Browse content similar to Mark Franks vs Paul Hayes: Foreign Market. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
We've seen them on TV, but how will the country's favourite antiques experts fare | 0:00:02 | 0:00:06 | |
when challenged to make a profit with their own cash? | 0:00:06 | 0:00:09 | |
I'll be switching on my bargain-ometer. | 0:00:09 | 0:00:12 | |
Knocker Knowles, I'm right on your heels. | 0:00:12 | 0:00:15 | |
From car-boot sales to auction houses, | 0:00:15 | 0:00:17 | |
our experts will be recreating some of their real-life deals | 0:00:17 | 0:00:21 | |
as they go head-to-head and try to make the most money for their chosen charities. | 0:00:21 | 0:00:27 | |
You watch out here, Miss Bliss. | 0:00:27 | 0:00:28 | |
So the pressure is really on. | 0:00:28 | 0:00:31 | |
The challenge to our experts is clear. | 0:00:31 | 0:00:33 | |
Dealers, put your money where your mouth is. | 0:00:33 | 0:00:37 | |
Today's profit-hunting pair are collectables connoisseur Paul "Mr Morecambe" Hayes | 0:01:05 | 0:01:10 | |
and the irrepressible Mark "Franksy" Franks. | 0:01:10 | 0:01:14 | |
The best thing about being an antique dealer is, | 0:01:14 | 0:01:16 | |
if you do your homework and you've got knowledge, | 0:01:16 | 0:01:19 | |
occasionally, you can come across stuff you can make loads of money out of. | 0:01:19 | 0:01:23 | |
That's the best bit. | 0:01:23 | 0:01:24 | |
Mark's know-how and determination to win have served him well, | 0:01:24 | 0:01:29 | |
whether it be trading Trash To Cash or finding hidden treasures on Car Booty. | 0:01:29 | 0:01:34 | |
His opponent today is a second-generation antique dealer | 0:01:34 | 0:01:37 | |
who first started buying and selling whilst he was still at school. | 0:01:37 | 0:01:41 | |
Since then, he's grown up to become a respected expert with a real passion for antiquities. | 0:01:41 | 0:01:46 | |
Some items are interesting even though they're only worth a few pounds. I'll give an example. | 0:01:46 | 0:01:51 | |
I had some Roman glass bottles recently which were £30 each and they were tear bottles. | 0:01:51 | 0:01:56 | |
When somebody died, the mourners would catch their tears in these bottles | 0:01:56 | 0:02:00 | |
and would mourn for nine months and nine days. | 0:02:00 | 0:02:02 | |
Fantastic. That's on everybody's budget. | 0:02:02 | 0:02:04 | |
Paul can regularly be found hunting for Cash In The Attic or transforming Trash Into Cash. | 0:02:04 | 0:02:09 | |
Shame one is not big enough for Mark Franks. | 0:02:09 | 0:02:12 | |
That would be good. Throw away the key! | 0:02:12 | 0:02:15 | |
Today, we're taking our experts out of their comfort zones - | 0:02:15 | 0:02:18 | |
so far, in fact, that we're taking them out of the country altogether, | 0:02:18 | 0:02:22 | |
because the battleground for today's showdown is Brussels. | 0:02:22 | 0:02:26 | |
We have the experts, they have the knowledge, the contacts and an unyielding desire to win. | 0:02:26 | 0:02:31 | |
So it's time for us to find out the aim of today's game. | 0:02:31 | 0:02:35 | |
-Hey. -Hello, mate. -How are you, mate? All right? | 0:02:39 | 0:02:42 | |
-I've got something for you. -I've got something for you. Shall we swap? | 0:02:42 | 0:02:46 | |
-Shocker. -Shall I go first? -Go on. | 0:02:46 | 0:02:48 | |
It says here, "Mark and Paul..." | 0:02:48 | 0:02:49 | |
-Us. -Yeah. "Your challenge today is to spend £750..." -Easy! | 0:02:49 | 0:02:55 | |
-"..of your own money..." -Not so easy. | 0:02:55 | 0:02:57 | |
"..on antiques. You must then resell your purchases | 0:02:57 | 0:03:00 | |
"with the aim of making as much profit as possible. | 0:03:00 | 0:03:03 | |
"The winner is the presenter who makes the most cash." | 0:03:03 | 0:03:07 | |
-Really? -Mmm. -Shock. | 0:03:07 | 0:03:09 | |
"Today you must buy all your antiques from a Belgian market. | 0:03:09 | 0:03:13 | |
"Bonne chance." | 0:03:13 | 0:03:14 | |
-What does that mean? -Don't know. Don't stand here waffling. Get it? | 0:03:14 | 0:03:17 | |
I think we need some mussels, being in Brussels. | 0:03:17 | 0:03:20 | |
-What about sprouts? -Sprouts? It's not Christmas. -No, it's not. | 0:03:20 | 0:03:24 | |
Well, once they've stopped with the bad jokes - and, let's be honest, that could be a while - | 0:03:24 | 0:03:28 | |
Mark and Paul can spend up to £750 of their own money on antiques | 0:03:28 | 0:03:33 | |
at a Belgian market before trying to sell them on for a profit back in the UK. | 0:03:33 | 0:03:37 | |
Pretty much everybody that Paul and Mark try to do deals with | 0:03:37 | 0:03:41 | |
will be aware they're on a mission to make as much money as possible for charity, | 0:03:41 | 0:03:45 | |
and our experts will be doing everything in their power | 0:03:45 | 0:03:48 | |
to persuade people to give them the best possible prices when they buy and sell the items | 0:03:48 | 0:03:53 | |
they hope will drive them to victory. | 0:03:53 | 0:03:55 | |
In order to find the most potentially profitable items, | 0:03:57 | 0:04:01 | |
Paul is hoping to find some Art Nouveau pieces, | 0:04:01 | 0:04:03 | |
whilst Mark is aiming to hunt high and low to dig out some unusual hidden gems. | 0:04:03 | 0:04:08 | |
There's one thing that's been doing particularly well, and that is modern design. | 0:04:10 | 0:04:15 | |
I've been looking round this flea market trying to find some, and guess what I've found. | 0:04:15 | 0:04:20 | |
This. Now, what is it? This chair was made by a company... | 0:04:20 | 0:04:25 | |
and the name is on the back... | 0:04:25 | 0:04:27 | |
..Step 2. | 0:04:28 | 0:04:29 | |
It's one piece of plastic. | 0:04:29 | 0:04:31 | |
It's got a stopper in there where you can fill it up with water or sand and it lives in the garden. | 0:04:31 | 0:04:36 | |
It's a great bit of fun. I've just paid 40 quid for it. | 0:04:36 | 0:04:40 | |
Will I come unstuck or will I make money? | 0:04:40 | 0:04:43 | |
Well, I believe that modern design is one of the few things | 0:04:43 | 0:04:46 | |
that's really holding its own in today's market. | 0:04:46 | 0:04:51 | |
Well, at the prevailing exchange rate, | 0:04:51 | 0:04:53 | |
Mark has spent a little under £40 on the garden chair. | 0:04:53 | 0:04:56 | |
Elsewhere in the market, | 0:04:56 | 0:04:58 | |
his rival is making some tentative attempts at speaking French. | 0:04:58 | 0:05:01 | |
Bonne chance, Monsieur Morecambe. | 0:05:01 | 0:05:04 | |
Merci, merci. | 0:05:04 | 0:05:06 | |
This one? | 0:05:06 | 0:05:08 | |
C'est combien, monsieur? | 0:05:08 | 0:05:10 | |
Je ne parle francais. | 0:05:10 | 0:05:14 | |
-C'est combien? -How much? -Yeah. | 0:05:14 | 0:05:15 | |
Amazingly, his attempts at French with a Morecambe accent, | 0:05:15 | 0:05:19 | |
or, "Frencambe", as it's known, are starting to pay off. | 0:05:19 | 0:05:23 | |
C'est... It's old, this one? | 0:05:24 | 0:05:26 | |
MAN SPEAKS IN FRENCH | 0:05:26 | 0:05:30 | |
He will give it to you for 20 euros. | 0:05:30 | 0:05:32 | |
-20 euros. -Yes. | 0:05:32 | 0:05:34 | |
OK, I'll take that. Merci beaucoup. | 0:05:34 | 0:05:36 | |
-It's a nice piece. -OK, merci beaucoup. I'll take it. | 0:05:36 | 0:05:40 | |
This is a beautiful Victorian glass vase, possibly Baccarat, it's French, | 0:05:40 | 0:05:46 | |
but it's been decorated with Art Nouveau silver. | 0:05:46 | 0:05:49 | |
Art Nouveau was a style that came around round about the year 1900, | 0:05:49 | 0:05:53 | |
and the inspiration really was from organic and plant forms. The whole thing moves around. | 0:05:53 | 0:05:57 | |
It looks like the whole thing's alive or on fire. It's wonderful. | 0:05:57 | 0:06:02 | |
This is solid silver overlay. | 0:06:02 | 0:06:03 | |
It's made by Maxim's of Paris, which I'm going to research. Who they are I shall find out. | 0:06:03 | 0:06:08 | |
But that was about £20 in the actual translation, | 0:06:08 | 0:06:11 | |
so what a bargain. | 0:06:11 | 0:06:13 | |
So today's contest is now well underway | 0:06:15 | 0:06:17 | |
and Mark's tracked down another potentially profitable piece. | 0:06:17 | 0:06:21 | |
Lucite was first developed in 1931 by the DuPont company, | 0:06:22 | 0:06:26 | |
and it was very, very popular during the Second World War. | 0:06:26 | 0:06:29 | |
They used it for windshields, nose cones and all sorts of things. | 0:06:29 | 0:06:33 | |
The reason being it's very strong, it's very clear | 0:06:33 | 0:06:37 | |
and it's very durable. It's a beautiful thing. | 0:06:37 | 0:06:39 | |
Now, what is it? Well, is it a piece of sculpture? Is it a piece of art? | 0:06:39 | 0:06:44 | |
Or would you put a pot on top of it? I don't really care what it is. | 0:06:44 | 0:06:47 | |
It's got a good base. I like it. It could do with a bit of a clean. | 0:06:47 | 0:06:51 | |
It's coming home with me. | 0:06:51 | 0:06:53 | |
At the prevailing exchange rate, | 0:06:53 | 0:06:55 | |
the Lucite statue has cost Mark a shade under £35. | 0:06:55 | 0:06:59 | |
Mr Franks seems to be sticking to his strategy of unearthing unusual hidden items. | 0:06:59 | 0:07:04 | |
Paul, though, has veered miles away from his plan of buying Art Nouveau items | 0:07:04 | 0:07:10 | |
and has picked out an African tribal mask. | 0:07:10 | 0:07:13 | |
There are lots of artefacts here that you'll find similar to this, but these have a specific use. | 0:07:13 | 0:07:18 | |
These were used by tribes in the Congo. | 0:07:18 | 0:07:20 | |
They believed they took possession of the animals these represented. | 0:07:20 | 0:07:24 | |
On the top here is a monkey. | 0:07:24 | 0:07:26 | |
What they would do is they would rub magic potions and oils on this every time they would use one. | 0:07:26 | 0:07:32 | |
They would put medicine in these little pouches. | 0:07:32 | 0:07:34 | |
I was chatting to the stallholder and he believes this one is about 150 years old, which is fantastic. | 0:07:34 | 0:07:40 | |
I've really taken a chance on it, but you never know, | 0:07:40 | 0:07:43 | |
some of these artefacts are very rare - they belong in museums. | 0:07:43 | 0:07:46 | |
It's a bit of fun but hopefully it can bring me some luck. | 0:07:46 | 0:07:49 | |
Do you fancy a holiday? Morecambe is lovely this time of year. Come on. | 0:07:49 | 0:07:53 | |
So having been snapped up by Morecambe's finest | 0:07:53 | 0:07:57 | |
for just under £95, it's off to the seaside for the tribal mask. | 0:07:57 | 0:08:01 | |
On the other side of the market, Mark's been haggling hard on a job lot of items. | 0:08:01 | 0:08:07 | |
But has he been able to do a deal? | 0:08:07 | 0:08:09 | |
Now, I know this is a flea market and this little baby has probably got fleas. | 0:08:09 | 0:08:14 | |
But what's really interesting is, in amongst all this madness | 0:08:14 | 0:08:18 | |
and old shoes, clothes, radiators, is this beautiful, | 0:08:18 | 0:08:22 | |
yes, beautiful, boar's head, | 0:08:22 | 0:08:24 | |
this wonderful table with five leaves in it, and it all folds up. | 0:08:24 | 0:08:30 | |
Take a look at the legs. Come down here. | 0:08:30 | 0:08:32 | |
We've got a central leg there which goes between these two bits so it folds up. | 0:08:32 | 0:08:36 | |
Come over here and look at this. | 0:08:36 | 0:08:38 | |
This is beautiful. This is just gorgeous. | 0:08:38 | 0:08:42 | |
It's very, very sort of Arts and Crafts. | 0:08:42 | 0:08:45 | |
It's very, very strong and beautiful and this will be immaculate. | 0:08:45 | 0:08:50 | |
Let's take a look at the top. The top needs a little bit of love. | 0:08:50 | 0:08:53 | |
It can be re-finished. | 0:08:53 | 0:08:55 | |
But a table of this size has a lot of interest, and it gets even better. | 0:08:55 | 0:08:59 | |
We've got here... | 0:08:59 | 0:09:02 | |
a stunning chair. | 0:09:02 | 0:09:04 | |
Believe it or not, it's in great condition. | 0:09:04 | 0:09:06 | |
The bottom needs a bit of attention, but ignore that part of it. | 0:09:06 | 0:09:10 | |
Strong legs. You've got a lovely swirly shape there. | 0:09:10 | 0:09:14 | |
Imagine this sitting at a posh desk. | 0:09:14 | 0:09:16 | |
Now, I've bought these three items, and guess what? | 0:09:16 | 0:09:21 | |
I've spent the majority of my money on them. | 0:09:21 | 0:09:24 | |
That trio of items has set Mark back just over £470. | 0:09:25 | 0:09:30 | |
It's a colossal deal, and as it's such a big part of his budget, | 0:09:30 | 0:09:33 | |
he's banking an awful lot on making a very good profit from just three items. | 0:09:33 | 0:09:37 | |
Mr Franks is definitely putting his money where his mouth is, | 0:09:37 | 0:09:41 | |
but Paul is also on a bit of a buying spree. | 0:09:41 | 0:09:43 | |
As for his plan to try and buy Art Nouveau items, | 0:09:43 | 0:09:46 | |
well, that's not going quite so well. | 0:09:46 | 0:09:49 | |
This is an African carving, about 100 years old, but it's a personal item. | 0:09:49 | 0:09:53 | |
This would be carried around by somebody in particular. It's not a large centrepiece. | 0:09:53 | 0:09:58 | |
It would be worshipped, it's a good luck charm. | 0:09:58 | 0:10:00 | |
Hopefully it'll bring me some luck. Who knows? | 0:10:00 | 0:10:03 | |
Mr Morecambe paid just under £10 for the African figurine, | 0:10:03 | 0:10:07 | |
and he needs all the luck he can get, | 0:10:07 | 0:10:09 | |
as opponent Mark has spotted another gem. | 0:10:09 | 0:10:12 | |
Pine tables always sell. Look at the legs. | 0:10:12 | 0:10:15 | |
Very straight, very non-Victorian. | 0:10:15 | 0:10:17 | |
What period is this from? | 0:10:17 | 0:10:19 | |
Well, Art Deco, 1930s, | 0:10:19 | 0:10:21 | |
possibly still going in the 1940s. Square, angular. | 0:10:21 | 0:10:26 | |
It's got a little drawer. It's lovely. | 0:10:26 | 0:10:28 | |
The top's already stripped, so just give it a coat of wax, away you go. | 0:10:28 | 0:10:32 | |
Fashion has definitely changed in the last few years and people are painting things. | 0:10:32 | 0:10:36 | |
If you paint the legs and the stretchers a nice creamy or white colour, | 0:10:36 | 0:10:41 | |
give it a coat of wax, it is raring to go. | 0:10:41 | 0:10:44 | |
There's no stopping Mark today. | 0:10:44 | 0:10:46 | |
He's paid just under £40 for the table, | 0:10:46 | 0:10:48 | |
and it's another opportunity to turn a profit | 0:10:48 | 0:10:50 | |
and make a spectacle of himself when he returns to England's green and pleasant land. | 0:10:50 | 0:10:55 | |
Elsewhere, his rival is captivated by something that he thinks is full of Eastern promise. | 0:10:55 | 0:11:01 | |
There's something about that that I like. | 0:11:01 | 0:11:03 | |
He might like it, but will the man from Morecambe | 0:11:03 | 0:11:06 | |
be prepared to put his hand in his pocket and actually buy it? | 0:11:06 | 0:11:10 | |
I like it. | 0:11:10 | 0:11:11 | |
I like it very much, it's unusual. | 0:11:15 | 0:11:17 | |
After much deliberation, he makes his move. | 0:11:18 | 0:11:21 | |
Could this be 100? | 0:11:23 | 0:11:25 | |
-No? -No, it costs 300. | 0:11:25 | 0:11:28 | |
Can I say 120? 120? 120... Good offer. | 0:11:28 | 0:11:33 | |
-150. -150 it is, then? | 0:11:33 | 0:11:35 | |
150 euro - that's half price. Will Paul take a leap of faith? | 0:11:35 | 0:11:40 | |
What do we do? Do we pay 150? | 0:11:40 | 0:11:43 | |
Know what? The man who never lost any money never made any. | 0:11:45 | 0:11:48 | |
I'll have a go at that. Right, sir, OK, a deal. | 0:11:48 | 0:11:51 | |
It's nice, I like it very much. | 0:11:51 | 0:11:53 | |
-There we are. 150, sir. -Thank you. | 0:11:53 | 0:11:54 | |
Again, Mr Morecambe has veered away from his strategy of buying Art Nouveau items. | 0:11:54 | 0:11:59 | |
Thank you very much. | 0:11:59 | 0:12:01 | |
For just under £142, | 0:12:01 | 0:12:02 | |
he's hoping the late-19th/early-20th century Buddha's head is a bargain. | 0:12:02 | 0:12:08 | |
Paul's building up quite a collection of exotic pieces, | 0:12:08 | 0:12:11 | |
but his opponent has spotted a little bit of home here in Brussels. | 0:12:11 | 0:12:15 | |
I've brought you all this way and I'm going to show you an English chest of drawers. | 0:12:15 | 0:12:21 | |
Well, I never. What is it? It's Victorian. | 0:12:21 | 0:12:25 | |
How do I know that? Rounded corners. | 0:12:25 | 0:12:27 | |
Rounded, rounded, rounded. | 0:12:27 | 0:12:28 | |
Very, very typical Victorian. | 0:12:28 | 0:12:30 | |
Let's have a look at the drawers. | 0:12:30 | 0:12:32 | |
The lining's good. It's in fairly good condition. | 0:12:32 | 0:12:37 | |
The knobs have been changed. They're slightly smaller, but I don't really care. | 0:12:37 | 0:12:41 | |
They're all in keeping. And what's it made out of? | 0:12:41 | 0:12:44 | |
As you can see there, that little bit's flicking off, so it's veneer, | 0:12:44 | 0:12:48 | |
and it's satin walnut, and it's got a very distinctive pattern on it. | 0:12:48 | 0:12:52 | |
It's like the stripes of a tiger. | 0:12:52 | 0:12:54 | |
So the base is pine, the rest of it is veneered. | 0:12:54 | 0:12:57 | |
Now, what is important about a chest of drawers? Come and learn. | 0:12:57 | 0:13:01 | |
Do the drawers go in and out properly? Are the drawer bottoms solid? | 0:13:01 | 0:13:05 | |
If you put your pants in and they fall to the bottom, you're not going to want to buy, are you? | 0:13:05 | 0:13:09 | |
When the drawers are worn away, what happens is this bit wears away. | 0:13:09 | 0:13:14 | |
If you put heavy stuff in, it gets smaller and smaller and smaller, | 0:13:14 | 0:13:17 | |
and eventually the drawer will sit like that, so it will fall backwards. | 0:13:17 | 0:13:22 | |
But this is absolutely lovely. Nice and flush all the way along there. | 0:13:22 | 0:13:26 | |
All drawers are solid. | 0:13:26 | 0:13:29 | |
And it's quite a find. | 0:13:29 | 0:13:31 | |
It could do with a little rub-down and a lick-over to make it shiny and lovely. | 0:13:31 | 0:13:36 | |
In a shop in London, I'd expect this to sell for 300 quid. | 0:13:36 | 0:13:40 | |
So let's see how much it is. | 0:13:40 | 0:13:42 | |
-Monsieur, bonjour. -Bonjour. -Combien... | 0:13:42 | 0:13:45 | |
-Cent vingt. -Cent vingt? -Oui. -120 euros. | 0:13:45 | 0:13:47 | |
It's about £120. Le dernier prix, s'il vous plait. | 0:13:47 | 0:13:50 | |
-Cent. -Cent? -Oui. -Cent. Vendu. Merci beaucoup. -Merci. | 0:13:50 | 0:13:54 | |
Now, Mark did say he was looking for special or unusual pieces today, | 0:13:54 | 0:13:58 | |
and, if we're being honest, the chest of drawers is neither. | 0:13:58 | 0:14:02 | |
However, this game is all about thinking on your feet, | 0:14:02 | 0:14:05 | |
and Franksy's number one priority is finding items that have the potential to make him a profit. | 0:14:05 | 0:14:12 | |
Both Mark and Paul can spend up to £750 of their own money. | 0:14:12 | 0:14:17 | |
At the prevailing exchange rate, | 0:14:17 | 0:14:20 | |
Paul has parted with just under £265, | 0:14:20 | 0:14:23 | |
and he has a little over £485 left in his kitty. | 0:14:23 | 0:14:27 | |
Franksy, meanwhile, has continued his spending spree | 0:14:27 | 0:14:30 | |
and has spent almost £675, | 0:14:30 | 0:14:34 | |
leaving just over £75 in his wallet. | 0:14:34 | 0:14:37 | |
Both our experts are working their socks off. | 0:14:40 | 0:14:43 | |
Mark is still way up front in the spending stakes, | 0:14:43 | 0:14:46 | |
but don't underestimate the competitive nature of Mr Morecambe. | 0:14:46 | 0:14:49 | |
He's a man on a mission, determined to win today's contest. | 0:14:49 | 0:14:53 | |
He's hit the road, Jack, and he's on his way to another slightly more upmarket market here in Brussels. | 0:14:53 | 0:15:00 | |
# Hit the road, Jack | 0:15:00 | 0:15:03 | |
# And don't you come back no more | 0:15:03 | 0:15:05 | |
# No more, no more, no more | 0:15:05 | 0:15:07 | |
# Hit the road, Jack | 0:15:07 | 0:15:08 | |
# And don't you come back no more | 0:15:08 | 0:15:11 | |
# What you say? | 0:15:11 | 0:15:12 | |
# Hit the road, Jack... # | 0:15:12 | 0:15:13 | |
His rival may be hoping the grass is greener elsewhere, but Mark has decided to stay put. | 0:15:13 | 0:15:18 | |
He knows where Paul has gone, but he thinks there are bargains to be had where he is, | 0:15:18 | 0:15:22 | |
and he might be right, because he's sealed another deal. | 0:15:22 | 0:15:26 | |
Space is definitely at a premium these days. | 0:15:26 | 0:15:30 | |
People are always looking for storage, so what better than this lovely set of coat hooks? | 0:15:30 | 0:15:35 | |
These are the original hooks here and I'm going to keep these. | 0:15:35 | 0:15:39 | |
These ones here are horrible and they can go. | 0:15:39 | 0:15:42 | |
Mr Hayes, it's time to hang your hat up because this little baby is the best part of 100 years old. | 0:15:42 | 0:15:47 | |
I reckon I'm going to sell this nice and easy and at least double my money. | 0:15:47 | 0:15:53 | |
Having bought it for just under £20, | 0:15:53 | 0:15:55 | |
Franksy will need to sell the coat hooks for almost £40 | 0:15:55 | 0:15:58 | |
to double his money. | 0:15:58 | 0:16:00 | |
But I wouldn't put it past him, and he's not done yet. | 0:16:00 | 0:16:03 | |
I'm going to make a profit on this, mark my words. | 0:16:03 | 0:16:06 | |
Come in, Paul, your time is up. | 0:16:06 | 0:16:09 | |
I think Mark might fancy his chances of winning today. | 0:16:09 | 0:16:12 | |
The water jug cost him just under £10, | 0:16:12 | 0:16:15 | |
but all is not lost for Mr Hayes. | 0:16:15 | 0:16:18 | |
This is it. Look at this. | 0:16:19 | 0:16:20 | |
I think I've found an old master here. Look at that. | 0:16:20 | 0:16:23 | |
He's spent just under £25 on this oil painting, | 0:16:23 | 0:16:26 | |
and now has his eyes on another potentially profitable piece. | 0:16:26 | 0:16:30 | |
Do you know, I've found some beautiful items here. These are salt pots. | 0:16:32 | 0:16:37 | |
We think of salt nowadays as being an everyday item, | 0:16:37 | 0:16:39 | |
but actually it was used in the 18th century to disguise the taste of your food. | 0:16:39 | 0:16:44 | |
So this would be placed on your dining table, and it has a glass liner. | 0:16:44 | 0:16:49 | |
The reason for that was that salt corrodes the surface. | 0:16:49 | 0:16:52 | |
So this glass liner acts as a protective, if you like. | 0:16:52 | 0:16:55 | |
Then in here is a gilded spoon. | 0:16:55 | 0:16:57 | |
The gold would do exactly the same thing. | 0:16:57 | 0:16:59 | |
These are solid silver. This is French. | 0:16:59 | 0:17:01 | |
It's Rococo in design. That translates as rock and shell design. | 0:17:01 | 0:17:05 | |
That was particularly done in the 18th century. | 0:17:05 | 0:17:08 | |
I've had a chat to the stallholder here and he's worked out the hallmark is for about 1880, | 0:17:08 | 0:17:13 | |
so these are 100 years later. But the rare thing about these is the fact that there are four of them. | 0:17:13 | 0:17:19 | |
That means these were actually used for a very large dining table. | 0:17:19 | 0:17:23 | |
You would have one salt pot between four people. | 0:17:23 | 0:17:25 | |
So having four of them here means that you could entertain 16 people using these. | 0:17:25 | 0:17:29 | |
How rare is that? | 0:17:29 | 0:17:32 | |
So all we need to find out now is the price, | 0:17:32 | 0:17:34 | |
and you can't take that with a pinch of salt, can you? So let's have a look. | 0:17:34 | 0:17:38 | |
As a seasoned haggler, I'm sure Paul will drive a hard bargain, | 0:17:38 | 0:17:43 | |
and he'll need to, because Mark's stalking more potential profit. | 0:17:43 | 0:17:47 | |
Now, why did I buy it? I know what you're thinking - "What on earth is going on?" | 0:17:48 | 0:17:53 | |
Well, natural fibres like antler are very fashionable at the moment. | 0:17:53 | 0:17:59 | |
In the interior design world, people are always looking to go back to basics. | 0:17:59 | 0:18:04 | |
This is elegant, it's smart. | 0:18:04 | 0:18:06 | |
If you've got a big pad, this would look great. | 0:18:06 | 0:18:09 | |
It's just super-duper. I love it. | 0:18:09 | 0:18:11 | |
And it's real, natural, simple, clean, honest, | 0:18:11 | 0:18:16 | |
and a profit. | 0:18:16 | 0:18:17 | |
For just under £25, | 0:18:17 | 0:18:19 | |
Mark has bagged himself another unusual item. | 0:18:19 | 0:18:23 | |
Across town, Paul is haggling hard. | 0:18:26 | 0:18:28 | |
So what would your best price be? | 0:18:28 | 0:18:30 | |
-I can make 200 euro. -200 euro. | 0:18:30 | 0:18:33 | |
See, I'm thinking actually about £40 each, | 0:18:33 | 0:18:36 | |
this is how I see them, 40, 80, 160 euros...and a smile? | 0:18:36 | 0:18:41 | |
-And a smile... -And a cup of tea. I'll bring a real cup of English tea. | 0:18:41 | 0:18:44 | |
OK, if you have the cup of tea, no problem. | 0:18:44 | 0:18:46 | |
-Deal? -OK, we do have a deal. -Merci beaucoup. -Thank you. | 0:18:46 | 0:18:49 | |
Paul's obsession with tea has finally come in handy, | 0:18:49 | 0:18:53 | |
and the promise of a cuppa has cemented his final purchase - | 0:18:53 | 0:18:56 | |
four silver salt cellars for a tad over £150. | 0:18:56 | 0:18:59 | |
-There we are, as promised. -Oh! -That's for you. -Thank you. | 0:19:01 | 0:19:04 | |
-All the way from England. -Oh! | 0:19:04 | 0:19:06 | |
-English tea? -English tea. -OK. | 0:19:06 | 0:19:08 | |
-There we are. -English tea. -And do you know what we say? | 0:19:08 | 0:19:11 | |
Bottoms up. | 0:19:11 | 0:19:13 | |
So Paul has splashed the cash and bought a very elegant set of salt cellars. | 0:19:13 | 0:19:18 | |
It's time now to find out just how much he and his rival have spent in today's market. | 0:19:18 | 0:19:22 | |
Both Paul and Mark were allowed to spend | 0:19:26 | 0:19:28 | |
up to £750 worth of euros on antiques. | 0:19:28 | 0:19:31 | |
At the prevailing exchange rate, | 0:19:33 | 0:19:35 | |
Paul has parted with just under £440. | 0:19:35 | 0:19:38 | |
His southern rival, on the other hand, | 0:19:38 | 0:19:40 | |
has bought items left, right and centre, | 0:19:40 | 0:19:43 | |
and spent almost his entire kitty. | 0:19:43 | 0:19:45 | |
It's almost time to head for home. | 0:19:47 | 0:19:49 | |
But before they pack up their Belgian bargains, | 0:19:49 | 0:19:52 | |
they are keen to take a look at their opponents' goods. | 0:19:52 | 0:19:55 | |
-It's good we brought the van! -I try not to buy things that fit in my pocket. | 0:19:55 | 0:19:59 | |
-What do you reckon to this lot? -Er...what's that? I don't know what that is. -It's a chair. | 0:19:59 | 0:20:03 | |
-A chair? -Yeah. Garden chair, rocking, modern design, love it. | 0:20:03 | 0:20:07 | |
I know nothing about that. Are you happy with that? | 0:20:07 | 0:20:10 | |
-Reasonably, yes. -What's your favourite thing? -Table. -Table? -Five leaves. Extends right out. | 0:20:10 | 0:20:15 | |
-Give it a lick-over, bit of a polish. -Come and have a look at what I've bought. -What? | 0:20:15 | 0:20:19 | |
If it doesn't go in your pocket, don't buy it. That's my secret. | 0:20:19 | 0:20:23 | |
I've bought some beautiful items. | 0:20:23 | 0:20:24 | |
Art Nouveau, turn of the century, solid silver overlay. Isn't that lovely? | 0:20:24 | 0:20:29 | |
-Like that? -Yeah. It's all right. -Pretty. | 0:20:29 | 0:20:31 | |
It's quite small compared to my bits. | 0:20:31 | 0:20:33 | |
-And some nice silver salts. -Now, they are nice. -Yeah. | 0:20:33 | 0:20:36 | |
-Elegant. -Elegant, yeah. | 0:20:36 | 0:20:37 | |
-What's with the painting? -Well, that's a very well-known artist. | 0:20:37 | 0:20:41 | |
-It's upside down. -It's a British artist. | 0:20:41 | 0:20:43 | |
-That's better. -Well, it's like Scandinavian, 1950s, 1960s. | 0:20:43 | 0:20:47 | |
-Which way up does it go? -It goes that way. | 0:20:47 | 0:20:49 | |
-Oh, that's lovely. -But look at the artist. -Paul Hayes? Oh, no. Allen Hayes? | 0:20:49 | 0:20:54 | |
How cool is that? That's my brother. It's his name. It's not really him that painted it. | 0:20:54 | 0:20:58 | |
-Do you like that? -Um, it's good from afar. | 0:20:58 | 0:21:01 | |
Far from good. How about...? | 0:21:01 | 0:21:03 | |
You know, we've been competing all day. | 0:21:03 | 0:21:05 | |
-Why don't we get together now, and I'll load all your stuff on and you load my stuff on. -No, Mark. | 0:21:05 | 0:21:11 | |
-No? Give us a hand, then. -No, you're all right. I'll catch you later. -Cheers, Paul(!) | 0:21:11 | 0:21:15 | |
So as they head back across the Channel, | 0:21:15 | 0:21:18 | |
Paul will be aiming to sell an Art Nouveau glass and silver vase, | 0:21:18 | 0:21:22 | |
an African mask, an African doll, | 0:21:22 | 0:21:25 | |
a late-19th/early-20th century Buddha's head, | 0:21:25 | 0:21:28 | |
a painting by Allen Hayes, and four silver salt cellars from the 1880s. | 0:21:28 | 0:21:34 | |
Mark's hopes of victory rest on a '60s-designed rocking chair, | 0:21:34 | 0:21:38 | |
a Lucite statue, | 0:21:38 | 0:21:39 | |
a mid-19th century dining table, | 0:21:39 | 0:21:42 | |
a Victorian desk chair, | 0:21:42 | 0:21:45 | |
a mounted boar's head, | 0:21:45 | 0:21:47 | |
a 1930s pine table, | 0:21:47 | 0:21:49 | |
a Victorian chest of drawers, | 0:21:49 | 0:21:51 | |
a set of coat hooks, an enamel picture, | 0:21:51 | 0:21:54 | |
and an antler lamp. | 0:21:54 | 0:21:56 | |
So after a hectic day's buying in Brussels, our two boys make their way back to Blighty. | 0:22:00 | 0:22:06 | |
Our dynamic duo must now take stock and evaluate the best way to tackle the selling part of their challenge. | 0:22:08 | 0:22:14 | |
They'll both be pulling out all the stops to find the right buyers for all their items, | 0:22:14 | 0:22:19 | |
and they're working their way through their little black books, | 0:22:19 | 0:22:22 | |
putting together deals on the phone and by e-mail. | 0:22:22 | 0:22:25 | |
But until they've shaken on it and money has changed hands, | 0:22:25 | 0:22:29 | |
no deal is truly sealed. | 0:22:29 | 0:22:31 | |
Paul has bought a collection of curiosities from across the globe | 0:22:33 | 0:22:36 | |
and needs to carry out some research before he can start selling. | 0:22:36 | 0:22:40 | |
Franksy, though, is getting straight down to work | 0:22:41 | 0:22:44 | |
and is hoping to sell the Lucite piece that cost him just under £35. | 0:22:44 | 0:22:48 | |
-Very nice. -Now, you've been dealing in this sort of stuff for years, haven't you? | 0:22:48 | 0:22:53 | |
-Yeah, I have. I love it. This is Lucite. -Exactly. | 0:22:53 | 0:22:56 | |
Well, Americans call it Lucite. It's like a trade name. | 0:22:56 | 0:22:59 | |
I mean, it's Perspex, really. | 0:22:59 | 0:23:00 | |
-I'm not sure this is American, Mark. -Where do you think it comes from? -Probably Italy. -Yeah, yeah. | 0:23:00 | 0:23:05 | |
Definitely Continental. And you see this grazing around here? | 0:23:05 | 0:23:09 | |
-Grazing, yeah? -Grazing, scratches. | 0:23:09 | 0:23:11 | |
-That's not where it's been scratched. That's in the manufacture. -Wow. | 0:23:11 | 0:23:15 | |
-It's very nice, isn't it? -Could you live with it? -I could. Could you? -I think it's all right. | 0:23:15 | 0:23:19 | |
Well, I'd like to buy it, Mark. | 0:23:19 | 0:23:21 | |
OK, let's keep it simple. 250 quid. | 0:23:21 | 0:23:24 | |
-You are kidding me! -MARK LAUGHS | 0:23:24 | 0:23:26 | |
-No, I was thinking, seriously, about 100. -Yeah? £100, you've got a deal. You're on! You gentleman. | 0:23:26 | 0:23:32 | |
-I'll take it now. -Brilliant. | 0:23:32 | 0:23:34 | |
Yes, that's a good sale for Battersea's finest. | 0:23:34 | 0:23:37 | |
He paid just under £35 for his Lucite piece | 0:23:37 | 0:23:40 | |
and a solid sale of £100 gives him a very nice profit of over £65. | 0:23:40 | 0:23:46 | |
Nicely done, Mark. But watch out, | 0:23:46 | 0:23:48 | |
because Mr Hayes is on your heels, quite literally. | 0:23:48 | 0:23:51 | |
He's jumped in his battle bus | 0:23:51 | 0:23:52 | |
and he's headed south to the bright lights of London, in search of an expert in African artefacts. | 0:23:52 | 0:23:57 | |
He's come to an auction house to try and find out more about his mask and doll, | 0:23:57 | 0:24:02 | |
and, of course, to make a profit. | 0:24:02 | 0:24:04 | |
-The item that's really taken my fancy is this very small fetish. Is that a correct description? -Yes. | 0:24:04 | 0:24:09 | |
Individual fertility piece? | 0:24:09 | 0:24:11 | |
Yeah. Well, it's not necessarily fertility. A fetish is a fetish. | 0:24:11 | 0:24:14 | |
This is a pottery one, as you know. | 0:24:14 | 0:24:16 | |
-Yes, a clay one. -They're usually wood. | 0:24:16 | 0:24:19 | |
This is probably from Sierra Leone. The one I had had documentation. | 0:24:19 | 0:24:22 | |
It said Sierra Leone. | 0:24:22 | 0:24:25 | |
It had a very low estimate, I think, of 300 to 500. | 0:24:25 | 0:24:28 | |
-I think it went out about the middle of the estimate. -Right, OK. | 0:24:28 | 0:24:32 | |
It was older and had some documentation, | 0:24:32 | 0:24:35 | |
-so I'd probably put that in at maybe 100 to 150. -That would be fantastic. So that gives it a bit of a chance. | 0:24:35 | 0:24:41 | |
-You'd like to put it in? -I'd like to. -OK. That's good. -I really fancied it. | 0:24:41 | 0:24:44 | |
There's something about that I really like. This one was a complete gamble for me. | 0:24:44 | 0:24:49 | |
-That is the Belgian Congo. -That's definitely Belgian Congo? | 0:24:49 | 0:24:53 | |
Without a doubt. That's not a tourist piece. | 0:24:53 | 0:24:56 | |
That's a proper tribal piece. | 0:24:56 | 0:24:59 | |
This is a mask belonging to somebody who performs a ritual - | 0:24:59 | 0:25:03 | |
a witch doctor or a healer. | 0:25:03 | 0:25:05 | |
-And don't be put off by the gruesome look. -Yeah. | 0:25:05 | 0:25:08 | |
This could be one of the goodies rather than one of the baddies. | 0:25:08 | 0:25:11 | |
-Right. -Ugly doesn't mean bad. -Is this something that you're willing to try? | 0:25:11 | 0:25:15 | |
I'd like to sell that. Yeah, I'd like to see it make about 200 or 300. | 0:25:15 | 0:25:18 | |
-It's got all the signal marks there that say it's right. -Right. | 0:25:18 | 0:25:24 | |
Well, I'm dying to see how these get on. It's in the lap of the gods, | 0:25:24 | 0:25:27 | |
-or the lap of the witch doctor. -The lap of this witch doctor, yeah. -I really appreciate your time. | 0:25:27 | 0:25:32 | |
-Good luck with them. -I'll put these in for you. -Cheers, thank you. -OK. | 0:25:32 | 0:25:37 | |
So Paul is putting his faith in the bidders to deliver him a profit on his African artefacts. | 0:25:38 | 0:25:43 | |
It looks like we have a capital confrontation on our hands today, | 0:25:43 | 0:25:46 | |
because in South London, Mark's invited a number of dealers he knows | 0:25:46 | 0:25:51 | |
to a Franksy-style auction for the satin walnut veneered chest of drawers | 0:25:51 | 0:25:55 | |
that set him back just under £100. | 0:25:55 | 0:25:58 | |
-155? -Yeah. | 0:25:59 | 0:26:00 | |
-160? 165? -Yeah. | 0:26:00 | 0:26:03 | |
170. No? 170, anyone? | 0:26:03 | 0:26:06 | |
165. Going once, going twice... | 0:26:06 | 0:26:10 | |
Trying hard. Sold! | 0:26:10 | 0:26:13 | |
Thank you, sir. What a gentleman. Well done, guys. | 0:26:13 | 0:26:16 | |
Yes, that's a good sale for Mark, | 0:26:16 | 0:26:18 | |
and by whipping up a crowd of dealers, | 0:26:18 | 0:26:20 | |
he's netted himself a profit of just over £70. | 0:26:20 | 0:26:24 | |
So Paul Hayes needs to watch his back, | 0:26:24 | 0:26:27 | |
because there's no doubt that Mr Franks is in it to win it today, | 0:26:27 | 0:26:31 | |
and once he starts, there's no stopping the boy from Battersea. | 0:26:31 | 0:26:34 | |
He's using his contacts book to full effect, and despite a little damage on the top, | 0:26:39 | 0:26:44 | |
he makes a very respectable profit on the pine table he bought from the Belgian market. | 0:26:44 | 0:26:49 | |
He's on a roll, | 0:26:49 | 0:26:51 | |
and his next job is to contact | 0:26:51 | 0:26:53 | |
his international team of restorers to breathe new life into two of these pieces | 0:26:53 | 0:26:57 | |
that have seen better days. | 0:26:57 | 0:26:59 | |
I'm down at the cafe. Can you pop down and see me? I've got a little job for you. | 0:26:59 | 0:27:03 | |
Now, when Mark needs help restoring a chair to its former glory, | 0:27:03 | 0:27:08 | |
there's only one man for the job, and that is Del. | 0:27:08 | 0:27:12 | |
Here, Del, look. The bottom of it is not too bad... | 0:27:13 | 0:27:16 | |
-Right, yes. It needs a bit doing to it. -A quick five-minute job! | 0:27:16 | 0:27:20 | |
Can I pick it up in an hour? | 0:27:20 | 0:27:22 | |
-Yeah, sure(!) -Yeah, right! Listen, I'll leave you with you. | 0:27:22 | 0:27:26 | |
-OK. -See you soon. Cheers, mate. | 0:27:26 | 0:27:28 | |
With the chair on its way to Del's workshop, Mark turns his attention to the table, | 0:27:28 | 0:27:32 | |
and when Franksy has a table in need of some TLC, | 0:27:32 | 0:27:36 | |
it's time for an Italian job, and a meet with Milanese Max. | 0:27:36 | 0:27:40 | |
# This is the self-preservation society | 0:27:40 | 0:27:44 | |
# This is the self-preservation society... # | 0:27:44 | 0:27:47 | |
There's a lot to do on this table. | 0:27:47 | 0:27:49 | |
Well, I brought it to the best man for the job. | 0:27:49 | 0:27:52 | |
-Well, it's a big challenge, but I think... -Do you accept the challenge, Max? | 0:27:52 | 0:27:59 | |
Yes. I don't know why. | 0:27:59 | 0:28:01 | |
-I'll see you tomorrow, then. -OK! | 0:28:01 | 0:28:03 | |
So Max has agreed to restore the table. | 0:28:03 | 0:28:06 | |
Mark hasn't got enough money left in his budget to pay for the work, | 0:28:06 | 0:28:10 | |
but they have been working together for years. | 0:28:10 | 0:28:12 | |
In the past, Mark's been known to help Max deliver items in his van, | 0:28:12 | 0:28:16 | |
so the two of them are used to helping each other. | 0:28:16 | 0:28:19 | |
With Mark's preservation society working round the clock to breathe life into his chair and table, | 0:28:19 | 0:28:24 | |
Fransky has high hopes that these two items could earn him today's title. | 0:28:24 | 0:28:30 | |
Mr Morecambe is winding his way through the capital | 0:28:30 | 0:28:33 | |
on the way to the auction of his African artefacts. | 0:28:33 | 0:28:36 | |
TRIBAL-STYLE MUSIC | 0:28:36 | 0:28:38 | |
His day gets off to a good start when one of his contacts | 0:28:42 | 0:28:45 | |
who's agreed to meet him at the auction house | 0:28:45 | 0:28:47 | |
buys his Art Nouveau vase for £30. | 0:28:47 | 0:28:50 | |
-OK, smashing. -Yes, it is indeed. | 0:28:50 | 0:28:52 | |
It's not going to set the world alight, but every penny counts. | 0:28:52 | 0:28:56 | |
With the auction about to begin, | 0:28:57 | 0:28:59 | |
Paul has found himself a prime position to watch his African artefacts go under the hammer. | 0:28:59 | 0:29:04 | |
An antique West African ethnic tribal terracotta domestic fetish figure, is that right? | 0:29:04 | 0:29:09 | |
Out of all the things I bought in Belgium, this is the one that I really fancy. | 0:29:09 | 0:29:13 | |
It is a nice terracotta item. Let's hope so. | 0:29:13 | 0:29:15 | |
Do I hear £50 for it, £40 for it? | 0:29:15 | 0:29:16 | |
Give me a bid at £40 for it. | 0:29:16 | 0:29:18 | |
No bid at £40? £30, no cheaper, please. | 0:29:18 | 0:29:21 | |
£30 I'm bid. 32, 35, 38. | 0:29:21 | 0:29:24 | |
40, 42, 45. 45 there. 48? | 0:29:24 | 0:29:28 | |
50. 55. 60. 5. 70. | 0:29:28 | 0:29:32 | |
£65, all done at 65? | 0:29:32 | 0:29:34 | |
It goes, then, at £65, it's gone. | 0:29:34 | 0:29:38 | |
179, 65. | 0:29:38 | 0:29:39 | |
£65 is a good result for Mr Morecambe. | 0:29:39 | 0:29:42 | |
And as all the profits are going to charity, | 0:29:42 | 0:29:45 | |
the auctioneer has kindly reduced his fees, | 0:29:45 | 0:29:47 | |
leaving Paul with a healthy profit of almost £50. | 0:29:47 | 0:29:50 | |
Next up is his witch doctor's mask. | 0:29:50 | 0:29:53 | |
This item cost him just under £100. | 0:29:53 | 0:29:56 | |
-£80 for it? I'm bid £80. -£80 already, fantastic. | 0:29:56 | 0:29:59 | |
90, 5, 100, 110, 120, 130, 140, 150? | 0:29:59 | 0:30:04 | |
-140 bid. 150 back here? -This is fabulous news for Mr Morgan. | 0:30:04 | 0:30:07 | |
The bidding is heading towards twice what he paid for the mask. | 0:30:07 | 0:30:11 | |
180, 190, 200, 210. 220, 230... | 0:30:11 | 0:30:16 | |
-230! -240? 230 bid. At £230... -PAUL MURMURS | 0:30:16 | 0:30:21 | |
Back in at 240. 250, 260. 270, 280. | 0:30:21 | 0:30:26 | |
290, 300. And 20? | 0:30:26 | 0:30:29 | |
The bid here is at £300. Do you want 20? | 0:30:29 | 0:30:31 | |
£300. Has to be 20. At £300. A tenner if it helps you if you like. | 0:30:31 | 0:30:34 | |
At £300, are we done? | 0:30:34 | 0:30:36 | |
All out at £300, I'm going for £300. | 0:30:36 | 0:30:38 | |
That's fantastic. That is £300. That is amazing! | 0:30:38 | 0:30:42 | |
What a great profit for Paul. | 0:30:42 | 0:30:44 | |
After the auctioneer's reduced fees are deducted, | 0:30:44 | 0:30:47 | |
he's banked over £180 for the African mask. | 0:30:47 | 0:30:51 | |
Paul's trip to the auction house has truly paid dividends. | 0:30:51 | 0:30:55 | |
Both the boys have secured profitable sales, | 0:30:55 | 0:30:57 | |
but right now, it is Mr Morecambe who's taken a commanding lead. | 0:30:57 | 0:31:01 | |
Thanks to a very successful trip to the auction house, | 0:31:01 | 0:31:05 | |
Paul has sold three items for a total of £395, | 0:31:05 | 0:31:07 | |
bagging him a profit of just under £250. | 0:31:07 | 0:31:12 | |
Mark has also sold three items, totalling £335, | 0:31:12 | 0:31:16 | |
and turned a profit of almost £170. | 0:31:16 | 0:31:21 | |
So he came, he saw, and, at the moment, he's conquering. | 0:31:22 | 0:31:26 | |
Mr Morecambe's three sales have been in the capital, and he is beating Franksy in his own backyard. | 0:31:26 | 0:31:32 | |
Down in South London, our Battersea boy is meeting one half of his restoration squad. | 0:31:32 | 0:31:38 | |
Oh, wow, look at that! | 0:31:38 | 0:31:40 | |
You've done such a good job. | 0:31:40 | 0:31:43 | |
Let's check out the bottom. | 0:31:43 | 0:31:45 | |
Oh-ho! I'm a happy bunny. | 0:31:45 | 0:31:49 | |
-That is a great job. How much do I owe you? -50. | 0:31:49 | 0:31:51 | |
Oh, I ain't got 50 quid, Del. | 0:31:51 | 0:31:53 | |
Times are hard. The best at the moment I've got is 20 quid. | 0:31:53 | 0:31:56 | |
All right, give me 20 quid and you owe me a favour, yeah? | 0:31:56 | 0:31:59 | |
Consider it done. You're a gentleman. | 0:31:59 | 0:32:01 | |
-All right. -You are the best. | 0:32:01 | 0:32:04 | |
-Yeah, well... -I'll be back in a minute. | 0:32:04 | 0:32:06 | |
Look at that! That's a winner. | 0:32:06 | 0:32:09 | |
Yes, that is one big favour he owes Del, | 0:32:09 | 0:32:12 | |
and the £20 he paid him means that Mark has now no money left in his kitty. | 0:32:12 | 0:32:16 | |
Having had the chair restored, he still needs to find a buyer. | 0:32:16 | 0:32:20 | |
His rival Paul is leading the way in today's contest, | 0:32:20 | 0:32:24 | |
thanks to his three auction sales. | 0:32:24 | 0:32:25 | |
But Mark is not going to go down without a fight. | 0:32:25 | 0:32:28 | |
In an effort to win today's contest, | 0:32:28 | 0:32:30 | |
Mark and Paul are calling all their contacts to find the right buyers for all their items. | 0:32:30 | 0:32:35 | |
They're arranging meetings, | 0:32:35 | 0:32:36 | |
they may even talk money. | 0:32:36 | 0:32:38 | |
But until they've shaken on it and the cash has changed hands, no sale is secure. | 0:32:38 | 0:32:43 | |
In an effort to pour more money into his profit pot, | 0:32:43 | 0:32:46 | |
Mark is hoping to sell his 1960s chair that cost him almost £40. | 0:32:46 | 0:32:51 | |
-Hi. -How you doing? The shop is looking great. | 0:32:51 | 0:32:55 | |
Yeah. Some really nice pieces in at the moment. | 0:32:55 | 0:32:58 | |
-I love this. And this is nice. -That is fantastic. -Those cabinets! | 0:32:58 | 0:33:01 | |
-From Paris. Really nice. -Nice. How's business? -Fantastic. | 0:33:01 | 0:33:04 | |
Good. That's what I like to hear. What do you think of this? | 0:33:04 | 0:33:07 | |
This is a rocking chair. It is actually designer, look. | 0:33:07 | 0:33:10 | |
The Step 2 Company. | 0:33:10 | 0:33:12 | |
What is that? Phone for help? | 0:33:12 | 0:33:14 | |
Oh, don't start that! I know your games. | 0:33:14 | 0:33:16 | |
How about £100? Just a nice, easy, two £50 notes, done. | 0:33:16 | 0:33:20 | |
It's not going to happen today. | 0:33:20 | 0:33:22 | |
-95? -Hmm... Going in the right direction. | 0:33:22 | 0:33:25 | |
What about £60? | 0:33:25 | 0:33:27 | |
-£60. 70? -Er... | 0:33:27 | 0:33:31 | |
-70... -65! -65, you're done. | 0:33:31 | 0:33:33 | |
65, you're a gentleman. Thank you very much. | 0:33:33 | 0:33:36 | |
Moses takes the chair off Mark's hands for £65, | 0:33:36 | 0:33:40 | |
giving Franksy a profit of almost £30. | 0:33:40 | 0:33:43 | |
It's not enough to catch Mr Morecambe, but Mark still has plenty of items left in his locker. | 0:33:43 | 0:33:48 | |
Speaking of Mr Morecambe, he's trying to seal another deal. | 0:33:48 | 0:33:52 | |
He's arrived in Mayfair in central London, | 0:33:52 | 0:33:55 | |
and he's hoping to sell his Buddha's head to an expert in Asian artefacts. | 0:33:55 | 0:34:00 | |
-Hello... -Mr Morecambe got a great deal on the Buddha's head, | 0:34:01 | 0:34:05 | |
halving the original asking price and spending just over £140. | 0:34:05 | 0:34:10 | |
I take it this is the image of Buddha. | 0:34:10 | 0:34:13 | |
It is. This is a classic Chinese carved head of Buddha in wood. | 0:34:13 | 0:34:19 | |
I've had a look at it and I think it's probably late-19th or early-20th century. | 0:34:19 | 0:34:23 | |
So it's the very end of the Qing Dynasty, at about the time of Pu Yi, the last emperor. | 0:34:23 | 0:34:28 | |
It's a beautiful thing, it's a lovely head, expressive and serene. Peaceful. | 0:34:28 | 0:34:33 | |
Some of the Buddhas have very narrow faces and some have large faces. Is there a reason behind that? | 0:34:33 | 0:34:38 | |
Well, the Buddha was a prince of what is now part of Nepal. | 0:34:38 | 0:34:42 | |
Images of the Buddha often have rolls of fat around the neck | 0:34:42 | 0:34:45 | |
which is a reference back to his princely origins. | 0:34:45 | 0:34:48 | |
They have quite a fat, chubby look. | 0:34:48 | 0:34:50 | |
Often, but not always. | 0:34:50 | 0:34:52 | |
They also have these very long ear lobes here on both sides, | 0:34:52 | 0:34:55 | |
which is also a reference to the Buddha's princely origins. | 0:34:55 | 0:34:59 | |
He would have worn earrings that would have pulled down the lobes. | 0:34:59 | 0:35:02 | |
Is the height of the head significant as well? | 0:35:02 | 0:35:06 | |
It is. This is called an ushnisha, | 0:35:06 | 0:35:09 | |
and it's a cranial bump and it shows the Buddha's superior wisdom, | 0:35:09 | 0:35:13 | |
so he has a bigger brain than everybody else and so he needs an extended... | 0:35:13 | 0:35:17 | |
section to the head. Ushnisha - it's a Sanskrit word. | 0:35:17 | 0:35:22 | |
Obviously, you have some very interesting and ancient items. | 0:35:22 | 0:35:25 | |
Is this a particularly rare object and something you would put in your gallery? | 0:35:25 | 0:35:29 | |
-It's unusually large. -OK. -It's quite attractive. | 0:35:29 | 0:35:33 | |
It's not hugely old. | 0:35:33 | 0:35:35 | |
It's 80 or 90 years old. | 0:35:35 | 0:35:37 | |
-Which is quite new? -Yes, yes. | 0:35:37 | 0:35:39 | |
-I would have thought it's worth a few hundred pounds. -OK. | 0:35:39 | 0:35:43 | |
I may be totally wrong and it may be the Elgin Marbles personified, but I don't think so. | 0:35:43 | 0:35:49 | |
-I think it's a good solid genuine decorative piece. -OK. | 0:35:49 | 0:35:55 | |
Well, all this sounds very encouraging, | 0:35:55 | 0:35:57 | |
but the path to enlightenment - all right, profit - has many twists and turns, | 0:35:57 | 0:36:02 | |
and Paul still has to seal the deal. | 0:36:02 | 0:36:06 | |
In South West London, Mark has picked up his restored table from Milanese Max. | 0:36:08 | 0:36:13 | |
He's on his way to an auction house to sell the table, chair and boar's head. | 0:36:13 | 0:36:17 | |
He's confident that this package of antiques will turn him a game-winning profit. | 0:36:17 | 0:36:21 | |
As all his profits are going to a good cause, | 0:36:21 | 0:36:23 | |
the auction house has kindly waived their commission. | 0:36:23 | 0:36:26 | |
But there are no guarantees of success in the saleroom, | 0:36:26 | 0:36:30 | |
and, to add to the pressure, his rival is closing in on yet another deal. | 0:36:30 | 0:36:34 | |
If I was to ask you a couple of hundred pounds, how does that sound? | 0:36:34 | 0:36:38 | |
-I think that's very fair. -Thank you very much. | 0:36:38 | 0:36:40 | |
-Pleasure. Thank you. -Lovely to meet you. I'm glad that's amongst friends. | 0:36:40 | 0:36:44 | |
-Good, he will be. -Good luck. | 0:36:44 | 0:36:48 | |
A profit of almost £60 | 0:36:48 | 0:36:50 | |
is proof, if proof were needed, | 0:36:50 | 0:36:52 | |
that Mr Morecambe really knows his stuff. | 0:36:52 | 0:36:54 | |
Paul is now way out in front but it's not all good news as he failed to find a buyer for his painting. | 0:36:54 | 0:37:01 | |
However, he's hoping to make a profit from the elegant silver salt cellars | 0:37:01 | 0:37:05 | |
and has managed to line up a potential buyer. | 0:37:05 | 0:37:07 | |
-They're very Rococo. -They are very Rococo. | 0:37:07 | 0:37:10 | |
They're a little bit light, and they're pressed out, but they're in nice condition. | 0:37:10 | 0:37:15 | |
Looking at it so far, they're in marvellous condition. I'll look at the hallmark. | 0:37:15 | 0:37:19 | |
-The hallmark is a Mercury, is it? -It is, and there's a number two, | 0:37:19 | 0:37:24 | |
a very small number two, which shows it's their lower grade silver. | 0:37:24 | 0:37:28 | |
-The French have two grades, a 950 standard and an 800 standard. -OK. | 0:37:28 | 0:37:32 | |
They've got the original glass liners. | 0:37:32 | 0:37:35 | |
Liners can be made, but it's easier to have the original liners. | 0:37:35 | 0:37:38 | |
-Yes. -And a little set of French spoons | 0:37:38 | 0:37:40 | |
-which have a gorgeous shell bowl which is delightful. -There we are. | 0:37:40 | 0:37:44 | |
A beautiful style. They're very elegant. | 0:37:44 | 0:37:46 | |
-They are. -Are they the sort of thing you'd be interested in? | 0:37:46 | 0:37:50 | |
They are great and there is a nice set of four. | 0:37:50 | 0:37:52 | |
Well, the dealer's clearly interested and Paul is piling the pressure on Mark. | 0:37:52 | 0:37:58 | |
Now whilst Franksy is not a man to give in easily, it's not been an easy ride so far. | 0:37:58 | 0:38:04 | |
He's made a small loss from his antler lamp, coat hooks, and jug. | 0:38:04 | 0:38:07 | |
His only chances of winning today's competition | 0:38:07 | 0:38:10 | |
now rest on his final three items that cost him almost £500 in Belgium. | 0:38:10 | 0:38:17 | |
This looks so much like Paul Hayes, doesn't it? | 0:38:17 | 0:38:20 | |
I'm going to wipe the smile off his face tonight. | 0:38:20 | 0:38:23 | |
Unfortunately, he's away working on the day of the sale, | 0:38:23 | 0:38:26 | |
but he's keeping up to speed with his crucial bids by phone. | 0:38:26 | 0:38:30 | |
Hello, all right, mate? | 0:38:30 | 0:38:31 | |
395 is a mid-19th century | 0:38:31 | 0:38:36 | |
Gothic revival walnut extending table. | 0:38:36 | 0:38:39 | |
It's unusual because it's got five leaves with it and it's quite a saleable item. | 0:38:39 | 0:38:44 | |
Shall we say £200 for it? | 0:38:44 | 0:38:46 | |
Only the 200? | 0:38:46 | 0:38:47 | |
200. 220. | 0:38:47 | 0:38:50 | |
240. 260. | 0:38:50 | 0:38:52 | |
280. 300. | 0:38:52 | 0:38:54 | |
(300.) | 0:38:54 | 0:38:56 | |
Here at £300 with me, with the commissions, at £300. | 0:38:56 | 0:38:59 | |
320 in the room now. | 0:38:59 | 0:39:02 | |
At £320, it's selling in the room. | 0:39:02 | 0:39:05 | |
At £320, are we all done at 320? | 0:39:05 | 0:39:09 | |
The table sells for £320. | 0:39:09 | 0:39:13 | |
Devastating for Mark. | 0:39:13 | 0:39:15 | |
Remember, all three items cost him almost £500 so he needs the bidders | 0:39:15 | 0:39:19 | |
to take a real shine to the boar's head and the restored chair just to break even. | 0:39:19 | 0:39:25 | |
Stop smiling, Paul. | 0:39:25 | 0:39:27 | |
Lot 396 is the mounted boar's head with the legs protruding out. | 0:39:27 | 0:39:34 | |
A good thing there and what shall we say? I have £100 commission. | 0:39:34 | 0:39:38 | |
110. 120. | 0:39:38 | 0:39:40 | |
130. 140. | 0:39:40 | 0:39:42 | |
145, I'll take then. | 0:39:42 | 0:39:44 | |
150, back with me. | 0:39:44 | 0:39:45 | |
There's a commission bid here. 150? | 0:39:45 | 0:39:49 | |
150, so the profit is all in the chair. | 0:39:49 | 0:39:54 | |
Lot 397 is that Victorian tub-form desk chair. Hooped back. | 0:39:54 | 0:39:59 | |
Good thing again and lots of commissions again. 80 for Mr Jones. | 0:39:59 | 0:40:04 | |
-90 for Jacobs. At £90. 95. 100. -MARK MOUTHS | 0:40:04 | 0:40:08 | |
(Profit.) | 0:40:08 | 0:40:10 | |
It's a commission bid... | 0:40:10 | 0:40:12 | |
It's been a hard-fought battle today, | 0:40:12 | 0:40:14 | |
but this clash of the antiques titans could still go either way. | 0:40:14 | 0:40:18 | |
We'll find out shortly if the salt cellars or the restored chair delivered a decisive profit, | 0:40:18 | 0:40:24 | |
because it's now time to tot up the totals. | 0:40:24 | 0:40:27 | |
Both Mark and Paul were allowed to spend up to £750 | 0:40:28 | 0:40:32 | |
of their own money on antiques. | 0:40:32 | 0:40:35 | |
Mr Morecambe took a frugal approach to buying, spending just under £440. | 0:40:35 | 0:40:40 | |
Franksy, on the other hand, parted with just over £725 | 0:40:42 | 0:40:46 | |
and spent another £20 on restoration costs. | 0:40:46 | 0:40:50 | |
The burning question, though, is who has made the biggest profit? | 0:40:53 | 0:40:57 | |
So without further ado, it's time to bring together our very own Morecambe and Wise | 0:40:57 | 0:41:02 | |
and reveal who is today's Put Your Money Where Your Mouth Is champion. | 0:41:02 | 0:41:07 | |
-Ah, bonjour, Mark. -Bonne nuit. | 0:41:08 | 0:41:12 | |
-I came here by ship - look at that. All the way from Belgium. -What? | 0:41:12 | 0:41:16 | |
-Think you've done all right? -I'm quietly confident. | 0:41:16 | 0:41:19 | |
OK. Shall we reveal? | 0:41:19 | 0:41:20 | |
Three seconds. Two, one, let's go. | 0:41:20 | 0:41:22 | |
-Way-hey! -Oh no! BOTH LAUGH | 0:41:22 | 0:41:25 | |
-Look at that. -Don't rub it in. -A huge number. | 0:41:25 | 0:41:27 | |
-I'm a bit gutted. -That's 150 quid up. | 0:41:27 | 0:41:29 | |
-Very surprised. -That's fantastic, isn't it? | 0:41:29 | 0:41:32 | |
-I can't believe it. -I can. -The mussels are on me. | 0:41:32 | 0:41:34 | |
-That sounds great. -Come on, then. You done well, mate. | 0:41:34 | 0:41:38 | |
So it's disappointment and dejection for Franksy | 0:41:38 | 0:41:41 | |
whose restored desk chair just didn't manage to make him enough profit. | 0:41:41 | 0:41:45 | |
Are we all done at 120? | 0:41:45 | 0:41:48 | |
Got to be honest, I'm really disappointed. | 0:41:48 | 0:41:51 | |
Mark's three auction items made him a combined profit of just under £80, | 0:41:51 | 0:41:57 | |
but it wasn't enough to win the contest, | 0:41:57 | 0:42:00 | |
because Paul's silver salt cellars served up a profit of almost £150 | 0:42:00 | 0:42:05 | |
ensuring that he was victorious. | 0:42:05 | 0:42:09 | |
It's the sort of thing I could possibly buy for 250 but I am happy to pay £300 | 0:42:09 | 0:42:12 | |
because I think they're nice. | 0:42:12 | 0:42:14 | |
Tres bien, monsieur. Merci beaucoup. | 0:42:14 | 0:42:16 | |
I am delighted. I really enjoyed going to Brussels. | 0:42:16 | 0:42:19 | |
What makes it all the better is I managed to beat Mark Franks by £150. | 0:42:19 | 0:42:24 | |
-HE CHUCKLES -Result! | 0:42:24 | 0:42:27 | |
Different day, different auction, that table would have romped home | 0:42:27 | 0:42:30 | |
and I would have been the winner by a lot of money. | 0:42:30 | 0:42:34 | |
Despite Mark's disappointment, he and Paul have worked their socks off | 0:42:34 | 0:42:38 | |
and raised hundreds of pounds for their chosen charities. | 0:42:38 | 0:42:42 | |
I'm delighted to beat Mark, but more importantly, | 0:42:42 | 0:42:45 | |
I'm delighted to make a good chunk of money for my chosen charity, | 0:42:45 | 0:42:48 | |
the RNLI in Morecambe and that's the important bit. | 0:42:48 | 0:42:51 | |
The Paul D'Auria Cancer Support Centre will benefit greatly from the best part of £300, | 0:42:51 | 0:42:56 | |
so they'll be over the moon, so therefore, I am pleased. | 0:42:56 | 0:42:59 | |
I wish I could have raised more but sometimes auctions don't do as well as they could do. | 0:42:59 | 0:43:04 | |
So Mr Morecambe is jumping for joy, but hold on to your hats, | 0:43:04 | 0:43:07 | |
because tomorrow Mark will be looking to wrestle back the crown from Paul | 0:43:07 | 0:43:12 | |
when our profit hunting pair will be locking horns at a car boot sale. | 0:43:12 | 0:43:16 | |
Over 200 years ago this was made. | 0:43:16 | 0:43:18 | |
This little £60 gem...may find a profit. Here's hoping. | 0:43:18 | 0:43:23 | |
There's a challenge between me and Mark | 0:43:23 | 0:43:25 | |
so if I win, I'm like that, and hopefully Mark will be like that. | 0:43:25 | 0:43:30 | |
Subtitles by Red Bee Media Ltd | 0:43:49 | 0:43:53 | |
E-mail [email protected] | 0:43:53 | 0:43:56 |