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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:06 | |
against each other | 0:00:06 | 0:00:08 | |
in an all-out battle for profit. | 0:00:08 | 0:00:11 | |
I'm a double-your-money girl. | 0:00:11 | 0:00:13 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
You've got to be in it to win it. | 0:00:16 | 0:00:19 | |
Each week, one pair of duelling dealers will face | 0:00:19 | 0:00:22 | |
a different daily challenge... | 0:00:22 | 0:00:24 | |
Lovely! We've got some work to do. Let's go. | 0:00:24 | 0:00:26 | |
..putting their own money and their hard-earned reputations on the line. | 0:00:26 | 0:00:30 | |
As they see who can make the most money from buying and selling. | 0:00:31 | 0:00:36 | |
Get in there! | 0:00:36 | 0:00:37 | |
Today, super-suave smoothie Charlie Ross | 0:00:39 | 0:00:42 | |
takes on right royal rummaging redhead Katherine Higgins. | 0:00:42 | 0:00:47 | |
Coming up - | 0:00:47 | 0:00:48 | |
Katherine heads to foreign climes | 0:00:48 | 0:00:52 | |
to uncover the truth about a long-lost treasure. | 0:00:52 | 0:00:54 | |
This is the moment of truth. I'm going to unveil this photograph. | 0:00:54 | 0:00:59 | |
Charlie takes on a world champion in his bid for top profits. | 0:00:59 | 0:01:03 | |
Good stuff, Charlie. | 0:01:03 | 0:01:05 | |
And proof that if you snooze at a car boot sale, | 0:01:05 | 0:01:08 | |
you most definitely lose. | 0:01:08 | 0:01:11 | |
I don't believe it! | 0:01:11 | 0:01:12 | |
I saw this stall, and now it's gone. | 0:01:12 | 0:01:14 | |
It's Put Your Money Where Your Mouth Is. | 0:01:14 | 0:01:18 | |
Take your marks, as today the athletes of the antiques trade | 0:01:30 | 0:01:35 | |
will be going head to head in a thrilling race to see | 0:01:35 | 0:01:38 | |
who can make the most profit from buying and selling antiques. | 0:01:38 | 0:01:42 | |
It's Charlie 'The Charmer' Ross, | 0:01:42 | 0:01:45 | |
the fine furniture fancier from Oxfordshire, | 0:01:45 | 0:01:47 | |
who's a master of persuasion when it comes to doing a deal... | 0:01:47 | 0:01:51 | |
Does that come free with it? | 0:01:51 | 0:01:53 | |
..versus Katherine 'The Great' Higgins, the queen of collectibles, | 0:01:53 | 0:01:57 | |
who takes no prisoners when she spots a bargain buy. | 0:01:57 | 0:02:00 | |
Katherine The Great is going to win again. | 0:02:00 | 0:02:03 | |
They're hoping for a championship performance today | 0:02:03 | 0:02:06 | |
at Battersea car boot sale in London. | 0:02:06 | 0:02:08 | |
Their goal is to swiftly swipe the trusty treasures | 0:02:08 | 0:02:12 | |
that they can sell for the most money. | 0:02:12 | 0:02:14 | |
How much is this fine tome, madam? | 0:02:15 | 0:02:17 | |
They've each got £250 of their own cash to spend | 0:02:17 | 0:02:22 | |
and all the profit goes to their chosen charities. | 0:02:22 | 0:02:25 | |
I've got to stay focused here. | 0:02:25 | 0:02:27 | |
Charlie Ross and Katherine Higgins, | 0:02:27 | 0:02:30 | |
it's time to put your money where your mouth is. | 0:02:30 | 0:02:32 | |
I can't make up my mind! | 0:02:32 | 0:02:34 | |
-Miss Higgins! -Charlie. | 0:02:35 | 0:02:37 | |
-Lovely to see you. -And you. | 0:02:37 | 0:02:40 | |
Well, we're at Battersea car boot. Are you feeling comfortable? | 0:02:40 | 0:02:43 | |
-Not in the slightest. But you are! -I'm feeling quietly confident. | 0:02:43 | 0:02:47 | |
You look very perky, with your £250. | 0:02:47 | 0:02:50 | |
I'm feeling this is the place I'm going to find | 0:02:50 | 0:02:52 | |
all my Georgian brown furniture. | 0:02:52 | 0:02:54 | |
You've heard about my reputation, then? | 0:02:54 | 0:02:57 | |
I think I can feel a race coming on. | 0:02:57 | 0:02:59 | |
We're on a racetrack. On your marks, get set, go! | 0:02:59 | 0:03:02 | |
As they burst off the starting blocks, | 0:03:05 | 0:03:08 | |
both our crafty contenders know that strategy is | 0:03:08 | 0:03:10 | |
as important as speed when it comes to winning this contest. | 0:03:10 | 0:03:15 | |
This is a big, big boot fair. | 0:03:15 | 0:03:17 | |
Most of these cars have been unpacked for half an hour or so. | 0:03:19 | 0:03:22 | |
The new cars that are arriving are up the other end. | 0:03:22 | 0:03:25 | |
Get the goods while they're fresh. | 0:03:25 | 0:03:27 | |
I'm going to try and put aside all the things that I really like | 0:03:31 | 0:03:35 | |
and buy things that I think will make a profit, | 0:03:35 | 0:03:37 | |
which is part of the game, really. | 0:03:37 | 0:03:40 | |
But I do get a bit waylaid. Higgins likes fashion. | 0:03:40 | 0:03:43 | |
I bet Katherine's buying handbags and things like that. Girly things. | 0:03:46 | 0:03:50 | |
Dresses, boots, shoes. | 0:03:53 | 0:03:56 | |
Mr Ross - just your shape and size. | 0:03:59 | 0:04:03 | |
Perhaps surprisingly, Katherine homes in on second-hand denim. | 0:04:04 | 0:04:08 | |
I know someone who does very clever things with jeans. | 0:04:08 | 0:04:12 | |
They're probably not going to stay as they are now. | 0:04:12 | 0:04:15 | |
I think they're going to be scissored and cut up a little bit. | 0:04:15 | 0:04:19 | |
These will turn into something you've never seen in your life before. | 0:04:19 | 0:04:22 | |
And Katherine gets two pairs of jeans for a snip | 0:04:22 | 0:04:26 | |
at just £1.50 for both. | 0:04:26 | 0:04:27 | |
Thank you. | 0:04:27 | 0:04:28 | |
She's done the first deal of the day and is right at home | 0:04:28 | 0:04:31 | |
in the bustle of the boot fair, | 0:04:31 | 0:04:33 | |
but our fine furniture fancier is way out of his comfort zone. | 0:04:33 | 0:04:37 | |
I've got to try and move away from my usual train of thought. | 0:04:37 | 0:04:42 | |
I've got to think modern | 0:04:42 | 0:04:44 | |
and buy things that people can use in their houses or their gardens, | 0:04:44 | 0:04:49 | |
because I don't think it's going to be full of antiques here. | 0:04:49 | 0:04:52 | |
Katherine is going to be in her element here, | 0:04:52 | 0:04:56 | |
and I'm, frankly, like a fish out of water. | 0:04:56 | 0:04:59 | |
The Charmer may be struggling, | 0:05:01 | 0:05:04 | |
but he isn't giving up at the first hurdle. Oh, no. | 0:05:04 | 0:05:07 | |
He soon spots something which he hopes | 0:05:07 | 0:05:09 | |
will pack the opposition a real punch. | 0:05:09 | 0:05:11 | |
If I were to buy those and get them signed, | 0:05:12 | 0:05:15 | |
people collect things like that, | 0:05:15 | 0:05:18 | |
signed by famous sportsmen. | 0:05:18 | 0:05:19 | |
-How much are your boxing gloves, sir? -Only a pound. | 0:05:19 | 0:05:23 | |
-A pound? -Yeah. | 0:05:23 | 0:05:25 | |
One pound boxing gloves! | 0:05:25 | 0:05:28 | |
One pound is a steal. | 0:05:28 | 0:05:29 | |
Charlie gets the boxing gloves for a knockout price. | 0:05:29 | 0:05:33 | |
One pound! | 0:05:33 | 0:05:34 | |
One pound. | 0:05:34 | 0:05:36 | |
But Katherine The Great is also fighting hard | 0:05:36 | 0:05:39 | |
to find treasures that may turn a tidy profit. | 0:05:39 | 0:05:42 | |
-I hate to say it, but I would do a pound. -Two pounds. | 0:05:42 | 0:05:45 | |
Got a bit of dirt in it! Needs cleaning. | 0:05:46 | 0:05:48 | |
£1.50? | 0:05:48 | 0:05:49 | |
A clear bargain, the glass dish is Katherine's for just £1.50. | 0:05:49 | 0:05:54 | |
It's made by pressing the glass into a mould, | 0:05:54 | 0:05:59 | |
so you get this fantastic almost-faceting | 0:05:59 | 0:06:01 | |
that you get with cut glass | 0:06:01 | 0:06:03 | |
in a very kind of humble way. | 0:06:03 | 0:06:05 | |
Cupcakes galore would look lovely in there. | 0:06:05 | 0:06:08 | |
Yes, The Great One has shifted into top gear, | 0:06:08 | 0:06:11 | |
and hopes to stretch her early lead | 0:06:11 | 0:06:14 | |
by doing a deal on a 1960s tableware set. | 0:06:14 | 0:06:17 | |
-65 for the lot. -Yeah, that's too much. | 0:06:18 | 0:06:20 | |
I don't think it is. | 0:06:20 | 0:06:24 | |
You can have it for 55. | 0:06:24 | 0:06:25 | |
I'll do 50. Yeah, perfect, OK. | 0:06:25 | 0:06:28 | |
-I'll have the whole lot of it. -Sure. | 0:06:28 | 0:06:30 | |
Even that broken bit. | 0:06:30 | 0:06:32 | |
I'm sure I can find a sugar lump to go in there. | 0:06:32 | 0:06:35 | |
A nifty haggle | 0:06:35 | 0:06:37 | |
and our Great lady dishes out £50 for the set of tableware. | 0:06:37 | 0:06:41 | |
Our mistress of modern design reckons she's on to a winner. | 0:06:41 | 0:06:44 | |
Look at that for style. | 0:06:44 | 0:06:46 | |
You cannot beat it. | 0:06:46 | 0:06:48 | |
Cylindrical shape. So what does that say? We're into the 1960s. | 0:06:48 | 0:06:53 | |
It's Magic City from Portmeirion, one of my favourite, favourite designs. | 0:06:53 | 0:06:57 | |
The power of dreams is in my hand, | 0:06:57 | 0:06:59 | |
and I'm going to make my dreams come true. | 0:06:59 | 0:07:01 | |
Yes, if she rubs hard enough, | 0:07:04 | 0:07:06 | |
she might just get her wish of victory over Charlie. | 0:07:06 | 0:07:09 | |
This is more my scene. | 0:07:12 | 0:07:14 | |
The Charmer just can't seem to focus today. | 0:07:14 | 0:07:17 | |
There's so much on offer at the boot sale, | 0:07:17 | 0:07:20 | |
but none of it is his kind of thing. | 0:07:20 | 0:07:22 | |
Desperately looking for antiques. | 0:07:23 | 0:07:25 | |
It's not going to be easy. | 0:07:25 | 0:07:27 | |
Plastic toys. You know, you might be able to buy something for a pound | 0:07:27 | 0:07:32 | |
and sell it for £2. I need to buy something for a pound or £2 | 0:07:32 | 0:07:34 | |
and sell it for £30 or £50 in order to beat that Miss Higgins. | 0:07:34 | 0:07:38 | |
Katherine The Great has found her rhythm buying here at the boot fair, | 0:07:38 | 0:07:42 | |
and is now determined to get a deal | 0:07:42 | 0:07:44 | |
on a pair of stainless steel coffee pots. | 0:07:44 | 0:07:47 | |
Can we do a 30, 30-ish? | 0:07:47 | 0:07:49 | |
-40, 40... -30... | 0:07:49 | 0:07:52 | |
The 35? | 0:07:54 | 0:07:57 | |
-35. That's a deal. -35. Perfect. | 0:07:57 | 0:07:59 | |
And we've done a samba in the transaction. | 0:07:59 | 0:08:01 | |
Katherine's done a piping hot deal, | 0:08:01 | 0:08:04 | |
getting both the coffee pots for £35. | 0:08:04 | 0:08:07 | |
Welcome to the wonderful world of stainless steel. | 0:08:07 | 0:08:11 | |
They're designed by Robert Welch, | 0:08:11 | 0:08:13 | |
a great, great stainless steel designer. | 0:08:13 | 0:08:15 | |
I'd like to think I could find a very appreciative home for them, | 0:08:15 | 0:08:18 | |
someone who has a great bond with stainless steel, just as I do. | 0:08:18 | 0:08:22 | |
Katherine's dancing for joy, but Charlie is in big trouble. | 0:08:23 | 0:08:28 | |
He's now three items behind his rival and has only spent £1. | 0:08:28 | 0:08:32 | |
Perhaps he can break his bad run with a set of chairs. | 0:08:32 | 0:08:36 | |
Those are stylish, aren't they? | 0:08:36 | 0:08:38 | |
Really stylish. They're nice. | 0:08:38 | 0:08:40 | |
They're probably quite comfortable, too, aren't they? | 0:08:40 | 0:08:43 | |
-What have you gone for? -100. -100?! | 0:08:43 | 0:08:46 | |
Don't be silly. That's why you haven't sold them, of course. | 0:08:46 | 0:08:49 | |
HE LAUGHS | 0:08:49 | 0:08:51 | |
£100 is just too much for The Charmer, | 0:08:51 | 0:08:52 | |
and he turns his attention to a tall stand or torchiere. | 0:08:52 | 0:08:57 | |
How much is your torchiere? | 0:08:57 | 0:08:59 | |
-That is 20. -Is it £20? | 0:08:59 | 0:09:02 | |
They're very saleable objects. | 0:09:02 | 0:09:04 | |
I bought one at a boot fair quite recently for £5 | 0:09:05 | 0:09:08 | |
and I sold it very well at £15. | 0:09:08 | 0:09:12 | |
-Trebled my money. -£15 would be good. | 0:09:12 | 0:09:15 | |
I think then we've got a proper deal. | 0:09:15 | 0:09:16 | |
A tenner, and I'd take it away now. | 0:09:16 | 0:09:18 | |
-A crisp £10 note. -You can take that for 10. | 0:09:18 | 0:09:21 | |
Ten of the best. | 0:09:21 | 0:09:22 | |
-Thank you very much. -Did that come out of your house as well? | 0:09:22 | 0:09:25 | |
-Yes, it did. -Is there anything left in your house? -Yes, the stairs. | 0:09:25 | 0:09:28 | |
-The st... -HE LAUGHS | 0:09:28 | 0:09:30 | |
And I'm going to come back and buy those chairs off you later, | 0:09:30 | 0:09:33 | |
but at my price. | 0:09:33 | 0:09:34 | |
At last, Charlie's done a deal. | 0:09:34 | 0:09:37 | |
He touches down with the torchiere for £10. | 0:09:37 | 0:09:39 | |
He's starting to find his form. | 0:09:39 | 0:09:43 | |
The History Of Music? | 0:09:43 | 0:09:45 | |
That is pretty optimistic, isn't it, really, | 0:09:45 | 0:09:47 | |
to sum up the history of music in a tome that size? | 0:09:47 | 0:09:50 | |
HE LAUGHS | 0:09:50 | 0:09:52 | |
There's a song here entitled To My Mistress. | 0:09:52 | 0:09:55 | |
HE LAUGHS | 0:09:55 | 0:09:57 | |
Right up my scene, that one. | 0:09:57 | 0:09:59 | |
To My Mistress. | 0:09:59 | 0:10:00 | |
How much is this fine tome, madam? | 0:10:00 | 0:10:02 | |
-£5. -£5? | 0:10:02 | 0:10:05 | |
Is it really? | 0:10:05 | 0:10:07 | |
Mmm. | 0:10:07 | 0:10:08 | |
Might be tempted by that, you know. | 0:10:08 | 0:10:10 | |
Might just be tempted. | 0:10:10 | 0:10:12 | |
At £5, the book on music history | 0:10:12 | 0:10:14 | |
isn't quite hitting the right note with Charlie, | 0:10:14 | 0:10:16 | |
but he's determined to get a bargain in the bag and catch up | 0:10:16 | 0:10:20 | |
with race leader Katherine The Great. | 0:10:20 | 0:10:23 | |
Can I have look at this badge, sir, please? | 0:10:23 | 0:10:25 | |
What's that come off? | 0:10:25 | 0:10:27 | |
-I like that. -I think it's off a racing team car. | 0:10:27 | 0:10:29 | |
It could be off a racing team car, couldn't it? | 0:10:29 | 0:10:32 | |
It's plated and enamelled. How much is this object? | 0:10:32 | 0:10:36 | |
I was wanting a fiver for it, but... | 0:10:36 | 0:10:38 | |
But? You know, I like that. | 0:10:38 | 0:10:40 | |
-I'll do it for three quid as it's yourself. -Why? | 0:10:40 | 0:10:42 | |
What do you mean, why? Because he likes me, my dear! | 0:10:42 | 0:10:45 | |
Why do you think he'd do it for three quid? | 0:10:45 | 0:10:47 | |
-Not a lot of downside, is there, at £2.50? -No. | 0:10:47 | 0:10:50 | |
-£3! -What? Is that what he said? | 0:10:50 | 0:10:52 | |
Yes, he said £3. | 0:10:52 | 0:10:54 | |
Nice try, Charlie, but no cigar. | 0:10:54 | 0:10:57 | |
So he tries a different tack by adding another item to the deal. | 0:10:57 | 0:11:00 | |
-What does it say on the bottom of it? -Royal Canadian Engineers. | 0:11:00 | 0:11:04 | |
The Royal Canadian Engineers. | 0:11:04 | 0:11:05 | |
If I bought this thing, would that come free with it? | 0:11:05 | 0:11:08 | |
-Let me see. Which one is that? -It's that. -What about... | 0:11:08 | 0:11:11 | |
It's the Royal Canadian Engineers. | 0:11:11 | 0:11:13 | |
-We'll do the two for five. -Here you are, that's four... | 0:11:13 | 0:11:16 | |
-He said four! -OK, four, then. | 0:11:16 | 0:11:19 | |
Go on, darling. I love you. | 0:11:19 | 0:11:21 | |
Charlie eventually pins down a price of £4 for both badges. | 0:11:21 | 0:11:26 | |
Oh! Marvellous. | 0:11:26 | 0:11:27 | |
Well, I'm going to research the Royal Canadian Engineers | 0:11:27 | 0:11:31 | |
and I'm also going to find out what racing team | 0:11:31 | 0:11:33 | |
that car mascot comes from. | 0:11:33 | 0:11:35 | |
It's been a hard-fought first lap around the car boot sale | 0:11:35 | 0:11:39 | |
this morning, but now it's time to see how the score cards stand. | 0:11:39 | 0:11:42 | |
Charlie and Katherine each started the day | 0:11:42 | 0:11:46 | |
with £250 of their own money to spend. | 0:11:46 | 0:11:49 | |
Charlie 'The Charmer' Ross has only scored small money buys. | 0:11:49 | 0:11:53 | |
He's done three deals and spent just £15, | 0:11:53 | 0:11:56 | |
leaving him with £235 in his kitty. | 0:11:56 | 0:12:00 | |
Katherine 'The Great' Higgins is on cracking form. | 0:12:00 | 0:12:03 | |
She's bagged four buys so far and spent £88, | 0:12:03 | 0:12:07 | |
leaving her with £162 to spend. | 0:12:07 | 0:12:10 | |
Charlie The Charmer needs to dig deep in his hunt for a bargain, | 0:12:14 | 0:12:17 | |
and spots a character jug | 0:12:17 | 0:12:18 | |
which he hopes will give him a sporting chance of making money. | 0:12:18 | 0:12:22 | |
There we go. The Hampshire Cricketer. | 0:12:22 | 0:12:25 | |
Actually, I thought it was Geoff Boycott when I first looked at it. | 0:12:25 | 0:12:29 | |
It looks very like Geoff Boycott. | 0:12:29 | 0:12:31 | |
One of the most famous opening batsmen ever to play for England. | 0:12:31 | 0:12:35 | |
This will be a Doulton character jug. | 0:12:35 | 0:12:38 | |
They made thousands and thousands of character jugs, | 0:12:38 | 0:12:42 | |
and some of them, the rare ones, can be worth a lot of money. | 0:12:42 | 0:12:47 | |
This they would have produced a lot of, | 0:12:47 | 0:12:49 | |
and this was produced to celebrate | 0:12:49 | 0:12:52 | |
100 years of county cricket at Southampton. Limited edition, | 0:12:52 | 0:12:55 | |
but not that limited, because they made 5,000. | 0:12:55 | 0:12:58 | |
And this is number 3842. | 0:12:58 | 0:13:01 | |
How much is your character jug, sir? | 0:13:01 | 0:13:04 | |
-£20, sir. -£20, sir. | 0:13:04 | 0:13:05 | |
-There's the certificate. -And the certificate. -And the box. | 0:13:05 | 0:13:08 | |
-And the box. -Yep. | 0:13:08 | 0:13:10 | |
-Are you susceptible to an offer? -15. There you are. | 0:13:10 | 0:13:14 | |
There is, as they say, no downside. | 0:13:14 | 0:13:17 | |
-Thank you very much indeed. -Thank you. | 0:13:17 | 0:13:19 | |
As a cricket lover, | 0:13:19 | 0:13:20 | |
I can't profess to like that, | 0:13:20 | 0:13:21 | |
but I certainly can sell it, I reckon. | 0:13:21 | 0:13:24 | |
-I think so. -Thank you very much indeed. | 0:13:24 | 0:13:26 | |
Charlie backs the Toby Jug for £15, | 0:13:26 | 0:13:28 | |
but only time will tell | 0:13:28 | 0:13:30 | |
whether he'll clear the profit boundary with it, | 0:13:30 | 0:13:33 | |
or just be trapped leg before wicket. | 0:13:33 | 0:13:35 | |
One Hampshire cricketer. | 0:13:36 | 0:13:38 | |
With her rival making a comeback, | 0:13:38 | 0:13:40 | |
Katherine Higgins needs to keep on track | 0:13:40 | 0:13:42 | |
in her hunt for a bargain buy. | 0:13:42 | 0:13:44 | |
I've got to stay focused here. | 0:13:44 | 0:13:46 | |
And it's not long before she sniffs out another potential purchase. | 0:13:47 | 0:13:51 | |
Now, just bear with me here, | 0:13:53 | 0:13:55 | |
because I know we're looking at something | 0:13:55 | 0:13:57 | |
that is pretty tatty round the edges | 0:13:57 | 0:13:59 | |
and the frame isn't great, | 0:13:59 | 0:14:01 | |
but I'm in the middle of London | 0:14:01 | 0:14:02 | |
and I've seen something from home and I've got a bit kind of nostalgic. | 0:14:02 | 0:14:05 | |
This is a rather nice portrait of a football team. | 0:14:05 | 0:14:09 | |
The Worplesdon Football Club from the 1930s, | 0:14:09 | 0:14:12 | |
the '31-'32 season, for £4. | 0:14:12 | 0:14:15 | |
Katherine The Great hopes to score with her photo of the footballers. | 0:14:15 | 0:14:18 | |
This match may be entering its final buying stages, | 0:14:18 | 0:14:22 | |
but she knows it isn't over until the final whistle. | 0:14:22 | 0:14:25 | |
You know, you've got to keep hunting till the very end, | 0:14:25 | 0:14:28 | |
till the sun goes right down, it gets totally dark, | 0:14:28 | 0:14:32 | |
the prices come down - | 0:14:32 | 0:14:34 | |
that's when the real sleuths are out. | 0:14:34 | 0:14:37 | |
Katherine The Great is going to win again. | 0:14:37 | 0:14:40 | |
Very, very famous hatmakers, Lock & Co. | 0:14:40 | 0:14:44 | |
Charlie has only managed to find small-money deals so far today. | 0:14:44 | 0:14:47 | |
But no hat! | 0:14:47 | 0:14:48 | |
So it's time for a change of tactics. | 0:14:48 | 0:14:51 | |
I have seen something earlier which was too much money, | 0:14:51 | 0:14:56 | |
but by this time of day, it's probably got cheap enough. | 0:14:56 | 0:14:59 | |
Hello, my dear! Back again. | 0:14:59 | 0:15:03 | |
Charlie's hoping to narrow the gap on his rival | 0:15:03 | 0:15:05 | |
by doing a deal on a silver buckle, | 0:15:05 | 0:15:08 | |
which is up for sale at £40. | 0:15:08 | 0:15:10 | |
-You see, if it were Victorian... but it's 1909, isn't it? -Yeah. | 0:15:10 | 0:15:15 | |
I just think the chaste decoration, hallmarked. | 0:15:15 | 0:15:18 | |
-It's very pretty, though, isn't it? -It's lovely. | 0:15:18 | 0:15:20 | |
But you don't want to go home with this, do you? | 0:15:20 | 0:15:23 | |
SHE LAUGHS | 0:15:23 | 0:15:24 | |
You do not want to go home with this object. | 0:15:24 | 0:15:26 | |
You want me to go home with it. | 0:15:26 | 0:15:28 | |
Come on, Charlie, | 0:15:28 | 0:15:29 | |
you can't hypnotise her into giving you a good deal! | 0:15:29 | 0:15:32 | |
What about 25 quid? Go on. Do it for 25 quid. | 0:15:32 | 0:15:35 | |
-Aargh! -You on your knees?! | 0:15:35 | 0:15:37 | |
Yeah. Not often I get on my knees to a young lady. | 0:15:37 | 0:15:40 | |
-25 quid. -Go on, then. | 0:15:40 | 0:15:43 | |
25. | 0:15:43 | 0:15:45 | |
-I lurve you. -And The Charmer's persistence pays off. | 0:15:45 | 0:15:48 | |
-25 quid of my hard-earned cash. -..hard-earned cash. | 0:15:48 | 0:15:52 | |
And I am thrilled with that. Thank you, my dear. | 0:15:52 | 0:15:54 | |
You're welcome. | 0:15:54 | 0:15:56 | |
Quick, while the old man's missing! | 0:15:56 | 0:15:58 | |
SHE LAUGHS | 0:15:58 | 0:15:59 | |
-Thank you! -OK. | 0:15:59 | 0:16:01 | |
At five deals apiece, this race is now neck and neck. | 0:16:01 | 0:16:04 | |
He's a real charmer. | 0:16:04 | 0:16:06 | |
He sure is! | 0:16:06 | 0:16:08 | |
Katherine is thinking crafty creativity might just be her way | 0:16:08 | 0:16:12 | |
to stay a step ahead of her rival. | 0:16:12 | 0:16:15 | |
I bought some jeans earlier that I think | 0:16:15 | 0:16:17 | |
could be transformed into something else, | 0:16:17 | 0:16:20 | |
and the same girl also transforms vinyl into something else. | 0:16:20 | 0:16:24 | |
All will be revealed. | 0:16:24 | 0:16:26 | |
But I'd have to get these really cheaply to make it work, | 0:16:26 | 0:16:29 | |
so I'm going to ask some prices. | 0:16:29 | 0:16:31 | |
I don't really mind what I'm buying. | 0:16:31 | 0:16:33 | |
That's not what's important. | 0:16:33 | 0:16:34 | |
It's the price that I'm buying it for that is. | 0:16:34 | 0:16:37 | |
You've got an array of things here. What generally...? | 0:16:37 | 0:16:41 | |
Yeah, they're all very rare records from the '70s. | 0:16:41 | 0:16:44 | |
-Oh, I don't want them to be rare. -They are pretty rare. | 0:16:44 | 0:16:46 | |
-I want non-rare... -Non-rare. | 0:16:46 | 0:16:49 | |
..cast-offs. | 0:16:49 | 0:16:51 | |
The Great One pinpoints and buys four LPs for just £1. | 0:16:51 | 0:16:56 | |
Just watch, wait and see what happens to them. | 0:16:56 | 0:16:59 | |
It's going to be a real adventure. | 0:16:59 | 0:17:01 | |
The boot fair is beginning to wind down, | 0:17:01 | 0:17:03 | |
but The Charmer is still after a big money buy. | 0:17:03 | 0:17:07 | |
He heads back to the chairs he saw earlier, | 0:17:07 | 0:17:09 | |
hoping that they might now be cheaper. | 0:17:09 | 0:17:12 | |
Oh, no! I don't believe it! | 0:17:12 | 0:17:16 | |
-I'm afraid they were sold. -You sold 'em! -I did indeed. | 0:17:16 | 0:17:18 | |
You good man. My four chairs. | 0:17:18 | 0:17:21 | |
-You see, he who hesitates is lost! -Absolutely. | 0:17:21 | 0:17:25 | |
Tell me you didn't sell them for 20 quid. | 0:17:25 | 0:17:27 | |
-80. -80 quid? | 0:17:27 | 0:17:29 | |
Tough luck, Charlie. You're too late, old bean. | 0:17:29 | 0:17:32 | |
Really stylish. They screamed '60s at you. | 0:17:32 | 0:17:35 | |
Is Katherine about to take advantage of Charlie's mistake? | 0:17:41 | 0:17:44 | |
That's quite quirky, isn't it? | 0:17:44 | 0:17:47 | |
Little brush for the fire. | 0:17:47 | 0:17:50 | |
That's rather nice, with the Victory on top. Isn't that sweet? | 0:17:50 | 0:17:52 | |
Katherine sweeps away Charlie's chances of catching her | 0:17:52 | 0:17:56 | |
-by bagging the hearth brush for just £1. -Thank you. | 0:17:56 | 0:18:00 | |
Thanks very much. | 0:18:00 | 0:18:01 | |
I know collectors of brushes, strangely, | 0:18:01 | 0:18:04 | |
so that might appeal as well. | 0:18:04 | 0:18:07 | |
Five minutes left. | 0:18:07 | 0:18:09 | |
Just five minutes. | 0:18:09 | 0:18:12 | |
To do more buying! | 0:18:12 | 0:18:14 | |
Time is running out, and having missed out on the chairs, | 0:18:14 | 0:18:17 | |
Charlie hot-foots it back to the stall with the music book, | 0:18:17 | 0:18:20 | |
hoping that this late in the day, he might get it for a song. | 0:18:20 | 0:18:23 | |
It's still here! | 0:18:23 | 0:18:25 | |
I'm still absolutely tickled to death that a volume that size | 0:18:25 | 0:18:28 | |
can purport to be the history of music. | 0:18:28 | 0:18:32 | |
-Would you take a couple of pounds from me, sir? -I'd take three. | 0:18:32 | 0:18:35 | |
-Three. -Yep. -I should have gone in at a pound, | 0:18:35 | 0:18:37 | |
-then you'd have taken two! -As it's the end of the day. | 0:18:37 | 0:18:41 | |
Three quid. I'll have it. | 0:18:41 | 0:18:43 | |
The Charmer's offer late in the day | 0:18:43 | 0:18:45 | |
hits the right note with the seller, and the music book is his for £3. | 0:18:45 | 0:18:49 | |
Pleasure to do business with you. | 0:18:49 | 0:18:51 | |
Bye-bye. | 0:18:51 | 0:18:53 | |
The car boot sale is drawing to a close | 0:18:53 | 0:18:55 | |
and many sellers are shutting up shop, | 0:18:55 | 0:18:57 | |
but our queen of collectables is desperate for that one last buy. | 0:18:57 | 0:19:02 | |
I saw this stall and now it's gone, | 0:19:02 | 0:19:04 | |
and it had teacups and saucers on it and I don't know where it's gone. | 0:19:04 | 0:19:07 | |
And it's getting very dark and I'm slightly worried | 0:19:07 | 0:19:10 | |
that people are kind of packing up their things | 0:19:10 | 0:19:12 | |
and I might have missed my moment, | 0:19:12 | 0:19:14 | |
so I'm going to carry on hunting. | 0:19:14 | 0:19:16 | |
But even the disappearing light isn't going to stop The Great One | 0:19:16 | 0:19:19 | |
bagging a final purchase for £2. | 0:19:19 | 0:19:22 | |
It feels like it's almost midnight | 0:19:22 | 0:19:24 | |
cos it's completely dark around me | 0:19:24 | 0:19:26 | |
and I can barely see the design on these little tea plates, | 0:19:26 | 0:19:32 | |
but they are very sweet. | 0:19:32 | 0:19:33 | |
Tulips and an anemone by Shelley, | 0:19:34 | 0:19:38 | |
so we're talking lovely 1930s tableware, | 0:19:38 | 0:19:43 | |
and I'm really pleased with them. | 0:19:43 | 0:19:44 | |
I think they will go very, very well, actually, | 0:19:44 | 0:19:47 | |
with my glass bowl that I bought earlier. | 0:19:47 | 0:19:50 | |
The sale is over, and with daylight swiftly departing, | 0:19:50 | 0:19:54 | |
our sparring Spartans cross the finishing lines | 0:19:54 | 0:19:57 | |
with just moments to spare. | 0:19:57 | 0:19:59 | |
They both started the day with £250 of their own money to spend. | 0:20:00 | 0:20:04 | |
Charlie 'The Charmer' Ross mounted a late charge after a slow start | 0:20:04 | 0:20:09 | |
and finishes having done six deals and spent £58. | 0:20:09 | 0:20:13 | |
Katherine 'The Great' Higgins ends the day with eight purchases, | 0:20:15 | 0:20:18 | |
spending a total of £96. | 0:20:18 | 0:20:21 | |
But this game is all about who will make the most profit. | 0:20:21 | 0:20:26 | |
Our experts have gone the extra mile in search of a bargain, | 0:20:26 | 0:20:29 | |
so now they get a chance to size up each other's car boot buys. | 0:20:29 | 0:20:33 | |
Are you finished? | 0:20:33 | 0:20:35 | |
Well, not really, but the world around me has sort of vacated. | 0:20:35 | 0:20:39 | |
Everyone's gone home and I can't shop any more. | 0:20:39 | 0:20:41 | |
Neither can I, because I can't carry anything. | 0:20:41 | 0:20:43 | |
Why can't you carry anything? | 0:20:43 | 0:20:45 | |
Cos I can't pick anything up! | 0:20:45 | 0:20:47 | |
Oh, God. | 0:20:47 | 0:20:48 | |
What a boy's toy. | 0:20:48 | 0:20:50 | |
Did you find any antiques? | 0:20:50 | 0:20:52 | |
I did see antiques, but I didn't buy them. | 0:20:52 | 0:20:55 | |
-Oh, that's lovely! -Do you like that? -Yeah, very, very nice. | 0:20:55 | 0:20:58 | |
1909, so not quite Victorian, | 0:20:58 | 0:21:00 | |
but it's beautifully decorated | 0:21:00 | 0:21:03 | |
and I think I can sell that. | 0:21:03 | 0:21:05 | |
I rather fell in love with this, | 0:21:05 | 0:21:07 | |
and I find seeing things out of context is extraordinary. London, | 0:21:07 | 0:21:10 | |
but it's something from home, my local Surrey area. | 0:21:10 | 0:21:12 | |
-Well done, you! -So it's unlocking the past for me. | 0:21:12 | 0:21:16 | |
Have some lovely research. | 0:21:16 | 0:21:18 | |
I'm going off to find a boxer. | 0:21:18 | 0:21:20 | |
Have fun! Bye. | 0:21:20 | 0:21:23 | |
Our antiques athletes must now swap their running shoes | 0:21:26 | 0:21:29 | |
for thinking caps, as this is | 0:21:29 | 0:21:32 | |
where the going gets really tough. | 0:21:32 | 0:21:34 | |
Buying their boot fair booty was just the start of today's challenge. | 0:21:34 | 0:21:38 | |
Charlie and Katherine must now go all out | 0:21:38 | 0:21:41 | |
to sell their hard-won wonders | 0:21:41 | 0:21:43 | |
in an all-out battle for the biggest profit | 0:21:43 | 0:21:45 | |
and the winner's crown. | 0:21:45 | 0:21:47 | |
Over in Oxfordshire, | 0:21:48 | 0:21:50 | |
Charlie The Charmer is plotting over his prize purchases. | 0:21:50 | 0:21:53 | |
There weren't many antiques per square inch in that boot fair. | 0:21:55 | 0:21:58 | |
I think in front of you, you see one item, or possibly two, | 0:21:58 | 0:22:02 | |
that could be called antiques. | 0:22:02 | 0:22:04 | |
But I'm quite intrigued by the boxing gloves. | 0:22:04 | 0:22:07 | |
I'll get those signed, hopefully, by Barry McGuigan, | 0:22:07 | 0:22:11 | |
ex-world champion boxer, which will transform their value. | 0:22:11 | 0:22:15 | |
Cricket I can never resist. | 0:22:15 | 0:22:17 | |
It's Royal Doulton, it's a limited edition, | 0:22:17 | 0:22:19 | |
so it has a collector's value. | 0:22:19 | 0:22:22 | |
The book will not be difficult to sell. | 0:22:22 | 0:22:26 | |
It's fascinating, with its historical content. | 0:22:26 | 0:22:30 | |
So we've got half a dozen things. Some will be easy to sell. | 0:22:30 | 0:22:32 | |
Some will be a bit harder. But overall, I think I'll make a profit. | 0:22:32 | 0:22:37 | |
How big will the profit be? | 0:22:37 | 0:22:39 | |
Anybody's guess. | 0:22:39 | 0:22:41 | |
Charlie also needs to sell the two badges, | 0:22:41 | 0:22:44 | |
the belt buckle and the torchiere. | 0:22:44 | 0:22:46 | |
But there's a certain queen of collectables, | 0:22:49 | 0:22:52 | |
Miss Katherine Higgins, | 0:22:52 | 0:22:53 | |
who hopes to put a stop to Charlie's profit plans. | 0:22:53 | 0:22:57 | |
I went completely mad, | 0:22:57 | 0:22:58 | |
bought everything in sight and here it all is. | 0:22:58 | 0:23:02 | |
I'm going to put the jeans and the LPs together. | 0:23:02 | 0:23:04 | |
I think they would go to a girl I know | 0:23:04 | 0:23:08 | |
who will take them from what they are now and transform them | 0:23:08 | 0:23:12 | |
into fashionable accessories | 0:23:12 | 0:23:14 | |
that you have never seen in your life before. | 0:23:14 | 0:23:17 | |
Stainless steel. | 0:23:17 | 0:23:18 | |
It's such a design statement. | 0:23:18 | 0:23:21 | |
I've also got the Shelley plates | 0:23:21 | 0:23:24 | |
and this lovely pressed glass bowl, | 0:23:24 | 0:23:26 | |
and these two sets of things will be perfect for vintage tea parties. | 0:23:26 | 0:23:30 | |
I can just see them, lovely little muffins coming out of them | 0:23:30 | 0:23:33 | |
and little bon-bons in here. It's going to be glorious. | 0:23:33 | 0:23:36 | |
Charlie, you could be in for a little bit of an adventure | 0:23:36 | 0:23:39 | |
when it comes to competition with me, cos, you know, | 0:23:39 | 0:23:42 | |
I think I'm ahead of the game so far, and the ladies are going to win. | 0:23:42 | 0:23:46 | |
Katherine may have thrown down the gauntlet to Charlie, | 0:23:46 | 0:23:49 | |
but she also needs to find homes for her hearth brush, | 0:23:49 | 0:23:52 | |
her Portmeirion tea and coffee set, | 0:23:52 | 0:23:55 | |
and the vintage photo of the footballers. | 0:23:55 | 0:23:58 | |
Our duelling dealers must now hit the phones | 0:23:58 | 0:24:00 | |
and contact potential buyers, knowing that no deal is truly sealed | 0:24:00 | 0:24:04 | |
until they've shaken on it and the money has changed hands. | 0:24:04 | 0:24:08 | |
It's Katherine The Great who's first off the blocks. | 0:24:09 | 0:24:12 | |
She's come to Watford with plans for the LPs and the jeans. | 0:24:12 | 0:24:16 | |
She's hoping to sell them to Selina, | 0:24:16 | 0:24:18 | |
who transforms old items into arty accessories. | 0:24:18 | 0:24:22 | |
Wow. Hang on, I need time to adjust. | 0:24:22 | 0:24:25 | |
I'm in, like, Aladdin's cave of customisation. | 0:24:25 | 0:24:29 | |
Yeah, it's all scraps and recycled bits and pieces from everywhere. | 0:24:29 | 0:24:32 | |
From friends, charity shops, car boot sales. | 0:24:32 | 0:24:35 | |
Katherine paid £1 for the LPs and £1.50 for the jeans, | 0:24:35 | 0:24:39 | |
but will Selina offer her more? | 0:24:39 | 0:24:40 | |
We can make all different sorts of things out of them. | 0:24:40 | 0:24:43 | |
We can make cushions or handbags. | 0:24:43 | 0:24:46 | |
-Really? -Skirts. | 0:24:46 | 0:24:47 | |
A lot of things you can do with denim. | 0:24:47 | 0:24:49 | |
It didn't stop there, the shopping. | 0:24:49 | 0:24:51 | |
I bought you rather a nice selection of vinyl, | 0:24:51 | 0:24:55 | |
but I can see you've got some here. | 0:24:55 | 0:24:57 | |
I'm absolutely taken away with that. | 0:24:57 | 0:25:01 | |
-Isn't that spectacular? -Thank you. -So my records could become this. | 0:25:01 | 0:25:05 | |
-Absolutely, yeah. -I'm just astonished. | 0:25:05 | 0:25:07 | |
OK, so, maybe for the jeans, £15, | 0:25:07 | 0:25:11 | |
something like that for the pair. | 0:25:11 | 0:25:13 | |
-OK. -And then the records, about 10? | 0:25:13 | 0:25:17 | |
I'd do 15 for the two. | 0:25:17 | 0:25:19 | |
What about 20? | 0:25:19 | 0:25:20 | |
-That's in the middle, isn't it? -OK. £20. | 0:25:20 | 0:25:23 | |
You're a star. | 0:25:23 | 0:25:26 | |
It's a crafty first deal from Katherine, | 0:25:26 | 0:25:28 | |
making a combined profit on both items of £17.50. | 0:25:28 | 0:25:31 | |
And her car boot booty will find new life as customised accessories. | 0:25:33 | 0:25:38 | |
Charlie Ross - could you sell your second-hand jeans for a profit? | 0:25:39 | 0:25:43 | |
I don't think so. | 0:25:43 | 0:25:44 | |
And Katherine The Great isn't stopping there. | 0:25:44 | 0:25:48 | |
She's headed to Staffordshire, | 0:25:48 | 0:25:50 | |
hoping for a sale of the stainless steel coffee pots that cost her £35. | 0:25:50 | 0:25:54 | |
Katherine's done her research and tracked down the grandson | 0:25:54 | 0:25:58 | |
of the founder of the company that made them. | 0:25:58 | 0:26:01 | |
So what will Nigel think of Katherine's car boot finds? | 0:26:01 | 0:26:05 | |
Oh, my goodness! How beautiful. | 0:26:06 | 0:26:10 | |
This is the Camden Coffee Set, 1957. | 0:26:10 | 0:26:14 | |
The first time anybody had ever put teak and stainless steel together, | 0:26:14 | 0:26:18 | |
so we've got a teak knob and a teak handle. | 0:26:18 | 0:26:20 | |
The left-hand one is for hot milk, | 0:26:20 | 0:26:24 | |
and this is for the coffee, | 0:26:24 | 0:26:26 | |
and the idea is that you pour them both at the same time. | 0:26:26 | 0:26:31 | |
So it's been well looked after, so you did well to spot it. | 0:26:31 | 0:26:36 | |
So what does that mean the price is? | 0:26:36 | 0:26:38 | |
I'd like to think around about £70. | 0:26:38 | 0:26:42 | |
That does justice to it. | 0:26:42 | 0:26:44 | |
If the sugar bowl was there... | 0:26:44 | 0:26:47 | |
Oh, yeah, you see, I knew when I bought it I was missing something. | 0:26:47 | 0:26:50 | |
I would think at least 50. | 0:26:50 | 0:26:53 | |
Well, I'd be happy with that sort of figure. | 0:26:53 | 0:26:56 | |
If we could get up to 55, I'd be even more happy. | 0:26:56 | 0:26:59 | |
We're not going to fall out over £5, | 0:26:59 | 0:27:02 | |
so 55 will be fine, Katherine. | 0:27:02 | 0:27:04 | |
Cheers. | 0:27:04 | 0:27:06 | |
Nigel gets to add the coffee pots to his collection, | 0:27:06 | 0:27:08 | |
and Katherine clears a £20 profit. | 0:27:08 | 0:27:11 | |
It's time for The Charmer to fight back | 0:27:16 | 0:27:18 | |
against Katherine's money-making ways. | 0:27:18 | 0:27:20 | |
He's come to Burlington Arcade in London | 0:27:20 | 0:27:23 | |
with plans to sell the belt buckle that he paid £25 for. | 0:27:23 | 0:27:26 | |
So will dealer Daniel like what he sees? | 0:27:26 | 0:27:30 | |
-What do you think? -Buckles aren't the greatest of sellers, | 0:27:30 | 0:27:32 | |
but this is just superb engraving. | 0:27:32 | 0:27:35 | |
-It's gorgeous. -It's really not worn at all, is it? | 0:27:35 | 0:27:38 | |
And it's nice marks. It's Edwardian. | 0:27:38 | 0:27:40 | |
-I think it's about 190... -1909? | 0:27:40 | 0:27:42 | |
Yes, sounds about right. | 0:27:42 | 0:27:44 | |
-And that's gorgeous. -Would you buy it? -I would. | 0:27:44 | 0:27:46 | |
That's the sort of thing one of my dealers would come in | 0:27:46 | 0:27:48 | |
and offer to me for about £75, | 0:27:48 | 0:27:50 | |
-if you want to sell it for that. -£75. -I don't know | 0:27:50 | 0:27:52 | |
-if that shows you a profit. -Put it there! | 0:27:52 | 0:27:53 | |
-It does. -Fantastic. That was easy. | 0:27:53 | 0:27:56 | |
-Stick a cheque in the post. -I will. | 0:27:56 | 0:27:58 | |
-I've got to go. -Right. -All the best. -That is the quickest visit ever! | 0:27:58 | 0:28:01 | |
Fast work from The Charmer, | 0:28:01 | 0:28:03 | |
and he dashes off with a tidy profit of £50 on the belt buckle. | 0:28:03 | 0:28:07 | |
That was the quickest sale I've ever done in my life, | 0:28:07 | 0:28:11 | |
and I've trebled my money! | 0:28:11 | 0:28:13 | |
And faster than a speeding bullet, Charlie's off | 0:28:14 | 0:28:16 | |
in pursuit of his next sale. | 0:28:16 | 0:28:18 | |
-Lord's, please, sir. -OK. -Thank you. | 0:28:18 | 0:28:21 | |
He's headed to Lord's cricket ground in north London | 0:28:23 | 0:28:26 | |
with plans to sell the Toby Jug of the Hampshire cricketer | 0:28:26 | 0:28:29 | |
to a former England player. | 0:28:29 | 0:28:31 | |
Not only is The Charmer a dealer with a plan, | 0:28:32 | 0:28:34 | |
he's also in seventh heaven here at Lord's. | 0:28:34 | 0:28:38 | |
Oh! I can almost hear the sound of leather on willow. | 0:28:39 | 0:28:44 | |
CROWD NOISE | 0:28:44 | 0:28:46 | |
Charlie paid £15 for the jug at the boot fair, | 0:28:47 | 0:28:50 | |
but will former cricketer Chris Cowdrey be bowled over by it? | 0:28:50 | 0:28:55 | |
Now, the Hampshire Cricketer. | 0:28:55 | 0:28:57 | |
-Limited edition. -Of how many? | 0:28:57 | 0:28:59 | |
Only 5,000. | 0:28:59 | 0:29:00 | |
THEY LAUGH | 0:29:00 | 0:29:02 | |
You shouldn't have asked that question! | 0:29:02 | 0:29:04 | |
Have you got a house full of these sort of things or not? | 0:29:04 | 0:29:08 | |
-No, I've got a similar one, of Fred Trueman. -Oh, have you? -Yeah. | 0:29:08 | 0:29:10 | |
We use it for celery sticks and cheese straws. | 0:29:10 | 0:29:15 | |
You know, you can see in the top of it. | 0:29:15 | 0:29:17 | |
Why would you have a hole in the head as such? | 0:29:17 | 0:29:19 | |
Presumably they're expecting you to put something in there. | 0:29:19 | 0:29:22 | |
-The earlier ones had a lip on them and used as jugs. -Multi-purpose. | 0:29:22 | 0:29:25 | |
Royal Doulton, one of the great names of porcelain. | 0:29:25 | 0:29:28 | |
-50 quid? -50 quid?! | 0:29:28 | 0:29:31 | |
-I was thinking a little lower than that. -I'm a flexible man, Chris. | 0:29:31 | 0:29:34 | |
-£40? -I think probably I could run to 30. | 0:29:35 | 0:29:39 | |
-35? -35 it is. -Settle for that. | 0:29:39 | 0:29:41 | |
-I can do that. -Very good. | 0:29:41 | 0:29:43 | |
The Charmer's made a profit of £20 on the jug, | 0:29:43 | 0:29:46 | |
and hopes he's batted away | 0:29:46 | 0:29:47 | |
Katherine's chances of winning today. | 0:29:47 | 0:29:49 | |
Oh, what an innings! | 0:29:50 | 0:29:52 | |
Well batted, Ross. | 0:29:52 | 0:29:53 | |
35, Cowdrey gone. | 0:29:53 | 0:29:56 | |
But our Great gal isn't out for a duck. | 0:29:59 | 0:30:01 | |
Katherine's come to a company in Warwickshire | 0:30:01 | 0:30:03 | |
which specialises in matching discontinued china, | 0:30:03 | 0:30:06 | |
hoping to sell her Portmeirion tea and coffee set. | 0:30:06 | 0:30:10 | |
So will the director of tableware, John, | 0:30:13 | 0:30:16 | |
be willing to offer her more than the £50 she paid for it? | 0:30:16 | 0:30:19 | |
I love Magic City. | 0:30:19 | 0:30:21 | |
It's one of my favourite patterns from Portmeirion, | 0:30:21 | 0:30:23 | |
and I think it's incredibly creative. | 0:30:23 | 0:30:26 | |
The problem with Magic City is that | 0:30:26 | 0:30:31 | |
it can easily mark and chip, | 0:30:31 | 0:30:35 | |
so we must look very carefully at it | 0:30:35 | 0:30:37 | |
before we negotiate a price. | 0:30:37 | 0:30:41 | |
OK. I fear that there might be one here which is not at its best. | 0:30:41 | 0:30:46 | |
-No, that's not at its best, no. -Not at its best. | 0:30:46 | 0:30:49 | |
Are you going to break the news to me | 0:30:49 | 0:30:51 | |
of how much you're going to ask me to pay for this wonderful stuff? | 0:30:51 | 0:30:54 | |
I think about...130? | 0:30:54 | 0:30:58 | |
-I'm thinking more of £80. -Are you? -Mmm. | 0:30:58 | 0:31:01 | |
And how do you arrive at that figure? | 0:31:02 | 0:31:04 | |
By being very generous. | 0:31:04 | 0:31:06 | |
SHE LAUGHS | 0:31:06 | 0:31:09 | |
OK. | 0:31:09 | 0:31:10 | |
Do you think a sort of meeting in the middle, | 0:31:10 | 0:31:12 | |
about 95, is...are you feeling comfortable with that? | 0:31:12 | 0:31:15 | |
95 I'll go with. | 0:31:15 | 0:31:16 | |
-95. It's a deal. -It's a deal. | 0:31:16 | 0:31:18 | |
I want to know now where's it going to go? | 0:31:18 | 0:31:20 | |
Oh, it's going to go with the rest of this, | 0:31:20 | 0:31:23 | |
cos we have masses of it down here. | 0:31:23 | 0:31:24 | |
And John ain't joking! | 0:31:24 | 0:31:27 | |
There's china here as far as the eye can see. | 0:31:27 | 0:31:30 | |
But Katherine's got a reason to smile. | 0:31:31 | 0:31:33 | |
She's made a £45 profit on the price she paid. | 0:31:33 | 0:31:37 | |
It's midway in this battle, and time to see | 0:31:39 | 0:31:41 | |
whose money-making plans are in bits | 0:31:41 | 0:31:44 | |
and who's dishing up big profits. | 0:31:44 | 0:31:47 | |
So far, Charlie 'The Charmer' Ross has done two deals | 0:31:47 | 0:31:51 | |
and he's made a profit of £70. | 0:31:51 | 0:31:53 | |
Katherine 'The Great' Higgins has done three deals, | 0:31:54 | 0:31:57 | |
and she's slightly ahead with a profit of £82.50. | 0:31:57 | 0:32:01 | |
Now, our Katherine's a creative sort | 0:32:03 | 0:32:05 | |
who isn't afraid of using her ingenuity and imagination | 0:32:05 | 0:32:10 | |
to generate a sale. But has she just fallen down a rabbit hole? | 0:32:10 | 0:32:14 | |
Here I am in Wonderland, and it is slightly mad, | 0:32:14 | 0:32:17 | |
because I'm sitting here having tea in the snow. | 0:32:17 | 0:32:20 | |
But there is method in her madness. | 0:32:20 | 0:32:23 | |
She wants to sell the glass dish and the plates to Julia, | 0:32:23 | 0:32:26 | |
who runs a business hiring out vintage china. | 0:32:26 | 0:32:29 | |
I'm not just here to drink lovely cups of tea. | 0:32:30 | 0:32:33 | |
I've actually come to do a bit of business, and I've brought you | 0:32:33 | 0:32:36 | |
two plates which haven't got anything to match with them. | 0:32:36 | 0:32:38 | |
-Sorry about that. -That's not a problem, actually, | 0:32:38 | 0:32:40 | |
cos lots of people that we hire to specifically want everything | 0:32:40 | 0:32:44 | |
to mismatch, so they would look perfect with anything. | 0:32:44 | 0:32:46 | |
It's a very different shape, isn't it? It's the Eve shape, | 0:32:46 | 0:32:49 | |
it's Shelley, and dates to about 1935. | 0:32:49 | 0:32:52 | |
-That's lovely. -I thought you'd like that as well. | 0:32:52 | 0:32:54 | |
That's really pretty. | 0:32:54 | 0:32:55 | |
It's a pressed glass dish, so it's actually pressed into a mould | 0:32:55 | 0:32:58 | |
and then sectioned together, | 0:32:58 | 0:33:01 | |
and those are very humble, but actually now, | 0:33:01 | 0:33:04 | |
I love the reversal. | 0:33:04 | 0:33:05 | |
It's actually used at the top end, you know, being on a wedding table. | 0:33:05 | 0:33:08 | |
Yes, pressed glass is just really popular at the moment, | 0:33:08 | 0:33:11 | |
and it actually looks a lot more vintage than a cut glass would. | 0:33:11 | 0:33:15 | |
Julia is keen, but will she offer Katherine more than she paid? | 0:33:15 | 0:33:20 | |
£1.50 for the glass dish and £2 for the plates? | 0:33:20 | 0:33:24 | |
How much would you like for them? | 0:33:24 | 0:33:26 | |
12, 15 for the pressed glass, | 0:33:26 | 0:33:28 | |
and perhaps £10 for the plates? | 0:33:28 | 0:33:31 | |
So where does that leave me? About 22, £25 in total. | 0:33:31 | 0:33:36 | |
How about 20? Would that be OK? | 0:33:36 | 0:33:38 | |
Yes, 20 doesn't sound completely Mad Hatter-ish. | 0:33:38 | 0:33:41 | |
-That sounds ideal. -OK, that's lovely. Thanks very much. | 0:33:41 | 0:33:44 | |
Wonderful. Thanks, Julia. | 0:33:44 | 0:33:45 | |
This tea party is far from nonsense. | 0:33:47 | 0:33:49 | |
Katherine's made a cracking combined profit on the glass dish | 0:33:49 | 0:33:53 | |
and the plates of £16.50. | 0:33:53 | 0:33:55 | |
The Great One also hopes to sweep away | 0:33:59 | 0:34:01 | |
The Charmer's chances of victory with an impressive profit of £49 | 0:34:01 | 0:34:05 | |
when she sells the hearth brush to client Katie. | 0:34:05 | 0:34:09 | |
-Wonderful. -Thank you. | 0:34:09 | 0:34:11 | |
The queen of collectables is a selling tour de force. | 0:34:11 | 0:34:14 | |
Is Charlie going to need divine intervention to seize victory? | 0:34:14 | 0:34:17 | |
Well, I'm in the Catholic church in Bicester, | 0:34:19 | 0:34:22 | |
and I come here every Sunday night. | 0:34:22 | 0:34:25 | |
No, not for a service, but to rehearse. | 0:34:25 | 0:34:27 | |
It's where my choir sings, the Akeman Voices. | 0:34:27 | 0:34:29 | |
And tonight, I've brought along The History Of Music, | 0:34:29 | 0:34:33 | |
which I'm hoping Martin Quinn, our musical director, will buy. | 0:34:33 | 0:34:37 | |
I bought it at the boot fair. What did it cost? £3. | 0:34:37 | 0:34:40 | |
I can't help but make a profit. | 0:34:40 | 0:34:42 | |
Love the optimism, Charlie, | 0:34:43 | 0:34:45 | |
but will the book on the history of music | 0:34:45 | 0:34:47 | |
hit the right note with Martin? | 0:34:47 | 0:34:49 | |
-Oh, wow. -It's got some great questions in it. | 0:34:50 | 0:34:53 | |
-I'm going to ask you one. -Oh. | 0:34:53 | 0:34:54 | |
Approximately when was Mozart's Requiem written? | 0:34:54 | 0:34:57 | |
1797. | 0:34:57 | 0:35:00 | |
Ooh! 1791. | 0:35:00 | 0:35:02 | |
You have passed the test! Congratulations. | 0:35:02 | 0:35:05 | |
1941, this was given. | 0:35:05 | 0:35:07 | |
Can I interest you in this? | 0:35:07 | 0:35:09 | |
-I could add it to my collection, yes. -You could. -I could. | 0:35:09 | 0:35:11 | |
I'd like to get £20 for this book. | 0:35:11 | 0:35:15 | |
Maybe 15? | 0:35:15 | 0:35:16 | |
-HE GASPS: -Do you know, I thought you might come in at 10! -10? | 0:35:16 | 0:35:20 | |
So 15, I'll shake you by the hand. | 0:35:20 | 0:35:22 | |
It's a substantial profit, and I'm thrilled to have bought it. | 0:35:22 | 0:35:26 | |
A £15 sale price is music to The Charmer's ears | 0:35:27 | 0:35:31 | |
and nets him a profit of £12. | 0:35:31 | 0:35:33 | |
And his plans are in harmony, | 0:35:35 | 0:35:37 | |
as he also makes £23.70 | 0:35:37 | 0:35:38 | |
selling the badges, one to a dealer and the other at auction. | 0:35:38 | 0:35:43 | |
And he makes a further £25 | 0:35:43 | 0:35:45 | |
selling the torchiere to a local theatre group. | 0:35:45 | 0:35:49 | |
Time is nearly up on today's competition, | 0:35:53 | 0:35:56 | |
and our antiques athletes are preparing for the last big push. | 0:35:56 | 0:36:00 | |
Katherine thought she had just one item left to sell, | 0:36:00 | 0:36:03 | |
the photograph of the footballers. | 0:36:03 | 0:36:06 | |
But when she took the back off the print, | 0:36:06 | 0:36:08 | |
she was in for a bit of a surprise. | 0:36:08 | 0:36:10 | |
She discovered that there was another photo underneath it, | 0:36:10 | 0:36:14 | |
of a group of soldiers. | 0:36:14 | 0:36:15 | |
What this picture shows us | 0:36:15 | 0:36:18 | |
is the Black Watch Regiment in the mid-1880s. | 0:36:18 | 0:36:21 | |
And then I noticed this signature. | 0:36:21 | 0:36:23 | |
R Ellis Photo, Malta, | 0:36:23 | 0:36:27 | |
and that has set me on a completely new course. | 0:36:27 | 0:36:30 | |
Richard Ellis, as I discovered | 0:36:30 | 0:36:32 | |
when I spoke to the Royal Photographic Society, | 0:36:32 | 0:36:34 | |
is one of the great Victorian photographers. | 0:36:34 | 0:36:36 | |
What's the next part of the story? | 0:36:36 | 0:36:39 | |
I think I really need to take it to Malta and find out. | 0:36:40 | 0:36:43 | |
And Katherine pays for flights out of her unspent kitty | 0:36:43 | 0:36:47 | |
in order to do just that, on a quest | 0:36:47 | 0:36:51 | |
to find out more about Richard Ellis. | 0:36:51 | 0:36:52 | |
Richard was an Englishman who arrived in Malta in the 1860s | 0:36:54 | 0:36:57 | |
and had a long career as a photographer on the island. | 0:36:57 | 0:37:01 | |
The archive of his work contains some 40,000 images, | 0:37:01 | 0:37:04 | |
and is curated by his great-grandson Ian. | 0:37:04 | 0:37:08 | |
Katherine has agreed to meet Ian, along with local photographer | 0:37:09 | 0:37:12 | |
and archive researcher Patrick. | 0:37:12 | 0:37:14 | |
Here we go. | 0:37:15 | 0:37:17 | |
This is a photograph taken at Fort Saint Elmo, | 0:37:17 | 0:37:20 | |
and I believe the regiment is the Black Watch, | 0:37:20 | 0:37:23 | |
which would have been the 42nd, 43rd or 44th. | 0:37:23 | 0:37:28 | |
The regiment was stationed here between 1886 and 1889, | 0:37:28 | 0:37:32 | |
so we can begin to date it, and what I love is that we've got | 0:37:32 | 0:37:36 | |
the signature there that brings it back to here. | 0:37:36 | 0:37:41 | |
Not only has the print been returned to where it was taken, | 0:37:41 | 0:37:45 | |
Ian has also dug out the original negative, | 0:37:45 | 0:37:48 | |
but it's suffered over the years. | 0:37:48 | 0:37:50 | |
It does have slight damage. | 0:37:50 | 0:37:52 | |
The negative has gone through a bit of mishap and handling, | 0:37:53 | 0:37:57 | |
so we're pretty happy to have the print, | 0:37:57 | 0:38:01 | |
which looks still in very good condition. | 0:38:01 | 0:38:04 | |
As the original negative's damaged, | 0:38:04 | 0:38:06 | |
Katherine's print would be a valuable addition to the archive. | 0:38:06 | 0:38:10 | |
But what will Ian and Patrick be prepared to pay for it? | 0:38:10 | 0:38:12 | |
I do have to make a modest profit somewhere along the line, | 0:38:14 | 0:38:18 | |
and I'm thinking around about the £300 mark. | 0:38:18 | 0:38:21 | |
The print would complement the picture. | 0:38:21 | 0:38:23 | |
-Would you be prepared to accept 280 sterling for that? -Do you know what? | 0:38:23 | 0:38:26 | |
I would be delighted to take 280. | 0:38:26 | 0:38:29 | |
Can I shake hands with you both? I don't know how a girl does that. | 0:38:29 | 0:38:32 | |
I'm going to multitask. | 0:38:32 | 0:38:34 | |
Katherine's done a terrific deal | 0:38:34 | 0:38:36 | |
on the rediscovered Richard Ellis print, | 0:38:36 | 0:38:37 | |
and the photograph of the footballers, | 0:38:37 | 0:38:40 | |
her original purchase, finds a new home | 0:38:40 | 0:38:43 | |
with the modern day Worplesdon football team. | 0:38:43 | 0:38:46 | |
..the early 1930s... | 0:38:46 | 0:38:47 | |
With the cost of Katherine's flight to Malta | 0:38:47 | 0:38:49 | |
deducted from the sale, and her reframing costs, | 0:38:49 | 0:38:52 | |
the photographs still prove a magnificent car boot discovery, | 0:38:52 | 0:38:56 | |
providing The Great One a profit of £221.47. | 0:38:56 | 0:39:01 | |
What a result! | 0:39:01 | 0:39:04 | |
SHE SHRIEKS | 0:39:06 | 0:39:08 | |
Katherine The Great is all sold up, | 0:39:08 | 0:39:11 | |
but Charlie The Charmer has one last item to do a deal on - | 0:39:11 | 0:39:14 | |
the boxing gloves. | 0:39:14 | 0:39:15 | |
And he's got big plans for them. | 0:39:15 | 0:39:18 | |
Well, I'm here with one of the greatest world champions | 0:39:18 | 0:39:22 | |
that these islands have ever produced, Barry McGuigan. | 0:39:22 | 0:39:27 | |
Now, Barry, when did you win your world championship? | 0:39:27 | 0:39:30 | |
-I was 24 years old. I'm now 50, so work out the maths! -Yeah. | 0:39:30 | 0:39:35 | |
-So it was 15 rounds? -15 rounds. | 0:39:35 | 0:39:36 | |
One of the last 15 rounders that there ever was in this country, | 0:39:36 | 0:39:40 | |
and then from a medical point of view | 0:39:40 | 0:39:43 | |
they reduced them down to 12 rounds. | 0:39:43 | 0:39:45 | |
-Right. -So tell me about these gloves. | 0:39:45 | 0:39:47 | |
-I bought these in a boot fair for £1. -OK. | 0:39:47 | 0:39:49 | |
And I thought with a signature from the great man, | 0:39:49 | 0:39:52 | |
they could be worth hundreds of pounds, really, | 0:39:52 | 0:39:54 | |
to a collector of sporting memorabilia. | 0:39:54 | 0:39:57 | |
You can tell me...these are probably rubbish, aren't they? | 0:39:57 | 0:40:00 | |
They're not rubbish. They're really from the '80s/'90s. | 0:40:00 | 0:40:03 | |
These are eight-ounce, ten-ounce gloves. | 0:40:03 | 0:40:05 | |
These would have been sort of kiddie gloves. | 0:40:05 | 0:40:07 | |
-So at a pound, I bought them well? -Yeah, you most definitely did, | 0:40:07 | 0:40:10 | |
and I hope that by adding my signature to them, | 0:40:10 | 0:40:13 | |
I will put another bit of value on them. | 0:40:13 | 0:40:16 | |
-However... -Yeah. -You don't get it that easy, Charlie. -Oh. | 0:40:16 | 0:40:20 | |
You've got to do a few rounds on the punch pad with me. | 0:40:20 | 0:40:22 | |
-What, I have? -You have to. Well, that's the deal. | 0:40:22 | 0:40:25 | |
If you don't, I don't sign them. | 0:40:25 | 0:40:26 | |
HE LAUGHS | 0:40:26 | 0:40:28 | |
So where do I do that? | 0:40:28 | 0:40:30 | |
-Down in the cellar. Let's go. -Come on(!) Oh, God. | 0:40:30 | 0:40:32 | |
Uh-oh. Barry's going to make Charlie work for that signature. | 0:40:34 | 0:40:38 | |
What are The Charmer's chances? | 0:40:38 | 0:40:39 | |
OK, try the jab. Again. | 0:40:41 | 0:40:43 | |
Again. | 0:40:43 | 0:40:45 | |
BARRY LAUGHS | 0:40:45 | 0:40:47 | |
Again. Again. | 0:40:47 | 0:40:48 | |
Oh, I say, he's not bad! | 0:40:48 | 0:40:50 | |
Nice uppercut, Charlie. | 0:40:51 | 0:40:53 | |
-Well done. -Thank you. -Now I'll sign the gloves. | 0:40:53 | 0:40:56 | |
-How do you feel? -You'll sign the gloves? | 0:40:56 | 0:40:59 | |
I'm absolutely knackered. | 0:40:59 | 0:41:01 | |
A noble effort from The Charmer, | 0:41:02 | 0:41:04 | |
and he's got that all-important signature from Barry. | 0:41:04 | 0:41:08 | |
Will the gloves now turn a knock-out profit? | 0:41:08 | 0:41:10 | |
Will it be enough to beat Katherine The Great today? | 0:41:10 | 0:41:13 | |
All will be revealed. | 0:41:13 | 0:41:14 | |
Oh! | 0:41:14 | 0:41:15 | |
Each of our duelling dealers started out with | 0:41:15 | 0:41:18 | |
£250 of their own money to spend. | 0:41:18 | 0:41:21 | |
Charlie 'The Charmer' Ross did six deals at the car boot sale | 0:41:21 | 0:41:24 | |
and spent £58. | 0:41:24 | 0:41:26 | |
Katherine 'The Great' Higgins bagged eight buys, | 0:41:26 | 0:41:29 | |
spending a total of 190.53 including flights and framing. | 0:41:29 | 0:41:33 | |
But the only thing that matters now is who has made the most profit. | 0:41:35 | 0:41:39 | |
All of the money that Charlie and Katherine have made today | 0:41:39 | 0:41:42 | |
will be going to charities of their choice, | 0:41:42 | 0:41:45 | |
so let's find out who is today's | 0:41:45 | 0:41:47 | |
Put Your Money Where Mouth Is champion. | 0:41:47 | 0:41:50 | |
Ah! You're coming down to my level, I see. | 0:41:50 | 0:41:52 | |
Katherine The Great from on high. | 0:41:52 | 0:41:54 | |
I have been somewhere hot. | 0:41:55 | 0:41:57 | |
You've been abroad! | 0:41:57 | 0:41:59 | |
I heard a rumour. | 0:41:59 | 0:42:01 | |
-Yes, it's true. All the way to Malta. -Malta? | 0:42:01 | 0:42:04 | |
-It was great, yeah. -Well, you didn't invite me, did you? | 0:42:04 | 0:42:07 | |
Do you know, I wasn't allowed any old baggage? | 0:42:07 | 0:42:09 | |
Old baggage?! You're looking at a champion boxer here! | 0:42:09 | 0:42:12 | |
-Really? -Remember my gloves? -Yeah. | 0:42:12 | 0:42:14 | |
I took them off to Barry McGuigan and he signed them for me. | 0:42:14 | 0:42:17 | |
Not before he'd made me box for about half an hour. | 0:42:17 | 0:42:21 | |
Nearly killed me. But the profit, as you will see, is well worthwhile. | 0:42:21 | 0:42:26 | |
OK, I'm sure it is. | 0:42:26 | 0:42:28 | |
Three, two, one. Let's see. | 0:42:28 | 0:42:30 | |
Hey! Yes. | 0:42:31 | 0:42:33 | |
Yes! | 0:42:33 | 0:42:34 | |
Close, but not good enough. | 0:42:35 | 0:42:38 | |
You've got me on the ropes. | 0:42:38 | 0:42:40 | |
So, Katherine is the winner, and why? | 0:42:40 | 0:42:43 | |
Well, although the boxing gloves packed a punchy profit of £159 | 0:42:43 | 0:42:48 | |
when Charlie sold them to a sporting memorabilia collector, | 0:42:48 | 0:42:51 | |
it just wasn't enough to beat The Great One. | 0:42:51 | 0:42:54 | |
Well, I thought I'd done really well. Thumping good profit. | 0:42:56 | 0:43:00 | |
But can you compete with someone | 0:43:00 | 0:43:02 | |
that buys an old photograph of some footballers | 0:43:02 | 0:43:05 | |
and finds a priceless treasure behind them? | 0:43:05 | 0:43:08 | |
Nothing you can do about that. | 0:43:08 | 0:43:10 | |
Well, I couldn't be happier. | 0:43:10 | 0:43:12 | |
Charlie, I think you did pretty well, only, better luck next time. | 0:43:12 | 0:43:15 | |
He may have been beaten by Katherine today, | 0:43:17 | 0:43:20 | |
but things could all change for Charlie tomorrow, | 0:43:20 | 0:43:23 | |
as our experts go all out for victory | 0:43:23 | 0:43:26 | |
in the Put Your Money Where Your Mouth Is showdown. | 0:43:26 | 0:43:28 | |
Subtitles by Red Bee Media Ltd | 0:43:49 | 0:43:52 |