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We've seen them on TV, but how will these antiques experts fare | 0:00:02 | 0:00:05 | |
when they're challenged to make a profit with their own cash? | 0:00:05 | 0:00:09 | |
If that's £50, you've got a buyer. | 0:00:09 | 0:00:12 | |
There's Knocker's stuff just leaving! | 0:00:12 | 0:00:15 | |
From car-boot sales to auction houses, | 0:00:15 | 0:00:17 | |
our experts will be recreating some of their real-life deals | 0:00:17 | 0:00:21 | |
as they go head-to-head | 0:00:21 | 0:00:22 | |
and try and make the most money for their chosen charities. | 0:00:22 | 0:00:27 | |
-100% profit. -£300! That is amazing. | 0:00:27 | 0:00:30 | |
The challenge to our experts is clear. | 0:00:30 | 0:00:33 | |
Dealers, put your money where your mouth is. | 0:00:33 | 0:00:36 | |
Today's profit-hunting pair | 0:01:05 | 0:01:07 | |
are collectables connoisseur Paul "Mr Morecambe" Hayes | 0:01:07 | 0:01:10 | |
and the irrepressible Mark "Franksy" Franks. | 0:01:10 | 0:01:14 | |
I got into antiques purely for the love of it. | 0:01:14 | 0:01:17 | |
I've always liked antiques. It interests me. | 0:01:17 | 0:01:19 | |
I like history, I like architecture, so anything old really appeals to me, | 0:01:19 | 0:01:24 | |
and I find it a pretty easy way to make money. | 0:01:24 | 0:01:27 | |
Mark's no-nonsense approach and determination to win have served him well, | 0:01:27 | 0:01:32 | |
whether it be trading trash to cash | 0:01:32 | 0:01:34 | |
or hunting out hidden treasures on Car Booty. | 0:01:34 | 0:01:37 | |
Mark's rival is the ever-witty Paul, a second-generation dealer | 0:01:37 | 0:01:41 | |
who first started trading when he was knee-high to a grasshopper. | 0:01:41 | 0:01:45 | |
Since then, he's grown up to become a well-respected expert with a passion for silver. | 0:01:45 | 0:01:50 | |
When I first started out, the market at the time | 0:01:50 | 0:01:53 | |
was for silver and silver-plated items, so very quickly | 0:01:53 | 0:01:56 | |
I went down that path and I think, if I had to say one item | 0:01:56 | 0:02:00 | |
that I've dealt in mainly, it's silverware. | 0:02:00 | 0:02:03 | |
Paul can be regularly found hunting for cash in the attic or transforming trash into cash. | 0:02:03 | 0:02:08 | |
It's a shame one of them's not big enough for Mark Franks. | 0:02:08 | 0:02:11 | |
That would perfect. Throw away the key! | 0:02:11 | 0:02:13 | |
So our experts are ready and there's everything to play for. | 0:02:15 | 0:02:19 | |
With their reputations on the line, their chosen charities counting on them | 0:02:19 | 0:02:23 | |
and a fierce desire to out-do each other, | 0:02:23 | 0:02:25 | |
it's time for us to find out exactly what is today's challenge. | 0:02:25 | 0:02:29 | |
Hey-hey! Hello, Mark. | 0:02:31 | 0:02:32 | |
-Hello, Paul. -This one's for you. | 0:02:32 | 0:02:34 | |
-Really? -I'd have a word with your postman. | 0:02:34 | 0:02:36 | |
Right, here we are. "Mark and Paul, | 0:02:36 | 0:02:39 | |
-"your challenge today is to spend up to £250..." -Yes! | 0:02:39 | 0:02:43 | |
-"..of your own money..." -No. | 0:02:43 | 0:02:45 | |
"..on antiques. You must then re-sell your purchases, | 0:02:45 | 0:02:49 | |
"with the aim of making as much profit as possible. | 0:02:49 | 0:02:52 | |
-"The winner..." -Yes? -Don't forget, we're all winners. | 0:02:52 | 0:02:55 | |
But, "the winner is the presenter who makes the most cash." | 0:02:55 | 0:02:58 | |
We're not all winners. I'm going to be the winner. | 0:02:58 | 0:03:00 | |
-"Today you must buy all your antiques from a car-boot sale." -Oh, you might be the winner today, then. | 0:03:00 | 0:03:06 | |
-Good luck. -Good luck. -Which way are you going? -That-a way. | 0:03:06 | 0:03:09 | |
All right, I'll see you later. | 0:03:09 | 0:03:10 | |
So Mark and Paul can each spend | 0:03:10 | 0:03:13 | |
up to £250 of their own money at the car-boot sale, | 0:03:13 | 0:03:17 | |
then try to sell on their purchases for a profit. | 0:03:17 | 0:03:19 | |
Pretty much everybody that they try to do deals with | 0:03:19 | 0:03:22 | |
will be aware that they're on a mission to raise | 0:03:22 | 0:03:25 | |
as much money as possible for their chosen charities, | 0:03:25 | 0:03:28 | |
and our experts will be doing everything in their power | 0:03:28 | 0:03:31 | |
to persuade people to give them the best possible prices | 0:03:31 | 0:03:34 | |
as they buy and sell the items they hope will drive them to victory. | 0:03:34 | 0:03:38 | |
The boys are locking horns on the grounds of the Ford Airfield | 0:03:38 | 0:03:41 | |
just outside the historic town of Arundel on the South Downs, | 0:03:41 | 0:03:46 | |
so it's tally-bally-ho and chocks away for our daredevil dealers. | 0:03:46 | 0:03:50 | |
VOICE THROUGH RADIO: 'Come on, pull up, pull up! Here we go.' | 0:04:01 | 0:04:04 | |
Patrolling the skies | 0:04:07 | 0:04:08 | |
are the cool and collected Mark "Wink" Commander Franks | 0:04:08 | 0:04:12 | |
and his wingman Chief "Flighty" Officer Paul Hayes. | 0:04:12 | 0:04:14 | |
'You promise to take it easy, don't you, Mark? No heroics, please.' | 0:04:14 | 0:04:19 | |
'Oh, that was a close one! | 0:04:19 | 0:04:22 | |
'Banking, banking, banking!' | 0:04:22 | 0:04:23 | |
'Are you still there, Paul? Paul, are you still there?' | 0:04:26 | 0:04:29 | |
-'Let me out now, please.' -'We're circumnavigating Arundel. | 0:04:29 | 0:04:32 | |
-'Can you see it?' -'It's there.' | 0:04:32 | 0:04:34 | |
-'Can you see any bargains?' -'I can see one already down there.' | 0:04:34 | 0:04:38 | |
-'Hold tight, we're going in!' -'Argh!' | 0:04:38 | 0:04:41 | |
'Ready for landing. | 0:04:44 | 0:04:45 | |
'Coming in. Hold tight, Paul. It's going to be a fast one.' | 0:04:45 | 0:04:48 | |
'Argh! Let me out!' | 0:04:48 | 0:04:51 | |
Well, that all looked very dramatic, but Mark and Paul are dealers, not daredevils. | 0:04:51 | 0:04:56 | |
Though they might have us believe they're the dynamic duo, | 0:04:56 | 0:04:59 | |
they never actually left terra firma. Ha! | 0:04:59 | 0:05:03 | |
'Slow down a bit, Mark, slow down.' | 0:05:03 | 0:05:05 | |
'Hold tight, Paul. Oh, here we go! | 0:05:05 | 0:05:07 | |
'Here we go! | 0:05:07 | 0:05:09 | |
-'Ohh!' -'Argh!' -'Get your hands away from my eyes! | 0:05:09 | 0:05:12 | |
'It's all right, Paul! Hold on tight. Have you seen the car-boot sale?' | 0:05:12 | 0:05:16 | |
Yes, very amusing, boys, but it's time to stop playing around and concentrate on the job at hand. | 0:05:17 | 0:05:22 | |
In order to find the pieces with the biggest potential profit, | 0:05:22 | 0:05:26 | |
Paul is aiming to be quick off the mark and seal as many quick deals as possible. | 0:05:26 | 0:05:31 | |
His rival, on the other hand, is going to leave no stone unturned | 0:05:31 | 0:05:35 | |
in an effort to find slightly unusual and quirky items, | 0:05:35 | 0:05:39 | |
and he's headed to a stall run by one of his dealer contacts. | 0:05:39 | 0:05:42 | |
Hello, Mark, how's things? | 0:05:45 | 0:05:47 | |
Not so bad, Mark. How are you? | 0:05:47 | 0:05:48 | |
Not bad. It's an unusual name we've got, innit, eh? | 0:05:48 | 0:05:51 | |
-Yeah, two of a kind. -Can you play? -No. | 0:05:51 | 0:05:54 | |
-Nor me. -I haven't got the violin bow. | 0:05:54 | 0:05:57 | |
Is it a Stradivarius? | 0:05:58 | 0:06:00 | |
-It would be nice. -Wouldn't it just? -It would be nice. -Is it cheap? | 0:06:00 | 0:06:04 | |
Depends what you call cheap. | 0:06:04 | 0:06:06 | |
Well, you normally are quite helpful and friendly with your prices. | 0:06:06 | 0:06:09 | |
I try to accommodate my clients. | 0:06:09 | 0:06:12 | |
-How much, mate? Go on. -25. | 0:06:12 | 0:06:14 | |
25. I thought you said it was cheap. | 0:06:14 | 0:06:16 | |
Condition's everything with guitars, isn't it? | 0:06:16 | 0:06:20 | |
-I don't know. It's a good entry-level guitar, isn't it? -I tell you what. | 0:06:20 | 0:06:24 | |
As it's you, the sun's out, £20. | 0:06:24 | 0:06:27 | |
If I stay a bit longer, will it be 15? | 0:06:27 | 0:06:29 | |
No, you've got to let me squeak a little bit. | 0:06:29 | 0:06:32 | |
I tell you what. How much is that? | 0:06:32 | 0:06:35 | |
-£10. -How about those two for 25? | 0:06:35 | 0:06:39 | |
-It's my best offer. -Come on. -Deal? | 0:06:39 | 0:06:41 | |
Go on, then, as it's you. | 0:06:41 | 0:06:43 | |
Yeah, you know. Cup of tea on its way. I'll see you in a bit. | 0:06:43 | 0:06:46 | |
I'll catch you up. | 0:06:46 | 0:06:47 | |
Yes, that's some cheeky haggling from Mark, | 0:06:47 | 0:06:51 | |
but he sounds like he's got the stall-holder playing to his tune. | 0:06:51 | 0:06:54 | |
So, he doesn't want to get left behind, Paul needs to put his money where his mouth is | 0:06:54 | 0:06:59 | |
and stick to his strategy of a speedy spending spree. | 0:06:59 | 0:07:02 | |
Now, then, I love rummaging around on these car-boot sales. | 0:07:03 | 0:07:08 | |
It's amazing what you find, and look at this. | 0:07:08 | 0:07:10 | |
Absolutely top, top quality, this is 18th-century Chinese porcelain. | 0:07:10 | 0:07:16 | |
When this first arrived on the British shores, | 0:07:16 | 0:07:18 | |
it was called white gold and at that time, | 0:07:18 | 0:07:21 | |
we couldn't make anything like it. | 0:07:21 | 0:07:23 | |
Part of the secret was you were able to put liquids in here - | 0:07:23 | 0:07:26 | |
it was a beautiful surface for painting, but it was translucent. | 0:07:26 | 0:07:30 | |
Some people mounted them with bronze or gilded mounts | 0:07:30 | 0:07:33 | |
to emphasise this white gold, this wonderful substance. | 0:07:33 | 0:07:36 | |
All this is hand-painted and it's in the famille rose palette, | 0:07:36 | 0:07:40 | |
which is the red or the pink family. | 0:07:40 | 0:07:42 | |
Beautifully done. If you think about it, over 200 years ago when this was made. | 0:07:42 | 0:07:46 | |
One little snag is that these are very delicate. | 0:07:46 | 0:07:49 | |
They're almost like an egg-shell china and they do tend to crack very easily. | 0:07:49 | 0:07:53 | |
I notice a little crack here. Now, perfect, this would be 50, maybe £60. | 0:07:53 | 0:07:58 | |
I'm going to ask the gentleman now how much this is. | 0:07:58 | 0:08:01 | |
-How much is this one, sir? -£5. | 0:08:01 | 0:08:03 | |
There we are. £5. All right? | 0:08:03 | 0:08:05 | |
I don't know how many yen that is, but not enough, I say. | 0:08:05 | 0:08:08 | |
This is fantastic. I'll have that. Thank you very much. | 0:08:08 | 0:08:11 | |
There we are. If I give you that... | 0:08:11 | 0:08:12 | |
A bit of history there, don't you think? Fantastic. | 0:08:15 | 0:08:18 | |
Paul adds to his haul by snapping up two antique books. | 0:08:18 | 0:08:21 | |
-If I give you that, that's 15 there. -Thank you. -Thank you. There we are. | 0:08:21 | 0:08:26 | |
Two 18th-century books, 15 quid. You can't go wrong, can you? | 0:08:26 | 0:08:29 | |
Let's hope not, but he is going to have to find | 0:08:29 | 0:08:32 | |
some specialist book dealers if he wants to sell them. | 0:08:32 | 0:08:36 | |
Franksy is also hard at work and has picked up a painting | 0:08:36 | 0:08:39 | |
that he thinks could be packed with profit. | 0:08:39 | 0:08:42 | |
This painting I asked about earlier on. | 0:08:42 | 0:08:45 | |
It was a long 'un, or £100 to you. | 0:08:45 | 0:08:48 | |
I've had a little chat with the guy. | 0:08:48 | 0:08:50 | |
He's very kindly bashed the price down to 60 quid. | 0:08:50 | 0:08:53 | |
Now, what's it all about? | 0:08:53 | 0:08:55 | |
It's a watercolour, it's got a windmill in it, | 0:08:55 | 0:08:58 | |
a bit of a Dutch theme. | 0:08:58 | 0:08:59 | |
It's signed, and if you spin it over, what we've got | 0:08:59 | 0:09:04 | |
is the title Fisherfolk, artist, and it was sold from this gallery. | 0:09:04 | 0:09:09 | |
Now, the Garden Gallery | 0:09:09 | 0:09:11 | |
is in Mortlake Terrace, Kew, Richmond in Surrey. | 0:09:11 | 0:09:14 | |
Richmond in Surrey is quite a wealthy place, so is Kew, | 0:09:14 | 0:09:18 | |
and the proprietor is a BA with honours. | 0:09:18 | 0:09:21 | |
I haven't got any honours, but I guarantee that somebody who knows | 0:09:21 | 0:09:24 | |
about art and has got a shop in Richmond wouldn't be selling rubbish. | 0:09:24 | 0:09:28 | |
This little £60 gem may find a profit. Here's hoping. | 0:09:28 | 0:09:32 | |
You know, with detective work like that, | 0:09:32 | 0:09:35 | |
Mark could give Sherlock Holmes a run for his money. | 0:09:35 | 0:09:38 | |
Elsewhere in the boot sale, Paul has snapped up another purchase. | 0:09:38 | 0:09:43 | |
I've bought something here today | 0:09:43 | 0:09:45 | |
that I don't normally even look at. This is an old photograph album. | 0:09:45 | 0:09:49 | |
At first glance, it just says The Press Association Centenary 1968, | 0:09:49 | 0:09:52 | |
but it has some original photographs of our dear Queen. | 0:09:52 | 0:09:56 | |
It must've been a great event that she went to at the time. | 0:09:56 | 0:09:59 | |
I need to research exactly what that was. | 0:09:59 | 0:10:01 | |
These black and white photographs, to me, | 0:10:01 | 0:10:04 | |
are little capsules of time, and they really sum up a particular era. | 0:10:04 | 0:10:08 | |
This one's 1968, | 0:10:08 | 0:10:10 | |
and one of my favourite pictures in here has to be this one. | 0:10:10 | 0:10:13 | |
It shows these rebellious teenagers of that year | 0:10:13 | 0:10:16 | |
and these elderly people here mocking them | 0:10:16 | 0:10:18 | |
and telling them off for being horrible, | 0:10:18 | 0:10:20 | |
so I think there's an interest value there, isn't there? | 0:10:20 | 0:10:24 | |
Now, photographs, really, have been underrated for years, | 0:10:24 | 0:10:28 | |
but very recently, there was a set of photographs taken of India | 0:10:28 | 0:10:31 | |
in about 1853, and they fetched £11,000, right? | 0:10:31 | 0:10:36 | |
So early photographs are very, very collectable indeed. | 0:10:36 | 0:10:39 | |
This album here, this was a fiver. | 0:10:39 | 0:10:41 | |
Not everything's black and white, but we'll see if we can get a profit out of it. | 0:10:41 | 0:10:45 | |
Paul is sticking to his strategy and sealing quick deals. | 0:10:45 | 0:10:49 | |
Mark, as ever, is marching to a different beat. | 0:10:49 | 0:10:52 | |
Now, I'm no Keith Moon but if I was, my drum kit would've sold at auction | 0:10:52 | 0:10:57 | |
for £139,000. That's what the drummer from the Who's drum kit sold for. | 0:10:57 | 0:11:03 | |
An awful lot of money. But my investment here today is £35. | 0:11:03 | 0:11:08 | |
Now, I'm hoping that this drum kit will make me a profit. | 0:11:08 | 0:11:11 | |
It needs a little bit of work. It's a beginner's kit but it's the high end of a beginner's kit. | 0:11:11 | 0:11:16 | |
It's not a rubbish one. We've got all the bits we need. | 0:11:16 | 0:11:18 | |
It needs a little bit of love and care but I think it'll make a profit. | 0:11:18 | 0:11:22 | |
It's made by CB Drums. I'm just hoping that I might be able to drum up a good profit | 0:11:22 | 0:11:27 | |
because I'm Mr Rock'n'roll of antiques, unlike the man from Morecambe. | 0:11:27 | 0:11:31 | |
Put the kettle on, Paul, and see how you get on with your stuff. | 0:11:31 | 0:11:34 | |
First the guitar and now the drums. | 0:11:34 | 0:11:37 | |
Once he's picked up his drum sticks, Mark could end up being a one-man rock band by the end of the day. | 0:11:37 | 0:11:42 | |
But right now, it's Mr Morecambe who's calling the buying tune | 0:11:42 | 0:11:46 | |
and he seems very pleased with his latest purchase. | 0:11:46 | 0:11:49 | |
60 quid and I can have them. You want to sell them as a lot, yeah? | 0:11:49 | 0:11:52 | |
-50, 55? -Yeah, that's all right. -That's a deal? I'll have that, thank you very much. | 0:11:52 | 0:11:57 | |
Paul has just made his most expensive purchase of the day. | 0:11:57 | 0:12:02 | |
But what exactly has he bought? | 0:12:02 | 0:12:04 | |
They're all beautiful engravings from the early 19th century | 0:12:06 | 0:12:10 | |
of the fashions of the day. | 0:12:10 | 0:12:11 | |
If you read on the bottom here, | 0:12:11 | 0:12:13 | |
this one says, "Engraved for La Belle Assemblee," | 0:12:13 | 0:12:16 | |
which I think translates as the beautiful assembly, | 0:12:16 | 0:12:19 | |
obviously the names of the ladies here, | 0:12:19 | 0:12:21 | |
but it's a magazine from the early 19th century. | 0:12:21 | 0:12:24 | |
These were 1806. That's a long time ago. | 0:12:24 | 0:12:27 | |
So these were in a book or a magazine at the time. | 0:12:27 | 0:12:29 | |
They were black and white and they've been hand-coloured. | 0:12:29 | 0:12:32 | |
Each one has been hand-painted, and I think that's fabulous. | 0:12:32 | 0:12:36 | |
So, at the end of the day, | 0:12:36 | 0:12:37 | |
what we've got here are ten original engravings that are 200 years old. | 0:12:37 | 0:12:41 | |
They've all been hand-painted and they've cost just over £5 each. | 0:12:41 | 0:12:45 | |
In the words of Mark Franks, they must be worth £10 each all day long. | 0:12:45 | 0:12:50 | |
Yes, don't give up the day job, Paul. It's a great buy but a terrible impression. | 0:12:50 | 0:12:54 | |
Morecambe's finest is a man on a mission today though | 0:12:54 | 0:12:57 | |
and he picks up a character jug for a fiver. | 0:12:57 | 0:13:00 | |
Now today, there's a bit of a challenge going on | 0:13:00 | 0:13:03 | |
between me and Mark, so if I win, I'm like that, | 0:13:03 | 0:13:05 | |
and hopefully Mark will be like that. Ha ha ha! | 0:13:05 | 0:13:08 | |
Time will tell if Mr Morecambe's wish comes true, | 0:13:08 | 0:13:12 | |
but his rival is grinning from ear to ear. | 0:13:12 | 0:13:15 | |
Bingo bango. Pine, Victorian chest of drawers. The back's all there. | 0:13:15 | 0:13:21 | |
The top's all there. It's in good nick generally. It's a solid carcass. | 0:13:21 | 0:13:25 | |
All the draw bottoms are there. There's a small crack in the top. | 0:13:25 | 0:13:28 | |
Guess what, I'm not going to sand it, rub it down and give it a coat of wax, as you thought I was. | 0:13:28 | 0:13:33 | |
What I'm going to do is get this taken away and get it painted because at the moment, | 0:13:33 | 0:13:38 | |
painted furniture seems to be very fashionable. | 0:13:38 | 0:13:40 | |
So, £50 invested into this, a lick of paint from a mate of mine who does a really good job, | 0:13:40 | 0:13:45 | |
a set of feet on the bottom | 0:13:45 | 0:13:47 | |
and let's just hope we can turn this into 150 quid. Watch out! | 0:13:47 | 0:13:52 | |
Both our experts have been buying well but it's time to find out | 0:13:53 | 0:13:57 | |
who is flying high and who's having a bit of a bumpy ride. | 0:13:57 | 0:14:01 | |
Both Mark and Paul can spend up to £250 of their own money | 0:14:03 | 0:14:08 | |
at today's boot sale. | 0:14:08 | 0:14:10 | |
Mr Morecambe has spent a rather frugal £85, | 0:14:10 | 0:14:14 | |
leaving him up to £165 in his kitty. | 0:14:14 | 0:14:17 | |
Franksy has parted with twice that amount, | 0:14:20 | 0:14:23 | |
leaving Battersea's finest with up to £80 still to spend. | 0:14:23 | 0:14:27 | |
Buying the right items for the right price | 0:14:30 | 0:14:32 | |
is crucial to winning today's contest, | 0:14:32 | 0:14:35 | |
and both experts are determined to seal killer deals. | 0:14:35 | 0:14:39 | |
There's nothing to choose between our battling dealers, but Mark and Paul thrive on pressure, | 0:14:39 | 0:14:44 | |
and Franksy has picked up a piece that could leave his rival without a leg to stand on. | 0:14:44 | 0:14:50 | |
It's cast iron. | 0:14:50 | 0:14:52 | |
Inside, you've got a registration number. | 0:14:52 | 0:14:54 | |
Now, the registration diamond was originally invented in 1842 | 0:14:54 | 0:14:58 | |
and went through to 1884. | 0:14:58 | 0:15:01 | |
In 1884, there was registration numbers. | 0:15:01 | 0:15:03 | |
This is quite a low number, so it would probably tie in with its date. | 0:15:03 | 0:15:07 | |
It's an Art Nouveau piece. I can tell that by the botanic flowers | 0:15:07 | 0:15:10 | |
and all the patterns and the shape. | 0:15:10 | 0:15:12 | |
Art Nouveau was originally started in Belgium in the 1890s | 0:15:12 | 0:15:16 | |
and became prevalent in France about the turn of the century. | 0:15:16 | 0:15:19 | |
Art Nouveau is particularly collectable at the moment. | 0:15:19 | 0:15:22 | |
Art Deco is more angular and straight-lined. | 0:15:22 | 0:15:25 | |
This is more flowy and there's always the botanic influence. | 0:15:25 | 0:15:28 | |
So what is it? Originally, this would've been fixed to the wall. | 0:15:28 | 0:15:31 | |
You've got two legs at the front. | 0:15:31 | 0:15:33 | |
Nice and simple, nice and simple, a lovely slab of marble and then | 0:15:33 | 0:15:37 | |
a lady would've had a bowl and a jug | 0:15:37 | 0:15:39 | |
so she could have a wash in the morning. This is £30. | 0:15:39 | 0:15:43 | |
I'm going to get it stripped down and polished and put a bit of marble on it, | 0:15:43 | 0:15:47 | |
and sell it for - hopefully - £230. All I've got to do is pay. | 0:15:47 | 0:15:50 | |
Mark may be confident of cleaning up with his unusual wash stand. | 0:15:50 | 0:15:55 | |
However, for £35, it looks like Paul has found the most intriguing item of the day. | 0:15:55 | 0:16:01 | |
Sometimes you have to take a gamble on items. | 0:16:01 | 0:16:04 | |
This is a form of magic lantern. | 0:16:04 | 0:16:06 | |
It's a cased epidiascope. That's not something that you'd see every day. | 0:16:06 | 0:16:10 | |
I've bought this because there's a great collectors' market | 0:16:10 | 0:16:13 | |
for old-fashioned lenses, old-fashioned cameras. | 0:16:13 | 0:16:16 | |
Now, when these date back to the 19th century, | 0:16:16 | 0:16:19 | |
they're actually powered by candles or sometimes by gas. | 0:16:19 | 0:16:22 | |
They were an early form of teaching aid. | 0:16:22 | 0:16:24 | |
People would wander around the country and educate children, so in here would be your glass slides. | 0:16:24 | 0:16:29 | |
You'd have two so you could move them from side to side for speed | 0:16:29 | 0:16:32 | |
and ease, and you would tell the story as it went along. | 0:16:32 | 0:16:35 | |
These slides are extremely collectable, | 0:16:35 | 0:16:37 | |
especially if you get them from the Victorian period. | 0:16:37 | 0:16:40 | |
This one is electric and it dates from the 1930s | 0:16:40 | 0:16:43 | |
or possibly even the 1940s, and I think this is such an unusual piece. | 0:16:43 | 0:16:47 | |
It's got all the lenses with it and it's a bit of a gamble, really, | 0:16:47 | 0:16:50 | |
but it could be magic. | 0:16:50 | 0:16:53 | |
Well, we'll find out later if Paul can conjure up a profit from his latest buy. | 0:16:53 | 0:16:57 | |
Franksy's aiming to add more strings to his selling bow. | 0:16:57 | 0:17:01 | |
I tell you what - £30. | 0:17:01 | 0:17:03 | |
£30? That's the last price? | 0:17:03 | 0:17:04 | |
-That's the last price. -Sold. Lovely. | 0:17:04 | 0:17:08 | |
How much is it? | 0:17:08 | 0:17:10 | |
Well, I'm hoping to get £20 for it. | 0:17:10 | 0:17:12 | |
I've got one here perfect and it only cost me a tenner, and this one's falling apart. | 0:17:12 | 0:17:17 | |
All right, you can have it for ten. | 0:17:17 | 0:17:19 | |
-A tenner? -Ten, yeah. -OK, we've got a deal. | 0:17:19 | 0:17:21 | |
Oh, that's a cheeky move from Franksy. | 0:17:21 | 0:17:23 | |
His first violin actually cost him £30! | 0:17:23 | 0:17:26 | |
Two violins. That is music to my ear. | 0:17:26 | 0:17:29 | |
Oh! You're not having that, sorry. Thank you very much. | 0:17:29 | 0:17:32 | |
Two violins - would you believe it? | 0:17:34 | 0:17:36 | |
One of them needs a bit of restoration, | 0:17:36 | 0:17:38 | |
the other one needs a bit of love as well, | 0:17:38 | 0:17:40 | |
but in immaculate condition, these can be worth a few quid. | 0:17:40 | 0:17:43 | |
This bow itself is quite nice, | 0:17:43 | 0:17:45 | |
and some bows are worth an absolute fortune. | 0:17:45 | 0:17:47 | |
I don't think I'm going to make a huge profit, | 0:17:47 | 0:17:50 | |
but if I do make money, it will be music to my ears. | 0:17:50 | 0:17:52 | |
Battersea's finest is splashing the cash and he also snaps up two prints for £5 each, | 0:17:55 | 0:18:00 | |
one of a street scene and one at the races. | 0:18:00 | 0:18:04 | |
The next time you go horse racing or you see people at the races, note one thing. | 0:18:05 | 0:18:09 | |
There's plenty of money when it comes to horses. | 0:18:09 | 0:18:12 | |
It's not a cheap hobby, it's not a cheap sport, so a cheeky fiver should spin round to a nice little profit. | 0:18:12 | 0:18:18 | |
And Mark's foray into the sport of kings sees him all spent up. | 0:18:18 | 0:18:23 | |
Paul, though, still has £130 in his kitty but, like his rival, | 0:18:23 | 0:18:26 | |
he's determined to invest as much of his cash as possible. | 0:18:26 | 0:18:31 | |
Do you know what? You can actually see people starting to pack up now, | 0:18:31 | 0:18:34 | |
so you've got to be on your feet, and I think I've found the best deal of the day. | 0:18:34 | 0:18:39 | |
Look at that. Isn't that beautiful? | 0:18:39 | 0:18:41 | |
It's a late 19th-century silver-plated plaque on this wonderful onyx marble background. | 0:18:41 | 0:18:48 | |
Salvator mundi actually translates as "saviour of the world", and of course, this is Christ. | 0:18:48 | 0:18:54 | |
But what's interesting me here, actually, | 0:18:54 | 0:18:56 | |
is that at the bottom, there's a signature. | 0:18:56 | 0:18:59 | |
The gentleman who made this plaque has signed this work, | 0:18:59 | 0:19:02 | |
and that makes that unique. | 0:19:02 | 0:19:03 | |
Somebody called, I think, Charles Hague. | 0:19:03 | 0:19:06 | |
Who that is, I don't know, but I'm going to find out, so wish me luck. | 0:19:06 | 0:19:10 | |
That spend of £120 and the purchase of a chimera statue for £10 | 0:19:10 | 0:19:14 | |
means that Paul is also spent up. | 0:19:14 | 0:19:16 | |
It's a big investment, but will his religious plaque prove to be his saviour? | 0:19:16 | 0:19:22 | |
Remember that our experts started the day | 0:19:25 | 0:19:28 | |
with £250 of their own money. | 0:19:28 | 0:19:30 | |
Paul managed to spend every last penny of his budget on eight items. | 0:19:30 | 0:19:35 | |
Mark also spent all of his money, but he bought ten items. | 0:19:36 | 0:19:41 | |
The aim of the game is for our experts | 0:19:43 | 0:19:45 | |
to make as much money as possible | 0:19:45 | 0:19:47 | |
by selling their car-boot buys on for a profit, | 0:19:47 | 0:19:50 | |
but before our antiques aces get down to the serious business of making money, | 0:19:50 | 0:19:54 | |
it's time for a quick debriefing | 0:19:54 | 0:19:56 | |
and a peek at each other's booty. | 0:19:56 | 0:19:59 | |
Are you starting a band? | 0:19:59 | 0:20:01 | |
Yeah, well, what's wrong with that? | 0:20:01 | 0:20:04 | |
Music is the fruit of love or something like that. | 0:20:04 | 0:20:06 | |
-You've got the whole lot. The violin - it's quite nice. -I've got two violins. | 0:20:06 | 0:20:10 | |
-This one's a bit AF. -A bit AF? | 0:20:10 | 0:20:13 | |
Needs a bit of love. Gently, Bentley. But look at the back. | 0:20:13 | 0:20:16 | |
-Oh, that's beautiful. -Nice bit of timber. | 0:20:16 | 0:20:19 | |
That's the restorer's lot, really. | 0:20:19 | 0:20:21 | |
Yeah, or superglue. I'm not quite sure. | 0:20:21 | 0:20:23 | |
Drum kit and... anything you like? | 0:20:23 | 0:20:26 | |
What's that? A wash stand? Very Art Nouveau. | 0:20:26 | 0:20:28 | |
Oh, mange tout. Art Nouveau wash stand. | 0:20:28 | 0:20:31 | |
-Beautiful. -Slap a bit of marble, polish it up. | 0:20:31 | 0:20:33 | |
-How much was that? -Mum's the word. -You've got some nice stuff. Have a look over here. | 0:20:33 | 0:20:38 | |
-What...? -It's called an epidiascope. | 0:20:38 | 0:20:40 | |
Ah, it was on the tip of my tongue. | 0:20:40 | 0:20:42 | |
Exactly. Ever seen one of them before? | 0:20:42 | 0:20:44 | |
-No, no. -Well, not one like that, you haven't. | 0:20:44 | 0:20:48 | |
-Urgh! -It is a bit heavy. -If nothing else, you could take that | 0:20:48 | 0:20:52 | |
down the scrap-metal yard. How much did it cost? | 0:20:52 | 0:20:54 | |
£35, and there are three good lenses in that. | 0:20:54 | 0:20:57 | |
Sounds like a winner. These are nice, aren't they? | 0:20:57 | 0:20:59 | |
Look at the condition. One's called The Rambler and one's a dictionary. | 0:20:59 | 0:21:04 | |
I'm just going to look up epi... What's it called? Very nice. | 0:21:04 | 0:21:08 | |
-Normally, I'd ask you to give me a hand, but you're on your own. -I thought we were in this together! | 0:21:08 | 0:21:13 | |
So, Mark will be selling two violins, a guitar and music stand, | 0:21:13 | 0:21:19 | |
a drum set, three paintings, | 0:21:19 | 0:21:21 | |
a Victorian chest of drawers and an Art Nouveau wash stand. | 0:21:21 | 0:21:26 | |
Paul is taking home an onyx and silver-plated plaque, | 0:21:26 | 0:21:30 | |
two 18th-century books, a Chinese porcelain bowl, a chimera statue, | 0:21:30 | 0:21:35 | |
a majolica character jug, an old photo album, | 0:21:35 | 0:21:38 | |
a set of hand-painted fashion prints and an epidiascope. | 0:21:38 | 0:21:43 | |
So, after a hectic buying spree at the car-boot sale, Mark and Paul now | 0:21:46 | 0:21:50 | |
have to sell on their purchases with the aim | 0:21:50 | 0:21:53 | |
of making as much profit as possible for their chosen charities. | 0:21:53 | 0:21:57 | |
They'll be pulling out all the stops to find the right buyers for their items, | 0:21:57 | 0:22:02 | |
and they're working their way through their contact books, | 0:22:02 | 0:22:06 | |
putting deals together on the phone and by email. | 0:22:06 | 0:22:08 | |
But until they've shaken on it and the money has changed hands, no deal is truly sealed. | 0:22:08 | 0:22:14 | |
Before he can sell his epidia-what's-it, | 0:22:14 | 0:22:17 | |
Paul has got some research to do about this early projector. | 0:22:17 | 0:22:21 | |
Mark, however, is getting straight down to business, | 0:22:21 | 0:22:24 | |
and he's hoping to sell the two violins, | 0:22:24 | 0:22:26 | |
which set him back a total of £40, to a specialist dealer. | 0:22:26 | 0:22:30 | |
Take a look at that one. What do you think? | 0:22:30 | 0:22:32 | |
OK, so starting with this one. | 0:22:32 | 0:22:34 | |
It's not in the best condition, I must say. | 0:22:34 | 0:22:37 | |
It's got a lot of scratches in the varnish. | 0:22:37 | 0:22:40 | |
It's slightly open here. This is called the neck and the heel, | 0:22:40 | 0:22:44 | |
and it's got a slight gap there. | 0:22:44 | 0:22:46 | |
-Bit of glue, that'll be all right. -But that will glue back. | 0:22:46 | 0:22:49 | |
This one, I would say is German, probably made about 1880, 1890. | 0:22:49 | 0:22:54 | |
I can tell that from the brown varnish | 0:22:54 | 0:22:57 | |
and the way it's been carved and the shape of the scroll here. | 0:22:57 | 0:23:01 | |
-These sort of things were made in factory situations, really. -Really? | 0:23:01 | 0:23:06 | |
Victorian factories in Germany, | 0:23:06 | 0:23:08 | |
huge producers of instruments. | 0:23:08 | 0:23:11 | |
I thought that was the best one so, er... | 0:23:11 | 0:23:13 | |
are you ready for this one? I'm a bit worried now. Be very careful. | 0:23:13 | 0:23:17 | |
-It's had a hard life. -Yes. | 0:23:17 | 0:23:19 | |
It needs a bit more gluing than the other one. | 0:23:19 | 0:23:21 | |
-Bit of love, that's all it needs. -This one is probably French, 1920s. | 0:23:21 | 0:23:26 | |
Oui, oui. It's got a nice back to it. | 0:23:26 | 0:23:28 | |
It is actually a nicer instrument than the other one. | 0:23:28 | 0:23:31 | |
-That's pretty, isn't it? -It's got a one-piece back | 0:23:31 | 0:23:33 | |
which is a good sign. It was very hard to get one piece of wood | 0:23:33 | 0:23:37 | |
that was big enough to make a back. | 0:23:37 | 0:23:38 | |
-Right. -So they would save that wood | 0:23:38 | 0:23:42 | |
for their pieces that they were really going to put a lot of effort into. | 0:23:42 | 0:23:46 | |
The scroll is a little bit nicer on the carving. | 0:23:46 | 0:23:49 | |
It's got a few bits missing. Oh, they're in the case. Yeah, you've got the pegs. | 0:23:49 | 0:23:54 | |
This has got rosewood pegs, interestingly, | 0:23:54 | 0:23:56 | |
-as opposed to the other one, which is ebony. -Right. | 0:23:56 | 0:23:59 | |
The French would make something and make it look very new and very pristine. | 0:23:59 | 0:24:04 | |
So the Germans would make it to look old, whereas these make it to look new. | 0:24:04 | 0:24:08 | |
Yeah, and often they would label things as a Stradivarius or Amati, | 0:24:08 | 0:24:13 | |
which are famous brands, just to try and trick the odd person. | 0:24:13 | 0:24:17 | |
Are these something you'd be interested in buying? | 0:24:17 | 0:24:20 | |
They're not the best instruments I've seen. | 0:24:20 | 0:24:23 | |
I think, for the pair, it would be about £100. | 0:24:23 | 0:24:26 | |
Is that your best offer or can I squeeze you on a little bit more? | 0:24:26 | 0:24:30 | |
SHE SIGHS Pretty please. Give us your bestest offer in the world. | 0:24:30 | 0:24:33 | |
Think of commissions, think about the joy these are going to bring. | 0:24:33 | 0:24:37 | |
Give us your bestest, bestest offer. | 0:24:37 | 0:24:39 | |
125. | 0:24:39 | 0:24:42 | |
-125... Emma, you got a deal. -Deal. | 0:24:42 | 0:24:44 | |
Well played, Franksy. The dealer's bestest, bestest offer | 0:24:44 | 0:24:49 | |
has just landed him an £85 profit. | 0:24:49 | 0:24:51 | |
It's an absolutely cracking deal for our antiques maestro. | 0:24:51 | 0:24:55 | |
In Morecambe, Paul's hoping to sell his epidiascope | 0:24:55 | 0:24:59 | |
to an ex-James Bond stuntman who runs a stunt school in the town. | 0:24:59 | 0:25:03 | |
And just like 007, this guy knows how to make an entrance. | 0:25:03 | 0:25:07 | |
Martin? | 0:25:09 | 0:25:10 | |
# Jump, jump, jump, jump | 0:25:10 | 0:25:12 | |
# Jump, jump, jump, jump | 0:25:12 | 0:25:14 | |
# Jump, jump, jump, jump... # | 0:25:14 | 0:25:17 | |
Ah! | 0:25:17 | 0:25:18 | |
You're going to have to stop doing that, mate. | 0:25:20 | 0:25:22 | |
I just needed to get down easier. I don't like using the stairs. It's a bit boring. | 0:25:22 | 0:25:26 | |
-How are you? -Not so bad, mate. -Nice to see you. | 0:25:26 | 0:25:29 | |
-Have you ever seen anything like this before? -I haven't. | 0:25:29 | 0:25:32 | |
I was trying to work out what it was. | 0:25:32 | 0:25:34 | |
I'm thinking video camera but I think it's a slide projector. | 0:25:34 | 0:25:38 | |
Yeah, an epidiascope, a military one though, which is good. | 0:25:38 | 0:25:41 | |
-See the crow's feet on the bottom? -Yeah. | 0:25:41 | 0:25:43 | |
I thought it might look nice in the corner there. | 0:25:43 | 0:25:45 | |
Yeah, I've got loads of props and that | 0:25:45 | 0:25:48 | |
and it would be ideal to show what's going on | 0:25:48 | 0:25:51 | |
-in the film studio and it'll go with the Oscar. -Exactly. | 0:25:51 | 0:25:54 | |
-Now to price. -Hmm... | 0:25:54 | 0:25:57 | |
-As you've never seen one of these before, these can run into thousands of pounds. -Can they? | 0:25:57 | 0:26:02 | |
-Can they? -No, actually it stands me at £35. I was hoping for a little bit of a profit. | 0:26:02 | 0:26:06 | |
-Say £50? -Well, that's very generous of you. | 0:26:06 | 0:26:09 | |
-How would they say that in the movie world? -In one. -In one. | 0:26:09 | 0:26:13 | |
Shall we do that? That's a relief. I don't have to carry it home now. | 0:26:13 | 0:26:16 | |
Are you going to teach me some of this cos my back's a bit... | 0:26:16 | 0:26:20 | |
It's this old war wound I've got. | 0:26:20 | 0:26:21 | |
Paul may have worked hard to seal the deal, but if Martin | 0:26:21 | 0:26:24 | |
wants to get the epidiascope up and running, | 0:26:24 | 0:26:27 | |
he needs to pay a qualified electrician to check it over, | 0:26:27 | 0:26:31 | |
so banking £15 from that sale isn't a bad result for Mr Hayes. | 0:26:31 | 0:26:35 | |
In London however, it seems as thought there's something a little odd in the air. | 0:26:36 | 0:26:41 | |
MUSIC: "In The Air Tonight" by Phil Collins | 0:26:41 | 0:26:43 | |
# I can feel it coming in the air tonight | 0:27:03 | 0:27:08 | |
# Oh, Lord | 0:27:09 | 0:27:11 | |
# But I've been waiting for this moment for all my life | 0:27:12 | 0:27:18 | |
# Oh, Lord... # | 0:27:19 | 0:27:22 | |
Now, do you remember the drum kit I bought at the car-boot sale? | 0:27:23 | 0:27:26 | |
I've brought it to a shop here in Kentish Town, to see if they want to buy it. | 0:27:26 | 0:27:30 | |
I've got to stop monkeying around. | 0:27:30 | 0:27:33 | |
Yes, nice try, Mark. But you're not fooling anybody. | 0:27:33 | 0:27:36 | |
The truth is, it wasn't Mr Franks drumming in that gorilla suit | 0:27:36 | 0:27:40 | |
but it will be the genuine article | 0:27:40 | 0:27:42 | |
trying to sell the drum kit for more than the £35 it cost him. | 0:27:42 | 0:27:47 | |
Have I done well? What have I got here? | 0:27:47 | 0:27:49 | |
Um...you've done OK. It's obviously a very basic starter drum kit. | 0:27:49 | 0:27:55 | |
As it's in second-hand condition, | 0:27:55 | 0:27:57 | |
obviously it's going to make it affordable for people as well. | 0:27:57 | 0:28:01 | |
It comes to that horrible moment when we have to start talking about money. | 0:28:01 | 0:28:05 | |
Bit crude but there we are. I'm in your hands because you are the expert. | 0:28:05 | 0:28:09 | |
-Would you like to make an offer? -50, 60 quid. -50, 60 quid. | 0:28:09 | 0:28:13 | |
I was hoping for around 100 quid, to make it nice and easy. How does that sound? | 0:28:13 | 0:28:17 | |
That's going to be too much, Mark. I'm going to have to spend some money there. | 0:28:17 | 0:28:21 | |
-Then I'm going to have to sell it on. -What about 90? | 0:28:21 | 0:28:25 | |
-Uh... -85? -Uh...sorry, mate. -Keeps saying no, doesn't he? 80 quid? | 0:28:25 | 0:28:30 | |
-All right. You've got a deal. -You're a star. | 0:28:30 | 0:28:32 | |
Well, with Eddie agreeing a price of £80, that gives Mark a £45 profit | 0:28:32 | 0:28:38 | |
and he also orchestrates a profit from the sale of his guitar. | 0:28:38 | 0:28:42 | |
He really is hitting all the right notes. | 0:28:43 | 0:28:46 | |
In the big smoke, Paul is hoping to sell the photograph album he paid £5 for at the boot sale. | 0:28:46 | 0:28:52 | |
Hi, is it Martin? | 0:28:52 | 0:28:54 | |
-Hello. -Hello, I'm Paul. Nice to meet you. -Nice to see you. | 0:28:54 | 0:28:57 | |
This is the Press Association Centenary Album, 1968. | 0:28:57 | 0:29:01 | |
-Gosh. -Isn't that amazing? | 0:29:01 | 0:29:03 | |
That is something that I don't think I have ever seen before. That is absolutely unique. | 0:29:03 | 0:29:08 | |
Now, you've sort of a gist of the idea of what it is. | 0:29:08 | 0:29:10 | |
It has a picture of the Queen in the front. | 0:29:10 | 0:29:13 | |
She must've done some sort of "head of the party" | 0:29:13 | 0:29:15 | |
at the time or something. | 0:29:15 | 0:29:17 | |
We have books of our history - a couple have been written over the years, | 0:29:17 | 0:29:20 | |
but I have seen nothing like this before. | 0:29:20 | 0:29:23 | |
I've seen no reference at all to the centenary event. | 0:29:23 | 0:29:25 | |
It's little capsules of time. I love old photographs. | 0:29:25 | 0:29:29 | |
You've got quite a few photographs here. | 0:29:29 | 0:29:31 | |
-How many have you got? -We've got six million pictures | 0:29:31 | 0:29:34 | |
digitised in our archive, and many more negatives. | 0:29:34 | 0:29:37 | |
We couldn't even begin to count. | 0:29:37 | 0:29:39 | |
Want a few more? Is it something you're interested in? | 0:29:39 | 0:29:42 | |
Absolutely. It's a priceless piece of our company's history. | 0:29:42 | 0:29:45 | |
If I was to ask you £40, how does that sound? | 0:29:45 | 0:29:47 | |
-Sounds like a bargain. -Shall we shake on that, then? | 0:29:47 | 0:29:50 | |
-Absolutely. -That's great. Thank you very much. -Thank you. | 0:29:50 | 0:29:54 | |
Stop the presses and hold the phone! Paul has secured another sale. | 0:29:54 | 0:29:58 | |
It's a £35 profit, but is it enough to get him back into today's game? | 0:29:58 | 0:30:03 | |
Paul "Mr Morecambe" Hayes has made £90 of sales and £50 of profit. | 0:30:05 | 0:30:12 | |
Mark "Franksy" Franks has stormed into the lead, | 0:30:12 | 0:30:15 | |
selling items worth £305 and giving him a profit of £210. | 0:30:15 | 0:30:22 | |
With the pressure mounting, Paul's heading back to the capital | 0:30:22 | 0:30:25 | |
and is hoping that the Chinese bowl that cost him £5 | 0:30:25 | 0:30:28 | |
will bring him some good fortune. | 0:30:28 | 0:30:30 | |
Remember, our experts are setting up deals on the phone and by email | 0:30:30 | 0:30:34 | |
and even though they may talk about prices with potential buyers, | 0:30:34 | 0:30:38 | |
until they've shaken on it and money's changed hands, no deal is in the bag. | 0:30:38 | 0:30:44 | |
I've found a gentleman here that specialises | 0:30:44 | 0:30:46 | |
in just this type of stuff, so let's see if he wants this one. | 0:30:46 | 0:30:50 | |
Chris, it's great to meet you. Thank you for your time. | 0:30:50 | 0:30:52 | |
I wanted to find someone that was interested in Oriental porcelain. | 0:30:52 | 0:30:56 | |
I take it it's some sort of slop bowl or is it a sugar basin? | 0:30:56 | 0:31:00 | |
Yeah, it's probably a slop bowl. | 0:31:00 | 0:31:02 | |
Chinese export, Mandarin. | 0:31:02 | 0:31:06 | |
It's made very much for the European market. | 0:31:06 | 0:31:08 | |
-It would've been part of a big tea set, tea and coffee, 12 pieces. -Right. | 0:31:08 | 0:31:12 | |
From about 1770, which you could pass by and not realise how old it is. | 0:31:12 | 0:31:17 | |
It's such fine porcelain, but at the time, this was fine china that | 0:31:17 | 0:31:21 | |
would only go into an expensive house | 0:31:21 | 0:31:23 | |
-or possibly the tea rooms and coffee shops of London. -Isn't that amazing? | 0:31:23 | 0:31:27 | |
Now, I must tell you, because I like to be as honest as possible, | 0:31:27 | 0:31:31 | |
-this has a hairline crack. -OK. | 0:31:31 | 0:31:33 | |
-Does that make a massive difference to the value? -It does. | 0:31:33 | 0:31:36 | |
There are some people who will only buy perfect, | 0:31:36 | 0:31:39 | |
especially a small piece like that, but it also brings | 0:31:39 | 0:31:42 | |
the price down and it's within range and within pockets | 0:31:42 | 0:31:46 | |
-of a lot of other people. -That's cost me £5. | 0:31:46 | 0:31:48 | |
Now, if I was to ask you twice that, say a tenner, how does that sound? | 0:31:48 | 0:31:52 | |
I'd be happy. You would've doubled your money | 0:31:52 | 0:31:55 | |
-and I'm sure I'll double mine. -All right. | 0:31:55 | 0:31:57 | |
It's been a pleasure, Chris. | 0:31:57 | 0:31:58 | |
It may only be a £5 profit, however, as Confucius says, | 0:31:58 | 0:32:02 | |
"Every penny counts." | 0:32:02 | 0:32:04 | |
I'm sure he would've said it had he been an antiques dealer. | 0:32:04 | 0:32:07 | |
Ahh! Do you know what? | 0:32:07 | 0:32:08 | |
It's lovely to meet someone who shares the same passion as yourself. | 0:32:08 | 0:32:12 | |
Oriental porcelain rocks, as far as I'm concerned, | 0:32:12 | 0:32:15 | |
but we were here to make some money. | 0:32:15 | 0:32:17 | |
Out of this £10, I reckon that's £5 profit. | 0:32:17 | 0:32:20 | |
Now, Mark, I've been doing some lessons on Cockney rhyming slang, | 0:32:20 | 0:32:23 | |
and a fiver is a Lady Godiva. Is that right? | 0:32:23 | 0:32:27 | |
Yes, Paul may be starting to sound at home in the capital - | 0:32:27 | 0:32:31 | |
well, almost - but rival Mark has jumped in his battle bus | 0:32:31 | 0:32:34 | |
and is heading to Cheltenham | 0:32:34 | 0:32:36 | |
to try and seal a deal for his horse-racing print. | 0:32:36 | 0:32:39 | |
Now, remember Mark paid just £5 for the print, so will | 0:32:39 | 0:32:42 | |
Hugh the landlord help him gallop to victory in the profit-making stakes? | 0:32:42 | 0:32:47 | |
Hugh, what do you know about this painting? | 0:32:47 | 0:32:50 | |
Well, the painting is a picture of Cheltenham on Gold Cup day. | 0:32:50 | 0:32:54 | |
One of the guys that used to own the pub was competing in the race - Peter Scudamore. Number six. | 0:32:54 | 0:33:00 | |
-Do you keep in touch with him? -I see him quite regularly at the races, actually, | 0:33:00 | 0:33:05 | |
and he was Champion Jockey a couple of times, | 0:33:05 | 0:33:08 | |
so he's very well known in jump-racing circles. | 0:33:08 | 0:33:11 | |
He's now a BBC pundit as well. | 0:33:11 | 0:33:14 | |
The Gold Cup was actually won by our local trainer, Nigel Twiston-Davies, | 0:33:14 | 0:33:19 | |
in 1992, and he was also an owner of the pub at the same time as Peter Scudamore. | 0:33:19 | 0:33:24 | |
-No, you're joking! -Yeah, yeah. -Do you keep in touch with him? | 0:33:24 | 0:33:27 | |
-He's in here every day. -You're joking! | 0:33:27 | 0:33:30 | |
Have you got room in your pub, which is full of beautiful | 0:33:30 | 0:33:34 | |
horse-racing memorabilia, to find a little space for this small picture? | 0:33:34 | 0:33:39 | |
It's certainly something I would put in the pub, yeah. | 0:33:39 | 0:33:42 | |
The next question, Hugh - would you like to make me an offer on it? | 0:33:42 | 0:33:46 | |
I'd probably be looking to spend say about £80 to £100. | 0:33:46 | 0:33:50 | |
You couldn't squeeze it to 150, no? | 0:33:50 | 0:33:52 | |
It's a bit tough for a Scotsman to do that, yeah. | 0:33:52 | 0:33:55 | |
Go on, what about 140? | 0:33:55 | 0:33:58 | |
I think it would find a place in here. 140 I'm prepared to go to. | 0:33:58 | 0:34:01 | |
You've got yourself a deal. You're a gentleman, Hugh. | 0:34:01 | 0:34:04 | |
And that's an absolutely incredible return. | 0:34:04 | 0:34:07 | |
£135 profit means that Franksy's several furlongs out in front | 0:34:07 | 0:34:11 | |
and could be heading into the winner's enclosure. | 0:34:11 | 0:34:15 | |
Mark continues his selling streak when he offloads his windmill painting for £150. | 0:34:16 | 0:34:22 | |
You've got yourself a deal. You're a gentleman. Thank you. | 0:34:22 | 0:34:25 | |
Our Renaissance man Franksy is truly a jack of all trades | 0:34:25 | 0:34:29 | |
and makes £90 profit on the watercolour. | 0:34:29 | 0:34:32 | |
His rival is still on the prowl for profits and has pitched up at one of his regular haunts. | 0:34:32 | 0:34:39 | |
How about £25 for that? | 0:34:40 | 0:34:42 | |
How about 20, and we've got a deal? | 0:34:42 | 0:34:44 | |
OK. Right, we'll do that for £20. I also have this little fella here. | 0:34:44 | 0:34:48 | |
I thought at first glance, that might be a dragon, but I don't think it is, is it? | 0:34:48 | 0:34:53 | |
-No, it's a chimera. -That's right, half lion, half eagle. | 0:34:53 | 0:34:57 | |
That's right. Looks like me first thing in the morning. | 0:34:57 | 0:35:00 | |
How about the same price - £25? | 0:35:00 | 0:35:03 | |
Yeah. No, I reckon 20 again. | 0:35:03 | 0:35:06 | |
-Cos of the damage, 20. -£40. All right, well, I'll tell you what. | 0:35:06 | 0:35:10 | |
-I'll throw you in a cup of tea. -Right. | 0:35:10 | 0:35:12 | |
Paul sold his chimera statue and character jug | 0:35:12 | 0:35:15 | |
to one of his contacts for a combined profit of £25. | 0:35:15 | 0:35:18 | |
His 19th century engravings and salvator mundi plaque are going to be sold at auction. | 0:35:18 | 0:35:23 | |
Bit of quiet now, please, for the sale. | 0:35:26 | 0:35:29 | |
As he waits for his lots to go before the bidders, it's a nerve-racking time for Mr Hayes. | 0:35:29 | 0:35:35 | |
In South London, Franksy's called into a specialist marble dealer | 0:35:35 | 0:35:39 | |
to see the result of his Art Nouveau wash stand's make-over, | 0:35:39 | 0:35:42 | |
and what a transformation! | 0:35:42 | 0:35:44 | |
That's beautiful. What sort of marble is that? | 0:35:44 | 0:35:47 | |
That's what is known as bianco carrara. | 0:35:47 | 0:35:50 | |
Comes from the mountains in Italy where there's plenty of it. | 0:35:50 | 0:35:53 | |
And that's all polished up. It's like glass. What a beautiful finish. | 0:35:53 | 0:35:57 | |
It's brilliant. Let's take it out to the car. Thanks. Wonderful. | 0:35:57 | 0:36:01 | |
So, with wash-stand legs sand-blasted and then topped off | 0:36:01 | 0:36:04 | |
with some Italian marble, the restoration is complete. | 0:36:04 | 0:36:08 | |
As Mark and his family are long-standing and valued customers, | 0:36:08 | 0:36:11 | |
and as Franksy is raising money for charity, | 0:36:11 | 0:36:15 | |
the restorer has done the work and supplied the marble for free. | 0:36:15 | 0:36:19 | |
There's more good news for Battersea's finest when the man who restored his chest of drawers | 0:36:19 | 0:36:24 | |
decides he wants to buy them as well. | 0:36:24 | 0:36:27 | |
-I would be interested. -OK, £100. | 0:36:27 | 0:36:29 | |
-Deal. -£100? You're mad! | 0:36:29 | 0:36:32 | |
£100 is too much. | 0:36:32 | 0:36:34 | |
I'm thinking of it as it was when you brought it to me... | 0:36:34 | 0:36:37 | |
Well, it cost me £50. I need to make a profit. Not being funny, | 0:36:37 | 0:36:41 | |
it's going to be easy to sell now, so make me an offer. | 0:36:41 | 0:36:44 | |
Top line would be £70. | 0:36:44 | 0:36:46 | |
-75? -£70. Shake your hand. -He's took my hand. | 0:36:46 | 0:36:49 | |
All right, Andy, we've got a deal. Thank you very much. | 0:36:49 | 0:36:52 | |
-Thanks, Mark. -A profit's a profit. | 0:36:52 | 0:36:54 | |
Selling on the chest of drawers for £70 | 0:36:54 | 0:36:57 | |
has netted Mark a cheeky little £20 profit, and what's more, | 0:36:57 | 0:37:00 | |
he's avoided any restoration costs. | 0:37:00 | 0:37:02 | |
A great deal all round for Franksy. | 0:37:02 | 0:37:07 | |
Mark's now sold seven of his ten items, | 0:37:07 | 0:37:09 | |
but he's not been able to find anyone | 0:37:09 | 0:37:11 | |
prepared to buy the music stand or the picture of the street scene. | 0:37:11 | 0:37:15 | |
His rival has also failed to sell his two books. | 0:37:15 | 0:37:18 | |
With the finishing line approaching, today's contest could still go either way. | 0:37:18 | 0:37:22 | |
Paul will be hoping to sell his onyx and silver plaque and his fashion pictures. | 0:37:22 | 0:37:27 | |
Mark, on the other hand, will be aiming to cash in on his wash stand. | 0:37:27 | 0:37:30 | |
# You wash your face in my sink, in my sink | 0:37:31 | 0:37:33 | |
# You wash your face in my sink, in my sink! | 0:37:33 | 0:37:36 | |
# You wash your face in my sink... # | 0:37:36 | 0:37:38 | |
-Have you seen anything like this before? -I have. | 0:37:38 | 0:37:40 | |
In fact, we manufacture a replica of this now in aluminium. | 0:37:40 | 0:37:44 | |
-Do you really? -We do indeed. | 0:37:44 | 0:37:45 | |
-It's lighter. This is obviously cast iron, and this is original. -Yeah. | 0:37:45 | 0:37:49 | |
The original, being that it is obviously over 100 years old now, | 0:37:49 | 0:37:52 | |
would have far greater value than a replica. | 0:37:52 | 0:37:55 | |
As you can see from the design, there's nothing ostentatious, | 0:37:55 | 0:37:58 | |
it's very simple and very elegant. | 0:37:58 | 0:38:01 | |
This was for somebody that was wealthy, it was well made, well designed and it's well presented. | 0:38:01 | 0:38:06 | |
I know you make your own, but this is the real deal, original, not a repro. | 0:38:06 | 0:38:10 | |
There's no point in me trying to give you a price. I'm going to be fair. | 0:38:10 | 0:38:13 | |
You are an expert in this field. Make me an offer. | 0:38:13 | 0:38:16 | |
We'll find out if Mark got a profitable offer on the wash stand very shortly. | 0:38:17 | 0:38:22 | |
At the auction house, Paul's pictures and his silver plaque | 0:38:22 | 0:38:25 | |
are about to go under the hammer. | 0:38:25 | 0:38:27 | |
Mr Hayes is some way behind his rival and is need of a big profit. | 0:38:27 | 0:38:31 | |
Oh-ho, not tonight, Josephine! | 0:38:33 | 0:38:35 | |
OK, it's the turn now for those wonderful French pictures or paintings. | 0:38:35 | 0:38:40 | |
These are absolutely fantastic. They're about 1800, 1805. | 0:38:40 | 0:38:43 | |
They're the fashions of the day, | 0:38:43 | 0:38:45 | |
exactly what Jane Austen would've been wearing. | 0:38:45 | 0:38:48 | |
What are these worth? I'm not sure. | 0:38:48 | 0:38:50 | |
They cost me £55, so let's hope | 0:38:50 | 0:38:51 | |
it's plain sailing and c'est magnifique. Let's see how we get on. | 0:38:51 | 0:38:55 | |
And lot number two now. | 0:38:55 | 0:38:57 | |
-I've got a telephone bid for these. -Telephone bid. | 0:38:57 | 0:39:00 | |
French hand-tinted fashion prints, and for number two, | 0:39:00 | 0:39:03 | |
where should we be for these? £100. | 0:39:03 | 0:39:05 | |
Start me at £100. £100, £100... | 0:39:05 | 0:39:08 | |
Thank you. | 0:39:08 | 0:39:09 | |
£100. That's fantastic. | 0:39:09 | 0:39:11 | |
With an opening bid of £100, Paul is already in profit. | 0:39:11 | 0:39:15 | |
130, 140... 150? | 0:39:15 | 0:39:19 | |
-Wow, £140. -£140, all done? | 0:39:19 | 0:39:22 | |
At 140 and gone, then. 140. | 0:39:22 | 0:39:25 | |
How's that? Isn't that amazing? £140. That's fantastic. | 0:39:25 | 0:39:28 | |
The pictures sell for a whopping £140. | 0:39:28 | 0:39:31 | |
It's a great result for Paul, | 0:39:31 | 0:39:33 | |
and as all his profits are going to charity, the auctioneer | 0:39:33 | 0:39:37 | |
has kindly reduced his fees, | 0:39:37 | 0:39:39 | |
giving our Northern warrior a profit of just under £75. | 0:39:39 | 0:39:43 | |
Mr Morecambe's chances of winning today's competition | 0:39:43 | 0:39:46 | |
now rest with the salvator mundi plaque. | 0:39:46 | 0:39:48 | |
He paid £120 for it at the car-boot sale | 0:39:48 | 0:39:51 | |
and needs a big profit to have any chance of beating Mark. | 0:39:51 | 0:39:55 | |
I'm still confident with this item, but let's see how we go. | 0:39:55 | 0:39:59 | |
Lot number 12 now, an onyx-mounted salvator mundi, | 0:39:59 | 0:40:02 | |
silver-plated, bas-relief plaque. Number 12 now. | 0:40:02 | 0:40:05 | |
-Let's see how we go. -By Charles Hague of America. | 0:40:05 | 0:40:08 | |
Start me, £100 for it? | 0:40:08 | 0:40:10 | |
£50 for it? £40 to go. | 0:40:10 | 0:40:12 | |
£40 - that's a big loss. | 0:40:12 | 0:40:15 | |
45, 48, 50, 55, 60, 5, 70, 5... | 0:40:15 | 0:40:20 | |
So, with the bidding on the plaque under way, Paul has his fingers crossed. | 0:40:20 | 0:40:26 | |
Will he make enough profit to beat Mark, | 0:40:26 | 0:40:28 | |
or will Mark's wash stand help him win the day? | 0:40:28 | 0:40:31 | |
We'll find out very shortly, because right now it's time | 0:40:31 | 0:40:34 | |
to tot up the totals and find out how much our rivals have made. | 0:40:34 | 0:40:37 | |
Both our experts were able to spend up to £250 in today's challenge. | 0:40:38 | 0:40:44 | |
Mr Morecambe spent his entire budget, and his rival Franksy | 0:40:44 | 0:40:48 | |
also spent the full £250 at the boot sale. | 0:40:48 | 0:40:52 | |
Mark and Paul have fought a titanic car-boot tussle today so, without further ado, it's time to find out | 0:40:52 | 0:40:58 | |
who is today's Put Your Money Where Your Mouth Is champion. | 0:40:58 | 0:41:03 | |
-Hello, Paul. -Hello, Mark. How are you? -Yes, not bad, mate. How did you get on? | 0:41:04 | 0:41:08 | |
I enjoyed the car-boot sale. I bought some interesting items. | 0:41:08 | 0:41:12 | |
-How did you get on with the fashion pictures? -That was my biggest profit. | 0:41:12 | 0:41:16 | |
-Really? -Yeah, they sold very well, so I'm delighted with those. | 0:41:16 | 0:41:20 | |
-Remember the horsey picture? -Yes. -Cost me a fiver. | 0:41:20 | 0:41:22 | |
-Yes. -There was a profit in that. It came first! | 0:41:22 | 0:41:25 | |
You wait till you find out about that. | 0:41:25 | 0:41:27 | |
-Could be quite close. -Could be. | 0:41:27 | 0:41:29 | |
-All right, let's have a look. -Ready? -Go on, then. -Three, two, one, go. | 0:41:29 | 0:41:33 | |
Ohh! | 0:41:33 | 0:41:35 | |
I don't want to see that! Well, that is amazing. | 0:41:35 | 0:41:38 | |
-I beat you on this one. -You not only beat me, you trounced me. | 0:41:38 | 0:41:41 | |
I'm going to buy you an ice-cream. Come on. | 0:41:41 | 0:41:44 | |
So it's a resounding victory for Mark, and the sales of Franksy's | 0:41:44 | 0:41:48 | |
wash stand and Paul's plaque made a big difference to the final outcome. | 0:41:48 | 0:41:52 | |
£70. At £70, take five? £70, that's the highest bid I've got. | 0:41:52 | 0:41:56 | |
I'm going to sell it at £70, and gone. 253, £70. | 0:41:56 | 0:41:59 | |
Unfortunately for Paul, his plaque sold for £70 and, even with | 0:41:59 | 0:42:03 | |
the auctioneer reducing his fees, he still made a loss of just over £55. | 0:42:03 | 0:42:08 | |
Mark's wash stand however really did clean up... | 0:42:08 | 0:42:11 | |
400. How would that sound? | 0:42:11 | 0:42:12 | |
-Is that your best offer? -400, best offer. | 0:42:12 | 0:42:15 | |
You've got yourself a deal, Tony. | 0:42:15 | 0:42:16 | |
-Thank you very much. -Appreciate that. | 0:42:16 | 0:42:19 | |
..netting Franksy a whopping and game-deciding £370 worth of profit. | 0:42:19 | 0:42:24 | |
I'm surprised I've beaten him by so much | 0:42:24 | 0:42:27 | |
but yeah, I'm pretty good at car boots. | 0:42:27 | 0:42:30 | |
It just goes to show, perseverance and hard work, a bit of knowledge, | 0:42:30 | 0:42:33 | |
a bit of that... he's done fantastically well. | 0:42:33 | 0:42:36 | |
Well, it may have been a triumph for Mark, but both our experts worked around the clock to make a profit, | 0:42:36 | 0:42:42 | |
and all those profits will be going to their chosen charities. | 0:42:42 | 0:42:45 | |
I'm pleased to have raised such a decent amount | 0:42:45 | 0:42:47 | |
for the Paul D'Auria Cancer Support Centre. They're going to be over the moon. | 0:42:47 | 0:42:51 | |
Well, I've chosen the lifeboats, the RNLI, as my charity, | 0:42:51 | 0:42:55 | |
because I live near the coast and they play | 0:42:55 | 0:42:57 | |
an important role all around the British Isles, | 0:42:57 | 0:43:00 | |
so my money goes to them. Fantastic. | 0:43:00 | 0:43:03 | |
Mark may have been crowned today's champion, | 0:43:03 | 0:43:06 | |
but this clash of the antiques Titans is far from over, | 0:43:06 | 0:43:09 | |
because tomorrow, Franksy and Mr Morecambe square up | 0:43:09 | 0:43:12 | |
in a final, no-holds-barred showdown. | 0:43:12 | 0:43:16 | |
The idea I've had is to have afternoon tea. | 0:43:16 | 0:43:19 | |
I'm going to buy stuff from here and take it to Beaulieu Car Show | 0:43:19 | 0:43:22 | |
and hopefully sell it on at a profit. | 0:43:22 | 0:43:25 | |
Subtitles by Red Bee Media Ltd | 0:43:36 | 0:43:39 | |
Email [email protected] | 0:43:39 | 0:43:42 |