Browse content similar to Eric v John - Auction. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This is Put Your Money Where Your Mouth Is. | 0:00:29 | 0:00:31 | |
The show that pitches TV's best-loved | 0:00:31 | 0:00:34 | |
antiques experts against each other in an all-out battle for profit. | 0:00:34 | 0:00:38 | |
I'm a double-your-money girl. | 0:00:38 | 0:00:40 | |
And gives you the insider's view of the trade. | 0:00:40 | 0:00:43 | |
You've got to be in it to win it. | 0:00:43 | 0:00:46 | |
Each week, one pair of dealers | 0:00:46 | 0:00:48 | |
will face a different daily challenge. | 0:00:48 | 0:00:51 | |
Lovely! | 0:00:51 | 0:00:52 | |
We've got some work to do. | 0:00:52 | 0:00:53 | |
Putting their own money and their hard-earned reputations on the line | 0:00:53 | 0:00:58 | |
as they see who can make the most money from buying and selling. | 0:00:58 | 0:01:03 | |
Get in there! | 0:01:03 | 0:01:06 | |
Today, consummate ceramics connoisseur Eric Knowles | 0:01:06 | 0:01:08 | |
takes on the undisputed maestro of memorabilia John Cameron. | 0:01:08 | 0:01:15 | |
Coming up, John has a crisis of confidence... | 0:01:15 | 0:01:18 | |
I paid a lot more money for that than I'd hoped. | 0:01:18 | 0:01:21 | |
..Eric gives us his auction survival guide... | 0:01:21 | 0:01:24 | |
If you have not viewed that item, do not bid on it. | 0:01:24 | 0:01:28 | |
..and the Hammer reckons he has got the inside track | 0:01:28 | 0:01:31 | |
on making top profits. | 0:01:31 | 0:01:32 | |
We have not hit the buffers just yet. | 0:01:32 | 0:01:35 | |
I am hoping there will be the right type of leaves on the line. | 0:01:35 | 0:01:38 | |
It's Put Your Money Where Your Mouth Is. | 0:01:38 | 0:01:41 | |
Take cover and lock up your valuables because our gung-ho | 0:01:53 | 0:01:57 | |
gunslingers are rolling into town and they are ready for a rumble. | 0:01:57 | 0:02:01 | |
It is Eric "Knocker" Knowles with over 30 years experience | 0:02:01 | 0:02:06 | |
wrangling antiques. Here's the dealing grandmaster. | 0:02:06 | 0:02:09 | |
It puts the pressure on a bit. | 0:02:09 | 0:02:11 | |
Versus John "the Hammer" Cameron. | 0:02:11 | 0:02:13 | |
The South Coast's sharpshooter who has his sights | 0:02:13 | 0:02:15 | |
fixed on anything that might make a profit. | 0:02:15 | 0:02:19 | |
Still bidding. | 0:02:21 | 0:02:23 | |
Our very own Butch Cassidy and the Sundance Kid are hoping | 0:02:23 | 0:02:26 | |
for a buying bonanza today at Duke's Auction House in Dorset. | 0:02:26 | 0:02:30 | |
They are out to capture collectables | 0:02:30 | 0:02:33 | |
they hope will make them the most money. | 0:02:33 | 0:02:34 | |
They have each got £1,000 of their own cash to spend | 0:02:34 | 0:02:39 | |
and the profit goes to the chosen charities. | 0:02:39 | 0:02:41 | |
Eric Knowles and John Cameron, | 0:02:41 | 0:02:44 | |
it is time to put your money where your mouth is. | 0:02:44 | 0:02:47 | |
Eric Knowles, what are you fiddling with there? | 0:02:47 | 0:02:51 | |
My dear boy! Listen, that is what I call sartorial elegance. | 0:02:51 | 0:02:56 | |
I think it is probably not the weather for it. | 0:02:56 | 0:02:58 | |
I have some memorabilia I wanted you to have a quick look at. | 0:02:58 | 0:03:01 | |
-Do you mind? -No. I am your man. | 0:03:01 | 0:03:05 | |
Someone was at my graduation ceremony. There we are together. | 0:03:05 | 0:03:10 | |
-How lovely! -I did love you with the moustache. I still love you now. | 0:03:10 | 0:03:14 | |
I think it looks wonderful. | 0:03:14 | 0:03:16 | |
-Look at you. -I don't know what happened with the haircut. I'll put it down to the mortar board. | 0:03:16 | 0:03:20 | |
ERIC LAUGHS | 0:03:20 | 0:03:21 | |
We're here in Dorchester at the auction house. | 0:03:21 | 0:03:24 | |
Do you have your £1,000 to spend today? | 0:03:24 | 0:03:27 | |
Burning a hole in my pocket. I'm going to spend it wisely. | 0:03:27 | 0:03:30 | |
-I am not going to go into panic mode. -I have marked a few lots. | 0:03:30 | 0:03:33 | |
I want to have a quick look at them before the auction starts. | 0:03:33 | 0:03:37 | |
-We are a bit pushed. -I will leave you fiddling around. | 0:03:37 | 0:03:41 | |
I'll see you later. Well, there you go. | 0:03:41 | 0:03:44 | |
Question. Are there really two Ds in Stradivarius? | 0:03:44 | 0:03:49 | |
Ooh, he's a bit of wag our Eric, | 0:03:49 | 0:03:52 | |
but our boys do need to keep their wits about them | 0:03:52 | 0:03:55 | |
and pick the right plan of attack for the upcoming antiques show. | 0:03:55 | 0:03:59 | |
I've been working in the auction business for almost 36 years. | 0:03:59 | 0:04:04 | |
I don't mind admitting that when I'm the auctioneer, | 0:04:04 | 0:04:07 | |
you do get butterflies before you go up. | 0:04:07 | 0:04:11 | |
It is worse when you are the buyer. | 0:04:11 | 0:04:13 | |
Who fails to recognise Eric? | 0:04:13 | 0:04:15 | |
The ladies love him | 0:04:15 | 0:04:16 | |
and people will be approaching him for his autograph. | 0:04:16 | 0:04:19 | |
I've done a dirty trick. | 0:04:19 | 0:04:20 | |
I have been telling people, go and ask him for a photograph | 0:04:20 | 0:04:23 | |
and autograph. He doesn't mind. | 0:04:23 | 0:04:25 | |
Oh, John, you son of a gun! | 0:04:25 | 0:04:28 | |
Eric will be swamped. | 0:04:28 | 0:04:30 | |
The Hammer has no plans to play fair in this fight | 0:04:30 | 0:04:33 | |
and is quick to identify some pieces to take a pop at. | 0:04:33 | 0:04:36 | |
This is the first item I am interested in. | 0:04:36 | 0:04:39 | |
It is a mid-19th century cast iron boot scraper | 0:04:39 | 0:04:43 | |
and it does exactly what it says. | 0:04:43 | 0:04:44 | |
You have it on the floor outside the door. | 0:04:44 | 0:04:47 | |
What I like about this is the design. | 0:04:47 | 0:04:49 | |
There are two sphinxes here sat proudly either side | 0:04:49 | 0:04:52 | |
and that reflects the interest following the conquests | 0:04:52 | 0:04:55 | |
at the beginning of the 19th century. | 0:04:55 | 0:04:57 | |
You see these Egyptian elements in all areas of the decorative arts. | 0:04:57 | 0:05:00 | |
Under here, amongst all these cobwebs, | 0:05:00 | 0:05:04 | |
I can see the name of A Kenrick. | 0:05:04 | 0:05:06 | |
That is Archibald Kenrick, | 0:05:06 | 0:05:08 | |
a good quality iron foundry in West Bromwich around 1791. | 0:05:08 | 0:05:13 | |
The company continued to produce things up until 1991. | 0:05:13 | 0:05:17 | |
They are also famous for making knockers. | 0:05:17 | 0:05:20 | |
We want to beat the Knocker here today. | 0:05:20 | 0:05:22 | |
That is the first lot I am interested in. | 0:05:22 | 0:05:25 | |
John is full of determination, | 0:05:25 | 0:05:27 | |
but Knocker's also lining up his bidding targets. | 0:05:27 | 0:05:31 | |
I am looking at a nice miniature of Henry VIII. | 0:05:31 | 0:05:35 | |
You really should be looking for miniatures of people who were | 0:05:35 | 0:05:39 | |
alive and kicking when this painting was made. | 0:05:39 | 0:05:45 | |
Stylistically, this could be 18th-century | 0:05:45 | 0:05:49 | |
but he had been long gone by then. Who the artist is, I don't know. | 0:05:49 | 0:05:53 | |
If it is going cheap, I might have a go at that. | 0:05:53 | 0:05:56 | |
Time will tell if Knocker can get the miniature of Henry VIII for the right price. | 0:05:56 | 0:06:01 | |
Will it be a happy marriage or will he lose his head in the pressure of the auction room? | 0:06:01 | 0:06:05 | |
I'm having one last look at a lot I may be interested in buying. | 0:06:05 | 0:06:10 | |
It is known as an epergne which translates into "to save". | 0:06:10 | 0:06:12 | |
They were used as centrepieces on dining tables. | 0:06:12 | 0:06:15 | |
The trumpet vase is hand-blown glass. | 0:06:15 | 0:06:18 | |
This has been silver-plated and probably dates from the 1920s. | 0:06:18 | 0:06:22 | |
It will polish up quite well. | 0:06:22 | 0:06:23 | |
I should get a punter for it providing I buy it right. | 0:06:23 | 0:06:26 | |
I will keep my eye on it when it goes under the hammer. | 0:06:26 | 0:06:29 | |
No time left to size up any more bounty because it is time for our | 0:06:29 | 0:06:32 | |
gutsy go-getters to step into the auction room ready for the gunfight. | 0:06:32 | 0:06:37 | |
Bit of a tip - if you're at an auctioneers, and it | 0:06:37 | 0:06:40 | |
looks like something is going very cheap, it is tempting to dive in there and bid. | 0:06:40 | 0:06:46 | |
Take my advice, if you have not viewed that item, don't bid on it. | 0:06:46 | 0:06:50 | |
9 times out of 10, you will come a cropper. Trust me. | 0:06:50 | 0:06:56 | |
The first bit of booty up for bids is the boot scraper | 0:06:56 | 0:06:59 | |
with sphinxes that John likes the look of. | 0:06:59 | 0:07:02 | |
£40 for the sphinxes. | 0:07:02 | 0:07:03 | |
He's off! He's off! | 0:07:03 | 0:07:07 | |
55, 60, 65. Going at £65. Selling all done. | 0:07:07 | 0:07:11 | |
GAVEL BANGS | 0:07:11 | 0:07:14 | |
-Yes! -It's first hit to the Hammer, who has corralled | 0:07:14 | 0:07:18 | |
the boot scraper for £80.22 including fees. | 0:07:18 | 0:07:21 | |
We'll find out later what sort of a profit he can scrape up with it. | 0:07:21 | 0:07:26 | |
I didn't even spot that when I was doing the viewing | 0:07:26 | 0:07:28 | |
so I am feeling slightly miffed. | 0:07:28 | 0:07:30 | |
I am looking on the bright side. | 0:07:32 | 0:07:34 | |
I am wearing this jacket and not that jacket. | 0:07:34 | 0:07:38 | |
Sartorial standards aside, | 0:07:38 | 0:07:40 | |
it seems that the Hammer's strike has knocked Knocker's confidence. | 0:07:40 | 0:07:44 | |
As you can see, Eric is still hard browsing during the auction, | 0:07:44 | 0:07:47 | |
which is an indication he has not marked down enough things to buy. | 0:07:47 | 0:07:51 | |
He may be going into panic mode which does happen at auctions. | 0:07:51 | 0:07:55 | |
I think John thinks I'm panicking, but I'm not panicking at all. | 0:07:55 | 0:07:59 | |
This is what you call restrained anxiety. | 0:07:59 | 0:08:03 | |
It is close but it is not panicking. I promise you. | 0:08:03 | 0:08:06 | |
Ooh, Knocker, keep those nerves in check and find some lots | 0:08:06 | 0:08:10 | |
as the Hammer's about to hustle for another bit of booty. | 0:08:10 | 0:08:15 | |
Coming up at lot 81 is a quite unusually large leather mailbag. | 0:08:15 | 0:08:20 | |
It is good quality leather, dating from 1953, | 0:08:20 | 0:08:23 | |
the year of the coronation. | 0:08:23 | 0:08:26 | |
Estimated at £50-100. I have seen a few people looking at it. | 0:08:26 | 0:08:28 | |
If I can buy it and think about a profit, I will have a go. | 0:08:28 | 0:08:31 | |
£50, 60, 70, 80, 90. At 90. | 0:08:31 | 0:08:39 | |
This bounty hunter is holding his nerve. | 0:08:39 | 0:08:42 | |
Come on, John. | 0:08:42 | 0:08:47 | |
30, 40. A beautiful piece. | 0:08:47 | 0:08:53 | |
-40, 50. £140. -I've paid a lot more money for that than I had hoped. | 0:08:53 | 0:08:58 | |
GAVEL BANGS | 0:08:58 | 0:09:00 | |
He may have paid a few dollars more than he wanted for the mailbag, | 0:09:00 | 0:09:03 | |
but it delivers John his second buy of the morning for £172.76 | 0:09:03 | 0:09:09 | |
including fees. | 0:09:09 | 0:09:10 | |
It is a really interesting item, dates from 1953. | 0:09:10 | 0:09:13 | |
It is made of leather with a metal lining inside. | 0:09:13 | 0:09:17 | |
It is catalogued as a post bag. I think perhaps not. | 0:09:17 | 0:09:22 | |
As well as having this royal coat of arms on the front, | 0:09:22 | 0:09:25 | |
it has a broad arrows stamp right here. | 0:09:25 | 0:09:29 | |
That tells us this was military issue, | 0:09:29 | 0:09:33 | |
possibly navy, possibly army. | 0:09:33 | 0:09:35 | |
This could be some sort of military mailbag. | 0:09:35 | 0:09:38 | |
It may have been some huge ammunition pouch. | 0:09:38 | 0:09:43 | |
I can see this beside someone's fireplace | 0:09:43 | 0:09:45 | |
or in the lobby of a posh hotel. | 0:09:45 | 0:09:48 | |
John is riding high. He is two items up on Eric. | 0:09:48 | 0:09:51 | |
Now Knocker needs to lasso a great deal quick sharp | 0:09:51 | 0:09:53 | |
to catch up with his rival. | 0:09:53 | 0:09:56 | |
First thing I've got an eye on is a very attractive Oriental hardwood tray. | 0:09:56 | 0:10:03 | |
60, 5, 70, 5, 80, | 0:10:03 | 0:10:08 | |
5, £85. | 0:10:08 | 0:10:12 | |
-90. -90, five, 100? No? | 0:10:12 | 0:10:16 | |
£95, selling at £95. | 0:10:16 | 0:10:20 | |
GAVEL BANGS | 0:10:20 | 0:10:22 | |
Disaster. A rival bidder's just shot down Knocker's chances of a buy. | 0:10:22 | 0:10:27 | |
It puts the pressure on a bit. | 0:10:27 | 0:10:29 | |
Knocker is in trouble and it looks like it is about to go from bad to worse as up next | 0:10:29 | 0:10:35 | |
is the epergne, top of the Hammer's most wanted list. | 0:10:35 | 0:10:37 | |
45, 50, I've got 45, I'll take 50. | 0:10:37 | 0:10:41 | |
50 bid, 50. | 0:10:41 | 0:10:43 | |
At £50. It's going to go at £50. | 0:10:43 | 0:10:48 | |
There should be a profit in that. It may get me out of trouble I get with that mailbag. | 0:10:48 | 0:10:53 | |
John has bought the epergne for £61.70 including commission. | 0:10:53 | 0:10:57 | |
Let's see who is the hero of the hour | 0:10:57 | 0:11:00 | |
and who is trailing in the dust. | 0:11:00 | 0:11:03 | |
Each of our buying bounty hunters started the day | 0:11:03 | 0:11:05 | |
with £1,000 of their own money to spend. | 0:11:05 | 0:11:08 | |
Eric "Knocker" Knowles is having a terrible time. | 0:11:08 | 0:11:11 | |
He hasn't managed to catch a single item | 0:11:11 | 0:11:13 | |
and has all of his £1,000 yet to spend. | 0:11:13 | 0:11:17 | |
John the Hammer Cameron has shot down his rival at every turn | 0:11:17 | 0:11:21 | |
buying three items so far and spending £314.68, leaving him | 0:11:21 | 0:11:26 | |
with £685.32 to play with. | 0:11:26 | 0:11:30 | |
-Just passing through. -No, no, no. | 0:11:30 | 0:11:34 | |
-How's it going? -Um, it's a slow start. | 0:11:34 | 0:11:37 | |
I think this could be a tortoise-and-hare situation. | 0:11:37 | 0:11:41 | |
JOHN LAUGHS | 0:11:41 | 0:11:42 | |
-I know you've got off to a good start. -Look at that. | 0:11:42 | 0:11:45 | |
140 quid for that mailbag. I'm not even sure if it is a mailbag. | 0:11:45 | 0:11:49 | |
I'm a bit shaky over that. | 0:11:49 | 0:11:51 | |
I can't say too much to you. Just dive in. | 0:11:51 | 0:11:54 | |
-Just enjoy yourself. -All right. | 0:11:54 | 0:11:56 | |
Yes, Knocker's putting a brave face on it, | 0:11:56 | 0:11:58 | |
but he's in a corner and needs to fight his way out. | 0:11:58 | 0:12:01 | |
He is back browsing new lots, | 0:12:01 | 0:12:03 | |
desperate to find something to bid on. | 0:12:03 | 0:12:06 | |
# I'm hunting high and low... # | 0:12:06 | 0:12:09 | |
Still looking. | 0:12:09 | 0:12:11 | |
Still looking. | 0:12:16 | 0:12:20 | |
And all the searching finally pays off. | 0:12:24 | 0:12:27 | |
Eric has just won an iron plaque for £90.72 including fees. | 0:12:27 | 0:12:32 | |
At last, the lad has bagged some booty. | 0:12:32 | 0:12:35 | |
I readily admit that this was an impulse buy, | 0:12:35 | 0:12:38 | |
but at least it got the ball rolling. | 0:12:38 | 0:12:40 | |
In fact, when you look at it, | 0:12:40 | 0:12:43 | |
it appears to be bronze which is in its favour. | 0:12:43 | 0:12:47 | |
I know it looks like cast iron from where you are. | 0:12:47 | 0:12:50 | |
I would have thought that this is around 1848-1860. | 0:12:50 | 0:12:55 | |
I don't think it's any later than that. | 0:12:55 | 0:12:57 | |
It is just beautifully cast. | 0:12:57 | 0:13:00 | |
This has been made at a quality foundry. | 0:13:00 | 0:13:03 | |
When it comes to George and the dragon, | 0:13:03 | 0:13:04 | |
when it comes to buyers, why am I thinking public houses? | 0:13:04 | 0:13:11 | |
Always good to have a plan, Eric. | 0:13:11 | 0:13:13 | |
Up next under the hammer is the miniature of Henry VIII | 0:13:13 | 0:13:16 | |
that Eric took a shine to earlier. | 0:13:16 | 0:13:19 | |
Could this herald the turnaround in our maestro's fortunes? | 0:13:19 | 0:13:23 | |
50, five, 60. | 0:13:23 | 0:13:28 | |
£55 at the back. | 0:13:28 | 0:13:30 | |
Uh, no. | 0:13:30 | 0:13:33 | |
It is a case of waste not the money. | 0:13:33 | 0:13:35 | |
Just keep it all in reserve. | 0:13:35 | 0:13:38 | |
But our brave bandito ain't giving up under fire | 0:13:38 | 0:13:41 | |
and decides to capture a lot consisting of a miniature | 0:13:41 | 0:13:44 | |
and a carved mother-of-pearl panel with an estimate of £30-50. | 0:13:44 | 0:13:49 | |
I think we are looking at early 17th century. | 0:13:49 | 0:13:54 | |
Maybe a little bit earlier. We will soon find out. | 0:13:54 | 0:13:57 | |
I am quite prepared to spend considerably more than 30-50. | 0:13:57 | 0:14:03 | |
50? 60, 70, 80, 90. | 0:14:03 | 0:14:09 | |
At £80. I'll take 90, 100, 110, 120, 130, 140, 150, 160. | 0:14:09 | 0:14:17 | |
I will take 160 now. | 0:14:17 | 0:14:22 | |
Are we sure? All done? 150. | 0:14:22 | 0:14:26 | |
I was prepared to pay double what I have just paid. | 0:14:26 | 0:14:29 | |
Let's see where we go. | 0:14:29 | 0:14:31 | |
Yes, that is more like it, Eric. | 0:14:31 | 0:14:32 | |
He scores the lot for a hefty £185.10 including costs. | 0:14:32 | 0:14:38 | |
As you can see, there is a battle scene going on there | 0:14:38 | 0:14:40 | |
and rather appropriate really. | 0:14:40 | 0:14:43 | |
I consider this lot the spoils of war. | 0:14:43 | 0:14:46 | |
This is late 19th century. It could be as late as 1900. | 0:14:46 | 0:14:52 | |
This, I am hoping, will be an awful lot earlier. | 0:14:52 | 0:14:56 | |
I am not certain if, at one stage, | 0:14:56 | 0:14:59 | |
this was part of a very beautiful box. | 0:14:59 | 0:15:02 | |
I can tell you that the carving on that has to be 18th, if not, 17th-century. | 0:15:02 | 0:15:10 | |
If I've played my cards right - sorry, Bruce - | 0:15:10 | 0:15:12 | |
but if I have, then this one could be something of an earner. | 0:15:12 | 0:15:16 | |
So Knocker's finally found his form | 0:15:16 | 0:15:18 | |
with a lot that might just bring in a top dollar profit. | 0:15:18 | 0:15:22 | |
But the Hammer hopes to derail Eric's chances of catching him | 0:15:22 | 0:15:25 | |
by bidding on an old railway sign. | 0:15:25 | 0:15:28 | |
Sale to... 1545 there. | 0:15:32 | 0:15:35 | |
John's paid a first-class price for the railway sign, | 0:15:35 | 0:15:38 | |
£92.56 including fees. | 0:15:38 | 0:15:42 | |
Collectors of railwayana love this sort of thing. | 0:15:42 | 0:15:45 | |
They put them up around the house, | 0:15:45 | 0:15:46 | |
pretty much the way people who like old advertising | 0:15:46 | 0:15:49 | |
put their signs around the house. | 0:15:49 | 0:15:51 | |
It is a nice thing. | 0:15:51 | 0:15:52 | |
They are becoming rarer, | 0:15:52 | 0:15:53 | |
but I think I may have paid a bit too much for it. | 0:15:53 | 0:15:56 | |
I'll probably only get 100, | 0:15:56 | 0:15:58 | |
120 if I'm lucky for it. | 0:15:58 | 0:16:01 | |
But I think it's a definite sell. | 0:16:01 | 0:16:03 | |
I like it. I just wish I'd paid a lot less for it. | 0:16:03 | 0:16:05 | |
And John better watch those pennies, as Eric is fighting back | 0:16:05 | 0:16:09 | |
with a whole new strategy. | 0:16:09 | 0:16:11 | |
So exactly what cunning game plan | 0:16:11 | 0:16:14 | |
has he devised for picking his next lots? | 0:16:14 | 0:16:16 | |
I'm going for this lot as it's local to where I live. | 0:16:16 | 0:16:18 | |
Well, you're the expert, Knocker. | 0:16:18 | 0:16:21 | |
Thank you. And the number is... | 0:16:21 | 0:16:24 | |
Eric's won a watercolour of the Thames | 0:16:24 | 0:16:27 | |
for £80.22 including costs. | 0:16:27 | 0:16:29 | |
This is a view that I know only too well, | 0:16:29 | 0:16:32 | |
cos I don't live too far away. | 0:16:32 | 0:16:34 | |
It says "On the Thames at Bisham" | 0:16:34 | 0:16:36 | |
and it's been painted by Percy Wild, | 0:16:36 | 0:16:40 | |
who hired The Studio in Marlow, so he's a local artist. | 0:16:40 | 0:16:45 | |
It's been reframed. | 0:16:45 | 0:16:46 | |
I think sympathetically, | 0:16:46 | 0:16:48 | |
I would date this probably around about 1900 or thereabouts. | 0:16:48 | 0:16:53 | |
I'm going to do a bit of homework, | 0:16:53 | 0:16:55 | |
find out a little bit more about Percy Wild, | 0:16:55 | 0:16:57 | |
because I can't help but think | 0:16:57 | 0:16:59 | |
there's plenty of pictures in that part of the world by the same artist. | 0:16:59 | 0:17:04 | |
The big question is, is there anybody living in that part of the world | 0:17:04 | 0:17:08 | |
is in the market for another? | 0:17:08 | 0:17:10 | |
Our antiques assassin is on the attack. | 0:17:10 | 0:17:13 | |
He's ready to take a shot at another lot. | 0:17:13 | 0:17:15 | |
There's just one slight problem. | 0:17:15 | 0:17:17 | |
To be frank, I'm not sure if it's a print or a watercolour | 0:17:17 | 0:17:20 | |
cos I can't get near it, it's high up on the wall. | 0:17:20 | 0:17:23 | |
£77... | 0:17:23 | 0:17:25 | |
And the picture costs Eric £86.38 including fees | 0:17:26 | 0:17:30 | |
but is it the real deal? | 0:17:30 | 0:17:32 | |
It looks like I've got... | 0:17:32 | 0:17:35 | |
Looks like I've got the real thing. Excellent. | 0:17:35 | 0:17:38 | |
Well, if that's the case, it was quite a good buy. | 0:17:38 | 0:17:41 | |
What a comeback! And Knocker's spotted yet another lot he hopes | 0:17:41 | 0:17:45 | |
will take a bite out of John's lead. | 0:17:45 | 0:17:47 | |
I doubt it's got any great age, but it is great quality, | 0:17:47 | 0:17:51 | |
so I'm hoping the quality will out. | 0:17:51 | 0:17:53 | |
At £90... 100. 110? | 0:17:53 | 0:17:56 | |
No? With you at 100, then... | 0:17:56 | 0:17:59 | |
This is all beautifully worked silk. | 0:18:01 | 0:18:06 | |
I think it's an absolute tour de force, as we say up north, | 0:18:06 | 0:18:09 | |
and I'm very pleased with it. | 0:18:09 | 0:18:11 | |
And I'm now in search of somebody | 0:18:11 | 0:18:15 | |
who's bonkers about English setters. | 0:18:15 | 0:18:19 | |
The dog embroidery costs Eric | 0:18:19 | 0:18:21 | |
£123.40 including costs, | 0:18:21 | 0:18:24 | |
and is indeed Knocker's best friend | 0:18:24 | 0:18:26 | |
as it takes him into the lead. | 0:18:26 | 0:18:28 | |
He's now got five items to John's four. | 0:18:28 | 0:18:31 | |
The Hammer's got to find another lot to bid on fast. | 0:18:31 | 0:18:35 | |
And it's time to pull a late tactical move. | 0:18:35 | 0:18:38 | |
Now, I don't want to draw attention to the item I have my hand on | 0:18:40 | 0:18:43 | |
because the auction's in progress, the furniture buyers are in | 0:18:43 | 0:18:47 | |
and I don't want anyone to know I'm interested in it, | 0:18:47 | 0:18:49 | |
but this little pine chest of drawers | 0:18:49 | 0:18:52 | |
is a good bread-and-butter piece | 0:18:52 | 0:18:54 | |
and I think I probably have a buyer lined up for it. | 0:18:54 | 0:18:57 | |
What I like about it are these drawers. | 0:18:57 | 0:18:59 | |
They have an absolute matchbox fit. | 0:18:59 | 0:19:01 | |
This is a real tight 19th-century stripped pine chest. | 0:19:01 | 0:19:04 | |
They used to be hugely fashionable about 15 years ago. | 0:19:04 | 0:19:07 | |
Would have sold back then for about £600. | 0:19:07 | 0:19:10 | |
I'm hoping to buy it for around 100, | 0:19:10 | 0:19:12 | |
maybe get 200, 250 for it. | 0:19:12 | 0:19:14 | |
As I say, I need to buy some extra lots now. That's a good candidate. | 0:19:14 | 0:19:18 | |
The last lots of the day are coming up | 0:19:21 | 0:19:24 | |
and it's time for the final stand. | 0:19:24 | 0:19:26 | |
WESTERN MUSIC | 0:19:26 | 0:19:28 | |
It's got to that time of the day where I've decided | 0:19:34 | 0:19:37 | |
this auction ain't big enough for the both of us. | 0:19:37 | 0:19:39 | |
John wants the chest of drawers | 0:19:41 | 0:19:43 | |
and Eric's got his sights on an arts and crafts table and chairs. | 0:19:43 | 0:19:47 | |
The Hammer is first to take a shot at his lot. | 0:19:47 | 0:19:51 | |
155, 160. | 0:19:51 | 0:19:52 | |
160 beats me, am I bid 170? | 0:19:52 | 0:19:54 | |
At £160, 170. | 0:19:54 | 0:19:57 | |
170, 180. | 0:19:57 | 0:19:59 | |
At 170, your bid, I'll take 180. | 0:19:59 | 0:20:02 | |
-For 170... -GAVEL BANGS | 0:20:02 | 0:20:04 | |
I did want that. I do think it's a really good example. | 0:20:04 | 0:20:07 | |
Hopefully, I'll squeeze a profit out of it. | 0:20:07 | 0:20:09 | |
I've just seen the Hammer | 0:20:09 | 0:20:12 | |
pay what I think is a very, very exorbitant amount | 0:20:12 | 0:20:15 | |
for a chest of drawers. | 0:20:15 | 0:20:17 | |
I can only imagine that they must be signed Gillows | 0:20:17 | 0:20:20 | |
or maybe Chippendale. | 0:20:20 | 0:20:22 | |
John guns down the chest of drawers | 0:20:22 | 0:20:24 | |
but it's cost him dear | 0:20:24 | 0:20:26 | |
at £209.78 including fees. | 0:20:26 | 0:20:29 | |
Now, it's Knocker's last chance | 0:20:29 | 0:20:31 | |
to take down a mighty fine furniture find. | 0:20:31 | 0:20:33 | |
110? At £100 only, I'll take 110. | 0:20:33 | 0:20:37 | |
110, 120? | 0:20:37 | 0:20:38 | |
130. 140. | 0:20:38 | 0:20:40 | |
150. | 0:20:40 | 0:20:42 | |
160. | 0:20:42 | 0:20:43 | |
Knocker's not giving in. | 0:20:43 | 0:20:46 | |
170, 180. | 0:20:46 | 0:20:47 | |
170, I'll take 180. | 0:20:47 | 0:20:50 | |
For £170... | 0:20:50 | 0:20:53 | |
180, 190. | 0:20:53 | 0:20:54 | |
200. | 0:20:54 | 0:20:55 | |
At £190 only, I'll take 200. | 0:20:57 | 0:21:00 | |
At 190. | 0:21:00 | 0:21:01 | |
Two anywhere? Gentleman's bid... | 0:21:01 | 0:21:04 | |
GAVEL BANGS | 0:21:04 | 0:21:05 | |
It was a fierce fight, | 0:21:05 | 0:21:06 | |
but Eric takes the table and chairs | 0:21:06 | 0:21:09 | |
for £234.46 including costs. | 0:21:09 | 0:21:12 | |
They've been carved by a chap called Frank Rosier, | 0:21:12 | 0:21:15 | |
and I'll put my hand up, I've never come across this gentleman before | 0:21:15 | 0:21:19 | |
but I tell you what, he's a craftsmen. | 0:21:19 | 0:21:21 | |
The carving on these chairs alone is absolutely beautiful. | 0:21:21 | 0:21:25 | |
What is wonderful from my point of view | 0:21:25 | 0:21:27 | |
is that I've got a copy of the original invoice. | 0:21:27 | 0:21:30 | |
It's dated 1934. | 0:21:30 | 0:21:33 | |
Table and chairs worked out at £24. | 0:21:33 | 0:21:38 | |
That was a tidy sum in 1934, I can tell you. | 0:21:38 | 0:21:41 | |
They need a bit of tender loving care. | 0:21:41 | 0:21:43 | |
There're looking a bit sad now. That can all be brought back. | 0:21:43 | 0:21:46 | |
What I like about the table is, | 0:21:46 | 0:21:49 | |
in this condition, it is just perfect for a small flat. | 0:21:49 | 0:21:52 | |
However, it has the advantage | 0:21:52 | 0:21:54 | |
of being extendable. That's what you might call a bonus. | 0:21:54 | 0:21:58 | |
The gavel has fallen for the final time | 0:21:58 | 0:22:00 | |
and the winning bidders are picking up their purchases. | 0:22:00 | 0:22:04 | |
The good, the bad | 0:22:04 | 0:22:05 | |
and the ugly. So, it's time to find out who's spent what. | 0:22:05 | 0:22:09 | |
Eric and John each started the day with £1,000 of their own money. | 0:22:09 | 0:22:13 | |
In a reversal of fortune, | 0:22:13 | 0:22:15 | |
Eric "Knocker" Knowles went from panicker to purchaser | 0:22:15 | 0:22:18 | |
and ends the day having done six deals, | 0:22:18 | 0:22:20 | |
spending £808.28. | 0:22:20 | 0:22:23 | |
John "The Hammer" Cameron | 0:22:23 | 0:22:25 | |
struck an early lead but was caught in the final stages. | 0:22:25 | 0:22:28 | |
He's bought a total of five items, | 0:22:28 | 0:22:30 | |
spending £617.02. | 0:22:30 | 0:22:33 | |
Now, neither of our brave boys have spent all their budget | 0:22:33 | 0:22:36 | |
but this game is about who will make the most profit. | 0:22:36 | 0:22:39 | |
Duelling done, the dust has settled | 0:22:39 | 0:22:42 | |
and it's time to see who will ride off into the sunset with what. | 0:22:42 | 0:22:46 | |
You did say it was a bit like the hare and the tortoise, | 0:22:46 | 0:22:49 | |
and looking at what you bought, you certainly caught me up. | 0:22:49 | 0:22:53 | |
Listen, I don't mind telling you, | 0:22:53 | 0:22:55 | |
there is no way that you can have a plan of action. | 0:22:55 | 0:22:58 | |
What's your favourite buy? Show me the one that excited you most. | 0:22:58 | 0:23:02 | |
I think the one that will give me the most interest has to be this | 0:23:02 | 0:23:05 | |
because at this point, I've no idea what it is! | 0:23:05 | 0:23:08 | |
It was tentatively catalogued as a postbag, | 0:23:08 | 0:23:11 | |
but it's got a broad arrow stamp on it, so it's military issue. | 0:23:11 | 0:23:15 | |
The things I wanted that I didn't get, what a shame, | 0:23:15 | 0:23:18 | |
but the things I wanted and did get, I paid too much for. | 0:23:18 | 0:23:21 | |
I know you're a bit like the cat that got the cream | 0:23:21 | 0:23:23 | |
with one of your purchases... | 0:23:23 | 0:23:25 | |
Well, yeah. I was very, very pleased | 0:23:25 | 0:23:27 | |
to get this lovely sort of mother-of-pearl carved plaque. | 0:23:27 | 0:23:31 | |
It has a battle scene on there and it's got some age to it. | 0:23:31 | 0:23:35 | |
As for the other things, a lot of these objects | 0:23:35 | 0:23:38 | |
sort of landed with me on an opportunist level. | 0:23:38 | 0:23:41 | |
All in all, I think I've got quite a balanced selection. | 0:23:41 | 0:23:45 | |
In keeping with your carved mother-of-pearl battle scene, Eric, | 0:23:45 | 0:23:49 | |
you may have won the buying battle, | 0:23:49 | 0:23:51 | |
but you certainly haven't won the selling war just yet. | 0:23:51 | 0:23:54 | |
Fighting talk from The Hammer. | 0:23:56 | 0:23:58 | |
But now, our gutsy gunslingers must swap their cowboy hats | 0:23:58 | 0:24:01 | |
for thinking caps, as this is where the going gets really tough. | 0:24:01 | 0:24:06 | |
Buying the booty was just the beginning of today's bonanza. | 0:24:06 | 0:24:09 | |
Now it's time to sort the dealers from the deadbeats | 0:24:09 | 0:24:13 | |
as Eric and John go all-out to sell their items | 0:24:13 | 0:24:15 | |
and see who can make the most profit. In Buckinghamshire, | 0:24:15 | 0:24:20 | |
Eric "Knocker" Knowles is sizing up his captured curios. | 0:24:20 | 0:24:23 | |
So I'm back from the wild west. I'm back from Dorchester. | 0:24:23 | 0:24:26 | |
I'm at home, and it's time to take stock | 0:24:26 | 0:24:29 | |
of what I actually ended up buying. | 0:24:29 | 0:24:31 | |
Conspicuous by its absence | 0:24:31 | 0:24:33 | |
is my wonderful arts and crafts dining table and four chairs. | 0:24:33 | 0:24:38 | |
They're in store at the moment. | 0:24:38 | 0:24:40 | |
I think I've got quite an interesting selection, | 0:24:40 | 0:24:44 | |
with my English setter | 0:24:44 | 0:24:46 | |
who just happens to be Chinese. | 0:24:46 | 0:24:48 | |
The painting, I think is lovely, I love that painting, | 0:24:48 | 0:24:52 | |
that's quite local to me. | 0:24:52 | 0:24:54 | |
It's about...three miles that way. | 0:24:54 | 0:24:57 | |
I'm intrigued by my lovely little mother-of-pearl panel, | 0:24:57 | 0:25:00 | |
but it came with a portrait miniature | 0:25:00 | 0:25:03 | |
which has to be worth £30, £40 by itself. | 0:25:03 | 0:25:05 | |
If you're big on cheese, | 0:25:05 | 0:25:07 | |
dessert wine, and fruit and nuts, | 0:25:07 | 0:25:09 | |
then have I got a drawing for you. | 0:25:09 | 0:25:11 | |
And last but not least, | 0:25:11 | 0:25:13 | |
St George. | 0:25:13 | 0:25:15 | |
So all in all, I think, | 0:25:15 | 0:25:17 | |
not a bad day's work. | 0:25:17 | 0:25:19 | |
Knocker is feeling upbeat about his purchases, | 0:25:19 | 0:25:23 | |
but on the south coast, John "The Hammer" Cameron | 0:25:23 | 0:25:26 | |
isn't quite so chipper about the items he won. | 0:25:26 | 0:25:29 | |
I'm back from the auction and I'm surveying the items I purchased, | 0:25:29 | 0:25:33 | |
and I have to be honest, | 0:25:33 | 0:25:35 | |
I'm not feeling terribly confident. | 0:25:35 | 0:25:37 | |
I think I paid all the money, as they say, for these items, | 0:25:37 | 0:25:40 | |
and there isn't much profit in them. | 0:25:40 | 0:25:42 | |
So to give myself a bit of a puncher's chance, | 0:25:42 | 0:25:44 | |
I've had to do some of the restoration myself. | 0:25:44 | 0:25:47 | |
I've used some of my household leather soap | 0:25:47 | 0:25:49 | |
to polish up my vintage luggage here. | 0:25:49 | 0:25:52 | |
My boot scraper is a good item. | 0:25:52 | 0:25:54 | |
I've done some research, worked out the history, | 0:25:54 | 0:25:57 | |
and I've polished up my silver-plated epergne | 0:25:57 | 0:25:59 | |
and washed all the glass. | 0:25:59 | 0:26:01 | |
And my little sign here, | 0:26:01 | 0:26:02 | |
I do have somebody in mind for that. | 0:26:02 | 0:26:05 | |
I'm even contemplating giving my waxed pine chest of drawers | 0:26:05 | 0:26:09 | |
another coat of wax. | 0:26:09 | 0:26:10 | |
But I'm going to be here at the final bell. | 0:26:10 | 0:26:14 | |
It's all going to come down to who wins the fight on points. | 0:26:14 | 0:26:18 | |
It's time for our duelling dealers | 0:26:18 | 0:26:20 | |
to put their pedals to the metal | 0:26:20 | 0:26:21 | |
and start selling their prized purchases, | 0:26:21 | 0:26:25 | |
knowing that no deal is truly sealed | 0:26:25 | 0:26:27 | |
until they've shaken on it and the money is in their hands. | 0:26:27 | 0:26:31 | |
It's Eric whose first into the fray. | 0:26:34 | 0:26:36 | |
He's come to a historic pub in Buckinghamshire | 0:26:36 | 0:26:39 | |
with plans to sell the St George and the Dragon iron plaque | 0:26:39 | 0:26:42 | |
that he paid £98.72 for. The pub is full of unusual artefacts, | 0:26:42 | 0:26:46 | |
so will landlord Matthew want to add Eric's plaque to the collection? | 0:26:46 | 0:26:50 | |
So I want you to feast your eyes | 0:26:50 | 0:26:53 | |
on the patron saint of our nation. | 0:26:53 | 0:26:57 | |
I want you to hold him, I want you to feel him, | 0:26:58 | 0:27:01 | |
I want you to get the weight of him, | 0:27:01 | 0:27:03 | |
I want you to look at the quality of that casting. | 0:27:03 | 0:27:05 | |
I can see by the scales of the dragon, it's very good quality. | 0:27:05 | 0:27:08 | |
Do you think you'll find him a home? I realise, at the right price. | 0:27:08 | 0:27:12 | |
I think it's perfect for the pub. | 0:27:12 | 0:27:14 | |
The happy dilemma is where to put it | 0:27:14 | 0:27:16 | |
because the pub's full of lovely objects. | 0:27:16 | 0:27:20 | |
So if I were starting at around about 250... | 0:27:20 | 0:27:23 | |
250's not bad, but you're telling me to come down. | 0:27:23 | 0:27:26 | |
No! No, I'm not telling you to come down at all. | 0:27:26 | 0:27:29 | |
I was hoping you were going to offer me 300. | 0:27:29 | 0:27:32 | |
I would have to counteroffer. | 0:27:32 | 0:27:34 | |
If I paid £200, then that would be a fair price. | 0:27:34 | 0:27:37 | |
I'm in the habit of doing that little bit of compromise. | 0:27:37 | 0:27:41 | |
If I could just go to 220... | 0:27:41 | 0:27:44 | |
Let's say, 210. | 0:27:44 | 0:27:45 | |
-OK, so £210, you've got yourself a patron saint. -Done. Thank you. | 0:27:45 | 0:27:49 | |
Knocker's slain that all-important first sale | 0:27:49 | 0:27:53 | |
and made a profit of £111.28 on the plaque. | 0:27:53 | 0:27:56 | |
But The Hammer isn't about to let Eric run away with an early lead. | 0:27:56 | 0:28:01 | |
He's come to Southsea with plans for the cast iron boot scraper. | 0:28:01 | 0:28:05 | |
John's meeting client Colin, who lives in a grand period house. | 0:28:05 | 0:28:09 | |
So will the boot scraper be a welcome addition to this fine home? | 0:28:09 | 0:28:13 | |
-This is the boot scraper I came to see you about. -Right, yeah. | 0:28:13 | 0:28:16 | |
It pretty much, like Thomas Ellis Owen's architecture, | 0:28:16 | 0:28:19 | |
borrows from Georgian times, because although you've got these sphinxes | 0:28:19 | 0:28:23 | |
set either side of the boot scraper there, | 0:28:23 | 0:28:26 | |
that is a feature you see heavily around 1810, 1815, | 0:28:26 | 0:28:30 | |
following the various conquests on the Nile with Nelson and Napoleon. | 0:28:30 | 0:28:34 | |
That probably puts this in the same sort of period of your house. | 0:28:34 | 0:28:38 | |
-Do you want to have a look at it? -Yeah, I'd love to. | 0:28:38 | 0:28:41 | |
So do you like it? | 0:28:41 | 0:28:42 | |
Yeah, do a job, I suppose. | 0:28:42 | 0:28:43 | |
-Shall we try it on the step? -See what it looks like. | 0:28:43 | 0:28:47 | |
Yeah, looks OK. | 0:28:47 | 0:28:48 | |
So would you be interested in it? | 0:28:48 | 0:28:50 | |
At the right money. | 0:28:50 | 0:28:52 | |
So I'm looking for £170 for that today. | 0:28:52 | 0:28:54 | |
-125. -Can you do any better than that? | 0:28:54 | 0:28:56 | |
130, last offer. | 0:28:56 | 0:28:58 | |
-£130? -Yeah. | 0:28:58 | 0:29:00 | |
£130... | 0:29:00 | 0:29:02 | |
and I don't have to carry it back along the seafront, | 0:29:02 | 0:29:05 | |
-you've got yourself a deal. -Good man. Thank you very much. | 0:29:05 | 0:29:08 | |
John does more than scrape a profit. | 0:29:08 | 0:29:10 | |
He makes a healthy £49.78 on the boot scraper. | 0:29:10 | 0:29:14 | |
But Knocker has come to Oxfordshire, | 0:29:14 | 0:29:17 | |
with plans to put a stop to The Hammer's moneymaking schemes. | 0:29:17 | 0:29:20 | |
Well, it's a very blustery day here in Bicester. | 0:29:20 | 0:29:23 | |
Now, I'm here to meet a lady | 0:29:23 | 0:29:25 | |
who can actually lay claim to being the granddaughter | 0:29:25 | 0:29:28 | |
of one Frank Percy Wild. | 0:29:28 | 0:29:29 | |
Yes, the very same artist responsible for this beautiful oil painting | 0:29:29 | 0:29:33 | |
of the River Thames at Marlow. | 0:29:33 | 0:29:35 | |
Now, she actually runs a web site dedicated to her grandfather, | 0:29:35 | 0:29:39 | |
and that is how I tracked her down. | 0:29:39 | 0:29:41 | |
Now, bearing in mind I paid £80 for this painting, | 0:29:41 | 0:29:44 | |
if I can double my money and make a little bit more, | 0:29:44 | 0:29:47 | |
then I still think that she will be getting a real bargain. | 0:29:47 | 0:29:51 | |
Beatrice owns several of her grandfather's works, | 0:29:53 | 0:29:56 | |
so will she want to add Eric's auction find to her collection? | 0:29:56 | 0:29:59 | |
It's great to see an image of the man himself. | 0:29:59 | 0:30:03 | |
I don't mind admitting, until I bought this picture, | 0:30:03 | 0:30:06 | |
I knew nothing of your grandfather | 0:30:06 | 0:30:08 | |
so it's been wonderful to get on that learning curve. | 0:30:08 | 0:30:10 | |
I like landscapes, that's what attracted me to this one. | 0:30:10 | 0:30:13 | |
-Here it is anyway. -Oh, I'd love to see that. | 0:30:13 | 0:30:16 | |
-There it is. -That is gorgeous. | 0:30:16 | 0:30:17 | |
Got beautiful texture on it, | 0:30:17 | 0:30:19 | |
and it's just so typical, | 0:30:19 | 0:30:20 | |
he always seems to have a little punt in his pictures. | 0:30:20 | 0:30:23 | |
There's always somebody punting. | 0:30:23 | 0:30:25 | |
The fact is that it doesn't seem to bear a signature on the front | 0:30:25 | 0:30:29 | |
but are you happy that that is the work of your grandfather? | 0:30:29 | 0:30:32 | |
It does look very much like his writing, | 0:30:32 | 0:30:34 | |
and he did operate out of The Studio in Marlow. | 0:30:34 | 0:30:37 | |
I mean, I know it's been reframed, | 0:30:37 | 0:30:39 | |
and actually, it's not a bad, | 0:30:39 | 0:30:42 | |
-not a bad frame at all. -No. -It's quite acceptable. | 0:30:42 | 0:30:45 | |
I'm going to ask you what you would consider to be a fair price. | 0:30:45 | 0:30:49 | |
I know what I would like for it. | 0:30:49 | 0:30:51 | |
I think, and I feel, that I've brought it home. | 0:30:51 | 0:30:54 | |
Exactly. I am interested. And it would be coming home | 0:30:54 | 0:30:57 | |
-and it would get pride of place and it would stay in the family. -Right. | 0:30:57 | 0:31:01 | |
So I'd be happy to offer you £200? | 0:31:01 | 0:31:05 | |
£200... | 0:31:05 | 0:31:07 | |
Do you consider £200 to be a fair price? | 0:31:07 | 0:31:10 | |
-I do, actually, knowing what I paid for some of the other ones. -OK. | 0:31:10 | 0:31:13 | |
Look, this is a haggle-free zone. | 0:31:13 | 0:31:15 | |
If you offer me it and you're convinced that is a fair price, | 0:31:15 | 0:31:18 | |
I am very happy to shake on £200. | 0:31:18 | 0:31:21 | |
-Right, brilliant. -OK. | 0:31:21 | 0:31:22 | |
-Thank you very much. -It's a pleasure. | 0:31:22 | 0:31:24 | |
Not only does Eric make a good profit of £119.78, | 0:31:24 | 0:31:29 | |
but Beatrice is reunited with one of her grandfather's paintings. | 0:31:29 | 0:31:34 | |
Nice one, Knocker. | 0:31:34 | 0:31:35 | |
So can The Hammer match Eric's winning ways? | 0:31:35 | 0:31:39 | |
Well, he's come to Southampton to a company that sells pine furniture. | 0:31:39 | 0:31:43 | |
He's hoping for a sale of the chest of drawers. | 0:31:43 | 0:31:46 | |
John paid £209.78 for it at auction, | 0:31:46 | 0:31:50 | |
so will managing director Richard | 0:31:50 | 0:31:53 | |
be willing to offer him more? | 0:31:53 | 0:31:55 | |
This is the pine chest I told you about. | 0:31:55 | 0:31:57 | |
I know you've seen your fair share of pine chests over the years. | 0:31:57 | 0:32:01 | |
I have too. What I liked about it in the auction house, | 0:32:01 | 0:32:04 | |
these drawers, they're like silk. | 0:32:04 | 0:32:06 | |
-Yep. -But the best thing | 0:32:06 | 0:32:08 | |
-is I've oiled all of these locks. -They all work, do they? | 0:32:08 | 0:32:12 | |
And I sat and went through a whole box of keys, look. | 0:32:12 | 0:32:15 | |
All the locks work. | 0:32:15 | 0:32:16 | |
My only criticism is that | 0:32:16 | 0:32:19 | |
you can see where it had the old Georgian handles on it. | 0:32:19 | 0:32:22 | |
-Someone's replaced them. -Yeah, in the 19th century, which they did, | 0:32:22 | 0:32:25 | |
they swapped the handles. | 0:32:25 | 0:32:26 | |
I think it'd be nice to put some Georgian handles back on there. | 0:32:26 | 0:32:30 | |
It's a nice chest. Interested? | 0:32:30 | 0:32:32 | |
At the right price. | 0:32:32 | 0:32:34 | |
I was doing this 20 years ago, and you know, back then, | 0:32:34 | 0:32:36 | |
I would have had no problem getting about 600 quid for that. | 0:32:36 | 0:32:39 | |
We're looking for around four today. | 0:32:39 | 0:32:42 | |
-Really? -Yeah. | 0:32:42 | 0:32:43 | |
You said you used to do this. You know how much hard work is involved | 0:32:43 | 0:32:46 | |
-in selling this kind of furniture. -I do. I do. | 0:32:46 | 0:32:50 | |
-Where would you see it? -Erm... | 0:32:50 | 0:32:52 | |
I would say... | 0:32:53 | 0:32:55 | |
it's about two-and-a-half. | 0:32:55 | 0:32:58 | |
I don't mind telling you, I didn't pay much less than that at auction. | 0:32:58 | 0:33:03 | |
Could you do something like 330, 340? | 0:33:03 | 0:33:06 | |
Still a bit strong. | 0:33:06 | 0:33:07 | |
I would go...three. | 0:33:07 | 0:33:08 | |
Do you think you could go an extra tenner? | 0:33:08 | 0:33:11 | |
Why don't we knock a tenner back off? | 0:33:11 | 0:33:13 | |
I'll take the three! | 0:33:13 | 0:33:14 | |
I'll take the three! I'll cut and run. | 0:33:14 | 0:33:16 | |
Yes, it was always going to be tough trying to sell to trade, | 0:33:16 | 0:33:19 | |
but The Hammer still manages to turn a profit of £90.22 | 0:33:19 | 0:33:23 | |
on the chest of drawers. | 0:33:23 | 0:33:25 | |
It's two deals apiece in this fight for profit | 0:33:25 | 0:33:28 | |
but Knocker hopes to get ahead of his rival | 0:33:28 | 0:33:31 | |
with a sale of his still life. | 0:33:31 | 0:33:33 | |
He's come to the Museum of Brands, Packaging and Advertising in London | 0:33:33 | 0:33:36 | |
to meet Miranda, who represents the company that owns the biscuit brand | 0:33:36 | 0:33:40 | |
depicted in the painting. | 0:33:40 | 0:33:42 | |
Eric paid £86.30 for the still life at auction | 0:33:42 | 0:33:45 | |
but when it comes to the crunch, | 0:33:45 | 0:33:47 | |
will Miranda make him a good offer? | 0:33:47 | 0:33:50 | |
Well, here it is. | 0:33:50 | 0:33:52 | |
-It's all crayon. -Wow, really? -Which is remarkable. It's crayon. | 0:33:52 | 0:33:57 | |
When I bought this, I bought it at an auction, it was high up | 0:33:57 | 0:34:00 | |
and I just loved the composition. | 0:34:00 | 0:34:02 | |
I think it'll look good in our Carlisle site, | 0:34:02 | 0:34:04 | |
because we've got quite a lot of historical memorabilia | 0:34:04 | 0:34:07 | |
up in the boardroom up there, | 0:34:07 | 0:34:09 | |
so lots of old paintings and old ledgers and things like that, | 0:34:09 | 0:34:12 | |
so I think this could really look good amongst that sort of stuff. | 0:34:12 | 0:34:16 | |
I was looking around the £250 mark, | 0:34:16 | 0:34:21 | |
but you tell me, | 0:34:21 | 0:34:22 | |
because you obviously have a budget. | 0:34:22 | 0:34:24 | |
Like I said, it's a very impressive piece | 0:34:24 | 0:34:27 | |
and it's a lot bigger than I thought, but | 0:34:27 | 0:34:29 | |
we were thinking more along the lines of £200. | 0:34:29 | 0:34:31 | |
Well, I'm more than happy to sell it for £200. | 0:34:31 | 0:34:34 | |
Thank you very much. | 0:34:34 | 0:34:35 | |
-Deal's a deal. -Fantastic. | 0:34:35 | 0:34:37 | |
Yes, Eric's not crackers. | 0:34:37 | 0:34:38 | |
He's just made a profit of £113.62 | 0:34:38 | 0:34:42 | |
on the sale of the still life. | 0:34:42 | 0:34:44 | |
Now, it's midway in the battle for today's title, | 0:34:44 | 0:34:48 | |
and time to find out whose moneymaking plans have been left for dust, | 0:34:48 | 0:34:52 | |
and who's corralled the biggest profit. | 0:34:52 | 0:34:54 | |
So far, Eric "Knocker" Knowles has done three deals, | 0:34:54 | 0:34:57 | |
making a profit of £344.68. | 0:34:57 | 0:35:00 | |
John "The Hammer" Cameron has sold two items | 0:35:00 | 0:35:04 | |
and made a lot less profit, | 0:35:04 | 0:35:05 | |
just £140. | 0:35:05 | 0:35:08 | |
But this final fight between our duelling dealers isn't over yet. | 0:35:08 | 0:35:12 | |
Our brave boys now need to go all-out to target buyers, | 0:35:12 | 0:35:16 | |
shoot down the best deals | 0:35:16 | 0:35:18 | |
and maximise their profit pots. | 0:35:18 | 0:35:21 | |
John is trailing, but he's got plans to catch his venerable opponent. | 0:35:21 | 0:35:25 | |
He's in Hampshire, hoping to sell the railway sign he paid £92.56 for. | 0:35:25 | 0:35:31 | |
But will model rail enthusiast John help The Hammer get back on track? | 0:35:31 | 0:35:35 | |
MUSIC: "Locomotion" by Kylie Minogue | 0:35:37 | 0:35:41 | |
John, this truly is a sight. | 0:35:44 | 0:35:46 | |
I have to tell you, I've never seen anything like it. It's wonderful. | 0:35:46 | 0:35:50 | |
Loving the waiting room over there, | 0:35:50 | 0:35:53 | |
and I think I've got just the thing to go on it. | 0:35:53 | 0:35:56 | |
-Really? -Well, I hope so, anyway. | 0:35:56 | 0:35:58 | |
I think it's perfect. Look at this. | 0:35:58 | 0:36:00 | |
"Great Western Railway notice," | 0:36:00 | 0:36:02 | |
"no unauthorised person allowed in this box by order." | 0:36:02 | 0:36:06 | |
Now that has to go on the front of the waiting room, doesn't it? | 0:36:06 | 0:36:10 | |
It certainly does, yes. | 0:36:10 | 0:36:11 | |
THEY LAUGH | 0:36:11 | 0:36:12 | |
-So, do you like the sign? -Yes, I do. | 0:36:12 | 0:36:14 | |
Yes, that's lovely. I'd love to buy that. | 0:36:14 | 0:36:17 | |
-You would? -Yes, I would. I gather you wanted between £120 and £150. | 0:36:17 | 0:36:21 | |
That's what I'm thinking. What are you...? | 0:36:21 | 0:36:23 | |
I threatened to start at £121, didn't I? | 0:36:23 | 0:36:27 | |
So is that your opening offer? | 0:36:27 | 0:36:29 | |
That's the opening offer. | 0:36:29 | 0:36:30 | |
-So, we haven't hit the buffers just yet. -Not quite. | 0:36:30 | 0:36:33 | |
I'm hoping there'll be a few more | 0:36:33 | 0:36:34 | |
of the right type of leaves on the line, John. | 0:36:34 | 0:36:37 | |
So can we do any better than that? | 0:36:37 | 0:36:39 | |
Could we, say, go to 145, something like that? | 0:36:39 | 0:36:41 | |
John seems keen on The Hammer's railway sign | 0:36:41 | 0:36:43 | |
but will they be able to strike a deal at £145? | 0:36:43 | 0:36:46 | |
We'll find out later. | 0:36:46 | 0:36:48 | |
He goes on to sell the Edwardian epergne to dealer Mark | 0:36:48 | 0:36:51 | |
and it delivers him a healthy profit of £58.30. | 0:36:51 | 0:36:55 | |
I'll find a home for it. | 0:36:55 | 0:36:57 | |
-Good, good. -Thank you. | 0:36:57 | 0:36:59 | |
But Knocker's determined to stay ahead of The Hammer. He's got plans | 0:36:59 | 0:37:03 | |
for the arts and crafts table and chairs | 0:37:03 | 0:37:06 | |
that cost him £234.46 at auction | 0:37:06 | 0:37:08 | |
and has brought them to an antiques shop in Beaconsfield, | 0:37:08 | 0:37:12 | |
hoping to sell them to dealer Nigel. | 0:37:12 | 0:37:15 | |
-That's your lot. -That's it, is it? -That's your lot. | 0:37:15 | 0:37:18 | |
These are by a chap called Frank Rosier. | 0:37:18 | 0:37:21 | |
A church carver? | 0:37:21 | 0:37:22 | |
-He was a church carver. -It looks like it, doesn't it? | 0:37:22 | 0:37:25 | |
Yes. I know they look as though | 0:37:25 | 0:37:27 | |
they should be about 1910 | 0:37:27 | 0:37:29 | |
but in actual fact, these are 1934. | 0:37:29 | 0:37:32 | |
How do you know that? | 0:37:32 | 0:37:33 | |
Because I've got correspondence between Mr Rosier and his client. | 0:37:33 | 0:37:37 | |
It is a nice solid piece of furniture. | 0:37:37 | 0:37:40 | |
It's just, obviously it needs a lot of work doing to it. | 0:37:40 | 0:37:43 | |
-It comes down to price, really, cos I've got to... -Yeah. | 0:37:43 | 0:37:46 | |
I'm thinking somewhere around the 500 mark, but... | 0:37:46 | 0:37:50 | |
Oh, quick intake of breath! Quick intake of breath. | 0:37:50 | 0:37:52 | |
350. | 0:37:52 | 0:37:54 | |
Can we settle at four? | 0:37:54 | 0:37:56 | |
-375. -Oh, no, no. Nigel... | 0:37:56 | 0:37:58 | |
Give me 385 and you've got yourself a deal. | 0:37:58 | 0:38:02 | |
No, 375. | 0:38:02 | 0:38:03 | |
-That's your final bid, is it? -That's my final offer. | 0:38:03 | 0:38:06 | |
OK. 375. | 0:38:06 | 0:38:07 | |
-Got a deal? -Yeah, we got a deal. | 0:38:08 | 0:38:10 | |
A hard haggle, but Eric's made a handsome profit | 0:38:10 | 0:38:14 | |
of £140.54 on the table and chairs, | 0:38:14 | 0:38:17 | |
but he doesn't do so well with the mother-of-pearl panel and miniature. | 0:38:17 | 0:38:22 | |
He sells them to collector Beatrice | 0:38:22 | 0:38:24 | |
for a profit of just £14.90. | 0:38:24 | 0:38:26 | |
That's a done deal? | 0:38:26 | 0:38:28 | |
Great. Yes, I think this is gorgeous, yes. Beautiful. | 0:38:28 | 0:38:31 | |
The battle between our boys is nearly over | 0:38:31 | 0:38:34 | |
and our duelling dealers have still got work ahead of them. | 0:38:34 | 0:38:38 | |
MUSIC: "Please Mr Postman" by The Marvelettes | 0:38:40 | 0:38:43 | |
The Hammer has come to a hotel in Southsea, | 0:38:46 | 0:38:49 | |
hoping for a sale of the leather mailbag. | 0:38:49 | 0:38:52 | |
John paid a pricey £172.76 for it at auction, | 0:38:52 | 0:38:57 | |
so will hotelier Farid | 0:38:57 | 0:38:59 | |
be willing to offer him more? | 0:38:59 | 0:39:01 | |
You've seen a photograph. What's it like in the flesh? | 0:39:01 | 0:39:04 | |
It's better than I expected it to be, to be honest. | 0:39:04 | 0:39:07 | |
It's fantastic quality, isn't it? It's got a hell of a shine. | 0:39:07 | 0:39:10 | |
-Look at the crest there, that works. -It's beautiful, isn't it? -Yeah. | 0:39:10 | 0:39:13 | |
What I've done to it, I gave it several coats of saddle soap | 0:39:13 | 0:39:17 | |
and I've given it several coats of wax, normal shoe polish wax | 0:39:17 | 0:39:20 | |
but it's come up beautifully. | 0:39:20 | 0:39:22 | |
It has a broad arrow stamp right on the front here, | 0:39:22 | 0:39:25 | |
and the date as well, | 0:39:25 | 0:39:27 | |
and the broad arrow stamp is like a crow's foot, it's like that, | 0:39:27 | 0:39:30 | |
and it's marked on property that was from the Admiralty | 0:39:30 | 0:39:34 | |
or now it's the Ministry of Defence, | 0:39:34 | 0:39:36 | |
and it goes back to literally Tudor times. | 0:39:36 | 0:39:39 | |
So I think it was probably a postal bag of some description | 0:39:39 | 0:39:43 | |
or a dispatch satchel. | 0:39:43 | 0:39:45 | |
This I see somewhere perhaps near reception | 0:39:45 | 0:39:48 | |
as your mailbag for the postman to deliver to. | 0:39:48 | 0:39:50 | |
Do you like it? | 0:39:50 | 0:39:52 | |
I love it. I really do love it. | 0:39:52 | 0:39:54 | |
All right. I think this is about 350 quid's worth. | 0:39:54 | 0:39:56 | |
350 quid, | 0:39:56 | 0:39:57 | |
I think that's a little too much, isn't it? 350 quid. | 0:39:57 | 0:40:00 | |
I like it, but I'm not sure how much I like it. | 0:40:00 | 0:40:03 | |
-How much do you like it? -How about £250? | 0:40:03 | 0:40:05 | |
300? | 0:40:05 | 0:40:06 | |
270? | 0:40:06 | 0:40:09 | |
I'll tell you what, make it 275 | 0:40:09 | 0:40:12 | |
and you've got yourself a deal. | 0:40:12 | 0:40:13 | |
-275, you got a deal. -Good man! | 0:40:13 | 0:40:16 | |
The mailbag delivers The Hammer | 0:40:16 | 0:40:19 | |
a profit of £102.24. | 0:40:19 | 0:40:21 | |
MUSIC: "Walkin' the Dog" by Rufus Thomas | 0:40:21 | 0:40:25 | |
That just leaves our Eric with his last item to sell, | 0:40:25 | 0:40:29 | |
his embroidery of an English setter | 0:40:29 | 0:40:32 | |
that cost him £123.40. | 0:40:32 | 0:40:33 | |
He's come to London, to a gun and shooting ware retailer, | 0:40:33 | 0:40:38 | |
but will he be able to tempt creative director Niels | 0:40:38 | 0:40:41 | |
into splashing some cash? | 0:40:41 | 0:40:42 | |
Looking at this particular example, | 0:40:42 | 0:40:45 | |
I think it may be about 25, 30 years old, it may even be more. | 0:40:45 | 0:40:48 | |
I've tried to do a certain amount of research | 0:40:48 | 0:40:51 | |
but I was just captivated by the quality. | 0:40:51 | 0:40:54 | |
Absolutely. It's definitely our subject as well, though. | 0:40:54 | 0:40:57 | |
I think I've got a buyer for it already, so I'd be interested, yes. | 0:40:57 | 0:41:01 | |
I'm tempted to say, what will you offer? | 0:41:01 | 0:41:03 | |
But I've got to be fair to you. | 0:41:03 | 0:41:05 | |
I was hoping for somewhere in the region of a couple of hundred pounds. | 0:41:05 | 0:41:09 | |
Done. | 0:41:09 | 0:41:10 | |
-Just like that! -Done. | 0:41:10 | 0:41:12 | |
THEY LAUGH | 0:41:12 | 0:41:13 | |
I knew I should have asked for £1,000 but there you go. | 0:41:13 | 0:41:16 | |
Knocker walks away with a profit of £76.64 | 0:41:16 | 0:41:19 | |
for the silk embroidery of the English setter, | 0:41:19 | 0:41:22 | |
but will it be enough to beat The Hammer? | 0:41:22 | 0:41:24 | |
All will be revealed. | 0:41:24 | 0:41:26 | |
Eric and John each started out with £1,000 of their own money. | 0:41:26 | 0:41:31 | |
Eric "Knocker" Knowles did six deals, spending £808.28. | 0:41:31 | 0:41:35 | |
John "The Hammer" Cameron bought a total of five items | 0:41:37 | 0:41:40 | |
and spent £617.02, | 0:41:40 | 0:41:43 | |
but the only thing that matters now is, | 0:41:43 | 0:41:45 | |
who has made the most profit? | 0:41:45 | 0:41:47 | |
All the money Eric and John have made today | 0:41:47 | 0:41:50 | |
will go to the charities of their choice, so without further ado, | 0:41:50 | 0:41:53 | |
let's find out who is | 0:41:53 | 0:41:55 | |
today's Put Your Money Where Your Mouth Is champion. | 0:41:55 | 0:41:59 | |
-Mr John Cameron! -Eric! How are you? | 0:41:59 | 0:42:01 | |
I'm all right. I'm very well. | 0:42:01 | 0:42:03 | |
What about this... | 0:42:03 | 0:42:04 | |
this railwayana that you bought at the auction? | 0:42:04 | 0:42:08 | |
Well, the market's not buoyant. | 0:42:08 | 0:42:10 | |
I did manage to turn a small profit. | 0:42:10 | 0:42:12 | |
Now you bought a lot of pictures at the end of the sale. | 0:42:12 | 0:42:15 | |
How did you get on with those? | 0:42:15 | 0:42:17 | |
I had the most fun | 0:42:17 | 0:42:18 | |
with the local view, with the Thames at Marlow, | 0:42:18 | 0:42:21 | |
because I actually tracked down the granddaughter | 0:42:21 | 0:42:24 | |
of the man who painted it around about 1898. | 0:42:24 | 0:42:27 | |
Only you, Eric, could track down the granddaughter of the artist. | 0:42:27 | 0:42:30 | |
So shall we see who the auction king is? | 0:42:30 | 0:42:34 | |
Go on. All right. Are you ready? | 0:42:34 | 0:42:36 | |
One, two, three... | 0:42:36 | 0:42:38 | |
-Oh! -Oh, Eric! | 0:42:39 | 0:42:42 | |
You are the man. | 0:42:42 | 0:42:43 | |
Pass me that crown! Well, there you are. | 0:42:43 | 0:42:46 | |
And every cloud has a silver lining. | 0:42:46 | 0:42:48 | |
In your case, I'm buying. Come on. | 0:42:48 | 0:42:51 | |
Teach me about pictures, Eric. | 0:42:51 | 0:42:52 | |
So it's a convincing win for Knocker today. | 0:42:52 | 0:42:55 | |
John managed to sell his railway sign for £145, | 0:42:55 | 0:42:59 | |
making him a very respectable £52.44 profit. | 0:42:59 | 0:43:03 | |
-I'm happy with that. I think we can have a shake on that. -Lovely. | 0:43:03 | 0:43:07 | |
But it wasn't enough to win him the game. | 0:43:07 | 0:43:09 | |
Eric turned out to be the auction master. | 0:43:09 | 0:43:12 | |
He said it was a case of the hare and the tortoise | 0:43:12 | 0:43:15 | |
and he did pip me at the post. | 0:43:15 | 0:43:17 | |
He bought more items, he sold more items and he made more profit. | 0:43:17 | 0:43:20 | |
Well done, Eric. I'm pleased for you. | 0:43:20 | 0:43:23 | |
Well, I think it's fair to say | 0:43:23 | 0:43:24 | |
that the auction rooms are my sort of natural habitat. | 0:43:24 | 0:43:27 | |
In fact, I spent 30-odd years of my life working for one. | 0:43:27 | 0:43:31 | |
What wasn't usual for me was buying pictures, | 0:43:31 | 0:43:34 | |
but I'm glad I did because if nothing else, | 0:43:34 | 0:43:37 | |
I managed to see off the lad. | 0:43:37 | 0:43:39 | |
Eric has struck a blow to The Hammer today, | 0:43:39 | 0:43:42 | |
but things could all change tomorrow as our dealers battle it out | 0:43:42 | 0:43:46 | |
at a car boot sale in Hertfordshire. | 0:43:46 | 0:43:48 | |
Subtitles by Red Bee Media Ltd | 0:44:09 | 0:44:12 |