0:04:45 | 0:04:47 | |
Man up, Paul! You can do this! | 0:04:49 | 0:04:51 | |
There's time for a viewing of the goods on offer | 0:04:51 | 0:04:53 | |
before the bidding starts, | 0:04:53 | 0:04:54 | |
and The Hammer's picked up on a contemporary bit of bling. | 0:04:54 | 0:04:58 | |
I've got my eye on this little ring. | 0:04:58 | 0:05:00 | |
It's catalogued as gold tanzanite ring, | 0:05:00 | 0:05:03 | |
and tanzanite is a relatively modern-ish stone | 0:05:03 | 0:05:06 | |
that enjoyed a lot of popularity coming out of Tanzania. | 0:05:06 | 0:05:10 | |
It's catalogued as vermeil, | 0:05:10 | 0:05:11 | |
and that is a rather glossy, costume jewellery way of saying | 0:05:11 | 0:05:15 | |
gold-plated silver. Quite dressy, not everyone's cup of tea | 0:05:15 | 0:05:19 | |
with all those claws on there, because they catch jumpers and that, | 0:05:19 | 0:05:22 | |
but quite a fashionable stone and I think I'll keep my eye on it. | 0:05:22 | 0:05:25 | |
Paul is interested in more spiritual things and is about to enlighten us | 0:05:26 | 0:05:30 | |
on a mysterious 19th-century statue. | 0:05:30 | 0:05:33 | |
OK, now, this is a strange anomaly. | 0:05:33 | 0:05:35 | |
This is a lovely old Buddha. | 0:05:35 | 0:05:36 | |
It dates probably to the 19th century. | 0:05:37 | 0:05:39 | |
You can tell that by all this wonderful age, | 0:05:39 | 0:05:42 | |
the way it's been cast. | 0:05:42 | 0:05:43 | |
But I think it started its life as a bronze. | 0:05:43 | 0:05:45 | |
The problem is, over the years, somebody has taken to polishing it | 0:05:45 | 0:05:48 | |
and polished all the wonderful patina away, | 0:05:48 | 0:05:50 | |
and we end up with a brass-looking item. | 0:05:50 | 0:05:52 | |
As a cheap brass Buddha, it's worth maybe £50 or £60, | 0:05:52 | 0:05:56 | |
which is what it's in the catalogue as. | 0:05:56 | 0:05:57 | |
As a genuine bronze item, it's worth several hundred pounds, | 0:05:57 | 0:06:01 | |
and I think it started its life out as that. | 0:06:01 | 0:06:04 | |
Where there's muck, there's brass, Paul! | 0:06:04 | 0:06:06 | |
Or bronze. Preview over, it's time for the main event, | 0:06:06 | 0:06:09 | |
as the auction begins. | 0:06:09 | 0:06:12 | |
Up first is John's favourite sparkler. | 0:06:12 | 0:06:14 | |
But can he get it within the £60-£80 estimate? | 0:06:14 | 0:06:18 | |
I've got £45 bid, I look for 50 now. | 0:06:18 | 0:06:21 | |
50 in the room. Is there 55 anywhere? | 0:06:21 | 0:06:24 | |
£50 in the room, then. | 0:06:24 | 0:06:26 | |
Good chance of a profit there. | 0:06:26 | 0:06:28 | |
Looks like he's got that tanzanite. | 0:06:28 | 0:06:29 | |
I think I had that once, but I got some cream off a doctor! | 0:06:29 | 0:06:32 | |
Oh, what an image, Paul! | 0:06:32 | 0:06:33 | |
After commission, John pays £60 for the ring and it's a glittering start | 0:06:33 | 0:06:37 | |
to his Showdown campaign. | 0:06:37 | 0:06:39 | |
He's soon gunning for his second buy | 0:06:40 | 0:06:42 | |
when a contemporary chrome stag's head comes up. | 0:06:42 | 0:06:45 | |
Estimate's 30-50. | 0:06:45 | 0:06:47 | |
I don't really want to pay much more than the bottom estimate. | 0:06:47 | 0:06:49 | |
I'm looking for 30. 30. | 0:06:49 | 0:06:51 | |
In the room at 30. Selling. | 0:06:51 | 0:06:54 | |
John gets his prey for £36 including fees. | 0:06:54 | 0:06:57 | |
But why a chrome stag's head? | 0:06:57 | 0:06:59 | |
A lot of people are still quite funny, quite rightly so, | 0:06:59 | 0:07:02 | |
about real taxidermy, | 0:07:02 | 0:07:04 | |
so this one kind of crosses both fields. | 0:07:04 | 0:07:06 | |
It gives you that look, but it's made in stainless steel. | 0:07:06 | 0:07:10 | |
£36, well, it's not DEER, is it? | 0:07:10 | 0:07:13 | |
John's bought his two items, but Paul still needs to get bidding, | 0:07:14 | 0:07:17 | |
and the Buddha he spotted earlier is up next. | 0:07:17 | 0:07:20 | |
Start me at £100. | 0:07:21 | 0:07:23 | |
He's trying to open at £100. It's too expensive. | 0:07:23 | 0:07:25 | |
£50. 50 bid in the room. | 0:07:25 | 0:07:28 | |
-Looking for 55. 55. 60. -60. | 0:07:28 | 0:07:30 | |
£60 in the room. 65. 70. | 0:07:30 | 0:07:33 | |
-Go on. -70 in the room now. | 0:07:33 | 0:07:35 | |
£70, then, in the room. | 0:07:35 | 0:07:36 | |
Go on, drop the hammer! | 0:07:36 | 0:07:38 | |
It's about what I wanted to pay. | 0:07:38 | 0:07:40 | |
A good old antique item. | 0:07:40 | 0:07:42 | |
Paul wins the 19th-century Buddha for £84 including costs | 0:07:42 | 0:07:46 | |
and can dig deeper to solve the brass versus bronze mystery. | 0:07:46 | 0:07:50 | |
Asian artefacts are definitely on Paul's buying menu today, | 0:07:50 | 0:07:54 | |
as next he goes for a Chinese ceramic plaque... | 0:07:54 | 0:07:57 | |
55. 60. | 0:07:57 | 0:07:59 | |
55. | 0:08:00 | 0:08:01 | |
I think that has the biggest potential | 0:08:01 | 0:08:03 | |
in the whole of this auction room. | 0:08:03 | 0:08:05 | |
..fighting off the competition to secure it for £66, including costs. | 0:08:05 | 0:08:10 | |
This is 20th-century, it's Chinese, it's called famille rose palette, | 0:08:10 | 0:08:14 | |
which is the name of the colour that they actually used to decorate them. | 0:08:14 | 0:08:17 | |
These Chinese characters usually represent some sort of poem. | 0:08:17 | 0:08:20 | |
Most modern Chinese pottery tends to be very affordable, | 0:08:20 | 0:08:23 | |
but there was a set of pottery like this in four panels, | 0:08:23 | 0:08:27 | |
went for over £100,000. | 0:08:27 | 0:08:29 | |
You can but dream, Paul! | 0:08:29 | 0:08:32 | |
Our auction room opponents have made it through round one, | 0:08:32 | 0:08:34 | |
so let's tot up the totals. | 0:08:34 | 0:08:36 | |
From a £1,000 budget, Paul has spent £150 and has £850 left to spend. | 0:08:39 | 0:08:46 | |
John has spent £96, leaving £904 in his kitty. | 0:08:46 | 0:08:50 | |
So, let round two commence, at the car-boot sale. | 0:08:52 | 0:08:56 | |
Our booter-rooters have arrived at Marks Tey in Essex. | 0:08:56 | 0:09:00 | |
And once again, it's John who's quickest off the mark, | 0:09:00 | 0:09:03 | |
motoring towards an unusual vintage toy. | 0:09:03 | 0:09:06 | |
How much is the little Mamod steam truck? | 0:09:06 | 0:09:08 | |
85 on it, but I'll do it for 80. | 0:09:11 | 0:09:14 | |
It's a little bit rich for me if I want to make a small profit on it. | 0:09:15 | 0:09:19 | |
-70. -£70? -Yeah. | 0:09:19 | 0:09:21 | |
Madam, can I shake your hand? Thank you very much. | 0:09:21 | 0:09:24 | |
It's a Mamod steam truck. | 0:09:24 | 0:09:26 | |
Now, interesting toy manufacturer from Birmingham, | 0:09:26 | 0:09:29 | |
they go back to the 1930s. | 0:09:29 | 0:09:31 | |
And their fortunes turned very much in the lead-up to the war | 0:09:31 | 0:09:35 | |
as people turned away from German-manufactured toys. | 0:09:35 | 0:09:38 | |
And suddenly, Mamod became a real key player. | 0:09:38 | 0:09:42 | |
But these were all the rage in the early sort of post-war period. | 0:09:42 | 0:09:45 | |
Now, you can believe children would have played with this - | 0:09:45 | 0:09:48 | |
you literally filled up the boiler here with water, | 0:09:48 | 0:09:52 | |
under here you have a little spirit heater with a live flame | 0:09:52 | 0:09:55 | |
and the spirit would heat up the water to produce the steam, | 0:09:55 | 0:09:58 | |
and you'd just pull this lever here and that would | 0:09:58 | 0:10:00 | |
kick the whole thing into action. This thing would go along. | 0:10:00 | 0:10:02 | |
Today these wouldn't pass safety tests, | 0:10:02 | 0:10:04 | |
but 20 years in the auction world, | 0:10:04 | 0:10:06 | |
I don't think I've ever sold one of these. | 0:10:06 | 0:10:08 | |
So at £70, I should be able to turn a little bit of profit. | 0:10:08 | 0:10:11 | |
And with that, he soaks his engine and steams straight back into | 0:10:12 | 0:10:15 | |
the bustling boot sale. | 0:10:15 | 0:10:17 | |
And our John is anything but predictable, | 0:10:19 | 0:10:21 | |
as next he snaps up a late-20th-century | 0:10:21 | 0:10:24 | |
Native American-style carving for £50. | 0:10:24 | 0:10:28 | |
Let's hope it doesn't frighten off the buyers. | 0:10:28 | 0:10:30 | |
It's a faux Native American totem pole. | 0:10:30 | 0:10:33 | |
It's made of teak. Why do I like it? | 0:10:33 | 0:10:36 | |
Well, my first job was as a carpenter-joiner, | 0:10:36 | 0:10:38 | |
and I've never lost that love of wood. | 0:10:38 | 0:10:41 | |
I just need to find Paul Hayes now. | 0:10:41 | 0:10:43 | |
I wonder if he's sending up any smoke signals. | 0:10:43 | 0:10:46 | |
Well, Mr Morecambe is on fire, John, | 0:10:46 | 0:10:48 | |
and he's ferreted out a genuine antique. | 0:10:48 | 0:10:51 | |
I've just spotted this little vase here, sir. | 0:10:52 | 0:10:54 | |
-What can you tell me about this? -Late 17th, early 18th. | 0:10:54 | 0:10:58 | |
-Yeah. -Later drilled by the Victorians, who shoved a base on it, | 0:10:58 | 0:11:01 | |
-as they do. -It's an old pestle and mortar? | 0:11:01 | 0:11:03 | |
-Yeah. -And someone's drilled through it. | 0:11:03 | 0:11:05 | |
It's 200. | 0:11:05 | 0:11:07 | |
Do you know what? One bid's worth a thousand lookers-on. | 0:11:07 | 0:11:09 | |
-It can't be a oner? -125. | 0:11:09 | 0:11:12 | |
-You won't lose. -Go on, I'll have that. | 0:11:12 | 0:11:13 | |
I'll shake your hand. Thank you very much. | 0:11:13 | 0:11:16 | |
Well, do you know what? I'm absolutely delighted. | 0:11:16 | 0:11:18 | |
I bought a fantastic, genuine antique item. | 0:11:18 | 0:11:21 | |
This is bronze, it dates from the 18th century, it's neoclassical, | 0:11:21 | 0:11:25 | |
it's a restudy of all the wonderful classics | 0:11:25 | 0:11:27 | |
from ancient Rome and Greece. What a fantastic thing. | 0:11:27 | 0:11:30 | |
This would be £600-700 plus | 0:11:30 | 0:11:32 | |
if it hadn't had a drill hole in the bottom. | 0:11:32 | 0:11:34 | |
But I still think there's a bit of profit in this one, definitely. | 0:11:34 | 0:11:37 | |
And after splashing out on his first buy, | 0:11:37 | 0:11:39 | |
Paul gets frugal, picking up a tea set... | 0:11:39 | 0:11:42 | |
-Thank you very much! -..for £15. | 0:11:42 | 0:11:45 | |
This dates from the early 20th century, | 0:11:45 | 0:11:47 | |
the golden age, really, of tea drinking. | 0:11:47 | 0:11:49 | |
Silver and silver plate became very affordable, | 0:11:49 | 0:11:52 | |
so these sets were in every good-quality household. | 0:11:52 | 0:11:54 | |
This is fluted base with an ebony top and this sort of oval shape. | 0:11:54 | 0:11:59 | |
It's got a sugar basin with it and a cream jug. | 0:11:59 | 0:12:01 | |
15 quid, an absolute bargain. | 0:12:01 | 0:12:03 | |
Exactly my cup of tea. | 0:12:03 | 0:12:05 | |
Our connoisseurs of the car boot have both bagged | 0:12:06 | 0:12:08 | |
their potentially profitable items, | 0:12:08 | 0:12:11 | |
so let's see how much they've spent so far. | 0:12:11 | 0:12:13 | |
From his £1,000 budget, Paul has spent £290, | 0:12:14 | 0:12:19 | |
leaving him with £710 to spend. | 0:12:19 | 0:12:22 | |
John has forked out less, £216, | 0:12:22 | 0:12:25 | |
which leaves him with £784 at the halfway stage. | 0:12:25 | 0:12:29 | |
So, both our dealers have plenty of euros for round three, | 0:12:30 | 0:12:34 | |
the foreign market. | 0:12:34 | 0:12:35 | |
They've travelled to Sommieres in the glorious South of France. | 0:12:35 | 0:12:39 | |
What strategy has Paul got up his perfectly-pressed sleeve? | 0:12:39 | 0:12:43 | |
Come a long way to buy our items here today, | 0:12:43 | 0:12:46 | |
so why go back with things that you can buy anywhere else? | 0:12:46 | 0:12:49 | |
Buy something typically French. | 0:12:49 | 0:12:51 | |
So I'm going for some ormolu, | 0:12:51 | 0:12:53 | |
some nice French furniture, some nice porcelain, | 0:12:53 | 0:12:56 | |
some Lalique glass - something that's typically French, | 0:12:56 | 0:12:59 | |
something with a bit of je ne sais quoi. | 0:12:59 | 0:13:01 | |
Mr Morecambe is definitely going native today. | 0:13:01 | 0:13:04 | |
For John, it's all about the Showdown Auction crowd. | 0:13:04 | 0:13:06 | |
I'm looking for a couple of items to potentially put into auction here, | 0:13:08 | 0:13:12 | |
so perhaps something that you won't always find quite readily at home, | 0:13:12 | 0:13:15 | |
something with a bit of impact here, | 0:13:15 | 0:13:17 | |
something that the UK auction bidders | 0:13:17 | 0:13:19 | |
are going to want to snap up. | 0:13:19 | 0:13:20 | |
And off they leap onto the buying merry-go-round. | 0:13:22 | 0:13:25 | |
Paul's first fancy is an ancient Roman pot. | 0:13:25 | 0:13:28 | |
Hang on, Paul, weren't you just vowing to buy French? | 0:13:28 | 0:13:32 | |
And this one is genuine Roman? Can I just have a look? | 0:13:32 | 0:13:34 | |
-It's almost third century... -B...? -After. | 0:13:34 | 0:13:39 | |
OK, so we've got something that dates from | 0:13:39 | 0:13:41 | |
-the third century AD, Roman. -Yeah. -OK. | 0:13:41 | 0:13:44 | |
-And how much is this one? -This one is 60. -60. | 0:13:44 | 0:13:47 | |
-Can it be 50 euros? -No. | 0:13:47 | 0:13:49 | |
-60 euros. Can we shake on that? -Yeah. -OK, sir. -With pleasure. | 0:13:49 | 0:13:53 | |
-Merci beaucoup. Merci, monsieur. -Thank you very much. | 0:13:53 | 0:13:55 | |
So, there we are, I bought a Roman pot. | 0:13:55 | 0:13:57 | |
-How much does a Greek urn? -RIMSHOT | 0:13:57 | 0:13:58 | |
That's an English joke, I'll explain it over a cup of tea. | 0:13:58 | 0:14:01 | |
Yes Paul's jokes are almost as ancient as his purchases, | 0:14:01 | 0:14:05 | |
and he bags his little pot for just under £52. | 0:14:05 | 0:14:09 | |
I think this is absolutely an amazing piece, a genuine antique. | 0:14:09 | 0:14:13 | |
This is an archaeological discovery, if you like. | 0:14:13 | 0:14:16 | |
Who would have used this at the time? | 0:14:16 | 0:14:17 | |
Isn't that absolutely fantastic? | 0:14:17 | 0:14:19 | |
The romance around this is wonderful. | 0:14:19 | 0:14:21 | |
And, of course, this area in particular | 0:14:21 | 0:14:24 | |
was a massive Roman settlement. | 0:14:24 | 0:14:25 | |
It's not something that turns up very often in England, | 0:14:25 | 0:14:28 | |
so I think this is something that's not typically French, | 0:14:28 | 0:14:31 | |
typically Roman, but hopefully a nice selling item. | 0:14:31 | 0:14:34 | |
Just my cup of tea! | 0:14:34 | 0:14:35 | |
And keen to bag foreign market item number two, | 0:14:37 | 0:14:40 | |
he sniffs out a 1930s perfume flask, | 0:14:40 | 0:14:43 | |
buying it for just over £17. | 0:14:43 | 0:14:45 | |
This is a beautiful scent bottle. It's extremely Art Deco - | 0:14:46 | 0:14:50 | |
just look at the geometric lines of this. | 0:14:50 | 0:14:52 | |
It's in wonderful condition, it's a great name, | 0:14:52 | 0:14:55 | |
which is local to the area, Cacharel. | 0:14:55 | 0:14:57 | |
I think that's something that's typically French, | 0:14:57 | 0:14:59 | |
which is what I wanted to buy here today, | 0:14:59 | 0:15:01 | |
and for 20 euro, that's the sweet smell of success, I think. | 0:15:01 | 0:15:05 | |
-HE SNIFFS -Ah, c'est magnifique! | 0:15:05 | 0:15:07 | |
John has also hit the market with a goal of buying French, | 0:15:09 | 0:15:12 | |
and he could be on track with this 19th-century fire grate. | 0:15:12 | 0:15:16 | |
That's nice, decorative. How much? | 0:15:17 | 0:15:19 | |
-200. -200, yeah. -It's a real nice... -It's nice, it's nice. | 0:15:19 | 0:15:23 | |
It's well done, and it's style, you know? | 0:15:23 | 0:15:29 | |
Renaissance, you understand the Renaissance? | 0:15:29 | 0:15:31 | |
Of course, of course. I'll do... | 0:15:31 | 0:15:33 | |
180? | 0:15:33 | 0:15:34 | |
S'il vous plait? No? | 0:15:34 | 0:15:36 | |
-190. -190. | 0:15:37 | 0:15:38 | |
190. OK, you know what? 190, I'm going to do it. | 0:15:38 | 0:15:42 | |
-190. -190? | 0:15:42 | 0:15:44 | |
-OK? -OK. -All right, 190. | 0:15:44 | 0:15:47 | |
You drive a hard bargain. | 0:15:47 | 0:15:48 | |
With fire in his belly, John gets his grate for just under £164, | 0:15:48 | 0:15:53 | |
though the stallholder is a little confused who he sold to. | 0:15:53 | 0:15:56 | |
-John. Paul was the other guy... -Ah, John. | 0:15:59 | 0:16:02 | |
..the handsome guy, you know? Blonde, handsome. | 0:16:02 | 0:16:05 | |
-Moi, Michel. -Michel, of course. | 0:16:05 | 0:16:07 | |
This has to be one of my favourite pieces. | 0:16:07 | 0:16:10 | |
It's an 19th-century cast-iron fire grate cover. | 0:16:10 | 0:16:14 | |
Beautifully cast, wonderful strap work here, | 0:16:14 | 0:16:17 | |
figures emerging from these niches, classical cornice | 0:16:17 | 0:16:20 | |
and these pilasters here - just oozes Renaissance. | 0:16:20 | 0:16:24 | |
But even better than that, when you open the doors, | 0:16:24 | 0:16:27 | |
the decoration continues inside. | 0:16:27 | 0:16:29 | |
I managed to pick it up for 190 euros. | 0:16:29 | 0:16:33 | |
I still think there's a good profit there - | 0:16:33 | 0:16:35 | |
the right buyer, I think, would pay £300-400 for something like this - | 0:16:35 | 0:16:38 | |
so, good work. | 0:16:38 | 0:16:40 | |
A bold claim, and from the decorative and antique | 0:16:42 | 0:16:45 | |
to the, well, downright weird. | 0:16:45 | 0:16:47 | |
There we are. | 0:16:47 | 0:16:49 | |
He buys this thingamajig for just under £26, | 0:16:49 | 0:16:52 | |
but what the devil is it? | 0:16:52 | 0:16:55 | |
I've seen a number of items made from old champagne bottles, | 0:16:55 | 0:16:58 | |
but I haven't seen one cut in half like that and made into | 0:16:58 | 0:17:01 | |
a little serving table, a bit like a lazy Susan. | 0:17:01 | 0:17:04 | |
An interesting little thing. | 0:17:04 | 0:17:06 | |
Lots of people love champagne, so should find a buyer for this. | 0:17:06 | 0:17:09 | |
And with that, we bid au revoir to the French antiques market. | 0:17:09 | 0:17:13 | |
So, let's see where they stand after round three. | 0:17:13 | 0:17:16 | |
From his £1,000 budget, | 0:17:16 | 0:17:18 | |
Paul has spent £358.96, | 0:17:18 | 0:17:22 | |
which leaves him a little over £641. | 0:17:22 | 0:17:25 | |
John has spent a total of £405.65 so far, | 0:17:25 | 0:17:29 | |
leaving him with just over £594 for the final round. | 0:17:29 | 0:17:34 | |
So, time for round four at Ardingly Antiques Fair. | 0:17:36 | 0:17:39 | |
Our dealers arrive in West Sussex | 0:17:39 | 0:17:41 | |
for the ultimate chapter of this treasure hunt. | 0:17:41 | 0:17:44 | |
They each have two items left to purchase before | 0:17:44 | 0:17:46 | |
the buying challenge ends, so what are their final strategies? | 0:17:46 | 0:17:50 | |
Today, I'm trying to find two things that I can put into auction | 0:17:51 | 0:17:54 | |
with confidence it'll make a profit. | 0:17:54 | 0:17:56 | |
Off John goes, as keen as mustard, but what of Mr Morecambe's plans? | 0:17:57 | 0:18:02 | |
So here we are, this is my last buying day, | 0:18:02 | 0:18:03 | |
this is my last chance to get one over on that John Cameron. | 0:18:03 | 0:18:06 | |
So I'm going to surprise you here, John - | 0:18:06 | 0:18:08 | |
I might even buy some furniture. | 0:18:08 | 0:18:10 | |
Who'd have thought that? | 0:18:10 | 0:18:11 | |
So, surely Paul's going to sweep straight towards some furniture. | 0:18:11 | 0:18:15 | |
Er, no, it's a painting of some mountains. | 0:18:15 | 0:18:18 | |
Is £35 your best price? | 0:18:18 | 0:18:20 | |
-32. -32, hey! | 0:18:20 | 0:18:22 | |
It's a lovely watercolour, | 0:18:22 | 0:18:24 | |
a fantastic landscape, mountainous views. | 0:18:24 | 0:18:26 | |
Why I bought it - the back of the picture tells you | 0:18:26 | 0:18:29 | |
just as much as the front. | 0:18:29 | 0:18:30 | |
It has a previous saleroom label, | 0:18:30 | 0:18:33 | |
this one's from Christie's in London, | 0:18:33 | 0:18:35 | |
so that means that this has actually gone through the auction, | 0:18:35 | 0:18:38 | |
they've obviously rated it. | 0:18:38 | 0:18:39 | |
What I liked about it as well is the other label which we have here, | 0:18:39 | 0:18:43 | |
which is framers and makers to the Queen, | 0:18:43 | 0:18:45 | |
that of course being Queen Victoria. | 0:18:45 | 0:18:47 | |
Definitely it's a watercolour from that period, | 0:18:47 | 0:18:49 | |
it's been through a good saleroom, | 0:18:49 | 0:18:51 | |
and potentially it could be a bit of a sleeper. | 0:18:51 | 0:18:54 | |
With one purchase to go, is Paul going to scour the stands | 0:18:54 | 0:18:57 | |
and upturn every table in search of that last elusive buy? | 0:18:57 | 0:19:01 | |
No, right under his nose at the very same stall he lands on this | 0:19:01 | 0:19:04 | |
airline memorabilia from the 1980s. | 0:19:04 | 0:19:08 | |
What's the story with these? | 0:19:08 | 0:19:09 | |
The lady used to put them in the back of the Concorde seats. | 0:19:09 | 0:19:12 | |
-So she works for British Airways... -She actually put them in. | 0:19:12 | 0:19:14 | |
And actually, they are still in their original box. | 0:19:14 | 0:19:16 | |
This is the Concorde box that they were actually in. | 0:19:16 | 0:19:18 | |
-So these have never been used on board...? -Nope. | 0:19:18 | 0:19:21 | |
That's amazing, isn't it? | 0:19:21 | 0:19:22 | |
You're £8 here - what are you asking for them if I bought a few? | 0:19:22 | 0:19:25 | |
-How many do you want? -Well, I don't know, | 0:19:25 | 0:19:26 | |
-how many's in the box? -23. Did you want all 23? | 0:19:26 | 0:19:29 | |
That one looks a bit worn, doesn't it, that one? | 0:19:29 | 0:19:32 | |
If you wanted the lot, I'll do you 120. | 0:19:32 | 0:19:35 | |
And you can have the box that comes with it. | 0:19:35 | 0:19:37 | |
Bearing in mind I've got to try to sell them on. | 0:19:37 | 0:19:40 | |
-How about...? -£90 for the whole box. | 0:19:40 | 0:19:42 | |
£90... Where did you come from? | 0:19:42 | 0:19:44 | |
THEY LAUGH | 0:19:44 | 0:19:45 | |
65 quid, we'll have a deal. | 0:19:45 | 0:19:47 | |
Oh, there you go! | 0:19:47 | 0:19:49 | |
These have come off what is probably the most famous aviation... | 0:19:49 | 0:19:53 | |
most famous aeroplane ever existed, the Concorde. | 0:19:53 | 0:19:56 | |
It was the fastest that we ever made. | 0:19:56 | 0:19:58 | |
These are fantastic, very rare things. | 0:19:58 | 0:20:00 | |
They're called a conference pack. | 0:20:00 | 0:20:01 | |
Little sort of diary, a certificate of flight, | 0:20:01 | 0:20:03 | |
they're collectable in the future, | 0:20:03 | 0:20:05 | |
and I think a bit of a bargain. It's supersonic warp three. | 0:20:05 | 0:20:08 | |
Or was it Mach 3? Who knows? | 0:20:08 | 0:20:11 | |
And with that, Paul soars above John and beats his rival | 0:20:11 | 0:20:14 | |
to the finish line of the buying bonanza. | 0:20:14 | 0:20:16 | |
John's now under pressure with two items still to nail, | 0:20:16 | 0:20:19 | |
and he swiftly rounds up this doorstop for £25. | 0:20:19 | 0:20:23 | |
It's a 19th-century cast-iron doorstop modelled as a black sheep. | 0:20:23 | 0:20:27 | |
In my family, black sheep are considered lucky items, | 0:20:27 | 0:20:30 | |
so I've bought this purely for luck. | 0:20:30 | 0:20:33 | |
Paul, you won't pull the wool over my eyes. | 0:20:33 | 0:20:36 | |
With just one purchase to go and feeling shipshape, | 0:20:36 | 0:20:38 | |
John navigates towards something nautical-looking. | 0:20:38 | 0:20:41 | |
But looks can be deceiving. | 0:20:41 | 0:20:44 | |
It's just a shelving unit, it'll stand up on end, | 0:20:44 | 0:20:47 | |
but I quite like it. | 0:20:47 | 0:20:48 | |
I'm a sucker for wood and that could go into auction for the Showdown. | 0:20:48 | 0:20:53 | |
What's the best price on that? | 0:20:53 | 0:20:54 | |
-45. -You'll do the boat for 40? | 0:20:54 | 0:20:56 | |
-Yeah, it's fine. -£40? OK. | 0:20:56 | 0:20:58 | |
I just noticed that this is Oxford Rowing Club 1938, | 0:20:58 | 0:21:01 | |
just been mocked up, but the oars also say Oxford as well. | 0:21:01 | 0:21:03 | |
I think they look nice together. | 0:21:03 | 0:21:06 | |
How much are the oars? | 0:21:06 | 0:21:07 | |
-£12 each. -No budging on that? | 0:21:07 | 0:21:09 | |
No, sorry. | 0:21:09 | 0:21:11 | |
All right. | 0:21:11 | 0:21:13 | |
He lands the naughty boat and oars for £64 in total. | 0:21:13 | 0:21:17 | |
There's no age to this at all, | 0:21:17 | 0:21:19 | |
they're just a bit of fun and a play on the whole vintage look. | 0:21:19 | 0:21:22 | |
And it's not about buying antiques, it's about making profit. | 0:21:22 | 0:21:25 | |
Paul I'm not up the creek yet, and even if I was, I've got two paddles. | 0:21:25 | 0:21:29 | |
And with that last splurge from John, | 0:21:30 | 0:21:32 | |
our foes reach the climax of this buying stage. | 0:21:32 | 0:21:35 | |
Each armed with eight well-chosen items, | 0:21:35 | 0:21:38 | |
they face the momentous selling struggle ahead of them, | 0:21:38 | 0:21:41 | |
but let's see how they doled out their dosh. | 0:21:41 | 0:21:43 | |
From a £1,000 budget, | 0:21:44 | 0:21:46 | |
Paul has spent under half his money, shelling out £455.96. | 0:21:46 | 0:21:51 | |
John has splashed out just a little more, spending £494.65. | 0:21:51 | 0:21:57 | |
Before our dealers turn their minds to selling, | 0:21:57 | 0:21:59 | |
what do they make of their collectables? | 0:21:59 | 0:22:02 | |
So, here we are, the Showdown. | 0:22:02 | 0:22:04 | |
This is the final result of the whole week's buying. | 0:22:04 | 0:22:07 | |
And I've got a few things up my sleeve, actually. | 0:22:07 | 0:22:09 | |
Can you remember what I bought? | 0:22:09 | 0:22:10 | |
I can't, actually, what are your favourite bits? | 0:22:10 | 0:22:12 | |
My favourite bits has to be that famille rose plaque, | 0:22:12 | 0:22:14 | |
the Chinese plaque. The Concorde memorabilia, | 0:22:14 | 0:22:17 | |
that could be supersonic. | 0:22:17 | 0:22:18 | |
-Yeah, commercial. -You never know. And what about you? | 0:22:18 | 0:22:20 | |
Well, my favourite items are my little tanzanite ring, | 0:22:20 | 0:22:23 | |
I like that. I love the steam truck. | 0:22:23 | 0:22:26 | |
-Have you got it going yet? -I haven't yet and I haven't tried. | 0:22:26 | 0:22:28 | |
Well, really good luck to you. | 0:22:28 | 0:22:30 | |
-Good luck. -And you. -See you at the auction. | 0:22:30 | 0:22:32 | |
Don't try too hard, will you? | 0:22:32 | 0:22:34 | |
Up ahead lies the dreaded Showdown Auction, but before they face | 0:22:37 | 0:22:41 | |
that gruelling challenge, | 0:22:41 | 0:22:42 | |
they must first find the perfect private buyers for half their items. | 0:22:42 | 0:22:46 | |
The other half will go under the hammer, | 0:22:46 | 0:22:48 | |
where any chance of profit will rest in the lap | 0:22:48 | 0:22:51 | |
of the bidding public. | 0:22:51 | 0:22:52 | |
The first step on this long and arduous journey is to draw up | 0:22:52 | 0:22:55 | |
their selling strategies. | 0:22:55 | 0:22:58 | |
So, what are John's big plans? | 0:22:58 | 0:23:00 | |
Now I've just got to decide which items to send to auction | 0:23:00 | 0:23:04 | |
and which to sell personally, | 0:23:04 | 0:23:06 | |
remembering that I've got buyer's commission to take off | 0:23:06 | 0:23:09 | |
of any price we make at auction, and also they go in without reserve, | 0:23:09 | 0:23:12 | |
so it's a real roll of the dice. | 0:23:12 | 0:23:14 | |
Probably sending the tanzanite ring | 0:23:14 | 0:23:16 | |
and my lucky black sheep doorstop there. | 0:23:16 | 0:23:19 | |
Also the boat - I think at that price there should be a profit there | 0:23:19 | 0:23:23 | |
even at auction. Quite nice thing, nice and contemporary. | 0:23:23 | 0:23:26 | |
Last but not least, I think I'm going to send in | 0:23:26 | 0:23:29 | |
the modern stainless steel stag's head. | 0:23:29 | 0:23:31 | |
I know I bought the stag's head and the ring at auction, | 0:23:31 | 0:23:34 | |
so I've already paid buyer's premium there, | 0:23:34 | 0:23:36 | |
it's a tall order now to sell them again at auction and try and | 0:23:36 | 0:23:39 | |
make a profit, but I'm going to take a chance with those. | 0:23:39 | 0:23:42 | |
So, John needs to line up private buyers for his vintage steam wagon, | 0:23:42 | 0:23:46 | |
contemporary faux totem pole, | 0:23:46 | 0:23:49 | |
19th-century cast-iron grate | 0:23:49 | 0:23:51 | |
and his modern champagne glass stand. | 0:23:51 | 0:23:53 | |
Over at Hayes HQ, Paul has also chosen what to put under the hammer. | 0:23:55 | 0:23:59 | |
So, going to auction are four items, | 0:24:00 | 0:24:02 | |
and what I've tried to do is to find two expensive and two affordable. | 0:24:02 | 0:24:07 | |
So the four items that I've got, | 0:24:07 | 0:24:09 | |
has to be the wonderful 19th-century krater, | 0:24:09 | 0:24:13 | |
which is a form of wine and water mixing bowl. | 0:24:13 | 0:24:16 | |
And the Chinese porcelain plaque. | 0:24:16 | 0:24:19 | |
It shows the scene of the Mother of the West, | 0:24:19 | 0:24:22 | |
and there she is, right in the middle there, | 0:24:22 | 0:24:24 | |
she's surrounded by the immortals, so it's got a great story. | 0:24:24 | 0:24:27 | |
They're the two expensive items, the two cheaper ones being | 0:24:27 | 0:24:30 | |
the silver-plated tea set and the scent bottle. | 0:24:30 | 0:24:33 | |
Those have all got to go under the hammer. | 0:24:33 | 0:24:35 | |
Just be a bit careful with that porcelain plaque, won't you? | 0:24:35 | 0:24:37 | |
Bang, bang. | 0:24:37 | 0:24:38 | |
So, that means Paul has to find private buyers | 0:24:38 | 0:24:41 | |
for his early-20th-century Buddha, | 0:24:41 | 0:24:43 | |
his '80s Concorde seat brochures, | 0:24:43 | 0:24:45 | |
his late-Victorian painting | 0:24:45 | 0:24:47 | |
and his little Roman pot. | 0:24:47 | 0:24:49 | |
Our antiques experts must now throw themselves into selling their items | 0:24:49 | 0:24:53 | |
for the best possible prices, | 0:24:53 | 0:24:54 | |
with all their profits going to the charities of their choice. | 0:24:54 | 0:24:57 | |
And remember, until they've shaken on it and the money's changed hands, | 0:24:57 | 0:25:01 | |
no deal is ever sealed. | 0:25:01 | 0:25:02 | |
In Portsmouth it's John "The Hammer" Cameron who's out first, | 0:25:04 | 0:25:07 | |
hoping his vintage steam wagon will steer him into an early lead. | 0:25:07 | 0:25:12 | |
I'm at a classic car restoration workshop | 0:25:12 | 0:25:15 | |
to meet owner Mark, who loves vintage cars, motorbikes and toys. | 0:25:15 | 0:25:19 | |
And I'm hoping he's going to want to add my little classic steam wagon | 0:25:19 | 0:25:22 | |
to his collection. | 0:25:22 | 0:25:23 | |
So, will Mark give John a return on his £70 investment? | 0:25:23 | 0:25:27 | |
-Hello, Mark. -Hello, John, how are you? | 0:25:27 | 0:25:29 | |
-All right? -Not bad. Don't tell me you're getting your hands dirty. -No, just looking, just looking. | 0:25:29 | 0:25:33 | |
-Can't believe what you've got in here. -Yeah, there's loads of stuff. | 0:25:33 | 0:25:36 | |
Mainly American stuff, but a lot of British stuff and some scooters and old British bikes. | 0:25:36 | 0:25:39 | |
-Well, look, I'm hoping this might sort of appeal to you. -Yeah. | 0:25:39 | 0:25:42 | |
And maybe something to go in your collection. | 0:25:42 | 0:25:45 | |
-In the cabinet there. -They were originally children's toys. | 0:25:45 | 0:25:48 | |
This one, I think, probably dates to the early '70s. | 0:25:48 | 0:25:52 | |
-Really? -Probably when you were a boy, Mark. -Nearly. | 0:25:52 | 0:25:55 | |
Nice things, you've got the little original oil can here, | 0:25:55 | 0:25:57 | |
the little funnel for putting the water in. | 0:25:57 | 0:26:00 | |
Everything but the box, really. | 0:26:00 | 0:26:01 | |
Yeah, no, it's a lovely old thing, isn't it? | 0:26:01 | 0:26:03 | |
I'm looking, sort of around the 150 mark. | 0:26:03 | 0:26:06 | |
Where were you seeing it? | 0:26:06 | 0:26:07 | |
-A bit lower than that. -Were you? -Yeah. -How much lower? | 0:26:07 | 0:26:10 | |
I don't know. | 0:26:10 | 0:26:12 | |
-Hundred quid. -Could you do any better than that? | 0:26:12 | 0:26:14 | |
Er, one and a quarter. | 0:26:14 | 0:26:17 | |
£125. | 0:26:17 | 0:26:18 | |
-Good stuff. -Got a deal, sir. | 0:26:18 | 0:26:20 | |
John's wagon wheels in an opening profit of £55, | 0:26:20 | 0:26:24 | |
and he takes an early lead. | 0:26:24 | 0:26:26 | |
The profit on my little truck should see me steaming ahead. | 0:26:26 | 0:26:29 | |
And do you know what? Paul Hayes, I know you're a bit of a '50s man, | 0:26:29 | 0:26:32 | |
but I think I pull this off better than you do. | 0:26:32 | 0:26:36 | |
Very cool, John. | 0:26:36 | 0:26:38 | |
And he zooms further into the lead | 0:26:38 | 0:26:40 | |
with his next sale, of the 1960s totem pole, to Ross, | 0:26:40 | 0:26:43 | |
landlord of a Western-themed pub in Southsea. | 0:26:43 | 0:26:47 | |
Would you do 110? | 0:26:47 | 0:26:48 | |
-I'll do 105, cos it's you. -Ah! Ross, how could I...? | 0:26:49 | 0:26:52 | |
-105, you've got the last word in. -ROSS LAUGHS | 0:26:52 | 0:26:54 | |
John rounds up another £55 profit and puts himself in pole position. | 0:26:54 | 0:26:59 | |
Mr Morecambe is on the road to enlightenment for his first sale, | 0:27:04 | 0:27:08 | |
taking his metal Buddha that cost £84 | 0:27:08 | 0:27:11 | |
to dealer Raymond, who specialises in, well, Buddhas. | 0:27:11 | 0:27:15 | |
-Hello, Paul. -Hello. -How are you doing? | 0:27:16 | 0:27:18 | |
How are you? You know what? This place is amazing. | 0:27:18 | 0:27:21 | |
It's different, isn't it? Very different. | 0:27:21 | 0:27:22 | |
I feel like I've brought snow to the Eskimos in a roundabout way. | 0:27:22 | 0:27:25 | |
I don't think so. I like to try and buy all the Buddhas, if I can. | 0:27:25 | 0:27:28 | |
What's the thing with Buddhas, then? Obviously, you specialise in Buddha. | 0:27:28 | 0:27:31 | |
Looking round, there's hundreds of them in here. | 0:27:31 | 0:27:33 | |
The only way to actually survive in the business is to specialise. | 0:27:33 | 0:27:36 | |
So I looked at Buddhas and just fell in love with them. | 0:27:36 | 0:27:39 | |
I have brought you one here. | 0:27:39 | 0:27:40 | |
-You brought me one? -What I thought, was, oh, that's a really rare thing. | 0:27:40 | 0:27:43 | |
It's a Mandalay Buddha. | 0:27:43 | 0:27:44 | |
-How would you know that's a Mandalay Buddha from any other Buddha? -It's a Burmese Buddha. | 0:27:44 | 0:27:48 | |
The Mandalay period, this one is about 1860. | 0:27:48 | 0:27:51 | |
-Oh, right. -The eyes are shell and black sapphire, | 0:27:51 | 0:27:54 | |
and this is a bronze piece, | 0:27:54 | 0:27:56 | |
made lost wax method, which is quite common, really. | 0:27:56 | 0:27:59 | |
-Yeah. -It's still got its casting core intact, | 0:27:59 | 0:28:01 | |
which is really quite nice. For me, it's a lovely little piece. | 0:28:01 | 0:28:04 | |
-Yeah. -How do you see it? | 0:28:04 | 0:28:05 | |
I'd go, for something like that, ooh...165. | 0:28:05 | 0:28:08 | |
Because you've been so informative, let's do 150. | 0:28:08 | 0:28:11 | |
-OK. -Is that all right with you? -Got a deal. | 0:28:11 | 0:28:13 | |
A random act of kindness from Paul as he knocks off £15, | 0:28:13 | 0:28:18 | |
but still lands a sturdy profit of £66. | 0:28:18 | 0:28:21 | |
But what made him spread that good karma? | 0:28:21 | 0:28:24 | |
Do you know what? Seeing all those Buddhas in the one room, | 0:28:24 | 0:28:26 | |
it really did have an effect on me. | 0:28:26 | 0:28:28 | |
And you can't help but feel the energy, | 0:28:28 | 0:28:30 | |
that wonderful sort of Zen force that's going on. | 0:28:30 | 0:28:32 | |
I feel like I've learnt something. It's a real education there. | 0:28:32 | 0:28:35 | |
And Paul continues his search for dealing nirvana, | 0:28:35 | 0:28:38 | |
selling 22 pristine '80s Concorde seat packs to Michael, | 0:28:38 | 0:28:42 | |
a collector of memorabilia in Oxfordshire. | 0:28:42 | 0:28:45 | |
If you were a fiver each, that makes them 110 quid. | 0:28:45 | 0:28:50 | |
-I'll go for that, yeah. -Well, that sounds like a deal to me. | 0:28:50 | 0:28:52 | |
-Shall we shake on that? -Yep, 110. -All right. | 0:28:52 | 0:28:54 | |
Paul flies off with a profit of £45 and draws level on sales with John. | 0:28:54 | 0:29:00 | |
But in Emsworth, | 0:29:02 | 0:29:03 | |
The Hammer is making supersonic progress of his own. | 0:29:03 | 0:29:06 | |
He's had his 19th-century cast-iron grate that cost him nearly £164 | 0:29:06 | 0:29:11 | |
delivered to fireplace shop owner, Alan. | 0:29:11 | 0:29:14 | |
-Alan. -Hi, John. | 0:29:14 | 0:29:16 | |
I see you're having a nice look at it. | 0:29:16 | 0:29:17 | |
Yes, very ornate. | 0:29:17 | 0:29:19 | |
Nothing like anything we've got here in our showroom. | 0:29:19 | 0:29:22 | |
We have the British or English version of a little bedroom cast | 0:29:22 | 0:29:25 | |
fireplace next to it, as an example of what we would | 0:29:25 | 0:29:28 | |
normally be dealing with. | 0:29:28 | 0:29:29 | |
So, yeah, it's, er, it's quite an unusual product. | 0:29:29 | 0:29:33 | |
You think you could find a buyer for it here? | 0:29:33 | 0:29:35 | |
It could be made to work. | 0:29:35 | 0:29:36 | |
It would need some fire bricks and installation work, obviously, | 0:29:36 | 0:29:39 | |
but, yeah, in the right setting, | 0:29:39 | 0:29:41 | |
local small fishing cottages for instance, | 0:29:41 | 0:29:43 | |
that might be just the job. | 0:29:43 | 0:29:45 | |
You got a figure in your mind? | 0:29:45 | 0:29:46 | |
I would probably open the gambit at about £200? | 0:29:46 | 0:29:50 | |
Well, I'm thinking more 250, Alan, if I'm honest. | 0:29:50 | 0:29:54 | |
I'm willing to take a chance on that. | 0:29:56 | 0:29:58 | |
-At 250? -At 250. -Alan, shake my hand. | 0:29:58 | 0:30:01 | |
The Hammer nails himself a great big profit of just over £86, | 0:30:01 | 0:30:05 | |
his biggest and best yet. | 0:30:05 | 0:30:07 | |
And his fiery streak continues with his other French item, | 0:30:07 | 0:30:10 | |
the champagne bottle stand. | 0:30:10 | 0:30:13 | |
He sells it for £60 to Southsea restaurant owner Jason, | 0:30:13 | 0:30:16 | |
making over £34 profit. | 0:30:16 | 0:30:18 | |
That's John's private sales all done, | 0:30:18 | 0:30:21 | |
and with two items to go before the auction, | 0:30:21 | 0:30:23 | |
Paul sells his late-Victorian painting | 0:30:23 | 0:30:26 | |
to Lancashire-based dealer, Aidan. | 0:30:26 | 0:30:28 | |
If I was to ask you, say, 50 quid? | 0:30:28 | 0:30:30 | |
Go on, then. It's a pleasure doing business. | 0:30:30 | 0:30:32 | |
-It's lovely doing business. -I might make a profit! | 0:30:32 | 0:30:35 | |
PAUL LAUGHS | 0:30:35 | 0:30:36 | |
Mr Morecambe steps out £18 up and moves on to his final item, | 0:30:36 | 0:30:40 | |
the little ancient Roman pot. | 0:30:40 | 0:30:42 | |
Embarking on a fact-finding mission, | 0:30:42 | 0:30:45 | |
Paul takes it to show archaeologist Roger in Oxfordshire. | 0:30:45 | 0:30:48 | |
Now, have I bought something that is a very priceless treasure, | 0:30:50 | 0:30:54 | |
or is it something that's common to yourself? | 0:30:54 | 0:30:56 | |
You give me that look there, Roger. | 0:30:56 | 0:30:58 | |
-It's not priceless. -No? OK! | 0:30:58 | 0:31:00 | |
-It looks Roman. -OK, great. | 0:31:00 | 0:31:02 | |
The shape's fine. It's consistent with it not being British, you know, | 0:31:02 | 0:31:06 | |
shape looks a bit more continental. | 0:31:06 | 0:31:08 | |
These are found, you know, all over the Roman Empire, basically. | 0:31:08 | 0:31:11 | |
Would it be something that somebody of high status would've used? | 0:31:11 | 0:31:14 | |
No, no, right down to the bottom of the social scale. | 0:31:14 | 0:31:16 | |
In fact, the opposite, this would be used by those of the lower classes. | 0:31:16 | 0:31:20 | |
So what age are we looking at here? | 0:31:20 | 0:31:23 | |
It's probably second or third century, but it could be fourth. | 0:31:23 | 0:31:26 | |
Armed with a little more knowledge, | 0:31:26 | 0:31:28 | |
Paul takes the pot that cost him nearly £52 | 0:31:28 | 0:31:31 | |
to antiques dealer Phil in Yorkshire. | 0:31:31 | 0:31:34 | |
-What I've actually brought you along is a third century Roman pot. -Right. | 0:31:34 | 0:31:39 | |
This has come from the South of France. | 0:31:39 | 0:31:41 | |
It's called an amphora pot, the idea is it sits straight in the sand. | 0:31:41 | 0:31:45 | |
-Can you see a profit in it? -Is it a small one? | 0:31:45 | 0:31:48 | |
Ah, smashing. If I was to ask you 70 quid, how does that sound? | 0:31:48 | 0:31:51 | |
And I'd bid you 60. | 0:31:51 | 0:31:52 | |
-Would you? -Yeah. -Is that a genuine bid? | 0:31:52 | 0:31:54 | |
-Yeah. -And you're happy to do that? | 0:31:54 | 0:31:55 | |
-I'm happy for that. -Let's shake on that, then. -Shake on that. -Thank you very much. | 0:31:55 | 0:31:59 | |
Paul's pot unearths a profit of just over £8 | 0:31:59 | 0:32:02 | |
and his private sales are done. | 0:32:02 | 0:32:04 | |
With the first half of the selling challenge at an end | 0:32:06 | 0:32:09 | |
and before our dealers offer up their remaining items | 0:32:09 | 0:32:11 | |
to the Showdown Auction, let's look at the gains so far. | 0:32:11 | 0:32:14 | |
Both our experts have now sold four items. | 0:32:16 | 0:32:19 | |
Paul is doing well, with a profit so far of £137.28. | 0:32:19 | 0:32:24 | |
But it's John who's leading at this stage, | 0:32:24 | 0:32:27 | |
with a profit of £230.35. | 0:32:27 | 0:32:31 | |
And now, we approach the culmination of today's events... | 0:32:33 | 0:32:36 | |
the Showdown Auction. | 0:32:36 | 0:32:38 | |
Our dealers can no longer conjure up their own sales, | 0:32:38 | 0:32:41 | |
as their fates lie in the hands of the bidders | 0:32:41 | 0:32:44 | |
at Brighton General Auctions. | 0:32:44 | 0:32:46 | |
So, how are our dynamic dealers feeling? | 0:32:46 | 0:32:49 | |
-Good morning, John. How are you? -Morning, Paul. Very well. | 0:32:49 | 0:32:52 | |
How have you got on? | 0:32:52 | 0:32:53 | |
Well, I've sold everything, so I've started sleeping again. | 0:32:53 | 0:32:57 | |
It does feel like that, doesn't it? | 0:32:57 | 0:32:59 | |
A little bit worried about today, I must admit. | 0:32:59 | 0:33:00 | |
There's no reserves on anything in the auction today. | 0:33:00 | 0:33:03 | |
All those good profits you've made | 0:33:03 | 0:33:05 | |
could be blown away today at the auction. | 0:33:05 | 0:33:07 | |
Obliterated in one fell swoop. | 0:33:07 | 0:33:09 | |
But I've put some good things in the auction. | 0:33:09 | 0:33:11 | |
I've high hopes for that krater, that little sort of mixing bowl, | 0:33:11 | 0:33:13 | |
I think that could do quite well. What have you got in today? | 0:33:13 | 0:33:16 | |
The item I think that could do quite well is the, um, tanzanite ring. | 0:33:16 | 0:33:20 | |
-Oh, yeah. -It's quite fashionable, | 0:33:20 | 0:33:21 | |
but the other thing to remember is we've got to pay | 0:33:21 | 0:33:24 | |
-the auctioneer's commission. -That's right. | 0:33:24 | 0:33:26 | |
Two of my items in here I bought at auction, | 0:33:26 | 0:33:28 | |
so I've already paid commission, | 0:33:28 | 0:33:30 | |
so I'm taking quite a risk with those, the ring and the stag's head. | 0:33:30 | 0:33:32 | |
Am I going to make profit with two lots of commission? | 0:33:32 | 0:33:35 | |
Bit of a risk. I think we're in the hands of the auctioneer. | 0:33:35 | 0:33:37 | |
-We certainly are. -And just enjoy it. | 0:33:37 | 0:33:39 | |
Yeah, OK. I'll try to, mate. But I know we've got a good... | 0:33:39 | 0:33:41 | |
That's a heady combination of last-minute nerves and high hopes, | 0:33:41 | 0:33:45 | |
as our dealers step inside. | 0:33:45 | 0:33:47 | |
But before the auction commences, | 0:33:47 | 0:33:49 | |
there's one last chance to critique each other's items. | 0:33:49 | 0:33:53 | |
Now, I know this is one of John's favourite things, | 0:33:53 | 0:33:56 | |
he was so excited when he bought it, but the four precious gemstones | 0:33:56 | 0:33:59 | |
are diamonds, emeralds, rubies and sapphires. | 0:33:59 | 0:34:02 | |
Tanzanite doesn't come under that list. | 0:34:02 | 0:34:05 | |
So I think he's going to struggle. Not sure about this one, John. | 0:34:05 | 0:34:08 | |
I know why he's gone for this, he's taking a bit of a gamble | 0:34:08 | 0:34:11 | |
on the demand for Chinese ceramics at the moment. | 0:34:11 | 0:34:14 | |
£66, he paid for that. | 0:34:14 | 0:34:16 | |
In a market that's pretty strong, I think he's got a good chance. | 0:34:16 | 0:34:19 | |
Frankly, I'm staggered that John's put this stag's head | 0:34:19 | 0:34:23 | |
into the auction, but you know what? | 0:34:23 | 0:34:25 | |
It fits in great here, because it's chrome, stainless steel effect. | 0:34:25 | 0:34:28 | |
I think it could do all right, actually. | 0:34:28 | 0:34:30 | |
I've got to be honest, had I seen this, and the price tag, | 0:34:30 | 0:34:34 | |
I probably would've bought it myself. | 0:34:34 | 0:34:36 | |
There is a good market for collecting perfume bottles. | 0:34:36 | 0:34:40 | |
And at £17, he really has nothing to lose. | 0:34:40 | 0:34:43 | |
John's bought something very traditional here. | 0:34:43 | 0:34:46 | |
It's got a very country feel to it. | 0:34:46 | 0:34:48 | |
I'm not sure that's the best thing to pitch here in Brighton, | 0:34:48 | 0:34:51 | |
but a good useful antique. | 0:34:51 | 0:34:53 | |
-What's not to like? -With just minutes to blast-off, | 0:34:53 | 0:34:56 | |
are the signs looking good? | 0:34:56 | 0:34:58 | |
Can you feel the tension building, John? | 0:34:58 | 0:35:00 | |
I can. But the good thing is the auction room is packed. | 0:35:00 | 0:35:03 | |
And do you know what? Today, with the internet bidding, | 0:35:03 | 0:35:06 | |
everyone views the sale and bids from home. | 0:35:06 | 0:35:08 | |
So you're not used to seeing such crowds today. | 0:35:08 | 0:35:10 | |
-That's a good sign. -Talking as a dealer, | 0:35:10 | 0:35:11 | |
these are the places you want to come, | 0:35:11 | 0:35:13 | |
cos you've got a chance of finding that gem there. | 0:35:13 | 0:35:15 | |
And here come the gems now, | 0:35:17 | 0:35:19 | |
because the bidding kicks off with John's modern tanzanite ring. | 0:35:19 | 0:35:23 | |
First of my lots up now, that I paid £60 for. | 0:35:23 | 0:35:26 | |
I need to be making about 80 quid on this to even get out with a profit. | 0:35:26 | 0:35:30 | |
-Start the book at £24 with me. -Oh, there we are. | 0:35:30 | 0:35:32 | |
Got 26 now on the net. | 0:35:32 | 0:35:34 | |
It's not looking good. | 0:35:34 | 0:35:36 | |
I've got 28 now in the room. | 0:35:36 | 0:35:38 | |
-I've got 30 now on the net. -30 on the net... -Looking for 32 now? | 0:35:38 | 0:35:42 | |
I will sell it at £30. | 0:35:42 | 0:35:45 | |
Ah... That's a devastating loss. | 0:35:46 | 0:35:49 | |
Perhaps I should've sold that privately. | 0:35:49 | 0:35:51 | |
Hindsight is a wonderful thing, John. | 0:35:51 | 0:35:53 | |
That's a shaky start, | 0:35:53 | 0:35:54 | |
as the ring makes a loss of over £36 after auction fees, | 0:35:54 | 0:35:58 | |
so will he have better luck with his other auction buy? | 0:35:58 | 0:36:01 | |
The contemporary stag's head, which owes him £36. | 0:36:01 | 0:36:05 | |
What's the market like for modern stainless steel stags' heads? | 0:36:05 | 0:36:08 | |
We're about to find out, Paul. | 0:36:08 | 0:36:09 | |
I've got five on the net. | 0:36:09 | 0:36:11 | |
Six with me, I've got eight, | 0:36:11 | 0:36:13 | |
I've got ten here. I've got 12, do you want 14? | 0:36:13 | 0:36:16 | |
-Come on... -I've got 12, I've got 14 with me. | 0:36:16 | 0:36:18 | |
16 in the room. | 0:36:18 | 0:36:20 | |
18. Do you want 20? | 0:36:20 | 0:36:22 | |
Do you want 22? | 0:36:22 | 0:36:23 | |
Do you want 24? | 0:36:23 | 0:36:24 | |
-Yeah, go on. -Come on. -24 on the net. Do you want 26? | 0:36:24 | 0:36:27 | |
-Everyone wants it. -Don't be so tight, Matt. | 0:36:27 | 0:36:29 | |
Got 26. Thank you, sir. | 0:36:29 | 0:36:31 | |
-Getting closer. -I will sell it at £26. -One more. | 0:36:31 | 0:36:34 | |
-I've got 28. Do you want 30? -Come on. | 0:36:34 | 0:36:37 | |
All done at £30... | 0:36:37 | 0:36:39 | |
So there's no stag party for John, as he nets his second loss. | 0:36:39 | 0:36:44 | |
This time it's £12.40 after fees, | 0:36:44 | 0:36:46 | |
but will Paul fare much better with his Edwardian tea set? | 0:36:46 | 0:36:50 | |
£15. Do you think I've got a chance? | 0:36:50 | 0:36:52 | |
This will make 25, 30 quid. | 0:36:52 | 0:36:54 | |
Let's hope so. It's clean and ready to go. | 0:36:54 | 0:36:55 | |
-A bit like ourselves. -Yeah. | 0:36:55 | 0:36:57 | |
PAUL LAUGHS | 0:36:57 | 0:36:58 | |
I can start the book at £20 with me, looking for 22 now. | 0:36:58 | 0:37:02 | |
-Come on. -I've got 20 with me. -Is that it? | 0:37:02 | 0:37:04 | |
Looking for 22 now. | 0:37:04 | 0:37:06 | |
I will sell it at £20. | 0:37:06 | 0:37:09 | |
Well, it does brew up a profit of 40p after fees. | 0:37:10 | 0:37:14 | |
I think this is going to come down to who loses the least. | 0:37:14 | 0:37:17 | |
PAUL LAUGHS | 0:37:17 | 0:37:18 | |
Indeed, John. But Paul hasn't actually lost anything yet, | 0:37:18 | 0:37:21 | |
so can he continue his winning streak | 0:37:21 | 0:37:23 | |
with the 20th-century Chinese plaque that cost £66? | 0:37:23 | 0:37:27 | |
I must admit, I am quite nervous about this one. | 0:37:29 | 0:37:31 | |
I think I'm going to need about £80. | 0:37:31 | 0:37:33 | |
-To get out of it? -Yeah, but there is interest on the internet. | 0:37:33 | 0:37:35 | |
-Who told you that? -The auctioneer. | 0:37:35 | 0:37:37 | |
Are you sure it just wasn't Chinese whispers? | 0:37:37 | 0:37:39 | |
Well, Chinese whispers or not, | 0:37:39 | 0:37:41 | |
the bidding is soon approaching the £60 mark, and Paul can't look. | 0:37:41 | 0:37:45 | |
55 on the net. We've got 60 on the net. | 0:37:45 | 0:37:48 | |
-There you go. -We're nearly there. -65 on the net. | 0:37:48 | 0:37:50 | |
-70, 75. -Come on. -I've got £80 on the net. | 0:37:50 | 0:37:53 | |
-INDISTINCT SPEECH -90 now on the net. -Come on. | 0:37:53 | 0:37:55 | |
Is there 95 anywhere? | 0:37:55 | 0:37:56 | |
-Come on, there must be somebody here. -All done at £90... | 0:37:56 | 0:37:59 | |
One over here, mate. One over here. | 0:37:59 | 0:38:01 | |
-He's hot. -THEY LAUGH | 0:38:01 | 0:38:03 | |
Well, the temperature is definitely rising, | 0:38:03 | 0:38:05 | |
as Paul banks a second profit of nearly £7 on his plaque. | 0:38:05 | 0:38:09 | |
John's 19th-century black sheep is up next, | 0:38:09 | 0:38:12 | |
but Paul predicted it would be a fish out of water in Brighton. | 0:38:12 | 0:38:15 | |
-I did pay £25 for it. -OK. -Which is probably about all it's worth. | 0:38:15 | 0:38:20 | |
-OK. -This is something I really would've bought for myself. | 0:38:20 | 0:38:23 | |
-Black sheep in my family is a kind of lucky emblem. -OK. | 0:38:23 | 0:38:26 | |
So we're about to see how lucky it is for me. | 0:38:26 | 0:38:29 | |
John's got everything crossed. | 0:38:29 | 0:38:30 | |
Come on, my lucky black sheep. | 0:38:30 | 0:38:32 | |
We've got six, eight, I've got ten on the net. | 0:38:32 | 0:38:34 | |
Do you want 12? Is there 14 anywhere? | 0:38:34 | 0:38:36 | |
-Come on, all we need is another bidder... -14, 16. | 0:38:36 | 0:38:39 | |
-Do you want 18? -Come on. | 0:38:39 | 0:38:40 | |
Do you want 20? | 0:38:40 | 0:38:41 | |
22? Do you want 24? | 0:38:41 | 0:38:43 | |
-Come on, black sheep. -I will sell it at £24. | 0:38:43 | 0:38:47 | |
Ah... | 0:38:47 | 0:38:48 | |
But it's third time unlucky, with a loss of just over £6. | 0:38:48 | 0:38:53 | |
My profits are being sheared. | 0:38:53 | 0:38:55 | |
I'm starting to think you picked the better lots today to auction. | 0:38:55 | 0:38:59 | |
And to add insult to injury, | 0:38:59 | 0:39:01 | |
Paul's Art Deco flask sells for £50... | 0:39:01 | 0:39:04 | |
..and makes almost £23 profit. | 0:39:06 | 0:39:09 | |
I'm delighted with that. That's brilliant. | 0:39:09 | 0:39:11 | |
I'm delighted, too. Through gritted teeth. | 0:39:11 | 0:39:13 | |
PAUL LAUGHS | 0:39:13 | 0:39:14 | |
Our dealers are now down to one item each, | 0:39:14 | 0:39:17 | |
and Paul's antique krater is up next. | 0:39:17 | 0:39:19 | |
So can he make it four profits out of four? | 0:39:19 | 0:39:22 | |
I must admit, I've put all my eggs in one basket. | 0:39:22 | 0:39:25 | |
This stands me at £125. | 0:39:25 | 0:39:27 | |
Bearing in mind, he could start the bidding at two quid. | 0:39:27 | 0:39:31 | |
But you've been lucky today. | 0:39:31 | 0:39:33 | |
And I think that it's your day today. | 0:39:33 | 0:39:35 | |
And things start well. | 0:39:35 | 0:39:36 | |
Start this at 80. | 0:39:36 | 0:39:38 | |
We're almost there. Come on, that's all right. | 0:39:38 | 0:39:40 | |
I've got 95 on the book. 100 here. | 0:39:40 | 0:39:42 | |
-I will sell it at 100. -Oh, no. Come on, come on. | 0:39:42 | 0:39:45 | |
Paul suffers a catastrophic loss of 44 precious pounds. | 0:39:47 | 0:39:51 | |
Unfortunately, John's final lot, the boat shelf and oars, | 0:39:51 | 0:39:55 | |
fails to come to his rescue. | 0:39:55 | 0:39:57 | |
Got 44 in the room. | 0:39:57 | 0:39:58 | |
-Is that it? -I've got 48 now. | 0:39:58 | 0:40:00 | |
-50 somewhere, come on. -I will sell it at £48. -48. -Ah! | 0:40:00 | 0:40:06 | |
Making a fourth and final loss of almost £26. | 0:40:06 | 0:40:10 | |
Another loss for me. | 0:40:12 | 0:40:13 | |
If I'm nothing, I am consistent. | 0:40:13 | 0:40:15 | |
I'm kicking myself now, because when I bought that, | 0:40:15 | 0:40:18 | |
the guy had two more oars that had "Brighton Rowing Club"... | 0:40:18 | 0:40:21 | |
-Ah, there you go. -And that's it. | 0:40:21 | 0:40:22 | |
Our dejected dealers are released from the dark nightmare | 0:40:22 | 0:40:25 | |
that is the Showdown Auction and live to see another day. | 0:40:25 | 0:40:29 | |
We'll reveal the victor in just a moment, | 0:40:29 | 0:40:31 | |
but first let's remind ourselves of how much they originally spent. | 0:40:31 | 0:40:35 | |
Both our experts started out with £1,000 of their own money. | 0:40:35 | 0:40:39 | |
Paul spent under half his budget, £455.96. | 0:40:39 | 0:40:44 | |
John spent slightly more, £494.65. | 0:40:45 | 0:40:49 | |
All of the money that Paul and John have made | 0:40:51 | 0:40:53 | |
from today's challenge will go to charities of their choice, | 0:40:53 | 0:40:55 | |
so let's find out who is today's | 0:40:55 | 0:40:57 | |
Put Your Money Where Your Mouth Is Showdown Champion. | 0:40:57 | 0:41:01 | |
-How are you, John? -Mr Morecambe. | 0:41:02 | 0:41:04 | |
-How was your auction experience? -Disastrous. | 0:41:04 | 0:41:07 | |
Whereas you, on the other hand, you have the Midas touch. | 0:41:07 | 0:41:09 | |
I lost on all four things and you were making good profits. | 0:41:09 | 0:41:12 | |
Do you know what? I think it's particularly difficult, | 0:41:12 | 0:41:14 | |
because you're not in charge of the situation. | 0:41:14 | 0:41:16 | |
I think you did very well, I think you did all right on the day. For me, anyway! | 0:41:16 | 0:41:20 | |
The only thing I was disappointed with was that bronze krater, the little mixing bowl. | 0:41:20 | 0:41:23 | |
That was a good thing, potentially that's a great thing, | 0:41:23 | 0:41:26 | |
-but hey-ho. -I have nothing good to say about my items, | 0:41:26 | 0:41:28 | |
-they all let me down. -THEY LAUGH | 0:41:28 | 0:41:30 | |
But my fire grate, that nice black fire grate, | 0:41:30 | 0:41:33 | |
really nice thing, would've loved to have kept that. | 0:41:33 | 0:41:35 | |
I would've built a fireplace to go round it, but it's found a good home. | 0:41:35 | 0:41:38 | |
Well, there we are. That's what it's all about, really. | 0:41:38 | 0:41:40 | |
Do you think we're quite close on this one? | 0:41:40 | 0:41:42 | |
I'm not sure if I made any profit. | 0:41:42 | 0:41:43 | |
What I did make, I'm sure I lost at the auction, so, shall we? | 0:41:43 | 0:41:46 | |
-Let's see how we get on. OK. -One, two, three. | 0:41:46 | 0:41:49 | |
-You still managed to beat me! -Oh, no! | 0:41:49 | 0:41:52 | |
-THEY LAUGH -Look how close we were! | 0:41:52 | 0:41:54 | |
-Look at that. -Wow, amazing. | 0:41:54 | 0:41:56 | |
-Well done, Paul. -I thought I had the upper hand on that one, as well. Never mind. -I did, too. -Shucks. | 0:41:56 | 0:42:00 | |
John is the conqueror. | 0:42:00 | 0:42:02 | |
Despite having a disastrous Showdown Auction, | 0:42:02 | 0:42:04 | |
his profits from private sales did the trick. | 0:42:04 | 0:42:07 | |
But it doesn't end there. | 0:42:07 | 0:42:09 | |
Both our experts have been building up their profit pots | 0:42:09 | 0:42:11 | |
over a week of challenges, so who is the overall winner? | 0:42:11 | 0:42:15 | |
Shall we see how we got on over the week? | 0:42:15 | 0:42:17 | |
Let's see how we've done over the week. | 0:42:17 | 0:42:19 | |
-OK. -One, two, three... | 0:42:19 | 0:42:20 | |
-Whoa, look at that! -Look at that. -That's twice as much. | 0:42:20 | 0:42:23 | |
-Decent sums of money there for our charity. -Yeah. | 0:42:23 | 0:42:26 | |
-Not an easy challenge, Paul. -It was definitely not an easy challenge. | 0:42:26 | 0:42:28 | |
-Would you do it again? -I enjoyed every minute of it, | 0:42:28 | 0:42:31 | |
but I think I would need a few months off. | 0:42:31 | 0:42:32 | |
-I think we need a good rest... -That said, there's a car-boot sale up the road. | 0:42:32 | 0:42:36 | |
A convincing win from John. | 0:42:36 | 0:42:37 | |
Between them, they've made almost £2,000 overall, | 0:42:37 | 0:42:40 | |
and every penny of that will go to charity. | 0:42:40 | 0:42:43 | |
My profits are going to Alder Hey Children's Charity. | 0:42:43 | 0:42:47 | |
The charity does vital work to raise funds | 0:42:47 | 0:42:49 | |
and support the needs of the poorly children in Liverpool | 0:42:49 | 0:42:52 | |
and the surrounding areas. | 0:42:52 | 0:42:54 | |
My chosen charity is the Lancaster & District | 0:42:54 | 0:42:57 | |
Homeless Action Service. | 0:42:57 | 0:42:58 | |
They provide support to the homeless community in the Lancaster area. | 0:42:58 | 0:43:02 | |
It's been a week of dealing thrills and spills. | 0:43:02 | 0:43:05 | |
Our impressive experts have really put their money | 0:43:05 | 0:43:07 | |
where their mouths are, and shown they can make a profit | 0:43:07 | 0:43:10 | |
from buying and selling antiques when their own money is on the line. | 0:43:10 | 0:43:14 | |
-JOHN LAUGHS -John. | 0:43:14 | 0:43:15 |