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'This is the show that pitches TV's best-loved antiques experts | 0:00:02 | 0:00:07 | |
'against each other in all-out battle for profit, | 0:00:07 | 0:00:10 | |
'and gives you the secrets of the trade. | 0:00:10 | 0:00:14 | |
'Coming up, our experts show you how to avoid the pitfalls of buying at auction.' | 0:00:14 | 0:00:20 | |
This chest has had a new top on it. To me, that completely ruins it. | 0:00:20 | 0:00:25 | |
'We see what happens when two top dealers go head-to-head for the same lot.' | 0:00:25 | 0:00:31 | |
That's Eric, isn't it? ..Yeah. | 0:00:31 | 0:00:34 | |
'And, in the pursuit of victory, | 0:00:34 | 0:00:37 | |
'Knocker Knowles knows no boundaries.' | 0:00:37 | 0:00:40 | |
I thought your patch was your patch and my patch was my patch. | 0:00:40 | 0:00:45 | |
I'm an Englishman in Worcester. Nothing wrong with that. | 0:00:45 | 0:00:49 | |
'Today's contest pitches two war horses of the antiques world | 0:01:02 | 0:01:07 | |
'against each other... | 0:01:07 | 0:01:10 | |
'They battle it out to see who can make the biggest profit | 0:01:16 | 0:01:21 | |
'from buying and selling antiques. | 0:01:21 | 0:01:24 | |
'It's our loveable lad from Lancashire...' | 0:01:24 | 0:01:28 | |
Doing me breathing exercises to get limbered up. | 0:01:28 | 0:01:32 | |
'..versus the antiques maestro from the Midlands.' | 0:01:32 | 0:01:36 | |
A lot would argue with that. | 0:01:36 | 0:01:37 | |
'They're risking their own hard-earned cash and reputations | 0:01:37 | 0:01:42 | |
'as they attempt to outdo each other with their devilish dealings.' | 0:01:42 | 0:01:46 | |
-Last time... -There you go. | 0:01:46 | 0:01:49 | |
'Today, Eric and Phil lock horns deep in the garden of England. | 0:01:49 | 0:01:54 | |
'Their mission, to root out the best profit-making bargains in Kent, | 0:01:54 | 0:01:58 | |
'where 526 weird and wonderful lots are about to come under the hammer. | 0:01:58 | 0:02:05 | |
'Today, our rivals each have up to £1,000 of their own money to spend | 0:02:05 | 0:02:10 | |
'to make profit for charity over a week of challenges. | 0:02:10 | 0:02:14 | |
'Each has his own strategy but, in the battle for profit, there can be only one winner. | 0:02:14 | 0:02:20 | |
'Eric Knowles and Philip Serrell, it's time to put your money where your mouth is.' | 0:02:20 | 0:02:26 | |
I still get a buzz coming into an auction room. | 0:02:26 | 0:02:30 | |
-With £1,000 in your pocket! -What about your strategy? | 0:02:30 | 0:02:34 | |
I want to try and buy between five and ten lots. | 0:02:34 | 0:02:38 | |
If I only mark five or ten, I've got no options. | 0:02:38 | 0:02:41 | |
I'm going to look at 20 or 30 lots, so I've got a bit of choice. | 0:02:41 | 0:02:46 | |
I'm going to stick to ceramics. I'm going to look at names I know. | 0:02:46 | 0:02:52 | |
-Are you big on bells? -I've got that sinking feeling. | 0:02:52 | 0:02:55 | |
-Seconds out, round one? -DING DING | 0:02:55 | 0:02:58 | |
'Before the auction begins, our duo start rifling their way | 0:02:58 | 0:03:03 | |
'through as many lots as possible, to work out which of them | 0:03:03 | 0:03:07 | |
'they might make the biggest profit on. | 0:03:07 | 0:03:10 | |
'Phil kicks off his campaign with military precision, | 0:03:10 | 0:03:14 | |
'working through the catalogue like an antiques buying machine.' | 0:03:14 | 0:03:19 | |
I've marked it. I don't want it. | 0:03:19 | 0:03:22 | |
Reproduction. Don't want it. | 0:03:22 | 0:03:24 | |
Nice enough wardrobe, but very plain. Don't want it. | 0:03:26 | 0:03:30 | |
'And Knocker's no slouch, either, | 0:03:30 | 0:03:34 | |
'picking his way through the porcelain at a rate of knots, | 0:03:34 | 0:03:37 | |
'using laser beam focus to ascertain each piece's profitability.' | 0:03:37 | 0:03:43 | |
Quite a typical Royal Crown Derby Imari trio. | 0:03:45 | 0:03:49 | |
What am I looking for? I'm looking to make sure it's perfect. | 0:03:49 | 0:03:54 | |
Look at the handle. That's a vulnerable place. | 0:03:54 | 0:03:58 | |
You're looking at the gilding. You want the gilding to be perfect. | 0:03:58 | 0:04:03 | |
Also, take the sticker... Always put it back. | 0:04:03 | 0:04:07 | |
Make sure there's nothing lurking underneath that sticker. | 0:04:07 | 0:04:11 | |
'Our profit-hungry pair have eagle eyes | 0:04:11 | 0:04:14 | |
'for anything to scupper their hopes of making more than their rival.' | 0:04:14 | 0:04:18 | |
That timber there is almost like "plum pudding mahogany". | 0:04:18 | 0:04:23 | |
But look at this. That's a totally different colour. | 0:04:23 | 0:04:28 | |
This chest has had a new top on it. For me, that completely ruins it. | 0:04:28 | 0:04:33 | |
That's turned a £200 to £300 chest into a real £40 boiler. | 0:04:33 | 0:04:38 | |
'Knocker's found something that promises maximum profit | 0:04:38 | 0:04:42 | |
'from miniature investment.' | 0:04:42 | 0:04:44 | |
With all these things, condition is absolutely paramount. | 0:04:44 | 0:04:50 | |
There's a maker - Lilliput Lane. | 0:04:50 | 0:04:53 | |
There are lots of collectors of Lilliput Lane. | 0:04:53 | 0:04:58 | |
There are certain building which are worth an awful lot more than others. | 0:04:58 | 0:05:05 | |
'With the auction about to start, the Fox spotted something | 0:05:05 | 0:05:09 | |
'that's got his dealer's mind racing - a Victorian chimney pot.' | 0:05:09 | 0:05:14 | |
That's a great thing for putting plants in. | 0:05:16 | 0:05:20 | |
It makes a pretty feature in the garden. | 0:05:20 | 0:05:23 | |
I've got to be quick. The auction's about to start. | 0:05:23 | 0:05:26 | |
This is bidding on the hoof, this is. | 0:05:26 | 0:05:29 | |
'Will the Fox's chimney pot profit plans go up in smoke? | 0:05:29 | 0:05:34 | |
'Will Knocker's ceramic strategy crack under pressure? | 0:05:34 | 0:05:38 | |
'Our battling boys brace themselves for bidding.' | 0:05:38 | 0:05:41 | |
We start with lot number one. | 0:05:41 | 0:05:43 | |
'Let battle commence. | 0:05:43 | 0:05:46 | |
'First for Phil is the chimney pot. The Fox's mind is racing.' | 0:05:46 | 0:05:51 | |
Are you going to buy it? Who else is going to bid? Worse, will Eric bid? | 0:05:51 | 0:05:56 | |
Next, we've got the chimney pot, lot number 18, or a planter. | 0:05:56 | 0:06:00 | |
He's got the same idea. Now he's told everybody. | 0:06:00 | 0:06:05 | |
A bit of interest starts me at £15. Looking for 16. | 0:06:05 | 0:06:08 | |
15 I have. 16 anywhere now? | 0:06:08 | 0:06:10 | |
16. I've got 18. 20? I've got 22. | 0:06:10 | 0:06:14 | |
With me at £22. Looking for 24. I'm out. It's in the room. | 0:06:14 | 0:06:17 | |
26 to the gentleman by the office. 28, sir? 30? | 0:06:17 | 0:06:21 | |
Still 28 on my right. And selling at £28... | 0:06:21 | 0:06:25 | |
'The Fox snaps up his prey.' | 0:06:26 | 0:06:30 | |
I bought that for £28. | 0:06:30 | 0:06:32 | |
I'm not necessarily pleased that I've bought that, but I am pleased that I've bought my first lot. | 0:06:32 | 0:06:38 | |
'With saleroom fees added, Phil spends... | 0:06:38 | 0:06:43 | |
'And Eric is completely flummoxed.' | 0:06:43 | 0:06:47 | |
Phil just bought a chimney pot. | 0:06:47 | 0:06:50 | |
I'm sure he's got every good reason, but I'm scratching me head. | 0:06:50 | 0:06:55 | |
Two fish pictures. Lot number 108... | 0:06:55 | 0:06:59 | |
'The prince of porcelain's first target is just as barmy. | 0:06:59 | 0:07:03 | |
'Knocker's after a couple of framed prints of fish.' | 0:07:03 | 0:07:07 | |
Selling at £12... | 0:07:09 | 0:07:11 | |
'The fish cost Eric £13.50, with the auction premium included. | 0:07:12 | 0:07:17 | |
'Not exactly ceramics, are they, Knocker? | 0:07:17 | 0:07:20 | |
'The Fox is sticking to his strategy like glue, | 0:07:20 | 0:07:24 | |
'checking out potential purchases while the auction is in full swing.' | 0:07:24 | 0:07:29 | |
Bit of a sneak preview, this, opportunist viewing. | 0:07:29 | 0:07:33 | |
Look at this old till. I would think it's probably Edwardian. | 0:07:33 | 0:07:37 | |
Made in Halifax. It's in mahogany. I like that. | 0:07:40 | 0:07:44 | |
That's probably worth £30 to £50. | 0:07:44 | 0:07:47 | |
I'm going to have a go at buying that. | 0:07:47 | 0:07:50 | |
'First, a lot's come up that Phil's after - | 0:07:50 | 0:07:53 | |
'an old salt-glazed stone water filter.' | 0:07:53 | 0:07:57 | |
Selling at £16... BANGS GAVEL | 0:07:57 | 0:08:01 | |
'He's got big plans for it.' | 0:08:03 | 0:08:06 | |
Wouldn't it look great in a baker's shop with French sticks in? | 0:08:06 | 0:08:11 | |
A really good thing to dress the shop. | 0:08:11 | 0:08:14 | |
'Knocker is nonplussed.' | 0:08:14 | 0:08:16 | |
Water filters and chimney pots. Oh, yes. Exciting stuff(!) | 0:08:16 | 0:08:21 | |
-Large selection of Lilliput Lane houses. -Here we go. | 0:08:21 | 0:08:25 | |
'Here's a chance for Knocker to get the miniatures he earmarked.' | 0:08:25 | 0:08:31 | |
Selling at 22... | 0:08:31 | 0:08:33 | |
'Eric snaps them up for... | 0:08:33 | 0:08:37 | |
'And allows himself a chuckle.' | 0:08:37 | 0:08:39 | |
-CHUCKLES -I'm now in property. | 0:08:39 | 0:08:43 | |
I never had Eric Knowles down for Lilliput Lane. | 0:08:43 | 0:08:47 | |
Have I missed something? | 0:08:49 | 0:08:51 | |
'No idea, Foxy, but Knocker's limbering up for a fight.' | 0:08:51 | 0:08:55 | |
All the best lots have yet to come. | 0:08:55 | 0:08:58 | |
As for that sly old Fox, if I get my way he'll be one fox on the run today. | 0:08:58 | 0:09:04 | |
'He's on the run, all right, chasing more bargains.' | 0:09:04 | 0:09:07 | |
Selling at 16... | 0:09:07 | 0:09:10 | |
'Phil snaps up a stone barrel and Toby pump.' | 0:09:10 | 0:09:15 | |
That really is for nothing. | 0:09:15 | 0:09:18 | |
'Meanwhile, Knocker is content to wait and keep his powder dry, | 0:09:18 | 0:09:22 | |
'whilst the Fox does all the running.' | 0:09:22 | 0:09:25 | |
My till's coming up now, lot number 200. | 0:09:25 | 0:09:28 | |
Estimate £25. I'm going to give £30 to £40 for that. | 0:09:28 | 0:09:33 | |
It's a nice thing. See what everybody else reckons to it. | 0:09:33 | 0:09:37 | |
Interest starts me off at 25. Looking for 28. 28? | 0:09:37 | 0:09:41 | |
I've got 30. 32? 34. 36? | 0:09:41 | 0:09:45 | |
I'm out. 36 in the room. Looking for £38. | 0:09:45 | 0:09:49 | |
Last time, then, at £36... | 0:09:49 | 0:09:52 | |
'Right on the limit of what Phil was prepared to pay! | 0:09:52 | 0:09:58 | |
'The Fox rounds off a hat-trick of buys, | 0:09:58 | 0:10:02 | |
'winning the bidding for a ship's compass.' | 0:10:02 | 0:10:05 | |
£50... | 0:10:05 | 0:10:07 | |
'But he pushes the boat out to get it! | 0:10:07 | 0:10:12 | |
'The Fox is rampant. He's bought five items. Knocker has bought two. | 0:10:16 | 0:10:22 | |
'This is what Eric has been waiting for. | 0:10:22 | 0:10:25 | |
'It's a collection of Royal Worcester china | 0:10:25 | 0:10:29 | |
'with a reserve price of £65.' | 0:10:29 | 0:10:32 | |
I have to admit that some of the pieces are damaged. | 0:10:32 | 0:10:36 | |
So I'm bidding just on those I know are in perfect condition. | 0:10:36 | 0:10:41 | |
I think I'm going to see some serious competition because it's desirable. It's Royal Worcester. | 0:10:41 | 0:10:49 | |
55 I have right at the back. 60? Five? 70? Five? | 0:10:49 | 0:10:52 | |
80? Five? | 0:10:52 | 0:10:54 | |
90? Five? | 0:10:54 | 0:10:57 | |
100? And five? 110? 15? | 0:10:57 | 0:11:01 | |
120? Five? 130? | 0:11:01 | 0:11:03 | |
125 behind you. 30 anywhere now? | 0:11:03 | 0:11:07 | |
Selling at 125. Last time at 125... | 0:11:07 | 0:11:10 | |
I wasn't going to go any more than 125. | 0:11:10 | 0:11:14 | |
By the time I've paid my buyer's premium, | 0:11:14 | 0:11:17 | |
that's going to cost me around about £140, | 0:11:17 | 0:11:22 | |
which is my top mark. | 0:11:22 | 0:11:24 | |
'Ten out of ten for sums, Eric! | 0:11:24 | 0:11:27 | |
'This is shaping up to be a mighty battle of wits. | 0:11:32 | 0:11:36 | |
'How are our duelling duo getting on? | 0:11:36 | 0:11:40 | |
'Eric and Phil both started the day with £1,000 of their own money. | 0:11:40 | 0:11:45 | |
'Phil has bought five lots, but spent modestly... | 0:11:45 | 0:11:51 | |
'Eric has bought just three lots, but spent more than his rival... | 0:11:57 | 0:12:03 | |
'Our battling boys are more-or-less even Stevens, | 0:12:07 | 0:12:11 | |
'but there's plenty more fighting to come. | 0:12:11 | 0:12:15 | |
'Earlier, our heavyweight contenders pored over all the lots on offer. | 0:12:17 | 0:12:23 | |
'Knocker was after ceramics, his speciality, | 0:12:23 | 0:12:27 | |
'but there's not much here so he's been forced to look for alternatives.' | 0:12:27 | 0:12:32 | |
Hm. We'll give that one a miss. | 0:12:32 | 0:12:34 | |
'The Fox is stalking this showroom like a caged beast, | 0:12:34 | 0:12:38 | |
'seeing potential profit round every corner.' | 0:12:38 | 0:12:42 | |
These I love. These are by a man called Terence Cuneo. | 0:12:42 | 0:12:46 | |
It's signed. | 0:12:46 | 0:12:48 | |
There was another signature that Cuneo put on every work. | 0:12:48 | 0:12:52 | |
See that little mouse? | 0:12:52 | 0:12:55 | |
On every print or painting, there's a little mouse. There it is. | 0:12:55 | 0:13:00 | |
And on this one... | 0:13:00 | 0:13:02 | |
There it is. | 0:13:02 | 0:13:05 | |
I think these are worth £80 to £100 apiece. | 0:13:05 | 0:13:07 | |
The interest for me is to sell them to someone with an interest in cars. | 0:13:07 | 0:13:13 | |
That's where I think the value is. | 0:13:13 | 0:13:15 | |
'The Fox is on top form, already developing his strategy for selling. | 0:13:15 | 0:13:20 | |
'With quality ceramics thin on the ground, Knocker has to change his buying plans, fast. | 0:13:20 | 0:13:27 | |
'He spots some Art Deco.' | 0:13:27 | 0:13:29 | |
This is a bit of 1920s, 1930s. | 0:13:29 | 0:13:34 | |
Very stylish clock, but you turn it round... | 0:13:34 | 0:13:38 | |
-CHUCKLES -That's where you put your battery! | 0:13:38 | 0:13:43 | |
I think we've got an electric clock movement. | 0:13:43 | 0:13:46 | |
It needs some TLC, does that. | 0:13:46 | 0:13:49 | |
Whether you'll get it working again, I don't know. | 0:13:49 | 0:13:53 | |
Might have a punt on that. | 0:13:53 | 0:13:55 | |
'While our Eric wanders the wilderness of doubt, | 0:13:55 | 0:13:59 | |
'Phil knows exactly what he's after.' | 0:13:59 | 0:14:02 | |
This is a 19th-century mahogany breakfast table. Useful things. | 0:14:02 | 0:14:07 | |
It'll just about seat six but also, | 0:14:07 | 0:14:10 | |
it'll go up so you can store it. | 0:14:10 | 0:14:13 | |
A table like this, probably five to ten years ago, | 0:14:13 | 0:14:17 | |
was worth £600 to £900. | 0:14:17 | 0:14:20 | |
I've had a look in the auction catalogue. This estimated at £150. | 0:14:20 | 0:14:25 | |
So, for me, I might think I can give up to £200, £220 for this. | 0:14:25 | 0:14:30 | |
At that price, I think it's cheap. | 0:14:30 | 0:14:32 | |
I'm not buying it because I like it or because it's a good thing. | 0:14:32 | 0:14:37 | |
I'm buying it solely on price. | 0:14:37 | 0:14:39 | |
'There's that no-nonsense approach we expect from the Fox. | 0:14:39 | 0:14:43 | |
'And listen to his verdict on the next lot, | 0:14:43 | 0:14:47 | |
'a glazed bureau that's seen better days.' | 0:14:47 | 0:14:50 | |
They're hugely unpopular, hugely unfashionable. | 0:14:50 | 0:14:55 | |
That's got an estimate of £30. | 0:14:55 | 0:14:57 | |
£35, £40, I'm interested. £60, don't want it. | 0:14:57 | 0:15:01 | |
'Knocker has spotted the bureau. It isn't love at first sight, either. | 0:15:01 | 0:15:06 | |
'But he's not writing it off yet.' | 0:15:06 | 0:15:09 | |
When you buy something like this, | 0:15:09 | 0:15:11 | |
you're conscious that restoration costs could be as much as the item. | 0:15:11 | 0:15:16 | |
If it's going cheap enough, I might have a stab. | 0:15:16 | 0:15:21 | |
'Go on, Eric. Our Knocker needs to get spending. | 0:15:21 | 0:15:24 | |
'The broken Art Deco clock is under the hammer, reserve £30. | 0:15:24 | 0:15:28 | |
'But our lad's not the only one who likes it.' | 0:15:28 | 0:15:33 | |
42? 44? 46? 48? | 0:15:33 | 0:15:36 | |
£50? And five? 60? | 0:15:36 | 0:15:38 | |
Five? 70? Five? | 0:15:38 | 0:15:42 | |
80? Five? 90? | 0:15:42 | 0:15:45 | |
Five? 90 I have. Five anywhere now? | 0:15:45 | 0:15:48 | |
Selling at £90 now... BANGS GAVEL | 0:15:48 | 0:15:51 | |
'Eric's gambled in the hope | 0:15:51 | 0:15:53 | |
'that the motionless timepiece will be repairable and saleable.' | 0:15:53 | 0:15:57 | |
Just bought myself an Art Deco clock for a hotel. | 0:15:57 | 0:16:01 | |
All I need now is the hotel. | 0:16:01 | 0:16:03 | |
'Dream on, Eric. Not at this auction.' | 0:16:03 | 0:16:06 | |
252 is this nice Art Deco cocktail tray. | 0:16:06 | 0:16:09 | |
'This companion piece will have to do. Eric is the only bidder.' | 0:16:09 | 0:16:13 | |
Selling at £25... | 0:16:13 | 0:16:17 | |
'With no decent pots on offer, Eric has to grin and bear it. | 0:16:23 | 0:16:28 | |
'And keep a beady eye on his rival. | 0:16:28 | 0:16:30 | |
'He's got over £800 up his sleeve | 0:16:30 | 0:16:34 | |
'and a string of profitable targets.' | 0:16:34 | 0:16:38 | |
The first one is one of those Cuneo prints. Estimate £110. | 0:16:38 | 0:16:42 | |
I'd like it for 85. We will see. | 0:16:42 | 0:16:45 | |
Bentley by Cuneo. The train. It's all signed. 120? 110? | 0:16:45 | 0:16:51 | |
100? Nobody on 100? I'll come down to 90, if that helps. | 0:16:51 | 0:16:57 | |
-Nobody at 90...? -60, sir. -The lady won't go below £90, I'm afraid. | 0:16:57 | 0:17:03 | |
-I'll bid you 90, sir. -Thank you, sir. Selling at £90. | 0:17:03 | 0:17:06 | |
-Last time at 90... -That's the first one bought. | 0:17:06 | 0:17:10 | |
'That makes the Fox hungry for the second print.' | 0:17:16 | 0:17:20 | |
90 it's got to be. Yes? Thank you. | 0:17:20 | 0:17:23 | |
Selling at 90... | 0:17:23 | 0:17:25 | |
Thank you. | 0:17:25 | 0:17:27 | |
'Once again, no other bidders. This is the realm of the Fox. | 0:17:27 | 0:17:31 | |
'Phil has two prints for less than he thought. | 0:17:31 | 0:17:35 | |
'Knocker can only watch helplessly as Phil dominates this auction room. | 0:17:35 | 0:17:40 | |
'The Fox isn't wild about this next lot, but he reckons there's a profit in it.' | 0:17:40 | 0:17:47 | |
A mahogany tilt-turn table. What shall we say? 180? | 0:17:47 | 0:17:52 | |
170? 160, surely? | 0:17:52 | 0:17:55 | |
'Phil's cunning tactic is to wait until he's sure no-one else is bidding.' | 0:17:55 | 0:18:01 | |
150 if it helps. Nobody at 150? | 0:18:01 | 0:18:04 | |
150 I've got. Last time at £150, then... | 0:18:04 | 0:18:09 | |
'And the mighty Fox claims his table for... | 0:18:09 | 0:18:13 | |
'Knocker is still on the sidelines. | 0:18:18 | 0:18:20 | |
'The Fox is on a roll, adding a sturdy storage chest to his haul.' | 0:18:20 | 0:18:26 | |
-Ten, sir. -Ten I've got. 12 anywhere now? Selling at £10... | 0:18:26 | 0:18:31 | |
'It's a low-risk buy. | 0:18:31 | 0:18:33 | |
'And what of Knocker? He's left with it all to do. | 0:18:37 | 0:18:41 | |
'He's only bought five lots and still has nearly £700 in his kitty.' | 0:18:41 | 0:18:48 | |
I don't mind admitting that, because I've left everything I want to go for towards the end, | 0:18:48 | 0:18:54 | |
there is that element of jeopardy! | 0:18:54 | 0:18:57 | |
'That's a man under pressure, but has our Eric really been waiting | 0:18:57 | 0:19:02 | |
'for this nice, but not exactly Earth-shattering, cane stool?' | 0:19:02 | 0:19:06 | |
20? 15? | 0:19:06 | 0:19:08 | |
-Yes. -'It looks like it.' | 0:19:08 | 0:19:11 | |
Selling at 15... | 0:19:11 | 0:19:13 | |
Thank you. | 0:19:13 | 0:19:15 | |
'There you go. One cane stool for...' | 0:19:15 | 0:19:19 | |
That little stool. How long has he been interested in oak furniture? | 0:19:20 | 0:19:26 | |
'Eric's switch of strategy to furniture has Phil worried.' | 0:19:26 | 0:19:32 | |
Well, next is lot number 520, the oak bureau. | 0:19:32 | 0:19:36 | |
That's his sort of thing. They've got it at £30. | 0:19:36 | 0:19:40 | |
I'm going to have a go at that. | 0:19:40 | 0:19:43 | |
'You mischievous devil! | 0:19:43 | 0:19:45 | |
'Let's remind ourselves of your earlier verdict on the bureau.' | 0:19:45 | 0:19:50 | |
They're hugely unpopular, hugely unfashionable. | 0:19:50 | 0:19:53 | |
£35, £40, I'm interested. £60, don't want it. | 0:19:53 | 0:19:57 | |
'But now Phil's spotted a golden chance to get one over on Eric. | 0:19:57 | 0:20:02 | |
'It means it's war over the bureau.' | 0:20:02 | 0:20:05 | |
Whether the Fox decides he wants to bid against the Knocker, | 0:20:10 | 0:20:16 | |
if he wants to pay more, then so be it. | 0:20:16 | 0:20:19 | |
'Bring it on!' | 0:20:19 | 0:20:21 | |
The oak glazed bureau cabinet. | 0:20:21 | 0:20:24 | |
15 I've got. 18? 20? | 0:20:24 | 0:20:26 | |
22? 24? | 0:20:26 | 0:20:28 | |
Yeah. | 0:20:28 | 0:20:30 | |
26? 28? | 0:20:30 | 0:20:32 | |
Yeah. | 0:20:33 | 0:20:34 | |
30, sir? 32? | 0:20:34 | 0:20:37 | |
That's Eric, isn't it? ..Yeah. | 0:20:37 | 0:20:40 | |
34? 36? | 0:20:40 | 0:20:42 | |
-One more, sir. -38. Looks like it could be yours. | 0:20:42 | 0:20:46 | |
-40 I've got. -One more, sir. -42? 44? | 0:20:46 | 0:20:50 | |
-I don't know what to do... -I can't wait any longer. -One more, sir. | 0:20:50 | 0:20:55 | |
44 I've got. 46? | 0:20:55 | 0:20:58 | |
Last time 46. Looking for 48? | 0:20:58 | 0:21:01 | |
-One more, sir. -50? I want 55. | 0:21:01 | 0:21:05 | |
-The very last one, sir. -And 60? | 0:21:05 | 0:21:09 | |
-He's just saying that. -I'll take 58. -You're a good lad. | 0:21:09 | 0:21:13 | |
-60 I want. -One more, sir. -60 I've got. | 0:21:13 | 0:21:16 | |
62? 64? | 0:21:16 | 0:21:18 | |
-There's a lot of polishing. Eric can have that. -No? | 0:21:18 | 0:21:21 | |
I'm selling at £62 last time... | 0:21:21 | 0:21:24 | |
-There you go! -Eric's bought that and I'm glad I didn't. | 0:21:24 | 0:21:29 | |
There is serious work in that. | 0:21:29 | 0:21:31 | |
He's a lovely lad, | 0:21:31 | 0:21:33 | |
but I'm not sure that the generosity of human kindness | 0:21:33 | 0:21:37 | |
was running through his veins for that moment in time. | 0:21:37 | 0:21:41 | |
'What a battle of wills! Eric's been forced to cough up... | 0:21:41 | 0:21:45 | |
'..twice as much as the Fox was prepared to pay. | 0:21:47 | 0:21:51 | |
'After that display of brotherly love, the buying is over. | 0:21:51 | 0:21:55 | |
'Before they go their separate ways to sell, | 0:22:18 | 0:22:22 | |
'our profit-seekers asses each other's wares. | 0:22:22 | 0:22:26 | |
'Needless to say, they start with Eric's controversial oak cabinet.' | 0:22:26 | 0:22:31 | |
-I started the bidding on that one. -And ended it. -I intended to end it. | 0:22:31 | 0:22:37 | |
I grant you, I'll have to spend as much on getting it restored. | 0:22:37 | 0:22:42 | |
You obviously have a monopoly in early Victorian stoneware. | 0:22:42 | 0:22:47 | |
-That's got E Knowles all over it. -If I could walk home with one item. | 0:22:47 | 0:22:52 | |
-That would be it. What date's that? -It's probably about 1930. | 0:22:52 | 0:22:56 | |
I don't think, ha-ha, I'm going to make any great loss. | 0:22:56 | 0:23:02 | |
I realise the name of the game is to blow you out the water. | 0:23:02 | 0:23:07 | |
-LAUGHS: -Just love him! -But that being said, | 0:23:07 | 0:23:11 | |
listen, I think we deserve a treat. | 0:23:11 | 0:23:13 | |
-Absolutely. -In the form of something nice and cold | 0:23:13 | 0:23:18 | |
and cool. | 0:23:18 | 0:23:20 | |
'After a well-earned cold drink, the game is now for our boys | 0:23:20 | 0:23:25 | |
'to make as much profit as they can | 0:23:25 | 0:23:27 | |
'to donate to the charities of their choice. | 0:23:27 | 0:23:31 | |
'As well as his chimney and water filter, Phil must sell... | 0:23:31 | 0:23:35 | |
'this barrel and Toby pump, | 0:23:35 | 0:23:38 | |
'a mahogany shop till, | 0:23:38 | 0:23:40 | |
'a ship's compass, | 0:23:40 | 0:23:43 | |
'two vintage car prints, | 0:23:43 | 0:23:46 | |
'this mahogany tilt-turn table | 0:23:46 | 0:23:49 | |
'and an old chest. | 0:23:49 | 0:23:51 | |
'In addition to his oak bureau and Art Deco clock, Eric must sell... | 0:23:51 | 0:23:57 | |
'two framed fish pictures, | 0:23:57 | 0:23:59 | |
'some Lilliput Lane miniatures, | 0:23:59 | 0:24:02 | |
'some Royal Worcester china, | 0:24:02 | 0:24:04 | |
'this Art Deco cocktail tray | 0:24:04 | 0:24:07 | |
'and the cane stool. | 0:24:07 | 0:24:09 | |
'Buying their items was only the start of the challenge. | 0:24:12 | 0:24:17 | |
'It's all about the profit they can make from selling them. | 0:24:17 | 0:24:21 | |
'It all comes down to this - | 0:24:21 | 0:24:23 | |
'for Eric and Phil it's time to sell like they've never sold before. | 0:24:23 | 0:24:27 | |
'They'll be pulling out all the stops to find buyers, | 0:24:27 | 0:24:31 | |
'rifling through their little black books and setting up deals. | 0:24:31 | 0:24:35 | |
'But, until they've shaken on it and the money's changed hands, no deal is truly sealed. | 0:24:35 | 0:24:43 | |
'Both have returned home to finalise their strategies. | 0:24:44 | 0:24:48 | |
'In Malvern, the Fox has a cunning plan for two of his nine lots.' | 0:24:48 | 0:24:53 | |
What's Malvern famous for? Malvern water. | 0:24:55 | 0:24:59 | |
Perhaps I can sell those two water purifiers to someone with an interest. | 0:24:59 | 0:25:05 | |
I've got to get on the net | 0:25:05 | 0:25:07 | |
and find someone to buy something to do with a vintage Bentley. | 0:25:07 | 0:25:12 | |
Knowles, I'm on your trail. | 0:25:12 | 0:25:14 | |
'The Fox is in fighting form but he'd better get down from that hill, | 0:25:14 | 0:25:19 | |
'because lean, mean Knocker is already on the road to selling.' | 0:25:19 | 0:25:25 | |
I've got one lovely Art Deco clock. | 0:25:25 | 0:25:28 | |
It's got the name of one Art Deco dealer written all over it. | 0:25:28 | 0:25:35 | |
So I've sent an image and she say she like what she see. | 0:25:35 | 0:25:40 | |
So it's a case of me presenting it to her in three dimensions. | 0:25:40 | 0:25:45 | |
Hopefully, it'll look three times better. | 0:25:45 | 0:25:48 | |
'Eric's clock cost him just over £100 but he's not had it repaired | 0:25:48 | 0:25:53 | |
'or restored. | 0:25:53 | 0:25:55 | |
'So, will Art Deco specialist Cheryl do a deal based on looks alone?' | 0:25:55 | 0:26:00 | |
Could we look at the back and see what's going on? | 0:26:00 | 0:26:03 | |
-Was this electric? -It was at some stage. | 0:26:03 | 0:26:07 | |
It could well be that the mechanism could be up and running, | 0:26:07 | 0:26:11 | |
but it has to be tested. | 0:26:11 | 0:26:13 | |
-Does it come up to expectations? -It's lovely. | 0:26:13 | 0:26:17 | |
What I like is the colours, the satinwood on the front | 0:26:17 | 0:26:21 | |
then the contrast. | 0:26:21 | 0:26:23 | |
It looks like zebrano on the side, the zebra look. | 0:26:23 | 0:26:28 | |
You've got dashes where the numbers should be and the original hands. | 0:26:28 | 0:26:32 | |
-I see this clock retailing for at least £400. -OK. | 0:26:32 | 0:26:37 | |
Having said that, I'm only too aware that it needs work on it | 0:26:37 | 0:26:41 | |
that's going to cost. | 0:26:41 | 0:26:43 | |
My opening gambit is going to be...£300. | 0:26:43 | 0:26:46 | |
So if I put my toe in the water and suggest maybe 150? | 0:26:46 | 0:26:51 | |
That water would be too hot for you to put your toe in. | 0:26:51 | 0:26:55 | |
So we need to put a little ice in? | 0:26:55 | 0:26:58 | |
'Toes? Ice? This must be dealer talk. | 0:26:58 | 0:27:01 | |
'Come on, Knocker!' | 0:27:01 | 0:27:03 | |
Let me save a lot of time and say I'm looking for £280 or thereabouts. | 0:27:03 | 0:27:10 | |
-If I say 260...? -If you say 260, we have got ourselves a deal. | 0:27:10 | 0:27:14 | |
-OK. We'll deal on 260. -That's a pleasure. | 0:27:14 | 0:27:19 | |
'Knocker seals his first deal and more than doubles his money. | 0:27:19 | 0:27:24 | |
'Electrical fittings need to be tested by an electrician.' | 0:27:24 | 0:27:28 | |
Look and learn, Mr Serrell. | 0:27:29 | 0:27:31 | |
'A bit early to be counting your chickens, Knocker. | 0:27:31 | 0:27:35 | |
'That Fox might come along and gobble them up. | 0:27:35 | 0:27:38 | |
'Phil's auction house is a hive of activity. | 0:27:39 | 0:27:43 | |
'Phil has invited George to his saleroom. | 0:27:43 | 0:27:46 | |
'He specialises in selling pre-restoration items within the trade.' | 0:27:46 | 0:27:52 | |
Let me tell you what I thought. Imagination's required. | 0:27:52 | 0:27:55 | |
Rubber bung there. Rubber bung there, there and there. | 0:27:55 | 0:28:01 | |
Piece of plate glass. Wouldn't it make a wicked coffee table? | 0:28:01 | 0:28:05 | |
They wouldn't do it like that. They would raise the box. | 0:28:05 | 0:28:09 | |
Lift it up six inches off the ground. | 0:28:09 | 0:28:13 | |
Then, as you say, a glass top. | 0:28:13 | 0:28:16 | |
It would look the bee's knees. | 0:28:16 | 0:28:18 | |
-What would that retail for? -About £200. | 0:28:18 | 0:28:21 | |
-How much is it going to cost them to do that? -At least £100. | 0:28:21 | 0:28:26 | |
Right, I was going to ask you... £60, £70 for it. | 0:28:26 | 0:28:32 | |
As it is, it's not worth that. | 0:28:32 | 0:28:34 | |
It's worth £30 to £40. | 0:28:34 | 0:28:37 | |
I wanted £60 for it. | 0:28:37 | 0:28:39 | |
How about in the middle, 50 quid now, shake hands? | 0:28:39 | 0:28:43 | |
Done deal. I'm pleased with that. | 0:28:43 | 0:28:46 | |
'That wily old Fox. | 0:28:46 | 0:28:49 | |
'He clinches the deal by getting his customer to enthuse about the item. | 0:28:49 | 0:28:54 | |
'Our man gets his mitts | 0:28:54 | 0:28:56 | |
'on nearly four times as much cash as he paid for it in auction. | 0:28:56 | 0:29:01 | |
'Eric is also using every trick in the book to maximise his chances of victory. | 0:29:01 | 0:29:08 | |
'He showed his Lilliput Lane houses to three specialists | 0:29:08 | 0:29:11 | |
'then asked each of them to write down their top bid, | 0:29:11 | 0:29:15 | |
'known in the trade as a silent auction. | 0:29:15 | 0:29:19 | |
'Back at Knocker HQ, the results are in.' | 0:29:19 | 0:29:22 | |
I can tell you now that, of the three bids that I had, | 0:29:22 | 0:29:27 | |
the top bid goes to Malcolm Dee. | 0:29:27 | 0:29:32 | |
'Hooray for Malcolm!' | 0:29:32 | 0:29:34 | |
He has offered me £90. | 0:29:34 | 0:29:37 | |
'And hooray for Eric! | 0:29:37 | 0:29:39 | |
'Those little houses cost him less than £25. | 0:29:39 | 0:29:43 | |
'Prices are on the rise in Lilliput, and Knocker is a property magnate. | 0:29:43 | 0:29:48 | |
'Today's competition is turning into a selling masterclass, | 0:29:48 | 0:29:53 | |
'with both our warriors vying for the advantage. | 0:29:53 | 0:29:58 | |
'But, for Phil, this next deal is personal. | 0:29:59 | 0:30:03 | |
'Y-yes, the wiliest of foxes is cruising east | 0:30:06 | 0:30:09 | |
'in his beloved vintage sports car. | 0:30:09 | 0:30:12 | |
'His aim, to look good - and try to sell his Cuneo prints | 0:30:12 | 0:30:16 | |
'to one of the world's leading restorers of vintage Bentley cars. | 0:30:16 | 0:30:20 | |
'That's his cover story. | 0:30:20 | 0:30:22 | |
'Really, he's on a covert mission to check out some cracking motors.' | 0:30:22 | 0:30:28 | |
This is like Christmas Day! | 0:30:28 | 0:30:30 | |
In there are my presents waiting to be opened! | 0:30:30 | 0:30:34 | |
-What have you got? -Enough of that. Let me look at these. | 0:30:34 | 0:30:39 | |
'Oh, our Phil is agog!' | 0:30:43 | 0:30:46 | |
Absolutely brilliant. | 0:30:46 | 0:30:48 | |
'Finally, the Fox stops purring and starts dealing.' | 0:30:48 | 0:30:52 | |
I went to auction and bought these because I love my cars. | 0:30:52 | 0:30:56 | |
I wanted to sell them to someone who'd got that Bentley connection. | 0:30:56 | 0:31:01 | |
-Stanley, are you interested in these? -Yes, I am. | 0:31:01 | 0:31:05 | |
Lord! Thank you! Thank you! | 0:31:05 | 0:31:08 | |
-What do you think they're worth? -I'd pay a couple of hundred quid for the pair. | 0:31:08 | 0:31:14 | |
I paid more than that for them. They've got to be worth £500. | 0:31:14 | 0:31:19 | |
SILENCE, THEN STANLEY LAUGHS | 0:31:19 | 0:31:22 | |
-That's really cruel, laughing at me. -I'll go 300, go on. | 0:31:22 | 0:31:26 | |
-450. -I'll give you 350 for them. | 0:31:26 | 0:31:29 | |
-Job done. -I'll shake hands with you now at 400 quid. | 0:31:29 | 0:31:33 | |
All right. Job done. | 0:31:33 | 0:31:35 | |
'That was audacious! | 0:31:35 | 0:31:37 | |
'After drooling over the vintage racing cars, the Fox snaps back | 0:31:37 | 0:31:41 | |
'to razor-sharp alertness and doubles his money! | 0:31:41 | 0:31:45 | |
'Oh. And then he's gone again!' | 0:31:47 | 0:31:51 | |
ENGINE REVS | 0:31:51 | 0:31:53 | |
'Eric is in his Knocker-mobile, | 0:31:53 | 0:31:55 | |
'heading to Kent for a potential sale. | 0:31:55 | 0:31:59 | |
'He's sent ahead the bureau to the warehouse of one of his contacts, | 0:31:59 | 0:32:04 | |
'John.' | 0:32:04 | 0:32:05 | |
I did have the option of going with restoration first. | 0:32:05 | 0:32:10 | |
To be honest, John, it was the logistics of time and cost for me. | 0:32:10 | 0:32:16 | |
I thought this would do £150 in its present state. | 0:32:16 | 0:32:20 | |
I won't even haggle on that. £150, I'll do it. It's a fair price. | 0:32:20 | 0:32:24 | |
I'm not going to try to take an extra 20 or ten off. 150, it's done. | 0:32:24 | 0:32:30 | |
-I wish I'd asked 250 now! -Then I wouldn't have done the deal. | 0:32:30 | 0:32:34 | |
-Then I'd be down at 100. -£150, OK. | 0:32:34 | 0:32:38 | |
'He didn't even have to haggle. | 0:32:38 | 0:32:40 | |
'Knocker nets himself a little 100% profit. | 0:32:40 | 0:32:44 | |
'Phil might have scoffed, | 0:32:44 | 0:32:46 | |
'but our Eric's tenacity has more than paid off. | 0:32:46 | 0:32:50 | |
'But, high up in the Malvern hills, the Fox is feeling pretty perky. | 0:32:52 | 0:32:57 | |
'A local mineral water company | 0:32:57 | 0:32:59 | |
'ARE interested in his 19th-century water filters.' | 0:32:59 | 0:33:04 | |
£90 for the pair. | 0:33:04 | 0:33:07 | |
-92. -92 it is. -You're an absolute scholar. | 0:33:07 | 0:33:10 | |
Thank you. | 0:33:10 | 0:33:12 | |
'Then he sells his chimney pot for £40! | 0:33:19 | 0:33:23 | |
'This is a titanic tussle. These two mean business. | 0:33:25 | 0:33:29 | |
'Every deal is going to count. | 0:33:29 | 0:33:32 | |
'With less than £5 in it, this masterful display of dealing | 0:33:57 | 0:34:01 | |
'is way too close to call. | 0:34:01 | 0:34:04 | |
'It's Knocker who is ready to strike next. | 0:34:07 | 0:34:10 | |
'After some furious research, | 0:34:10 | 0:34:12 | |
'our Lancashire lad has lined up a potential sale with David, | 0:34:12 | 0:34:16 | |
'who's producing a book of images of British angling from as far back as the 18th century. | 0:34:16 | 0:34:22 | |
'Eric is hoping that these two beauties are up to scratch. | 0:34:22 | 0:34:27 | |
'David is clearly an expert.' | 0:34:27 | 0:34:29 | |
I do know what these are. | 0:34:29 | 0:34:32 | |
They were created in a book called British Freshwater Fishes | 0:34:32 | 0:34:37 | |
by Reverend William Houghton. | 0:34:37 | 0:34:40 | |
It was a big two-volume folio with 41 of these plates in. | 0:34:40 | 0:34:44 | |
These are two of those 41 plates. | 0:34:44 | 0:34:46 | |
Sadly, this book is rather often broken up. | 0:34:46 | 0:34:50 | |
-It is a shame. -So the prints can be sold individually. | 0:34:50 | 0:34:54 | |
It's becoming harder to find unbroken copies of the book. | 0:34:54 | 0:34:58 | |
They're now selling for £1,000 or more. | 0:34:58 | 0:35:01 | |
That brings us to money. I'm looking in the region of £80. | 0:35:01 | 0:35:06 | |
80 is far too high. The framing on these I think IS attractive. | 0:35:06 | 0:35:10 | |
It's quite early framing. It adds value to them. | 0:35:10 | 0:35:14 | |
But I come out much more like £20 each, £40 the pair. | 0:35:14 | 0:35:19 | |
What about 50? | 0:35:19 | 0:35:21 | |
-I could do 50 on those. -You could do 50? -Yes. | 0:35:21 | 0:35:25 | |
I can do 50. Put it there. You're a star. | 0:35:25 | 0:35:28 | |
'Well, well. Eric Knowles, self-confessed pot-aholic - | 0:35:28 | 0:35:32 | |
'furniture dealer, Deco king | 0:35:32 | 0:35:35 | |
'and now he trebles his money in the niche world of piscatorial art! | 0:35:35 | 0:35:41 | |
'As if to ram the point home, | 0:35:43 | 0:35:46 | |
'he sells his walnut and cane stool for £35, | 0:35:46 | 0:35:50 | |
'and his 1930s cocktail tray for a profit of... | 0:35:50 | 0:35:54 | |
'If there's one man in Britain who can slug it out toe-to-toe with the Knocker, | 0:35:57 | 0:36:04 | |
'it's this foxy heavyweight, Phil Serrell.' | 0:36:04 | 0:36:08 | |
All right. I'll have a deal with you. | 0:36:08 | 0:36:11 | |
'He strikes back, doubling his money on his mahogany shop till, | 0:36:11 | 0:36:16 | |
'and grabbing over £25 profit on his mahogany tilt-turn table. | 0:36:16 | 0:36:23 | |
'He's lined up a Worcestershire dealer, Tony, for his ship's compass. | 0:36:23 | 0:36:28 | |
'It cost Phil just over £56.' | 0:36:28 | 0:36:31 | |
I'm hoping you can tell me more about this. | 0:36:31 | 0:36:35 | |
-It's a marine compass. -It certainly is. And a big one. | 0:36:35 | 0:36:39 | |
-It's seen better days. -Haven't we all? | 0:36:39 | 0:36:42 | |
We've got a load of dates, patented September 1862. | 0:36:42 | 0:36:47 | |
April 1863. Was that when it was recalibrated or something? | 0:36:47 | 0:36:52 | |
That's what it is. It's like a watch. | 0:36:52 | 0:36:55 | |
If you open a watch and a watchmaker's put new pieces into it, | 0:36:55 | 0:36:59 | |
he would leave a piece of paper in the back of the watch | 0:36:59 | 0:37:03 | |
telling the date and what he'd done. | 0:37:03 | 0:37:06 | |
It's the same, but stamped on. | 0:37:06 | 0:37:09 | |
-Do you like it? -I like it. I don't know whether I would restore it. | 0:37:09 | 0:37:13 | |
If you look into there, there's one heck of a lot of work to do. | 0:37:13 | 0:37:18 | |
-I need to get between £100 and £150. -I'm prepare to pay, for that... | 0:37:18 | 0:37:22 | |
£100. | 0:37:22 | 0:37:24 | |
-I'll take your 100. -Deal. -Deal. | 0:37:24 | 0:37:27 | |
'Another fantastic bit of business from the Fox. | 0:37:27 | 0:37:30 | |
'Even when dealing to the trade, he nearly doubles his money. | 0:37:30 | 0:37:34 | |
'This is going to be achingly close. There's one item left, | 0:37:37 | 0:37:41 | |
'Eric's Royal Worcester porcelain. | 0:37:41 | 0:37:45 | |
'For these two old-school experts, today was about professional pride. | 0:37:45 | 0:37:50 | |
'Then Knocker made a move unprecedented for sheer audacity.' | 0:37:50 | 0:37:54 | |
I'd heard you were in the city! | 0:38:00 | 0:38:03 | |
-There's the man! -What are you doing? | 0:38:03 | 0:38:06 | |
-I know you'll invite me in... -Well... -Don't interrupt. | 0:38:06 | 0:38:10 | |
I thought your patch was your patch and my patch was my patch. | 0:38:10 | 0:38:14 | |
I'm an Englishman in Worcester. Nothing wrong with that. I've got appointments here. | 0:38:14 | 0:38:20 | |
As much as I enjoy having a chat, I've got to dash. | 0:38:20 | 0:38:24 | |
You'll have to forgive me, Phil. You take care, and don't overdo it! | 0:38:24 | 0:38:29 | |
What's he doing? | 0:38:30 | 0:38:32 | |
'Sorry, Foxy, it's brazen but Knocker is within his rights to deal in Worcester. | 0:38:32 | 0:38:39 | |
'If Knocker wins the contest by sealing a deal yards from Fox HQ, | 0:38:39 | 0:38:45 | |
'and to one of Phil's customers, | 0:38:45 | 0:38:48 | |
'the Midlands mauler will not be pleased. | 0:38:48 | 0:38:51 | |
'The porcelain cost Eric just over £140.' | 0:38:51 | 0:38:56 | |
What I find exciting, apart from being in the land of Serrell, | 0:38:56 | 0:39:01 | |
-who I know you are familiar with. -I am, indeed. | 0:39:01 | 0:39:05 | |
What I find more exciting than that | 0:39:05 | 0:39:07 | |
is to know that these pieces of wonderful porcelain | 0:39:07 | 0:39:11 | |
were made a few hundreds yards in that direction. | 0:39:11 | 0:39:14 | |
I've always loved coming to Worcester. | 0:39:14 | 0:39:17 | |
The question is, are we going to be able to do any business? | 0:39:17 | 0:39:21 | |
From my point of view, that's the nicest bit, the scent bottle. | 0:39:21 | 0:39:25 | |
It's missing its stopper. | 0:39:25 | 0:39:27 | |
This one has one little lid but it should have a crown. | 0:39:27 | 0:39:31 | |
-I'm hoping that's all there. -It's OK. It's not thrilling. | 0:39:31 | 0:39:35 | |
'That's not what Knocker wanted to hear. | 0:39:35 | 0:39:38 | |
'One thing is for sure, today's competition will be won or lost in Worcester. | 0:39:38 | 0:39:44 | |
'Time to tot up the totals and reveal who has made the most cash. | 0:39:44 | 0:39:49 | |
'Our duelling duo had £1,000 of their own money to spend... | 0:39:52 | 0:39:58 | |
'Phil decided to speculate to accumulate. | 0:40:03 | 0:40:07 | |
'All of the profit they make over a week will go to the charities of their choice. | 0:40:11 | 0:40:17 | |
'Let's find out who's made the most cash, | 0:40:17 | 0:40:20 | |
'and who is today's Put Your Money Where Your Mouth Is champion.' | 0:40:20 | 0:40:25 | |
-Well, my sly old Fox. How are you? -Knocker! How are you doing? | 0:40:25 | 0:40:30 | |
-I'm doing all right. -Well, auction day. | 0:40:30 | 0:40:33 | |
Eventful in many respects. | 0:40:33 | 0:40:35 | |
Talking of being eventful, | 0:40:35 | 0:40:37 | |
what's this about walking past my front door to sell stuff? | 0:40:37 | 0:40:41 | |
-There's got to be honour amongst thieves. -There always will be! | 0:40:41 | 0:40:46 | |
You've got to understand, I've read the rules. | 0:40:46 | 0:40:50 | |
There are no restrictions as to where I can sell. | 0:40:50 | 0:40:53 | |
You're welcome to come down t'metropolis. | 0:40:53 | 0:40:57 | |
-What about you? -The closest I could get to your house was Hertfordshire. | 0:40:57 | 0:41:02 | |
I came to see Stanley, who's got the best collection of vintage Bentleys. | 0:41:02 | 0:41:08 | |
-But... -Yes, the moment of truth. | 0:41:08 | 0:41:11 | |
On the count of three. | 0:41:11 | 0:41:13 | |
One, two, three... | 0:41:13 | 0:41:15 | |
-Argh! -It was a near-run thing! | 0:41:17 | 0:41:19 | |
I've shut me coat in there now! | 0:41:19 | 0:41:22 | |
It's a twin-edged sword because winner buys lunch. | 0:41:22 | 0:41:27 | |
-So every cloud has a silver lining. -After you! | 0:41:27 | 0:41:31 | |
-There's no shortage of clouds! -After you! | 0:41:31 | 0:41:34 | |
'Knocker stands triumphant, and there's a new kid on the block | 0:41:34 | 0:41:38 | |
'down Worcester way.' | 0:41:38 | 0:41:41 | |
180. That's a good bid, actually. | 0:41:41 | 0:41:44 | |
180. If we could just, forgive me, | 0:41:44 | 0:41:48 | |
just move it a tad to 185, I'd feel so much better. | 0:41:48 | 0:41:52 | |
-OK. -185. You've got yourself a deal. | 0:41:52 | 0:41:55 | |
'That deal, added to the amount Eric made when he sold his remaining Worcester items at auction, | 0:41:55 | 0:42:02 | |
'netted him a total profit of... | 0:42:02 | 0:42:05 | |
'Enough to snatch victory from the Fox. | 0:42:07 | 0:42:10 | |
'And in Worcester! That's Phil's home town! | 0:42:10 | 0:42:14 | |
'Have we mentioned that?' | 0:42:14 | 0:42:16 | |
That was really close there. Knocker did me by £40. | 0:42:16 | 0:42:20 | |
At least the charity's over £400 better off, so I'm delighted. | 0:42:20 | 0:42:24 | |
I tell you what. It's nice to beat the old sly Fox at his own game! | 0:42:24 | 0:42:29 | |
Even though it was by one of his whiskers. | 0:42:29 | 0:42:32 | |
All that matters at the end of the day, really, | 0:42:32 | 0:42:35 | |
is that I've made a tidy sum for my charity. | 0:42:35 | 0:42:39 | |
'Don't count your chickens, chaps. | 0:42:39 | 0:42:42 | |
'There's more challenges before your profit can be banked. | 0:42:42 | 0:42:46 | |
'Tomorrow, Eric and Phil do battle at an antiques fair.' | 0:42:46 | 0:42:49 | |
-How much is it? -I'm looking at about 30 grand. | 0:42:49 | 0:42:53 | |
That's pretty, isn't it? Yeah. | 0:42:53 | 0:42:55 | |
My name is Eric and I'm a pot-aholic! | 0:42:55 | 0:42:59 | |
Subtitles by Red Bee Media Ltd | 0:43:18 | 0:43:21 | |
E-mail [email protected] | 0:43:21 | 0:43:24 |