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We've all seen them on TV, | 0:00:02 | 0:00:04 | |
but how will the country's favourite antiques experts fare | 0:00:04 | 0:00:07 | |
when they have to make a profit with their own cash? | 0:00:07 | 0:00:09 | |
Watch out. | 0:00:09 | 0:00:11 | |
Who's going to make the biggest profit of all? Me. | 0:00:11 | 0:00:14 | |
From car boot sales to auction houses, | 0:00:14 | 0:00:17 | |
our experts will be recreating some of their real life deals | 0:00:17 | 0:00:21 | |
as they go head to head | 0:00:21 | 0:00:23 | |
and try and make the most money for their chosen charities. | 0:00:23 | 0:00:27 | |
-Come on, Knowles! -The competition is really hot. | 0:00:27 | 0:00:31 | |
The challenge to our experts is clear - | 0:00:31 | 0:00:33 | |
dealers, Put Your Money Where Your Mouth Is! | 0:00:33 | 0:00:36 | |
Today's duelling dealers are auctioneer John "The Hammer" Cameron | 0:01:06 | 0:01:10 | |
and princess of profit, Katherine "The Great" Higgins. | 0:01:10 | 0:01:13 | |
I get seriously excited about retro design, really. | 0:01:13 | 0:01:18 | |
Things that people can use in their homes, | 0:01:18 | 0:01:21 | |
but have a real history behind them. | 0:01:21 | 0:01:23 | |
A living history. I love knowing the history behind objects. | 0:01:23 | 0:01:27 | |
You can find out who owned the items and do lots of research attached to them. | 0:01:27 | 0:01:31 | |
That's what makes me buzz and that's kind of me, really. | 0:01:31 | 0:01:33 | |
Katherine's vast knowledge of antiques and collectibles has served her well, | 0:01:34 | 0:01:39 | |
in writing books and articles | 0:01:39 | 0:01:41 | |
and revealing the true value of people's heirlooms on The Antiques Roadshow. | 0:01:41 | 0:01:45 | |
Her opponent is John Cameron, a well-respected chartered surveyor | 0:01:47 | 0:01:51 | |
and auctioneer, with an underlying competitive streak. | 0:01:51 | 0:01:55 | |
Well, sometimes in life, I'm accused of being a bit laid-back | 0:01:55 | 0:01:58 | |
and perhaps I am, but, you know, I haven't done too bad this far | 0:01:58 | 0:02:02 | |
and, you know, at the end of the day, I don't like to lose. | 0:02:02 | 0:02:05 | |
When he isn't valuing antiques and collectibles, | 0:02:05 | 0:02:08 | |
John can be found selling them, from the auctioneer's podium. | 0:02:08 | 0:02:11 | |
At 420, then. | 0:02:11 | 0:02:12 | |
For today's contest, we're upping the stakes for our experts by throwing them into the unknown, | 0:02:13 | 0:02:20 | |
because today's contest takes place in Paris. | 0:02:20 | 0:02:22 | |
It's time for us to find out the aim of today's game, but as Katherine and John meet up | 0:02:25 | 0:02:30 | |
in the French capital, it seems as though the city's romance might have gone to their heads a little. | 0:02:30 | 0:02:35 | |
-Katherine. -John. -You weren't followed, were you? | 0:02:37 | 0:02:39 | |
-No. -I have an envelope for you. | 0:02:39 | 0:02:42 | |
"John and Katherine, your challenge today is to spend | 0:02:47 | 0:02:51 | |
"up to £750 of your own money on antiques. You must then | 0:02:51 | 0:02:55 | |
"resell your purchases, | 0:02:55 | 0:02:57 | |
"with the aim of making as much profit as possible. | 0:02:57 | 0:03:00 | |
"The winner is the presenter who makes the most cash. | 0:03:00 | 0:03:04 | |
"Today, you must buy all of your antiques... | 0:03:04 | 0:03:07 | |
"..from a French antiques market. Bon chance." | 0:03:08 | 0:03:12 | |
-Shall we? -We shall. | 0:03:12 | 0:03:14 | |
Aw! They might be walking off arm-in-arm now, | 0:03:14 | 0:03:17 | |
but once the contest has started, there certainly won't be any love lost between our battling experts. | 0:03:17 | 0:03:23 | |
Pretty much everybody that they try to do deals with | 0:03:24 | 0:03:28 | |
will be aware that they're on a mission to raise as much money as possible for charity. | 0:03:28 | 0:03:33 | |
Our experts will be doing everything to persuade people to give them | 0:03:33 | 0:03:36 | |
the best possible prices when they buy and sell the items | 0:03:36 | 0:03:39 | |
that they hope will drive them to victory. | 0:03:39 | 0:03:42 | |
Oh, 250 euros, so that's a bit too much. | 0:03:42 | 0:03:45 | |
I don't think I would make money and I'd have to barter very hard. | 0:03:45 | 0:03:48 | |
As he browses round the market, John will be snapping up | 0:03:48 | 0:03:51 | |
anything that he thinks he can make a profit on. | 0:03:51 | 0:03:54 | |
Now, this is a pretty good French market. | 0:03:54 | 0:03:56 | |
Katherine, on the other hand, | 0:03:57 | 0:03:59 | |
has decided to focus her energies on hunting out vintage clothing, | 0:03:59 | 0:04:03 | |
glassware and pieces of modern design. | 0:04:03 | 0:04:06 | |
And she has spotted a potential purchase. | 0:04:06 | 0:04:08 | |
It's a fantastic 1960s chair. | 0:04:08 | 0:04:11 | |
Lovable from every perspective, | 0:04:11 | 0:04:14 | |
because it's supremely comfortable, | 0:04:14 | 0:04:16 | |
it shows what the '60s was all about. | 0:04:16 | 0:04:19 | |
The shape of it is purely space-age and space-inspired. | 0:04:19 | 0:04:24 | |
It's multifunctional, multipurpose, so I can do this, I can... | 0:04:24 | 0:04:28 | |
I can sit and eat at a table, I can relax and lounge on it | 0:04:28 | 0:04:32 | |
in my...in my living room. | 0:04:32 | 0:04:34 | |
I can be in the office on it. | 0:04:34 | 0:04:35 | |
It was one of those chairs that performed all those functions. | 0:04:35 | 0:04:39 | |
And if we take a closer look at it, it's got this fantastic moulded body | 0:04:39 | 0:04:44 | |
which is covered with the fabric on top, which is really easy to mass-produce. | 0:04:44 | 0:04:50 | |
And instead of four legs, you've got this central pedestal | 0:04:50 | 0:04:53 | |
supporting the weight. It's clever use of modern materials. | 0:04:53 | 0:04:57 | |
That's why I love it so much. | 0:04:57 | 0:04:58 | |
Katherine clearly loves the chair, but can she get it for the right price? | 0:04:58 | 0:05:03 | |
-C'est bon. -C'est bon? -Oui. Merci. | 0:05:03 | 0:05:05 | |
We started on 170, that's what he wanted. | 0:05:07 | 0:05:09 | |
And I said, "No, is 100 all right? | 0:05:09 | 0:05:12 | |
And he said, "No, it wasn't all right." | 0:05:12 | 0:05:15 | |
So, we actually settled in the middle on 150, | 0:05:15 | 0:05:18 | |
which I'm...I'm really happy with. | 0:05:18 | 0:05:20 | |
Then we talked about how comfortable it was! So I'm really happy. | 0:05:20 | 0:05:23 | |
Erm, 150 euros isn't quite in the middle, | 0:05:23 | 0:05:27 | |
but Katherine seems happy enough. | 0:05:27 | 0:05:29 | |
This contest is a two-horse race, though, and The Hammer is determined to give his rival | 0:05:29 | 0:05:34 | |
a good run for her money. | 0:05:34 | 0:05:36 | |
Now, I'm under starter's orders and I'm away! | 0:05:36 | 0:05:39 | |
And I've made a rather interesting purchase. | 0:05:39 | 0:05:42 | |
It's an early 20th century or late 19th century | 0:05:42 | 0:05:45 | |
mechanical horse-racing game. | 0:05:45 | 0:05:48 | |
It's French and I think this is a great deal of fun. | 0:05:48 | 0:05:51 | |
Now, when buying things like this | 0:05:51 | 0:05:53 | |
the first thing you want to look at has to be condition. | 0:05:53 | 0:05:56 | |
If it doesn't work, it may be quite tricky trying to get replacement parts or get items repaired, | 0:05:56 | 0:06:02 | |
so the first thing we do is check that it's working. | 0:06:02 | 0:06:04 | |
Basically, it's an adult's game. | 0:06:04 | 0:06:07 | |
You put your money in the dish in the centre and you're all hoping to back | 0:06:07 | 0:06:10 | |
the horse that finishes closest to the post. | 0:06:10 | 0:06:14 | |
They drove a bit of a hard bargain, they wanted 300 euros for this. | 0:06:14 | 0:06:19 | |
I tried to offer 150, but in the end we settled for 200 euros, | 0:06:19 | 0:06:22 | |
which is just under £200, about £190. | 0:06:22 | 0:06:27 | |
I'm hoping to get about £300 for this back in England. | 0:06:27 | 0:06:30 | |
It's a splendid start for The Hammer, | 0:06:30 | 0:06:33 | |
but he's feeling the heat of the competition. | 0:06:33 | 0:06:36 | |
Now, having made my first purchase, I'm keen to see what Katherine's up to. | 0:06:36 | 0:06:39 | |
The last time I caught sight of her she was looking good, dressed to kill and she speaks good French. | 0:06:39 | 0:06:43 | |
She's going to be schmoozing with the stallholders here. | 0:06:43 | 0:06:46 | |
She's going to have a tough ride on her hands | 0:06:46 | 0:06:49 | |
because I'm coming up the outside rail and I'm not going to fall at the last fence. | 0:06:49 | 0:06:53 | |
Tough talking from Mr Cameron! But Katherine isn't called | 0:06:53 | 0:06:55 | |
The Great for nothing and has spotted a potential bargain. | 0:06:55 | 0:06:59 | |
Look at this, 20 euros for everything on this table. | 0:06:59 | 0:07:01 | |
Do you know, I'm such a bargain lady, | 0:07:01 | 0:07:05 | |
I'd quite like to go for something on here. | 0:07:05 | 0:07:07 | |
And, instantly, it has to be these plates. | 0:07:07 | 0:07:10 | |
Being a bit of a sort of retro '70s girl, I am kind of drawn to them. | 0:07:10 | 0:07:15 | |
They are very, very eye-catching, actually. | 0:07:15 | 0:07:19 | |
Let's have a look on the other side. They're Limoges, I mean, we're talking kind of '70s Limoges, | 0:07:19 | 0:07:24 | |
so it's not hugely old, | 0:07:24 | 0:07:27 | |
but they're rather nice pieces. It looks like they were probably made for export | 0:07:27 | 0:07:32 | |
and, gosh, 20...20 euros for six, that's very good going. | 0:07:32 | 0:07:37 | |
-Voila! -Merci! | 0:07:37 | 0:07:40 | |
Well, Katherine seems pleased with her latest purchase and snaps up | 0:07:40 | 0:07:44 | |
a beaded purse for £19 from the same table. | 0:07:44 | 0:07:49 | |
John is hot on her heels, though. He's noticed | 0:07:49 | 0:07:53 | |
some shot glasses, but despite there being over 400 stalls to choose from, it seems as though | 0:07:53 | 0:07:58 | |
this market just ain't big enough for the both of them. | 0:07:58 | 0:08:01 | |
-Excusez-moi, mademoiselle. -Sorry. -Shoo, shoo, shoo! | 0:08:01 | 0:08:04 | |
Having seen off his rival, it's back to business for John. | 0:08:04 | 0:08:08 | |
Excusez-moi, monsieur... Le dernier prix? | 0:08:08 | 0:08:11 | |
-Cent vingt. -Cent vingt? Um, no, no. Cent. Cent. | 0:08:11 | 0:08:16 | |
-Where are you from? -From England. | 0:08:16 | 0:08:18 | |
You're a gentleman. | 0:08:18 | 0:08:21 | |
Maybe 110 euros. | 0:08:21 | 0:08:23 | |
-110? My friend, we have a deal. -Thank you. | 0:08:23 | 0:08:27 | |
Thank you very much. Fantastic. | 0:08:27 | 0:08:29 | |
He's on great form. Strike two for auctioneer John. | 0:08:29 | 0:08:34 | |
Wow! I'm terribly excited at that. | 0:08:34 | 0:08:36 | |
I've just bought a set of 12 cased | 0:08:36 | 0:08:38 | |
19th century spirit tumblers which are fantastic. | 0:08:38 | 0:08:42 | |
The condition, absolutely superb. | 0:08:42 | 0:08:44 | |
Decoration of a nice tied reed border around there, | 0:08:44 | 0:08:48 | |
very popular French feature in the decorative arts. | 0:08:48 | 0:08:50 | |
They've also got their maker's mark, their silver mark, their French silver mark. | 0:08:50 | 0:08:54 | |
And what's more, the condition, look at that inside! | 0:08:54 | 0:08:57 | |
The gilt interiors have never been used, they're all in there. | 0:08:57 | 0:09:00 | |
It's fantastic! I managed to get them for about £100. | 0:09:00 | 0:09:03 | |
I think I can turn a profit on these. | 0:09:03 | 0:09:06 | |
So, for just over £100 John has bagged himself | 0:09:06 | 0:09:11 | |
some quality antique pieces. | 0:09:11 | 0:09:13 | |
Katherine the Great, though, is also hard at work. | 0:09:16 | 0:09:19 | |
Vintage sunglasses are great collectibles. | 0:09:19 | 0:09:21 | |
I love them because they're hugely nostalgic, they remind us of kind of eras past | 0:09:21 | 0:09:26 | |
and these are the classic Bausch & Lomb Wayfarer sunglasses. I mean, we know them as Ray-Ban, | 0:09:26 | 0:09:31 | |
which was originally devised to ban the sun's rays. | 0:09:31 | 0:09:36 | |
And what's really nice is that the hinges are still, you know, fine. There's no damage to those at all. | 0:09:36 | 0:09:42 | |
And there's no repairs, the original screws are there. The frame itself is really nice and clean. | 0:09:42 | 0:09:47 | |
You've also got the important mark. You've got Bausch & Lomb Ray-Ban. | 0:09:47 | 0:09:52 | |
These are later ones, probably date from the 1980s, something like that, | 0:09:52 | 0:09:55 | |
and they were probably my first pair that I ever bought. | 0:09:55 | 0:09:59 | |
Unusual to see them in red, actually, a bit more cutting edge. | 0:09:59 | 0:10:02 | |
I'm kind of tempted to go for maybe a few of these because I know the most brilliant dealer | 0:10:02 | 0:10:07 | |
who specialises in these and I might just make a few pounds on them. | 0:10:07 | 0:10:10 | |
I like these two, actually. | 0:10:10 | 0:10:13 | |
-These two. -Yeah, but... But, maybe... -40. -40? | 0:10:13 | 0:10:17 | |
-For both, yeah. -For both. -Yeah. -OK, 40 for both. | 0:10:17 | 0:10:21 | |
-Yes. -Perfect! Merci. | 0:10:21 | 0:10:23 | |
So that's a quick deal for Katherine and she's swift to buy another two pairs for just under £85, | 0:10:23 | 0:10:29 | |
taking her total sunglasses spend to a little over £120. | 0:10:29 | 0:10:34 | |
But she'd better keep her bargains under wraps | 0:10:34 | 0:10:37 | |
because Commander Cameron will stop at nothing to spot her bounty. | 0:10:37 | 0:10:41 | |
Now where is that femme fatale, the scarlet woman? | 0:10:44 | 0:10:48 | |
Scarlet woman?! Steady on, John! | 0:10:48 | 0:10:52 | |
Being a Portsmouth lad, John has grown up surrounded by naval tradition, and he's got his sights | 0:10:52 | 0:10:56 | |
set on victory. | 0:10:56 | 0:10:59 | |
I see no ships, but I do potentially see a profit in this 19th century, French, single draw telescope. | 0:10:59 | 0:11:06 | |
Now, coming from Portsmouth, the home of HMS Victory, Nelson's flagship at the Battle of Trafalgar, | 0:11:06 | 0:11:11 | |
I've seen my fair share of maritime collectors in the auction houses. | 0:11:11 | 0:11:15 | |
And this is something on which I can turn a profit. | 0:11:15 | 0:11:19 | |
Invented, many say, by Galileo but you're unlikely to see any surviving examples from that period. | 0:11:19 | 0:11:26 | |
Most you'll see today will be from the 19th century and early 20th century. | 0:11:26 | 0:11:30 | |
The stallholder here is asking 170 euros. | 0:11:30 | 0:11:34 | |
That's about £165. A little bit much for me. | 0:11:34 | 0:11:37 | |
I'd hope to get about 200 for this back in England so I'm going to have to do some negotiating. | 0:11:37 | 0:11:43 | |
-Excusez-moi, madame. -Bonjour. -Bonjour. | 0:11:43 | 0:11:46 | |
-Combien? -What would you like to pay? | 0:11:46 | 0:11:48 | |
Oh...100? | 0:11:48 | 0:11:50 | |
My best is 120. | 0:11:50 | 0:11:53 | |
Merci, merci, merci, monsieur. | 0:11:53 | 0:11:56 | |
Monsieur! I'm not entirely sure calling this lady a man | 0:11:56 | 0:11:59 | |
is going to help John persuade her to lower her price any further. | 0:11:59 | 0:12:03 | |
-100? -No, I can't, really I can't. 120 my very best price. | 0:12:03 | 0:12:08 | |
-That is your best price? -Yes. -120. -Yes. | 0:12:08 | 0:12:11 | |
Well, that's about £110. That should still leave me a profit, so I think we have a deal here. | 0:12:11 | 0:12:16 | |
Madame, when we shake... | 0:12:16 | 0:12:18 | |
-Thank you. -Merci beaucoup. | 0:12:18 | 0:12:20 | |
Well, he got there in the end! | 0:12:20 | 0:12:22 | |
And having bought the telescope for just over £110 | 0:12:22 | 0:12:25 | |
John's back into the hustle-bustle to try and seal some more deals. | 0:12:25 | 0:12:30 | |
Mr Cameron's flair for French might not be his strongest suit... | 0:12:30 | 0:12:35 | |
-Cinq...? -Cinquante. -And I will buy you cafe. | 0:12:36 | 0:12:40 | |
-OK, no problem. -..but The Hammer knows a good deal when he hears one. | 0:12:40 | 0:12:44 | |
Wow! I just bought that for 50. | 0:12:44 | 0:12:46 | |
That's...50 euros, so just under, that's about £45. | 0:12:46 | 0:12:49 | |
I think we should be able to turn a profit. That's good. And a piece of modern glass. | 0:12:49 | 0:12:52 | |
I would bet that if Katherine came round here, she would have spotted that straight away. | 0:12:52 | 0:12:57 | |
Ah! John is playing a tactical game | 0:12:57 | 0:13:00 | |
and has grabbed this funky piece of modern-art glass | 0:13:00 | 0:13:03 | |
before Katherine can get her hands on it. | 0:13:03 | 0:13:07 | |
With the day's contest starting to heat up, let's find out which expert is making a French connection | 0:13:07 | 0:13:12 | |
and who's yearning for dear old Blighty. | 0:13:12 | 0:13:16 | |
John and Katherine can spend up to £750 | 0:13:18 | 0:13:21 | |
of their own money at today's market. | 0:13:21 | 0:13:23 | |
At the prevailing exchange rate, Mr Cameron has parted with | 0:13:23 | 0:13:28 | |
just over £450, leaving him with almost £300 in the kitty. | 0:13:28 | 0:13:32 | |
His opponent has just spent over £300 | 0:13:32 | 0:13:36 | |
giving her almost £450 still to spend. | 0:13:36 | 0:13:40 | |
Well, John may have splashed the most cash, but only time will tell who's bagged the best bargains. | 0:13:42 | 0:13:48 | |
And as our profit-hunting pair continue to search for the items that they think | 0:13:48 | 0:13:52 | |
will win them today's game, Katherine is trying to haggle down the price on some vintage clothing. | 0:13:52 | 0:13:57 | |
This is one of those moments where there's a mismatch, OK? | 0:13:59 | 0:14:03 | |
The lady rightly points out that we've got fantastic labels here. | 0:14:03 | 0:14:07 | |
We've got Yves Saint Laurent and we've got Courreges. | 0:14:07 | 0:14:09 | |
I'm not sure. I think this is definitely saleable. | 0:14:09 | 0:14:12 | |
That's Courreges, it's a little bit less glamorous, so I'm not sure that would sell so well. | 0:14:12 | 0:14:17 | |
We're talking about 240 euros, | 0:14:17 | 0:14:20 | |
which is, ooh, gosh, about roughly about £210, something like that, | 0:14:20 | 0:14:25 | |
which means that I've got to get at least £100 for each of these items just to break even, really. | 0:14:25 | 0:14:30 | |
We're going to try again because you can always keep the conversation going. Cent? | 0:14:30 | 0:14:35 | |
-Cent cinquante. -Oui. OK. | 0:14:35 | 0:14:39 | |
So we're talking about 150 euros. Shall I be brave? | 0:14:39 | 0:14:44 | |
Si vous vendez ceci a Londres, cinq cents faciles. Tres facile. | 0:14:44 | 0:14:49 | |
-She says in London that I'm going to be able to sell this for 500 euros. -Yves Saint Laurent Rive Gauche. | 0:14:49 | 0:14:55 | |
I'm in doubt, but I'm prepared to give it a go. | 0:14:55 | 0:14:59 | |
Sometimes you just have to gamble in life and see what happens. | 0:14:59 | 0:15:03 | |
-OK. Cent cinquante pour la. -Oui. -Oui. Merci. | 0:15:03 | 0:15:08 | |
I hope she's right. | 0:15:08 | 0:15:10 | |
So Katherine's rolled the dice and gambled. | 0:15:10 | 0:15:13 | |
She's bought the Yves Saint Laurent for just over £140. | 0:15:13 | 0:15:18 | |
Elsewhere in the market, The Hammer has set his sights on another potential purchase. | 0:15:20 | 0:15:26 | |
Now, this is an interesting item. | 0:15:26 | 0:15:28 | |
It's an early 19th century French rosewood stand for sheet music. | 0:15:28 | 0:15:32 | |
In England a piece of furniture like this is referred to as a Canterbury. | 0:15:32 | 0:15:36 | |
In France they called them La Canterbury. | 0:15:36 | 0:15:38 | |
Who says I can't speak French?! | 0:15:38 | 0:15:40 | |
They usually take this form. | 0:15:40 | 0:15:41 | |
You can see these vertical compartments for your sheet music. | 0:15:41 | 0:15:44 | |
There's a little shelf underneath. | 0:15:44 | 0:15:46 | |
They're often preferred and make more money if they have a little drawer here. | 0:15:46 | 0:15:50 | |
The other variations you'll see on them are a rack of shelves above, | 0:15:50 | 0:15:54 | |
which then it's referred to as a whatnot Canterbury. | 0:15:54 | 0:15:57 | |
Now, how can we date this? Well, three things in my opinion. | 0:15:57 | 0:16:00 | |
One, it's made of rosewood, a favoured timber | 0:16:00 | 0:16:04 | |
in the late Georgian period and the early 19th century. | 0:16:04 | 0:16:07 | |
Two, some of the features. | 0:16:07 | 0:16:09 | |
This lovely bobbin and reel turning here, but more importantly this thick reeding to the components. | 0:16:09 | 0:16:16 | |
That's a thing that we always see on Georgian furniture | 0:16:16 | 0:16:19 | |
right up until about William IV, or around the 1830s, 1840s. | 0:16:19 | 0:16:23 | |
But the final thing for me are the castors. | 0:16:23 | 0:16:26 | |
If we have a look... | 0:16:26 | 0:16:27 | |
we have brass castors. Later in the 19th century they used ceramics, | 0:16:27 | 0:16:34 | |
which were much cheaper, for the wheels, so for me this is an early 19th century piece. | 0:16:34 | 0:16:39 | |
Well, nobody can accuse John of not knowing his onions, but can he seal a deal? | 0:16:39 | 0:16:45 | |
Je parle un peu Francais. Combien? | 0:16:45 | 0:16:48 | |
-Cent quarante. 140. -140? -Yes. | 0:16:48 | 0:16:53 | |
...Oh, can you do better than that? | 0:16:53 | 0:16:56 | |
-150? -Nah! No, no! | 0:16:56 | 0:16:59 | |
100? 100? | 0:16:59 | 0:17:01 | |
STALLHOLDER MUTTERS TO HIMSELF | 0:17:01 | 0:17:04 | |
-Why not? -Ah! | 0:17:04 | 0:17:06 | |
-Monsieur, can we shake? Thank you very much. -Thank you. | 0:17:06 | 0:17:10 | |
Well, that's about £90, £95, and that's no Canterbury Tale. | 0:17:10 | 0:17:15 | |
Oh, dear, his puns aren't much better than his French, | 0:17:16 | 0:17:19 | |
but that is another good buy for John. | 0:17:19 | 0:17:21 | |
Elsewhere in the market, Katherine - with a little help from her new best friend - | 0:17:24 | 0:17:28 | |
-has snapped up another collectible piece of fashion. -Madame? | 0:17:28 | 0:17:31 | |
-Oui? -Avez-vous quelque chose...? -Christian Dior. -Ah! | 0:17:31 | 0:17:36 | |
This is a romantic moment. I have just paid 90 euros, | 0:17:36 | 0:17:40 | |
which is roughly about £80 for something that I think I can sell, I love, and I've made a new friend! | 0:17:40 | 0:17:45 | |
-Yes! -Mon ami! | 0:17:45 | 0:17:47 | |
So, that's Katherine's second piece of vintage clothing. | 0:17:51 | 0:17:54 | |
But there's more to Katherine The Great than expensive dresses and designer shades. | 0:17:54 | 0:17:59 | |
Sometimes you just find the most amazing things lurking on pretty average stalls. | 0:17:59 | 0:18:04 | |
The stall I'm just about to go up to is fairly general, | 0:18:04 | 0:18:07 | |
lots of wooden items, but in amongst it is a little hidden gem. | 0:18:07 | 0:18:10 | |
C'est tres jolie! | 0:18:10 | 0:18:13 | |
-Pour les fleurs? -Pour les fleurs. | 0:18:13 | 0:18:15 | |
So we're talking about a flower vase here, it's very nice. It's very heavy, very solid. | 0:18:15 | 0:18:21 | |
-Lovely. Combien ce coute? -Cinquante euros, madame. | 0:18:21 | 0:18:24 | |
Le dernier prix? | 0:18:24 | 0:18:26 | |
...quarante, si vous voulez. | 0:18:28 | 0:18:32 | |
Well, we're now settling on 40 euros, so that's roughly about 37... £36, £37. Alors. C'est bon. | 0:18:32 | 0:18:41 | |
-Oui, OK. -Merci. | 0:18:41 | 0:18:44 | |
So, having parted with her cash, exactly what has Katherine bought? | 0:18:47 | 0:18:51 | |
I've just spent just a little bit more than £35 | 0:18:52 | 0:18:55 | |
on the most amazing piece of glass. | 0:18:55 | 0:18:58 | |
I knew as soon as I saw it that it was something a bit special, | 0:18:58 | 0:19:03 | |
just the weight of it, the style of it | 0:19:03 | 0:19:06 | |
and most excitingly what was underneath it. Very faintly | 0:19:06 | 0:19:10 | |
on the base there's a mark, and the mark | 0:19:10 | 0:19:13 | |
says Lalique. | 0:19:13 | 0:19:16 | |
I'm hoping that on that basis certainly I'd be able to double, | 0:19:16 | 0:19:21 | |
maybe triple my money. So, John, can you better that? | 0:19:21 | 0:19:25 | |
Well, I think it's fair to say that Katherine | 0:19:25 | 0:19:28 | |
is quite pleased with that purchase, don't you? | 0:19:28 | 0:19:31 | |
She also bags two Italian glass bowls for just under £30 each | 0:19:31 | 0:19:35 | |
and a 1950s style lamp for a little over £20. | 0:19:35 | 0:19:38 | |
The pressure is now on John. | 0:19:38 | 0:19:41 | |
Mr Cameron has been hunting high and low | 0:19:41 | 0:19:45 | |
for potentially profitable pieces, and he's decided | 0:19:45 | 0:19:48 | |
to make a move on something that he's been keeping his beady eye on. | 0:19:48 | 0:19:51 | |
Now, all day long I've been walking up and down and keeping a close eye | 0:19:53 | 0:19:57 | |
on this set of eight lemonade glasses and the matching jug. | 0:19:57 | 0:20:01 | |
I think they're superbly stylish, very, very much Art Deco, | 0:20:01 | 0:20:05 | |
though they could have been made just after the war in the 1950s. | 0:20:05 | 0:20:08 | |
Look at those angular bodies and those superbly solid weighted bases. | 0:20:08 | 0:20:13 | |
I think they would look fantastic on a hot day like this filled with Pimms. | 0:20:13 | 0:20:18 | |
Anyway it's important when you're checking glass like this | 0:20:18 | 0:20:22 | |
make sure there are no chips or cracks, | 0:20:22 | 0:20:24 | |
especially when they're faceted like this, because the way the light reflects, | 0:20:24 | 0:20:28 | |
it can often obscure the damage. I've checked the rims and the bases of all of them. | 0:20:28 | 0:20:33 | |
Another nice thing, you've got a set of eight, good to have those good even numbers. | 0:20:33 | 0:20:38 | |
Now, the dealer is asking about £165, £170 for this set. | 0:20:38 | 0:20:43 | |
It has been here all day. | 0:20:43 | 0:20:45 | |
I'd like to buy it for closer to £100 to give me a chance of making a profit. | 0:20:45 | 0:20:49 | |
I'm sitting here on my pray chair. Let's see if I have a prayer negotiating with this dealer. | 0:20:49 | 0:20:55 | |
And with French like yours, John, I'm sure it'll be a breeze. | 0:20:55 | 0:20:58 | |
-Dernier, dernier prix. -Cent soixante euro. 160 euros. | 0:21:00 | 0:21:03 | |
Mmm? Non, non. | 0:21:03 | 0:21:05 | |
-Um, cent? -No, no, no. -Cent? -No, sorry. | 0:21:05 | 0:21:09 | |
Cent quarante est mon dernier prix. Cent quarante. | 0:21:09 | 0:21:12 | |
-Cent dix? -Cent dix? Non, non, non. | 0:21:12 | 0:21:14 | |
Non, non, non. Cent trente-cinq euros. | 0:21:14 | 0:21:17 | |
The last price for me. Cent trente-cinq. 135 euros. | 0:21:17 | 0:21:22 | |
-135 euros. -Yes. I'm OK. -He wants 135 euro. You've got a deal. | 0:21:22 | 0:21:27 | |
-Merci beaucoup. -Merci beaucoup. You drive a hard bargain! | 0:21:27 | 0:21:31 | |
Well, John didn't quite get the price he was hoping for | 0:21:32 | 0:21:35 | |
but at just under £130 he still feels there's a profit to be had. | 0:21:35 | 0:21:39 | |
And with that deal sealed, it's time to find out how much our experts have spent at today's market. | 0:21:39 | 0:21:46 | |
Both John and Katherine | 0:21:46 | 0:21:48 | |
were allowed to spend up to £750 of their own money. | 0:21:48 | 0:21:52 | |
Despite the language barrier, John bought six items | 0:21:52 | 0:21:56 | |
for just under £675, leaving slightly over £75 in his kitty. | 0:21:56 | 0:22:01 | |
At the prevailing exchange rate, his rival's items cost her | 0:22:01 | 0:22:06 | |
a little over £646, leaving just over £100 unspent. | 0:22:06 | 0:22:10 | |
It's been a busy day, but before they begin their journey home | 0:22:10 | 0:22:14 | |
back across the Channel, our rivals seize the opportunity to get a glimpse of their opponent's wares. | 0:22:14 | 0:22:20 | |
-What's your favourite thing? -My favourite has to be my set of 12 | 0:22:20 | 0:22:24 | |
19th century spirit tumblers in their fitted box, which I think are absolutely fabulous. | 0:22:24 | 0:22:29 | |
I mean, who wouldn't want those for their party guests, I ask you? | 0:22:29 | 0:22:33 | |
-Me. Sorry. -So, come on, what about you, what's your favourite item? | 0:22:33 | 0:22:37 | |
OK, they're all my favourites, but if I had to pick | 0:22:37 | 0:22:39 | |
one, or two, it's going to be my vintage fashion. | 0:22:39 | 0:22:42 | |
I'd wear them, I'd buy them, but I'm going to try and sell them to somebody else. | 0:22:42 | 0:22:46 | |
-A challenge. -OK, OK. Well, I have to say that the chair they're draped over | 0:22:46 | 0:22:50 | |
was something I looked at and nearly bought, but that was a tactical move on my part. | 0:22:50 | 0:22:55 | |
-I wanted to eliminate it from the potential things you were going to buy. -You horror! | 0:22:55 | 0:23:00 | |
The reason you didn't is because they wouldn't sell it to you because you weren't a girl in a red dress. | 0:23:00 | 0:23:05 | |
Obviously! Well, all I'll say is let the best man or woman win. | 0:23:05 | 0:23:10 | |
Well, I will. | 0:23:10 | 0:23:12 | |
Oh! Doesn't she sound confident? | 0:23:12 | 0:23:14 | |
As our experts head back across the Channel, she'll be aiming to sell... | 0:23:14 | 0:23:18 | |
a retro 1960s swivel chair | 0:23:18 | 0:23:21 | |
and two pieces of designer vintage clothing, | 0:23:21 | 0:23:23 | |
a set of 1970s Limoges plates, a hand-beaded purse, | 0:23:23 | 0:23:28 | |
four pairs of vintage designer sunglasses, | 0:23:28 | 0:23:31 | |
an assortment of glass items and a 1950s style lamp. | 0:23:31 | 0:23:36 | |
John's chance of victory rests on... a set of silver shot glasses, | 0:23:36 | 0:23:41 | |
a French mechanical horse-racing game, | 0:23:41 | 0:23:44 | |
a 19th century telescope, a handmade vase, | 0:23:44 | 0:23:48 | |
a French rosewood sheet-music stand and an Art Deco lemonade set. | 0:23:48 | 0:23:53 | |
After a closely contested Continental clash, our experts | 0:23:57 | 0:24:01 | |
have returned home to Blighty to ready themselves for the second part of today's challenge. | 0:24:01 | 0:24:07 | |
They're working through their little black books, putting deals together on the phone | 0:24:07 | 0:24:11 | |
and by email, but until they've shaken on it and money's changed hands, no deal is truly sealed. | 0:24:11 | 0:24:17 | |
John is a Portsmouth man born and bred and is planning to sell mostly to his contacts in his home city. | 0:24:20 | 0:24:27 | |
The Hammer is proud of his city... | 0:24:29 | 0:24:34 | |
but will his city do HIM proud and deliver the profits he needs to win today's competition? | 0:24:34 | 0:24:39 | |
He's hoping to sell the Art Deco lemonade set he bought in France to a dealer he knows | 0:24:39 | 0:24:44 | |
on Portsmouth's antiques HQ - the Albert Road. | 0:24:44 | 0:24:47 | |
Now, there's the jug of this Art Deco lemonade set. | 0:24:47 | 0:24:51 | |
Look at the shape, classic Art Deco. Lovely solid heavy base. | 0:24:51 | 0:24:55 | |
It's a nice looking set, but is there any damage? | 0:24:55 | 0:24:58 | |
No, you've got eight glasses and a jug. | 0:24:58 | 0:25:00 | |
There's not a chip or a crack anywhere and they're in really nice condition. | 0:25:00 | 0:25:04 | |
-I see them with a nice summer cocktail in there. -OK. | 0:25:04 | 0:25:08 | |
So it's really a question of price, isn't it? | 0:25:08 | 0:25:11 | |
I'm asking £180 for the set. | 0:25:11 | 0:25:14 | |
-£180? -£180 is what I'd like for it. | 0:25:14 | 0:25:17 | |
Well, I like it, but I would like it at considerably less. | 0:25:17 | 0:25:21 | |
Ooh, sounds as though The Hammer is going to have his work cut out to make a profit here. | 0:25:21 | 0:25:27 | |
In Surrey, Katherine has decided to put six of her items into auction. | 0:25:29 | 0:25:33 | |
Now, there are no guarantees of success in the saleroom, | 0:25:37 | 0:25:40 | |
but as Katherine is raising money for charity, | 0:25:40 | 0:25:42 | |
the auctioneer has kindly offered to waive his commission | 0:25:42 | 0:25:45 | |
so she's getting every penny that her items sell for. | 0:25:45 | 0:25:49 | |
200. | 0:25:49 | 0:25:50 | |
In Paris, the six 1970s Limoges plates cost Katherine just under £19. Can she make a profit? | 0:25:50 | 0:25:58 | |
50? 50? 30? | 0:25:58 | 0:26:01 | |
£30? £30? 20 to start. | 0:26:01 | 0:26:05 | |
He's trying to start it at £20. | 0:26:05 | 0:26:07 | |
20 bid. £20 note? £20 note? £20 note? 20 only. 20 only. 20 only. Left handed at 20. | 0:26:07 | 0:26:12 | |
I need to see twos. | 0:26:12 | 0:26:13 | |
-At £25. Over the shoulder. Two and five. -Two and five. So they've sold, which is great. | 0:26:13 | 0:26:20 | |
The plates have sold for a slim profit | 0:26:20 | 0:26:23 | |
and one of her Italian glass bowls also finds a new home... | 0:26:23 | 0:26:26 | |
Last look. All gone. | 0:26:26 | 0:26:29 | |
..giving her just under £17 worth of profit. | 0:26:31 | 0:26:34 | |
On the south coast, John is haggling hard to get as much as possible for his lemonade set. | 0:26:36 | 0:26:41 | |
I'll tell you what, my bottom price I cannot go below is £160. | 0:26:44 | 0:26:49 | |
£160. Not 150? | 0:26:49 | 0:26:52 | |
I can't go below that figure otherwise I've made a loss. | 0:26:52 | 0:26:55 | |
-I don't want to. -You don't...? | 0:26:55 | 0:26:56 | |
I think this will make you a small profit as well as me. | 0:26:56 | 0:26:58 | |
I do think it's a nice looking set. | 0:26:58 | 0:27:00 | |
It's going to look good in the shop, so we'll agree on 160. | 0:27:00 | 0:27:05 | |
-We can do a deal? -We can do a deal at 160. | 0:27:05 | 0:27:07 | |
Having managed to squeeze £160 out of Ian | 0:27:07 | 0:27:11 | |
for the lemonade set, John's bagged a reasonable profit of over £30. | 0:27:11 | 0:27:16 | |
In Surrey, Katherine's Lalique dish is about to go before the bidders. | 0:27:16 | 0:27:21 | |
She needs to get more than £38 to make a profit. | 0:27:21 | 0:27:25 | |
Lot number 88, Lalique. | 0:27:25 | 0:27:28 | |
OK, he's just uttered the magic words Lalique. It's my lot. | 0:27:28 | 0:27:32 | |
It's beautifully illustrated. | 0:27:32 | 0:27:35 | |
-Two bids of interest here, I open at 30. -Two bids already! | 0:27:35 | 0:27:38 | |
-£35. £35. £35. 40. -And, look! People waving in the room! | 0:27:38 | 0:27:43 | |
Five for six. And five for six. And five. Last look around here. | 0:27:43 | 0:27:46 | |
Six the five. | 0:27:46 | 0:27:47 | |
There's a big smile on my face, look! | 0:27:47 | 0:27:51 | |
So, it's success number three for Katherine with a Lalique dish | 0:27:52 | 0:27:56 | |
adding just over £27 to her coffers. | 0:27:56 | 0:27:59 | |
And there's more money for the pot | 0:28:00 | 0:28:02 | |
when the second Italian glass bowl sells for £80. | 0:28:02 | 0:28:06 | |
Left hand side and the hammer's up and done then. | 0:28:06 | 0:28:09 | |
And her lamp makes her over £36 of profit. | 0:28:10 | 0:28:14 | |
Katherine's tactic of selling her items at auction is paying off. | 0:28:16 | 0:28:19 | |
So far she's made a profit on everything she's sold. | 0:28:19 | 0:28:22 | |
In Portsmouth, her rival has gone back in time. | 0:28:22 | 0:28:26 | |
He's arrived at the city's docks | 0:28:26 | 0:28:28 | |
in the hope of selling his 19th century telescope that he paid just over £113 for in Paris. | 0:28:28 | 0:28:34 | |
I think we need to get down to the brass tacks of why I'm here. | 0:28:34 | 0:28:37 | |
-Will you take a look, sir? -Absolutely. | 0:28:37 | 0:28:40 | |
Right. Is it a single draw? | 0:28:40 | 0:28:42 | |
-It is. -So you've just got the one piece to pull out. | 0:28:42 | 0:28:45 | |
Can I check the optics? | 0:28:45 | 0:28:46 | |
-Yeah, of course. -Do you mind if I peek out a window? | 0:28:46 | 0:28:50 | |
Straight in focus. | 0:28:50 | 0:28:51 | |
-Yeah? -Yeah. Not bad, not bad. | 0:28:51 | 0:28:53 | |
Well, I'm looking for about... | 0:28:54 | 0:28:58 | |
£200 for this. | 0:28:58 | 0:29:00 | |
-Really? -Yeah. -I wouldn't sell it for that much more than that, I'm afraid. | 0:29:00 | 0:29:05 | |
-Come on, I'm sure you would! -Maybe a little more. I'll go 120 on it. | 0:29:05 | 0:29:08 | |
Ooh! Look, come on, I want £180. | 0:29:08 | 0:29:11 | |
I'll do 160 and that's my best. | 0:29:11 | 0:29:13 | |
-£160? -Absolutely. -You can't do any better than that? | 0:29:13 | 0:29:15 | |
-No. -Cash now? -Cash now of course. -Let's shake on it. | 0:29:15 | 0:29:18 | |
-Lovely. -And let's see the colour of your money! | 0:29:18 | 0:29:21 | |
Once again he had to work for it, | 0:29:21 | 0:29:24 | |
but John banked a profit of just under £47. | 0:29:24 | 0:29:27 | |
John's strategy is more labour intensive than Katherine's, but dealing face to face with his buyers | 0:29:28 | 0:29:34 | |
gives him the opportunity to squeeze a few extra pounds out of the deal. | 0:29:34 | 0:29:38 | |
His local contacts are second to none, and he thinks he knows | 0:29:38 | 0:29:42 | |
just the buyer for his 19th-century rosewood Canterbury. | 0:29:42 | 0:29:45 | |
-It's got to be worth £200 to you. -And it's £200? -£200, come on. | 0:29:45 | 0:29:50 | |
-180, John. -No, no, no. Come on, £200, and still a nice piece of furniture. | 0:29:50 | 0:29:54 | |
She is interesting, John, I do like her. She will polish up, | 0:29:54 | 0:29:59 | |
-clean up very well. Seeing as it's you, I'll go for it. -Good man. -Thank you, sir. | 0:29:59 | 0:30:04 | |
£200. You won't regret it. | 0:30:04 | 0:30:05 | |
I'm sure I won't. I hope not, John, anyway! | 0:30:05 | 0:30:07 | |
The Hammer's definitely playing a hard game today. | 0:30:07 | 0:30:11 | |
He's haggling like a trooper and made almost £106 profit | 0:30:11 | 0:30:15 | |
from the sale of the Canterbury. | 0:30:15 | 0:30:18 | |
£200. I just doubled my money. | 0:30:18 | 0:30:21 | |
Now, match that, Katherine The Great! | 0:30:21 | 0:30:23 | |
Yes, John's definitely in it to win it, and today's contest is warming up nicely. | 0:30:23 | 0:30:28 | |
At her auction in Surrey, Katherine is waiting nervously for her swivel chair to go before the bidders. | 0:30:28 | 0:30:33 | |
This is the moment when you start to, | 0:30:33 | 0:30:35 | |
um, feel those butterflies in your stomach and it's a lot you really, really want to do well. | 0:30:35 | 0:30:41 | |
The chair cost just over £140, so Katherine is going to need | 0:30:41 | 0:30:46 | |
some hefty bids in order to make a profit. | 0:30:46 | 0:30:48 | |
The Steiner. For the Crocus chair start me at two. | 0:30:50 | 0:30:54 | |
200 the bid. 200 the bid, 200 the bid. | 0:30:54 | 0:30:56 | |
220. 240. 260. | 0:30:56 | 0:31:00 | |
260. It's climbing up. It's climbing up. | 0:31:00 | 0:31:03 | |
260, it's a fantastic bid and the price is still climbing. | 0:31:03 | 0:31:08 | |
260. 260. 280. | 0:31:08 | 0:31:10 | |
Three and zeros. Three, sold. | 0:31:10 | 0:31:13 | |
£300. So, I've made, well, a great deal of profit. | 0:31:13 | 0:31:17 | |
I've doubled my money. Hurray! | 0:31:17 | 0:31:21 | |
# The winner takes it all... # | 0:31:21 | 0:31:24 | |
Yes, it's "hurray" indeed. Having banked a profit of just over £158, | 0:31:24 | 0:31:29 | |
Katherine The Great has more than doubled her money on the chair. | 0:31:29 | 0:31:34 | |
Our experts are banking profit after profit, but who's riding high and who's heading for a fall? | 0:31:36 | 0:31:41 | |
This is shaping up to be a real clash of the titans. | 0:31:41 | 0:31:46 | |
John's sold £520 worth of goods and banked over £185 worth of profit. | 0:31:46 | 0:31:53 | |
His rival, on the other hand, | 0:31:53 | 0:31:55 | |
has made sales totalling £575 and made profits of almost £300. | 0:31:55 | 0:32:02 | |
Katherine may be leading the way, but there's still all to play for. | 0:32:03 | 0:32:07 | |
Both our experts are desperate to win today's competition | 0:32:09 | 0:32:13 | |
and Portsmouth's finest is taking to the sea in the hope of turning the tide. | 0:32:13 | 0:32:18 | |
Planes, trains, automobiles and even the hovercraft! | 0:32:18 | 0:32:21 | |
I'm off to the Isle of Wight to see if I can sell my horse-racing game to a museum. | 0:32:21 | 0:32:25 | |
Anyway, here we go. | 0:32:25 | 0:32:26 | |
Our duelling dealers have been working their way through | 0:32:26 | 0:32:29 | |
their contact books, setting up deals, but until money's changed hands, no sale is in the bag. | 0:32:29 | 0:32:36 | |
At just under £190, the horse-racing game was John's most expensive purchase and if he's going to win | 0:32:36 | 0:32:42 | |
today's competition, he needs a big result. | 0:32:42 | 0:32:44 | |
Are you ready for this? ..There we are. | 0:32:44 | 0:32:47 | |
-Right, yes. -This is the racing game. -Yes. | 0:32:47 | 0:32:49 | |
Works like this. | 0:32:49 | 0:32:51 | |
Put your bets in here, you all pick a horse. | 0:32:51 | 0:32:53 | |
-Yes. -You've got the winding handle here with the maker's name | 0:32:53 | 0:32:57 | |
on the side. You give it a crank... | 0:32:57 | 0:32:58 | |
..and the horse that finishes closest to the post... | 0:33:00 | 0:33:03 | |
-Yes. -..wins the money. -Right, I see. -So what do you think? | 0:33:03 | 0:33:06 | |
-It's nice quality, it's in good condition. -It's different. | 0:33:06 | 0:33:09 | |
Yes, I think it would display well, that's what we have to consider. | 0:33:09 | 0:33:13 | |
Now, getting down to the price. | 0:33:13 | 0:33:15 | |
I think this is a pretty good example, but I'm asking 350 for it today. | 0:33:15 | 0:33:19 | |
We wouldn't want to pay quite as much as that | 0:33:19 | 0:33:22 | |
because, um, times are tighter now, | 0:33:22 | 0:33:26 | |
you know, things are difficult, so I think we would... | 0:33:26 | 0:33:29 | |
we would want to pay a little less than that. | 0:33:29 | 0:33:31 | |
What sort of figure do you have in mind? | 0:33:31 | 0:33:33 | |
Um...I suggest 250. | 0:33:33 | 0:33:38 | |
I tell you what, I'd like to see it here in the museum. | 0:33:38 | 0:33:41 | |
I'd be proud to say I'd sold an exhibit at this museum. | 0:33:41 | 0:33:45 | |
I will take £300 from you today. | 0:33:45 | 0:33:48 | |
I...I think, um... | 0:33:48 | 0:33:50 | |
-Yeah, I... You know, split the difference. -Yeah? | 0:33:50 | 0:33:53 | |
-Yeah. -£300? -OK. Yeah. | 0:33:53 | 0:33:55 | |
I can see being around all these toys hasn't softened you up any over the years. £300 it is. | 0:33:55 | 0:34:01 | |
-Yeah. -Can we shake on that? -Thank you. -Thank you. -Thank you. | 0:34:01 | 0:34:04 | |
His buyer might not have been a soft touch, | 0:34:04 | 0:34:06 | |
but neither is The Hammer, and having haggled hard | 0:34:06 | 0:34:09 | |
for the best possible price, John's bagged over £111 worth of profit. | 0:34:09 | 0:34:15 | |
And there's more good news when his silver shot glasses | 0:34:17 | 0:34:20 | |
pour more than £96 into his profit pot. | 0:34:20 | 0:34:24 | |
Today's contest could go either way because John | 0:34:25 | 0:34:28 | |
is facing a very determined opponent. She's arranged to meet | 0:34:28 | 0:34:31 | |
a sunglasses dealer at the Museum Of The Royal College Of Optometrists. | 0:34:31 | 0:34:36 | |
# You're just too good to be true Can't take my eyes off you... # | 0:34:36 | 0:34:43 | |
Katherine's hoping to sell him the four pairs of sunglasses she bought in Paris. | 0:34:43 | 0:34:49 | |
Now, I've got two pairs of Wayfarers there. | 0:34:49 | 0:34:52 | |
Um, I... You know, they... | 0:34:52 | 0:34:53 | |
-For me they evoke that movie star look, really. -Of course. | 0:34:53 | 0:34:57 | |
First made famous by Audrey Hepburn. | 0:34:57 | 0:34:59 | |
Bausch & Lomb, they make fantastic lenses. They made fantastic lenses, of course, and, yeah... | 0:34:59 | 0:35:05 | |
And they have the B&L sign on the lenses which tells us they're original. | 0:35:05 | 0:35:11 | |
And we've got these slightly jazzy, groovy coloured ones, yeah. | 0:35:11 | 0:35:15 | |
A great... A great pick for these days because colour is back in fashion. | 0:35:15 | 0:35:19 | |
These pairs could be early 70s, maybe. Maybe before. | 0:35:19 | 0:35:23 | |
And there are quite a few scratches, so I would say the lenses should be changed on these, | 0:35:23 | 0:35:29 | |
but I happen to have a few vintage lenses, a few vintage original Bausch & Lomb lenses, so... | 0:35:29 | 0:35:34 | |
-Oh, right. -I think we can bring them to original form. | 0:35:34 | 0:35:36 | |
Another thing you can look out for is the crookedness. | 0:35:36 | 0:35:40 | |
-Yes. Slightly the... Certainly the arms, the hinge there is... -Yeah. | 0:35:40 | 0:35:46 | |
-..a little floppier than it should be. -But these can all be tightened up and because | 0:35:46 | 0:35:49 | |
it's acetate, which is a flexible material, we can just heat it and bring it back to its old form, so... | 0:35:49 | 0:35:56 | |
-Great. -That's the beauty of it. | 0:35:56 | 0:35:58 | |
-I think they will sell pretty well. Congratulations, a great selection. -I like the sound of that. | 0:35:58 | 0:36:02 | |
Well, this all sounds very promising, but before she gets down to business Katherine takes Videl | 0:36:02 | 0:36:08 | |
outside to try on the sunglasses. | 0:36:08 | 0:36:11 | |
-It's a bit cloudy. -You don't have to, I can see. | 0:36:11 | 0:36:14 | |
# I'm doing all right | 0:36:14 | 0:36:16 | |
# Gettin' good grades | 0:36:16 | 0:36:17 | |
# The future's so bright | 0:36:17 | 0:36:19 | |
# I've got to wear shades I've got to wear shades... # | 0:36:19 | 0:36:24 | |
So, having tested the shades out, can Katherine seal a deal? | 0:36:24 | 0:36:27 | |
Remember, she bought them for just under £123. | 0:36:27 | 0:36:32 | |
-I was thinking in the region of about £230 for all four. -For all four. | 0:36:32 | 0:36:39 | |
There's going to be quite some craftsmanship going into this. | 0:36:39 | 0:36:42 | |
There's some scratches here that we're going to have to polish out and the lenses will be changed | 0:36:42 | 0:36:46 | |
on a few, so, yeah, I would have to ask for 180, possibly. | 0:36:46 | 0:36:53 | |
I would love to settle on about 200. | 0:36:53 | 0:36:55 | |
-All right, I think that sounds like a good bargain. -OK. -I can do that. | 0:36:55 | 0:36:59 | |
-Perfect. -That's a deal, then. Shake hands on it. | 0:36:59 | 0:37:02 | |
So, thanks to a good deal, Katherine's in the money, | 0:37:02 | 0:37:04 | |
banking just over £77 for the sale of her vintage designer sunglasses. | 0:37:04 | 0:37:09 | |
And there's more good news when she also sells | 0:37:09 | 0:37:12 | |
the beaded purse for a small profit. | 0:37:12 | 0:37:15 | |
In Portsmouth, John's hoping his old stomping ground will deliver him a sale. | 0:37:19 | 0:37:23 | |
He's hoping to sell the handmade vase that he bought for just over £47 in Paris. | 0:37:23 | 0:37:29 | |
-Well, it's a nice heavy piece, isn't it? -Yeah, it is. | 0:37:29 | 0:37:31 | |
-Yeah, it's got some weight to it. -So, what do you think? -It's quite modern. | 0:37:31 | 0:37:35 | |
I know it's modern. It's marked at the bottom 2005 there. | 0:37:35 | 0:37:39 | |
-Yeah. -Etched mark. | 0:37:39 | 0:37:40 | |
And I would suggest that that other signature, which is quite indistinct, | 0:37:40 | 0:37:44 | |
I think that's Biot, which has a long glassmaking tradition in that area. | 0:37:44 | 0:37:49 | |
Quality wise I think it's good. I mean, it's a solid piece. | 0:37:49 | 0:37:51 | |
You have that wonderful amber strip going through the middle which has been, you know, covered. | 0:37:51 | 0:37:56 | |
You've got those lovely gold inclusions and those ruby bubble inclusions in the bottom. | 0:37:56 | 0:38:00 | |
Good solid sculptural piece. I really like it. | 0:38:00 | 0:38:03 | |
I must admit, I do like it and I have got one client in mind. | 0:38:03 | 0:38:06 | |
She just bought a penthouse in old Portsmouth and I reckon that will look really good and, you know, | 0:38:06 | 0:38:13 | |
she's really keen at the moment to buy, so I reckon I could get... | 0:38:13 | 0:38:16 | |
you know, sell that to her. | 0:38:16 | 0:38:18 | |
Well, this sounds promising. | 0:38:18 | 0:38:21 | |
John's potential buyer has got a client in mind. | 0:38:21 | 0:38:24 | |
But how much will he be prepared to pay for the glass vase? | 0:38:24 | 0:38:28 | |
If Katherine wants to win today's contest, she has to sell her two pieces of vintage clothing. | 0:38:29 | 0:38:33 | |
She's entered the skirt and dress into a specialist auction and, as every penny she makes is going | 0:38:35 | 0:38:40 | |
to charity, the saleroom has kindly waived its fee. | 0:38:40 | 0:38:44 | |
The dress cost Katherine just over £140 in Paris. | 0:38:44 | 0:38:47 | |
OK, this is my lot. | 0:38:47 | 0:38:50 | |
Lot 23, the Yves Saint Laurent Rive Gauche 1970s poppy print dress. | 0:38:50 | 0:38:55 | |
And I have 150... I have £160 bid. 160 I have. | 0:38:55 | 0:38:59 | |
170. 180. 190. 200. 200 with me. | 0:38:59 | 0:39:03 | |
OK, I'm in profit now. | 0:39:03 | 0:39:05 | |
I'm in quite major profit. Remember, I bought it for about £140. | 0:39:05 | 0:39:08 | |
240, new place. 260. | 0:39:08 | 0:39:11 | |
£260. | 0:39:11 | 0:39:12 | |
-At 280. 300 with Steve. -OK, I've more than doubled my money. | 0:39:12 | 0:39:17 | |
300 in the room. 320 new place. 340 in the room. | 0:39:17 | 0:39:22 | |
360 on the telephone now. | 0:39:22 | 0:39:24 | |
-It's at £360. -OK, who's got clever eyes? It's Katherine The Great! | 0:39:24 | 0:39:28 | |
380 last chance. Selling at 380. | 0:39:28 | 0:39:33 | |
Paddle 299. | 0:39:33 | 0:39:34 | |
Pretty much tripled my money there. | 0:39:34 | 0:39:37 | |
Clever shopper. Only the Higgins can do that! | 0:39:37 | 0:39:42 | |
That is an amazing result. | 0:39:42 | 0:39:44 | |
Katherine's made almost £240 worth of profit from the dress. | 0:39:44 | 0:39:47 | |
Next up, the vintage skirt that cost her almost £85. | 0:39:49 | 0:39:55 | |
-Lots of interest in this. -Lots of interest, we like that sound. | 0:39:55 | 0:39:58 | |
So will it be a fashion faux pas or the item that sews up victory? | 0:39:58 | 0:40:02 | |
70. 80. 90. 100. | 0:40:02 | 0:40:04 | |
We'll find out very shortly if the skirt made Katherine enough | 0:40:04 | 0:40:07 | |
money to win today's contest, or if the glass vase handed John victory, | 0:40:07 | 0:40:14 | |
because it's now time to tot up the totals and reveal how much our duelling duo have made. | 0:40:14 | 0:40:19 | |
Katherine spent over £646 at the antiques market in Paris. | 0:40:20 | 0:40:25 | |
Her rival, meanwhile, parted with almost £675. | 0:40:25 | 0:40:30 | |
Don't forget that all profits will be going to charity. Without further ado it's time to reveal who is | 0:40:32 | 0:40:39 | |
the Put Your Money Where Your Mouth Is champion. | 0:40:39 | 0:40:41 | |
Hello, Katherine. | 0:40:41 | 0:40:42 | |
-Hello, John. -Good to see you. | 0:40:42 | 0:40:44 | |
-Or should I say bonjour? -Bonjour. | 0:40:44 | 0:40:46 | |
Recovered from France yet? | 0:40:46 | 0:40:48 | |
I have, I have. We were one hour ahead and I was using all those minutes to buy, buy, buy. | 0:40:48 | 0:40:52 | |
So how did you get on with your vintage fashion items? | 0:40:52 | 0:40:56 | |
I... It went OK, actually. | 0:40:56 | 0:40:58 | |
And how about you? I loved your racing game. | 0:40:58 | 0:41:01 | |
-I mean, that was a great buy. -And it went to a very, very good home. | 0:41:01 | 0:41:03 | |
-Did it? -Yes, it did indeed. | 0:41:03 | 0:41:05 | |
But enough idle chitchat, how much profit have we made? | 0:41:05 | 0:41:09 | |
Let's find out. I'm going to count down. | 0:41:09 | 0:41:12 | |
Three, two, one - go! | 0:41:12 | 0:41:14 | |
-Oh! -Ooh! -Katherine! | 0:41:15 | 0:41:18 | |
Well, you did very well because I found the profits hard to come by, | 0:41:18 | 0:41:21 | |
but it looks like you didn't! | 0:41:21 | 0:41:23 | |
Well, I...I can say tres bien. | 0:41:23 | 0:41:25 | |
Well, I think I could learn a lesson or two from you about 20th century | 0:41:25 | 0:41:28 | |
decorative arts, but now we're back on home ground I think the battle will commence again. | 0:41:28 | 0:41:33 | |
We continue. | 0:41:33 | 0:41:35 | |
So it's a victory for Katherine. | 0:41:35 | 0:41:37 | |
John's vase made him just over £50 worth of profit. | 0:41:37 | 0:41:41 | |
-£100. -£100. -Go on, then. -Do you take cash? -From you? Of course I would! | 0:41:41 | 0:41:47 | |
And although her vintage skirt made her just over £25 of profit... | 0:41:47 | 0:41:53 | |
Selling now at £110. | 0:41:53 | 0:41:56 | |
..it was Katherine's eye for fashion | 0:41:56 | 0:41:59 | |
that proved to be the deciding factor in today's contest. | 0:41:59 | 0:42:02 | |
I don't want to say I was... I was, like, confident, | 0:42:02 | 0:42:05 | |
but I thought I'd bought well in France and, yeah, I was the victor! | 0:42:05 | 0:42:11 | |
Yeah, I thought I might be. | 0:42:11 | 0:42:13 | |
I was! I'm so pleased! | 0:42:13 | 0:42:15 | |
I'm a little disappointed to have been beaten on the battlefield of France, | 0:42:15 | 0:42:19 | |
but Katherine fought a fair fight and I think her superior knowledge | 0:42:19 | 0:42:23 | |
in 20th century decorative arts and, in particular, vintage dresses, paid off. | 0:42:23 | 0:42:27 | |
Katherine may have beaten her rival, but both our experts have given their all, | 0:42:27 | 0:42:31 | |
and the profits they've raised will be going to their chosen charities. | 0:42:31 | 0:42:36 | |
All the profits that I make from this programme will go to my chosen charity, | 0:42:36 | 0:42:41 | |
which is the Emasi Children's Project, an orphanage in Cape Town, South Africa. | 0:42:41 | 0:42:45 | |
My charity is Cystic Fibrosis. | 0:42:45 | 0:42:47 | |
Not many people realise it is the most commonly inherited disease in the country | 0:42:47 | 0:42:51 | |
and over two million people carry the faulty gene and there are 8,000 sufferers. | 0:42:51 | 0:42:56 | |
So it's a victory for Katherine The Great, but tomorrow John will have the opportunity to get his own back | 0:42:56 | 0:43:02 | |
as our experts go head-to-head at an antiques market in Nottinghamshire. | 0:43:02 | 0:43:07 | |
I've just made a purchase that I think | 0:43:07 | 0:43:10 | |
is going to give Katherine The Great a right royal strop! | 0:43:10 | 0:43:14 | |
I've just spent £20 on a little bit of toy history. | 0:43:14 | 0:43:18 | |
I've got a few pounds to make while I'm here. | 0:43:18 | 0:43:21 | |
Haircuts? £5 a time. | 0:43:21 | 0:43:23 | |
Moustaches ten bob! | 0:43:23 | 0:43:25 | |
Subtitles by Red Bee Media Ltd. | 0:43:44 | 0:43:47 | |
E-mail [email protected] | 0:43:47 | 0:43:51 |