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This is Put Your Money Where Your Mouth Is, the show pitching TV's best-loved antiques experts | 0:00:02 | 0:00:06 | |
against each other in an all-out battle for profit. | 0:00:06 | 0:00:10 | |
I'm a double-your-money girl. | 0:00:10 | 0:00:13 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
You've got to be in it to win it. | 0:00:16 | 0:00:19 | |
Each week, one pair of duelling dealers | 0:00:19 | 0:00:22 | |
will face a different challenge. | 0:00:22 | 0:00:24 | |
-Lovely! -We've got some work to do, let's go! | 0:00:24 | 0:00:26 | |
Putting their own money and their hard-earned reputations on the line. | 0:00:26 | 0:00:31 | |
As they see who can make the most money from buying and selling. | 0:00:31 | 0:00:36 | |
Get in there! | 0:00:36 | 0:00:37 | |
Get ready for a rip roaring, rollercoaster ride. | 0:00:38 | 0:00:42 | |
It's the Put Your Money Where Your Mouth Is Showdown! | 0:00:42 | 0:00:45 | |
The greatest challenge our experts have faced yet. | 0:00:45 | 0:00:48 | |
Our tussling titans of the antiques trade | 0:00:48 | 0:00:51 | |
will be tested to the absolute limit, | 0:00:51 | 0:00:53 | |
as they're challenged to scour the length and breadth of the country and continent | 0:00:53 | 0:00:58 | |
to find antiques and collectables | 0:00:58 | 0:01:00 | |
that they must then sell on for profit. | 0:01:00 | 0:01:02 | |
Coming up, Eric demonstrates his steely resolve. | 0:01:02 | 0:01:06 | |
We don't bend under the strain, do we, Eric? No, no, we don't. | 0:01:06 | 0:01:11 | |
John is forced to take desperate measures. | 0:01:11 | 0:01:14 | |
I had to bite the bullet and buy it. | 0:01:14 | 0:01:15 | |
Either that or I'm going to end up with too few items. | 0:01:15 | 0:01:18 | |
I hope I don't regret that. | 0:01:18 | 0:01:20 | |
And when it comes to selling, the auction has its ups... | 0:01:20 | 0:01:24 | |
-100. -Oh! | 0:01:24 | 0:01:26 | |
We've hit the big time, eh? | 0:01:26 | 0:01:28 | |
..and its downs for our boys. | 0:01:28 | 0:01:30 | |
-I just want... -Just want to go home. | 0:01:30 | 0:01:33 | |
It's Put Your Money Where Your Mouth Is. | 0:01:33 | 0:01:36 | |
Welcome to the showdown. | 0:01:48 | 0:01:51 | |
Pitting two of our most renowned and successful antiques experts | 0:01:51 | 0:01:55 | |
against each other in the ultimate of challenges. | 0:01:55 | 0:01:57 | |
Our fearsome fighters are two of the antiques world's | 0:01:57 | 0:02:00 | |
most prestigious professionals. | 0:02:00 | 0:02:03 | |
It's the wholesome, hard-hitting heavyweight from the north, | 0:02:03 | 0:02:06 | |
Eric "Knocker" Knowles. | 0:02:06 | 0:02:07 | |
Weighing in against the slick, South Coast Slugger, | 0:02:07 | 0:02:11 | |
John "The Hammer" Cameron. | 0:02:11 | 0:02:14 | |
This intense challenge will see them going head-to-head | 0:02:14 | 0:02:17 | |
over four rounds in the ring, | 0:02:17 | 0:02:19 | |
and will test their knowledge and stamina to the absolute limit. | 0:02:19 | 0:02:24 | |
So let's find out what's in store. | 0:02:24 | 0:02:25 | |
Good to see you, Knocker. | 0:02:30 | 0:02:31 | |
So with round five of the Burnley Bantamweight | 0:02:31 | 0:02:34 | |
and South Coast Super Heavyweight. Is this Queensberry rules? | 0:02:34 | 0:02:37 | |
Let me tell you, John, it says here, | 0:02:37 | 0:02:39 | |
"John and Eric, welcome to your final and biggest challenge yet. | 0:02:39 | 0:02:44 | |
"The showdown. | 0:02:44 | 0:02:45 | |
"You must each by eight items | 0:02:45 | 0:02:47 | |
"during your regular Put Your Money challenges. | 0:02:47 | 0:02:49 | |
"You have to buy two at each event. | 0:02:49 | 0:02:51 | |
"So you can spend up to £1,000 of your own money." | 0:02:51 | 0:02:57 | |
"Well, you can each sell up to four items wherever you want. | 0:02:57 | 0:03:00 | |
"The remaining items will go into auction. | 0:03:00 | 0:03:02 | |
"Your auction will be in Gloucestershire, in direct competition with your opponent. | 0:03:02 | 0:03:06 | |
"Choose your items wisely. | 0:03:06 | 0:03:08 | |
"The winner will be the one who makes the most profit." | 0:03:08 | 0:03:11 | |
Well, nothing new there, old boy, | 0:03:11 | 0:03:12 | |
but I think a case of guard up and into the ring. | 0:03:12 | 0:03:17 | |
Yes, this is going to be one fierce fight! | 0:03:17 | 0:03:20 | |
But which one of our boys will make the most profit? | 0:03:20 | 0:03:23 | |
Both our antiques heavyweights have £1,000 of their own money to spend, | 0:03:23 | 0:03:27 | |
that must also cover any restoration, repairs and buying fees. | 0:03:27 | 0:03:31 | |
Our keen contenders must buy two items | 0:03:31 | 0:03:33 | |
at each of their usual hunting grounds. | 0:03:33 | 0:03:35 | |
A UK antiques fair, an auction, a car boot sale | 0:03:35 | 0:03:39 | |
and a foreign antiques market. | 0:03:39 | 0:03:43 | |
So with gloves on and mouth guards in, | 0:03:43 | 0:03:46 | |
it's seconds away for round one, | 0:03:46 | 0:03:48 | |
the antiques fair at the Lincolnshire Antiques and Home Show, | 0:03:48 | 0:03:51 | |
the largest show of its kind in Europe. | 0:03:51 | 0:03:54 | |
Our boys will have to battle their way | 0:03:54 | 0:03:56 | |
through thousands of stalls to grab the best of the spoils. | 0:03:56 | 0:03:59 | |
But they'll also have to remember they have three more rounds ahead of them. | 0:03:59 | 0:04:04 | |
So they'll need to keep some money in the tank. | 0:04:04 | 0:04:07 | |
Buying in at the right price is one thing. | 0:04:07 | 0:04:09 | |
I've got to sell four at auction and four privately, | 0:04:09 | 0:04:12 | |
It's a balance of what you're able to get a profit out of privately | 0:04:12 | 0:04:15 | |
and making a profit at auction, | 0:04:15 | 0:04:17 | |
where you've got to take commission into consideration. | 0:04:17 | 0:04:19 | |
So The Hammer is coming out of his corner with caution, | 0:04:19 | 0:04:22 | |
but Knocker is already dancing round the ring. | 0:04:22 | 0:04:25 | |
You can never be sure with auctions. | 0:04:25 | 0:04:28 | |
You really are flying by the seat of your pants | 0:04:28 | 0:04:31 | |
because you can lead a horse to water but can you make 'em drink? | 0:04:31 | 0:04:36 | |
So I'm going to be looking for what I can only call dead certs. | 0:04:36 | 0:04:41 | |
Who will be the first of our collectables clobberers to strike, | 0:04:41 | 0:04:43 | |
and beat his opponent to the punch? | 0:04:43 | 0:04:46 | |
Our seasoned pros are quick to get their bearings, | 0:04:46 | 0:04:49 | |
and it's The Hammer who closes in first on a wooden toy. | 0:04:49 | 0:04:53 | |
The important thing with these, they're little, carved, wooden toys, | 0:04:53 | 0:04:57 | |
they get legs broken, you get pieces lost, they were played with. | 0:04:57 | 0:05:00 | |
So it's important to check that you've got everything there. | 0:05:00 | 0:05:03 | |
This looks early 20th century. | 0:05:03 | 0:05:05 | |
A lot of them were made on the continent. | 0:05:05 | 0:05:09 | |
But the chap wants £350 for it. It would be a bit of a risk. | 0:05:09 | 0:05:13 | |
-What's the best price you'll do on it? -320. It's a cheap lot. | 0:05:13 | 0:05:16 | |
-Can I think on it? -Tell you what, be a game man, give me £300 for it now. | 0:05:16 | 0:05:20 | |
250 and I'll walk away. | 0:05:20 | 0:05:22 | |
Go on. Going to smack me. | 0:05:22 | 0:05:24 | |
Give me £300 and I'll give you a tenner back. That's 290. | 0:05:24 | 0:05:27 | |
-There's only £40 between us. Go 270, then. -280. -275. | 0:05:27 | 0:05:32 | |
-We're in the middle. -Go on, then. | 0:05:32 | 0:05:34 | |
And after a volley of bartering, | 0:05:35 | 0:05:38 | |
John's closed the deal with a clout. | 0:05:38 | 0:05:40 | |
I have seen these sell for £500-£600 before, | 0:05:40 | 0:05:43 | |
so hopefully the profits will come flooding in. | 0:05:43 | 0:05:46 | |
That's an impressive start from the young pretender. | 0:05:46 | 0:05:49 | |
How will his veteran opponent fight back? | 0:05:49 | 0:05:51 | |
I'm looking at a Lalique bird. | 0:05:51 | 0:05:53 | |
I'm told it could be mine for £60. | 0:05:53 | 0:05:56 | |
The good thing about it is it's actually signed R Lalique, | 0:05:56 | 0:06:01 | |
so you know it's got to be before 1939. | 0:06:01 | 0:06:04 | |
The minus is it's got a little chip here | 0:06:04 | 0:06:07 | |
and it's got a little chip there. | 0:06:07 | 0:06:09 | |
But that I can tell you, | 0:06:09 | 0:06:10 | |
if it was in mint condition would be £200-£300. | 0:06:10 | 0:06:14 | |
At £60, it's probably worth a punt. | 0:06:14 | 0:06:16 | |
There something else here, and that this vase. | 0:06:16 | 0:06:20 | |
I love this because this is Royal Worcester. | 0:06:20 | 0:06:25 | |
Date-wise, it's probably around about 1885 to 1890. | 0:06:25 | 0:06:32 | |
It's in good order. | 0:06:32 | 0:06:33 | |
I know that price sticker says 55, | 0:06:33 | 0:06:37 | |
but I've already spoken to the owner and I know I can have this for £40. | 0:06:37 | 0:06:41 | |
So I can have the two for £100. | 0:06:41 | 0:06:45 | |
I think the profits should be in my favour. | 0:06:45 | 0:06:48 | |
# I'm like a bird I only fly away... # | 0:06:48 | 0:06:52 | |
Yes, that's a superb one-two combo from our Burnley boxer, | 0:06:52 | 0:06:56 | |
whose bought both his showdown items in one strike. | 0:06:56 | 0:06:59 | |
The Hammer's now behind on points, and he must be feeling the pressure. | 0:06:59 | 0:07:03 | |
But it's only a matter of time before the punches come raining back. | 0:07:03 | 0:07:07 | |
I'm quite happy about this, I'm a little bit optimistic. | 0:07:07 | 0:07:10 | |
It's a large copper Arts and Crafts tray. | 0:07:10 | 0:07:12 | |
I did spot this little monogram down here, HW. | 0:07:12 | 0:07:16 | |
I think it's the mark of Hugh Wallace. | 0:07:16 | 0:07:18 | |
A copperware Arts and Crafts metalware worker | 0:07:18 | 0:07:21 | |
working in the early part of the 20th century. | 0:07:21 | 0:07:24 | |
I eventually bargained this for £45. | 0:07:24 | 0:07:27 | |
Judging on the weight, I think it probably scraps at about that. | 0:07:27 | 0:07:30 | |
As the bruising first round of this buying bonanza draws to a close, | 0:07:30 | 0:07:36 | |
let's check how much our dealers have spent so far. | 0:07:36 | 0:07:38 | |
They each had a budget of £1,000 of their own money to spend. | 0:07:38 | 0:07:43 | |
Eric "Knocker" Knowles is ducking and diving, spending £100. | 0:07:43 | 0:07:47 | |
That leaves him with a handsome £900 in his kitty. | 0:07:47 | 0:07:51 | |
John "The Hammer" Cameron is bobbing and weaving, spending £320, | 0:07:51 | 0:07:56 | |
leaving him with £680 still to spend. | 0:07:56 | 0:08:00 | |
The Hammer's come out hard and heavy | 0:08:00 | 0:08:01 | |
while Knocker's playing the long game, | 0:08:01 | 0:08:03 | |
and there's still three more rounds to get through. | 0:08:03 | 0:08:06 | |
So it's seconds out for round two the auction. | 0:08:06 | 0:08:10 | |
And it's time to come out fighting | 0:08:10 | 0:08:12 | |
at Duke's auction house in Dorchester. | 0:08:12 | 0:08:15 | |
Our two battling bidders must bear in mind the buyer's premium | 0:08:15 | 0:08:19 | |
that will be added to their purchases, | 0:08:19 | 0:08:21 | |
as they go into take down two more items | 0:08:21 | 0:08:23 | |
for their showdown extravaganza. | 0:08:23 | 0:08:25 | |
Once inside, they waste no time in sizing up the wares | 0:08:25 | 0:08:29 | |
and consulting their catalogues. | 0:08:29 | 0:08:31 | |
And, once the auction begins, | 0:08:31 | 0:08:32 | |
it's the beefy bruiser from the South | 0:08:32 | 0:08:35 | |
who swings first... for a paperweight. | 0:08:35 | 0:08:37 | |
Lot number 181, a paperweight. £60. I'll take 70. | 0:08:37 | 0:08:41 | |
80, 90. 90's with you and I'll take 100. | 0:08:41 | 0:08:45 | |
At 90, 100. 110. 120. 130. | 0:08:45 | 0:08:48 | |
140. | 0:08:49 | 0:08:50 | |
At 130, the gentleman bid, I'll take 140. | 0:08:50 | 0:08:54 | |
At £130. | 0:08:54 | 0:08:56 | |
Thank you. | 0:08:56 | 0:08:58 | |
A very decorative thing. I've got a potential person in mind for it. | 0:08:58 | 0:09:01 | |
No pressure, Eric, no pressure. | 0:09:01 | 0:09:04 | |
We don't bend under the strain, do we, Eric? No, no, we don't. | 0:09:06 | 0:09:11 | |
So, The Hammer pays £160.42 with commission. | 0:09:11 | 0:09:16 | |
And does he think it's worth it? | 0:09:16 | 0:09:18 | |
It's a 19th-century Tunbridge Ware paperweight. | 0:09:18 | 0:09:22 | |
This type of decoration is unique to Tunbridge Wells around Kent, | 0:09:22 | 0:09:25 | |
and was very popular in the late 18th and early 19th century. | 0:09:25 | 0:09:30 | |
It's almost like a mosaic. | 0:09:30 | 0:09:32 | |
You lay coloured sticks down, so you make a pattern, | 0:09:32 | 0:09:35 | |
and it's glued together and sliced across the grain. | 0:09:35 | 0:09:38 | |
Looking closely at the detail, you can just see the image, make it out, | 0:09:38 | 0:09:42 | |
it's like a little geometric pattern. It's a good-quality item | 0:09:42 | 0:09:45 | |
and another one that hopefully will help me knock the Knocker. | 0:09:45 | 0:09:48 | |
Having taken the Tunbridge Ware, the Hammer is flying. | 0:09:48 | 0:09:52 | |
It looks like plain sailing | 0:09:52 | 0:09:53 | |
as he bids on a 19th century picture of a boat. | 0:09:53 | 0:09:56 | |
60. Five. £65. | 0:09:56 | 0:09:59 | |
70? | 0:09:59 | 0:10:01 | |
At £65 going. | 0:10:01 | 0:10:03 | |
That was what you call impulse buying. | 0:10:04 | 0:10:07 | |
This is where things get really risky. | 0:10:07 | 0:10:10 | |
And the picture goes to The Hammer for £80.22 including commission. | 0:10:10 | 0:10:15 | |
A spur-of-the-moment buy, but will it make a profit? | 0:10:15 | 0:10:18 | |
This is my little impulse purchase. You can see what it is. | 0:10:18 | 0:10:22 | |
It's a little sailing scene. | 0:10:22 | 0:10:23 | |
It was catalogued as "naive school", which is often the term you see | 0:10:23 | 0:10:27 | |
when things look a little inaccurate in places. | 0:10:27 | 0:10:30 | |
Looking at the glass, we can see it's got air bubbles, | 0:10:30 | 0:10:33 | |
that tells us it's original 19th century glass. | 0:10:33 | 0:10:35 | |
All in all, not a bad buy. I should be able to get a profit out of that. | 0:10:35 | 0:10:39 | |
I don't think the profits will sail away, | 0:10:39 | 0:10:41 | |
but I think we'll make a profit. | 0:10:41 | 0:10:43 | |
# Sail away, sail away Sail away... # | 0:10:43 | 0:10:46 | |
With The Hammer striking twice, Knocker is on the ropes. | 0:10:46 | 0:10:50 | |
Our Eric's got to retaliate, and fast. | 0:10:50 | 0:10:53 | |
505, I'm going on this lot. | 0:10:53 | 0:10:55 | |
It says Glasgow School, I'm not sure. | 0:10:55 | 0:10:57 | |
At £30. Anyone with five? 40. 45. | 0:10:57 | 0:11:00 | |
At the back of the room and I'll take 50. | 0:11:00 | 0:11:03 | |
50. 5. 60. 5. 70. 5. 80. 5. | 0:11:03 | 0:11:09 | |
£80, your bid, sir, I'll take five. | 0:11:09 | 0:11:11 | |
£80, 85 anyone? All at 80. | 0:11:11 | 0:11:14 | |
And Knocker's nabbed the watercolour for £98.72 including fees, | 0:11:16 | 0:11:20 | |
and he's chuffed to bits. | 0:11:20 | 0:11:23 | |
It's just a wonderful image. She's wearing a sort of kimono. | 0:11:23 | 0:11:27 | |
She's very much around about 1895, maybe 1905, | 0:11:27 | 0:11:30 | |
not much later than that. | 0:11:30 | 0:11:32 | |
I've got to do my homework again with this one. | 0:11:32 | 0:11:35 | |
She has got potential. Just what she's worth is another matter. | 0:11:35 | 0:11:40 | |
This is what you might call a speculative buy. | 0:11:40 | 0:11:43 | |
After landing the lady in the kimono, Knocker's on a roll, | 0:11:43 | 0:11:47 | |
and he's closing in on a piece of furniture. | 0:11:47 | 0:11:49 | |
I'm going to have a go at an Edwardian mahogany display cabinet. | 0:11:49 | 0:11:53 | |
It's the sort of object which looks really good | 0:11:53 | 0:11:56 | |
with Arts and Crafts pottery displayed in it. | 0:11:56 | 0:11:59 | |
Let's see how we go. | 0:11:59 | 0:12:01 | |
400. £90, I'll take 100 now. | 0:12:01 | 0:12:04 | |
£100. 110 anywhere? | 0:12:04 | 0:12:06 | |
All done at £100. | 0:12:06 | 0:12:07 | |
It's a lovely, lovely display cabinet. | 0:12:11 | 0:12:14 | |
I did look it over, didn't see any damage. | 0:12:14 | 0:12:16 | |
It's at moments like this you think, I'd better have another look! | 0:12:16 | 0:12:20 | |
So Knocker's nabbed the cabinet for £123.40, | 0:12:20 | 0:12:24 | |
but is it worth the money? | 0:12:24 | 0:12:26 | |
This is a quality piece of furniture. | 0:12:26 | 0:12:29 | |
It should be stamped by a maker but it's not. | 0:12:29 | 0:12:32 | |
That was money very well spent. | 0:12:32 | 0:12:34 | |
So Knocker's delighted with that, | 0:12:34 | 0:12:36 | |
and while he pats himself on the back, | 0:12:36 | 0:12:39 | |
we move on to assess the spending so far. | 0:12:39 | 0:12:42 | |
From the £1,000 they started with, Eric has now spent £322.12. | 0:12:42 | 0:12:47 | |
Leaving him £677.88 in his kitty. | 0:12:47 | 0:12:52 | |
John has spent more - £560.64. | 0:12:53 | 0:12:58 | |
Leaving him with £439.36 for the last two rounds. | 0:12:58 | 0:13:04 | |
It's seconds out for round three of the showdown, | 0:13:04 | 0:13:07 | |
and this battle is now going international. | 0:13:07 | 0:13:09 | |
After a brief time out for a towel down, | 0:13:09 | 0:13:12 | |
our pugilistic pair will be trading blows in Paris. | 0:13:12 | 0:13:16 | |
With a stack of euros in their pockets, | 0:13:16 | 0:13:18 | |
they'll be seeking out their two showdown items | 0:13:18 | 0:13:21 | |
straight from the streets of the French capital. | 0:13:21 | 0:13:23 | |
So, John, we're at the halfway point. | 0:13:23 | 0:13:26 | |
We're are here to do a little bit of buying in La Belle France. | 0:13:26 | 0:13:29 | |
Here today, I'm looking for things at a price that I can get a profit on. | 0:13:29 | 0:13:33 | |
How about you? | 0:13:33 | 0:13:34 | |
You've got to be careful. Fantastic things here, | 0:13:34 | 0:13:37 | |
but they don't always translate into saleable | 0:13:37 | 0:13:39 | |
once you get them the other side of the English Channel. | 0:13:39 | 0:13:42 | |
Anyway, listen, bon chance, my dear friend, | 0:13:42 | 0:13:45 | |
-and I'll see you later in the day. -See you in a bit. -OK. | 0:13:45 | 0:13:48 | |
The Hammer has spent over half his budget already. | 0:13:48 | 0:13:51 | |
Will he continue to throw caution to the wind in Gay Paris | 0:13:51 | 0:13:55 | |
and launch straight into his buying? | 0:13:55 | 0:13:57 | |
I'm going to think about this. | 0:13:57 | 0:13:59 | |
This is quite nice, I do like that. | 0:13:59 | 0:14:00 | |
I was about to shake hands there | 0:14:00 | 0:14:03 | |
but I just noticed a bit of damage to the foot there. | 0:14:03 | 0:14:06 | |
This is cold painted. It feels like spelter, it's quite light, | 0:14:06 | 0:14:10 | |
19th century. | 0:14:10 | 0:14:12 | |
And this is for taking the excess ink off the nib of your fountain pen. | 0:14:12 | 0:14:17 | |
It's quite sweet, it would have appeal | 0:14:17 | 0:14:19 | |
to people that collect desk items, pens, inkwells, that sort of thing. | 0:14:19 | 0:14:23 | |
But that little bit of damage is just making me slightly unsure. | 0:14:23 | 0:14:27 | |
So a hesitant start from The Hammer, but for now he put it behind him | 0:14:27 | 0:14:31 | |
and makes a decisive move on something shellfish related. | 0:14:31 | 0:14:35 | |
Yes, our South Coast Slayer is back in his comfort zone. | 0:14:35 | 0:14:38 | |
I've bought a set of four 19th-century French pottery shellfish plates. | 0:14:39 | 0:14:45 | |
No chips or cracks in them, which is very important. | 0:14:45 | 0:14:48 | |
Very typical of the things that Minton were making | 0:14:48 | 0:14:50 | |
back in England in the 19th century. | 0:14:50 | 0:14:52 | |
I should be able to find myself a buyer on home territory. | 0:14:52 | 0:14:57 | |
And The Hammer dishes up £72.73, but what of our Eric? | 0:14:57 | 0:15:03 | |
Seems our fearless fighter's been distracted by a very lovely lady. | 0:15:03 | 0:15:08 | |
# You make me feel naked... # | 0:15:08 | 0:15:11 | |
There she is. I mean, she's pure art deco. | 0:15:11 | 0:15:14 | |
I'm assured it's all original cos what you've got... | 0:15:14 | 0:15:16 | |
which appears to be a bronze figure, but it's not. | 0:15:16 | 0:15:19 | |
It's gilt metal, it's spelter. It's a white metal. | 0:15:19 | 0:15:22 | |
But, you know, to be honest with you, | 0:15:22 | 0:15:24 | |
it doesn't really matter because something like that, | 0:15:24 | 0:15:27 | |
it's just so evocative of the art deco period, you know. | 0:15:27 | 0:15:30 | |
And the lady has been very English friendly towards me | 0:15:30 | 0:15:33 | |
and said I can have that lamp | 0:15:33 | 0:15:36 | |
for 200 euros. | 0:15:36 | 0:15:37 | |
And I think there's a smidgen of a profit in there. | 0:15:37 | 0:15:41 | |
Knocker pays £181.82, | 0:15:41 | 0:15:44 | |
and the lady of the lamp is in the bag. | 0:15:44 | 0:15:46 | |
And he means serious business, | 0:15:46 | 0:15:48 | |
dodging and diving through the stalls | 0:15:48 | 0:15:51 | |
before he pounces on another item. | 0:15:51 | 0:15:53 | |
This is quite... It's just a nice opalescent dish. | 0:15:53 | 0:15:58 | |
It's on a chrome stand. | 0:15:58 | 0:15:59 | |
I've just been talking to the gentleman here | 0:15:59 | 0:16:02 | |
who tells me it's Sabino. He's told me that 90 is the best | 0:16:02 | 0:16:06 | |
so, merci beaucoup. Thank you. | 0:16:06 | 0:16:08 | |
So, with a glass dish costing him £81.82, | 0:16:08 | 0:16:12 | |
Knocker's cross-channel shopping is done. | 0:16:12 | 0:16:15 | |
But what of The Hammer? | 0:16:15 | 0:16:16 | |
He's gone back to the pen nib wipe | 0:16:16 | 0:16:18 | |
he spotted earlier. | 0:16:18 | 0:16:20 | |
Has the price moved at all? | 0:16:22 | 0:16:24 | |
I told you... | 0:16:24 | 0:16:26 | |
I told you 90. | 0:16:26 | 0:16:28 | |
90. | 0:16:28 | 0:16:30 | |
-Would you wrap it for me? -Yes. | 0:16:30 | 0:16:33 | |
90. I've had to bite the bullet and buy it. | 0:16:33 | 0:16:36 | |
Either that or I'm going to end up with too few items. I hope I don't regret that. | 0:16:36 | 0:16:40 | |
So, the hard-hitting Hammer has no choice | 0:16:40 | 0:16:42 | |
but to pay the original price of 90 euros for the bird. | 0:16:42 | 0:16:46 | |
That's £81.82. | 0:16:46 | 0:16:48 | |
Round three is now over, | 0:16:48 | 0:16:50 | |
and both our profiteering pugilists retire to their corners | 0:16:50 | 0:16:55 | |
with the items they hope will net them a pound in profit. | 0:16:55 | 0:16:57 | |
Of his original £1,000, | 0:16:57 | 0:16:59 | |
Eric has now spent £585.76, | 0:16:59 | 0:17:03 | |
leaving him with £414.24 in his showdown kitty, | 0:17:03 | 0:17:08 | |
while John has spent £715.19, | 0:17:08 | 0:17:12 | |
leaving him £284.81 available to spend in round four. | 0:17:12 | 0:17:17 | |
And so we come to the final round of buying... | 0:17:17 | 0:17:21 | |
Our duelling dealers' brutal last bout | 0:17:22 | 0:17:25 | |
takes place at the Sunday market and car boot fair in the Hertfordshire town of Hitchin. | 0:17:25 | 0:17:30 | |
Their challenge is to each find two potential profit makers | 0:17:30 | 0:17:33 | |
amidst the range of stalls bulging with booty. | 0:17:33 | 0:17:37 | |
It's all about sorting the quality wheat from the cheap chaff. | 0:17:37 | 0:17:41 | |
It's The Hammer who goes soaring into action first. | 0:17:41 | 0:17:45 | |
When it comes to aviation, there aren't many more iconic planes | 0:17:45 | 0:17:49 | |
than Concorde. A joint venture between | 0:17:49 | 0:17:51 | |
France and England, she was the Rolls-Royce | 0:17:51 | 0:17:54 | |
of the skies. Her first flight was in 1969, | 0:17:54 | 0:17:57 | |
her last in 2003. | 0:17:57 | 0:17:59 | |
But look at this. | 0:17:59 | 0:18:02 | |
It's a little silver brooch pin there. | 0:18:02 | 0:18:04 | |
At £5, I've got to make a sky-high profit. | 0:18:04 | 0:18:06 | |
# Flying high... # | 0:18:08 | 0:18:11 | |
With The Hammer flying high with his first buy, | 0:18:11 | 0:18:14 | |
could his opponent be in hot water? | 0:18:14 | 0:18:16 | |
How much is that? | 0:18:16 | 0:18:19 | |
-That's £5, sir. -It's an odd number. | 0:18:19 | 0:18:20 | |
I know they like dealing in even numbers but, listen... | 0:18:20 | 0:18:25 | |
Shall we say £4? | 0:18:25 | 0:18:27 | |
I didn't want to twist your arm, but if you're going to offer me that £4 rather than five, I'll say yes. | 0:18:27 | 0:18:32 | |
I think my heart was ruling my head with this, actually. | 0:18:32 | 0:18:35 | |
I bought it simply because one, it's old. | 0:18:35 | 0:18:39 | |
It's about 1860. | 0:18:39 | 0:18:40 | |
And two, it is unusual because it is a hot water plate. | 0:18:40 | 0:18:44 | |
So, you would actually fill it through that hole with hot water, | 0:18:44 | 0:18:47 | |
so whatever was put on the top of there would be kept nice and warm. | 0:18:47 | 0:18:51 | |
I never normally buy anything damaged. It's got a small chip. | 0:18:51 | 0:18:55 | |
It's one more in the bag, you might say. | 0:18:55 | 0:18:58 | |
So, Knocker notches up his first car boot purchase, | 0:18:58 | 0:19:01 | |
evening the score. | 0:19:01 | 0:19:02 | |
And The Hammer retaliates by going in hard on Knocker territory | 0:19:02 | 0:19:06 | |
as he eyes up some porcelain. | 0:19:06 | 0:19:08 | |
You sure I can't tempt you, 15 quid for those figures? | 0:19:08 | 0:19:12 | |
I'll have to risk my wife's wrath! | 0:19:12 | 0:19:13 | |
Well, would you take that risk? | 0:19:15 | 0:19:17 | |
-Yeah, I'm willing to. Yeah. -15 quid? -Yup. | 0:19:17 | 0:19:20 | |
My final showdown purchase, this pair of Spanish porcelain figures. | 0:19:20 | 0:19:25 | |
They're very much in the style of Ladro, | 0:19:25 | 0:19:27 | |
very distinctive Spanish porcelain. | 0:19:27 | 0:19:29 | |
But condition-wise, they're excellent. | 0:19:29 | 0:19:31 | |
They do have some extremities there which are quite easily damaged, | 0:19:31 | 0:19:33 | |
especially wrapping them and unwrapping them. | 0:19:33 | 0:19:35 | |
Should turn a profit. You never know. | 0:19:35 | 0:19:37 | |
Might turn out to be the goose that laid the golden egg. | 0:19:37 | 0:19:41 | |
So, The Hammer's hoping there'll be no egg on his face with that buy. | 0:19:41 | 0:19:46 | |
Elsewhere, our crown prince of pottery buys another piece of porcelain. | 0:19:46 | 0:19:49 | |
I suppose I've bought what was, to all extents and purposes, | 0:19:49 | 0:19:52 | |
a German bestseller, in probably round about 1880 or 1885. | 0:19:52 | 0:19:57 | |
It is a figure that would have gone on your mantelpiece. | 0:19:57 | 0:20:00 | |
There would have been this one | 0:20:00 | 0:20:02 | |
and a companion figure with a small girl at the other side. | 0:20:02 | 0:20:05 | |
And I've just paid £8 for this. | 0:20:05 | 0:20:08 | |
But it is a little bit of sort of social history | 0:20:08 | 0:20:12 | |
because if you turn it around, | 0:20:12 | 0:20:13 | |
you'll see that it's got all these little sort of holes. | 0:20:13 | 0:20:16 | |
That, in actual fact, would be for your spools. | 0:20:16 | 0:20:20 | |
This little area here would be for your friction matches, | 0:20:20 | 0:20:24 | |
and the idea being that you would strike it against the side | 0:20:24 | 0:20:28 | |
or down here. | 0:20:28 | 0:20:29 | |
I've seen lots of them, and this one, unfortunately, has got damage to it. | 0:20:29 | 0:20:33 | |
Just little bits of damage. | 0:20:33 | 0:20:35 | |
Bit irritating, but for the money, it was worth a go. | 0:20:35 | 0:20:39 | |
So, that urban myth about Knocker not buying anything damaged | 0:20:39 | 0:20:42 | |
is dashed once again. | 0:20:42 | 0:20:44 | |
Round four is now over, | 0:20:46 | 0:20:47 | |
and our antiques fighters of fortune have now purchased all their showdown items. | 0:20:47 | 0:20:51 | |
Time to assess their overall spending. | 0:20:51 | 0:20:54 | |
Our battling bargaineers started this epic showdown | 0:20:54 | 0:20:57 | |
with £1,000 of their own cash to buy eight items. | 0:20:57 | 0:21:01 | |
At the final bell, Eric's total bill comes in at £597.76, | 0:21:01 | 0:21:06 | |
while John has been less cautious. | 0:21:06 | 0:21:09 | |
He spent £735.19 in all. | 0:21:09 | 0:21:11 | |
Before our brave boys go their separate ways, | 0:21:13 | 0:21:15 | |
there's just time for them to take a look at each other's trophies. | 0:21:15 | 0:21:20 | |
-Hey. -Eric, Eric. -Hey, Mr Cameron. Listen. | 0:21:20 | 0:21:23 | |
I don't think you've read the rulebook. | 0:21:23 | 0:21:25 | |
We're supposed to buy two objects today, not one! | 0:21:25 | 0:21:28 | |
Well, there is a pair of those, but I did buy another item. | 0:21:28 | 0:21:30 | |
It's this, this little brooch. What you think? Do you need your glasses? | 0:21:30 | 0:21:34 | |
No, no. Listen, I know a Vulcan bomber when I see one! | 0:21:34 | 0:21:37 | |
It's Concorde. | 0:21:37 | 0:21:38 | |
Oh, is it? Oh, right. That's all you're going to go with because we've got to put four to auction. | 0:21:38 | 0:21:42 | |
Yup. Ah, well. Some of them, I see, are overpaid for, | 0:21:42 | 0:21:44 | |
so I'm a bit concerned about taking a chance, putting THOSE into the auction. | 0:21:44 | 0:21:47 | |
Hang on. Hang on a minute. Hang on a minute. | 0:21:47 | 0:21:50 | |
You keep telling me about this overpaying business. | 0:21:50 | 0:21:52 | |
I think that this is just a sort of psychological ploy. | 0:21:52 | 0:21:57 | |
The next time I see you, we're going to be in the... | 0:21:57 | 0:22:00 | |
I think it's the county of Gloucestershire, if I'm not mistaken. | 0:22:00 | 0:22:03 | |
-Look forward to it, Eric. -Oh, I look forward to it, too. | 0:22:03 | 0:22:05 | |
-May the best man win. -OK. -See ya. -All right. | 0:22:05 | 0:22:08 | |
And now, our fearless fighters return to base, | 0:22:11 | 0:22:15 | |
where they must refocus their energies into selling | 0:22:15 | 0:22:18 | |
all their items in order to achieve the highest possible profits. | 0:22:18 | 0:22:21 | |
The dealer who makes the most money will take the title, | 0:22:21 | 0:22:24 | |
but as this is the showdown, that's not the end of the story. | 0:22:24 | 0:22:27 | |
Both our dealers have eight items to sell, | 0:22:27 | 0:22:31 | |
and at least four of them must be sold at auction | 0:22:31 | 0:22:34 | |
without any reserve price. | 0:22:34 | 0:22:37 | |
So, it's a white-knuckle ride, where our boys could win big | 0:22:37 | 0:22:40 | |
or they could crash and burn. | 0:22:40 | 0:22:43 | |
Both our experts must start by choosing which of their weapons | 0:22:43 | 0:22:46 | |
will go under the hammer, and which will be sold privately. | 0:22:46 | 0:22:49 | |
So, I'm going to send to auction the items I paid the smallest amounts for. | 0:22:49 | 0:22:53 | |
And in theory, they'll make minimum losses if they do sell under what I paid for them. | 0:22:53 | 0:22:58 | |
So, going to auction | 0:22:58 | 0:22:59 | |
are my Spanish porcelain figures, | 0:22:59 | 0:23:01 | |
my silver Concorde brooch, | 0:23:01 | 0:23:04 | |
my oyster plates | 0:23:04 | 0:23:06 | |
and my copper charger. | 0:23:06 | 0:23:07 | |
Hopefully, I'll sell my Tunbridge Ware | 0:23:07 | 0:23:09 | |
desk weight IN Tunbridge Wells. | 0:23:09 | 0:23:11 | |
My naive boat painting | 0:23:11 | 0:23:13 | |
should end up somewhere around on the south coast. | 0:23:13 | 0:23:16 | |
My nib wipe... haven't a clue yet where I'm going to sell that. | 0:23:16 | 0:23:19 | |
And then there's my Noah's Ark. I'm hopeful | 0:23:19 | 0:23:21 | |
the profits will come flooding in, | 0:23:21 | 0:23:23 | |
and The Hammer will reign supreme. | 0:23:23 | 0:23:26 | |
Mmm. A considered and confident plan from The Hammer, | 0:23:26 | 0:23:29 | |
but his rival, Knocker, has been giving the game just as much thought. | 0:23:29 | 0:23:32 | |
Now, I've decided to go at auction | 0:23:32 | 0:23:35 | |
with the Lully Bird. | 0:23:35 | 0:23:37 | |
I'm also going to go with my | 0:23:37 | 0:23:39 | |
pottery figure of the boy with the horse | 0:23:39 | 0:23:41 | |
because it has got some damage on there. | 0:23:41 | 0:23:43 | |
I'm also going to put in my arts and crafts cabinet, | 0:23:43 | 0:23:46 | |
my Royal Worcester vase which is very much | 0:23:46 | 0:23:49 | |
in the aesthetic movements. | 0:23:49 | 0:23:52 | |
But it is a big ask to put items on which you've spent hard cash | 0:23:52 | 0:23:57 | |
into an auction without reserve. | 0:23:57 | 0:23:59 | |
Well, them's the rules, Knocker. And there's no backing out now. | 0:23:59 | 0:24:04 | |
Eric also needs to find private buyers for | 0:24:04 | 0:24:06 | |
his print of a woman in a kimono, | 0:24:06 | 0:24:08 | |
the iridescent dish, | 0:24:08 | 0:24:09 | |
the lady-shaped art deco lamp | 0:24:09 | 0:24:11 | |
and his hot water plate. | 0:24:11 | 0:24:13 | |
But remember, until our dealers have shaken on it, | 0:24:13 | 0:24:16 | |
and the money's changed hands, | 0:24:16 | 0:24:19 | |
no deal is truly sealed. | 0:24:19 | 0:24:21 | |
Our two tireless troopers hit the phones, | 0:24:21 | 0:24:23 | |
and it's Knocker who's first out onto the road, | 0:24:23 | 0:24:26 | |
taking his print of a lady in a kimono | 0:24:26 | 0:24:28 | |
to London's famous Liberty store to meet dealer Patch. | 0:24:28 | 0:24:31 | |
I fell somewhat in love with this girl when I spotted her. | 0:24:32 | 0:24:38 | |
-I think it's a lovely thing. -Good. | 0:24:38 | 0:24:39 | |
Whether it's a Liberty dress, who knows? | 0:24:39 | 0:24:41 | |
It's difficult to track that sort of thing down. | 0:24:41 | 0:24:43 | |
But certainly of the period. | 0:24:43 | 0:24:45 | |
I mean, it's certainly going to be sort of, you know, 1905, 1900, that sort of time. | 0:24:45 | 0:24:48 | |
-Excellent, excellent. -So, I think that's a good thing. | 0:24:48 | 0:24:51 | |
I was hoping it was somewhere around... | 0:24:51 | 0:24:53 | |
Round about the £320 region. | 0:24:53 | 0:24:55 | |
Yeah. I mean, to be honest with you, the problem is with that, | 0:24:55 | 0:24:58 | |
I mean, it is just a watercolour. | 0:24:58 | 0:25:00 | |
-Yup. -Also, I think, you know, not being signed... | 0:25:00 | 0:25:03 | |
-In that sense, I think that it has to be less than that, I'm afraid. -OK. | 0:25:03 | 0:25:07 | |
Realistically, we're looking at about 250. | 0:25:07 | 0:25:09 | |
Well, let's try 280. | 0:25:09 | 0:25:12 | |
To be honest with you, | 0:25:12 | 0:25:13 | |
I mean, 250 is really where it's going to need to be. | 0:25:13 | 0:25:16 | |
-Is it? -It is. -OK. | 0:25:16 | 0:25:17 | |
-The reframing alone's going to cost £100-odd. -OK. | 0:25:17 | 0:25:20 | |
So, if there was a token tenner stuck on the end of that? | 0:25:20 | 0:25:24 | |
-Fine. -£260? -Fine. -Are we all right with that? -That's fine. | 0:25:24 | 0:25:27 | |
You're a gentleman, but I knew that all the time. | 0:25:27 | 0:25:29 | |
So, Knocker pockets a hard-won | 0:25:29 | 0:25:31 | |
and tidy profit of £161.28. | 0:25:31 | 0:25:35 | |
A flying start for Eric. | 0:25:35 | 0:25:37 | |
And The Hammer also kicks off his sales campaign with some artwork. | 0:25:37 | 0:25:42 | |
He's heading to Portsmouth dealer Andrew | 0:25:42 | 0:25:44 | |
with the sailing boat watercolour he bought at auction. | 0:25:44 | 0:25:46 | |
-I'm looking for a couple of hundred pounds for it. -Really? | 0:25:46 | 0:25:49 | |
I would say... It's a condition problem. | 0:25:49 | 0:25:52 | |
I mean, actually, the frame's nicer than the picture! I mean, it's about a £100 mark. | 0:25:52 | 0:25:56 | |
It's not brilliant, I'm afraid. | 0:25:56 | 0:25:57 | |
Could we meet possibly in the middle there, do you think? | 0:25:57 | 0:26:00 | |
-And I'm not making any profit. -I'll do 140 on it, OK? -140? | 0:26:00 | 0:26:03 | |
That gives me hardly anything, actually. | 0:26:03 | 0:26:06 | |
You're lucky not to lose on it, to be honest! | 0:26:06 | 0:26:08 | |
THEY LAUGH | 0:26:08 | 0:26:10 | |
Can we squeeze a little bit more? 145? | 0:26:10 | 0:26:12 | |
-Go on, go on. -Yeah? | 0:26:12 | 0:26:14 | |
-Yeah, all right, then. -You're a gentleman. | 0:26:14 | 0:26:16 | |
Don't spend it on any more jackets, though! | 0:26:16 | 0:26:18 | |
JOHN LAUGHS | 0:26:18 | 0:26:20 | |
Ouch! It's a cool profit of £64.78 for John's watercolour. | 0:26:20 | 0:26:24 | |
But Knocker is still ahead, | 0:26:24 | 0:26:27 | |
and our Burnley buccaneer is on the road again, | 0:26:27 | 0:26:29 | |
hoping to tempt Southport art deco dealer Paul with his glass dish. | 0:26:29 | 0:26:34 | |
I was hoping for somewhere around the sort of 130 mark, | 0:26:34 | 0:26:39 | |
but... Why did I say but? | 0:26:39 | 0:26:42 | |
-Cos it puts me on the back foot, doesn't it? -It really does. Perhaps it needs to in this case! | 0:26:42 | 0:26:47 | |
I want to sell it to you, Paul. Come on. | 0:26:47 | 0:26:49 | |
I would only sell that for the £100 mark. | 0:26:49 | 0:26:51 | |
What would I SELL it for? | 0:26:51 | 0:26:53 | |
I don't mind, Terry. I'm almost at the break-even point. | 0:26:53 | 0:26:56 | |
But, listen, this is not an emotive issue. | 0:26:56 | 0:26:58 | |
I'll put my cards on the table. | 0:26:58 | 0:27:00 | |
Now, if you offered me £90, then you'd make me... | 0:27:00 | 0:27:05 | |
You might be in for a £10 profit, | 0:27:05 | 0:27:06 | |
and I think I might be just about breaking even. | 0:27:06 | 0:27:09 | |
-Oh, we'll do a deal, then. -OK. -We will do a deal. | 0:27:09 | 0:27:12 | |
So, a relieved Knocker does a deal for £90, | 0:27:12 | 0:27:15 | |
giving him a small but perfectly formed profit of £8.18. | 0:27:15 | 0:27:19 | |
But he'll have to up the ante if he wants to keep the pressure on The Hammer. | 0:27:19 | 0:27:23 | |
Our South Coast Swaggerer has been doing his homework, | 0:27:23 | 0:27:26 | |
and he's taking a trip to Rye. | 0:27:26 | 0:27:29 | |
He's off to see dealer Steve, | 0:27:29 | 0:27:31 | |
who specialises in Tunbridge Ware, | 0:27:31 | 0:27:32 | |
just like the paperweight John bought at the auction. | 0:27:32 | 0:27:36 | |
I think that looks like the work of Thomas Barton. | 0:27:36 | 0:27:40 | |
What would you say? | 0:27:40 | 0:27:41 | |
Well, I think you've been doing your homework quite well | 0:27:41 | 0:27:44 | |
cos that's my view as well. | 0:27:44 | 0:27:46 | |
What sort of age would you put on that? | 0:27:46 | 0:27:48 | |
Would you put that sort of last quarter of the 19th century? | 0:27:48 | 0:27:51 | |
I think that's as much as I want to | 0:27:51 | 0:27:53 | |
narrow it down, really. It's very difficult to be very precise. | 0:27:53 | 0:27:56 | |
Well, I was hoping for round about 280, something like that. | 0:27:56 | 0:27:59 | |
I'm sure you were, yeah. | 0:27:59 | 0:28:01 | |
I would like to buy this, and we've got good customs here. | 0:28:01 | 0:28:03 | |
So, I don't think I could get 280 for it. | 0:28:03 | 0:28:06 | |
I will give you 220 for it. | 0:28:06 | 0:28:08 | |
-And 220's a very good price. -It is a bad price. | 0:28:08 | 0:28:10 | |
It does give me | 0:28:10 | 0:28:12 | |
a modest profit. I don't suppose you could go into more? | 0:28:12 | 0:28:14 | |
Could you do 230? | 0:28:14 | 0:28:15 | |
I think 220's a pretty good offer. | 0:28:15 | 0:28:18 | |
Meet me in the middle. 225. | 0:28:18 | 0:28:19 | |
-All right. -Oh, good man! | 0:28:19 | 0:28:21 | |
And The Hammer notches up | 0:28:21 | 0:28:23 | |
a weighty £64.58 profit. | 0:28:23 | 0:28:26 | |
That's a heavy-hitting deal from John. | 0:28:26 | 0:28:28 | |
But Knocker's not resting on his laurels. | 0:28:29 | 0:28:32 | |
He's off to Westrum, where he's lined up a possible sale | 0:28:32 | 0:28:35 | |
for the Kirby art deco lamp he bought in France with dealer Chrissie. | 0:28:35 | 0:28:39 | |
This is my girl. | 0:28:39 | 0:28:41 | |
I'm going to put her like so, so you can see her | 0:28:41 | 0:28:44 | |
in the flesh, quite literally. But the shade | 0:28:44 | 0:28:46 | |
is really strange. | 0:28:46 | 0:28:48 | |
It's a lovely shade. | 0:28:48 | 0:28:49 | |
-It's almost like patterned crystal. -Do you think it's original to the piece? | 0:28:49 | 0:28:52 | |
I do think it's original to the piece. | 0:28:52 | 0:28:54 | |
And what are you looking for, Eric, please? | 0:28:54 | 0:28:57 | |
Well, I was looking for somewhere in the region of £280. | 0:28:57 | 0:29:02 | |
ERIC LAUGHS | 0:29:02 | 0:29:03 | |
I'm sure we'll find common ground here | 0:29:03 | 0:29:06 | |
so, just tell me, | 0:29:06 | 0:29:08 | |
where would your starting gambit be? | 0:29:08 | 0:29:10 | |
Quite a bit lower. I think I'm round about the 200. | 0:29:10 | 0:29:13 | |
Maybe that's a bit cruel. | 0:29:13 | 0:29:16 | |
knowing what I paid for it, | 0:29:16 | 0:29:17 | |
I would be prepared | 0:29:17 | 0:29:20 | |
to part with it for £220. | 0:29:20 | 0:29:23 | |
Thank you very much. | 0:29:23 | 0:29:25 | |
Just like that! | 0:29:25 | 0:29:27 | |
Now that's when I should have gone in at 250. Did you see that? | 0:29:27 | 0:29:30 | |
Snapped the hand off! | 0:29:30 | 0:29:31 | |
The lamp will need to be rewired and tested | 0:29:31 | 0:29:34 | |
before it's in full working order, | 0:29:34 | 0:29:36 | |
but it's a solid profit of £38.18 | 0:29:36 | 0:29:39 | |
from that snappy sale for Knocker. | 0:29:39 | 0:29:41 | |
The Hammer is remaining focused | 0:29:41 | 0:29:44 | |
with his eye on the showdown prize. | 0:29:44 | 0:29:46 | |
After some research, he's spotted a gap | 0:29:46 | 0:29:48 | |
in the collection of Brighton's Toy And Model Museum. | 0:29:48 | 0:29:51 | |
They don't have a model of Noah's Ark, but he does, | 0:29:51 | 0:29:53 | |
so he's hoping that Christopher, the Museum's founder and director, | 0:29:53 | 0:29:57 | |
won't be able to do without it. | 0:29:57 | 0:30:00 | |
-I was surprised to learn you didn't have one in the collection. -I know. | 0:30:00 | 0:30:03 | |
-And so here it is. Do you know anything about them? -Not a lot. | 0:30:03 | 0:30:07 | |
I know a heck of a lot of good ones were made in Germany | 0:30:07 | 0:30:11 | |
and I often said we really should have a Noah's Ark here, | 0:30:11 | 0:30:15 | |
because it's very fundamental to the collecting of old toys. | 0:30:15 | 0:30:18 | |
The value in these lie in the amount of pieces you've got there. | 0:30:18 | 0:30:21 | |
We've got over 30 pieces here. | 0:30:21 | 0:30:24 | |
The boat itself is in excellent condition, | 0:30:24 | 0:30:27 | |
the only thing I would say is this label here, | 0:30:27 | 0:30:31 | |
-which tells us the story of Noah, has perished away. -OK. | 0:30:31 | 0:30:35 | |
-So Chris, what are your first impressions? -Very good. | 0:30:35 | 0:30:38 | |
I like it very much. It fits the bill. | 0:30:38 | 0:30:40 | |
So this is something that could end up in a cabinet? | 0:30:40 | 0:30:43 | |
It will end up in a cabinet. | 0:30:43 | 0:30:45 | |
That, in itself, would bring me lots of joy. | 0:30:45 | 0:30:48 | |
This one here today, though, I am looking for around £400. | 0:30:48 | 0:30:52 | |
How would that sound? | 0:30:52 | 0:30:54 | |
I would probably like to do a deal with you. | 0:30:54 | 0:30:56 | |
-Can we do something? -What do you have in mind? | 0:30:56 | 0:30:59 | |
Um... 350? | 0:31:01 | 0:31:02 | |
Do you think you could meet me halfway? Think you could do 375? | 0:31:02 | 0:31:06 | |
-Well, I'm sure we can. -Yes? -Yes. | 0:31:07 | 0:31:09 | |
Delighted. You've made my day and I've helped put | 0:31:09 | 0:31:12 | |
-a Noah's Ark in the museum. -Thank you. | 0:31:12 | 0:31:14 | |
So, with the Ark model making him £100, | 0:31:14 | 0:31:17 | |
the profits continue to flood in for the happy Hammer. | 0:31:17 | 0:31:20 | |
Knocker is keeping up his selling momentum. | 0:31:20 | 0:31:23 | |
He's journeyed to Henley-upon-Thames | 0:31:23 | 0:31:25 | |
to sell his hot water plate to dealer, Abba. | 0:31:25 | 0:31:28 | |
It is a hot water plate and they are rare. | 0:31:28 | 0:31:32 | |
This one, I've got to point out, has got a tiny little chip. | 0:31:32 | 0:31:35 | |
Having said all that, | 0:31:35 | 0:31:37 | |
I'm looking for in the region of £15 on that. | 0:31:37 | 0:31:41 | |
What would you be prepared to pay me? | 0:31:41 | 0:31:43 | |
-I would give you £10 for it. -£10? | 0:31:43 | 0:31:46 | |
I tell you what, I'm just ahead of the game at £10, | 0:31:46 | 0:31:49 | |
so if you're prepared to pay 10, we'll do a deal. | 0:31:49 | 0:31:52 | |
OK. Excellent. | 0:31:52 | 0:31:54 | |
It's a small profit for our warhorse, just £6, | 0:31:54 | 0:31:57 | |
but it all helps. | 0:31:57 | 0:31:59 | |
Now, for his final face-to-face sale, | 0:31:59 | 0:32:01 | |
the young pretender is headed to Southsea, where he's hoping | 0:32:01 | 0:32:04 | |
dealer Ian could be just the man | 0:32:04 | 0:32:06 | |
to take the bird nib wipe off his hands. | 0:32:06 | 0:32:09 | |
I know the nib wipe has seen better days but, you know, | 0:32:09 | 0:32:12 | |
you really don't see these any more. | 0:32:12 | 0:32:15 | |
Including this and that and one about four years ago, | 0:32:15 | 0:32:18 | |
I've not seen many at auction. | 0:32:18 | 0:32:20 | |
They really don't turn up these days. | 0:32:20 | 0:32:22 | |
Quite rare things, aren't they? What were they used for, John? | 0:32:22 | 0:32:25 | |
You know, this would literally be to wipe the excess ink off your nib, | 0:32:25 | 0:32:28 | |
wouldn't it? | 0:32:28 | 0:32:30 | |
I think they're more decorative than for use, don't you? | 0:32:30 | 0:32:33 | |
These days, I think they do make interesting items, especially | 0:32:33 | 0:32:37 | |
if you have a grand desk and you have it decorated | 0:32:37 | 0:32:40 | |
with vintage pens, perhaps a pen stand. You interested? | 0:32:40 | 0:32:43 | |
How much is it? | 0:32:43 | 0:32:45 | |
I was looking for about 180. | 0:32:45 | 0:32:47 | |
The very, very best I would give you is 150 quid, John. | 0:32:47 | 0:32:50 | |
-That's the very best? -That is it. Yeah. | 0:32:50 | 0:32:53 | |
You've got a very serious look there, Ian. | 0:32:53 | 0:32:55 | |
I am serious today. It's business today. | 0:32:55 | 0:32:58 | |
It gives me a profit, it's not a major profit, | 0:32:58 | 0:33:00 | |
but it gives me a profit. | 0:33:00 | 0:33:01 | |
-I'll take your 150. -Brilliant. -Thank you very much. | 0:33:01 | 0:33:04 | |
So it's a serious deal, | 0:33:04 | 0:33:05 | |
but one to write home about nonetheless for The Hammer | 0:33:05 | 0:33:09 | |
netting him £68.18 in profit. | 0:33:09 | 0:33:11 | |
As we approach the halfway point of this selling skirmish, | 0:33:11 | 0:33:15 | |
let's see how our boys are doing in the quest for profit. | 0:33:15 | 0:33:18 | |
Knocker has sold four items | 0:33:18 | 0:33:21 | |
and bagged himself £213.64. | 0:33:21 | 0:33:24 | |
The Hammer has also sold four items | 0:33:24 | 0:33:26 | |
but he's made slightly more - | 0:33:26 | 0:33:29 | |
£297.54 profit. | 0:33:29 | 0:33:31 | |
But the wheeler-dealing must all end there. | 0:33:33 | 0:33:36 | |
Our towering titans of the trade | 0:33:36 | 0:33:38 | |
must sell everything else at auction - | 0:33:38 | 0:33:41 | |
a place where they're in the hands of the auctioneer | 0:33:41 | 0:33:44 | |
and totally powerless in negotiating prices. | 0:33:44 | 0:33:46 | |
Today's mighty battle of the gavel takes place in Cirencester. | 0:33:46 | 0:33:50 | |
-Eric, how are you? -I'm all right, John. | 0:33:51 | 0:33:54 | |
I've obviously not read the dress code, | 0:33:54 | 0:33:56 | |
because I'm feeling I've dressed down. Are you going to a wedding? | 0:33:56 | 0:33:59 | |
I thought we were going out dancing afterwards. | 0:33:59 | 0:34:02 | |
In your dreams, in your dreams! | 0:34:02 | 0:34:04 | |
-Listen, shall we go and face the music? -Lead on, Father! | 0:34:04 | 0:34:07 | |
Before the bidding begins, our brave boys snatch a quick look | 0:34:07 | 0:34:10 | |
at each other's wares. | 0:34:10 | 0:34:12 | |
This is Eric's little Worcester vase. I actually quite like this. | 0:34:12 | 0:34:16 | |
It's a good piece and at 30 to 40, the auctioneer's estimate, | 0:34:16 | 0:34:19 | |
I think there's profit in there. | 0:34:19 | 0:34:21 | |
I won't be surprised if that makes around £100. I think that's a good lot. | 0:34:21 | 0:34:24 | |
I know John paid £45 for this. | 0:34:24 | 0:34:26 | |
I can say that he's on a rising market, | 0:34:26 | 0:34:30 | |
because scrap metal is very much the order of the day. | 0:34:30 | 0:34:33 | |
This piece is typical of Eric. It's a lalique press moulded bird, | 0:34:33 | 0:34:37 | |
which he tells me is pre-war. | 0:34:37 | 0:34:40 | |
The auctioneers, however, have described it as modern. | 0:34:40 | 0:34:42 | |
Together with those chips on the base, that could deter some bidding. | 0:34:42 | 0:34:46 | |
With a bit of bad luck it could go cheap! | 0:34:46 | 0:34:48 | |
John went and paid | 0:34:48 | 0:34:51 | |
just a little over £72 or 80 euro. | 0:34:51 | 0:34:54 | |
The auctioneers obviously have great faith in them, | 0:34:54 | 0:34:57 | |
because they've put £100-£150. | 0:34:57 | 0:35:01 | |
But what price decadence? That's what I say! | 0:35:01 | 0:35:03 | |
Right now, there's very little between | 0:35:03 | 0:35:06 | |
our daring dealers, so they've got a tense time ahead of them. | 0:35:06 | 0:35:09 | |
And the first lot of interest is John's Spanish figurines that he | 0:35:09 | 0:35:13 | |
bought at the car boot sale. | 0:35:13 | 0:35:15 | |
My Valencia porcelain figures, Eric, my pastoral figures | 0:35:15 | 0:35:19 | |
both carrying a goose, | 0:35:19 | 0:35:21 | |
-paid 15 quid for them. -15 quid? I thought you paid 25. | 0:35:21 | 0:35:25 | |
-No, 15 quid. -Must've been a dream I had. | 0:35:25 | 0:35:27 | |
Oh, no, it wasn't a dream, it was a nightmare. I remember it now. OK. | 0:35:27 | 0:35:30 | |
I can start you here on the book at a massive £8. | 0:35:30 | 0:35:33 | |
-At £8 I have for this. -£8bid. -Tenner if you like. | 0:35:33 | 0:35:37 | |
At £8, 10, 12, 15. | 0:35:37 | 0:35:40 | |
-Get this lad out of trouble. -Oh, 15! -20. | 0:35:40 | 0:35:43 | |
22, 25 if you like. At 22 here. | 0:35:43 | 0:35:46 | |
At £22, 25, 28... | 0:35:46 | 0:35:49 | |
-28? What? -And it's in the room. | 0:35:49 | 0:35:52 | |
It's the Spanish ambassador and his wife! | 0:35:52 | 0:35:55 | |
At £35. To my right, at 35. | 0:35:55 | 0:35:59 | |
So with a price of £35 less fees, | 0:36:00 | 0:36:03 | |
that's a profit of £7.28 for John. | 0:36:03 | 0:36:06 | |
-Heh! -Valencia figures. It's the way forward. | 0:36:06 | 0:36:09 | |
Have you done your genealogy? I think there's some Irish in you. | 0:36:09 | 0:36:12 | |
You've got the luck of the Irish about you! | 0:36:12 | 0:36:14 | |
And The Hammer's hoping his luck will last for his next lot - | 0:36:14 | 0:36:18 | |
the Oyster plates he bought in Paris for just over £70. | 0:36:18 | 0:36:22 | |
I'd like to start you here at a mere £60. | 0:36:22 | 0:36:25 | |
BOTH: 60? | 0:36:25 | 0:36:27 | |
At £60 I have here. | 0:36:27 | 0:36:28 | |
At £60, at 5, 70, 5, 80, 5, | 0:36:28 | 0:36:34 | |
90, 5, 95, 100, and 10, | 0:36:34 | 0:36:37 | |
120, 130, | 0:36:37 | 0:36:40 | |
at 130, 140 now, | 0:36:40 | 0:36:42 | |
at 140, 150 on the phone, the book's out at 150. | 0:36:42 | 0:36:46 | |
At 150 - you all sure? At 150... | 0:36:46 | 0:36:50 | |
What a result for our South Coast swashbuckler! | 0:36:50 | 0:36:53 | |
A rip roaring £42.47 profit | 0:36:53 | 0:36:57 | |
for his plates after fees. | 0:36:57 | 0:36:58 | |
Now it's Knocker's turn to feel the pressure as his first lot - | 0:36:58 | 0:37:02 | |
the Royal Worcester vase - goes under the hammer. | 0:37:02 | 0:37:05 | |
If you're all sure now at 70. | 0:37:05 | 0:37:08 | |
-Whoa! -In profit? | 0:37:08 | 0:37:11 | |
Just. I think I'm just in profit on that one. | 0:37:11 | 0:37:13 | |
The vase sells for £70, | 0:37:13 | 0:37:15 | |
scraping him a small profit of £10.56 after fees. | 0:37:15 | 0:37:20 | |
His next lot is another piece of porcelain - | 0:37:20 | 0:37:22 | |
the boy and donkey figurine he got for just £8 at the car boot fair. | 0:37:22 | 0:37:26 | |
20 to get on, at £20, 5, 30, | 0:37:26 | 0:37:29 | |
-5, 40, 5... -Going your way. -Wow! | 0:37:29 | 0:37:32 | |
At 50... | 0:37:32 | 0:37:35 | |
-50 it is. -Remarkable. Look at the grin now! | 0:37:35 | 0:37:38 | |
I'm sorry. I'm sorry. It's nice when it works, isn't it, you know? | 0:37:38 | 0:37:42 | |
You know what, I thought that wasn't going to do very well. | 0:37:42 | 0:37:45 | |
I must admit, it went in there as a bit of a lost cause. | 0:37:45 | 0:37:49 | |
Eric's delighted with his surprise profit of £26.40 after costs, | 0:37:49 | 0:37:53 | |
but will he be as pleased with the result of his next lot? | 0:37:53 | 0:37:57 | |
His lalique bird is going under the hammer. | 0:37:57 | 0:38:00 | |
190. It's been catalogued as modern. | 0:38:00 | 0:38:03 | |
It's certainly not modern. | 0:38:03 | 0:38:05 | |
It is a 1920s one, this. | 0:38:05 | 0:38:07 | |
I'm going to start you here at £30 and that would be cheap. | 0:38:07 | 0:38:11 | |
£30, 5, 40, 5, still cheap, | 0:38:11 | 0:38:14 | |
50, at £50 in the back far left. | 0:38:14 | 0:38:17 | |
At £50, 5, | 0:38:17 | 0:38:19 | |
60, at 60, back in, 5 do you mean, sir? | 0:38:19 | 0:38:22 | |
At 60. | 0:38:22 | 0:38:24 | |
So how did that stand you in? | 0:38:24 | 0:38:26 | |
That stands me at a loss, | 0:38:26 | 0:38:29 | |
because I actually paid £60 for it, | 0:38:29 | 0:38:31 | |
so I had bigger hopes than that. | 0:38:31 | 0:38:34 | |
So the early bird didn't catch the worm? | 0:38:34 | 0:38:36 | |
No, but I caught a cold. | 0:38:36 | 0:38:39 | |
What a bitter blow for Knocker. | 0:38:39 | 0:38:40 | |
He makes a loss of £17.52 including fees. | 0:38:40 | 0:38:43 | |
The bird went cheap as The Hammer predicted. | 0:38:43 | 0:38:47 | |
So, fortune isn't smiling on our Eric at the moment. | 0:38:47 | 0:38:51 | |
And lady luck also deserts The Hammer | 0:38:51 | 0:38:53 | |
when his copper charger plate | 0:38:53 | 0:38:55 | |
goes under the gavel making him a loss of £10.60 after fees. | 0:38:55 | 0:38:59 | |
Dare I say it, Eric, I should have scrapped it. | 0:38:59 | 0:39:02 | |
The Hammer will be hoping the next lot | 0:39:02 | 0:39:04 | |
can put the smile back on his face. | 0:39:04 | 0:39:07 | |
It's time for the Concorde brooch that cost him just £5 | 0:39:07 | 0:39:09 | |
to go under the gavel. | 0:39:09 | 0:39:12 | |
-I can start you here at 15. -Oh, £15! -You're in. -18. 20. | 0:39:12 | 0:39:18 | |
Two. 25. 30. | 0:39:18 | 0:39:20 | |
-At £30 now... -30 quid! Oh! -40. | 0:39:20 | 0:39:24 | |
Five. 50. | 0:39:24 | 0:39:25 | |
-Hey! -Oh, my goodness! -60. | 0:39:25 | 0:39:28 | |
-Five if you like. At £60. -Go on, go on! | 0:39:28 | 0:39:31 | |
70. | 0:39:31 | 0:39:32 | |
-Hey, good lad! -At 75 here. 80 now. | 0:39:32 | 0:39:36 | |
Hey-hey! | 0:39:36 | 0:39:38 | |
80, new blood. At £80. Five if you like. At 85. | 0:39:38 | 0:39:42 | |
-Hey, this could be three figures, this. -At £90. -Go on, make 100! | 0:39:42 | 0:39:46 | |
At £90. Five! Do I see 100? 100! | 0:39:46 | 0:39:51 | |
Ooh! We've hit the big-time, eh? | 0:39:51 | 0:39:54 | |
At £100, you alone. | 0:39:54 | 0:39:57 | |
-What? -Come on. Certainly first class, all right? | 0:39:58 | 0:40:03 | |
Yes, it's a stunning profit of £69.80, including fees, | 0:40:03 | 0:40:07 | |
for the Hammer. | 0:40:07 | 0:40:08 | |
He's flying high once again, so, as the auction turns to furniture, | 0:40:08 | 0:40:12 | |
can Knocker match him with his final lot, the cabinet? | 0:40:12 | 0:40:16 | |
Selling here, then, at £100. You all done? 100 it is. | 0:40:16 | 0:40:22 | |
So it's the final insult for Knocker, | 0:40:22 | 0:40:24 | |
as his cabinet crashes to a loss of £48.60 after auction fees. | 0:40:24 | 0:40:30 | |
What a disappointing end for our Eric. | 0:40:30 | 0:40:33 | |
-I thought that was going to do fairly well, Eric. -I'm... I'm... | 0:40:33 | 0:40:37 | |
I just want to... | 0:40:37 | 0:40:39 | |
Just want to go home. It's not that bad. | 0:40:39 | 0:40:42 | |
It's been an up-and-down experience | 0:40:42 | 0:40:43 | |
for both our soldiers at today's auction, | 0:40:43 | 0:40:46 | |
but, before we see how they've done, let's recap on their spending. | 0:40:46 | 0:40:50 | |
Both our experts started the contest with £1,000 of their own money | 0:40:50 | 0:40:54 | |
to spend on eight items each. | 0:40:54 | 0:40:56 | |
After all costs, Knocker spent £597.76, | 0:40:56 | 0:41:01 | |
and the Hammer spent more - a total of £735.19. | 0:41:01 | 0:41:07 | |
All of the money that Eric and John have made from today's challenge | 0:41:07 | 0:41:11 | |
will be going to charities of their choice, so, without further ado, | 0:41:11 | 0:41:15 | |
it's time to find out who is today's Put Your Money Where Your Mouth Is champion. | 0:41:15 | 0:41:20 | |
ERIC CHUCKLES | 0:41:20 | 0:41:21 | |
-Hello, Eric. -Day of reckoning, day of reckoning. -It is indeed. | 0:41:21 | 0:41:24 | |
-I know I got lucky at the auction. -Certainly with your Concorde. | 0:41:24 | 0:41:28 | |
I mean, you know, forgive the cliche, | 0:41:28 | 0:41:30 | |
but it really did fly, didn't it, that one? It did. | 0:41:30 | 0:41:32 | |
But I didn't get on too well with my private selling, | 0:41:32 | 0:41:37 | |
if I don't mind being too honest about it. | 0:41:37 | 0:41:39 | |
-What about you? -Swings and roundabouts, | 0:41:39 | 0:41:41 | |
because my auction was a little bit of a minus, I have to admit. | 0:41:41 | 0:41:45 | |
My girl in the blue kimono, when I started looking at it, | 0:41:45 | 0:41:49 | |
I realised it was probably a Liberty gown, and she did OK for me. | 0:41:49 | 0:41:54 | |
Shall we see how we did overall on the day? | 0:41:54 | 0:41:56 | |
-OK. You count me in. -One, two, three. | 0:41:56 | 0:41:59 | |
-Ooh! -Oh! -The boy did well! The boy did well! | 0:42:00 | 0:42:04 | |
He's a gentleman to the end, | 0:42:04 | 0:42:06 | |
but our Eric's been hammered by his young rival from the south. | 0:42:06 | 0:42:10 | |
But both our experts have been building up their profit pots all week, | 0:42:10 | 0:42:14 | |
over a series of challenges. It's now time to reveal | 0:42:14 | 0:42:17 | |
whether this week's overall champion will be John or Eric. | 0:42:17 | 0:42:21 | |
We've got to find out how we did overall over five days. | 0:42:21 | 0:42:23 | |
Are you ready? One, two, three. | 0:42:23 | 0:42:27 | |
-Well, look at that! -Well, it was close, Eric. | 0:42:27 | 0:42:32 | |
Yeah, well, I think you're being kind. | 0:42:32 | 0:42:34 | |
There's about 25% difference there and maybe a bit more. | 0:42:34 | 0:42:38 | |
Forget about the difference, the only consolation I have | 0:42:38 | 0:42:40 | |
is knowing that I've taught you well over the years, lad. | 0:42:40 | 0:42:43 | |
It's a resounding victory for John "the Hammer" Cameron. | 0:42:43 | 0:42:47 | |
Both our experts have made fantastic profits, | 0:42:47 | 0:42:50 | |
and all the money will be going to their chosen charities. | 0:42:50 | 0:42:52 | |
My profit on the show is going to Action Medical Research, | 0:42:52 | 0:42:56 | |
whose fundraising over the past 60 years has helped | 0:42:56 | 0:42:59 | |
with some quite life-changing medical breakthroughs, | 0:42:59 | 0:43:02 | |
saving and changing the lives of thousands of children. | 0:43:02 | 0:43:05 | |
My chosen charity involves all those members of the armed forces | 0:43:05 | 0:43:09 | |
doing their bit to try and keep us a bit safer. | 0:43:09 | 0:43:13 | |
My charity is Help For Heroes. | 0:43:13 | 0:43:16 | |
It's been a week of no-holds-barred combat. | 0:43:16 | 0:43:19 | |
Eric and John have shown that they can undoubtedly put their money where their mouths are, | 0:43:19 | 0:43:23 | |
and they've proved that they can make a solid profit from antiques when their own money is on the line. | 0:43:23 | 0:43:29 | |
Subtitles by Red Bee Media Ltd | 0:43:46 | 0:43:49 |