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This is Put Your Money Where Your Mouth Is, the show that takes | 0:00:02 | 0:00:05 | |
the titans of the antiques trade | 0:00:05 | 0:00:08 | |
and pitches them against each other | 0:00:08 | 0:00:11 | |
to see who can make the most money | 0:00:11 | 0:00:13 | |
from buying and selling. | 0:00:13 | 0:00:16 | |
It's amazing, truly amazing. | 0:00:16 | 0:00:19 | |
Today, Mighty John Cameron takes on Majestic Philip Serrell | 0:00:19 | 0:00:23 | |
in an all-out battle for profit, giving YOU | 0:00:23 | 0:00:26 | |
the inside view on the secrets of the trade. | 0:00:26 | 0:00:28 | |
Coming up, our dealers show just how hard they'll push | 0:00:28 | 0:00:32 | |
in their fight for all-out glory... | 0:00:32 | 0:00:34 | |
-15 quid and I'll have it. -No. -That's a finish. -No. -Go on. -No. | 0:00:34 | 0:00:37 | |
-16 quid. -15. | 0:00:37 | 0:00:39 | |
..they reveal how ruthless they're willing to be in their eternal quest for victory... | 0:00:39 | 0:00:44 | |
Not about antiques, it's about making profit. | 0:00:44 | 0:00:47 | |
..and how they'll do absolutely anything to win the day. | 0:00:47 | 0:00:50 | |
This is supposed to be the hottest dish on the menu. | 0:00:50 | 0:00:54 | |
Stand by, it's time to Put Your Money Where Your Mouth Is! | 0:00:54 | 0:00:59 | |
Strap yourselves in. Today's epic extravaganza pitches | 0:01:11 | 0:01:16 | |
two giants of the auctioneering world against each other - | 0:01:16 | 0:01:20 | |
it's Philip "The Fox" Serrell taking on John "The Hammer" Cameron. | 0:01:20 | 0:01:25 | |
Both will employ their wits and cunning | 0:01:25 | 0:01:27 | |
to see who can make the most profit from buying and selling antiques. | 0:01:27 | 0:01:32 | |
In one corner, it's the Mighty Midlands Mauler. | 0:01:32 | 0:01:36 | |
LION ROARS | 0:01:36 | 0:01:38 | |
He knows his onions, he deals to the death and this old bruiser will eat you for breakfast. | 0:01:38 | 0:01:44 | |
Well, 45, then! That's £5 more! | 0:01:44 | 0:01:46 | |
Facing him, it's the People's Prince of Portsmouth. | 0:01:46 | 0:01:49 | |
He's dapper but deadly, he's always got a plan | 0:01:49 | 0:01:52 | |
and the lust for profit races through his veins. | 0:01:52 | 0:01:55 | |
15 quid, these. 85 quid, the dog. | 0:01:55 | 0:01:58 | |
£100 in total. Should be able to double the money. | 0:01:58 | 0:02:01 | |
Our duelling dual know they have up to £750 of their own money to spend | 0:02:01 | 0:02:06 | |
and that their mission is to make as much profit as possible, | 0:02:06 | 0:02:10 | |
all of which will be going to their chosen charities. | 0:02:10 | 0:02:13 | |
Their battleground is the Lincolnshire Antique and Home Show, | 0:02:13 | 0:02:17 | |
where, amongst the 2,500 stalls, innumerable gems lie hidden. | 0:02:17 | 0:02:21 | |
But which of these mighty warriors will find them? | 0:02:21 | 0:02:25 | |
Phil "The Fox" Serrell and John "The Hammer" Cameron, eyes peeled, | 0:02:25 | 0:02:29 | |
hands on your wallets, it's time to Put Your Money Where Your Mouth Is. | 0:02:29 | 0:02:33 | |
-John, how are you? -I'm good, Philip, a bit cold. | 0:02:33 | 0:02:36 | |
-You're frozen! -I know, at least one of us is appropriately dressed. | 0:02:36 | 0:02:39 | |
-Yeah. -So have you got your £750? -In here, you? | 0:02:39 | 0:02:42 | |
-Of course I've got it. -Have you got a plan? -A plan? | 0:02:42 | 0:02:44 | |
Today, I'm looking for things with impact, decorating objects, | 0:02:44 | 0:02:47 | |
-things that'll catch the eye, a bit quirky. -Really? | 0:02:47 | 0:02:50 | |
-But first of all, I need to buy thermal underwear. -That's an image I'll try and keep away from. | 0:02:50 | 0:02:55 | |
My plan is, I think, um, there's going to be no plan. | 0:02:55 | 0:02:59 | |
-HE LAUGHS -Like it! -Good luck. -See you in a bit. | 0:02:59 | 0:03:02 | |
Yes, don't be deceived by the bonhomie. Now battle has begun, | 0:03:02 | 0:03:06 | |
these antiques colossi will stop at nothing to gain the upper hand. | 0:03:06 | 0:03:10 | |
Mr Serrell claims he has no plan. Was that just a red herring? | 0:03:10 | 0:03:15 | |
One thing's for sure, The Fox is on the prowl | 0:03:15 | 0:03:18 | |
and this seasoned predator is quick to sniff out | 0:03:18 | 0:03:21 | |
his first potential purchase - a wooden dairy bowl. | 0:03:21 | 0:03:24 | |
-Irish? -Irish, yes, a dairy bowl. | 0:03:26 | 0:03:29 | |
-How much is that? -70. -See, I thought he said £70, then. | 0:03:29 | 0:03:32 | |
-Aye, £70. -Is that what you said? -Yeah, £70. | 0:03:32 | 0:03:35 | |
Can it be less than that? | 0:03:35 | 0:03:37 | |
-Very little less. -You can always have a deal with the Irish, | 0:03:37 | 0:03:41 | |
-that's what I love about the Irish. -Oh, aye? | 0:03:41 | 0:03:43 | |
I can't see that at £70, I really can't. | 0:03:43 | 0:03:47 | |
Well, £60 is the best on it. | 0:03:47 | 0:03:49 | |
-I was thinking of 40 quid. -Not a chance! -Get out of here! | 0:03:49 | 0:03:52 | |
I was bid more for it yesterday. No! No, no, no. | 0:03:52 | 0:03:56 | |
Ooh, The Fox is at loggerheads, while The Hammer is scouring | 0:03:56 | 0:04:00 | |
every inch of this market for those quirky items he's after. | 0:04:00 | 0:04:04 | |
This Beswick fox looks nice and warm, curled up and snug indoors. | 0:04:04 | 0:04:08 | |
I wonder if Philip The Fox is outside getting cold and damp. | 0:04:08 | 0:04:12 | |
Oh, The Hammer's confident, but whilst he scopes the territory, | 0:04:12 | 0:04:16 | |
The Fox is refusing to take no for an answer. | 0:04:16 | 0:04:20 | |
Let's see how many times he pushes his luck. | 0:04:20 | 0:04:23 | |
-40 quid. -No, not a chance. | 0:04:23 | 0:04:26 | |
-Why not? -No, no, no. I was bid 40 from that man over there yesterday. | 0:04:26 | 0:04:30 | |
Well, 45, then, and that's £5 more. | 0:04:30 | 0:04:33 | |
-Give me 50 for it, it's yours. -45. -No. | 0:04:33 | 0:04:36 | |
I'll do 50. | 0:04:36 | 0:04:37 | |
Hold on, you hold those, because I can just... | 0:04:37 | 0:04:39 | |
No, hit me with 50. | 0:04:39 | 0:04:41 | |
-No, I just want you to get the feel of them. -I've got a pocket full of them. | 0:04:41 | 0:04:45 | |
-Look, just...can you feel that? -No, no, I'm not taking 45. | 0:04:45 | 0:04:49 | |
Yes, Phil's trying all the tactics, but his opponent won't back down. | 0:04:49 | 0:04:54 | |
Time to try a different tack, Phil. | 0:04:54 | 0:04:57 | |
-You'd love to help me, wouldn't you? -No. -You wouldn't like to help me? | 0:04:57 | 0:05:00 | |
-I want to sell you a bowl, give me 50 quid, go on. -45. | 0:05:00 | 0:05:03 | |
-No. -Go on. -No, I'm not taking 45. | 0:05:06 | 0:05:09 | |
Oh, it looks like The Fox could be in for the long haul. | 0:05:09 | 0:05:12 | |
The Hammer is cutting through the aisles like a hot knife through butter. | 0:05:12 | 0:05:16 | |
Vertically-challenged antique hunters should get one of these. | 0:05:16 | 0:05:20 | |
But do you know what, I can't see Philip anywhere. | 0:05:20 | 0:05:23 | |
And that's because he's grappling his way through the longest negotiation in dealer history, John. | 0:05:23 | 0:05:29 | |
-Go on, 45. -OK, give your 45. | 0:05:29 | 0:05:31 | |
Oh, you're a good man and I love you to bits! | 0:05:31 | 0:05:34 | |
# Oh, happy day! # | 0:05:34 | 0:05:36 | |
After 14 goes, Phil's bagged his first purchase - | 0:05:36 | 0:05:40 | |
a sycamore dairy bowl for £45. | 0:05:40 | 0:05:43 | |
Right, John, get off those wheels and get buying, | 0:05:43 | 0:05:46 | |
because Phil's straight on to find number two. | 0:05:46 | 0:05:49 | |
-How much is that? -It can be 20 quid. | 0:05:49 | 0:05:53 | |
It's the replica of the 1966 World Cup Final. | 0:05:53 | 0:05:57 | |
-How much did you say it was? -It's got to be 20 quid. -What, for a repro?! | 0:05:57 | 0:06:01 | |
My hearing's gone awful! Sorry? | 0:06:01 | 0:06:03 | |
Er, 20 quid. | 0:06:03 | 0:06:04 | |
I was thinking of a tenner. | 0:06:04 | 0:06:06 | |
Ooh, and he's at it again, The Fox loves a good tussle! | 0:06:06 | 0:06:10 | |
I'll knock another couple of quid off. 18 quid. | 0:06:10 | 0:06:13 | |
-15 quid and I'll have it. That's a finish. -No. -Go on. -No. | 0:06:13 | 0:06:17 | |
-16 quid. -15. -16 and we've got a deal. | 0:06:17 | 0:06:19 | |
I know a man that played in the 1966 World Cup | 0:06:19 | 0:06:22 | |
and I'm rather hoping that I might be able to sell him a football. | 0:06:22 | 0:06:25 | |
-Right, OK. -To quote an expression, "They think it's all over." -It is. | 0:06:25 | 0:06:29 | |
-Now. -Our Worcester Wingman scores! | 0:06:29 | 0:06:32 | |
10, 15, go on. | 0:06:33 | 0:06:36 | |
And he's straight on the blower to his friend, who's a giant of England sporting history. | 0:06:36 | 0:06:41 | |
It's none other than football legend George Cohen, | 0:06:41 | 0:06:44 | |
who played in the 1966 World Cup Final. | 0:06:44 | 0:06:48 | |
George, it's Philip Serrell. | 0:06:48 | 0:06:50 | |
I'm in Lincolnshire at the minute and I've bought a replica football, | 0:06:50 | 0:06:54 | |
a leather one of 1966 World Cup Final and I thought, "I know a bloke who played in that game," | 0:06:54 | 0:06:59 | |
and I was hoping I might get £25 or £30 for it | 0:06:59 | 0:07:03 | |
and I thought it'd be lovely to sell it to you, George. | 0:07:03 | 0:07:07 | |
You're an absolute gentleman, I'll speak to you soon. Take care, bye. | 0:07:07 | 0:07:13 | |
Well, that's fantastic. George says he will buy it. It's only £25, | 0:07:13 | 0:07:16 | |
but what's more important for me, he's a sporting icon! | 0:07:16 | 0:07:19 | |
Oh, what a champion! With two items in his booty bag, and one of those already sold, | 0:07:19 | 0:07:25 | |
The Fox is in total control of the game, but stand back. At last, | 0:07:25 | 0:07:30 | |
The Hammer has fallen on two pieces of Beswick going for £65. | 0:07:30 | 0:07:35 | |
Here we are, they're both marked Beswick underneath | 0:07:35 | 0:07:38 | |
and Beswick are very famous for their range of animals | 0:07:38 | 0:07:41 | |
and everything you can possibly imagine Beswick covered. | 0:07:41 | 0:07:45 | |
Horses, birds, dogs, cats, even comical figures, | 0:07:45 | 0:07:48 | |
and they're discontinued, so you can't get them any more. | 0:07:48 | 0:07:51 | |
As The Hammer snaps up his first purchase, | 0:07:51 | 0:07:54 | |
The Fox is prowling the aisles a fireball of energy | 0:07:54 | 0:07:58 | |
and no stall is left unturned. | 0:07:58 | 0:08:00 | |
But with just a couple of donkeys to his name, | 0:08:00 | 0:08:03 | |
big John Cameron is launching a full-scale charm offensive | 0:08:03 | 0:08:07 | |
on this unsuspecting market. | 0:08:07 | 0:08:09 | |
-It's lovely, isn't it? -Yeah, that came out of a monastery, actually. | 0:08:09 | 0:08:14 | |
That is nice. 65 quid, your very best price on that? | 0:08:14 | 0:08:17 | |
-Yeah, that's a John price. -Is that for me? -That's a John price. | 0:08:17 | 0:08:20 | |
See, how could I possibly haggle with a face like that, eh? | 0:08:20 | 0:08:23 | |
D'you know what, Karen, you've got yourself a deal, I'll have that. | 0:08:23 | 0:08:27 | |
-Yeah, OK? -65 quid. -Cool, right-o. -All right. -Nice one, John. | 0:08:27 | 0:08:31 | |
You old smoothie, John. The Hammer falls on his second item - | 0:08:31 | 0:08:36 | |
a silver coffee set for just £65. | 0:08:36 | 0:08:38 | |
-Brilliant, fantastic. -There we are, how sweet is that? | 0:08:38 | 0:08:41 | |
Early 20th-century, silver-plated, very, very stylish | 0:08:41 | 0:08:44 | |
and I love that little kickback thumb piece with the coffee bean. | 0:08:44 | 0:08:48 | |
I like it, I'd definitely give that house room. | 0:08:48 | 0:08:50 | |
Hopefully someone else will, too. | 0:08:50 | 0:08:52 | |
Calculating Cameron has seized back the advantage. | 0:08:52 | 0:08:55 | |
Now our dealing duo both have two major purchases in the bag. | 0:08:55 | 0:09:00 | |
But The Fox has unearthed a little gem | 0:09:00 | 0:09:02 | |
that has his name written all over it. | 0:09:02 | 0:09:05 | |
There's something about boys - it's the size of their... | 0:09:05 | 0:09:09 | |
Hey, where's this going, Foxy? | 0:09:09 | 0:09:11 | |
..toys, and as men get older, it's watches, cars and pens. | 0:09:11 | 0:09:15 | |
If you want to buy a fountain pen, I think the best name you can buy | 0:09:15 | 0:09:21 | |
is Mont Blanc. ..How old is that, please, sir? | 0:09:21 | 0:09:24 | |
It's about...25 or 30 years old. | 0:09:24 | 0:09:28 | |
How much would that retail for? | 0:09:28 | 0:09:31 | |
-£400? -A bit under that. -350, something like that? | 0:09:31 | 0:09:35 | |
The Fox gets down to the nitty-gritty with the stallholder | 0:09:35 | 0:09:39 | |
and bags the Mont Blanc pen for £140. | 0:09:39 | 0:09:43 | |
-Phil's not the only one who's been busy. -Say hello to my little friend. | 0:09:43 | 0:09:47 | |
It's another Beswick piece, my third of the day. | 0:09:47 | 0:09:50 | |
I didn't think I would buy lots of Beswick, but I couldn't resist, | 0:09:50 | 0:09:54 | |
it's a dachshund fireside model, | 0:09:54 | 0:09:56 | |
Beswick. There, we've got his little mark on the base. | 0:09:56 | 0:09:58 | |
It was by Albert Hallam, one of the most important modellers | 0:09:58 | 0:10:02 | |
at Beswick and I hope someone will fall in love with him. If they do, | 0:10:02 | 0:10:05 | |
he'll either be called Frank or Nancy, cos they have two dachshunds. | 0:10:05 | 0:10:10 | |
If they don't like him, I could be up a certain creek without a paddle. | 0:10:10 | 0:10:14 | |
Once again, the Hammer levels the game | 0:10:14 | 0:10:17 | |
and The Fox is watching his every move. | 0:10:17 | 0:10:20 | |
-How much is that? -I paid 85 quid for him. | 0:10:20 | 0:10:23 | |
-Really? -I got him down from 150, yeah. He's a nice thing. | 0:10:23 | 0:10:27 | |
I've got a buyer in mind or I wouldn't have bought it. | 0:10:27 | 0:10:29 | |
If they don't want it, I'm going to be a bit lumbered. | 0:10:29 | 0:10:32 | |
-I like him. -It IS a dog. -It certainly is a dog. | 0:10:32 | 0:10:35 | |
Ooh, a low blow from The Fox! | 0:10:35 | 0:10:37 | |
The tactics our boys will adopt in the fight for victory. | 0:10:37 | 0:10:42 | |
Phil and John both started the day with £750 of their own cash | 0:10:43 | 0:10:48 | |
and it's a close one. | 0:10:48 | 0:10:49 | |
Phil flew out of the stalls faster than a thoroughbred on Derby day, | 0:10:49 | 0:10:53 | |
racking up three purchases for a total of £201, | 0:10:53 | 0:10:57 | |
leaving him £549 still to spend. | 0:10:57 | 0:11:01 | |
After a slow start, John came up on the inside to level the race. | 0:11:01 | 0:11:05 | |
He's also sealed three deals worth £215, | 0:11:05 | 0:11:09 | |
which means there's still £535 in his kitty, | 0:11:09 | 0:11:13 | |
but it's early days yet. | 0:11:13 | 0:11:16 | |
Our brave boys are pretty much neck and neck, | 0:11:18 | 0:11:21 | |
so the next round in this epic context is going to be crucial. | 0:11:21 | 0:11:25 | |
I've got money burning a hole in my pocket and limited time. | 0:11:25 | 0:11:28 | |
I need to find some more items. | 0:11:28 | 0:11:30 | |
The Hammer is instantly on the attack, hunting for bargains, | 0:11:30 | 0:11:34 | |
but The Fox seems to be having a moment of self doubt. | 0:11:34 | 0:11:37 | |
I've noticed John seems a lot more organised and sorted than me. | 0:11:37 | 0:11:41 | |
Everything he buys, he seems to have a specific end user in mind, | 0:11:41 | 0:11:45 | |
whereas I just buy things, panic, and then think, | 0:11:45 | 0:11:48 | |
"I hope it all works out all right." | 0:11:48 | 0:11:50 | |
And it does most of the time. | 0:11:50 | 0:11:52 | |
Ooh, come on, Foxy, crack on, | 0:11:52 | 0:11:55 | |
because your rival is on the march and, once again, | 0:11:55 | 0:11:57 | |
our resident Dr Doolittle has gone for the dachshunds. | 0:11:57 | 0:12:01 | |
These double as knife rests, and he got £7 off the asking price. | 0:12:01 | 0:12:05 | |
You may remember, I'd just bought a Beswick fireside dachshund dog, | 0:12:05 | 0:12:09 | |
so I'm hoping to bundle these up, 15 quid these, | 0:12:09 | 0:12:12 | |
85 quid the dog, £100 in total, should be able to double the money. | 0:12:12 | 0:12:16 | |
Yes, The Hammer is a man of cunning tactics, | 0:12:16 | 0:12:19 | |
but The Fox is a man of keen mind | 0:12:19 | 0:12:22 | |
and he's applying his encyclopaedic knowledge | 0:12:22 | 0:12:25 | |
to secure his next purchase. | 0:12:25 | 0:12:27 | |
That's a nice thing, isn't it? Do you know how to date these things? | 0:12:27 | 0:12:31 | |
-Not really, go on. -There's six dots there and six dots there. That's 12. | 0:12:31 | 0:12:35 | |
13, 14, 15, 16, 17, 18, 19, 20, 21. | 0:12:35 | 0:12:40 | |
I think they started putting the dots on in 1892, | 0:12:40 | 0:12:43 | |
-21 on 1892 is 1913. -There you go. -So that was made in 1913. -Lovely. | 0:12:43 | 0:12:48 | |
That was assayed in Birmingham. | 0:12:48 | 0:12:50 | |
There's a Birmingham Hallmark and painted by a man called Rickets. | 0:12:50 | 0:12:55 | |
-How much? -95 quid is the best for you. -Go on, then, I'll have it. | 0:12:55 | 0:12:59 | |
The Fox pulls back level with his opposition. | 0:12:59 | 0:13:01 | |
He's got four items in his booty bag | 0:13:01 | 0:13:04 | |
and a brain bulging with antiques information. | 0:13:04 | 0:13:07 | |
A quick tip for you at home. If you buy Worcester-painted fruit, | 0:13:07 | 0:13:10 | |
buy it with a pink mark on the back and not black. That's a lot later. | 0:13:10 | 0:13:14 | |
This is in a little silver surround that's completely had it. | 0:13:14 | 0:13:17 | |
And if I cut that out, I can probably | 0:13:17 | 0:13:20 | |
sell the silver for £20, frame this and sell it separately. | 0:13:20 | 0:13:23 | |
I come from Worcester, I've got dealers I can sell this to, | 0:13:23 | 0:13:27 | |
collectors I can sell this to and at the minute, | 0:13:27 | 0:13:30 | |
one of the hottest things in the Worcester hand-painted market | 0:13:30 | 0:13:33 | |
is 20th-century painted fruit. I'm really pleased with it. | 0:13:33 | 0:13:36 | |
I hope, with a good following wind, there's £100 profit in this. | 0:13:36 | 0:13:41 | |
Ooh, that's fighting talk from The Fox! | 0:13:41 | 0:13:44 | |
The clock is ticking and now it seems it's time for the cool, calm | 0:13:44 | 0:13:47 | |
and collected Mr Cameron to feel the pressure. | 0:13:47 | 0:13:51 | |
Well, whilst I'm keeping an eye out for those quirky items, | 0:13:51 | 0:13:54 | |
something with impact, I'm keeping an eye on things that remind me | 0:13:54 | 0:13:57 | |
of certain collecting habits of collectors I know, | 0:13:57 | 0:14:00 | |
but there's so much to see here, it really is hard to make a decision. | 0:14:00 | 0:14:04 | |
Well, let's hope our John knows an Elvis fan who likes his nosh, | 0:14:06 | 0:14:09 | |
because his next purchase is a pair of Elvis plates for £10. | 0:14:09 | 0:14:14 | |
You can't go wrong with the King! | 0:14:14 | 0:14:16 | |
-LIKE ELVIS: -Thank you very much. -Thank you very much. | 0:14:16 | 0:14:18 | |
He's quick to follow it up with a wall sign purchased for £50. | 0:14:18 | 0:14:22 | |
The Hammer is inching ahead, | 0:14:22 | 0:14:25 | |
so there's no time for The Fox to rest on his laurels. | 0:14:25 | 0:14:28 | |
I think I bought quite well | 0:14:28 | 0:14:30 | |
and the danger when you think that is to take your mind off the game, | 0:14:30 | 0:14:33 | |
relax a bit and then blow the whole lot by buying something ridiculous, | 0:14:33 | 0:14:37 | |
so I've got to keep concentrating, but I really want to focus | 0:14:37 | 0:14:41 | |
on buying another two or three really nice little bits that appeal to me, | 0:14:41 | 0:14:45 | |
hoping, if they appeal to me, they'll appeal to other people. | 0:14:45 | 0:14:49 | |
At last, The Fox settles on a plan and his new strategy to go for items | 0:14:49 | 0:14:54 | |
that most appeal to his own tastes soon starts paying off. | 0:14:54 | 0:14:58 | |
He picks up a Georgian child's lambing chair for £120. | 0:14:58 | 0:15:03 | |
Basically, like a rocking potty trainer from about 1860. | 0:15:03 | 0:15:07 | |
And most of them are in oak or elm and you can just see there, | 0:15:07 | 0:15:10 | |
that lifts up and a little chamber pot would've gone under there. | 0:15:10 | 0:15:14 | |
And he's swift to follow up with a set of wooden carpet bowls for £50. | 0:15:14 | 0:15:20 | |
I know some people that bowl and I'm just hopeful that, er, | 0:15:20 | 0:15:23 | |
one of them might turn up trumps for me. | 0:15:23 | 0:15:26 | |
It's The Hammer's turn on the ropes, | 0:15:26 | 0:15:28 | |
but Canny Cameron is always thinking ahead, | 0:15:28 | 0:15:31 | |
even if it leads down some unexpected paths. | 0:15:31 | 0:15:35 | |
Can I persuade you to take £100 for those pictures? | 0:15:35 | 0:15:38 | |
-I've been doing the pictures for five quid each. -Go on! | 0:15:38 | 0:15:41 | |
I've just paid 80 quid, give me 120, come on! You'll win on that. | 0:15:41 | 0:15:45 | |
I've got to get a major profit! £100, a nice round figure, go on. | 0:15:45 | 0:15:49 | |
-I'm taking it. -You're a good man! -I'll break the glass! | 0:15:49 | 0:15:52 | |
You're bigger, you'll break me. I'd better give you the 100 quid | 0:15:52 | 0:15:55 | |
and take 'em before you change your mind! | 0:15:55 | 0:15:58 | |
The man of the people seals the deal, | 0:15:58 | 0:16:00 | |
but he's hardly walking away with a set of old masters. | 0:16:00 | 0:16:04 | |
What's the story, Mr C? | 0:16:04 | 0:16:06 | |
I went for these prints, cos I know several people that race bikes | 0:16:06 | 0:16:10 | |
and know a couple of a people that have bike shops, | 0:16:10 | 0:16:12 | |
so I've got to be able to find myself a buyer amongst that crowd. | 0:16:12 | 0:16:16 | |
You either love fast bikes or you don't. | 0:16:16 | 0:16:18 | |
25 quid each, they've cost me. | 0:16:18 | 0:16:20 | |
They're not antique. It's not about antiques, it's about making profit. | 0:16:20 | 0:16:24 | |
John Cameron, master tactician, we salute you! | 0:16:24 | 0:16:27 | |
Today, this antiques fair is nothing but a profit battleground | 0:16:27 | 0:16:30 | |
and our boys are antiques gladiators slugging it out for victory, | 0:16:30 | 0:16:35 | |
but the supremely confident wily one is starting to wobble. | 0:16:35 | 0:16:40 | |
I've sort of begun to panic a bit now, because, you know, | 0:16:40 | 0:16:43 | |
I got off to a really good start this morning | 0:16:43 | 0:16:46 | |
and things are going a bit pear-shaped now, | 0:16:46 | 0:16:48 | |
because I haven't been able to buy what I was hoping to buy | 0:16:48 | 0:16:51 | |
and I just really am having a bit of a quiet panic. | 0:16:51 | 0:16:55 | |
The Fox is in a hole and he doesn't like it one little bit! | 0:16:55 | 0:16:59 | |
But he's not a man to roll over | 0:16:59 | 0:17:01 | |
and soon homes in on his next potential purchase. | 0:17:01 | 0:17:04 | |
You've got a walnut tea caddy here. | 0:17:04 | 0:17:06 | |
Initially, there would've been two little compartments in there. | 0:17:06 | 0:17:10 | |
You'd have had India tea and China tea and they'd have had lidded tops | 0:17:10 | 0:17:13 | |
and those tops have long since gone, as they do. | 0:17:13 | 0:17:16 | |
That is just the best quality timber there is. So this is burr walnut | 0:17:16 | 0:17:20 | |
and if you can imagine the burr on the side of a tree, | 0:17:20 | 0:17:23 | |
it's a natural growth and, if you slice through that natural growth, | 0:17:23 | 0:17:27 | |
you get a richly-knotted veneer, which is just like this here. | 0:17:27 | 0:17:32 | |
-Would 60 quid buy it? -Um, 70, you can take it. | 0:17:32 | 0:17:36 | |
-That would be the best on it. -Can you help me any more? | 0:17:36 | 0:17:38 | |
I'm pulling a tenner back myself. | 0:17:38 | 0:17:41 | |
I understand that. Go on, I'll have it. | 0:17:41 | 0:17:43 | |
Phil picks up the walnut tea caddy, | 0:17:43 | 0:17:46 | |
his seventh purchase of the day, for £70. | 0:17:46 | 0:17:48 | |
It's getting down to the wire and our warring warriors | 0:17:48 | 0:17:51 | |
are under immense pressure to seek out those last elusive pieces. | 0:17:51 | 0:17:55 | |
# They call me the seeker! | 0:17:55 | 0:17:58 | |
# I've been searching low and high! # | 0:18:00 | 0:18:04 | |
Time's cracking on, I've still got money in my pocket | 0:18:07 | 0:18:10 | |
and a number of items to buy and people are starting to pack away, so I'm starting to panic, | 0:18:10 | 0:18:14 | |
and you know what happens in the transfer window when it's closing? | 0:18:14 | 0:18:18 | |
Football clubs start making panic buys, things they regret later, | 0:18:18 | 0:18:21 | |
so I've got to get out and start looking. | 0:18:21 | 0:18:23 | |
The Hammer is a man of his word | 0:18:23 | 0:18:25 | |
and it's not long before he's sizing up a thirst extinguisher. | 0:18:25 | 0:18:30 | |
It's actually musical. How kitsch can you get? But I do love it. | 0:18:30 | 0:18:34 | |
The price on the bottom is £38, | 0:18:34 | 0:18:36 | |
but this lovely lady has said, | 0:18:36 | 0:18:39 | |
without haggling, that I can have it for 28. | 0:18:39 | 0:18:42 | |
How could I possibly refuse that? | 0:18:42 | 0:18:44 | |
-You've got yourself a deal. -OK. | 0:18:44 | 0:18:46 | |
Yes, that effortless endeavour puts John on eight purchases | 0:18:46 | 0:18:50 | |
to Phil's seven and, while The Fox keeps seeking, | 0:18:50 | 0:18:54 | |
The Hammer finds a mini bar. | 0:18:54 | 0:18:57 | |
This is a great piece of 1950s, 1960s bar ware. Look at that. | 0:18:57 | 0:19:01 | |
Every home should have one. It's covered in Formica laminate, | 0:19:01 | 0:19:04 | |
look at that, mirrored bar inside, excellent condition. | 0:19:04 | 0:19:08 | |
If you buy something like that, you've got to have somebody in mind. | 0:19:08 | 0:19:11 | |
-I like this. Not something I came here to buy. -I understand that. | 0:19:11 | 0:19:16 | |
Let's cut to the chase. | 0:19:16 | 0:19:18 | |
You've got £85 on there, what's the very best price you can do? | 0:19:18 | 0:19:21 | |
How's 60 sound to you? | 0:19:21 | 0:19:23 | |
60 sounds very reasonable, actually. I'm happy with 60. | 0:19:23 | 0:19:27 | |
-All right? -OK, buddy, I'm fine with that. -£60? -Good man. -Jolly good. | 0:19:27 | 0:19:31 | |
I appreciate that. £60! We've got ourselves a '50s bar. | 0:19:31 | 0:19:34 | |
Now I just need a '50s retro freak. Great. | 0:19:34 | 0:19:38 | |
The Hammer notches up purchase number nine. | 0:19:38 | 0:19:41 | |
Our warhorses have hit the final furlong | 0:19:41 | 0:19:44 | |
and the finishing line is tantalisingly close. | 0:19:44 | 0:19:46 | |
The Fox is lost in the buying wilderness. | 0:19:46 | 0:19:50 | |
Before lunch, I really did feel quite confident | 0:19:50 | 0:19:53 | |
and I thought I might have got the upper hand over John, but now, | 0:19:53 | 0:19:57 | |
the way this just ebbs and flows, he's probably going | 0:19:57 | 0:19:59 | |
to have a rip-roaring afternoon and I'm in deep trouble again. | 0:19:59 | 0:20:02 | |
The Hammer has the advantage | 0:20:02 | 0:20:04 | |
and he's sticking to his favourite stall. | 0:20:04 | 0:20:08 | |
You've got next to it there, a reproduction, | 0:20:08 | 0:20:10 | |
quite an art deco '30s-style radiogram. | 0:20:10 | 0:20:13 | |
You've got 85 quid on it, what can you do on this? | 0:20:13 | 0:20:16 | |
-Because you bought the other piece... -Yes. | 0:20:16 | 0:20:18 | |
-..I'll knock you a good deal of £50 on it. -£50, is that the best price? | 0:20:18 | 0:20:23 | |
-You're pushing me now, 45. -45 quid. | 0:20:23 | 0:20:26 | |
-OK, if I asked you to chuck that in...? -Fine. -How much? | 0:20:26 | 0:20:30 | |
-I'll chuck it in. -For 45 quid? -I'll chuck it in. | 0:20:30 | 0:20:33 | |
-You don't want to adopt, do you? -Have you got a good job? | 0:20:33 | 0:20:36 | |
-HE LAUGHS -Does it look like it? | 0:20:36 | 0:20:38 | |
I've bought myself here a 1930s-style radiogram. | 0:20:39 | 0:20:44 | |
This is probably made in the middle of the '80s. | 0:20:44 | 0:20:48 | |
Look at the side of it here. | 0:20:48 | 0:20:50 | |
We've got a cassette - these are almost antiques themselves, now. | 0:20:50 | 0:20:53 | |
Very typical of the sort of thing you would have seen in most homes around the 1930s, | 0:20:53 | 0:20:58 | |
listening to what had been going on in the war. You can almost hear them now, can't you? | 0:20:58 | 0:21:03 | |
# We are the Ovaltineys | 0:21:03 | 0:21:04 | |
# Little girls and boys... # | 0:21:04 | 0:21:07 | |
Oh, John, enough already! | 0:21:07 | 0:21:09 | |
RECORD SCRATCHES | 0:21:09 | 0:21:10 | |
And on that note, the final whistle sounds on today's buying. | 0:21:10 | 0:21:14 | |
The Fox didn't manage to find that last elusive item, | 0:21:14 | 0:21:18 | |
but this competition will be decided on who's made the wisest purchases. | 0:21:18 | 0:21:21 | |
Our two tusslers started off the day with £750 of their own money. | 0:21:23 | 0:21:29 | |
Phil, The Fox, bought a healthy seven items and spent £536. | 0:21:29 | 0:21:35 | |
John, The Hammer, notched up a mighty 11 items, | 0:21:35 | 0:21:38 | |
but spent less than his rival - just £523. | 0:21:38 | 0:21:42 | |
Before our brave boys go their separate ways, | 0:21:44 | 0:21:46 | |
they're keen to swap notes on each other's wares. | 0:21:46 | 0:21:49 | |
Not a regret because I have to get it off my chest. | 0:21:49 | 0:21:52 | |
I bought this little Georgian lambing chair | 0:21:52 | 0:21:54 | |
and it looks A-OK, but I think it's probably got a later back on it. | 0:21:54 | 0:21:58 | |
That's not so hot. | 0:21:58 | 0:22:00 | |
-What you think of these babies? -Actually, not much. | 0:22:00 | 0:22:03 | |
-Well, I paid a tenner for them. -You were robbed! | 0:22:03 | 0:22:06 | |
-What's your best buy? -I love this little Dachshund and I love my donkeys. I think they're sweet. | 0:22:06 | 0:22:11 | |
I like that little Worcester, pin dish. | 0:22:11 | 0:22:14 | |
There's a good profit in that. | 0:22:14 | 0:22:16 | |
It makes me laugh because I think, you and I are different generations and so is our stuff, isn't it? | 0:22:16 | 0:22:21 | |
Bruised but unbowed, our warriors head back to their respective corners to prep for the serious | 0:22:23 | 0:22:28 | |
business of making profits that will knock their rival out of the ring. | 0:22:28 | 0:22:34 | |
In Worcester, Phil is working up his plan of attack. | 0:22:34 | 0:22:37 | |
He's already got one meeting in the back of the net | 0:22:37 | 0:22:40 | |
with England footy legend, George Cohen to try and sell his 1966 replica football. | 0:22:40 | 0:22:46 | |
But he's still got six other items to shift, | 0:22:46 | 0:22:49 | |
including a 19th-century sycamore dairy bowl, | 0:22:49 | 0:22:53 | |
a Mont Blanc fountain pen, dating back to the 1980s | 0:22:53 | 0:22:56 | |
and a Georgian lambing chair. | 0:22:56 | 0:22:58 | |
John's got his work cut out with 11 sales to make, | 0:22:58 | 0:23:02 | |
among them a pair of ceramic donkeys and a ceramic Dachshund, all made by Beswick, | 0:23:02 | 0:23:06 | |
a silver coffee set from the early 20th century | 0:23:06 | 0:23:09 | |
and a laminate bar from the 1950s. | 0:23:09 | 0:23:12 | |
With no time to lose, these two dealing heavyweights get stuck into the research | 0:23:13 | 0:23:17 | |
and the phone calls that they hope will net them the best deals. | 0:23:17 | 0:23:21 | |
But until they've shaken on it and the money has changed hands, | 0:23:21 | 0:23:25 | |
no deal is truly sealed. | 0:23:25 | 0:23:27 | |
And it's John who's first off the starting blocks. He's raced down to his local curry house | 0:23:27 | 0:23:32 | |
and is hungry to see off that first extinguisher. | 0:23:32 | 0:23:36 | |
-It is a novelty drinks dispenser. -Yes, yes. | 0:23:36 | 0:23:40 | |
Yes? There we are, look, cork out of there. | 0:23:40 | 0:23:44 | |
There is where you put the contents inside. | 0:23:44 | 0:23:46 | |
That's just a cap on the top. | 0:23:46 | 0:23:48 | |
But also, there's a bonus... | 0:23:48 | 0:23:50 | |
-..it's musical. -Music, is it? -THEY LAUGH | 0:23:52 | 0:23:55 | |
That's why it's called The First Extinguisher. | 0:23:55 | 0:23:59 | |
-You want this here in the restaurant? -Yes. | 0:23:59 | 0:24:02 | |
I'm hoping to get about £100 for this. | 0:24:02 | 0:24:04 | |
It's a novelty item, you can't get them any more. | 0:24:04 | 0:24:07 | |
-I'm thinking of £100, how does that sound? -I think 80. -£80? -Yes. | 0:24:07 | 0:24:12 | |
Well, it's a little bit less than I had hoped. | 0:24:12 | 0:24:15 | |
What is the hottest dish you do, what type of dish? | 0:24:15 | 0:24:18 | |
Now, the latest, hottest food here is Kerala dishes. | 0:24:18 | 0:24:22 | |
-So, Kerala? -Yes. | 0:24:22 | 0:24:23 | |
-And that's very, very hot? -Very, very hot, and flavour. | 0:24:23 | 0:24:27 | |
-I tell you what, if I eat the Kerala? -Yes. -The hot dish... | 0:24:27 | 0:24:31 | |
If I can eat the Kerala and we test this, £90 and we have the deal? | 0:24:31 | 0:24:36 | |
-All right. -£90. -£90. -We'll shake on that. | 0:24:36 | 0:24:39 | |
The Hammer really is putting his money where his mouth is, | 0:24:39 | 0:24:44 | |
but has he bitten off more than he can chew? | 0:24:44 | 0:24:46 | |
-This is your meal, Kerala dish. -This is Kerala, this is hot, yeah? | 0:24:46 | 0:24:51 | |
-This is hot. -Thank you, Abdul. Thank you. | 0:24:51 | 0:24:53 | |
Right, I've got The Fire Extinguisher on hand, | 0:24:53 | 0:24:56 | |
I have the Kerala. | 0:24:56 | 0:24:57 | |
This is supposedly the hottest dish on the menu. Here goes... | 0:24:57 | 0:25:02 | |
# Fire! # | 0:25:02 | 0:25:05 | |
It's pretty hot. | 0:25:05 | 0:25:06 | |
Oh, he's struggling. He's feeling the burn. | 0:25:06 | 0:25:09 | |
I think my eyes are watering. | 0:25:09 | 0:25:12 | |
Well, we'll see if The Fire Extinguisher works. | 0:25:12 | 0:25:15 | |
Cheers! | 0:25:15 | 0:25:16 | |
# I'll feel you burn! # | 0:25:16 | 0:25:18 | |
Oh! I bet the Fox doesn't have to do anything like this. | 0:25:18 | 0:25:22 | |
We'll see about that, but John burns rubber - and back of his throat - to take an early lead. | 0:25:22 | 0:25:27 | |
He sells The First Extinguisher for more than three times what he paid for it | 0:25:27 | 0:25:31 | |
and pockets a profit of £62. | 0:25:31 | 0:25:35 | |
But Phil is hot on his heels. | 0:25:35 | 0:25:37 | |
He's taking his lambing chair to show dealer contact, Lee. | 0:25:37 | 0:25:41 | |
Here it is, my little chair. | 0:25:42 | 0:25:44 | |
I quite like these little lambing chairs. | 0:25:44 | 0:25:47 | |
I know that it's got its problems in that it's had this backboard, | 0:25:47 | 0:25:51 | |
I would think, replaced some long time ago, | 0:25:51 | 0:25:54 | |
but it's just a sweet, little chair. | 0:25:54 | 0:25:56 | |
It's a cute little thing. | 0:25:56 | 0:25:58 | |
It's going to appeal to somebody who's going to buy it for a doll or bear, or something like that. | 0:25:58 | 0:26:05 | |
-Yes, it's interesting. -I paid £120 for it, which I thought was cheap. | 0:26:05 | 0:26:10 | |
I think I'm going to offer you a fair deal, right - | 0:26:10 | 0:26:15 | |
£150. | 0:26:15 | 0:26:17 | |
-It not too unreasonable. -You can put down provenance Philip Serrell, | 0:26:17 | 0:26:21 | |
-but as long as you don't tell anybody I sat in it. -No. I'm sure they'll believe me if I say that! | 0:26:21 | 0:26:26 | |
Its novelty value, there should be a profit in that. I'm happy with that. | 0:26:26 | 0:26:31 | |
-Good man, thank you. -OK, thank you. | 0:26:31 | 0:26:33 | |
Nice work, Foxy! The sly one pitches the price just right | 0:26:33 | 0:26:37 | |
and walks away with £30 profit. | 0:26:37 | 0:26:39 | |
For me, that pretty much ticked all the boxes. | 0:26:41 | 0:26:43 | |
A small profit, I know, but a quick turnover. | 0:26:43 | 0:26:45 | |
John picks his items with buyers in mind | 0:26:46 | 0:26:50 | |
and he chooses his targets with total precision. | 0:26:50 | 0:26:53 | |
He is on his way to see Charlotte, whose family John knows well. | 0:26:53 | 0:26:56 | |
Charlotte's mum, Helen, is a keen collector of Beswick | 0:26:56 | 0:26:59 | |
and they're also the proud owners of this little fellow, Frank. | 0:26:59 | 0:27:03 | |
-Charlotte, they're side-by-side, what do you reckon on the likeness? -He's very like Frank. | 0:27:03 | 0:27:08 | |
Yes, even his look looking up is how he looks at my mum. | 0:27:08 | 0:27:10 | |
I thought, "I have to buy that, Helen would love it." | 0:27:10 | 0:27:13 | |
-I know you're looking for a present, aren't you? -Yes, it's her birthday at the end of this month. | 0:27:13 | 0:27:18 | |
-OK, so, do you think she would like this? -Yes, I think she would. | 0:27:18 | 0:27:22 | |
It's a promising start and The Hammer is quick to showcase his Wedgwood Dachshund knife rests | 0:27:22 | 0:27:27 | |
and his two Beswick donkeys for Charlotte's sister. | 0:27:27 | 0:27:31 | |
-Do you think your sister will be able to stretch to buying these? -I would expect so. | 0:27:31 | 0:27:36 | |
By selective targeting, The Hammer is about to offload | 0:27:36 | 0:27:39 | |
three of his purchases in one almighty sale. | 0:27:39 | 0:27:42 | |
-265, then. -OK, you've got yourself a deal. -Brilliant. | 0:27:42 | 0:27:46 | |
The Hammer falls and nails £100 profit. | 0:27:46 | 0:27:50 | |
Phil is seeing an old mate, Tom, | 0:27:52 | 0:27:54 | |
and he's about to whip out his secret weapon. | 0:27:54 | 0:27:58 | |
This is lovely. To be fair, this is... | 0:27:58 | 0:28:00 | |
the style of fountain pen which appeals to me. | 0:28:00 | 0:28:03 | |
I like the black and gold classic. | 0:28:03 | 0:28:05 | |
My thoughts are, that in a retail market, | 0:28:05 | 0:28:07 | |
it's worth around 250 to 300, | 0:28:07 | 0:28:10 | |
but the great thing about a pen like that, you should always use an organic ink in them. | 0:28:10 | 0:28:15 | |
If you use a chemical-based ink, it can clog up the works and all the rest of it. | 0:28:15 | 0:28:18 | |
The price you talk about is fair. | 0:28:18 | 0:28:21 | |
250 to 300, I give you 275 and be happy. | 0:28:21 | 0:28:25 | |
Chum, I'll tell you what, we're old mates, I'm going to keep it at that. | 0:28:25 | 0:28:29 | |
The Fox nearly doubles his money on the Mont Blanc pen | 0:28:29 | 0:28:34 | |
and he picks up a profit of £135. | 0:28:34 | 0:28:37 | |
The Fox is like a profit-making postman doing the rounds. | 0:28:37 | 0:28:41 | |
Next stop is Kate, an antiques dealer friend, | 0:28:41 | 0:28:44 | |
to show her his Worcester plaque. | 0:28:44 | 0:28:46 | |
-I think it's really, really sweet. -I do, as well... | 0:28:46 | 0:28:49 | |
-Ricketts. -Yeah. And he was a good painter. | 0:28:49 | 0:28:52 | |
-You know, it's from the golden age of painting that, I think. -It's very nice, actually. | 0:28:52 | 0:28:56 | |
-So would you buy to keep it, or buy to sell it? -I'd keep this. | 0:28:56 | 0:28:59 | |
-It's a nice thing. -I'd keep it for me grandkids. | 0:28:59 | 0:29:02 | |
The plaque gets a new home and The Fox get a sale of £195, | 0:29:02 | 0:29:06 | |
netting himself £100 profit. | 0:29:06 | 0:29:10 | |
The Hammer's not hanging about. He sells the electric drinks sign | 0:29:10 | 0:29:14 | |
and, after the cost of the PAT testing, | 0:29:14 | 0:29:16 | |
walks away £48 better off. | 0:29:16 | 0:29:19 | |
And he follows it up by doubling his money on the Elvis plates, | 0:29:19 | 0:29:22 | |
making a profit of £10. | 0:29:22 | 0:29:25 | |
After some intensive phone bashing, Phil's lined up a potential buyer for his tea caddy. | 0:29:27 | 0:29:33 | |
I'm off to see Gabrielle Bullock, who I've known for 35 years. I know she's a buyer of a good lot. | 0:29:33 | 0:29:38 | |
I'm hoping that this little walnut caddy will appeal to her. | 0:29:38 | 0:29:42 | |
She's scrupulously fair, but I know she'll make me work for any profit. | 0:29:42 | 0:29:47 | |
Go on, Foxy, work your magic. | 0:29:47 | 0:29:50 | |
See, I think... | 0:29:50 | 0:29:52 | |
that's worth £150, that's what I think. | 0:29:52 | 0:29:56 | |
I would be looking to sell it somewhere round about that. | 0:29:56 | 0:30:00 | |
-OK. -Well, a bit more. -All right, yeah. | 0:30:00 | 0:30:02 | |
This is veneered. It's not solid walnut. | 0:30:02 | 0:30:05 | |
The other thing that's interesting for people to know at home, is that Victorians were dab hands. | 0:30:05 | 0:30:10 | |
This is good quality timber. | 0:30:10 | 0:30:11 | |
But if the timber wasn't of the very best quality, | 0:30:11 | 0:30:14 | |
they'd get a sponge and ink it up to make it look a much richer colour. | 0:30:14 | 0:30:19 | |
An indication of the quality of that box | 0:30:19 | 0:30:21 | |
-is that they have used a burr on the back, rather than a straight grain. -Absolutely right. | 0:30:21 | 0:30:27 | |
And on the sides as well. That's all delayed us greatly | 0:30:27 | 0:30:30 | |
from me arriving at how much you're going to give me for it. | 0:30:30 | 0:30:33 | |
Do I need a chair? | 0:30:33 | 0:30:35 | |
You'll be all right. | 0:30:35 | 0:30:37 | |
Er...135? | 0:30:37 | 0:30:38 | |
-You're an angel. I'll take that, Gabrielle. Thank you so much. -Cheers. | 0:30:38 | 0:30:43 | |
Dealers of this quality don't mess about. Gabrielle gets the caddy | 0:30:43 | 0:30:47 | |
and Foxy walks away with a £65 profit. | 0:30:47 | 0:30:50 | |
As our brave boys scout about for more buyers, | 0:30:52 | 0:30:55 | |
the profit is already piling up. | 0:30:55 | 0:30:58 | |
John "The Hammer" Cameron has rid himself of six items | 0:30:58 | 0:31:01 | |
and pocketed £220 profit. | 0:31:01 | 0:31:05 | |
But he needs to up his game. | 0:31:05 | 0:31:06 | |
Even though Phil "The Fox" Serrell's only sold four items | 0:31:06 | 0:31:10 | |
he's already made £330. | 0:31:10 | 0:31:14 | |
And so begins the mad dash for the finishing line. | 0:31:14 | 0:31:18 | |
Our two antiques thoroughbreds know they have to pull out all the stops | 0:31:18 | 0:31:22 | |
if they want to snatch victory today. | 0:31:22 | 0:31:25 | |
The Hammer's had his 1950s bar rewired | 0:31:25 | 0:31:28 | |
and some new bulbs installed at a cost of £10. | 0:31:28 | 0:31:31 | |
That's on top of the £60 he paid for it. | 0:31:31 | 0:31:33 | |
He's brought it to Keith, who runs a vintage shop in Southsea. | 0:31:33 | 0:31:37 | |
Oh, yes. That's lovely. | 0:31:39 | 0:31:41 | |
So nice to see a different... the mirror at the back. | 0:31:42 | 0:31:45 | |
Normally, it's got cocktail shakers and glasses on and everything, Champagne bottles. | 0:31:45 | 0:31:50 | |
It's lovely to see a different, more Mediterranean, Mexican theme. | 0:31:50 | 0:31:54 | |
Isn't it? That, to me, says '50s holidays. | 0:31:54 | 0:31:59 | |
Not only have you got a brand-new bulb in there, you've got four spares as well. Chuck those in. | 0:31:59 | 0:32:03 | |
Brilliant. Look, let's close that up. | 0:32:03 | 0:32:06 | |
Have a look underneath there. | 0:32:06 | 0:32:10 | |
So, if we open up the cabinet there, | 0:32:10 | 0:32:12 | |
we've got shelving for glass, and the bottle receptacles. | 0:32:12 | 0:32:16 | |
I'm looking for a couple of hundred pounds for it. | 0:32:16 | 0:32:20 | |
That's probably near to what I would sell it for. | 0:32:20 | 0:32:23 | |
I was thinking more 120? | 0:32:23 | 0:32:26 | |
Had I not had to go to the extra expense of getting it rewired and tested, | 0:32:26 | 0:32:30 | |
I may well have been able to do something at that level, | 0:32:30 | 0:32:32 | |
but I had to invest a bit more money in it. | 0:32:32 | 0:32:35 | |
It doesn't give me a great profit. | 0:32:35 | 0:32:36 | |
What about 160, Keith? Can we do anything there? | 0:32:36 | 0:32:39 | |
Can we do 150? | 0:32:39 | 0:32:41 | |
I think I can take £150, albeit on one condition. | 0:32:41 | 0:32:45 | |
Hold on, John, you've sold it! Don't start making conditions now. | 0:32:45 | 0:32:49 | |
I'd like to see if you can do me a makeover - | 0:32:49 | 0:32:51 | |
see if I can submerge myself in the retro scene. What do you reckon? | 0:32:51 | 0:32:55 | |
I think we definitely could do something with you. | 0:32:55 | 0:32:58 | |
Ladies and gentlemen, the many guises of The Hammer. | 0:32:58 | 0:33:01 | |
# I'm a soul man | 0:33:01 | 0:33:04 | |
# I'm a soul man... # | 0:33:04 | 0:33:07 | |
Oh, blimey, John, it was all going so well! | 0:33:09 | 0:33:12 | |
Our man of the people's more than doubled his investment. | 0:33:12 | 0:33:15 | |
The 1950s bar shook up a delicious serving of £80 profit. | 0:33:15 | 0:33:19 | |
Who said selling antiques isn't cool... | 0:33:19 | 0:33:22 | |
..when I'm walking away with a nice, cool profit? | 0:33:23 | 0:33:27 | |
And Mr C keeps cool enough to get a sale of his four motorcycle prints | 0:33:27 | 0:33:31 | |
for £200, taking the chequered flag with a profit of £100. | 0:33:31 | 0:33:37 | |
The Fox is revving up to sell the dairy bowl. | 0:33:37 | 0:33:40 | |
He hits the brakes in Ludlow, | 0:33:40 | 0:33:42 | |
where he's visiting furniture dealer, Glenn. | 0:33:42 | 0:33:45 | |
Remember, Phil needs £45, just to break even. | 0:33:45 | 0:33:48 | |
Doesn't that look fantastic there, look? | 0:33:48 | 0:33:51 | |
Don't you think that looks the part? | 0:33:51 | 0:33:53 | |
-It's a dairy bowl, isn't it? -It is a dairy bowl, yes. | 0:33:53 | 0:33:56 | |
So, what would they have been used for in a dairy? | 0:33:56 | 0:33:59 | |
Just putting milk in, or...? | 0:33:59 | 0:34:01 | |
I think they were actually used just in the process of making butter. | 0:34:01 | 0:34:04 | |
-Making butter. -Things like that. Just as a mixing bowl. | 0:34:04 | 0:34:08 | |
Where do these normally come from? | 0:34:08 | 0:34:10 | |
This particular variety, I'd say, was Welsh. | 0:34:10 | 0:34:13 | |
That one's about...1850 in date. | 0:34:13 | 0:34:15 | |
-That's because of the thickness of it? -Yeah. | 0:34:15 | 0:34:18 | |
If it was an earlier bowl, it would be thinner. | 0:34:18 | 0:34:20 | |
How much am I going to...? Do you want to buy it, that's the question? | 0:34:20 | 0:34:24 | |
-It would depend how much it was. -Well... | 0:34:24 | 0:34:27 | |
I know that I had one for sale not that long ago. | 0:34:27 | 0:34:30 | |
-I think I might've bought it. -I didn't want to mention that, but...! | 0:34:30 | 0:34:33 | |
That, all in, was the thick end of £200, wasn't it? | 0:34:33 | 0:34:37 | |
-Um... If it was, I actually lost money selling it. -Really? | 0:34:37 | 0:34:40 | |
Cos I sold it for 180. | 0:34:40 | 0:34:42 | |
Ooh, shouldn't have gone there, Foxy! | 0:34:42 | 0:34:44 | |
This isn't going quite so well, really, is it? | 0:34:44 | 0:34:47 | |
-What's a fair price for that, Glenn? -As I'm going to struggle to get 140, 150 for it... | 0:34:47 | 0:34:52 | |
-it's £120. -That's your best shot? | 0:34:52 | 0:34:55 | |
It's more than my best shot. | 0:34:55 | 0:34:56 | |
I'll take your hand off, mate. Thank you ever so much. | 0:34:56 | 0:34:59 | |
Yes, that could've gone badly wrong, | 0:34:59 | 0:35:01 | |
but Ludlow's lucky for Phil, netting him a healthy profit of £75. | 0:35:01 | 0:35:06 | |
He goes on to sell his carpet bowls to old friend, Douglas, | 0:35:08 | 0:35:11 | |
jacking up a profit of £25 | 0:35:11 | 0:35:13 | |
and enjoying a cracking good game in the process. | 0:35:13 | 0:35:16 | |
Look at that... Yes! Ohhh! | 0:35:16 | 0:35:19 | |
Right, beaten you. | 0:35:19 | 0:35:21 | |
The Hammer's hit the road. His head's buzzing with strategy. | 0:35:21 | 0:35:24 | |
He's in Berkshire to see someone who might just fall for his next item. | 0:35:24 | 0:35:29 | |
I'm here to meet renowned chef, Alan Murchison, | 0:35:29 | 0:35:32 | |
to see if I can tempt him with my silver-plated coffee set. | 0:35:32 | 0:35:36 | |
In doing some research, I've discovered a bit of a link to Scotland. | 0:35:36 | 0:35:40 | |
As Alan is Scottish himself, I'm hoping it might tempt him | 0:35:40 | 0:35:45 | |
to give me an exquisite profit. | 0:35:45 | 0:35:47 | |
The coffee set cost him £65, | 0:35:47 | 0:35:50 | |
but our likely lad is confident he can turn a profit. | 0:35:50 | 0:35:53 | |
So, here it is. | 0:35:53 | 0:35:54 | |
How does it compare to what you thought I'd bring you today? | 0:35:54 | 0:35:58 | |
It's actually far nicer. | 0:35:58 | 0:36:00 | |
It's quite an impressive piece, | 0:36:00 | 0:36:02 | |
it's got a lovely feel to it and great detail as well - | 0:36:02 | 0:36:04 | |
the little coffee bean on the top. | 0:36:04 | 0:36:06 | |
When I first bought this piece, | 0:36:06 | 0:36:08 | |
it reminded me of a designer of the 19th century. | 0:36:08 | 0:36:12 | |
-Do you know about Christopher Dresser? -No. | 0:36:12 | 0:36:14 | |
He was the first to embrace the machine age. | 0:36:14 | 0:36:16 | |
He designed for Elkington and Co, the silversmiths, | 0:36:16 | 0:36:19 | |
for Coalbrookdale, the iron makers, who did benches and garden seats. | 0:36:19 | 0:36:23 | |
Anyone who was anyone wanted his services in the 19th century. | 0:36:23 | 0:36:27 | |
I started doing some research, and when I had a look on the bottom, | 0:36:27 | 0:36:31 | |
you've got "H & H" and that little symbol there. | 0:36:31 | 0:36:34 | |
That's Hukin & Heath, | 0:36:34 | 0:36:36 | |
a Birmingham firm of silversmiths that started up in the 1850s. | 0:36:36 | 0:36:40 | |
They employed Dr Christopher Dresser. | 0:36:40 | 0:36:42 | |
-This very Japanese handle... -It's beautiful. | 0:36:42 | 0:36:46 | |
Lovely, isn't it? | 0:36:46 | 0:36:47 | |
..and this straight spout here are very typically Christopher Dresser. | 0:36:47 | 0:36:51 | |
Mm. You're driving the price up with this sales pitch! | 0:36:51 | 0:36:54 | |
Give me a few facts. This is obviously a very expensive piece. | 0:36:54 | 0:36:58 | |
I'm looking for around £280, £250 for it. | 0:36:58 | 0:37:02 | |
That's a lot of money for a cup of coffee. | 0:37:02 | 0:37:05 | |
It is a lot of money, but you get a lot for it. | 0:37:05 | 0:37:07 | |
It's very stylish, there's a great attribution there | 0:37:07 | 0:37:10 | |
to a very important Scottish designer - let's not forget that! | 0:37:10 | 0:37:13 | |
But you've also got a Scotsman buying it! | 0:37:13 | 0:37:16 | |
John's pulling out all the stops, | 0:37:16 | 0:37:18 | |
but this deal's not going to be easy. | 0:37:18 | 0:37:20 | |
We'll find out later if The Hammer hit home. | 0:37:20 | 0:37:23 | |
As we get ever-closer to the finishing line, | 0:37:23 | 0:37:26 | |
our warring warriors are throwing everything at this epic battle. | 0:37:26 | 0:37:30 | |
John lugs his repro radiogram to his friend Lorna's boutique | 0:37:30 | 0:37:34 | |
and...she loves it! | 0:37:34 | 0:37:36 | |
Including the cost of electrical testing, | 0:37:36 | 0:37:39 | |
The Hammer marches away with a tidy profit of £53. | 0:37:39 | 0:37:42 | |
And he soon sees off his last item, | 0:37:42 | 0:37:44 | |
The New York game he got for free at the antiques fair. | 0:37:44 | 0:37:48 | |
He sells it for £25 and that's all pure profit. | 0:37:48 | 0:37:52 | |
In London, Phil is limbering up for his final sale. | 0:37:52 | 0:37:56 | |
The buyer on the touchline is a legend of English football. | 0:37:56 | 0:37:59 | |
This really is the stuff dreams are made of. | 0:37:59 | 0:38:02 | |
I'm meeting George Cohen at Fulham Football Club. I mean, | 0:38:02 | 0:38:05 | |
World Cup winner, 1966, a legend! | 0:38:05 | 0:38:07 | |
How lucky am I?! I paid £16 at the antique fair. | 0:38:07 | 0:38:11 | |
I phoned George up, told him I was hoping for £25 or £30. | 0:38:11 | 0:38:14 | |
To be truthful, I'd have given him the wretched thing, | 0:38:14 | 0:38:17 | |
I'm so looking forward to seeing him. Aren't these seats magnificent! | 0:38:17 | 0:38:21 | |
They're as old as me! | 0:38:21 | 0:38:22 | |
-Oh, get out of it. Lovely to see you again, George. -Nice to see you, too. | 0:38:22 | 0:38:26 | |
Have a seat. How many times did you play for England, George? | 0:38:26 | 0:38:30 | |
37. | 0:38:30 | 0:38:32 | |
-Really? -Yes. | 0:38:32 | 0:38:33 | |
What did you earn out of the '66 World Cup, George? | 0:38:33 | 0:38:36 | |
Well, the bonus... | 0:38:36 | 0:38:37 | |
Well, you got £60 for playing in the game, of course. | 0:38:37 | 0:38:41 | |
A whole 60 quid, all to yourself! | 0:38:41 | 0:38:44 | |
Yes. Taxed, of course. | 0:38:44 | 0:38:46 | |
Having won the World Cup, we shared £22,000, evenly. | 0:38:46 | 0:38:50 | |
George, to do what you've done, at sport, is just... | 0:38:50 | 0:38:55 | |
-Well, there are only 11 people who've ever won an England World Cup at football, aren't there? -Yes. | 0:38:55 | 0:39:00 | |
-That's a bit special, isn't it? -It is. | 0:39:01 | 0:39:04 | |
-Unfortunately, one or two have left. -Yeah. | 0:39:04 | 0:39:07 | |
We're not getting any younger, obviously. | 0:39:07 | 0:39:10 | |
-But they're a wonderful bunch of people. -Do you miss it? | 0:39:10 | 0:39:14 | |
Not really. I like watching now. | 0:39:14 | 0:39:16 | |
I loved it while I was playing. | 0:39:16 | 0:39:19 | |
As I've said before, you know that it's got to come to an end. | 0:39:19 | 0:39:25 | |
You know that there's got to be other things in life. | 0:39:25 | 0:39:28 | |
I come from a family, from Fulham here, | 0:39:28 | 0:39:30 | |
that, you know, were realists. | 0:39:30 | 0:39:32 | |
We knew that we have to earn a living outside of football. | 0:39:32 | 0:39:37 | |
George, I've got to talk about this. I know I phoned you about it. | 0:39:37 | 0:39:40 | |
Are you going to buy this off me? | 0:39:40 | 0:39:43 | |
I am. But can I get it for £2.50? | 0:39:43 | 0:39:46 | |
I'll tell you what, George, you might've only got £60 for playing in the game, | 0:39:47 | 0:39:52 | |
-but prices have changed. -Have they really? -Inflation's been rampant. | 0:39:52 | 0:39:56 | |
I know a bloke who played in this game. | 0:39:56 | 0:39:59 | |
If I got him to sign that, I reckon that'd be worth a fortune! | 0:39:59 | 0:40:02 | |
-Who was that? -Ooh, I couldn't possibly say, George! | 0:40:02 | 0:40:06 | |
How much are you asking for this? | 0:40:06 | 0:40:09 | |
If you give me £25, George... | 0:40:09 | 0:40:11 | |
-I'll give you £25 for this. -You're a star. | 0:40:11 | 0:40:14 | |
Can you change a 50? | 0:40:14 | 0:40:16 | |
We don't have those in Worcestershire! | 0:40:16 | 0:40:18 | |
Ah, thank you so much, George. | 0:40:18 | 0:40:21 | |
It's a great pleasure. Nice of you to come along here. | 0:40:21 | 0:40:24 | |
Well, that is a paltry £9 profit, but, trust me, those few minutes with George, they were worth thousands. | 0:40:25 | 0:40:32 | |
What a privilege. | 0:40:32 | 0:40:33 | |
The thing about George is I don't think he realises what a legend he is | 0:40:33 | 0:40:37 | |
and quite what a special man he is. | 0:40:37 | 0:40:39 | |
Anyway, the sprinklers are on and it's time for an early bath for me. | 0:40:39 | 0:40:43 | |
Yes, off you go, Foxy. It might not be the greatest profit, | 0:40:43 | 0:40:47 | |
but every little helps. | 0:40:47 | 0:40:49 | |
That's £9 to add to the pot. | 0:40:49 | 0:40:51 | |
So, they've scoured their contacts books and flexed their wheeler-dealer muscles. | 0:40:51 | 0:40:56 | |
But which of our brave boys went that extra mile? | 0:40:56 | 0:40:59 | |
Both our experts started out with £750 of their own money to spend. | 0:40:59 | 0:41:04 | |
Phil "The Fox" spent £536 at the antiques market, | 0:41:04 | 0:41:09 | |
almost exactly the same as John "The Hammer" | 0:41:09 | 0:41:12 | |
who, after restoration costs, handed over £537. | 0:41:12 | 0:41:15 | |
But it doesn't matter how much they forked out, | 0:41:15 | 0:41:19 | |
it's the profit that counts. | 0:41:19 | 0:41:20 | |
All the money Phil and John made from today's challenge | 0:41:20 | 0:41:24 | |
will be going to a charity of their choice. | 0:41:24 | 0:41:27 | |
So, it's time to find out who is today's Put Your Money Where Your Mouth Is champion! | 0:41:27 | 0:41:32 | |
-Phil, good to see you. -You too! | 0:41:32 | 0:41:34 | |
How did you get on since the antique fair? | 0:41:34 | 0:41:36 | |
Wasn't it a good day? I loved it! | 0:41:36 | 0:41:38 | |
I felt I did well in the morning, buying, | 0:41:38 | 0:41:41 | |
but the afternoon, I found it tough. | 0:41:41 | 0:41:43 | |
I made some rash purchases that, on reflection, I thought, "What have I bought?!" | 0:41:43 | 0:41:48 | |
The thing I thought was I'm very conscious that I'm firmly rooted in the 18th century | 0:41:48 | 0:41:53 | |
and you bought some kitsch, vintage, retro stuff. | 0:41:53 | 0:41:58 | |
And it's what people want today. You can do the three, two, one. | 0:41:58 | 0:42:01 | |
OK. Three, two, one... | 0:42:01 | 0:42:03 | |
-Wow! -How did you do that?! | 0:42:05 | 0:42:07 | |
Well, I have to say, I think my little silver-plated coffee set | 0:42:07 | 0:42:11 | |
saved the day for me. | 0:42:11 | 0:42:13 | |
Blimey! Give me lessons. How do you do it? | 0:42:13 | 0:42:15 | |
Get my head in the books. Research! | 0:42:15 | 0:42:18 | |
Yes, that silver coffee set gave John a hefty haul of cash. | 0:42:18 | 0:42:21 | |
He paid £65, | 0:42:21 | 0:42:24 | |
and the chef was staggered when he heard the asking price of £280. | 0:42:24 | 0:42:29 | |
That's a lot of money! I'd be looking to spend... | 0:42:29 | 0:42:33 | |
-£150. -150. | 0:42:33 | 0:42:35 | |
-Can you do any better than that? -I would probably go 175. | 0:42:35 | 0:42:38 | |
-I would go 175. -Would you do 200 for it? | 0:42:38 | 0:42:42 | |
-200? OK. -£200, you've got yourself a deal. | 0:42:42 | 0:42:46 | |
The Hammer notched up a profit of £135, more than tripling his money. | 0:42:46 | 0:42:50 | |
You can't complain at that. | 0:42:50 | 0:42:53 | |
I did a bit of research, got quite lucky, | 0:42:53 | 0:42:55 | |
attributed my silver-plated tea set to Christopher Dresser | 0:42:55 | 0:42:59 | |
and made a healthy £135 profit, | 0:42:59 | 0:43:01 | |
which ensured a little bit of distance between me and The Fox. | 0:43:01 | 0:43:05 | |
John is really up there | 0:43:05 | 0:43:08 | |
when it comes to buying 20th-century items, collectable items, | 0:43:08 | 0:43:13 | |
and perhaps I'm sticking a little bit to the old school antiques. | 0:43:13 | 0:43:17 | |
You can't bank any profits yet, because there are plenty more challenges to come. | 0:43:17 | 0:43:21 | |
Tomorrow, our duelling dealers will be hurdling language barriers | 0:43:21 | 0:43:26 | |
when they square up at an antiques fair in France. | 0:43:26 | 0:43:29 | |
Subtitles by Red Bee Media Ltd | 0:43:46 | 0:43:50 | |
E-mail [email protected] | 0:43:50 | 0:43:54 |