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This is Put Your Money Where Your Mouth Is. | 0:00:02 | 0:00:04 | |
The show that takes the titans of the antiques trade | 0:00:04 | 0:00:08 | |
and pitches them against each other | 0:00:08 | 0:00:10 | |
to see who can make the most money | 0:00:10 | 0:00:13 | |
from buying and selling. | 0:00:13 | 0:00:15 | |
It's amazing! Truly amazing! | 0:00:16 | 0:00:19 | |
Today our nifty northern champ David Harper takes on | 0:00:19 | 0:00:22 | |
the highest hope of the south, James Braxton, | 0:00:22 | 0:00:26 | |
in an all-out battle for profit, | 0:00:26 | 0:00:28 | |
giving you the inside view on the secrets of the trade. | 0:00:28 | 0:00:31 | |
Coming up, David takes to buying abroad like a duck to water. | 0:00:31 | 0:00:36 | |
D'accord! That's French. | 0:00:36 | 0:00:38 | |
Bingo practises the art of haggling. | 0:00:38 | 0:00:41 | |
He's hard! I'm happy not all the clients are like this! | 0:00:41 | 0:00:44 | |
LAUGHTER | 0:00:44 | 0:00:46 | |
-And David parts with a loved one. -She's so lovely. | 0:00:46 | 0:00:49 | |
She's going to miss me and I'm going to miss her. | 0:00:49 | 0:00:51 | |
This is Put Your Money Where Your Mouth Is. | 0:00:51 | 0:00:54 | |
Today's caper pitches demon dealer, "Devilish" David Harper | 0:01:06 | 0:01:11 | |
against top-notch old school gent, James "Bingo" Braxton, | 0:01:11 | 0:01:16 | |
to see who can make the most profit from buying and selling antiques. | 0:01:16 | 0:01:20 | |
Our brave boys are on a booty-buying bonanza in Belgium. | 0:01:21 | 0:01:25 | |
Two knights of the barter charged with carrying out a daring raid | 0:01:25 | 0:01:28 | |
on an antiques market in Waterloo. | 0:01:28 | 0:01:30 | |
The stakes in this competition couldn't be higher. | 0:01:33 | 0:01:35 | |
It's our well-informed wheeler-dealer from the north... | 0:01:35 | 0:01:39 | |
That should really be a double-bubble. | 0:01:39 | 0:01:41 | |
"Double-bubble" meaning "doubling your money". | 0:01:41 | 0:01:43 | |
..versus the debonair deal-doer from the south. | 0:01:43 | 0:01:47 | |
A man who can tell a corker from a stinker at a thousand paces. | 0:01:47 | 0:01:51 | |
That's very good. That's a good price. | 0:01:51 | 0:01:54 | |
They've got £750 which is 825 euros, of their own money to spend, | 0:01:54 | 0:02:01 | |
and all the profit goes to their chosen charities. | 0:02:01 | 0:02:04 | |
David Harper and James Braxton, | 0:02:04 | 0:02:06 | |
it's time to Put Your Money Where Your Mouth Is. | 0:02:06 | 0:02:09 | |
-Voici! -Salut, James. | 0:02:10 | 0:02:12 | |
Nice and bright and early. Good location. | 0:02:12 | 0:02:15 | |
-Glorious, isn't it? -Sun's rising over the supermarket. | 0:02:15 | 0:02:18 | |
It's got a great feel to it. A very distinct feel to it. | 0:02:18 | 0:02:21 | |
Nice smell and everything else. We've got £750 worth of euros to blow. | 0:02:21 | 0:02:26 | |
-What are you going to do with yours? -Spend it quickly. | 0:02:26 | 0:02:29 | |
I've been to these continental fairs before | 0:02:29 | 0:02:32 | |
and I know that they break out the beers and the wine at about noon. | 0:02:32 | 0:02:36 | |
They've been doing it since four o'clock this morning. | 0:02:36 | 0:02:39 | |
For me, I am armed with my secret weapon. | 0:02:39 | 0:02:41 | |
-You have your vocab, do you? -From my daughter. | 0:02:41 | 0:02:44 | |
She's written all the best French words I need | 0:02:44 | 0:02:47 | |
to get the best deals so just you watch me. | 0:02:47 | 0:02:50 | |
En Francais, mon ami. En Francais. | 0:02:50 | 0:02:53 | |
Well, well, it's the boy-in-blue battling the red arrow. | 0:02:54 | 0:02:57 | |
And while Bingo is au fait with the Francais, | 0:02:57 | 0:03:02 | |
David is armed with a devilish plan to keep pace. | 0:03:02 | 0:03:04 | |
Using a French phrase cribsheet created by his daughter's fair hand, | 0:03:04 | 0:03:10 | |
he's out to bag the best bargains Belgium has to offer. | 0:03:10 | 0:03:14 | |
-Hello. -Hello, hello. | 0:03:14 | 0:03:16 | |
Hi. Now then. Oh, I should, I'm going to practise my French | 0:03:16 | 0:03:19 | |
but you speak great English. | 0:03:19 | 0:03:21 | |
-It's OK, we can do it. -Can you do good French as well? | 0:03:21 | 0:03:24 | |
-Yes, of course. -Are you French? | 0:03:24 | 0:03:26 | |
No, I'm Belgian. You are in Belgium, here. | 0:03:26 | 0:03:28 | |
I know, we're getting confused. | 0:03:28 | 0:03:30 | |
No, David. You're the one that's confused. | 0:03:30 | 0:03:34 | |
I was going to get my French phrases out. | 0:03:34 | 0:03:36 | |
-Bonjour, madame. -Bonjour, monsieur. | 0:03:36 | 0:03:38 | |
-Ah, mange tout. -Mange tout? | 0:03:38 | 0:03:41 | |
That's more Del Boy than devilish! | 0:03:41 | 0:03:43 | |
That's a big punchbowl. It's an English transfer. | 0:03:43 | 0:03:47 | |
They not know here. | 0:03:47 | 0:03:49 | |
They say, "What is it? What is it? | 0:03:49 | 0:03:50 | |
"Is it for your corn flakes in the morning?" | 0:03:50 | 0:03:53 | |
Can I have a look at that? It's positively English, isn't it? | 0:03:53 | 0:03:57 | |
-It's got to be. -I think so. | 0:03:57 | 0:03:59 | |
And so that's transfer printed and date-wise, would you say that's 1850? | 0:03:59 | 0:04:04 | |
Something like that. | 0:04:04 | 0:04:05 | |
DULL TAPPING Oh. | 0:04:05 | 0:04:08 | |
A bit cracked but don't do that! | 0:04:08 | 0:04:10 | |
David's tapped the bowl to check for cracks | 0:04:10 | 0:04:13 | |
and this little beauty has one, but he can still see a profit in it. | 0:04:13 | 0:04:16 | |
-My best price. -Votre meilleur prix. | 0:04:16 | 0:04:19 | |
Hang on, hang on! Stop it! | 0:04:19 | 0:04:21 | |
Meilleur prix, madame? | 0:04:21 | 0:04:23 | |
Meilleur prix, pour vous, quatre-vingts. | 0:04:23 | 0:04:26 | |
Quatre-vingts which is, I will let you know, is 80, in actual fact. | 0:04:26 | 0:04:30 | |
Would you take quarante? | 0:04:30 | 0:04:32 | |
-Soixante. -How about cinquante? D'accord? | 0:04:32 | 0:04:37 | |
-D'accord. -Marvellous, marvellous. -By the way, by the way. Oh, two. | 0:04:37 | 0:04:41 | |
I'm brilliant at French, absolutely marvellous. | 0:04:41 | 0:04:44 | |
-You are fantastic! -Thank you. | 0:04:44 | 0:04:45 | |
Yes, it's like watching a master at work. | 0:04:45 | 0:04:48 | |
Devilish David does the deal, | 0:04:48 | 0:04:50 | |
bagging the punchbowl for 50 euros, which is just over £45. | 0:04:50 | 0:04:55 | |
And despite the farcical French, | 0:04:55 | 0:04:57 | |
he's punched his way into an early lead. | 0:04:57 | 0:04:59 | |
His rival Bingo is looking further afield for inspiration. | 0:04:59 | 0:05:03 | |
-As far away... -TRIBAL DRUMMING | 0:05:03 | 0:05:05 | |
..as Africa. | 0:05:05 | 0:05:07 | |
It's very stylish. Just a tribal stool. | 0:05:07 | 0:05:11 | |
It's been cased with brass, some of it's been cased with brass, | 0:05:11 | 0:05:14 | |
just very crudely nailed there. | 0:05:14 | 0:05:16 | |
But very stylised figures. | 0:05:16 | 0:05:18 | |
It's all made of one piece of African hardwood | 0:05:18 | 0:05:21 | |
and it's all cut away rather like sculpture. | 0:05:21 | 0:05:24 | |
You're just removing items to leave your legs in here. | 0:05:24 | 0:05:28 | |
And then this has been cased in brass. | 0:05:28 | 0:05:31 | |
Mr Braxton isn't stalling. | 0:05:31 | 0:05:33 | |
As well as the stool, he's also clapped eyes on a colourful mask. | 0:05:33 | 0:05:38 | |
The mask is very unusual. I've never seen a mask like that. | 0:05:38 | 0:05:40 | |
-The mask is from Cameroon. -From Cameroon? | 0:05:40 | 0:05:44 | |
Yes, in the centre of Africa. | 0:05:44 | 0:05:47 | |
These tribal stools generally make | 0:05:47 | 0:05:49 | |
anywhere between 50 and 80 en Angleterre. | 0:05:49 | 0:05:52 | |
So if I can try and get them for sort of 150 euros, I'd be all right. | 0:05:52 | 0:05:57 | |
And after a jolly good haggle... | 0:05:57 | 0:06:00 | |
-Deux cent. Last price. Good price. -Deux cent. | 0:06:00 | 0:06:05 | |
..Bingo is in business with not one but two bargains for just under £182 | 0:06:05 | 0:06:11 | |
at half the original asking price. | 0:06:11 | 0:06:14 | |
And it's not long before David, too, is drawn to the same stall | 0:06:14 | 0:06:18 | |
and is diverted from his attempts to master French | 0:06:18 | 0:06:21 | |
by a particularly eye-catching lady. | 0:06:21 | 0:06:23 | |
In French we call her reine mere. | 0:06:23 | 0:06:26 | |
-A reine mere? -Reine mere. -Meaning? -The queen... | 0:06:26 | 0:06:30 | |
-The queen mother. -OK. | 0:06:30 | 0:06:31 | |
This is the headdress worn only by the queen mother? | 0:06:31 | 0:06:34 | |
-Yeah. -Oh, really? So these would be gifts given to people? | 0:06:34 | 0:06:38 | |
So could this be David's next target? | 0:06:38 | 0:06:42 | |
-I'm going to teach you a bit of French. -Here we go again! | 0:06:42 | 0:06:45 | |
-So combien, monsieur? -Combien? For you... | 0:06:45 | 0:06:49 | |
Special. Hang on. | 0:06:49 | 0:06:50 | |
-Meilleur prix? -Meilleur prix, deux cent. | 0:06:50 | 0:06:54 | |
-Um, is that 200, you've just said? Cent, deux cent. -Deux cent. -Oh! | 0:06:54 | 0:06:59 | |
-Cent. D'accord? -Cent? -Yes! | 0:07:00 | 0:07:04 | |
-I can give you for 150. -But I want to pay cent. | 0:07:04 | 0:07:08 | |
Meet me halfway at, erm... | 0:07:10 | 0:07:12 | |
cent vingt. | 0:07:15 | 0:07:17 | |
-Cent trente. -What's that? Hang on. | 0:07:17 | 0:07:19 | |
-130, cent trente. -130. | 0:07:19 | 0:07:23 | |
And he's done it. | 0:07:23 | 0:07:25 | |
With polite persistence and his one-page dictionary, | 0:07:25 | 0:07:27 | |
David gets his girl for approximately £118. | 0:07:27 | 0:07:32 | |
She's coming home with me, | 0:07:32 | 0:07:34 | |
this beauty, Nigerian Benin bronze, is coming to Barnard Castle. | 0:07:34 | 0:07:37 | |
She's never been to Barnard Castle and she's going to really enjoy. | 0:07:37 | 0:07:41 | |
For 130 euros, she's gorgeous. | 0:07:41 | 0:07:44 | |
# You're the love of my life... # | 0:07:45 | 0:07:48 | |
Looking for a bargain, our David has found love. | 0:07:48 | 0:07:51 | |
She's gorgeous. | 0:07:51 | 0:07:53 | |
Keen to keep up the momentum, | 0:07:53 | 0:07:57 | |
Mr Harper moves on and next to catch his eye is a funky coffee table. | 0:07:57 | 0:08:00 | |
This antiques business isn't all about buying items | 0:08:00 | 0:08:04 | |
that are over 100 years old. | 0:08:04 | 0:08:06 | |
Not at all. You've really got to keep abreast of fashion. | 0:08:06 | 0:08:10 | |
And this now is very fashionable. | 0:08:10 | 0:08:12 | |
1950s, 1960s vintage, retro, jazzy table. | 0:08:12 | 0:08:17 | |
10 years ago, you'd chuck it away. | 0:08:17 | 0:08:19 | |
But because things go out of fashion and get thrown away, | 0:08:19 | 0:08:22 | |
the items that are left when they do come back into fashion | 0:08:22 | 0:08:26 | |
have not a great value, in this case, but desirability. | 0:08:26 | 0:08:29 | |
It's for a young buyer who really wants to funk up their home. | 0:08:29 | 0:08:33 | |
Let's talk to someone. Bonjour, monsieur. | 0:08:33 | 0:08:36 | |
Tell me about this table. Where did it come from? | 0:08:36 | 0:08:38 | |
I bought it in Mechelen, which is between Brussels and Antwerp. | 0:08:38 | 0:08:42 | |
-Right, OK. -I like the '50s, '60s style. | 0:08:42 | 0:08:46 | |
-Is it fantastically cheap for me to buy? -I think so. -Really? | 0:08:46 | 0:08:49 | |
I think that 75 is cheap. Can do sort of 10% off. | 0:08:49 | 0:08:53 | |
So I suppose it was a mass-produced thing. | 0:08:53 | 0:08:56 | |
It's got no names on it. | 0:08:56 | 0:08:58 | |
No names. If it was a really well-known maker... | 0:08:58 | 0:09:00 | |
-Then it's a different price. -A different price but we don't know who made it. | 0:09:00 | 0:09:04 | |
And a name makes a lot of difference. | 0:09:04 | 0:09:06 | |
The glass is still OK. Normally it gets chipped. | 0:09:06 | 0:09:09 | |
There's a little, a little twitch there. | 0:09:09 | 0:09:12 | |
So monsieur, meilleur prix? | 0:09:12 | 0:09:14 | |
Soixante c'est le meilleur. | 0:09:14 | 0:09:16 | |
-I think you just said 60, did you? -Soixante. | 0:09:18 | 0:09:20 | |
OK. Yeah. Work with me on this one, this is all very new to me. | 0:09:20 | 0:09:24 | |
OK, what if I said to you cinqante? | 0:09:24 | 0:09:27 | |
-D'accord? -It's reasonable but it's cheap. | 0:09:27 | 0:09:30 | |
Cash. Cash is king. | 0:09:30 | 0:09:33 | |
No Visa for me! | 0:09:33 | 0:09:35 | |
Good man. Thank you very much. Great. | 0:09:35 | 0:09:37 | |
Yes, he does it again. | 0:09:37 | 0:09:40 | |
David puts an offer on the table of just over £45 and it's accepted. | 0:09:40 | 0:09:44 | |
Bingo had better bring on the buying | 0:09:44 | 0:09:47 | |
because this Belgian battle is being blitzed by David. | 0:09:47 | 0:09:51 | |
Before long, our bastion of the bargain, Mr Braxton, | 0:09:51 | 0:09:54 | |
bumps into a stall with items at bargain basement prices | 0:09:54 | 0:09:57 | |
and picks out three seashell balls. | 0:09:57 | 0:10:00 | |
-Cinq euro. -Cinq euro. | 0:10:02 | 0:10:04 | |
Cinq euro pour les trois. That's not much, is it? | 0:10:04 | 0:10:06 | |
That's very good. That's a good price. | 0:10:06 | 0:10:10 | |
Merci, monsieur. | 0:10:10 | 0:10:12 | |
Bingo shells out just over £4.50 on the three balls. | 0:10:12 | 0:10:16 | |
What's the story, Mr B? | 0:10:16 | 0:10:19 | |
They're just balls that somebody's applied shells to. | 0:10:19 | 0:10:22 | |
But they have a really good look and they caught my eye in that bowl. | 0:10:22 | 0:10:25 | |
I'm sure somebody else in England will like these decorative items. | 0:10:25 | 0:10:30 | |
I can see them going down a storm | 0:10:30 | 0:10:31 | |
somewhere like Brighton by the seaside. | 0:10:31 | 0:10:34 | |
Well, Bingo's making up ground. | 0:10:34 | 0:10:36 | |
Next up is an Art Deco glass vase which he pays just over £7 for. | 0:10:36 | 0:10:41 | |
The nice thing about this, what attracted me to it, | 0:10:41 | 0:10:44 | |
it's quite complicated. | 0:10:44 | 0:10:46 | |
It's moulded, it's not cut, but everything is staggered. | 0:10:46 | 0:10:50 | |
It's all stepped, the buttressing. | 0:10:50 | 0:10:53 | |
The gilding's rubbed, here, it's been much used | 0:10:53 | 0:10:55 | |
but I like the fact it's been polished off at the base. | 0:10:55 | 0:10:58 | |
This will support some big flowers and it won't fall over in a hurry. | 0:10:58 | 0:11:03 | |
From nowhere, James is now on a buying frenzy. | 0:11:03 | 0:11:05 | |
David would be quaking in his devilish boots | 0:11:05 | 0:11:09 | |
if he wasn't having such a good day himself. | 0:11:09 | 0:11:12 | |
What a mighty clash this is turning out to be. | 0:11:12 | 0:11:14 | |
Now how are you doing so far? How's the secret weapon? | 0:11:14 | 0:11:17 | |
-Unbelievable. -Unbelievable. | 0:11:17 | 0:11:20 | |
It's the best secret weapon I've ever employed. And I've employed many. | 0:11:20 | 0:11:25 | |
So this is a bridge between our two great nations | 0:11:25 | 0:11:28 | |
and you're bridging that with a bit of language, are you? | 0:11:28 | 0:11:31 | |
I think the government should send me as a representative of our nation. | 0:11:31 | 0:11:34 | |
En Francais himself, yeah! | 0:11:34 | 0:11:38 | |
It's been fabulous, but I think they've been very kind with me. | 0:11:38 | 0:11:41 | |
-And best phrase today? -Best phrase would be, "d'accord" is good. | 0:11:41 | 0:11:45 | |
Love saying d'accord. | 0:11:45 | 0:11:47 | |
-D'accord, OK. -But meilleur prix. -Meilleur prix. | 0:11:47 | 0:11:50 | |
So I say how much first, "Combien?" | 0:11:50 | 0:11:52 | |
And then I say best price after that. | 0:11:52 | 0:11:55 | |
-Soften them up. -Soften them up and them give it them, yeah! | 0:11:55 | 0:11:57 | |
What about you? | 0:11:57 | 0:11:58 | |
You were going to dash around and get it over with | 0:11:58 | 0:12:01 | |
so you could have a nice leisurely lunch, as they do on the continent. | 0:12:01 | 0:12:04 | |
I was worried about them losing focus and concentrating on lunch | 0:12:04 | 0:12:08 | |
while I was desperately looking for a second or third item or whatever. | 0:12:08 | 0:12:14 | |
I've done quite well. My best phrase to date is plus cher. | 0:12:14 | 0:12:18 | |
I might need to write that down. What does it mean? | 0:12:18 | 0:12:21 | |
I think you need that one. That's too expensive. Too dear, too dear. | 0:12:21 | 0:12:25 | |
-Plus cher. -So they give you a price and you say, "Plus cher, monsieur." | 0:12:25 | 0:12:30 | |
What you should do is go "Combien?" Price. "Meilleur prix?" Price. | 0:12:30 | 0:12:33 | |
"Plus cher." Three goes at it. | 0:12:33 | 0:12:36 | |
Sorry, yeah. I've gone slightly beyond that stage. | 0:12:36 | 0:12:41 | |
It's lovely. We should soak it up a little longer | 0:12:41 | 0:12:43 | |
and then get back into the action. | 0:12:43 | 0:12:45 | |
Into the fray. | 0:12:45 | 0:12:47 | |
So far, David and James have had a real humdinger of a day, | 0:12:47 | 0:12:50 | |
purchasing antiques galore. | 0:12:50 | 0:12:52 | |
They both started the day with £750 of their own cash. | 0:12:52 | 0:12:57 | |
David has bought three items and spent just over £209, | 0:12:57 | 0:13:02 | |
leaving him just under £541 to play with. | 0:13:02 | 0:13:05 | |
James has gone one better and bought four items. | 0:13:06 | 0:13:10 | |
He, however, has spent nearly £194, | 0:13:10 | 0:13:13 | |
which leaves just over £556 still to spend. | 0:13:13 | 0:13:18 | |
As round two begins, our dealers know that this competition | 0:13:20 | 0:13:23 | |
could go either way and that the items they find now | 0:13:23 | 0:13:26 | |
could prove crucial in their quest for victory. | 0:13:26 | 0:13:30 | |
Devilish David is combing stalls, looking for pieces that leap out at him. | 0:13:30 | 0:13:34 | |
Let me introduce you to one of my all time favourite Chinese characters. | 0:13:34 | 0:13:39 | |
This is Liu Hai. | 0:13:39 | 0:13:42 | |
Liu Hai, I think from memory, was the god of needle-makers and of wealth | 0:13:42 | 0:13:46 | |
and the story goes that Liu Hai would travel around the world | 0:13:46 | 0:13:50 | |
with his three-legged toad in search of enlightenment, | 0:13:50 | 0:13:53 | |
happiness and peace. | 0:13:53 | 0:13:55 | |
The toad was an amazing creature because he had the ability to fly | 0:13:55 | 0:13:58 | |
and Liu Hai would fly on the back of the toad all around the world. | 0:13:58 | 0:14:02 | |
But the only problem with the toad is that every single time | 0:14:02 | 0:14:05 | |
the three-legged toad would see a well, he would dive down, | 0:14:05 | 0:14:08 | |
soak himself in the water and have a wonderful time wallowing around. | 0:14:08 | 0:14:12 | |
The only way Liu Hai could get him back out of the well | 0:14:12 | 0:14:15 | |
so he could continue on his flight around the world | 0:14:15 | 0:14:18 | |
would be to jangle money over the top of the well. | 0:14:18 | 0:14:21 | |
The three-legged toad could not resist this. | 0:14:21 | 0:14:23 | |
He would crawl up the well | 0:14:23 | 0:14:25 | |
and as the three-legged toad went to grab the money, | 0:14:25 | 0:14:28 | |
Liu Hai would grab the toad, jump on his back and off they would go. | 0:14:28 | 0:14:32 | |
Fantastic. | 0:14:32 | 0:14:33 | |
David Harper, ladies and gentlemen. | 0:14:33 | 0:14:36 | |
Dealer, linguist and storyteller extraordinaire. | 0:14:36 | 0:14:40 | |
But while Liu Hai is beyond our David's budget, it's not long before he spots | 0:14:40 | 0:14:45 | |
a piece that isn't - an early 20th-century chandelier. | 0:14:45 | 0:14:50 | |
This is exactly the kind of thing that English dealers | 0:14:50 | 0:14:52 | |
come to the continent to buy - very typical French or Belgian of course - | 0:14:52 | 0:14:56 | |
light fitting, but really stylish. | 0:14:56 | 0:14:59 | |
Very lightweight. Super-looking, nice size. | 0:14:59 | 0:15:02 | |
It's not over-big for any home. | 0:15:02 | 0:15:04 | |
It's very, very dusty, it's brass and then it's gilded to look like ormolu. | 0:15:04 | 0:15:09 | |
Ormolu is bronze and then gold-plated. | 0:15:09 | 0:15:11 | |
It's ormolu-looking, 19th-century in style, | 0:15:11 | 0:15:15 | |
but probably dates to about 1920s to 1940s. | 0:15:15 | 0:15:18 | |
It's got two wires, so it would need rewiring | 0:15:18 | 0:15:21 | |
but it wouldn't be expensive. | 0:15:21 | 0:15:23 | |
So, a quick rewire, a clean-up maybe highlight this gilding here | 0:15:23 | 0:15:26 | |
with wax and it would look the business. | 0:15:26 | 0:15:30 | |
I might try to buy it for vingt, which is 20. Monsieur... | 0:15:30 | 0:15:34 | |
-Er, vingt? -Vingt-cinq? | 0:15:34 | 0:15:37 | |
Vingt-cinq, 25? OK, um... | 0:15:37 | 0:15:39 | |
D'accord. I agree. | 0:15:39 | 0:15:43 | |
Monsieur... | 0:15:43 | 0:15:45 | |
Merci. OK. Right, thank you. | 0:15:45 | 0:15:48 | |
I'm getting really good at this French, I'm amazing myself. | 0:15:48 | 0:15:51 | |
-Yes, and us too, David. -I've just paid 25 euros, that's about 2o quid, plus a rewire - 20... | 0:15:51 | 0:15:58 | |
It's going to owe me less than 50 | 0:15:58 | 0:16:00 | |
and I think that should really be a double-bubble. | 0:16:00 | 0:16:03 | |
"Double-bubble" meaning double your money. I'll go and give him some money. | 0:16:03 | 0:16:07 | |
-Right... -Well, you've got to hand it to him, | 0:16:07 | 0:16:09 | |
our David is really putting his all into this | 0:16:09 | 0:16:12 | |
and he's sealed the deal on item number four for just under £23. | 0:16:12 | 0:16:17 | |
Let's hope his figures add up or it could be double trouble | 0:16:17 | 0:16:21 | |
for our fancy linguist. Mr Braxton, expert in fine art, | 0:16:21 | 0:16:26 | |
is searching for a stall that catches his finely tuned eye. | 0:16:26 | 0:16:29 | |
Got something for everybody here. | 0:16:29 | 0:16:32 | |
That is quite a strong palette, that one. | 0:16:32 | 0:16:37 | |
Agh! That's putting it mildly, Bingo! | 0:16:37 | 0:16:41 | |
But the picture I like is over resting against the van | 0:16:41 | 0:16:44 | |
and it's a townscape with a nice tram in it. | 0:16:44 | 0:16:47 | |
James knows that if the price is right, he can always turn a pretty picture into a handsome profit. | 0:16:47 | 0:16:53 | |
It's a nice picture. Where is it? | 0:16:53 | 0:16:55 | |
This is the Flemish part of Belgium - it's Ghent - the centre of Ghent. | 0:16:55 | 0:16:59 | |
-Yeah, yeah. -And it's around 1940s. What you see is what you get. | 0:16:59 | 0:17:03 | |
Cent cinquante? | 0:17:03 | 0:17:05 | |
-BINGO LAUGHS -Er, no. | 0:17:05 | 0:17:07 | |
The normal price is 250 | 0:17:07 | 0:17:10 | |
but I can do, if you pay cash, 200. | 0:17:10 | 0:17:13 | |
A little lower? | 0:17:13 | 0:17:16 | |
-He's hard. -I am hard. -I'm happy not all the clients are. 190? | 0:17:16 | 0:17:22 | |
-I'll give you 190. It's very kind. -Deal. -Deal, thank you. | 0:17:22 | 0:17:27 | |
And James the gent gets the painting of Ghent for approximately £173. | 0:17:27 | 0:17:33 | |
Watto! | 0:17:33 | 0:17:34 | |
This buying business is painting by numbers for our Bingo. | 0:17:34 | 0:17:38 | |
I'm pleased with the picture. It's the sort of style I like. | 0:17:38 | 0:17:41 | |
It's impressionistic. It's a continental scene, | 0:17:41 | 0:17:44 | |
it's got figurative interest in it. It's got a bit of colour in it. | 0:17:44 | 0:17:48 | |
If you look at the back of it, I think it's in its original frame. | 0:17:48 | 0:17:53 | |
Do you see how the wood all seems to be of a sort of similar colour? | 0:17:53 | 0:17:57 | |
It sits well. It doesn't look as though it's been fiddled with much. | 0:17:57 | 0:18:04 | |
I don't think the moulding's ever been taken out. | 0:18:04 | 0:18:07 | |
It still looks quite bright, the frame. | 0:18:07 | 0:18:11 | |
I've got a private buyer in mind, but if he doesn't have | 0:18:11 | 0:18:14 | |
the appetite for it, it's something that I might take a risk on at auction. | 0:18:14 | 0:18:19 | |
Devilish David, that dragon of dealing, | 0:18:19 | 0:18:23 | |
is ready to sink his claws into another possible purchase. | 0:18:23 | 0:18:26 | |
He's spotted a small Chinese travelling inkwell. | 0:18:26 | 0:18:30 | |
These are interesting. A travelling scribe's box with an inkwell. | 0:18:30 | 0:18:34 | |
The ink will go into this little reservoir here | 0:18:34 | 0:18:37 | |
and then your quills in there. | 0:18:37 | 0:18:39 | |
Then, when the scribe - the academic - went on his travels, | 0:18:39 | 0:18:41 | |
that would simply fit onto his belt and off he would go. | 0:18:41 | 0:18:45 | |
When he was sat in situ, it would just sit beautifully on a desk. | 0:18:45 | 0:18:49 | |
This is distinctly Chinese. Look at the decoration! | 0:18:49 | 0:18:52 | |
We have a Chinese dragon coming down the body. | 0:18:52 | 0:18:54 | |
The thing to look out for with Chinese dragons are the claws. | 0:18:54 | 0:18:58 | |
If you find a five-clawed Chinese dragon | 0:18:58 | 0:19:01 | |
on a very early piece of Chinese anything - | 0:19:01 | 0:19:04 | |
pottery, porcelain, brass or bronze - | 0:19:04 | 0:19:07 | |
then that may well be an indicator that that dragon - that item - | 0:19:07 | 0:19:11 | |
was made for the Emperor or one of his many members of family, | 0:19:11 | 0:19:15 | |
which may run into many thousands of people who are connected to the Emperor. | 0:19:15 | 0:19:19 | |
Um, I can't actually see any claws on this particular dragon. | 0:19:19 | 0:19:23 | |
What a lovely thing! Distinctly Chinese. | 0:19:23 | 0:19:27 | |
Anything Chinese is absolutely flavour - | 0:19:27 | 0:19:29 | |
not of the month - I think, of the decade. | 0:19:29 | 0:19:33 | |
I'd like to pay 70 or 80, let's see what we can do here. | 0:19:33 | 0:19:37 | |
Monsieur, soixante? | 0:19:37 | 0:19:40 | |
Too low? | 0:19:40 | 0:19:42 | |
OK. | 0:19:42 | 0:19:45 | |
The dealer wants 130 euros for this well travelled Asian antique. | 0:19:45 | 0:19:49 | |
But with dogged determination, David manages to clinch the deal | 0:19:49 | 0:19:53 | |
at 100 euros - just under £91. | 0:19:53 | 0:19:57 | |
-Thank you. -I'm a Lord. -Really! -You? | 0:19:57 | 0:20:00 | |
Oh, Lord Harper. Two Lords together. | 0:20:00 | 0:20:03 | |
What kind of Lords, I'm not sure. | 0:20:03 | 0:20:05 | |
Lords of loot maybe. But what's happened to your French, David? | 0:20:05 | 0:20:09 | |
Marvellous! OK. D'accord. That's French. | 0:20:09 | 0:20:12 | |
Oh, there it is. Never fear. | 0:20:12 | 0:20:15 | |
Gentleman James is looking pleased as punch. | 0:20:15 | 0:20:18 | |
He's finally spotted a bona fide bargain that ticks all his boxes. | 0:20:18 | 0:20:22 | |
It's very nice - it's very French. | 0:20:22 | 0:20:26 | |
Sweet, perfect! Parfait really. | 0:20:26 | 0:20:28 | |
I might paint it. Or the shabby chic, isn't it? | 0:20:28 | 0:20:33 | |
-Le chic! -Ever the gentleman, our Bingo politely executes | 0:20:33 | 0:20:37 | |
a perfect final purchase and picks up the table for just over £27. | 0:20:37 | 0:20:43 | |
What I like about this table is it's so, so eminently for the garden. | 0:20:43 | 0:20:48 | |
You put it down on the floor, nice circular thing. | 0:20:48 | 0:20:51 | |
Why is it for the garden? It's got three legs. | 0:20:51 | 0:20:54 | |
Three legs always sit true. | 0:20:54 | 0:20:56 | |
There it is. We've got an uneven car park here. | 0:20:56 | 0:20:59 | |
It could be uneven grass. It's always going to sit true. | 0:20:59 | 0:21:03 | |
Well done, Mr B. | 0:21:03 | 0:21:05 | |
And with that, time's up on our Belgian bargain buying bash. | 0:21:05 | 0:21:08 | |
And it's time to check up on how our sparring Spartans have spent. | 0:21:08 | 0:21:14 | |
Both David and James started the day with £750 of their own cash. | 0:21:14 | 0:21:19 | |
Devilish David has played a cautious game - | 0:21:19 | 0:21:21 | |
bagging five items in total and spending nearly £323 in the process. | 0:21:21 | 0:21:27 | |
James bought six items by close of business | 0:21:27 | 0:21:30 | |
and spent slightly more, at just under £394. | 0:21:30 | 0:21:36 | |
All that remains is for our brave boys to assess each other's progress. | 0:21:36 | 0:21:41 | |
I told you, David, they'd lose concentration. Look at them! All packing up. | 0:21:41 | 0:21:46 | |
-I know. -It's lunchtime. -I know, but they have been here a very long time. | 0:21:46 | 0:21:50 | |
-They deserve some grub, don't they? -They have. -Have you had a cracking day? | 0:21:50 | 0:21:54 | |
Yeah, I've had a decorative and colourful day, by the looks of my goods. | 0:21:54 | 0:21:59 | |
Tell me, which is your favourite item? | 0:21:59 | 0:22:01 | |
Er, I do like my picture. | 0:22:01 | 0:22:03 | |
I like the fellow, the mask from the Cameroon. | 0:22:03 | 0:22:06 | |
That is funky, isn't it? I've got to say. | 0:22:06 | 0:22:09 | |
I think very similarly, I think my Benin bronze, that is my favourite item. | 0:22:09 | 0:22:13 | |
She is absolutely delicious. | 0:22:13 | 0:22:15 | |
I love your bowl. That's a huge, gigantic scale. | 0:22:15 | 0:22:19 | |
It's a beauty. Big punch bowl. | 0:22:19 | 0:22:21 | |
Mid-19th century, English. Staffordshire. | 0:22:21 | 0:22:23 | |
-Staffordshire. -Bought in Belgium, marvellous! | 0:22:23 | 0:22:26 | |
-I'm taking it home, James, where it belongs. -Yeah. | 0:22:26 | 0:22:28 | |
It's been well worth the journey. | 0:22:28 | 0:22:30 | |
And now, Dave the linguist, | 0:22:30 | 0:22:32 | |
getting in amongst them. | 0:22:32 | 0:22:34 | |
I seriously have impressed myself today. | 0:22:34 | 0:22:36 | |
I didn't realise I had such skills in the language department. | 0:22:36 | 0:22:41 | |
I think I'll have to watch the playbacks. | 0:22:41 | 0:22:43 | |
Our kings of collectables | 0:22:47 | 0:22:49 | |
must now turn their considerable clout from buying to selling. | 0:22:49 | 0:22:53 | |
They need to sell hard and fast to make as much profit as possible, | 0:22:53 | 0:22:57 | |
as only one of them can claim the Put Your Money Where Your Mouth Is title. | 0:22:57 | 0:23:02 | |
The rolling hills of Sussex welcome home gentleman James | 0:23:02 | 0:23:07 | |
and the historic ruins of Barnard Castle herald the return | 0:23:07 | 0:23:10 | |
of Devilish David. | 0:23:10 | 0:23:12 | |
And once ensconced back at base, | 0:23:14 | 0:23:17 | |
they both begin to plot their selling strategies. | 0:23:17 | 0:23:20 | |
The 19th-century blue-and-white bowl, what a buy! | 0:23:20 | 0:23:24 | |
No money at all. Good profit in that baby! | 0:23:24 | 0:23:27 | |
Now the retro table. This stuff is really on the up. | 0:23:27 | 0:23:30 | |
I've got one guy who should buy it off me. | 0:23:30 | 0:23:33 | |
If he doesn't, I don't know who else will. | 0:23:33 | 0:23:36 | |
The Benin bronze. | 0:23:36 | 0:23:38 | |
Finding a home for it may well be a bit tricky | 0:23:38 | 0:23:40 | |
because it's not everybody's cup of tea. | 0:23:40 | 0:23:43 | |
The 19th-century Chinese bronze travelling scribe's pot. | 0:23:43 | 0:23:47 | |
Oh, my gosh, that is a cracking find! | 0:23:47 | 0:23:51 | |
As well as all that, David also has to sell his chandelier. | 0:23:51 | 0:23:55 | |
James is also assessing his awesome armoury. | 0:23:55 | 0:23:59 | |
That fabulous beadwork mask from the Cameroon - | 0:23:59 | 0:24:02 | |
the Bamileke tribe - that was a nice item. | 0:24:02 | 0:24:05 | |
Also from the same seller, I bought a lovely stool. That should do well. | 0:24:05 | 0:24:09 | |
I bought a fabulous Art Deco glass vase. | 0:24:09 | 0:24:13 | |
That was the one with the stepped corners. I really like that. | 0:24:13 | 0:24:16 | |
At eight euros, that was a bit of a steal. | 0:24:16 | 0:24:19 | |
The three-legged table. | 0:24:19 | 0:24:21 | |
It's a lovely item, beautifully designed, and works really well. | 0:24:21 | 0:24:25 | |
My most expensive lot there was a fabulous picture of Ghent. | 0:24:25 | 0:24:29 | |
At 190 euros, I might be found slightly wanting on that one. | 0:24:29 | 0:24:33 | |
And James will also have to sell his three seashell balls. | 0:24:33 | 0:24:38 | |
Our antiques entrepreneurs will be pulling out the stops | 0:24:38 | 0:24:41 | |
to find buyers for their items. | 0:24:41 | 0:24:43 | |
But, until they've shaken on it and the money has changed hands, | 0:24:43 | 0:24:47 | |
no deal is truly sealed. | 0:24:47 | 0:24:50 | |
Our brave boys fly forth from their respective HQs. | 0:24:50 | 0:24:54 | |
But Devilish David is first to knock on the dealing door. | 0:24:54 | 0:24:57 | |
He's taken his retro coffee table, bought just over £45, | 0:24:57 | 0:25:01 | |
to Newcastle, to see Steve, who deals in retro and vintage pieces. | 0:25:01 | 0:25:06 | |
-Steve... I'm going to reveal to you... -I can't wait. -Something delicious. | 0:25:08 | 0:25:13 | |
-It's going to be amazing. -You'll be so impressed, it's unbelievable. | 0:25:13 | 0:25:17 | |
I'm just going to watch your face. | 0:25:17 | 0:25:20 | |
DRUM ROLL AND FANFARE | 0:25:20 | 0:25:21 | |
-Oh! -Yes. -It's a table. | 0:25:21 | 0:25:24 | |
It's not English, is it? | 0:25:24 | 0:25:27 | |
It's quite a nice design on there, mind. | 0:25:27 | 0:25:30 | |
-Date-wise? -It's not best quality but it's quite stylish. | 0:25:30 | 0:25:34 | |
Yeah. I would say, being very precise... | 0:25:34 | 0:25:37 | |
-Yeah. -1958 to 1962. -Seriously? -It's speaking to me. -Really? | 0:25:37 | 0:25:43 | |
-You're still having those problems, are you? -I am. I'm hearing tables. | 0:25:43 | 0:25:48 | |
Yeah. You know, it's got an '80s look to me about it. | 0:25:48 | 0:25:50 | |
I know it isn't '80s but, do you know what this reminds me of? | 0:25:50 | 0:25:54 | |
Do you remember the face, Age Of Consent? | 0:25:54 | 0:25:57 | |
I'm probably too young for that sort of thing but I do have a very similar hairstyle. | 0:25:57 | 0:26:01 | |
A lot of youngsters these days are looking back to the '80s. | 0:26:01 | 0:26:04 | |
Now they're in their 20s, 30s, making a bit of money | 0:26:04 | 0:26:07 | |
-and harking back to those... -It's like candyfloss. -..angelic days. -Yeah. | 0:26:07 | 0:26:11 | |
You're desperate to buy that. | 0:26:11 | 0:26:13 | |
I don't know about being desperate to buy it. | 0:26:13 | 0:26:16 | |
-It's under £100. -It would have to be, wouldn't it? Quite honestly. Really! | 0:26:16 | 0:26:21 | |
-90. -Not 90. | 0:26:21 | 0:26:24 | |
-I don't see... -75? | 0:26:24 | 0:26:27 | |
I was thinking more 60. | 0:26:27 | 0:26:29 | |
-Make it 70. -Go on then! | 0:26:29 | 0:26:32 | |
Thank you, thank you. Great. | 0:26:32 | 0:26:34 | |
Yes, a good solid start by the devilish one. | 0:26:34 | 0:26:36 | |
He carves out a profit of nearly £25. | 0:26:36 | 0:26:40 | |
Mr Braxton, that hustling haggler, is now ready to make his mark. | 0:26:40 | 0:26:45 | |
He's taken his painting of Ghent to see old friend Andrew | 0:26:45 | 0:26:49 | |
with every confidence of a decent sale. | 0:26:49 | 0:26:52 | |
Here's the picture I showed you the photo of. | 0:26:52 | 0:26:54 | |
Aha! OK. | 0:26:54 | 0:26:57 | |
-What do you think of it? -Um... | 0:26:57 | 0:27:00 | |
-It's of Ghent. If you stand back a bit... -Yeah. | 0:27:00 | 0:27:04 | |
It's quite a nice Impressionist scene. | 0:27:04 | 0:27:06 | |
Done by van Deventer. | 0:27:06 | 0:27:09 | |
Um, I think, James, that might be | 0:27:09 | 0:27:11 | |
outside my appreciation buds. | 0:27:11 | 0:27:15 | |
-Do you, do you? -I think you'll find somebody who really falls in love with that. -Yeah. | 0:27:15 | 0:27:20 | |
I'll have to... I'll just have to search a little further, won't I? | 0:27:20 | 0:27:24 | |
You will do, yes. Good, good. Thank you very much. | 0:27:24 | 0:27:28 | |
-Don't worry, don't worry. Everybody's allowed to look. -BINGO LAUGHS | 0:27:28 | 0:27:33 | |
Oh, dear! Bingo rebuffed. | 0:27:33 | 0:27:36 | |
Chin up, old boy, and stick on some inspiring music. | 0:27:36 | 0:27:40 | |
# We've got to keep the faith... # | 0:27:40 | 0:27:43 | |
Oh, well! Pictures aren't for everybody. | 0:27:46 | 0:27:49 | |
-At least I've got Richard up my sleeve. -Yes, that's the spirit, James. | 0:27:49 | 0:27:53 | |
Back in Barnard Castle, Devilish David Harper | 0:27:53 | 0:27:56 | |
has been conducting some detailed research on his Chinese inkwell. | 0:27:56 | 0:28:01 | |
I've shown it to a very good friend of mine and colleague, | 0:28:01 | 0:28:04 | |
and it is exactly what I thought it was. | 0:28:04 | 0:28:06 | |
Certainly 19th-century or before. | 0:28:06 | 0:28:09 | |
It does make you wonder, if this is a travelling inkwell, | 0:28:09 | 0:28:12 | |
when you're travelling, any residue ink left in the pot | 0:28:12 | 0:28:14 | |
will leak out and go down your trouser leg. | 0:28:14 | 0:28:17 | |
But, in this one, something I didn't notice, | 0:28:17 | 0:28:19 | |
is that deep inside that well, there is some hair. | 0:28:19 | 0:28:22 | |
That is jet black Chinese hair. | 0:28:22 | 0:28:26 | |
This is a 19th-century version of a sponge. | 0:28:26 | 0:28:28 | |
And the hair actually has dried globules of ink. | 0:28:28 | 0:28:33 | |
This is the original hair that was in this pot | 0:28:33 | 0:28:35 | |
when it was last used. Probably at least 100 years ago. | 0:28:35 | 0:28:38 | |
This just genuinely sends shivers up my spine. | 0:28:38 | 0:28:42 | |
I'm going to take a chance. I'm going to put that into an auction with online bidding. | 0:28:42 | 0:28:47 | |
It's got speculative possibilities and it might just fly. | 0:28:47 | 0:28:51 | |
Hmm, we'll find out later how the auction goes. | 0:28:51 | 0:28:54 | |
Now, after his earlier setback, | 0:28:54 | 0:28:56 | |
the dogged determination of James Braxton | 0:28:56 | 0:28:59 | |
is once again shining through. With just the faintest whiff of a sale, | 0:28:59 | 0:29:03 | |
Bingo's off to Hastings in Sussex to see Robert - | 0:29:03 | 0:29:06 | |
an expert in African artefacts. | 0:29:06 | 0:29:08 | |
With his African stool and mask, which combined, | 0:29:08 | 0:29:12 | |
cost him nearly £182. | 0:29:12 | 0:29:14 | |
Robert, can I show you my first purchase? | 0:29:14 | 0:29:17 | |
I was told that it came from the Gambon, | 0:29:17 | 0:29:21 | |
-from a tribe called the Kota tribe. -That's correct. | 0:29:21 | 0:29:24 | |
Kota's a very valuable commodity in Africa at one time. | 0:29:24 | 0:29:27 | |
Sometimes more valuable than gold. It's a nice, decorative piece. | 0:29:27 | 0:29:32 | |
Robert, this one I really fell in love with. | 0:29:32 | 0:29:34 | |
It's quite an extraordinary piece. It is glorious in its hideousness. | 0:29:34 | 0:29:40 | |
-There we are. -Wonderful! | 0:29:40 | 0:29:43 | |
It's Cameroonian, isn't it? | 0:29:43 | 0:29:46 | |
It is modern again. | 0:29:46 | 0:29:48 | |
It's not terribly old, is it? | 0:29:48 | 0:29:50 | |
If you do that... it immediately comes up white. | 0:29:50 | 0:29:55 | |
-Yeah. -If it had been used, you wouldn't have seen the mark immediately. | 0:29:55 | 0:29:59 | |
It would still have been black underneath. | 0:29:59 | 0:30:01 | |
The man told me that they sort of wore it, almost, | 0:30:01 | 0:30:06 | |
on the head like this. | 0:30:06 | 0:30:09 | |
-And then dipped their heads down. -Yes. | 0:30:09 | 0:30:11 | |
It would be what they call sky-awarding. | 0:30:11 | 0:30:14 | |
Looking to the gods and forefathers, | 0:30:14 | 0:30:16 | |
if they're going to wear it like that. | 0:30:16 | 0:30:19 | |
-OK. I just loved it. I thought it was sensational. -It's wonderful. | 0:30:19 | 0:30:24 | |
You ask someone to make a mask for you, you'd pay him four goats | 0:30:24 | 0:30:28 | |
and you'd give him two goats and then they'd have to wear the mask. | 0:30:28 | 0:30:32 | |
If the spirits come into the mask, and the dancer holding the mask | 0:30:32 | 0:30:35 | |
can feel the spirits in it, the guy will get the other two goats. | 0:30:35 | 0:30:40 | |
Don't worry, don't worry, Robert. I'm not asking four goats for these. | 0:30:40 | 0:30:44 | |
-ROBERT LAUGHS -You've talked them up beautifully. | 0:30:44 | 0:30:47 | |
There's no need to do any salesmanship for myself. | 0:30:47 | 0:30:50 | |
-Could you do 250 for the two? -No. | 0:30:50 | 0:30:54 | |
The absolute limit is 180, I suppose. | 0:30:54 | 0:30:59 | |
-A couple of hundred. -A bird in the hand, 210, Robert. | 0:30:59 | 0:31:02 | |
-All right, 210 then. -Great, thank you. | 0:31:02 | 0:31:05 | |
Bish, bash, bosh, Bingo brings home the bacon! | 0:31:05 | 0:31:08 | |
He's taken a combined profit of over £28 for the stool and the mask. | 0:31:08 | 0:31:12 | |
He's back in the race. | 0:31:12 | 0:31:15 | |
But Devilish David isn't about to let up in his pursuit of profit, | 0:31:15 | 0:31:19 | |
he's putting all emotion aside | 0:31:19 | 0:31:21 | |
as he sets off to sell his Benin bronze lady, | 0:31:21 | 0:31:24 | |
bought for just over £118, to Dale, a local dealer. | 0:31:24 | 0:31:28 | |
So, there she is. | 0:31:30 | 0:31:31 | |
-Now, Dale, let me just ask you a question. -Yes. | 0:31:31 | 0:31:34 | |
Have you been thinking about her? | 0:31:34 | 0:31:36 | |
Well, a little bit, a little bit, I've kept in mind. | 0:31:36 | 0:31:38 | |
-I thought I might be interested to see what she looks like in the house, in the flat. -Hm. | 0:31:38 | 0:31:42 | |
I'll see how it goes, you know? | 0:31:42 | 0:31:44 | |
Is it, it sounds like you're going to have a potential relationship? | 0:31:44 | 0:31:46 | |
-Well, I don't know, she's a nice girl, you know! -THEY LAUGH | 0:31:46 | 0:31:49 | |
-She doesn't talk through much. -No, no, she is cheap to keep! | 0:31:49 | 0:31:52 | |
-DAVID LAUGHS -But possibly not cheap to buy. -Well, we don't know that. | 0:31:52 | 0:31:56 | |
-I think the couple of hundred quid. -A couple of hundred quid? | 0:31:56 | 0:31:59 | |
-Well, what about 190? -Well, you know what, I think that's OK. | 0:31:59 | 0:32:03 | |
I'm not absolutely delighted... | 0:32:03 | 0:32:05 | |
not because of the money, I think the money is fine, | 0:32:05 | 0:32:07 | |
I just think she's so lovely that she's going to miss me and I'm going to miss her! | 0:32:07 | 0:32:10 | |
-So, well, can I visit her? -You can do, any time you want. -Perfect! | 0:32:10 | 0:32:13 | |
-We'll have a drink! -Fantastic. Thanks, Dale. -Thank you very much. | 0:32:13 | 0:32:16 | |
Oh, poor David's having his heartstrings well and truly tugged! | 0:32:17 | 0:32:21 | |
Chin up, David, you'll always have the memories! | 0:32:21 | 0:32:23 | |
MUSIC: "I Will Always Love You" by Whitney Houston | 0:32:23 | 0:32:27 | |
Mixed emotions now, I've got to say. | 0:32:36 | 0:32:38 | |
I think you can tell that I'm slightly distressed at saying goodbye to that one, but... | 0:32:38 | 0:32:43 | |
it didn't take long, probably about 30 seconds, for me to realise | 0:32:43 | 0:32:47 | |
when she went on that table and I looked in the Dale's eyes | 0:32:47 | 0:32:50 | |
and he was looking into her eyes | 0:32:50 | 0:32:52 | |
she was not going to be leaving that house. | 0:32:52 | 0:32:54 | |
He's got very, very good taste. | 0:32:54 | 0:32:56 | |
And that sale means that David's wallet is as heavy as his heart | 0:32:58 | 0:33:01 | |
as he pockets nearly £72 profit. | 0:33:01 | 0:33:04 | |
We're nearing the halfway point | 0:33:04 | 0:33:06 | |
in this joust between our brave knights of vintage valour. | 0:33:06 | 0:33:10 | |
So, let's see how they're faring in their quests for profit. | 0:33:10 | 0:33:14 | |
So far, Devilish David has sold two of his five items | 0:33:14 | 0:33:17 | |
and has already amassed a profit of over £96. | 0:33:17 | 0:33:21 | |
Bingo Braxton has some catching up to do, | 0:33:21 | 0:33:24 | |
he's sold two of his six items | 0:33:24 | 0:33:26 | |
but so far has only yielded just over £28 profit. | 0:33:26 | 0:33:31 | |
Devilish David Harper, duke of dealing, | 0:33:33 | 0:33:36 | |
is angling to compound his counterpart's misery. | 0:33:36 | 0:33:40 | |
He needs to have his chandelier, that he purchased the nearly £23, | 0:33:40 | 0:33:44 | |
rewired and PAT tested. | 0:33:44 | 0:33:46 | |
So, he's taking down the road to restorer John | 0:33:46 | 0:33:49 | |
but, being devilish, he's decided to try and sell it to John | 0:33:49 | 0:33:53 | |
as a restoration project. Hm! | 0:33:53 | 0:33:55 | |
-Well, here's one from you, John! -Oh, right, I see that one! | 0:33:57 | 0:34:00 | |
-Rewire job, can you give me an idea of what it's going to cost? -Right, so if we just put all new cable in. | 0:34:00 | 0:34:04 | |
And look at these holders, now, and, not that you would, | 0:34:04 | 0:34:07 | |
-you can put your finger through there. -OK? Yes. | 0:34:07 | 0:34:11 | |
-Now, more modern ones, you can't put your finger down there onto those. -Oh, I see. | 0:34:11 | 0:34:15 | |
-And they've all got the Kitemarks and things. -I've got you, yeah. | 0:34:15 | 0:34:18 | |
Look, for the whole light, give you a deal. | 0:34:18 | 0:34:21 | |
-I could wire it up for, say, for 40 quid. -40 quid, all-in, new holders? | 0:34:21 | 0:34:24 | |
-Yeah, new holders. -OK. Erm...would you buy it as it is? | 0:34:24 | 0:34:29 | |
-Yeah, decorators' piece... -Is it worth 60 quid to you, as it is? | 0:34:29 | 0:34:33 | |
-No. -No? -No. | 0:34:33 | 0:34:36 | |
You see, I'd be looking at, once have done the work, | 0:34:36 | 0:34:38 | |
-I'd be looking at 45 from that, I'm afraid. -To buy it? -Yeah. | 0:34:38 | 0:34:41 | |
You wouldn't give me 60 quid for it? | 0:34:41 | 0:34:43 | |
-Er, not at this particular moment, no. -Er...55? | 0:34:46 | 0:34:50 | |
Good piece of stock. | 0:34:53 | 0:34:55 | |
-Split with you, 50 quid. You're going to rewire it. -Yeah. | 0:34:55 | 0:34:59 | |
-Give me the 50 quid, you can have it at 50 quid. -OK, it's a deal. | 0:34:59 | 0:35:02 | |
OK, good man, thank you very much. | 0:35:02 | 0:35:04 | |
David makes over £27 profit from the sale, he rocks! | 0:35:05 | 0:35:09 | |
He's really whipping up a selling storm in the North. | 0:35:09 | 0:35:13 | |
HOWLING WIND | 0:35:13 | 0:35:15 | |
Southern boy Bingo wants a piece of the action too, | 0:35:17 | 0:35:20 | |
so he travels north. | 0:35:20 | 0:35:22 | |
I'm in the middle of Cumbria, I've seen a sign to Barnard Castle. | 0:35:22 | 0:35:26 | |
I'm think, you know, I'm in David Harper's manor. | 0:35:26 | 0:35:29 | |
Look here... | 0:35:29 | 0:35:30 | |
"DH"! He's everywhere! | 0:35:30 | 0:35:33 | |
He'll sell seashells in the shape of a ball. | 0:35:33 | 0:35:37 | |
This seashells he'll sell, he hopes, will make him a haul. | 0:35:37 | 0:35:41 | |
That is, if he can convince his good friend Gary to purchase them. | 0:35:41 | 0:35:46 | |
-I thought I'd bring you a souvenir of the seaside! -Right! | 0:35:46 | 0:35:50 | |
GARY LAUGHS | 0:35:50 | 0:35:52 | |
I thought they were rather decorative. | 0:35:52 | 0:35:54 | |
Right, they are and I actually collect these | 0:35:54 | 0:35:57 | |
but these haven't got great age about them though. | 0:35:57 | 0:35:59 | |
No, no, they haven't. | 0:35:59 | 0:36:01 | |
If you notice, winking at you underneath | 0:36:01 | 0:36:03 | |
-is a lovely bit of polystyrene! -Right! -THEY LAUGH | 0:36:03 | 0:36:07 | |
-But they are a good size, aren't they? -Right, they are, yes. | 0:36:07 | 0:36:10 | |
-Why do you collect shells, Gary? -Well, if I can just show you. | 0:36:10 | 0:36:13 | |
People in the north-east used to do this. | 0:36:13 | 0:36:16 | |
-Ah! -This is one of mine. | 0:36:16 | 0:36:18 | |
This is an old Maling Seaton ware plate | 0:36:18 | 0:36:22 | |
that has been covered in shells. About 1890s, 1900? | 0:36:22 | 0:36:25 | |
And that's on the Tyne, is it? The Maling pottery? | 0:36:25 | 0:36:28 | |
And the Tyne starts here in Alston. | 0:36:28 | 0:36:30 | |
But these openly picked at South Shields, where did yours come from? | 0:36:30 | 0:36:34 | |
-I think they look quite English, don't they, to me? -Well, they do. | 0:36:34 | 0:36:37 | |
They're European, aren't they? | 0:36:37 | 0:36:39 | |
They're quite, well, they're North Sea. | 0:36:39 | 0:36:41 | |
What would you like to pay me the these? | 0:36:41 | 0:36:43 | |
What would I like to pay you for those? Um... | 0:36:43 | 0:36:46 | |
Don't treat me too hard, I know you're a hard man! | 0:36:46 | 0:36:49 | |
I would be looking at... | 0:36:49 | 0:36:52 | |
-five pound a ball. -Five pounds a ball? | 0:36:52 | 0:36:54 | |
-You got the deal. -Cheers. | 0:36:54 | 0:36:57 | |
The dealing duke of the South makes it decent profit of over £10. | 0:36:57 | 0:37:02 | |
It also sells his Art Deco vase and makes nearly £58 profits. | 0:37:02 | 0:37:08 | |
With the cash burning a hole in his pocket, | 0:37:08 | 0:37:10 | |
Bingo burns some rubber and returns to sunny Sussex. | 0:37:10 | 0:37:14 | |
Devilish David visits his local museum. | 0:37:16 | 0:37:18 | |
He's researching into his punchbowl that he bought for just over £45. | 0:37:18 | 0:37:23 | |
He's focused on making as much profit as he can. | 0:37:23 | 0:37:26 | |
Next, he drives to Alston | 0:37:26 | 0:37:28 | |
with the hope of selling it to fellow dealer Judith. | 0:37:28 | 0:37:31 | |
I'm just wondering if it could have been a rum butter bowl, actually. | 0:37:33 | 0:37:37 | |
Rum butter is a Cumbrian delicacy. | 0:37:37 | 0:37:40 | |
It originates back to, I think, the late 18th century. | 0:37:40 | 0:37:43 | |
So, these bowls would be used to make the rum butter in, yes. | 0:37:43 | 0:37:47 | |
Date-wise, I think 1850, I mean... | 0:37:47 | 0:37:49 | |
Hm, do you think it's as early as that? | 0:37:49 | 0:37:51 | |
-I do because if it was after 1891. -Yes. | 0:37:51 | 0:37:54 | |
Then it would be marked on the base, the country of origin, | 0:37:54 | 0:37:57 | |
-which is going to be England, isn't it? -Yes. | 0:37:57 | 0:37:59 | |
So, there's no England mark. | 0:37:59 | 0:38:01 | |
I think if we describe it as mid-19th century, | 0:38:01 | 0:38:03 | |
-that would be about right. -Yes. | 0:38:03 | 0:38:05 | |
It'll be good at the collection but, of course, the question is how much? | 0:38:05 | 0:38:09 | |
£90, I think, in trade. | 0:38:09 | 0:38:11 | |
-I'd like it better the 70. -Would you? -Hmm. | 0:38:11 | 0:38:14 | |
Should we do what all good dealers do best and meet in the halfway? | 0:38:14 | 0:38:18 | |
Compromise, compromise is the key to success. | 0:38:18 | 0:38:21 | |
-Thank you, Judith, marvellous. -Thank you very much. | 0:38:21 | 0:38:24 | |
So, David sells his bowl four £80, | 0:38:24 | 0:38:27 | |
which means he pockets nearly £35 profit. | 0:38:27 | 0:38:30 | |
Not to be outdone, that tireless trooper of trading Bingo | 0:38:30 | 0:38:35 | |
takes his shabby chic table, purchased for £27, | 0:38:35 | 0:38:38 | |
to see his friend Patricia. | 0:38:38 | 0:38:40 | |
Now, Pat, I'm asking...er, I want about, sort of, £50 for it. | 0:38:40 | 0:38:46 | |
I would say 40, 45. | 0:38:46 | 0:38:48 | |
-£45. -£45. | 0:38:48 | 0:38:50 | |
And how do I pay you, with onions or garlic, James? | 0:38:50 | 0:38:53 | |
-Ooh, tempting, preferably cash, though! -HE LAUGHS | 0:38:53 | 0:38:56 | |
Yes, that sale nets James a profit of nearly £18. | 0:38:57 | 0:39:02 | |
Now is the moment of truth for David and the Chinese inkwell | 0:39:03 | 0:39:06 | |
that cost him nearly £91. | 0:39:06 | 0:39:08 | |
Will it generate enough excitement at auction to bring a decent profit? | 0:39:08 | 0:39:13 | |
The bidding starts at £100. | 0:39:13 | 0:39:16 | |
At 110, 120, 130, 140, 150, 160, 170, 180... | 0:39:16 | 0:39:23 | |
-WHISPERS: Come on! -..190. 180 in the room. | 0:39:23 | 0:39:25 | |
Come on! Give me the ins of it, come on! | 0:39:25 | 0:39:29 | |
180, come on! | 0:39:29 | 0:39:30 | |
-Ooh! -180 - | 0:39:33 | 0:39:35 | |
which after fees, gives David a healthy profit of just over £52. | 0:39:35 | 0:39:40 | |
But still, profit is a profit but we didn't get the flyer. | 0:39:40 | 0:39:44 | |
James Braxton has one last throw of the dealing dice. | 0:39:45 | 0:39:48 | |
He has to make a huge profit on his painting of Ghent | 0:39:48 | 0:39:51 | |
that was purchased for nearly £173 to take today's competition. | 0:39:51 | 0:39:57 | |
Come in, come in. | 0:39:57 | 0:39:58 | |
He's finally found a potential buyer in Eastbourne. | 0:39:58 | 0:40:01 | |
A doctor called Alastair who collects fine art. | 0:40:01 | 0:40:04 | |
-Now, this is best seen from afar. -Right, OK. -So push along there. -Yup. | 0:40:04 | 0:40:09 | |
And I hope, I hope you like it. Here we go, here we go. | 0:40:09 | 0:40:12 | |
One, two, three. | 0:40:12 | 0:40:15 | |
-Very nice, lovely. -Is it? -Where is it? | 0:40:15 | 0:40:17 | |
It's of Ghent, so this is Ghent Castle. | 0:40:17 | 0:40:20 | |
Give me a doctor's opinion. | 0:40:20 | 0:40:21 | |
-I think it's lovely, actually. -Do you? -I really like it. | 0:40:21 | 0:40:24 | |
-Oh, right! -It's got lots going on... | 0:40:24 | 0:40:26 | |
and I don't have a Dutch artist in the collection, | 0:40:26 | 0:40:29 | |
so...that would be, you know, a nice addition to have | 0:40:29 | 0:40:31 | |
and I can think of somewhere I can put that. | 0:40:31 | 0:40:34 | |
-Fabulous, music to my ears, Alastair, music! -Excellent. | 0:40:34 | 0:40:38 | |
Well, well thought of, in terms of bringing it round. | 0:40:38 | 0:40:41 | |
I want it, hoping to get, sort of, £300, something like that? | 0:40:41 | 0:40:45 | |
Oh, that's a big asking price | 0:40:45 | 0:40:48 | |
but will our Bingo be blessed with success? | 0:40:48 | 0:40:50 | |
We'll find out shortly. | 0:40:50 | 0:40:51 | |
First, though, let's recap on our second-hand sharpshooters' spending. | 0:40:51 | 0:40:56 | |
Both David and James started the day with £750 of their own money. | 0:40:56 | 0:41:02 | |
David spent nearly £323 on five items | 0:41:02 | 0:41:06 | |
and James bought six items and spent just under £394. | 0:41:06 | 0:41:10 | |
All the profit that David and James have made from today's challenge | 0:41:12 | 0:41:15 | |
will be going to a charity of their choice. | 0:41:15 | 0:41:18 | |
So, without further ado, let's find out who is today's | 0:41:18 | 0:41:21 | |
Put Your Money Where Your Mouth Is champion! | 0:41:21 | 0:41:24 | |
-James Braxton! -David, how are you? -Very well! | 0:41:26 | 0:41:29 | |
-Did we have a good time on our continental tour? -It was lovely. | 0:41:29 | 0:41:32 | |
-There were all sorts there, weren't there? -Yeah. | 0:41:32 | 0:41:34 | |
And how did you get on with your tribal items, all right? | 0:41:34 | 0:41:37 | |
Loved that bronze. I did very well with it. | 0:41:37 | 0:41:40 | |
Erm, it's gone to a very good home but I tell you what, | 0:41:40 | 0:41:42 | |
that's one of the few things, James, that I handled, | 0:41:42 | 0:41:44 | |
that I just wouldn't, under normal circumstances, sell. | 0:41:44 | 0:41:47 | |
She just had something and I adored her! | 0:41:47 | 0:41:49 | |
What else did you buy of interest there? | 0:41:49 | 0:41:51 | |
I bought, I bought quite an expensive item. | 0:41:51 | 0:41:53 | |
-I bought that picture, do you remember? -Yes, I do. | 0:41:53 | 0:41:56 | |
-John van Deventer! -Ooh, that's scary because that, is he a known artist? | 0:41:56 | 0:42:00 | |
He was a known artist, he's of Ghent and that picture, sort of 1930s. | 0:42:00 | 0:42:05 | |
Very bad news for me. | 0:42:05 | 0:42:07 | |
-That painting's going to kill me! Are you ready? -OK, count it down. | 0:42:07 | 0:42:10 | |
Three, two, one... | 0:42:10 | 0:42:12 | |
-Doh, no, I! -What did you get? | 0:42:14 | 0:42:16 | |
-Hey-hey! -A big fat lunch on you! | 0:42:16 | 0:42:20 | |
HE LAUGHS | 0:42:20 | 0:42:21 | |
What a close one! | 0:42:21 | 0:42:23 | |
So, it must have been that painting | 0:42:23 | 0:42:26 | |
that won it for Bingo in the final furlong. Let's find out. | 0:42:26 | 0:42:29 | |
I want it, hoping to get, sort of, 300, something like that. | 0:42:29 | 0:42:33 | |
-How do you feel about that? -I'm very happy to be £300 for it. | 0:42:33 | 0:42:37 | |
Alastair, thank you, you're a great friend! | 0:42:37 | 0:42:40 | |
HE LAUGHS | 0:42:40 | 0:42:41 | |
-That's great, thank you very much. -Thank you. | 0:42:41 | 0:42:44 | |
A huge profit of over £127, | 0:42:44 | 0:42:48 | |
the largest profit of the day seals it for Bingo. | 0:42:48 | 0:42:51 | |
Back of the net! | 0:42:51 | 0:42:52 | |
He was very clever in his buying and very clever in his selling. | 0:42:52 | 0:42:56 | |
The painting was the thing that killed me. | 0:42:56 | 0:43:00 | |
My most expensive item looked after me, | 0:43:00 | 0:43:03 | |
the John van Deventer, that lovely flower market in Ghent. | 0:43:03 | 0:43:07 | |
It came good. | 0:43:07 | 0:43:08 | |
It's a short-lived victory though | 0:43:09 | 0:43:11 | |
cos tomorrow our boys will be faced with an even tougher challenge - | 0:43:11 | 0:43:14 | |
the showdown! | 0:43:14 | 0:43:17 | |
Subtitles by Red Bee Media Ltd | 0:43:39 | 0:43:42 |