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This is Put Your Money Where Your Mouth Is, the show that takes the titans of the antiques trade | 0:00:02 | 0:00:07 | |
and pitches them against each other | 0:00:07 | 0:00:10 | |
to see who can make the most money from buying and selling. | 0:00:10 | 0:00:15 | |
That's amazing, truly amazing. | 0:00:16 | 0:00:19 | |
Today, James Lewis takes on Jonty Hearnden in an all-out battle for profit, | 0:00:19 | 0:00:24 | |
giving you the inside view on the secrets of the trade. | 0:00:24 | 0:00:28 | |
Coming up, our duelling gents unearth some unexpected wares en France. | 0:00:28 | 0:00:34 | |
I knew it was English because I could see clearly these are the English hallmarks. | 0:00:34 | 0:00:39 | |
They expertly negotiate with tough French dealers. | 0:00:39 | 0:00:43 | |
-Trente-huit? -LAUGHTER | 0:00:43 | 0:00:46 | |
And back home, know how to persuade people to part with their cash. | 0:00:46 | 0:00:50 | |
-Lovely, French, Art Deco, walnut... -Cheap. -Yes, you have to use the word "cheap". -Cheap. | 0:00:50 | 0:00:57 | |
This is Put Your Money Where Your Mouth Is. | 0:00:57 | 0:01:00 | |
Today's epic fight-out pitches the unstoppable veteran of vintage, | 0:01:12 | 0:01:17 | |
James The Lionheart Lewis, | 0:01:17 | 0:01:19 | |
against the fancier of furniture, Jonty The Hitman Hearnden, | 0:01:19 | 0:01:23 | |
to see who can make the most profit from buying and selling antiques. | 0:01:23 | 0:01:27 | |
The stakes in this competition couldn't be higher. | 0:01:27 | 0:01:31 | |
It's the well-honed and competitive auctioneer from the north... | 0:01:31 | 0:01:35 | |
Oh, look at that! | 0:01:35 | 0:01:38 | |
..versus the suave, smooth-talking dealer from down south. | 0:01:38 | 0:01:42 | |
Now, this looks like Steptoe's Yard. | 0:01:42 | 0:01:44 | |
They are risking their reputations and their own hard-earned cash in a battle | 0:01:46 | 0:01:50 | |
that will test their knowledge and contact books to the absolute limit. | 0:01:50 | 0:01:55 | |
Lots of interesting objects, totally different to anything you see in the UK. | 0:01:55 | 0:02:00 | |
Today's battleground takes us across the Channel. It's the Saint-Ouen Antiques Market in Paris | 0:02:00 | 0:02:06 | |
where 3,500 shops and stalls are full to bursting with antiques and collectables. | 0:02:06 | 0:02:13 | |
They've got £750 of their own money to spend and all the profits go to their chosen charities. | 0:02:13 | 0:02:20 | |
James Lewis and Jonty Hearnden, it's time to put your money where your mouth is. | 0:02:20 | 0:02:26 | |
-Jonty... -Welcome to "Paree". -Thank you very much. | 0:02:26 | 0:02:30 | |
-I've been to Paris before, but I've never been to this market. -It's a great market. | 0:02:30 | 0:02:36 | |
There is so much choice here. You can see such fabulous quality French antiques. They're wonderful. | 0:02:36 | 0:02:42 | |
They are, but I've got a feeling we'll need our entire £750 budget to buy one thing from here. | 0:02:42 | 0:02:48 | |
Now, there's got to be somewhere where we can have a rummage. | 0:02:48 | 0:02:52 | |
There are areas that, let's say, how can I put this, are slightly less expensive? | 0:02:52 | 0:02:57 | |
I'll spend my day rummaging, trying to find the bargains in the cheaper end, | 0:02:57 | 0:03:02 | |
something that may belong here, but find it cheaper over there. And you? | 0:03:02 | 0:03:06 | |
-I am hoping I can find something quite meaty that I can get my teeth stuck into. -Let's go for it. | 0:03:06 | 0:03:12 | |
So our gladiatorial experts plunge in on their hunt for treasure. | 0:03:13 | 0:03:17 | |
Despite his plan to start at the cheap end, | 0:03:17 | 0:03:21 | |
our foreign market newbie heads in the opposite direction. | 0:03:21 | 0:03:24 | |
The seasoned Hitman is at a distinct advantage. | 0:03:24 | 0:03:28 | |
He knows the turf and his radar is set to bargain basement. | 0:03:28 | 0:03:32 | |
This market here, there's a complete contrast. At one end, it's really high-end antiques. | 0:03:32 | 0:03:38 | |
This end... | 0:03:38 | 0:03:40 | |
Spanners. | 0:03:40 | 0:03:42 | |
Jonty certainly has a ticket for the cheap seats, but James is on the hunt for quality. | 0:03:42 | 0:03:47 | |
It's landed him in the posh end of the market. | 0:03:47 | 0:03:50 | |
Oh, my word! I've got a feeling this is going to be an expensive day. | 0:03:50 | 0:03:54 | |
It's a mammoth market and while James is lost amongst the top end, high-priced antiques, | 0:03:54 | 0:04:01 | |
Jonty has found his first bargain buy, a glass vase. | 0:04:01 | 0:04:04 | |
This is a bit of 1960s French glass. | 0:04:04 | 0:04:07 | |
What one needs to check for is any chips. | 0:04:07 | 0:04:10 | |
It's filthy dirty, so all it needs is a jolly good clean. | 0:04:10 | 0:04:14 | |
At home, £30 to £60 to the right buyer. | 0:04:14 | 0:04:17 | |
Just what I was looking for in a French market. C'est magnifique! | 0:04:17 | 0:04:21 | |
So Jonty has delivered the first blow in this epic battle. | 0:04:21 | 0:04:25 | |
He cleverly negotiated the vase down to just 10 euros, just over £9. | 0:04:25 | 0:04:30 | |
James Lewis should be quaking in his boots, but he's window-shopping in the pricey end of the market. | 0:04:30 | 0:04:36 | |
# Money, money, money Must be funny | 0:04:36 | 0:04:40 | |
# In the rich man's world... # | 0:04:40 | 0:04:42 | |
That can't be the price. | 0:04:44 | 0:04:46 | |
That can't be the price! | 0:04:46 | 0:04:48 | |
It's the price. | 0:04:48 | 0:04:50 | |
£230 for the budgies! | 0:04:52 | 0:04:54 | |
Dear me! | 0:04:54 | 0:04:56 | |
1,000 euros! Cor! | 0:04:56 | 0:04:59 | |
Yes, James is like a poor man in a palace, but if he's got any hope of beating old pro Jonty, | 0:04:59 | 0:05:05 | |
he's got to find his way to the bargains. | 0:05:05 | 0:05:07 | |
# It's a rich man's world... # | 0:05:07 | 0:05:10 | |
In Cheap Street, the Hitman is powering around and has already made his second purchase. | 0:05:11 | 0:05:16 | |
-Combien? -Cinquante. -Cinquante. | 0:05:16 | 0:05:19 | |
The dealer has first started off asking for 50 euros. | 0:05:19 | 0:05:23 | |
We're now down to 15 euros. | 0:05:23 | 0:05:25 | |
I've bought it because it's a fabulous shape. | 0:05:25 | 0:05:28 | |
When I'm at a French market, I have to buy a piece of glass like this. | 0:05:28 | 0:05:32 | |
The reason is, I can sell them till the cows come home. | 0:05:32 | 0:05:36 | |
Yes, Jonty is scorching hot this morning and brimming with confidence. | 0:05:36 | 0:05:40 | |
He's just managed to beat the dealer down by 35 euros | 0:05:40 | 0:05:44 | |
and bagged the vase for just under £14. | 0:05:44 | 0:05:48 | |
Using his smooth negotiating skills to the max, the Hitman is cruising at high speed. | 0:05:48 | 0:05:53 | |
But old Lionheart hasn't even got out of first gear. | 0:05:53 | 0:05:57 | |
I've no idea where to go now. | 0:05:57 | 0:05:59 | |
I've covered such a huge section of this market | 0:05:59 | 0:06:03 | |
and I've spent nothing. | 0:06:03 | 0:06:05 | |
Not one euro. | 0:06:05 | 0:06:07 | |
The only thing I've wanted to buy so far is a crepe! | 0:06:07 | 0:06:11 | |
Oh, James has got to find a way out of this hole. | 0:06:19 | 0:06:23 | |
Time for a change of plan. | 0:06:23 | 0:06:25 | |
Earlier, I said I was going to try and find something that was at home in these top Parisian gallery shops, | 0:06:27 | 0:06:33 | |
but try and find it here in the cheaper end. | 0:06:33 | 0:06:36 | |
# I'll be working my way back to you, babe... # | 0:06:36 | 0:06:41 | |
Finally, he muscles in on Jonty's territory and it works a treat. | 0:06:41 | 0:06:45 | |
Before long, he's sniffed out a potential purchase - a carved coquilla nut, | 0:06:45 | 0:06:51 | |
but the dealer could be an even harder nut to crack. | 0:06:51 | 0:06:54 | |
-How much is that? -This one? Pour quel prix on peut faire ca? | 0:06:54 | 0:06:58 | |
On peut faire ca... Quatre-vingt euros. | 0:06:58 | 0:07:01 | |
The dealer is after 80 euros. | 0:07:01 | 0:07:05 | |
-Could you do it anything cheaper? -What cheap? I speak English little. I'm sorry. | 0:07:05 | 0:07:11 | |
-Vingt-cinq? -Ah, non, vingt-cinq. Ah, non! | 0:07:11 | 0:07:15 | |
Do you like a...? JAMES LAUGHS | 0:07:15 | 0:07:17 | |
On peut faire cinquante? | 0:07:17 | 0:07:19 | |
The dealer concedes to 50 euros. | 0:07:19 | 0:07:22 | |
-It's wood, look. -I know. | 0:07:22 | 0:07:24 | |
-Trente-huit? -Oh, trente-huit! | 0:07:24 | 0:07:27 | |
Cheeky James tries his luck at 38 euros, | 0:07:27 | 0:07:30 | |
a whopping 42 less than the original asking price! | 0:07:30 | 0:07:33 | |
-Oui? -38. It's OK. -Well done. -Good. | 0:07:33 | 0:07:37 | |
It's a textbook buy from the Lionheart and his charm wins them over. | 0:07:37 | 0:07:42 | |
He negotiates 38 euros, just under £35. | 0:07:42 | 0:07:46 | |
Finally, my first purchase. My goodness, did they haggle! | 0:07:46 | 0:07:51 | |
This is carved from a solid coquilla nut. It's a very hard nut and not easy to carve at all. | 0:07:51 | 0:07:57 | |
These little holes here are hand-drilled. | 0:07:57 | 0:08:01 | |
There should be at least some profit in this. | 0:08:01 | 0:08:04 | |
But he's got to keep it up because the Hitman is sweeping up bargains galore. | 0:08:04 | 0:08:10 | |
He's found a 19th century rosewood chair that's in need of some TLC. | 0:08:10 | 0:08:14 | |
For the fancier of furniture, this is the jackpot. | 0:08:14 | 0:08:18 | |
So I've found an absolute bargain in one of the most expensive markets in the whole of Europe. | 0:08:18 | 0:08:24 | |
45 quid for a 19th century armchair. | 0:08:24 | 0:08:27 | |
James, that's what I call a bargain! | 0:08:27 | 0:08:31 | |
The chair is certainly a catch at just over £45 | 0:08:31 | 0:08:35 | |
and it puts Jonty the juggernaut in complete control of the game. | 0:08:35 | 0:08:39 | |
He's burning rubber and goes straight on to snap up yet another potential gold mine. | 0:08:39 | 0:08:44 | |
It's a lovely, French, walnut, Art Deco, occasional table. | 0:08:44 | 0:08:50 | |
Circular top, circular base. | 0:08:50 | 0:08:52 | |
The problem with this table is it has been stripped, it's been re-polished badly. | 0:08:52 | 0:08:57 | |
But if I put some money to reinvest in restoring it, | 0:08:57 | 0:09:01 | |
this table has to be worth £150, maybe £250 straight on to the trade. | 0:09:01 | 0:09:07 | |
Another bargain. | 0:09:07 | 0:09:09 | |
Jonty picks up the table for a little over £45. | 0:09:09 | 0:09:12 | |
Our resident furniture fancier is firing on all cylinders | 0:09:12 | 0:09:16 | |
with an incredible four items already in the bag. | 0:09:16 | 0:09:20 | |
The Lionheart is way behind, but might have just found something to light up his life. | 0:09:20 | 0:09:26 | |
These are interesting. These are 19th century in style, | 0:09:26 | 0:09:30 | |
but 20th century ormolu that's then been gold-painted over the top, | 0:09:30 | 0:09:34 | |
ormolu being gold-plated bronze. | 0:09:34 | 0:09:37 | |
What is your best price on this? | 0:09:37 | 0:09:39 | |
Soixante-dix euros pour la paire. | 0:09:39 | 0:09:42 | |
Madame wants 70 euros. | 0:09:42 | 0:09:45 | |
-50? -Cinquante euros? | 0:09:45 | 0:09:48 | |
-C'est juste. Bon, cinquante euros. -Oui? -D'accord. | 0:09:48 | 0:09:52 | |
James bags his second item of the day, | 0:09:52 | 0:09:54 | |
a pair of wall lights for just over £45. | 0:09:54 | 0:09:58 | |
Believe it or not, a bargain. That's the first one of those I've had today. | 0:09:58 | 0:10:03 | |
James's exceptional knowledge is really working to his advantage in the cheaper end of the market | 0:10:03 | 0:10:09 | |
and he's starting to feel at home. | 0:10:09 | 0:10:11 | |
It's not long before his expert eye plucks out another hidden gem. | 0:10:11 | 0:10:16 | |
He pays less than £5 for a second lamp. | 0:10:16 | 0:10:18 | |
This one dates back to the 1920s | 0:10:18 | 0:10:21 | |
and is hidden inside a conch shell. | 0:10:21 | 0:10:23 | |
As the sun gets higher in the Paris sky, so does James's confidence. Hear that lion roar! | 0:10:24 | 0:10:32 | |
Watch out, Jonty! It's been a tough morning for our premier professionals, | 0:10:32 | 0:10:37 | |
so who has sped off and who has stalled at the start line? | 0:10:37 | 0:10:41 | |
They both kicked off the day with the equivalent of £750 of their own cash. | 0:10:41 | 0:10:46 | |
Jonty has had a great start. | 0:10:46 | 0:10:48 | |
He's bagged himself four items costing just under £114, | 0:10:48 | 0:10:52 | |
leaving him with more than £636 to spend. | 0:10:52 | 0:10:56 | |
James has picked up his momentum and now has three items. | 0:10:57 | 0:11:01 | |
He has spent just under £85, | 0:11:01 | 0:11:04 | |
meaning he's got more than £665 to play with. | 0:11:04 | 0:11:08 | |
It's Round Two of this French bargain bout | 0:11:09 | 0:11:12 | |
and with the Lionheart prowling round the Hitman's territory, Jonty is raising the bar. | 0:11:12 | 0:11:18 | |
He's paid just over £9 for yet another glass vase and never one to let a bargain slip by, | 0:11:18 | 0:11:23 | |
he sniffs out two silver-topped jars from the same shop. | 0:11:23 | 0:11:28 | |
As soon as I picked up this jar, I knew it was English | 0:11:28 | 0:11:31 | |
because I could see clearly that there were hallmarks. | 0:11:31 | 0:11:35 | |
If you just see on the side of the lid, these are the English hallmarks | 0:11:35 | 0:11:40 | |
and if you look at the top, the initials MR, | 0:11:40 | 0:11:42 | |
that means these two items here were part of the dressing table set, | 0:11:42 | 0:11:48 | |
so we've found some English antiques in the Frenchest of French markets | 0:11:48 | 0:11:53 | |
here in Saint-Ouen in Paris. Amazing, eh? | 0:11:53 | 0:11:56 | |
Jonty is as pleased as Punch. | 0:11:56 | 0:11:58 | |
He paid a little over £9 for the large jar | 0:11:58 | 0:12:01 | |
and picked up the smaller one for just under £5. | 0:12:01 | 0:12:05 | |
The Hitman came, he saw and he's conquered, but James is catching up fast. | 0:12:07 | 0:12:12 | |
He's rather taken with a decorative box, but the price, as always, is too high. | 0:12:12 | 0:12:18 | |
-What is your best price? -120. | 0:12:18 | 0:12:21 | |
For me, it would be 70. | 0:12:21 | 0:12:23 | |
No, sorry. It's not possible. | 0:12:23 | 0:12:25 | |
I give you my last price - 100. | 0:12:25 | 0:12:29 | |
-OK. -Voila. | 0:12:29 | 0:12:32 | |
That's, uh... | 0:12:32 | 0:12:34 | |
That's the best price. | 0:12:34 | 0:12:36 | |
-No... -Not 100, 80. | 0:12:37 | 0:12:40 | |
-75? -No, no, really no. | 0:12:40 | 0:12:42 | |
-OK, 80. -OK. | 0:12:42 | 0:12:45 | |
What a pro! He holds out and gets the right price, just under £73, | 0:12:45 | 0:12:50 | |
and he's delighted. | 0:12:50 | 0:12:52 | |
I don't know when it arrived here in France, but it wasn't made here. | 0:12:52 | 0:12:56 | |
We've got a maker's label in the cover, | 0:12:56 | 0:12:59 | |
"Woodfield & Co, 145 Buchanan Street, Glasgow." | 0:12:59 | 0:13:04 | |
It's made in Coromandel wood | 0:13:04 | 0:13:06 | |
and it has these wonderful, | 0:13:06 | 0:13:09 | |
gilt metal straps in the Gothic style | 0:13:09 | 0:13:12 | |
and applied with banded, agate cabochons. | 0:13:12 | 0:13:15 | |
This is typical of 1860, 1865 British craftsmanship. | 0:13:15 | 0:13:21 | |
Another British treasure shines out at the French market. | 0:13:21 | 0:13:25 | |
James is pumped up, investigating every nook and cranny, and he soon pounces on a Japanese bronze, | 0:13:25 | 0:13:32 | |
but with a price tag of 100 euros, he's got some work to do. | 0:13:32 | 0:13:36 | |
Can we get a price a little bit...? | 0:13:36 | 0:13:39 | |
Quatre-vingt. | 0:13:42 | 0:13:44 | |
He comes down to 80 euros. | 0:13:44 | 0:13:46 | |
I was thinking 60 perhaps? | 0:13:46 | 0:13:48 | |
Soixante-dix. | 0:13:54 | 0:13:56 | |
Soixante-dix, 70... | 0:13:56 | 0:13:58 | |
-65 and you have a deal. -OK. | 0:13:58 | 0:14:01 | |
65. Thank you. | 0:14:01 | 0:14:03 | |
There might be a language barrier, but it doesn't stop another brilliant barter. | 0:14:03 | 0:14:08 | |
James buys the bronze for just over £59. | 0:14:08 | 0:14:12 | |
Solid bronze, over 100 years old. | 0:14:12 | 0:14:15 | |
I'm hoping to get £120 to £180 for this. | 0:14:15 | 0:14:18 | |
It's a really nice thing. I'm chuffed. | 0:14:18 | 0:14:21 | |
This Lionheart has found his ideal hunting ground and he is foraging furiously, | 0:14:21 | 0:14:26 | |
but he's got competition on his hands. The furniture fancier has found himself another beauty. | 0:14:26 | 0:14:32 | |
I love the base. We've got this very attractive X-frame stretcher | 0:14:32 | 0:14:36 | |
and the carving and cabriole legs here, it is attractive. | 0:14:36 | 0:14:40 | |
It's walnut and so it suffers from woodworm. | 0:14:40 | 0:14:44 | |
If you notice these holes here, | 0:14:44 | 0:14:46 | |
sometimes it's a wee bit difficult to sell and to pass that on. | 0:14:46 | 0:14:50 | |
Jonty might have the nifty know-how, but the Lionheart remains undaunted. | 0:14:50 | 0:14:56 | |
I know the way Jonty works. | 0:14:56 | 0:14:58 | |
He has a really clever way of smooth-talking his way around any deal. | 0:14:58 | 0:15:04 | |
He uses that classic English charm | 0:15:04 | 0:15:07 | |
and the great thing about here in France, it doesn't work. | 0:15:07 | 0:15:11 | |
Deux cent cinquante? | 0:15:11 | 0:15:13 | |
Non. | 0:15:14 | 0:15:15 | |
-Non? -Non. | 0:15:15 | 0:15:17 | |
Please? | 0:15:18 | 0:15:20 | |
-Trois cent euros au mieux. -Deux cent cinquante? | 0:15:20 | 0:15:24 | |
-Je perds des sous. -He's not biting. | 0:15:24 | 0:15:26 | |
OK, onwards and upwards. | 0:15:26 | 0:15:29 | |
Ah, the dealer wouldn't budge from 300 euros, | 0:15:29 | 0:15:32 | |
a cruel knock-back for Jonty, | 0:15:32 | 0:15:35 | |
but James wastes no time careering through the market | 0:15:35 | 0:15:38 | |
and soon lands upon a wooden chest. | 0:15:38 | 0:15:41 | |
One problem - the shopkeeper wants 250 euros. | 0:15:41 | 0:15:44 | |
-Is 150 any good? 150? -Non. | 0:15:44 | 0:15:47 | |
160 I could do. | 0:15:47 | 0:15:49 | |
160... | 0:15:54 | 0:15:56 | |
-OK. -OK? -OK. | 0:15:56 | 0:15:59 | |
Yet again, James quietly knocks the dealer down. | 0:16:00 | 0:16:03 | |
He pays just over £145 for the oak chest. | 0:16:03 | 0:16:07 | |
This is a wonderful, solid piece of country furniture, | 0:16:08 | 0:16:12 | |
made around 1700, 1750. | 0:16:12 | 0:16:15 | |
It's had a few changes, but in the right home, that would look fantastic. | 0:16:15 | 0:16:20 | |
After a morning brimming with buys, Jonty's afternoon is looking less promising. | 0:16:20 | 0:16:26 | |
He's struggling to uncover more special pieces and his mind keeps flitting back to one thing. | 0:16:26 | 0:16:32 | |
# I just can't get you out of my hea | 0:16:33 | 0:16:36 | |
# Boy, your lovin' is all I think about | 0:16:36 | 0:16:40 | |
# I just can't get you out of my head... # | 0:16:40 | 0:16:42 | |
I've just got to go back and get that chair. | 0:16:42 | 0:16:45 | |
I keep on thinking about it. It's a beautiful shape. | 0:16:45 | 0:16:49 | |
I'm just going to do my best. I'm still going to try and haggle. | 0:16:49 | 0:16:53 | |
Yes, with his hard-nosed haggling hat firmly on, | 0:16:53 | 0:16:57 | |
the Hitman confidently strides back to the uncompromising French dealer. | 0:16:57 | 0:17:02 | |
He's ready for battle. | 0:17:02 | 0:17:04 | |
200... Let's meet halfway, all right? | 0:17:10 | 0:17:13 | |
-Do you speak English? -No. | 0:17:13 | 0:17:15 | |
No. | 0:17:19 | 0:17:21 | |
Deux cent quatre-vingt. | 0:17:24 | 0:17:26 | |
Non. | 0:17:26 | 0:17:28 | |
-275. -OK. -OK? | 0:17:28 | 0:17:31 | |
It's paid off. He finally gets some money off the chair. | 0:17:31 | 0:17:35 | |
It works out at £250 exactly. | 0:17:35 | 0:17:38 | |
The Hitman makes a tactical decision to quit whilst he's ahead, but as he takes the weight off his feet, | 0:17:38 | 0:17:45 | |
he spots James who is still soldiering on. | 0:17:45 | 0:17:48 | |
Ah! | 0:17:49 | 0:17:50 | |
Greetings! | 0:17:50 | 0:17:52 | |
-How are you? -Come and sit down. | 0:17:52 | 0:17:55 | |
I haven't got time. I need to buy something! | 0:17:55 | 0:17:58 | |
Jonty seems so relaxed. He's chilled, he's sitting there enjoying the sun. | 0:17:58 | 0:18:03 | |
He's obviously spent up. | 0:18:03 | 0:18:05 | |
Jonty may have decided to call it quits, but James can't rest easy. | 0:18:06 | 0:18:11 | |
Even as the traders start to pack up, the Lionheart keeps prowling, | 0:18:11 | 0:18:15 | |
desperate not to miss a trick. | 0:18:15 | 0:18:18 | |
-20 and I'll take it. 20 euros. -That's OK. | 0:18:18 | 0:18:21 | |
He soon finds an ormolu lamp for just over £18. | 0:18:21 | 0:18:25 | |
These rather large candlesticks were originally made | 0:18:26 | 0:18:30 | |
for ecclesiastical use, probably on an altar, would have come as a pair. | 0:18:30 | 0:18:35 | |
This one some time in the 20th century has been converted for electricity for somebody's home. | 0:18:35 | 0:18:41 | |
Before I sell this lamp in England, I must get it PAT tested to make sure | 0:18:41 | 0:18:46 | |
the wires comply with British standards. | 0:18:46 | 0:18:49 | |
The cheapest way is to chop the lead off, then whoever buys it can do it themselves. | 0:18:49 | 0:18:54 | |
Like a well-oiled machine, James ploughs through what's left of the market | 0:18:54 | 0:19:00 | |
while Jonty sits and soaks up the atmosphere. | 0:19:00 | 0:19:03 | |
James finds some more ormolu. | 0:19:03 | 0:19:05 | |
A pair of 19th century candlesticks set him back a hefty whack - just under £173. | 0:19:05 | 0:19:11 | |
And James just can't stop. He won't give up till the whistle sounds. | 0:19:12 | 0:19:17 | |
And moments later, he finds his favourite. You've guessed it - more ormolu. | 0:19:17 | 0:19:22 | |
They were used for burning little incense sticks or something of that nature. | 0:19:22 | 0:19:27 | |
If not, purely for decoration. | 0:19:27 | 0:19:30 | |
Imagine those on a mantelpiece along with a pair of candlesticks and a clock in the centre. | 0:19:30 | 0:19:36 | |
They should make me a profit, I think. | 0:19:36 | 0:19:39 | |
The pots cost him just over £109 | 0:19:39 | 0:19:42 | |
and as the final whistle blows, | 0:19:42 | 0:19:45 | |
the Lionheart ends on a high. | 0:19:45 | 0:19:48 | |
As the first half of our mighty battle comes to a close, let's find out who has spent what. | 0:19:48 | 0:19:54 | |
Both our boys started the day with £750-worth of euros. | 0:19:54 | 0:19:59 | |
Jonty started on a high, but pulled up early. | 0:19:59 | 0:20:02 | |
He bought eight items, but only spent just over £386. | 0:20:02 | 0:20:06 | |
James was a late bloomer, but ended the day with nine items, | 0:20:07 | 0:20:11 | |
costing just under £662. | 0:20:11 | 0:20:14 | |
Time for our clashing titans to meet up for a little apres-shop. | 0:20:16 | 0:20:20 | |
What a fabulous contrast! Look at the difference! | 0:20:20 | 0:20:24 | |
Glass on one side, ormolu and bronze on the other. | 0:20:24 | 0:20:28 | |
-Yeah, absolutely right. -You've got a smile on your face. | 0:20:28 | 0:20:31 | |
My afternoon was better than my morning. I couldn't even find anything that I could afford. | 0:20:31 | 0:20:37 | |
You were right. You were right to come here first thing as well. What was your favourite find? | 0:20:37 | 0:20:43 | |
I really enjoyed finding my English silver. | 0:20:43 | 0:20:46 | |
It's so exciting to find something so English here in a market. | 0:20:46 | 0:20:50 | |
-But have you got something British there? -Yes, Scottish Coromandel box. Don't think there's a great profit. | 0:20:50 | 0:20:57 | |
As I'd found something that was British over here, I felt as if I had to buy it and take it home. | 0:20:57 | 0:21:03 | |
-I felt exactly the same. So it was tough buying. -Very tough. | 0:21:03 | 0:21:07 | |
-It's going to be tough selling too. -Even tougher. | 0:21:07 | 0:21:10 | |
-Good luck. -Same to you, sir. | 0:21:10 | 0:21:13 | |
Not too much though. | 0:21:13 | 0:21:15 | |
Our French foes buckle up and battle their way back to Blighty | 0:21:18 | 0:21:22 | |
because buying was just the tip of the iceberg in today's titanic trial. | 0:21:22 | 0:21:27 | |
Now it's all about smart strategies as they plan a scorching sell-off | 0:21:27 | 0:21:32 | |
in their full-scale war to see who can make the most profit. | 0:21:32 | 0:21:36 | |
In divine Derbyshire, James is digging into his dealer directory to devise the perfect plan. | 0:21:38 | 0:21:44 | |
I'm most pleased with the bronze. That was cheap. There's a handsome profit there. | 0:21:44 | 0:21:49 | |
That big oak blanket box at less than £150. Again, should be a profit there. | 0:21:49 | 0:21:54 | |
The ormolu candlesticks. It'll take a bit of work to double your money on that one. | 0:21:54 | 0:22:01 | |
The wall sconces were reasonably cheap. The big gilt lamp base, that was cheap. | 0:22:01 | 0:22:06 | |
But then the little pair of dressing table pots. There's going to be a difficulty getting profit there. | 0:22:06 | 0:22:13 | |
Overall, I think we'll be all right. | 0:22:13 | 0:22:16 | |
James also needs to find homes for his coquilla nut, the conch shell lamp and the tea caddy. | 0:22:16 | 0:22:23 | |
In Oxfordshire, Jonty is organising an awesome order to overwhelm his opponent. | 0:22:23 | 0:22:28 | |
I bought a few good things. I'm very pleased with quite a few of my items. | 0:22:28 | 0:22:33 | |
The rosewood chair, I thought that was a real bargain. | 0:22:33 | 0:22:38 | |
The other chair, I'm very glad I bought it in the end. I know I can make a profit on that. | 0:22:38 | 0:22:44 | |
The Edwardian glass storage jars. Great find those were. | 0:22:44 | 0:22:49 | |
And then my little French pewter vase. Again, it's charming, it's sweet. I can find a buyer. | 0:22:49 | 0:22:56 | |
My glass vases. I like to buy those whenever I've got the opportunity of buying abroad. | 0:22:56 | 0:23:03 | |
So, all in all, not bad. | 0:23:03 | 0:23:06 | |
Both our bruisers are sounding confident. | 0:23:06 | 0:23:09 | |
They've both got decades of dealing experience, copious contacts and plush pieces to profit from. | 0:23:09 | 0:23:17 | |
It's time to show what they're made of. Until they've shaken on it and the money's changed hands, | 0:23:17 | 0:23:23 | |
no deal is truly sealed. In a challenge as close as this one, every second counts | 0:23:23 | 0:23:30 | |
and the Lion Heart is swift to find his first potential sale. He motors across to Matlock | 0:23:30 | 0:23:36 | |
to meet his contact, Duncan. This could be sensational. James has three items to give the heave-ho. | 0:23:36 | 0:23:43 | |
The pair of wall sconces I know he'll love. They're perfect for his home. He collects boxes | 0:23:43 | 0:23:49 | |
and I don't think he's got one quite like that. | 0:23:49 | 0:23:53 | |
But the little conch shell lamp in my pocket, well, it's cheap. He might go for it. | 0:23:53 | 0:23:59 | |
The electrics in the conch lamp and wall light are not in working order, | 0:23:59 | 0:24:03 | |
so if Duncan buys them he'll have to get them rewired. | 0:24:03 | 0:24:07 | |
I got them in France. Have a look at that one. | 0:24:07 | 0:24:11 | |
They're gold-plated bronze. Ormolu. At some stage, somebody has gold sprayed them. | 0:24:11 | 0:24:16 | |
In here they would look fantastic. | 0:24:16 | 0:24:19 | |
-Just like that on the wall. -Yeah. | 0:24:19 | 0:24:22 | |
For mood lighting at night, you know at dinner, when you don't want the main light on, | 0:24:22 | 0:24:30 | |
it would be lovely. I know you're a box fan. | 0:24:30 | 0:24:34 | |
That started life as a fabulous either tea caddy or a writing box. | 0:24:34 | 0:24:40 | |
-Right. -It's changed its life. It's got a velvet interior now. | 0:24:40 | 0:24:44 | |
It's also got a musical box. And the final thing is this little chap. | 0:24:44 | 0:24:50 | |
I guess it's 1920s, looking at that stand. | 0:24:50 | 0:24:54 | |
It unscrews, you put a bulb in the middle. There we go. Like them all? | 0:24:54 | 0:24:59 | |
I'm not sure about the box. It's a bit dark, the wood. | 0:24:59 | 0:25:03 | |
Yeah, but look just how perfect it would look... | 0:25:03 | 0:25:09 | |
Oh, dear. It's not looking promising. An early disappointment? | 0:25:09 | 0:25:13 | |
I'll have to think about that a bit. | 0:25:13 | 0:25:16 | |
-Let's talk about these. -Yes. Thirty quid apiece. -No way! | 0:25:16 | 0:25:20 | |
-OK, I was hoping for around 220. -220?! -Yep. | 0:25:20 | 0:25:25 | |
That's a bit steep. | 0:25:27 | 0:25:29 | |
60 quid apiece. 120. | 0:25:29 | 0:25:32 | |
And I think that's about right. | 0:25:32 | 0:25:36 | |
160. | 0:25:37 | 0:25:38 | |
130. | 0:25:38 | 0:25:40 | |
-Give me 150 for that, for those... -Right. | 0:25:40 | 0:25:43 | |
And you can have that for 30 quid. | 0:25:43 | 0:25:46 | |
OK. | 0:25:48 | 0:25:49 | |
OK? How about your box? | 0:25:49 | 0:25:52 | |
-Hmm. I think I'm going to leave that. -OK. -At least you sold these. -If I get desperate... | 0:25:52 | 0:25:58 | |
-can I come back? -You can! -Cos I think it's worth more than that. | 0:25:58 | 0:26:04 | |
But we've got 50...150 and 30. That's 180. | 0:26:04 | 0:26:08 | |
-Deal? -Deal. | 0:26:08 | 0:26:09 | |
The conch and the sconces get him off to an early lead, making a chunky profit of £130. | 0:26:09 | 0:26:16 | |
So, James, don't be sad about the tea caddy. | 0:26:16 | 0:26:20 | |
# Cos two out of three ain't bad... # | 0:26:20 | 0:26:24 | |
James will just have to get back on the phone to see if he can shift that coromandel chest. | 0:26:24 | 0:26:30 | |
Now the Hit Man knows he's fighting a tricky trader today and he starts as he means to go on. | 0:26:30 | 0:26:36 | |
He kicks off with a quick sale. His friend Ian likes the retro glass vase and snaps it up for £50, | 0:26:36 | 0:26:42 | |
giving Jonty a profit of nearly £41. | 0:26:42 | 0:26:46 | |
James will do anything to make a quick buck and Jonty knows it. | 0:26:46 | 0:26:50 | |
He's determined to stay ahead and he's got the perfect items - the two French armchairs he paid £295 for. | 0:26:50 | 0:26:57 | |
If there's one thing the Hit Man knows, it's furniture | 0:26:57 | 0:27:01 | |
so he powers up to London to see Simon, an upholstery expert. | 0:27:01 | 0:27:07 | |
He even calls himself the Chair Man, so will he give our Hit Man a run for his money? | 0:27:07 | 0:27:13 | |
-I take it you got these on the continent. -Yes. Two completely contrasting chairs, | 0:27:13 | 0:27:19 | |
but both French, walnut-framed. | 0:27:19 | 0:27:21 | |
-This is a really lovely throne chair. -It's a nice chair. | 0:27:21 | 0:27:25 | |
-Free woodworm with this chair. -I've pulled this off. It's all hand-stitched. | 0:27:25 | 0:27:31 | |
-Nice rolled edge. -Not bad quality. -That takes some doing. -It just shows that it's done properly. | 0:27:31 | 0:27:38 | |
-You realise you're tearing... -I haven't bought it yet. -Make sure he pays! | 0:27:38 | 0:27:44 | |
I'd love to do it in leather with either fleur-de-lis or get it embossed | 0:27:44 | 0:27:50 | |
and then put brass nailing round with the antique leather. | 0:27:50 | 0:27:54 | |
-It would look quite stylish. -You could transform it. -Yeah, yeah. -Wonderful. Look at that. | 0:27:54 | 0:28:00 | |
-550 really is the sort of price I'm looking for this chair. -Yeah. | 0:28:00 | 0:28:05 | |
-With the work involved, that's going to take it above what I can pay. -OK, ponder that one. | 0:28:05 | 0:28:10 | |
-OK. -Think about that one. I want to show you this chair as well. | 0:28:10 | 0:28:15 | |
-Pop that one down there. -Now... | 0:28:15 | 0:28:18 | |
This beauty is absolutely gorgeous. Look at the quality of the carving on the back here. | 0:28:18 | 0:28:24 | |
-This has to be, because it's so deep, all hand-carved. -Yeah. | 0:28:24 | 0:28:29 | |
-That needs to come off. -He can't keep treating those chairs like that! He's not bought them! | 0:28:29 | 0:28:35 | |
-You see, you've got the original there. All hand-stitched. -Isn't that beautiful? | 0:28:35 | 0:28:41 | |
-It's yours for 200 quid. -I'll buy that straight away. -You're happy? -No question. | 0:28:41 | 0:28:47 | |
-I like buying chairs of this quality. I make money. Then what's the best on this? -Bring it up. | 0:28:47 | 0:28:54 | |
Let's have another look. | 0:28:54 | 0:28:56 | |
If you are going to buy that, then really let's say 450. | 0:28:59 | 0:29:04 | |
-It's got to be cheaper. -Er...400? | 0:29:04 | 0:29:08 | |
-Go on, then. -400? -Yeah. | 0:29:11 | 0:29:14 | |
OK. So 200, 400? You a happy man? | 0:29:14 | 0:29:18 | |
600. I suppose I have to be. And the woodworm comes free? | 0:29:18 | 0:29:23 | |
Absolutely free. Thank you very much. | 0:29:23 | 0:29:26 | |
# I'm gonna rock it up Gonna rip it up... # | 0:29:26 | 0:29:30 | |
Jonty has a rip-roaring good time with Simon and stuffs his own pockets with a comfortable profit | 0:29:30 | 0:29:37 | |
of almost £305. Jonty's furniture fancying has paid off. | 0:29:37 | 0:29:41 | |
In one fell swoop, he's way out in front, but there's no time to put his feet up. | 0:29:41 | 0:29:47 | |
He has to keep hammering away. He knows the Lion Heart will do anything to make a penny. | 0:29:47 | 0:29:53 | |
And he's not wrong. James has lined up another potential moneyspinner. | 0:29:53 | 0:29:57 | |
Fellow Derbyshire dealer George has come to meet him. | 0:29:57 | 0:30:02 | |
He's interested in the bronze James bought for a shade over £59. | 0:30:02 | 0:30:06 | |
I think it's late 19th century. Magi period. I think Japanese. | 0:30:06 | 0:30:11 | |
I agree with the date, but I'm pretty certain that it's Chinese. | 0:30:11 | 0:30:16 | |
The shape, I agree, is Chinese. This leg is very Chinese. | 0:30:16 | 0:30:20 | |
-But the Japanese were greatly influenced by the Chinese. -Absolutely. | 0:30:20 | 0:30:26 | |
-How about 300? -I've known you a long time. | 0:30:26 | 0:30:30 | |
You're a fair geezer. | 0:30:30 | 0:30:32 | |
I'll bid you...275 quid. Think about it. | 0:30:32 | 0:30:37 | |
-Got a deal. -Good deal. -Good deal. | 0:30:37 | 0:30:41 | |
James knows when he's onto a good thing and seals the deal. | 0:30:41 | 0:30:46 | |
The bronze brings home a whacking great profit of nearly £216! | 0:30:46 | 0:30:50 | |
Both our big guns have fired their selling salvos | 0:30:50 | 0:30:56 | |
and each is working hard to rake it in. | 0:30:56 | 0:31:00 | |
James, the Lion Heart, has sold three of his French fancies | 0:31:00 | 0:31:04 | |
and he's stacked up a profit of very nearly £346. | 0:31:04 | 0:31:08 | |
Jonty, the Hit Man, has also notched up three sales | 0:31:08 | 0:31:11 | |
and what's this? His profit is almost identical. In fact, there's only 45p in it! | 0:31:11 | 0:31:18 | |
This is one of the closest Put Your Moneys in history. There's no let up for our bargain brutes | 0:31:20 | 0:31:26 | |
as every penny counts. | 0:31:26 | 0:31:29 | |
The mighty masters must continue fighting tooth and nail and can't afford to be bruised. | 0:31:29 | 0:31:35 | |
So Mr Hearnden wastes no time. He's a lean, mean selling machine and he's straight round | 0:31:35 | 0:31:41 | |
to see his friend Bobbie to show off the pewter vase he bought for just over £9. | 0:31:41 | 0:31:47 | |
I do really like it. It's gorgeous. | 0:31:47 | 0:31:50 | |
So yes. I think in the bathroom with a pretty flower it would look stunning. | 0:31:50 | 0:31:55 | |
-The price is 40 quid. -20? | 0:31:55 | 0:31:58 | |
Oh, no. That's half the amount. I can't do that. | 0:31:58 | 0:32:02 | |
I mean, let's cut to the chase. 30 quid is my bottom line there. | 0:32:02 | 0:32:07 | |
-OK, OK. -30 quid? -30 quid. -Bobbie, thank you very much indeed. -It was a pleasure. Thank you. | 0:32:07 | 0:32:14 | |
Bobbie's a happy customer and Jonty has plenty of reason to smile. | 0:32:14 | 0:32:19 | |
The vase makes nearly £21 profit. | 0:32:19 | 0:32:22 | |
With the Lion Heart suddenly on the back foot, he starts his comeback. | 0:32:22 | 0:32:26 | |
He's brought the blanket box to his contact Emily. She's fallen in love with it, | 0:32:26 | 0:32:32 | |
but she's a woman who knows how to haggle. Brace brace, James! Brace brace. | 0:32:32 | 0:32:38 | |
It's 18th-century. 1720, 1740, something like that. | 0:32:38 | 0:32:42 | |
Classically continental. You would never see these sort of raised panels | 0:32:43 | 0:32:49 | |
in any English blanket chest of this period. It's much fancier. | 0:32:49 | 0:32:54 | |
If I said to you... | 0:32:54 | 0:32:57 | |
£360? | 0:32:57 | 0:32:59 | |
-I would like to suggest maybe 200. -Oh, she's going to make you work for your money! | 0:33:02 | 0:33:08 | |
That's quite a bit less. Whatever we settle on has to start with a 3. | 0:33:08 | 0:33:12 | |
How about 275? | 0:33:12 | 0:33:15 | |
-Please? -It can't be. It's too cheap. | 0:33:15 | 0:33:18 | |
310. | 0:33:18 | 0:33:19 | |
-275. -I'm not going to budge. | 0:33:19 | 0:33:22 | |
-280? -No. I will go right down to the 300. | 0:33:22 | 0:33:28 | |
280? | 0:33:28 | 0:33:29 | |
285. | 0:33:30 | 0:33:31 | |
I will go under it... by a fiver. | 0:33:31 | 0:33:36 | |
-Oh! -To 295. -So if I meet you in the middle at 290... | 0:33:36 | 0:33:41 | |
-I'm not going to move. It's 295. -290. -5. | 0:33:41 | 0:33:47 | |
Deal. | 0:33:48 | 0:33:50 | |
-Do you know... -No, I do love it. | 0:33:50 | 0:33:53 | |
My goodness me, she's a lady who knows what she wants. Emily haggles James right down | 0:33:53 | 0:33:59 | |
and he settles on a profit of almost £150. | 0:33:59 | 0:34:04 | |
So one minute Jonty is the muscular master, the next James is the strapping salesman. | 0:34:04 | 0:34:10 | |
With every single deal, the whole balance changes direction. | 0:34:10 | 0:34:15 | |
Can it possibly get any more exciting than this? The short answer: yes, it can. | 0:34:15 | 0:34:22 | |
It's time for Jonty's jars. The English glassware he rescued from France is back on home soil. | 0:34:22 | 0:34:29 | |
He paid less than £14 for them, so will they swing the contest back in Jonty's favour? | 0:34:29 | 0:34:35 | |
He's brought them to Sean, who runs a hotel near Abingdon. | 0:34:35 | 0:34:39 | |
-They're ladies Edwardian dressing table canisters. Storage jars, essentially. -Yeah. | 0:34:39 | 0:34:44 | |
-So what's the interest? -I'm looking for something for my mum's birthday. | 0:34:44 | 0:34:49 | |
I thought something a little bit unusual would be quite nice. | 0:34:49 | 0:34:54 | |
The taller jar, for instance, would be designed for hair pins. | 0:34:54 | 0:34:58 | |
This jar is not so obviously clear. | 0:34:58 | 0:35:01 | |
A more cylindrical jar, a fatter jar, is for potions and creams. | 0:35:01 | 0:35:06 | |
I think they're lovely. How much? | 0:35:06 | 0:35:08 | |
I'm looking for 45 for this one and 40 for this one. 85 the pair. | 0:35:08 | 0:35:13 | |
Would you take 60 for them? | 0:35:13 | 0:35:16 | |
Em...not 60, but I'll do 65. | 0:35:16 | 0:35:19 | |
65 I'll do, yeah. That'll be great. Lovely. | 0:35:20 | 0:35:24 | |
Sean's mum gets a bonzer birthday present and Jonty knocks off a profit of more than £51. | 0:35:24 | 0:35:30 | |
In the playpen of the Parisian market, James indulged his interest in gilt and ormolu | 0:35:31 | 0:35:36 | |
and he did it all with a contact in mind. He's near Melton Mowbray to meet Alice, | 0:35:36 | 0:35:42 | |
a woman who likes the shinier things in life. And he's got three golden items to make a profit on. | 0:35:42 | 0:35:48 | |
I have a friend who is absolutely mad on gilt chandeliers, | 0:35:48 | 0:35:54 | |
gilt light fittings and ormolu. I'm just hoping she'll give me a good profit on this lot. | 0:35:54 | 0:36:00 | |
James's trio of treasures cost him a whopping £300. Time for the big sell. | 0:36:00 | 0:36:07 | |
And that's the thing that I think is absolutely perfect. | 0:36:07 | 0:36:11 | |
It's a great big size. By the time it's got a lampshade on, it'll be another foot and a half higher. | 0:36:11 | 0:36:17 | |
-And it would fit the proportions of this room with the candelabra and the gilt chandelier. -Yeah. | 0:36:17 | 0:36:24 | |
-I thought it was fab. Do you like it? -I would almost expect to pick that up at a car boot sale. | 0:36:24 | 0:36:30 | |
I'll put that down. | 0:36:30 | 0:36:33 | |
Oh, James! Not much luck with the ladies today. | 0:36:33 | 0:36:36 | |
-Anyway, moving swiftly on... -How about those? | 0:36:36 | 0:36:40 | |
I do like those, but I'm not much of a candle person. | 0:36:40 | 0:36:44 | |
-Oh, gosh, they are heavy. -They are amazing quality. I haven't cleaned them. | 0:36:44 | 0:36:50 | |
-That's what they'll look like. -Goodness me! They're not brass? -Ormolu. Gold-plated bronze. -Wow. | 0:36:50 | 0:36:56 | |
-They are nice. -They're wonderful. They really are lovely. | 0:36:56 | 0:37:01 | |
-I can't believe that they come out as shiny. -They are 1840, 1850. | 0:37:01 | 0:37:08 | |
Magnificent quality. I mean, I absolutely love those. | 0:37:08 | 0:37:13 | |
-Yeah, they are nice. -They could be cleaned. -They're nice. | 0:37:13 | 0:37:17 | |
-As I say, I'm not much of a candlestick person. -OK. | 0:37:17 | 0:37:22 | |
-But I do like them. -They are fab quality. | 0:37:22 | 0:37:26 | |
-Let's have a look at these. -They're so cute. -They're lovely. | 0:37:26 | 0:37:30 | |
-What are they? -They're really just decorative for whatever you want to use them for. -Yeah. | 0:37:30 | 0:37:37 | |
-For me, they'd be perfect on a dressing table. -Yes. | 0:37:37 | 0:37:41 | |
For rings or something like that. | 0:37:41 | 0:37:45 | |
That's what you like. That's a better investment. | 0:37:45 | 0:37:49 | |
Investment and want. | 0:37:49 | 0:37:51 | |
And don't want. | 0:37:51 | 0:37:54 | |
Alice certainly speaks her mind, but can any of James's golden goodies make her pick up her purse | 0:37:54 | 0:38:00 | |
or will she leave him with a hefty headache? We'll find out later. | 0:38:00 | 0:38:04 | |
The end is in sight for our marathon masters and with just a couple of items weighing each of them down, | 0:38:04 | 0:38:11 | |
our antiques archers line up their sights on the target. | 0:38:11 | 0:38:15 | |
Jonty makes light work of his hand-blown French fruit bowl. | 0:38:15 | 0:38:19 | |
-His friend Alex likes what she sees. -Let me just have one more look at it. | 0:38:19 | 0:38:25 | |
I think it'll have to stay there. Thank you very much. Go for 50. | 0:38:25 | 0:38:30 | |
He sells it for £50 and heads home with a profit of more than £36. | 0:38:30 | 0:38:34 | |
James heads to Hungerford in beautiful Berkshire to meet Anne who runs an antiques shop. | 0:38:34 | 0:38:41 | |
She falls for the coquilla nut and hands over £70, | 0:38:41 | 0:38:45 | |
giving James a profit of more than £35. And our man goes to Mansfield to see off his last item, | 0:38:45 | 0:38:51 | |
the tea caddy that was turned down earlier. He meets another Anne who buys the chest | 0:38:51 | 0:38:56 | |
for £140. And James closes with a profit of more than £67. | 0:38:56 | 0:39:01 | |
All we're left with is the Hit Man's walnut table. He had some concerns about the quality of the finish, | 0:39:01 | 0:39:08 | |
so he took it to James the furniture restorer to work some magic. | 0:39:08 | 0:39:12 | |
Including his costs, the piece has set Jonty back just over £95. | 0:39:12 | 0:39:16 | |
Will anyone go nuts for the walnut table? Jonty hopes so and heads back to London to meet dealer Tony. | 0:39:16 | 0:39:23 | |
-Lovely French Art Deco... -Cheap. -..walnut. Cheap. Yes, you have to use the word cheap. | 0:39:23 | 0:39:29 | |
It is cheap. It's really beautiful. I've just had it restored. I've had it revived, really. | 0:39:29 | 0:39:35 | |
-Revived! Revived sounds good. -Is that a good word? -Yes. | 0:39:35 | 0:39:40 | |
-I might need reviving! -It was looking tired on the top. | 0:39:40 | 0:39:44 | |
The restorer's brought that lovely nutty, walnut colour onto the top. I think it's lovely. | 0:39:44 | 0:39:50 | |
300 quid is what I'm looking for. I think it's worth every penny. It's a gorgeous walnut table. | 0:39:50 | 0:39:56 | |
-What about 200? -Oh, excuse me! No, no, no. -That sounds good to me. A round figure. -Absolutely not. | 0:39:56 | 0:40:02 | |
-It's a better round figure than yours. -I could tweak it a bit. | 0:40:02 | 0:40:06 | |
275. And if you don't double your money, you're in the wrong business. | 0:40:06 | 0:40:11 | |
I'll phone you up. Yeah, OK. | 0:40:11 | 0:40:14 | |
-It's a deal. -Good man. Excellent. | 0:40:14 | 0:40:17 | |
Nice work, Mr H. The table serves up an enormous profit. | 0:40:17 | 0:40:21 | |
Taking the restoration costs into account, he's very nearly £180 better off. | 0:40:21 | 0:40:27 | |
That's dealing at its best. I knew that table had potential. | 0:40:27 | 0:40:32 | |
So I bought it, invested the money in the restoration to get that fabulous £275 at the end. | 0:40:32 | 0:40:39 | |
Wonderful. That's what it's all about. | 0:40:39 | 0:40:42 | |
And that's where our epic encounter must come to an end. | 0:40:42 | 0:40:47 | |
Both our boys started out in France with £750-worth of euros to spend as they saw fit. | 0:40:47 | 0:40:54 | |
Lion Heart Lewis made nine Parisian purchases totting up to nearly £662. | 0:40:55 | 0:41:00 | |
Hit Man Hearnden, meanwhile, made eight French finds | 0:41:00 | 0:41:05 | |
and after restoring the table he spent more than £436. | 0:41:05 | 0:41:09 | |
They've bought, they've sold, but from this point on, profit is the only thing that matters. | 0:41:09 | 0:41:15 | |
All of the money that they have made today will go to a charity of their choice. | 0:41:15 | 0:41:21 | |
So, without further ado, it's time to find out who is today's champion. | 0:41:21 | 0:41:27 | |
-Bonjour, James. -Bonjour. Ca va? | 0:41:27 | 0:41:31 | |
-All right. What a difficult market! -Oh, it wasn't easy buying, was it? | 0:41:31 | 0:41:35 | |
That's a very expensive market, but a fantastic selection. | 0:41:35 | 0:41:39 | |
Typical you, you came home with bucketloads of antiques. | 0:41:39 | 0:41:44 | |
I was not having a good time of it, but I moved to that cheaper side | 0:41:44 | 0:41:49 | |
and I felt a lot more at home. | 0:41:49 | 0:41:52 | |
I found the selling really quite straightforward because I knew what I can buy | 0:41:52 | 0:41:57 | |
in France, and I stick to my tried and tested. And it worked. | 0:41:57 | 0:42:03 | |
I've sold all my things pretty well. | 0:42:03 | 0:42:06 | |
-OK. Well, how well? Let's have a look. -Shall we find out? -Yeah. | 0:42:06 | 0:42:10 | |
-Ready? One... -Three... | 0:42:10 | 0:42:12 | |
-Two. One. -Oh, look at that. | 0:42:12 | 0:42:17 | |
Almost £1,000! I have to learn a trick from you. | 0:42:17 | 0:42:22 | |
You spent all your money and you get the returns. | 0:42:22 | 0:42:26 | |
-Well, there we go. -Well done, you. | 0:42:26 | 0:42:28 | |
So what did it for James? Is it possible that Alice took all his ormolu? | 0:42:28 | 0:42:34 | |
It's four for those, 250 for those | 0:42:34 | 0:42:38 | |
and 50 quid for that. Nice and even. I think that's fair, James. | 0:42:38 | 0:42:43 | |
-Don't be a misery with me. -Deal. -I did it! I did it! | 0:42:43 | 0:42:48 | |
-I can't believe you got that for 50 quid! -A show-stopping sale! | 0:42:48 | 0:42:53 | |
Candlesticks, lamp stand and pair of jars shine brightly. | 0:42:53 | 0:42:57 | |
A glittering £400 profit. | 0:42:57 | 0:42:59 | |
It was a great challenge, but yes, I salute James. | 0:42:59 | 0:43:04 | |
He managed to buy more items and sell for much more of a profit. | 0:43:04 | 0:43:08 | |
From a really rocky start in Paris, I'm thrilled with the end result. | 0:43:08 | 0:43:13 | |
I found some lovely things and the right places for them. That is the key to a good profit. | 0:43:13 | 0:43:19 | |
Never fear, Jonty. Tomorrow is another day | 0:43:19 | 0:43:22 | |
and what a day it is! The challenge to end all challenges. The mighty showdown. | 0:43:22 | 0:43:28 | |
YES! | 0:43:28 | 0:43:30 | |
Subtitles by Subtext for Red Bee Media Ltd - 2012 | 0:43:42 | 0:43:46 | |
Email [email protected] | 0:43:47 | 0:43:49 |