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this is Put Your Money Where Your Mouth is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best loved antiques experts against each other | 0:00:04 | 0:00:08 | |
in an all-out battle for profit. | 0:00:08 | 0:00:11 | |
I'm a double your money girl. | 0:00:11 | 0:00:13 | |
And gives you the insiders' view of the trade. | 0:00:13 | 0:00:16 | |
You've got to be in it to win it. | 0:00:16 | 0:00:19 | |
Each week, one pair of duelling dealers | 0:00:19 | 0:00:22 | |
will face a different daily challenge. Lovely! | 0:00:22 | 0:00:25 | |
We've got some work to do. | 0:00:25 | 0:00:26 | |
Putting their own money and their hard earned reputations on the line. | 0:00:26 | 0:00:31 | |
As they see who can make the most money from buying and selling. | 0:00:31 | 0:00:35 | |
Get in there! | 0:00:37 | 0:00:38 | |
Get ready for a rip-roaring rollercoaster ride. | 0:00:40 | 0:00:43 | |
-Fifteen! -No, no! | 0:00:43 | 0:00:44 | |
It's the Put Your Money Where Your Mouth showdown! | 0:00:44 | 0:00:47 | |
The greatest challenge our experts have faced yet. | 0:00:47 | 0:00:51 | |
Our sparring Spartans of the antiques trade | 0:00:51 | 0:00:54 | |
will be tested to the absolute limit. | 0:00:54 | 0:00:56 | |
Go away! | 0:00:56 | 0:00:57 | |
That's very cruel! | 0:00:57 | 0:00:59 | |
As their challenge to scour the length and breadth of the country | 0:00:59 | 0:01:02 | |
and continent to find antiques and collectables to sell on for profit. | 0:01:02 | 0:01:07 | |
-Coming up: Charlie shows why they call him 'the charmer'. -Two kisses! | 0:01:10 | 0:01:13 | |
It's a tough day at the office for Katherine the Great. | 0:01:13 | 0:01:16 | |
That was the longest deal I have ever done in my entire life. | 0:01:16 | 0:01:20 | |
What rubbish have you got there? | 0:01:20 | 0:01:23 | |
And broadcaster Peter Snow gives Charlie a tough time. | 0:01:23 | 0:01:26 | |
-You won't take 10? -No. | 0:01:26 | 0:01:29 | |
It's Put Your Money Where Your Mouth Is. | 0:01:29 | 0:01:32 | |
Welcome to the showdown. | 0:01:45 | 0:01:47 | |
Pitting two of our most highly honed antiques experts | 0:01:47 | 0:01:50 | |
against each other in the ultimate of challenges. | 0:01:50 | 0:01:54 | |
Our intrepid warriors are two of the antiques world's | 0:01:54 | 0:01:57 | |
most prestigious professionals. | 0:01:57 | 0:02:00 | |
It's the Titian Titan of 20th-century collectables... | 0:02:00 | 0:02:03 | |
Going up against our dapper debonair don of the auctioneering world... | 0:02:06 | 0:02:10 | |
This colossal challenge will test their knowledge | 0:02:14 | 0:02:17 | |
and stamina to the absolute limits, | 0:02:17 | 0:02:20 | |
so let's find out what's in store. | 0:02:20 | 0:02:23 | |
-Katherine! -Mr Ross. | 0:02:23 | 0:02:25 | |
-How are you? -I'm ready for action. | 0:02:25 | 0:02:27 | |
Have you got a little envelope? | 0:02:27 | 0:02:29 | |
-I've got a big envelope. -Open it. | 0:02:29 | 0:02:31 | |
I don't know what your says, mine says: "Katherine and Charlie. | 0:02:31 | 0:02:34 | |
Welcome to your final and biggest challenge yet. | 0:02:34 | 0:02:38 | |
-The showdown. -Da-da-dum! | 0:02:38 | 0:02:41 | |
You must buy eight items during your regular Put Your Money challenges. | 0:02:41 | 0:02:44 | |
You have to buy two at each event. | 0:02:44 | 0:02:47 | |
You can spend up to £1,000 of your own money. | 0:02:47 | 0:02:52 | |
You can each sell up to 4 items | 0:02:52 | 0:02:55 | |
wherever you want. | 0:02:55 | 0:02:57 | |
The remaining items will go into an auction. | 0:02:57 | 0:02:59 | |
Your auction is in Gloucestershire, approximately 12 weeks from now, | 0:02:59 | 0:03:03 | |
in direct competition with your opponent. | 0:03:03 | 0:03:07 | |
-That's me. -Beware. | 0:03:07 | 0:03:08 | |
Choose your items wisely, because the winner | 0:03:08 | 0:03:11 | |
will be the one who makes the most profit. | 0:03:11 | 0:03:13 | |
-Me! -Me. | 0:03:13 | 0:03:16 | |
-I'm off to spend my £1,000! -Bye! | 0:03:16 | 0:03:19 | |
Both our antiques giants have £1,000 of their own money to spend | 0:03:21 | 0:03:25 | |
including any restoration, repairs and buying fees. | 0:03:25 | 0:03:28 | |
So, it's a fierce competition, but who will make the most profit? | 0:03:28 | 0:03:33 | |
My time is seriously running out. | 0:03:33 | 0:03:35 | |
I simply can't stop! | 0:03:35 | 0:03:37 | |
Our battling bargaineers must buy two items | 0:03:37 | 0:03:39 | |
at each of their usual hunting grounds. | 0:03:39 | 0:03:42 | |
A UK antiques fair, | 0:03:42 | 0:03:44 | |
an auction, | 0:03:44 | 0:03:46 | |
a car boot sale | 0:03:46 | 0:03:48 | |
and a foreign antiques market. | 0:03:48 | 0:03:50 | |
First up, is the Battersea car boot sale in London. | 0:03:53 | 0:03:57 | |
Our duelling duo meet at high noon | 0:03:57 | 0:04:01 | |
in the shadow of that famous powerstation | 0:04:01 | 0:04:04 | |
to battle their way through a sea of stalls. | 0:04:04 | 0:04:06 | |
Of all the buying environments, | 0:04:06 | 0:04:08 | |
this one should have the cheapest items | 0:04:08 | 0:04:11 | |
and therefore, could also offer the biggest potential profit margin. | 0:04:11 | 0:04:15 | |
Which of our boot sale buccaneers will be first to grab a buy? | 0:04:15 | 0:04:19 | |
19th-century pot lids. | 0:04:19 | 0:04:22 | |
Prattware, Staffordshire, printed figures | 0:04:22 | 0:04:24 | |
and here we have another one. | 0:04:24 | 0:04:28 | |
This looks like the village fair or something like that. | 0:04:28 | 0:04:31 | |
And I will ask the price, | 0:04:31 | 0:04:33 | |
in the hope that they're very cheap! How much are they? | 0:04:33 | 0:04:37 | |
-They're not very cheap at all. -They're not very cheap? | 0:04:37 | 0:04:40 | |
-Everything's relative. How much are they? -£20 each. -£20 each? | 0:04:40 | 0:04:44 | |
Would you take £20 for the two of them? For me? | 0:04:44 | 0:04:47 | |
-No, no. -£30 for the two? | 0:04:47 | 0:04:49 | |
-25? -No,28. -28 for the two? | 0:04:52 | 0:04:55 | |
-And go away! -Go away? | 0:04:55 | 0:04:58 | |
That's very cruel to say that to an old man! I'll have those for 28. | 0:04:59 | 0:05:03 | |
So, The Charmer's away and that's an uppercut | 0:05:03 | 0:05:06 | |
that Katherine The Great didn't see coming. | 0:05:06 | 0:05:07 | |
But Charlie is merciless | 0:05:07 | 0:05:10 | |
and swiftly lands another punch. | 0:05:10 | 0:05:12 | |
Punch cartoon books. | 0:05:12 | 0:05:14 | |
1875. | 0:05:14 | 0:05:16 | |
They're great, great reading. | 0:05:16 | 0:05:18 | |
What some people do, which is a bit of a crime of course, | 0:05:18 | 0:05:21 | |
is that they cut out these and put them in frames. | 0:05:21 | 0:05:24 | |
How much would you like for these? | 0:05:24 | 0:05:26 | |
-I don't know. Make me an offer on them. -Fiver? -For the two? | 0:05:26 | 0:05:30 | |
-Yeah. -No - a fiver each and you can have them. | 0:05:30 | 0:05:32 | |
-I think I could sell them for ten quid, possibly 15 quid. -Each? | 0:05:32 | 0:05:37 | |
-No, no if I could sell them for 10 quid each... -Eight quid, then. | 0:05:37 | 0:05:40 | |
Eight pounds? Its history isn't it? | 0:05:40 | 0:05:43 | |
It's history. | 0:05:43 | 0:05:44 | |
And I'm going to spend eight quid on my two Punch annuals. | 0:05:44 | 0:05:48 | |
And the charmer's got two buys in his pocket | 0:05:48 | 0:05:51 | |
before the Great One's even got her purse out. | 0:05:51 | 0:05:53 | |
But, Katherine could be about to enter the fray. | 0:05:53 | 0:05:57 | |
We're in the Interwar period, we're with Myott, | 0:05:59 | 0:06:02 | |
a British pottery firm, here, but in my mind, | 0:06:02 | 0:06:05 | |
it's the firm that's maybe | 0:06:05 | 0:06:08 | |
the next Clarice Cliff | 0:06:08 | 0:06:10 | |
and I think it's an underrated firm. | 0:06:10 | 0:06:12 | |
And while Charlie's been sure about his purchases, | 0:06:12 | 0:06:16 | |
our Red Queen is in a spin, | 0:06:16 | 0:06:17 | |
with so much pottery to choose from, our heroine is in a haze of confusion. | 0:06:17 | 0:06:22 | |
Instead of choosing just two, she buys three! | 0:06:22 | 0:06:25 | |
Hang on! | 0:06:25 | 0:06:27 | |
That's against the rules! | 0:06:27 | 0:06:29 | |
The rules say that I'm only allowed to buy two pieces | 0:06:29 | 0:06:34 | |
at each event for my showdown. | 0:06:34 | 0:06:36 | |
OK, so one, two, three. | 0:06:36 | 0:06:39 | |
I've gone wrong already. OK, sorry Charlie! | 0:06:39 | 0:06:41 | |
What I'm going to do is | 0:06:41 | 0:06:43 | |
keep two pieces for my showdown, | 0:06:43 | 0:06:46 | |
this jug and this jug. | 0:06:46 | 0:06:48 | |
And give that to my mother. | 0:06:48 | 0:06:51 | |
And then I haven't broken the rules at all! Back on track. | 0:06:51 | 0:06:55 | |
So, with the £30 cost of the jug for her mum set aside, | 0:06:55 | 0:06:59 | |
Katherine has shelled out £145 in total | 0:06:59 | 0:07:02 | |
for the two remaining pieces of pottery. | 0:07:02 | 0:07:05 | |
With two items apiece, | 0:07:05 | 0:07:07 | |
let's see how much our booty bandits have spent so far. | 0:07:07 | 0:07:11 | |
They each had a budget of £1,000 of their own money to spend. | 0:07:11 | 0:07:15 | |
Charlie 'The Charmer' Ross has started stealthily, | 0:07:15 | 0:07:19 | |
spending only £36, | 0:07:19 | 0:07:20 | |
leaving him a very healthy £964 | 0:07:20 | 0:07:23 | |
for his remaining six purchases. | 0:07:23 | 0:07:25 | |
Katherine 'The Great' Higgins splashed out a bit for a boot fair. | 0:07:25 | 0:07:29 | |
£145 for her two items, | 0:07:29 | 0:07:32 | |
leaving her with £855 to spend. | 0:07:32 | 0:07:36 | |
They've both saved the lion's share of their lucre for later, | 0:07:36 | 0:07:39 | |
which is good news, because they've got three rounds to get through. | 0:07:39 | 0:07:43 | |
And so, to round two. The auction. | 0:07:43 | 0:07:47 | |
And it's time for our mighty marauders to cross swords | 0:07:47 | 0:07:51 | |
at Sworder's saleroom in the Essex town of Stansted Mountfichet. | 0:07:51 | 0:07:54 | |
With a mammoth 845 lots there for the taking, | 0:07:54 | 0:07:58 | |
it's who dares wins as they aim to bag two more items | 0:07:58 | 0:08:02 | |
for their showdown spectacular. | 0:08:02 | 0:08:04 | |
With his decades of experience, bashing the gavel, | 0:08:04 | 0:08:08 | |
this is The Charmer's home territory. | 0:08:08 | 0:08:12 | |
But how will he fare on the other side of the hammer? | 0:08:12 | 0:08:14 | |
And can our thoroughly modern mistress of miscellanea give him a run for his money? | 0:08:14 | 0:08:18 | |
As the auction bangs into action, | 0:08:18 | 0:08:21 | |
The Charmer is first to make a move, | 0:08:21 | 0:08:23 | |
bagging some Victoriana, by bidding on an oak stationery cabinet. | 0:08:23 | 0:08:29 | |
-Thank you, sir. 507. -Thank you. That'll do. | 0:08:29 | 0:08:31 | |
So, The Charmer takes home the stationery cabinet | 0:08:31 | 0:08:33 | |
for £173.60, including commission. | 0:08:33 | 0:08:38 | |
I'm thrilled with this lot. | 0:08:39 | 0:08:41 | |
It's late Victorian, | 0:08:41 | 0:08:43 | |
or even just Edwardian. | 0:08:43 | 0:08:45 | |
It has got here, a registration number, | 0:08:45 | 0:08:48 | |
so we can date it to the nearest year, | 0:08:48 | 0:08:51 | |
but what I like about it | 0:08:51 | 0:08:53 | |
is the quality - A and the condition - B. | 0:08:53 | 0:08:57 | |
And look what it does. | 0:08:57 | 0:08:59 | |
You've got the most wonderful writing slope here, | 0:08:59 | 0:09:02 | |
you've got an extra little compartment under there | 0:09:02 | 0:09:07 | |
and these swing out | 0:09:07 | 0:09:08 | |
and provide you with more space. | 0:09:08 | 0:09:12 | |
It's just as the day it was made. | 0:09:12 | 0:09:17 | |
-Charlie, clearly delighted by his old school stationery piece. -Nice thing. | 0:09:17 | 0:09:21 | |
But what does the Great Lady make of it? | 0:09:21 | 0:09:23 | |
Charlie, what's this? | 0:09:23 | 0:09:25 | |
You know, everyone's got them. | 0:09:25 | 0:09:28 | |
When did you last write a letter? | 0:09:28 | 0:09:30 | |
So, a damning verdict from our mistress of the modern. | 0:09:30 | 0:09:34 | |
She's clearly up for a scrap | 0:09:34 | 0:09:36 | |
and she's prepared to go to any lengths to secure a victory, | 0:09:36 | 0:09:40 | |
including buying something really old. | 0:09:40 | 0:09:42 | |
An 18th-century print, which she gets for £55.80, | 0:09:42 | 0:09:45 | |
including commission. | 0:09:45 | 0:09:47 | |
This is a remarkable picture, for so little money. | 0:09:49 | 0:09:52 | |
I must be able to make a profit on it. | 0:09:52 | 0:09:54 | |
With her first buy bagged, the Great One | 0:09:54 | 0:09:58 | |
is audaciously straying further into Charmer territory, | 0:09:58 | 0:10:00 | |
with her next choice. A piece of furniture she eyed up earlier. | 0:10:00 | 0:10:04 | |
It's described as a small Victorian sofa on turned legs. | 0:10:05 | 0:10:08 | |
It doesn't say three turned legs but it actually has got turned legs | 0:10:08 | 0:10:13 | |
but one caster missing. No estimate. | 0:10:13 | 0:10:14 | |
That means effectively to go. That means it hasn't got a reserve. | 0:10:14 | 0:10:17 | |
It could go for anything. It could go for £5, £10. | 0:10:17 | 0:10:20 | |
That's the kind of attractive sign to me, | 0:10:20 | 0:10:22 | |
that I could get it quite cheap. | 0:10:22 | 0:10:25 | |
And as the hammer goes down, it's sofa so good for Katherine. | 0:10:26 | 0:10:31 | |
She pays £124 including commission. | 0:10:31 | 0:10:34 | |
Couldn't be better. That is a good buy. | 0:10:36 | 0:10:38 | |
So, Katherine the Great is on top of the world | 0:10:40 | 0:10:42 | |
but as the lots fly by, | 0:10:42 | 0:10:43 | |
Charlie still hasn't found his second purchase. | 0:10:43 | 0:10:47 | |
With time and options running out, | 0:10:47 | 0:10:49 | |
he makes a desperate bid for an item from the land of the rising sun. | 0:10:49 | 0:10:53 | |
At £100. Thank you, sir, £100. 507. | 0:10:55 | 0:10:59 | |
Rosco, what have you done? | 0:10:59 | 0:11:03 | |
Well, Rosco, | 0:11:04 | 0:11:06 | |
what you've done is paid £124 including fees for a Japanese screen. | 0:11:06 | 0:11:10 | |
What can you get these days for 100 quid? | 0:11:10 | 0:11:14 | |
Answer - a knackered Japanese screen. | 0:11:14 | 0:11:18 | |
Nurse, the screens! | 0:11:20 | 0:11:22 | |
With that last-minute panic buy from the charmer, it's time to take | 0:11:22 | 0:11:25 | |
a dip into our towering twosome's purses and see what they've spent so far. | 0:11:25 | 0:11:30 | |
From the £1,000 they started off with, | 0:11:30 | 0:11:35 | |
Charlie has now spent £333.60 leaving him with £666.40 in his showdown kitty. | 0:11:35 | 0:11:42 | |
Katherine, meanwhile, has spent almost £325 | 0:11:42 | 0:11:46 | |
leaving her with just over £675 for the last two rounds. | 0:11:46 | 0:11:51 | |
For the penultimate round of this showdown, | 0:11:55 | 0:11:58 | |
our courageous crusaders will be going into battle | 0:11:58 | 0:12:00 | |
at the Reims Antiques Fair in France's Champagne country. | 0:12:00 | 0:12:04 | |
Armed with only a fistful of euros, they will be taking on | 0:12:04 | 0:12:07 | |
the legion of Gallic stall-holders to capture two showdown items each, | 0:12:07 | 0:12:12 | |
from the creme de la creme of collectibles on sale. | 0:12:12 | 0:12:15 | |
Now, both contenders have well over half their kitties available to spend | 0:12:15 | 0:12:19 | |
so they can afford to, indeed they must, be bold. | 0:12:19 | 0:12:23 | |
-Bonjour. -Bonjour, Charlie. -Madame Higgins. -C'est moi. | 0:12:23 | 0:12:29 | |
-Another leg of the showdown. -All I can say to you is 'screen.' | 0:12:29 | 0:12:34 | |
-Did you say 'scream' or screen?' -I feel nervous for you. | 0:12:34 | 0:12:37 | |
It's worrying me. | 0:12:37 | 0:12:38 | |
Do you not think I'm going to get a profit out of that screen? | 0:12:38 | 0:12:41 | |
-I think the restoration is the issue. -It will be an issue. | 0:12:41 | 0:12:46 | |
-Anyway, I'm going to buy some more things. -Good luck. | 0:12:46 | 0:12:48 | |
-I might find another chaise longue for you. -Divine! | 0:12:48 | 0:12:51 | |
The woman of little taste. | 0:12:51 | 0:12:54 | |
Cutting words from the charmer. | 0:12:54 | 0:12:57 | |
Katherine the Great will be determined to prove she's no soft touch today. | 0:12:57 | 0:13:01 | |
She's got some cuddly toys in her sights | 0:13:01 | 0:13:03 | |
and the keen-eyed queen of collectables has spotted something special among the teddies. | 0:13:03 | 0:13:09 | |
Funnily enough, I've picked a non-bear. | 0:13:10 | 0:13:13 | |
This is a jointed plush monkey by Steiff | 0:13:13 | 0:13:16 | |
and the modelling of the face, the felt on the face is just outstanding. | 0:13:16 | 0:13:21 | |
The plush is raised and lively. | 0:13:21 | 0:13:25 | |
The colour is even on the front and the reverse. Sibyl, soixante-cinq. | 0:13:25 | 0:13:31 | |
So, Katherine captures the Steiff monkey for 30 euros | 0:13:33 | 0:13:36 | |
along with a teddy bear for 35 euros so that's 65 euros for the pair - | 0:13:36 | 0:13:42 | |
that's just over £59. | 0:13:42 | 0:13:44 | |
Hello, my name's Charlie Ross. | 0:13:44 | 0:13:48 | |
With her two showdown items already in the bag, | 0:13:48 | 0:13:52 | |
the pressure's off for the Great One, but what of the rapier-witted charmer? | 0:13:52 | 0:13:57 | |
I've got loads of money left | 0:13:57 | 0:13:59 | |
but there's no point just buying something for the sake of it. | 0:13:59 | 0:14:02 | |
Or is there? | 0:14:02 | 0:14:03 | |
Come on, Charlie, there's no time for swanning about. | 0:14:03 | 0:14:08 | |
It's continental silver. | 0:14:08 | 0:14:09 | |
Pepper shaker. Could be a salt, but no, I think it's a pepper shaker. | 0:14:09 | 0:14:14 | |
You take the bottom off, put the salt in there obviously | 0:14:14 | 0:14:19 | |
and shake away. It could be a pepper pot. I think actually it's quite nicely mottled. | 0:14:19 | 0:14:25 | |
And Charlie swoops with an offer of 30 euros. | 0:14:25 | 0:14:29 | |
Trente? | 0:14:29 | 0:14:31 | |
This man is not moving. This man... | 0:14:31 | 0:14:34 | |
-Monsieur! Quarante. -Quarante. | 0:14:34 | 0:14:39 | |
So Charlie's charm can't sway the stall-holders to drop the price | 0:14:41 | 0:14:44 | |
so it's a sale at 40 euros, which is £36.36. | 0:14:44 | 0:14:48 | |
But there's still one more purchase to seek out amongst the stalls | 0:14:50 | 0:14:53 | |
before the charmer can down tools for the day. | 0:14:53 | 0:14:56 | |
Can he find just the thing to sweeten him up? | 0:14:56 | 0:14:59 | |
My word. As biscuit barrels go, this is pretty amazing. | 0:15:01 | 0:15:08 | |
Gilded decoration and enamel flowers. | 0:15:08 | 0:15:12 | |
That's a pure, pure piece of art nouveau. | 0:15:12 | 0:15:16 | |
-What we need to know is who owns it. -Il est parti au toilette. | 0:15:16 | 0:15:21 | |
He can't give me a price 'cause he's gone to the loo! | 0:15:21 | 0:15:24 | |
That's fair enough, I suppose. | 0:15:24 | 0:15:26 | |
With the stallholder otherwise occupied, | 0:15:26 | 0:15:28 | |
it's down to his mate to do the deal. | 0:15:28 | 0:15:31 | |
Charlie strikes like a hungry panther. | 0:15:31 | 0:15:34 | |
-15. -No, no, no. -15, pour moi! | 0:15:34 | 0:15:39 | |
-15, OK, OK. -Excellent. Quinze euros! | 0:15:39 | 0:15:46 | |
So a sweet deal for Charlie there at £13.64. | 0:15:46 | 0:15:51 | |
This could go in to auction. This could be sold privately. | 0:15:51 | 0:15:55 | |
Either way, there's a thumping good profit in it. | 0:15:55 | 0:15:58 | |
Round three is now over and our antiques legionnaires | 0:15:58 | 0:16:02 | |
return from the front line of France and back to Blighty | 0:16:02 | 0:16:05 | |
for the all-important final round. | 0:16:05 | 0:16:08 | |
Both our duellists started out with £1,000 of their own money. | 0:16:08 | 0:16:12 | |
Charlie has spent a total of £383.60 | 0:16:12 | 0:16:16 | |
meaning he still has £616.40 in his kitty. | 0:16:16 | 0:16:21 | |
While Katherine has spent £383.89 leaving her £616.11 for round four. | 0:16:21 | 0:16:29 | |
And so begins the final round of buying. | 0:16:31 | 0:16:34 | |
Our two valiant victory seekers have marched on to | 0:16:37 | 0:16:41 | |
the Ardingly antiques market in West Sussex where | 0:16:41 | 0:16:43 | |
their challenge is to each find two profit packers amidst | 0:16:43 | 0:16:48 | |
the 1,500 stalls stuffed with swag. | 0:16:48 | 0:16:50 | |
The plucky charmer is first out of the traps, fighting his way | 0:16:50 | 0:16:53 | |
through the battlefield for a distinctive matchbox holder. | 0:16:53 | 0:16:57 | |
Give us the tools and we will finish the job. What a wonderful thing. | 0:16:58 | 0:17:02 | |
If you want a tenner for that, I'll give you a tenner. | 0:17:02 | 0:17:05 | |
-20 quid, we've got another deal. -I'll give you a tenner. | 0:17:05 | 0:17:07 | |
-Give us your money! -There you are, a tenner, sir. -Thank you, sir. | 0:17:07 | 0:17:11 | |
May I say, it was almost a pleasure to do business with you. | 0:17:11 | 0:17:16 | |
-Thanks very much. -Thank you very much indeed. | 0:17:16 | 0:17:18 | |
So with Charlie declaring all-out war with that patriotic buy, | 0:17:18 | 0:17:21 | |
what can Katherine the Great do to get herself back in the game? | 0:17:21 | 0:17:25 | |
a silver buttonhook has grabbed her attention. | 0:17:25 | 0:17:28 | |
You know me - £10. Too much. | 0:17:28 | 0:17:31 | |
-What can you do on that? -£7. -£7. | 0:17:31 | 0:17:35 | |
-£7, deal done. -Thank you. -Thank you. | 0:17:35 | 0:17:37 | |
It's a sweet little buttonhook. | 0:17:37 | 0:17:40 | |
Just the cusp of the late Victorian - early Edwardian era and very nice. | 0:17:40 | 0:17:46 | |
So with that shrewd silver buy for Katherine, | 0:17:46 | 0:17:49 | |
our titanic twosome are neck-and-neck, | 0:17:49 | 0:17:53 | |
but Charlie's launched into action once more, | 0:17:53 | 0:17:56 | |
charm firing on all cylinders. | 0:17:56 | 0:17:58 | |
The lady wanted £90 but we settled at £50 plus a kiss. | 0:17:58 | 0:18:04 | |
Mwah, mwah! Two kisses! And a hug. | 0:18:04 | 0:18:07 | |
It's quite amazing where kissing can get you. | 0:18:07 | 0:18:13 | |
Got an interesting collection of spoons, this one particularly, | 0:18:13 | 0:18:16 | |
which is an image of a marksman shooting at long range targets here. | 0:18:16 | 0:18:23 | |
It's silver. | 0:18:23 | 0:18:25 | |
They're all hallmarked silver | 0:18:25 | 0:18:27 | |
so I suspect the silver content there, arguably £10 each anyway. | 0:18:27 | 0:18:33 | |
I don't think there's any downside here. | 0:18:33 | 0:18:35 | |
So that's Charlie's final purchase in the bag. | 0:18:35 | 0:18:39 | |
Katherine has still got one buy to make | 0:18:40 | 0:18:42 | |
and she's still got loads of cash left. | 0:18:42 | 0:18:46 | |
She might just need it as she's set her heart on a Victorian riding habit. | 0:18:46 | 0:18:51 | |
-What are you thinking about in terms of price? -We started the day at 750. | 0:18:53 | 0:18:57 | |
I've come down to 650 for you. | 0:18:57 | 0:18:59 | |
I sort of was thinking in the sort of three zone. | 0:18:59 | 0:19:03 | |
It's got to be near 650. | 0:19:03 | 0:19:05 | |
I could go around about 500. | 0:19:05 | 0:19:07 | |
-I could get it down to 620. -525? | 0:19:07 | 0:19:10 | |
I'm sorry but it's got to be 600. | 0:19:10 | 0:19:13 | |
I'm going to have to say I wish you very good luck with it. | 0:19:13 | 0:19:16 | |
-That's OK. 580 any good? -Oh, 530. -I can do 560. | 0:19:16 | 0:19:21 | |
-540, you've got a deal. -I won't argue a tenner so thank you. | 0:19:21 | 0:19:27 | |
Good old boy. | 0:19:27 | 0:19:28 | |
That was the longest deal I have ever done in my entire life | 0:19:28 | 0:19:32 | |
and it's the most I've spent. | 0:19:32 | 0:19:33 | |
What we've got is a late 19th century riding habit. | 0:19:33 | 0:19:37 | |
The thing the Victorian lady with means behind her would have worn. | 0:19:37 | 0:19:43 | |
It's made out of the most exquisite cotton velvet. | 0:19:43 | 0:19:45 | |
Everything about it is original - untouched, unrepaired. | 0:19:45 | 0:19:50 | |
It is absolutely glorious. | 0:19:50 | 0:19:53 | |
With a lot riding on that purchase for Katherine, | 0:19:53 | 0:19:57 | |
round four comes to an end. | 0:19:57 | 0:19:59 | |
Our intrepid antiques adventurers have now purchased all their showdown items. | 0:19:59 | 0:20:04 | |
Time to assess their spending. | 0:20:04 | 0:20:06 | |
Our duelling duo started this epic showdown | 0:20:08 | 0:20:10 | |
with £1,000 of their own cash to buy eight items. | 0:20:10 | 0:20:14 | |
At close of play, Charlie's not even spent half his kitty | 0:20:14 | 0:20:17 | |
with a total outlay of £443.60. | 0:20:17 | 0:20:22 | |
While Katherine has thrown caution to the winds. | 0:20:22 | 0:20:24 | |
She spent a massive £930.89. | 0:20:24 | 0:20:29 | |
Before our battling buccaneers can go their separate ways, | 0:20:29 | 0:20:33 | |
there's just time for them to assess each other's weapons of war | 0:20:33 | 0:20:36 | |
and Katherine's most expensive buy is the main talking point. | 0:20:36 | 0:20:41 | |
£540! For a bit of cloth? Educate me, darling, educate me. | 0:20:43 | 0:20:48 | |
It is the most fantastic Victorian riding habit that you will ever see. | 0:20:48 | 0:20:52 | |
It's just really good quality piece. What's this? | 0:20:52 | 0:20:56 | |
This - you know what it is. | 0:20:56 | 0:20:58 | |
My hero who died in 1965, and I think it's great. | 0:20:58 | 0:21:04 | |
Great, great. In the immortal words of the great man, | 0:21:04 | 0:21:08 | |
I shall fight you in the saleroom | 0:21:08 | 0:21:12 | |
and I shall never, ever surrender. | 0:21:12 | 0:21:17 | |
Is he for real? | 0:21:18 | 0:21:19 | |
Our tireless troopers return to base | 0:21:23 | 0:21:24 | |
where they must refocus all their energies | 0:21:24 | 0:21:27 | |
into selling their items | 0:21:27 | 0:21:29 | |
in order to achieve the highest possible profits. | 0:21:29 | 0:21:32 | |
The dealer with the most money will take the title | 0:21:32 | 0:21:35 | |
but this is the showdown and it's not quite that simple. | 0:21:35 | 0:21:38 | |
Both our dealers have eight items to sell and at least four of them | 0:21:38 | 0:21:42 | |
must be sold at auction without any reserve price. | 0:21:42 | 0:21:45 | |
It's a white-knuckle ride where our competitors might win big | 0:21:45 | 0:21:49 | |
or they might make cruel losses. | 0:21:49 | 0:21:51 | |
Both our experts must start by carefully selecting which items | 0:21:52 | 0:21:55 | |
they think will gain the most under the gavel. | 0:21:55 | 0:21:58 | |
I think the biscuit barrel will sell at auction. | 0:21:58 | 0:21:59 | |
Guilt spelter mounts, fabulous enamelling | 0:22:01 | 0:22:05 | |
and I also bought the little salt in the form of a swan. | 0:22:05 | 0:22:08 | |
Thrilled about that. It's silver, Continental silver, | 0:22:08 | 0:22:11 | |
but I think, again, an easy thing to sell. | 0:22:11 | 0:22:14 | |
The big Japanese screen which I'm going to put into auction. | 0:22:14 | 0:22:19 | |
I might just tart it up a bit myself. | 0:22:19 | 0:22:22 | |
I'm going to risk the pot lids at auction. Are they saleable any more? | 0:22:22 | 0:22:25 | |
Possibly not as saleable as they used to be. | 0:22:25 | 0:22:29 | |
And which items will the Great One be putting under the hammer? | 0:22:29 | 0:22:32 | |
I've decided my little silver buttonhook is going to be | 0:22:32 | 0:22:36 | |
perfect auction material. | 0:22:36 | 0:22:39 | |
Also, that little Steiff monkey. He will sit very nicely in the sale. | 0:22:39 | 0:22:44 | |
My ceramics will tempt auction buyers so that's the right place for them. | 0:22:44 | 0:22:49 | |
It's all going to come down to that last day at the auction. | 0:22:51 | 0:22:55 | |
Miss Higgins, I'll meet you there and I'm throwing down the gauntlet now. | 0:22:55 | 0:23:02 | |
Oh, watch out, Katherine. The charmer means business. | 0:23:02 | 0:23:05 | |
Before the action at the auction kicks off, our memorabilia maestros | 0:23:05 | 0:23:09 | |
have items that they need to find private buyers for. | 0:23:09 | 0:23:13 | |
Charlie needs to shift four solid silver spoons, | 0:23:13 | 0:23:16 | |
a Winston Churchill matchbox holder, a Victorian stationery box | 0:23:16 | 0:23:21 | |
and two 19th century Punch cartoon books. | 0:23:21 | 0:23:25 | |
Katherine will have to find a home for the Bolton Castle print, | 0:23:25 | 0:23:29 | |
the Victorian chaise longue, a Victorian ladies riding habit | 0:23:29 | 0:23:33 | |
and a vintage teddy bear. | 0:23:33 | 0:23:35 | |
But both our dealers know that until they've shaken on it | 0:23:35 | 0:23:38 | |
and the money's changed hands, no deal is truly sealed. | 0:23:38 | 0:23:41 | |
Our vintage virtuosos hit the phones | 0:23:41 | 0:23:45 | |
and it's Charlie who's first out of the traps. | 0:23:45 | 0:23:48 | |
He's been using his VIP contacts book | 0:23:48 | 0:23:50 | |
to target the ideal buyer for his boot sale bargain books. | 0:23:50 | 0:23:53 | |
Well, here I am on the outskirts of London, | 0:23:55 | 0:23:57 | |
clutching two priceless tomes of Punch cartoons. | 0:23:57 | 0:24:01 | |
I hope I'm going to be selling those to Peter Snow, | 0:24:01 | 0:24:04 | |
a well-known television personality. | 0:24:04 | 0:24:07 | |
Will I make a profit? Will I make a loss? Well, it's for you to guess. | 0:24:07 | 0:24:13 | |
Charles Ross, BBC News, somewhere near London. | 0:24:13 | 0:24:17 | |
-Peter, how lovely to see you! -Charlie, nice to see you too. | 0:24:17 | 0:24:20 | |
-Look what I've got for you. -I can see they look like Punches. | 0:24:20 | 0:24:24 | |
-They are. -Punch volumes. -As I think I said you in my email, | 0:24:24 | 0:24:27 | |
I thought these might interest you, the satire of the whole thing. | 0:24:27 | 0:24:31 | |
-Oh my goodness. -One of these volumes is 1869. | 0:24:31 | 0:24:35 | |
-The other one I think is 1875. -Right. | 0:24:35 | 0:24:40 | |
I just wondered if I could sell them to you. | 0:24:41 | 0:24:43 | |
-Well, I mean, what do you want? -I thought £30 for the two. | 0:24:43 | 0:24:49 | |
30 quid for a couple of scruffy old leather volumes? | 0:24:49 | 0:24:52 | |
-What about a fiver for the two? -What about 25? | 0:24:52 | 0:24:55 | |
-Oh, go on, I'll give you £8. -20? -You won't take 10? | 0:24:55 | 0:24:59 | |
No. £15. It's a deal! | 0:24:59 | 0:25:04 | |
Fantastic. | 0:25:04 | 0:25:05 | |
Charlie starts with a small but punchy profit of £7 on the satirical scripts. | 0:25:05 | 0:25:11 | |
Surely something to smile about. | 0:25:11 | 0:25:13 | |
Katherine the great sets off on her selling campaign | 0:25:14 | 0:25:18 | |
by journeying to Bolton Castle, | 0:25:18 | 0:25:20 | |
the location that features on the 18th century print she bought at auction. | 0:25:20 | 0:25:25 | |
She's tracked down Tom, who is the son of the eighth Lord Bolton. | 0:25:25 | 0:25:29 | |
-Does it look familiar? -Gosh, that's beautiful. | 0:25:29 | 0:25:32 | |
It's certainly Bolton Castle. | 0:25:32 | 0:25:34 | |
I think there's a bit of artistic licence. | 0:25:34 | 0:25:38 | |
It's got the rivers painted very close up to the castle, | 0:25:38 | 0:25:41 | |
which obviously it's about a mile away. | 0:25:41 | 0:25:43 | |
No, it couldn't be anywhere else, I don't think. | 0:25:43 | 0:25:45 | |
I'm delighted you've managed to bring it home. | 0:25:45 | 0:25:49 | |
What do you think it's worth, you're the expert. | 0:25:49 | 0:25:51 | |
I would love to hover around about the £300 mark. | 0:25:51 | 0:25:56 | |
-I think that would be fair. -I'd certainly like it to be here. | 0:25:56 | 0:25:59 | |
I was going to say 250 but perhaps we could meet somewhere in the middle. | 0:25:59 | 0:26:03 | |
-How about 280, that sort of figure? -280 sounds great to me. | 0:26:03 | 0:26:09 | |
-Great, lovely. -It's a really beautiful painting. | 0:26:09 | 0:26:12 | |
What a stunning result for our red-haired raider. | 0:26:12 | 0:26:15 | |
It's a profit of £224.20 on the print, | 0:26:15 | 0:26:18 | |
which must surely worry Charlie. | 0:26:18 | 0:26:21 | |
Talking of whom, where is our dapper chappie? | 0:26:21 | 0:26:23 | |
Dr Livingstone, I presume. | 0:26:28 | 0:26:30 | |
You may think I'm in the Amazon but I'm looking for an explorer | 0:26:30 | 0:26:35 | |
who spends most of his life in the Amazon. | 0:26:35 | 0:26:37 | |
He wants to buy my wonderful box, for some reason, | 0:26:37 | 0:26:40 | |
but I'm not in the Amazon, am I? | 0:26:40 | 0:26:43 | |
I'm in Chiswick. | 0:26:43 | 0:26:45 | |
And he's headed for the house of professional explorer, Mark. | 0:26:46 | 0:26:51 | |
-It's quite lucky to find you in, isn't it? -It is, it is. | 0:26:51 | 0:26:54 | |
Aren't you supposed to be in the Amazon basin of something? | 0:26:54 | 0:26:56 | |
Been there, done that. | 0:26:56 | 0:26:58 | |
You must have some heroes. | 0:26:58 | 0:27:00 | |
Richard Francis Burton and John Hanning Speke. | 0:27:00 | 0:27:03 | |
They are most famous for searching for the source of the Nile. | 0:27:03 | 0:27:06 | |
That was back in the 1800s. | 0:27:06 | 0:27:09 | |
You'd see this as a connection historically? | 0:27:09 | 0:27:13 | |
Definitely. They would set up camp or their porters would | 0:27:13 | 0:27:17 | |
and they would record their observations, whatever findings, on something exactly like this. | 0:27:17 | 0:27:21 | |
For me, the link is huge. | 0:27:21 | 0:27:23 | |
-You're happy to buy it? -I am, depending on price. -Depending on price. | 0:27:23 | 0:27:27 | |
-Of course. -I'd like £300 for it. | 0:27:27 | 0:27:30 | |
I can give you £100 for this box, Mr Ross. | 0:27:30 | 0:27:31 | |
I have to tell you that that's less than I paid for it. | 0:27:31 | 0:27:35 | |
275? | 0:27:35 | 0:27:37 | |
-250 quid, how about that? -200 really would be my limit. | 0:27:39 | 0:27:42 | |
-Could I squeeze you to 220? -I don't think you could. | 0:27:42 | 0:27:46 | |
Maybe at 210. It just gives me slightly... | 0:27:46 | 0:27:48 | |
-I could do 210. -Could you do 210? -I can do 210. | 0:27:48 | 0:27:51 | |
It's a slim profit but I'm thrilled to know where it's going. | 0:27:51 | 0:27:55 | |
-Thank you, sir. -Thanks, Mark. -Perfect. | 0:27:55 | 0:27:57 | |
A tough haggle gives the charmer an adventurous profit of £36.40 for the stationery box. | 0:27:58 | 0:28:04 | |
And now, it's do or die time for Katherine the Great. | 0:28:06 | 0:28:09 | |
She's got to sell her most costly buy - the Victorian riding ensemble | 0:28:09 | 0:28:14 | |
that she bought for a whacking £540 at the Ardingly Antiques Fair. | 0:28:14 | 0:28:19 | |
-I brought you this. Lovely to meet you. -And you. | 0:28:19 | 0:28:22 | |
She's hoping that Kate at a costume hire company in Hazelmere | 0:28:22 | 0:28:25 | |
will share her enthusiasm. | 0:28:25 | 0:28:27 | |
This is - I think it's amazing - | 0:28:27 | 0:28:30 | |
it's like being in an Aladdin's cave or Mr Benn's shop. | 0:28:30 | 0:28:35 | |
We've often been called Mr Benn's shop. It's great fun. | 0:28:35 | 0:28:39 | |
I've brought you the very best of Victorian velvet. | 0:28:39 | 0:28:43 | |
It is a sumptuous treat actually. | 0:28:43 | 0:28:46 | |
It's absolutely gorgeous. The shape of it is lovely. | 0:28:46 | 0:28:50 | |
I would love you to have it. The question is whether or not... | 0:28:50 | 0:28:56 | |
-The price. -Yes. | 0:28:56 | 0:28:57 | |
I would like to think that around about 600 was right | 0:28:57 | 0:29:01 | |
but that's your call on how you play that one. | 0:29:01 | 0:29:05 | |
That would probably be a bit too much for me. | 0:29:05 | 0:29:09 | |
-I would say 550. -OK. | 0:29:09 | 0:29:13 | |
If we could go to 560, I'd be a very happy lady. | 0:29:13 | 0:29:17 | |
It's beautiful. | 0:29:17 | 0:29:19 | |
-Oh, go on then, it is lovely. It is gorgeous. -Great. | 0:29:19 | 0:29:21 | |
-I think shake on it. -Definitely. | 0:29:21 | 0:29:24 | |
So it was a big gamble that didn't quite pay off for Katherine, | 0:29:24 | 0:29:27 | |
giving her just £20 in profit. | 0:29:27 | 0:29:30 | |
That would surely cheer Charlie on for his next item. | 0:29:30 | 0:29:34 | |
The Winston Churchill matchbox holder he got for just £10 at the boot fair. | 0:29:37 | 0:29:41 | |
He's headed to London as he's hoping that his friend Roger | 0:29:41 | 0:29:45 | |
will be the man to take it off his hands. | 0:29:45 | 0:29:47 | |
Where better to meet than at the English Speaking Union | 0:29:47 | 0:29:50 | |
where Churchill once held the role of chairman. | 0:29:50 | 0:29:54 | |
You are, after all, the man in my eyes that looks | 0:29:54 | 0:29:57 | |
more like Churchill than anybody else I've ever met. | 0:29:57 | 0:30:01 | |
-Look at that. -Isn't that fun? -That's rather sweet, isn't it? | 0:30:01 | 0:30:05 | |
It's a little matchbox case from I think 1941. | 0:30:05 | 0:30:10 | |
It's got some wonderful quotes, not only from Churchill, | 0:30:10 | 0:30:13 | |
but also from Roosevelt. | 0:30:13 | 0:30:16 | |
Yes. "Put your confidence in us." What's it worth? | 0:30:16 | 0:30:20 | |
Priceless of course, isn't it, if that is his burn. | 0:30:20 | 0:30:24 | |
It must be worth thousands. | 0:30:24 | 0:30:25 | |
You've bought it for about 10p in a car boot sale. | 0:30:25 | 0:30:27 | |
I paid more than 10p for it. 40 quid. | 0:30:27 | 0:30:30 | |
-Don't think I heard you quite right. -Didn't you? | 0:30:30 | 0:30:33 | |
HE LAUGHS | 0:30:33 | 0:30:35 | |
-What do you reckon? -30? -What about 35 quid? Meet me in the middle. | 0:30:35 | 0:30:39 | |
How about the number of times I played for England at hockey? | 0:30:39 | 0:30:42 | |
-How many was that? -31. | 0:30:42 | 0:30:44 | |
Oh, what a pity you didn't play 100 times. | 0:30:44 | 0:30:48 | |
Listen, 153 goals but I'm not paying that for it. | 0:30:48 | 0:30:51 | |
-I'll tell you what, I'll settle at 33. -Go on. | 0:30:51 | 0:30:54 | |
Brilliant. | 0:30:54 | 0:30:55 | |
So it's a best of British profit of £23 for the Churchill matchbox holder. | 0:30:55 | 0:31:00 | |
Charlie's least favourite item of his opponent's selection is next on her selling list. | 0:31:00 | 0:31:04 | |
Katherine is hoping that the Victorian chaise longue | 0:31:04 | 0:31:07 | |
she bought at auction will be just the thing to inspire | 0:31:07 | 0:31:11 | |
furniture restorer and upholsterer Sarah Louise. | 0:31:11 | 0:31:15 | |
-Hello. -Hi. | 0:31:15 | 0:31:17 | |
-Wow. -What do you think? -It's lovely. | 0:31:17 | 0:31:20 | |
I'd love to buy it at the right price. | 0:31:20 | 0:31:22 | |
-If we came up with something like 260, 270 I'd be... -260. | 0:31:22 | 0:31:27 | |
260, you have got a deal. | 0:31:27 | 0:31:29 | |
Minus the £12 she had to spend on a new caster for the chaise, | 0:31:29 | 0:31:32 | |
it's a flamboyant profit of £124 for Katherine the Great. | 0:31:32 | 0:31:37 | |
Back in central London, Charlie has a couple more little somethings | 0:31:39 | 0:31:43 | |
to show his friend Roger. He's hoping to tempt him | 0:31:43 | 0:31:46 | |
with two of the silver spoons he bought at the Ardingly Antiques Fair. | 0:31:46 | 0:31:50 | |
They're both the Coronation 1937 of George VI. | 0:31:50 | 0:31:53 | |
-They're in jolly good condition. -They're nice. | 0:31:53 | 0:31:56 | |
Considering they're silver, amazingly cheap. | 0:31:56 | 0:31:58 | |
You could have those 25 quid each, 50 quid for the two of them. | 0:31:58 | 0:32:02 | |
40? | 0:32:02 | 0:32:04 | |
Yeah, I think 20 each, 40 quid. | 0:32:04 | 0:32:06 | |
So it's a sweet deal of £40 for Charlie. | 0:32:06 | 0:32:10 | |
He goes on to sell the other two spoons again for £40, | 0:32:10 | 0:32:13 | |
giving him a total profit of £30 on all four spoons. | 0:32:13 | 0:32:17 | |
# Look for the bare necessities | 0:32:20 | 0:32:23 | |
# The simple bare necessities. # | 0:32:23 | 0:32:25 | |
Katherine the Great has one sale left to make | 0:32:25 | 0:32:28 | |
and it's time for her to part | 0:32:28 | 0:32:30 | |
with the teddy she bought in France for around £32. | 0:32:30 | 0:32:33 | |
Look who I brought you. | 0:32:33 | 0:32:35 | |
She's found a potential home for him with Andrew. | 0:32:35 | 0:32:38 | |
-I sent you a picture. -You did. -Here he is in real life. -Absolutely. | 0:32:38 | 0:32:42 | |
This is inspired by the Steiff Zotty bears, which came out in 1951. | 0:32:42 | 0:32:46 | |
Sir Andrew, can I tempt you to buy him? | 0:32:46 | 0:32:49 | |
I'd rather we use the terminology adopt, actually, | 0:32:49 | 0:32:52 | |
but I would be prepared to adopt him. | 0:32:52 | 0:32:54 | |
I think there's definitely a bond between you. | 0:32:54 | 0:32:57 | |
-You can tell, can you? -I can tell! I can tell. | 0:32:57 | 0:33:00 | |
I think he'd love to be with you for around about the £100 mark. | 0:33:00 | 0:33:04 | |
Well, the bear has spoken, I guess. | 0:33:04 | 0:33:07 | |
-It's a deal. -Oh, thank you. | 0:33:07 | 0:33:10 | |
-Shall we shake hands? -We should shake hands. | 0:33:10 | 0:33:13 | |
So it's a happy profit of £68.18 for Katherine. | 0:33:13 | 0:33:18 | |
But a sad farewell to Teddy. | 0:33:19 | 0:33:21 | |
Goodbye, little fellow. | 0:33:21 | 0:33:24 | |
Bye-bye, Teddy. Ohh! | 0:33:24 | 0:33:28 | |
And as we hit the halfway point in a savage selling struggle, | 0:33:32 | 0:33:36 | |
let's check on our prime pros' profits. | 0:33:36 | 0:33:39 | |
The charmer has sold four items and bagged himself a profit so far | 0:33:39 | 0:33:43 | |
of £96.40. | 0:33:43 | 0:33:45 | |
Katherine the Great has also sold four items | 0:33:45 | 0:33:48 | |
but she's made a whopping profit of £436.38. | 0:33:48 | 0:33:54 | |
But the wheeler-dealing must all end there. | 0:33:55 | 0:33:59 | |
Our determined duellists must sell everything that remains at auction, | 0:33:59 | 0:34:03 | |
where they're in the hands of the auctioneer and totally powerless in negotiating prices. | 0:34:03 | 0:34:08 | |
-This final battle of the gavel will take place in Cirencester. -Welcome. | 0:34:08 | 0:34:13 | |
Good morning, good morning. | 0:34:13 | 0:34:14 | |
-They have sold things for literally millions here. -My things for millions? | 0:34:14 | 0:34:18 | |
-No, your things will struggle. -Darling, it's all about colour. | 0:34:18 | 0:34:21 | |
My things are all colourful! | 0:34:21 | 0:34:22 | |
You're all about colour and frankly, | 0:34:22 | 0:34:25 | |
if your goods looked half as good as you do, you might do quite well. | 0:34:25 | 0:34:28 | |
Come on, I'll take you in. | 0:34:28 | 0:34:30 | |
Before the bidding begins, | 0:34:30 | 0:34:31 | |
our competitors snatch a quick look at each other's wares. | 0:34:31 | 0:34:35 | |
Charlie and the screen, they were a match made in heaven | 0:34:35 | 0:34:38 | |
but they're not a match for anyone in the 21st century, I'm afraid. | 0:34:38 | 0:34:43 | |
Over here, you've got bits of tape attaching the broken part. | 0:34:43 | 0:34:48 | |
The condition is awful! | 0:34:48 | 0:34:52 | |
No, Charlie. | 0:34:52 | 0:34:54 | |
Some people buy antiques. | 0:34:54 | 0:34:56 | |
Some people buy ghastly painted nursery rhyme items | 0:34:56 | 0:35:02 | |
like a Wade Heath jug from the 1930s. | 0:35:02 | 0:35:05 | |
She paid £125 for it. | 0:35:05 | 0:35:08 | |
Must be barking, I would have thought. | 0:35:08 | 0:35:10 | |
Actually, Charlie, I like it. | 0:35:10 | 0:35:13 | |
I think you could well quadruple your money on these. | 0:35:13 | 0:35:16 | |
Katherine, this is a really nice buttonhook. | 0:35:16 | 0:35:20 | |
It's going to have to make £20 or so if you take commission into consideration, | 0:35:20 | 0:35:24 | |
although it only cost seven, so it's a bit tight. | 0:35:24 | 0:35:28 | |
Now it's the moment of truth as the bidding starts | 0:35:29 | 0:35:32 | |
and first up is the jug that Katherine bought for £20 at the book fair. | 0:35:32 | 0:35:38 | |
-I'm rooting for you, baby! -£30, nice little deco piece, £30. | 0:35:38 | 0:35:42 | |
Don't be silly. 20 then. At £20, a bid here at 20. | 0:35:42 | 0:35:46 | |
20 is plenty. | 0:35:46 | 0:35:48 | |
-Selling here then on a maiden bid of 20. -That's more than enough. | 0:35:48 | 0:35:52 | |
At £20, you all done? It's selling then at 20. | 0:35:52 | 0:35:57 | |
£20. | 0:35:57 | 0:35:58 | |
Oh dear. What a disappointing start for the Great One. | 0:35:58 | 0:36:01 | |
After fees, it's a loss of £9.84. | 0:36:01 | 0:36:05 | |
She's got to be hoping that her expensive job can do a lot better | 0:36:05 | 0:36:08 | |
despite Charlie's criticism of its appeal. | 0:36:08 | 0:36:12 | |
Starting at 100 and it would be cheap. 100? | 0:36:12 | 0:36:15 | |
-80. -Oh dear. -£50. | 0:36:15 | 0:36:18 | |
-If only I could bid in this. -£50, £30 then. | 0:36:18 | 0:36:23 | |
-Oh, Miss Higgins. -This is nice. -40, 5, 50. | 0:36:23 | 0:36:27 | |
There he goes, now he's motoring. | 0:36:27 | 0:36:29 | |
-At £55, 60. -It's moving. -Two people without any taste. | 0:36:29 | 0:36:35 | |
At 75 here, 80 now. At 75, 80 going to say now then. | 0:36:35 | 0:36:38 | |
No, you're only losing 50 less commission, 60, 70. | 0:36:38 | 0:36:42 | |
-You've lost more than half your money. -You all done at 75? | 0:36:42 | 0:36:46 | |
It's crisis time for our rampaging redhead. | 0:36:48 | 0:36:51 | |
That crashing loss of £70.40 after fees on the second jug | 0:36:51 | 0:36:56 | |
really puts her on the back foot. | 0:36:56 | 0:36:58 | |
Time for the charmer to enter the fray with his pot lids. | 0:36:58 | 0:37:02 | |
He bought them for £28. | 0:37:02 | 0:37:05 | |
This is my least favourite lot. | 0:37:05 | 0:37:08 | |
When I bought these, I thought, Rosco, not happy. | 0:37:08 | 0:37:11 | |
After fees, it's a small profit of £2.36 for the charmer, | 0:37:11 | 0:37:16 | |
which is still a lot better than Katherine has managed so far. | 0:37:16 | 0:37:21 | |
Now, can Charlie continue on his roll with the sale | 0:37:21 | 0:37:24 | |
of his French market bargain, the biscuit barrel. | 0:37:24 | 0:37:27 | |
Start me, 50. £50. At £50, thank you. | 0:37:27 | 0:37:30 | |
5 anyone else? At £50 on my left here. | 0:37:30 | 0:37:33 | |
At £50 and 5, 60, 5, 70, 5, 80. | 0:37:33 | 0:37:37 | |
It cost £13.64. | 0:37:37 | 0:37:40 | |
At £80, still looks cheap at £80. 5 anyone else? | 0:37:40 | 0:37:44 | |
-At £80 on my left, at £80. -Oh! | 0:37:44 | 0:37:48 | |
-At 80. -£80, £80. -Give me a kiss. -Well done. | 0:37:48 | 0:37:54 | |
-Actually, you are covered in red now. -I don't mind. | 0:37:54 | 0:37:57 | |
Our first major profit of the auction goes to the charmer, | 0:37:57 | 0:38:00 | |
who's £45 better off after fees with that very sweet sale. | 0:38:00 | 0:38:06 | |
Next up comes Katherine's Steiff monkey that she bought in France. | 0:38:06 | 0:38:11 | |
Here we go, good colour, lovely looking condition there. | 0:38:11 | 0:38:15 | |
Who will start me? | 0:38:15 | 0:38:16 | |
-Start me at 100. -100, what's he on? -£50. | 0:38:16 | 0:38:22 | |
-Don't be silly, 50p's more the mark. -At £35, you all sure now, then? | 0:38:22 | 0:38:27 | |
-At £35. -Oh, no. | 0:38:27 | 0:38:30 | |
There's very little interest in the monkey | 0:38:30 | 0:38:32 | |
and it ends up losing Katherine £4.89 after fees. | 0:38:32 | 0:38:36 | |
What a blow for the Great One. | 0:38:36 | 0:38:39 | |
Can she get herself out of trouble with the help of her silver buttonhook. | 0:38:39 | 0:38:43 | |
It's up next under the hammer. | 0:38:43 | 0:38:45 | |
-I really like your buttonhook. -I'm not being sarcastic. | 0:38:45 | 0:38:49 | |
I'm already at a loss with it though | 0:38:49 | 0:38:50 | |
because of the cost of putting it into the sale. | 0:38:50 | 0:38:53 | |
It's going to have to make £20, isn't it? | 0:38:53 | 0:38:55 | |
-All done then on a maiden bid of 10? -Oh, no! -Feels good to me. | 0:38:55 | 0:39:00 | |
Because you've done your money again. Oh, Higgins. | 0:39:02 | 0:39:05 | |
Oh, dear! The Great One learns a harsh lesson | 0:39:05 | 0:39:08 | |
and she makes a loss of £4.92 on the small piece of silver. | 0:39:08 | 0:39:14 | |
Another chance for the charmer to show the lady how it's done with his silverware. | 0:39:14 | 0:39:19 | |
The swan table salt he bought in Reims. | 0:39:19 | 0:39:22 | |
£30 to get on. At £30, a bid there at 30. | 0:39:22 | 0:39:26 | |
-At £30, 5, 40, 5, 50. -Rosco! | 0:39:26 | 0:39:30 | |
You are on gas, Rosco! | 0:39:30 | 0:39:32 | |
At £90, you all sure? | 0:39:32 | 0:39:35 | |
-90 it is. -90 quid! | 0:39:35 | 0:39:39 | |
And the charmer swans off with a profit of £30.36 after auction fees. | 0:39:40 | 0:39:46 | |
Higgins, you come out with me, girl, I'll show you how to make a profit. | 0:39:46 | 0:39:50 | |
Yes. | 0:39:50 | 0:39:53 | |
With Katherine put in her place, it's time for Charlie's final lot. | 0:39:53 | 0:39:57 | |
The Japanese screen that his rival has been so scathing about. | 0:39:57 | 0:40:01 | |
Stop it! | 0:40:01 | 0:40:02 | |
Miss Higgins, stop it! I bet you knocked that bit off. | 0:40:02 | 0:40:06 | |
The Shibayama screen there, what are you going to bid me for that? | 0:40:06 | 0:40:10 | |
Who'll start me? Start me at 100. Ooh, it's gone quiet. | 0:40:10 | 0:40:14 | |
This is the one they're all here for. The one they're all here for. | 0:40:14 | 0:40:18 | |
-I can start you on the book at 60. -£60? | 0:40:18 | 0:40:22 | |
Don't give it away, sir! | 0:40:22 | 0:40:24 | |
70, 5, 80, 5, 90, 5, 100. | 0:40:24 | 0:40:29 | |
-Is that all? -Who could be bidding? | 0:40:29 | 0:40:33 | |
At £110. 110, thank you. | 0:40:33 | 0:40:36 | |
-Yes! Thank you, sir. -It sold. | 0:40:36 | 0:40:41 | |
Yes, it sold but unfortunately for the charmer, | 0:40:41 | 0:40:45 | |
he loses £41.12 on the screen. | 0:40:45 | 0:40:47 | |
-It could have been worse. -Could it? -A bit. | 0:40:50 | 0:40:53 | |
Those wise words marked the ceasefire in the hammer hostilities. | 0:40:53 | 0:40:58 | |
Our Great lady had a rather uncomfortable time at the auction | 0:40:58 | 0:41:01 | |
while apart from his last lot, | 0:41:01 | 0:41:03 | |
the charmer came out relatively unscathed. | 0:41:03 | 0:41:06 | |
But before we see what effect that's had on the overall result, | 0:41:06 | 0:41:10 | |
let's recap on their spending. | 0:41:10 | 0:41:12 | |
Both our experts started the contest with £1,000 of their own money | 0:41:13 | 0:41:17 | |
to spend on eight items each. | 0:41:17 | 0:41:20 | |
Charlie the charmer spent £443.60. Katherine spent a great deal more. | 0:41:20 | 0:41:27 | |
£942.89 including restoration costs. | 0:41:28 | 0:41:33 | |
All of the money that Katherine and Charlie have made from | 0:41:33 | 0:41:36 | |
today's challenge will be given to charities of their choice. | 0:41:36 | 0:41:38 | |
Without further ado, it's time to find out | 0:41:38 | 0:41:42 | |
who is today's Put Your Money Where Your Mouth Is Champion. | 0:41:43 | 0:41:47 | |
-What an adventure we've had! -What a journey! | 0:41:47 | 0:41:49 | |
-I'm exhausted, are you? -No, not at all. | 0:41:49 | 0:41:53 | |
-But then you're young. -I am indeed. | 0:41:53 | 0:41:57 | |
-I'm not too confident about this. -I can't bear this. | 0:41:57 | 0:42:00 | |
One, two, three - go! | 0:42:00 | 0:42:02 | |
Oh, that's a thrash! | 0:42:03 | 0:42:06 | |
And Katherine the Great lives up to her nickname | 0:42:06 | 0:42:10 | |
with over twice as much profit as the charmer from the showdown. | 0:42:10 | 0:42:13 | |
Both our experts have been building up their profit pots all week | 0:42:13 | 0:42:17 | |
over a series of challenges. | 0:42:17 | 0:42:19 | |
It's now time to reveal whether Charlie or Katherine | 0:42:19 | 0:42:22 | |
will be this week's overall champion. | 0:42:22 | 0:42:25 | |
I'm afraid that this whole journey, for me, | 0:42:25 | 0:42:29 | |
is not looking too good, is it? | 0:42:29 | 0:42:32 | |
Well, that's wonderful. | 0:42:34 | 0:42:36 | |
You've made a lot of money and I've made a fair bit for my charity. | 0:42:36 | 0:42:41 | |
Ultimate victory goes to our flame-haired fighter, Katherine. | 0:42:41 | 0:42:44 | |
Both our experts have made fantastic profits | 0:42:44 | 0:42:47 | |
and all the money will be going to their chosen charities. | 0:42:47 | 0:42:50 | |
My chosen charity is Shooting Star Chase who provide hospice care | 0:42:50 | 0:42:53 | |
for families who have children and teenagers with life-limiting conditions. | 0:42:53 | 0:42:58 | |
My chosen charity is The Art Room, an Oxford-based charity | 0:42:58 | 0:43:03 | |
for 5-16 year olds with emotional and behavioural difficulties. | 0:43:03 | 0:43:08 | |
Well, Charlie and Katherine have both shown that they can | 0:43:08 | 0:43:12 | |
put their money where their mouths are and they'd proved they can make | 0:43:12 | 0:43:16 | |
a solid profits from antiques when their own money is on the line. | 0:43:16 | 0:43:19 | |
Subtitles by Red Bee Media Ltd | 0:43:23 | 0:43:24 |