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This is Put Your Money Where Your Mouth Is. | 0:00:02 | 0:00:05 | |
The show that takes the titans of the antiques trade | 0:00:05 | 0:00:08 | |
and pitches them against each other, | 0:00:08 | 0:00:11 | |
to see who can make the most money | 0:00:11 | 0:00:13 | |
from buying and selling. | 0:00:13 | 0:00:16 | |
It's amazing, truly amazing. | 0:00:16 | 0:00:19 | |
Get ready for a rip-roaring, rollercoaster ride. | 0:00:19 | 0:00:22 | |
You've got to look, look, look. | 0:00:22 | 0:00:24 | |
It's The Put Your Money Where Your Mouth Is Showdown. | 0:00:24 | 0:00:28 | |
The greatest challenge our experts have faced yet. | 0:00:28 | 0:00:31 | |
Time's running out. Shopping. | 0:00:31 | 0:00:33 | |
Our aspiring Spartans of the antiques trade will be tested to the absolute limit | 0:00:33 | 0:00:39 | |
as they are challenged to scour the length and breadth of the country, and continent, | 0:00:39 | 0:00:43 | |
to find antiques and collectables to sell on for profit. | 0:00:43 | 0:00:47 | |
James, keep off my patch. | 0:00:47 | 0:00:49 | |
Coming up, our experts fight tooth and nail for ultimate victory. | 0:00:49 | 0:00:53 | |
£105, 110, 15. | 0:00:53 | 0:00:56 | |
Sneaky, he's running me up. | 0:00:56 | 0:01:00 | |
They reveal the many different ways to agree a price. | 0:01:00 | 0:01:04 | |
-I'll spin you. -If it's tails, that's 45 quid. | 0:01:04 | 0:01:07 | |
And show that the world of antiques gets very passionate. | 0:01:07 | 0:01:11 | |
Yes! | 0:01:11 | 0:01:13 | |
It promises to be a right show-stopper today, | 0:01:13 | 0:01:16 | |
as our antiques experts go head-to-head for the title. | 0:01:16 | 0:01:20 | |
This is Put Your Money Where Your Mouth Is. | 0:01:20 | 0:01:23 | |
It's the Showdown, where two of our most highly trained antique specimens | 0:01:35 | 0:01:41 | |
are competing for a bulging profit margin | 0:01:41 | 0:01:44 | |
and ultimate victory over their opponent. | 0:01:44 | 0:01:47 | |
Our warring warriors are two of the antiques world's most prestigious professionals. | 0:01:47 | 0:01:53 | |
First up, it's the king of auctions, the master of fine art, it's... | 0:01:53 | 0:01:57 | |
What would be your best price on this? | 0:02:00 | 0:02:02 | |
And bravely facing him on the battleground | 0:02:02 | 0:02:05 | |
is a man who has been in the trade for over 30 years. | 0:02:05 | 0:02:07 | |
He takes no prisoners | 0:02:07 | 0:02:10 | |
and he packs a punch. | 0:02:10 | 0:02:11 | |
The unstoppable Jonty 'The Hitman' Hearnden. | 0:02:11 | 0:02:15 | |
This is some prize-fighter. Does that look like me? | 0:02:15 | 0:02:18 | |
So, this will be a challenge unlike any other. | 0:02:18 | 0:02:20 | |
One that will test their knowledge, stamina and contacts books | 0:02:20 | 0:02:23 | |
to the absolute limit. | 0:02:23 | 0:02:25 | |
Time to find out what's in store. | 0:02:25 | 0:02:28 | |
-James. -Jonty. -It's the challenge for the final Showdown. -It is. | 0:02:28 | 0:02:33 | |
I know we've got instructions in here, let's have a look and see what it says. | 0:02:33 | 0:02:36 | |
-Have you read it already? -No. | 0:02:36 | 0:02:38 | |
"James and Jonty, welcome to your final and biggest challenge yet, | 0:02:38 | 0:02:42 | |
"the Showdown." | 0:02:42 | 0:02:43 | |
-Sounds ominous already, doesn't it? -Mmm. | 0:02:43 | 0:02:45 | |
"You must each buy eight items during your regular Put Your Money challenges. | 0:02:45 | 0:02:50 | |
"You have to buy two at each event." | 0:02:50 | 0:02:52 | |
-Right. -OK? -OK. | 0:02:52 | 0:02:55 | |
"You can spend up to £1,000 of your own money. | 0:02:55 | 0:02:59 | |
"You can each sell up to four items whereever you want. | 0:02:59 | 0:03:01 | |
"The remaining items will go into auction. | 0:03:01 | 0:03:05 | |
"Your auction will be in Dorset, in approximately eight weeks from now, | 0:03:06 | 0:03:10 | |
"in direct competition with your opponent." | 0:03:10 | 0:03:13 | |
-My word. So, we've got dealing, as well as selling at auction? -Mmm. -0K. | 0:03:13 | 0:03:17 | |
"Choose your items wisely, | 0:03:17 | 0:03:18 | |
"because the winner will be the one who makes the most profit." | 0:03:18 | 0:03:22 | |
-So, that will be me then. -Me. | 0:03:22 | 0:03:25 | |
-Needs a bit of careful thought, hey? -Good luck. | 0:03:25 | 0:03:28 | |
Food for thought. See you later. | 0:03:28 | 0:03:29 | |
Both our antiques giants have £1,000 of their own money to spend, | 0:03:29 | 0:03:34 | |
including any restoration, repairs and buying fees. | 0:03:34 | 0:03:38 | |
It's a fierce competition, but who will make the most profit? | 0:03:38 | 0:03:42 | |
Our boys will be buying from their usual hunting grounds, | 0:03:42 | 0:03:45 | |
a UK antiques fair, | 0:03:45 | 0:03:47 | |
an auction, | 0:03:47 | 0:03:49 | |
a car boot sale, | 0:03:49 | 0:03:51 | |
and a foreign market. | 0:03:51 | 0:03:54 | |
Our heavyweight hitters are ready for round one, the antiques fair. | 0:03:54 | 0:03:57 | |
Their battleground is the East of England Showground | 0:03:57 | 0:04:00 | |
which, twice a year, is home to the Peterborough Festival Of Antiques. | 0:04:00 | 0:04:04 | |
Literally thousands of hidden gems are sitting pretty, | 0:04:04 | 0:04:07 | |
ready to be snatched up by our antiques moguls, | 0:04:07 | 0:04:10 | |
and here, they each have to bag two bargain items. | 0:04:10 | 0:04:13 | |
Our magnificent masters of the market delve right in. | 0:04:13 | 0:04:17 | |
They need to really pull it out of the bag for their Showdown challenge | 0:04:17 | 0:04:20 | |
to prove that they have what it takes | 0:04:20 | 0:04:22 | |
to be crowned as Showdown King. | 0:04:22 | 0:04:24 | |
Jonty Hearnden is clearly out to destroy James Lewis. | 0:04:26 | 0:04:29 | |
Like a lean, mean, antiques-buying machine, | 0:04:29 | 0:04:32 | |
he bulldozes through the fair until he spots something that arouses curiosity. | 0:04:32 | 0:04:37 | |
What on Earth is this? | 0:04:37 | 0:04:40 | |
It looks like some kind of weighing mechanism, is that correct? | 0:04:40 | 0:04:43 | |
-It is, yes, it's an old set of potato scales. -Potato scales? | 0:04:43 | 0:04:46 | |
You would have the bag there, you would fill it up with potatoes | 0:04:46 | 0:04:49 | |
and you'd have your 56lb weight here. | 0:04:49 | 0:04:52 | |
When it balanced out, you got your 56lb, four-stone bags of potatoes. | 0:04:52 | 0:04:55 | |
-So, 25 quid here? -Yeah. -Go on, tempt me. | 0:04:55 | 0:05:00 | |
-15. -15 quid. What about a tenner? | 0:05:00 | 0:05:03 | |
-Yeah, yeah. -Thank you very much indeed, sir. -No problem. | 0:05:03 | 0:05:06 | |
Yes, The Hitman strikes the first blow. | 0:05:06 | 0:05:09 | |
He's taking no prisoners in this almighty battle | 0:05:09 | 0:05:12 | |
and, without giving The Lionheart a second thought, | 0:05:12 | 0:05:15 | |
he blazes a trail inside one of the warehouses | 0:05:15 | 0:05:18 | |
straight to another potential profit buster. | 0:05:18 | 0:05:21 | |
-Can you see on the back here, that's all hand beaten? -Right. | 0:05:21 | 0:05:25 | |
That's how you create that effect. | 0:05:25 | 0:05:27 | |
-It's obviously got a bit of age to it, so... -Right. | 0:05:27 | 0:05:30 | |
It's a tray that has to be 100 years old. | 0:05:30 | 0:05:34 | |
You've got a pricetag here of 18 quid. | 0:05:34 | 0:05:37 | |
-If I said £10, would that interest you? -A tenner? -A tenner. | 0:05:37 | 0:05:40 | |
I can't refuse at a tenner, that's absolutely fine. | 0:05:40 | 0:05:42 | |
-Shake on that, then. -Great, that's lovely. Thank you very much indeed. -Thank you. | 0:05:42 | 0:05:47 | |
It's a slick transaction from Mr Hearnden. | 0:05:47 | 0:05:49 | |
He's taken the bull by the horns and led it straight to the bargains. | 0:05:49 | 0:05:53 | |
The Lionheart, well, | 0:05:53 | 0:05:55 | |
he's not treating this Showdown as a 100-metre sprint. | 0:05:55 | 0:05:57 | |
Oh, no, more like a marathon. | 0:05:57 | 0:05:59 | |
He's employed a completely different strategy, | 0:05:59 | 0:06:03 | |
prowling round the market, sniffing out his prey, biding his time | 0:06:03 | 0:06:07 | |
and signing autographs? | 0:06:07 | 0:06:10 | |
Finally, he pounces on a juicy looking item. | 0:06:10 | 0:06:12 | |
He thinks he's found a Ming statue and happily forks out, | 0:06:12 | 0:06:17 | |
wait for it, £225. | 0:06:17 | 0:06:20 | |
The thing that is making more money than anything else is Chinese art | 0:06:20 | 0:06:24 | |
and this is a wonderful early example of it. | 0:06:24 | 0:06:27 | |
Ming Dynasty, 1680 to 1700 in date, | 0:06:27 | 0:06:30 | |
a piece like this should certainly, at auction, make more than £225. | 0:06:30 | 0:06:34 | |
The statue has blown a gaping hole in James's budget, | 0:06:34 | 0:06:38 | |
but could this be the item to win him the gold? | 0:06:38 | 0:06:40 | |
The Lionheart coolly goes on to buy his second item of the day, | 0:06:42 | 0:06:45 | |
a snuffbox for £16. | 0:06:45 | 0:06:47 | |
It's a lovely little snuffbox, it dates from about 1850, 1860. It's French. | 0:06:47 | 0:06:51 | |
The majority of it is made in papier mache. | 0:06:51 | 0:06:54 | |
The cover is set with this little tooled gilt panel. | 0:06:54 | 0:06:57 | |
If it was for me, I'd be paying £30 for it. | 0:06:57 | 0:07:00 | |
So, hopefully, I can find somebody else who will. | 0:07:00 | 0:07:03 | |
The bell has rung on the first round of this epic Showdown and, | 0:07:03 | 0:07:07 | |
with a 300-year-old Chinese statue under his belt, | 0:07:07 | 0:07:10 | |
could it be James's race? | 0:07:10 | 0:07:11 | |
Time to see how much they've notched up so far. | 0:07:11 | 0:07:16 | |
Their budget was £1,000. | 0:07:17 | 0:07:20 | |
Jonty 'The Hitman' Hearnden has been thrifty. | 0:07:20 | 0:07:23 | |
He spent just £20 at the antiques market, | 0:07:23 | 0:07:26 | |
leaving him a whopping £980 | 0:07:26 | 0:07:28 | |
for the rest of the Showdown battle. | 0:07:28 | 0:07:31 | |
James 'The Lionheart' Lewis, on the other hand, | 0:07:31 | 0:07:34 | |
has delved deep into his pockets, | 0:07:34 | 0:07:36 | |
spending £241, | 0:07:36 | 0:07:38 | |
almost a quarter of his entire budget, | 0:07:38 | 0:07:40 | |
which means he's got £759 left to spend, | 0:07:40 | 0:07:43 | |
and there's three more rounds to go. | 0:07:43 | 0:07:46 | |
Time for round two, the auction. | 0:07:48 | 0:07:51 | |
Our antiques heroes have been sent to Tring Market Auctions. | 0:07:54 | 0:07:57 | |
Their mission, to buy two more items for their Showdown extravaganza. | 0:07:57 | 0:08:01 | |
These are gargantuan auction rooms and there's not one, | 0:08:02 | 0:08:06 | |
but four warehouses, simultaneously selling jewellery, | 0:08:06 | 0:08:10 | |
furniture and miscellanea. | 0:08:10 | 0:08:12 | |
There's even one outside for garden furniture, | 0:08:12 | 0:08:15 | |
but time is of the essence. | 0:08:15 | 0:08:16 | |
The auctions will soon start to kick off. | 0:08:16 | 0:08:20 | |
James Lewis, the king of auction houses, is on his hunting ground. | 0:08:20 | 0:08:23 | |
He knows what scent to follow and exactly where to look. | 0:08:23 | 0:08:26 | |
One of the favourite tricks of dealers, in an auction room, | 0:08:28 | 0:08:32 | |
is to try and hide the items that they are interested in, | 0:08:32 | 0:08:35 | |
so that nobody else can see them. | 0:08:35 | 0:08:38 | |
Oh, look. | 0:08:38 | 0:08:41 | |
It's just a very suspicious mound, | 0:08:41 | 0:08:44 | |
and if we look here, | 0:08:44 | 0:08:47 | |
this is a classic Persian coffee pot | 0:08:47 | 0:08:50 | |
from, probably, 1900 in date. | 0:08:50 | 0:08:53 | |
About 100 years old. It's in copper. | 0:08:53 | 0:08:57 | |
A coffee pot like that, it's worth £40, £45. | 0:08:57 | 0:09:01 | |
The Hitman is not far behind, though. | 0:09:01 | 0:09:03 | |
He started his career as an auction saleroom porter | 0:09:03 | 0:09:06 | |
and his well-trained nose leads him straight to a potential honeypot. | 0:09:06 | 0:09:11 | |
What we've got here is a plinth and the urn itself sits about here. | 0:09:11 | 0:09:16 | |
They were originally designed to be put together, but it's not particularly old. | 0:09:16 | 0:09:21 | |
We have a mould down the side here. | 0:09:21 | 0:09:24 | |
Now, if this had been 100 years of age, | 0:09:24 | 0:09:26 | |
you would never get that mould here. | 0:09:26 | 0:09:28 | |
It's estimated for under £100 in the sale. Interesting object. | 0:09:28 | 0:09:32 | |
Jonty cleverly identifies an object he knows will appeal to the market. | 0:09:35 | 0:09:39 | |
It's a master plan but, | 0:09:39 | 0:09:41 | |
with so much competition, can he bag it for the right price? | 0:09:41 | 0:09:44 | |
The auctions have begun | 0:09:46 | 0:09:48 | |
and The Lionheart has marked up yet another box of miscellaneous items including binoculars, | 0:09:48 | 0:09:52 | |
a balance and a mandolin. | 0:09:52 | 0:09:55 | |
Like a torpedo on target, he zooms in. | 0:09:55 | 0:09:58 | |
He's made it into the room, but will he win his box? | 0:09:58 | 0:10:01 | |
I have to start the bidding at £21, | 0:10:02 | 0:10:04 | |
22, 25, 28, 30, and two. | 0:10:04 | 0:10:08 | |
Any advance on 38? 35, 38, | 0:10:08 | 0:10:11 | |
40, and two, and five, and eight, | 0:10:11 | 0:10:14 | |
50 and two, and five, and eight. | 0:10:14 | 0:10:17 | |
Any advance on £55, then? | 0:10:17 | 0:10:21 | |
Sold then at 55, 649. | 0:10:21 | 0:10:23 | |
He's exhausted, but such is his steely determination to win, | 0:10:23 | 0:10:28 | |
he's not going to let anything slip under the hammer. | 0:10:28 | 0:10:30 | |
He buys the box of miscellanea for | 0:10:30 | 0:10:32 | |
just under £65, including fees. | 0:10:32 | 0:10:36 | |
And no sooner has he bagged the box, | 0:10:36 | 0:10:38 | |
when a potential buyer tries his luck. | 0:10:38 | 0:10:42 | |
-I was interested in the balance. -Yeah. -£20? | 0:10:42 | 0:10:45 | |
I don't think I'd take 20. | 0:10:47 | 0:10:49 | |
-That would have to be 30. -25 would be my top. | 0:10:50 | 0:10:54 | |
-I think if 25 is your tops, I think I'll hang on to it. -0K, right. | 0:10:54 | 0:10:58 | |
-Good luck with that, then. -Thank you. -OK. -All right. Cheers. | 0:10:59 | 0:11:03 | |
Well, it's always encouraging when somebody makes you an offer straight after the sale. | 0:11:07 | 0:11:11 | |
But, mind you, that might make 25, £30, you know. | 0:11:11 | 0:11:18 | |
Oh, shall I just sell it to him? I'll go and take his money. | 0:11:22 | 0:11:26 | |
Oh, a sudden change of heart from Mr Lewis. | 0:11:26 | 0:11:30 | |
-25? -25. -We've got a deal. | 0:11:30 | 0:11:34 | |
Yes, it's a blinding start for old James. | 0:11:34 | 0:11:36 | |
He's already made £25 back on a £65 layout | 0:11:36 | 0:11:39 | |
and still has ten more items in the box to sell. | 0:11:39 | 0:11:43 | |
Watch out, Mr Hearnden. | 0:11:43 | 0:11:46 | |
The pressure is on, | 0:11:46 | 0:11:47 | |
and our antiques giants can't help stepping on each other's toes. | 0:11:47 | 0:11:51 | |
So, we're outside now. | 0:11:51 | 0:11:53 | |
Garden items are being sold, | 0:11:53 | 0:11:55 | |
and I notice a certain Mr Lewis is out here as well. | 0:11:55 | 0:11:59 | |
Could we be in competition with one another? | 0:11:59 | 0:12:02 | |
This is The Lionheart's chance to scupper Jonty's best-laid plans, | 0:12:02 | 0:12:05 | |
but will he? | 0:12:05 | 0:12:06 | |
Number 408, the garden jardiniere, | 0:12:06 | 0:12:08 | |
£30, five I'll take on this one. | 0:12:08 | 0:12:11 | |
£30, 40...five, 50...five, 60...five, | 0:12:11 | 0:12:14 | |
70...five, 80, 80 back there, | 0:12:14 | 0:12:17 | |
five, 90...five, 100...five, | 0:12:17 | 0:12:21 | |
£100 I'm bid, £100, five I'll take. 105, 110... | 0:12:21 | 0:12:24 | |
You're sure? £105 then. Can I do it at £105? Are we all... | 0:12:24 | 0:12:28 | |
Getting good at this. £105. | 0:12:28 | 0:12:30 | |
110...15, no? £110 on the right. | 0:12:30 | 0:12:34 | |
£110, are we all done? | 0:12:34 | 0:12:35 | |
15, 120, £115 on the left, | 0:12:35 | 0:12:38 | |
120, do you like? Are you sure at £115? | 0:12:38 | 0:12:41 | |
I'm going to sell it, all done, £115... £115. | 0:12:41 | 0:12:46 | |
-20, are you coming again? -No. -115, then, and that's 651. | 0:12:46 | 0:12:50 | |
Sneaky, he's running me up. | 0:12:50 | 0:12:52 | |
Ooh, The Hitman was bid up by The Lionheart. What a low blow. | 0:12:52 | 0:12:56 | |
With fees, Jonty has spent just under £136 on the jardiniere. | 0:12:56 | 0:13:00 | |
Still enough to make a profit, who knows? | 0:13:00 | 0:13:04 | |
The Lionheart heads back inside | 0:13:04 | 0:13:05 | |
to bid on the box of jugs and pots found hidden under a rug. | 0:13:05 | 0:13:09 | |
He gets it for an absolute snip, | 0:13:09 | 0:13:11 | |
just under £24, including costs. | 0:13:11 | 0:13:14 | |
It's time for Jonty to tie down a second item. | 0:13:14 | 0:13:17 | |
He's in an auction room for smaller items, awaiting a silver cigarette case lot | 0:13:17 | 0:13:21 | |
he spotted earlier, but guess what? | 0:13:21 | 0:13:23 | |
He's got company. | 0:13:23 | 0:13:25 | |
-How's it going? -Good. | 0:13:25 | 0:13:28 | |
Is James going to deliver Jonty another sucker punch? Bidding him up on his item. | 0:13:28 | 0:13:31 | |
There you are, £50, £40, £50, now, | 0:13:31 | 0:13:35 | |
£50, I sell then, five, 55, £60...five, £70...five, | 0:13:35 | 0:13:40 | |
75, £80 bid. £80 bid... | 0:13:40 | 0:13:44 | |
You are out. I sell at £80, 651. | 0:13:44 | 0:13:48 | |
The Hitman scores and The Lionheart is not so sneaky after all. | 0:13:50 | 0:13:55 | |
After costs, the art-deco | 0:13:55 | 0:13:56 | |
silver cigarette case | 0:13:56 | 0:13:57 | |
cost him just over £94. | 0:13:57 | 0:14:01 | |
So, round two is over. | 0:14:01 | 0:14:03 | |
Jonty has two mighty purchases | 0:14:03 | 0:14:06 | |
and The Lionheart has two boxes packed with all sorts of exciting items. | 0:14:06 | 0:14:10 | |
Two very different tactics, but whose is the winning formula? | 0:14:10 | 0:14:14 | |
From the original £1,000 they started with, | 0:14:15 | 0:14:19 | |
Jonty has now spent just over £250, | 0:14:19 | 0:14:21 | |
leaving him with an ample amount for | 0:14:21 | 0:14:23 | |
the next two rounds. | 0:14:23 | 0:14:25 | |
Just under £750. | 0:14:25 | 0:14:28 | |
James, on the other hand, | 0:14:28 | 0:14:30 | |
has now spent just under £330, | 0:14:30 | 0:14:32 | |
leaving him just under £671 | 0:14:32 | 0:14:35 | |
for the next two rounds | 0:14:35 | 0:14:36 | |
of this epic Showdown. | 0:14:36 | 0:14:39 | |
Time for round three. | 0:14:39 | 0:14:40 | |
It's the car boot. | 0:14:40 | 0:14:42 | |
The Ford airfield in West Sussex is full to bursting | 0:14:42 | 0:14:47 | |
and, as our antiques gladiators enter the fray, | 0:14:47 | 0:14:49 | |
they know how much pressure they're under. | 0:14:49 | 0:14:52 | |
Well, a hot beef roll sounds good, | 0:14:52 | 0:14:54 | |
but I don't think we're going to see much profit from that. | 0:14:54 | 0:14:57 | |
Absolutely not. Well, here we are at the car boot sale, | 0:14:57 | 0:15:00 | |
and we've got to find two little gems, two golden nuggets. | 0:15:00 | 0:15:02 | |
What will they be? Will they be furniture, a piece of jewellery, what do you think? | 0:15:02 | 0:15:06 | |
Second-hand clothing, children's toys. | 0:15:06 | 0:15:08 | |
-That's going to be more like it. -Exactly, I think so. | 0:15:08 | 0:15:11 | |
Our boys each need to find two profit-busting items, | 0:15:11 | 0:15:13 | |
but are there any antiques to be found? | 0:15:13 | 0:15:17 | |
The Lionheart cut his teeth in fairs like this, making him the connoisseur of car boots, | 0:15:17 | 0:15:21 | |
and if anyone can root out those antiquities, he can. | 0:15:21 | 0:15:26 | |
-35? -I knew you were going to say that. That will do. | 0:15:26 | 0:15:30 | |
What are they? Well, they're window blocks. | 0:15:30 | 0:15:33 | |
So, if you are a Georgian gentleman or lady in the 18th or early 19th-century | 0:15:33 | 0:15:38 | |
and your sash windows keep dropping, | 0:15:38 | 0:15:41 | |
you want something that will stop the window falling all the way down and smashing your glass. | 0:15:41 | 0:15:45 | |
That's what these were used for. | 0:15:45 | 0:15:49 | |
What a find from James Lewis, a real-life antique. | 0:15:49 | 0:15:52 | |
Jonty 'The Juggernaut' has finally tuned his radar to car boot frequency | 0:15:52 | 0:15:56 | |
and something is singing to him. | 0:15:56 | 0:15:58 | |
I think it's worth a little punt. | 0:16:06 | 0:16:09 | |
And, as a consequence, I'm just mulling this one over here. | 0:16:09 | 0:16:14 | |
But an old saxophone, in its original box, | 0:16:14 | 0:16:17 | |
has to be worth about 100 quid, doesn't it? | 0:16:17 | 0:16:20 | |
-To you, 50 quid. -50 quid, will you take 40? | 0:16:20 | 0:16:24 | |
-Because I am just doing an absolutely speculative punt. -45. | 0:16:24 | 0:16:28 | |
-Do it for me at 40, 40 quid. Come on. -I'll spin you. | 0:16:28 | 0:16:32 | |
-What? -I'll spin you. | 0:16:32 | 0:16:34 | |
-If it's heads... -You'll get it for 40. -I'll get if for 40. | 0:16:34 | 0:16:37 | |
If it's tails, it's 45 quid. | 0:16:37 | 0:16:40 | |
Tails, 45 quid. | 0:16:40 | 0:16:42 | |
-It's 45 quid, is it? -Thank you very much. -There we go. | 0:16:42 | 0:16:44 | |
It's a kick in the teeth for Jonty, | 0:16:44 | 0:16:46 | |
as his gamble goes pear-shaped | 0:16:46 | 0:16:48 | |
and he stumps up £45 for the saxophone, | 0:16:48 | 0:16:51 | |
but like a vulture of vintage, | 0:16:51 | 0:16:54 | |
Jonty gobbles up his other Showdown purchase, a mantle clock for £23. | 0:16:54 | 0:16:59 | |
With Jonty all out, James needs to chalk up his second item sharpish. | 0:16:59 | 0:17:03 | |
No problem for the king of the car boot. | 0:17:03 | 0:17:05 | |
I think it's what is called a stirrup vase. | 0:17:07 | 0:17:11 | |
Simply because of this design of the top there. | 0:17:11 | 0:17:14 | |
But what I really love about it is the quality of the engraving, | 0:17:14 | 0:17:18 | |
and if you look around the side, we have these Indian maharajahs | 0:17:18 | 0:17:23 | |
on the backs of elephants. | 0:17:23 | 0:17:25 | |
This is a great thing and super quality, for £8. | 0:17:25 | 0:17:30 | |
I'd buy it. | 0:17:30 | 0:17:32 | |
Yes, it's a boot sale bonanza and James has literally notched up two bona-fide antique items, | 0:17:32 | 0:17:38 | |
but could Jonty's saxophone be music to his ears? | 0:17:38 | 0:17:41 | |
Time to find out who's spent what. | 0:17:41 | 0:17:43 | |
From his original £1,000 budget, | 0:17:45 | 0:17:47 | |
Jonty has only spent just over £318... | 0:17:47 | 0:17:50 | |
..leaving him just under | 0:17:51 | 0:17:54 | |
a whopping £682 still to spend. | 0:17:54 | 0:17:57 | |
James has spent £372.50, leaving him | 0:17:57 | 0:18:00 | |
just under £628 for round four. | 0:18:00 | 0:18:03 | |
It's time for the last round of this epic battle. | 0:18:05 | 0:18:08 | |
The foreign antiques market. | 0:18:08 | 0:18:10 | |
And today, the boys are in gay Paris, at the market of Saint-Ouen, | 0:18:10 | 0:18:14 | |
where three days a week, thousands of antique shops and stalls are open for business. | 0:18:14 | 0:18:19 | |
Hold onto your hats, because this is our duelling duo's last opportunity | 0:18:19 | 0:18:23 | |
to annihilate each other in order to win the Showdown title | 0:18:23 | 0:18:26 | |
and the most profit for their charities. | 0:18:26 | 0:18:30 | |
The Hitman is a seasoned pro at foreign antiques markets. | 0:18:30 | 0:18:34 | |
He's been here to the Saint-Ouen market in Paris before and he knows how to work it. | 0:18:34 | 0:18:39 | |
Our fancier of furniture has hunted down something he knows a thing or two about. | 0:18:39 | 0:18:43 | |
Chairs. | 0:18:43 | 0:18:45 | |
375, come on. | 0:18:45 | 0:18:48 | |
Last price. | 0:18:49 | 0:18:52 | |
-OK? -Oui. -Oui. | 0:18:52 | 0:18:55 | |
-Oui. -OK. Merci, madame. | 0:18:55 | 0:18:58 | |
Yes, he's stuck to what he knows | 0:18:58 | 0:18:59 | |
and the pair of chairs are in the bag for just over £345. | 0:18:59 | 0:19:04 | |
As always, James is taking his time. | 0:19:04 | 0:19:07 | |
He's padding round the Paris market like a bloodhound sniffing out a kill, | 0:19:07 | 0:19:12 | |
and he soon smells some giant perfume bottles. | 0:19:12 | 0:19:15 | |
What would be the best on those two? | 0:19:15 | 0:19:17 | |
-380. -380. | 0:19:17 | 0:19:20 | |
Gosh, it's a lot of money, isn't it? | 0:19:22 | 0:19:25 | |
380. Could it be any better than that? | 0:19:25 | 0:19:27 | |
-360. -360... | 0:19:27 | 0:19:30 | |
350 for cash? Bien? | 0:19:30 | 0:19:34 | |
350, deal. Thank you. | 0:19:34 | 0:19:38 | |
Yes, the perfume bottles | 0:19:38 | 0:19:39 | |
are in the old shopping trolley for just over £318, | 0:19:39 | 0:19:42 | |
but what on Earth is he planning to do with them? | 0:19:42 | 0:19:45 | |
I've got a buyer for them and I know | 0:19:45 | 0:19:47 | |
she's been spending an awful lot on these in the past. | 0:19:47 | 0:19:51 | |
£300, £400 each. So, hopefully, fingers crossed, there's a profit there. | 0:19:51 | 0:19:57 | |
Ah-ha! Always the businessman, he's already got a buyer in mind. | 0:19:57 | 0:20:02 | |
But his opponent is a far cry from James's hard-nosed dealing | 0:20:02 | 0:20:06 | |
because Jonty has fallen in love with a bust. | 0:20:06 | 0:20:10 | |
# I guess you'd say | 0:20:11 | 0:20:15 | |
# What can make me feel this way? | 0:20:15 | 0:20:19 | |
# My girl, my girl... # | 0:20:19 | 0:20:21 | |
I've got my girl. I think she is absolutely gorgeous, really stylish. | 0:20:23 | 0:20:30 | |
Wonderfully French, wonderfully exotic. | 0:20:30 | 0:20:33 | |
I think she's just so gorgeous. | 0:20:33 | 0:20:37 | |
She's terracotta, and I love her. I'd like to take her home myself. | 0:20:37 | 0:20:41 | |
Yes, I bet you would, you old devil. | 0:20:41 | 0:20:43 | |
The terracotta bust set him back | 0:20:43 | 0:20:46 | |
just over £227. | 0:20:46 | 0:20:48 | |
Jonty has spent up, | 0:20:48 | 0:20:50 | |
but The Lionheart is still out on the prowl, | 0:20:50 | 0:20:52 | |
and he's just bagged one last item. | 0:20:52 | 0:20:55 | |
A little Chinese carving, damaged, re-gilded | 0:20:55 | 0:21:00 | |
but, originally, quite an interesting thing. | 0:21:00 | 0:21:04 | |
25 euros, just over £20. | 0:21:04 | 0:21:08 | |
It might not be easy to sell, | 0:21:08 | 0:21:09 | |
but if I don't sell it, it at least is not a huge loss. | 0:21:09 | 0:21:13 | |
The carving set him back just under £23, | 0:21:13 | 0:21:15 | |
but will it prove its worth at auction? | 0:21:15 | 0:21:18 | |
That's it, round four is over, and all Showdown items have been bought. | 0:21:20 | 0:21:25 | |
It's been a mammoth task, | 0:21:25 | 0:21:27 | |
but our two antiques giants have risen to the challenge. | 0:21:27 | 0:21:31 | |
In Paris, Jonty stayed true to his home-grown expertise, buying chairs, | 0:21:31 | 0:21:35 | |
but James was led by buyers at home. | 0:21:35 | 0:21:38 | |
Time then for a quick look at who's spent what. | 0:21:38 | 0:21:41 | |
Our warring warhorses started this epic Showdown competition | 0:21:41 | 0:21:45 | |
with £1,000 of their own cash. | 0:21:45 | 0:21:48 | |
At the close of shopping, | 0:21:48 | 0:21:49 | |
Jonty's final bill comes in high | 0:21:49 | 0:21:51 | |
at just under £891. | 0:21:51 | 0:21:54 | |
James has been more cautious. | 0:21:54 | 0:21:56 | |
He's spent just over £713. | 0:21:56 | 0:21:59 | |
It's time for our antiques maestros to size up the enemy's goods. | 0:21:59 | 0:22:03 | |
-So, we've done all our buying. -At last, my word. | 0:22:04 | 0:22:07 | |
All I can say, James, is you are going to smell very nice going home. | 0:22:07 | 0:22:11 | |
As long as they don't break. | 0:22:11 | 0:22:12 | |
My goodness, they are going to have to be wrapped and stored in the van, I think. | 0:22:12 | 0:22:16 | |
So, what was your favourite buy after buying throughout the four days? | 0:22:16 | 0:22:20 | |
My favourite buy would have to be the Chinese Ming Dynasty figure from the antiques fair. | 0:22:20 | 0:22:26 | |
-OK. -For me, I could live with that, and I love it. | 0:22:26 | 0:22:29 | |
But the thing that I've got most confidence in are these, | 0:22:29 | 0:22:33 | |
because I very rarely go anywhere knowing that I have got a buyer for something. | 0:22:33 | 0:22:37 | |
How about you, what was your favourite? | 0:22:37 | 0:22:39 | |
Lots of fun things, really. | 0:22:39 | 0:22:40 | |
I enjoyed buying the sax, | 0:22:40 | 0:22:41 | |
but whether I can sell that or not, I have no idea. | 0:22:41 | 0:22:45 | |
-The auction sale and all those other sales. -Good luck. | 0:22:45 | 0:22:48 | |
Now, it's time to show what they're really made of, | 0:22:51 | 0:22:55 | |
as our warriors turn all their attention to selling. | 0:22:55 | 0:22:59 | |
They've got decades of dealing experience between them | 0:22:59 | 0:23:01 | |
and bulging contact books to prove it. | 0:23:01 | 0:23:04 | |
This battle is all about profit and who makes the most. | 0:23:04 | 0:23:08 | |
For the winner, a lifetime of glory. | 0:23:08 | 0:23:12 | |
For the loser, nothing but disappointment and humiliation. | 0:23:12 | 0:23:16 | |
But this is no ordinary show, it's the Showdown, | 0:23:16 | 0:23:20 | |
and the Showdown sell-off has an added twist. | 0:23:20 | 0:23:24 | |
The auction. | 0:23:24 | 0:23:26 | |
They'll have to stand by and watch as they win big, or lose absolutely everything. | 0:23:26 | 0:23:31 | |
They need to use every last brain cell to plan the ultimate strategy, | 0:23:32 | 0:23:36 | |
to ensure they put the perfect items under the hammer. | 0:23:36 | 0:23:40 | |
So, which of their purchases are they sending to auction? | 0:23:40 | 0:23:44 | |
All these individual items are worth less, or I paid less, than £50. | 0:23:44 | 0:23:49 | |
The highest item, the highest value item I've got, is my saxophone at £45. | 0:23:49 | 0:23:55 | |
My American clock was only, I think, £23, that sort of margin. | 0:23:55 | 0:23:59 | |
The tray, which I really like, my German tray, | 0:24:00 | 0:24:03 | |
which is about 100 years old, and what's this going to weigh in at it? | 0:24:03 | 0:24:07 | |
Well, it only cost me a tenner. | 0:24:07 | 0:24:09 | |
This could be a tortoise and hare situation. | 0:24:09 | 0:24:12 | |
So, what does our Lionheart think will be a roaring auction success? | 0:24:12 | 0:24:17 | |
The coffee pot. Part of a box from the auction show, | 0:24:17 | 0:24:20 | |
from the car boot show. | 0:24:20 | 0:24:22 | |
What I think is probably one of the most interesting lots I've found, | 0:24:22 | 0:24:25 | |
and this has turned out to be | 0:24:25 | 0:24:28 | |
a 19th-century Indian Buddhist begging bowl. | 0:24:28 | 0:24:32 | |
My little Chinese carved figure, | 0:24:32 | 0:24:34 | |
it will either fly, or nobody will buy it at all. | 0:24:34 | 0:24:37 | |
There were go. | 0:24:37 | 0:24:38 | |
But James knows the auction house like no other and he decides to risk everything | 0:24:38 | 0:24:44 | |
by putting his other Chinese statue up for auction. | 0:24:44 | 0:24:47 | |
He spent a lot of money on it, so could lose hundreds, | 0:24:47 | 0:24:49 | |
or will it see off Jonty and be the triumph of the week? | 0:24:49 | 0:24:52 | |
We'll find out later in the show. | 0:24:52 | 0:24:55 | |
Before that, our bargain bruisers have to find buyers for all their other items. | 0:24:55 | 0:25:01 | |
James still has to find homes for a 19th-century snuffbox, | 0:25:01 | 0:25:04 | |
two Georgian China window stoppers, | 0:25:04 | 0:25:07 | |
two giant scent bottles | 0:25:07 | 0:25:09 | |
and a large box of miscellanea. | 0:25:09 | 0:25:11 | |
And Jonty has his work cut out as well. | 0:25:11 | 0:25:14 | |
He's still got an Edwardian-style jardiniere, | 0:25:14 | 0:25:16 | |
an art-deco silver cigarette case, | 0:25:16 | 0:25:20 | |
a pair of yellow chairs | 0:25:20 | 0:25:21 | |
and the terracotta bust. | 0:25:21 | 0:25:23 | |
But until they've shaken on it and the money has changed hands, no deal is truly sealed. | 0:25:23 | 0:25:28 | |
The titans of the trade hit the phones | 0:25:28 | 0:25:32 | |
and it's not long before Jonty homes in, | 0:25:32 | 0:25:35 | |
and our heavyweight has some heavy lifting to do. | 0:25:35 | 0:25:37 | |
He's found a man in Hampshire who specialises in garden urns, | 0:25:37 | 0:25:41 | |
but will Edward fall for Jonty's £136 jardiniere? | 0:25:41 | 0:25:46 | |
I know it's not particularly old and you can tell that by looking at these moulded marks down the side, | 0:25:46 | 0:25:50 | |
where it has actually been made. | 0:25:50 | 0:25:53 | |
-Yeah, I can see here. -And likewise, down on the base. -Yeah. | 0:25:53 | 0:25:57 | |
So, it's not particularly old, but it has that sort of 19th-century feel to it, doesn't it? | 0:25:57 | 0:26:01 | |
Yeah, 19th-century feel but, yes, | 0:26:01 | 0:26:03 | |
it probably is no more than ten years old, looking at the weathering. But, yeah, it's good. | 0:26:03 | 0:26:07 | |
So, price, 325 would be my ideal. | 0:26:07 | 0:26:10 | |
-325, your ideal. -Yes. | 0:26:10 | 0:26:12 | |
That's rather more than I was hoping to pay for it, | 0:26:12 | 0:26:15 | |
I was nearer the kind of 230, 240. | 0:26:15 | 0:26:19 | |
If I come under the 300, like 280, would that be OK? | 0:26:19 | 0:26:22 | |
-280. -Are we getting near on that? | 0:26:22 | 0:26:24 | |
We're getting nearer. If we said 275, we'd probably have a deal. | 0:26:24 | 0:26:27 | |
-That's fine, 275 is fine by me. -OK. Thank you, Jonty. -Thank you. | 0:26:27 | 0:26:31 | |
One down, and Jonty pots a pretty profit of nearly £140. | 0:26:31 | 0:26:37 | |
Doubling your money on anything is very, very exciting, | 0:26:37 | 0:26:39 | |
but at that sort of price level, really good news indeed. | 0:26:39 | 0:26:43 | |
Not to be outdone, The Lionheart wants to put some fresh air between him and The Hitman. | 0:26:43 | 0:26:48 | |
He's keen to see off the £35 sash window stoppers he bought at the car boot. | 0:26:48 | 0:26:53 | |
He's lined up a dealer in Central London, | 0:26:53 | 0:26:56 | |
but Peter's got news for our King of the Jungle. | 0:26:56 | 0:26:58 | |
And they were purely for blocking up sash windows to let the air in, were they? | 0:26:58 | 0:27:02 | |
Well, I don't think that's right. | 0:27:02 | 0:27:04 | |
I think the more accurate description | 0:27:04 | 0:27:07 | |
would be furniture rests, or furniture supports. | 0:27:07 | 0:27:11 | |
OK. What do you think, then? Value-wise. | 0:27:11 | 0:27:15 | |
Something like 300, something like that, I was thinking. | 0:27:15 | 0:27:18 | |
-How about 350? Do you think that's...? -I think that's fair, yes. | 0:27:18 | 0:27:22 | |
Yeah, in that case, we've got a deal. | 0:27:22 | 0:27:24 | |
All right. Thank you. | 0:27:24 | 0:27:25 | |
Fantastic, thank you. | 0:27:25 | 0:27:27 | |
What a winner! James sells the supports for ten times what he paid. | 0:27:27 | 0:27:32 | |
A powerful profit of £315. | 0:27:32 | 0:27:35 | |
Both our booty beauties are off to a flying start | 0:27:36 | 0:27:40 | |
and Jonty soon seals another deal. | 0:27:40 | 0:27:42 | |
He sells the pair of yellow armchairs to an upholsterer for £450, | 0:27:42 | 0:27:47 | |
a comfy profit of nearly £105. | 0:27:47 | 0:27:50 | |
But there's no holding James back, either. | 0:27:51 | 0:27:54 | |
He soon finds a buyer for his snuffbox. | 0:27:54 | 0:27:57 | |
She pays £36, giving him a handy profit of £20. | 0:27:57 | 0:28:02 | |
And James could soon be sniffing the pungent perfume of more profit. | 0:28:02 | 0:28:05 | |
When he bought the giant bottles in Paris for a whopping 350 euro, he had Alice in mind. | 0:28:05 | 0:28:12 | |
But she's the expert, so will she put James off the scent of their real value? | 0:28:12 | 0:28:18 | |
Alice, when you said look out for giant scent bottles, | 0:28:18 | 0:28:21 | |
I knew I'd see them, | 0:28:21 | 0:28:22 | |
but I didn't know how much they were going to cost. | 0:28:22 | 0:28:24 | |
-They are not cheap, are they? -No, they're not. | 0:28:24 | 0:28:28 | |
They sort of range between this size, the bigger size, | 0:28:28 | 0:28:30 | |
and then you can get factice, because they call it factice, | 0:28:30 | 0:28:35 | |
which are the very small bottles you would normally have on your dressing table with the perfume in. | 0:28:35 | 0:28:39 | |
What's factice then? | 0:28:39 | 0:28:41 | |
They are a showpiece, a display bottle. | 0:28:41 | 0:28:44 | |
These were basically used in shops for advertising, that sort of thing? | 0:28:44 | 0:28:47 | |
They are, yes. | 0:28:47 | 0:28:48 | |
If you lost this lettering on there, although it was a pretty bottle, | 0:28:48 | 0:28:52 | |
it wouldn't really be what it is any more. | 0:28:52 | 0:28:54 | |
If I said 400 each, is that just madness? | 0:28:54 | 0:28:57 | |
-It is, really. -OK. | 0:28:57 | 0:28:59 | |
So, how about I give you 100 each for them? | 0:28:59 | 0:29:03 | |
That is way less than I paid. | 0:29:03 | 0:29:06 | |
I thought I'd start low. | 0:29:06 | 0:29:07 | |
Just hugely less. | 0:29:07 | 0:29:10 | |
How about 200 each, then? Are we about there? | 0:29:10 | 0:29:14 | |
That's about... | 0:29:14 | 0:29:16 | |
Let's say 220 a bottle. 225. | 0:29:16 | 0:29:19 | |
In fact, let's make it round, because then... | 0:29:19 | 0:29:23 | |
-225 is 450 quid, isn't it? -Yeah. | 0:29:23 | 0:29:27 | |
I think, I didn't have a clue what they were worth. | 0:29:27 | 0:29:30 | |
-No. -I still haven't got a clue what they're worth. | 0:29:30 | 0:29:33 | |
I know! | 0:29:33 | 0:29:35 | |
And I was just hoping that there might be a profit. | 0:29:37 | 0:29:40 | |
-Well, there is a profit in that. -You've got a deal. -Hurrah. | 0:29:40 | 0:29:44 | |
-You've done really well, haven't you? -I so have. -Oh, no! | 0:29:44 | 0:29:48 | |
Oh, dear, even though James wafts away with a profit | 0:29:48 | 0:29:53 | |
of almost £132, | 0:29:53 | 0:29:54 | |
it sounds like he could have pocketed a lot more. | 0:29:54 | 0:29:57 | |
Alice looks to be the sure-fire winner there. | 0:29:57 | 0:30:01 | |
The Hitman is hot on his opponent's heels. | 0:30:01 | 0:30:03 | |
He's off to shift the cigarette case he bought for just over £94. | 0:30:03 | 0:30:09 | |
I think this is a really beautiful object, | 0:30:09 | 0:30:11 | |
so I'm going to show it to my local jeweller friend, | 0:30:11 | 0:30:13 | |
who I know will be very interested in this. | 0:30:13 | 0:30:14 | |
So, I'm quietly confident that I might be able to make a tidy sum. | 0:30:14 | 0:30:18 | |
And it looks like Jonty's got another tactic. | 0:30:18 | 0:30:21 | |
That shirt. He's clearly trying to divert Andy's attention. | 0:30:21 | 0:30:25 | |
-I've brought you a very beautiful silver box. -Oh, yes. | 0:30:25 | 0:30:30 | |
Isn't that lovely? Engine turned. Just pre the Second World War. | 0:30:30 | 0:30:33 | |
-Yes. -I think it's dated 1937. | 0:30:33 | 0:30:37 | |
-Birmingham hallmark. -Yes, I can see a nice strong hallmark on both lid and base. | 0:30:37 | 0:30:42 | |
-Art-deco design. -Yes. | 0:30:42 | 0:30:43 | |
Well, I love the engine turning, it's really crisp. | 0:30:43 | 0:30:46 | |
The engraving is great | 0:30:46 | 0:30:48 | |
because anything you're going to handle, you don't want a polished surface, | 0:30:48 | 0:30:51 | |
otherwise your fingermarks are going to show straightaway. | 0:30:51 | 0:30:54 | |
I hadn't thought about that. | 0:30:54 | 0:30:55 | |
So, this sort of thing, table-top, | 0:30:55 | 0:30:57 | |
boardroom-type piece has gone out of fashion a little bit, in terms of holding cigarettes. | 0:30:57 | 0:31:03 | |
Sure. | 0:31:03 | 0:31:04 | |
But what they have found is a new use. | 0:31:04 | 0:31:08 | |
Bridge clubs, and people who play bridge, they want something nice to bring to the table. | 0:31:08 | 0:31:13 | |
Imagine you've got your friends around playing bridge. | 0:31:13 | 0:31:16 | |
-Two decks of cards in there. -Two decks of cards in there. | 0:31:16 | 0:31:18 | |
And it is in beautiful condition. | 0:31:18 | 0:31:22 | |
-Do you want a price? -A beautiful piece. Yeah, go on, hit me with it. | 0:31:23 | 0:31:26 | |
-300 quid. -£300. | 0:31:26 | 0:31:29 | |
That's not a bad price, but I do need to make a profit. | 0:31:29 | 0:31:33 | |
That's fine, that's the way the business works. | 0:31:33 | 0:31:36 | |
So... | 0:31:36 | 0:31:38 | |
I would be happy... | 0:31:38 | 0:31:41 | |
to pay... | 0:31:41 | 0:31:43 | |
£270. | 0:31:43 | 0:31:45 | |
-Fantastic. -If you're happy with that? -Very happy. | 0:31:45 | 0:31:47 | |
-We've got a great deal. -That's fine. -Thank you very much. -Very good. | 0:31:47 | 0:31:49 | |
Yes, a very decent deal for Jonty, | 0:31:49 | 0:31:52 | |
he walks away more than £175 better off. | 0:31:52 | 0:31:56 | |
James had some luck early on with his big box of miscellanea, | 0:31:56 | 0:32:00 | |
when he sold the balance straightaway. | 0:32:00 | 0:32:02 | |
Since then, he's been working his socks off | 0:32:02 | 0:32:04 | |
to sell a selection of items from the box, | 0:32:04 | 0:32:06 | |
including the marble pen tray, the compact and the mandolin. | 0:32:06 | 0:32:10 | |
After the cash is counted from all the items in the box, | 0:32:10 | 0:32:12 | |
James waltzes off with over £165 in profit. | 0:32:12 | 0:32:18 | |
But now, it's sad times for Jonty. | 0:32:18 | 0:32:22 | |
The end of a love affair. | 0:32:22 | 0:32:25 | |
# Because I am your lady | 0:32:25 | 0:32:27 | |
# And you are my man... # | 0:32:30 | 0:32:34 | |
Will the beauty of Jonty's 250-year-old bust win her a new suitor in fellow dealer Tony? | 0:32:34 | 0:32:41 | |
-That lovely demure look that she has. -Terracotta? -Yes. | 0:32:41 | 0:32:44 | |
-Is it signed? -There's a signature on the other side, on the reverse. | 0:32:44 | 0:32:49 | |
I've tried to have a look, but it looks Italian, the signature, | 0:32:49 | 0:32:53 | |
it's not a French name that we have there. | 0:32:53 | 0:32:55 | |
You don't have one bigger? | 0:32:55 | 0:32:58 | |
I wish I had. She is beautiful. | 0:32:58 | 0:33:01 | |
I took one look at her myself and I thought... | 0:33:01 | 0:33:04 | |
Oh, you'd come and rip me off. Yeah. | 0:33:04 | 0:33:06 | |
She's 380, that's the price I'm looking for. | 0:33:06 | 0:33:10 | |
And I wondered what you thought? | 0:33:10 | 0:33:12 | |
What's the improvement on that, what's the best? | 0:33:12 | 0:33:15 | |
-What's the death? -380. | 0:33:15 | 0:33:19 | |
Well, not a lot. | 0:33:19 | 0:33:20 | |
Come on, come on, you can do better than that. | 0:33:20 | 0:33:23 | |
What about 350? | 0:33:23 | 0:33:25 | |
I think it looks really good on that fireplace, | 0:33:25 | 0:33:27 | |
so I'm sort of tempted to say yes. | 0:33:27 | 0:33:31 | |
-It's a sale? -Tempted. -Only tempted? | 0:33:31 | 0:33:34 | |
-Can we shake hands on it? -Oh, yeah, I think so. -Yeah. | 0:33:34 | 0:33:38 | |
Yes, Jonty dumps his lady in North London | 0:33:39 | 0:33:42 | |
and leaves with more than £122 profit. | 0:33:42 | 0:33:45 | |
So, at the halfway stage of our mammoth selling contest, | 0:33:45 | 0:33:48 | |
how are our warring warriors getting on? | 0:33:48 | 0:33:52 | |
The Hitman has sold four items | 0:33:53 | 0:33:56 | |
and bagged just over £542 in profit. | 0:33:56 | 0:34:00 | |
The Lionheart has also sold | 0:34:00 | 0:34:02 | |
four of his purchases, | 0:34:02 | 0:34:03 | |
but he's out in front, | 0:34:03 | 0:34:05 | |
very nearly £632 in profit. | 0:34:05 | 0:34:09 | |
But their wheeler-dealer ways have to end there. | 0:34:11 | 0:34:14 | |
Everything else must be sold at auction, a place where they have no control. | 0:34:14 | 0:34:18 | |
They're in the hands of the auctioneer and his customers. | 0:34:18 | 0:34:23 | |
So, before the grand finale gets under way, our gladiators check out the competition | 0:34:23 | 0:34:27 | |
and make sure their lots are looking lush. | 0:34:27 | 0:34:30 | |
There they are, look, the pride of the auction sale, my potato scales. | 0:34:31 | 0:34:37 | |
What are they going to make? | 0:34:37 | 0:34:39 | |
Probably nothing at all, but don't tell anybody that. | 0:34:39 | 0:34:41 | |
I'm not sure what Jonty paid for this, | 0:34:42 | 0:34:45 | |
but I think he might just have made a rather good move. | 0:34:45 | 0:34:48 | |
Musical instruments can do really well at auction. | 0:34:48 | 0:34:50 | |
If it strikes the right note with the bidders, I think there's a really good profit with it. | 0:34:50 | 0:34:54 | |
This is the figure James bought. What's it going to sell for? | 0:34:54 | 0:34:58 | |
-Well, not quite sure, but I like this one. -Good. | 0:34:58 | 0:35:02 | |
This is the figure that all my hopes rest on. | 0:35:03 | 0:35:07 | |
Ming dynasty, 16th century and rare. | 0:35:07 | 0:35:10 | |
I just hope the auction room come out trumps with it. | 0:35:10 | 0:35:14 | |
He may think it's fab, | 0:35:14 | 0:35:15 | |
but if no-one wants it, it could make a massive loss. | 0:35:15 | 0:35:21 | |
Jonty's opening item is the £10 copper tray. | 0:35:21 | 0:35:24 | |
So, this is the first of my very big lots. | 0:35:24 | 0:35:26 | |
And £20 is bid here, thank you, at £20, straight in at £20. | 0:35:26 | 0:35:29 | |
And five to oblige, where? £20, the maiden bid of 20, | 0:35:29 | 0:35:32 | |
The maiden bid it is at 20...five, 30, £30 and away then. | 0:35:32 | 0:35:37 | |
At £30, done, going, selling away at 30, last chance at 30... | 0:35:37 | 0:35:41 | |
Tripled your money. | 0:35:41 | 0:35:43 | |
Well, there is a minimum lot charge, but that's fine. | 0:35:43 | 0:35:47 | |
I've come up with a slight profit. | 0:35:47 | 0:35:50 | |
But every little helps. | 0:35:50 | 0:35:51 | |
After auction fees Jonty's profit is just over £11. | 0:35:51 | 0:35:55 | |
This is your beggar's bowl coming up, James. | 0:35:56 | 0:35:59 | |
I think I'm going to need this, | 0:35:59 | 0:36:01 | |
the auctioneer shouldn't be selling it. | 0:36:01 | 0:36:02 | |
What did you pay for it? | 0:36:02 | 0:36:04 | |
£8, it wasn't expensive. | 0:36:04 | 0:36:06 | |
-See where we go, then. -I'm hoping it will make 30, 35. | 0:36:06 | 0:36:09 | |
-I think that's what it's worth. -£20 and away for it, please. | 0:36:09 | 0:36:13 | |
20, ten is bid, thank you. | 0:36:13 | 0:36:14 | |
At £10, the maiden bid at ten, 15, 20...five, £25 I have now. | 0:36:14 | 0:36:19 | |
At £25, the beggar's bowl goes away at £25, 30, on the net now, | 0:36:19 | 0:36:21 | |
new bidder coming in. | 0:36:21 | 0:36:23 | |
Right at the end at £30. And it's going to be sold here at £30. | 0:36:23 | 0:36:27 | |
Selling, going away at 30, 30... | 0:36:27 | 0:36:29 | |
-Looks good. -That's what I thought it was worth, so.. | 0:36:29 | 0:36:32 | |
It beggars belief you got that sort of figure! | 0:36:32 | 0:36:36 | |
And a similar start for James. | 0:36:36 | 0:36:37 | |
Once the costs are paid, | 0:36:37 | 0:36:39 | |
the begging bowl catches a profit of just over £13. | 0:36:39 | 0:36:43 | |
Jonty's American clock also finds a buyer. | 0:36:43 | 0:36:46 | |
Selling at 40... Thank you. | 0:36:46 | 0:36:49 | |
Selling at £40, he winds up nearly £8 in profit. | 0:36:49 | 0:36:54 | |
But James takes a blow from his copper pots. | 0:36:54 | 0:36:56 | |
Going away at 20, at 20... | 0:36:56 | 0:36:59 | |
They earn just £20 and, after costs, | 0:36:59 | 0:37:01 | |
he makes our first loss of the day. | 0:37:01 | 0:37:03 | |
He is down more than £12. | 0:37:03 | 0:37:05 | |
My next lot is the saxophone. | 0:37:07 | 0:37:10 | |
What did you pay for that? | 0:37:10 | 0:37:12 | |
I paid 45 quid for it, and it's a completely speculative purchase. | 0:37:12 | 0:37:15 | |
I think that might do quite well. I like it. | 0:37:15 | 0:37:17 | |
I just don't know, it's got bags of character. | 0:37:17 | 0:37:19 | |
-Made by somebody in Malta, isn't it? -I know. | 0:37:19 | 0:37:23 | |
You always say anything from Malta always does well... Oh, ten. | 0:37:23 | 0:37:27 | |
10, 15, 20, five, 30, at £30 I have it away. | 0:37:27 | 0:37:29 | |
And five, new bidder at 35, fresh blood, and 40 now on the Internet. | 0:37:29 | 0:37:33 | |
At £40, I have, the bid is on the Internet, £40, | 0:37:33 | 0:37:35 | |
and 45, 50, £50, | 0:37:35 | 0:37:38 | |
plenty of Internet action here today. | 0:37:38 | 0:37:40 | |
£50 I have now. At £50, it sells then, going away. | 0:37:40 | 0:37:43 | |
Selling away at 50, fair warning at 50, 60. | 0:37:43 | 0:37:46 | |
At £60, still going, £60 we have, 70, £70 and away. | 0:37:46 | 0:37:51 | |
Done, are you all sure? | 0:37:51 | 0:37:53 | |
This time, going away, selling at 70... Thank you. | 0:37:53 | 0:37:56 | |
-That's good. -That's all right. -It's a profit. -Yeah, that's OK. | 0:37:56 | 0:37:59 | |
The saxophone hits the right note with someone. | 0:37:59 | 0:38:03 | |
A profit for Jonty to the tune of nearly £10. | 0:38:03 | 0:38:07 | |
Now, it's the moment that James has been nervously anticipating, | 0:38:07 | 0:38:09 | |
it's the Chinese wooden statue which cost him £225. | 0:38:09 | 0:38:15 | |
He's placed all his hopes on it, so can it do the business? | 0:38:15 | 0:38:18 | |
How are you feeling? What is your gut telling you? | 0:38:18 | 0:38:23 | |
I don't know, I really don't. I know that it should make 350 quid. | 0:38:23 | 0:38:28 | |
It needs to make 290 for a break-even. | 0:38:28 | 0:38:31 | |
I'm hoping, I'm hoping, but we'll see. | 0:38:31 | 0:38:36 | |
£100 bid, thank you. £100 I have now. | 0:38:36 | 0:38:41 | |
£100, 110, 120, 130, 140, 150, | 0:38:41 | 0:38:45 | |
160, 170, 180, 190, 200, 220, at 220. | 0:38:45 | 0:38:50 | |
At £220, I have now. £220. | 0:38:50 | 0:38:53 | |
At £220, done? | 0:38:53 | 0:38:56 | |
-Selling away. At £220... -Well... | 0:38:56 | 0:38:58 | |
Oh, that's got to hurt. | 0:39:00 | 0:39:02 | |
Sold for less than he originally paid. | 0:39:02 | 0:39:04 | |
And add in all the fees, | 0:39:04 | 0:39:06 | |
it's a monumental loss for The Lionheart, | 0:39:06 | 0:39:08 | |
almost £50 down. | 0:39:08 | 0:39:10 | |
Not much love in the room for the Chinese statue, then. | 0:39:11 | 0:39:16 | |
Can he do any better with his next item? | 0:39:16 | 0:39:18 | |
Oh, it's another Chinese figure, | 0:39:18 | 0:39:20 | |
but it sells for £40, | 0:39:20 | 0:39:22 | |
making James a profit of just over £8. | 0:39:22 | 0:39:25 | |
Now, it's time for the final lot of the day. | 0:39:25 | 0:39:29 | |
The item that could make or break the whole contest. | 0:39:29 | 0:39:32 | |
It's Jonty's £10 potato scales. | 0:39:32 | 0:39:35 | |
This is a big one. | 0:39:38 | 0:39:41 | |
There are people poised on the telephones | 0:39:45 | 0:39:48 | |
for those international bids. | 0:39:48 | 0:39:49 | |
That's the guy from the local fruit and veg stall, he's obviously interested. | 0:39:49 | 0:39:52 | |
Lot number 1765 now, a set of green painted potato scales. | 0:39:52 | 0:39:56 | |
-Just look at them! -It's a choice lot for someone, I'm sure. | 0:39:56 | 0:39:59 | |
Cor! | 0:39:59 | 0:40:01 | |
£20 and away for the sack here. 20 away. 20, 20, tenner, then. | 0:40:01 | 0:40:05 | |
£10 is bid, thank you. | 0:40:05 | 0:40:06 | |
Don't be ridiculous! | 0:40:06 | 0:40:09 | |
Don't be ridiculous! | 0:40:09 | 0:40:10 | |
At £15 now. Internet bidding at £15. | 0:40:10 | 0:40:12 | |
Internet bidding! | 0:40:12 | 0:40:13 | |
It's going to go to Ireland at £15. Selling away at 15... | 0:40:13 | 0:40:17 | |
Yes! Woo! | 0:40:17 | 0:40:20 | |
He has trapped wind. | 0:40:20 | 0:40:23 | |
No, that was Jonty getting excited | 0:40:23 | 0:40:25 | |
that his loss was only £3.67. | 0:40:25 | 0:40:30 | |
So, the sun is setting on our mighty Showdown | 0:40:31 | 0:40:35 | |
and we're heading for a photo finish. | 0:40:35 | 0:40:38 | |
Both our experts started the contest with £1,000 of their own money | 0:40:38 | 0:40:43 | |
to spend at four different antiques events. | 0:40:43 | 0:40:46 | |
After costs, James 'The Lionheart' Lewis spent just over £713. | 0:40:46 | 0:40:53 | |
Not nearly as much as Jonty 'The Hitman' Hearnden, | 0:40:53 | 0:40:57 | |
he spent close to £891. | 0:40:57 | 0:41:00 | |
All of the money that James and Jonty have made from today's challenge | 0:41:00 | 0:41:02 | |
will be going to a charity of their choice. | 0:41:02 | 0:41:06 | |
So, without further ado, it's time to find out who is today's | 0:41:06 | 0:41:09 | |
Put Your Money Where Your Mouth Is champion. | 0:41:09 | 0:41:12 | |
How are you doing? | 0:41:12 | 0:41:15 | |
Good to see you. | 0:41:15 | 0:41:17 | |
That auction, we didn't do too well between us, did we? | 0:41:17 | 0:41:20 | |
You did all right, actually. | 0:41:20 | 0:41:22 | |
Very small profit, but you a loss. | 0:41:22 | 0:41:25 | |
James Lewis loss, those words don't really kind of like go together, do they? | 0:41:25 | 0:41:29 | |
I don't like them to, really. But there were are. | 0:41:29 | 0:41:32 | |
-So, it's all down to our private sales. -Certainly is. -OK. | 0:41:32 | 0:41:37 | |
-Shall we have a look? -Are we ready? -Yeah. -OK. | 0:41:37 | 0:41:39 | |
-After three. -Three. -Two. -One. | 0:41:39 | 0:41:45 | |
Oh, that is close! | 0:41:45 | 0:41:47 | |
I thought you'd got that. That was so close. | 0:41:47 | 0:41:53 | |
So, the slimmest of victories for Mr Lewis today, | 0:41:53 | 0:41:57 | |
but our two experts have been building up their profit pots over a week of challenges | 0:41:57 | 0:42:01 | |
and it's now time to find out how much they've made in total. | 0:42:01 | 0:42:05 | |
So, James, this is the big one. | 0:42:06 | 0:42:08 | |
Now time to find out who's made the most profit, | 0:42:08 | 0:42:12 | |
because I think it could be me. | 0:42:12 | 0:42:13 | |
Do you know, I don't think it is. | 0:42:13 | 0:42:16 | |
0K, one, two, three. | 0:42:16 | 0:42:18 | |
Wow. What a sum, look at you. | 0:42:20 | 0:42:22 | |
Well, between us, we have raised £10,000. | 0:42:22 | 0:42:26 | |
-That's great. -Brilliant. Good. -Well done. | 0:42:26 | 0:42:29 | |
It's been fun, Jonty, come on. | 0:42:29 | 0:42:32 | |
So, that's a mighty overall victory for The Lionheart. | 0:42:32 | 0:42:34 | |
Both our experts have made fantastic profits, | 0:42:34 | 0:42:37 | |
and all that money will be going to their chosen charities. | 0:42:37 | 0:42:42 | |
The charity I've chosen to give my money to is one that is very dear to me. | 0:42:42 | 0:42:45 | |
My daughter started her life there, | 0:42:45 | 0:42:47 | |
that's why I've decided to give my money to the Derby Hospital Premature Baby Unit, | 0:42:47 | 0:42:53 | |
and that's going to save lives. | 0:42:53 | 0:42:55 | |
My chosen charity is the British Dyslexia Association. | 0:42:55 | 0:42:59 | |
I myself am dyslexic and have children that are dyslexic | 0:42:59 | 0:43:02 | |
and I know sometimes how difficult it can be. | 0:43:02 | 0:43:06 | |
Yes, it's been a week of no-holds barred combat. | 0:43:06 | 0:43:10 | |
James and Jonty have both put their money where their mouths are | 0:43:10 | 0:43:13 | |
and proved they can make a convincing profit from antiques | 0:43:13 | 0:43:16 | |
when their own money is on the line. | 0:43:16 | 0:43:18 | |
Subtitles by Red Bee Media Ltd | 0:43:29 | 0:43:33 | |
E-mail [email protected] | 0:43:33 | 0:43:36 |