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'This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
'the show that pitches TV's best-loved antiques experts against each other | 0:00:04 | 0:00:08 | |
'in an all-out battle for profit!' | 0:00:08 | 0:00:11 | |
I'm a double-your-money girl. | 0:00:11 | 0:00:13 | |
'And gives you the insider's view of the trade.' | 0:00:13 | 0:00:16 | |
You've got to be in it to win it. | 0:00:16 | 0:00:19 | |
'Each week, one pair of duelling dealers | 0:00:19 | 0:00:21 | |
-'will face a different daily challenge.' -Lovely! | 0:00:21 | 0:00:25 | |
-We've got some work to do. -'Putting their own money | 0:00:25 | 0:00:28 | |
'and their hard-earned reputations on the line | 0:00:28 | 0:00:31 | |
'as they see who can make the most money from buying and selling.' | 0:00:31 | 0:00:36 | |
Get in there! | 0:00:36 | 0:00:38 | |
'Today, purchasing powerhouse Philip Serrell | 0:00:38 | 0:00:42 | |
'takes on champion of charm Paul Hayes | 0:00:42 | 0:00:44 | |
'in an all-out auction assault. | 0:00:44 | 0:00:47 | |
'Coming up, dealer distraction at its most deadly.' | 0:00:47 | 0:00:51 | |
-How much do you think you're going to give? 24? -You'll never put me off. | 0:00:51 | 0:00:54 | |
-'Phil hits a brick wall.' -90 quid, you can have it. -No. | 0:00:54 | 0:00:59 | |
-What do you mean, no? Think about it. -No! I've thought. | 0:00:59 | 0:01:03 | |
'And Paul tries out a new weapon of war.' | 0:01:03 | 0:01:06 | |
-Three, two, one... -THEY LAUGH | 0:01:06 | 0:01:10 | |
-'It's Put Your Money Where Your Mouth Is!' -Great to see you. | 0:01:10 | 0:01:13 | |
'Today's fearsome feud sees two antiques masters square up across the auction-house floor. | 0:01:28 | 0:01:35 | |
'They're stronger than steel, they're faster than a flash | 0:01:35 | 0:01:38 | |
'and they're larger than life. | 0:01:38 | 0:01:41 | |
'Limbering up in the fetching stripy scarf, | 0:01:42 | 0:01:44 | |
'one of the antiques world's most belligerent beasts. | 0:01:44 | 0:01:47 | |
'He's been an auctioneer for over 35 years, | 0:01:47 | 0:01:51 | |
'he's the warrior from Worcestershire, | 0:01:51 | 0:01:53 | |
'it's Philip "The Fox" Serrell.' | 0:01:53 | 0:01:56 | |
Philip Serrell is considering buying a doll's house. | 0:01:56 | 0:01:59 | |
'In the smart shirt and tie, his challenger. | 0:01:59 | 0:02:04 | |
'Lovable he may be, but make no mistake, inside that handsome head | 0:02:04 | 0:02:07 | |
'is a ruthless and calculating brain. | 0:02:07 | 0:02:10 | |
'He's lively, he's from Lancashire, | 0:02:10 | 0:02:12 | |
'it's Paul "Mr Morecambe" Hayes,' | 0:02:12 | 0:02:15 | |
I see no ships, only hardships. | 0:02:15 | 0:02:17 | |
'Our gladiators' game with the gavel takes place at the Jubilee Auction Rooms in Pewsey, Wiltshire. | 0:02:20 | 0:02:26 | |
'With almost 850 possible lots to land...' | 0:02:26 | 0:02:29 | |
-I'm selling, then, at £60. -HAMMER BANGS -349. | 0:02:29 | 0:02:33 | |
'..will Phil's familiar surroundings help him strike gold | 0:02:33 | 0:02:37 | |
'or will Paul's perky practicality win the day? | 0:02:37 | 0:02:40 | |
'They've each bundled up £1,000 of their own money to spend | 0:02:40 | 0:02:45 | |
'and every single penny of profit will go to a charity of their choice. | 0:02:45 | 0:02:49 | |
'So, Philip Serrell and Paul Hayes, | 0:02:49 | 0:02:52 | |
'it's time to put your money where your mouth is.' | 0:02:52 | 0:02:55 | |
-Ah, good morning, Phil. -Paul Hayes, how are you, mate? -Great! | 0:02:55 | 0:02:58 | |
-Here we are in Pewsey. -It's a perfect day for an auction. -Yeah. | 0:02:58 | 0:03:02 | |
-I like Wiltshire, it's a good part of the world. Any plan? -Well, do you know what? | 0:03:02 | 0:03:06 | |
I know from these sort of rural salerooms | 0:03:06 | 0:03:08 | |
that the silver and all the jewellery tend to be stolen by dealers and collectors. | 0:03:08 | 0:03:12 | |
-That's harsh. -I'm going to go for things that are a bit more unusual, not so run-of-the-mill. You? | 0:03:12 | 0:03:18 | |
You can only react to what you see. | 0:03:18 | 0:03:20 | |
And for me, if I go in with a firm plan to buy something, it's going to catch me out. | 0:03:20 | 0:03:24 | |
So I'm going to be open-minded and see what's about. | 0:03:24 | 0:03:27 | |
Good luck to you, Philip. Good luck. | 0:03:27 | 0:03:30 | |
'This is a game where anything can happen. | 0:03:31 | 0:03:34 | |
'Our iron men have a steely determination to succeed. | 0:03:34 | 0:03:38 | |
'But which of our titans will emerge triumphant? | 0:03:38 | 0:03:41 | |
'Before they get into the auction action, they have just one hour | 0:03:41 | 0:03:45 | |
'to look at the lots and make up a premium plan.' | 0:03:45 | 0:03:49 | |
-It's a bit all show and no go, this one. -'While Paul gets stuck into browsing, | 0:03:49 | 0:03:54 | |
'Phil has run into an old mate of his who'll be one of the auctioneers for today's event. | 0:03:54 | 0:03:59 | |
'He's asking his advice about some fly-fishing boxes he's spotted.' | 0:03:59 | 0:04:03 | |
-David, I think these are absolutely fantastic. -They're lovely. | 0:04:03 | 0:04:07 | |
-They really are. -So these are what, 1920s, 1930s? -Yeah. | 0:04:07 | 0:04:10 | |
And these would be for dry flies, which are meant to float on the surface. | 0:04:10 | 0:04:15 | |
-That's right. -If you just have a look there, | 0:04:15 | 0:04:18 | |
you can see it says, "Hardy Bros". It is definitely not at the lower end of the market. | 0:04:18 | 0:04:23 | |
-These are fantastic. How much is the estimate? -Published estimate, £80 to £140. | 0:04:23 | 0:04:28 | |
-OK. So you'll take 80 now, then. -Definitely not. | 0:04:28 | 0:04:30 | |
-So I've got to bid on them? -You'll have to bid on them. | 0:04:30 | 0:04:33 | |
I was always told that an auctioneer is not a man to be on nodding terms with. | 0:04:33 | 0:04:37 | |
'They might know each other through the trade, but it's clear Phil won't get any favours. | 0:04:38 | 0:04:43 | |
'Which will be music to Mr Morecambe's ears.' | 0:04:43 | 0:04:47 | |
-HE PLAYS ACCORDION -# Ohh, je have le Put Le Money blues | 0:04:47 | 0:04:51 | |
I think that's enough. It's a bit early in the morning for that. That was actually a scientific test | 0:04:51 | 0:04:56 | |
just to make sure everything's working. Very expensive to buy new. | 0:04:56 | 0:05:00 | |
But if I could get this for £70 or £80, it's a bargain, really. | 0:05:00 | 0:05:05 | |
'And while our Paul can't resist a musical instrument, | 0:05:05 | 0:05:09 | |
'across the room, Phil has focused in on an optical instrument | 0:05:09 | 0:05:12 | |
-'in less than optimum condition.' -I've got here a fantastic telescope | 0:05:12 | 0:05:17 | |
which has clearly been through the mill because all this is later. | 0:05:17 | 0:05:20 | |
But I really like that. | 0:05:20 | 0:05:23 | |
And I think if that makes anything under 100 quid, that's going to be cheap. | 0:05:23 | 0:05:27 | |
'Over in paintings and prints, Paul's been put off his stroke. | 0:05:28 | 0:05:31 | |
'He's only signing autographs!' | 0:05:31 | 0:05:34 | |
-There, you see, you'll find something good, I'm sure. -Thank you so much. -You're very welcome. | 0:05:34 | 0:05:39 | |
-OK, now. -Good luck. -Thank you. | 0:05:39 | 0:05:41 | |
-Beat The Fox, won't you? -I'll try and beat The Fox. | 0:05:41 | 0:05:44 | |
'But it's not long before our boy spots a couple of Scottish landscapes.' | 0:05:44 | 0:05:48 | |
Now then, interesting things here. These look like two 19th century oil paintings | 0:05:48 | 0:05:53 | |
but they've been reframed in these horrible frames from the 1960s, | 0:05:53 | 0:05:57 | |
so at first glance, you think they're later than what they are. | 0:05:57 | 0:06:01 | |
But my gut feeling is, these are probably 1880, 1900. | 0:06:01 | 0:06:05 | |
So they might be worth... Hadfield Cubley. | 0:06:05 | 0:06:07 | |
Isn't that a great name? Mr Hadfield Cubley. There we go. | 0:06:07 | 0:06:11 | |
'Mm. Improving an item to punch up the profit is territory normally marked out by The Fox. | 0:06:11 | 0:06:18 | |
'And speaking of the wily one, he's busy with a walking-stick stand.' | 0:06:18 | 0:06:21 | |
This is oak and these are brass bands, so it's coopered. | 0:06:21 | 0:06:25 | |
So it's made a little bit like a barrel. | 0:06:25 | 0:06:27 | |
And this would've stood in the hallway of your big Victorian or Edwardian country house | 0:06:27 | 0:06:32 | |
and it would've contained not bellows, but sticks. | 0:06:32 | 0:06:35 | |
And I think that... | 0:06:35 | 0:06:37 | |
That's got to be worth between £50 and £100. | 0:06:38 | 0:06:41 | |
I've got to whisper cos I don't want anyone else to hear what I'm thinking. | 0:06:41 | 0:06:46 | |
'The viewing hour is soon up and Phil's old friend is in the chair as the bidding kicks off.' | 0:06:46 | 0:06:52 | |
Right, lot 1. | 0:06:52 | 0:06:54 | |
'Auctions may have been held for hundreds of years, but Mr Morecambe | 0:06:54 | 0:06:58 | |
'is using the latest technology to increase his chances.' | 0:06:58 | 0:07:01 | |
What's really useful is that while I'm waiting for the lots to come up, | 0:07:03 | 0:07:07 | |
I can go on the internet, | 0:07:07 | 0:07:09 | |
so while I'm waiting, I've been doing homework. I'm not texting my mates. | 0:07:09 | 0:07:13 | |
'But our technical tactician has to tear himself away from the net | 0:07:14 | 0:07:19 | |
'because his attention has been caught by a selection of toy robots about to go under the hammer.' | 0:07:19 | 0:07:24 | |
-OK, here they are. Here's all these robots now. -1970s plastic robots. | 0:07:24 | 0:07:29 | |
-20, thank you. -There's a lot of hands gone up. | 0:07:30 | 0:07:33 | |
22. 25, sir. | 0:07:33 | 0:07:35 | |
25. 28. 30. | 0:07:35 | 0:07:38 | |
32. 35. 38. And 40. | 0:07:38 | 0:07:41 | |
-42. -One more. -45. 45. | 0:07:42 | 0:07:45 | |
48? One more, sir? At 48. | 0:07:45 | 0:07:48 | |
-Go on, one more. -50. At 50. Take 5 now. | 0:07:48 | 0:07:50 | |
-At 50. I think it's worked. -I've gone a bit over the odds there. | 0:07:50 | 0:07:55 | |
-At 50. -HAMMER BANGS -There we go. -349, thank you. | 0:07:55 | 0:07:58 | |
So now I'm the proud owner of 11 robots for 50 quid. | 0:07:58 | 0:08:02 | |
What I'll do with them, I've no idea, but visually they're really interesting. | 0:08:02 | 0:08:06 | |
They're funky. They remind you of your childhood. They're scientific. | 0:08:06 | 0:08:10 | |
Erm, yeah, it's a fiver each. You can't go wrong, really, with that. | 0:08:10 | 0:08:14 | |
Honest. | 0:08:14 | 0:08:16 | |
'Including the auction fees added to every sale, | 0:08:16 | 0:08:20 | |
'the robots cost £59. | 0:08:20 | 0:08:23 | |
'Paul's leapt into action first, but The Fox is on the prowl. | 0:08:23 | 0:08:26 | |
'And rough, tough Phil is interested in...a doll's house.' | 0:08:26 | 0:08:31 | |
Lot 111 is a 1930s Tri-Ang doll's house. | 0:08:31 | 0:08:34 | |
Let's see where he starts. We might get a hand up, we might not. | 0:08:34 | 0:08:38 | |
I open the bidding at £50. | 0:08:38 | 0:08:41 | |
Ouch. That's me completely out of that. | 0:08:41 | 0:08:45 | |
'It's too big a jump to make. Our saleroom stallion stumbles at the first hurdle.' | 0:08:47 | 0:08:52 | |
Don't panic! | 0:08:52 | 0:08:55 | |
'After the auctioneer swap-over, Paul is the next one to bite. | 0:08:56 | 0:09:00 | |
'A set of 1830s pictures of the Vale of Aylesbury steeplechase.' | 0:09:00 | 0:09:04 | |
-I'm selling, then, at £60. Gentleman at the back. -HAMMER BANGS | 0:09:04 | 0:09:09 | |
'The steeplechase pictures set Paul back £70.80 after commission.' | 0:09:09 | 0:09:15 | |
I'm delighted with these pictures. At the end of the day, they're prints, | 0:09:15 | 0:09:19 | |
but they're made from steel engravings which have been hand-tinted. | 0:09:19 | 0:09:23 | |
What I don't like about them is the fact that the glass is missing on two, broken on one. | 0:09:23 | 0:09:28 | |
But for a few pounds, I could have all these glazed up, | 0:09:28 | 0:09:30 | |
well presented, and we've got a set of four original prints here. | 0:09:30 | 0:09:35 | |
'Paul has taken as early lead. He's got two items in the bag | 0:09:36 | 0:09:39 | |
'while The Fox is still languishing in an empty pool of dealer despair.' | 0:09:39 | 0:09:44 | |
This is me looking cool, calm and disinterested. | 0:09:45 | 0:09:48 | |
HE WHISTLES | 0:09:48 | 0:09:51 | |
Do you know what, Phil? You take your time. | 0:09:53 | 0:09:55 | |
I've got all the time in the world. I'm loving it here. | 0:09:55 | 0:09:58 | |
I can finally feel my feet and the ends of my fingers. There we go. | 0:09:58 | 0:10:02 | |
'Phil's left out in the cold, but once warmed up, | 0:10:02 | 0:10:05 | |
'young Hayes is chomping at the bit again.' | 0:10:05 | 0:10:08 | |
OK, the next lot they've actually split up. | 0:10:08 | 0:10:10 | |
Remember those two Scottish scenes which had the modern frames? | 0:10:10 | 0:10:14 | |
They've split these up into two separate paintings. It's Henry Hadfield Cubley. | 0:10:14 | 0:10:19 | |
I have researched him. He is listed as a well-known artist. | 0:10:19 | 0:10:22 | |
55. 58. 60. | 0:10:22 | 0:10:25 | |
65. 70. | 0:10:25 | 0:10:27 | |
£70 I have. 70 I have. Do I see 75 anywhere? | 0:10:28 | 0:10:31 | |
-I'm selling, then, at £70. -HAMMER BANGS | 0:10:31 | 0:10:34 | |
-349. -349. | 0:10:34 | 0:10:37 | |
'Yes, that's his third item. | 0:10:37 | 0:10:39 | |
'Including the fees, the painting cost £82.60. | 0:10:39 | 0:10:42 | |
'And straight away he gets the second Hadfield Cubley. | 0:10:42 | 0:10:46 | |
'It cost a little more - £94.40. | 0:10:46 | 0:10:48 | |
'But he's got the pair and he's got big plans.' | 0:10:48 | 0:10:52 | |
So I'm going to take these frames off | 0:10:52 | 0:10:54 | |
and hopefully, if I've got enough in my budget, | 0:10:54 | 0:10:57 | |
I'll replace them with a big gilt frame, perhaps with the name of the artist underneath, | 0:10:57 | 0:11:01 | |
and they'll look totally different. | 0:11:01 | 0:11:04 | |
Presented correctly, these will show me quite a bit of profit. | 0:11:04 | 0:11:08 | |
'And that's the name of the game. But at this rate, | 0:11:09 | 0:11:12 | |
'The Fox won't be making any money at all. | 0:11:12 | 0:11:15 | |
'He still hasn't spent a penny. | 0:11:15 | 0:11:17 | |
'Incredibly, he's not in the least bit fazed. | 0:11:17 | 0:11:20 | |
'He even saunters over to take the Mickey out of Mr Morecambe.' | 0:11:20 | 0:11:24 | |
Are you setting up a wallpaper shop? HE LAUGHS | 0:11:24 | 0:11:27 | |
-I've bought a lot of pictures. -I've heard that, yeah. How many? -Just two or three. | 0:11:27 | 0:11:32 | |
'And Paul's about to bid for some more pictures. | 0:11:34 | 0:11:37 | |
'Some Japanese wood block prints from the 19th century.' | 0:11:37 | 0:11:40 | |
100 to start me. 100 I have. 100 I have. | 0:11:40 | 0:11:45 | |
-It's on the phone here. -110. | 0:11:45 | 0:11:47 | |
130. 140. | 0:11:47 | 0:11:50 | |
-180. -Last one for me. -That's 200 and odd pounds. -190. 200. | 0:11:50 | 0:11:54 | |
210. 220. | 0:11:54 | 0:11:57 | |
-I thought you said that was the last one for you. -It was. No, that's it. | 0:11:57 | 0:12:01 | |
-240. -No, sir. No, sir. | 0:12:01 | 0:12:03 | |
-At 240... -The one that got away. | 0:12:03 | 0:12:06 | |
-That's 275 quid. -Yeah, I know. | 0:12:06 | 0:12:09 | |
-I wish I'd gone a bit more. You put me off there. -Blaming me! | 0:12:09 | 0:12:13 | |
No, honestly. Cos where else are you going to find them? | 0:12:13 | 0:12:16 | |
I'm going to have to fly cos I've just left somebody a phone bid on a box of Japanese prints | 0:12:16 | 0:12:21 | |
and I want to go sort them. See you later. | 0:12:21 | 0:12:23 | |
'Ooh, that shady Fox. He really needs to go and hunt down a purchase | 0:12:25 | 0:12:29 | |
'as unbelievably, he's still yet to buy. | 0:12:29 | 0:12:33 | |
'As Phil noses about, up comes the accordion and Paul pounces.' | 0:12:33 | 0:12:38 | |
55. 60. 65. 70. | 0:12:38 | 0:12:40 | |
-75. We're out. -I don't want any more than 75. That's it. | 0:12:40 | 0:12:44 | |
-That's my maximum. -80 anywhere? -No-one else wants it. I'm having it. -75. 80. -Oh. | 0:12:44 | 0:12:49 | |
-80. -Go on, one more. -85. | 0:12:49 | 0:12:51 | |
-85. I'm prepared to sell now at £85. -HAMMER BANGS -349. -There we go. | 0:12:51 | 0:12:59 | |
'The accordion hits all the right notes for our music man. | 0:12:59 | 0:13:02 | |
'He hands over £100.30. | 0:13:02 | 0:13:05 | |
'As the accordion blows more heat into Mr Morecambe's game, | 0:13:07 | 0:13:11 | |
'it's starting to get chilly on the foxy side of the room. | 0:13:11 | 0:13:14 | |
'Our titans both arrived with £1,000 of their own money to spend. | 0:13:18 | 0:13:23 | |
'Paul Mr Morecambe Hayes has bought fast. | 0:13:23 | 0:13:26 | |
'He's got five lots under his belt so far for £407.10, | 0:13:26 | 0:13:30 | |
'leaving him £592.90 in the kitty. | 0:13:30 | 0:13:34 | |
'But in a terrible twist, | 0:13:35 | 0:13:38 | |
'Phil The Fox Serrell hasn't bought a single thing. | 0:13:38 | 0:13:41 | |
'So, just to be clear, that's no items and nothing spent, | 0:13:41 | 0:13:45 | |
'leaving him with his full £1,000 to spend. | 0:13:45 | 0:13:48 | |
'Now, either this game is going terribly for The Fox | 0:13:51 | 0:13:54 | |
'or he knows something that no-one else does. | 0:13:54 | 0:13:57 | |
'He's one tough cookie, but even though he's an auctioneer by trade, he's barely even bidding. | 0:13:57 | 0:14:03 | |
'Mr Morecambe, on the other hand, goes from strength to strength. He's looking unstoppable. | 0:14:03 | 0:14:08 | |
'But The Fox is a renowned petrol head and at last, | 0:14:08 | 0:14:11 | |
'as a collection of model cars comes up, | 0:14:11 | 0:14:14 | |
'he pops his key into the ignition.' | 0:14:14 | 0:14:17 | |
I have 20. £20 I have. | 0:14:17 | 0:14:19 | |
20 I have. 20 I have. £20 I have. | 0:14:19 | 0:14:21 | |
-'He's into gear.' -22. 25. | 0:14:21 | 0:14:25 | |
-'He accelerates.' -30. 32. | 0:14:25 | 0:14:28 | |
-£32 on my left. I'm selling, then, at £32 on my left. -HAMMER BANGS | 0:14:28 | 0:14:33 | |
# Hallelujah | 0:14:33 | 0:14:36 | |
'And at long last, he's finally off the mark! | 0:14:36 | 0:14:40 | |
'The classic cars cost £37.76 | 0:14:40 | 0:14:43 | |
'and The Fox is revved up.' | 0:14:43 | 0:14:46 | |
I've got eight really great classic British sports cars from the 50s. | 0:14:47 | 0:14:53 | |
And I'm hopeful... I know a few people in the old car world | 0:14:53 | 0:14:56 | |
and I'm hoping that I can find one or more people that I can sell these to. | 0:14:56 | 0:15:01 | |
'As Phil ups his speed, the telescope brings a glint to his eye. | 0:15:01 | 0:15:05 | |
'But there could already be trouble on the horizon | 0:15:05 | 0:15:08 | |
'as Mr Morecambe is after it, as well.' | 0:15:08 | 0:15:11 | |
-What I like about the telescope, it has the maker on it. -Ross of London. | 0:15:11 | 0:15:15 | |
-It'll be interesting to see what it makes. What are you going to give? -I don't know. | 0:15:15 | 0:15:19 | |
I saw somebody having a really good look at it, so there's stiff competition. | 0:15:19 | 0:15:23 | |
'Yes, it's the clash of the trading titans! | 0:15:24 | 0:15:27 | |
'On the warm side of the room, Paul is red hot | 0:15:27 | 0:15:30 | |
'and he's set his sights on victory. | 0:15:30 | 0:15:32 | |
'Phil might be blue, but he's started to warm up | 0:15:32 | 0:15:36 | |
'and he's a gladiator that wants glory.' | 0:15:36 | 0:15:39 | |
Phil comes to action now like a coiled spring. I can see it. | 0:15:39 | 0:15:43 | |
The tactic here is just to watch and see what happens initially. | 0:15:43 | 0:15:47 | |
I can open the bidding at £50. At 50 I can bid. At 50. 55. | 0:15:47 | 0:15:51 | |
At 55. 55. 60. | 0:15:51 | 0:15:54 | |
-5. 70. -I'm sure that's Phil. -75. 80. | 0:15:54 | 0:15:57 | |
85. At 85. | 0:15:57 | 0:16:00 | |
At 85. At 85. And 90. | 0:16:00 | 0:16:03 | |
95. 100. | 0:16:03 | 0:16:06 | |
And 10, sir. 120. 130. | 0:16:06 | 0:16:08 | |
140. I love it. 150. | 0:16:08 | 0:16:11 | |
-No, thank you. -At 150. -Swine. He's left it for me. | 0:16:11 | 0:16:14 | |
Oh, I'm really, really sorry, mate. I'm really sorry. | 0:16:14 | 0:16:18 | |
-All finished? 349. -HAMMER BANGS | 0:16:18 | 0:16:20 | |
HE LAUGHS | 0:16:21 | 0:16:23 | |
Well, there we are. That was Phil Serrell bidding on that. | 0:16:23 | 0:16:26 | |
£150. The swine! I could've got it for 120 if he'd shut up. | 0:16:26 | 0:16:29 | |
'Remember, The Fox knows all the tricks of the auction. | 0:16:31 | 0:16:34 | |
'Mighty Morecambe lands his sixth lot, the telescope, | 0:16:34 | 0:16:38 | |
'but it's his most expensive item so far. | 0:16:38 | 0:16:40 | |
'£177 including commission. | 0:16:40 | 0:16:44 | |
'Another knock to The Fox. But he soon picks himself off and dusts himself off. | 0:16:44 | 0:16:49 | |
'He buys his second lot of the day, | 0:16:49 | 0:16:51 | |
'miniature figures of a dog and a cat for £29.50. | 0:16:51 | 0:16:55 | |
'Phil's expert engine is chugging away nicely now. | 0:16:57 | 0:17:01 | |
'Next on his road to victory, a silver Victorian inkwell.' | 0:17:01 | 0:17:05 | |
Straight in, £120 I've got. 130. | 0:17:05 | 0:17:09 | |
-140 commission. 150. 160. Take 5, sir? -Yeah. -165. | 0:17:09 | 0:17:14 | |
-At £165. -HAMMER BANGS -Thank you, sir. | 0:17:14 | 0:17:19 | |
'Our antiques king is back in the swing | 0:17:20 | 0:17:22 | |
'and the inkwell costs Phil a total of £194.70. | 0:17:22 | 0:17:27 | |
I think it's a really good quality thing. | 0:17:27 | 0:17:31 | |
Everywhere is hallmarked. The man who's got a wonderful study | 0:17:31 | 0:17:35 | |
with a good desk and a good quality fountain pen, | 0:17:35 | 0:17:39 | |
that's the sort of thing for him to buy. | 0:17:39 | 0:17:41 | |
-# I really can't stay -# But, baby, it's cold outside | 0:17:41 | 0:17:45 | |
-# I've got to go away -# But, baby, it's cold outside | 0:17:45 | 0:17:49 | |
'Finally, Phil is in from the cold and heads over to where the trading temperature | 0:17:49 | 0:17:53 | |
'is completely different, right next to Mr Morecambe.' | 0:17:53 | 0:17:57 | |
-I've been sat over there. -Yeah. -In the cold corner of the saleroom. -Yep. | 0:17:57 | 0:18:00 | |
-Yep. -You've got a fire here. What's going on? | 0:18:00 | 0:18:03 | |
There's method in my madness. I must admit, everything I've bought | 0:18:03 | 0:18:07 | |
-has been within close proximity of this log burner. -How does that work? | 0:18:07 | 0:18:11 | |
-Lot number 573 I'm interested in. It's a stick stand. It's right behind us. -A walking-stick stand. -Yeah. | 0:18:11 | 0:18:16 | |
-Start the bidding... -'As Phil starts on the stick stand, | 0:18:16 | 0:18:19 | |
'Mr Morecambe has mischief in mind.' | 0:18:19 | 0:18:21 | |
-25. -Don't let me put you off, will you? -No, no, no. | 0:18:21 | 0:18:24 | |
Have I ever told you, when I started out as a kid in this job, | 0:18:24 | 0:18:27 | |
I used to buy these sorts of things. | 0:18:27 | 0:18:29 | |
-42. -I'm not putting you off at all, am I? -No, not at all. | 0:18:29 | 0:18:32 | |
48? 48. 50. | 0:18:32 | 0:18:34 | |
-Don't let me distract you. -No, not at all. | 0:18:34 | 0:18:36 | |
'Check out that determined foxy focus.' | 0:18:36 | 0:18:39 | |
He's not to be beaten. He's like a rock. Look at him. | 0:18:39 | 0:18:42 | |
140. 150. | 0:18:42 | 0:18:44 | |
-You do realise that's your missus on the phone, don't you? -It's actually yours. -Is it? | 0:18:44 | 0:18:49 | |
'He's even able to make a jokey jab! What a contender.' | 0:18:49 | 0:18:54 | |
I'm selling, then, at £150. | 0:18:54 | 0:18:56 | |
-HAMMER BANGS -Hey, well done! -I'm pleased with that. -Are you? | 0:18:56 | 0:19:00 | |
-Yeah, I am. -I didn't put you off, did I? | 0:19:00 | 0:19:02 | |
-No, not at all. -Damn! Try harder next time. | 0:19:02 | 0:19:05 | |
'Yes, an impressive show of gladiatorial grit to blank out Mr Morecambe. | 0:19:05 | 0:19:10 | |
'The stick stand cost £177. | 0:19:10 | 0:19:14 | |
'Paul then decides to bid on a leather-bound book | 0:19:14 | 0:19:17 | |
'and it's time for some fox-like revenge.' | 0:19:17 | 0:19:20 | |
-What are you going to give for it? -I've no idea. Just keep quiet. -£10? | 0:19:20 | 0:19:24 | |
-No. -How much do you think? -20. -It's horrible when people are talking to you | 0:19:24 | 0:19:28 | |
-when you're concentrating on your bidding. Is that what happened earlier? -No. -24? | 0:19:28 | 0:19:33 | |
-You'll never put me off. -28? -No. Was it £30? -I can't remember. | 0:19:33 | 0:19:37 | |
Was it 30 or was it 300? Was it? | 0:19:37 | 0:19:40 | |
-Stop! -Was it 35? -Go on, one more. I've dropped my card now! | 0:19:40 | 0:19:44 | |
-It's going up now, look. -£38. -How much was that? -Who knows? | 0:19:44 | 0:19:48 | |
-THEY LAUGH -Go on, one more. | 0:19:48 | 0:19:50 | |
40. 42. | 0:19:50 | 0:19:53 | |
-No, sir. -I can't be horrible to him. -£42. | 0:19:53 | 0:19:57 | |
Come on, mate. HAMMER BANGS | 0:19:57 | 0:19:59 | |
-You put me off. Did I buy it? -No. -Oh. | 0:19:59 | 0:20:03 | |
'Mm, Paul might be way out in the lead, | 0:20:03 | 0:20:06 | |
'but Philip shows him who's boss. | 0:20:06 | 0:20:09 | |
'But as The Fox bounds off to pick up his stick stand, | 0:20:09 | 0:20:12 | |
'Paul's paddle waves again. He buys his seventh and last item. | 0:20:12 | 0:20:17 | |
'£35.40 gets a 19th century Staffordshire figure | 0:20:17 | 0:20:21 | |
'of the actor David Garrick playing Richard III.' | 0:20:21 | 0:20:25 | |
He's still going. But I'm going to have a close look at this fire | 0:20:25 | 0:20:28 | |
and just wait for him to finish. | 0:20:28 | 0:20:31 | |
Ohh, lovely. | 0:20:31 | 0:20:33 | |
'Never mind the wood burner, Foxy has a fire in his belly | 0:20:33 | 0:20:38 | |
'and wants to reel in one last lot, the Bakelite fly boxes.' | 0:20:38 | 0:20:43 | |
At 145, bid's with me. 150, sir. 155. | 0:20:43 | 0:20:46 | |
160. At 160 I'm out. Bid's now in the room. | 0:20:46 | 0:20:49 | |
-At 160 on my left. 160. -HAMMER BANGS -Thank you, Philip. | 0:20:49 | 0:20:54 | |
'A nice way to round up the day. | 0:20:55 | 0:20:58 | |
'Phil nets the fly boxes for £188.80. | 0:20:58 | 0:21:01 | |
'As our purchasing pirates pick up their treasure, | 0:21:02 | 0:21:05 | |
'let's tot up the figures. | 0:21:05 | 0:21:07 | |
'Both bidding beasts arrived with £1,000 of their own money to spend. | 0:21:08 | 0:21:14 | |
'Paul Mr Morecambe Hayes ended up with seven lots for £619.50. | 0:21:14 | 0:21:20 | |
'And mercifully for Phil The Fox Serrell, he had a late surge. | 0:21:20 | 0:21:24 | |
'He quickly racked up five items for £627.76 including fees. | 0:21:24 | 0:21:30 | |
'Somehow it's ended up with not much in it. | 0:21:31 | 0:21:34 | |
'So how do our boys think they've done?' | 0:21:34 | 0:21:37 | |
Boy, there's nothing like an eclectic mix! We've got robots, paintings and buckets. What's going on? | 0:21:37 | 0:21:42 | |
-It's great fun! 11 robots. Where else are you going to find them? -Which are your two best buys? | 0:21:42 | 0:21:47 | |
Has to be the telescope. I think that's fantastic. | 0:21:47 | 0:21:51 | |
-Someone under-bid that, didn't they? -Yes, I believe so. | 0:21:51 | 0:21:54 | |
I could've got it for 80 quid, but someone ran me up. | 0:21:54 | 0:21:57 | |
I think the best lot of the whole thing are these two paintings. | 0:21:57 | 0:22:00 | |
-Light clean, they'll be good. -A bit of a clean, | 0:22:00 | 0:22:03 | |
get rid of those horrible frames and I think they'll be a good thing. | 0:22:03 | 0:22:07 | |
-What about you? -I love these fishing flies. They're by Hardy. | 0:22:07 | 0:22:11 | |
And what I'm really pleased about is this little silver inkwell. | 0:22:11 | 0:22:15 | |
-It's got a London make on there. -You've got the quality. | 0:22:15 | 0:22:17 | |
But the one thing is, all day long you've been stood by the fire. | 0:22:17 | 0:22:21 | |
-It's been lovely and toasty. -I'm frozen! Can we go and get warm? | 0:22:21 | 0:22:24 | |
Yeah, go on. I got a bit too hot. | 0:22:24 | 0:22:27 | |
'Our gargantuan gladiators hop on their chariots | 0:22:30 | 0:22:34 | |
'and scoot back to their own corners of the country. | 0:22:34 | 0:22:37 | |
'It's time to muscle down and prepare to make profit! | 0:22:37 | 0:22:40 | |
'They've got to sell all their items for as much money as possible | 0:22:40 | 0:22:45 | |
'and this is where their top-notch contacts come to the fore. | 0:22:45 | 0:22:49 | |
'It's a game of rugged determination | 0:22:49 | 0:22:51 | |
'and only one of our smooth talkers can win. | 0:22:51 | 0:22:54 | |
'In Lancashire, lithe Mr Morecambe is limbering up and he's liking his lots.' | 0:22:54 | 0:22:59 | |
So these are the items I bought at auction. | 0:22:59 | 0:23:02 | |
It was difficult as Philip Serrell was winding me up and putting me off things, | 0:23:02 | 0:23:06 | |
but what I bought I'm very pleased with. | 0:23:06 | 0:23:08 | |
These four prints of a steeplechase, I reglazed them, I got new glass and they look very presentable. | 0:23:08 | 0:23:14 | |
I wasn't expecting to buy all these robots, | 0:23:14 | 0:23:17 | |
but I'm so glad I did, they're funky, they're cool and they do work. | 0:23:17 | 0:23:23 | |
There we are. | 0:23:23 | 0:23:25 | |
The accordion, this seems to be a pre-war example. | 0:23:25 | 0:23:28 | |
Not one you see on the circuit today. | 0:23:28 | 0:23:31 | |
They tend to go for the smaller examples. I might actually struggle trying to sell that. | 0:23:31 | 0:23:35 | |
But I must admit, one of my best buys has to be this telescope. | 0:23:35 | 0:23:40 | |
'Paul also has to sell the Henry Hadfield Cubley oil paintings | 0:23:40 | 0:23:43 | |
'and the figurine of Richard III. | 0:23:43 | 0:23:46 | |
'Over in Worcestershire, our wise warhorse thinks he's got the winning hand.' | 0:23:46 | 0:23:52 | |
This stick stand, I think it's got a great country house feel to it. | 0:23:52 | 0:23:56 | |
If I can find a local hotel where this would fit in the entrance hall or the foyer, | 0:23:56 | 0:24:00 | |
I think there should be a good profit in that. | 0:24:00 | 0:24:03 | |
Fishing tackle stuff is big, big business. | 0:24:03 | 0:24:05 | |
So I've got to try and find either a collector or somebody who deals specifically in this type of stuff. | 0:24:05 | 0:24:12 | |
What a fantastic quality silver inkwell. | 0:24:12 | 0:24:14 | |
And I didn't see it in the auction room, but when I got it back home, | 0:24:14 | 0:24:18 | |
just around there is the retailer's name and address in London and that really is going to add value. | 0:24:18 | 0:24:24 | |
'Phil The Fox must also sell his collection of toy cars and the cat and dog figurines. | 0:24:24 | 0:24:30 | |
'Our profit pirates are both giving off a glow of confidence. | 0:24:30 | 0:24:34 | |
'But only one will triumph. They'll bash the phones, trawl the internet and arrange meetings. | 0:24:34 | 0:24:39 | |
'But until they've shaken on it and the money's changed hands, no deal is truly sealed. | 0:24:39 | 0:24:45 | |
'And it's our Paul who's first out of the blocks, kicking off with quite a journey. | 0:24:46 | 0:24:51 | |
'From his home in Morecambe, he travels almost all the way to the south coast of England | 0:24:51 | 0:24:56 | |
'where he's hoping for a stellar sale.' | 0:24:56 | 0:24:59 | |
So, here we are. I've got my telescope and tripod in hand. | 0:24:59 | 0:25:03 | |
I'm in rural Hampshire. | 0:25:03 | 0:25:05 | |
And I'm here today to try and hopefully shed some light on what exactly this telescope was used for. | 0:25:05 | 0:25:10 | |
And I've come along to one of the country's biggest collectors of telescopes. | 0:25:10 | 0:25:15 | |
'After that bidding battle with The Fox, Paul paid £177 for this item. | 0:25:15 | 0:25:21 | |
'So will Graham send Mr Morecambe over the moon?' | 0:25:21 | 0:25:25 | |
-What would this be used for? -Generally speaking, it's not an astronomical telescope. -OK. | 0:25:25 | 0:25:30 | |
But it would be used for looking at long distances. | 0:25:30 | 0:25:32 | |
-This could be somebody like a harbour master looking out. -Sure. Harbour master, yeah. | 0:25:32 | 0:25:37 | |
-HM Customs who might be looking for smugglers or... -You never know, do you? | 0:25:37 | 0:25:41 | |
Any idea how old this might be? Just roughly, from your experience. | 0:25:41 | 0:25:45 | |
-It's probably about 100, maybe 120 years old. -That's amazing. | 0:25:45 | 0:25:49 | |
-The body does seem to be a bit... -It's had a life. | 0:25:49 | 0:25:54 | |
-THEY LAUGH -But it could've been catching pirates. | 0:25:54 | 0:25:57 | |
It looks like someone's hit a pirate with it, to be honest. | 0:25:57 | 0:26:00 | |
So even in this condition, if I was to ask you around the £300 mark, would that be a realistic figure? | 0:26:00 | 0:26:06 | |
-Am I under-selling it there? -I think we could bargain at that. -Bargain at that, OK. | 0:26:06 | 0:26:11 | |
If I said £275, | 0:26:11 | 0:26:14 | |
-as it is, could we shake on that? -I'd shake on that. -Shall we do that? | 0:26:14 | 0:26:19 | |
-That's lovely. Thank you very much. -Excellent. | 0:26:19 | 0:26:21 | |
'Yes, that's a brilliant start to Paul's game. | 0:26:21 | 0:26:25 | |
'The telescope magnifies his money quite considerably. | 0:26:25 | 0:26:28 | |
'He sees a profit of £98. | 0:26:28 | 0:26:31 | |
'It means that Phil is instantly under pressure, but our cool cat has style on his side. | 0:26:31 | 0:26:38 | |
'He's already lined up his first potential sale, | 0:26:38 | 0:26:41 | |
'deep in the beautiful Herefordshire countryside.' | 0:26:41 | 0:26:44 | |
They say the only difference between men and boys is the size of their toys. | 0:26:44 | 0:26:49 | |
And I've got my toy cars in the bag here and the man I'm going to see, his toys are substantially bigger. | 0:26:49 | 0:26:54 | |
Now, he is a farmer turned classic-car dealer. | 0:26:54 | 0:26:58 | |
So when it comes to me trying to sell him these things, | 0:26:58 | 0:27:01 | |
I know he's going to really give me a bad time. | 0:27:01 | 0:27:04 | |
'Remember, The Fox paid nearly £38 for his toy classic cars.' | 0:27:04 | 0:27:10 | |
-Gordon, how are you? -Hello, Philip. How are you? You all right? | 0:27:10 | 0:27:14 | |
-This is glorious, isn't it? -Beautiful car, isn't it? | 0:27:14 | 0:27:17 | |
-So that's an XK... -120. -And that's 1953? -1951. | 0:27:17 | 0:27:21 | |
Now, I know that people who collect the big grown-up cars | 0:27:21 | 0:27:25 | |
also collect toy cars, don't they? | 0:27:25 | 0:27:27 | |
-They do a bit. -I have brought along... -Oh, yeah. -Here we go. | 0:27:27 | 0:27:31 | |
-What's that, an XK120. -120. | 0:27:31 | 0:27:34 | |
-There another... -XK120. -XK120. | 0:27:34 | 0:27:37 | |
-And then we've got a little Healey, look. -Hm. | 0:27:37 | 0:27:40 | |
-I've got one like that. -That's actually that car, isn't it? -That's right. | 0:27:40 | 0:27:44 | |
-This is putting the price up, isn't it? -It would, wouldn't it? | 0:27:44 | 0:27:47 | |
Especially if I sold it with it. | 0:27:47 | 0:27:49 | |
There's eight of them and I reckon there's between 100 and 110 quid's worth there. | 0:27:49 | 0:27:54 | |
That's what I think. What do you reckon to that, then? | 0:27:54 | 0:27:57 | |
You're £100, £110. I'm £70. | 0:27:57 | 0:28:02 | |
-90 quid, you can have them. -No. -No? Think about it. -No. I've thought. | 0:28:02 | 0:28:07 | |
-HE LAUGHS -£80. -Oh, come on! | 0:28:07 | 0:28:10 | |
-It's cold. -I'd toss you, 70 or 90. | 0:28:10 | 0:28:13 | |
'Ooh, a smart move by Gordon. | 0:28:13 | 0:28:16 | |
'One of Phil's own favourite tricks. The deal-deciding coin toss.' | 0:28:16 | 0:28:20 | |
-Heads. -Are you ready for this? | 0:28:22 | 0:28:24 | |
-It's heads! Whoo! -Ohh! | 0:28:26 | 0:28:29 | |
'Yes, the groan says it all. Not the speedy start Phil was hoping for. | 0:28:29 | 0:28:34 | |
'Gordon wins the toss and hands over £70. | 0:28:34 | 0:28:37 | |
'Foxy fixes a profit of £32.24. | 0:28:37 | 0:28:42 | |
'And he's straight into his second sale. | 0:28:42 | 0:28:44 | |
'His cat and dog figures are bought by Pamela in Worcester | 0:28:44 | 0:28:48 | |
'who's a feline fanatic. | 0:28:48 | 0:28:50 | |
'She pays £50 and Phil makes a profit of £20.50. | 0:28:50 | 0:28:54 | |
'But it's still not enough to catch up with Mr Morecambe, | 0:28:54 | 0:28:57 | |
'who's back in his home county of Lancashire. | 0:28:57 | 0:29:00 | |
'He's come to Leyland where he's meeting David from the town's accordion club.' | 0:29:00 | 0:29:05 | |
Have you come across the maker before, Pietro? | 0:29:05 | 0:29:08 | |
Yeah, Pietro was a famous accordionist. He was an Italian-American. | 0:29:08 | 0:29:12 | |
-So it's like having a Les Paul guitar. -Yeah. He was a top player and they named the brand after him. | 0:29:12 | 0:29:18 | |
Look inside the bellows to make sure there's no splits. | 0:29:18 | 0:29:21 | |
We can tell that if... | 0:29:21 | 0:29:23 | |
It's shutting slightly. See it's shutting on its own without playing so there are some air leaks. | 0:29:23 | 0:29:28 | |
'The true test, though, is whether it holds a tune.' | 0:29:28 | 0:29:32 | |
HE PLAYS ACCORDION | 0:29:32 | 0:29:35 | |
-That's in not bad condition. -And what do these do here? | 0:29:39 | 0:29:43 | |
-That's for accompaniment. You just play the two together. -Go on, then. | 0:29:43 | 0:29:47 | |
HE PLAYS ACCORDION | 0:29:47 | 0:29:50 | |
That is beautiful! | 0:30:00 | 0:30:02 | |
We have a concert on tonight and a few people coming down to play. | 0:30:02 | 0:30:06 | |
And what we'll do is take this in, have a play and see if anyone's interested in buying it. | 0:30:06 | 0:30:10 | |
'But once he's in the hall, Paul realises he may have a challenge on his hands with this crowd.' | 0:30:10 | 0:30:17 | |
Are you in the market for a fantastic accordion? Look at this. | 0:30:17 | 0:30:21 | |
-I've got six. -You've got six? | 0:30:21 | 0:30:23 | |
Now then, sir, would you happen to be in the market for a new accordion? | 0:30:23 | 0:30:27 | |
-Do you have several? -I could sell you nine. -You've got six, you've got nine. | 0:30:27 | 0:30:33 | |
-You can never have too many, I say. -I've got eight. -You've got eight. | 0:30:33 | 0:30:37 | |
My wife will kill me if I go back with another accordion. | 0:30:37 | 0:30:40 | |
-Do you have several? -Two. -Two. | 0:30:40 | 0:30:43 | |
'It's not looking promising. Is there anyone in the room who'd like to add to their collection? | 0:30:43 | 0:30:48 | |
'Paul paid just over £100 for his accordion, | 0:30:48 | 0:30:51 | |
'but at his own impromptu auction, he's forced to start the bidding at 50.' | 0:30:51 | 0:30:57 | |
There it is, thank you very much, sir. I have a bid of £50. | 0:30:57 | 0:31:00 | |
This gentleman here at £50. Anyone else want to come in at 55 here? | 0:31:00 | 0:31:04 | |
Thank you very much. I have 55, sir. Thank you very much. | 0:31:04 | 0:31:07 | |
It's £60, £60 I have in the door there. | 0:31:07 | 0:31:10 | |
£60, we're looking for 65, sir. 65 out there. | 0:31:10 | 0:31:13 | |
Make it 70. £70 I have. | 0:31:13 | 0:31:15 | |
Anybody want to come in here? | 0:31:15 | 0:31:17 | |
OK, sold to the gentleman at the door. Can I have a massive round of applause? | 0:31:17 | 0:31:21 | |
'Oh, the accordion fails to hit the right note | 0:31:21 | 0:31:24 | |
'and leaves Paul all of a semi-quaver. | 0:31:24 | 0:31:27 | |
'It's a loss of £30.30. | 0:31:27 | 0:31:30 | |
'But the lad's not crotchety. He picks himself up and heads to York | 0:31:30 | 0:31:35 | |
'with the Staffordshire figure of the 18th century actor David Garrick, | 0:31:35 | 0:31:38 | |
'playing Shakespeare's Richard III. | 0:31:38 | 0:31:41 | |
'He sells it to a museum dedicated to the real-life king for £45, | 0:31:41 | 0:31:46 | |
'bringing in a decent profit of £9.60. | 0:31:46 | 0:31:50 | |
'So, as we reach our midway stage, | 0:31:50 | 0:31:53 | |
'our mighty marksmen are both making progress. | 0:31:53 | 0:31:56 | |
'Phil The Fox Serrell has so far sold two of his five items, | 0:31:56 | 0:32:01 | |
'and he's sitting on a pretty profit of £52.74. | 0:32:01 | 0:32:05 | |
'But it's Paul Mr Morecambe Hayes who's in the lead. | 0:32:05 | 0:32:08 | |
'He's got rid of three of his seven lots | 0:32:08 | 0:32:10 | |
'and has the profit to show for it, £77.30. | 0:32:10 | 0:32:14 | |
'So it's The Fox who's fighting for his reputation | 0:32:16 | 0:32:19 | |
'as we enter the latter stages of our right royal rumble. | 0:32:19 | 0:32:22 | |
'But when focus is needed, Phil is the man. | 0:32:22 | 0:32:26 | |
'With his silver inkwell, he needs to be on top form. | 0:32:26 | 0:32:29 | |
'At nearly £195 it's the most expensive item he bought. | 0:32:29 | 0:32:34 | |
'He's near Kidderminster hoping to sell it to one of his regular customers, Tom.' | 0:32:34 | 0:32:40 | |
Now, I remember selling you a really good fountain pen and I thought, | 0:32:40 | 0:32:44 | |
for the man who's got the best fountain pen, | 0:32:44 | 0:32:47 | |
you've got to have the best inkwell. I thought this was a belter. | 0:32:47 | 0:32:50 | |
This hallmark here, where does that show it was made? | 0:32:50 | 0:32:54 | |
It could have been made anywhere, it's where it was assayed, that's where the hallmark was applied. | 0:32:54 | 0:32:59 | |
And the assay office in this instance, it's got a leopard's head, so that's London. | 0:32:59 | 0:33:04 | |
If it had been an anchor, that would've been Birmingham, | 0:33:04 | 0:33:07 | |
a crown would've been Sheffield. | 0:33:07 | 0:33:10 | |
I'd like to get as close to 320 as I could for it. | 0:33:10 | 0:33:13 | |
Well, I tell you what, I could live with £300. | 0:33:13 | 0:33:16 | |
-Really? -Yeah. -Really? -Yeah, go on. | 0:33:16 | 0:33:18 | |
Well, I think that's a really terrific offer from you, Tom, and I'm going to take that. | 0:33:18 | 0:33:23 | |
'And in one stroke of the pen, | 0:33:23 | 0:33:26 | |
'The Fox rewrites the story of this contest. | 0:33:26 | 0:33:28 | |
'The inkwell sinks a profit of £105.30. | 0:33:28 | 0:33:33 | |
'And Phil leaves Paul trailing in his wake. | 0:33:33 | 0:33:35 | |
'Up next for Mr Morecambe is his set of four engravings of the Vale of Aylesbury steeplechase. | 0:33:35 | 0:33:40 | |
'After putting in new glass, they stand him at almost £85. | 0:33:40 | 0:33:44 | |
'Paul gallops to an antiques centre in Wendover, just down the road from Aylesbury, | 0:33:44 | 0:33:49 | |
'and he may be geed up but he has some big jumps ahead of him.' | 0:33:49 | 0:33:53 | |
We've got about two or three sets already, so alas, we don't really need any more. | 0:33:53 | 0:33:58 | |
'And that's a story he keeps hearing.' | 0:33:58 | 0:34:02 | |
-Let's put it in perspective, those two are originals. -Yes. | 0:34:02 | 0:34:06 | |
And they're priced at £78 the pair. | 0:34:06 | 0:34:09 | |
-OK. -Retail. -Right, OK, that's retail. | 0:34:09 | 0:34:11 | |
-And those are 150 years old, these are 50 years old. -OK. | 0:34:11 | 0:34:15 | |
'With the clock ticking, our Paul has to accept that Wendover is a non-runner. | 0:34:15 | 0:34:20 | |
'He eventually sells the pictures at an antiques fair for £60. | 0:34:20 | 0:34:24 | |
'Including the cost of the pitch at that market, | 0:34:24 | 0:34:26 | |
'it all adds up to a loss of £29.80. | 0:34:26 | 0:34:29 | |
'But our blue-eyed boy remains undeterred in his money-making mission. | 0:34:29 | 0:34:34 | |
'Remember those Henry Hadfield Cubley oil paintings? | 0:34:34 | 0:34:37 | |
'True to his word, Paul's reframed them himself and wants to sell them again at auction. | 0:34:37 | 0:34:42 | |
'So he's brought them to a saleroom in Shrewsbury where Jeremy is the director of fine art.' | 0:34:42 | 0:34:48 | |
Henry Hadfield Cubley, have you heard of this artist before? | 0:34:48 | 0:34:52 | |
Absolutely, he's something of a local here, he was a West Midlands artist, | 0:34:52 | 0:34:55 | |
and he painted a lot of scenes of Wolverhampton, | 0:34:55 | 0:34:59 | |
though these are Scottish Highlands scenes, not Wolverhampton. | 0:34:59 | 0:35:02 | |
Yeah, they don't look like Birmingham or Wolverhampton. | 0:35:02 | 0:35:05 | |
How would you rate them if they were brought in off the street? | 0:35:05 | 0:35:08 | |
-To put it bluntly, Hadfield Cubley can make anything from £90 to £900 at auction. -Really? -Oh, yes. | 0:35:08 | 0:35:14 | |
And you paid 220, 225. Gosh, if you don't double up, it's a poor show, really. | 0:35:14 | 0:35:19 | |
'This could be an incredible turn up for the bookkeeping. | 0:35:19 | 0:35:23 | |
'They're potentially talking hundreds of pounds in profit. | 0:35:23 | 0:35:27 | |
'We'll find out exactly how much they sell for later on. | 0:35:27 | 0:35:30 | |
'It looks like Phil's pictures could really pack The Fox a punch. | 0:35:32 | 0:35:35 | |
'But Phil's response is to come out shooting with both barrels. Well, one, actually. | 0:35:35 | 0:35:40 | |
'He's come to a pub near Droitwich with his stick and umbrella stand. | 0:35:40 | 0:35:43 | |
'But there's one already in the entrance hall.' | 0:35:43 | 0:35:46 | |
-Carl, how are you? -Philip, good morning. | 0:35:47 | 0:35:50 | |
What on earth is that thing you've got in the hall? What is it? | 0:35:50 | 0:35:54 | |
-Oh, are you on about the umbrella stand? -No, this is a stick and umbrella stand, that is firewood. | 0:35:54 | 0:35:59 | |
-Tell me what you think. -The brass goes with the brass tables, | 0:35:59 | 0:36:03 | |
the wooden... It's a nice looking thing, to be fair. | 0:36:03 | 0:36:06 | |
I paid the thick end of 180 quid for it. | 0:36:06 | 0:36:08 | |
And I think it's worth close to £300. | 0:36:08 | 0:36:12 | |
-How close? -Look at the look on his face. | 0:36:12 | 0:36:15 | |
I don't see it at £300, but 240? | 0:36:15 | 0:36:20 | |
How much? 240? | 0:36:20 | 0:36:23 | |
-I don't know. 275. -Stick a fiver on it and it's yours. | 0:36:23 | 0:36:28 | |
-As it's you, Philip, I wouldn't argue over a fiver. 280 quid. -Are you going to buy me a drink, mate? | 0:36:29 | 0:36:34 | |
'And the stand brings in a profit of £103. | 0:36:34 | 0:36:38 | |
'No scraping the barrel there. | 0:36:38 | 0:36:40 | |
'But if Phil is to trump Paul's oil paintings, | 0:36:40 | 0:36:43 | |
'he's going to have to pull off something pretty spectacular. | 0:36:43 | 0:36:46 | |
'Mr Morecambe only has one lot to offload, the box of 11 toy robots. | 0:36:48 | 0:36:53 | |
'Our antiques android is in Nottingham | 0:36:53 | 0:36:56 | |
'to meet robot enthusiast John and his champion robot warrior.' | 0:36:56 | 0:37:01 | |
Ah, now then, John. How are you? All right? Nice to meet you. | 0:37:01 | 0:37:05 | |
-You, too, nice to meet you. -And this is The Ripper, is it? | 0:37:05 | 0:37:09 | |
This is the current UK champion. | 0:37:09 | 0:37:11 | |
That's amazing. So what does he do? He just fights other robots? | 0:37:11 | 0:37:14 | |
He fights other robots, he's fitted with a flipper powered by CO2, | 0:37:14 | 0:37:17 | |
he drives underneath someone else and flips them out of the arena. | 0:37:17 | 0:37:21 | |
I brought along a selection of robots. Your robot, OK, it can flip things, | 0:37:21 | 0:37:25 | |
but can it zap you with a laser beam? | 0:37:25 | 0:37:27 | |
-Look at that! -Oh, my God. -Isn't that amazing? | 0:37:27 | 0:37:30 | |
I've also got another one here, look. But can I interest you in one or two or maybe the whole lot? | 0:37:30 | 0:37:35 | |
-You can never have too many robots. -I do have a lot of robots already. | 0:37:35 | 0:37:39 | |
I mean, what were you thinking? | 0:37:39 | 0:37:41 | |
85 quid as a lot. How does that sound? | 0:37:41 | 0:37:44 | |
-What about 75? -75 quid? -Yeah, for the lot. | 0:37:44 | 0:37:49 | |
-Right, OK, shall we shake on that? -Let's shake on it. | 0:37:49 | 0:37:52 | |
'The robots make £16 and Paul's work here is done. | 0:37:52 | 0:37:56 | |
'Time to let rip with The Ripper.' | 0:37:56 | 0:37:59 | |
-I'd love to find out what Ripper does. -Well, Ripper's got the CO2-powered flipper. | 0:37:59 | 0:38:04 | |
-Right. -Want to have a go? -Are you sure? -Yeah. -Go on, then. | 0:38:04 | 0:38:07 | |
It's quite simple. Stand back a little bit. All you've got to do, this stick just here, push it down. | 0:38:07 | 0:38:12 | |
-That's all you have to do? -That's all. -And what will it do? -It'll flip. | 0:38:12 | 0:38:15 | |
-Three, two, one. -HE LAUGHS | 0:38:15 | 0:38:19 | |
Do you know what? That's a bit scary for me, mate. | 0:38:22 | 0:38:25 | |
-I think your job's safe. Nice to meet you, John. -You, too. -I'll go for a lie down, I think. | 0:38:25 | 0:38:29 | |
'Paul is flipping The Fox off his feet in this game | 0:38:29 | 0:38:33 | |
'and all the glory is surely heading to Morecambe. | 0:38:33 | 0:38:35 | |
'But our broad-shouldered bulldog can hack the intense pressure. | 0:38:35 | 0:38:40 | |
'He has one final sale, the fly fishing boxes, and he's remarkably calm. | 0:38:40 | 0:38:45 | |
'But then the surroundings of the River Frome probably help.' | 0:38:45 | 0:38:49 | |
I really, really love these. And after I bought them | 0:38:49 | 0:38:52 | |
I found a guy who lives in Dorset who collects vintage fishing tackle. | 0:38:52 | 0:38:55 | |
I've come down here hoping to sell to him. He couldn't make it today but he sent a friend along. | 0:38:55 | 0:39:00 | |
I'm hoping he's going to find these just irresistible. | 0:39:00 | 0:39:03 | |
'Phil paid nearly £189 for the boxes. | 0:39:05 | 0:39:08 | |
'Can he reel in a profit from Matt?' | 0:39:08 | 0:39:11 | |
That I think is probably nothing, really. A little line waxer in what would've been a silver-plated box. | 0:39:11 | 0:39:17 | |
I guess, what, 1870, 1880? | 0:39:17 | 0:39:19 | |
Yeah. Yeah. Maybe a little bit later. Nice little box. | 0:39:19 | 0:39:23 | |
These I love. I just love the effect of them. | 0:39:23 | 0:39:27 | |
-I know that Hardy is the best name. -It's a tortoise shell effect, isn't it? -Absolutely right. | 0:39:27 | 0:39:31 | |
-That one's got windows. -Yep. -That one hasn't. | 0:39:31 | 0:39:34 | |
To me, that's much more attractive. But I'm told that's worth a little bit more than that one. | 0:39:34 | 0:39:39 | |
Yeah, I think these are known as the pipe-cleaner boxes. | 0:39:39 | 0:39:42 | |
-I think they appeared in 1934 in the catalogues. -Really? | 0:39:42 | 0:39:46 | |
Priced at ten shillings and sixpence. | 0:39:46 | 0:39:49 | |
-Which is, what, 52 and a half pence, isn't it? -Yeah. | 0:39:49 | 0:39:52 | |
-I'd like a little more than that. -OK. | 0:39:52 | 0:39:54 | |
-I was thinking if I could get 140 each for these... -OK. | 0:39:54 | 0:40:00 | |
-And 20 quid for that, that's the thick end of £300. -Yeah, chuck that in, yeah. | 0:40:00 | 0:40:04 | |
-My good friend Mark collects game fishing tackle. -Right. | 0:40:04 | 0:40:08 | |
So he's left me to negotiate. | 0:40:08 | 0:40:12 | |
Has he given you a fixed price? | 0:40:12 | 0:40:15 | |
He's told me what to go up to... | 0:40:15 | 0:40:18 | |
-..which is 210. But... -Really? | 0:40:19 | 0:40:23 | |
-Well, see, I think they're worth more than that. -OK. | 0:40:23 | 0:40:26 | |
-All right? So I don't want you to get into trouble with Mark here. -No. | 0:40:26 | 0:40:30 | |
But I do want you to get into trouble with Mark here. | 0:40:30 | 0:40:32 | |
If we dropped it to 250, 260? | 0:40:32 | 0:40:35 | |
Erm, what about 240? | 0:40:37 | 0:40:40 | |
I think that's really fair of you. | 0:40:40 | 0:40:43 | |
I hope you don't lose your friend on the back of it. | 0:40:43 | 0:40:45 | |
-I don't think so. -I'm going to take that. | 0:40:45 | 0:40:47 | |
'Matt's confident that he's paid the right price | 0:40:47 | 0:40:51 | |
'and Phil hooks in a profit of £51.20. | 0:40:51 | 0:40:53 | |
'So now they're all sold up. | 0:40:53 | 0:40:56 | |
'But which of our demon dealers had the dogged determination to dig deep | 0:40:56 | 0:41:00 | |
'and who is left looking decidedly dodgy? | 0:41:00 | 0:41:04 | |
'It all started back at the auction when both our bargain busters | 0:41:04 | 0:41:08 | |
'had £1,000 of their own money to spend. | 0:41:08 | 0:41:11 | |
'Phil The Fox Serrell bought five lots and spent nearly £628. | 0:41:11 | 0:41:17 | |
'Paul Mr Morecambe Hayes forked out slightly more. | 0:41:17 | 0:41:20 | |
'Including restoration and selling fees, he spent just over £684, | 0:41:20 | 0:41:25 | |
'but he walked away with seven buys. | 0:41:25 | 0:41:28 | |
'So, at the end of the day, who's our prime profiteer? | 0:41:28 | 0:41:31 | |
'All of the money that Paul and Phil have made from today's challenge will go to their chosen charity. | 0:41:31 | 0:41:37 | |
'So without further ado, let's find out who is today's Put Your Money Where Your Mouth Is champion.' | 0:41:37 | 0:41:44 | |
-Good morning, Philip. -Paul, how are you? -I'm great. How's things? -Auction day, isn't it? | 0:41:44 | 0:41:48 | |
-It was your territory, the auction. -I don't know how I got on. | 0:41:48 | 0:41:52 | |
-Remember those Hardy fishing boxes? -Yes. -I loved them from day one. | 0:41:52 | 0:41:56 | |
-I didn't make a massive profit out of them but I went to the best place ever to sell them. -Right. Great fun. | 0:41:56 | 0:42:02 | |
What about your fantastic telescope? | 0:42:02 | 0:42:04 | |
-Apparently it was a really good one. The gentleman... -There was an under-bidder in the room. | 0:42:04 | 0:42:10 | |
-Apparently it was a £750, £800 telescope. -Really? -When it was all done. | 0:42:10 | 0:42:14 | |
-Wish I'd gone a bit more. -It didn't pan out for me. | 0:42:14 | 0:42:17 | |
Are you ready? Three, two, one, go! | 0:42:17 | 0:42:19 | |
What is that? How did you do that? | 0:42:19 | 0:42:23 | |
Well, I made good money on the telescope but then I lost it all on a pair of Scottish paintings. | 0:42:23 | 0:42:28 | |
'Yes, those Scottish paintings. | 0:42:28 | 0:42:31 | |
'It was all looking so promising but the landscape changed horribly in Shrewsbury. | 0:42:31 | 0:42:36 | |
'The pictures didn't meet expectations at the auction | 0:42:36 | 0:42:39 | |
'and sold for just £260. | 0:42:39 | 0:42:42 | |
'After auction fees, the Hadfield Cubleys made a loss of £39.41 | 0:42:42 | 0:42:46 | |
'and completely changed the game.' | 0:42:46 | 0:42:49 | |
That was a real good result for me. I don't know how I did it. | 0:42:49 | 0:42:52 | |
But the inkwell and the stick stand, they did really well, | 0:42:52 | 0:42:55 | |
but for me the whole thing was about that fishing trip. Absolutely fantastic. | 0:42:55 | 0:42:59 | |
Well, I really enjoyed myself at the auction. | 0:42:59 | 0:43:01 | |
I thought the telescope in particular was a real quality item. | 0:43:01 | 0:43:06 | |
The profits didn't really pan out the way I expected them to. | 0:43:06 | 0:43:09 | |
But it's not over until that accordion has been played. | 0:43:09 | 0:43:13 | |
'Oh, really? | 0:43:13 | 0:43:15 | |
'That should do the trick, then. | 0:43:16 | 0:43:19 | |
'There'll be more secrets of the trade tomorrow | 0:43:19 | 0:43:22 | |
'when our gun-slingers shoot it out for ultimate antiques achievement at a fair in Lincolnshire.' | 0:43:22 | 0:43:27 | |
Subtitles by Red Bee Media Ltd | 0:43:29 | 0:43:33 | |
. | 0:43:33 | 0:43:33 |