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This is Put Your Money Where Your Mouth Is. | 0:00:02 | 0:00:04 | |
The show that takes the titans of the antiques trade | 0:00:04 | 0:00:08 | |
and pitches them against each other to see who can make the most money | 0:00:08 | 0:00:13 | |
from buying and selling. | 0:00:13 | 0:00:16 | |
That's amazing! Truly amazing. | 0:00:16 | 0:00:19 | |
Get ready for a rip-roaring, rollercoaster ride. | 0:00:19 | 0:00:22 | |
It's The Put Your Money Where Your Mouth Is showdown. | 0:00:22 | 0:00:24 | |
The greatest challenge our experts have faced yet. | 0:00:24 | 0:00:29 | |
Our sparring Spartans of the antiques trade will be tested | 0:00:29 | 0:00:33 | |
to the absolute limit as they're challenged to scour | 0:00:33 | 0:00:35 | |
the length and breadth of the country | 0:00:35 | 0:00:38 | |
and continent to find antiques and collectables to sell on for profit. | 0:00:38 | 0:00:42 | |
Coming up. The battle lines have been drawn. | 0:00:43 | 0:00:45 | |
Look at that, there's a book about me and Eric at this auction. The Duel. | 0:00:45 | 0:00:50 | |
Knocker falls head over heels. | 0:00:50 | 0:00:51 | |
I don't want to sell it cos it's such a lovely pot. | 0:00:52 | 0:00:55 | |
And has Paul found a new career? | 0:00:55 | 0:00:58 | |
I went to buy some camouflage trousers the other day. | 0:00:58 | 0:01:00 | |
-Couldn't find any anywhere. -Very good. | 0:01:00 | 0:01:03 | |
It promises to be a rough and ready rumble, today, | 0:01:03 | 0:01:05 | |
as our antique experts go head-to-head for the title | 0:01:05 | 0:01:09 | |
of this week's Put Your Money Where Your Mouth Is champion. | 0:01:09 | 0:01:13 | |
This is the showdown where two heavyweights of the antiques world | 0:01:27 | 0:01:30 | |
go head-to-head in pursuit of prizeworthy profits. | 0:01:30 | 0:01:35 | |
An ultimate showdown supremacy. | 0:01:35 | 0:01:37 | |
First into the frame, The Master. | 0:01:37 | 0:01:40 | |
It's Eric "Knocker" Knowles, maestro of the gavel | 0:01:40 | 0:01:43 | |
and sultan of the saleroom. | 0:01:43 | 0:01:45 | |
If, um, if I look happy, it's because I am. | 0:01:45 | 0:01:49 | |
He's up against The Apprentice, Paul "Mr Morecambe" Hayes. | 0:01:49 | 0:01:54 | |
Don't be fooled by his boyish charms, this second-generation | 0:01:54 | 0:01:58 | |
dealer has bargain-hunting blood pumping through his veins. | 0:01:58 | 0:02:02 | |
Hopefully, we'll get one over on that Eric Knowles. | 0:02:02 | 0:02:05 | |
This will be a challenge unlike any other. | 0:02:05 | 0:02:07 | |
A true test of our dealers' antiques acumen, | 0:02:07 | 0:02:10 | |
selling skills and profit-hunting prowess. | 0:02:10 | 0:02:13 | |
Time to find out what's in store. | 0:02:13 | 0:02:15 | |
-Hey-up. -It's showdown. -Yes, it is. | 0:02:18 | 0:02:20 | |
Well, we've got our instructions for today. | 0:02:20 | 0:02:22 | |
-Shall I start the ball rolling? -Go on, then. | 0:02:22 | 0:02:26 | |
"Eric and Paul, welcome to your final and biggest challenge yet, | 0:02:26 | 0:02:29 | |
"the showdown." | 0:02:29 | 0:02:31 | |
Now, "You must each buy eight items | 0:02:31 | 0:02:33 | |
"during your regular Put Your Money challenges." | 0:02:33 | 0:02:36 | |
And, "You have to buy two items at each event." | 0:02:36 | 0:02:40 | |
It says here that, "You can spend up to £1,000 of, yes, your own money." | 0:02:40 | 0:02:45 | |
Right, OK. "You can each sell up to four items wherever you want. | 0:02:45 | 0:02:49 | |
"The remaining items will go into an auction. | 0:02:49 | 0:02:52 | |
"Your auction will be in Cambridge. | 0:02:52 | 0:02:54 | |
"In approximately eight weeks from now | 0:02:54 | 0:02:57 | |
"in direct competition with your opponent." | 0:02:57 | 0:03:00 | |
Ah, that's a good idea, isn't it? | 0:03:00 | 0:03:02 | |
"Choose your items wisely | 0:03:02 | 0:03:03 | |
"because the winner will be the one who makes the most profit." | 0:03:03 | 0:03:08 | |
An auction in Cambridge, there we go. That's a challenge and a half. | 0:03:08 | 0:03:11 | |
Let's get this straight. | 0:03:11 | 0:03:12 | |
If we're going to Cambridge, we'll be going to an auuuction. | 0:03:12 | 0:03:14 | |
-OK? -Oh, I do apologise. -No, no, I'm here to teach, I'm here to teach. | 0:03:14 | 0:03:19 | |
-Thank you very much. -See you later. -See you later, mate. | 0:03:19 | 0:03:21 | |
And actually, Knocker, you're here to buy. | 0:03:21 | 0:03:24 | |
Both antique-acquiring assassins are equipped with £1,000 | 0:03:24 | 0:03:27 | |
of their own money which they can spend on antiques | 0:03:27 | 0:03:30 | |
and any restoration fees and repairs. | 0:03:30 | 0:03:32 | |
The dealer with the most money to show at the end | 0:03:32 | 0:03:34 | |
will take the showdown crown. | 0:03:34 | 0:03:37 | |
They'll be hunting in familiar territory. | 0:03:39 | 0:03:42 | |
A UK antiques fair, an auction, a car boot sale | 0:03:42 | 0:03:47 | |
and a foreign antiques market. | 0:03:47 | 0:03:49 | |
First, Round One, an Antiques Fair. | 0:03:49 | 0:03:51 | |
Our bargain boys are in Malvern where there are over 700 stalls | 0:03:52 | 0:03:56 | |
overflowing with potential profit-busting bargains. | 0:03:56 | 0:04:00 | |
So, what are our boys on the hunt for? | 0:04:00 | 0:04:02 | |
Good quality Chinese porcelain, jade, that sort of thing. | 0:04:02 | 0:04:06 | |
Paintings always do well at auction | 0:04:06 | 0:04:08 | |
because if you can find the right artist, you've cracked it, really. | 0:04:08 | 0:04:12 | |
I'm going to go looking for, what you might call, the quirky. | 0:04:12 | 0:04:15 | |
Things where, you know, there's just that element of chance | 0:04:15 | 0:04:19 | |
that, with the right people, that item, or whatever, could fly. | 0:04:19 | 0:04:24 | |
So, I'm going to put my trust in a woman. | 0:04:24 | 0:04:28 | |
And her name is Lady Luck. | 0:04:28 | 0:04:30 | |
MUSIC: "Luck Be A Lady" by Frank Sinatra | 0:04:30 | 0:04:34 | |
And while Knocker tries to woo Lady Luck, | 0:04:34 | 0:04:37 | |
his archrival is preparing to pack the first punch | 0:04:37 | 0:04:40 | |
on a pretty painting. | 0:04:40 | 0:04:42 | |
This is a very, very popular scene, in the late 19th century. | 0:04:42 | 0:04:44 | |
It's a nice, gilt frame. | 0:04:44 | 0:04:46 | |
It's got a little bit of foxing around it, | 0:04:46 | 0:04:49 | |
where the colour has faded slightly. | 0:04:49 | 0:04:51 | |
How much is your watercolour? | 0:04:51 | 0:04:52 | |
The watercolour, best on that would be 350. | 0:04:52 | 0:04:55 | |
350. Do you know where that is, actually? | 0:04:55 | 0:04:57 | |
Yes, it's the Athog hills near Barmouth, Mid Wales. | 0:04:57 | 0:04:59 | |
-Mid, it's Welsh, right, OK. Mid Wales. -Thomas Danby. -Thomas Danby. | 0:04:59 | 0:05:03 | |
-Who was renowned for, sort of, Welsh landscapes. -Right. | 0:05:03 | 0:05:06 | |
That's food for thought. | 0:05:06 | 0:05:08 | |
And I shall have a think on that one and I'll try and see | 0:05:08 | 0:05:10 | |
if I can find some more information about Thomas Danby. | 0:05:10 | 0:05:14 | |
-All right. -Thank you very much. Thank you. | 0:05:14 | 0:05:16 | |
The man from Morecambe's pressed pause | 0:05:16 | 0:05:19 | |
on the purchase of the painting. | 0:05:19 | 0:05:20 | |
But Lady Luck is smiling on our cunning connoisseur Knocker. | 0:05:20 | 0:05:25 | |
He's spotted something that he really likes. | 0:05:25 | 0:05:28 | |
Well, I instantly liked this because it's so stylish | 0:05:28 | 0:05:31 | |
and I can tell you now that it's German. | 0:05:31 | 0:05:33 | |
Now, you're probably wanting to know how on Earth can you tell | 0:05:33 | 0:05:36 | |
that this was made in Germany? | 0:05:36 | 0:05:38 | |
Well, you're here to learn, everybody, you're here to learn. | 0:05:38 | 0:05:41 | |
So, you turn it upside down, look. And it says Germany, there. | 0:05:41 | 0:05:44 | |
That's a pretty good pointer, isn't it? I mean, let's be honest. | 0:05:44 | 0:05:47 | |
But I think this one was probably made in West Germany. | 0:05:47 | 0:05:51 | |
It's nice, it's stylish. | 0:05:51 | 0:05:53 | |
Excuse me, madame, could I ask you the price on that? And what...? | 0:05:53 | 0:05:57 | |
-The deff on that one is 35. -35. And that's, that's... -That's the deff. | 0:05:57 | 0:06:03 | |
That's the deff. OK, all right. Well, I'm not hard of hearing. | 0:06:03 | 0:06:06 | |
So, £35. I'm going to spend my money and I'm going to buy that | 0:06:06 | 0:06:10 | |
from this lady for £35 and I'm very pleased to do so. | 0:06:10 | 0:06:13 | |
Knocker is a pot-a-holic | 0:06:13 | 0:06:16 | |
and it seems he simply can't get this lovely vase out of his head. | 0:06:16 | 0:06:20 | |
MUSIC: "I Just Can't Get You Out Of My Head" by Kylie Minogue. | 0:06:20 | 0:06:24 | |
'It's handsome. I like it. I don't want to sell it. | 0:06:24 | 0:06:28 | |
'I don't want to sell it. I don't want to sell it.' | 0:06:28 | 0:06:30 | |
Well, Knocker, the rules are the rules | 0:06:30 | 0:06:33 | |
and you're going to have to sell it. | 0:06:33 | 0:06:35 | |
After a spot of research, the Muscles from Morecambe | 0:06:35 | 0:06:39 | |
returns to that lovely painting and dishes out a mammoth handshake. | 0:06:39 | 0:06:43 | |
I'll have it for 280. | 0:06:43 | 0:06:44 | |
-All right, I'll buy that, thank you very much. -My pleasure. | 0:06:44 | 0:06:47 | |
That's good. I said today, I'm not going to buy anything damaged. | 0:06:47 | 0:06:49 | |
I just hope that I can do something with this mark in here. | 0:06:49 | 0:06:52 | |
-But, potentially, that's a very nice painting. -Yeah, yeah, I think so. | 0:06:52 | 0:06:55 | |
That's a big price paid. | 0:06:55 | 0:06:57 | |
Mr Morecambe has blown over a quarter of his budget already. | 0:06:57 | 0:07:01 | |
And it'll need more money spent on it for restoration. | 0:07:01 | 0:07:04 | |
Has he paid too high a price? | 0:07:04 | 0:07:07 | |
Knocker has also pushed on in the purchasing race | 0:07:07 | 0:07:10 | |
and has nabbed his final item. | 0:07:10 | 0:07:12 | |
But what is it? | 0:07:12 | 0:07:13 | |
Well, I've just bought this very weird-looking lamp. | 0:07:15 | 0:07:19 | |
I say lamp, in actual fact, it's got two candles. | 0:07:19 | 0:07:23 | |
Now, they're actually sprung so, you know, when this candle burns down, | 0:07:23 | 0:07:28 | |
the actual candle is pushed up on a spring. | 0:07:28 | 0:07:32 | |
So you don't get candle wax, necessarily, dripping everywhere. | 0:07:32 | 0:07:36 | |
I've just paid £50 for it. | 0:07:36 | 0:07:37 | |
I can see somebody, hopefully, | 0:07:37 | 0:07:40 | |
paying in excess of 100 and maybe a bit more. | 0:07:40 | 0:07:43 | |
So, I think I might be onto a bit of a winner with this one. | 0:07:43 | 0:07:46 | |
Knocker's clearly hoping his lamp will light up this competition | 0:07:46 | 0:07:50 | |
and extinguish Paul's chances like a candle in the wind. | 0:07:50 | 0:07:54 | |
The Morecambe marauder is hot on his heels, though, | 0:07:54 | 0:07:57 | |
netting a 19th-century vase for just £35. | 0:07:57 | 0:08:00 | |
This is definitely going to come home with me. | 0:08:01 | 0:08:03 | |
It's a made for the Emperor, the Emperor of Morecambe, I think. | 0:08:03 | 0:08:06 | |
We bow to you, oh Emperor of antiquities. | 0:08:07 | 0:08:09 | |
Our duelling duo have wreaked haggling havoc | 0:08:09 | 0:08:12 | |
at this antiques fair. | 0:08:12 | 0:08:14 | |
So, let's check up on their spending. | 0:08:14 | 0:08:16 | |
They each had a budget of £1,000. | 0:08:16 | 0:08:20 | |
Eric has kept spending to a minimum, having shelled out £85, | 0:08:20 | 0:08:24 | |
leaving him with £915 | 0:08:24 | 0:08:26 | |
for the next three rounds. | 0:08:26 | 0:08:28 | |
Paul has blasted his way through Round One and splashed out £315, | 0:08:28 | 0:08:33 | |
leaving him with £685 to spend. | 0:08:33 | 0:08:36 | |
Round Two. The Foreign Antiques Market. | 0:08:38 | 0:08:41 | |
Our pair of prize-winning profit-pursuers find themselves | 0:08:41 | 0:08:44 | |
in France at an antiques market in Reims. | 0:08:44 | 0:08:47 | |
This intimate market is full to the brim with bargains just waiting | 0:08:47 | 0:08:51 | |
to be brought back to Blighty. | 0:08:51 | 0:08:53 | |
And our boys march right in. | 0:08:53 | 0:08:55 | |
Paul wants to have his cake and eat it and spies | 0:08:55 | 0:08:58 | |
a nice-looking silver server set. | 0:08:58 | 0:09:00 | |
-Best price, le meilleur prix. -Le meilleur prix. Soixante. | 0:09:02 | 0:09:05 | |
-Je prendrais pour soixante. -Oui, OK. -That's 60. 60, I'll buy it. | 0:09:05 | 0:09:10 | |
Merci beaucoup, madame. | 0:09:10 | 0:09:11 | |
He forked out just under £55, that's a sweet-tasting deal | 0:09:11 | 0:09:17 | |
but anything Paul can do, Eric can do too. | 0:09:17 | 0:09:19 | |
He's already swooped in and snapped up | 0:09:19 | 0:09:21 | |
a pair of crystal glasses for just under £64. | 0:09:21 | 0:09:25 | |
Smashing. | 0:09:27 | 0:09:29 | |
It's one-all in this French frenzy but Knocker homes in | 0:09:29 | 0:09:33 | |
on his second buy, faster than you can say fashion. | 0:09:33 | 0:09:36 | |
Ladies at home, I'm asking you the question, | 0:09:38 | 0:09:41 | |
would you wear this Hermes scarf? | 0:09:41 | 0:09:44 | |
It's the best in French luxury, er, couture, could I say couture? | 0:09:44 | 0:09:49 | |
I think I can. Cos I just did. | 0:09:49 | 0:09:51 | |
-Qu-est-ce que c'est votre meilleur prix? -Cinquante. -50. Oui. | 0:09:51 | 0:09:56 | |
Merci beaucoup. | 0:09:56 | 0:09:57 | |
Well, who'd have thought | 0:09:57 | 0:09:59 | |
Knocker would be haggling for Hermes? | 0:09:59 | 0:10:01 | |
He nets the scarf for just over £45 | 0:10:01 | 0:10:05 | |
and wraps up his buying for the day. | 0:10:05 | 0:10:07 | |
Our hero Hayes needs one more purchase here | 0:10:07 | 0:10:10 | |
and soon homes in on a 19th-century Majolica bowl. | 0:10:10 | 0:10:13 | |
And he's determined to drive a hard bargain. | 0:10:13 | 0:10:16 | |
OK, the gentleman said 250 Euros is the minimum. I think it's worth that. | 0:10:18 | 0:10:24 | |
I'm trying to, I'm going to offer him, est-ce que je peux offrir... | 0:10:24 | 0:10:29 | |
deux cents vingt-cinq? | 0:10:29 | 0:10:31 | |
-OK. -Is that OK? -Oui. -Deux cents vingt-cinq is 225 Euros. OK. -Oui. | 0:10:31 | 0:10:37 | |
Merci beaucoup, monsieur. | 0:10:37 | 0:10:39 | |
And some Hayes bags the bowl for just under £205, | 0:10:39 | 0:10:43 | |
another huge purchase | 0:10:43 | 0:10:45 | |
from our blonde bombshell. | 0:10:45 | 0:10:47 | |
And with that, it's time to ring the timeout bell on Round Two. | 0:10:47 | 0:10:51 | |
So, let's have a quick look at the balances. | 0:10:51 | 0:10:54 | |
Eric has kept things tight to the max, | 0:10:54 | 0:10:57 | |
spending just over £194 which leaves him | 0:10:57 | 0:11:00 | |
nearly £806 to play with. | 0:11:00 | 0:11:02 | |
Paul has already spent over £574, | 0:11:04 | 0:11:07 | |
leaving nearly £426 | 0:11:07 | 0:11:09 | |
for the next two rounds. | 0:11:09 | 0:11:11 | |
Round Three the Car Boot. | 0:11:13 | 0:11:15 | |
Our collectables colossi have headed back to Blighty, | 0:11:15 | 0:11:19 | |
bruised and battered but bloodthirsty for bargains. | 0:11:19 | 0:11:22 | |
Colchester in Essex, the Roman capital of England | 0:11:24 | 0:11:27 | |
and the scene for our gladiators' next mighty battle. | 0:11:27 | 0:11:30 | |
There are 700 stalls for our dealers to pore over. And they're off. | 0:11:30 | 0:11:36 | |
And, once again, it's the Morecambe maestro who takes an early lead. | 0:11:36 | 0:11:40 | |
Isn't that fantastic? I've bought myself a 19th-century plaque. | 0:11:40 | 0:11:46 | |
Of Mr Jean Baptiste Adolphe Aderer. | 0:11:46 | 0:11:48 | |
I'm not sure who he is but I'll find out, definitely. | 0:11:48 | 0:11:52 | |
I'll look up the...research the foundry mark | 0:11:52 | 0:11:54 | |
and the artist's signature. | 0:11:54 | 0:11:56 | |
I'll get all that together, get it into an auction and, hopefully, | 0:11:56 | 0:11:59 | |
get one over on that Eric Knowles. | 0:11:59 | 0:12:00 | |
Hmm, fighting talk. | 0:12:00 | 0:12:03 | |
He splashed out a sizeable £120 on that bronze plaque. | 0:12:03 | 0:12:06 | |
So much for the spending slowdown. | 0:12:06 | 0:12:09 | |
MUSIC: "Big Spender" by Shirley Bassey | 0:12:09 | 0:12:10 | |
Eric has got money to burn and is ready to splash some cash. | 0:12:10 | 0:12:14 | |
# Hey! Big Spender. # | 0:12:15 | 0:12:17 | |
Come on, Knockers. | 0:12:17 | 0:12:18 | |
# Hey! Big Spender. # | 0:12:19 | 0:12:21 | |
Let's see some serious money. | 0:12:21 | 0:12:23 | |
# Big Spender. # | 0:12:23 | 0:12:25 | |
-Well, I bought a table for a tenner. -Or not, then. | 0:12:25 | 0:12:28 | |
Eric's pleased with his '70s tile table. | 0:12:28 | 0:12:32 | |
But cheap and cheerful isn't usually Knocker's style. | 0:12:32 | 0:12:35 | |
Maybe he's saving himself for a show-stopping finale. | 0:12:35 | 0:12:38 | |
In the mean time, | 0:12:38 | 0:12:40 | |
the Morecambe's spending tornado keeps on spinning. | 0:12:40 | 0:12:42 | |
I've never seen such a big collection of clowns. | 0:12:43 | 0:12:46 | |
I'm not looking at you there, mate. There you are. | 0:12:46 | 0:12:48 | |
But these are the sort of thing, I used to love these type of things. | 0:12:48 | 0:12:51 | |
If you went to Murano, which is near Venice in Italy, | 0:12:51 | 0:12:55 | |
this is the sort of thing you used to bring back | 0:12:55 | 0:12:57 | |
as, like, a tourism item, 1950s, 1960s. | 0:12:57 | 0:13:00 | |
You get these wonderful glassblowers that are working in Italy | 0:13:00 | 0:13:03 | |
and they would make these fantastic mirrors and chandeliers. | 0:13:03 | 0:13:06 | |
And, at the end of the day, | 0:13:06 | 0:13:07 | |
they'd have lots of remnants of bits of colour. | 0:13:07 | 0:13:10 | |
So, they would mould these bits of colour into these items | 0:13:10 | 0:13:12 | |
and sell them off at the end of the day quite affordably. | 0:13:12 | 0:13:15 | |
I'll have a think on them. | 0:13:15 | 0:13:16 | |
Those glass clowns have put Paul in a funny mood | 0:13:16 | 0:13:19 | |
and he can't help clowning around. | 0:13:19 | 0:13:22 | |
Come on, Mr Morecambe, back to work | 0:13:25 | 0:13:27 | |
because your rival is about to get down to business | 0:13:27 | 0:13:31 | |
with a very curious-looking object. | 0:13:31 | 0:13:32 | |
Is there, what you might call, a good price to be had on it? | 0:13:32 | 0:13:36 | |
-I think I offered you a base price of about £60, didn't I? -You did. | 0:13:36 | 0:13:39 | |
-But you could twist my arm to about £40, I think, today. -£40, OK. | 0:13:39 | 0:13:44 | |
-It is a little bit specialist. -Yes. | 0:13:44 | 0:13:47 | |
And if I was to take it to the right place, | 0:13:47 | 0:13:48 | |
I know it's probably worth another hundred or so on top of that. | 0:13:48 | 0:13:51 | |
-But... -Oh, what a schmoozer. | 0:13:51 | 0:13:53 | |
-But I can afford to do it for you for that price. -Can you? Good lad. | 0:13:53 | 0:13:56 | |
A knockout blow from Burnley's best, but what on Earth is it? | 0:13:56 | 0:13:59 | |
That hooks onto your fireside, on your front grate. | 0:14:01 | 0:14:04 | |
You can put a kettle on there. | 0:14:04 | 0:14:07 | |
If you want to keep it hot, whatever's in there, push it forward. | 0:14:07 | 0:14:11 | |
Then, if you want to cool off, bring it back towards you | 0:14:11 | 0:14:15 | |
and away from the fire grate. | 0:14:15 | 0:14:17 | |
What I like about it is the way that it's just been, | 0:14:17 | 0:14:20 | |
it's pierced with this very, sort of, neo-Gothic design. | 0:14:20 | 0:14:24 | |
Which tells me it must date from around about 1850, 1860. | 0:14:24 | 0:14:29 | |
Because this is Victorian Gothic Revival. | 0:14:29 | 0:14:32 | |
And that's Knocker done for Round Three. | 0:14:32 | 0:14:34 | |
He can go and put the kettle on now. | 0:14:34 | 0:14:36 | |
But Paul isn't quite ready for a tea break, yet. | 0:14:36 | 0:14:39 | |
He still needs one more purchase. So, returns to the glass clowns. | 0:14:39 | 0:14:43 | |
I've got, I've got to ask you for 12 quid each for them. | 0:14:43 | 0:14:46 | |
-12 quid a piece. -Yeah. -So five would be 60 quid. -That's right, yeah. | 0:14:46 | 0:14:50 | |
-Do you know what? I like you. -I like you too. -Good. | 0:14:50 | 0:14:54 | |
And I think, to be honest with you, we're both a couple of clowns, aren't we? | 0:14:54 | 0:14:57 | |
Five figurines for £60 and Mr Morecambe ends Round Three | 0:14:59 | 0:15:01 | |
with a bang. | 0:15:01 | 0:15:02 | |
So, time to check up on their spending. | 0:15:02 | 0:15:05 | |
Eric, once again, has kept his wallet close. | 0:15:06 | 0:15:09 | |
He's only spent just over £244, which leaves him | 0:15:09 | 0:15:12 | |
with nearly £756 to play with. | 0:15:12 | 0:15:14 | |
Paul is eating through his budget. | 0:15:17 | 0:15:19 | |
He spent just over £754, which leaves him | 0:15:19 | 0:15:23 | |
with just under £246 for Round Four | 0:15:23 | 0:15:26 | |
and any restoration he'll need. | 0:15:26 | 0:15:29 | |
With his £1,000 budget fading fast, Paul has decided | 0:15:32 | 0:15:36 | |
to get his painting restored before we enter the final buying round. | 0:15:36 | 0:15:40 | |
So that he knows what he's got left to spend. | 0:15:40 | 0:15:43 | |
He's travelling over to see Richard, | 0:15:43 | 0:15:45 | |
an expert restorer of fine arts. | 0:15:45 | 0:15:46 | |
But Paul doesn't even know if he'll be able to afford the restoration. | 0:15:47 | 0:15:52 | |
Right, you're in luck, in that... | 0:15:52 | 0:15:54 | |
this is all one piece of paper. | 0:15:54 | 0:15:56 | |
-Right. -So, that's going to cheapen the overall job. | 0:15:59 | 0:16:03 | |
Can you get the painting looking as...you know, better for £200. | 0:16:03 | 0:16:07 | |
That's my maximum. It's not the case that I don't want to pay any more, it's just... | 0:16:07 | 0:16:10 | |
-Gosh, you are a charmer, eh? -I'm trying. -OK, we'll do it for 200. | 0:16:10 | 0:16:15 | |
That's fantastic, is been an absolute pleasure, Richard, | 0:16:15 | 0:16:17 | |
a real craftsman. I can't wait. | 0:16:17 | 0:16:20 | |
Including restoration this painting will cost Paul £480. | 0:16:20 | 0:16:23 | |
But that doesn't seem to have dampened his spirits. | 0:16:23 | 0:16:26 | |
Our brave hero is convinced he's onto a winner | 0:16:26 | 0:16:29 | |
but only time will tell. | 0:16:29 | 0:16:31 | |
And so to Round Four. The Auction. | 0:16:32 | 0:16:34 | |
Our tough northern negotiators are at the Duke's Grove Auction in Dorset. | 0:16:36 | 0:16:40 | |
They frantically need to scour the 700 lots going under the hammer | 0:16:40 | 0:16:44 | |
today, on a search for a last-minute bargain. | 0:16:44 | 0:16:47 | |
I've got, well, about £750 of spending power. | 0:16:49 | 0:16:53 | |
But, in real terms, that means I can only spend about 600 | 0:16:53 | 0:16:56 | |
cos I've got the premiums to put on and all that sort of thing. | 0:16:56 | 0:16:58 | |
-Right, OK. -And, on that basis, how much have you got to spend? | 0:16:58 | 0:17:01 | |
Well, I bought some real quality items before this auction. | 0:17:01 | 0:17:03 | |
No, Paul, you're hedging. How much have you got to spend? Come on. | 0:17:03 | 0:17:06 | |
-I've got £50. -£50. | 0:17:06 | 0:17:07 | |
Well, actually, about 35, with the commission, to buy two items today | 0:17:07 | 0:17:10 | |
which is going to be a nightmare. | 0:17:10 | 0:17:12 | |
I think we're in a parallel universe today. | 0:17:12 | 0:17:15 | |
Hmm, it's a tale of The Prince And The Pauper | 0:17:15 | 0:17:18 | |
and Paul is going to be very limited on what he can buy. | 0:17:18 | 0:17:21 | |
So, he heads straight to the tatty, old books. | 0:17:21 | 0:17:25 | |
There's a book about me and Eric, here, at this auction, The Duel. | 0:17:25 | 0:17:28 | |
-50, 50. -The auction kicks off | 0:17:28 | 0:17:31 | |
and the books are flying off the shelves. | 0:17:31 | 0:17:33 | |
-At 80. -No, sorry. -90. | 0:17:33 | 0:17:36 | |
All these books that are in the catalogue at £10, | 0:17:40 | 0:17:43 | |
this one's just gone from £90. | 0:17:43 | 0:17:45 | |
I think I'm going to have to listen out for the auctioneer. | 0:17:45 | 0:17:47 | |
As soon as he says, "This is a fiver, this is a tenner." | 0:17:47 | 0:17:49 | |
I'm going to buy it, whatever it is. | 0:17:49 | 0:17:51 | |
Could be a bike, could be a washing machine. | 0:17:51 | 0:17:52 | |
Paul's under the cosh but you know what they say. | 0:17:52 | 0:17:54 | |
MUSIC: "When The Going Gets Tough The Tough Get Going" by Billy Ocean | 0:17:54 | 0:17:57 | |
When the going gets tough. | 0:17:57 | 0:18:00 | |
# The tough get going. # | 0:18:00 | 0:18:02 | |
The tough get going. | 0:18:02 | 0:18:04 | |
At £20 at the back of the room. At 20. I'll take five from anywhere now, then. | 0:18:04 | 0:18:08 | |
-Going at £20, at the back, for the Chinese lot, I sell. -Thank you, sir. | 0:18:08 | 0:18:12 | |
Thank you, sir, well done. | 0:18:12 | 0:18:13 | |
20 quid, a bargain, actually. There we are. Should do this more often. | 0:18:13 | 0:18:16 | |
And it's one-nil to Paul. Never under estimate this northern hero. | 0:18:16 | 0:18:21 | |
With saleroom fees, that's just under £25. | 0:18:21 | 0:18:25 | |
And later in the day, | 0:18:25 | 0:18:26 | |
he gets his hands on them. | 0:18:26 | 0:18:28 | |
So, these are very modern Chinese items | 0:18:28 | 0:18:32 | |
but they're made in a very traditional manner. | 0:18:32 | 0:18:34 | |
It's called Blanc de Chine, which is pure, white porcelain. | 0:18:34 | 0:18:38 | |
It was made maybe 20, 30 years ago, but aren't they well presented? | 0:18:38 | 0:18:42 | |
It must be worth 40, 50, | 0:18:42 | 0:18:44 | |
perhaps even £60 as a good pair of quality vases. | 0:18:44 | 0:18:48 | |
Well, you can live in hope. | 0:18:48 | 0:18:50 | |
Paul's got pound signs in his eyes | 0:18:50 | 0:18:52 | |
but he's still got one more lot to buy and only £21 in his kitty. | 0:18:52 | 0:18:56 | |
Can it be done? | 0:18:57 | 0:18:58 | |
-At five, 10, anywhere? Come on, give us 10. -Go on. -10 is bid. | 0:18:58 | 0:19:01 | |
Well done, thank you for helping me out. | 0:19:01 | 0:19:03 | |
At £10, right at the back, there, at £10. Goes. | 0:19:03 | 0:19:07 | |
Thank you very much, sir. There we are. Right. | 0:19:07 | 0:19:08 | |
I've just bought Mr Sponge's Sporting Tour, | 0:19:08 | 0:19:11 | |
a collection of books on fishing. | 0:19:11 | 0:19:13 | |
That's me spent, I think. That's 30 quid, I can't buy anything else. | 0:19:13 | 0:19:16 | |
But I've managed to do it. It can be done. There we go. | 0:19:16 | 0:19:20 | |
We never doubted you. | 0:19:20 | 0:19:21 | |
Bagging the books for nearly £12 with fees, our Morecambe hero | 0:19:21 | 0:19:25 | |
flew close to the wind, but he did it. | 0:19:25 | 0:19:28 | |
That's Paul's showdown buying done and dusted, over to you, Knocker. | 0:19:29 | 0:19:32 | |
With hundreds of pounds burning a hole in his pocket, | 0:19:33 | 0:19:36 | |
it's time for Eric to show the saleroom what he's made of. | 0:19:36 | 0:19:40 | |
There's a Boulle work inkstand going under the hammer | 0:19:40 | 0:19:43 | |
and Knocker is determined to make it his own. | 0:19:43 | 0:19:46 | |
150, 160. 170. | 0:19:46 | 0:19:49 | |
£160, I'll take 170. One more, 170. 180? 190? | 0:19:49 | 0:19:54 | |
At 180, now, I'll take 190. All done on this one, then? | 0:19:54 | 0:19:57 | |
At £180. | 0:19:57 | 0:20:00 | |
Bingo. | 0:20:00 | 0:20:02 | |
1486. | 0:20:02 | 0:20:05 | |
If, um, if I look happy, it's because I am. | 0:20:05 | 0:20:09 | |
Well, what I've just bought is an inkstand by Lund of Cornhill. | 0:20:09 | 0:20:13 | |
Now, they were a top, top retailer. | 0:20:13 | 0:20:16 | |
I think, date-wise, | 0:20:16 | 0:20:17 | |
they said Regency, but I think it could well be around about 1830. | 0:20:17 | 0:20:21 | |
So, maybe just into William IV. | 0:20:21 | 0:20:24 | |
But it's, um, it's Boulle work. | 0:20:24 | 0:20:27 | |
At £180, I'm thinking I've got the bargain of the sale. | 0:20:27 | 0:20:32 | |
We'll watch, wait and see. | 0:20:32 | 0:20:33 | |
At just over £222, Knocker spends nearly as much | 0:20:35 | 0:20:38 | |
on the inkstand as on all his other items combined. | 0:20:38 | 0:20:42 | |
And with the end of the sale in sight, he wastes no time | 0:20:42 | 0:20:45 | |
throwing his bidding card into the air | 0:20:45 | 0:20:47 | |
for a piece of Regency furniture. | 0:20:47 | 0:20:50 | |
All done at 140? | 0:20:50 | 0:20:51 | |
Yes, he's speechless. | 0:20:54 | 0:20:56 | |
Eric nets the dumb waiter for just under £173. | 0:20:56 | 0:21:00 | |
A triumphant flying finish which heralds the end | 0:21:01 | 0:21:04 | |
of the showdown buying. | 0:21:04 | 0:21:06 | |
It's been an epic battle for these two treasure-hunting Trojans | 0:21:06 | 0:21:10 | |
as they fought across the country and continent in pursuit of victory. | 0:21:10 | 0:21:14 | |
So, let's check on their final spending. | 0:21:14 | 0:21:17 | |
Our duelling duo started this epic showdown with £1,000 each | 0:21:19 | 0:21:23 | |
of their own cash. | 0:21:23 | 0:21:25 | |
Eric's final spree took his total spend to a touch under £639. | 0:21:25 | 0:21:31 | |
Paul bought big and, with the painting restoration included, | 0:21:31 | 0:21:35 | |
his total stands at nearly £991. | 0:21:35 | 0:21:38 | |
Before these battling bargain hunters head home | 0:21:40 | 0:21:43 | |
to tackle the selling, | 0:21:43 | 0:21:45 | |
they get one last chance to size up the competition. | 0:21:45 | 0:21:48 | |
I've got just the book for you, | 0:21:48 | 0:21:49 | |
it's Dave Whitlock's Guide To Aquatic Trout Foods. | 0:21:49 | 0:21:52 | |
I've been looking for that for years. | 0:21:52 | 0:21:54 | |
I think, I think I'm more a candidate for Fly-fishing For Duffers. | 0:21:54 | 0:21:59 | |
To be honest, I don't think any of these items | 0:21:59 | 0:22:00 | |
are going to go to auction. | 0:22:00 | 0:22:02 | |
Listen, you know, I'm here to give you words of encouragement. | 0:22:02 | 0:22:06 | |
But I'm not. | 0:22:06 | 0:22:08 | |
-Well, good luck anyway, mate. -OK. Listen, let's head north. | 0:22:08 | 0:22:10 | |
-Do you want something to read on the train? -No, no. | 0:22:10 | 0:22:12 | |
-Are you sure? -No, it's too heavy for me, is that. | 0:22:12 | 0:22:15 | |
With the buying behind our brave, bargaining boys, | 0:22:18 | 0:22:21 | |
they must now turn their sizeable skills to selling. | 0:22:21 | 0:22:24 | |
They need to offload all their stock | 0:22:24 | 0:22:26 | |
and achieve the highest possible profit. | 0:22:26 | 0:22:29 | |
The dealer who makes the most money can look forward to taking | 0:22:29 | 0:22:33 | |
all the glory. | 0:22:33 | 0:22:34 | |
The loser will have to face a world of pain and humiliation. | 0:22:34 | 0:22:37 | |
This is their ultimate contest. The showdown. | 0:22:38 | 0:22:41 | |
And there's a real twist in this tale. The auction. | 0:22:41 | 0:22:46 | |
With no reserve price on any of their auction lots, | 0:22:46 | 0:22:49 | |
they stand to lose big if no-one bids. | 0:22:49 | 0:22:51 | |
But they could also walk away with a fortune. | 0:22:54 | 0:22:57 | |
The key to this competition will be | 0:22:57 | 0:23:00 | |
selecting the right items for auction. | 0:23:00 | 0:23:02 | |
So, Eric, which items are you planning to put under the hammer? | 0:23:02 | 0:23:06 | |
I've gone for a mixture of quality and quirky. | 0:23:06 | 0:23:09 | |
When it comes to quality, | 0:23:09 | 0:23:11 | |
it doesn't get much better than Saint-Louis glassware. | 0:23:11 | 0:23:14 | |
I can tell you now that that is one very beautiful scarf. | 0:23:14 | 0:23:17 | |
When it comes to the quirky, well, I've gone for the student's lamp. | 0:23:17 | 0:23:21 | |
It's all there. It's marked up by a firm called Williams and Bach. | 0:23:21 | 0:23:25 | |
It's a bit of a relic, but very few of these have survived. | 0:23:25 | 0:23:29 | |
Then, something traditional, | 0:23:29 | 0:23:30 | |
something British, in every sense of the word. | 0:23:30 | 0:23:32 | |
A dumb waiter. | 0:23:32 | 0:23:34 | |
I'm loathe to sell it, in fact, I'm loathe to sell all these things. | 0:23:34 | 0:23:37 | |
And I'm trying to come to terms with the fact | 0:23:37 | 0:23:40 | |
that I've got to sell them without reserve. | 0:23:40 | 0:23:42 | |
Paul has got his restored painting back | 0:23:42 | 0:23:44 | |
and is eyeing up his items for auction. | 0:23:44 | 0:23:47 | |
First one has to be this fantastic bronze plaque of Adolphe Aderer. | 0:23:47 | 0:23:51 | |
Now, he was a critic-cum-author, French guy, | 0:23:51 | 0:23:55 | |
dates from around about the turn-of-the-century. | 0:23:55 | 0:23:58 | |
Not too well-known in this country but known abroad. | 0:23:58 | 0:24:01 | |
I do know that the auction that these are going into | 0:24:01 | 0:24:04 | |
is Internet linked. | 0:24:04 | 0:24:05 | |
So, hopefully, that should create the interest, | 0:24:05 | 0:24:07 | |
which is why I've put that one in this particular sale. | 0:24:07 | 0:24:10 | |
We've got this fantastic Canton enamel vase, the yellow ground. | 0:24:10 | 0:24:14 | |
This planter is a fantastic 19th-century Majolica planter. | 0:24:14 | 0:24:17 | |
The showstopper has to be this fantastic watercolour | 0:24:17 | 0:24:21 | |
by Thomas Danby. | 0:24:21 | 0:24:23 | |
His work regularly brings over £1,000. | 0:24:23 | 0:24:26 | |
Before that, | 0:24:26 | 0:24:27 | |
our bargain buccaneers have to find buyers for their other items. | 0:24:27 | 0:24:32 | |
Eric will need to shift his German vase, tiled coffee table, | 0:24:32 | 0:24:35 | |
trivet and Boulle work inkstand. | 0:24:35 | 0:24:39 | |
And Paul will need to find homes for his silver server set, | 0:24:39 | 0:24:43 | |
his set of clowns, | 0:24:43 | 0:24:45 | |
a pair of Chinese vases and a job lot of sporting books. | 0:24:45 | 0:24:50 | |
But, until they've shaken on it and the money has changed hands, | 0:24:50 | 0:24:55 | |
no deal is truly sealed. | 0:24:55 | 0:24:57 | |
Our brutes of the bargains are up and running | 0:24:57 | 0:25:00 | |
and Paul is first out of the traps. | 0:25:00 | 0:25:03 | |
He's travelled the 250 miles from Morecambe to London | 0:25:03 | 0:25:06 | |
with the silver server set that he paid nearly £55 for. | 0:25:06 | 0:25:09 | |
But can Mr Hayes convince silver specialist Daniel | 0:25:11 | 0:25:15 | |
to fork out a decent sum. | 0:25:15 | 0:25:17 | |
There we go. Now, can you tell me anything about those? | 0:25:17 | 0:25:20 | |
-I bought these out in France. -OK. -In a place called Reims. | 0:25:20 | 0:25:24 | |
Nice design. | 0:25:24 | 0:25:25 | |
But I've been on the Internet to try and find similar sets | 0:25:25 | 0:25:27 | |
and they're described as a foie gras set. | 0:25:27 | 0:25:29 | |
-Are they? -Have you had anything like this before? | 0:25:29 | 0:25:32 | |
I have and you get them in different sizes as well. | 0:25:32 | 0:25:35 | |
As to whether it's foie gras, I think it's probably a bit debatable. | 0:25:35 | 0:25:38 | |
-OK. -I think they're just a lovely little serving set. | 0:25:38 | 0:25:41 | |
Now, the hallmarks are, obviously, different | 0:25:41 | 0:25:43 | |
-to what you find here in the UK. -They are, Paul. | 0:25:43 | 0:25:45 | |
And what I'm going to look for, which is very hard to find, | 0:25:45 | 0:25:48 | |
in the mark there's a very, very tiny one, number one. | 0:25:48 | 0:25:52 | |
-Or number two. -Right. | 0:25:52 | 0:25:53 | |
This will tell me whether it's, if it's number one, | 0:25:53 | 0:25:56 | |
it's going to be a 950 standard. | 0:25:56 | 0:25:58 | |
-OK. -Which is the French higher grade. Sterling is 925, as we know. | 0:25:58 | 0:26:02 | |
Right. | 0:26:02 | 0:26:04 | |
-If it's number two it's going to be an 800 standard. -OK. | 0:26:04 | 0:26:06 | |
-So, it's a bit like saying it's 95% pure or 80% pure. -Yeah. | 0:26:06 | 0:26:11 | |
And, just looking at it, then, which I'm very pleased to see, | 0:26:11 | 0:26:14 | |
there is a number one. So, it's a 95%. | 0:26:14 | 0:26:16 | |
-So, are you going to give me a price or am I...? -No, I can, if you like. | 0:26:16 | 0:26:19 | |
-Sort of, 20, 25 a piece. -Right. -How does that sound? | 0:26:19 | 0:26:22 | |
Which puts you, sort of, between £80 and £100. | 0:26:22 | 0:26:24 | |
That's what I was expecting, what I was thinking. | 0:26:24 | 0:26:26 | |
-I may be well underestimating them at that. -Could be. | 0:26:26 | 0:26:29 | |
-Could be, there we go. -OK. -How do you rate them, yourself? | 0:26:29 | 0:26:32 | |
It's interesting cos, yes, I think certainly at £25 a piece, | 0:26:32 | 0:26:35 | |
I have one of my regular dealers coming in. | 0:26:35 | 0:26:37 | |
-I would certainly have bought them for £100. -Well, then. | 0:26:37 | 0:26:40 | |
So, if you want to sell them for that, | 0:26:40 | 0:26:42 | |
I feel like I've had a bit of a deal. | 0:26:42 | 0:26:43 | |
-Can we shake on that? -I think so. -Merci, monsieur. -Thank you. | 0:26:43 | 0:26:47 | |
Fantastic. | 0:26:47 | 0:26:48 | |
A great start for the Muscles from Morecambe. | 0:26:48 | 0:26:50 | |
That silky smooth silver sale | 0:26:50 | 0:26:52 | |
gives him over £45 profit. | 0:26:52 | 0:26:55 | |
But could he have asked for more? | 0:26:57 | 0:27:01 | |
Well, he can't pause to ponder on this | 0:27:01 | 0:27:03 | |
because he races on to his next sale. | 0:27:03 | 0:27:05 | |
He takes the Chinese vases that set him back nearly £25 | 0:27:05 | 0:27:07 | |
to Stratford-upon-Avon to show Raymond, | 0:27:07 | 0:27:09 | |
a dealer in Chinese artefacts. | 0:27:09 | 0:27:12 | |
-How do you say 35 in Mandarin? -Mandarin, san shi wu kwai. | 0:27:15 | 0:27:20 | |
-San shi wu kwai. -Exactly. -San shi wu kwai. | 0:27:20 | 0:27:23 | |
Well, there you go, | 0:27:23 | 0:27:24 | |
he learns some Mandarin and takes home a profit of over £10. | 0:27:24 | 0:27:27 | |
With a two-nil selling lead over the master, | 0:27:27 | 0:27:29 | |
our apprentice Mr Morecambe can start his journey home happy. | 0:27:29 | 0:27:35 | |
But Eric "Knocker" Knowles is ready to dish out a dealing masterclass. | 0:27:35 | 0:27:40 | |
He's had the Boulle work inkstand restored at a cost of £108. | 0:27:40 | 0:27:45 | |
Meaning he spent a total of over £330 on it. | 0:27:45 | 0:27:50 | |
But the veteran is confident of making a decent profit | 0:27:50 | 0:27:52 | |
and he's travelled down to Hertfordshire to meet Martin, | 0:27:52 | 0:27:56 | |
a dealer contact of his. | 0:27:56 | 0:27:58 | |
First of all, date-wise, I think we're looking around about 1830. | 0:27:58 | 0:28:03 | |
I think we're looking at about William IV. | 0:28:03 | 0:28:05 | |
As you notice, it's, actually, inlaid in ebony. | 0:28:05 | 0:28:09 | |
It does have a maker's mark in there, Martin. | 0:28:09 | 0:28:12 | |
If you look in the draw, it says, there we go. | 0:28:12 | 0:28:14 | |
-Is it Lund of Cornhill? -That's it. -Very good maker, yes. | 0:28:14 | 0:28:18 | |
He was a renowned maker of the 19th century. | 0:28:18 | 0:28:20 | |
Probably earlier than 19th century, about 1830, 1840. | 0:28:20 | 0:28:24 | |
But this one, yes, it's fine quality. | 0:28:24 | 0:28:27 | |
What and you're looking to sell this to me, are you? | 0:28:27 | 0:28:29 | |
I am, indeed. It would be lovely to get the magic five | 0:28:29 | 0:28:32 | |
but am I pushing it? | 0:28:32 | 0:28:33 | |
-I think it needs to be slightly south of five. -Can we go to 490? | 0:28:33 | 0:28:37 | |
I was going to say 485, that sounds a decent figure. | 0:28:37 | 0:28:40 | |
485, you've got yourself a deal. OK, good lad. | 0:28:40 | 0:28:44 | |
Yes, that's great work. A massive profit of nearly £155 for Knocker. | 0:28:44 | 0:28:50 | |
After the sale of the inkstand, is the writing on the wall for Paul? | 0:28:50 | 0:28:54 | |
Mr Morecambe is at risk of looking silly | 0:28:54 | 0:28:57 | |
if he doesn't pull another sale out of the hat. | 0:28:57 | 0:29:00 | |
So, he arranges a meeting with a local entertainer, Ali the clown. | 0:29:00 | 0:29:05 | |
He's got two things on his mind. One, to sell a couple of clowns. | 0:29:05 | 0:29:09 | |
-So, I'll tell you what I'll do, for cash. -Go on. -I'll do 38 quid. | 0:29:09 | 0:29:12 | |
Check. | 0:29:12 | 0:29:14 | |
And two, to realise a childhood ambition and become a clown. | 0:29:14 | 0:29:18 | |
I went to buy some camouflage trousers the other day. | 0:29:18 | 0:29:20 | |
-Couldn't find any anywhere. -Very good. | 0:29:20 | 0:29:24 | |
Someone stole a toilet from the local police station. | 0:29:24 | 0:29:26 | |
And the spokesman said, "We've nothing to go on." | 0:29:26 | 0:29:29 | |
That's good. | 0:29:31 | 0:29:32 | |
-Why are there no aspirins in the jungle? -I don't know. | 0:29:32 | 0:29:36 | |
Why are there no aspirins? | 0:29:36 | 0:29:37 | |
-Cos the parrots-et-amol. -Aaah. -See. | 0:29:37 | 0:29:40 | |
Oh. Check. But our Hayes can't juggle two jobs at once. | 0:29:40 | 0:29:45 | |
So, it's back to the selling and he manages to sell | 0:29:45 | 0:29:48 | |
his remaining glass clowns to reap a combined profit of £8. | 0:29:48 | 0:29:51 | |
And he's not done there. | 0:29:52 | 0:29:54 | |
He takes his job lot of books that cost him nearly £12 | 0:29:54 | 0:29:58 | |
to see bookshop owner Richard in Stratford-upon-Avon. | 0:29:58 | 0:30:01 | |
Up to about £30. | 0:30:02 | 0:30:04 | |
-Shall we shake on that, then? -OK. | 0:30:04 | 0:30:05 | |
That's a real good deal, thank you so much. | 0:30:05 | 0:30:07 | |
And nets over £18 profit from that £30 sale. | 0:30:07 | 0:30:11 | |
And that's the end of | 0:30:11 | 0:30:13 | |
the private selling chapter for Mr Morecambe. | 0:30:13 | 0:30:16 | |
Eric, on the other hand, | 0:30:16 | 0:30:17 | |
still has plenty to do before he can retire for tea. | 0:30:17 | 0:30:21 | |
But he thinks he's brewed up the perfect potential sale | 0:30:21 | 0:30:24 | |
for his trivet. | 0:30:24 | 0:30:25 | |
I'm in lovely Shropshire and I'm here to meet Rupert Acton Scott. | 0:30:25 | 0:30:29 | |
Now, Rupert owns a Victorian cottage and, the thing is, | 0:30:29 | 0:30:33 | |
when you walk in through the door, you're back in 1860. | 0:30:33 | 0:30:37 | |
But the one thing he hasn't got in his cottage is a trivet. | 0:30:37 | 0:30:40 | |
And have I got a trivet for you, Rupert. | 0:30:40 | 0:30:41 | |
Now, let me tell you, I paid £40 for it. | 0:30:41 | 0:30:44 | |
I'm not going to take less than 80. | 0:30:44 | 0:30:45 | |
And, I've got to say, that he'd be barmy not take it. | 0:30:45 | 0:30:49 | |
Will Rupert think Knocker's Victorian trivet is terrific? | 0:30:50 | 0:30:53 | |
Well, I've got the prince of trivets for you. | 0:30:53 | 0:30:57 | |
Only in so far as, well, | 0:30:57 | 0:30:58 | |
what is wonderful is the fact that it's not your average trivet. | 0:30:58 | 0:31:02 | |
What makes it a prince is the fact that I know who made it. | 0:31:02 | 0:31:05 | |
-Ah. -Because if we look on the back, it's very faint | 0:31:05 | 0:31:09 | |
but in there you'll find WT, | 0:31:09 | 0:31:13 | |
and a star. | 0:31:13 | 0:31:15 | |
-And that's William Tonks. -Right. -Of Birmingham. -Ah-ha. | 0:31:15 | 0:31:20 | |
-So, quite a well-known maker. -Yes. | 0:31:20 | 0:31:23 | |
But what I find pleasing about it is this lovely pierced design. | 0:31:23 | 0:31:27 | |
-Yes, it's beautiful. -Pure Victorian Gothic Revival. -Yes, yes. | 0:31:27 | 0:31:30 | |
It's got a lovely, little ceramic handle because, obviously, | 0:31:30 | 0:31:33 | |
-that's going to stay cool. -Absolutely. | 0:31:33 | 0:31:35 | |
When everything else is hot. | 0:31:35 | 0:31:37 | |
-Let's give it a go, shall we? -Oh, that's not too bad, is it? | 0:31:37 | 0:31:40 | |
There we are. | 0:31:40 | 0:31:41 | |
Let me just say that I was looking for somewhere in the region | 0:31:41 | 0:31:44 | |
of about £100. | 0:31:44 | 0:31:45 | |
-I would be prepared to pay £60. -When it comes to, you know, the final. | 0:31:45 | 0:31:50 | |
-Yes. -I think we might do 75. -75, well, I think that's a deal. | 0:31:50 | 0:31:54 | |
Put it there. | 0:31:54 | 0:31:56 | |
It may look like it's from a bygone era | 0:31:56 | 0:31:58 | |
but Knockers hammered out a very modern profit of £35. | 0:31:58 | 0:32:02 | |
In London, he goes on to sell his retro, tiled coffee table | 0:32:04 | 0:32:07 | |
to vintage dealer Karl. | 0:32:07 | 0:32:08 | |
-Er, 20. £20. -Er, £20, sounds good. | 0:32:08 | 0:32:13 | |
25 would sound better. | 0:32:14 | 0:32:16 | |
-Go on, 25. -25, all right. You're a star. -Thanks. | 0:32:16 | 0:32:18 | |
For £15 profit. | 0:32:18 | 0:32:21 | |
And he sells his beloved German vase | 0:32:21 | 0:32:24 | |
that cost him £35 to bar owner Heidi. | 0:32:24 | 0:32:27 | |
-65? -Split the difference at 70? | 0:32:27 | 0:32:31 | |
-OK, done. -Is it? -Yup. | 0:32:31 | 0:32:33 | |
Which gives him a decent profit of £35. | 0:32:33 | 0:32:38 | |
The gladiatorial auction battle is looming. | 0:32:38 | 0:32:40 | |
So, let's check up on their all-important profits, so far. | 0:32:40 | 0:32:44 | |
Eric has sold four of his eight items | 0:32:45 | 0:32:47 | |
and has a healthy profit of nearly £240. | 0:32:47 | 0:32:50 | |
Paul has also sold half his items but needs to put in | 0:32:51 | 0:32:55 | |
the extra work at auction | 0:32:55 | 0:32:57 | |
as his profit currently stands at nearly £82. | 0:32:57 | 0:33:02 | |
MUSIC: "Carmina Burana, O Fortuna" by Carl Orff | 0:33:02 | 0:33:05 | |
Time for our antiques bounders to face the ultimate test. | 0:33:05 | 0:33:09 | |
Their remaining items are up for auction with no reserve. | 0:33:09 | 0:33:14 | |
This could make or break their bid for glory. | 0:33:14 | 0:33:17 | |
But before the hammer falls, | 0:33:17 | 0:33:18 | |
our gladiators have one last chance to check out the competition. | 0:33:18 | 0:33:21 | |
Now, I have to admit that when Paul bought this bronze plaque, I did | 0:33:23 | 0:33:27 | |
have my reservations because it's not an easy thing to move on. | 0:33:27 | 0:33:33 | |
Unless, of course, we can find members | 0:33:33 | 0:33:35 | |
of the Jean Baptiste Adolphe Aderer Appreciation Society. | 0:33:35 | 0:33:39 | |
I think they might be thin on the ground | 0:33:39 | 0:33:41 | |
in this part of the world. | 0:33:41 | 0:33:43 | |
I don't want to be negative but I've got my doubts. | 0:33:43 | 0:33:45 | |
Now, what I am delighted about, not only is it a fantastic object, | 0:33:47 | 0:33:50 | |
and I think so, but the auctioneer agrees. | 0:33:50 | 0:33:53 | |
He's put an estimate of between £200 and £300. Which is great. | 0:33:53 | 0:33:57 | |
It cost me 120 quid. | 0:33:57 | 0:33:58 | |
So, there's definitely a good chance of a good profit in this. | 0:33:58 | 0:34:02 | |
I think that this has got a bit of life in it. | 0:34:02 | 0:34:05 | |
In fact, I'm hoping it just might, with a bit of luck, | 0:34:05 | 0:34:08 | |
get into three figures. | 0:34:08 | 0:34:09 | |
Because it's got something called female appeal. | 0:34:09 | 0:34:13 | |
I think my mum wears one of these. Do you wear it like that? | 0:34:13 | 0:34:16 | |
Is that how you wear it? | 0:34:16 | 0:34:17 | |
He's paid the best part of almost £500. | 0:34:17 | 0:34:19 | |
So, I can't make my mind up | 0:34:19 | 0:34:22 | |
whether he's very brave or totally daft. | 0:34:22 | 0:34:25 | |
OK, so here we are, this is my fantastic watercolour. | 0:34:25 | 0:34:28 | |
It's here, it's restored. It's been well advertised. | 0:34:28 | 0:34:31 | |
I've done all I can, really, with it. | 0:34:31 | 0:34:33 | |
Now, bearing in mind it stands me at about £480 with the restoration. | 0:34:33 | 0:34:37 | |
Thomas Danby's work do fetch over £1,000 in good condition. | 0:34:37 | 0:34:41 | |
Well, so, fingers crossed. | 0:34:41 | 0:34:44 | |
It's the moment of truth for Paul and his watercolour | 0:34:44 | 0:34:46 | |
that's now set him back £480. | 0:34:46 | 0:34:49 | |
It's the first of our dealers' lots to go under the hammer. | 0:34:49 | 0:34:54 | |
Bit of interest in this one. Quite a nice painting. | 0:34:54 | 0:34:57 | |
Start at 240 on this. | 0:34:57 | 0:34:59 | |
-240. Really? OK. It's not bad. Come on. -260, 280. | 0:34:59 | 0:35:04 | |
-300, 320. -Come on, there must be somebody. | 0:35:05 | 0:35:08 | |
-340, 360. 380. -Come on. | 0:35:08 | 0:35:12 | |
-400. -400. It's not doing so bad. | 0:35:12 | 0:35:14 | |
-£400, bid now. -Come on, we need a bit more. | 0:35:14 | 0:35:16 | |
-400. -We know it's worth more. | 0:35:16 | 0:35:19 | |
-420. -420. -Come on. -440. -440, you're getting there. | 0:35:19 | 0:35:23 | |
-440, bid. -Come on. -Come on. Oh, come on, one more. | 0:35:23 | 0:35:27 | |
-460. -460, come on, 480. -480. | 0:35:27 | 0:35:30 | |
-Bit more, come on. -500. -Oh, 500. | 0:35:30 | 0:35:33 | |
£500, bid. | 0:35:33 | 0:35:34 | |
-Going for five. -No, a bit more, a bit more. -Bit more. | 0:35:34 | 0:35:37 | |
Aaah. | 0:35:37 | 0:35:39 | |
-I'll tell you what... -I'm relieved. | 0:35:39 | 0:35:41 | |
After selling fees, Paul's looking at a loss. | 0:35:44 | 0:35:48 | |
I'm relieved at that. I'm delighted, to be honest with you. | 0:35:48 | 0:35:51 | |
No, Paul, I said a loss. | 0:35:51 | 0:35:52 | |
-It's not going to make a hole in your pocket, that, is it? -No. | 0:35:52 | 0:35:55 | |
-No, you're right. -You'll come good. | 0:35:55 | 0:35:56 | |
But I tell you what, that restoration was well worth it. | 0:35:56 | 0:35:59 | |
No, listen, the painting has made a loss of nearly £71. | 0:35:59 | 0:36:04 | |
Our Mr Morecambe doesn't seem to mind too much. | 0:36:05 | 0:36:07 | |
And, up next, is Knocker's mahogany dumb waiter. | 0:36:07 | 0:36:10 | |
-What's it standing at? -It stands about 170. -170 quid. | 0:36:10 | 0:36:13 | |
-About 172. Anyway, here it is. -Come on. | 0:36:13 | 0:36:16 | |
65, the George III mahogany dumb waiter, there, look. | 0:36:16 | 0:36:19 | |
-And start at 150, here, on this one. At 150. -150, you're in. | 0:36:19 | 0:36:23 | |
-150. -There you go. | 0:36:23 | 0:36:25 | |
£160 and selling then, once, twice. | 0:36:25 | 0:36:27 | |
-Oh, no. -£160. -160. | 0:36:27 | 0:36:30 | |
The Lord giveth, the Lord taketh away. | 0:36:30 | 0:36:33 | |
Well, it seems to be more of the taketh away, at the moment, chaps. | 0:36:33 | 0:36:37 | |
Because, just like Mr Morecambe, | 0:36:37 | 0:36:39 | |
Knocker's profit pot takes a knock. | 0:36:39 | 0:36:40 | |
He loses over £42 after fees. | 0:36:40 | 0:36:43 | |
Will Eric's silky scarf provide some salvation? Time to find out. | 0:36:44 | 0:36:49 | |
1453, the Hermes scarf, there, height of fashion, this one. | 0:36:51 | 0:36:56 | |
-Start at 55 on this one. 60, 65. -Come on, Eric. | 0:36:58 | 0:37:01 | |
70, 75. 80, 85 | 0:37:01 | 0:37:04 | |
-90, 95. -Come on, Eric. -100. 100 bid, there. On the scarf. -Wow. | 0:37:04 | 0:37:09 | |
100, 110, new bidder. | 0:37:09 | 0:37:10 | |
-120, thank you very much. £120 bid. -That's amazing for a scarf. | 0:37:10 | 0:37:15 | |
-Oh, 130. -Now, are you sure? £130 bid on the scarf. | 0:37:15 | 0:37:18 | |
I don't want anyone to be disappointed. | 0:37:18 | 0:37:20 | |
I know it's not my wife cos I know where she is and she's locked in. | 0:37:20 | 0:37:22 | |
£130 bid, then. | 0:37:22 | 0:37:23 | |
-At 130 I shall sell. -That is incredible. | 0:37:23 | 0:37:26 | |
-At £130. -That is a complete shock to me. | 0:37:26 | 0:37:28 | |
He's back in business. | 0:37:28 | 0:37:29 | |
with the sale of Eric's designer scarf wrapped up, | 0:37:29 | 0:37:32 | |
after fees, Knockers made nearly £61. | 0:37:32 | 0:37:36 | |
Do you know what? At home, my missus has got a drawer full of scarves. | 0:37:36 | 0:37:39 | |
I'd get back there and check through them. | 0:37:39 | 0:37:41 | |
Got to bring them straight down here. | 0:37:41 | 0:37:43 | |
The pressure is on for Mr Morecambe, now, to make a profit. | 0:37:43 | 0:37:46 | |
Up next, is the yellow vase. How's he feeling? | 0:37:46 | 0:37:49 | |
Do you know, I really fancy this one, Eric. | 0:37:51 | 0:37:53 | |
It's the yellow ground Canton enamel vase, you know, | 0:37:53 | 0:37:56 | |
19th-century item. | 0:37:56 | 0:37:57 | |
I think this has got a really good chance. This was 30 quid. | 0:37:57 | 0:38:00 | |
The auctioneer has put in at 100 to 200. | 0:38:00 | 0:38:02 | |
-How much did you pay for it? -35 quid. -You paid 35 quid for it? | 0:38:02 | 0:38:05 | |
Can I just hold the arm again, please? | 0:38:05 | 0:38:08 | |
Yeah, but, yeah, but what worries me is you seem to be liking this. | 0:38:08 | 0:38:11 | |
Do you work out? | 0:38:11 | 0:38:12 | |
Start at 45 on this one. £45 bid on the vase. At 45. | 0:38:15 | 0:38:19 | |
45. Oh, you're ahead. | 0:38:19 | 0:38:21 | |
-Come on. There must be somebody. -Come on. -50. | 0:38:21 | 0:38:23 | |
-55, 60. -Come on, then. -£60 bid. | 0:38:23 | 0:38:26 | |
£60 bid, now. At £60 bid. | 0:38:26 | 0:38:29 | |
-65. -65. -70, anywhere? At 65. | 0:38:29 | 0:38:32 | |
65. | 0:38:32 | 0:38:34 | |
-That's a little back off it, isn't it? -Yeah, into the right side. | 0:38:34 | 0:38:37 | |
You're into profit. | 0:38:37 | 0:38:39 | |
Come on, indeed. | 0:38:39 | 0:38:41 | |
That's given our Mr Morecambe a tasty profit of nearly £18 after fees. | 0:38:41 | 0:38:45 | |
Back in the saleroom, our boys' purple patch is fading fast. | 0:38:47 | 0:38:50 | |
Paul's Majolica pottery pot that cost him nearly £205. | 0:38:50 | 0:38:55 | |
£130 bid. At 130. | 0:38:55 | 0:38:57 | |
-Oh, dear. -I will sell, then, at £130. -Come on. -No. | 0:38:57 | 0:39:00 | |
Come on. Oooh. | 0:39:00 | 0:39:02 | |
That sets him up with a loss of nearly £99 after fees. | 0:39:02 | 0:39:08 | |
And Knocker, too, suffers a painful loss on his wine glasses. | 0:39:08 | 0:39:12 | |
Selling, then, at £65. | 0:39:12 | 0:39:15 | |
Oh. Somebody got a bargain. Somebody got a bargain. | 0:39:15 | 0:39:20 | |
-There you go. -Oh, that was a hurter. That was another hurter. | 0:39:20 | 0:39:24 | |
MUSIC: "Everybody Hurts" by R.E.M. | 0:39:24 | 0:39:26 | |
Ouch, ouch, ouch. | 0:39:28 | 0:39:29 | |
After fees that leaves him looking at a loss of nearly £11. | 0:39:32 | 0:39:37 | |
Finally, though, there's light at the end of the tunnel for Eric. | 0:39:37 | 0:39:41 | |
When his student lamp that cost him £50. | 0:39:41 | 0:39:44 | |
Selling, then, at £90. | 0:39:44 | 0:39:47 | |
-Quirky's winning the day today. -Certainly is. | 0:39:47 | 0:39:49 | |
Sees him off in style when he makes a profit, | 0:39:49 | 0:39:52 | |
after fees, of over £23. | 0:39:52 | 0:39:54 | |
All Paul's hopes now rest on the bronze plaque | 0:39:56 | 0:39:58 | |
that cost him £120. | 0:39:58 | 0:40:00 | |
Now, I must admit, out of all of my items, this is the one I fancy. | 0:40:01 | 0:40:04 | |
It's that fantastic bronze roundel of Adolphe Aderer. | 0:40:04 | 0:40:09 | |
-Have you heard of him? -Never. | 0:40:09 | 0:40:10 | |
-He used to play for Burnley, apparently. -Really? | 0:40:10 | 0:40:12 | |
-No, he's a French critic but he's a nice one. -OK. | 0:40:12 | 0:40:15 | |
Let's hope the Internet comes in. And I need it today. | 0:40:15 | 0:40:17 | |
-Interest in this. I'll start at 100 on this. -Come on. | 0:40:17 | 0:40:20 | |
-Were in at 100 already, there we go. -120, 130, 140. | 0:40:20 | 0:40:24 | |
Come on. Keep going. It's worth every penny. | 0:40:24 | 0:40:27 | |
170, 180, 190. 200. | 0:40:27 | 0:40:31 | |
-220. -220, come on. -220. -220 in the room. £220 bid. -220. | 0:40:31 | 0:40:36 | |
240, anywhere? I shall sell then. At £220. | 0:40:36 | 0:40:40 | |
Hey, we're in the money. | 0:40:42 | 0:40:44 | |
A solid gold sale of the bronze plaque. | 0:40:44 | 0:40:46 | |
Paul takes home a hefty profit of nearly £60 with fees. | 0:40:48 | 0:40:52 | |
And that's the auction over. | 0:40:52 | 0:40:55 | |
Has Mr Morecambe's late success been enough? | 0:40:55 | 0:40:57 | |
I think we both ended up in a, very much, in a sort of level pegging, I think. | 0:40:57 | 0:41:00 | |
It's nearly time to find out. So, let's check on their final spending. | 0:41:00 | 0:41:05 | |
Both our experts started the contest with £1,000 of their own money | 0:41:07 | 0:41:12 | |
to spend at four different antiques events. | 0:41:12 | 0:41:15 | |
After all costs, Eric spent nearly £747. | 0:41:15 | 0:41:18 | |
And Paul spent nearly £991 on all eight items including restoration. | 0:41:20 | 0:41:27 | |
All of the money that Eric and Paul have made from today's challenge | 0:41:29 | 0:41:31 | |
will be going to a charity of their choice. | 0:41:31 | 0:41:33 | |
So, without further ado, it's time to find out who is | 0:41:33 | 0:41:36 | |
today's Put Your Money Where Your Mouth Is champion. | 0:41:36 | 0:41:40 | |
-Hello, Eric. -All right, dear, boy. | 0:41:40 | 0:41:41 | |
-The showdown was a tough call. -It certainly was. It certainly was. | 0:41:41 | 0:41:45 | |
I think we both had an item restored, didn't we? | 0:41:45 | 0:41:47 | |
I think my painting, I was delighted with the results. | 0:41:47 | 0:41:50 | |
Delighted with the price, really, | 0:41:50 | 0:41:51 | |
it was the auctioneer's commissions that scuppered it for me. | 0:41:51 | 0:41:54 | |
-But it was nice to do that sort of thing, though. -Yeah. | 0:41:54 | 0:41:56 | |
I mean, from the auction point of view, | 0:41:56 | 0:41:59 | |
I've got to say that scarf flew away, didn't it? | 0:41:59 | 0:42:01 | |
That was an absolute shocker. I know nothing about ladies clothing. | 0:42:01 | 0:42:04 | |
Obviously, you know a lot about them. | 0:42:04 | 0:42:06 | |
-But that was great, wasn't it? -Anyway, we've gone there. | 0:42:06 | 0:42:10 | |
-We know what happens here. -Do we know? -I thing we do know already. | 0:42:10 | 0:42:15 | |
One, two, three. | 0:42:15 | 0:42:16 | |
BOTH: Oooh. | 0:42:16 | 0:42:18 | |
-Very close, though, wasn't it? -Very close. Yes. | 0:42:18 | 0:42:21 | |
The master takes it. | 0:42:21 | 0:42:23 | |
After today's loss, Paul may not have made the profit margins | 0:42:23 | 0:42:26 | |
he'd hoped for, but both our experts have been building up | 0:42:26 | 0:42:29 | |
their profit pots all week over a series of challenges. | 0:42:29 | 0:42:33 | |
And it's time to reveal whether Paul or Eric will be this week's champion. | 0:42:33 | 0:42:37 | |
-Ready? -OK. -Go for it, one, two, three. -Oh. -What have we done? | 0:42:37 | 0:42:42 | |
-Ooh. -Look at that. That's a fortune. | 0:42:42 | 0:42:44 | |
The apprentice is given a dealing masterclass. | 0:42:44 | 0:42:48 | |
A massive victory for Knocker. | 0:42:48 | 0:42:50 | |
Both our experts have made fantastic profits | 0:42:50 | 0:42:52 | |
and all that money will be going to their good causes. | 0:42:52 | 0:42:56 | |
Well, my chosen charity is the Prostate Cancer Charity. | 0:42:56 | 0:43:00 | |
And because it's one of those areas which affects | 0:43:00 | 0:43:04 | |
so many families up and down the country. | 0:43:04 | 0:43:07 | |
My chosen charity is The Loyne School of Lancaster. | 0:43:07 | 0:43:10 | |
It's a school for people with learning difficulties. | 0:43:10 | 0:43:12 | |
Yes, it's been a week of no-holds-barred combat. | 0:43:14 | 0:43:17 | |
Eric and Paul have both put their money where their mouths are | 0:43:17 | 0:43:20 | |
and proved that they can make a convincing profit from antiques | 0:43:20 | 0:43:24 | |
when their own money is on the line. | 0:43:24 | 0:43:27 | |
Subtitles by Red Bee Media Ltd | 0:43:34 | 0:43:38 | |
E-mail [email protected] | 0:43:38 | 0:43:41 |