Browse content similar to Paul Hayes v Philip Serrell - Car Boot. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:08 | |
against each other in an all-out battle for profit... | 0:00:08 | 0:00:11 | |
I'm a double your money girl. | 0:00:11 | 0:00:13 | |
..and gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
You've got to be in it to win it. | 0:00:16 | 0:00:19 | |
Each week, one pair of duelling dealers | 0:00:19 | 0:00:22 | |
will face a different daily challenge. Lovely! | 0:00:22 | 0:00:25 | |
We've got some work to do. Let's go! | 0:00:25 | 0:00:26 | |
Putting their own money and their hard-earned reputations on the line | 0:00:26 | 0:00:31 | |
as they see who can make the most money from buying and selling. | 0:00:31 | 0:00:36 | |
Get in there! | 0:00:36 | 0:00:38 | |
Today, sparkling antiques superman, Paul Hayes, | 0:00:40 | 0:00:44 | |
takes on the big, burly bargain bruiser, Philip Serrell, | 0:00:44 | 0:00:48 | |
in an epic clash of fox-like cunning, | 0:00:48 | 0:00:50 | |
and wholesome blue-eyed charm. | 0:00:50 | 0:00:52 | |
Can you see that? | 0:00:52 | 0:00:53 | |
It's just these trousers. | 0:00:53 | 0:00:55 | |
Coming up, Paul is hearing voices. | 0:00:55 | 0:00:58 | |
£7.50. | 0:00:58 | 0:01:00 | |
I can hear £8 coming over the airwaves, here. | 0:01:00 | 0:01:02 | |
Phil is hearing predictions. | 0:01:02 | 0:01:06 | |
You are going to win, Mr Serrell. Put your Money Where Your Mouth Is. | 0:01:06 | 0:01:10 | |
You are going to beat Paul Hayes. | 0:01:10 | 0:01:11 | |
And Paul does a deal that, quite literally, | 0:01:11 | 0:01:15 | |
steals the shirt from his back. | 0:01:15 | 0:01:17 | |
Just hope I haven't put you off your breakfast. | 0:01:17 | 0:01:19 | |
Taxi! | 0:01:19 | 0:01:21 | |
Fasten your seatbelts, this is Put Your Money Where Your Mouth Is. | 0:01:21 | 0:01:24 | |
As the sun rises over a magnificent Blighty, | 0:01:38 | 0:01:41 | |
the county of Sussex is waking up, | 0:01:41 | 0:01:44 | |
with no idea what's about to hit it. | 0:01:44 | 0:01:47 | |
Wily Worcestershire warhorse, | 0:01:48 | 0:01:51 | |
Phil "The Fox" Serrell, | 0:01:51 | 0:01:53 | |
and lovable Lancashire legionnaire, | 0:01:53 | 0:01:55 | |
Paul "Mr Morecambe" Hayes, | 0:01:55 | 0:01:57 | |
are about to begin a buying battle so epic | 0:01:57 | 0:02:00 | |
that their names will become legend. | 0:02:00 | 0:02:03 | |
It's not what you spend. It's how much profit you make. | 0:02:03 | 0:02:07 | |
Which of these great gladiators will reign victorious? | 0:02:08 | 0:02:12 | |
To the winner, the spoils of war, adulation and worship. | 0:02:12 | 0:02:16 | |
To the loser, the never-ending torment of wondering where it all went wrong. | 0:02:16 | 0:02:20 | |
Not everything is plain sailing. I think we need some fresh jokes! | 0:02:23 | 0:02:26 | |
Today, the field of combat is the mighty car boot fair | 0:02:27 | 0:02:31 | |
in Ford, West Sussex, | 0:02:31 | 0:02:32 | |
a disused airfield, jam-packed with over 200 stallholders. | 0:02:32 | 0:02:36 | |
The challenge to our brave boys is to wade through the wares | 0:02:38 | 0:02:42 | |
and uncover the pieces that pack the biggest profit punch. | 0:02:42 | 0:02:46 | |
Did you see how he reeled me in, like fishing? Did you? | 0:02:46 | 0:02:48 | |
They've each got £250 of their own money to spend, | 0:02:48 | 0:02:53 | |
and whatever profit they make goes to their chosen charities. | 0:02:53 | 0:02:56 | |
Our tale begins while the nation still sleeps. | 0:02:56 | 0:03:01 | |
Paul Hayes and Philip Serrell, | 0:03:01 | 0:03:02 | |
it's time to Put Your Money Where Your Mouth Is. | 0:03:02 | 0:03:07 | |
Where is he? Hello. How are you, mate? | 0:03:10 | 0:03:13 | |
Morning, Philip, how are you? | 0:03:13 | 0:03:14 | |
I didn't know they had one of these in the morning. | 0:03:14 | 0:03:16 | |
I know, what time is it? Is it night time or daytime? | 0:03:16 | 0:03:19 | |
It's dark out there. | 0:03:19 | 0:03:21 | |
Everything starts early in car boot sales. | 0:03:21 | 0:03:23 | |
-But are you raring to go, fighting fit? -Like a coiled spring! | 0:03:23 | 0:03:26 | |
-Really? I can see that. -Have you got a plan? -I'm keeping my options open. | 0:03:26 | 0:03:30 | |
I'll buy anything that's not damaged. What about yourself? | 0:03:30 | 0:03:33 | |
-Daft and dangerous, mate. -Is that just me? | 0:03:33 | 0:03:35 | |
All the best. | 0:03:35 | 0:03:38 | |
All the best to you, Phil. Good luck, mate. | 0:03:38 | 0:03:40 | |
Yes, out you go, boys, heads held high. | 0:03:43 | 0:03:45 | |
Make this a clash that will go down in history. | 0:03:45 | 0:03:48 | |
With the sun rising in the sky, | 0:03:54 | 0:03:56 | |
our fighter pilots are out on the car boot airstrip, | 0:03:56 | 0:04:00 | |
circling each other with sights set on target treasure. | 0:04:00 | 0:04:03 | |
This is a dogfight like no other, but who'll be flying high | 0:04:03 | 0:04:07 | |
and who will end up in a spin? | 0:04:07 | 0:04:09 | |
The man from Morecambe stands for all things bright eyed and bushy tailed. | 0:04:12 | 0:04:17 | |
He might be facing the frightening Mr Fox, | 0:04:17 | 0:04:20 | |
but it'll take more than that to put the dampeners on his optimism. | 0:04:20 | 0:04:23 | |
There is literally everything, from walking sticks, thimbles bits of jewellery, you know. | 0:04:25 | 0:04:30 | |
I'm bound to find something here and there's quite a lot of stalls to go at as well. | 0:04:30 | 0:04:34 | |
So I'm just going to take my time for five minutes and soak up the atmosphere. | 0:04:34 | 0:04:38 | |
Yes, don't waste any time though, Paul. | 0:04:38 | 0:04:42 | |
The Fox is prowling like a caged beast. | 0:04:42 | 0:04:44 | |
And his street smart strategy is sharp as a knife. | 0:04:44 | 0:04:48 | |
The plan with this, really, is just to whizz round as quick as you can, | 0:04:48 | 0:04:52 | |
get your bearings, eyeball a few stalls | 0:04:52 | 0:04:55 | |
and see what you can find, and then go back and have a real proper look. | 0:04:55 | 0:04:58 | |
But I think if you do a quick whizz like this, | 0:04:58 | 0:05:01 | |
it does give you a bit of a clue as to where to go later on. | 0:05:01 | 0:05:05 | |
Go, Foxy! | 0:05:05 | 0:05:08 | |
Two very different personalities, two very different approaches. | 0:05:08 | 0:05:12 | |
But while Hayes is taking in his surroundings, Serrell swoops, on a cribbage board. | 0:05:12 | 0:05:18 | |
This is a nice little thing, isn't it? | 0:05:18 | 0:05:22 | |
A little crib board. | 0:05:22 | 0:05:24 | |
I think that's a bit of fun but it needs a real good polish. | 0:05:25 | 0:05:28 | |
I would think that dates to about 1880...or 1900. | 0:05:28 | 0:05:33 | |
And this has basically been used as a pub game. | 0:05:33 | 0:05:35 | |
-What's the best you can do on that? -£15. | 0:05:36 | 0:05:38 | |
Shall I ask you again? | 0:05:38 | 0:05:41 | |
-You can do. -Go on, what's the best? The real best. | 0:05:41 | 0:05:43 | |
-Can you do any better than that? -Afraid not. | 0:05:43 | 0:05:46 | |
OK. | 0:05:46 | 0:05:48 | |
-I'll give you a tenner for it. -15. -OK. I'll leave him there for you. | 0:05:48 | 0:05:52 | |
Icy cool, the Fox threatens to walk. | 0:05:54 | 0:05:57 | |
£12. | 0:05:57 | 0:05:58 | |
And it works! | 0:05:58 | 0:06:00 | |
I'll tell you what, look. There it is. | 0:06:00 | 0:06:05 | |
I haven't got any change. | 0:06:05 | 0:06:07 | |
-It's going, it's going. It's going back to you. -Go on, go on. -£12. | 0:06:07 | 0:06:09 | |
It's got to be a tenner, mate. Honestly. It's got to be a tenner. | 0:06:09 | 0:06:13 | |
-It's going to be on TV, this, isn't it? -Go on, matey. -All right. | 0:06:13 | 0:06:16 | |
You're a gentleman. Thank you. | 0:06:16 | 0:06:17 | |
And I'm really, really pleased with that. | 0:06:17 | 0:06:20 | |
The thing that bothers me a little bit is, who am I going to sell this to? | 0:06:20 | 0:06:24 | |
I've just bought this. This is what you call impulse shopping. | 0:06:24 | 0:06:28 | |
Spontaneous, maybe, but Phil is flying. | 0:06:29 | 0:06:32 | |
Mr Morecambe is now trailing in the Serrell slipstream, | 0:06:32 | 0:06:35 | |
but our ace soon finds something to float his boat. | 0:06:35 | 0:06:40 | |
Here we are. Look at that. | 0:06:40 | 0:06:42 | |
"Titania. On her outward passage to load tea." | 0:06:42 | 0:06:46 | |
It's getting better. "At Shanghai in 1873. | 0:06:46 | 0:06:49 | |
"Running with a good south-westerly wind." | 0:06:49 | 0:06:51 | |
Do you know what? I think that's all right at £15. | 0:06:51 | 0:06:54 | |
I'm going to see what the dealer can do it for. | 0:06:54 | 0:06:56 | |
See if we can get a bit knocked off. | 0:06:56 | 0:06:58 | |
After a bit of Hayes haggling, the seller drops a fiver | 0:06:58 | 0:07:03 | |
and Paul pays just £10 for his painting. | 0:07:03 | 0:07:05 | |
I quite like this, actually. | 0:07:05 | 0:07:07 | |
I've discovered on the back some additional information. | 0:07:07 | 0:07:10 | |
We have a certificate of authenticity here. | 0:07:10 | 0:07:12 | |
It's been made to commemorate the 160th anniversary | 0:07:12 | 0:07:16 | |
of the British Sailors' Society. | 0:07:16 | 0:07:18 | |
There's great interest in this, I should think. | 0:07:18 | 0:07:22 | |
So, after a slow start, Paul's got the wind in his sails | 0:07:24 | 0:07:27 | |
and he's cruising at a rate of knots. | 0:07:27 | 0:07:30 | |
One thing I am looking forward to is finding something musical | 0:07:30 | 0:07:33 | |
and I've spotted something here. | 0:07:33 | 0:07:35 | |
No, it's not a guitar, it's not a piano. | 0:07:35 | 0:07:38 | |
Is it a French horn or a tuba? Answers on a postcard, please. | 0:07:38 | 0:07:42 | |
Hello. What exactly is it? | 0:07:42 | 0:07:45 | |
-I think it is a tenor horn. -A tenor horn. -A tenor horn. | 0:07:45 | 0:07:48 | |
Is that the price or is that the name of the item? | 0:07:48 | 0:07:51 | |
-It's a great maker though, isn't it? -It is a Boosey and Hawkes. | 0:07:51 | 0:07:54 | |
They stopped trading about 20 years ago. They just do sheet music now. | 0:07:54 | 0:07:58 | |
It's got all its serial number | 0:07:59 | 0:08:02 | |
so you can trace the date by the serial number on them, evidently. | 0:08:02 | 0:08:05 | |
I can play two songs. I can play badly, or somewhere else. | 0:08:05 | 0:08:08 | |
Which one would you like? | 0:08:08 | 0:08:09 | |
-Badly, please. -PLAYS BADLY | 0:08:09 | 0:08:11 | |
-Just for you! -Thank you. | 0:08:11 | 0:08:13 | |
How much is that going to be? | 0:08:13 | 0:08:16 | |
40. | 0:08:16 | 0:08:17 | |
PLAYS OFF KEY | 0:08:17 | 0:08:19 | |
Can be £30? | 0:08:19 | 0:08:21 | |
-How about 35? -35. | 0:08:21 | 0:08:25 | |
£35 with the case. | 0:08:25 | 0:08:26 | |
-I think we'll shake on that. Shall we have that? -Yes, why not? -Why not. | 0:08:26 | 0:08:30 | |
While Mr Morecambe takes a moment to blow his own trumpet, | 0:08:32 | 0:08:35 | |
The Fox is pounding the aisles. | 0:08:35 | 0:08:38 | |
And it's not long before he's pawing at some garden furniture. | 0:08:38 | 0:08:43 | |
-These look interesting. There's no age to these, is there? -No. | 0:08:43 | 0:08:46 | |
-They're just comfortable. -You and I are older than these, aren't we? | 0:08:46 | 0:08:50 | |
-I think you are right. -Are they all right, sounds in wind and limb? | 0:08:50 | 0:08:53 | |
You're quite happy to sit in one and relax. | 0:08:53 | 0:08:55 | |
I'd get in there and never get out again. | 0:08:55 | 0:08:57 | |
You'd need a block and tackle to get me out. | 0:08:57 | 0:08:59 | |
-How much are they? -15 the pair. | 0:08:59 | 0:09:03 | |
-Take a tenner for the two? -Yeah, go on. | 0:09:03 | 0:09:06 | |
Quick as a flash that's purchase number two. | 0:09:06 | 0:09:09 | |
The Fox seals the deal with no messing. | 0:09:09 | 0:09:12 | |
The thing about these is, there's no age to these at all. | 0:09:12 | 0:09:15 | |
But, you know, they say antiques are green | 0:09:15 | 0:09:18 | |
and this is the ultimate example of green stuff, really. | 0:09:18 | 0:09:21 | |
I've bought these and they're going to go on to somebody else. | 0:09:21 | 0:09:25 | |
MUSIC: Theme from The Dambusters | 0:09:25 | 0:09:27 | |
Oh, well done, Phil, top notch. | 0:09:27 | 0:09:30 | |
The sun is now up and both our profit rockets are flying high over this car boot airstrip. | 0:09:30 | 0:09:36 | |
But it's our happy Harrier who's tuning in to a corking collectable. | 0:09:36 | 0:09:41 | |
-Look at that, that's a good one, isn't it? May I pick this up? -Yes. | 0:09:41 | 0:09:45 | |
Look at that, isn't that a retro-looking item. | 0:09:45 | 0:09:48 | |
It's Bakelite, 1960s. You haven't got the little bit of gold there? | 0:09:48 | 0:09:52 | |
Sorry, several people have asked that today. | 0:09:52 | 0:09:55 | |
-But it is working? -It works extremely well. -Right, OK. | 0:09:55 | 0:09:59 | |
-How much is that little fellow? -It's £10. | 0:09:59 | 0:10:02 | |
-Is that the price? -It is! | 0:10:02 | 0:10:04 | |
LAUGHTER | 0:10:04 | 0:10:06 | |
Can that be a fiver? | 0:10:06 | 0:10:09 | |
-One bid is worth a... Hang on. -£7.50 | 0:10:09 | 0:10:11 | |
-I can hear £8 coming over the airwaves here. -£8. | 0:10:11 | 0:10:15 | |
Is that all right? All right, OK. | 0:10:15 | 0:10:17 | |
I'll have that, thank you very much. I like that. And that for luck. | 0:10:17 | 0:10:21 | |
Hang on a minute, Paul's offered more than the lady asked for. | 0:10:21 | 0:10:25 | |
Maybe that radio's got dodgy reception. | 0:10:25 | 0:10:28 | |
That's lovely, thank you very much. | 0:10:28 | 0:10:31 | |
# I like it | 0:10:31 | 0:10:33 | |
# I like it | 0:10:33 | 0:10:34 | |
# I like the words you say | 0:10:34 | 0:10:37 | |
# And all the things you do... # | 0:10:37 | 0:10:39 | |
I love this item. It's just so retro looking. | 0:10:39 | 0:10:42 | |
It makes you smile looking at it. I think it's fantastic. | 0:10:42 | 0:10:44 | |
I could imagine this in a nice funky 1950s' style kitchen. | 0:10:44 | 0:10:48 | |
It's got this turquoise, or greeny blue, marine blue Bakelite finish | 0:10:48 | 0:10:51 | |
which isn't cracked or damaged in anyway. | 0:10:51 | 0:10:54 | |
But, by law, I have to check the wiring | 0:10:54 | 0:10:56 | |
and I noticed there is only two wires on this. There's no earth. | 0:10:56 | 0:11:00 | |
I have a choice of getting it up to the UK standard to sell it as a radio | 0:11:00 | 0:11:05 | |
or sell it as an ornament. | 0:11:05 | 0:11:07 | |
What do you think? Hang on, it's coming in loud and clear now. | 0:11:07 | 0:11:10 | |
Really, find out later. | 0:11:10 | 0:11:12 | |
# ..Being here with you... # | 0:11:12 | 0:11:14 | |
As our bright-eyed boy zooms up, up and away, | 0:11:14 | 0:11:18 | |
it seems he's been bitten by the Bakelite bug. | 0:11:18 | 0:11:20 | |
This brings it all back. I'm showing my age now, look at that. | 0:11:22 | 0:11:25 | |
Hey, can you see that? That's fantastic, isn't it? | 0:11:25 | 0:11:29 | |
Talk about retro. | 0:11:29 | 0:11:30 | |
I haven't tried that one. This I've tried. | 0:11:30 | 0:11:33 | |
RADIO PLAYS | 0:11:33 | 0:11:34 | |
I really liked that hairdryer, as well, actually, | 0:11:34 | 0:11:38 | |
but it's the thought of having to get it checked for electrical work | 0:11:38 | 0:11:41 | |
and it just adds more expense, really. | 0:11:41 | 0:11:44 | |
With Paul wondering and pondering | 0:11:46 | 0:11:48 | |
and Phil stalking the aisles like a buying behemoth, | 0:11:48 | 0:11:51 | |
let's catch up on the figures. | 0:11:51 | 0:11:54 | |
Both our flying aces took to the skies with £250 | 0:11:56 | 0:11:59 | |
of their own money to spend. | 0:11:59 | 0:12:01 | |
The Fox is being careful with his cash, | 0:12:01 | 0:12:04 | |
targeting two items for just £20, | 0:12:04 | 0:12:07 | |
leaving him a whopping £230 still burning a hole in his pocket. | 0:12:07 | 0:12:12 | |
Paul has been letting rip with both barrels | 0:12:13 | 0:12:16 | |
picking up three purchases for £53 | 0:12:16 | 0:12:19 | |
and leaving £197 still to spend. | 0:12:19 | 0:12:23 | |
As we hit the second chapter in this tale of derring-do, | 0:12:27 | 0:12:30 | |
it's time for our profit pilots to dig a bit deeper. | 0:12:30 | 0:12:34 | |
They need to step up and stride out. | 0:12:34 | 0:12:37 | |
Eyes peeled for those rare gems that will best boost | 0:12:37 | 0:12:40 | |
their precious profit pots. | 0:12:40 | 0:12:42 | |
Paul is determined not to be outfoxed. | 0:12:43 | 0:12:46 | |
He's got the measure of that Philip Serrell. | 0:12:46 | 0:12:48 | |
You haven't seen a gentleman about this big called Philip? | 0:12:48 | 0:12:51 | |
-I have. -Look out for him, look out for him, | 0:12:51 | 0:12:54 | |
he looks like a nice guy but he's a very shrewd businessman. | 0:12:54 | 0:12:57 | |
He's buying all the bargains, aren't you, Phil. I know. | 0:12:57 | 0:13:00 | |
Paul Hayes, he's younger than me. | 0:13:00 | 0:13:05 | |
He's good-looking. He's talented. | 0:13:05 | 0:13:08 | |
He's a really nice bloke. | 0:13:08 | 0:13:11 | |
Fantastic, you like people like that, don't you? | 0:13:11 | 0:13:13 | |
Don't get bitter, Foxy, get buying | 0:13:15 | 0:13:17 | |
because the Morecambe Maestro has dug up a medical marvel. | 0:13:17 | 0:13:22 | |
There's some very interesting items here. | 0:13:23 | 0:13:26 | |
This gentleman has some old anatomical illustrations | 0:13:26 | 0:13:29 | |
from an original book. The gentleman said there's over 100 of them | 0:13:29 | 0:13:33 | |
but they're £15 an illustration and it's a bit more than our budget. | 0:13:33 | 0:13:36 | |
-There's a human body. -There's an education here, Phil. | 0:13:36 | 0:13:39 | |
This bit here, you don't want to know what that bit does there. | 0:13:39 | 0:13:42 | |
-They're interesting, aren't they? Don't you think? -No, I don't think. | 0:13:42 | 0:13:46 | |
-Those are awful. -Do you know what, there's a good market for this type of thing. | 0:13:46 | 0:13:51 | |
This is medicine as they understood it in the 1830s. | 0:13:51 | 0:13:54 | |
Foxy is flummoxed and it's not just Paul's anatomical prints | 0:13:54 | 0:13:59 | |
that are interfering with his equilibrium. | 0:13:59 | 0:14:03 | |
The one thing that you don't want to see in an autograph book is this. | 0:14:03 | 0:14:07 | |
That ceases to become an autograph book and it's just a book. | 0:14:09 | 0:14:13 | |
No matter how hard he tries, Phil is struggling to spend his money | 0:14:13 | 0:14:18 | |
but Paul's having no such problems. | 0:14:18 | 0:14:20 | |
He's just made his fourth purchase of the day - a ship's log for £20. | 0:14:20 | 0:14:25 | |
Do you know what, I found a really interesting item from Liverpool. | 0:14:25 | 0:14:29 | |
It's almost my neck of the woods. | 0:14:29 | 0:14:31 | |
This is a log book from the Cunard Steamship Company. | 0:14:31 | 0:14:35 | |
The ship is called the Phrygia. | 0:14:35 | 0:14:39 | |
Captain Robertson... | 0:14:39 | 0:14:42 | |
What I like about this is it has the day-to-day running | 0:14:42 | 0:14:44 | |
of what it was like on board this Cunard ship. | 0:14:44 | 0:14:47 | |
It looks like it set sail from Liverpool. | 0:14:47 | 0:14:50 | |
"The lights well, the vents well, the moorings and gangways clear." | 0:14:50 | 0:14:55 | |
What a great thing to have. You don't come across one of those every day. | 0:14:55 | 0:14:58 | |
A captain's log, there we go, it's intergalactic. | 0:14:58 | 0:15:01 | |
MUSIC: Star Trek Theme Tune | 0:15:03 | 0:15:05 | |
There he is, ladies and gentlemen, | 0:15:05 | 0:15:07 | |
boldly going where no man has gone before. | 0:15:07 | 0:15:10 | |
And The Fox isn't far behind. | 0:15:10 | 0:15:13 | |
He's just closed a deal on his third item for £25. | 0:15:13 | 0:15:16 | |
I've just bought this and I'm really, really pleased with it. | 0:15:18 | 0:15:21 | |
Erm, it's a trunk. | 0:15:21 | 0:15:24 | |
Sometimes they had interiors fitted with hangers and that type of thing. | 0:15:24 | 0:15:29 | |
But it would date from around about, I would guess, 1900ish, | 0:15:29 | 0:15:33 | |
somewhere around there. What I love about this are two things. | 0:15:33 | 0:15:36 | |
One are these wooden slats on the top and, look at this, | 0:15:36 | 0:15:39 | |
it's got some original travelling labels on each end. | 0:15:39 | 0:15:44 | |
It's better to travel in expectation than arrive in disappointment, isn't it? | 0:15:46 | 0:15:49 | |
Like the profit predator that he is, Phil's straight off in search of more items, | 0:15:51 | 0:15:55 | |
but the irrepressible Mr Morecambe can't resist a little diversion. | 0:15:55 | 0:16:01 | |
Now then, Philip, a fresh joke for you. | 0:16:03 | 0:16:04 | |
Two television aerials meet on a roof and fall in love | 0:16:04 | 0:16:08 | |
and they decide to get married. | 0:16:08 | 0:16:09 | |
The wedding was a bit of a wash-out, but the reception... Oh-oh! | 0:16:09 | 0:16:13 | |
CYMBAL CRASHES | 0:16:13 | 0:16:15 | |
Oh, better stick to the job in hand, Paul. | 0:16:15 | 0:16:17 | |
At least one of our heavyweights is taking this battle seriously | 0:16:19 | 0:16:22 | |
and our stealthy Fox is now level pegging with the Joker in our pack. | 0:16:22 | 0:16:26 | |
Phil has just racked up purchase number four. | 0:16:26 | 0:16:30 | |
It's a little stainless steel candlestick. | 0:16:30 | 0:16:35 | |
Probably late '60s, early '70s. | 0:16:35 | 0:16:37 | |
It's designed by a man called Stuart Devlin. | 0:16:37 | 0:16:40 | |
If that was a piece of silver, that'd be 150 to £200. | 0:16:40 | 0:16:44 | |
He's really, really collectible at the moment. | 0:16:44 | 0:16:48 | |
Well, that's if it was silver, it's not. | 0:16:48 | 0:16:50 | |
It's cost me £3. | 0:16:50 | 0:16:52 | |
I'm just hoping that his stainless stuff is almost as collectible as his silver. | 0:16:52 | 0:16:58 | |
Time will tell. | 0:16:58 | 0:16:59 | |
Well, while Phil is hitting his stride, Paul's hitting a road block. | 0:17:00 | 0:17:06 | |
-My gosh, you look much younger. -Oh, thank you very much. | 0:17:06 | 0:17:08 | |
-It's just these trousers. -Marvellous! | 0:17:08 | 0:17:10 | |
It's a fan after some of his expertise. | 0:17:10 | 0:17:14 | |
I've got something, I don't know what it is. | 0:17:14 | 0:17:17 | |
It's here. | 0:17:17 | 0:17:19 | |
It could be for putting your scarves over the top, maybe. | 0:17:19 | 0:17:22 | |
-Are you sure about that? -You'd hang your coat on there | 0:17:22 | 0:17:24 | |
and you'd put something over the top.. | 0:17:24 | 0:17:26 | |
-I've got something interesting? -You've got lots of lovely things. | 0:17:26 | 0:17:29 | |
-Sorry to bother you about this. -Not at all. | 0:17:29 | 0:17:30 | |
-I thought I'd use the opportunity. -You do right. -It's nice to have met you. | 0:17:30 | 0:17:33 | |
With Paul doing his best to help his lady in need, | 0:17:33 | 0:17:37 | |
Phil takes the opportunity to push on. | 0:17:37 | 0:17:39 | |
Not once has he used his strategy of going for the daft and dangerous, | 0:17:39 | 0:17:44 | |
but that could all be about to change. | 0:17:44 | 0:17:47 | |
Would you like me to tell you your fortune? | 0:17:51 | 0:17:54 | |
You have to find items to sell, put your money where your mouth is. | 0:17:54 | 0:17:58 | |
You are going to beat Paul Hayes. | 0:17:58 | 0:18:00 | |
-How much is that, my love? -To you, I've got it up for 18 | 0:18:00 | 0:18:03 | |
but you can have it for ten! | 0:18:03 | 0:18:05 | |
-I'll give you a fiver for it. -Don't be mean, Mr Serrell. | 0:18:06 | 0:18:09 | |
You've always been my favourite. | 0:18:09 | 0:18:12 | |
How about eight? | 0:18:12 | 0:18:14 | |
I can't do change, honestly. Change is no good. | 0:18:14 | 0:18:16 | |
Well, just give me a tenner then. | 0:18:16 | 0:18:17 | |
I tell you what, £7.50. | 0:18:17 | 0:18:20 | |
-I thought you didn't have no change? -I haven't, but you have. | 0:18:20 | 0:18:23 | |
-Come on, then, £7.50. -Go on, my love. | 0:18:24 | 0:18:26 | |
Thank you, you're an angel. | 0:18:26 | 0:18:27 | |
Cross the lady's palm with silver, Phil, and then tell us what you've got. | 0:18:27 | 0:18:31 | |
It sort of looks like a Victorian glass dump and they can be quite collectible | 0:18:33 | 0:18:37 | |
either as paperweights, or people use them as doorstops. | 0:18:37 | 0:18:41 | |
Is that Victorian? No, it's Elizabethan. | 0:18:41 | 0:18:44 | |
Unfortunately the second and not the first. | 0:18:44 | 0:18:46 | |
Hey-ho, £7.50, somebody's got to like it. | 0:18:46 | 0:18:50 | |
Aren't they? | 0:18:50 | 0:18:51 | |
What a turnaround, the Worcester Warrior moves ahead | 0:18:55 | 0:18:59 | |
and our Lamb from Lancashire is suddenly on the back foot, | 0:18:59 | 0:19:02 | |
not that you'd notice. | 0:19:02 | 0:19:04 | |
MUSICAL NOTES | 0:19:04 | 0:19:06 | |
Yes, here we go. | 0:19:06 | 0:19:07 | |
# Oh, I've got the put your money blues | 0:19:07 | 0:19:10 | |
# Oh, oh, oh... # | 0:19:10 | 0:19:12 | |
That sounds awful, doesn't it? | 0:19:12 | 0:19:14 | |
No, I don't think I'm going to use it. | 0:19:14 | 0:19:16 | |
I think the keys are all wrong on that one, mate. | 0:19:16 | 0:19:18 | |
# It's the final count down.# | 0:19:18 | 0:19:22 | |
Oh, do come along, Paul. Focus! | 0:19:22 | 0:19:24 | |
It's now getting late in the day and the stallholders are starting to pack up. | 0:19:24 | 0:19:29 | |
The race is on to find those last crucial items. | 0:19:30 | 0:19:34 | |
# ..The final count down # | 0:19:35 | 0:19:38 | |
The Fox is first to strike with what could be a nice little URN-er. | 0:19:41 | 0:19:45 | |
-Is this yours, my love? -Yes. | 0:19:47 | 0:19:48 | |
-I bet you haven't got room for that in the car, have you? -Yes. | 0:19:48 | 0:19:51 | |
What's the best you can do on that? | 0:19:51 | 0:19:54 | |
12. | 0:19:54 | 0:19:55 | |
-That's it. -Tenner and I'll take it now. -No. | 0:19:55 | 0:19:58 | |
She's a hard lady, isn't she? | 0:19:58 | 0:20:00 | |
-SHE LAUGHS -Take a tenner, darling. | 0:20:00 | 0:20:02 | |
Go on, take a tenner. | 0:20:02 | 0:20:04 | |
Why should I take a tenner, what's special about him? | 0:20:04 | 0:20:06 | |
-Nothing, but I only got a tenner. -Go on! -You're an angel, thank you. | 0:20:06 | 0:20:10 | |
So Mr Morecambe's not the only one who can turn on a bit of charm, eh, Foxy? | 0:20:10 | 0:20:15 | |
I'm really pleased about that. Because... | 0:20:15 | 0:20:19 | |
A lot of these were used to bring olives over to this country. | 0:20:19 | 0:20:24 | |
I just think that's a really cool thing. I love it. | 0:20:24 | 0:20:26 | |
It's quite a worrying time now. I'm running out of options here. | 0:20:31 | 0:20:34 | |
Not only can I not find anything to buy to make a profit, | 0:20:34 | 0:20:37 | |
I just can't find anything to buy! Everyone's gone home! | 0:20:37 | 0:20:40 | |
As Paul hits turbulence, he starts retracing his steps | 0:20:43 | 0:20:46 | |
and, just in time, finds himself back at the anatomical prints. | 0:20:46 | 0:20:50 | |
He does a deal and gets four for £40. | 0:20:50 | 0:20:54 | |
# ..The final count down... # | 0:20:55 | 0:20:57 | |
I've saved the best till last. | 0:20:57 | 0:20:59 | |
This is a fantastic set of illustrations. | 0:20:59 | 0:21:01 | |
I'd love to have bought all of them. | 0:21:01 | 0:21:03 | |
Hopefully I can find a doctor, or someone in the medical profession that likes them. | 0:21:03 | 0:21:07 | |
It's the end of the day now and I know just how he feels! | 0:21:07 | 0:21:11 | |
So this car boot sale has been a war to light up the skies | 0:21:12 | 0:21:16 | |
but now all deals are done and dusted, let's see who spent what. | 0:21:16 | 0:21:20 | |
Both our daredevil dealers started the day with £250 | 0:21:23 | 0:21:27 | |
of their own money to spend. | 0:21:27 | 0:21:29 | |
Phil "The Fox" Serrell had a slow start | 0:21:29 | 0:21:31 | |
but rocketed away in the later stages, | 0:21:31 | 0:21:34 | |
bagging six items for just £65.50. | 0:21:34 | 0:21:39 | |
Paul "Mr Morecambe" Hayes started well | 0:21:39 | 0:21:41 | |
but stumbled as he approached the finishing line. | 0:21:41 | 0:21:44 | |
He's notched up five purchases for £113. | 0:21:44 | 0:21:48 | |
Now it's all about who makes the most profit. | 0:21:48 | 0:21:51 | |
-Which is your best buy? -I must admit, it's the log book. | 0:21:54 | 0:21:57 | |
Look at that, isn't that fantastic? It's from the Cunard Steamship Company 1962-1963. | 0:21:57 | 0:22:00 | |
That's a log of where the ship went. | 0:22:00 | 0:22:02 | |
Where the ship was going and where the ship is now. | 0:22:02 | 0:22:05 | |
You're on the coast, as well, aren't you? | 0:22:05 | 0:22:07 | |
There should be somebody who would be interested | 0:22:07 | 0:22:09 | |
I tell you, the other thing I love is the radio. | 0:22:09 | 0:22:12 | |
-Can you imagine all those wonderful broadcasts that you had in the '50s and '60s. -This is the BBC... | 0:22:12 | 0:22:16 | |
-LAUGHTER -I think they're fantastic. | 0:22:16 | 0:22:18 | |
-I used to talk proper then. -Oh, yeah. | 0:22:18 | 0:22:20 | |
You look like you're going on holiday you've got two deck chairs, | 0:22:20 | 0:22:23 | |
a cabin trunk and a cribbage board. | 0:22:23 | 0:22:26 | |
You're set for the Mediterranean. | 0:22:26 | 0:22:28 | |
They're not old but the best profit is going to be in these two chairs. | 0:22:28 | 0:22:32 | |
I'm really pleased with me trunk. You probably think that's just a trunk, don't you? | 0:22:32 | 0:22:36 | |
Er, believe it or not, Philip, that is just a trunk. | 0:22:36 | 0:22:38 | |
-It's going to be a coffee table. -It looks like a trunk to me. | 0:22:38 | 0:22:42 | |
Are you all right? | 0:22:42 | 0:22:44 | |
It might even be a three-piece suite by the time I've finished with it. | 0:22:44 | 0:22:47 | |
I was going to ask you, what does a Greek EARN? | 0:22:47 | 0:22:50 | |
-Get out, buy me a drink, get out of here. -It's a joke. | 0:22:50 | 0:22:53 | |
-I know, I know, I know. -What does a Greek... | 0:22:53 | 0:22:54 | |
Hold onto your hats, this is where the game really hots up. | 0:22:58 | 0:23:03 | |
Our boys must now sell their items, travelling the length and breadth of this great land of ours, | 0:23:03 | 0:23:08 | |
with one goal in mind - making the biggest, fattest profit they possible can. | 0:23:08 | 0:23:13 | |
In mighty Malvern, The Fox is in his lair, | 0:23:16 | 0:23:20 | |
going through his purchases. | 0:23:20 | 0:23:22 | |
This was a star lot for me, a bit of Stuart Devlin. | 0:23:22 | 0:23:26 | |
I paid £3 for that. Hopefully, that'll produce me a ten-fold profit. | 0:23:26 | 0:23:31 | |
The glass dump, that was £7.50. | 0:23:31 | 0:23:33 | |
There's got to be a profit in that. | 0:23:33 | 0:23:35 | |
This triangular crib board, unusual to have them triangular. | 0:23:35 | 0:23:39 | |
That was £10. | 0:23:39 | 0:23:41 | |
I'll try and find somebody who's into their pub games to buy that. | 0:23:41 | 0:23:44 | |
Then we've got my trunk, I paid £25 for it | 0:23:44 | 0:23:47 | |
and I can either turn it into a cool, funky table, | 0:23:47 | 0:23:50 | |
or, if someone comes along and offers me enough money, I'll just sell it as it is. | 0:23:50 | 0:23:54 | |
Phil must also find new homes for the pair of chairs and the urn. | 0:23:54 | 0:23:58 | |
At home in lovely Lancashire, Mr Morecambe is taking stock. | 0:24:00 | 0:24:05 | |
We've got this fantastic picture here of the Titania, | 0:24:05 | 0:24:08 | |
a bit of naval history. That was £10, what a bargain. | 0:24:08 | 0:24:11 | |
A brass instrument, a tenor horn, it was a bit more than a tenner. | 0:24:11 | 0:24:16 | |
I've enjoyed polishing that, it looks great. There's a good chance I'll get a profit. | 0:24:16 | 0:24:20 | |
Then, of course, we have these anatomical prints! | 0:24:20 | 0:24:24 | |
These date from 1836. | 0:24:24 | 0:24:26 | |
A bit of a Sherlock Holmes moment there for me, I think. | 0:24:26 | 0:24:29 | |
It's a bit of a mixed bag, but that's me all over. | 0:24:29 | 0:24:32 | |
I haven't spent a fortune and I think there's a bit of profit in these. | 0:24:32 | 0:24:35 | |
Paul also has the challenge of selling the ship's log | 0:24:35 | 0:24:39 | |
and the 1960s' valve radio. | 0:24:39 | 0:24:41 | |
Two magnificent collections of collectibles | 0:24:42 | 0:24:46 | |
and two of the best antiques experts around. | 0:24:46 | 0:24:49 | |
Now all they need is plenty of punters providing pots of profit, | 0:24:49 | 0:24:53 | |
but none of that comes without serious leg work | 0:24:53 | 0:24:55 | |
and it doesn't matter how many meetings they arrange, | 0:24:55 | 0:24:58 | |
until they've shaken on it and the money's changed hands, | 0:24:58 | 0:25:02 | |
no deal is truly sealed. | 0:25:02 | 0:25:04 | |
It's Mr Morecambe who leaps into action first. | 0:25:08 | 0:25:11 | |
Like a particularly cheery-looking, profit-seeking missile, | 0:25:11 | 0:25:14 | |
he's headed for Lancaster University | 0:25:14 | 0:25:17 | |
armed with the anatomical prints he bought for £40. | 0:25:17 | 0:25:20 | |
# Your neck bone connected from chest bone | 0:25:21 | 0:25:24 | |
# Your neck bone connected from your shoulder bone... # | 0:25:24 | 0:25:27 | |
He's arranged to meet Dr Taylor and Professor Ockleford, | 0:25:27 | 0:25:31 | |
experts in anatomy, who instantly recognise the significance | 0:25:31 | 0:25:35 | |
of the prints in the development of medical understanding. | 0:25:35 | 0:25:39 | |
They look textbook like. | 0:25:39 | 0:25:40 | |
They look as though they could be a very early textbook. | 0:25:40 | 0:25:44 | |
So being 1836, does that have any relevance for you? | 0:25:44 | 0:25:47 | |
Was this like a golden age of medicine? | 0:25:47 | 0:25:49 | |
The history of the science of academic physiology in the UK | 0:25:49 | 0:25:54 | |
probably dates to about this period. | 0:25:54 | 0:25:57 | |
Prior to that, in 1832 the Anatomy Act was established. | 0:25:57 | 0:26:00 | |
People used to use human bodies to teach for dissection. | 0:26:00 | 0:26:03 | |
So these sort of textbooks had to come around, | 0:26:03 | 0:26:06 | |
otherwise you were cutting up bodies all the time. | 0:26:06 | 0:26:10 | |
Jones Quain famously produced a set of lithographs, | 0:26:10 | 0:26:14 | |
which, I guess, it's possible this could be one of. | 0:26:14 | 0:26:18 | |
So he would have brought it, so he made it accessible | 0:26:18 | 0:26:20 | |
-for more people to learn more about it. -Exactly. | 0:26:20 | 0:26:23 | |
People like him were real pioneers. | 0:26:23 | 0:26:25 | |
If these are 1836, nearly 200 years ago and we're still doing the same thing with textbooks. | 0:26:25 | 0:26:30 | |
They're a fantastic set. | 0:26:30 | 0:26:32 | |
If I was to ask you £80 for them. | 0:26:32 | 0:26:35 | |
-We've had a prior discussion with a senior colleague.. -Oh, really. | 0:26:35 | 0:26:38 | |
..who's going to bankroll this exercise. | 0:26:38 | 0:26:40 | |
Oh, they're £1,000 each then. LAUGHTER | 0:26:40 | 0:26:43 | |
-Would £60 be a good offer? -60 would be a good offer. | 0:26:43 | 0:26:47 | |
-Is that where you see them? -Yes, I think so. | 0:26:47 | 0:26:51 | |
Do you know what, I will accept your £60. | 0:26:51 | 0:26:54 | |
-Shall we shake on that? -Yes, thank you. | 0:26:54 | 0:26:56 | |
Professor, thank you so much. Doctor, thank you very much. | 0:26:56 | 0:26:59 | |
What are we shaking with, what's that technically called? | 0:26:59 | 0:27:02 | |
-That's the hand. -Oh! | 0:27:02 | 0:27:04 | |
Excellent! What a cracking start from the beaming boy wonder. | 0:27:06 | 0:27:10 | |
The four anatomical prints provide a full-bodied profit of £20. | 0:27:10 | 0:27:13 | |
Sorry to keep you waiting, Philip. Philip? | 0:27:16 | 0:27:18 | |
Don't you worry about our Philip, he's still full of life. | 0:27:20 | 0:27:24 | |
He's a stone's throw from Worcester Cathedral, | 0:27:24 | 0:27:26 | |
visiting Gabrielle, who runs an antiques' shop. | 0:27:26 | 0:27:29 | |
He's hoping she's going to take a shine to his glass dump. | 0:27:29 | 0:27:33 | |
-That's a dump, isn't it? -It looks like a dump, yes. | 0:27:34 | 0:27:38 | |
It's a glass dump, and a dump's like when a piece of glass is made, | 0:27:38 | 0:27:41 | |
it was the waste on the end, is that right? | 0:27:41 | 0:27:44 | |
-It was the waste at the end of the day, I think. -Yeah. | 0:27:44 | 0:27:46 | |
They were very often bottle factories | 0:27:46 | 0:27:48 | |
and rather than put the glass back into the kilns, or whatever, | 0:27:48 | 0:27:52 | |
they would use it to make these doorstops and things. | 0:27:52 | 0:27:56 | |
Gabrielle takes the piece off Phil's hands for £12.50, | 0:27:57 | 0:28:01 | |
giving him a profit of £5. | 0:28:01 | 0:28:04 | |
The wily one hot foots it back to Fox HQ, | 0:28:06 | 0:28:08 | |
as he's expecting a visitor. | 0:28:08 | 0:28:10 | |
He's arranged to show his contact, Clive, the Devlin candlestick holder which he purchased for £3. | 0:28:10 | 0:28:17 | |
-It's an iconic bit of design. -It's going to be a classic in the future. | 0:28:17 | 0:28:21 | |
It's going to be a classic price in the future, hopefully. | 0:28:21 | 0:28:25 | |
What are you looking for that? | 0:28:25 | 0:28:27 | |
I'd like to get as close to 60 quid as I can, really. | 0:28:27 | 0:28:30 | |
-That is... -I've got to stop you because there's that traditional | 0:28:30 | 0:28:33 | |
sharp intake of breath that the antiques trade give you. | 0:28:33 | 0:28:36 | |
It's just parting with money. | 0:28:36 | 0:28:39 | |
Really, realistically, I was looking around 40. | 0:28:39 | 0:28:44 | |
-Hang on, let's see if I've learnt anything. -DEEP BREATH IN | 0:28:44 | 0:28:47 | |
No... | 0:28:47 | 0:28:48 | |
-I will tell you, I bought it for three quid. -Really. | 0:28:48 | 0:28:53 | |
-OK, hang on a minute. -DEEP BREATH IN | 0:28:53 | 0:28:55 | |
Yeah! I think it's worth 55 quid. | 0:28:55 | 0:28:58 | |
I could do 50 on it for you. | 0:28:58 | 0:29:00 | |
I'll let you have it for 53 quid, there you are. | 0:29:00 | 0:29:04 | |
-53? -Yeah. -That's fine with me. -I'll shake you by the hand. | 0:29:04 | 0:29:08 | |
Phil sells the candlestick | 0:29:08 | 0:29:10 | |
for an incredible 16 times what he bought it for | 0:29:10 | 0:29:13 | |
and makes a red hot profit of £50. | 0:29:13 | 0:29:16 | |
1, 2, 3... | 0:29:17 | 0:29:19 | |
Back in Morecambe, Paul's hoping to make waves with his 1960s' radio. | 0:29:21 | 0:29:26 | |
The Put Your Money rules state that electrical items must be | 0:29:26 | 0:29:28 | |
PAC tested to make sure they are safe for sale. | 0:29:28 | 0:29:30 | |
And Paul is showing the radio to local electrician Barry. | 0:29:30 | 0:29:35 | |
So that is sending power to the machine? | 0:29:35 | 0:29:37 | |
That is sending 500 volts down the two wires | 0:29:37 | 0:29:39 | |
and it's showing that it's a pass. | 0:29:39 | 0:29:42 | |
The test costs £3 and now our rule-abiding boy can take the radio | 0:29:43 | 0:29:47 | |
into town to see Amanda, | 0:29:47 | 0:29:50 | |
who runs a shop selling vintage clothing and accessories. | 0:29:50 | 0:29:53 | |
I thought what you need in here is a bit of background music | 0:29:53 | 0:29:57 | |
and what a better thing to have. Do you like it? | 0:29:57 | 0:29:59 | |
Yes, I like the colour. I'm a sucker for things like this. | 0:29:59 | 0:30:03 | |
RADIO CRACKLES | 0:30:03 | 0:30:05 | |
-There you go. -You can't beat the crackle, can you? -I love it! | 0:30:05 | 0:30:09 | |
-It's like vinyl. -Is it the sort of thing you like? | 0:30:09 | 0:30:13 | |
Yes, as a prop in the shop, really. | 0:30:13 | 0:30:15 | |
Well, that's great news, | 0:30:15 | 0:30:17 | |
but what our Paul doesn't realise is that Amanda is a bit of a fan. | 0:30:17 | 0:30:22 | |
-If I was to ask you £25 for the item? -On one condition. -Go on. | 0:30:23 | 0:30:28 | |
I'll give you 25 if you will model a pair of trunks for me. | 0:30:28 | 0:30:31 | |
-A pair of trunks? What sort of shop is this? -1960s' trunks. | 0:30:31 | 0:30:35 | |
You're joking! | 0:30:35 | 0:30:38 | |
OK, well, we'll shake on that then, I'm up for anything. | 0:30:38 | 0:30:41 | |
-Thank you very much. -Changing room's through there. | 0:30:41 | 0:30:43 | |
Here we come, here comes the 1960s. | 0:30:43 | 0:30:46 | |
Oh, the trials our antiques Superman has to endure. | 0:30:46 | 0:30:49 | |
Come on, Paul, don't be shy. Think of the money. | 0:30:49 | 0:30:54 | |
Dear me, dear me. Calm down, ladies, calm down. | 0:30:56 | 0:30:59 | |
Do you need any help, Paul? | 0:30:59 | 0:31:01 | |
Oh, somebody's keen. Come on, Mr H, | 0:31:01 | 0:31:04 | |
put the lady out of her misery. | 0:31:04 | 0:31:06 | |
-Here you are. Who's for a swim? -Lovely! | 0:31:08 | 0:31:11 | |
MUSIC: "The Stripper" | 0:31:11 | 0:31:13 | |
They are a bit chafing. | 0:31:16 | 0:31:19 | |
Well, you've got to hand it to the lad. | 0:31:19 | 0:31:22 | |
What he won't do for money. | 0:31:22 | 0:31:26 | |
And after the cost of the PAC test, the radio signals a profit of £14. | 0:31:26 | 0:31:30 | |
So there you are, one satisfied customer. | 0:31:30 | 0:31:33 | |
I really did lose my shirt on that deal. | 0:31:33 | 0:31:35 | |
There is a bit of profit there. I'm up for a laugh. | 0:31:35 | 0:31:37 | |
Just hope I haven't put you off your breakfast. Taxi! | 0:31:37 | 0:31:41 | |
Breakfast, lunch and dinner, Paul. | 0:31:41 | 0:31:45 | |
So, was the near nudity worth it? | 0:31:45 | 0:31:47 | |
Let's see how the sales are stacking up. | 0:31:47 | 0:31:50 | |
Paul "Mr Morecombe" Hayes has so far sold two of his items. | 0:31:50 | 0:31:55 | |
He may have lost his dignity, but he has racked up a profit of £34. | 0:31:55 | 0:31:59 | |
Phil "The Fox" Serrell has also made two sales | 0:31:59 | 0:32:03 | |
but he's kept his clothes on. | 0:32:03 | 0:32:05 | |
And he's in the lead. His profit pot currently holds £55. | 0:32:05 | 0:32:10 | |
Buoyed by his early success, | 0:32:13 | 0:32:14 | |
The Fox is determined to press the advantage. | 0:32:14 | 0:32:16 | |
He takes his urn to a business in rural Worcestershire | 0:32:16 | 0:32:20 | |
that specialises in, amongst other things, garden pots. | 0:32:20 | 0:32:23 | |
The urn earns big money. A hefty profit of £40. | 0:32:23 | 0:32:29 | |
And he sells his garden chairs to Mark, | 0:32:29 | 0:32:32 | |
an old mate, for £50, making another comfortable profit of £40. | 0:32:32 | 0:32:37 | |
But Paul's not fazed by Phil's fantastic form. | 0:32:38 | 0:32:42 | |
Our northern boy has a bit of brass | 0:32:42 | 0:32:43 | |
and he knows exactly what to do with it. | 0:32:43 | 0:32:46 | |
PLAYS OUT OF TUNE | 0:32:46 | 0:32:51 | |
Do you know what, this is actually really, really good fun, | 0:32:51 | 0:32:54 | |
but as you can tell, I can't play it particularly well. | 0:32:54 | 0:32:57 | |
So I've brought it along to Morecambe Brass Band to see | 0:32:57 | 0:33:00 | |
if they can use one of these for one of their starting out pupils. | 0:33:00 | 0:33:04 | |
Paul has arranged to meet Bernard and Geoff from the band | 0:33:06 | 0:33:08 | |
but can he hit the right notes? | 0:33:08 | 0:33:10 | |
-I can see the dents. -It adds to its character, you know. | 0:33:11 | 0:33:14 | |
It's quite a rough band it came from, you know what it's like. | 0:33:14 | 0:33:17 | |
LAUGHTER | 0:33:17 | 0:33:18 | |
Looking round the room here, all these are silver-coloured. | 0:33:18 | 0:33:22 | |
They are brass, but these are silver-plated. | 0:33:22 | 0:33:27 | |
And this one is lacquered. | 0:33:27 | 0:33:29 | |
What would it cost to buy a new tenor horn, a good quality up and running one? | 0:33:29 | 0:33:33 | |
Top model tenor horns are about 3,000 or £4,000 to buy. | 0:33:33 | 0:33:36 | |
Is the tenor horn about to belt out a profit? | 0:33:36 | 0:33:39 | |
First, Geoff wants to hear it in action. | 0:33:39 | 0:33:43 | |
PLAYS A SCALE | 0:33:43 | 0:33:46 | |
There we are! | 0:33:46 | 0:33:48 | |
It's working. | 0:33:48 | 0:33:49 | |
If I was to ask £60 for it, | 0:33:49 | 0:33:51 | |
would I be blowing my own trumpet or would I be talking out of the band? | 0:33:51 | 0:33:55 | |
-We'd be looking at £50, I would say, maximum. -Right. OK. | 0:33:55 | 0:34:01 | |
-Can we shake on £50 then? -I think so. -Well, we'll do that. | 0:34:01 | 0:34:05 | |
That's lovely, thank you very much, Bernard and Geoff. | 0:34:05 | 0:34:08 | |
Yes, good work, Paul. | 0:34:08 | 0:34:10 | |
The horn brings in a profit to the tune of £15. | 0:34:10 | 0:34:14 | |
Excuse me, Andy. Thank you very much. OK. | 0:34:15 | 0:34:18 | |
MUSIC: "Bring Me Sunshine" | 0:34:18 | 0:34:22 | |
Now, our maestro is renowned for his love of music | 0:34:22 | 0:34:25 | |
and there's no other tune that says more about our Mr Morecambe. | 0:34:25 | 0:34:29 | |
That's put a smile on his face. | 0:34:32 | 0:34:34 | |
Paul skips away into the night | 0:34:34 | 0:34:36 | |
to plan the rest of his antiques attack. | 0:34:36 | 0:34:38 | |
Now, The Fox is never happier than under the cover of darkness. | 0:34:42 | 0:34:47 | |
He can prowl about seeking out his unsuspecting victims | 0:34:47 | 0:34:51 | |
and it looks like grub's up. | 0:34:51 | 0:34:53 | |
I've got my crib board and I really need to find somebody | 0:34:53 | 0:34:56 | |
who's just a bit more than proficient in pub games to sell it to. | 0:34:56 | 0:34:59 | |
I'm in Stoke and I'm here to see one of the city's most famous sons. | 0:34:59 | 0:35:03 | |
Now. Pool, darts, crib. That should give you a bit of a clue. | 0:35:03 | 0:35:09 | |
Tonight, in this unsuspecting Stoke pub, | 0:35:10 | 0:35:13 | |
we are about to see one of the most brutal clashes in TV history. | 0:35:13 | 0:35:18 | |
Phil The Fox Serrell goes head-to-head with a world champion. | 0:35:18 | 0:35:23 | |
Darts player extraordinaire, Phil The Power Taylor. | 0:35:23 | 0:35:28 | |
-Phil Taylor, how are you? -I'm fine. -15 times world darts champion. | 0:35:28 | 0:35:31 | |
-How's life. -Great, absolutely great. | 0:35:31 | 0:35:34 | |
-With the first prize that you won... -£500. -Was it 500 quid? | 0:35:34 | 0:35:40 | |
Yes, and they paid me in £50 notes and I had a row with the fella | 0:35:40 | 0:35:43 | |
because I thought he was trying to rob me. | 0:35:43 | 0:35:45 | |
I'd never seen a 50. A £50 note, you're kidding. | 0:35:45 | 0:35:48 | |
We never got £50 a week. So, yeah, that was my first one. | 0:35:48 | 0:35:52 | |
As a demon darts player, he knows his pub games | 0:35:52 | 0:35:56 | |
but will Phil The Power feel the love for Phil The Fox? | 0:35:56 | 0:36:00 | |
I was hoping that I might be able to sell you this. | 0:36:00 | 0:36:02 | |
Yeah, yeah, depends on the price. | 0:36:02 | 0:36:05 | |
-Well, I was hoping I might get 50 quid for it. -50 quid? | 0:36:05 | 0:36:07 | |
-Or close to it. -All right. I tell you what I'll do, | 0:36:07 | 0:36:09 | |
I'll play you the highest score out of six darts. | 0:36:10 | 0:36:12 | |
If you win, I'll give you 50 quid. | 0:36:12 | 0:36:14 | |
-If I win, it's 40. -No pressure here! Come on, here we go. | 0:36:14 | 0:36:18 | |
Ladies and gentlemen, in one corner, the defender, | 0:36:22 | 0:36:26 | |
with over 150 professional titles to his name, | 0:36:26 | 0:36:31 | |
including a record 15 World Championships, | 0:36:31 | 0:36:36 | |
It's Phil The Power Taylor. | 0:36:36 | 0:36:38 | |
In the other corner, | 0:36:38 | 0:36:40 | |
the challenger, with absolutely no experience whatsoever, | 0:36:40 | 0:36:45 | |
and he hasn't even got any tattoos, it is Phil The Powerless Serrell. | 0:36:45 | 0:36:51 | |
-40 quid. -Stand back, son, give me room. | 0:36:54 | 0:36:56 | |
The Mighty Fox is first up to the oche. | 0:36:56 | 0:36:58 | |
Oh, 15. | 0:37:00 | 0:37:01 | |
Oh, 16! | 0:37:03 | 0:37:06 | |
Oh, 33. | 0:37:06 | 0:37:08 | |
Three darts down and The Fox is on 33. Step up, The Power. | 0:37:08 | 0:37:14 | |
-5. -Yeah. | 0:37:16 | 0:37:18 | |
-7. -Yeah. | 0:37:18 | 0:37:21 | |
-30. -This is unprecedented. Phil The Power Taylor scores just 30. | 0:37:23 | 0:37:30 | |
Our little fox cub is in the lead. Could he actually take down a world champion? Last three darts. | 0:37:30 | 0:37:35 | |
Oh, that's none. That's not so good. | 0:37:38 | 0:37:42 | |
That's one. That's 34. | 0:37:42 | 0:37:44 | |
39. | 0:37:44 | 0:37:46 | |
Oh, not looking so rosy. | 0:37:47 | 0:37:49 | |
Phil Taylor needs just ten points to take this monumental match. | 0:37:49 | 0:37:52 | |
-15. -And one throw is all it takes. | 0:37:54 | 0:37:59 | |
After six arrows each, its 39 points to The Fox | 0:37:59 | 0:38:02 | |
but The Power takes it with 70. | 0:38:02 | 0:38:05 | |
The darts may have done him, but the crib board still sells for £40, | 0:38:05 | 0:38:09 | |
which is a powerful profit for our Phil of £30. | 0:38:09 | 0:38:13 | |
Not many people take money off Phil The Power Taylor, let me tell you. | 0:38:13 | 0:38:17 | |
Yes, The Fox has stolen a very healthy lead. | 0:38:18 | 0:38:21 | |
If our Paul is to claw even a draw, he really needs to make some money. | 0:38:21 | 0:38:26 | |
And Paul's hoping to do just that with the print of the Titania. | 0:38:26 | 0:38:30 | |
He's come all the way to Southampton, | 0:38:30 | 0:38:33 | |
the home of the British Sailors' Society | 0:38:33 | 0:38:35 | |
who issued the print in 1978. | 0:38:35 | 0:38:37 | |
He's meeting David, the society's principal chaplain. | 0:38:37 | 0:38:42 | |
Would this be something you would be interested in for your offices here? | 0:38:42 | 0:38:46 | |
There's a place on the wall. It would look fantastic. | 0:38:46 | 0:38:48 | |
We do have some space on the walls, as you can see, | 0:38:48 | 0:38:50 | |
but we have no space on the wall over here, | 0:38:50 | 0:38:52 | |
because we have one already! | 0:38:52 | 0:38:55 | |
Well, you can't SEA FARER than that. | 0:38:56 | 0:38:59 | |
It could do with a clean | 0:38:59 | 0:39:00 | |
and you might have a better chance of selling it! | 0:39:00 | 0:39:03 | |
Well, that may have made him seasick but whilst he's in Southampton, | 0:39:04 | 0:39:07 | |
our boy visits Peter who sells ocean memorabilia. | 0:39:07 | 0:39:12 | |
He snaps up the ocean logbook for £30, | 0:39:12 | 0:39:15 | |
giving Paul a vitally important profit of £10. | 0:39:15 | 0:39:19 | |
So, as our Lancashire lad goes back to square one with the ship print, | 0:39:20 | 0:39:24 | |
all he can do is hope is that wily Mr Fox has a tough time | 0:39:24 | 0:39:27 | |
selling his final item, the trunk. | 0:39:27 | 0:39:30 | |
And he's taking a punt. | 0:39:30 | 0:39:32 | |
This piece of glass will just fit on there like that. | 0:39:32 | 0:39:38 | |
And I just think that's a really cool little coffee table. | 0:39:40 | 0:39:43 | |
Isn't that a great thing? | 0:39:43 | 0:39:44 | |
Yes, you might want to dust the glass there, Foxy. | 0:39:44 | 0:39:47 | |
Phil bought the trunk for £25 and has spent the same again | 0:39:47 | 0:39:52 | |
fitting the table top. | 0:39:52 | 0:39:53 | |
He takes it to see Lee | 0:39:53 | 0:39:55 | |
who buys and sells antique furniture in Upton-upon-Severn. | 0:39:55 | 0:39:58 | |
I like your way of thinking. | 0:39:58 | 0:40:01 | |
Because, as a trunk, I wouldn't probably be interested in it, | 0:40:01 | 0:40:06 | |
but now I can see what you've done... | 0:40:06 | 0:40:09 | |
I was hoping to get close to 150 quid for it. Oh, look at that wince. | 0:40:09 | 0:40:13 | |
-I think to leave myself a bit of room, Phil, 75 quid. -Ouch. | 0:40:13 | 0:40:18 | |
I think I'm stuffed on that, Mr Lee. | 0:40:20 | 0:40:23 | |
Oh, that hurts. | 0:40:23 | 0:40:24 | |
Will Lee up the offer or will Phil storm out in disgust? | 0:40:24 | 0:40:28 | |
Find out in just a moment. | 0:40:28 | 0:40:31 | |
Paul eventually manages to trade in the troublesome Titania print. | 0:40:31 | 0:40:36 | |
He sells it to a sailor in Morecambe and doubles his money, | 0:40:36 | 0:40:39 | |
making a welcome profit of £10. | 0:40:39 | 0:40:41 | |
And that's the last shot in this monumental car-boot battle. | 0:40:45 | 0:40:49 | |
Our duelling dealers dug deep and gave it masses of muscle. | 0:40:49 | 0:40:53 | |
They each had £250 of their own money to spend. | 0:40:54 | 0:40:58 | |
The Fox bought six items and, | 0:40:58 | 0:41:00 | |
including the trunk renovation, spent £90.50 pence. | 0:41:00 | 0:41:04 | |
Mr Morecambe bought only five items and, including the electrical test, | 0:41:06 | 0:41:10 | |
he spent a total of £116. | 0:41:10 | 0:41:12 | |
But now it's all about profit. | 0:41:14 | 0:41:17 | |
All of the money that Phil and Paul have made | 0:41:17 | 0:41:19 | |
from today's challenge will be going to a charity of their choice. | 0:41:19 | 0:41:24 | |
So, it's time to find out who is | 0:41:24 | 0:41:26 | |
today's Put Your Money Where Your Mouth Is champion. | 0:41:26 | 0:41:29 | |
-Philip, how are you? -I'm really well, Paul, you? | 0:41:29 | 0:41:32 | |
-Did you enjoy your car boot? -I did, it was a real learning curve for me. | 0:41:32 | 0:41:36 | |
Tell me, which was your best bit? | 0:41:36 | 0:41:38 | |
-I must admit, I enjoyed conducting a brass band. -Really? | 0:41:38 | 0:41:41 | |
With that tenor horn. What about yourself? | 0:41:41 | 0:41:43 | |
Well, I bought my cribbage board and I sold it to Phil Taylor. | 0:41:43 | 0:41:46 | |
I have to tell you, I don't think anybody else knows this, | 0:41:46 | 0:41:49 | |
-but I missed the board with one dart. How did you get on? -Shall we find out? | 0:41:49 | 0:41:53 | |
Yes, go on then three, two, one, go! | 0:41:53 | 0:41:55 | |
-Oh, blimey. -Look at that. | 0:41:55 | 0:41:57 | |
We've both made some money, haven't we? | 0:41:57 | 0:41:58 | |
Yes, we've both made a few quid. | 0:41:58 | 0:42:00 | |
But there is a rumour going round about me. | 0:42:00 | 0:42:02 | |
I heard, you in your underpants. | 0:42:02 | 0:42:04 | |
It was a pair of vintage trunks. | 0:42:04 | 0:42:07 | |
Oh, a runaway win for Mr Serrell. | 0:42:07 | 0:42:10 | |
So, what did happen with the trunk turned coffee-table? | 0:42:10 | 0:42:15 | |
Did Lee come up from £75? | 0:42:15 | 0:42:17 | |
-Maximum, then again it would be a gamble on my part, £100. -OK. | 0:42:19 | 0:42:24 | |
I think your 100 quid's fair and I'm going to take that. | 0:42:24 | 0:42:26 | |
-You're a gentleman, thank you. -My pleasure. | 0:42:26 | 0:42:29 | |
And there you have it, a solid profit of £50. | 0:42:31 | 0:42:34 | |
I must admit I really enjoyed the car boot sale. | 0:42:34 | 0:42:38 | |
I made a good bit of profit. Not quite as much as Phil, but I met some very interesting people | 0:42:38 | 0:42:42 | |
and got to wear a vintage pair of swimming trunks. | 0:42:42 | 0:42:45 | |
What I do know about this programme is you need a bit of luck | 0:42:45 | 0:42:48 | |
and I think I had a real bit of luck walking into that piece of Devlin. | 0:42:48 | 0:42:52 | |
But you know, for me, the real highlight was playing darts with Phil The Power Taylor. | 0:42:52 | 0:42:56 | |
And I think I had him really worried. | 0:42:56 | 0:42:57 | |
I think he was worried that I was going to hit him with one of them. | 0:42:57 | 0:43:00 | |
Yes, everyone's afraid of the Big Bad Fox | 0:43:00 | 0:43:04 | |
but our pair of warriors now need to recharge themselves | 0:43:04 | 0:43:07 | |
because there is another epic challenge waiting around the corner. | 0:43:07 | 0:43:11 | |
Tomorrow, Paul gets another chance to win big when our bargain busters | 0:43:11 | 0:43:14 | |
take on the French at a massive market in Normandy. | 0:43:14 | 0:43:18 | |
Subtitles by Red Bee Media Ltd | 0:43:37 | 0:43:39 |