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We've all seen them on TV but how will the country's favourite antiques experts fare | 0:00:02 | 0:00:07 | |
if they have to make a profit with their own cash? | 0:00:07 | 0:00:09 | |
Watch out! | 0:00:09 | 0:00:11 | |
Who's going to make the biggest profit of all? Me! | 0:00:11 | 0:00:14 | |
From car boot sales to auction houses, | 0:00:14 | 0:00:18 | |
our experts will be recreating some of their real-life deals | 0:00:18 | 0:00:21 | |
as they try to make the most money for their chosen charities. | 0:00:21 | 0:00:26 | |
-Come on, Knowles. -The competition is really hot. | 0:00:27 | 0:00:31 | |
The challenge to our experts is clear. | 0:00:31 | 0:00:33 | |
Dealers - put your money where your mouth is. | 0:00:33 | 0:00:37 | |
Today's finely honed experts are the cunning Philip "The Fox" Serrell | 0:01:06 | 0:01:11 | |
and Devilish David Harper. | 0:01:11 | 0:01:13 | |
Philip is an old hand in the world of antiques, | 0:01:13 | 0:01:16 | |
with his own auction house in the heart of Worcestershire. | 0:01:16 | 0:01:19 | |
At £220. Is there any more? | 0:01:19 | 0:01:22 | |
And years showing the public how to flog it. | 0:01:22 | 0:01:24 | |
This business isn't just about selling it. | 0:01:24 | 0:01:27 | |
It's about buying something and placing it with the right person. | 0:01:27 | 0:01:31 | |
David may be the younger of the pair | 0:01:31 | 0:01:34 | |
but he still has 20 years in the antiques trade under his belt. | 0:01:34 | 0:01:37 | |
It's a buzz. You are, effectively, a treasure hunter. | 0:01:37 | 0:01:41 | |
On screen, he's often seen roaming the country as part of the Bargain Hunt team. | 0:01:41 | 0:01:45 | |
That's 20 quid less than I would have paid. | 0:01:45 | 0:01:48 | |
So we have our contenders, | 0:01:49 | 0:01:51 | |
and with their reputations and hard-earned cash on the line, | 0:01:51 | 0:01:55 | |
it's time for us to find out the aim of today's game. | 0:01:55 | 0:01:59 | |
-David, how are you doing? -Mr Serrell, good to see you. | 0:02:00 | 0:02:03 | |
-You've found a cosy corner. -Isn't this just beautiful? | 0:02:03 | 0:02:06 | |
-It's glorious. -It's magic. | 0:02:06 | 0:02:08 | |
-Envelope moment. -Go on. -Shall I go first? All right, here we go. | 0:02:08 | 0:02:12 | |
See what our challenge is today. | 0:02:12 | 0:02:14 | |
"Philip and David, your challenge today is to spend up to £250 | 0:02:14 | 0:02:19 | |
"of your own money on antiques. | 0:02:19 | 0:02:21 | |
"You must then resell your purchases with the aim of making as much profit as possible. | 0:02:21 | 0:02:26 | |
"The winner is the presenter who makes the most cash." | 0:02:26 | 0:02:29 | |
"Today you must buy all your items from a car boot sale." | 0:02:30 | 0:02:35 | |
Ouch! | 0:02:35 | 0:02:36 | |
-"Good luck." -Good luck. We are going to need it. | 0:02:36 | 0:02:39 | |
-"All the best." -Let's go. | 0:02:39 | 0:02:41 | |
Today's battleground is a car boot sale in Clitheroe, Lancashire. | 0:02:43 | 0:02:47 | |
Our sparring heavyweights each have £250 of their own cash | 0:02:47 | 0:02:53 | |
to spend on antiques and collectables, which they will try to sell on for a profit. | 0:02:53 | 0:02:57 | |
We've got two mighty gladiators of the antiques world | 0:02:58 | 0:03:02 | |
primed and ready for a boot sale battle. | 0:03:02 | 0:03:05 | |
Now, before we get in there, Phil, | 0:03:05 | 0:03:07 | |
remember, you're strong, experienced and ruthless. | 0:03:07 | 0:03:10 | |
-They're going to be baying for our blood. -We're going to kill them. | 0:03:10 | 0:03:14 | |
To the victor, the spoils. | 0:03:14 | 0:03:15 | |
As they prepare to face the car-boot sellers, | 0:03:18 | 0:03:21 | |
you can see the determination and fear in their eyes. | 0:03:21 | 0:03:24 | |
Two experts who became buyers, two buyers who took on a boot sale, | 0:03:26 | 0:03:32 | |
two boot-salers who became champions. | 0:03:32 | 0:03:34 | |
LAUGHTER Well, hopefully. | 0:03:34 | 0:03:36 | |
Right, time to get down to the serious business of buying. | 0:03:38 | 0:03:42 | |
Pretty much everybody that Philip and David try to do deals with | 0:03:42 | 0:03:46 | |
will be aware that they're on a mission to raise money for charity. | 0:03:46 | 0:03:50 | |
And our experts will be trying to persuade people to give them the best prices | 0:03:50 | 0:03:56 | |
when they buy and sell the items that they hope will drive them to victory. | 0:03:56 | 0:04:00 | |
In order to emerge triumphant from today's task, | 0:04:00 | 0:04:03 | |
Philip is aiming to snap up as many cheap and cheerful buys as possible. | 0:04:03 | 0:04:07 | |
David on the other hand is planning to buy quirky, quality items. | 0:04:07 | 0:04:11 | |
Let battle commence. | 0:04:11 | 0:04:13 | |
-Oh, hello. -Hello. | 0:04:14 | 0:04:16 | |
-Silver plated. -Yes. | 0:04:18 | 0:04:20 | |
-Now listen, you can have anything you like on here. -Yeah. | 0:04:20 | 0:04:23 | |
-Victorian salts. -Ooh. -Mother of pearl. -Yeah. | 0:04:23 | 0:04:27 | |
But I'm telling you now, it's nothing but a load of old tat. | 0:04:27 | 0:04:31 | |
-That's brutally honest of you. -Well, I like to be honest, me. | 0:04:32 | 0:04:36 | |
That's great. Well, it's nice to hear. | 0:04:36 | 0:04:38 | |
-Have a lovely day. -Thank you very much indeed. Bye. | 0:04:38 | 0:04:41 | |
Not a quirky or quality item to be seen on that stall | 0:04:41 | 0:04:45 | |
but at least the owner's honesty saved David a bit of time. | 0:04:45 | 0:04:49 | |
Elsewhere, Philip the Fox is sticking to his cheap and cheerful strategy | 0:04:50 | 0:04:54 | |
and he's spotted something made entirely of matchsticks. | 0:04:54 | 0:04:58 | |
I don't think that's the work of LS Lowry. | 0:04:59 | 0:05:02 | |
It's great though, isn't it? | 0:05:02 | 0:05:04 | |
I can remember when I was a child, | 0:05:04 | 0:05:06 | |
there was some guy who made models of the Houses of Parliament | 0:05:06 | 0:05:10 | |
or Westminster Abbey or St Paul's out of matchsticks. | 0:05:10 | 0:05:13 | |
And this is made out of matchsticks. | 0:05:13 | 0:05:16 | |
Got a little detachable step ladder here. | 0:05:16 | 0:05:19 | |
We've got a bucket. | 0:05:19 | 0:05:20 | |
That must have taken someone tens of hours to make. | 0:05:21 | 0:05:24 | |
I like this a bit more. This is an old hay wagon. | 0:05:26 | 0:05:28 | |
The original would have dated to 1880, 1890 | 0:05:28 | 0:05:31 | |
and these would have been pulled by dray horses and shire horses. | 0:05:31 | 0:05:35 | |
I like that one. I think that's a well-made thing. | 0:05:35 | 0:05:37 | |
This is a bit amateur, really, but that's a really well-made thing. | 0:05:37 | 0:05:41 | |
I'm not really sure why but I'm half tempted to try and buy them. | 0:05:41 | 0:05:46 | |
Well, we never had you down as Caravan Club, Mr Serrell. | 0:05:46 | 0:05:50 | |
David's quest for quality antiques continues. | 0:05:50 | 0:05:54 | |
I've just found these. | 0:05:54 | 0:05:56 | |
It's a pair of rather nice-looking, probably early Regency style, | 0:05:56 | 0:05:59 | |
1820 in style, mahogany looking shelves, | 0:05:59 | 0:06:02 | |
probably pine with a bit of manky old paint on them. | 0:06:02 | 0:06:06 | |
55p, not a bad investment for somebody. | 0:06:06 | 0:06:09 | |
Not for me today, so I'll just put them back where I found them. | 0:06:09 | 0:06:13 | |
David might be determined to win today's car-boot clash | 0:06:13 | 0:06:16 | |
but I think rummaging through bins is taking things a step too far. | 0:06:16 | 0:06:20 | |
As he switches his attention back to the stalls, | 0:06:20 | 0:06:23 | |
his rival is moving in for the kill. | 0:06:23 | 0:06:26 | |
-Excuse me, can I have a quick word? -You can. | 0:06:26 | 0:06:28 | |
-Your two wagons here. -Yes. | 0:06:28 | 0:06:31 | |
-How much are they? -£30. | 0:06:31 | 0:06:32 | |
-£30? Is that your best? -Yes. -The best. | 0:06:32 | 0:06:35 | |
-Well, go on, help me, help me. -Er, £25. | 0:06:35 | 0:06:39 | |
£25. Can you try a bit harder? | 0:06:39 | 0:06:41 | |
-Go on, have a go. Quick, quick, quick. -£20. | 0:06:41 | 0:06:44 | |
-£20. -£20, is it? Is that...? | 0:06:44 | 0:06:47 | |
That's it. Done. | 0:06:47 | 0:06:49 | |
True to his plan, Philip's snapped up a cheap and cheerful buy. | 0:06:50 | 0:06:54 | |
Inside, David is proving more dithering than devilish. | 0:06:55 | 0:06:59 | |
You know, I'm find it really difficult here, | 0:06:59 | 0:07:01 | |
finding what I want, which, of course, is bargain antiques, | 0:07:01 | 0:07:05 | |
amongst all this stuff. | 0:07:05 | 0:07:07 | |
But you can never give in. | 0:07:07 | 0:07:09 | |
Yes, he might be struggling but he's still got his fighting spirit. | 0:07:09 | 0:07:13 | |
Elsewhere in the indoor part of the boot sale, | 0:07:13 | 0:07:16 | |
the Fox has found an item that reminds him of home. | 0:07:16 | 0:07:19 | |
Do you know, it really does pay to look around when you come to a car boot sale. | 0:07:20 | 0:07:24 | |
I've found a great magazine, here. The Illustrated from 1939. | 0:07:24 | 0:07:29 | |
The outbreak of the Second World War. | 0:07:29 | 0:07:31 | |
But there's a reason why I bought this. | 0:07:31 | 0:07:33 | |
On the front cover is George Bernard Shaw, | 0:07:33 | 0:07:36 | |
one of Britain's greatest playwrights of the 20th century. | 0:07:36 | 0:07:39 | |
There's a particular interest to me even more so | 0:07:39 | 0:07:42 | |
because this was painted by Dame Laura Knight. | 0:07:42 | 0:07:44 | |
She lived for a time in Malvern. | 0:07:44 | 0:07:47 | |
She painted a view of Malvern that I sold not that long ago for an awful lot of money. | 0:07:47 | 0:07:52 | |
The price? Well, it's cost me 50p. | 0:07:52 | 0:07:54 | |
What am I going to get for it? Well, it's anybody's guess. | 0:07:54 | 0:07:58 | |
I'm hoping I might get £10-15 for it, | 0:07:58 | 0:08:00 | |
particularly from someone in Malvern, | 0:08:00 | 0:08:03 | |
who might have a connection with George Bernard Shaw, Laura Knight | 0:08:03 | 0:08:06 | |
and the theatre. | 0:08:06 | 0:08:08 | |
I've got high hopes. | 0:08:08 | 0:08:09 | |
I just hope it doesn't end up as chip paper. | 0:08:09 | 0:08:11 | |
Philip might be out of his comfort zone at this car boot sale | 0:08:13 | 0:08:16 | |
but he's throwing himself into the search for cheap and cheerful items | 0:08:16 | 0:08:20 | |
and he snaps up this fire surround for the princely sum of £8. | 0:08:20 | 0:08:25 | |
Go on, eight quid and I'll have you. | 0:08:25 | 0:08:27 | |
Mr Harper, though, is a determined opponent. | 0:08:28 | 0:08:31 | |
Isn't there one item on this stall that sticks out like a sore thumb? | 0:08:33 | 0:08:37 | |
I mean that in the nicest possible way. | 0:08:37 | 0:08:39 | |
The orange, bright, vibrant, retro, | 0:08:39 | 0:08:42 | |
'60s, '70s hand-painted Poole bowl. | 0:08:42 | 0:08:45 | |
I know it's Poole instantly because of the colours and the decoration. | 0:08:45 | 0:08:49 | |
Big lump of a thing. Really stylish, really vibrant. | 0:08:49 | 0:08:53 | |
That would brighten up any kitchen table. | 0:08:53 | 0:08:55 | |
Load it with fruit. It's lovely. | 0:08:55 | 0:08:57 | |
Completely hand painted. | 0:08:57 | 0:08:59 | |
Nice Poole marks on the base, there. Poole, England. | 0:08:59 | 0:09:03 | |
Set up in Poole in 1873, this factory, | 0:09:03 | 0:09:05 | |
and still trading today. | 0:09:05 | 0:09:07 | |
Everything is individual, everything is unique | 0:09:07 | 0:09:10 | |
and everything is hand painted. | 0:09:10 | 0:09:11 | |
So a real, lovely, quality piece. | 0:09:11 | 0:09:14 | |
And I must have sold hundreds of these things over the years | 0:09:14 | 0:09:17 | |
and they're always sought after and they're great fun. | 0:09:17 | 0:09:20 | |
A possible problem here. Can you see the white along the ridge? | 0:09:20 | 0:09:25 | |
When I first saw it, I thought it could've been a repair | 0:09:25 | 0:09:27 | |
but that looks like it's within the varnish, | 0:09:27 | 0:09:30 | |
so that's probably a firing problem. | 0:09:30 | 0:09:32 | |
But this thing is completely hand made and hand painted | 0:09:32 | 0:09:35 | |
and so you can't be too critical. | 0:09:35 | 0:09:37 | |
It's individual, it's unique, | 0:09:37 | 0:09:39 | |
and those little firing faults make it a bit more quirky | 0:09:39 | 0:09:42 | |
and really quite interesting. | 0:09:42 | 0:09:44 | |
So, date-wise, probably early 1970s. | 0:09:44 | 0:09:47 | |
Let's find out how much it is. | 0:09:47 | 0:09:49 | |
-Hi. -Hello. -What's the price on the Poole bowl? | 0:09:49 | 0:09:51 | |
-Just £25. -Just £25? -Yeah. | 0:09:51 | 0:09:55 | |
It's got a bit of a dull tone to it. Do you think it's had a repair? | 0:09:55 | 0:09:58 | |
It's like me on a Sunday morning. | 0:09:58 | 0:10:00 | |
What's the best on it? Tenner? | 0:10:00 | 0:10:03 | |
Ooh, no, I can't go as low as a tenner. | 0:10:03 | 0:10:04 | |
Erm... Cos that's come fresh from the kitchen today. | 0:10:04 | 0:10:08 | |
-I'll shake hands at 15. -Go on, then. I'll shake your hand. | 0:10:08 | 0:10:12 | |
-Thank you very much. -Cheers. | 0:10:12 | 0:10:14 | |
-I'll give you some money. -Smashing. | 0:10:14 | 0:10:15 | |
Thank you. | 0:10:15 | 0:10:18 | |
Nice, eh? | 0:10:19 | 0:10:20 | |
You know, I've paid £70 or £80 for these at posh antique fairs | 0:10:20 | 0:10:24 | |
and I've been really happy to do it and made a profit. | 0:10:24 | 0:10:27 | |
To end up paying £15 from a car boot was a bit of a shock. | 0:10:27 | 0:10:32 | |
The joy of car boots! | 0:10:32 | 0:10:34 | |
That's a very healthy sounding potential profit. | 0:10:35 | 0:10:38 | |
There's no doubt about it - our northern antiques warrior has a real eye for quality. | 0:10:38 | 0:10:43 | |
Now, I've found what I think to be a lovely copper log basket. | 0:10:46 | 0:10:50 | |
Now, can you imagine this thing sat next to a real fire, | 0:10:50 | 0:10:53 | |
full of dry and crisp logs, | 0:10:53 | 0:10:55 | |
with the fire reflecting on that gorgeous hand-beaten copper? | 0:10:55 | 0:10:58 | |
But what I really like is that it's an Arts and Crafts piece, | 0:10:58 | 0:11:02 | |
so made in the late 19th century. | 0:11:02 | 0:11:04 | |
The whole idea of Arts and Crafts is that something must be completely hand made | 0:11:04 | 0:11:09 | |
by a skilled craftsman. | 0:11:09 | 0:11:11 | |
Now, bear in mind, in the late 19th century, | 0:11:11 | 0:11:13 | |
they were mass producing items in factories | 0:11:13 | 0:11:16 | |
and skilled people were being laid off. | 0:11:16 | 0:11:18 | |
So this is almost a rebellion against the industrialisation of British manufacturing | 0:11:18 | 0:11:24 | |
because a group of people got together and said, "This is ridiculous. | 0:11:24 | 0:11:27 | |
"We're losing our skilled workforce here." | 0:11:27 | 0:11:30 | |
And they kind of harked back to almost a medieval form of making, | 0:11:30 | 0:11:33 | |
where things were hand beaten. | 0:11:33 | 0:11:35 | |
You can see the hand beating there, with the hammers. | 0:11:35 | 0:11:38 | |
How much do you have to pay for item that was made over 100 years ago | 0:11:38 | 0:11:41 | |
by hand by a skilled craftsman? | 0:11:41 | 0:11:43 | |
You should have to pay hundreds of pounds, | 0:11:43 | 0:11:45 | |
because to find someone good enough to make that, | 0:11:45 | 0:11:48 | |
you'd have to pay hundreds of pounds. | 0:11:48 | 0:11:50 | |
So I think a complete and utter bargain, | 0:11:50 | 0:11:52 | |
here at a car boot fair for £45. | 0:11:52 | 0:11:55 | |
There's got to be profit there somewhere. | 0:11:55 | 0:11:58 | |
David's strategy of hunting out quality pieces | 0:11:59 | 0:12:02 | |
is coming up trumps. | 0:12:02 | 0:12:03 | |
Elsewhere, it seems that the Fox has got a little sidetracked. | 0:12:03 | 0:12:08 | |
I tell you what, as sure as eggs is eggs, | 0:12:10 | 0:12:12 | |
you can find everything at these car boots. | 0:12:12 | 0:12:14 | |
It's time to do the weekly shop. | 0:12:14 | 0:12:16 | |
-Some eggs! -Correct. -Free range. -They are indeed. | 0:12:16 | 0:12:20 | |
-I've got a shopping list. I'd like those. -Thank you. | 0:12:20 | 0:12:22 | |
And I could really do with a leek. | 0:12:22 | 0:12:24 | |
And avocados, we'll put those on the list as well. | 0:12:24 | 0:12:28 | |
-Thanks very much. -Thank you very much. | 0:12:28 | 0:12:30 | |
Better go and do my real work now. | 0:12:30 | 0:12:32 | |
Doing your weekly shop is not the idea at all, Mr Serrell, | 0:12:32 | 0:12:37 | |
but perhaps our experts are suffering from rumbling stomachs | 0:12:37 | 0:12:40 | |
because David has been distracted by his sweet tooth. | 0:12:40 | 0:12:43 | |
Well, I might be finding it tough finding lovely antiques | 0:12:45 | 0:12:48 | |
but I have found something I really like | 0:12:48 | 0:12:50 | |
and it's something I'm really good at. | 0:12:50 | 0:12:53 | |
Yes, very good, Mr Harper, but it's time to start concentrating | 0:12:55 | 0:12:59 | |
because you and your opponent both have lots of cash to spend. | 0:12:59 | 0:13:02 | |
Both our experts started the day with £250 in their wallets. | 0:13:03 | 0:13:08 | |
So far, Philip has parted with nearly £29, | 0:13:08 | 0:13:12 | |
leaving just over £221 left to spend. | 0:13:12 | 0:13:15 | |
After a slow start, his opponent has found his stride | 0:13:15 | 0:13:18 | |
and David's handed over £60, leaving him with £190 in his kitty. | 0:13:18 | 0:13:23 | |
He might not have splashed much cash so far | 0:13:28 | 0:13:30 | |
but Philip is scouring the market in search of more cheap, cheerful | 0:13:30 | 0:13:34 | |
but, most importantly of all, potentially profitable items. | 0:13:34 | 0:13:37 | |
Look at that. Mother of pearl, hallmarked silver. | 0:13:38 | 0:13:43 | |
It's a fruit knife. | 0:13:43 | 0:13:44 | |
Just imagine, late 19th, early 20th century, | 0:13:44 | 0:13:49 | |
your dandy would've fitted that in his waistcoat pocket, | 0:13:49 | 0:13:52 | |
walking out, open it up, peel your apple. | 0:13:52 | 0:13:55 | |
They're lovely. | 0:13:55 | 0:13:56 | |
What to look for if you're buying one, other than the hallmarks? | 0:13:56 | 0:14:00 | |
Condition is everything. | 0:14:00 | 0:14:01 | |
I'm sure you've done this. You've got that screw that you can't budge | 0:14:01 | 0:14:05 | |
and you get a knife out, can't find the screwdriver | 0:14:05 | 0:14:07 | |
and you try and turn it. | 0:14:07 | 0:14:09 | |
You do that with silver, because it's a really soft metal, | 0:14:09 | 0:14:12 | |
and the end either snaps off or twists, so don't go there. | 0:14:12 | 0:14:16 | |
Now, then. Come and have a look at these. | 0:14:16 | 0:14:20 | |
We've got a row of hallmarks, there. What do they tell us? | 0:14:20 | 0:14:23 | |
The WN at the end, that tells us who the maker was. | 0:14:23 | 0:14:27 | |
The next mark is a letter of the alphabet. | 0:14:28 | 0:14:30 | |
That will tell me the year that this was assayed. | 0:14:30 | 0:14:33 | |
The next mark is a lion passant. | 0:14:33 | 0:14:36 | |
Now, we use great words in the antique business. | 0:14:36 | 0:14:38 | |
What's a lion passant? It's a lion that looks sideways. | 0:14:38 | 0:14:42 | |
That's lion passant. | 0:14:42 | 0:14:44 | |
And the next mark is the crown. | 0:14:44 | 0:14:46 | |
That tells us that this was assayed in Sheffield. | 0:14:46 | 0:14:50 | |
There's a real great story about this. | 0:14:50 | 0:14:52 | |
Matthew Bolton, end of the 18th century, | 0:14:52 | 0:14:54 | |
he wanted to create an additional two assay offices away from London. | 0:14:54 | 0:15:00 | |
He wanted to create them in Birmingham and Sheffield. | 0:15:00 | 0:15:03 | |
And when this was made, you would take it to be hallmarked or assayed, | 0:15:03 | 0:15:07 | |
you had to pay for the privilege, so this was a source of revenue. | 0:15:07 | 0:15:10 | |
Matthew Bolton had to get an act of Parliament to get this through. | 0:15:10 | 0:15:15 | |
London fought hard against this. | 0:15:15 | 0:15:18 | |
Matthew Bolton was so ecstatic when he won the day, | 0:15:18 | 0:15:21 | |
he went for a celebratory drink. | 0:15:21 | 0:15:23 | |
He was in this pub, mulling over what mark he could use to signify Sheffield | 0:15:23 | 0:15:28 | |
and what mark could he use to signify Birmingham. | 0:15:28 | 0:15:31 | |
Well, Birmingham had the crown, Sheffield had the anchor. | 0:15:31 | 0:15:35 | |
He was in the Crown and Anchor and I can only apologise for that. | 0:15:35 | 0:15:38 | |
Do you believe it? Well, I'm not sure but it's a great story. | 0:15:38 | 0:15:42 | |
Anyway, the dealer very kindly said I can have it for £15. | 0:15:42 | 0:15:46 | |
I'm going to buy that. I'm not quite sure who I'm going to sell it to | 0:15:46 | 0:15:50 | |
because, well, in truth, as an auctioneer, | 0:15:50 | 0:15:53 | |
I do find this dealing business, I'm so far out of my comfort zone, | 0:15:53 | 0:15:57 | |
so, you know... | 0:15:57 | 0:15:59 | |
Talk about a fish out of water. | 0:15:59 | 0:16:01 | |
Don't lose faith, Philip. | 0:16:01 | 0:16:03 | |
You might not be a dealer | 0:16:03 | 0:16:04 | |
but your expert eye has spotted an item that's nearly 100 years old | 0:16:04 | 0:16:08 | |
right in the middle of a boot sale. | 0:16:08 | 0:16:10 | |
Nice work! | 0:16:10 | 0:16:11 | |
And our Worcestershire gent adds to his haul of items | 0:16:11 | 0:16:14 | |
by buying this Masonic silver vesta case for £20. | 0:16:14 | 0:16:17 | |
Elsewhere, professional dealer David has used his knowledge | 0:16:17 | 0:16:21 | |
and expertise | 0:16:21 | 0:16:22 | |
to snare another item. | 0:16:22 | 0:16:23 | |
So what do you think of this? | 0:16:23 | 0:16:25 | |
It's a sold, cast-iron, Victorian garden urn, | 0:16:25 | 0:16:28 | |
circa 1880, with that typical late 19th-century flowing organic design. | 0:16:28 | 0:16:34 | |
Beautifully cast and mounted on a big slab of Yorkshire stone. | 0:16:34 | 0:16:38 | |
Monstrously heavy and found here at a car boot fair. | 0:16:38 | 0:16:42 | |
Well, sadly, nothing could be further from the truth. | 0:16:42 | 0:16:46 | |
Circa 1980, as light as a feather, | 0:16:46 | 0:16:49 | |
because it's made out of fibreglass. | 0:16:49 | 0:16:51 | |
Have a look on the inside. | 0:16:51 | 0:16:52 | |
You can see the hairs and the moulding. | 0:16:52 | 0:16:54 | |
And then mounted on a piece of fake stone. | 0:16:54 | 0:16:56 | |
But it looks a million dollars, it looks the business, | 0:16:56 | 0:16:59 | |
and it's only 15 quid. | 0:16:59 | 0:17:01 | |
There's a margin for me and I'm having it. | 0:17:01 | 0:17:03 | |
David's strategy is to buy quality items with a bit of age, | 0:17:04 | 0:17:08 | |
so I'm not quite sure where a fibreglass urn fits in. | 0:17:08 | 0:17:11 | |
Anyway, rival Philip is relying on his instincts to lead him to success. | 0:17:11 | 0:17:16 | |
# Ever since I was a young boy I played the silver ball | 0:17:16 | 0:17:20 | |
# From Soho down to Brighton I must have played them all | 0:17:20 | 0:17:24 | |
# But I ain't seen nothing like him In any amusement hall | 0:17:24 | 0:17:28 | |
# That deaf, dumb and blind kid | 0:17:28 | 0:17:30 | |
# Sure plays a mean pinball. # | 0:17:30 | 0:17:33 | |
You know, boys and their toys and I love toys | 0:17:33 | 0:17:37 | |
and I think it's a great thing | 0:17:37 | 0:17:38 | |
because people tend to buy toys that remind them of their childhood. | 0:17:38 | 0:17:42 | |
There's a box of Star Wars figures over there that people have been scrabbling through. | 0:17:42 | 0:17:46 | |
I've found a bagatelle board, | 0:17:46 | 0:17:48 | |
a great game that dates back to the 19th century. | 0:17:48 | 0:17:51 | |
Although I'm old, I'm not quite that old. | 0:17:51 | 0:17:54 | |
And the idea was that you had a marble, and I've lost my marbles, | 0:17:54 | 0:17:58 | |
or a steel ball in here | 0:17:58 | 0:17:59 | |
and you fired it and it shot round there, | 0:17:59 | 0:18:02 | |
hit this pin here and then jiggled round | 0:18:02 | 0:18:04 | |
and you had your score. | 0:18:04 | 0:18:06 | |
What's the latter-day equivalent? Well, it's a pinball machine. | 0:18:06 | 0:18:10 | |
You could be a pinball wizard. | 0:18:10 | 0:18:12 | |
This has got no age at all. | 0:18:12 | 0:18:13 | |
In fact, this is probably no more than ten or 15 years old. | 0:18:13 | 0:18:17 | |
But it's got a good look to it, | 0:18:17 | 0:18:19 | |
it actually, in my view, looks like a 19th century toy. | 0:18:19 | 0:18:23 | |
I just need to find out how much this is | 0:18:23 | 0:18:26 | |
and see if I can make a profit on it. | 0:18:26 | 0:18:28 | |
-Sir! -Hello. | 0:18:28 | 0:18:30 | |
-Your bagatelle game. -Yeah. | 0:18:30 | 0:18:33 | |
It's a nice... It's missing its marbles, isn't it? | 0:18:33 | 0:18:36 | |
-You've got a few... -It needs a little bit of love and care. | 0:18:36 | 0:18:41 | |
-Don't we all? -We do. | 0:18:41 | 0:18:42 | |
-Go on, then. How much? -Er, £3? -£3? | 0:18:42 | 0:18:46 | |
This is the hard part. I've now got to try and get the price down. | 0:18:46 | 0:18:49 | |
How can I do that from three quid? | 0:18:49 | 0:18:51 | |
Erm, is that your best? | 0:18:51 | 0:18:53 | |
Er, if I said £2? | 0:18:53 | 0:18:55 | |
If you said £2? He'll be paying me to take it away. | 0:18:55 | 0:18:59 | |
-I'll give you £1 for it. -Go on, then. -£1? | 0:18:59 | 0:19:02 | |
That's fair. | 0:19:02 | 0:19:03 | |
-Thanks a lot. -I'm off. | 0:19:03 | 0:19:06 | |
£1?! Surely there's a guaranteed profit there. | 0:19:07 | 0:19:10 | |
Very nice work, Mr Serrell. | 0:19:10 | 0:19:12 | |
Inside, David has found a quality stall | 0:19:13 | 0:19:16 | |
and is working hard to negotiate some killer discounts. | 0:19:16 | 0:19:19 | |
Make it 15 and I'll have it. | 0:19:19 | 0:19:21 | |
No, 20. It's got to be 20. | 0:19:21 | 0:19:23 | |
-20 quid? -20 and you can have it. | 0:19:25 | 0:19:26 | |
-Make it 15. -No. | 0:19:26 | 0:19:28 | |
-Get a sale in. -No, no. | 0:19:28 | 0:19:30 | |
-20. -Go on, then, 20, I'll have it. OK. | 0:19:30 | 0:19:33 | |
-Right, what else have you got? -Er, the Victorian footstool. | 0:19:33 | 0:19:37 | |
-Yeah? -Late Victorian, 1880, 1890. | 0:19:37 | 0:19:41 | |
-1880? -Oak. -Oak. Nice quarter cut, good colour. | 0:19:41 | 0:19:46 | |
-Barley twist. -Barley twist. You know your stuff, don't you? | 0:19:46 | 0:19:49 | |
I like to think so. | 0:19:49 | 0:19:50 | |
-What's that worth? A tenner? -30. -Is it? | 0:19:50 | 0:19:54 | |
-I'd manage to drop it slightly. -How much? | 0:19:54 | 0:19:56 | |
25. | 0:19:56 | 0:19:58 | |
Make it 20. | 0:19:59 | 0:20:01 | |
-Go on, then. -Good man. | 0:20:01 | 0:20:02 | |
That's that. Thanks again. Cheers. | 0:20:02 | 0:20:04 | |
A 19th-century stool. David's found yet another hidden gem. | 0:20:05 | 0:20:10 | |
Well done, Mr Harper. | 0:20:10 | 0:20:12 | |
Well, there you go. | 0:20:12 | 0:20:13 | |
Two quick-fire purchases, just the way I like it. | 0:20:13 | 0:20:16 | |
Number one, a Victorian-looking brass planter, | 0:20:16 | 0:20:19 | |
It would work indoors and outdoors, a real interior design piece of kit. | 0:20:19 | 0:20:24 | |
It's not very old. | 0:20:24 | 0:20:26 | |
Had it been Victorian, it would have been made in two sections | 0:20:26 | 0:20:29 | |
and the quality of the casting would have been absolutely superb. | 0:20:29 | 0:20:34 | |
But it's got a good look and for 20 quid, it's a bargain. | 0:20:34 | 0:20:37 | |
And talking of bargains, that's got to be a great buy. | 0:20:37 | 0:20:40 | |
Circa 1880, a Victorian stool. | 0:20:40 | 0:20:43 | |
Solid oak, quarter cut, barley twist, | 0:20:43 | 0:20:46 | |
everything you want to see, hand made, 20 quid a go. | 0:20:46 | 0:20:49 | |
Happy, happy, happy. | 0:20:49 | 0:20:51 | |
Devilish David's strategy to look for quality antiques has paid off. | 0:20:51 | 0:20:56 | |
But his opponent has no doubt about who's bought the best items. | 0:20:59 | 0:21:02 | |
It's been a hard day but I'm really please with what I've bought. | 0:21:03 | 0:21:07 | |
I wonder what David's bought? | 0:21:07 | 0:21:09 | |
Our ultra-competitive pair may have been a little daunted | 0:21:11 | 0:21:15 | |
by today's car boot sale but they've worked their socks off, | 0:21:15 | 0:21:18 | |
hunting through the market for items with profit-making potential. | 0:21:18 | 0:21:22 | |
Philip stuck to his cheap and cheerful strategy, | 0:21:22 | 0:21:25 | |
paying out £64.50, | 0:21:25 | 0:21:26 | |
leaving him with a whopping £185.50 unspent. | 0:21:26 | 0:21:30 | |
David, on the other hand, spent £115, leaving £135 in his wallet. | 0:21:30 | 0:21:37 | |
It's almost time for our experts to head home | 0:21:37 | 0:21:40 | |
but before they do, they can't resist a peak at each other's wares. | 0:21:40 | 0:21:44 | |
-It's been a hard day, Philip. -Hard? It's been Mission: Impossible. | 0:21:45 | 0:21:48 | |
Just about, hasn't it? | 0:21:48 | 0:21:50 | |
-Which is your best bit? -It's got to be the Arts and Crafts bucket. | 0:21:50 | 0:21:54 | |
-I quite like that. -Yeah. -But this... | 0:21:54 | 0:21:56 | |
-I know it's plastic and brand new but it's got a style. -It does. | 0:21:56 | 0:21:59 | |
It makes you look really strong - look at that. | 0:21:59 | 0:22:02 | |
-Talking of good looks... -Yes? | 0:22:02 | 0:22:03 | |
That... That is not a good look. | 0:22:05 | 0:22:08 | |
It looks like it's come from a dodgy restaurant. | 0:22:08 | 0:22:10 | |
-It does remind me of a few places I've been to. -I wouldn't go there. -Happy memories. -Yeah? | 0:22:10 | 0:22:15 | |
-What about you? -Well, this, for me, has got to be great value for money. | 0:22:15 | 0:22:19 | |
The bloke made it 20 years ago but eight quid, how can you fail? | 0:22:19 | 0:22:24 | |
And what about your worst item, Phil? | 0:22:24 | 0:22:26 | |
Please tell me it's the gypsy caravan. | 0:22:26 | 0:22:28 | |
-It's got a certain je ne sais quois about it. -Is that what you call it? | 0:22:28 | 0:22:32 | |
Mmm... Well, it might have been a mistake. | 0:22:32 | 0:22:35 | |
-Where are you going with it? -I'm going to hitch it behind and I'm going home. -Good man. | 0:22:35 | 0:22:39 | |
-Goodbye. -See you. | 0:22:39 | 0:22:40 | |
So Philip's hopes of winning today's contest rest on a matchstick caravan and trailer, | 0:22:40 | 0:22:45 | |
a bagatelle game, | 0:22:45 | 0:22:48 | |
a mother of pearl handled fruit knife, | 0:22:48 | 0:22:50 | |
a modern fireplace surround, | 0:22:50 | 0:22:52 | |
a 1939 magazine | 0:22:52 | 0:22:54 | |
and a Masonic vesta case. | 0:22:54 | 0:22:57 | |
David is heading home with a colourful 1970s Poole pottery bowl, | 0:22:57 | 0:23:01 | |
a fibreglass urn, | 0:23:01 | 0:23:03 | |
a Victorian oak footstool, | 0:23:03 | 0:23:05 | |
a brass urn | 0:23:05 | 0:23:08 | |
and a copper Arts and Crafts log basket. | 0:23:08 | 0:23:11 | |
So after their boot sale challenge, | 0:23:17 | 0:23:19 | |
our two battling bargain hunters have headed home. | 0:23:19 | 0:23:22 | |
They now have to try and sell their purchases | 0:23:22 | 0:23:24 | |
to make as much profit as possible. | 0:23:24 | 0:23:26 | |
They'll both be pulling out all the stops to find the right buyers for their items | 0:23:27 | 0:23:31 | |
and they're working through their little black books, | 0:23:31 | 0:23:34 | |
putting deals together on the phone and by email. | 0:23:34 | 0:23:37 | |
Till they've shaken on it and money has changed hands, | 0:23:37 | 0:23:40 | |
no deal is truly sealed. | 0:23:40 | 0:23:42 | |
Remember my 50p magazine? | 0:23:42 | 0:23:45 | |
Well, here it is. George Bernard Shaw painted by Dame Laura Knight | 0:23:45 | 0:23:49 | |
and I looked on the internet | 0:23:49 | 0:23:50 | |
and I found that there's a society in Malvern, where I'm from, | 0:23:50 | 0:23:55 | |
run by a lady called Heather. | 0:23:55 | 0:23:58 | |
I found this out on the internet, so that's why I'm just about to pop into Heather's | 0:23:58 | 0:24:03 | |
and see if she's going to buy my magazine for her society. | 0:24:03 | 0:24:07 | |
Philip may have paid pence for the magazine | 0:24:08 | 0:24:10 | |
but he's hoping for a profit in pounds. | 0:24:10 | 0:24:12 | |
-Hello. -Heather? -Yes. You must be Philip. | 0:24:14 | 0:24:17 | |
-How are you? -How do you do? | 0:24:17 | 0:24:19 | |
-With George and Laura. -Brilliant. Do come in. | 0:24:19 | 0:24:22 | |
Thank you. | 0:24:22 | 0:24:23 | |
When I found this, as I said, I was sure it was Malvern | 0:24:23 | 0:24:27 | |
and I bought it and I've now got to try and sell this | 0:24:27 | 0:24:32 | |
and I was hoping initially to find a society, perhaps like yours, | 0:24:32 | 0:24:36 | |
or I was going to take it up to the theatre. | 0:24:36 | 0:24:39 | |
I'm trying to almost return this home to its rightful place. | 0:24:39 | 0:24:42 | |
Do you collect archive material of Laura Knight for your society? | 0:24:42 | 0:24:47 | |
We do. We do, yes. | 0:24:47 | 0:24:48 | |
We're very, very keen to find anything that you can find, | 0:24:48 | 0:24:52 | |
such as this, | 0:24:52 | 0:24:54 | |
that actually was written about her at the time she was painting. | 0:24:54 | 0:24:57 | |
That's music to my ears. That's music to my ears. | 0:24:57 | 0:25:00 | |
This is a gem. | 0:25:00 | 0:25:02 | |
Heather sounds interested, so it's time to talk cash. | 0:25:02 | 0:25:04 | |
So what kind of money are we talking of? | 0:25:04 | 0:25:06 | |
Clearly, it didn't cost me a great deal | 0:25:06 | 0:25:09 | |
but I think what I'm going to do | 0:25:09 | 0:25:11 | |
is ask you to make a contribution to my petrol | 0:25:11 | 0:25:14 | |
-for driving it the 150 miles it took me to get back here. -Mm. | 0:25:14 | 0:25:19 | |
I'd like £20 for it. | 0:25:19 | 0:25:21 | |
That'll just about go towards half a tank of petrol for me. | 0:25:21 | 0:25:26 | |
Well, I'd be very mean, wouldn't I, given this is such a find, | 0:25:26 | 0:25:29 | |
to actually argue with you about that sum. | 0:25:29 | 0:25:32 | |
-But given... -I'm wondering if I should've asked for a full tank! | 0:25:32 | 0:25:36 | |
Given that it would be extremely valuable to us, I would, yes, we'd agree. | 0:25:36 | 0:25:40 | |
-I would like it, yeah. -I'm really, really pleased about that. | 0:25:40 | 0:25:44 | |
The old memory's paid off. | 0:25:44 | 0:25:45 | |
-Excellent. -You're a star. Thank you very much. | 0:25:45 | 0:25:48 | |
That's the first money in bank and Philip's a happy man. | 0:25:48 | 0:25:52 | |
That's a great profit margin. | 0:25:54 | 0:25:56 | |
If I'd spent all of my £250 in the same way at the car boot, | 0:25:56 | 0:26:00 | |
I'd have turned it into £10,000. | 0:26:00 | 0:26:03 | |
Dream on. | 0:26:04 | 0:26:05 | |
It might be wishful thinking | 0:26:07 | 0:26:09 | |
but Mr Serrell has banked a very respectable profit from that deal. | 0:26:09 | 0:26:13 | |
In Barnard Castle, Devilish David has set up a stall | 0:26:14 | 0:26:18 | |
at his local town festival. | 0:26:18 | 0:26:19 | |
But he seems to have got a little distracted. | 0:26:19 | 0:26:22 | |
You know I love my classic cars, well, check this baby out - | 0:26:24 | 0:26:27 | |
a 1965, original, one owner from new tractor. | 0:26:27 | 0:26:32 | |
Isn't she lovely? | 0:26:32 | 0:26:34 | |
I've pitched my goods right next to it purely so I can pretend I'm a farmer. | 0:26:34 | 0:26:38 | |
This is what life's all about. Wahey! | 0:26:38 | 0:26:40 | |
Mm, I'm not sure if a tractor will draw in the antiques buyers | 0:26:41 | 0:26:45 | |
but it's worth a try, I suppose. | 0:26:45 | 0:26:47 | |
And the wait begins. | 0:26:47 | 0:26:49 | |
It only takes one eager punter. | 0:26:50 | 0:26:52 | |
I could sell the lot. | 0:26:52 | 0:26:54 | |
With not interest as yet, David decides to revamp the stall. | 0:26:54 | 0:26:58 | |
Move stuff around. | 0:26:58 | 0:27:00 | |
Always throws them. | 0:27:00 | 0:27:02 | |
They'll think you're busier than you are | 0:27:04 | 0:27:06 | |
and they'll want to give you some money. | 0:27:06 | 0:27:09 | |
Well... That's the whole idea. | 0:27:09 | 0:27:12 | |
There you go. Fresh stock. | 0:27:14 | 0:27:17 | |
Despite David's best efforts, | 0:27:19 | 0:27:21 | |
the festival doesn't seem to be turning up many buyers. | 0:27:21 | 0:27:24 | |
# So tired, tired of waiting | 0:27:24 | 0:27:28 | |
# Tired of waiting for you... # | 0:27:28 | 0:27:33 | |
Come and have a look at this stuff! | 0:27:33 | 0:27:35 | |
# So tired, tired of waiting | 0:27:35 | 0:27:38 | |
# Tired of waiting for you... # | 0:27:38 | 0:27:41 | |
Smile. Happy, happy, happy. | 0:27:41 | 0:27:43 | |
# For you... # | 0:27:43 | 0:27:46 | |
In Worcestershire, Philip is hoping to cash in on his fruit knife. | 0:27:48 | 0:27:52 | |
In order to make a profit, Philip needs to get more than £15. | 0:27:52 | 0:27:57 | |
I was thinking I would have asked £50 for it, | 0:27:57 | 0:27:59 | |
-but you're not going to give me that, are you? -No. | 0:27:59 | 0:28:02 | |
-Just give me your best price. -I will pay you £35 for this knife, | 0:28:02 | 0:28:07 | |
-on one condition. -This is going to hurt. | 0:28:07 | 0:28:09 | |
You never, ever bring me another one. | 0:28:09 | 0:28:13 | |
Done deal, Tim. | 0:28:13 | 0:28:14 | |
The dealer may not be hugely excited by the knife | 0:28:14 | 0:28:16 | |
but he knows he can make a few quid | 0:28:16 | 0:28:18 | |
and adds £20 to Philip's pot of profit. | 0:28:18 | 0:28:21 | |
And there's more good news for the Fox when he sells his bagatelle board | 0:28:22 | 0:28:26 | |
to the same shop for £10 profit. | 0:28:26 | 0:28:28 | |
His rival is beginning to look and sound like a worried man. | 0:28:28 | 0:28:32 | |
Five hours, no sales, no coffee, no lunch, and I'm still here | 0:28:34 | 0:28:41 | |
and I'm absolutely sick to death | 0:28:41 | 0:28:43 | |
of the sight of this blasted tractor. | 0:28:43 | 0:28:46 | |
Oh, come on, Mr Harper. Where's your fighting spirit? | 0:28:47 | 0:28:51 | |
Fired up and determined to win, the Fox is hoping to bank yet more cash. | 0:28:51 | 0:28:56 | |
Do you know, there are a number of dealers who just buy small things. | 0:28:59 | 0:29:02 | |
They don't buy furniture because they'd have to hump it around. | 0:29:02 | 0:29:06 | |
I'm beginning to wish that I was one of them. | 0:29:06 | 0:29:08 | |
Look out, here I come. | 0:29:09 | 0:29:11 | |
He's taking his fireplace to a reclamation yard | 0:29:12 | 0:29:15 | |
but will he be able to seal a deal? | 0:29:15 | 0:29:17 | |
-Is it shabby chic or just shabby? -It's a bit shabby chic. | 0:29:17 | 0:29:22 | |
Would you paint this or give them the option? | 0:29:22 | 0:29:24 | |
I'd leave it as it is, I think, | 0:29:24 | 0:29:26 | |
give them the option to paint it or strip it. | 0:29:26 | 0:29:28 | |
-How much is it? -How much is it? It's £80. | 0:29:28 | 0:29:32 | |
-Right. -Go on. | 0:29:32 | 0:29:34 | |
I think 40 would be about it, really. £40. | 0:29:34 | 0:29:38 | |
Have you ever thought of three-card brag or that poker on the television? | 0:29:38 | 0:29:42 | |
You'd be good at that. | 0:29:42 | 0:29:45 | |
-Come on, sharpen your pencil. -Er... | 0:29:45 | 0:29:48 | |
-50. -£60 and it's yours. | 0:29:49 | 0:29:52 | |
Er... | 0:29:53 | 0:29:55 | |
-Go on, then. We'll have a deal on 60. -Good man. | 0:29:55 | 0:29:58 | |
-OK. -Good man. Give me the cash and I'll sling my hook. | 0:29:58 | 0:30:01 | |
Nicely done, Mr Serrell. | 0:30:02 | 0:30:04 | |
That's a whopping £52 profit. | 0:30:04 | 0:30:06 | |
He may not be a professional dealer | 0:30:06 | 0:30:08 | |
but by taking his items to specialists, | 0:30:08 | 0:30:11 | |
Philip's racking up some decent profits. | 0:30:11 | 0:30:14 | |
In County Durham, David has spotted a potential buyer at last. | 0:30:14 | 0:30:20 | |
-You look like a man of style and sophistication. -Could be, could be. | 0:30:20 | 0:30:23 | |
-I'm just interested in this. -Bonny thing, isn't it? | 0:30:23 | 0:30:26 | |
What about...? That's the only bit that concerns me. | 0:30:26 | 0:30:29 | |
It shouldn't do because that is just something that occurred in the firing. | 0:30:29 | 0:30:33 | |
It's a completely hand made and hand painted plate, so it's not a fault. | 0:30:33 | 0:30:37 | |
It's got a tiny, tiny hairline. | 0:30:37 | 0:30:40 | |
You can just see it there. | 0:30:40 | 0:30:42 | |
Now, if it didn't have a hairline, it would be 100 quid trade. | 0:30:43 | 0:30:46 | |
-And that's definitely...? -That's perfectly normal. | 0:30:46 | 0:30:50 | |
It's because it's hand made, hand painted and then fired. | 0:30:50 | 0:30:53 | |
You'll see firing faults... They're not actually faults, | 0:30:53 | 0:30:57 | |
it just proves it's hand done. | 0:30:57 | 0:30:58 | |
The thing is, you can hear it and feel it more than see it. | 0:30:58 | 0:31:03 | |
Because it's got a bit of a dead thud to it. | 0:31:03 | 0:31:07 | |
It's very good. | 0:31:07 | 0:31:08 | |
Well, honestly, I saw it, it was in a car boot fair, | 0:31:09 | 0:31:13 | |
it was dead cheap and I thought, "I can't believe it." | 0:31:13 | 0:31:16 | |
-I've paid £70 or £80 for that design. -Right. | 0:31:16 | 0:31:20 | |
I'm selling it at half what it could be, trade, | 0:31:20 | 0:31:23 | |
if it didn't have a hairline | 0:31:23 | 0:31:24 | |
but it's still less than trade even with the hairline. | 0:31:24 | 0:31:27 | |
I promise you. Would I lie? | 0:31:27 | 0:31:29 | |
No. | 0:31:29 | 0:31:31 | |
-Yeah, go on, then. -40? -Yeah. I'll have to pay you later, is that OK? | 0:31:31 | 0:31:35 | |
-Fine. -Excellent. Deal done. -I'll put a sold on it. | 0:31:35 | 0:31:39 | |
-I'll see you later. -All right. -Thanks a lot. Cheers. | 0:31:39 | 0:31:41 | |
Ah! I think I'll just lean against my favourite tractor. | 0:31:41 | 0:31:45 | |
I'm in love with it now because it's my new good-luck charm. | 0:31:45 | 0:31:49 | |
Great! Thank the Lord! I've got a sale. | 0:31:49 | 0:31:51 | |
He loves it, he hates it, now he loves it again. | 0:31:53 | 0:31:56 | |
Come on, Mr H, pull yourself together. | 0:31:56 | 0:31:58 | |
You're going to need a lot more than lucky charms | 0:31:58 | 0:32:00 | |
if you want to beat Philip today. | 0:32:00 | 0:32:02 | |
Although, having said that, | 0:32:02 | 0:32:04 | |
perhaps that tractor really is bringing him some much-needed good fortune. | 0:32:04 | 0:32:08 | |
-30? -OK. -All right, wonderful. Thank you very much. | 0:32:08 | 0:32:11 | |
-And you, little madam, have got yourself a new seat. -Yes! | 0:32:11 | 0:32:14 | |
David bought that footstool for just £20, | 0:32:14 | 0:32:17 | |
so that's another long-awaited £10 into his profit pot. | 0:32:17 | 0:32:20 | |
Both of our treasure hunters are desperate for victory | 0:32:23 | 0:32:27 | |
but the king of the car boot sale will be the one who makes the most cash. | 0:32:27 | 0:32:31 | |
Philip has stormed into an early lead, | 0:32:32 | 0:32:34 | |
selling £126 worth of goods | 0:32:34 | 0:32:37 | |
and netting just over £100 profit. | 0:32:37 | 0:32:39 | |
This means that David is trailing in second place, | 0:32:39 | 0:32:42 | |
with just £70 of sales and only £35 profit in his pocket. | 0:32:42 | 0:32:46 | |
So Philip may not be the experienced dealer | 0:32:50 | 0:32:53 | |
but he is racing ahead. | 0:32:53 | 0:32:55 | |
Don't forget, both our experts are working their socks off, | 0:32:55 | 0:32:58 | |
setting up deals on the phone and by email. | 0:32:58 | 0:33:01 | |
But until the money's changed hands, no deal is actually done. | 0:33:01 | 0:33:05 | |
Desperate to get back in the contest, | 0:33:05 | 0:33:07 | |
David has been thinking up some new selling ideas. | 0:33:07 | 0:33:10 | |
You're in trouble, Serrell. | 0:33:11 | 0:33:13 | |
That's the spirit. | 0:33:13 | 0:33:15 | |
In Worcestershire, Philip's hit the road. | 0:33:15 | 0:33:17 | |
As an unpaid trustee of a Masonic museum, | 0:33:17 | 0:33:19 | |
he knows there's a market for his Masonic vesta case | 0:33:19 | 0:33:22 | |
but he'll have to negotiate hard with the curator to secure a sale. | 0:33:22 | 0:33:26 | |
-I've got a little vesta case, John. -Vesta case? | 0:33:27 | 0:33:31 | |
Age, it could be older than you and I or it could be younger. | 0:33:31 | 0:33:35 | |
A difficult feat in my case. | 0:33:35 | 0:33:37 | |
As soon as I saw it, I knew from the square and the compass | 0:33:37 | 0:33:40 | |
and the G for God that it was Masonic. | 0:33:40 | 0:33:42 | |
So I had to buy it and come and see you. | 0:33:42 | 0:33:44 | |
-Well, that was very thoughtful of you. -What do you think? | 0:33:44 | 0:33:47 | |
Well, it's a pretty little piece. A very pretty little piece. | 0:33:47 | 0:33:51 | |
Let me ask you - have you got one of these? | 0:33:51 | 0:33:53 | |
-Not exactly like that, no. -Oh, good. | 0:33:53 | 0:33:56 | |
-It's getting better this. -Yes. Mm. | 0:33:56 | 0:33:58 | |
So you haven't got one. Would you like one? | 0:33:58 | 0:34:00 | |
-It rather depends on what sort of price you're asking for. -Erm... | 0:34:00 | 0:34:04 | |
-I'd like £50 for it, John. -Would you, by golly? | 0:34:04 | 0:34:07 | |
It's a pretty piece. Erm... | 0:34:07 | 0:34:09 | |
-I think 40 quid is fair, actually. -Do you? -Yes, I do. | 0:34:09 | 0:34:12 | |
-Have you ever thought about going into dealing professionally, John? -Yes, I have, actually. | 0:34:12 | 0:34:16 | |
-But... -Well, let's see the colour of your money. | 0:34:16 | 0:34:19 | |
That's a £20 profit. Not bad, Mr Serrell. | 0:34:19 | 0:34:23 | |
Now, in order to try and drum up interest in his car boot buys, | 0:34:23 | 0:34:27 | |
David has had some of them on display in an antiques centre, | 0:34:27 | 0:34:30 | |
and this strategy seems to have done the trick. | 0:34:30 | 0:34:34 | |
The owner of the shop above the antiques centre | 0:34:34 | 0:34:37 | |
is interested in buying his urn, | 0:34:37 | 0:34:38 | |
but can David secure a sale and bank a profit? | 0:34:38 | 0:34:41 | |
Remember, it cost him £15. | 0:34:41 | 0:34:44 | |
-It's a beauty, isn't it? -Yeah. -Do you know what it's made of? | 0:34:44 | 0:34:48 | |
-I've no idea. -It's funny, isn't it? -It's very light. | 0:34:48 | 0:34:51 | |
Well, it's some kind of fibreglass. | 0:34:51 | 0:34:53 | |
If you look on the inside, you see the grain, there. | 0:34:53 | 0:34:56 | |
But they've done such a cracking job. It's probably 20 years old. | 0:34:56 | 0:35:00 | |
It's not old but you've got that very lovely cast bronze, | 0:35:00 | 0:35:03 | |
-19th century, stylish look to it. -Mm. | 0:35:03 | 0:35:07 | |
You could put a plant in there. | 0:35:07 | 0:35:09 | |
I was going to put it on top of there. | 0:35:09 | 0:35:11 | |
On this stand? Well, let's get it in situ. | 0:35:11 | 0:35:14 | |
OK. Have you got some flowers? Just to see what it might look like | 0:35:14 | 0:35:17 | |
in the show room. | 0:35:17 | 0:35:19 | |
There. With something like this in. | 0:35:19 | 0:35:22 | |
Lorraine, you're madly eccentric. I love you. | 0:35:22 | 0:35:25 | |
That is brilliant. | 0:35:25 | 0:35:27 | |
Well, for 45 quid, it can't be dear. Are you doing to have it? | 0:35:27 | 0:35:30 | |
£40. Call it a straight 40. | 0:35:30 | 0:35:32 | |
40. If I said yes, would you have it? | 0:35:32 | 0:35:35 | |
-Yes. -OK. And it'll stay here. -Yeah. | 0:35:35 | 0:35:37 | |
-Brilliant. -Thank you very much. -Thank you. -Excellent. | 0:35:37 | 0:35:40 | |
That's a good result, delivering a £25 profit, | 0:35:40 | 0:35:43 | |
but will David be able to repeat the trick with the brass pot stand | 0:35:43 | 0:35:47 | |
that cost him £20? | 0:35:47 | 0:35:49 | |
Now, I've got to say, I'm very partial to a good curry | 0:35:51 | 0:35:54 | |
and the last time I was in here, which was last night, | 0:35:54 | 0:35:56 | |
I was talking to Zack, the manager, telling him what I'd bought | 0:35:56 | 0:36:00 | |
at the car boot fair, | 0:36:00 | 0:36:01 | |
and he expressed an interest in this little beauty. | 0:36:01 | 0:36:04 | |
So let's go and see if we can flog him it. | 0:36:04 | 0:36:06 | |
Mr Harper paid £20 for this boot sale purchase | 0:36:07 | 0:36:10 | |
and with his new direct-selling strategy, | 0:36:10 | 0:36:13 | |
he's hoping to sweet-talk his way to a healthy profit. | 0:36:13 | 0:36:15 | |
-Are you all right? -Yeah, how are you? -Right. Have a look at this. | 0:36:15 | 0:36:20 | |
The manager is interested in using the urn as a wine cooler | 0:36:20 | 0:36:23 | |
and experienced dealer that he is, David gets straight down to business. | 0:36:23 | 0:36:27 | |
-We were talking about money last night... -Yeah. -..and I promised it would be under £100. | 0:36:27 | 0:36:32 | |
50 quid is well under 100 quid. It's a bargain. How do you feel? | 0:36:32 | 0:36:35 | |
-Say 40 quid. That's fair enough, isn't it? -Oh, Zack! 40 quid. | 0:36:35 | 0:36:39 | |
Just think how many extra bottles of wine you're going to sell purely by having that. | 0:36:39 | 0:36:44 | |
-I'll give you a bottle of wine, too. -Well, it's got to be cash. | 0:36:44 | 0:36:47 | |
-We'll say 50, yeah? -Shall we do 50? All right, good man. OK, cheers. | 0:36:47 | 0:36:52 | |
And that gives David another £30 profit in his kitty. | 0:36:52 | 0:36:55 | |
Not bad, Mr Harper. | 0:36:55 | 0:36:57 | |
The direct dealing strategy is coming up trumps. | 0:36:57 | 0:37:00 | |
Today's contest is hanging in the balance, | 0:37:00 | 0:37:02 | |
but which of our experts will seal that decisive deal? | 0:37:02 | 0:37:06 | |
The gypsy caravan, I wish there were a few unspent matches with it | 0:37:08 | 0:37:12 | |
because that might be the only way to get rid of it. | 0:37:12 | 0:37:15 | |
It sounds as though the Fox could be starting to wobble | 0:37:15 | 0:37:18 | |
as he approaches the home straight. | 0:37:18 | 0:37:21 | |
He needs to keep his cool, though, | 0:37:21 | 0:37:23 | |
because Devilish is getting hot under the collar about his log basket. | 0:37:23 | 0:37:27 | |
# Burn, baby, burn | 0:37:27 | 0:37:28 | |
# Burn, baby, burn... # | 0:37:30 | 0:37:32 | |
I've done a little bit of research. It is Arts and Crafts. | 0:37:33 | 0:37:37 | |
But the way it's finished is absolutely astonishing. | 0:37:37 | 0:37:40 | |
Just look at the fine details. | 0:37:40 | 0:37:42 | |
Each and every rivet is hand made | 0:37:42 | 0:37:44 | |
and then the edge of that plate there is all hand beaten and shaped. | 0:37:44 | 0:37:48 | |
It's absolutely exquisite. | 0:37:48 | 0:37:50 | |
The quality here is, even for Arts and Crafts, | 0:37:50 | 0:37:53 | |
absolutely exceptional | 0:37:53 | 0:37:55 | |
and to find it at a car boot, well, | 0:37:55 | 0:37:57 | |
take me to as many of those car boots as you can find, please. | 0:37:57 | 0:38:01 | |
The temperature is rising and Mr Harper has fallen in love | 0:38:03 | 0:38:06 | |
with the log basket. | 0:38:06 | 0:38:08 | |
But will he be able to convince a buyer to feel the same? | 0:38:08 | 0:38:11 | |
In Worcestershire, the Fox, true to his name, has cooked up a cunning plan. | 0:38:13 | 0:38:18 | |
-Lawrence! -Hello, Phil. | 0:38:19 | 0:38:23 | |
-Nice to see you. -And good to see you. | 0:38:23 | 0:38:25 | |
Now, I've brought you these two little beauties | 0:38:25 | 0:38:28 | |
because I know you have a passion for collecting fairground rides | 0:38:28 | 0:38:34 | |
-and memorabilia and all that. -I do, yes. | 0:38:34 | 0:38:37 | |
I don't know what sort of unique pieces of artwork those are. | 0:38:37 | 0:38:41 | |
I quite like this. It's a haywain. | 0:38:41 | 0:38:44 | |
But I just think it's a well-made model, that. | 0:38:44 | 0:38:46 | |
-Looks quite interesting, that one, yes. -And this... | 0:38:46 | 0:38:49 | |
-I'm not too sure about that. -It's made out of matchsticks. | 0:38:49 | 0:38:53 | |
-Would this have been about 1900? -It's a showman's caravan in the 1900s. | 0:38:53 | 0:38:59 | |
Originally, gypsy and traveller caravans were barrel shaped | 0:38:59 | 0:39:04 | |
but when fairground stuff started to be transported on railways, | 0:39:04 | 0:39:09 | |
they began to make a straight-sided caravan | 0:39:09 | 0:39:13 | |
-to fit on railway trucks. -Really? | 0:39:13 | 0:39:15 | |
I bought these, Lawrence, at a car boot in Clitheroe. | 0:39:15 | 0:39:20 | |
Yes? | 0:39:20 | 0:39:22 | |
And what are they worth to you, Lol? | 0:39:22 | 0:39:24 | |
-About 50 quid? -I tell you what, Lawrence, that puts me into profit | 0:39:24 | 0:39:28 | |
and I'm quite pleased with that, so you're a gentleman. | 0:39:28 | 0:39:31 | |
-Thank you very much. -Thank you. -Let's go and sort the money. | 0:39:31 | 0:39:34 | |
I'll get my money out. | 0:39:34 | 0:39:36 | |
And to think Philip was regretting having bought that caravan. | 0:39:37 | 0:39:40 | |
That's £30 profit and with the Fox sold up, the heat is on David | 0:39:40 | 0:39:45 | |
to sell the log basket. | 0:39:45 | 0:39:46 | |
He needs a buyer to pay at least £110 if he's to have any chance | 0:39:46 | 0:39:51 | |
of winning today's competition. | 0:39:51 | 0:39:53 | |
He's invited an interior designer round | 0:39:53 | 0:39:55 | |
to take a look at the log basket | 0:39:55 | 0:39:57 | |
and has given him an asking price of £165. | 0:39:57 | 0:40:00 | |
But this guy is a tough negotiator. | 0:40:00 | 0:40:03 | |
It drove itself here. | 0:40:04 | 0:40:06 | |
It's beautiful. Arts and Crafts. Really is lovely. | 0:40:08 | 0:40:11 | |
It is beautiful but I'm not paying £165. | 0:40:11 | 0:40:14 | |
-George, it's... -David, you're ripping me off. | 0:40:14 | 0:40:16 | |
I know it's period but you're ripping me off. | 0:40:16 | 0:40:18 | |
Arts and Crafts period, beautiful, 1890, hand made, no machinery... | 0:40:18 | 0:40:25 | |
I couldn't agree with you more. The workmanship is fantastic. | 0:40:25 | 0:40:29 | |
But 165 quid? No. | 0:40:29 | 0:40:32 | |
David's aiming high | 0:40:32 | 0:40:34 | |
but he should be careful not to scare off the buyer, | 0:40:34 | 0:40:36 | |
as he needs to make a decent profit if he's going to win. | 0:40:36 | 0:40:40 | |
We'll find out later whether he's managed to do a deal. | 0:40:40 | 0:40:43 | |
So after all their hard work buying and selling, | 0:40:45 | 0:40:48 | |
how much profit have our two swashbuckling experts made? | 0:40:48 | 0:40:52 | |
Philip spent a total of £64.50, | 0:40:52 | 0:40:55 | |
whilst David splashed out £115 | 0:40:55 | 0:40:58 | |
and remember, all their profits will be going to charity. | 0:40:58 | 0:41:01 | |
It's now time to reveal who's going to crowned | 0:41:03 | 0:41:06 | |
today's Put Your Money Where Your Mouth Is champion. | 0:41:06 | 0:41:09 | |
-David, how are you? -Foxy, great to see you. -Foxy! | 0:41:11 | 0:41:14 | |
What's this bearded wonder, eh? | 0:41:14 | 0:41:16 | |
-How did it go for you? -Better than I thought. | 0:41:16 | 0:41:18 | |
-Really? -You know that brass planter? -The restaurant piece? | 0:41:18 | 0:41:21 | |
-That's exactly where it is. -You're joking? -I'm not. | 0:41:21 | 0:41:24 | |
It's now a champagne bucket. How did you get on? | 0:41:24 | 0:41:27 | |
-My fireplace was a roaring success. -Oh, dear. | 0:41:27 | 0:41:29 | |
-I got £60 for that. -Wow, wow. -So that was good. | 0:41:29 | 0:41:32 | |
-And you remember my 50p magazine? -Yes. -£20. | 0:41:32 | 0:41:35 | |
-You are kidding? -It was good, that. -What a return. | 0:41:35 | 0:41:37 | |
-This is the moment. -Are you ready for it? -You count down. | 0:41:37 | 0:41:40 | |
Three, two, one... | 0:41:40 | 0:41:43 | |
-Oh! -What's that? 34 quid. £33.50. | 0:41:44 | 0:41:50 | |
Not much in it. | 0:41:50 | 0:41:51 | |
Not much in it. Philip! | 0:41:51 | 0:41:53 | |
I see that... Philip! | 0:41:53 | 0:41:55 | |
Foxy! | 0:41:55 | 0:41:56 | |
Fox... Foxy! | 0:41:56 | 0:41:59 | |
I'll buy you a drink. | 0:41:59 | 0:42:00 | |
So David's log basket secured him victory today | 0:42:02 | 0:42:05 | |
but just how much cash did he make? | 0:42:05 | 0:42:08 | |
-I'll go to 140. -All right. If you can see a profit. -140, OK? | 0:42:08 | 0:42:12 | |
-Good man. -That's great. Thank you. | 0:42:12 | 0:42:14 | |
£95 profit crowns David today's champion | 0:42:14 | 0:42:18 | |
but both our experts have made great profits, | 0:42:18 | 0:42:20 | |
which will be going to two good causes. | 0:42:20 | 0:42:22 | |
My charity is the Witham Hall, which Barnard Castle's town hall. | 0:42:23 | 0:42:28 | |
It's a real focal point for locals young and old | 0:42:28 | 0:42:31 | |
and it needs lots of finance to put on events | 0:42:31 | 0:42:34 | |
to keep locals entertained. | 0:42:34 | 0:42:36 | |
I love Worcester and Worcestershire | 0:42:37 | 0:42:39 | |
and the charity I'm supporting is our local hospice, | 0:42:39 | 0:42:41 | |
St Richard's hospice. | 0:42:41 | 0:42:43 | |
So it's a narrow victory David | 0:42:43 | 0:42:45 | |
but tomorrow, Philip will have the chance to strike back | 0:42:45 | 0:42:48 | |
when our antiques warriors go head to head in an antiques showdown. | 0:42:48 | 0:42:52 | |
I'm quite pleased but at the end of the day, | 0:42:53 | 0:42:56 | |
it's all down to price, isn't it? | 0:42:56 | 0:42:58 | |
What's the stuff going to sell for? | 0:42:58 | 0:43:00 | |
Our battling experts can buy what they want from wherever they want | 0:43:00 | 0:43:04 | |
and they have to organise a special one-off event to sell it all... | 0:43:04 | 0:43:08 | |
A local artist for a local auction. | 0:43:08 | 0:43:10 | |
It's got everything going for it. | 0:43:10 | 0:43:13 | |
..as for the final time this week, we say to our experts, | 0:43:13 | 0:43:16 | |
put your money where your mouth is. | 0:43:16 | 0:43:19 | |
Subtitles by Red Bee Media Ltd | 0:43:41 | 0:43:42 | |
Email [email protected] | 0:43:42 | 0:43:44 |