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This is Put Your Money Where Your Mouth Is, | 0:00:00 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:07 | |
against each other in an all-out battle for profit. | 0:00:07 | 0:00:11 | |
I'm a double your money girl. | 0:00:11 | 0:00:13 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
You've got to be in it to win it! | 0:00:16 | 0:00:18 | |
Each week, a pair of duelling dealers | 0:00:19 | 0:00:21 | |
will face a different daily challenge. | 0:00:21 | 0:00:24 | |
We've got work to do. | 0:00:25 | 0:00:26 | |
Putting their own money and hard-earned reputations on the line | 0:00:26 | 0:00:31 | |
as they see who can make the most money | 0:00:31 | 0:00:33 | |
from buying and selling. | 0:00:33 | 0:00:36 | |
Get in there! | 0:00:36 | 0:00:38 | |
Today's duel of the dealers is a foreign affair. | 0:00:38 | 0:00:41 | |
Two British bulldogs slugging it out on French soil. | 0:00:41 | 0:00:45 | |
It's the perky pugilist Paul Hayes | 0:00:45 | 0:00:49 | |
and haggling heavyweight, Philip Serrell. | 0:00:49 | 0:00:52 | |
Coming up: our dealers wrestle with the language... | 0:00:54 | 0:00:58 | |
-A butcher's block. -Uh... -A butcher's block for... | 0:00:58 | 0:01:03 | |
Butcher's block. I'm struggling. | 0:01:03 | 0:01:06 | |
..suffer delusions of grandeur... | 0:01:06 | 0:01:08 | |
-I feel like John Lennon. -You don't look like him! | 0:01:08 | 0:01:11 | |
Thanks. Tell him I do the jokes. | 0:01:11 | 0:01:14 | |
..and flex their antiques muscles in every way imaginable. | 0:01:14 | 0:01:17 | |
I'm worn out! | 0:01:17 | 0:01:20 | |
I don't know what he's going to pay me, but it won't be enough. | 0:01:20 | 0:01:23 | |
This is Put Your Money Where Your Mouth Is. | 0:01:23 | 0:01:27 | |
Today's bargain battlefield is a place where it pays to know your onions. | 0:01:39 | 0:01:45 | |
An antiques market in France. | 0:01:45 | 0:01:48 | |
Our tireless Titans' adventure takes place in Caen, Normandy, | 0:01:48 | 0:01:52 | |
where they'll root around and seek out all that's chic | 0:01:52 | 0:01:56 | |
in their never-ending quest for maximum profit. | 0:01:56 | 0:01:59 | |
Our epic assault features two of the most ruthless antiques assassins around. | 0:01:59 | 0:02:04 | |
First up, a man with 35 years' experience as an auctioneer. | 0:02:04 | 0:02:09 | |
He wields a hammer like a Viking warrior. | 0:02:09 | 0:02:11 | |
It's the master of Malvern... | 0:02:11 | 0:02:14 | |
It's a question of just really trying to focus. | 0:02:16 | 0:02:20 | |
His rival, a man of the heroic mould. | 0:02:20 | 0:02:23 | |
Born to be a dealer, he sold his first antique at the age of six | 0:02:23 | 0:02:28 | |
and he loves to hunt for a punt. | 0:02:28 | 0:02:30 | |
It's the lion of Lancashire... | 0:02:30 | 0:02:32 | |
I've got expensive tastes! | 0:02:35 | 0:02:37 | |
Now, the foreign market is a tricky beast. | 0:02:38 | 0:02:41 | |
Not only are our dealers out of their comfort zone, | 0:02:41 | 0:02:44 | |
there's another daunting challenge - grappling with the lingo. | 0:02:44 | 0:02:48 | |
-Bronze. -Tout bronze? No sphelter? No, er... -Bronze. -Bronze. | 0:02:48 | 0:02:53 | |
They've each taken the euro equivalent of £750 of their own money to spend. | 0:02:53 | 0:02:58 | |
All the profit goes to their chosen charities. | 0:02:58 | 0:03:02 | |
So, Philip Serrell and Paul Hayes, it's time to put your money where your mouth is. | 0:03:02 | 0:03:07 | |
-Paul Hayes. -Bonjour, Philip. | 0:03:07 | 0:03:10 | |
-Oui, oui. How are you? -Ca va? | 0:03:10 | 0:03:11 | |
This is fantastic. Normandy, Caen, here we are. | 0:03:11 | 0:03:14 | |
Isn't it exciting? What I love about French markets is that everything is so different. | 0:03:14 | 0:03:19 | |
When you go to fairs and auctions in Britain, it's all similar stuff. | 0:03:19 | 0:03:24 | |
-Here, you don't know what you'll find. -What are you after? -No idea. -I want something different. | 0:03:24 | 0:03:30 | |
More importantly, something you can sell. | 0:03:30 | 0:03:32 | |
Yes, that is the key to the game. | 0:03:32 | 0:03:35 | |
Time to find some fine foreign fare. Our bargain buccaneers couldn't be more excited. | 0:03:35 | 0:03:42 | |
Just wait till they see what awaits them. | 0:03:42 | 0:03:44 | |
A massive arena heaving with heavenly antiques | 0:03:44 | 0:03:47 | |
and bustling with bargain hunters. | 0:03:47 | 0:03:50 | |
-This is enormous! -It's fantastic. Bonne chance! -And good luck as well. | 0:03:50 | 0:03:56 | |
Good luck! | 0:03:56 | 0:03:58 | |
Let's get cracking. | 0:04:00 | 0:04:02 | |
The market will push our experts' expertise | 0:04:02 | 0:04:05 | |
and test their mighty metal. | 0:04:05 | 0:04:07 | |
But our French fighters are intent on taking home the silverware. | 0:04:07 | 0:04:11 | |
I've looked round two rows and I've got all that to go through yet! | 0:04:11 | 0:04:15 | |
It's a fantastic fair. | 0:04:15 | 0:04:16 | |
If I could travel from Worcester to here on a daily basis, I would! | 0:04:16 | 0:04:20 | |
Our masters are revelling in the rarities of this antiques promised land | 0:04:22 | 0:04:26 | |
but their eagle eyes have noticed that all that glitters might as well be gold! | 0:04:26 | 0:04:32 | |
Just too expensive. I can't get near the price I could sell it back in England. | 0:04:32 | 0:04:37 | |
You have to think of that. | 0:04:37 | 0:04:38 | |
Our young wide-eyed warrior is temporarily overwhelmed | 0:04:38 | 0:04:43 | |
but he'd better get his eyes peeling because the old war horse is charging straight in there. | 0:04:43 | 0:04:49 | |
Even if he struggles with the lingo. | 0:04:49 | 0:04:51 | |
-This? -Ca c'est... -Butcher's block. | 0:04:51 | 0:04:55 | |
-It's... -Butcher's block. For... I'm trying to think. Butcher's block. | 0:04:55 | 0:05:01 | |
-I'm struggling. -To cut the meat. -Meat. Absolutely. | 0:05:01 | 0:05:04 | |
-230. Le dernier prix? -Uh... | 0:05:04 | 0:05:07 | |
It's possible to make 180. | 0:05:07 | 0:05:12 | |
All right? | 0:05:12 | 0:05:13 | |
Not expensive. | 0:05:14 | 0:05:16 | |
160. 160. | 0:05:16 | 0:05:19 | |
-160. 160. Yes. OK. -It's a deal? -It's fine. -Good man. Thank you very much. | 0:05:20 | 0:05:27 | |
The cleaver and apple aren't included. Just a little decoration. | 0:05:27 | 0:05:31 | |
The wily fox, though, gets the price down by nearly a third. | 0:05:31 | 0:05:34 | |
He pays 160 euros, that's £145.45. | 0:05:34 | 0:05:40 | |
Who'd have thought, 10 or 15 years ago, | 0:05:40 | 0:05:43 | |
you'd buy a butcher's block to put in your house? | 0:05:43 | 0:05:46 | |
But you have to think laterally and I think it's really cool. I'm really pleased. | 0:05:46 | 0:05:51 | |
Phil has found his French feet and sprinted off. | 0:05:52 | 0:05:56 | |
Mr Morecambe is still under starter's orders, | 0:05:56 | 0:05:59 | |
but he's found a book stall to kick-start his haul. | 0:05:59 | 0:06:02 | |
Est-ce que vous avez le livre... | 0:06:02 | 0:06:05 | |
-En Anglais? -Non, non. Francais histoire. | 0:06:05 | 0:06:08 | |
-Histoire, oui. -Francais. Napoleon ou... Revolution. | 0:06:08 | 0:06:12 | |
I'm asking if he has any French books on the French Revolution | 0:06:12 | 0:06:16 | |
or on Napoleon. | 0:06:16 | 0:06:18 | |
Pigeon French. Argot-go. Our boy can't converse for toffee, | 0:06:18 | 0:06:23 | |
but you've got to admire his efforts to make himself understood. | 0:06:23 | 0:06:27 | |
This one's the history of Louis XIV. That's quite interesting. | 0:06:27 | 0:06:31 | |
With these being actually in French, | 0:06:31 | 0:06:33 | |
it's going to struggle but I think there will be a market although limited. | 0:06:33 | 0:06:38 | |
If this one's 20 or 30 quid, I'll have a go, | 0:06:38 | 0:06:40 | |
but I'm not paying any more than that. | 0:06:40 | 0:06:42 | |
C'est combien, ca? | 0:06:42 | 0:06:44 | |
Uh...vingt. | 0:06:44 | 0:06:47 | |
Vingt. Merci, monsieur. | 0:06:47 | 0:06:49 | |
20 quid. We've got our first buy, guys. | 0:06:49 | 0:06:51 | |
Don't get your euros and your pounds muddled, "Mr Morecambe". | 0:06:51 | 0:06:55 | |
The man said 20 euros. That works out at £18.18. | 0:06:55 | 0:07:00 | |
We have a book that's been printed in 1735. | 0:07:02 | 0:07:06 | |
It's leather-bound. OK, it's printed in French, but it's a fantastic thing to have. | 0:07:06 | 0:07:12 | |
C'est belle affaire. A bonne affaire. My French is improving all the time! | 0:07:12 | 0:07:18 | |
Well, if you say so, Paul. | 0:07:20 | 0:07:23 | |
Our boy can just about make himself understood, and that's half the battle. | 0:07:23 | 0:07:27 | |
But it puts the mighty fox at a disadvantage. | 0:07:27 | 0:07:31 | |
He'll be relying on his expert knowledge and that raw animal charm. | 0:07:31 | 0:07:35 | |
Rrghhh! | 0:07:35 | 0:07:36 | |
I said you've got to think laterally in this business. | 0:07:36 | 0:07:39 | |
What we're looking at now is just a pair of workmen's benches. | 0:07:39 | 0:07:44 | |
They look...like they're probably oak. | 0:07:44 | 0:07:50 | |
They date from about 1890, something like that. | 0:07:50 | 0:07:55 | |
Maybe been used for carpentry on an estate or something. | 0:07:55 | 0:07:58 | |
But I think they make great kitchen benches. | 0:07:58 | 0:08:01 | |
The Fox is a merciless haggler. | 0:08:01 | 0:08:04 | |
Since the language is lacking, | 0:08:04 | 0:08:06 | |
he throws his blows with the pen and paper method of negotiation. | 0:08:06 | 0:08:10 | |
-You're saying 100? -C'est ca. | 0:08:10 | 0:08:13 | |
Phil goes in at 70. | 0:08:15 | 0:08:18 | |
SPEAKS IN FRENCH | 0:08:18 | 0:08:20 | |
He tries again at 80. | 0:08:20 | 0:08:22 | |
Non, je ne peu pas. Le mieux c'est ca. | 0:08:22 | 0:08:26 | |
He's up to 90. | 0:08:27 | 0:08:28 | |
Et encore une fois, c'est bonne. | 0:08:28 | 0:08:31 | |
IN FRENCH | 0:08:31 | 0:08:33 | |
And he attempts a cheeky 99! | 0:08:33 | 0:08:36 | |
No, I'll give you 100 euros. | 0:08:39 | 0:08:41 | |
100 euros. Thank you very much indeed. | 0:08:41 | 0:08:44 | |
Oh, he makes no ground at all. Very unlike Phil! | 0:08:46 | 0:08:50 | |
The pair of benches cost 100 euros. That's £90.91. | 0:08:50 | 0:08:55 | |
I had a good look at them and I don't think they are oak. | 0:08:56 | 0:08:59 | |
I'm sure it's cherry and any fruit wood enhances the value. | 0:08:59 | 0:09:02 | |
Hopefully, I'll get 150 to 200 for them, but you know, | 0:09:02 | 0:09:06 | |
the proof of the pudding is in the eating. | 0:09:06 | 0:09:09 | |
Bang on, oh wily one. | 0:09:09 | 0:09:11 | |
It's all about profit. | 0:09:11 | 0:09:13 | |
Foxy's sniffing about for more premium pieces | 0:09:13 | 0:09:16 | |
and Mr Morecambe is playing catch-up. | 0:09:16 | 0:09:19 | |
Here we are. This is the sort of thing I'd expect to find in France. | 0:09:19 | 0:09:23 | |
A fantastic clock. Garniture de cheminee. | 0:09:23 | 0:09:26 | |
It goes on your mantelpiece. | 0:09:26 | 0:09:29 | |
-C'est combien le cloche, le garniture? -Le prix? -Oui. | 0:09:29 | 0:09:33 | |
Le prix c'est mille deux cents. | 0:09:33 | 0:09:35 | |
Mille cents? A thousand euros. There you go. | 0:09:35 | 0:09:38 | |
Oh, and that keeps happening. | 0:09:38 | 0:09:41 | |
Every way he turns, our eager-beaver blue-eyed boy is denied. | 0:09:41 | 0:09:46 | |
-How much? -It's 700. -700. OK. | 0:09:46 | 0:09:49 | |
This one is 450 euros. | 0:09:49 | 0:09:53 | |
2,700 euros. I think we'll move on! | 0:09:53 | 0:09:57 | |
His purchasing power is blocked at every turn. | 0:09:58 | 0:10:01 | |
It's like being invited to the party and told you're not allowed to dance! | 0:10:01 | 0:10:06 | |
5,000 euros! I'll have to set my sights a bit lower! | 0:10:06 | 0:10:10 | |
As Paul struggles on, the Fox pounces on a bird cage. | 0:10:16 | 0:10:20 | |
But will the price knock him off his perch? | 0:10:20 | 0:10:22 | |
New bottom, yeah? | 0:10:23 | 0:10:25 | |
-New bottom? -Yeah, yeah. | 0:10:25 | 0:10:27 | |
-This is 80 euros? -Oui. | 0:10:29 | 0:10:32 | |
50 and I'll have it. | 0:10:35 | 0:10:36 | |
-50. Yeah. -Good man. Thank you very much indeed. | 0:10:36 | 0:10:40 | |
I have just bought a bird cage! | 0:10:40 | 0:10:43 | |
Why have I bought a bird cage? I've bought a bird cage with the wrong bottom. | 0:10:43 | 0:10:47 | |
And at 50 euros, it sets the bird man of Blighty back 45.45. | 0:10:47 | 0:10:53 | |
And if I can't find somebody who's going to use it as a decorative lot, | 0:10:54 | 0:10:58 | |
I could always stick some budgies in there! | 0:10:58 | 0:11:00 | |
Phil is sitting pretty, but his buying bonanza has ruffled his feathers. | 0:11:02 | 0:11:07 | |
I came here with a fairly firm view that I wasn't going to buy furniture. | 0:11:08 | 0:11:12 | |
And what have I bought? | 0:11:12 | 0:11:15 | |
Furniture. | 0:11:15 | 0:11:16 | |
I wonder what he's bought? | 0:11:16 | 0:11:18 | |
Has he gone down that ormolu, glitzy, china, silvery sort of lot? I bet he has! | 0:11:18 | 0:11:23 | |
Well, now you mention it... | 0:11:23 | 0:11:27 | |
Hidden away is a fantastic clock. | 0:11:27 | 0:11:31 | |
It's not ormolu. Ormolu is gilded bronze. | 0:11:31 | 0:11:33 | |
This one's sphelter. You can see the lead substance coming through. | 0:11:33 | 0:11:37 | |
But the panels are made by the French porcelain factory, Sevres. | 0:11:37 | 0:11:42 | |
This has probably been under a dome at some point. | 0:11:42 | 0:11:45 | |
At the moment, it's 250 euros, which is about £200. | 0:11:45 | 0:11:50 | |
If I can get that any less. It's had a bit of a repair on it. | 0:11:50 | 0:11:55 | |
C'est tres bonne. C'est working? C'est travaille? | 0:11:55 | 0:11:58 | |
Oui. C'est porcelaine de Paris. | 0:11:58 | 0:12:00 | |
-Oui, Paris porcelaine. -Paris porcelaine. | 0:12:00 | 0:12:04 | |
-I'm asking him 150 euros. -Voila. Ca je peu. | 0:12:04 | 0:12:07 | |
180 euros he's come down to. | 0:12:07 | 0:12:09 | |
Which is about £150, isn't it? | 0:12:09 | 0:12:12 | |
The trader reveals that's what he paid for the clock | 0:12:14 | 0:12:17 | |
but then drops even further for a quick sale. | 0:12:17 | 0:12:20 | |
He's willing to accept 170 because it's almost his money back. | 0:12:20 | 0:12:24 | |
We've all been there and he's glad to get a few quid in if you've had a quiet fair. | 0:12:24 | 0:12:29 | |
-Shake on that? 170? -OK. -Merci, monsieur. Merci. | 0:12:29 | 0:12:32 | |
Mr Morecambe boots in a belter. | 0:12:32 | 0:12:35 | |
His hard man haggling skills get the price right down. | 0:12:35 | 0:12:38 | |
£154.55. Good work, sir. | 0:12:38 | 0:12:43 | |
What have I bought? It's a sphelter clock. | 0:12:43 | 0:12:46 | |
It dates from the late 19th century. | 0:12:46 | 0:12:48 | |
The porcelain panels are from Paris. I thought they were Sevres, | 0:12:48 | 0:12:52 | |
but they're from a Parisian factory. | 0:12:52 | 0:12:55 | |
It's very important that these panels are intact. | 0:12:55 | 0:12:58 | |
If you have a cracked panel you can't restore them. | 0:12:58 | 0:13:01 | |
I think it's worth 200 quid all day long. | 0:13:01 | 0:13:04 | |
So it was the right time to buy it! Clock that! | 0:13:04 | 0:13:08 | |
The clock ticks round to lunch time and there's no rest for our eagle-eyed experts. | 0:13:11 | 0:13:16 | |
Unlike the locals! | 0:13:16 | 0:13:19 | |
What I do love about the French is they do do things in style. | 0:13:26 | 0:13:29 | |
This is no burger and a can. That's doing it properly. | 0:13:29 | 0:13:33 | |
And as the Fox sniffs out a cheeky croque monsieur, | 0:13:35 | 0:13:38 | |
let's take a look at our bargain bandits' tallies. | 0:13:38 | 0:13:41 | |
They both arrived in Caen with the euro equivalent of £750 of their own cash. | 0:13:41 | 0:13:46 | |
Paul had a hard morning. Just two items in the bag for £172.73, | 0:13:46 | 0:13:53 | |
leaving him with more than £577 still to spend. | 0:13:53 | 0:13:57 | |
Phil, however, is out in the lead. | 0:13:58 | 0:14:01 | |
He's picked up three purchases costing £281.81 | 0:14:01 | 0:14:05 | |
meaning he's still got over £468 in his kitty. | 0:14:05 | 0:14:09 | |
Our boys have no time for breaks. | 0:14:12 | 0:14:14 | |
They have to be canny in Caen if they are to foil the French into selling on the cheap. | 0:14:14 | 0:14:19 | |
And it's not long before something special catches Paul's eye. | 0:14:19 | 0:14:23 | |
This is from an old optician's. These are lenses. | 0:14:23 | 0:14:27 | |
Different thicknesses. You can get your eyes tested. | 0:14:27 | 0:14:31 | |
That's 230 euros. That's a really good item. | 0:14:31 | 0:14:35 | |
A bit expensive. That would be great. | 0:14:35 | 0:14:37 | |
-J'ai achete ca a Kempton Park. -You bought it in Kempton Park? He bought it in England! | 0:14:37 | 0:14:42 | |
-I think it's '20s or '30s, something like that. -Here we are. | 0:14:42 | 0:14:45 | |
-It looks in good condition. In its original box. -Yes. | 0:14:45 | 0:14:50 | |
I really like that, you know? | 0:14:50 | 0:14:52 | |
Could you see it at 170 euro? | 0:14:52 | 0:14:54 | |
-No, I'm sorry. -Only asking! -Yeah. | 0:14:54 | 0:14:57 | |
-I'll get minimum 200. -OK. | 0:14:57 | 0:15:01 | |
-So 200 is minimum? -Yes, absolutely. | 0:15:01 | 0:15:03 | |
I think I'm going to have that. It's a long time since I've seen one complete and in good condition. | 0:15:04 | 0:15:10 | |
200 euros is £181.82. | 0:15:10 | 0:15:14 | |
And at the same stall, our boy homes in on some movie memorabilia. | 0:15:14 | 0:15:19 | |
-It's an original one. -Original 1960s film poster. | 0:15:19 | 0:15:22 | |
So it's traditional to bargain, of course. | 0:15:22 | 0:15:25 | |
So it's 50 and the best price would be 40. | 0:15:25 | 0:15:28 | |
OK. I shall have that, sir. Thank you. | 0:15:28 | 0:15:31 | |
The original poster for the French version of Portrait in Black costs £36.36. | 0:15:31 | 0:15:37 | |
As Paul steams ahead, | 0:15:41 | 0:15:43 | |
the pressure ramps up on Phil. | 0:15:43 | 0:15:45 | |
But this fox doesn't feel the heat. His face might look like a wet weekend in Worcestershire, | 0:15:45 | 0:15:50 | |
but our wily one is secretly loving every minute. | 0:15:50 | 0:15:55 | |
I love that. | 0:15:55 | 0:15:56 | |
Some of this old luggage stuff is so cool. | 0:15:56 | 0:16:00 | |
A barber's bowl. Great things. | 0:16:00 | 0:16:03 | |
I'd love to come back here and buy some things to keep for myself. | 0:16:03 | 0:16:06 | |
There are some fantastic things here. Spoilt for choice. | 0:16:06 | 0:16:10 | |
Foxy's fun times aren't leading to any purchases, though. | 0:16:10 | 0:16:14 | |
With Mr Morecambe marching ahead, | 0:16:14 | 0:16:17 | |
Phil realises he must strip back his strategy. | 0:16:17 | 0:16:19 | |
The issue for me is I've got to try and buy some variety. | 0:16:19 | 0:16:23 | |
I've got wood, wood, wood, wood. | 0:16:23 | 0:16:25 | |
I could go and buy more wood but I want to try and vary what I'm buying. | 0:16:25 | 0:16:30 | |
Well, that's a plan, then, Foxy. No more wood. | 0:16:31 | 0:16:34 | |
Hang on, what's this? A sledge. Made of wood. | 0:16:36 | 0:16:40 | |
That is what you call panic buying. | 0:16:40 | 0:16:43 | |
Why have I bought this? I bought it in a real blind rush. | 0:16:43 | 0:16:47 | |
There's no age to it, but I paid 30 euros for this | 0:16:47 | 0:16:51 | |
and I'm hoping we might have a bit of snow in Malvern. Who knows? | 0:16:51 | 0:16:55 | |
Something that might get me out of trouble. | 0:16:55 | 0:16:57 | |
Hmm. Let's hope so, Foxy. | 0:16:59 | 0:17:01 | |
The impulse purchase cost him £27.27. | 0:17:01 | 0:17:04 | |
As the afternoon wears on, the pressure builds on our gutsy gladiators. | 0:17:04 | 0:17:10 | |
Time to build up the armoury is running out. | 0:17:10 | 0:17:13 | |
Mr Morecambe's master mechanism winds into action. | 0:17:13 | 0:17:16 | |
He picks up a pocket watch for 120 euros, that's £109.09. | 0:17:16 | 0:17:21 | |
OK. Merci beaucoup, Monsieur. Merci. | 0:17:23 | 0:17:25 | |
Just think that a gentleman in about 1800, 1820 | 0:17:25 | 0:17:30 | |
would have had this as a pocket watch, his best watch. | 0:17:30 | 0:17:33 | |
The whole item is solid silver | 0:17:33 | 0:17:35 | |
and the technology at the time was called a verge escapement. | 0:17:35 | 0:17:38 | |
The simple principle is it runs like a bicycle on a chain. | 0:17:38 | 0:17:44 | |
If you can imagine those very small cogs and a tiny chain going round. | 0:17:44 | 0:17:49 | |
The workmanship is beautiful. I think the interiors are nicer than the exteriors. | 0:17:49 | 0:17:55 | |
There's a reason for that. Gentlemen didn't like to show their wealth. | 0:17:55 | 0:17:59 | |
Nothing was embellished. Everything was pure and simple. | 0:17:59 | 0:18:02 | |
But the insides were fantastic. | 0:18:02 | 0:18:04 | |
That's Paul's fifth item, shoving Phil right onto the back foot | 0:18:06 | 0:18:10 | |
and increasing that trading tension. | 0:18:10 | 0:18:13 | |
The day's difficulty rating is set to soar. | 0:18:14 | 0:18:18 | |
We've been told that in half an hour, this place is going to get rammed. | 0:18:18 | 0:18:22 | |
What does that mean? I'll hardly be able to see the stalls, let alone buy anything. | 0:18:22 | 0:18:26 | |
So Paul and I really have got to get a shake on. | 0:18:26 | 0:18:29 | |
Well, come on, Foxy. Get shaking! | 0:18:29 | 0:18:32 | |
The Fox shakes and shimmies over to a stall | 0:18:42 | 0:18:45 | |
where he spots two Worcester jugs | 0:18:45 | 0:18:48 | |
right up his street - quite literally, in fact. | 0:18:48 | 0:18:51 | |
This dates to around 1865, 1875. These are shot silk colours. | 0:18:51 | 0:18:56 | |
This is very typical of that aesthetic movement, Japanesque influence | 0:18:56 | 0:19:03 | |
that England went through in that 1860 to 1890 period. | 0:19:03 | 0:19:08 | |
I think that's quite sweet. If a piece of porcelain has been restored | 0:19:08 | 0:19:13 | |
and you bite into it, if it's been restored it's like biting soap or putty. | 0:19:13 | 0:19:17 | |
Whereas an unrestored piece is like chewing on glass. | 0:19:17 | 0:19:21 | |
No sign of restoration. So will The Fox get his teeth into a deal? | 0:19:23 | 0:19:27 | |
I'd like to try and buy the two together | 0:19:27 | 0:19:30 | |
for about 110 euros. | 0:19:30 | 0:19:33 | |
-Le dernier prix? -Le dernier prix, cent dix. | 0:19:33 | 0:19:37 | |
-That's 110. -Voila. | 0:19:37 | 0:19:40 | |
Exactly what he wanted. Might as well try his luck. | 0:19:40 | 0:19:44 | |
A hundred. | 0:19:44 | 0:19:45 | |
-Why are we whispering? -Oui. -Oui? Ah, good man. | 0:19:47 | 0:19:50 | |
Thank you very much. I'm really pleased with those. | 0:19:50 | 0:19:53 | |
And he gets them for even less. A master! | 0:19:53 | 0:19:56 | |
100 euros for the jugs is £90.91. | 0:19:56 | 0:19:59 | |
That is just so ridiculous, isn't it? | 0:19:59 | 0:20:02 | |
You travel hundreds of miles from the Midlands of England to France | 0:20:02 | 0:20:08 | |
and I take home two pots that were made 50 yards from where I live! | 0:20:08 | 0:20:12 | |
Which makes you the perfect punter to pick them up, Phil, | 0:20:12 | 0:20:16 | |
and take them back to where they belong. | 0:20:16 | 0:20:19 | |
By the time the crowds start coming in, | 0:20:19 | 0:20:22 | |
our tireless traders have got what they came for and step out of the maelstrom. | 0:20:22 | 0:20:26 | |
So, after the fun and games of the antiques fair, | 0:20:26 | 0:20:29 | |
what's the deal with the money? | 0:20:29 | 0:20:31 | |
Our fearless fighters started the day with the euro equivalent of £750. | 0:20:34 | 0:20:39 | |
After a shaky start, Paul ended up with five items totalling £500. | 0:20:39 | 0:20:45 | |
Phil started well but slowed up towards the end. | 0:20:45 | 0:20:50 | |
He's also heading home with five items | 0:20:50 | 0:20:52 | |
and he's paid almost £400. | 0:20:52 | 0:20:55 | |
-What a fair, eh? -What a fantastic fair. Formidable! | 0:20:57 | 0:21:02 | |
Amazing. At home all the business is done at dawn, | 0:21:02 | 0:21:05 | |
and here it's done at dusk. The place is rammed! | 0:21:05 | 0:21:08 | |
There were lots of things I'd love to have bought, but the prices here! | 0:21:08 | 0:21:12 | |
-Everything's 1,000 euros, 2,000. -They charge like wounded rhinos! | 0:21:12 | 0:21:16 | |
-What's your best buy? -Best buy has to be this poster. | 0:21:16 | 0:21:20 | |
It sums up the golden age of cinema, 1950s, 1960s. | 0:21:20 | 0:21:24 | |
-I'm in that sort of retro throwback. -I am, but not knowingly! | 0:21:24 | 0:21:28 | |
-What was your favourite buy? -I love these cherry benches. | 0:21:28 | 0:21:31 | |
They're probably workers' benches. I paid 100 euros, 90 quid for the two. | 0:21:31 | 0:21:35 | |
I think they'd look cool in a trendy kitchen. | 0:21:35 | 0:21:38 | |
Just your sort of thing. It reminds me of school. | 0:21:38 | 0:21:41 | |
-Anyway, we've got a train to catch. -Come on, then. | 0:21:41 | 0:21:44 | |
Our masters of the antiques universe race across the Channel | 0:21:49 | 0:21:53 | |
to muster their forces for the next stage in this war. | 0:21:53 | 0:21:57 | |
And if they thought the Caen market was tough, they ain't seen nothing yet. | 0:21:57 | 0:22:01 | |
Our boys must now get selling with one single aim. | 0:22:01 | 0:22:04 | |
Profit, and lots of it. | 0:22:04 | 0:22:06 | |
Our wily Worcestershire warrior has arrived back at Fox HQ to assess his armoury. | 0:22:06 | 0:22:12 | |
I think I brought back some half-decent things. | 0:22:12 | 0:22:16 | |
My bird cage is a real bit of fun. | 0:22:16 | 0:22:18 | |
The sledge, I was banking on snow, but it hasn't happened. But you never know. | 0:22:18 | 0:22:23 | |
And what about going all the way to France and coming back with two jugs that were made just down the road! | 0:22:23 | 0:22:30 | |
And my butcher's block. A great decorative item | 0:22:30 | 0:22:33 | |
but I might just have put my neck on that one. | 0:22:33 | 0:22:36 | |
Am I going to get out of it? We're going to have to find out. | 0:22:36 | 0:22:40 | |
In addition, Phil must also sell his pair of benches. | 0:22:40 | 0:22:43 | |
In Morecambe, our antiques superman must mean business. | 0:22:44 | 0:22:49 | |
He's taking on fuel, he's ready to fight and he's got the weapons for it. | 0:22:49 | 0:22:53 | |
I'm quite pleased, actually, with what I've bought. | 0:22:53 | 0:22:57 | |
I bought a very traditional French item, this ormolu clock. | 0:22:57 | 0:23:00 | |
It dates from the late 19th-century with the Paris porcelain mounts. | 0:23:00 | 0:23:04 | |
I bought a lovely French book which dates from about 1730, | 0:23:04 | 0:23:08 | |
a lovely pocket watch, dated about 1820. | 0:23:08 | 0:23:11 | |
Then something a bit more unusual, this optician's set. | 0:23:11 | 0:23:15 | |
It's something you don't come across every day. But it may prove difficult to sell. | 0:23:15 | 0:23:20 | |
Paul also has to find a new home for the 1960s film poster. | 0:23:20 | 0:23:25 | |
So, will our boys find their French fancies provide pots of profit? | 0:23:26 | 0:23:31 | |
They won't know until they've shaken on their sales and the money is in their hands. | 0:23:31 | 0:23:36 | |
For only then is a deal truly sealed. | 0:23:36 | 0:23:39 | |
Time to get on the hunt for buyers. | 0:23:39 | 0:23:42 | |
And here he comes, bounding off the bench, The Fox, | 0:23:44 | 0:23:48 | |
a picture of bushy-tailed vitality. | 0:23:48 | 0:23:51 | |
And there's nothing he likes better before a sale than an invigorating warm-up. | 0:23:51 | 0:23:56 | |
Always remember, when you're buying something, you have to cart it to the shop you're selling it to. | 0:23:56 | 0:24:03 | |
In this case, not so easy. | 0:24:03 | 0:24:05 | |
And this is only the first one! | 0:24:05 | 0:24:08 | |
Phil is in Upton upon Severn to meet Lee, who sells antique furniture. | 0:24:09 | 0:24:14 | |
-Morning, Lee. -Morning, Phil. How are you? | 0:24:16 | 0:24:19 | |
I parked miles away. Miles! There we are. Let me just shut the door. | 0:24:19 | 0:24:23 | |
-What do you think of that, then? -Yes, it's lovely. | 0:24:23 | 0:24:27 | |
Yeah. They're good, aren't they? There's a pair of them. | 0:24:27 | 0:24:32 | |
-OK. -The other one's in the car. | 0:24:32 | 0:24:33 | |
If I could see the pair, it would be great. | 0:24:33 | 0:24:36 | |
You want to see the pair? Great. OK. | 0:24:36 | 0:24:39 | |
-I'll be back in a minute. -Thank you. | 0:24:39 | 0:24:42 | |
The Fox is like a coiled spring straining every finely-honed sinew for a sale. | 0:24:42 | 0:24:49 | |
I'm worn out! | 0:24:49 | 0:24:51 | |
I don't know what he's going to pay me, but it won't be enough! | 0:24:51 | 0:24:55 | |
-They're your sort of thing, aren't they? -Yes, they are. | 0:24:57 | 0:25:01 | |
They've got a nice look, they're rustic. | 0:25:01 | 0:25:03 | |
We sell to a lot of country houses, farmhouses. | 0:25:03 | 0:25:06 | |
They'd fit in nicely. | 0:25:06 | 0:25:08 | |
I would like to get somewhere around 125 quid apiece for them. | 0:25:08 | 0:25:14 | |
-They want to go as a pair, don't they? -Of course. | 0:25:14 | 0:25:17 | |
I'll have to sit down, Lee. I'm worn out! | 0:25:17 | 0:25:20 | |
So how much are you going to bid me for them? | 0:25:20 | 0:25:23 | |
That's a good test for them, as well! | 0:25:23 | 0:25:25 | |
Oh, thank you(!) Did you hear that? | 0:25:25 | 0:25:29 | |
Accurate, but rather hard. That's put another tenner on them! | 0:25:29 | 0:25:33 | |
-£200 for the pair. -That's a valiant and a noble starting point. | 0:25:33 | 0:25:38 | |
I thought you might say that! | 0:25:38 | 0:25:40 | |
-You give me your very best shot. -OK. | 0:25:41 | 0:25:44 | |
-220. -You're a done man. Thank you very much, Lee. I'm really pleased with those. | 0:25:44 | 0:25:49 | |
Good job he's sitting down. Even The Fox was surprised by how well that went. | 0:25:49 | 0:25:54 | |
The benches bring in a very solid starting profit of £129.09. | 0:25:54 | 0:26:00 | |
The battle has well and truly begun. | 0:26:02 | 0:26:04 | |
Phil's opening salvo was a big one. | 0:26:04 | 0:26:07 | |
But before Mr Morecambe returns fire, | 0:26:07 | 0:26:10 | |
he's seeking out some expert advice on his optical lenses. | 0:26:10 | 0:26:14 | |
He takes them to Leyland to show optometrist Colin. | 0:26:14 | 0:26:17 | |
Nice to meet you, Colin. Are you well? | 0:26:17 | 0:26:20 | |
Using his own frame, Colin shows Paul how the lenses are used. | 0:26:20 | 0:26:23 | |
-I feel like John Lennon. -You don't look like him! | 0:26:23 | 0:26:26 | |
Tell him I do the jokes! | 0:26:26 | 0:26:29 | |
-The lenses would be put in and taken out. -OK. | 0:26:29 | 0:26:31 | |
You'd be looking at letters or lights and we'd assess your responses. | 0:26:31 | 0:26:37 | |
-Is there any significance in the red and black? -The red is for long-sighted lenses, | 0:26:37 | 0:26:43 | |
-and the black is for short-sighted lenses. -Is that what it is? | 0:26:43 | 0:26:46 | |
Are these very expensive? It's a niche market, I imagine. | 0:26:46 | 0:26:51 | |
Something like this is very expensive. | 0:26:51 | 0:26:54 | |
-Nowadays, they're not of this quality. -Cards on the table, | 0:26:54 | 0:26:58 | |
-I paid 180 euros, which is about... -160. -That was quick. 150 to £160. | 0:26:58 | 0:27:04 | |
Uh-oh. In the thrill of the chase for profit, | 0:27:04 | 0:27:08 | |
Paul's got his pounds and euros all confused. | 0:27:08 | 0:27:10 | |
It was £180 he paid for the lenses, not euros. | 0:27:10 | 0:27:14 | |
New sets, even in plastic, would be more expensive than that. | 0:27:14 | 0:27:18 | |
Quite a bit more expensive. Maybe double that. | 0:27:18 | 0:27:22 | |
-Right. -But as I say, you can't buy this quality. | 0:27:22 | 0:27:25 | |
Ooh, hang on, it looks like Colin's impressed. | 0:27:25 | 0:27:29 | |
I wasn't expecting this, but is it something you'd be interested in? | 0:27:29 | 0:27:33 | |
-Possibly. -If I was to ask for £175, how does that sound? | 0:27:33 | 0:27:37 | |
-I would say yes. -Would you? -Yeah. | 0:27:37 | 0:27:40 | |
Can we shake on that? It saves me going anywhere else. Thank you very much. | 0:27:40 | 0:27:44 | |
-Lovely to see you. -Thanks for your time. | 0:27:44 | 0:27:47 | |
That's not good. Paul's confusion between pounds and euros over how much he paid | 0:27:47 | 0:27:51 | |
means he's actually made a loss on that sale of £6.82. | 0:27:51 | 0:27:55 | |
The things that can happen in the heat of battle! | 0:27:55 | 0:27:59 | |
Paul's next stop is Clitheroe. | 0:28:01 | 0:28:03 | |
He hopes clock specialist Glen | 0:28:03 | 0:28:05 | |
will like the silver pocket watch that cost Paul £109. | 0:28:05 | 0:28:09 | |
It's sort of 1800, 1820. | 0:28:09 | 0:28:13 | |
-It's French, it's a solid silver case. Looks in good condition. -It looks in nice condition. | 0:28:13 | 0:28:19 | |
-Would you have a market for it? -I think so, yes. -If I asked 150? | 0:28:19 | 0:28:23 | |
-Where do you see it? -Do you know if it works? -Have a good look. How do you tell? | 0:28:23 | 0:28:27 | |
-You want to see if the balance swings. -That's doing it there. | 0:28:27 | 0:28:32 | |
So that's a good thing. The whole thing spins on a shaft | 0:28:32 | 0:28:36 | |
that's literally as thin as a hair. | 0:28:36 | 0:28:39 | |
So if it gets banged or dropped, this is the thing that breaks. | 0:28:39 | 0:28:43 | |
Cos it's hard, but brittle. That breaks. So that's good. | 0:28:43 | 0:28:47 | |
-That's inside there. -You can see it's swinging. What are you talking? 150? | 0:28:47 | 0:28:51 | |
If you said 135, Paul, I'd do it at that. | 0:28:51 | 0:28:54 | |
Tell you what, I think that's a fair price. We'll shake on that. | 0:28:54 | 0:28:58 | |
-Lovely, Paul. -Lovely to see you. | 0:28:58 | 0:29:00 | |
This time, Paul clocks a much needed profit of £25.91. | 0:29:00 | 0:29:05 | |
Phil is close to home as well. But the weather in Worcester isn't going to help this next sale! | 0:29:07 | 0:29:12 | |
So I go to France and I pay £27 for a sledge and there's no snow! | 0:29:12 | 0:29:19 | |
So now I need to find a really big kid. There's no bigger kid than this one. | 0:29:19 | 0:29:24 | |
-Hello, Phil! -You are a goon! | 0:29:33 | 0:29:36 | |
I thought, if I buy this, snow on the Malvern Hills, tobogganing. | 0:29:36 | 0:29:40 | |
No problem selling it. And of course sales law takes over. | 0:29:40 | 0:29:44 | |
It's glorious sunshine. You're in a T-shirt and I have a sledge! | 0:29:44 | 0:29:47 | |
-Is it of any interest? -Yes, definitely of interest to me. -Why? | 0:29:47 | 0:29:52 | |
It appeals to the child in me. Definitely, if we can strike a bargain. | 0:29:52 | 0:29:56 | |
I'd like to try and get 60 quid for it. | 0:29:56 | 0:30:00 | |
60 quid. | 0:30:00 | 0:30:02 | |
Um, you know, not much snow. You can't really go grass tobogganing! | 0:30:02 | 0:30:07 | |
OK. I'd like to get 50 quid for it. | 0:30:07 | 0:30:09 | |
-I'll give you 50 quid for it. -Really? -Yeah. -You're an absolute gentleman. | 0:30:09 | 0:30:14 | |
He can't conjure up snow, but The Fox can sell ice to Eskimos. | 0:30:14 | 0:30:19 | |
The sledge makes a very cool profit of £22.73. | 0:30:19 | 0:30:24 | |
-You haven't road-tested it. -That's my next question. Let's give it a go. | 0:30:24 | 0:30:28 | |
I can't understand this. I can't move it at all. | 0:30:28 | 0:30:31 | |
Mush! Mush! | 0:30:34 | 0:30:36 | |
Faster! Mush! | 0:30:36 | 0:30:38 | |
Who's he calling "mush"? Surely not The Fox? He wouldn't dare! | 0:30:38 | 0:30:43 | |
Already we've witnessed the ecstasy and the agony of high-pressure selling. | 0:30:44 | 0:30:48 | |
But who's bringing home the bacon? | 0:30:48 | 0:30:50 | |
Paul "Mr Morecambe" Hayes has sold two of his items | 0:30:50 | 0:30:54 | |
and after a small loss, his profit is £19.09. | 0:30:54 | 0:30:56 | |
Phil "The Fox" Serrell is firing on all cylinders. | 0:30:56 | 0:30:59 | |
He's also made two sales, but has notched up a profit of £151.82. | 0:30:59 | 0:31:09 | |
Both our brave boys still have three items each left to sell. | 0:31:11 | 0:31:14 | |
In this game, anything can happen. | 0:31:14 | 0:31:18 | |
Mr Morecambe hits the phones. | 0:31:18 | 0:31:21 | |
He's got some serious catching up to do. | 0:31:21 | 0:31:23 | |
And there's no time to waste. | 0:31:23 | 0:31:25 | |
Phil has had a stroke of luck. | 0:31:25 | 0:31:27 | |
I was in my sale room last week | 0:31:27 | 0:31:29 | |
and a lady came in, saw this bird cage, asked if it was for sale | 0:31:29 | 0:31:34 | |
and lo and behold, here I am now! | 0:31:34 | 0:31:36 | |
And the lady in question is Bettina. | 0:31:39 | 0:31:42 | |
She's looking for a new cage for her songbird Pavarotti. | 0:31:42 | 0:31:47 | |
What's Pavarotti? Is he one of the great tenors? | 0:31:47 | 0:31:50 | |
He is to me. He's my little tenor. | 0:31:50 | 0:31:53 | |
He's specifically bred to sing. | 0:31:53 | 0:31:56 | |
He's a canary crossed with a goldfinch. | 0:31:56 | 0:31:59 | |
If we're quiet, will he sing? | 0:31:59 | 0:32:01 | |
-Um... -Let's keep quiet and see what happens. -He might. | 0:32:01 | 0:32:05 | |
SILENCE | 0:32:05 | 0:32:07 | |
Yes, well, Pavarotti must be looking after his voice. | 0:32:09 | 0:32:13 | |
While we're waiting for Pavarotti to give us a command performance, | 0:32:13 | 0:32:18 | |
the bird cage - I know you liked it. | 0:32:18 | 0:32:21 | |
-Are you interested in buying it? -Very much so, yes. | 0:32:21 | 0:32:24 | |
That's got to be £120. I don't know where that figure's come from. | 0:32:24 | 0:32:28 | |
HE SPLUTTERS | 0:32:28 | 0:32:30 | |
-Hmm. -That's a wince, isn't it? | 0:32:30 | 0:32:32 | |
It's not only Pavarotti that's not singing now! | 0:32:32 | 0:32:35 | |
-It's a little bit more than I was hoping for. -OK. | 0:32:35 | 0:32:38 | |
OK. I'll tell you what I'll do. £100 and it's yours. | 0:32:38 | 0:32:42 | |
-We've got a deal. -Is that a deal? You're a love. | 0:32:42 | 0:32:45 | |
Philip Serrell once again flaps his wings and flies off, | 0:32:45 | 0:32:49 | |
taking with him a soaring profit of £54.55. | 0:32:49 | 0:32:53 | |
Don't you feel a song coming on, Pavarotti? | 0:32:53 | 0:32:57 | |
SILENCE | 0:32:57 | 0:32:59 | |
Singers - they can be so temperamental! | 0:33:02 | 0:33:05 | |
In Lancashire, Mr Morecambe has been hard at it. | 0:33:07 | 0:33:11 | |
He took his porcelaine de Paris clock to an antiques fair | 0:33:11 | 0:33:14 | |
and sold it for £180. | 0:33:14 | 0:33:16 | |
Our games masters have deducted the price he paid for his market pitch, | 0:33:16 | 0:33:21 | |
taking his profit down to £15.45. | 0:33:21 | 0:33:25 | |
Paul's last research trip ended in a surprise sale. | 0:33:27 | 0:33:31 | |
Now his quest for profit has brought him to York where he hopes to pull the same trick again. | 0:33:31 | 0:33:36 | |
Sometimes, I feel a bit like a detective. | 0:33:36 | 0:33:39 | |
I've come to try and find some information about the French book I bought on the trip. | 0:33:39 | 0:33:44 | |
I know it's 1735. I know it's about Louis XIII and Louis XIV. | 0:33:44 | 0:33:50 | |
But that's about it. | 0:33:50 | 0:33:52 | |
So I contacted a friend who has a bookshop in Southport | 0:33:52 | 0:33:55 | |
who's recommended me this one in York. | 0:33:55 | 0:33:58 | |
Hopefully I'll find some information about it | 0:33:58 | 0:34:00 | |
and see if he wants to buy it. | 0:34:00 | 0:34:02 | |
The bookshop, which specialises in rare and out of print publications | 0:34:06 | 0:34:10 | |
is owned by Tony. | 0:34:10 | 0:34:12 | |
What comes straight to mind here is the fact it says "Tome second". | 0:34:12 | 0:34:16 | |
That means it's one volume from a set. | 0:34:16 | 0:34:19 | |
-This chap, Francois De Mezeray, had a colourful life. -Right. | 0:34:19 | 0:34:24 | |
He wrote this from old transcripts about Louis XIII and Louis XIV | 0:34:24 | 0:34:30 | |
and they didn't like it. He attacked the tax system in the country. | 0:34:30 | 0:34:34 | |
They penalised him by taking his pension away from him. | 0:34:34 | 0:34:38 | |
-Honestly? -Yeah. So he wrote this, hoping to make some money out of it, | 0:34:38 | 0:34:42 | |
and it backfired on him. | 0:34:42 | 0:34:45 | |
So he ended up in a sad position. | 0:34:45 | 0:34:47 | |
This signature, this would be the original owner? | 0:34:47 | 0:34:50 | |
This would be the original owner, yes. | 0:34:50 | 0:34:54 | |
This could have belonged to an aristocrat during the French Revolution | 0:34:54 | 0:34:58 | |
-and it's come onto the market... -Dispersal of the estates. | 0:34:58 | 0:35:01 | |
That could have happened. | 0:35:01 | 0:35:04 | |
-Right. -He might have had his head chopped off. -In the revolution? | 0:35:04 | 0:35:07 | |
-Amazing! -Could be why it's just an odd volume. | 0:35:07 | 0:35:10 | |
Mr Morecambe is spellbound. Where will the story lead from here? | 0:35:10 | 0:35:15 | |
Could this be the item to turn the entire contest on its head? | 0:35:15 | 0:35:19 | |
We'll find out shortly. | 0:35:19 | 0:35:22 | |
But our wily warrior is not worried. | 0:35:23 | 0:35:26 | |
He's brought his two 19th-century Royal Worcester jugs home to Worcester's porcelain museum, | 0:35:26 | 0:35:32 | |
a place Phil knows well. He's a trustee of the Friends of the Museum | 0:35:32 | 0:35:36 | |
and helps them to raise money. | 0:35:36 | 0:35:38 | |
But today he's here in his capacity as a dealer. He's meeting Amanda, who runs the gift shop. | 0:35:38 | 0:35:44 | |
She'll be no walk-over! | 0:35:44 | 0:35:46 | |
-Isn't it nice to think they've come back home? -Absolutely. -Beautiful. | 0:35:47 | 0:35:51 | |
As the expression goes, feel the goods. | 0:35:51 | 0:35:55 | |
You have to. It's how I first came to absolutely love them. | 0:35:55 | 0:36:00 | |
There's a little hairline just along the lip here. | 0:36:00 | 0:36:04 | |
Oh, yes, I can see that. | 0:36:04 | 0:36:06 | |
It's probably going to knock the value, but it's still a nice little thing. | 0:36:06 | 0:36:11 | |
I think it's lovely. I have to say, out of all the Worcester porcelains, | 0:36:11 | 0:36:17 | |
I think the shot silks and the blushed ivory are the most undervalued at the moment. | 0:36:17 | 0:36:22 | |
I couldn't agree more. Oh, look, Philip. | 0:36:22 | 0:36:26 | |
Underneath, can you see we've got the decoration going onto the foot. | 0:36:26 | 0:36:30 | |
That is so pretty. That's Royal Worcester through and through. | 0:36:30 | 0:36:35 | |
-Attention to detail. -Yes. -Absolute quality. | 0:36:35 | 0:36:37 | |
I've fallen in love with that one myself. | 0:36:37 | 0:36:40 | |
It's absolutely gorgeous. | 0:36:40 | 0:36:43 | |
I value the two at around £220. | 0:36:43 | 0:36:45 | |
Which is putting that one at 50 to 60 quid and that one 170 to 180. | 0:36:45 | 0:36:50 | |
The white and gold jug doesn't quite command that price for me. | 0:36:50 | 0:36:54 | |
I was thinking more in the region of £40 for that. | 0:36:54 | 0:37:00 | |
And the little vase that's highly decorated, | 0:37:00 | 0:37:03 | |
that is more interesting. I was thinking about 140 to 145 for that. | 0:37:03 | 0:37:08 | |
That puts us in at 185. | 0:37:08 | 0:37:10 | |
Tell you what I'll do. If you put another fiver on that, that's £190. | 0:37:10 | 0:37:15 | |
You'll take that? Settle with that? | 0:37:15 | 0:37:18 | |
It's travelled a long way to come back home. | 0:37:18 | 0:37:21 | |
-I can't take it back to France. -You can't. OK. Deal done. -You're an angel. | 0:37:21 | 0:37:25 | |
Another brilliant deal from our fantastic Mr Fox. | 0:37:26 | 0:37:29 | |
The jugs bring in a smashing profit of £99.09. | 0:37:29 | 0:37:33 | |
Mr Morecambe is still in York. | 0:37:35 | 0:37:38 | |
He's come to meet film buff Catherine, who runs a cinema, | 0:37:38 | 0:37:43 | |
to sees if she thinks his vintage poster is a blockbuster. | 0:37:43 | 0:37:46 | |
This is Meurtre Sans Faire-Part. Do you like the French accent? | 0:37:46 | 0:37:51 | |
-Very nice! -It's the film Portrait in Black. | 0:37:51 | 0:37:54 | |
There are quite a lot of different movie posters for this film, | 0:37:54 | 0:37:57 | |
as there are for lots of films of that era. | 0:37:57 | 0:38:00 | |
I love the fact it looks so retro, all angled, almost like North By Northwest, | 0:38:00 | 0:38:05 | |
-Hitchcock. -Classic film. -Absolute classic. | 0:38:05 | 0:38:08 | |
Obviously there's some massive Hollywood names. Anthony Quinn, Lana Turner. | 0:38:08 | 0:38:14 | |
She was a screen siren. Men really fell for her. | 0:38:14 | 0:38:18 | |
You can see why. The artwork, she looks astonishing. | 0:38:18 | 0:38:22 | |
She's about 40 here, actually. | 0:38:22 | 0:38:24 | |
Is it something you could use? | 0:38:24 | 0:38:27 | |
It's not something I would put up in the cinema, | 0:38:27 | 0:38:29 | |
-but we think we can use it. -OK. | 0:38:29 | 0:38:31 | |
-If I said about £40? -No! -You couldn't do that? | 0:38:31 | 0:38:35 | |
I'd probably want to give you 25 quid. | 0:38:35 | 0:38:38 | |
-You couldn't make it £30? -What about 27.50? | 0:38:38 | 0:38:41 | |
-I think we'll shake on that, shall we? -Let's do it. | 0:38:41 | 0:38:44 | |
-Meurtre Sans Faire-Part. -Merci. -Merci beaucoup. | 0:38:44 | 0:38:48 | |
Not the Oscar-winning performance he was hoping for. | 0:38:48 | 0:38:51 | |
Our boy's made a loss of £8.86. But as they say in France, "C'est la vie!" | 0:38:51 | 0:38:57 | |
The Fox is still pounding the streets of Worcester. | 0:38:58 | 0:39:02 | |
He's down to his last item, the butcher's block that cost him £145. | 0:39:02 | 0:39:06 | |
He's come to see Tina, who owns a shop selling vintage and shabby chic furniture. | 0:39:06 | 0:39:12 | |
What do you reckon to it? | 0:39:12 | 0:39:13 | |
I obviously think it's a beautiful piece as what it is, a butcher's block. | 0:39:13 | 0:39:18 | |
-My granddad was a butcher all his life. -So was mine! | 0:39:18 | 0:39:22 | |
-Ah. Was your granddad's surname Lamb? -Really? -Right! | 0:39:22 | 0:39:25 | |
-Vintage industrial is huge at the moment. -Tell me, you're in it. What does vintage mean? | 0:39:25 | 0:39:32 | |
-Usually it's old. -So I'm vintage? | 0:39:32 | 0:39:37 | |
-Ooh. Retro. Let's say you're retro. -What's the difference between retro and vintage? | 0:39:37 | 0:39:42 | |
It's a little bit trendier. | 0:39:42 | 0:39:44 | |
-WOLF WHISTLE -That'll be those stripy scarves, you silver fox! | 0:39:44 | 0:39:47 | |
I am hoping that I'm going to get around £220 for it. | 0:39:50 | 0:39:55 | |
I'd be happy to take this off your hands this minute for £190. | 0:39:55 | 0:40:00 | |
I can make a profit on it, you'd obviously make a profit on it. | 0:40:00 | 0:40:04 | |
How do you know that? | 0:40:04 | 0:40:06 | |
Well, because I know that you're a better dealer than I am! | 0:40:06 | 0:40:10 | |
-Get out of it! -You've been in it longer, cos you're retro! | 0:40:10 | 0:40:14 | |
No, you said I was vintage! OK, I'll shake you by the hand. | 0:40:14 | 0:40:18 | |
£190 does give me a profit and I'm very grateful to you. | 0:40:18 | 0:40:21 | |
-Thank you. -Thank you. | 0:40:21 | 0:40:23 | |
The butcher's block brings in a prime cut of profit. £44.55. | 0:40:24 | 0:40:30 | |
I'm really pleased with that sale. | 0:40:34 | 0:40:36 | |
What's so nice is that Tina loved the butcher's block as well. | 0:40:36 | 0:40:39 | |
Who knows, her grandfather might have used it. | 0:40:39 | 0:40:42 | |
Thinking about it, only if he was a butcher in France! | 0:40:44 | 0:40:47 | |
And that philosophical conundrum brings us full circle. | 0:40:48 | 0:40:52 | |
Both our captains of industry started with the equivalent of £750. | 0:40:52 | 0:40:58 | |
Mr Morecambe bought five items and, adding in selling fees, | 0:40:58 | 0:41:02 | |
ended up spending £520. | 0:41:02 | 0:41:05 | |
The Fox also made five purchases, | 0:41:06 | 0:41:09 | |
but spent quite a bit less, | 0:41:09 | 0:41:10 | |
almost £400. | 0:41:10 | 0:41:12 | |
But only one of our dealing dips can become the prince of profit. | 0:41:13 | 0:41:18 | |
All the money Phil and Paul make from today's challenge will be going to a charity of their choice. | 0:41:18 | 0:41:23 | |
So, without further ado, | 0:41:23 | 0:41:25 | |
it's time to find out who is today's Put Your Money Where Your Mouth Is champion. | 0:41:25 | 0:41:30 | |
-Ah, bonjour, Philip! -Sacre bleu! -Ca va? It is sacre bleu! | 0:41:30 | 0:41:36 | |
What a fantastic market it was in France. | 0:41:36 | 0:41:38 | |
I loved it. What a treat for the eye. | 0:41:38 | 0:41:40 | |
Wonderful ormolu, but very expensive. | 0:41:40 | 0:41:44 | |
-But I really enjoyed the place. -What I do remember is, | 0:41:44 | 0:41:47 | |
those bloomin' benches I got. | 0:41:47 | 0:41:49 | |
-It taught me a lesson. Buy small. -My dad used to say, "If it doesn't go in your pocket, don't buy it!" | 0:41:49 | 0:41:55 | |
Another thing, we've got all this snow. Where was it when I needed it? | 0:41:55 | 0:41:59 | |
-That sledge. -You could sell it now. -How did you get on? -I can see clearly now. | 0:41:59 | 0:42:04 | |
That optician's set did quite well. I found out lots about it. | 0:42:04 | 0:42:07 | |
Shall we see? Three, two, one, go! | 0:42:07 | 0:42:11 | |
How did you do that? | 0:42:12 | 0:42:14 | |
-Don't ask, Phil. J'ai mal a la tete. I've got a headache! -Really? -Yes. | 0:42:14 | 0:42:20 | |
So Paul's book clearly didn't have a happy ending. | 0:42:20 | 0:42:24 | |
He was hoping potential links to the French Revolution could have won big. | 0:42:24 | 0:42:28 | |
But it wasn't to be. | 0:42:28 | 0:42:29 | |
-Just as a text and the binding, it's an odd volume. The value's not great. -No. | 0:42:29 | 0:42:34 | |
If it was 25 quid, something like that, would it be of interest to you? | 0:42:34 | 0:42:39 | |
It's not really, no. | 0:42:39 | 0:42:40 | |
Oh, no. Paul did eventually find a buyer at an antiques fair, | 0:42:42 | 0:42:46 | |
but again that involved extra fees. | 0:42:46 | 0:42:48 | |
He sold the book for £20 which resulted in a loss of £8.18. | 0:42:48 | 0:42:52 | |
I really enjoyed the French market. | 0:42:54 | 0:42:56 | |
I got slightly confused when selling the items, between the euro and the pound. | 0:42:56 | 0:43:01 | |
But you know what? C'est la vie! | 0:43:01 | 0:43:03 | |
I thoroughly enjoyed my trip to France. | 0:43:03 | 0:43:06 | |
It was a great market and I luckily turned in some profits. | 0:43:06 | 0:43:10 | |
I think Paul must have had some real bad luck | 0:43:10 | 0:43:12 | |
because I know he bought some good things. | 0:43:12 | 0:43:15 | |
Time for Mr Morecambe to go and revise his figures | 0:43:15 | 0:43:19 | |
because there's another chance to shine tomorrow as our bargain busters bid big in Wiltshire. | 0:43:19 | 0:43:24 | |
Subtitles by Red Bee Media Ltd | 0:43:46 | 0:43:49 |