Browse content similar to James Lewis v John Cameron - Foreign Market. Check below for episodes and series from the same categories and more!
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This is the show that pitches TV's best-loved antiques experts | 0:00:02 | 0:00:06 | |
against each other in an all-out battle for profit, | 0:00:06 | 0:00:09 | |
and gives you the inside views on the secrets of the trade. | 0:00:09 | 0:00:13 | |
OK. Thank you very much. | 0:00:13 | 0:00:15 | |
Coming up, our dealers give you the lowdown on having | 0:00:15 | 0:00:18 | |
flexible selling strategies. | 0:00:18 | 0:00:20 | |
If I can't sell this as a table I'll remove the top. | 0:00:20 | 0:00:24 | |
James reveals how investing wisely can increase your profit margins. | 0:00:24 | 0:00:28 | |
Doesn't quite fit, but for ten euros I think it certainly makes this a bit more saleable. | 0:00:28 | 0:00:35 | |
And how the pressures of competition give some dealers the blues. | 0:00:35 | 0:00:39 | |
# And if I don't beat James Lewis | 0:00:39 | 0:00:43 | |
# My life will be a living hell. # | 0:00:43 | 0:00:47 | |
Today's epic clash pitches | 0:00:58 | 0:01:01 | |
two renowned auctioneers against each other as John "The Hammer" Cameron | 0:01:01 | 0:01:07 | |
and James "The Lionheart" Lewis go head to head in a battle | 0:01:07 | 0:01:10 | |
to see who can make the most profit from buying and selling antiques. | 0:01:10 | 0:01:15 | |
-Are you friendly? -It's Hampshire's handsome hero... | 0:01:15 | 0:01:19 | |
130. I'd need to pay less. | 0:01:19 | 0:01:21 | |
Would you take 100 from me now? | 0:01:21 | 0:01:23 | |
..versus Derbyshire's big bargaining bear. | 0:01:23 | 0:01:27 | |
I can give you 400 euros. There's no negotiation. | 0:01:27 | 0:01:29 | |
That's it, that's my top bid. | 0:01:29 | 0:01:31 | |
Risking their reputations and their own hard-earned cash in a contest | 0:01:31 | 0:01:35 | |
that will test their dealing know-how to the absolute limit. | 0:01:35 | 0:01:40 | |
Today's battleground is where Napoleon did surrender - | 0:01:40 | 0:01:45 | |
Waterloo in Belgium. | 0:01:45 | 0:01:47 | |
It might be nearly two centuries since the famous battle, | 0:01:47 | 0:01:51 | |
but our very own warriors are here to slug it out | 0:01:51 | 0:01:54 | |
-at the city's famous weekly antiques market. -Thank you very much. | 0:01:54 | 0:01:57 | |
-Thank you. Great. -Our two masters of the gavel each have £750 worth of | 0:01:57 | 0:02:01 | |
their own euros to spend. | 0:02:01 | 0:02:03 | |
Over a week of challenges, their mission is to make the most profit, | 0:02:03 | 0:02:08 | |
all of which will be going to their chosen charities. | 0:02:08 | 0:02:11 | |
You'll get that, not from me. | 0:02:11 | 0:02:14 | |
Our very modern day battle is about to commence. John Cameron and James Lewis, | 0:02:14 | 0:02:19 | |
it's time to Put Your Money Where Your Mouth Is. | 0:02:19 | 0:02:22 | |
-What's your strategy today? -Do you know, | 0:02:22 | 0:02:24 | |
I'm going to go for things that are different, things | 0:02:24 | 0:02:27 | |
you're not going to find in England. That's my plan. How about yours? | 0:02:27 | 0:02:30 | |
Well, my number one strategy is to not call a woman "monsieur", | 0:02:30 | 0:02:34 | |
cos I speak very little French, so past that, I just want to buy things | 0:02:34 | 0:02:39 | |
that I can sell to specific people, going for that punter in mind. | 0:02:39 | 0:02:43 | |
Ah, planning, eh? | 0:02:43 | 0:02:45 | |
This 300-stall Belgian market is crammed full of antiques and more | 0:02:45 | 0:02:49 | |
contemporary pieces, and both our dealers have come | 0:02:49 | 0:02:52 | |
armed with strategies for unearthing bargains. | 0:02:52 | 0:02:56 | |
The Hammer is a master of intrigue and there's more to his strategy than meets the eye. | 0:02:56 | 0:03:02 | |
What I didn't tell James today is | 0:03:02 | 0:03:05 | |
I've said I'm looking for things with buyers in mind. | 0:03:05 | 0:03:08 | |
That's strictly speaking true, but what I didn't tell him was I'm | 0:03:08 | 0:03:11 | |
looking for things with decorative visual impact, things that people | 0:03:11 | 0:03:15 | |
will take a chance on and buy perhaps for the garden or that room in the house. | 0:03:15 | 0:03:19 | |
So here we go. Wish me luck. | 0:03:19 | 0:03:21 | |
Does that translate as "eye-catching"? | 0:03:21 | 0:03:24 | |
If so, John's in clover | 0:03:24 | 0:03:26 | |
at this market where the weird and wonderful lies round every corner. | 0:03:26 | 0:03:29 | |
The Lionheart is on the prowl already and keen to confound the stereotypes, | 0:03:29 | 0:03:34 | |
this big cat is chasing doggies. | 0:03:34 | 0:03:39 | |
James is keen to bag his first buys, | 0:03:41 | 0:03:44 | |
but the absence of a seller has this lion chasing his tail. | 0:03:44 | 0:03:46 | |
Is this yours? | 0:03:49 | 0:03:50 | |
No idea. | 0:03:52 | 0:03:54 | |
Hi. Hi. Is this your stand at the end? | 0:03:55 | 0:03:57 | |
At last. | 0:03:57 | 0:03:59 | |
How much is the clock here? | 0:03:59 | 0:04:01 | |
Trente. 30. | 0:04:01 | 0:04:03 | |
Would you take 40 for the two? | 0:04:03 | 0:04:05 | |
HE SPEAKS FRENCH | 0:04:05 | 0:04:08 | |
-Yeah? -And bingo, a pair of striking art deco pooches are in the bag for | 0:04:08 | 0:04:13 | |
just over £36 sterling. | 0:04:13 | 0:04:16 | |
The strategy so far is working. This is exactly what I was talking about. | 0:04:16 | 0:04:20 | |
This type of decoration is typical French. | 0:04:20 | 0:04:24 | |
Clock garniture and a table lamp, | 0:04:24 | 0:04:26 | |
and this combination of bronze spelter with French marble. This | 0:04:26 | 0:04:30 | |
sort of thing you see all over the French and Belgian street markets. | 0:04:30 | 0:04:34 | |
In England, they're fewer and much further apart. | 0:04:34 | 0:04:37 | |
It's a strategy double bubble for the Lionheart. | 0:04:37 | 0:04:40 | |
Not only are the clocks continental, but our clever cat knows there's no | 0:04:40 | 0:04:44 | |
dearth of dog lovers in the UK. | 0:04:44 | 0:04:45 | |
Perfect potential purchases for his first buys. | 0:04:45 | 0:04:50 | |
A cracking start from James and bang on strategy. | 0:04:50 | 0:04:54 | |
But the determined Hammer's not far behind. He's found this | 0:04:54 | 0:04:57 | |
handsome fellow and, without a second's hesitation, he strikes. | 0:04:57 | 0:05:00 | |
-How much? -150. -150. | 0:05:00 | 0:05:03 | |
It's not expensive. | 0:05:03 | 0:05:06 | |
Can you do a better price than that? | 0:05:06 | 0:05:08 | |
Say 30. 130. | 0:05:08 | 0:05:10 | |
130. I'd need to pay less. | 0:05:10 | 0:05:13 | |
Would you take 100 from me now? | 0:05:13 | 0:05:15 | |
Well, you look a nice gentleman, it's OK. It's OK. | 0:05:16 | 0:05:20 | |
I look nice, I look like him? | 0:05:20 | 0:05:22 | |
-Better. It's OK. -100 euros. -It's OK. | 0:05:22 | 0:05:25 | |
Thank you very much. 100 euros for you. | 0:05:25 | 0:05:28 | |
That's it, John, show no weakness. | 0:05:28 | 0:05:30 | |
These traders can smell it on you. | 0:05:30 | 0:05:33 | |
Thank you. | 0:05:33 | 0:05:34 | |
This piece of prime breweriana cost John just under £91. | 0:05:34 | 0:05:41 | |
It's a nice thing. | 0:05:41 | 0:05:42 | |
I've got a couple of buyers back in England that like enamel signs, | 0:05:42 | 0:05:45 | |
so if I can't sell this as a table, which I think is great, I've never | 0:05:45 | 0:05:49 | |
seen one before, I'll remove the top and just sell it as an enamel sign. | 0:05:49 | 0:05:53 | |
Now, how impressive is that? The Hammer's already got a plan A | 0:05:53 | 0:05:56 | |
and a plan B for selling his table. | 0:05:56 | 0:05:58 | |
James needs to strike back | 0:05:58 | 0:06:01 | |
and he's quick to home in on a silver vesta case. | 0:06:01 | 0:06:04 | |
The only problem is that the vendor is asking 100 euros for it. | 0:06:04 | 0:06:09 | |
It's a lot of money and a lot of euros. | 0:06:09 | 0:06:12 | |
70? | 0:06:12 | 0:06:14 | |
Non. Quoi? | 0:06:14 | 0:06:16 | |
No. No less, no? | 0:06:16 | 0:06:17 | |
HE SPEAKS FRENCH | 0:06:17 | 0:06:19 | |
I like it still. Oh, I don't know. | 0:06:19 | 0:06:24 | |
80 euros. 80? | 0:06:24 | 0:06:26 | |
-Done. -OK. Deal. Thank you. | 0:06:28 | 0:06:30 | |
James has scored, nailing a price of just under £73 for the match case, | 0:06:30 | 0:06:36 | |
featuring what else for a lionheart? | 0:06:36 | 0:06:38 | |
A cat. Well, that last piece might not be continental, hailing from | 0:06:38 | 0:06:43 | |
sunny Sheffield, but it's the potential profit in it that counts. | 0:06:43 | 0:06:48 | |
Unlike James, John is sticking to his secret, weird and wonderful strategy | 0:06:48 | 0:06:52 | |
like glue, | 0:06:52 | 0:06:53 | |
-and this next piece ticks every box. -This looks quite interesting. | 0:06:53 | 0:06:58 | |
I don't think there's a huge amount of age to it. | 0:06:58 | 0:07:00 | |
It's a candle stand, modelled as what looks like a bass, but I think | 0:07:00 | 0:07:03 | |
it's a little bit small for a bass. | 0:07:03 | 0:07:06 | |
But certainly interesting. It has a nice bit of visual impact. | 0:07:06 | 0:07:09 | |
Quite a good decorator's object, I think. | 0:07:09 | 0:07:12 | |
I wonder if I can find out how much they want for it. Combien? How much? | 0:07:12 | 0:07:15 | |
-30 euro, please. -30 euro. 25. | 0:07:15 | 0:07:19 | |
-25 is OK. -25, yeah? OK. | 0:07:19 | 0:07:22 | |
So, John is now the proud owner of a cello-shaped candle stand. | 0:07:22 | 0:07:28 | |
A snip at just under £23. | 0:07:28 | 0:07:31 | |
There we are. I'm off to make sweet music. | 0:07:31 | 0:07:35 | |
Our two valiant warriors are staging their very own battle of Waterloo, | 0:07:35 | 0:07:39 | |
although who is a victorious Wellington and who is a demoralised | 0:07:39 | 0:07:42 | |
Napoleon, only time will tell. | 0:07:42 | 0:07:46 | |
Now, James's strategy is to buy up antiques that are | 0:07:48 | 0:07:51 | |
cheap here in Brussels, and sell them for heaps of profit back in Blighty. | 0:07:51 | 0:07:55 | |
And it looks like he's found a whole army of potential profit-makers. | 0:07:55 | 0:08:00 | |
One thing is for sure, you cannot buy these | 0:08:00 | 0:08:03 | |
in England for £20 each, you can't. | 0:08:03 | 0:08:07 | |
Now, these are £65, £75, £85 each in England, so at 20 euros each, it's already cheap. | 0:08:07 | 0:08:14 | |
James is quick to pick out four wooden masks for 20 euros each, | 0:08:14 | 0:08:18 | |
and he adds a 50 euro statue for good measure. | 0:08:18 | 0:08:21 | |
So I owe you 130 euro. | 0:08:21 | 0:08:25 | |
There's 50. | 0:08:25 | 0:08:27 | |
It's James' biggest investment so far. | 0:08:27 | 0:08:29 | |
His African collection costs him just over £118. | 0:08:29 | 0:08:34 | |
It seems nothing can dampen the determination of our profit-hungry pair, | 0:08:35 | 0:08:39 | |
even the onset of heavy rain. | 0:08:39 | 0:08:42 | |
John hasn't strayed one millimetre from his strategy | 0:08:42 | 0:08:46 | |
of finding visually striking decorative items. | 0:08:46 | 0:08:49 | |
It's a cast iron wall mast. | 0:08:49 | 0:08:52 | |
It's very much in the classical taste, quite French, | 0:08:52 | 0:08:54 | |
but I think somebody with a real flair for decoration might be able to do something with this. | 0:08:54 | 0:08:58 | |
Let's see how much the stallholder wants. Excusez-moi, monsieur. | 0:08:58 | 0:09:02 | |
Combien? | 0:09:02 | 0:09:04 | |
-100 euros. -100 euros. | 0:09:04 | 0:09:06 | |
You do me a good price? | 0:09:06 | 0:09:08 | |
I can make for you 80 euros. | 0:09:08 | 0:09:09 | |
-80 euros at the best price, yeah? -That's absolutely the best price. | 0:09:09 | 0:09:12 | |
-OK. 80 euros. -OK. Thank you very much. OK. Thank you very much. | 0:09:12 | 0:09:15 | |
Thank you very much. | 0:09:15 | 0:09:17 | |
That's just under £73 for the Hammer's third buy. | 0:09:17 | 0:09:21 | |
He's like an antiques Hercules. | 0:09:21 | 0:09:23 | |
And away we go. | 0:09:23 | 0:09:26 | |
With the rain tipping down, most would-be buyers are taking shelter, | 0:09:26 | 0:09:30 | |
but not our battle-hardened boys, oh, no. | 0:09:30 | 0:09:33 | |
This is their chance to get in there, spot the bargains and pounce. | 0:09:33 | 0:09:36 | |
This is a classic bit of French metalwork. | 0:09:36 | 0:09:40 | |
The quality of the casting is so good for something that | 0:09:40 | 0:09:45 | |
wouldn't have been that expensive when it was new. | 0:09:45 | 0:09:48 | |
I guess this is about 1870, 1880 in date. | 0:09:48 | 0:09:52 | |
I like it. The quality's there. | 0:09:52 | 0:09:54 | |
Shouldn't be that much money, at least I hope not. | 0:09:54 | 0:09:56 | |
James goes in with his usual sugar-coated steeliness. | 0:09:56 | 0:10:00 | |
Vingt, s'il vous plait. | 0:10:00 | 0:10:03 | |
No. 30, best price. | 0:10:03 | 0:10:05 | |
-Vingt cinq. -No. -You're a hard man. | 0:10:05 | 0:10:09 | |
Well, it's 30 euros. He's not budging. | 0:10:09 | 0:10:11 | |
Well, guess it's time I put my money where my mouth is. | 0:10:11 | 0:10:15 | |
It's funny you should say that, James, that's exactly what this | 0:10:15 | 0:10:18 | |
competition's all about. | 0:10:18 | 0:10:19 | |
And you're the new proud owner of a mirrored tray for just over £27. | 0:10:19 | 0:10:24 | |
And you get a free union jack carrier bag. | 0:10:24 | 0:10:27 | |
What a nice gesture from the dealer who's refused the discount. | 0:10:27 | 0:10:31 | |
With four buys to James and three buys to John, | 0:10:31 | 0:10:34 | |
our boys hold a brief truce to share a nice warming cuppa. | 0:10:34 | 0:10:39 | |
Cor, I need this cup of tea. | 0:10:39 | 0:10:41 | |
YOU need the cup of tea? | 0:10:41 | 0:10:43 | |
-I tell you, you've bought one thing I should have bought. -What's that? -An umbrella. | 0:10:43 | 0:10:47 | |
-Three quid. It was a bargain. -Yeah. | 0:10:47 | 0:10:50 | |
-Three quid. -Do you think you can make a profit? -A fiver. | 0:10:50 | 0:10:54 | |
So, joking aside, how's the battle shaping up | 0:10:54 | 0:10:58 | |
for our rain-soaked warriors? | 0:10:58 | 0:11:00 | |
John and James started the day with £750 of euros each. | 0:11:00 | 0:11:06 | |
John's three buys have cost him a shade over £186 and he has just under | 0:11:06 | 0:11:11 | |
£564 left to spend. | 0:11:11 | 0:11:14 | |
James has spent more on his four purchases - | 0:11:14 | 0:11:17 | |
just over £254, so he's got just under £496 left in his kitty. | 0:11:17 | 0:11:24 | |
But the hunt for Belgian booty is far from over. | 0:11:24 | 0:11:28 | |
Our duelling dealers have got up to £750 worth of euros to spend | 0:11:28 | 0:11:32 | |
buying up antiques in Brussels that they must then sell back in Blighty. | 0:11:32 | 0:11:37 | |
Right now there's a real risk that this Waterloo antiques market might | 0:11:37 | 0:11:41 | |
wrap up earlier than planned because of the rain. | 0:11:41 | 0:11:45 | |
So John and James's mission is simple. | 0:11:45 | 0:11:48 | |
Just to get out there and spend, spend, spend. | 0:11:48 | 0:11:51 | |
And the Lionheart wastes no time. | 0:11:51 | 0:11:54 | |
-Vingt cinq euro. -Oui. | 0:11:54 | 0:11:56 | |
-Merci. -That's another buy that's bang on | 0:11:56 | 0:11:59 | |
strategy for less than £23, and the Lionheart is purring with delight. | 0:11:59 | 0:12:05 | |
This is known as Siena marble. A combination of this mustard yellow | 0:12:05 | 0:12:09 | |
with the ormolu or gold-plated bronze is wonderful. | 0:12:09 | 0:12:12 | |
Well, we've got a desk weight, a paper knife, a little tray for | 0:12:12 | 0:12:16 | |
paper clips, a nib cleaner and a clock, all made around 1925, 1930. | 0:12:16 | 0:12:23 | |
That, to me, has got to be worth £50-£80. What did I pay? 25 euro. | 0:12:23 | 0:12:28 | |
£20. A definite bargain. | 0:12:28 | 0:12:30 | |
And James is quick to pounce when | 0:12:30 | 0:12:33 | |
he spots an accessory for one of his previous buys. | 0:12:33 | 0:12:36 | |
I bought this earlier without a lampshade but look what I've found on here. | 0:12:36 | 0:12:41 | |
A lampshade. Doesn't quite fit, | 0:12:41 | 0:12:44 | |
but, at the end of the day, for ten euros, | 0:12:44 | 0:12:47 | |
I think it certainly makes this a little bit more saleable and | 0:12:47 | 0:12:51 | |
that is exactly the type of shade this would have had on it. | 0:12:51 | 0:12:54 | |
Just over £9 for the glass shade, | 0:12:54 | 0:12:58 | |
and the Lionheart is firing on all cylinders. | 0:12:58 | 0:13:01 | |
He completes his hat-trick of super | 0:13:01 | 0:13:03 | |
snappy buys by picking up a 1920s asparagus server. | 0:13:03 | 0:13:07 | |
It's his seventh purchase of the day, costing him just over £36. | 0:13:07 | 0:13:12 | |
With a whopping £560 worth of euros still in his pocket, | 0:13:12 | 0:13:17 | |
a bedraggled John has been combing the market for his next purchase. | 0:13:17 | 0:13:21 | |
I find this little car interesting. I think it'd make a great decorative | 0:13:21 | 0:13:25 | |
item in a garden. It's Belgian, I think it's got a bit of age to it. | 0:13:25 | 0:13:28 | |
No idea what the guy wants for it but I'm going to find out. | 0:13:28 | 0:13:31 | |
-What's your best price? -Oui. -Your best price? | 0:13:31 | 0:13:34 | |
Je peux laisser, dernier dernier prix, cent soixante. | 0:13:34 | 0:13:38 | |
-Deux cinquante? 150. -Cent cinquante? | 0:13:42 | 0:13:48 | |
-150. -Oui. OK. | 0:13:48 | 0:13:50 | |
-150? -OK. -OK. 150. | 0:13:50 | 0:13:53 | |
Oh, you could almost see those cogs turning. | 0:13:53 | 0:13:56 | |
With that masterly display of French, John bags his biggest purchase of the | 0:13:56 | 0:14:00 | |
day so far, spending just over £136 on what he reckons is a corker. | 0:14:00 | 0:14:06 | |
I love this. I've no idea who I'm going to sell it to, but if | 0:14:06 | 0:14:09 | |
the worst comes to the worst, I can take my other purchases home in it. | 0:14:09 | 0:14:13 | |
Well, right now you've only got three other purchases to put in it, | 0:14:13 | 0:14:16 | |
so you need to get a wriggle on. | 0:14:16 | 0:14:18 | |
James has over £400 worth of euros left and he's thinking | 0:14:18 | 0:14:23 | |
of blowing almost all of it on a 19th-century bronze statue, | 0:14:23 | 0:14:27 | |
but the Lionheart wants to get the very best deal he can. | 0:14:27 | 0:14:31 | |
It's the colour. It's not a good colour, that's my problem. | 0:14:31 | 0:14:35 | |
I can give you 400 euros. There's no negotiation. | 0:14:35 | 0:14:38 | |
-That's it, that's my top bid. -That's good. | 0:14:38 | 0:14:40 | |
Yeah. 400, you've got a deal. | 0:14:40 | 0:14:43 | |
What a sugar-coated toughie he is. | 0:14:43 | 0:14:45 | |
The lion pays out an eyewatering £363 plus for the statue, leaving him just | 0:14:45 | 0:14:52 | |
70 euros for the rest of his day. | 0:14:52 | 0:14:54 | |
This was 600 euros. | 0:14:54 | 0:14:56 | |
I got it for 400 but, you know, it's still a lot of money. | 0:14:56 | 0:15:01 | |
It's by Auguste Moreau, | 0:15:01 | 0:15:03 | |
who was one of the leading sculptors of the 19th century. | 0:15:03 | 0:15:07 | |
It's cast in bronze and it has a green patination. | 0:15:07 | 0:15:10 | |
But the subject matter is very relevant for today. | 0:15:10 | 0:15:14 | |
There, this very handsome young man is placing a ring on her finger, so | 0:15:14 | 0:15:17 | |
this could well be a betrothal, but what a great sculpture. | 0:15:17 | 0:15:22 | |
400 euro, though - £360ish - is plenty of money. | 0:15:22 | 0:15:27 | |
John still has well over half his money left to spend | 0:15:27 | 0:15:30 | |
-and he's getting desperate. -How much? | 0:15:30 | 0:15:33 | |
I'll sell it to you for only ten euros. | 0:15:33 | 0:15:35 | |
-Ten euros. -Yes. -Ten euros for that? | 0:15:35 | 0:15:37 | |
That's an offer you can't refuse. | 0:15:37 | 0:15:40 | |
-You know what? -Without the hat. | 0:15:40 | 0:15:42 | |
The Hammer offloads just over £9 but he's gone way off strategy. | 0:15:42 | 0:15:48 | |
Now, look at this. It's a little children's live steam engine. | 0:15:48 | 0:15:52 | |
Wouldn't pass safety tests these days, but these were actually toys | 0:15:52 | 0:15:56 | |
and very collectable in their day. | 0:15:56 | 0:15:58 | |
Now, it's more of an adult's toy but it goes right against my strategy. | 0:15:58 | 0:16:01 | |
It's got no decorative visual impact and I don't have a buyer in mind | 0:16:01 | 0:16:05 | |
but, for ten euros, I've got to be able to make a profit. | 0:16:05 | 0:16:08 | |
That's it, John, keep banging away | 0:16:08 | 0:16:10 | |
because your opponent is still unearthing some extraordinary stuff. | 0:16:10 | 0:16:14 | |
This little chap here is what we call a conch shell | 0:16:14 | 0:16:18 | |
and it's what the Italians, especially in Milan, | 0:16:18 | 0:16:22 | |
used to carve all those shell cameos you see granny wearing. | 0:16:22 | 0:16:26 | |
Very out of fashion today, but often with a female head profile | 0:16:26 | 0:16:31 | |
in ancient style. | 0:16:31 | 0:16:33 | |
But they also carved these big shells with typical scenes | 0:16:33 | 0:16:38 | |
for the tourist market. Here we see the eruption of Vesuvius over | 0:16:38 | 0:16:41 | |
the Bay of Naples and typical thing, typical tourist object, but probably | 0:16:41 | 0:16:47 | |
getting on for 100 years old. | 0:16:47 | 0:16:48 | |
At some stage it's been lit and wired. | 0:16:48 | 0:16:52 | |
So, just over £27 for the lamp | 0:16:52 | 0:16:54 | |
but, like all electrical pieces, he'll need to get it | 0:16:54 | 0:16:57 | |
checked out by a qualified electrician before selling it. | 0:16:57 | 0:17:01 | |
Next, our cuddly cat spots profit in two porcelain dogs, | 0:17:01 | 0:17:04 | |
scooping them into his swag bag for 20 euros or just over £18. | 0:17:04 | 0:17:10 | |
John is still trying to lay his hands on anything that might be profitable. | 0:17:10 | 0:17:14 | |
This is an interesting little item. | 0:17:14 | 0:17:16 | |
It's a little travelling cocktail set for a gentleman. Sir, 25 euros? | 0:17:16 | 0:17:20 | |
OK. Thank you very much. | 0:17:20 | 0:17:23 | |
The Hammer's battling away bravely, but he's only got rid of just under | 0:17:23 | 0:17:28 | |
£23 on the cocktail set. | 0:17:28 | 0:17:31 | |
With the rain still coming down, this market is now on its last legs. | 0:17:31 | 0:17:35 | |
John has still over £400 worth of euros to spend and he's starting | 0:17:35 | 0:17:39 | |
-to feel the pressure. -I'm getting really desperate now. | 0:17:39 | 0:17:44 | |
I think James has almost spent up, and I've still got a lot of money left. | 0:17:44 | 0:17:47 | |
I'm going to have a last look at the stall here. | 0:17:47 | 0:17:49 | |
There were a couple of interesting items, a bit pricey, | 0:17:49 | 0:17:52 | |
I may have to buy something meaty if I've got a chance of giving James a good run. | 0:17:52 | 0:17:57 | |
They're almost packing away here. | 0:17:57 | 0:18:00 | |
Like a merciless buying machine, James is | 0:18:00 | 0:18:03 | |
staying on track to the bitter end. | 0:18:03 | 0:18:05 | |
Well, I'm cold, I'm wet, and I'm in desperate need of a bacon sandwich. | 0:18:05 | 0:18:10 | |
Other than that, I still have 20 euros left to spend, | 0:18:10 | 0:18:12 | |
or at least I did until now. | 0:18:12 | 0:18:14 | |
The great thing about this little sign here is that | 0:18:14 | 0:18:17 | |
there's no translation required. | 0:18:17 | 0:18:19 | |
This might be a sign from the 1950s in France or Belgium | 0:18:19 | 0:18:23 | |
or maybe somewhere else in Europe, I don't know. | 0:18:23 | 0:18:25 | |
There's got to be a profit in it. They started at 30 euros, | 0:18:25 | 0:18:29 | |
they're going to take 20, I'm all spent up. Fantastic. | 0:18:29 | 0:18:32 | |
At just over £18, the tram sign marks | 0:18:32 | 0:18:36 | |
a triumphant climax to the Lionheart's buying campaign. | 0:18:36 | 0:18:39 | |
He's used up all his money and racked up | 0:18:39 | 0:18:41 | |
11 purchases to take back to Blighty. | 0:18:41 | 0:18:45 | |
As for the Hammer, he knows he's in the last chance saloon. | 0:18:45 | 0:18:49 | |
His plan now is to spend a sizeable wedge of his remaining money in one | 0:18:49 | 0:18:53 | |
go, and he thinks he's found the perfect gamble | 0:18:53 | 0:18:56 | |
in this cast bronze sculpture. | 0:18:56 | 0:18:58 | |
-Excuse me, sir. 250? -OK. | 0:18:58 | 0:19:00 | |
250, yeah? You'd do 250? | 0:19:00 | 0:19:02 | |
It's a good price. | 0:19:02 | 0:19:04 | |
-OK. -At over £227, the sculpture is John's biggest buy of the day. | 0:19:06 | 0:19:13 | |
It's a risk he's well up for taking. | 0:19:13 | 0:19:15 | |
It's solid cast bronze. | 0:19:15 | 0:19:17 | |
It's a nice decorative piece and there is an artist. | 0:19:17 | 0:19:19 | |
It's Fernand Gysen. | 0:19:19 | 0:19:21 | |
Not known too much about him. Flemish sculptor. | 0:19:21 | 0:19:24 | |
Interesting piece. 250 euros. | 0:19:24 | 0:19:27 | |
About £250. Should be able to get a profit out of that. | 0:19:27 | 0:19:30 | |
I was just desperate to spend some of my money. | 0:19:30 | 0:19:32 | |
Anyway, I think he's quite handsome. | 0:19:32 | 0:19:36 | |
And with that, the mighty buying battle of Waterloo is over. | 0:19:36 | 0:19:38 | |
So, how do the sums tot up for our two brave foot soldiers as | 0:19:38 | 0:19:42 | |
they stagger wearily from the fray? | 0:19:42 | 0:19:46 | |
Our boys arrived with £750 euros in their pockets. John finished with | 0:19:48 | 0:19:54 | |
seven buys, eventually managing to spend a total of nearly £582. | 0:19:54 | 0:20:00 | |
James made 11 purchases and spent all but one penny of his £750 budget. | 0:20:00 | 0:20:06 | |
Pretty impressive, but it's the profits they make | 0:20:06 | 0:20:08 | |
when they get back home that count. | 0:20:08 | 0:20:11 | |
Before they retreat from Belgium, our duelling duo | 0:20:11 | 0:20:14 | |
get the chance to sneak a look at each other's wares. | 0:20:14 | 0:20:17 | |
-Greetings. -James, how are you? -How have you done? | 0:20:17 | 0:20:19 | |
Well, I don't know, not too bad. Here it is, what do you think? | 0:20:19 | 0:20:23 | |
Do you know, I have to say it looked a little shabby from a distance, but | 0:20:23 | 0:20:28 | |
I actually quite like it. | 0:20:28 | 0:20:29 | |
It works. I've absolutely no idea who to sell it to. | 0:20:29 | 0:20:32 | |
It works! There's not a lot that can go wrong with an old wooden cart. | 0:20:32 | 0:20:36 | |
-How did you do? -Well, my favourite thing of all is this little chap. | 0:20:36 | 0:20:39 | |
Let's have a look. | 0:20:39 | 0:20:40 | |
You do like your vesta cases, don't you? That's sweet. | 0:20:40 | 0:20:43 | |
-Not cheap, I have to say. It was 80 euros. -Brilliant. Fantastic. | 0:20:43 | 0:20:48 | |
Well, James, I'd love to stay here chewing the fat with you, old boy, | 0:20:48 | 0:20:52 | |
but I've got to get my stuff back to Blighty, and I've got myself a very | 0:20:52 | 0:20:57 | |
-handy handcart, so see you the other side, mate, all right? -You're not..? | 0:20:57 | 0:21:01 | |
Well, as if I'd do that to you. | 0:21:01 | 0:21:03 | |
You're mean. | 0:21:03 | 0:21:05 | |
Now John and James must make as much profit as they can | 0:21:05 | 0:21:07 | |
on all the items they've bought. | 0:21:07 | 0:21:10 | |
As well as his vesta case, | 0:21:10 | 0:21:12 | |
James must sell a marble lamp and this companion glass shade. | 0:21:12 | 0:21:16 | |
A deco clock garniture. | 0:21:16 | 0:21:19 | |
Five pieces of African art. | 0:21:19 | 0:21:20 | |
A mirror with metalware frame. | 0:21:20 | 0:21:23 | |
This Siena marble desk set. | 0:21:23 | 0:21:26 | |
An asparagus server. | 0:21:26 | 0:21:28 | |
A bronze statue. | 0:21:28 | 0:21:31 | |
This conch shell lamp. | 0:21:31 | 0:21:33 | |
Two porcelain dogs. And a tram sign. | 0:21:33 | 0:21:37 | |
And as well as his handcart, John must sell a beer table. | 0:21:37 | 0:21:43 | |
A cello candle stand. | 0:21:43 | 0:21:45 | |
This cast iron wall planter. | 0:21:45 | 0:21:48 | |
A miniature steam engine. | 0:21:48 | 0:21:50 | |
A travelling cocktail set. | 0:21:50 | 0:21:53 | |
And a solid cast bronze head. | 0:21:53 | 0:21:55 | |
For our two dealing demons, their Belgian buying bonanza was just the beginning. | 0:22:00 | 0:22:04 | |
Now they must sell all their pieces back here in Blighty. | 0:22:04 | 0:22:08 | |
They've both been setting up deals left, right and centre, | 0:22:08 | 0:22:11 | |
but until they've shaken on it and money's changed hands, no deal | 0:22:11 | 0:22:15 | |
is truly sealed. | 0:22:15 | 0:22:17 | |
In his Derbyshire den, the Lionheart is quick to get off the mark. | 0:22:17 | 0:22:21 | |
I'm quite encouraged by the result so far. I've been on the phone. | 0:22:21 | 0:22:25 | |
I've made some calls and I think I've already got sales in the bag. | 0:22:25 | 0:22:29 | |
But before he gets going, James wants to maximise the saleability | 0:22:29 | 0:22:34 | |
of his biggest Belgian buy, the bronze statue. He wants | 0:22:34 | 0:22:37 | |
to replace its worn marble base and he's decided to approach a firm that | 0:22:37 | 0:22:41 | |
supplies kitchen worktops to see if they'd be willing to do him a favour. | 0:22:41 | 0:22:44 | |
Everybody hates this marble base. | 0:22:44 | 0:22:48 | |
Looks a bit too mean. It looks a bit too small. | 0:22:48 | 0:22:51 | |
I just need something slightly bigger and I wondered | 0:22:51 | 0:22:53 | |
if you had any off-cuts for me. | 0:22:53 | 0:22:55 | |
This job here, Carrara white, | 0:22:55 | 0:22:58 | |
we've got the sink cut out which will be an off-cut. | 0:22:58 | 0:23:01 | |
Looks like you came to the right place, James, but will giving the | 0:23:01 | 0:23:05 | |
statue a brand new base make it more profitable? Time will tell. | 0:23:05 | 0:23:09 | |
200 miles away on the south coast, | 0:23:09 | 0:23:12 | |
The Hammer's big push for profit is up and rolling. | 0:23:12 | 0:23:15 | |
Now most of the items I've bought I'm going | 0:23:17 | 0:23:19 | |
to try and sell in and around the Portsmouth and surrounding areas. | 0:23:19 | 0:23:23 | |
Over the years since being an auctioneer round here, I've built | 0:23:23 | 0:23:26 | |
up lots and lots of contacts, people that I've regularly sold to, albeit | 0:23:26 | 0:23:30 | |
as an auctioneer from the rostrum, so hopefully I'll be able to utilise | 0:23:30 | 0:23:34 | |
some of those contacts and make some good sales and get some profits in. | 0:23:34 | 0:23:37 | |
So, let the contest begin. James made 11 buys in Belgium and | 0:23:37 | 0:23:40 | |
he's hoping to cash in on the whole batch of them in one fail swoop. | 0:23:40 | 0:23:44 | |
I'm here at Doncaster market to see Lee Thornton who collects art deco, | 0:23:44 | 0:23:50 | |
so I've brought the clock and the lamp that I know he's interested in, | 0:23:50 | 0:23:53 | |
but I've also brought the desk set, hoping to make a tidy little profit. | 0:23:53 | 0:23:57 | |
Lee, how are you? | 0:23:57 | 0:23:59 | |
In total, James paid just over £68 for the art deco lamp, the desk set | 0:23:59 | 0:24:04 | |
and the clock garniture combined. | 0:24:04 | 0:24:06 | |
So the first thing really is that. | 0:24:06 | 0:24:08 | |
Now I thought that was... | 0:24:08 | 0:24:11 | |
Quite a stylish set, isn't it? | 0:24:11 | 0:24:13 | |
Bit swish, isn't it? From the same market I found that. | 0:24:13 | 0:24:16 | |
And then on a different stand, I found this. | 0:24:16 | 0:24:20 | |
Nice, good match isn't it? Yeah. | 0:24:20 | 0:24:22 | |
The shade cost me more than that did. | 0:24:22 | 0:24:25 | |
And then, of course, this Siena marble desk set as well. | 0:24:25 | 0:24:29 | |
-So what do you think? -I like the clock group there. | 0:24:29 | 0:24:33 | |
I like the garniture. | 0:24:33 | 0:24:35 | |
This is quite nice too, but I don't think this is my bag, this one here. | 0:24:35 | 0:24:40 | |
I thought that was really stylish. | 0:24:40 | 0:24:43 | |
So, Lee likes two of the pieces, but what can James get for them? | 0:24:43 | 0:24:48 | |
I tell you what, I would go up to £100 and that's | 0:24:48 | 0:24:51 | |
-the most I would want to give. -I'll let you off the Siena desk set. -OK. | 0:24:51 | 0:24:54 | |
155 for the two. | 0:24:54 | 0:24:57 | |
I'll tell you what, James, | 0:24:59 | 0:25:00 | |
make it £150 and I will have a deal with you today. | 0:25:00 | 0:25:04 | |
I'm not going to quibble. That's fair. | 0:25:04 | 0:25:06 | |
-OK. Have we got a deal then? -That's a deal. We have. Brilliant. | 0:25:06 | 0:25:09 | |
-Brilliant. -What a start by "The Lionheart". | 0:25:09 | 0:25:12 | |
He's sold his lamp, shade and clock for £150. | 0:25:12 | 0:25:15 | |
And that's a cracking first profit of £104.55. And he goes on to sell his | 0:25:15 | 0:25:21 | |
Sienna marble desk set to another trader for £70, netting him | 0:25:21 | 0:25:27 | |
a further profit of just over £47. | 0:25:27 | 0:25:30 | |
What an opening salvo from the Lionheart. | 0:25:30 | 0:25:33 | |
So, the Hammer needs his first sale to be a mighty one. | 0:25:33 | 0:25:37 | |
He's armed himself with a bronze bust he paid a whopping £227 for | 0:25:37 | 0:25:42 | |
back in Belgium and he's come to visit his friend David, | 0:25:42 | 0:25:46 | |
the owner of a local restaurant. | 0:25:46 | 0:25:48 | |
-What do you think? -Yeah. It's nice. | 0:25:48 | 0:25:50 | |
-Like it? -Yeah. I do. -Datewise, it's about 1930, I think. | 0:25:50 | 0:25:54 | |
It's certainly a '30s piece, judging by the style of the haircut and so | 0:25:54 | 0:25:57 | |
on, if you have a look at that. It could almost be Prince Edward, | 0:25:57 | 0:26:01 | |
-couldn't it? -It would sit in here very nicely, don't you think? | 0:26:01 | 0:26:04 | |
I think it's a nice thing. It's signed on the back Fernand Gysen. | 0:26:04 | 0:26:07 | |
He's a Belgian sculptor. | 0:26:07 | 0:26:08 | |
He was born at the end of the 19th century about 1879 and died I | 0:26:08 | 0:26:12 | |
-think in around the late '40s. So do you like it? -I do. Yeah. | 0:26:12 | 0:26:15 | |
-Yeah. -Yeah. I do. -You see it sitting in here? | 0:26:15 | 0:26:17 | |
Yeah. For the right price. | 0:26:17 | 0:26:19 | |
What about £500? Seriously, | 0:26:19 | 0:26:20 | |
I mean that is a really good price, I think, for something like that. | 0:26:20 | 0:26:24 | |
Yeah, I'm not going that high. 400. | 0:26:24 | 0:26:26 | |
400. It's less than what I was hoping to get for it. | 0:26:26 | 0:26:30 | |
I really do think it's a nice piece. I'd meet you halfway there. 450 and | 0:26:30 | 0:26:33 | |
you've got yourself a deal and a really nice piece of sculpture. | 0:26:33 | 0:26:36 | |
-Go on then. -£450. -Done. -Great. | 0:26:36 | 0:26:38 | |
-I've been done. -You have not. | 0:26:38 | 0:26:41 | |
Do you know what, people are going to ask to buy this from you. | 0:26:41 | 0:26:43 | |
That's an incredible start to John's selling, | 0:26:43 | 0:26:47 | |
notching up an opening profit of nearly £223 on the bust. | 0:26:47 | 0:26:52 | |
That's 100% profit. I'm really | 0:26:52 | 0:26:54 | |
pleased with that and I'm glad it's gone to a really nice home. | 0:26:54 | 0:26:57 | |
And that mighty riposte | 0:26:57 | 0:27:00 | |
bats the pressure right back at James who's hoping to | 0:27:00 | 0:27:03 | |
make big profits on his four African tribal masks at an auction sale. | 0:27:03 | 0:27:08 | |
James hoped the masks would fetch at least £60 each back here in the UK, | 0:27:08 | 0:27:11 | |
but it's just not happening. | 0:27:11 | 0:27:13 | |
All done, finished away then at £35. | 0:27:13 | 0:27:18 | |
Well, £35. I paid | 0:27:18 | 0:27:20 | |
80 euros for all four so that's about £19 each on average. | 0:27:20 | 0:27:26 | |
By the time commission comes off, it's about a tenner profit. | 0:27:26 | 0:27:28 | |
It's not huge, but it's a profit. | 0:27:28 | 0:27:30 | |
James has mixed fortunes with the other masks. | 0:27:30 | 0:27:34 | |
One sells for £30 and another manages 60. | 0:27:34 | 0:27:38 | |
The last of the masks doesn't seem to drum up any interest at all, | 0:27:38 | 0:27:41 | |
until that is, a private dealer asks to meet James outside. | 0:27:41 | 0:27:45 | |
-Right, good to see you. -Nice to see you. | 0:27:45 | 0:27:47 | |
Good to see you. Well, there it is. | 0:27:47 | 0:27:49 | |
-Great. -The way that I look at this is I think it's the earliest of all. | 0:27:49 | 0:27:53 | |
I agree with that. I would think, hopefully, early 20th century, maybe even a bit earlier. | 0:27:53 | 0:27:57 | |
The beard, it's a little bit similar to yours. | 0:27:57 | 0:28:01 | |
Is that a good thing? | 0:28:04 | 0:28:05 | |
I don't think so. Mine's a bit better trim than that, I hope. | 0:28:05 | 0:28:09 | |
-This is a better colour. -Thanks. | 0:28:09 | 0:28:12 | |
And therefore I think, I hear what you're saying, but I want | 0:28:12 | 0:28:15 | |
to offer £55 for that. | 0:28:15 | 0:28:18 | |
-65. -60 and it's done. | 0:28:18 | 0:28:22 | |
-Got yourself a deal. Well done. -Thank you. | 0:28:22 | 0:28:24 | |
Yes. It was a bumpy ride, but James walks away with a | 0:28:24 | 0:28:27 | |
total profit of just under £75 from the four African masks. | 0:28:27 | 0:28:31 | |
And his profits get a further boost... | 0:28:31 | 0:28:33 | |
Add a tenner for luck. | 0:28:33 | 0:28:35 | |
-160. -Let's keep it at 150. | 0:28:35 | 0:28:38 | |
..when he sells his African fertility statue to friend George | 0:28:38 | 0:28:41 | |
for an impressive three-figure profit. | 0:28:41 | 0:28:45 | |
So it's back to Portsmouth where the Hammer is on the march. | 0:28:45 | 0:28:49 | |
He's delved into his comprehensive contacts list | 0:28:49 | 0:28:52 | |
and matched his cello candle stand to George, | 0:28:52 | 0:28:56 | |
-the owner of a local music shop. -Go on, then. | 0:28:56 | 0:28:58 | |
-£50. Have you got any cash? -I've got cash. -Good man. | 0:28:58 | 0:29:02 | |
That's a profit for John of just over £27. | 0:29:02 | 0:29:06 | |
And he keeps the cash rolling in by selling his miniature steam engine | 0:29:08 | 0:29:12 | |
for a profit of nearly £26. | 0:29:12 | 0:29:15 | |
As the competition hots up, the man from the deep south | 0:29:17 | 0:29:21 | |
turns to the blues for inspiration. | 0:29:21 | 0:29:24 | |
# And if I don't beat James Lewis | 0:29:24 | 0:29:28 | |
# My life will be a living hell. # | 0:29:28 | 0:29:32 | |
Yes, the voice of an angel. | 0:29:32 | 0:29:33 | |
Ain't that the truth? | 0:29:33 | 0:29:36 | |
Well, in Derbyshire, James is in the pub, but he's not here for fun. | 0:29:38 | 0:29:42 | |
He's targeting his friend Paul as the potential buyer for the | 0:29:42 | 0:29:46 | |
cameo conch shell lamp he paid less than £30 for in Belgium. | 0:29:46 | 0:29:50 | |
Here we go, have a look. What do you think? | 0:29:50 | 0:29:53 | |
Craft cameo conch shell. | 0:29:53 | 0:29:55 | |
It's nice, isn't it? Well, I'm bound to say that. | 0:29:55 | 0:29:57 | |
-Turn of the century. -Yeah. -1910. -Yeah. I thought that. | 0:29:57 | 0:30:01 | |
-How much is it? -No messing around then, eh? | 0:30:01 | 0:30:04 | |
What would you want to give for it? | 0:30:04 | 0:30:06 | |
The most I would want to pay | 0:30:06 | 0:30:08 | |
is £100 and leave myself maybe £20, £30 profit. | 0:30:08 | 0:30:14 | |
If you're happy to give me £100. | 0:30:14 | 0:30:16 | |
I'd put a ticket of 145 on it, but in reality I'll probably end up selling | 0:30:16 | 0:30:19 | |
it for 110 or 120. | 0:30:19 | 0:30:20 | |
Well, stick 155 on it, | 0:30:20 | 0:30:22 | |
see if you can get 135, but you know, I'm still going to be happy at 100. | 0:30:22 | 0:30:26 | |
That's a deal. | 0:30:26 | 0:30:27 | |
The sales keep on coming for the Lionheart. | 0:30:27 | 0:30:30 | |
That's nearly £73 profit. | 0:30:30 | 0:30:34 | |
And James rakes in more cash when he sells his pair | 0:30:34 | 0:30:37 | |
of porcelain dogs for a profit of nearly £47. | 0:30:37 | 0:30:42 | |
But one of his Belgian buys proves less successful. | 0:30:42 | 0:30:45 | |
He makes a loss on his asparagus server of just over £36. | 0:30:45 | 0:30:51 | |
In this selling ding-dong, the prince of Portsmouth simply refuses to lie down. | 0:31:00 | 0:31:06 | |
Remember that table I bought in Belgium? | 0:31:06 | 0:31:08 | |
Well, here it is, nicely cleaned up. Wondering why we're in a scrap yard? | 0:31:08 | 0:31:11 | |
Well, I've come to see the owner Jim who collects enamel signs. | 0:31:11 | 0:31:15 | |
Now, the other thing I do know is that Jim doesn't pay a great | 0:31:15 | 0:31:17 | |
deal of money for them. A lot of them he gets in the scrap, so I'm | 0:31:17 | 0:31:20 | |
hoping he's going to give me a good profit on this one. Wish me luck. | 0:31:20 | 0:31:23 | |
John paid just over £90 for the table, | 0:31:23 | 0:31:26 | |
-but can he persuade Jim to pay more? -You've got a few nice signs here. | 0:31:26 | 0:31:30 | |
What actually started you buying them? | 0:31:30 | 0:31:32 | |
Well, years ago when I was a young lad, I found one in the scrap and | 0:31:32 | 0:31:36 | |
I thought that's quite nice cos I like old things. | 0:31:36 | 0:31:39 | |
I used to buy the odd one and then people got to know and | 0:31:39 | 0:31:41 | |
people bring them down. | 0:31:41 | 0:31:42 | |
That's just some of them. I've got them all over the place, you know. | 0:31:42 | 0:31:45 | |
So what about this one? Is it going to make its way into the collection? | 0:31:45 | 0:31:48 | |
It's come up very nice. | 0:31:48 | 0:31:49 | |
-Hasn't it? -I like the subject, beer. | 0:31:49 | 0:31:52 | |
I've only got one beer. | 0:31:52 | 0:31:54 | |
At the end of the day, John, it's how much do you want for it? | 0:31:54 | 0:31:57 | |
£300 is what I'm after. | 0:31:57 | 0:31:59 | |
-John, behave yourself. -Why? -300? -Yeah. I think it's a good table. | 0:31:59 | 0:32:03 | |
-I reckon about 150. -What about 250? | 0:32:03 | 0:32:06 | |
It's a bit expensive, John. | 0:32:06 | 0:32:10 | |
As it's you, and you're my old buddy, I'll meet you halfway. 200. | 0:32:10 | 0:32:14 | |
£200. | 0:32:14 | 0:32:16 | |
-£200. -Cash not lead tokens? | 0:32:16 | 0:32:17 | |
Cash. Not even brass ones. No. | 0:32:17 | 0:32:19 | |
-£200 cash. -OK. -Deal. | 0:32:19 | 0:32:22 | |
Let's see the money. OK. | 0:32:22 | 0:32:24 | |
That's a corking deal | 0:32:24 | 0:32:25 | |
by the Hammer, more than doubling his money | 0:32:25 | 0:32:28 | |
and netting him a profit of just over £109. | 0:32:28 | 0:32:34 | |
Both our duelling dealers have been giving it their all so with this | 0:32:34 | 0:32:38 | |
battle bubbling away, who's surging ahead and who is slipping behind? | 0:32:38 | 0:32:42 | |
So far, John has sold £735 worth of | 0:32:42 | 0:32:46 | |
his Belgian goods, banking £385 in profit. James has | 0:32:46 | 0:32:50 | |
sold £720 worth of his wares, netting a profit of just over £414. | 0:32:50 | 0:32:57 | |
It's proving a close fought contest and it could still go either way. | 0:32:57 | 0:33:01 | |
One of our intrepid warriors is on the way to becoming today's dealing | 0:33:01 | 0:33:05 | |
champion, but which one of our boys is made of the right stuff | 0:33:05 | 0:33:09 | |
to do the deals and make the profit and vanquish his opponent? | 0:33:09 | 0:33:13 | |
He's actually selling something. | 0:33:13 | 0:33:14 | |
The Hammer's next sale is going to be a tricky one. | 0:33:14 | 0:33:19 | |
Right, I've come with my cast | 0:33:19 | 0:33:21 | |
iron wall planter that I bought in Belgium and I've just come to see a | 0:33:21 | 0:33:25 | |
chap called Jason. Now, he's interested in this. | 0:33:25 | 0:33:27 | |
He's got an idea it might look good above his pool area. | 0:33:27 | 0:33:31 | |
The only thing I'm worried about is he's a real | 0:33:31 | 0:33:33 | |
tough negotiator and I mean that. | 0:33:33 | 0:33:35 | |
He will try and beat me up on price. | 0:33:35 | 0:33:37 | |
John paid just under £73 for | 0:33:37 | 0:33:40 | |
the planter and his sales pitch needs to be top notch. | 0:33:40 | 0:33:43 | |
Classical mask, very typically Roman. | 0:33:43 | 0:33:46 | |
At first I thought there might be feathers underneath | 0:33:46 | 0:33:48 | |
so it's either a putti face or a cherub. | 0:33:48 | 0:33:51 | |
Course, we'll have to talk about the money. | 0:33:51 | 0:33:53 | |
-I'd like 160 quid for it, Jase. -I'm sure you would, John. | 0:33:53 | 0:33:57 | |
I think what I would like to do is check it in location. | 0:33:57 | 0:34:00 | |
No, no, no. No try before you buy. | 0:34:00 | 0:34:01 | |
You've got to buy it or not cos you might put it in a | 0:34:01 | 0:34:04 | |
location and no, I don't want it. And then I've lost a sale. | 0:34:04 | 0:34:07 | |
OK. I tell you what, I'm going to go to 120. | 0:34:07 | 0:34:09 | |
130. That gives me a small profit. | 0:34:09 | 0:34:11 | |
130, come on. You are tough. | 0:34:11 | 0:34:13 | |
-It's a nice piece. Come on. -Good man. -You've got me. | 0:34:13 | 0:34:15 | |
Cheers, Jase. Do you want me to give you a hand putting this up? | 0:34:15 | 0:34:18 | |
Yeah. That'd be cool. Up there. | 0:34:18 | 0:34:20 | |
So he had to fight for it, but the Hammer squeezes a profit of just over | 0:34:20 | 0:34:23 | |
£57 out of his hunky chunk of cast iron. | 0:34:23 | 0:34:27 | |
Look at that. It looks nice. | 0:34:27 | 0:34:28 | |
It looks the part. Well fitted. | 0:34:28 | 0:34:31 | |
Thank you. And do you know what I'm thinking, | 0:34:31 | 0:34:33 | |
I should have put it in position before we did the deal because | 0:34:33 | 0:34:36 | |
I think you'd have paid for that now you can see it in situation. | 0:34:36 | 0:34:39 | |
It's a bit late to think of that now, John. | 0:34:39 | 0:34:41 | |
The Lionheart braved the Belgian rain to snap up a 19th century | 0:34:41 | 0:34:45 | |
tray for just over £27. | 0:34:45 | 0:34:48 | |
He's bringing it to his friend Alice, | 0:34:48 | 0:34:50 | |
but will she be the one to give him the kind of profit that he's after? | 0:34:50 | 0:34:55 | |
I thought of you when I saw it and I thought well, | 0:34:55 | 0:34:58 | |
it would work with your furniture, | 0:34:58 | 0:35:00 | |
with the gilt mounts on the furniture, with your lighting. | 0:35:00 | 0:35:04 | |
-Yeah. -If you look at the chandelier, | 0:35:04 | 0:35:07 | |
the acanthus leaf that's carved just towards the lower side. | 0:35:07 | 0:35:10 | |
-Yeah. -That marries up to this. | 0:35:10 | 0:35:12 | |
-It does. It's very similar. It's very nice, so go on then. -OK. | 0:35:12 | 0:35:17 | |
-How much? -I think it's worth £300. | 0:35:17 | 0:35:19 | |
-Right. -That's what I think it's worth, but I want you to have a good deal. | 0:35:19 | 0:35:23 | |
-So would you take 200 for it? -I would take 200. | 0:35:23 | 0:35:26 | |
Well, that's it then. I can't believe it. | 0:35:26 | 0:35:28 | |
I'm not going to hassle you for any more. | 0:35:28 | 0:35:29 | |
What a brilliant piece of targeting | 0:35:29 | 0:35:32 | |
by the Lionheart, netting him a whopping profit of just under £173. | 0:35:32 | 0:35:38 | |
And James's contacts list comes up | 0:35:39 | 0:35:42 | |
trumps again when he sells his silver vesta case making him another £77.27. | 0:35:42 | 0:35:46 | |
And then his continental tram sign net him just under £32. | 0:35:46 | 0:35:54 | |
In his quest for profit on the south | 0:35:54 | 0:35:56 | |
coast, the Hammer has two items left to sell. | 0:35:56 | 0:35:58 | |
He's out to prove his contacts book is just as impressive as his rival's | 0:35:58 | 0:36:03 | |
and he's taking his cocktail mixing set to his friend Paul, a world speed | 0:36:03 | 0:36:08 | |
cocktail mixing champion. | 0:36:08 | 0:36:09 | |
Well, have a look at this. | 0:36:12 | 0:36:13 | |
Out of all the things I bought that day, this was the one | 0:36:13 | 0:36:16 | |
thing I genuinely fell in love with. | 0:36:16 | 0:36:18 | |
It's interesting. I've got to admit. | 0:36:18 | 0:36:19 | |
Can I just have a little fiddle around? So this is what we call | 0:36:19 | 0:36:23 | |
definitely a pocket shaker. We can get that in our pocket, probably. | 0:36:23 | 0:36:26 | |
I quite like this, it's good. All right, look, | 0:36:26 | 0:36:28 | |
shall we cut to the chase? | 0:36:28 | 0:36:29 | |
-Go on. -What you looking for for it? | 0:36:29 | 0:36:31 | |
I think it's worth 80 quid, Paul. | 0:36:31 | 0:36:33 | |
I'm thinking somewhere around 35. | 0:36:33 | 0:36:36 | |
Oh, that is low. I mean, I would like to take no less than 60 for it. | 0:36:36 | 0:36:40 | |
How about 45? | 0:36:40 | 0:36:42 | |
50 and you've got a deal and the drinks are on you. | 0:36:42 | 0:36:46 | |
Drinks are on me as well. Let me cost that out. | 0:36:46 | 0:36:49 | |
-50 quid, come on. -All right. For the fiver, I'll do the deal. | 0:36:49 | 0:36:55 | |
All right. Great. £50. Thank you. | 0:36:55 | 0:36:57 | |
OK. I guess you want the cash now, don't you? | 0:36:57 | 0:37:00 | |
Well, it would be nice. And while you're counting that | 0:37:00 | 0:37:02 | |
-out I think I'll enjoy this. -Right. | 0:37:02 | 0:37:04 | |
Not quite as much profit as the Hammer wanted, but it's still just | 0:37:04 | 0:37:08 | |
over £27 in the bank with a world class cocktail thrown in. | 0:37:08 | 0:37:12 | |
Do you know what? You do drive a hard bargain. | 0:37:12 | 0:37:14 | |
I'm a little shaken, but I'm not stirred. | 0:37:14 | 0:37:18 | |
Now the pressure is on John to make | 0:37:18 | 0:37:19 | |
maximum profit on the one item he has left to sell. | 0:37:19 | 0:37:23 | |
But that's nothing compared to the pressure on rival James. | 0:37:23 | 0:37:26 | |
The Lionheart paid a whopping £363 | 0:37:26 | 0:37:31 | |
for his bronze statue, his most expensive Belgian buy. | 0:37:31 | 0:37:35 | |
It's been remounted and now his hopes rest on it netting | 0:37:35 | 0:37:38 | |
him a mighty profit. | 0:37:38 | 0:37:41 | |
So, what do you think to it? | 0:37:41 | 0:37:42 | |
My new look 19th century bronze. | 0:37:42 | 0:37:45 | |
With this new look | 0:37:45 | 0:37:46 | |
Carrara white marble base, I think it looks fantastic. | 0:37:46 | 0:37:51 | |
James is counting on the manager of this country hotel wedding venue | 0:37:51 | 0:37:55 | |
to pay a handsome price for his revamped statue. | 0:37:55 | 0:37:58 | |
For me, the thing that swung it was just | 0:37:58 | 0:38:02 | |
this little scene here with the man putting the ring on the finger. | 0:38:02 | 0:38:06 | |
So I thought it lends itself to either a wedding present or hotel | 0:38:06 | 0:38:09 | |
like this and what better place than the wedding gardens. | 0:38:09 | 0:38:14 | |
-So what age is it? -1850-1880. | 0:38:14 | 0:38:18 | |
I didn't like the base that it was on, so what I've done is I've taken | 0:38:18 | 0:38:21 | |
it to a guy who gave me an off-cut of white Carrara marble. | 0:38:21 | 0:38:25 | |
So it's not MDF then? | 0:38:25 | 0:38:27 | |
No. It's genuine solid white Carrara marble, exactly how they would have | 0:38:27 | 0:38:31 | |
used in the 18th and 19th century. | 0:38:31 | 0:38:33 | |
Surely, when you take the original base off, it devalues the price? | 0:38:33 | 0:38:36 | |
Well, what I'll do if you decide you want it, you can have the original as well. | 0:38:36 | 0:38:40 | |
The Lionheart is unflappable, but will his | 0:38:40 | 0:38:42 | |
sales pitch hit the mark or hit the buffers? We'll find out shortly. | 0:38:42 | 0:38:48 | |
Back in the south, John "The Hammer" is grasping his last chance to claim | 0:38:48 | 0:38:53 | |
victory in today's epic contest. | 0:38:53 | 0:38:56 | |
I've come to Chilgrove in West Sussex to meet a restaurant owner | 0:38:56 | 0:38:59 | |
with the hope of selling my Belgian wooden handcart and I'm hoping that | 0:38:59 | 0:39:04 | |
like me, he recognises its decorative visual appeal and | 0:39:04 | 0:39:08 | |
will hopefully buy it to turn it into a flower display. | 0:39:08 | 0:39:12 | |
John paid £136 for the cart | 0:39:12 | 0:39:14 | |
and he's targeting a pub restaurant | 0:39:14 | 0:39:17 | |
that uses flowers to attract customers. | 0:39:17 | 0:39:20 | |
We love our flowers here and I'd most likely put it | 0:39:20 | 0:39:22 | |
by our main roadside cos we get such passing traffic here that, you know, it would be beautiful for people to | 0:39:22 | 0:39:28 | |
-see, just bursting with flowers. -So you like it. -I'm pleased you brought it, yeah. | 0:39:28 | 0:39:31 | |
-OK. Let's get down to business. -Yeah. | 0:39:31 | 0:39:33 | |
I'd like to take £250. | 0:39:33 | 0:39:35 | |
How about 200? | 0:39:35 | 0:39:37 | |
Any better at all? | 0:39:37 | 0:39:39 | |
-Sweeten it by a tenner. -210. -Yeah. | 0:39:39 | 0:39:44 | |
-You've got yourself a deal. -OK. Cheers. | 0:39:44 | 0:39:46 | |
Brilliant. That's fantastic. Now, do I have to do the potting for you? | 0:39:46 | 0:39:50 | |
If you've got time. | 0:39:50 | 0:39:51 | |
-Look at these nails. Do they look like they get dirt under them? -No. | 0:39:51 | 0:39:54 | |
That's impressive dealing, John, and a profit of just under £74, more | 0:39:54 | 0:40:00 | |
than a 50% mark up. | 0:40:00 | 0:40:03 | |
But is it enough to conquer the Lionheart? | 0:40:03 | 0:40:05 | |
We'll find out shortly because it's | 0:40:05 | 0:40:07 | |
time to count up the totals and reveal who has made the most cash. | 0:40:07 | 0:40:12 | |
Our duelling dealers had up to £750 worth of euros to spend in Belgium. | 0:40:12 | 0:40:18 | |
John spent almost £582 in his quest for profit, | 0:40:18 | 0:40:22 | |
while opponent James spent all but one penny of his total budget. | 0:40:22 | 0:40:27 | |
All the profit our duelling dealers make over a week of challenges will | 0:40:27 | 0:40:30 | |
be going to the charities of their choice. So, without further ado, | 0:40:30 | 0:40:34 | |
let's find out who's made the most cash and who is today's | 0:40:34 | 0:40:37 | |
Put Your Money Where Your Mouth Is champion. | 0:40:37 | 0:40:40 | |
Hey, how the devil are you? | 0:40:40 | 0:40:42 | |
-Good to see you. -Good to see you too. Good to see you too. | 0:40:42 | 0:40:45 | |
How did you find things after the foreign market? | 0:40:45 | 0:40:47 | |
-When I finally dried out, I didn't do too badly. -Good. | 0:40:47 | 0:40:50 | |
I got rid of my stuff eventually and | 0:40:50 | 0:40:52 | |
you know, made a small profit on one or two things, yeah. | 0:40:52 | 0:40:54 | |
Good. Good. For me, my biggest challenge was the bronze, without question. | 0:40:54 | 0:40:59 | |
You never made a big profit on that. | 0:40:59 | 0:41:01 | |
I did eventually, so what was your best buy? | 0:41:01 | 0:41:06 | |
Well, my best buy had to be that bronze head. It was a good sale. | 0:41:06 | 0:41:09 | |
I never found out much about the artist or who the sitter was, | 0:41:09 | 0:41:13 | |
but it now takes pride of place on their grand piano in their restaurant. | 0:41:13 | 0:41:17 | |
-So, shall we see? -Come on then. | 0:41:17 | 0:41:20 | |
-One. -Two. -Three. | 0:41:20 | 0:41:21 | |
Oh, you did very well. | 0:41:21 | 0:41:23 | |
You did very well. You know what, I bow to you on that bronze. | 0:41:23 | 0:41:29 | |
You did a very good job on that. | 0:41:29 | 0:41:31 | |
You thought you weren't going to get a profit and you did well. | 0:41:31 | 0:41:33 | |
I did. I did. There were some sticky times with that, but good end result. | 0:41:33 | 0:41:37 | |
Well, you may have won the battle of Waterloo, but I'm keeping the Dunkirk | 0:41:37 | 0:41:40 | |
-spirit. -Come on, my little Napoleon. | 0:41:40 | 0:41:42 | |
The Lionheart romped to victory. | 0:41:42 | 0:41:45 | |
Why? Because the wedding venue | 0:41:45 | 0:41:47 | |
ended up paying a big, big price for his bronze statue. | 0:41:47 | 0:41:51 | |
What do you think? | 0:41:51 | 0:41:53 | |
I think £750 sterling. | 0:41:53 | 0:41:57 | |
Do you know, | 0:41:57 | 0:41:59 | |
I'm not going to haggle. You've got a deal. | 0:41:59 | 0:42:02 | |
A whacking profit of more than £386 puts the seal on James's win. | 0:42:02 | 0:42:09 | |
I've been hoodwinked at Waterloo by James "Dick Turpin" Lewis. The | 0:42:09 | 0:42:15 | |
highwayman of the Derbyshire Dales has doubled what I made in profit. | 0:42:15 | 0:42:20 | |
-What can I say? -John Cameron may well call | 0:42:20 | 0:42:21 | |
me the highwayman of Derbyshire, but I'd like to think I'm a Robin Hood. | 0:42:21 | 0:42:25 | |
At the end of the day, I'm not too far from Nottingham. | 0:42:25 | 0:42:28 | |
He's more like the evil sheriff. | 0:42:28 | 0:42:31 | |
There's plenty more challenges to come before our boys' profits | 0:42:31 | 0:42:34 | |
can be banked and tomorrow, the Hammer gets his chance | 0:42:34 | 0:42:37 | |
to take revenge on the Lionheart as our two dealing maestros | 0:42:37 | 0:42:40 | |
go head to head at a car-boot sale. | 0:42:40 | 0:42:43 | |
Look at that. | 0:42:43 | 0:42:44 | |
Yin and Yang. That could be me and James, couldn't it, eh? | 0:42:44 | 0:42:47 | |
Done. Shaken. Shaken. Shaken. | 0:42:47 | 0:42:49 | |
You can't do that. I had a verbal agreement. | 0:42:49 | 0:42:53 | |
Subtitles by Red Bee Media Ltd | 0:43:09 | 0:43:12 |