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'This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
'the show that takes the titans of the antiques trade | 0:00:04 | 0:00:08 | |
'and pitches them against each other | 0:00:08 | 0:00:11 | |
'to see who can make the most money from buying and selling.' | 0:00:11 | 0:00:15 | |
That's amazing! Truly amazing. | 0:00:16 | 0:00:19 | |
'Today Eric Knowles takes on Paul Hayes in an all-out battle for profit, | 0:00:19 | 0:00:24 | |
'giving you the inside view on the secrets of the trade. | 0:00:24 | 0:00:28 | |
'Coming up, our dealers show you how to be saleroom savvy.' | 0:00:30 | 0:00:34 | |
If you've got any little chips, put it straight back in the cabinet cos no-one will want it. | 0:00:34 | 0:00:39 | |
'Paul is hoping to make millions.' | 0:00:39 | 0:00:42 | |
1709. If this is right, it's priceless. | 0:00:42 | 0:00:46 | |
'And Eric finds himself in Arts & Crafts heaven.' | 0:00:46 | 0:00:50 | |
Well, you can stroke without a conscience when it comes to furniture. | 0:00:50 | 0:00:54 | |
'This is Put Your Money Where Your Mouth Is.' | 0:00:54 | 0:00:57 | |
'It's a saleroom skirmish today as two antiques Trojans go head-to-head. | 0:01:09 | 0:01:15 | |
'It's Eric 'Knocker' Knowles versus Paul 'Mr Morecambe' Hayes | 0:01:15 | 0:01:19 | |
'in an all-out battle to make the most profit | 0:01:19 | 0:01:21 | |
'from buying and selling antiques. It's the brains from Burnley, | 0:01:21 | 0:01:26 | |
'the veteran maestro who'll go to super-human efforts to bag a bargain.' | 0:01:26 | 0:01:30 | |
I am literally ploughing through rubble | 0:01:30 | 0:01:33 | |
looking for the glint of a gem. | 0:01:33 | 0:01:36 | |
'Eric's taking on the muscles from Morecambe | 0:01:36 | 0:01:39 | |
'and what the youngster lacks in age he makes up for in fierce determination.' | 0:01:39 | 0:01:44 | |
The apprentice has taken over the master I think today, Eric. | 0:01:44 | 0:01:47 | |
'These northern warriors are risking their reputations and £1,000 of their own cash | 0:01:47 | 0:01:54 | |
'in a mission to make as much profit as possible for charity. | 0:01:54 | 0:01:57 | |
'They've travelled to Duke's Auctions in Dorset. | 0:01:57 | 0:02:00 | |
'With over 700 lots going under the hammer, our duo need to sniff out potential profit | 0:02:00 | 0:02:06 | |
'and then seal the deal with a winning bid. Who will be the saleroom supremo? | 0:02:06 | 0:02:11 | |
'And who will fall foul of the hammer? Eric Knowles, Paul Hayes, | 0:02:11 | 0:02:16 | |
'it's time to put your money where your mouth is.' | 0:02:16 | 0:02:19 | |
-Hey up, Eric. -Ah! -How are you? -I'm very well, thank you. | 0:02:19 | 0:02:22 | |
-We're a long way from home, aren't we? -Bit of a hike down here. -It really is. | 0:02:22 | 0:02:26 | |
Three days by camel, it was, from Morecambe. But an exciting place. | 0:02:26 | 0:02:30 | |
-Well, it's full of this, that and the other, isn't it? -Do you know what I find really difficult? | 0:02:30 | 0:02:35 | |
You've got your eye on one particular piece | 0:02:35 | 0:02:37 | |
so you save your money to try and buy that one item, then it goes for more than expected | 0:02:37 | 0:02:42 | |
-and you missed all those earlier lots. -Well, there's plenty to go for. -Yep. | 0:02:42 | 0:02:46 | |
-Good luck, Eric. -And to you, too. -See you soon. | 0:02:46 | 0:02:50 | |
'Both these antiques heavyweights have bags of saleroom experience | 0:02:50 | 0:02:54 | |
'but from the opposite sides of the rostrum. | 0:02:54 | 0:02:56 | |
'Will today's victory belong to the daring dealer or the Goliath of the gavel?' | 0:02:56 | 0:03:01 | |
Well, I've spent most of my working life working in an auction house, | 0:03:01 | 0:03:04 | |
so I'm in my natural habitat, if you will. | 0:03:04 | 0:03:07 | |
It is a jungle and I am looking out for those items today that really shine. | 0:03:07 | 0:03:12 | |
The problem being, they're going to shine to an awful lot of dealers and collectors who are here today | 0:03:12 | 0:03:19 | |
and they'll give me some stiff opposition. | 0:03:19 | 0:03:21 | |
So I'm trying to pace the items. I'm trying to pick items that are... | 0:03:21 | 0:03:25 | |
Some items are a couple of hundred, some are 50 quid, and hopefully I can buy what I want to, | 0:03:25 | 0:03:30 | |
and more importantly, I can sell them when I've bought them. | 0:03:30 | 0:03:33 | |
'So, two very different strategies from our antiques giants. | 0:03:33 | 0:03:36 | |
'Mr Morecambe plans to cast his profit-hunting net far and wide | 0:03:36 | 0:03:40 | |
'whereas Knocker's determined to hook something with wow factor.' | 0:03:40 | 0:03:44 | |
Well worth the money. | 0:03:44 | 0:03:47 | |
'With limited viewing time before the sale gets underway, | 0:03:47 | 0:03:50 | |
'they need to get stuck in and fast.' | 0:03:50 | 0:03:52 | |
# We're S-H-O-P-P-I-N-G | 0:03:54 | 0:03:57 | |
# We're shopping | 0:03:57 | 0:03:58 | |
'While Knocker prowls the aisles like a profit-hungry panther, | 0:03:58 | 0:04:03 | |
'his blue-eyed opponent throws himself straight into the fray.' | 0:04:03 | 0:04:06 | |
OK, I've found one of my favourite items here. | 0:04:06 | 0:04:09 | |
This is called a barograph. It's a very delicate instrument. | 0:04:09 | 0:04:12 | |
It's quite a modern one. But it actually forecasts the weather. | 0:04:12 | 0:04:17 | |
The weather is measured in atmospheric bars, which is where the name barograph comes from, | 0:04:17 | 0:04:22 | |
and in this little coiled tube here is a vacuum. | 0:04:22 | 0:04:26 | |
That vacuum reacts with atmospheric pressure, | 0:04:26 | 0:04:29 | |
so it contracts and it expands, | 0:04:29 | 0:04:32 | |
and that reading is then registered on this chart here as it spins around over the course of a month | 0:04:32 | 0:04:37 | |
and that tells you whether you're going to have a high pressure for nice weather | 0:04:37 | 0:04:41 | |
or a low pressure for awful weather. | 0:04:41 | 0:04:43 | |
A very interesting item to have, a luxurious item, | 0:04:43 | 0:04:46 | |
and hopefully a very saleable item. | 0:04:46 | 0:04:48 | |
'Mr Morecambe has forecast a profit if he can pull off a sunny result | 0:04:48 | 0:04:52 | |
'when his find goes under the hammer. | 0:04:52 | 0:04:55 | |
'Across the saleroom, Knocker has spotted a diamond in the rough.' | 0:04:55 | 0:04:58 | |
OK, Loetz is an Austrian factory making this type of iridescent glass in about 1900 | 0:04:58 | 0:05:05 | |
and this type of glass is called papillon glass or butterfly glass. | 0:05:05 | 0:05:09 | |
The first thing you're going to do with something like this is feel the edges | 0:05:09 | 0:05:13 | |
because if you've got any chips on there, put it straight back in the cabinet cos no-one will want it. | 0:05:13 | 0:05:19 | |
It says Loetz style. There's nothing wrong with that. That is Loetz. It's got 30 to 50. | 0:05:19 | 0:05:24 | |
Again, I just know it's going to do an awful lot more. | 0:05:24 | 0:05:27 | |
This is something I know for a fact that Paul is quite interested in. | 0:05:27 | 0:05:32 | |
'Leaving Eric to the vase, Mr Morecambe spots another potential string for his bow.' | 0:05:32 | 0:05:37 | |
What we have is a very good condition violin. | 0:05:37 | 0:05:40 | |
There's no cracks, no splits. Sometimes the necks get broken. | 0:05:40 | 0:05:44 | |
But when you're looking at violins, the label is actually inside the violin itself. | 0:05:44 | 0:05:49 | |
And this one is by one of the best makers in the world. | 0:05:49 | 0:05:52 | |
We've all heard of Stradivarius, but there was a family called Guarneri. | 0:05:52 | 0:05:56 | |
This is Joseph Guarneri, 1709. | 0:05:56 | 0:06:02 | |
If this is right, it's priceless. So it's in at between £50 and £100. | 0:06:02 | 0:06:07 | |
The case is worthless. The violin is easily worth that. | 0:06:07 | 0:06:10 | |
I'm going to go for it, maybe up to a couple of hundred, but that's it. | 0:06:10 | 0:06:13 | |
So it could be music to my ears. | 0:06:13 | 0:06:17 | |
-There are many strings to my bow. -CYMBAL CRASHES | 0:06:21 | 0:06:24 | |
BELL TOLLS | 0:06:24 | 0:06:27 | |
Have you had enough now? Yeah, so have I. | 0:06:27 | 0:06:29 | |
'Yes. Could our Morecambe maestro really be onto a priceless treasure? It's nearly time to find out | 0:06:29 | 0:06:35 | |
'because the auctioneer has taken his seat and is ready to start the sale. | 0:06:35 | 0:06:39 | |
'And it's Mr Hayes who's first out of the traps and up and running. | 0:06:39 | 0:06:43 | |
'He's caught bidding fever and can't resist a cheeky bid on a mixed lot of grandfather clock parts.' | 0:06:43 | 0:06:49 | |
You're at £25. Selling, then, at £25. | 0:06:49 | 0:06:52 | |
-Sporting bid. Well done. -HAMMER BANGS | 0:06:52 | 0:06:54 | |
'And the daring young whippersnapper takes them for nearly £31 | 0:06:54 | 0:06:58 | |
'including fees.' | 0:06:58 | 0:07:00 | |
Now then, I'm delighted with this purchase. | 0:07:00 | 0:07:03 | |
I've bought myself a do-it-yourself grandfather clock kit. | 0:07:03 | 0:07:06 | |
This is a good white painted dial, square face, could be late 18th century, early 19th century. | 0:07:06 | 0:07:13 | |
Not in bad condition. The dial alone is interesting, but why I bought this is the movement. | 0:07:13 | 0:07:18 | |
It's amazing how many times you need a cog or a wheel to make another clock a good one. | 0:07:18 | 0:07:24 | |
So I think this is a good restorer's lot. | 0:07:24 | 0:07:26 | |
'Next up, the barograph. But will winning lightning strike twice for Mr Morecambe?' | 0:07:26 | 0:07:31 | |
£50 is bid with me for the barograph. 50. 60. | 0:07:31 | 0:07:35 | |
-Any advance on 60? Standing there at 60. -60 quid. -Going once. | 0:07:35 | 0:07:39 | |
-Going then at £60. -HAMMER BANGS | 0:07:39 | 0:07:42 | |
'Nothing fazes this dynamic dealer. | 0:07:42 | 0:07:45 | |
'Just over £74 including costs | 0:07:45 | 0:07:48 | |
'and he's barely breaking a sweat! | 0:07:48 | 0:07:51 | |
'With things suspiciously quiet on Knocker's side of the saleroom, | 0:07:51 | 0:07:55 | |
'the boy from the bay gears up for what could be his ultimate auction find.' | 0:07:55 | 0:07:59 | |
If this is right, it's worth millions of pounds. | 0:08:00 | 0:08:03 | |
If it isn't... Well, not millions. Hundreds of thousands. Here we go. | 0:08:03 | 0:08:06 | |
I have 50. 60. Any advance on 60? | 0:08:06 | 0:08:09 | |
-70. At £70. -£70. Come on, knock it down, please. | 0:08:09 | 0:08:13 | |
Could be millions. 80. 90. 100. | 0:08:13 | 0:08:17 | |
-No? -£90. -£90. Yours at 90. Selling at 90, sir, well done. | 0:08:17 | 0:08:22 | |
-HAMMER BANGS -'And he takes it.' | 0:08:22 | 0:08:25 | |
I'm delighted with that. 90 quid. Either I've made a fortune and you won't see me again | 0:08:25 | 0:08:30 | |
cos I'll be on a Caribbean island or I just dropped 90 quid. | 0:08:30 | 0:08:34 | |
'We know which one your opponent would prefer.' | 0:08:34 | 0:08:36 | |
I'm hoping to goodness it's not the real thing. | 0:08:36 | 0:08:40 | |
Cos I didn't even spot it. | 0:08:40 | 0:08:42 | |
'The veteran master is flummoxed to think that he could've missed a trick. | 0:08:42 | 0:08:46 | |
'With fees, Paul bagged the violin for just over £111 | 0:08:46 | 0:08:50 | |
'and that's the Lancashire lad three-nil up here in Dorset. | 0:08:50 | 0:08:53 | |
'And he's even found time to pick up some local info.' | 0:08:53 | 0:08:57 | |
Apparently, it's very unlucky around here to say the word rabbit, I'm saying it very quietly, | 0:08:57 | 0:09:02 | |
for the simple reason that superstition or legend has it | 0:09:02 | 0:09:06 | |
that if you say the word rabbit, the rabbits will come along | 0:09:06 | 0:09:10 | |
and burrow underneath the island of Portland and the whole lot will be lost into the sea. | 0:09:10 | 0:09:14 | |
There we go. Rabbit, rabbit, rabbit! Rabbit! | 0:09:14 | 0:09:18 | |
'Right. Well, that's going to come in handy, Paul.' | 0:09:18 | 0:09:21 | |
Rabbit! Grab your life jackets now! | 0:09:21 | 0:09:24 | |
'Mr Morecambe's purchases are multiplying fast but there's a long way to go | 0:09:24 | 0:09:29 | |
'and across the room, his learned opponent has simply been biding his time.' | 0:09:29 | 0:09:33 | |
I've just been having a scout about and I've spotted a pair of copper bellows | 0:09:33 | 0:09:38 | |
which have been described as Newlyn School, Newlyn type. | 0:09:38 | 0:09:42 | |
They're not marked but they are very pretty. | 0:09:42 | 0:09:45 | |
So I might have a quick go. But they're quite heavily estimated. | 0:09:45 | 0:09:49 | |
I've got 40. 5. 50. 5. | 0:09:49 | 0:09:52 | |
60. 5. Selling, then, at £60. Done? | 0:09:52 | 0:09:56 | |
HAMMER BANGS That's what they call a bit of an impulse bid. | 0:09:56 | 0:10:00 | |
'At just over £74 with fees, it's no cheap impulse buy, | 0:10:00 | 0:10:05 | |
'but at last it's a first purchase for this auction veteran.' | 0:10:05 | 0:10:08 | |
I've just bought myself a pair of bellows which are very much in the Arts & Crafts style. | 0:10:08 | 0:10:14 | |
To me, this is a perfect little work of art. | 0:10:14 | 0:10:16 | |
Date-wise, I suppose 1900, 1910. Well worth the money. | 0:10:16 | 0:10:23 | |
'No time to rest on his laurels, though, as treasure-seeking missile Paul Hayes | 0:10:23 | 0:10:28 | |
'is homing in on a fourth potential profit-maker.' | 0:10:28 | 0:10:32 | |
It'll be interesting to see how this lot goes, that collection of blue and white. | 0:10:32 | 0:10:36 | |
It's in the catalogue as a quantity of blue and white plates. | 0:10:36 | 0:10:39 | |
£35. I'll take 40. | 0:10:39 | 0:10:41 | |
At £35. 40. 45. 50. 5. And 60 for you, sir. | 0:10:41 | 0:10:46 | |
-5 is next. At £60. -I'll have that little lot. -Done at 60? -HAMMER BANGS | 0:10:46 | 0:10:51 | |
There we go! 60 quid! Eric Knowles missed it. Come on! I thought he was going to go for that. | 0:10:51 | 0:10:55 | |
The apprentice has taken over the master, I think, Eric. | 0:10:55 | 0:10:59 | |
'Bagging the plates for just over £74 with fees, | 0:10:59 | 0:11:02 | |
'the youngest is convinced he's got one up on his esteemed opposition. | 0:11:02 | 0:11:06 | |
'He's full of fighting talk. But 'ey up, here comes the master himself.' | 0:11:06 | 0:11:11 | |
-What was that you just bought? -I bought that little collection of blue and white. | 0:11:11 | 0:11:15 | |
-Oh, Dr Syntax? -Yep. But amongst it is that famille rose charger. | 0:11:15 | 0:11:20 | |
-Yes, I did notice it. -Did you see it? -I did. -Right. | 0:11:20 | 0:11:24 | |
Did you notice that it had some restoration to it? | 0:11:24 | 0:11:28 | |
Well, I think, to be honest, for 60 quid, I've got all that job lot of blue and white, | 0:11:28 | 0:11:32 | |
and that must be worth that on its own, that charger, don't you think? | 0:11:32 | 0:11:35 | |
I think if you find the right man | 0:11:35 | 0:11:38 | |
and you don't let him get within 100 yards of it, he's got to make that decision. | 0:11:38 | 0:11:44 | |
I'm just going to have a quick go on something. | 0:11:44 | 0:11:46 | |
-I've just missed it! -Honest, have you missed it? -I've just missed it! | 0:11:47 | 0:11:51 | |
PAUL LAUGHS I've just missed it. | 0:11:51 | 0:11:54 | |
'Ooh, that cheeky Morecambe charmer got Knocker good and proper. | 0:11:54 | 0:11:58 | |
'The plate chat distracted him from a potential bargain. | 0:11:58 | 0:12:03 | |
'It's been a fast and furious sale so far and it's time to check out the totals. | 0:12:03 | 0:12:08 | |
'Both our northern warriors started the day with £1,000 of their own money to spend. | 0:12:09 | 0:12:15 | |
'Eric's been a slow burner with only one item bought, | 0:12:15 | 0:12:18 | |
'costing just over £74, | 0:12:18 | 0:12:20 | |
'and that leaves him nearly £926 still to spend. | 0:12:20 | 0:12:25 | |
'But Paul's been a bidding whirlwind with four lots in the bag | 0:12:25 | 0:12:29 | |
'totalling £290. | 0:12:29 | 0:12:31 | |
'That leaves him £710 in his kitty. | 0:12:31 | 0:12:35 | |
'In the saleroom, it's time for our duelling duo to get back in position. | 0:12:35 | 0:12:40 | |
'With just one item in the bag, Burnley's best is feeling the pressure.' | 0:12:40 | 0:12:45 | |
# Pressure, pushing down on me | 0:12:45 | 0:12:49 | |
# Pressing down on you, no man ask for | 0:12:49 | 0:12:53 | |
# Under pressure | 0:12:53 | 0:12:55 | |
'The fight is far from over and Eric's eagle eye spots a potential candidate.' | 0:12:55 | 0:13:01 | |
This is an interesting job lot. You've got all sorts going on here. | 0:13:01 | 0:13:06 | |
First of all, you've got that, which is a shame because this dates to about 1860, | 0:13:06 | 0:13:11 | |
but it's missing a piece of glass here. | 0:13:11 | 0:13:14 | |
And then the next thing you come across is this, which is a lovely carafe | 0:13:14 | 0:13:17 | |
and it's covered in an amethyst flash. | 0:13:17 | 0:13:22 | |
It's nicely decorated. It's got a nice star base. | 0:13:22 | 0:13:24 | |
The other thing is this, which is Webb Corbett. Not of any great age | 0:13:24 | 0:13:29 | |
because it actually features, dare I say, our erstwhile prime minister Margaret Thatcher. | 0:13:29 | 0:13:36 | |
It'll be interesting to see how they go for price. | 0:13:36 | 0:13:40 | |
'Careful consideration is the name of the game, Knocker, and on the other side of the room | 0:13:40 | 0:13:45 | |
'Mr Morecambe is also on an inspection.' | 0:13:45 | 0:13:47 | |
Now then, I've found some of my favourite items here. | 0:13:47 | 0:13:50 | |
We've got some Staffordshire spaniels. These date 1880, 1900. | 0:13:50 | 0:13:54 | |
Good quality flat-back country antiques. | 0:13:54 | 0:13:58 | |
Very traditional. They're on the wane a little bit, but they're 150 years old, fantastic items. | 0:13:58 | 0:14:03 | |
But amongst this lot is this little fella here. | 0:14:03 | 0:14:07 | |
You might have seen one of these before. | 0:14:07 | 0:14:09 | |
This is a figure called Blanc de Chine | 0:14:09 | 0:14:12 | |
and the Chinese called it white gold at the time, | 0:14:12 | 0:14:15 | |
this wonderful, translucent, pure white material. So keep an eye out for this little lot. | 0:14:15 | 0:14:20 | |
'OK, Paul, you've got your bidding card so you know what to do.' | 0:14:20 | 0:14:26 | |
At £20, your bid, sir. I'll take 5. | 0:14:26 | 0:14:28 | |
-£20. -I'll have that, thank you very much. Thank you. -HAMMER BANGS | 0:14:28 | 0:14:32 | |
'Bargain indeed! At just under £25 including fees, | 0:14:32 | 0:14:36 | |
'that's the cheapest buy of the day so far. Porcelain Paul is on fire. | 0:14:36 | 0:14:41 | |
'He's now bagged five lots to Knocker's one. | 0:14:41 | 0:14:44 | |
'But Eric's preparing to pack a punch of his own with that mixed lot of glass.' | 0:14:44 | 0:14:48 | |
Thank you, I'll take 15. 15 at the back. 20. | 0:14:48 | 0:14:52 | |
25. 30. At £25 in the far corner. I'll take 30. | 0:14:52 | 0:14:56 | |
-At £25. -HAMMER BANGS | 0:14:56 | 0:15:00 | |
We're very happy. Yes. We're very happy. | 0:15:00 | 0:15:02 | |
'Yes, he's done it. Knocker bags the glassware for just under £31 | 0:15:02 | 0:15:07 | |
'with costs and suddenly he's off and running. | 0:15:07 | 0:15:10 | |
'With the nonchalance of the true professional, he bids on a canteen of silver-plated cutlery.' | 0:15:10 | 0:15:16 | |
£140 in the corner. 150 anywhere? | 0:15:16 | 0:15:20 | |
HAMMER BANGS Thank you. 1486. | 0:15:20 | 0:15:24 | |
'Driving off the competition | 0:15:24 | 0:15:26 | |
'and paying just under £173 including fees. | 0:15:26 | 0:15:30 | |
'Knocker has been biding his time but now puts himself firmly back in the game. | 0:15:30 | 0:15:34 | |
'Can he make it a triple whammy with the Loetz vase or will he have competition?' | 0:15:34 | 0:15:40 | |
326, the Loetz style Art Nouveau vase. | 0:15:40 | 0:15:46 | |
The estimate is 30 to 50, which is nonsense. It's a nonsense estimate. | 0:15:46 | 0:15:52 | |
'Knocker is waiting. He's waiting.' | 0:15:52 | 0:15:56 | |
-At £200. -'And he strikes! But the Morecambe boy shows no signs of having a go.' | 0:15:58 | 0:16:03 | |
£220 seems a lot of money to me. | 0:16:03 | 0:16:06 | |
Eric's got it. Go on, Eric! | 0:16:06 | 0:16:08 | |
-We sell. -HAMMER BANGS | 0:16:08 | 0:16:11 | |
'And Knocker reckons he knows exactly why his rival didn't bid.' | 0:16:11 | 0:16:15 | |
I don't think he actually got in there with the bidding. | 0:16:15 | 0:16:18 | |
I think once you get over £200, | 0:16:18 | 0:16:21 | |
he gets a bit nervous. | 0:16:21 | 0:16:23 | |
It's a lot of money. It's a lot of money for one glass vase. But good luck. | 0:16:23 | 0:16:29 | |
'Well, at just over £271 with fees, | 0:16:29 | 0:16:33 | |
'that's the biggest purchase of the day and the brawn from Burnley | 0:16:33 | 0:16:36 | |
'is feeling good about his bidding victory. | 0:16:36 | 0:16:40 | |
'The end of the auction is in sight but our two heavyweights are still slugging it out. | 0:16:40 | 0:16:45 | |
'Young pretender Paul loves a bit of history | 0:16:45 | 0:16:48 | |
'and he's passionate about a collection of militaria that's coming up.' | 0:16:48 | 0:16:52 | |
OK, this is a really interesting lot. It's the Second World War medals | 0:16:52 | 0:16:56 | |
but there were three generations of the same family in this. There was granddad, father and son. | 0:16:56 | 0:17:02 | |
Paul, he likes everything with a story. | 0:17:02 | 0:17:05 | |
He goes for the people behind the object rather than the object, | 0:17:05 | 0:17:10 | |
which is commendable, but quite often | 0:17:10 | 0:17:13 | |
it is a recipe for financial disaster. | 0:17:13 | 0:17:17 | |
'We'll see about that, because bid-master Hayes is ready to launch an auction attack.' | 0:17:17 | 0:17:23 | |
I've got £50 and I'll take 60. 70 is next. | 0:17:23 | 0:17:26 | |
-At £60. I'll take 70. -70. -80. 90 for you? | 0:17:26 | 0:17:30 | |
-90. -Ooh, 90. | 0:17:30 | 0:17:32 | |
-Looks like I bought them. -100 anywhere? | 0:17:32 | 0:17:35 | |
-I've bought them. Thanks. -HAMMER BANGS | 0:17:35 | 0:17:37 | |
'Yes, his arch enemy may see trouble ahead for our sentimental soldier, | 0:17:37 | 0:17:40 | |
'but at just over £111 with fees, | 0:17:40 | 0:17:44 | |
'that's a sixth and final purchase for daredevil Hayes. | 0:17:44 | 0:17:48 | |
'Later in the day, he inspects his bounty in more detail.' | 0:17:48 | 0:17:52 | |
It starts with granddad here. This gentleman was involved in the First World War. | 0:17:52 | 0:17:56 | |
And it mentions being wounded at Gallipoli. "On 8th August 1915, | 0:17:56 | 0:18:01 | |
"he was rescued by the ship Valdivia". | 0:18:01 | 0:18:04 | |
And then he died of his wounds, unfortunately, in 1915. | 0:18:04 | 0:18:07 | |
So that's a very interesting item. That's the first item of this collection. | 0:18:07 | 0:18:11 | |
The second one is actually relating to his son, which is a D Howell, | 0:18:11 | 0:18:16 | |
and he was involved in the Second World War. | 0:18:16 | 0:18:18 | |
He's been in Africa, he's been in Italy and he's also been in France and Germany. | 0:18:18 | 0:18:23 | |
And then lastly, we have a medal here for meritorious service | 0:18:23 | 0:18:27 | |
relating to a William George Howell, so is he the grandson? I'd love to find out. | 0:18:27 | 0:18:32 | |
Three items relating to the same family, I think that's fascinating. | 0:18:32 | 0:18:37 | |
'A flying finish for General Hayes. | 0:18:37 | 0:18:40 | |
'But time will tell if he's let his heart rule his head when it comes to making money. | 0:18:40 | 0:18:44 | |
'Back in the warzone, Knocker's only got four buys in the bag, | 0:18:44 | 0:18:47 | |
'but with time running out, he's got a plan.' | 0:18:47 | 0:18:50 | |
I've got to be very disciplined. | 0:18:50 | 0:18:53 | |
And, you know, I've got a secret weapon. | 0:18:53 | 0:18:57 | |
It's called prayer. | 0:18:57 | 0:18:59 | |
# Whoa, we're halfway there | 0:18:59 | 0:19:03 | |
# Oh, oh, living on a prayer | 0:19:03 | 0:19:06 | |
'Well, it seems Eric's word with the man upstairs is helping | 0:19:06 | 0:19:10 | |
'as he decides to bid on a George III barometer. | 0:19:10 | 0:19:13 | |
'Time to find out if his maker was listening | 0:19:13 | 0:19:15 | |
'and whether he's actually going to spend some cash.' | 0:19:15 | 0:19:18 | |
-100. And 10. -'Knocker means business. He's straight in.' | 0:19:18 | 0:19:23 | |
140. 150. 160. | 0:19:23 | 0:19:26 | |
170. 180. 190. 200. | 0:19:26 | 0:19:30 | |
-And 20. -'He's got competition, but he's holding firm.' | 0:19:30 | 0:19:33 | |
At £220 then now. Back of the room, you're out. Going at 220. Absolutely sure? | 0:19:33 | 0:19:38 | |
240. 260. | 0:19:38 | 0:19:41 | |
-At £240. Going at 240. -HAMMER BANGS | 0:19:41 | 0:19:45 | |
Oh, just in there. | 0:19:45 | 0:19:47 | |
240. I went the extra bid. | 0:19:47 | 0:19:50 | |
I might pay the price for that. However, having said that, | 0:19:50 | 0:19:54 | |
of all the barometers here today, that one stood head and shoulders above everything else. | 0:19:54 | 0:20:00 | |
It's in nice, clean condition. Date-wise, I think it's around about | 0:20:00 | 0:20:04 | |
1800, 1810. So it's got some age to it. | 0:20:04 | 0:20:08 | |
'At just over £296 with fees, that's a colossal purchase. | 0:20:08 | 0:20:13 | |
'But Knocker seems confident his over-bidding with be worth it. | 0:20:13 | 0:20:17 | |
'And this auction action man should know. With the gods on his side and the end of the sale in sight, | 0:20:17 | 0:20:22 | |
'he also snaps up an over-mantle mirror for just under £56 with fees. | 0:20:22 | 0:20:28 | |
'Knocker heads over to pack up his mixed lot of glass. But hang on. | 0:20:28 | 0:20:32 | |
'He's doing a deal with the under-bidder.' | 0:20:32 | 0:20:35 | |
Listen, if you say, "I'll take those off you, Eric, for £10," | 0:20:35 | 0:20:38 | |
-you can walk away with them now. -I'll walk away with them. | 0:20:38 | 0:20:41 | |
'He doesn't hang about! That £10 sale sets Knocker up nicely. | 0:20:41 | 0:20:45 | |
'But remember, he'll still need to sell the other glass job lot items to make a profit. | 0:20:45 | 0:20:50 | |
'It's been a rollercoaster of a day, but how much of their budget did our treasure hunters spend? | 0:20:51 | 0:20:57 | |
'Eric and Paul arrived at the auction with £1,000 of their own money. | 0:20:57 | 0:21:02 | |
'Eric started slowly but built up to a flying finish, | 0:21:02 | 0:21:05 | |
'bagging six lots for a total spend of just under £901 including fees. | 0:21:05 | 0:21:11 | |
'Paul too sealed the winning bid on six lots, | 0:21:12 | 0:21:15 | |
'but spent more modestly at just under £426. | 0:21:15 | 0:21:20 | |
'Before these two sparring gladiators go their separate ways to sell, | 0:21:20 | 0:21:24 | |
'they get the chance to brag about their bargains.' | 0:21:24 | 0:21:28 | |
Well, I love my violin. Where else do you get a violin from 1709? | 0:21:28 | 0:21:31 | |
-I think, between me and you, that's probably nine minutes past five. -THEY LAUGH | 0:21:31 | 0:21:35 | |
The best thing you can do with that violin, my friend, is learn how to play it. | 0:21:35 | 0:21:39 | |
To be honest, I thought I'd play it at the wedding. Cos you've got a canteen, glasses, | 0:21:39 | 0:21:44 | |
mirror, all you need is a bride and groom and you've got the whole lot. | 0:21:44 | 0:21:48 | |
-I think you've hit upon a business opportunity there! -We're definitely in the wrong job. | 0:21:48 | 0:21:53 | |
'The auction was only round one of this breathtaking brawl. | 0:21:55 | 0:21:59 | |
'Now the heat is truly on | 0:21:59 | 0:22:02 | |
'as our soldiers bring out the big guns | 0:22:02 | 0:22:04 | |
'and prepare to flog their treasures for maximum profit. | 0:22:04 | 0:22:08 | |
'The big don, Knocker Knowles, returns to leafy Buckinghamshire in a positive frame of mind. | 0:22:08 | 0:22:14 | |
'He's already made a sale and is feeling confident about the rest of his bounty.' | 0:22:14 | 0:22:19 | |
I can tell you that I got a quantity of glassware, a lovely barometer. | 0:22:19 | 0:22:23 | |
What about this for a bonus? Ohh! | 0:22:23 | 0:22:26 | |
A wonderful canteen. A setting for 12. | 0:22:26 | 0:22:30 | |
I'm hoping for great things there. | 0:22:30 | 0:22:33 | |
But talking of great things, I think this is a great pair of bellows. A firm favourite of mine. | 0:22:33 | 0:22:37 | |
But so, too, is the iridescent glass, because it was catalogued as "in the style of Loetz" | 0:22:37 | 0:22:42 | |
but it is Loetz. I paid in excess of £270 for it, so I didn't get it cheap. | 0:22:42 | 0:22:49 | |
'As well as all that, Eric's also got to sell his over-mantle mirror. | 0:22:49 | 0:22:55 | |
'Over 200 miles away in his beloved Morecambe, | 0:22:55 | 0:22:59 | |
'the boy from the bay is inspecting his mighty arsenal.' | 0:22:59 | 0:23:02 | |
First one dates from the 18th century, | 0:23:02 | 0:23:05 | |
it's a wonderful grandfather clock movement or long case clock, as the correct term is. | 0:23:05 | 0:23:10 | |
The second buy wasn't too good. This is the selection of pottery and porcelain from Dr Syntax. | 0:23:10 | 0:23:16 | |
And I found out that was a poem by William Combe. | 0:23:16 | 0:23:20 | |
I bought this lot, really, for this oriental charger. | 0:23:20 | 0:23:23 | |
Unfortunately it has been distressed, as Eric would say, it's broken. | 0:23:23 | 0:23:26 | |
I got this little collection of Staffordshire dogs, no problems there. | 0:23:26 | 0:23:30 | |
I've got a barograph, which I'm really excited about. That came with some lovely old charts. | 0:23:30 | 0:23:35 | |
All types of weather patterns. That's a very interesting item. Sure I can do well there. | 0:23:35 | 0:23:39 | |
But I think my best buys have to be these two here. | 0:23:39 | 0:23:42 | |
One is the violin, and then this collection of medals. | 0:23:42 | 0:23:45 | |
All we need to do now is get a medal myself for buying all this fantastic stuff. | 0:23:45 | 0:23:50 | |
'Our profit-hunting pros are armed, dangerous and ready for the ultimate selling slog. | 0:23:50 | 0:23:57 | |
'With red hot phones, they'll need to blast through their contacts books | 0:23:57 | 0:24:01 | |
'and sniff out possible buyers up and down the land. | 0:24:01 | 0:24:04 | |
'But until they've shaken on it and the money has changed hands, no deal is truly sealed. | 0:24:04 | 0:24:11 | |
'Mr Morecambe is first out in the sales race. | 0:24:12 | 0:24:15 | |
'He's travelled south to London with his violin that cost him over £111. | 0:24:15 | 0:24:20 | |
'He's arranged to meet Shaun, a professional violinist and owner of a musical instrument shop, | 0:24:20 | 0:24:26 | |
'in the hope that he can identify whether it's a genuine Guarnerius or if he's fondling a fake fiddle.' | 0:24:26 | 0:24:33 | |
-What's the likelihood of it being a genuine Guarneri? -Er, 0.001 percent. Well, let's see. | 0:24:33 | 0:24:39 | |
OK, there we are. I kept it separate from the case cos the case is nothing whatsoever. | 0:24:39 | 0:24:44 | |
-What would you look for? Obviously it has the label. -Things aren't looking good at the moment. | 0:24:44 | 0:24:49 | |
-Straight away? -Straight away. -What's on there, then? -It's slightly amateurish in construction. | 0:24:49 | 0:24:54 | |
-So the label you don't really take into account. -Labels mean nothing. They come and go. | 0:24:54 | 0:24:58 | |
There's probably a million violins with Guarneri labels in them. He only made a couple of hundred. | 0:24:58 | 0:25:03 | |
So labels don't mean much. It could be German, it could be Czech. It's something along those lines, | 0:25:03 | 0:25:10 | |
-but it's definitely not Italian. -OK. | 0:25:10 | 0:25:13 | |
-I mean, it's not a bad violin. I'll give you that one. -Don't get these mixed up now, will you? -I won't. | 0:25:13 | 0:25:19 | |
This is Giovanni Battista Guarneri and he was a great maker from Milan. | 0:25:19 | 0:25:24 | |
And this was made in about 1750. We are talking many hundreds of thousands of pounds. | 0:25:24 | 0:25:29 | |
If you hold them together, you can see the quality is in this violin, | 0:25:29 | 0:25:33 | |
it's not necessarily the shine, but the F-hole, the edging, everything about it, the colour. | 0:25:33 | 0:25:38 | |
If you look at the two scrolls here, one is beautifully scooped out, | 0:25:38 | 0:25:42 | |
it's got something individual about it, whereas this one is a bit more mass-produced. | 0:25:42 | 0:25:47 | |
-So your gut feeling is it's late 19th century. -Yes, I'd say late 19th century. | 0:25:47 | 0:25:51 | |
-Sort of 1890s, 1900. -I'd be looking for a couple of hundred pounds, something like that. | 0:25:51 | 0:25:56 | |
-That's what I was thinking. I wouldn't want to go over 200, put it that way. -You wouldn't? -No. | 0:25:56 | 0:26:01 | |
-Because, er... So I would say £200 all in. -And you'd be happy? -Yeah, that's fine. | 0:26:01 | 0:26:06 | |
Well, I will shake your hand on that, very gently cos it must be a maestro's hand. | 0:26:06 | 0:26:10 | |
Could you give me a little tune? Will you play the expensive one? | 0:26:10 | 0:26:14 | |
-Don't mix them up. -I won't. I'll try not to. | 0:26:14 | 0:26:17 | |
-What can you play? -A bit of Mozart or something. -Oh, fantastic. | 0:26:17 | 0:26:21 | |
HE PLAYS EINE KLEINE NACHTMUSIK | 0:26:21 | 0:26:24 | |
OK, so that's the very expensive violin there. Could you actually get a tune out of this one? | 0:26:26 | 0:26:32 | |
-I'll give it a go. -HE PLAYS CLASSICAL MUSIC | 0:26:32 | 0:26:36 | |
-That's wonderful. -Something like that. A few rattles in there. | 0:26:39 | 0:26:44 | |
How much did I say I was going to pay? | 0:26:44 | 0:26:46 | |
'It may not have been priceless but Mr Morecambe gets a great price | 0:26:46 | 0:26:50 | |
'and plucks out a profit to the tune of nearly £89. | 0:26:50 | 0:26:53 | |
'Money is this boy's music and he truly is a conductor of profit.' | 0:26:53 | 0:26:59 | |
CLASSICAL MUSIC | 0:26:59 | 0:27:02 | |
CHEERING AND APPLAUSE | 0:27:07 | 0:27:10 | |
'His dealing nemesis, Mr Knowles, has done some digging and discovered exactly where the barometer, | 0:27:10 | 0:27:16 | |
'which cost him over £296, was made. | 0:27:16 | 0:27:19 | |
'He's brought the barometer back to its birthplace near Hatton Garden in London | 0:27:19 | 0:27:25 | |
'in the hope that he can sell it to Robyn, who owns a nearby restaurant.' | 0:27:25 | 0:27:29 | |
I will turn and show you what we're looking at. | 0:27:29 | 0:27:32 | |
-Oh, it's very handsome. -I'm glad you think so. -It's a wonderful-looking item. | 0:27:32 | 0:27:38 | |
Well, the barometer itself is of a type, they're sometimes called wheel barometers or banjo barometers. | 0:27:38 | 0:27:45 | |
I like an object with curves. And this one works for me. | 0:27:45 | 0:27:50 | |
Now, we get to the tricky bit, Robyn, when it comes to price. | 0:27:50 | 0:27:56 | |
I'm looking for somewhere in the region of around about £480 for this little treasure. | 0:27:56 | 0:28:03 | |
-Mm. Let's look at £435. -£435. | 0:28:03 | 0:28:09 | |
Listen, let me put my hand round there. £435. | 0:28:11 | 0:28:16 | |
'Whatever the weather, the selling outlook is always good for Eric. | 0:28:16 | 0:28:19 | |
'He's made nearly £139 profit, | 0:28:19 | 0:28:22 | |
'and he'll even chuck in a few interior design tips for free.' | 0:28:22 | 0:28:26 | |
I think that will look the part there. Shall we try it for size? | 0:28:26 | 0:28:30 | |
-Absolutely. -Shall we? Let's... -'Oh, Laurence would be proud, Knocker. It's Eric two, Paul one. | 0:28:30 | 0:28:36 | |
'But in no time, Mr Morecambe responds. He takes his clock workings, bought for nearly £31, | 0:28:36 | 0:28:42 | |
'to see Andrew in Lancashire, who is an expert restorer of time pieces.' | 0:28:42 | 0:28:46 | |
What about if we... £50? Are you all right with that? | 0:28:48 | 0:28:52 | |
-Yeah. Shall we shake on that? -Yeah. No problem. -Fantastic! | 0:28:52 | 0:28:55 | |
'And he sells it for £50, which gives him a profit of over £19. | 0:28:55 | 0:29:00 | |
'When it comes to selling, it's always profit o'clock for Paul. | 0:29:00 | 0:29:05 | |
'Knocker is still in the big smoke, and he's found just the fellow for his bellows. | 0:29:05 | 0:29:10 | |
'He paid over £74 for them, and he has come to see Brian, | 0:29:10 | 0:29:14 | |
'who, just like Eric, is also an Arts & Crafts enthusiast, | 0:29:14 | 0:29:18 | |
'who also runs a shop dedicated to this style.' | 0:29:18 | 0:29:21 | |
-Brian, how are you doing? -Very well. Nice to see you. | 0:29:21 | 0:29:24 | |
I tell you what, I'm like a small boy in a toffee shop in your gallery, it's full of wonderful things. | 0:29:24 | 0:29:31 | |
Feast your eyes on a pair of Arts & Crafts copper bellows. | 0:29:31 | 0:29:35 | |
Now, listen, I, off the top of my head, thought they were very Newlyn type, | 0:29:35 | 0:29:41 | |
from down there in Cornwall, but I would value your expert eye. | 0:29:41 | 0:29:47 | |
Well, so, I would certainly say they are Newlyn School. | 0:29:47 | 0:29:52 | |
These fish, maybe they're dolphins, slight kind of fantasy to them. | 0:29:54 | 0:29:59 | |
-Not marked. I can't see any marks on them. -I've looked and I've looked. | 0:29:59 | 0:30:03 | |
Could be one of the Newlyn workers, making at home, moonlighting. That's often why pieces are not marked, | 0:30:03 | 0:30:11 | |
if they'd been made at home by one of the workers, rather than gone through the shop and the school. | 0:30:11 | 0:30:17 | |
-Yes, I would be interested in it. -Well, I was... -If the price was right. | 0:30:17 | 0:30:21 | |
Well, the price, I've put a ceiling of around £200 on them. | 0:30:21 | 0:30:27 | |
-I think it needs to be less than that. -OK, all right, well, you tell me what you think. -£150. | 0:30:27 | 0:30:32 | |
I think 150 is... Not everyone wants bellows. | 0:30:32 | 0:30:37 | |
-You think that's your absolute... -150 is my... | 0:30:37 | 0:30:40 | |
OK. Well, if it's £150, we'll call it a deal. | 0:30:40 | 0:30:45 | |
-I'll go for it. -It's a deal. | 0:30:45 | 0:30:47 | |
'Crafty Knocker blows all the competition aside | 0:30:47 | 0:30:50 | |
'and makes just under £76 profit. | 0:30:50 | 0:30:54 | |
'But Eric's found heaven and he's not about to leave without taking a little tour.' | 0:30:54 | 0:30:59 | |
# Ooh, baby, do you know what that's worth? | 0:30:59 | 0:31:03 | |
# Ooh, heaven is a place on earth | 0:31:03 | 0:31:07 | |
# Ooh, heaven is a place on earth | 0:31:07 | 0:31:10 | |
You can fondle without fear when it comes to pottery. | 0:31:10 | 0:31:14 | |
Well, you can stroke without a conscience when it comes to furniture. | 0:31:14 | 0:31:18 | |
'Steady on, Eric. It's not that kind of show. | 0:31:18 | 0:31:22 | |
'Now, our brave soldier of selling, Mr Morecambe, | 0:31:22 | 0:31:26 | |
'has been researching into his medals that he bought for over £111. | 0:31:26 | 0:31:30 | |
'And he's come to the Green Howards Regimental Museum in Yorkshire to meet curator Susan, | 0:31:30 | 0:31:35 | |
'who he hopes can shed more light on his mystery soldier, DI Howells.' | 0:31:35 | 0:31:40 | |
What I managed to find out was that amongst this collection, when I got these out of the frame, | 0:31:40 | 0:31:46 | |
is that this last medal here is named and has the regiment on it. | 0:31:46 | 0:31:49 | |
So, we have a DI Howells and he was with the Green Howards, | 0:31:49 | 0:31:53 | |
and he was in the territorial section of the Green Howards at this time. | 0:31:53 | 0:31:56 | |
As they are framed in this way, do these other medals tell us anything about this particular gentleman? | 0:31:56 | 0:32:02 | |
From that, we can deduce that he was probably with | 0:32:02 | 0:32:05 | |
-the First Battalion Green Howards during the Second World War. -Wow! Fantastic! | 0:32:05 | 0:32:10 | |
So you sent me a fantastic bit of information. What exactly is going on here? | 0:32:10 | 0:32:15 | |
You did find Mr Howells, didn't you? | 0:32:15 | 0:32:17 | |
This is a page from one of our registers. | 0:32:17 | 0:32:20 | |
It tells us his number, his name, and his first name being David, which we didn't know before. | 0:32:20 | 0:32:26 | |
And also it gives disposal in this column which shows us he went to the reserves in 1946. | 0:32:26 | 0:32:31 | |
So he would have stayed on in the regiment after the Second World War ended. | 0:32:31 | 0:32:38 | |
And that is how he managed to get his TA medal. | 0:32:38 | 0:32:41 | |
That really is priceless and makes a massive difference because these are quite anonymous. | 0:32:41 | 0:32:46 | |
Most of the Second World War medals aren't actually named. The only name amongst them is that one. | 0:32:46 | 0:32:51 | |
It's really lovely to talk to you and thank you very much. | 0:32:51 | 0:32:54 | |
'Armed with all this extra info, can Paul now command a higher price for his medals? | 0:32:54 | 0:32:59 | |
'He'll need to because Susan's research has cost him £25. | 0:32:59 | 0:33:04 | |
'We'll find out later if he can find a buyer. But now, as we approach the halfway mark, | 0:33:04 | 0:33:09 | |
'let's check on both our warriors' war chests. | 0:33:09 | 0:33:12 | |
'At the halfway stage, our valiant antiques assailants | 0:33:12 | 0:33:16 | |
'have both bagged two sales. | 0:33:16 | 0:33:18 | |
'Paul has drawn a blank on his medals so far, | 0:33:18 | 0:33:21 | |
'but he's well in the black with over £108 profit. | 0:33:21 | 0:33:24 | |
'Eric got off to a great start, and his bank balance is the bigger, | 0:33:24 | 0:33:29 | |
'with a profit of just under £215. | 0:33:29 | 0:33:33 | |
'Our heroes throw themselves back into the fray, | 0:33:33 | 0:33:37 | |
'redoubling their efforts and working all hours in pursuit of profit. | 0:33:37 | 0:33:41 | |
'Knocker knows that this is no dress rehearsal, it's the real thing. So he acts fast. | 0:33:41 | 0:33:47 | |
'He arranges to meet his actor friend, Robin, in Westminster. | 0:33:47 | 0:33:51 | |
'Robin plays John Major in a film about Margaret Thatcher. | 0:33:51 | 0:33:55 | |
'So he hopes his Thatcher glass, purchased as part of his job lot of items for nearly £31, | 0:33:55 | 0:34:00 | |
'will be the perfect souvenir.' | 0:34:00 | 0:34:02 | |
-So, tell me about playing the role of John Major. -This is The Iron Lady. -Yes. | 0:34:03 | 0:34:10 | |
Well, Meryl Streep, as you know, is playing Margaret Thatcher and she is off the scale. | 0:34:10 | 0:34:15 | |
-She's going to be absolutely fantastic. -Is she? | 0:34:15 | 0:34:18 | |
The voice, the look, everything about it, just amazing. | 0:34:18 | 0:34:21 | |
And I hope she'll get her 18th Oscar nomination. | 0:34:21 | 0:34:23 | |
-What we've got here, I have to say, I've not come across another one. -I've never seen one like it. | 0:34:23 | 0:34:29 | |
-Feel it, it's a good weight. -Oh, it is, it's a nice weight. | 0:34:29 | 0:34:32 | |
Now, if I could just tell you, from a glassmaking point of view, | 0:34:32 | 0:34:35 | |
erm, that it is quality because you've got cutting, and then you've got acid engraving, | 0:34:35 | 0:34:41 | |
-and the make, it was retailed as Minton glassware. -Right. | 0:34:41 | 0:34:46 | |
But it was made by Webb Corbett. | 0:34:46 | 0:34:48 | |
It doesn't get much better. I suppose I've got to ask the question, | 0:34:48 | 0:34:52 | |
does she bear any resemblance to Meryl Streep? | 0:34:52 | 0:34:54 | |
She bears an uncanny resemblance to Meryl Streep as Margaret Thatcher. | 0:34:54 | 0:34:58 | |
It would be very nice to have this as memorabilia of the film for me. | 0:34:58 | 0:35:03 | |
-It would be lovely. -Well, it can be yours, Robin. It can be yours. | 0:35:03 | 0:35:07 | |
-It's always down to price, isn't it? -It is a little bit. -OK. | 0:35:07 | 0:35:10 | |
-But it's a special day today because it's be kind to Robin day. -OK. | 0:35:10 | 0:35:15 | |
My opening gambit is that I would be looking for around about £60 on something like that. | 0:35:15 | 0:35:20 | |
Now, when you sent it to me, I thought, "If I can get this for £40, I'll go for it." | 0:35:20 | 0:35:24 | |
What about going halfway, what about going to £50 or thereabouts? | 0:35:24 | 0:35:29 | |
Oh, OK, how about if we split 50 to 40 and go 45? | 0:35:29 | 0:35:33 | |
-Er, if we split it, I can tell you now we've got a deal. Put it there. -It's a deal. -OK. -Thank you. | 0:35:33 | 0:35:39 | |
'A great sale. You turn if you want to, Paul, but Eric's not for turning. | 0:35:39 | 0:35:44 | |
'He also sells his carafe for £50 | 0:35:44 | 0:35:47 | |
'and nets a total profit from his job lot of glassware of over £74. | 0:35:47 | 0:35:52 | |
'And he sold his Loetz vase for a whopping £320, | 0:35:52 | 0:35:57 | |
'giving him a profit of just under £49. | 0:35:57 | 0:36:00 | |
'That selling salvo has put Eric in the driving seat, but Mr Morecambe isn't about to wave the white flag. | 0:36:02 | 0:36:08 | |
'Like the trading trooper he is, he battles on and lines up a potential buyer for his medals | 0:36:08 | 0:36:14 | |
'that have cost him over £136. | 0:36:14 | 0:36:16 | |
'He's in Poulton in Lancashire to meet medal collector Paul.' | 0:36:16 | 0:36:21 | |
What I've always wanted to find out is exactly who this gentleman was or how to research these medals. | 0:36:21 | 0:36:27 | |
So, what I did, I went to them and they very kindly sold me, not gave me, sold me a wonderful pack here, | 0:36:27 | 0:36:33 | |
which is all the information about the Green Howards | 0:36:33 | 0:36:37 | |
-and about what they did throughout the Second World War. Isn't that fantastic? -That's incredible. | 0:36:37 | 0:36:42 | |
What I wanted to do was find someone like yourself who appreciates medals and who would want to keep them | 0:36:42 | 0:36:48 | |
-and want to research them, rather than just melt them or whatever people do with them. -Not a chance. | 0:36:48 | 0:36:53 | |
So can you get me out? It's a bit of a battle for me. Can you get me out if I asked you for £150? | 0:36:53 | 0:36:58 | |
-I'm not even going to haggle over something like this. -Shall we shake on that? -Oh, yes. Deal. | 0:36:58 | 0:37:04 | |
'Arise brave Sir Paul, your trading duty in this battlefield of selling is exemplary. | 0:37:04 | 0:37:10 | |
'And you're awarded a medal of profit to the tune of nearly £14. | 0:37:10 | 0:37:16 | |
'He's in the midst of a selling storm and runs like the wind to Clitheroe | 0:37:16 | 0:37:20 | |
'with a barograph that cost him a little over £74 to see his contact, Glen.' | 0:37:20 | 0:37:26 | |
So, are you ready for this, Glen? There we are. Isn't that fantastic? | 0:37:26 | 0:37:30 | |
-Now, you've seen one of these before, obviously. -Yeah, the barograph. | 0:37:30 | 0:37:34 | |
Now, what's the collectors' market like for these now? | 0:37:34 | 0:37:37 | |
Is it the sort of thing people ask you for regularly? I know these barometers... | 0:37:37 | 0:37:42 | |
It's not really that, it's that people who buy these are generally buying it for its decorative appeal, | 0:37:42 | 0:37:47 | |
not to use it as an instrument, but it's just a nice thing to have on a desk or in an office. | 0:37:47 | 0:37:54 | |
-So what, roughly, would these cost new? -Er, to buy something similar now, | 0:37:54 | 0:38:00 | |
erm, I think you'd be looking at sort of £400 or £500, I would guess, to buy a similar thing new today. | 0:38:00 | 0:38:06 | |
A second hand one is worth a little bit more than that, isn't it? | 0:38:06 | 0:38:09 | |
THEY LAUGH | 0:38:09 | 0:38:12 | |
So how would you see it? If I asked you £150, something like that, would you... | 0:38:12 | 0:38:16 | |
I think I'd be looking at £100, really. | 0:38:16 | 0:38:19 | |
-So £100, that's how you see it? -That's right. -For a retail market. -That's how I'd see it to buy it in, | 0:38:19 | 0:38:26 | |
-obviously we've got to sell it, put a small mark up on it. -OK. | 0:38:26 | 0:38:31 | |
So there's no use me asking you to swing the barometer into the higher regions? | 0:38:31 | 0:38:35 | |
-You couldn't meet me half way, say £125? -Not on that particular item, Paul. | 0:38:35 | 0:38:40 | |
I think £100, I'd be happy to buy it, but any more I think it would be too much, basically. | 0:38:40 | 0:38:48 | |
Well, do you know what my old dad used to say? One bid is worth a thousand lookers on. | 0:38:48 | 0:38:53 | |
-Is that not right? -It is, Paul. -Shall we shake on that, then? -Lovely. -Nice to see you, mate. | 0:38:53 | 0:38:58 | |
'It's raining profit now for Mr Morecambe. | 0:38:58 | 0:39:01 | |
'He's pocketed nearly £26 profit. | 0:39:01 | 0:39:04 | |
'The race is on and Knocker dives full pelt into another potential sale. | 0:39:06 | 0:39:11 | |
'He's on his way to see a contact, Chris, who is looking for a wedding gift, | 0:39:11 | 0:39:14 | |
'and Eric thinks his cutlery set, bought for nearly £173, will fit the bill.' | 0:39:14 | 0:39:21 | |
-Are you ready to open a box of tricks? -Yeah. -Well, not so much tricks but... -Beautiful. | 0:39:22 | 0:39:26 | |
I would say a very handsome, an exceptionally handsome canteen set. | 0:39:26 | 0:39:32 | |
Silver plate with stainless steel blades. | 0:39:32 | 0:39:36 | |
And, to be honest with you, looking at it, it doesn't look as if it's been used more than once or twice. | 0:39:36 | 0:39:42 | |
-It's beautiful. -Yeah. | 0:39:42 | 0:39:45 | |
-Yeah, feel that. That's quite a weight. -It's a complete set, really, isn't it? -Well, it is. | 0:39:45 | 0:39:50 | |
-I've been through it, I've counted everything. -Mm-hm. -And I find 12 of everything. | 0:39:50 | 0:39:55 | |
But I know it's difficult when you're buying a wedding present | 0:39:55 | 0:39:59 | |
because do you think that this is the sort of thing that they are going to really appreciate? | 0:39:59 | 0:40:06 | |
-Yeah, I think I'd struggle to find someone who wouldn't appreciate this. -Aw, that's good to hear. | 0:40:06 | 0:40:11 | |
It's beautiful, isn't it? | 0:40:11 | 0:40:14 | |
So, for something like this, I think a reasonable asking price | 0:40:14 | 0:40:19 | |
would probably be in the region of around about £400, or thereabouts. | 0:40:19 | 0:40:25 | |
-Now, I don't know what your budget is. -OK. | 0:40:25 | 0:40:28 | |
So you've got to come back to me and say what you're going to be happy with. | 0:40:28 | 0:40:34 | |
'Yes, that's a big opening price. Will he get anywhere close to it? We'll find out shortly. | 0:40:34 | 0:40:40 | |
'Time is fast running out and both our boys still have stock to shift. | 0:40:40 | 0:40:44 | |
'Mr Morecambe makes a crafty last-minute decision | 0:40:44 | 0:40:47 | |
'to sell his plates and collection of ceramics at a car boot, | 0:40:47 | 0:40:51 | |
'but in the end he makes a combined loss of just over £26 after fees. | 0:40:51 | 0:40:57 | |
'Knocker also takes a knock when he fails to sell his over-mantle mirror | 0:40:57 | 0:41:02 | |
'and has to reflect on a loss of nearly £56. | 0:41:02 | 0:41:06 | |
'They've been through a harrowing test of skill and endurance to get to this stage, | 0:41:06 | 0:41:10 | |
'but our daring dealers have made it to the finishing line at last. | 0:41:10 | 0:41:15 | |
'They each started out with £1,000 of their own money. | 0:41:15 | 0:41:19 | |
'Paul bought six lots and including fees and research | 0:41:19 | 0:41:22 | |
'he spent just over £453. | 0:41:22 | 0:41:25 | |
'Eric also bought six lots but he spent nearly £901. | 0:41:25 | 0:41:30 | |
'Now though, all that matters is how much profit they've actually made. | 0:41:30 | 0:41:34 | |
'All of the money Eric and Paul have made from today's challenge will go to a charity of their choice. | 0:41:34 | 0:41:39 | |
'So, without further ado, it's time to find out who is today's Put Your Money Where Your Mouth Is champion.' | 0:41:39 | 0:41:46 | |
-Hey. -Good morning, Eric. -In an English country garden. | 0:41:46 | 0:41:49 | |
-Well met. -What's a Greek urn? -Let's not go there. | 0:41:49 | 0:41:53 | |
-So tell me about auctions, are you a regular? -I am a regular at auctions, actually. | 0:41:53 | 0:41:58 | |
There's something quite exciting. A bit like going on stage. What did you buy in the end? | 0:41:58 | 0:42:02 | |
I think the most pleasing thing was I managed to repatriate my barometer | 0:42:02 | 0:42:08 | |
-back to some nice people in Hatton Garden. -Oh, isn't that fantastic. -So that was nice. | 0:42:08 | 0:42:14 | |
-What about yourself? -The highlight has to be that fantastic violin. | 0:42:14 | 0:42:19 | |
I'm in the wrong job, Eric. There's money in violins. That was the highlight. | 0:42:19 | 0:42:23 | |
-You count me in. -Are you ready? -Yep. -All right. Three, two, one. | 0:42:23 | 0:42:27 | |
121. Whoa! Dear me! | 0:42:27 | 0:42:30 | |
-I was romped. -Well, there you are. | 0:42:30 | 0:42:34 | |
I'm dealing with people who can't say no. THEY LAUGH | 0:42:34 | 0:42:39 | |
'Our mighty veteran seizes the day. This time experience triumphs over youthful exuberance. | 0:42:39 | 0:42:45 | |
'So was it the silver-plated cutlery that helped swing that landslide victory for antiques ace Knocker?' | 0:42:45 | 0:42:52 | |
-Would you take 340? -No. But I'd take 350. | 0:42:52 | 0:42:56 | |
-Yeah. Done. -350. Thank you very much. | 0:42:56 | 0:42:59 | |
'Eric made just over £177 profit on the canteen | 0:42:59 | 0:43:03 | |
'and with that he had Mr Morecambe for breakfast.' | 0:43:03 | 0:43:07 | |
Eric, well done. You're still welcome in Morecambe even though you gave me a good kicking. | 0:43:07 | 0:43:11 | |
I don't get any great gratification out of beating you, mate. No, that's a lie, I do. | 0:43:11 | 0:43:17 | |
'Eric may have taken today's crown but tomorrow Paul has the chance to snatch it back, | 0:43:17 | 0:43:22 | |
'as our dealers compete in the ultimate Put Your Money test, the showdown.' | 0:43:22 | 0:43:27 | |
Subtitles by Red Bee Media Ltd | 0:43:30 | 0:43:35 | |
E-mail [email protected] | 0:43:35 | 0:43:39 | |
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