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We've seen them on TV, but how would the country's favourite antiques experts fare | 0:00:02 | 0:00:06 | |
when they're challenged to make a profit with their own cash? | 0:00:06 | 0:00:09 | |
I'll be switching on my bargain-ometer. | 0:00:09 | 0:00:12 | |
Knocker Knowles, I'm right on your heels! | 0:00:12 | 0:00:15 | |
From car boot sales to auction houses, | 0:00:15 | 0:00:17 | |
our experts will be re-creating some of their real-life deals, | 0:00:17 | 0:00:22 | |
as they go head-to-head and try and make the most money for their chosen charities. | 0:00:22 | 0:00:27 | |
-You watch out here, Miss Bliss! -The pressure is really on. | 0:00:27 | 0:00:31 | |
The challenge to our experts is clear - dealers, put your money where your mouth is. | 0:00:31 | 0:00:36 | |
Today's duelling dealers are auctioneer John "The Hammer" Cameron, | 0:01:06 | 0:01:10 | |
and Princess of Profit, Katherine "The Great" Higgins. | 0:01:10 | 0:01:14 | |
Mr Hammer, you'd better be prepared to have a serious battle, | 0:01:14 | 0:01:17 | |
because you're up against Katherine the Great, and she likes to win! | 0:01:17 | 0:01:21 | |
Katherine's vast knowledge of antiques and collectibles has served her well, | 0:01:21 | 0:01:26 | |
whether it be writing books and articles, | 0:01:26 | 0:01:28 | |
or revealing the true value of people's heirlooms on the Antiques Roadshow. | 0:01:28 | 0:01:33 | |
I get seriously excited about retro design really, things that people | 0:01:33 | 0:01:39 | |
can use in their homes but have a real history behind them. | 0:01:39 | 0:01:43 | |
That's what makes me buzz. | 0:01:43 | 0:01:44 | |
And that's me really - a bit of a modernist at heart. | 0:01:44 | 0:01:48 | |
Her rival is a well respected auctioneer | 0:01:48 | 0:01:50 | |
and valuer of antiques, although the seeds of John Cameron's career were sown at a very young age. | 0:01:50 | 0:01:57 | |
My first job prepared me for life as an auctioneer. | 0:01:57 | 0:01:59 | |
Grandfather had a fruit and veg business, and he told me, | 0:01:59 | 0:02:03 | |
"You've got to start calling out the fruit and veg." | 0:02:03 | 0:02:06 | |
"Apples, two pounds for 40 pence!" Something like that. | 0:02:06 | 0:02:09 | |
It got me over my inhibitions, and prepared me for the life I didn't know I was going to lead. | 0:02:09 | 0:02:14 | |
When he isn't on the podium, John can be regularly found hunting for cash in the attic. | 0:02:14 | 0:02:19 | |
At 420 then... | 0:02:19 | 0:02:21 | |
So our experts are ready and the stakes are sky high. | 0:02:22 | 0:02:26 | |
With their reputations at risk, their own cash on the line | 0:02:26 | 0:02:29 | |
and their favourite charities wishing them well, | 0:02:29 | 0:02:32 | |
it's time for us to find out the aim of today's game. | 0:02:32 | 0:02:35 | |
Ah, Mr Hammer, how lovely to see you! | 0:02:36 | 0:02:38 | |
Katherine the Great, good to see you. I have something for you. | 0:02:38 | 0:02:41 | |
-I've got a little pressie for you, too. -It's like Christmas. | 0:02:41 | 0:02:44 | |
"John and Katherine, your challenge today is to spend £750 of your own money on antiques. | 0:02:46 | 0:02:54 | |
"You must then re-sell your purchases with the aim of making as much profit as possible. | 0:02:54 | 0:02:58 | |
"The winner is the presenter who makes the most cash." | 0:02:58 | 0:03:02 | |
"Today you must buy all your antiques from an antiques fair." Good luck! | 0:03:02 | 0:03:06 | |
-Well, I guess we'd better start looking for an antiques fair then. -Let's go shopping! | 0:03:06 | 0:03:11 | |
So the challenge for our experts is to spend up to £750 of their own money at an antiques fair, | 0:03:14 | 0:03:20 | |
before trying to sell their purchases on for a profit. | 0:03:20 | 0:03:23 | |
And it's the Newark Antiques Fair in Nottinghamshire that has the honour of hosting today's clash. | 0:03:23 | 0:03:30 | |
Pretty much everybody that John and Katherine try to do deals with | 0:03:30 | 0:03:35 | |
will be aware that they're on a mission to raise money for charity. | 0:03:35 | 0:03:38 | |
Our experts will be doing everything to persuade people | 0:03:38 | 0:03:41 | |
to give them the best possible prices when they buy and sell the items | 0:03:41 | 0:03:44 | |
they hope will drive them to victory. | 0:03:44 | 0:03:46 | |
Our duelling duo will be buying goods with buyers in mind, | 0:03:46 | 0:03:50 | |
and with their search for pieces under way, | 0:03:50 | 0:03:53 | |
John has found what he thinks could be Katherine's dream stall. | 0:03:53 | 0:03:57 | |
Well, I think I'm in Katherine the Great heaven here. | 0:03:57 | 0:03:59 | |
Her two favourite subjects - '50s design and kitchenalia. | 0:03:59 | 0:04:03 | |
And we've got a tent full of '50s kitchenalia. | 0:04:03 | 0:04:05 | |
I have to make sure she doesn't know this place is here. | 0:04:05 | 0:04:08 | |
There are some very interesting items here. | 0:04:08 | 0:04:10 | |
Look at all this - takes you right back. | 0:04:10 | 0:04:12 | |
Grew up with one of those pineapple ice boxes. | 0:04:12 | 0:04:15 | |
But now this is an interesting item. | 0:04:15 | 0:04:18 | |
Rock 'n' roll, Elvis - it's fantastic. | 0:04:19 | 0:04:23 | |
It's a montage that's been made out of old printing blocks. | 0:04:23 | 0:04:26 | |
And judging by the typeface of them, I would say probably early 20th century, early 1900s. | 0:04:26 | 0:04:32 | |
Printing goes back centuries and centuries and centuries. | 0:04:32 | 0:04:35 | |
Originally, to print a page, one would engrave the writing in reverse | 0:04:35 | 0:04:41 | |
into a block of wood, which would then be used to print a page. | 0:04:41 | 0:04:44 | |
And each page would have a separate piece of wood. | 0:04:44 | 0:04:46 | |
But it was Gutenberg in the mid-15th century who hit upon the idea that by making moveable typefaces, | 0:04:46 | 0:04:54 | |
you could re-use the letters, jumble them up and make anything you want. | 0:04:54 | 0:04:57 | |
When you think about it, Gutenberg's printing press is probably | 0:04:57 | 0:05:01 | |
one of the most important inventions of the last 1,000 years. | 0:05:01 | 0:05:05 | |
But I want to see what the dealer wants for this. Excuse me... | 0:05:05 | 0:05:09 | |
Interested in this montage. | 0:05:09 | 0:05:11 | |
How much are you asking for this piece? | 0:05:11 | 0:05:14 | |
-That's 125. -£125? -Yeah. | 0:05:14 | 0:05:17 | |
What is your best price? | 0:05:17 | 0:05:19 | |
Would you take £80 for it? | 0:05:19 | 0:05:21 | |
No, certainly not! | 0:05:21 | 0:05:23 | |
How much? | 0:05:23 | 0:05:24 | |
The very best would be 95. | 0:05:24 | 0:05:26 | |
£95? Well, I think we could have a deal there. | 0:05:26 | 0:05:30 | |
-Shake on that? -Yeah. Certainly. -£95 it is then. | 0:05:30 | 0:05:34 | |
So having managed to haggle £30 off the asking price, | 0:05:34 | 0:05:38 | |
The Hammer is off to a flying start. | 0:05:38 | 0:05:41 | |
All he needs now is for one of his contacts to be as taken with it as he is. | 0:05:41 | 0:05:44 | |
Elsewhere in the market, our retro lady has spotted some picture perfect pieces. | 0:05:44 | 0:05:48 | |
If you want to buy frames, the key thing if you're a collector is to look for the condition. | 0:05:48 | 0:05:54 | |
So you're looking for a nice solid structure, you're looking for original gilding if possible. | 0:05:54 | 0:06:00 | |
And very little gilding repair. | 0:06:00 | 0:06:02 | |
And you're also looking for no chips and no damage. | 0:06:02 | 0:06:05 | |
Katherine has a potential buyer in mind for the picture frames, but can she seal a deal? | 0:06:05 | 0:06:10 | |
I probably shouldn't say I love these, but I do. | 0:06:10 | 0:06:13 | |
What can we do on them? | 0:06:13 | 0:06:15 | |
Well, they're priced at £20 each, £40 for the pair. | 0:06:15 | 0:06:20 | |
That's too much for my budget. | 0:06:22 | 0:06:24 | |
The best I can do is £30 for the two. | 0:06:24 | 0:06:26 | |
£30, OK. That's £15 each. Yes, I'll go with that. | 0:06:26 | 0:06:29 | |
And I know exactly that they're going to be used again, much loved. | 0:06:29 | 0:06:33 | |
Yes, and history's going to be re-made. Thank you very much. | 0:06:33 | 0:06:37 | |
Thank you. | 0:06:37 | 0:06:38 | |
So today's antiques battle is now underway. | 0:06:39 | 0:06:42 | |
Katherine has sealed another deal. | 0:06:42 | 0:06:44 | |
I've just spent £20 on a little bit of toy history. | 0:06:47 | 0:06:51 | |
This bagatelle set is made by Chad Valley. | 0:06:51 | 0:06:54 | |
Great British toy manufacturer, started in the 19th century. | 0:06:54 | 0:06:58 | |
But they're known for their 20th century toys really. | 0:06:58 | 0:07:01 | |
And they made toys for the Queen Mother, and for the Queen and Princess Margaret. | 0:07:01 | 0:07:07 | |
So, a fantastic collectible. | 0:07:07 | 0:07:10 | |
Great firm, really nice condition. | 0:07:10 | 0:07:12 | |
And I know exactly who will want this. | 0:07:12 | 0:07:15 | |
It's a man who likes to play games. | 0:07:15 | 0:07:18 | |
So Katherine's bought two items, and she thinks she might have buyers for both. | 0:07:18 | 0:07:22 | |
She can't afford to get complacent, because John is also working hard, | 0:07:22 | 0:07:27 | |
and has bought something that he thinks could be a cut above the rest of the items on offer. | 0:07:27 | 0:07:32 | |
Now, I've just made a purchase that I think is going to give Katherine the Great a right "royal strop". | 0:07:32 | 0:07:39 | |
It's a collection of antique razors and shears from the hairdressing industry. | 0:07:39 | 0:07:46 | |
I've bought this with a specific punter in mind. | 0:07:46 | 0:07:48 | |
I'm hoping that their artistic side is going to come out | 0:07:48 | 0:07:51 | |
and they're going to want to make a nice display of this fantastic collection. | 0:07:51 | 0:07:55 | |
We've got some Victorian razors here. | 0:07:55 | 0:07:58 | |
I think that's probably late 19th, early 20th century. | 0:07:58 | 0:08:01 | |
And the packaging here from the '30s and the '40s and the 1950s. Fantastic. Lots of variety. | 0:08:01 | 0:08:07 | |
Now my favourite has to be this little miniature pair for cutting children's hair. | 0:08:07 | 0:08:11 | |
Look at that - they've been gold plated. Aren't they wonderful? | 0:08:11 | 0:08:14 | |
The dealer wanted £200 for these, but after some stiff negotiations, | 0:08:14 | 0:08:19 | |
I think I bought them at a bit of a snip. £100. | 0:08:19 | 0:08:21 | |
I'm hoping to double my money there. But before then, I've got a few pounds to make while I'm here. | 0:08:21 | 0:08:27 | |
Haircuts, £5 a time! Moustaches, 10 bob! | 0:08:27 | 0:08:30 | |
Yes, I'm not quite sure Put Your Money's answer to Vidal Sassoon | 0:08:30 | 0:08:33 | |
-is going to win today's contest by cutting hair. -Form an orderly queue! Don't be shy! | 0:08:33 | 0:08:38 | |
But The Hammer gets back to the business at hand | 0:08:38 | 0:08:41 | |
when he snaps up these two Victorian ruby glass lustre vases. | 0:08:41 | 0:08:46 | |
-£50? -£50, is that your best? | 0:08:46 | 0:08:48 | |
Afraid so. | 0:08:48 | 0:08:49 | |
-OK. We have a deal. Shake on that? -Thank you very much. -Thank you. | 0:08:49 | 0:08:53 | |
And John adds to his stash of items by snapping up this charming silver salt holder for £70. | 0:08:53 | 0:09:00 | |
He and Katherine are slugging it out to buy the items with most potential profit. | 0:09:00 | 0:09:04 | |
At the moment, Katherine the Great can't lay a glove on The Hammer. | 0:09:04 | 0:09:09 | |
Hammer time. | 0:09:09 | 0:09:10 | |
# Break it down... # | 0:09:10 | 0:09:12 | |
Yes, well, I'm not too sure about the shades, but The Hammer is definitely on a real roll. | 0:09:12 | 0:09:17 | |
His rival, though, is no pushover, and is working hard to find more game-winning goods. | 0:09:17 | 0:09:22 | |
This is where I like to be. In the midst of all this Georgian brown furniture, you find little gems. | 0:09:22 | 0:09:28 | |
And this is my little gem. | 0:09:28 | 0:09:30 | |
Instantly I just thought it was a great piece of modern design. | 0:09:30 | 0:09:34 | |
And it feels a bit kind of French, 1930s. | 0:09:34 | 0:09:38 | |
But the body of it is actually reminiscent of Lloyd Loom furniture. | 0:09:38 | 0:09:43 | |
Lloyd Loom connoisseurs are quite fussy about what they go for. | 0:09:43 | 0:09:46 | |
And generally you will see a little tag attached to the back of quite a lot of their furniture. | 0:09:46 | 0:09:51 | |
This one, I'm going to have a quick look, turning it over, hasn't got any tags attached to it. | 0:09:51 | 0:09:57 | |
But I could probably do some research and maybe associate it with the firm. | 0:09:57 | 0:10:01 | |
So I'm hoping it's got potential. | 0:10:01 | 0:10:03 | |
I'm going to find out how much he wants. | 0:10:03 | 0:10:06 | |
Hello. Hi. | 0:10:06 | 0:10:08 | |
This is your chair, clearly, isn't it? Could it be my chair? | 0:10:08 | 0:10:12 | |
-Yeah, it can be. -How much do you want for it? | 0:10:12 | 0:10:15 | |
It's £65. | 0:10:15 | 0:10:16 | |
Oh, can you do anything on that? | 0:10:16 | 0:10:19 | |
Well, I could come down to £40 to you. | 0:10:19 | 0:10:23 | |
I'll accept. £40 is perfect. | 0:10:23 | 0:10:26 | |
-Thank you. -Thank you very much. | 0:10:26 | 0:10:27 | |
And having picked up a perfectly priced chair, Katherine goes on a spending spree. | 0:10:27 | 0:10:33 | |
# Money, money, money, must be funny | 0:10:34 | 0:10:38 | |
# In a rich man's world... # | 0:10:38 | 0:10:40 | |
She snaps up a collectible baby walker for £8 and two more chairs for £105. | 0:10:40 | 0:10:46 | |
She's bagging items left, right and centre. And a blast from her past has caught her eye. | 0:10:48 | 0:10:53 | |
This is where I came from. | 0:10:53 | 0:10:55 | |
This is my childhood totally. | 0:10:55 | 0:10:57 | |
It's instantly recognisable to anyone who grew up with it. | 0:10:57 | 0:11:00 | |
It's made by the Broadhurst Pottery. | 0:11:00 | 0:11:03 | |
Good solid Staffordshire pottery, who were sort of quite staid | 0:11:03 | 0:11:07 | |
until the 1950s when they decided to go kind of wild. | 0:11:07 | 0:11:12 | |
And the wildness came from their brilliant designer, Kathie Winkle. | 0:11:12 | 0:11:18 | |
She joined the firm in the '50s and became their chief designer. | 0:11:18 | 0:11:21 | |
And it was a period where she just decided to go colourful, | 0:11:21 | 0:11:25 | |
and she created these almost kaleidoscopic designs. | 0:11:25 | 0:11:28 | |
And it's really nice to see a complete set together. | 0:11:28 | 0:11:32 | |
I love it. I know an interior designer who I think will go for it, so fingers crossed. | 0:11:32 | 0:11:37 | |
30 pieces here. | 0:11:37 | 0:11:39 | |
She's got 38 on it. | 0:11:39 | 0:11:41 | |
Katherine loves the plates, but can she buy them for a profitable price? | 0:11:41 | 0:11:45 | |
-Hi. -There's a real moment of nostalgia here. I love it. | 0:11:45 | 0:11:48 | |
£38, 30 pieces. | 0:11:48 | 0:11:50 | |
-30 pieces, yeah. -What can you do for me on that? | 0:11:50 | 0:11:53 | |
I'd take 30, that would be like £1 each item. | 0:11:53 | 0:11:57 | |
-£1 a piece? -£1 a piece. | 0:11:57 | 0:11:59 | |
-OK, done. Perfect. -OK. -My new friend. Thank you. | 0:11:59 | 0:12:02 | |
So, after a frantic buying blitz, Katherine the Great has hit her stride. | 0:12:02 | 0:12:07 | |
But with The Hammer also on top buying form, | 0:12:07 | 0:12:10 | |
it's time to find out which of them has parted with the most cash. | 0:12:10 | 0:12:15 | |
Katherine and John can spend up to £750 of their own money. | 0:12:17 | 0:12:21 | |
Our Princess of Profit has spent £233, | 0:12:21 | 0:12:25 | |
leaving her with £517 still to spend. | 0:12:25 | 0:12:29 | |
John, on the other hand, has parted with £315. | 0:12:31 | 0:12:35 | |
He's still got £435 burning a hole in his pocket. | 0:12:35 | 0:12:40 | |
So both our experts have still got hundreds of pounds to spend. | 0:12:43 | 0:12:47 | |
And Katherine has dipped into her kitty and racked up another buy. | 0:12:47 | 0:12:51 | |
There's someone I know who would really like this. | 0:12:52 | 0:12:56 | |
As soon as I saw it - in the middle of Newark I never ever thought I would see one of these. | 0:12:56 | 0:13:01 | |
It's a rhubarb forcer, | 0:13:01 | 0:13:03 | |
something that was used very much in the Victorian era. | 0:13:03 | 0:13:07 | |
And you would have your rhubarb plant beneath here. | 0:13:07 | 0:13:11 | |
Your gardener would put this over the top of the rhubarb and the light is very much restricted, | 0:13:11 | 0:13:18 | |
so the rhubarb grows right up towards the light, and you get these fantastically long stems. | 0:13:18 | 0:13:24 | |
Gardening in the 19th century was a hugely popular pursuit. | 0:13:24 | 0:13:27 | |
A lot of new books came out about keeping your Victorian garden and how to do the best gardening. | 0:13:27 | 0:13:34 | |
You had a lot of new implements. | 0:13:34 | 0:13:36 | |
And this kind of thing is a hugely popular collectible today. | 0:13:36 | 0:13:40 | |
I was hoping this was going to be a real steal at £5 or £10. | 0:13:40 | 0:13:43 | |
But actually the lady wanted about £150. | 0:13:43 | 0:13:47 | |
So I did a bit of haggling, and I got it for £100. | 0:13:47 | 0:13:51 | |
£100 for something to help your rhubarb grow? | 0:13:51 | 0:13:54 | |
Seems like a lot of money, but Katherine thinks she's got a winner on her hands. | 0:13:54 | 0:13:58 | |
And she's throwing down the gauntlet to her rival. | 0:13:58 | 0:14:02 | |
Mr Hammer thinks he's a cut above the rest. | 0:14:03 | 0:14:06 | |
But I'm going to make sure it rains on his parade. | 0:14:06 | 0:14:09 | |
# Sisters are doing it for themselves... # | 0:14:09 | 0:14:14 | |
There's no stopping Katherine the Great today. | 0:14:14 | 0:14:17 | |
And with plenty of cash left in her pocket, she's determined to shop till she drops. | 0:14:17 | 0:14:22 | |
She bags a gardening book for £10. | 0:14:22 | 0:14:24 | |
A wooden car for £15. | 0:14:24 | 0:14:27 | |
A set of antlers for £50. | 0:14:27 | 0:14:29 | |
And an oil painting for a further £50. | 0:14:29 | 0:14:32 | |
With these rivals spending like there's no tomorrow, | 0:14:32 | 0:14:35 | |
John's been hunting high and low for another purchase | 0:14:35 | 0:14:38 | |
and has found something from a very different era. | 0:14:38 | 0:14:41 | |
Now, this is an interesting piece of advertising, and a classic look | 0:14:42 | 0:14:46 | |
back into how certain things could be gotten away with. | 0:14:46 | 0:14:49 | |
Look at what this says: "For your throat's sake, smoke Cravens." | 0:14:49 | 0:14:53 | |
It's almost telling you that they're good for you, which today is an absolute no-no. | 0:14:53 | 0:14:58 | |
We all know they're very bad for you. But this is an interesting item. | 0:14:58 | 0:15:02 | |
It's an early post-war advertising sign, made of metal, coated with enamel. | 0:15:02 | 0:15:07 | |
Now I think I may be able to get £150 for this. | 0:15:07 | 0:15:10 | |
But my profit's going to depend largely | 0:15:10 | 0:15:13 | |
on how much I can negotiate down from the dealer's £105 asking price. | 0:15:13 | 0:15:16 | |
-Excuse me, sir? Your advertising sign here, the cigarette sign? -Yeah. | 0:15:16 | 0:15:21 | |
Now, it's got a bit of damage on it. | 0:15:21 | 0:15:23 | |
-Yeah. -Smoking's bad for you - we all know that. | 0:15:23 | 0:15:26 | |
-Yeah. -Can you do any better on that price for me? -How about 90? | 0:15:26 | 0:15:30 | |
Mmm... I was thinking more like 60? | 0:15:30 | 0:15:34 | |
70. | 0:15:34 | 0:15:36 | |
-You're a fair man. Can we shake on it? -Yeah. | 0:15:36 | 0:15:39 | |
Very good, sir. £70, you have a deal. | 0:15:39 | 0:15:41 | |
The slogan's obviously outdated, but the sign is still very collectible. | 0:15:43 | 0:15:48 | |
John adds to his purchases when he also buys a pawnbroker's sign for £20, | 0:15:48 | 0:15:53 | |
and a barometer for £60. | 0:15:53 | 0:15:56 | |
Both our experts have bagged plenty of items today, but they're not done yet. | 0:15:56 | 0:16:01 | |
Katherine has spotted some rare ocean liner memorabilia that's taken her fancy. | 0:16:01 | 0:16:07 | |
We've got Cunard, we've got White Star Lines, we've got the Queen Elizabeth. | 0:16:07 | 0:16:11 | |
So it's very saleable, probably in parts. | 0:16:11 | 0:16:16 | |
But I'm hoping that maybe someone interested in travel or travel memorabilia would love this. | 0:16:16 | 0:16:23 | |
And it's quite a nostalgic collection that I can add to | 0:16:23 | 0:16:27 | |
in terms of finding out a bit more about the man who originally put this together. | 0:16:27 | 0:16:32 | |
Well, Katherine is clearly taken with the cruise liner memorabilia, | 0:16:32 | 0:16:35 | |
but can she bag it for a bargain price? | 0:16:35 | 0:16:37 | |
-Hi. -Hi, you've had a good look through, have you? | 0:16:37 | 0:16:40 | |
-I have. -What do you think? | 0:16:40 | 0:16:42 | |
I love it. What would you take? | 0:16:42 | 0:16:44 | |
I have to get 75 quid for it. That's what I have to get. | 0:16:44 | 0:16:47 | |
Sorry to talk money on something like this. | 0:16:47 | 0:16:49 | |
It doesn't sound too good. | 0:16:49 | 0:16:51 | |
Do you know what? I have to pay less. | 0:16:51 | 0:16:54 | |
I thought you might say that somehow! | 0:16:54 | 0:16:55 | |
It's never easy buying and selling. | 0:16:55 | 0:16:58 | |
But can we have two in the middle somehow and meet halfway? | 0:16:58 | 0:17:02 | |
What was your figure then? What did you have in mind? | 0:17:02 | 0:17:05 | |
-I had about... -Don't say 40! | 0:17:05 | 0:17:07 | |
Yeah! | 0:17:07 | 0:17:10 | |
£40 I had in my mind. | 0:17:10 | 0:17:12 | |
No. Oh, I really need to get that 75. Look, I'll do you a deal. | 0:17:12 | 0:17:17 | |
I'll take another 10 off, 65. | 0:17:17 | 0:17:19 | |
-But you're getting an awful lot for your money for 65. -60? | 0:17:19 | 0:17:23 | |
No, I have got to stick at 65, sorry. | 0:17:23 | 0:17:26 | |
-OK. -You're getting a lot of history for 65. | 0:17:26 | 0:17:29 | |
I think that is a fantastic collection. | 0:17:29 | 0:17:31 | |
I love it. I hope I can sell it on to somebody else. | 0:17:31 | 0:17:33 | |
Yeah, I'll go with you. | 0:17:33 | 0:17:35 | |
You're a lovely person! | 0:17:35 | 0:17:36 | |
Aw, nicely done, Katherine. That's a fascinating buy and a great deal. | 0:17:38 | 0:17:42 | |
But John is also hard at work. | 0:17:42 | 0:17:44 | |
He snapped up a vintage fire pump for £55, and he also thinks he's got his rival's number. | 0:17:44 | 0:17:50 | |
These are quite interesting. | 0:17:50 | 0:17:52 | |
I know there's a huge market for private plates, so I hope the chap doesn't want too much for them. | 0:17:52 | 0:17:57 | |
What's interesting about them is each state has a reference on it to something unique or instantly | 0:17:57 | 0:18:03 | |
recognisable to that state. Look at that - New Jersey, the Garden State. | 0:18:03 | 0:18:07 | |
Florida, the Orange State. | 0:18:07 | 0:18:09 | |
And Utah, famous for its skiing resorts. Excuse me? | 0:18:09 | 0:18:11 | |
Can I help you? | 0:18:11 | 0:18:13 | |
A bunch of licence plates here. | 0:18:13 | 0:18:15 | |
-What sort of money are we talking about? -We sell them for £4 for one, or three for £10. | 0:18:15 | 0:18:22 | |
-Or if you're really interested, I've just sorted that mixed bunch out for 25. -25. | 0:18:22 | 0:18:28 | |
25 plates there, they can be £50. | 0:18:28 | 0:18:30 | |
That's £2 each. Not bad. Can we shake on that? | 0:18:30 | 0:18:34 | |
-We can. -We have a deal. -Thank you. | 0:18:34 | 0:18:36 | |
Nicely done, Mr Cameron. | 0:18:36 | 0:18:38 | |
Another bargain buy. | 0:18:38 | 0:18:39 | |
And it's time to find out just how much money our duelling dealers have parted with at today's market. | 0:18:39 | 0:18:46 | |
John and Katherine started with £750 of their own money. | 0:18:46 | 0:18:51 | |
After shopping like a trooper, Katherine has spent £523. | 0:18:51 | 0:18:57 | |
John has bought nine items for £570. | 0:18:57 | 0:19:02 | |
Our experts have walked miles to track down their purchases. | 0:19:03 | 0:19:06 | |
But before they pack up and head for home, they're both keen to get a glimpse of their opponent's wares. | 0:19:06 | 0:19:13 | |
-Katherine... -Mr Hammer... | 0:19:13 | 0:19:15 | |
How did we do today? | 0:19:15 | 0:19:18 | |
I think I've done really well. You'd be surprised at how well I've done. | 0:19:18 | 0:19:21 | |
I adore my picture frames. | 0:19:21 | 0:19:23 | |
Where are the pictures? | 0:19:23 | 0:19:24 | |
You don't need pictures these days, | 0:19:24 | 0:19:27 | |
-they're so old fashioned! -I'm out of touch, obviously! -How about you? | 0:19:27 | 0:19:30 | |
I'm really happy with my 19th century ruby glass lustres. They remind me of my childhood. | 0:19:30 | 0:19:35 | |
But I haven't bought them sentimentally for me. | 0:19:35 | 0:19:37 | |
I have a client in mind who buys ruby and cranberry, so hopefully he'll be a buyer of those. | 0:19:37 | 0:19:43 | |
You've gone a little bit American there. I'm really worried about the number plates. | 0:19:43 | 0:19:47 | |
You don't like them? | 0:19:47 | 0:19:48 | |
Well, I just think this side of the pond you'll struggle to sell them, but you know... | 0:19:48 | 0:19:53 | |
I'm optimistic. I've got somebody in mind. | 0:19:53 | 0:19:55 | |
-I'm hoping he'll make a nice display with them on the back of his toilet door, something like that. -Lovely. | 0:19:55 | 0:20:00 | |
What about this chap here? He looks like Blakey from On the Buses. "I'll 'ave you, Butler!" | 0:20:00 | 0:20:04 | |
Yeah, that would be before my time, of course. | 0:20:04 | 0:20:07 | |
Yes. But I think he's great. | 0:20:07 | 0:20:09 | |
I think it's well painted. I think it's got potential. | 0:20:09 | 0:20:13 | |
I'm going to do a bit of research and find out more. | 0:20:13 | 0:20:16 | |
-We'd better get cracking. We've got to try and sell this stuff. -May the best girl win. -Good luck! | 0:20:16 | 0:20:21 | |
So as they load their purchases into the boots of their cars, | 0:20:21 | 0:20:25 | |
John's hopes of winning today's competition rest on... | 0:20:25 | 0:20:29 | |
An original collage made from printing blocks. | 0:20:29 | 0:20:32 | |
A collection of antique razors and accessories. | 0:20:32 | 0:20:35 | |
A silver salt holder cast in the shape of a donkey. | 0:20:35 | 0:20:39 | |
A pair of Victorian ruby glass lustre vases. | 0:20:39 | 0:20:42 | |
Two advertising signs. | 0:20:42 | 0:20:45 | |
A maritime-themed barometer. | 0:20:45 | 0:20:47 | |
An early 20th century fire extinguisher. | 0:20:47 | 0:20:49 | |
And 25 assorted American licence plates. | 0:20:49 | 0:20:54 | |
Meanwhile, Katherine will be aiming to cash in on... | 0:20:54 | 0:20:57 | |
An oil painting and a pair of picture frames. | 0:20:57 | 0:21:00 | |
Three chairs, including one in the style of Lloyd Loom. | 0:21:00 | 0:21:04 | |
A pair of antlers. | 0:21:04 | 0:21:05 | |
30 pieces of Broadhurst crockery. | 0:21:05 | 0:21:08 | |
An assortment of vintage toys. | 0:21:08 | 0:21:10 | |
A gardening book. | 0:21:10 | 0:21:12 | |
A rhubarb forcer. | 0:21:12 | 0:21:14 | |
And a collection of cruise ship memorabilia. | 0:21:14 | 0:21:17 | |
So after a busy day's buying at Newark Antiques Fair, | 0:21:21 | 0:21:23 | |
the challenge for our experts is now to sell the items on for a profit. | 0:21:23 | 0:21:29 | |
-Take care, bye. -They'll both be pulling out all the stops to find the right buyers | 0:21:29 | 0:21:33 | |
for their items, and working their way through their little black books, | 0:21:33 | 0:21:37 | |
setting up deals on the phone and by email. | 0:21:37 | 0:21:39 | |
But until they've shaken on it and money has changed hands, no deal is truly sealed. | 0:21:39 | 0:21:45 | |
The most unusual of Katherine's buys | 0:21:48 | 0:21:50 | |
was definitely the rhubarb forcer that she thought was ripe for a profit. | 0:21:50 | 0:21:54 | |
And she's looking to make it her first sale of the day. | 0:21:54 | 0:21:58 | |
OK, it's not my smallest find. | 0:21:58 | 0:22:00 | |
-And it's pretty heavy. -Oh, goodness me! | 0:22:00 | 0:22:03 | |
Let's get it out! OK. | 0:22:03 | 0:22:05 | |
Don't forget, Katherine paid a whopping £100 for this. | 0:22:06 | 0:22:09 | |
So she's going to have to work really hard to make a profit. | 0:22:09 | 0:22:13 | |
How many people would be able to find a rhubarb forcer in the mass of a huge antiques market? | 0:22:14 | 0:22:20 | |
I know exactly what it is, but you're the gardener amongst us here. | 0:22:20 | 0:22:24 | |
How does it work? | 0:22:24 | 0:22:26 | |
In the winter time, the rhubarb all dies down, so it's all bare patch. | 0:22:26 | 0:22:31 | |
And basically you put it over where the shoots are going to come. | 0:22:31 | 0:22:34 | |
And being dark, | 0:22:34 | 0:22:37 | |
it will encourage the shoots to grow, and you'll create strong stems. | 0:22:37 | 0:22:41 | |
And that's the idea behind it. | 0:22:41 | 0:22:43 | |
You'll get a strong early growth of some lovely, delicious rhubarb. | 0:22:43 | 0:22:48 | |
I'm coming here for my rhubarb crumble! The other thing is, of course, it's terracotta. | 0:22:48 | 0:22:55 | |
Big question. What are you asking? | 0:22:55 | 0:22:57 | |
You know what, I'm going to ask... | 0:22:57 | 0:22:59 | |
-I think a fair price for it would be around £200. -Right. | 0:22:59 | 0:23:06 | |
OK, well, I know I've seen modern ones, | 0:23:06 | 0:23:10 | |
new ones on the internet at £100. | 0:23:10 | 0:23:14 | |
You've done your research. | 0:23:16 | 0:23:19 | |
-I'll give you 150. -OK. | 0:23:19 | 0:23:23 | |
-Not quite what I'm looking for. -You're pushing me, you're pushing me. | 0:23:23 | 0:23:26 | |
I'm going to push you straight into that rhubarb unless we can settle on 160! | 0:23:26 | 0:23:30 | |
-All right. Deal's done. -Deal's done? | 0:23:30 | 0:23:33 | |
And the first tasting of that rhubarb crumble. | 0:23:33 | 0:23:35 | |
Oh, now, you really are striking a hard bargain. | 0:23:35 | 0:23:39 | |
Well, there is no doubt about it, Katherine definitely knows her onions as well as her rhubarb. | 0:23:39 | 0:23:44 | |
£60 profit is a great result from her first deal. | 0:23:44 | 0:23:48 | |
She also bags a £5 profit from the sale of her gardening book. | 0:23:48 | 0:23:52 | |
And £95 from the sale of her two chairs. | 0:23:54 | 0:23:58 | |
In Hampshire, John is looking to register a profit of his own | 0:23:58 | 0:24:01 | |
by selling his collection of American number plates. | 0:24:01 | 0:24:05 | |
# Any old iron, any old iron, any, any, any old iron... # | 0:24:05 | 0:24:10 | |
This is the scrap-metal dealers that John had in mind when he bought the licence plates. | 0:24:10 | 0:24:14 | |
He has spoken to his contact on the phone, | 0:24:14 | 0:24:17 | |
but until he gets the money in his pocket, the sale isn't secured. | 0:24:17 | 0:24:20 | |
-Jim! -Hello, John, you made it then? | 0:24:21 | 0:24:24 | |
-So you've got these plates? -Yes, these are the plates. | 0:24:24 | 0:24:26 | |
I bought them up at Newark Antiques Fair. | 0:24:26 | 0:24:29 | |
I know you like your enamel signs. | 0:24:29 | 0:24:31 | |
-I also know you're a bit of a fan of number plates. -Yep. | 0:24:31 | 0:24:34 | |
So, I saw these, and I thought, cleaned up, Jim will like those, perhaps display them. | 0:24:34 | 0:24:38 | |
-Mind if I have a look? -Have a look. | 0:24:38 | 0:24:41 | |
Put them on the back of the toilet door, they'll make a good display. | 0:24:41 | 0:24:44 | |
-All American number plates? -Lovely American number plates, all got their state names on. | 0:24:44 | 0:24:48 | |
-Well, how many here? -There are 25 of them there, Jim. | 0:24:48 | 0:24:52 | |
Now, I think we're talking about £5 each. | 0:24:52 | 0:24:55 | |
-Bit on the high side, John. -How do you see it? -Too much for me. | 0:24:55 | 0:24:58 | |
I reckon about £3 each. | 0:24:58 | 0:25:01 | |
-£75? -£75. -These are American number plates, Jim. | 0:25:01 | 0:25:06 | |
-I've got loads of number plates. -I know, but they're plain old British number plates, | 0:25:06 | 0:25:10 | |
and they're on plain old British cars. | 0:25:10 | 0:25:12 | |
Just imagine some of the classic American cars that these were once attached to. | 0:25:12 | 0:25:16 | |
They are nice, but a bit expensive. | 0:25:16 | 0:25:19 | |
-So what do you reckon? -Well, at £4 each, that would be £100. | 0:25:19 | 0:25:24 | |
-It's less than I wanted, but I tell you what, Jim, £100 on one condition. -What's that? | 0:25:24 | 0:25:29 | |
You fix it for me to see a car being crushed. | 0:25:29 | 0:25:33 | |
-Erm, OK, you've got a deal. | 0:25:33 | 0:25:36 | |
Go on, then. | 0:25:36 | 0:25:37 | |
Well, Mr Cameron has just bagged himself a £50 profit. | 0:25:43 | 0:25:47 | |
Katherine the Great, it's Hammer time. | 0:25:47 | 0:25:51 | |
And there's more good news for John, when he banks | 0:25:55 | 0:25:57 | |
another £20 profit from the sale of his vintage fire extinguisher. | 0:25:57 | 0:26:01 | |
The Hammer may be blazing the selling trail, but Katherine is a tough competitor. | 0:26:04 | 0:26:09 | |
And she strikes back at The Hammer's lead by doubling her money on the Chad Valley bagatelle. | 0:26:09 | 0:26:15 | |
-I think a fair price for that would be around about £40. -OK. I think we have a deal. | 0:26:15 | 0:26:21 | |
Yes, £20 may not be an earth-shattering profit, | 0:26:22 | 0:26:25 | |
but Katherine has just doubled her money. | 0:26:25 | 0:26:28 | |
Her profit gets a further top-up | 0:26:30 | 0:26:32 | |
when she makes £10 from the sale of her wooden car. | 0:26:32 | 0:26:35 | |
And £12 from the sale of the collectible baby walker. | 0:26:37 | 0:26:40 | |
Both experts are working hard to secure deals on all of their items. | 0:26:43 | 0:26:47 | |
Katherine has gone off-road in search of another potential buyer. | 0:26:47 | 0:26:51 | |
One of my top selling tips is you've really got to know your market place, | 0:26:54 | 0:26:58 | |
and who you're selling to. | 0:26:58 | 0:27:00 | |
And that's exactly what I've done with my cruise liner memorabilia. | 0:27:00 | 0:27:03 | |
The only problem is, I've got to find out where they are! | 0:27:03 | 0:27:06 | |
After a quick search, Katherine tracks down her potential buyer, who sells cruise liner fashion, | 0:27:09 | 0:27:13 | |
and may have a use for her classic cruise liner memorabilia. | 0:27:13 | 0:27:17 | |
Hello! | 0:27:19 | 0:27:21 | |
This is all the cruise liner memorabilia I mentioned to you. | 0:27:21 | 0:27:25 | |
-Excellent. -Which I thought would be perfect. | 0:27:25 | 0:27:27 | |
Fantastic. | 0:27:27 | 0:27:28 | |
I've sorted it, actually. It all relates to the Queen Elizabeth. So this is luxury liner at its best. | 0:27:28 | 0:27:36 | |
Interesting tale really, because the cruise liner is built pre-war, | 0:27:36 | 0:27:41 | |
but it doesn't actually take passengers really until the post-war era. | 0:27:41 | 0:27:46 | |
That's when it starts to take passengers across the Atlantic to New York. | 0:27:46 | 0:27:49 | |
How might you use these? | 0:27:49 | 0:27:52 | |
I think we might use some of the images from the fronts of these menus. | 0:27:52 | 0:27:57 | |
This one in particular is very exotic. | 0:27:57 | 0:27:59 | |
Very much, hopefully, evocative of where these people that buy our clothes will be wearing them. | 0:27:59 | 0:28:05 | |
So on our website, or in brochures. | 0:28:05 | 0:28:07 | |
-Maybe shots of the actual vessels themselves would be good. -There's a nice one there. | 0:28:07 | 0:28:11 | |
It really does convey the glamour of ocean liner travel and cruise liner travel. | 0:28:11 | 0:28:18 | |
-So what do you think? -Well, I think you could convince me. Just! | 0:28:18 | 0:28:22 | |
I think, realistically, this shouldn't go for less than £200. I think that's what it's worth. | 0:28:22 | 0:28:28 | |
Well, we don't have a very large marketing budget. | 0:28:28 | 0:28:31 | |
And I was thinking more like 60. | 0:28:31 | 0:28:33 | |
OK. Right. | 0:28:33 | 0:28:35 | |
-That's quite far apart from where I'd like to be. -Yes. | 0:28:35 | 0:28:39 | |
I think I could bring it down to probably 120. | 0:28:39 | 0:28:44 | |
What about 100? | 0:28:44 | 0:28:47 | |
-Final offer, actually. 100. -OK. | 0:28:47 | 0:28:50 | |
I don't think you're going to go any more than that, so let's go for it. | 0:28:50 | 0:28:54 | |
-Deal done. -Thank you. | 0:28:54 | 0:28:56 | |
That's another £35 profit in the bank for Katherine the Great, | 0:28:56 | 0:29:00 | |
and she is steaming ahead. | 0:29:00 | 0:29:01 | |
But don't write off The Hammer just yet. | 0:29:01 | 0:29:04 | |
With his post-war advertising sign to sell, he's hoping for another big deal. | 0:29:04 | 0:29:10 | |
Good to see there's no sign are saying "No cold callers or canvassers". | 0:29:14 | 0:29:17 | |
-Martin, good to see you. -How are you doing? | 0:29:17 | 0:29:19 | |
-All right. -So you brought the sign along? -I have indeed. | 0:29:19 | 0:29:22 | |
-Do you want to come on through, and we'll see if we can do a deal? -Come on, then. | 0:29:22 | 0:29:27 | |
Well, it looks as though John has brought the sign to the right place. | 0:29:27 | 0:29:30 | |
The potential buyer is clearly a serious collector, but there are no guarantees he'll want to buy it. | 0:29:30 | 0:29:37 | |
What do you think? | 0:29:37 | 0:29:39 | |
Nice picture on it, condition obviously where the water has sat top and bottom, gone a bit. | 0:29:41 | 0:29:46 | |
But, no, it's a good sign. | 0:29:46 | 0:29:49 | |
The nice thing about it, there's no damage to the main area. | 0:29:49 | 0:29:51 | |
No. And a lot of kids used to throw stones and chip them. | 0:29:51 | 0:29:55 | |
-Is this a confession, Martin? -No! No, it's not. | 0:29:55 | 0:29:58 | |
These are pre, before me, John. Maybe in your time, perhaps. | 0:29:58 | 0:30:02 | |
This is post-war, isn't it? | 0:30:02 | 0:30:03 | |
-It is, yes. -So is this something that could find its way into your collection, Martin? | 0:30:03 | 0:30:07 | |
Certainly. Very interested. But, as always, dependent on price, John. | 0:30:07 | 0:30:11 | |
Well, I think it's a nice thing. | 0:30:11 | 0:30:13 | |
I know what these things make, I'm looking for £140 for it. | 0:30:13 | 0:30:18 | |
-Right. I'm gobsmacked. -Go on. -I think you're a little bit off the mark. | 0:30:18 | 0:30:22 | |
And I'll offer you about 80 quid for it, John. | 0:30:22 | 0:30:24 | |
I see you still fancy yourself as having a career in comedy, Martin. 80 quid?! | 0:30:24 | 0:30:29 | |
Martin's certainly driving a hard bargain. He and The Hammer settle on a price of £120. | 0:30:29 | 0:30:35 | |
-Seeing as it's you, it's a deal. -Good man. You won't regret it. -Thank you very much. | 0:30:35 | 0:30:40 | |
The buyer definitely knew his stuff, | 0:30:41 | 0:30:43 | |
but John has walked away with a £50 profit. | 0:30:43 | 0:30:47 | |
And he adds another £30 to his kitty | 0:30:47 | 0:30:49 | |
from the sale of his pawnbroker's sign to a different buyer. | 0:30:49 | 0:30:52 | |
Both our experts are working flat out to sell all their items for the biggest possible profit. | 0:30:54 | 0:31:00 | |
But who's flying high, and whose bid for victory is yet to take off? | 0:31:00 | 0:31:05 | |
Katherine the Great has sold £560 worth of goods, | 0:31:07 | 0:31:12 | |
giving her £237 worth of profit. | 0:31:12 | 0:31:15 | |
John "The Hammer" Cameron has made sales of £345, | 0:31:15 | 0:31:20 | |
bagging him a profit of £150. | 0:31:20 | 0:31:23 | |
Don't forget that both our rivals are working their socks off | 0:31:23 | 0:31:26 | |
to put deals together, on the phone or by email. | 0:31:26 | 0:31:29 | |
But until their potential buyers have handed over the cash, no sale is in the bag. | 0:31:29 | 0:31:34 | |
John might be trailing at the moment, but with plenty of items | 0:31:34 | 0:31:38 | |
left to sell, he isn't out of this contest just yet. | 0:31:38 | 0:31:41 | |
All he's thinking about is the next sale, and he's on his way to try | 0:31:45 | 0:31:48 | |
and seal a deal for his barometer, which he bought for £60. | 0:31:48 | 0:31:52 | |
Now, Paul, I've brought this barometer in to show you. It's a nice thing. | 0:31:52 | 0:31:55 | |
I've seen them before, but not for a while. | 0:31:55 | 0:31:57 | |
Early 20th century carved oak frame. | 0:31:57 | 0:32:00 | |
It's got this barometer in here. | 0:32:00 | 0:32:02 | |
Thermometer in there, little clock in there, and even a compass in the top. Do you like it? | 0:32:02 | 0:32:06 | |
Yes, it's not too bad. | 0:32:06 | 0:32:07 | |
It all depends how much it is. | 0:32:07 | 0:32:09 | |
Well, I was hoping for £140 for it today, Paul. | 0:32:09 | 0:32:12 | |
-I think £100 is about where I want to be. -How's business? -Terrible. | 0:32:12 | 0:32:16 | |
You've got a suntan there, don't be telling me business is terrible! | 0:32:16 | 0:32:20 | |
I'll talk to you later, when I've bought it. | 0:32:20 | 0:32:22 | |
-Can you not do this for £120? -No. -£100? | 0:32:22 | 0:32:26 | |
If that's your best price, Paul, I'm in no mood to argue today. | 0:32:26 | 0:32:30 | |
-It's yours. -Deal's done. -£100. | 0:32:30 | 0:32:32 | |
-Business is fantastic! -Now, tell me about this holiday. | 0:32:32 | 0:32:35 | |
Well, it's a sale, and another £40 of profit. | 0:32:36 | 0:32:39 | |
But it definitely won't go down in the history books | 0:32:39 | 0:32:42 | |
as The Hammer's finest haggle. | 0:32:42 | 0:32:44 | |
However, he adds another £45 of profit | 0:32:45 | 0:32:48 | |
from the sale of his printing stamp panel. | 0:32:48 | 0:32:50 | |
This contest is now too close to call. | 0:32:53 | 0:32:56 | |
The Hammer is hoping to seal his next deal from the comfort of his own home. | 0:32:56 | 0:33:00 | |
Come out, have a sit down. I said you could have a look at these. | 0:33:01 | 0:33:04 | |
Just put these coffees down. | 0:33:04 | 0:33:07 | |
Now, have a look at those. | 0:33:07 | 0:33:09 | |
-What do you think? -There's a bad repair around there, John. | 0:33:09 | 0:33:14 | |
Yeah, I spotted that. | 0:33:14 | 0:33:15 | |
Now, the piece is there. It's been glued back in so it's still there. | 0:33:15 | 0:33:19 | |
And because it's underneath that bowl, you can't really see it. | 0:33:19 | 0:33:22 | |
-No. -They're quite nice, aren't they? A good Victorian pair? -Yeah. | 0:33:22 | 0:33:26 | |
Apart from that little bit of damage and the missing lustres, what do you think? | 0:33:26 | 0:33:30 | |
Well, I'm afraid | 0:33:30 | 0:33:32 | |
that they don't come up to the quality of the lustres that I have, but they are very pretty. | 0:33:32 | 0:33:39 | |
So these are of interest to you, yeah? | 0:33:39 | 0:33:41 | |
Well, they could be. | 0:33:41 | 0:33:43 | |
Here we go. Now, we know we've got to get down to the awkward business of the money, Alf. | 0:33:43 | 0:33:48 | |
Now, as you know, I've sold to you many times from the rostrum, | 0:33:48 | 0:33:51 | |
-but not sitting face-to-face in a personal negotiation. -Is it difficult? | 0:33:51 | 0:33:55 | |
I'm finding it quite hard. | 0:33:55 | 0:33:57 | |
-Anyway, let's pretend I'm on the rostrum. -Right. | 0:33:57 | 0:33:59 | |
Who'll start the bidding at £200? | 0:33:59 | 0:34:01 | |
Do I have £200 anywhere? | 0:34:01 | 0:34:03 | |
No. But you've got one at 125. | 0:34:03 | 0:34:06 | |
Oh dear. 125 is not enough. | 0:34:06 | 0:34:08 | |
We need to bid a bit more. Keep the bidding going, Alf. | 0:34:08 | 0:34:11 | |
126. | 0:34:11 | 0:34:12 | |
-Of course, you really do feel like you're in the sale room, don't you? -Yes. -Do I hear 150 anywhere? | 0:34:12 | 0:34:18 | |
-I think that I will say yes. 150. -150? -Yes. | 0:34:18 | 0:34:25 | |
Well, that's a novel approach to haggling, but it's paid off | 0:34:26 | 0:34:29 | |
as John has just tripled his money and made £100 profit. | 0:34:29 | 0:34:33 | |
-Would you take them home for me? -You want delivery as well? | 0:34:33 | 0:34:35 | |
-Yes, please. -Dear Lord, there's no pleasing some people, is there? | 0:34:35 | 0:34:39 | |
He also bags another £50 from the sale of his silver salt pot | 0:34:39 | 0:34:43 | |
and the pressure is now back on his opponent. | 0:34:43 | 0:34:47 | |
But when the going gets tough, Katherine the Great gets going. | 0:34:47 | 0:34:50 | |
And she's been thinking outside the box about the best way to sell | 0:34:50 | 0:34:53 | |
the Kathie Winkle pottery she bought for £30. | 0:34:53 | 0:34:57 | |
Now, I've made you a really nice cup of tea and not just in your average teacup. | 0:34:57 | 0:35:02 | |
I've made it in the pottery that, hopefully, you're going to buy. | 0:35:02 | 0:35:07 | |
She's showing the pottery to an interior designer she knows. | 0:35:07 | 0:35:10 | |
The designer's impressed, but will she pay a profitable price? | 0:35:10 | 0:35:14 | |
It couldn't really go for less than at least £3 or £4 a piece, | 0:35:14 | 0:35:19 | |
which does tot up to about, you know, towards £100. Would that be reasonable? | 0:35:19 | 0:35:25 | |
No. I'm afraid we're way off. | 0:35:25 | 0:35:27 | |
I can't get carried away with that. | 0:35:27 | 0:35:29 | |
I have to stick to the budget. I was thinking nearer half that. | 0:35:29 | 0:35:32 | |
-If I came down to what I think is reasonable, £70? -It's still too much. | 0:35:32 | 0:35:37 | |
I think maybe 55? | 0:35:37 | 0:35:40 | |
Could we meet on... What about... | 0:35:40 | 0:35:44 | |
What about 65? | 0:35:44 | 0:35:46 | |
I'd throw in a chocolate biscuit. | 0:35:46 | 0:35:48 | |
I'd even make him a cup of tea, if you introduced him to me. | 0:35:48 | 0:35:50 | |
-OK, it's a deal. 65. -Perfect. | 0:35:50 | 0:35:55 | |
-Well done. -Thank you. | 0:35:55 | 0:35:58 | |
Drink up. | 0:35:58 | 0:35:59 | |
Yes, that's a fine effort from Katherine. | 0:36:01 | 0:36:03 | |
She's racking up sale after sale | 0:36:03 | 0:36:06 | |
and has just added another £35 to her total. | 0:36:06 | 0:36:10 | |
There's no doubt about it that she's in it to win it today. | 0:36:10 | 0:36:13 | |
And she bags another impressive profit | 0:36:13 | 0:36:16 | |
from the sale of her painting. | 0:36:16 | 0:36:17 | |
With just a few more items left to sell in today's battle of the sexes, | 0:36:17 | 0:36:21 | |
there's nothing to choose between our two experts. | 0:36:21 | 0:36:23 | |
But Katherine is hoping to make a decisive move | 0:36:23 | 0:36:27 | |
by selling the Lloyd Loom style chair she bought at Newark for £40. | 0:36:27 | 0:36:32 | |
I'm in Oxfordshire now and I've got my chair in the back, the chair that I bought in Newark. | 0:36:33 | 0:36:37 | |
And I'm on my way to see Henry, who's managing director of the Lusty Furniture Company. | 0:36:37 | 0:36:42 | |
That's the firm that originally sold Lloyd Loom furniture in Britain in the 1920s. | 0:36:42 | 0:36:48 | |
And they're still making it the same way as they did way back then. | 0:36:48 | 0:36:51 | |
Well, it sounds as though Katherine has found the perfect potential buyer, but can she seal the deal? | 0:36:51 | 0:36:58 | |
Great, well let's come inside with these pieces. | 0:36:58 | 0:37:02 | |
And see what we can do with them. | 0:37:02 | 0:37:04 | |
Gosh. What a fitting environment. | 0:37:04 | 0:37:06 | |
Well, these are some of the contemporary and the old models | 0:37:06 | 0:37:09 | |
that go back to about 1922, in fact, when Lloyd Loom first came to England. | 0:37:09 | 0:37:15 | |
Yeah, I mean, it's fantastic. | 0:37:15 | 0:37:17 | |
You've get sort of the real sense | 0:37:17 | 0:37:19 | |
that this is the right place for something like this to be. | 0:37:19 | 0:37:23 | |
-The design aspect. -Certainly the design aspect. I'm seeing a few things that interest me. | 0:37:23 | 0:37:28 | |
We've got this beading, which is very reminiscent of the Lusty Lloyd Loom style. | 0:37:28 | 0:37:33 | |
And this design is particularly interesting. When I first saw | 0:37:33 | 0:37:36 | |
the picture of it, my heart sort of stopped and I thought, it can't be anything to do with us. | 0:37:36 | 0:37:41 | |
-But I did get a book which does show the design. -Oh, look. | 0:37:41 | 0:37:45 | |
Pretty much as on the Lewis Larsson style... | 0:37:45 | 0:37:49 | |
-Yes. -..from 1919. And it's not a million miles from that. | 0:37:49 | 0:37:54 | |
I'm not entirely sure it's one of our pieces, but I do think this is commercial. | 0:37:54 | 0:37:58 | |
I can see it sitting around people's swimming pools. | 0:37:58 | 0:38:01 | |
I can see it sitting in people's conservatories. | 0:38:01 | 0:38:04 | |
It's got this wonderful sprung cantilever feel to it. | 0:38:04 | 0:38:07 | |
So it's a more comfortable and solid chair that you just sit down on. Do you think it'll survive me? | 0:38:07 | 0:38:12 | |
Absolutely. | 0:38:12 | 0:38:14 | |
I think it's very you. | 0:38:14 | 0:38:16 | |
Well, it's quite low, isn't it? We'll have a go. | 0:38:16 | 0:38:19 | |
That feels rather comfortable. Fantastic. | 0:38:22 | 0:38:24 | |
Well, now you're sitting comfortably, now you're sitting VERY comfortably, | 0:38:24 | 0:38:29 | |
is it the kind of piece you'd like to buy back? | 0:38:29 | 0:38:32 | |
-Can I tempt you? -Yes, I think you could tempt us. | 0:38:32 | 0:38:35 | |
So I think it's about time to get down to some business. | 0:38:35 | 0:38:38 | |
Realistically, I think it's worth every penny of £120. | 0:38:38 | 0:38:43 | |
OK, well it's a bit rich for us. | 0:38:43 | 0:38:45 | |
We have to do a bit of work on it to get it to a point we could do anything with it. | 0:38:45 | 0:38:49 | |
Obviously, starting with this pink cover. But I think £95-£100 would work for us. | 0:38:49 | 0:38:55 | |
-If you could set on 100? -I'll go for 100. -Great. | 0:38:55 | 0:38:57 | |
-£100 it is. Perfect. -Fantastic. | 0:38:57 | 0:39:00 | |
-Sit down and enjoy it. I'll go and make you a cup of tea, shall I? -That would be good news. | 0:39:00 | 0:39:05 | |
Yes, £60 profit on the chair is a fantastic result. | 0:39:05 | 0:39:10 | |
And when Katherine sells her picture frames for a £20 profit | 0:39:10 | 0:39:15 | |
and banks £50 from the sale of her antlers, she's all sold up. | 0:39:15 | 0:39:21 | |
If Mr Cameron is going to win today's contest, | 0:39:21 | 0:39:24 | |
he has to make a handsome profit from his barber's tools. | 0:39:24 | 0:39:27 | |
When I bought my collection of vintage barber's tools, the first thing that struck me was the price. | 0:39:27 | 0:39:33 | |
The dealer at Newark was asking £200 for them, but I managed to get him down to £100. | 0:39:33 | 0:39:37 | |
When I bought them, I had a couple of potential buyers in mind | 0:39:37 | 0:39:40 | |
and since I've cast out my line, I've had a nibble on the bait. | 0:39:40 | 0:39:44 | |
One thing's for sure, though, if they do want them, they're not getting them for a snip. | 0:39:44 | 0:39:48 | |
The hairdressers' may have expressed an interest in the vintage tools, but John still has to seal the deal. | 0:39:52 | 0:39:58 | |
They cost him £100. | 0:39:58 | 0:40:00 | |
Will he be able to make a profit? | 0:40:00 | 0:40:01 | |
I was up at Newark Antiques Fair and I came across | 0:40:11 | 0:40:13 | |
this really interesting collection of old hairdressing tools. Have a look at that. | 0:40:13 | 0:40:17 | |
-What do you think? -Lovely, John, but I think we've moved on a bit. We've got electricity now. | 0:40:17 | 0:40:21 | |
Yeah, very funny, very funny. | 0:40:21 | 0:40:24 | |
Not thinking about you using them. | 0:40:24 | 0:40:26 | |
I'm thinking about a real interesting retro display. | 0:40:26 | 0:40:28 | |
Now, I think if we had a glass cabinet in the corner here | 0:40:28 | 0:40:32 | |
with these things sympathetically arranged, kind of following the time, | 0:40:32 | 0:40:36 | |
back from the '40s, through to the '50s, and charting the kind of rise of the electric clipper. | 0:40:36 | 0:40:42 | |
I think these would be a great conversation piece, Kev, really retro. | 0:40:42 | 0:40:46 | |
I think your clients would see this, some of the older ones, and it'd be a trip down memory lane. | 0:40:46 | 0:40:50 | |
-What sort of money are you looking for? -I'm thinking £20 a piece. | 0:40:50 | 0:40:54 | |
Comes to £400. | 0:40:54 | 0:40:56 | |
400? | 0:40:56 | 0:40:59 | |
After a strong sales pitch, John's opened negotiations at four times what he paid for the tools. | 0:40:59 | 0:41:05 | |
It's a bold move and we'll find out very shortly if it paid off because it's time to | 0:41:05 | 0:41:10 | |
tot up the totals and reveal how much our experts have made. | 0:41:10 | 0:41:14 | |
John and Katherine started out with up to £750 of their own money. | 0:41:16 | 0:41:21 | |
Katherine spent £523. | 0:41:21 | 0:41:25 | |
Whilst her rival parted with £570. | 0:41:25 | 0:41:29 | |
Don't forget that every penny of profit they make will be going to charity. | 0:41:30 | 0:41:34 | |
So, without further ado, it's time to find out who is today's Put Your Money Where Your Mouth Is champion. | 0:41:34 | 0:41:41 | |
-Katherine, how are you? -John, lovely to see you. | 0:41:41 | 0:41:44 | |
-Fresh from your Newark Antiques Fair challenge? -It was good. | 0:41:44 | 0:41:47 | |
Newark Antiques market was brilliant. | 0:41:47 | 0:41:49 | |
Interested to know, how did you get on with that rhubarb forcer? | 0:41:49 | 0:41:52 | |
Well, it's all a matter of growth, watching your money grow with your purchases, you see. | 0:41:52 | 0:41:56 | |
Well, enough chit-chat, I want to know how much profit you made. | 0:41:56 | 0:42:00 | |
-I'll count down. -Go on, then. | 0:42:00 | 0:42:02 | |
Three, two, one. Ta-da! | 0:42:02 | 0:42:07 | |
-Congratulations. -I pipped you there. | 0:42:07 | 0:42:10 | |
-Just this once, I'll let you off. -Well, I don't know how I did it | 0:42:10 | 0:42:13 | |
-because you literally bought half the fair. -I did, I did. | 0:42:13 | 0:42:16 | |
But I'm pleased with that. But you've done so well. Well done. | 0:42:16 | 0:42:20 | |
Thank you very much. | 0:42:20 | 0:42:22 | |
But let the battle continue. | 0:42:22 | 0:42:24 | |
-Let's go. -Come on. | 0:42:24 | 0:42:26 | |
So it's a well deserved victory for John after selling his vintage | 0:42:26 | 0:42:30 | |
hairdressing tools for a massive £200 profit. | 0:42:30 | 0:42:34 | |
£15 each? | 0:42:34 | 0:42:36 | |
£15 a piece? You'll buy them for £15 a piece? | 0:42:36 | 0:42:39 | |
-£300? -£300? Kev... | 0:42:39 | 0:42:42 | |
-I think we've got a deal. -Thanks very much. | 0:42:42 | 0:42:45 | |
They may have made it look easy, but both John and Katherine have worked | 0:42:45 | 0:42:48 | |
incredibly hard to raise so much for their chosen charities. | 0:42:48 | 0:42:52 | |
All the profits that I make from this programme will go to my chosen charity, | 0:42:52 | 0:42:56 | |
which is The Emasi Children's Project, an orphanage in Cape Town, South Africa. | 0:42:56 | 0:43:01 | |
My £585 profit will be going to the Cystic Fibrosis Trust. | 0:43:01 | 0:43:05 | |
Well, today's round may have gone to John, | 0:43:05 | 0:43:07 | |
but tomorrow our experts will be climbing into the ring once again | 0:43:07 | 0:43:11 | |
as they square up to each other at a car boot sale. | 0:43:11 | 0:43:14 | |
I'm sure I can make a profit on this. | 0:43:14 | 0:43:16 | |
Katherine the Great? On your bike! | 0:43:16 | 0:43:18 | |
A great condition piece. A good, classy collectible. | 0:43:18 | 0:43:22 | |
The great thing about car boot sales is you really don't know what you're going to find! | 0:43:22 | 0:43:27 | |
Subtitles by Red Bee Media Ltd | 0:43:36 | 0:43:39 | |
E-mail [email protected] | 0:43:39 | 0:43:42 |