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This is Put Your Money Where Your Mouth Is, the show that takes | 0:00:02 | 0:00:05 | |
the titans of the antiques trade and pitches them against each other... | 0:00:05 | 0:00:11 | |
-Mwah! -'..to see who can make the most money from buying and selling.' | 0:00:11 | 0:00:16 | |
That's amazing. Truly amazing. | 0:00:16 | 0:00:19 | |
Today, young pretender Paul Hayes takes on veteran maestro | 0:00:19 | 0:00:23 | |
Eric Knowles in an all-out battle for profit, | 0:00:23 | 0:00:26 | |
giving you the inside view on the secrets of the trade. | 0:00:26 | 0:00:29 | |
Coming up - it's the unstoppable determination of the apprentice... | 0:00:29 | 0:00:33 | |
You have to sift through a lot before you come across that one item that says, that's a good thing. | 0:00:33 | 0:00:38 | |
..versus the mysterious powers of the master. | 0:00:38 | 0:00:41 | |
The psychic abilities actually might well be kicking in. | 0:00:41 | 0:00:45 | |
And we reveal the sacrifices our dealers are willing to make to assure victory. | 0:00:45 | 0:00:50 | |
I've actually used one of the kids' mattresses, can you see that? | 0:00:50 | 0:00:53 | |
So he's had nowhere to sleep last night. | 0:00:53 | 0:00:55 | |
This is Put Your Money Where Your Mouth Is. | 0:00:55 | 0:00:58 | |
Strap yourselves in, because our antiques experts are raring to go. | 0:01:11 | 0:01:16 | |
They're spruced, they're full of fuel and they're armed to the teeth with knock-out knowledge. | 0:01:16 | 0:01:21 | |
Today, our encounter features two of Lancashire's likeliest lads, | 0:01:21 | 0:01:24 | |
and it's very much a battle of master and apprentice. | 0:01:24 | 0:01:29 | |
In the first corner, it's one of TV's greatest antiques experts, the sage of ceramics, | 0:01:29 | 0:01:35 | |
the lord of all he surveys, Eric "Knocker" Knowles. | 0:01:35 | 0:01:38 | |
Facing up to him, | 0:01:38 | 0:01:40 | |
a young challenger whose admiration for the maestro knows no bounds. | 0:01:40 | 0:01:44 | |
He's the soldier of silver, the princely pretender | 0:01:44 | 0:01:47 | |
to Eric's long-held throne, it's Paul "Mr Morecambe" Hayes. | 0:01:47 | 0:01:50 | |
Our boy will have to put his admiration to one side today, | 0:01:50 | 0:01:54 | |
because Paul has to prove himself to the patriarch. | 0:01:54 | 0:01:56 | |
The challenge is simple - to make the most profit | 0:01:56 | 0:01:59 | |
from buying and selling antiques. | 0:01:59 | 0:02:01 | |
So, which of these mighty warriors will reign victorious? | 0:02:01 | 0:02:05 | |
After more than 35 years in the business, Eric lives and breaths antiques. | 0:02:05 | 0:02:09 | |
He is a man who knows what he likes. | 0:02:09 | 0:02:13 | |
Oh, it's glass. Forgive me, I thought it was ceramic. | 0:02:13 | 0:02:17 | |
And following in his footsteps, the handsome Mr Hayes - he may be young, | 0:02:17 | 0:02:22 | |
but Paul's no wide-eyed novice. Born into the family antiques business, | 0:02:22 | 0:02:27 | |
he's never afraid to try it on. | 0:02:27 | 0:02:29 | |
-160. -Honestly?! Give me a break! -I've got to try. | 0:02:29 | 0:02:33 | |
Our mighty merchants have £750 of their own money to spend | 0:02:33 | 0:02:39 | |
right here, the Malvern Flea and Collectors' Fair. | 0:02:39 | 0:02:42 | |
It's quite the battleground - 700 stalls to sift through on their hunt for maximum profit, | 0:02:42 | 0:02:47 | |
all of which goes directly to their chosen charities. | 0:02:47 | 0:02:50 | |
They're among the greatest experts in the land, | 0:02:50 | 0:02:53 | |
but failing in today's monumental mission risks the reputations | 0:02:53 | 0:02:58 | |
they have spent years building. So, will it be Eric "Knocker" Knowles | 0:02:58 | 0:03:02 | |
or Paul "Mr Morecambe" Hayes who takes the crown, | 0:03:02 | 0:03:05 | |
as we release our warriors from the North? | 0:03:05 | 0:03:08 | |
-Ey-up. -Ey-up. Eric, how are you? -The man from Morecambe. | 0:03:08 | 0:03:11 | |
The man from Burnley. Where's the whippet and the flat cap? | 0:03:11 | 0:03:15 | |
I left them at home. I did bring me pigeons - they're in the car. | 0:03:15 | 0:03:18 | |
I thought I might give them a flight out later. | 0:03:18 | 0:03:20 | |
I must admit, I do feel like the apprentice. Do you have a plan? | 0:03:20 | 0:03:27 | |
Yes, yes. This time I'm going to do something called psychic ceramics. | 0:03:27 | 0:03:34 | |
That's a great idea. | 0:03:34 | 0:03:35 | |
Basically, I'm going to wait for them to beckon me over and say, "Buy me." | 0:03:35 | 0:03:40 | |
So that's it, really. All very scientific! | 0:03:40 | 0:03:43 | |
-What about yourself? -I have never heard that before. | 0:03:43 | 0:03:46 | |
I wondered how you did it. I'm looking for good quality items. | 0:03:46 | 0:03:49 | |
Quality, maybe a bit unusual. Good small bits and pieces. | 0:03:49 | 0:03:53 | |
Try to up my game a bit and avoid damage. Damage is the nightmare. | 0:03:53 | 0:03:58 | |
-It's a no-no. Well, we have £750 to play with today. -Yep. | 0:03:58 | 0:04:04 | |
So, I suppose the first thing I'm going to go in search of, | 0:04:04 | 0:04:07 | |
and it's working now on a psychic level, is a cup of coffee, so... | 0:04:07 | 0:04:12 | |
-Fair enough. -If you want to follow me, I'll catch you later. -All right, see you in a bit. | 0:04:12 | 0:04:16 | |
And that's where the niceties end. | 0:04:16 | 0:04:18 | |
Mr Hayes hits the road running, sniffing out the very best buys | 0:04:18 | 0:04:22 | |
in his quest to prove himself, but it's a much more laid-back start | 0:04:22 | 0:04:26 | |
from Knocker, who's clearly relying on his much-hyped psychic powers. | 0:04:26 | 0:04:32 | |
Well, I managed to make my first meaningful purchase of the day. | 0:04:32 | 0:04:38 | |
I'm using it, actually, just to keep warm at the moment. | 0:04:38 | 0:04:41 | |
But when I alluded to a psychic ability, | 0:04:41 | 0:04:46 | |
in truth it's not absolutely the case, but I just thought | 0:04:46 | 0:04:51 | |
I would worry my opponent by having him think that I have got this extra ability. | 0:04:51 | 0:04:57 | |
Ooh, an underhand tactic right at the start. | 0:04:57 | 0:05:00 | |
A low blow, but a powerful one. | 0:05:00 | 0:05:02 | |
Because Eric's pretend powers have already got Paul quaking in his boots. | 0:05:02 | 0:05:05 | |
It is quite intimidating, being up against Mr Knowles. | 0:05:05 | 0:05:10 | |
I must admit he is a very, very knowledgeable chap. | 0:05:10 | 0:05:13 | |
I'm sure he's found something fantastic amongst all this lot. | 0:05:13 | 0:05:17 | |
He's got a very sharp eye. I might try that, what do they call it? Psychic ceramics, there we are. | 0:05:17 | 0:05:22 | |
But it's not long before the lad from Morecambe gets his mind straight | 0:05:22 | 0:05:27 | |
and homes in on some buried treasure. | 0:05:27 | 0:05:29 | |
What we've got here is a beautiful Chinese porcelain bowl that was on its way on a Dutch cargo ship | 0:05:29 | 0:05:36 | |
and it did not get all the way over to the British Isles, it sank. | 0:05:36 | 0:05:41 | |
But in the late 1980s, early 1990s, they started to excavate it and they found | 0:05:41 | 0:05:46 | |
this wonderful cache of Chinese porcelain and brought it to the surface. | 0:05:46 | 0:05:50 | |
I think there's a fascination there, if you think about it. | 0:05:50 | 0:05:53 | |
Something that's been at the bottom of the sea for a couple | 0:05:53 | 0:05:56 | |
of hundred years and then been brought up to life. | 0:05:56 | 0:05:59 | |
That's not bad, all that history for £60. | 0:05:59 | 0:06:02 | |
Hopefully I can get that for a little bit less. | 0:06:02 | 0:06:06 | |
Hello, sir, nice to meet you. You have £60 on this, | 0:06:06 | 0:06:08 | |
could you do anything better than that? | 0:06:08 | 0:06:12 | |
-I can do £40. -Can't see £30? I have to ask. -£35? | 0:06:12 | 0:06:16 | |
£35, OK, I shall have that, sir. Thank you very much. | 0:06:16 | 0:06:19 | |
From shipwrecked to shipshape. | 0:06:19 | 0:06:21 | |
Paul's straight in there and bags his first purchase, | 0:06:21 | 0:06:24 | |
a Chinese porcelain bowl, for a cool £35. | 0:06:24 | 0:06:28 | |
The clock is ticking and Eric's wandering the aisles, | 0:06:28 | 0:06:31 | |
but ending up on Struggle Street. | 0:06:31 | 0:06:34 | |
Well, the pressure's on, because I haven't bought a sausage yet. | 0:06:34 | 0:06:39 | |
You know, the psychic abilities actually might well be kicking in. | 0:06:40 | 0:06:45 | |
Because I have just got that feeling that the man from Morecambe | 0:06:45 | 0:06:49 | |
is doing a big spend at the moment. | 0:06:49 | 0:06:52 | |
I may be wrong, but I'm feeling that I've got to start spending | 0:06:52 | 0:06:55 | |
what is very close to my heart - money. | 0:06:55 | 0:07:00 | |
Yes, that is the aim of the game, Eric, | 0:07:00 | 0:07:03 | |
but there might be something in those psychic powers after all. | 0:07:03 | 0:07:07 | |
Is Mr Morecambe about to make a mighty purchase? | 0:07:07 | 0:07:10 | |
He's come across a pair of massive stained glass windows. | 0:07:10 | 0:07:14 | |
What I like about them is that they are a pair | 0:07:14 | 0:07:16 | |
and you can put these either side of an alcove. | 0:07:16 | 0:07:20 | |
They tend to be bought by people building houses, they include them into the houses. | 0:07:20 | 0:07:25 | |
I can envisage them on top of a staircase | 0:07:25 | 0:07:27 | |
or either side of a fireplace. | 0:07:27 | 0:07:29 | |
The only thing is the condition. | 0:07:29 | 0:07:31 | |
This one is quite badly warped and there are a few missing, actually, | 0:07:31 | 0:07:36 | |
but to be honest, these don't turn up at all. | 0:07:36 | 0:07:39 | |
Very, very rare items to find a pair like this | 0:07:39 | 0:07:42 | |
and not a bad price, really, but this one, I think is beyond repair. | 0:07:42 | 0:07:45 | |
I'll ask him if he will split them. | 0:07:45 | 0:07:47 | |
-Do you want to keep them as a pair? -Not really. | 0:07:47 | 0:07:50 | |
Well, what sort of money are you talking about? | 0:07:50 | 0:07:52 | |
Sort of one-and-a-half for that one there? | 0:07:52 | 0:07:56 | |
It's not looking promising, but can he work some of his Morecambe magic? | 0:07:56 | 0:08:00 | |
Just the fact that it's damaged... | 0:08:00 | 0:08:04 | |
-Yeah. Go on, then. -You want that? | 0:08:04 | 0:08:07 | |
-Yeah, all right. -Thank you very much. That's £150, not £1.50! | 0:08:07 | 0:08:11 | |
Mr Morecambe sees the light and comes up with a divine deal, | 0:08:13 | 0:08:17 | |
but our Eric's supposed paranormal powers | 0:08:17 | 0:08:21 | |
must be messing with Paul's head - literally a couple of minutes later, | 0:08:21 | 0:08:24 | |
the apprentice has a sudden change of mind. | 0:08:24 | 0:08:27 | |
In hindsight, I thought, what a shame to split that pair up. | 0:08:27 | 0:08:31 | |
So I've gone back to the stall holder and he said I can have the damaged one for £50. | 0:08:31 | 0:08:35 | |
So now I have got two wonderful stained glass windows. Great. | 0:08:35 | 0:08:39 | |
So, Mr Hayes smashes his second deal of the day, a matching pair of stained glass windows for £200. | 0:08:41 | 0:08:47 | |
That takes him way out in front. | 0:08:47 | 0:08:49 | |
Our Knocker's still not spent a single penny, | 0:08:49 | 0:08:52 | |
but the race is far from over, Eric's bargain barometer is rising. | 0:08:52 | 0:08:56 | |
One of most famous images from Victorian England, | 0:08:57 | 0:09:02 | |
the Light of the World. | 0:09:02 | 0:09:04 | |
And if I'm not mistaken, it's by William Holman Hunt. | 0:09:04 | 0:09:07 | |
There are a couple of versions of it. | 0:09:07 | 0:09:11 | |
It is not the most saleable of objects. | 0:09:11 | 0:09:15 | |
Because it's a pre-Raphaelite, | 0:09:16 | 0:09:18 | |
I might, actually, probably for all the wrong reasons, | 0:09:18 | 0:09:22 | |
have a go at buying it. | 0:09:22 | 0:09:24 | |
Can I just ask you, it's all in perfect condition, your plaque? | 0:09:24 | 0:09:28 | |
-Yep. -To use a well-worn phrase, what's the best we can do on it? | 0:09:28 | 0:09:33 | |
-14, I'll do it for. -£14. OK, I'll make a purchase on that. | 0:09:33 | 0:09:36 | |
And he's finally off and running. The price is right, | 0:09:36 | 0:09:39 | |
no need for a haggle, Knowlesy knocks off his first purchase | 0:09:39 | 0:09:43 | |
and snaps up the pre-Raphaelite art for £14. | 0:09:43 | 0:09:47 | |
You have an awful lot of trawling to do, | 0:09:47 | 0:09:50 | |
before you can see even a sprat, never mind a mackerel. | 0:09:50 | 0:09:54 | |
So as far as the trawl is concerned, at the moment, | 0:09:54 | 0:09:58 | |
there is nothing here that floats my boat. | 0:09:58 | 0:10:02 | |
Do you get it - trawler boat? | 0:10:02 | 0:10:04 | |
Yes, there's no room for jokes, | 0:10:04 | 0:10:07 | |
Mr Morecambe is streets ahead in the buying stakes, | 0:10:07 | 0:10:10 | |
but it's not long before our trawlerman nets a shiny catch. | 0:10:10 | 0:10:13 | |
Well, from 100 paces, this shouts Art Deco. | 0:10:13 | 0:10:16 | |
As you can see, it is a sort of little table lamp | 0:10:18 | 0:10:21 | |
with this nice pyramidal-type design. | 0:10:21 | 0:10:24 | |
Pyramids are very big in Art Deco design. | 0:10:24 | 0:10:28 | |
It's got a modern fitting, I can see that, | 0:10:28 | 0:10:30 | |
I have turned it upside down it says, "Waite & Son Ltd, Surrey." | 0:10:30 | 0:10:34 | |
I've never heard of this before in my life! | 0:10:34 | 0:10:37 | |
But it's a good-looking thing and not a bad price. £35 is quite a good price. | 0:10:37 | 0:10:42 | |
But as I'm looking around, | 0:10:42 | 0:10:44 | |
there's lots of other things that I need to ask a price on. | 0:10:44 | 0:10:48 | |
All of a sudden, I've found myself with a stand | 0:10:48 | 0:10:50 | |
that's got my type of objects on it. | 0:10:50 | 0:10:52 | |
And the stall holder is the real winner, | 0:10:52 | 0:10:55 | |
because Eric can't keep his hands off. | 0:10:55 | 0:10:58 | |
He gets the lamp base for £25, spends another 25 on an orange vase | 0:10:58 | 0:11:03 | |
and rounds off his little run with a copper plate for £30. | 0:11:03 | 0:11:06 | |
Malvern is really testing the mettle of our mighty gladiators, | 0:11:06 | 0:11:09 | |
but they have still only seen a fraction of the fair. | 0:11:09 | 0:11:14 | |
Eric and Paul started out with £750 of their own money, | 0:11:14 | 0:11:18 | |
burning a hole in their pockets. | 0:11:18 | 0:11:20 | |
Spurred by the threat of his psychic opposition, | 0:11:20 | 0:11:23 | |
Paul sprinted off the blocks, picking up two purchases | 0:11:23 | 0:11:26 | |
for a total of £235, leaving him another £515 to spend. | 0:11:26 | 0:11:33 | |
Eric took time perusing the pitches, but he's gaining momentum fast. | 0:11:33 | 0:11:37 | |
Four deals done and dusted for just £94, | 0:11:37 | 0:11:41 | |
meaning he still has an enormous £656 to play with. | 0:11:41 | 0:11:44 | |
So, with mountains of money still sloshing about in their pockets, | 0:11:47 | 0:11:52 | |
Knocker Knowles and Mr Morecambe Hayes are totally focused | 0:11:52 | 0:11:55 | |
on digging out more dealer delights. | 0:11:55 | 0:11:57 | |
They're scouting the stalls like their lives depend on it. | 0:11:57 | 0:12:01 | |
It's a strange feeling - as you're wandering about, you tend to see lots of things | 0:12:01 | 0:12:05 | |
that you have seen before, and you try to put your quality head on. | 0:12:05 | 0:12:09 | |
You think, well, is that well-made? Is that item something that has been expensive | 0:12:09 | 0:12:13 | |
when it's been produced, you know? | 0:12:13 | 0:12:15 | |
You have to sift through a lot before you come across | 0:12:15 | 0:12:18 | |
that one item which says, that's a good thing. | 0:12:18 | 0:12:21 | |
And while Paul's quality head keeps his eyes spinning, | 0:12:21 | 0:12:25 | |
Eric packs a punch with a familiar find. | 0:12:25 | 0:12:27 | |
It's the Light of the World, version two. | 0:12:27 | 0:12:30 | |
Maybe with my Ridgeway plaque, the two would work well together. | 0:12:30 | 0:12:34 | |
Let me ask... Excuse me, sir, to use that, again, well-worn phrase | 0:12:34 | 0:12:39 | |
I hear all around me, what's the best we can do? | 0:12:39 | 0:12:42 | |
-The very best? -I wanted 15, I'll take 10 for it. -You'll take 10? OK. | 0:12:42 | 0:12:47 | |
All right. Well, at £10, you've got yourself a sale. | 0:12:47 | 0:12:51 | |
First of all, this is the best-selling engraving of the entire 19th century, | 0:12:51 | 0:12:55 | |
consequently, there are a lot of them around. | 0:12:55 | 0:12:59 | |
However, it is by William Holman Hunt, he is one of the very, very best of the pre-Raphaelites | 0:12:59 | 0:13:04 | |
and to be frank for you, for a tenner, well, I think the frame is worth that. | 0:13:04 | 0:13:08 | |
It looks like a blinder, and our Eric snaps it up, | 0:13:08 | 0:13:11 | |
but Mr Morecambe is hot on his heels. | 0:13:11 | 0:13:13 | |
He skids to a halt at one stall where he spies a beauty of a bronze. | 0:13:13 | 0:13:18 | |
What we have here is a fantastic modern sculpture. | 0:13:18 | 0:13:22 | |
I know it's not very antique, but it is a bronze. | 0:13:22 | 0:13:25 | |
It's in great condition, there is a signature on it. | 0:13:25 | 0:13:28 | |
It's a good researcher's lot, the sort of thing I can go back | 0:13:28 | 0:13:31 | |
and hopefully find out who the artist might be. | 0:13:31 | 0:13:34 | |
It's whether I want to punt £200. | 0:13:34 | 0:13:36 | |
-I'll see £160? -Honestly?! Give us a break! | 0:13:36 | 0:13:40 | |
-I know, I've got to try. -I'll take a tenner off. | 0:13:40 | 0:13:42 | |
190, then? I'm not going to waste any more of your time. | 0:13:42 | 0:13:46 | |
Shall we shake on it? All right. Thank you. | 0:13:46 | 0:13:49 | |
I've just bought a bronze. | 0:13:49 | 0:13:51 | |
It's me and Eric, first thing this morning. | 0:13:51 | 0:13:54 | |
# Just the two of us... # | 0:13:54 | 0:13:58 | |
Our Lancashire hotpots have plenty in common, | 0:13:58 | 0:14:01 | |
a passion for antiques and bags of banter! | 0:14:01 | 0:14:04 | |
This morning, they were the best of buddies, but now it's all-out war | 0:14:07 | 0:14:10 | |
and it's Knocker who strikes the next blow. | 0:14:10 | 0:14:13 | |
A tiled teapot stand catches his beady eye and £30 later, it's his. | 0:14:13 | 0:14:19 | |
It's Victoriana. | 0:14:19 | 0:14:21 | |
This is a ceramic tile and it's been made into a teapot stand, | 0:14:21 | 0:14:24 | |
which was quite often the way. | 0:14:24 | 0:14:26 | |
You can see it's got the oak frame around it. | 0:14:26 | 0:14:29 | |
It's got these little bun feet, it dates to probably about 1870, 1875, | 0:14:29 | 0:14:38 | |
and it's probably after a design | 0:14:38 | 0:14:41 | |
by a man called WS Coleman. | 0:14:41 | 0:14:43 | |
It's from a series of designs that he did | 0:14:43 | 0:14:46 | |
for tableware as well as for tiles. | 0:14:46 | 0:14:48 | |
I don't think there is a huge profit in it. | 0:14:48 | 0:14:51 | |
If I can get 50, I think I'd be doing well. | 0:14:51 | 0:14:53 | |
Maybe I should sign it on the back, maybe that would help. WS Coleman, not E Knowles! | 0:14:53 | 0:15:01 | |
Naughty Knowles! You keep your autograph pen in your pocket! | 0:15:01 | 0:15:04 | |
Right, OK. I think I have gone through all the outside pitches. | 0:15:04 | 0:15:08 | |
So I'm going to go inside, where all the smaller, prettier items are | 0:15:08 | 0:15:11 | |
and hopefully I can try my luck there, but, I must admit, I'm running out of time. | 0:15:11 | 0:15:15 | |
The wind is changing and Mr Morecambe alters his course, but Eric hasn't moved anywhere. | 0:15:15 | 0:15:20 | |
He's spotted an Art Deco clock on the same stall. | 0:15:20 | 0:15:23 | |
-£28. -£28. | 0:15:23 | 0:15:27 | |
That is your definite price? | 0:15:27 | 0:15:29 | |
Well, seeing as it is nearly the end of the day, | 0:15:31 | 0:15:34 | |
I'll drop it to £20 for you. | 0:15:34 | 0:15:36 | |
-To 20? -20. | 0:15:36 | 0:15:38 | |
-OK, hmm... Right. -But you have to buy it at that. | 0:15:38 | 0:15:42 | |
Well, I will buy it at that, that's very generous of you. | 0:15:42 | 0:15:45 | |
Eric can't believe his luck. | 0:15:45 | 0:15:47 | |
He barters the vendor down and bags the clock set for £20. | 0:15:47 | 0:15:52 | |
Indoors, Paul's making brisk work of the wares | 0:15:52 | 0:15:55 | |
and he's come across a Worcester bowl. | 0:15:55 | 0:15:58 | |
There we go, is it in good condition? | 0:15:58 | 0:16:00 | |
-It's in perfect condition. -No cracks, no chips? | 0:16:00 | 0:16:03 | |
-So what's the best you can do on this? -I think 90 for best. | 0:16:04 | 0:16:09 | |
That's your very best? You can't do £70? | 0:16:09 | 0:16:12 | |
-One bid is worth 1,000 lookers-on! -Can we meet in the middle, upper 80? | 0:16:12 | 0:16:16 | |
£80, right, I'll have that. | 0:16:16 | 0:16:19 | |
We're not a million miles away from Worcester. | 0:16:19 | 0:16:22 | |
Royal Worcester was the first factory to produce real porcelain in the UK. | 0:16:22 | 0:16:28 | |
So this is almost a first period Worcester, 1770, 1790. Recognisable by the crescent moon | 0:16:28 | 0:16:33 | |
on the bottom, this wonderful underglaze blue, | 0:16:33 | 0:16:37 | |
it is just a fantastic example. | 0:16:37 | 0:16:39 | |
So I think to real English porcelain collectors, that's a bargain. | 0:16:39 | 0:16:44 | |
Hayes the haggler strikes again and seals the deal on the Worcester blue and white bowl for £80. | 0:16:44 | 0:16:50 | |
But Paul better watch out, the competition's arrived! | 0:16:50 | 0:16:53 | |
It's nearly closing time. I have only just got in this pavilion. | 0:16:58 | 0:17:02 | |
I say pavilion, it looks like a cattle shed, actually, | 0:17:02 | 0:17:05 | |
but I'm really going to have to be businesslike, I'm really going to have to motor. | 0:17:05 | 0:17:09 | |
But has he arrived too late? Things are starting to get desperate. | 0:17:09 | 0:17:14 | |
The stall holders are already packing up. | 0:17:14 | 0:17:16 | |
The Art Deco clock is ticking. | 0:17:16 | 0:17:19 | |
Eric and Paul have to throw everything at this. | 0:17:19 | 0:17:21 | |
They've got to rummage like mad and pray for a miracle. | 0:17:21 | 0:17:25 | |
# Baby, you know that | 0:17:25 | 0:17:29 | |
# Maybe it's time for a miracle | 0:17:29 | 0:17:32 | |
# Cos I ain't giving up on love... # | 0:17:33 | 0:17:39 | |
Is this Morecambe's moment? His eyes land on a Japanese jar. | 0:17:39 | 0:17:43 | |
Just look at the intricate work on this. Isn't it fantastic? | 0:17:43 | 0:17:48 | |
All these little compartments here and these cartouches, | 0:17:48 | 0:17:51 | |
there is not any damage at all. | 0:17:51 | 0:17:53 | |
It's made from bronze, and soldered onto the surface, these tiny wires, | 0:17:53 | 0:17:57 | |
and those little tiny wires produce a cloisonne, | 0:17:57 | 0:18:01 | |
a French word for compartment, | 0:18:01 | 0:18:04 | |
and then they are enamelled over. It is fantastic quality, it really is. | 0:18:04 | 0:18:09 | |
This dates from 1890, 1900, the Meiji period, Japan. | 0:18:09 | 0:18:14 | |
It is very, very hard to find in good condition like this, you know? | 0:18:14 | 0:18:18 | |
But the lady did point out it has a little bit of a wobble on the top here. | 0:18:18 | 0:18:22 | |
Which happens, I suppose. I'm going to ask you the price, how much is it? | 0:18:22 | 0:18:26 | |
-It's a nice one, isn't it? -We can do it for £140. | 0:18:26 | 0:18:30 | |
Well, it's a lovely thing, I'll think a bit for now, | 0:18:30 | 0:18:32 | |
but it has certainly taken my eye, one of the nicest things I've seen. | 0:18:32 | 0:18:36 | |
-Oh, great. That's good to know. -Thank you. OK, fabulous. | 0:18:36 | 0:18:41 | |
Could that be a colossal miss for Mr Hayes? | 0:18:43 | 0:18:45 | |
Doesn't he realise old Knowlesy is snooping around? | 0:18:45 | 0:18:49 | |
But Paul can't resist that jar and just two minutes later, he's back. | 0:18:49 | 0:18:53 | |
-Ma'am, can I offer you something for it? -140. -Was that the price? -Yeah. | 0:18:53 | 0:19:00 | |
-You can't do £100? No? -No way. -You can't do £130, taking off a tenner? | 0:19:00 | 0:19:07 | |
-£135. -Oh! Well, you know what, I'm going to have to just buy it, | 0:19:07 | 0:19:11 | |
it's quality and I said I would buy quality. | 0:19:11 | 0:19:14 | |
Shall we shake on that? Thank you very much. | 0:19:14 | 0:19:18 | |
Not the most successful haggle of the day, | 0:19:18 | 0:19:20 | |
the vendor barely budged! | 0:19:20 | 0:19:22 | |
But a cracking Japanese jar for Paul for £135. | 0:19:22 | 0:19:26 | |
So there you are, that was a relief. The last minute there | 0:19:26 | 0:19:29 | |
that I managed to find some very interesting items, | 0:19:29 | 0:19:32 | |
some wonderful oriental items, fantastic. | 0:19:32 | 0:19:35 | |
And the master has notched up one last purchase. | 0:19:35 | 0:19:38 | |
No more of his psychic ceramics, | 0:19:38 | 0:19:39 | |
it seems he's developing a penchant for Deco clocks. | 0:19:39 | 0:19:44 | |
I've bought this little mantel clock. It's a classic piece, really, of Deco. | 0:19:44 | 0:19:48 | |
Because it has all the geometry going for it. | 0:19:48 | 0:19:51 | |
It's English, it's an eight-day clock. | 0:19:51 | 0:19:53 | |
It probably dates to round about 1930 | 0:19:53 | 0:19:59 | |
and it is in perfect working order. It's keeping pretty good time. | 0:19:59 | 0:20:03 | |
So, how much did I pay for it, I almost hear you ask? | 0:20:03 | 0:20:06 | |
Well, I paid £40 and to be quite frank, | 0:20:06 | 0:20:10 | |
if I don't more than double my money, | 0:20:10 | 0:20:12 | |
I'm going to be more than a little disappointed. | 0:20:12 | 0:20:15 | |
Knocker knows quality when he sees it. Eric ends this delectables derby by treating himself | 0:20:15 | 0:20:20 | |
to the blue glass-rimmed clock and forks out £40. | 0:20:20 | 0:20:23 | |
So, after a good spend-up, | 0:20:23 | 0:20:26 | |
how much money have our bargain hunters invested? | 0:20:26 | 0:20:29 | |
They each started the day with £750 of their own money. | 0:20:29 | 0:20:33 | |
Paul was quick off the blocks and bought some big ticket items. | 0:20:33 | 0:20:37 | |
He made five purchases, spending £640. | 0:20:37 | 0:20:42 | |
Eric, on the other hand, bought eight items | 0:20:42 | 0:20:44 | |
but was more careful with his cash, handing over just £194. | 0:20:44 | 0:20:50 | |
Our boys have both played very different tactics, but how do they rate their performances? | 0:20:50 | 0:20:56 | |
To use the vernacular, Paul - I tell you what, we put some hours in today, haven't we? | 0:20:56 | 0:21:00 | |
We have. It's more than a walk along Morecambe promenade. | 0:21:00 | 0:21:03 | |
How has the psychic ceramics gone, all right? | 0:21:03 | 0:21:06 | |
Not too bad. Didn't work all the time, | 0:21:06 | 0:21:09 | |
but it kept me in touch with what you were doing! Best buy? | 0:21:09 | 0:21:12 | |
Come on, show me your best buy. | 0:21:12 | 0:21:15 | |
-You know I set out this morning to buy nothing damaged? -Yes. | 0:21:15 | 0:21:18 | |
I came back with two stained glass windows. But there's method in my madness. I couldn't resist these. | 0:21:18 | 0:21:23 | |
I actually bought one, that's almost perfect. | 0:21:23 | 0:21:25 | |
A bit of restoration here and there, almost ready to go, | 0:21:25 | 0:21:28 | |
but rather than split them, I bought both. I'm glad I bought them both, | 0:21:28 | 0:21:33 | |
-but that one is slightly damaged. What's your favourite? -Well, I bought all sorts of things. | 0:21:33 | 0:21:38 | |
I think from an interest point of view, the engraving. | 0:21:38 | 0:21:41 | |
It's not of any great value, but you see that little lantern? Believe it or not, that was made | 0:21:41 | 0:21:47 | |
in Birmingham as a prop for Holman Hunt. | 0:21:47 | 0:21:50 | |
Someone came to a valuation day years ago and showed me the drawing | 0:21:50 | 0:21:54 | |
and they actually owned that lantern. | 0:21:54 | 0:21:57 | |
I'm feeling for you, Paul, obviously I'm going to put these in my car and drive off with them. | 0:21:57 | 0:22:02 | |
But you're going on the train and that really worries me | 0:22:02 | 0:22:05 | |
a little bit with those, but good luck, mate. | 0:22:05 | 0:22:07 | |
There's a number 37 bus that passes any minute! | 0:22:07 | 0:22:10 | |
Eric and Paul are only halfway through their mighty challenge. | 0:22:13 | 0:22:19 | |
This is where we sort the wheat from the chaff. | 0:22:19 | 0:22:22 | |
The master and his apprentice focus on the tricky business | 0:22:22 | 0:22:25 | |
of selling and they're both back in their dens, planning their attack. | 0:22:25 | 0:22:30 | |
Our boys have got the knowledge and the contacts, but have they got | 0:22:30 | 0:22:34 | |
the brawn to outrun their opponent and pocket some hefty profit? | 0:22:34 | 0:22:39 | |
Knocker Knowles knows he can't afford the slightest mistake, his reputation rests on it. | 0:22:39 | 0:22:44 | |
But our young pretender will do anything to win. | 0:22:44 | 0:22:47 | |
Is it possible that he could triumph over his antiques idol? | 0:22:47 | 0:22:52 | |
In this game, anything is possible. | 0:22:52 | 0:22:54 | |
In magnificent Morecambe, Paul is pretty pleased | 0:22:54 | 0:22:58 | |
with his pile of purchases. | 0:22:58 | 0:22:59 | |
I'm delighted with what I've bought, | 0:22:59 | 0:23:01 | |
the oldest is this, it dates from 1780, | 0:23:01 | 0:23:03 | |
1800, a bit of history there, I think. | 0:23:03 | 0:23:06 | |
Then a very exciting item from the Tek Sing wreck, | 0:23:06 | 0:23:10 | |
that's a great, interesting story with that. | 0:23:10 | 0:23:13 | |
This is a cloisonne coral, it's used for burning incense, | 0:23:13 | 0:23:18 | |
and the amount of work and decoration that goes into this. | 0:23:18 | 0:23:22 | |
The only one I might struggle with is the bronze. Bronzes can do very, very well. | 0:23:22 | 0:23:26 | |
-That's the tricky one. -And his piece de resistance, the stained glass windows, | 0:23:26 | 0:23:30 | |
but will a glowing profit shine through? | 0:23:30 | 0:23:34 | |
And it's all smiles for our mighty master. | 0:23:34 | 0:23:37 | |
Eric is ecstatic, but has his expert eye come up trumps? | 0:23:37 | 0:23:41 | |
Starting with Art Deco, | 0:23:41 | 0:23:43 | |
a lovely little clock garniture dating from about 1925, 1930. | 0:23:43 | 0:23:48 | |
Next to that, a ceramic table lamp base, | 0:23:48 | 0:23:51 | |
and a lovely little desk clock, that's my favourite. | 0:23:51 | 0:23:55 | |
Then from the world of Arts & Crafts, | 0:23:55 | 0:23:57 | |
a lovely copper dish, what about that? | 0:23:57 | 0:24:01 | |
A teapot stand with a Minton plaque. | 0:24:01 | 0:24:03 | |
This piece is a bit of a mystery to me at the moment. | 0:24:03 | 0:24:07 | |
I think it's by a firm called Walsh. And last, but not least, | 0:24:07 | 0:24:11 | |
the Light of the World, I have got a Ridgeway plaque | 0:24:11 | 0:24:15 | |
and I think I am going to have a buyer for the plaque - | 0:24:15 | 0:24:19 | |
and the engraving, I'll throw it in for free - | 0:24:19 | 0:24:22 | |
with a museum in the North West of England, fingers crossed. | 0:24:22 | 0:24:25 | |
No time to waste - with mountains of profit on their minds, our boys must sell | 0:24:25 | 0:24:29 | |
like they've never sold before, but until they've shaken on it | 0:24:29 | 0:24:33 | |
and the money's changed hands, no deal is truly sealed. | 0:24:33 | 0:24:37 | |
Paul gets straight down to business with his stained glass windows. | 0:24:37 | 0:24:42 | |
They won't be simple to shift. They're badly damaged. | 0:24:42 | 0:24:46 | |
If Mr Morecambe is to make a bright, shiny profit, he'll have to get them fixed. | 0:24:46 | 0:24:50 | |
I've contacted a professional stained glass restorer, | 0:24:50 | 0:24:53 | |
he's been out to have a look at them | 0:24:53 | 0:24:57 | |
and thankfully, he thinks he can do it. How fantastic is that? So hopefully I'm going to get back | 0:24:57 | 0:25:02 | |
two, a pair, of fantastic chapel windows - that's definitely going to sell really well. | 0:25:02 | 0:25:08 | |
Feeling all pleased with himself, young Hayes soon stumbles on his next problem, | 0:25:08 | 0:25:13 | |
how to transport the two fragile windows without causing any more breaks - | 0:25:13 | 0:25:17 | |
let's see how he does. | 0:25:17 | 0:25:19 | |
He resorts to roping in a neighbour to help him out. | 0:25:24 | 0:25:28 | |
Eventually, the windows arrive with Keith, the restorer, | 0:25:28 | 0:25:31 | |
who's come up with an inspired plan to fix them. | 0:25:31 | 0:25:34 | |
These bottom panes, we can take these pieces of glass out, | 0:25:34 | 0:25:40 | |
putting them into the main body of the window | 0:25:40 | 0:25:46 | |
and put something that is of the same... | 0:25:46 | 0:25:50 | |
-That goes with it. -That'll complement the main one. | 0:25:50 | 0:25:54 | |
-So that is ingenious. -That makes it more cost effective. | 0:25:54 | 0:25:58 | |
You are talking my language! Obviously, I'm on a bit of a budget. | 0:25:58 | 0:26:02 | |
Yes, it is still going to cost £100 for Keith's expertise, | 0:26:02 | 0:26:06 | |
piling more profit pressure on Paul. | 0:26:06 | 0:26:09 | |
Mr Knowles is quick off the mark as well. | 0:26:09 | 0:26:12 | |
He's got his two versions of the famous Light of the World painting. | 0:26:12 | 0:26:15 | |
He's in Manchester at the City Art Gallery, to meet collections manager, Ruth. | 0:26:15 | 0:26:19 | |
And she shows him their original piece of the artwork. | 0:26:19 | 0:26:23 | |
Wasn't this recognised | 0:26:23 | 0:26:25 | |
as the most popular picture of the entire 19th century? | 0:26:25 | 0:26:29 | |
Is that stretching a point? | 0:26:29 | 0:26:32 | |
I don't think it is. It certainly was one of the best-known images | 0:26:32 | 0:26:36 | |
of Christ in the 19th century. There were three versions | 0:26:36 | 0:26:39 | |
of the painting made. This painting actually attracted | 0:26:39 | 0:26:42 | |
blockbuster crowds when it toured the world. | 0:26:42 | 0:26:46 | |
This particular version went to America in 1857 and 1858. | 0:26:46 | 0:26:50 | |
Amazing. | 0:26:50 | 0:26:52 | |
Well, I've got two more versions that I'm holding here. | 0:26:52 | 0:26:56 | |
One is a print, the other is ceramic. Well, have a look. | 0:26:56 | 0:27:00 | |
Tell me what you think. There we go. | 0:27:00 | 0:27:02 | |
I certainly haven't seen the Light of the World looking like that before! | 0:27:02 | 0:27:06 | |
Well, it doesn't really compare | 0:27:06 | 0:27:09 | |
with the glorious coloured version, but it is something of a rarity. | 0:27:09 | 0:27:16 | |
Cos I've seen lots and lots of Ridgeway plaques | 0:27:16 | 0:27:19 | |
and I've never seen this one before. | 0:27:19 | 0:27:21 | |
No, and I haven't heard about it being reproduced on ceramics. | 0:27:21 | 0:27:25 | |
Literally a few minutes later, I discovered this, | 0:27:25 | 0:27:27 | |
leaning against a table. | 0:27:27 | 0:27:32 | |
Now, I do not haggle with museums, OK? | 0:27:32 | 0:27:37 | |
So it's really a case of you saying to me, "Eric, we are prepared | 0:27:37 | 0:27:41 | |
"to pay X amount for this." Come at me with a price. | 0:27:41 | 0:27:44 | |
£75, how does that sound to you? | 0:27:44 | 0:27:48 | |
£75, that's sounds perfectly all right to me. | 0:27:48 | 0:27:51 | |
-So, if we can shake on that. -It's a deal. -Excellent. | 0:27:51 | 0:27:54 | |
# Shine, shine, shine on... # | 0:27:54 | 0:27:58 | |
Noble Knocker won't push it, | 0:27:58 | 0:28:00 | |
the plate and the painting light up his world with a profit of £51. | 0:28:00 | 0:28:05 | |
Mr Morecambe's instantly playing catch-up. Now it's his turn to shine like an antiques beacon. | 0:28:05 | 0:28:10 | |
Paul has collected his restored windows and motored all the way to the Cotswolds, | 0:28:10 | 0:28:14 | |
but someone had to make a sacrifice to ensure the delicate glass survived the journey. | 0:28:14 | 0:28:20 | |
To make sure of safe transit, I've used one of the kids' mattresses. | 0:28:20 | 0:28:23 | |
So he had nowhere to sleep last night. But that adds to the suspension, | 0:28:23 | 0:28:26 | |
to keep them in the condition, hopefully, that they've arrived in. | 0:28:26 | 0:28:30 | |
Including the restoration, the windows have cost Paul £300. The man from Morecambe | 0:28:30 | 0:28:35 | |
is in Moreton-in-Marsh to meet Peter, who runs an architectural salvage yard. | 0:28:35 | 0:28:39 | |
-They are beautiful, aren't they? -Yes, they are. | 0:28:40 | 0:28:43 | |
The colours, we can't get today in modern stained glass | 0:28:43 | 0:28:47 | |
because these are full of lead and you're not allowed to do that today. You can't get these rich colours | 0:28:47 | 0:28:52 | |
because we can't use lead in the pigments of whatever they make the glass from. | 0:28:52 | 0:28:57 | |
-There's lead to make the colour? -That's right. -They are not too religious. | 0:28:57 | 0:29:01 | |
Would these be classed as more commercial? | 0:29:01 | 0:29:03 | |
These are more commercial. Religious stained glass is quite hard to sell. | 0:29:03 | 0:29:09 | |
They're a bit tall to be perfect commercial, | 0:29:09 | 0:29:13 | |
you just have to think of who might possibly have a house big enough to take these. | 0:29:13 | 0:29:19 | |
I paid £200 for these, I spent another £100 to have them restored, so they stand me at £300. | 0:29:19 | 0:29:23 | |
I think they are good pieces. | 0:29:23 | 0:29:26 | |
-I would certainly show you a profit of maybe £150 on these. -So, £450. | 0:29:26 | 0:29:33 | |
I was hoping for towards the £500 mark, | 0:29:33 | 0:29:36 | |
you couldn't meet me halfway at 475 on that? | 0:29:36 | 0:29:38 | |
-I can do £475. -Would you do that? -Yes, absolutely. | 0:29:38 | 0:29:42 | |
I will shake your hand and make sure I have hold of this one! | 0:29:42 | 0:29:45 | |
The windows bring in a colourful profit for the apprentice, | 0:29:46 | 0:29:50 | |
a hefty £175. The stained glass puts a crack in the master's master plan | 0:29:50 | 0:29:56 | |
and he's got to get back in the game. | 0:29:56 | 0:29:59 | |
He doesn't waste a second. | 0:29:59 | 0:30:01 | |
Eric sells the yellow lamp base for £35 to a man in West Sussex, | 0:30:01 | 0:30:04 | |
making £10 profit in the process. | 0:30:04 | 0:30:08 | |
The same man takes the orange vase off his hands as well, | 0:30:08 | 0:30:10 | |
and he pays exactly the same, £35, bringing in another £10 profit. | 0:30:10 | 0:30:16 | |
Our Eric is making headway, | 0:30:16 | 0:30:18 | |
but he is still lagging behind Mr Morecambe. | 0:30:18 | 0:30:22 | |
So, to clear his head, he visits one of the most beautiful parts of these islands. | 0:30:22 | 0:30:26 | |
# The hills are alive with the sound of music... # | 0:30:26 | 0:30:33 | |
I'm here in a sun-bathed English Lake District. | 0:30:34 | 0:30:38 | |
I'm here to meet a dealer, | 0:30:38 | 0:30:40 | |
a friend of mine called Michael Vickery. | 0:30:40 | 0:30:43 | |
Now, Michael is a specialist dealer in the decorative arts | 0:30:43 | 0:30:46 | |
from the late 19th to the early 20th century. | 0:30:46 | 0:30:49 | |
So I'm hoping that he's going to have an interest in my Arts & Crafts copper plaque. | 0:30:49 | 0:30:54 | |
So, I have to say that I'm now hoping | 0:30:54 | 0:30:56 | |
that the hills might be alive, but with the sound of profit. | 0:30:56 | 0:30:59 | |
-There it is, you have a look at it. -This is a nice example. | 0:30:59 | 0:31:05 | |
I mean, what I will say about it, it could be a bit larger, | 0:31:05 | 0:31:10 | |
but otherwise it is very nice. | 0:31:10 | 0:31:12 | |
The colour is not bad. It's not been overpolished. | 0:31:12 | 0:31:15 | |
There is no maker's mark on it, which is a bit of a shame. | 0:31:15 | 0:31:19 | |
I know you are going to ask me about the price, | 0:31:19 | 0:31:21 | |
-because I know it is relative to size. -It is. | 0:31:21 | 0:31:25 | |
I have to say, I was looking to get somewhere in the region | 0:31:25 | 0:31:29 | |
of a mere £80 for something like that. | 0:31:29 | 0:31:32 | |
£80. It's not a bad price, actually. It's not a bad price. | 0:31:32 | 0:31:38 | |
Hmm, I think I would go for £75. | 0:31:38 | 0:31:42 | |
Michael, I've known you a good number of years, you were canny then, you're canny now, | 0:31:42 | 0:31:46 | |
so if you want to give me £75, it's yours. | 0:31:46 | 0:31:49 | |
-Thank you very much. That's excellent. -But hey, it's cash! | 0:31:49 | 0:31:52 | |
Yes, well, let's hope he doesn't pay in coppers. | 0:31:52 | 0:31:56 | |
The plaque profits to the tune of £45, and while Eric's in the Lakes, | 0:31:56 | 0:32:00 | |
he decides to spend some time enjoying the scenery. | 0:32:00 | 0:32:04 | |
# I love to go a-wandering along the mountain track | 0:32:04 | 0:32:10 | |
# And as I go, I love to sing, my knapsack on my back... # | 0:32:10 | 0:32:18 | |
There is nothing I like more | 0:32:18 | 0:32:19 | |
than putting on a pair of walking boots and going on a ramble. | 0:32:19 | 0:32:24 | |
In fact, I've been accused of being a professional rambler for many a year! | 0:32:24 | 0:32:31 | |
Surely no-one would describe old Knocker as a rambler! | 0:32:31 | 0:32:35 | |
Still, he's not the only one in beautiful surroundings - Mr Morecambe has taken a wander | 0:32:35 | 0:32:40 | |
along the River Thames in Surrey. He's stopped off at Shepperton to see Gary, | 0:32:40 | 0:32:45 | |
who runs a shop selling nautical antiques, including items rescued from the Tek Sing ship, | 0:32:45 | 0:32:51 | |
which sank in 1822, but will he want the bowl Paul picked up for £35? | 0:32:51 | 0:32:57 | |
It really is amazing. How many pieces, roughly, were on board? | 0:32:57 | 0:33:00 | |
People say there was a million, or 20,000. Do you know roughly how many were actually found? | 0:33:00 | 0:33:05 | |
On the Tek Sing, there were approximately 350,000 pieces | 0:33:05 | 0:33:08 | |
that went to auction. There was a lot more broken stuff that they never recovered | 0:33:08 | 0:33:13 | |
and I'm sure they didn't get everything that was down there. | 0:33:13 | 0:33:17 | |
So, it was a very big boat, a very big ship indeed. | 0:33:17 | 0:33:19 | |
-You're also a private collector as well? -Yes, that's right. | 0:33:19 | 0:33:22 | |
You've some great examples here - there is one similar-looking to this, | 0:33:22 | 0:33:26 | |
but is this how they were found, with sediment on top? | 0:33:26 | 0:33:29 | |
There is a certain fascination, really, that it tells the story of where it's been just there and then. | 0:33:29 | 0:33:34 | |
If I was to ask you £50, am I going to be well out or is that about the going rate? | 0:33:34 | 0:33:38 | |
-How would you rate it, do you think? -I would say that is a fair price. | 0:33:38 | 0:33:43 | |
Normally, that would retail for £100. | 0:33:43 | 0:33:48 | |
I would say £50 is a fair price. | 0:33:48 | 0:33:50 | |
-It sounds a fair price to me, is that OK for you? -Yes. -It will add to your collection? | 0:33:50 | 0:33:54 | |
-I shall put that in my collection, without a doubt. -Fantastic. If I find a bowl to match, | 0:33:54 | 0:33:58 | |
-I'll give you a shout. -You give me a call. -Thanks very much. | 0:33:58 | 0:34:02 | |
Paul pitches the price perfectly and sinks a profit of £15. | 0:34:02 | 0:34:08 | |
Both our Lancashire lads have been racing all over the country | 0:34:08 | 0:34:11 | |
and the funds are flowing freely. | 0:34:11 | 0:34:14 | |
Eric, the master, has done well so far, | 0:34:14 | 0:34:16 | |
selling five of his items and sitting on a profit of £116. | 0:34:16 | 0:34:20 | |
Paul, the apprentice, has only sold two items at this midway stage, | 0:34:20 | 0:34:25 | |
but he's way out in front in cash terms with a £190 profit. | 0:34:25 | 0:34:29 | |
Each our of boys has three items left to sell. | 0:34:31 | 0:34:34 | |
While it's not looking good for old Knocker, | 0:34:34 | 0:34:36 | |
his collectibles crown isn't in enemy hands just yet. | 0:34:36 | 0:34:41 | |
And Prince Paul soon suffers a right royal setback. | 0:34:41 | 0:34:45 | |
He paid £135 for the Japanese jar, | 0:34:45 | 0:34:48 | |
but struggled to find a buyer, so he took it to a car-boot sale | 0:34:48 | 0:34:52 | |
and was forced to sell it for a paltry £80. | 0:34:52 | 0:34:55 | |
Including the car-boot fees, that is a clunking great loss of nearly £56. | 0:34:55 | 0:35:00 | |
But that setback for Mr Morecambe makes the contest incredibly tense. | 0:35:02 | 0:35:06 | |
There's now just a few pounds between our heavyweight dealers, so it's all to play for. | 0:35:06 | 0:35:10 | |
The master is determined to get back into control of the game | 0:35:10 | 0:35:15 | |
with the blue clock he paid £40 for. | 0:35:15 | 0:35:19 | |
He hotfoots it to Forest Row in East Sussex to meet Jeroune, a specialist dealer in Art Deco. | 0:35:19 | 0:35:24 | |
Jeroune? Hello, hello, hello, good to find you in your emporium. | 0:35:24 | 0:35:31 | |
-Nice to see you. -Full of wonderful things. | 0:35:31 | 0:35:33 | |
Well, keeping in mind your interest in moderne, | 0:35:33 | 0:35:36 | |
have I got a desk clock for you? | 0:35:36 | 0:35:38 | |
Well, I hope so, because it's this little treasure. | 0:35:38 | 0:35:42 | |
Blue glass, actually, if you look at the edge, it is like a sapphire blue or electric blue, | 0:35:42 | 0:35:49 | |
but anyway, have a look, tell me your thoughts. | 0:35:49 | 0:35:53 | |
Proper period Art Deco clock. English, eight-day movement. | 0:35:53 | 0:35:59 | |
-Is it working? -Yes, it's been working in my office for a few days. | 0:35:59 | 0:36:03 | |
The sort of thing that you would often see in the background of a Poirot episode, isn't it? | 0:36:03 | 0:36:09 | |
-Yes, it is good-looking. -I was looking for around the £100 mark. | 0:36:09 | 0:36:13 | |
OK. | 0:36:13 | 0:36:14 | |
-I love that pondering! I love that pondering! -Well, you know, | 0:36:16 | 0:36:20 | |
these clocks don't fetch a tremendous amount of money. | 0:36:20 | 0:36:23 | |
-£80. -£80, it's yours. -Thank you very much. -All right. You're a star. | 0:36:23 | 0:36:28 | |
Eric doubles his money with the clock, | 0:36:28 | 0:36:31 | |
another £40 for his profit pocket. | 0:36:31 | 0:36:33 | |
And he soon sees off his other Art Deco clock. | 0:36:33 | 0:36:37 | |
The three-piece set goes for £50, chiming in a profit of £30. | 0:36:37 | 0:36:42 | |
The master is back in the driving seat, | 0:36:42 | 0:36:44 | |
teaching the young trainee a thing or two about successful sales, but has he learned anything? | 0:36:44 | 0:36:50 | |
Paul meets Royal Worcester expert Chris at an auction house in London. | 0:36:50 | 0:36:54 | |
So,can he make a profit out of the blue and white bowl that cost him £80? | 0:36:54 | 0:36:58 | |
What is it about Worcester that you like? | 0:36:58 | 0:37:00 | |
Worcester were an English factory which really got on the ball. | 0:37:00 | 0:37:06 | |
When they first started, 1752, | 0:37:06 | 0:37:08 | |
they perfected porcelain before anybody else in this country. | 0:37:08 | 0:37:11 | |
-They were the very first to come up with this white gold? -Very white. | 0:37:11 | 0:37:15 | |
You see with this finger bowl here, | 0:37:15 | 0:37:18 | |
you see all the sand in here? It says it's early. | 0:37:18 | 0:37:21 | |
-OK. And the crescent mark. -It's 18th century, it is about 1770, actually. | 0:37:21 | 0:37:29 | |
Gosh. | 0:37:29 | 0:37:30 | |
Also, you will notice a blue haze on this. | 0:37:30 | 0:37:33 | |
That blue haze indicates arsenic. | 0:37:33 | 0:37:35 | |
They put arsenic in the glaze to get the glaze brighter. | 0:37:35 | 0:37:39 | |
-So, cards on the table, right? -This is what I'm dreading. | 0:37:39 | 0:37:45 | |
I was hoping for £120 for that. | 0:37:45 | 0:37:47 | |
I think it's a nice example and I think it's a good quality item. | 0:37:47 | 0:37:50 | |
That's what I would ask for it, so I would say £100 cash on that. | 0:37:50 | 0:37:56 | |
£100 cash? I think we'll shake on that. | 0:37:56 | 0:37:59 | |
Paul seals the deal and makes a useful profit of £20, | 0:37:59 | 0:38:03 | |
but is it enough? | 0:38:03 | 0:38:05 | |
Both our boys each have one item left to sell. | 0:38:05 | 0:38:09 | |
For Eric, it's the tiled teapot stand he paid £30 for. | 0:38:09 | 0:38:12 | |
He visits Sue in Kent, who collects and exhibits teapots, | 0:38:12 | 0:38:15 | |
thousands in fact, but will she go potty for his stand? | 0:38:15 | 0:38:21 | |
I might have said it before, but when does a collection become an obsession? | 0:38:21 | 0:38:26 | |
Well, people think I'm obsessed now! | 0:38:26 | 0:38:28 | |
-And you're still adding, too. -Always. | 0:38:28 | 0:38:32 | |
-So, how many at the last count? -Just over 6,500. | 0:38:32 | 0:38:37 | |
If we ever went to antique fairs and we could never find a teapot, | 0:38:37 | 0:38:41 | |
we'd get downhearted, and so anything related to tea, | 0:38:41 | 0:38:45 | |
we would buy just so we had something. | 0:38:45 | 0:38:47 | |
I suppose what I've brought along is teapot-related. | 0:38:47 | 0:38:50 | |
Let me show you my teapot stand. Have a look. | 0:38:50 | 0:38:54 | |
It's got a good pedigree. It is Minton. | 0:38:54 | 0:38:58 | |
It's in its original stand, mount, whatever you want to call it. | 0:38:58 | 0:39:01 | |
I think it is absolutely lovely. But I don't want to put words in your mouth. | 0:39:01 | 0:39:05 | |
It is bigger than I expected, actually. | 0:39:05 | 0:39:09 | |
When I saw the picture of it, I thought it would be a six-inch. | 0:39:09 | 0:39:12 | |
Well, I was looking for around about £80 for it, anyway. | 0:39:12 | 0:39:16 | |
Goodness me! How about 50? | 0:39:16 | 0:39:18 | |
I tell you what, if you just go that extra mile | 0:39:19 | 0:39:23 | |
and offer me 60, it's yours. | 0:39:23 | 0:39:25 | |
-OK, I'll give you 60 for it. -Excellent. | 0:39:26 | 0:39:29 | |
I tell you, that's the best buy you will make this year, I promise you, I promise you. | 0:39:29 | 0:39:33 | |
Well, I tell you what, Sue, I'm desperate to have a look around, | 0:39:33 | 0:39:37 | |
I can see there are more and more corridors here. | 0:39:37 | 0:39:39 | |
And after that, how would you like to paint your own teapot? | 0:39:39 | 0:39:42 | |
I would love to do that, what a treat. | 0:39:42 | 0:39:45 | |
Eric doubles his money again with his last item. | 0:39:45 | 0:39:49 | |
The teapot stand serves up a piping hot profit of £30. | 0:39:49 | 0:39:52 | |
As Knocker extends his lead, | 0:39:52 | 0:39:54 | |
he sits down with Sue to decorate his teapot | 0:39:54 | 0:39:57 | |
and has a little message for his young contender. | 0:39:57 | 0:40:00 | |
A present for Mr Morecambe, from a certain Mr Wise - | 0:40:00 | 0:40:05 | |
-"Put kettle on, lad." -But Paul doesn't have time for tea. He's got his last item to sell | 0:40:05 | 0:40:09 | |
and he needs it to blow Eric out of the water. Mr Morecambe's decided the best way to make maximum profit | 0:40:09 | 0:40:15 | |
on the bronze statue is to put it up for auction, | 0:40:15 | 0:40:19 | |
but he's hit an early stumbling block. | 0:40:19 | 0:40:22 | |
The estimate is between £70 and £100. | 0:40:22 | 0:40:25 | |
Now, bearing in mind this stands me at £190, | 0:40:25 | 0:40:27 | |
I need well over £200 to break even. | 0:40:27 | 0:40:30 | |
Dear me, it's not looking good, is it? | 0:40:30 | 0:40:32 | |
But the guys here think it's worth between that sort of money, | 0:40:32 | 0:40:35 | |
so let's hope we get someone who disagrees and it goes very well. | 0:40:35 | 0:40:38 | |
-Start me, £40, the lot. -Come on! | 0:40:38 | 0:40:42 | |
45, 50, 55, 60, 65, 70, 75, 80. | 0:40:42 | 0:40:49 | |
-80 to my left, then. 85, best bidding. -It's well worth that. | 0:40:49 | 0:40:53 | |
So, will the bronze go bust, or can Paul pull it back? | 0:40:53 | 0:40:57 | |
All will be revealed in just a few moments. | 0:40:57 | 0:41:01 | |
Each of our experts had £750 of their own money to spend | 0:41:01 | 0:41:04 | |
at the antiques fair in Malvern. Paul only bought five items, | 0:41:04 | 0:41:08 | |
but after restoring the stained glass windows and car-boot fees, | 0:41:08 | 0:41:12 | |
spent just under £741. | 0:41:12 | 0:41:16 | |
Eric, however, made eight purchases, but only spent £194, | 0:41:16 | 0:41:20 | |
but the only thing that matters from here on in is profit. | 0:41:20 | 0:41:24 | |
All of the money that Eric and Paul have made | 0:41:24 | 0:41:27 | |
from today's challenge will go to a charity of their choice, | 0:41:27 | 0:41:30 | |
so, without further ado, it's time to find out | 0:41:30 | 0:41:34 | |
who is today's Put Your Money Where Your Mouth Is champion! | 0:41:34 | 0:41:37 | |
-Eric! How are you? Lovely to see you. -I'm all right, I'm very well. | 0:41:38 | 0:41:42 | |
I set out, I stuck to my guns, I wanted to buy nothing but porcelain. | 0:41:42 | 0:41:46 | |
-What did I come back with? -Yep? -A pair of stained glass windows. They really were a show-stopper. | 0:41:46 | 0:41:51 | |
-I had them restored, they looked amazing. -I have to say that I was very happy | 0:41:51 | 0:41:56 | |
with my Light of the World plaque. | 0:41:56 | 0:41:58 | |
Which is now in the reserve archive of Manchester Art Gallery. | 0:41:58 | 0:42:05 | |
-Have you been on my patch? -Well, are we going to do this? One, two, three. | 0:42:05 | 0:42:09 | |
-Oh! You got me again. -Oh! -You slime, £78.93. | 0:42:09 | 0:42:12 | |
We're not trouncing you, Mr Hayes, | 0:42:12 | 0:42:15 | |
but we are just making that tad more. | 0:42:15 | 0:42:17 | |
-You are, where has the 93 pence come from? -Well, look at me, | 0:42:17 | 0:42:20 | |
I don't mess around in pences. That might be the secret, Paul. | 0:42:20 | 0:42:24 | |
93 pence, that will buy us about half a cup of tea, here, I think. | 0:42:24 | 0:42:28 | |
-Come on. -It must have all gone wrong at the auction. | 0:42:28 | 0:42:31 | |
So, how much did the bronze statue go for? | 0:42:31 | 0:42:34 | |
-Come on! -150 in the green stripe. | 0:42:34 | 0:42:36 | |
150 it goes. 150. | 0:42:36 | 0:42:38 | |
A lot more than I was expecting, | 0:42:38 | 0:42:40 | |
it would be nice to get a bit of a profit out of it, but there we are. | 0:42:40 | 0:42:44 | |
Including the auction costs, that is a loss of more than £75. | 0:42:44 | 0:42:48 | |
The apprentice still has a lot to learn. | 0:42:48 | 0:42:50 | |
You know what, I really can't understand how Eric Knowles | 0:42:50 | 0:42:53 | |
managed to beat me on this particular challenge | 0:42:53 | 0:42:56 | |
because I bought those fantastic stained glass windows. | 0:42:56 | 0:42:58 | |
Paul, you spent an awful lot more money at that fair | 0:42:58 | 0:43:02 | |
and you were only able to claw back a 10% profit or thereabouts, | 0:43:02 | 0:43:07 | |
so I think you've got to be very careful what you buy. | 0:43:07 | 0:43:10 | |
And Paul, avoid modern bronzes! | 0:43:10 | 0:43:13 | |
But Paul could still turn it around. He has another crack at Eric's crown tomorrow, | 0:43:13 | 0:43:18 | |
when battle commences at Duke's Auctions in Dorchester. | 0:43:18 | 0:43:22 | |
Subtitles by Red Bee Media Ltd | 0:43:43 | 0:43:46 | |
E-mail [email protected] | 0:43:46 | 0:43:49 |