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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pits its TV's best loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profit. | 0:00:07 | 0:00:11 | |
I'm a double your money girl. | 0:00:11 | 0:00:13 | |
And, gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
You've got to be in it to win it. | 0:00:16 | 0:00:19 | |
Each week one pair | 0:00:19 | 0:00:20 | |
of duelling dealers will face a different and daily challenge. | 0:00:20 | 0:00:23 | |
Lovely! | 0:00:23 | 0:00:25 | |
We've got some work to do. | 0:00:25 | 0:00:26 | |
Putting their own money, and their hard earned reputations on the line. | 0:00:26 | 0:00:30 | |
Oh... | 0:00:30 | 0:00:31 | |
As they see who can make the most money from buying and selling. | 0:00:31 | 0:00:35 | |
Get in there! | 0:00:36 | 0:00:37 | |
Today's bargain bus stop pitches the winning wisdom of Jonty Hearnden | 0:00:39 | 0:00:44 | |
against the dulcet determination of Catherine Southern | 0:00:44 | 0:00:47 | |
in an antiques' market in Paris. | 0:00:47 | 0:00:50 | |
Coming up... The exceptional expense exasperates our experts. | 0:00:51 | 0:00:55 | |
Honestly, these prices are incredible. | 0:00:55 | 0:00:59 | |
Jonty jaunty shows his sense of style. | 0:00:59 | 0:01:01 | |
If I walk down the street, what do you think? | 0:01:01 | 0:01:04 | |
And Catherine gets well and truly put in her place. | 0:01:04 | 0:01:08 | |
I'm asking for 70 on them, correct me if I'm wrong? | 0:01:08 | 0:01:10 | |
You are wrong, but thank you for offering. | 0:01:10 | 0:01:13 | |
It's Put Your Money Where Your Mouth Is. | 0:01:13 | 0:01:16 | |
Flexing their dealing muscles today, | 0:01:29 | 0:01:32 | |
two of the country's most experienced antiques' athletes. | 0:01:32 | 0:01:35 | |
Finely honed and toned, they're ready to jump into action | 0:01:35 | 0:01:38 | |
and push all the way through to the finish line. | 0:01:38 | 0:01:42 | |
First up, a woman with as much grace as she has grit. | 0:01:42 | 0:01:46 | |
A dogged dealer whose bark is nowhere near as bad as her bite! | 0:01:46 | 0:01:50 | |
It's "Cunning" Catherine Southon. | 0:01:50 | 0:01:53 | |
I am going to find some great things here. | 0:01:54 | 0:01:56 | |
And today, she faces one of the masters of the trade, | 0:01:56 | 0:01:59 | |
always calm, always collecting, | 0:01:59 | 0:02:02 | |
it's Jonty "The Hitman" Hearnden. | 0:02:02 | 0:02:05 | |
I'm determined to really, really nail Catherine. | 0:02:05 | 0:02:09 | |
And, there's a completely different feel to today's contest. | 0:02:09 | 0:02:13 | |
It's a foreign affair. Our canny connoisseurs are packing their punches in Paris | 0:02:13 | 0:02:18 | |
at the Oberkampf market, right in the heart of the city. | 0:02:18 | 0:02:21 | |
They've each taken £750 worth of euros to spend | 0:02:21 | 0:02:26 | |
and all the profit they make from their purchases will go to the charities of their choice. | 0:02:26 | 0:02:31 | |
Jonty Hearnden | 0:02:31 | 0:02:32 | |
and Catherine Southon, Put Your Money Where Your Mouth Is. | 0:02:32 | 0:02:35 | |
-Bonjour, Jonty. -Bonjour. How are you? | 0:02:35 | 0:02:39 | |
Very well, thank you. Very excited. | 0:02:39 | 0:02:42 | |
Welcome to, not so sunny Paris. | 0:02:42 | 0:02:44 | |
-Not so sunny but full of great potential, I think. -I know. | 0:02:44 | 0:02:46 | |
-I know that we've got what £750 to spend. -750. -Up to £750. | 0:02:46 | 0:02:52 | |
Are you going to spend lots? | 0:02:52 | 0:02:55 | |
Erm, I'd like to find French items that are difficult to find back home. | 0:02:55 | 0:03:00 | |
Often they tend to be 20th century French items, | 0:03:00 | 0:03:03 | |
so a lot of glass, for instance. | 0:03:03 | 0:03:05 | |
That's my plan! I'm going to buy early 20th century decorative items. | 0:03:05 | 0:03:08 | |
-Are you now? -We've got a bit of a war on, I think. | 0:03:08 | 0:03:11 | |
-See you later. -Good luck, Jonty. | 0:03:11 | 0:03:13 | |
Yes, our premium payer might look right at home in Paris, | 0:03:13 | 0:03:16 | |
but how comfortable will they be once they've got down to business. | 0:03:16 | 0:03:20 | |
After just a few minutes, Cunning Catherine is in her element. | 0:03:20 | 0:03:25 | |
My eyes are going everywhere because I can see things jumping out at me, | 0:03:25 | 0:03:29 | |
left, right and centre. This is feeling very good. | 0:03:29 | 0:03:34 | |
It's safe to say that Catherine Southon is seriously excited. | 0:03:36 | 0:03:39 | |
This is going to be a cracking contest. | 0:03:39 | 0:03:43 | |
Jonty, on the other hand, is taking everything in his stride | 0:03:43 | 0:03:46 | |
and he's quietly confident. | 0:03:46 | 0:03:49 | |
We're right in the heart of Paris. | 0:03:49 | 0:03:51 | |
So, I'm not expecting to find great bargains. | 0:03:51 | 0:03:54 | |
I'm just looking for those items that are great translations back in the UK. | 0:03:54 | 0:03:59 | |
So those items that are really quite difficult to find. | 0:03:59 | 0:04:01 | |
Our bargain beagles are both nosing around for 20th century collectables | 0:04:01 | 0:04:06 | |
and this is the perfect place to be. | 0:04:06 | 0:04:09 | |
It's packed with all sorts of impeccable items. | 0:04:09 | 0:04:12 | |
C'est bonne. Oui? | 0:04:12 | 0:04:14 | |
And it's eagle-eyed Jonty who swoops first. | 0:04:14 | 0:04:17 | |
I really quite like the look of this teapot | 0:04:17 | 0:04:21 | |
and matching sugar bowl. | 0:04:21 | 0:04:24 | |
They're bright, colourful, 1960s, | 0:04:24 | 0:04:27 | |
the sort of thing that can translate back in the UK. | 0:04:27 | 0:04:31 | |
It's 20th century. | 0:04:31 | 0:04:33 | |
What's so nice about it is we've a really nice French makers stamp | 0:04:33 | 0:04:37 | |
on the underside of this teapot. | 0:04:37 | 0:04:39 | |
The most important thing that teapots like this have to be in really good condition. | 0:04:39 | 0:04:43 | |
So have a look around the inside of the lid | 0:04:43 | 0:04:46 | |
and have a look around the spout is where you get chips. | 0:04:46 | 0:04:49 | |
At ten euros, that's nine quid, there has to be a profit there somewhere. | 0:04:49 | 0:04:54 | |
But, will Jonty simply accept the marked price? | 0:04:54 | 0:04:58 | |
Oh no, he uses all his charm to wangle a deal | 0:04:58 | 0:05:01 | |
out of the French stallholder. | 0:05:01 | 0:05:03 | |
That Hitman Hearnden is a one man, wheeling dealing machine. | 0:05:03 | 0:05:07 | |
There you go, I did a bit of haggling with the stall holder | 0:05:07 | 0:05:10 | |
and I did get my teapot and sugar bowl, which is of course wrapped up | 0:05:10 | 0:05:14 | |
in the obligatory champagne bucket, | 0:05:14 | 0:05:18 | |
which came within the ten euros price. | 0:05:18 | 0:05:22 | |
So I've got two purchases for ten euros, nine quid. | 0:05:22 | 0:05:26 | |
Bargain, bargain, bargain. | 0:05:26 | 0:05:29 | |
To be precise, the euro conversion is actually £9.09. | 0:05:29 | 0:05:34 | |
With two first-rate contenders like Jonty and Catherine, every penny counts. | 0:05:34 | 0:05:39 | |
So, The Hitman's off the mark, | 0:05:39 | 0:05:41 | |
but our ladybird of prey could be about to swoop on a target. | 0:05:41 | 0:05:44 | |
She's found a couple of wooden biscuit moulds. | 0:05:44 | 0:05:47 | |
I like something a bit unusual. | 0:05:47 | 0:05:50 | |
They're basically... You put the mixture, the pastry, | 0:05:50 | 0:05:53 | |
the biscuit in here. | 0:05:53 | 0:05:55 | |
I'm just wondering, they're not very deep but they're quite decorative. | 0:05:55 | 0:05:58 | |
-C'est combien? -Quarante et quarante. -Non, monsieur. | 0:05:58 | 0:06:03 | |
40 euros each, our Cunning lass is having none of that. | 0:06:03 | 0:06:07 | |
Oui... Soixante? | 0:06:07 | 0:06:09 | |
She goes in at 60 for the pair. | 0:06:09 | 0:06:11 | |
-Hey... -No. | 0:06:11 | 0:06:14 | |
Mon ami, mon ami. | 0:06:14 | 0:06:17 | |
And then tries to butter up the vendor with some friendly French. | 0:06:17 | 0:06:21 | |
I think they're too... | 0:06:21 | 0:06:23 | |
-Soixante? Oui? Soixante? -OK. -Voila! | 0:06:23 | 0:06:27 | |
And she's managed it, a quarter of the price knocked off. | 0:06:27 | 0:06:30 | |
The final cost £54.55. | 0:06:30 | 0:06:32 | |
I've never seen anything quite like them. | 0:06:34 | 0:06:37 | |
I think they're going to make me a very tasty profit. | 0:06:37 | 0:06:41 | |
This battle's just begun and already both our daring dealers | 0:06:41 | 0:06:45 | |
have picked up a French fancy | 0:06:45 | 0:06:48 | |
but then it's all change and the early buying frenzy grinds to a halt. | 0:06:48 | 0:06:52 | |
The Hitman and our Cunning queen can't seem to pin down purchase number two. | 0:06:52 | 0:06:56 | |
# You've got me running Going out of my mind | 0:06:56 | 0:07:00 | |
# You've got me thinking that I'm wasting my time | 0:07:00 | 0:07:04 | |
# Don't bring me down... # | 0:07:04 | 0:07:06 | |
This is an old spirit level. | 0:07:06 | 0:07:08 | |
Of course, something like this can translate back home. | 0:07:08 | 0:07:12 | |
But not when it's 75 euros. | 0:07:12 | 0:07:14 | |
I know what I want but I just can't find it. | 0:07:14 | 0:07:18 | |
Catherine started the day all excited | 0:07:18 | 0:07:20 | |
but all this wandering around has stolen her sparkle. | 0:07:20 | 0:07:23 | |
I've only bought one item and I'm getting really concerned about this now | 0:07:23 | 0:07:27 | |
because I'm not seeing anything at all. | 0:07:27 | 0:07:31 | |
I'm going to go down there because it's really bustling down there | 0:07:31 | 0:07:34 | |
and I'm hoping that I might find some magical items. | 0:07:34 | 0:07:38 | |
And she's heading in the right direction for the magic. | 0:07:38 | 0:07:40 | |
A short time later she conjures up a wooden box. | 0:07:40 | 0:07:45 | |
Qu-est-ce que c'est? | 0:07:45 | 0:07:46 | |
C'est pour les chaussures. | 0:07:46 | 0:07:48 | |
For your shoes, like shoe polishing. | 0:07:48 | 0:07:52 | |
-So you put your polish and brushes? -Brush. | 0:07:52 | 0:07:58 | |
C'est combien? | 0:07:58 | 0:08:01 | |
-Quarante-cinq. -Oh! Quarante-cinq, c'est trop cher! | 0:08:01 | 0:08:04 | |
Catherine thinks 45 euros is a bit toppy | 0:08:04 | 0:08:08 | |
so our golden girl hits with a heavy haggle and get a chunky discount. | 0:08:08 | 0:08:12 | |
I'm buying a box with woodworm for 30 euros. | 0:08:12 | 0:08:16 | |
I've got no idea, at all, what I'm going to do with it | 0:08:16 | 0:08:19 | |
but this is called desperation en Paris. | 0:08:19 | 0:08:22 | |
Vingt-huit? | 0:08:23 | 0:08:25 | |
Never one to accept anybody's best price, | 0:08:25 | 0:08:28 | |
Cunning Catherine tries to knock off another couple of euros. | 0:08:28 | 0:08:31 | |
-OK. -Vingt-huit? -Vingt-huit. | 0:08:31 | 0:08:34 | |
-Mon amie, ma amie? Mon amie? -Mon amie. | 0:08:34 | 0:08:37 | |
-Ma cherie. -Non! | 0:08:37 | 0:08:40 | |
Yeah, go easy with the language of love, Catherine. | 0:08:42 | 0:08:45 | |
In the end, our lady buys the shoe shine box | 0:08:45 | 0:08:47 | |
for a rock bottom price of £25.45. | 0:08:47 | 0:08:50 | |
Why did I buy this? | 0:08:50 | 0:08:53 | |
No idea, whatsoever. | 0:08:53 | 0:08:55 | |
-FRENCH ACCENT: -And as the heady mix of je ne sais crois plays havoc | 0:08:55 | 0:08:59 | |
with Catherine's head, Monsieur Hearnden is being manly and taking on fuel. | 0:08:59 | 0:09:05 | |
A bite of a croissant, some fabulous French coffee. It's so nice here. | 0:09:05 | 0:09:09 | |
And the extra sustenance helps straightaway. | 0:09:09 | 0:09:13 | |
The Hitman discovers reams of retro advertisements. | 0:09:13 | 0:09:16 | |
A lot of these have literally been cut out of magazines and mounted on card. | 0:09:16 | 0:09:20 | |
They have a great presentation feel. | 0:09:20 | 0:09:23 | |
These sorts of adverts would look fantastic on a wall in a cafe. | 0:09:23 | 0:09:28 | |
I've sold to clients before like this. | 0:09:28 | 0:09:31 | |
I've almost like purchased these to order. | 0:09:31 | 0:09:33 | |
These are the sorts of things that you just can't buy in the UK. | 0:09:33 | 0:09:37 | |
You have to come to France to buy these sorts of things. | 0:09:37 | 0:09:39 | |
I'm looking at the price tag and they're all around ten euros. | 0:09:39 | 0:09:43 | |
Now I regard that as good value for money. | 0:09:43 | 0:09:46 | |
The price may be right but our Hitman always has to try and knock it down a little bit more. | 0:09:46 | 0:09:51 | |
I'm determined, this time around, to really, really nail Catherine. | 0:09:51 | 0:09:56 | |
Fighting talk and that's what we're here for. | 0:09:56 | 0:09:59 | |
Jonty picks up his favourite six and does a deal. | 0:09:59 | 0:10:02 | |
I've bought them for 50 euros. That's the price I wanted to pay. | 0:10:02 | 0:10:05 | |
He accepted straightaway. | 0:10:05 | 0:10:07 | |
When that happens, you just wished you gone a bit lower. | 0:10:07 | 0:10:10 | |
Missed a trick there, Hitman, the conversion into sterling £45.45. | 0:10:10 | 0:10:16 | |
Across the market, Catherine's found a fruity little item, | 0:10:16 | 0:10:19 | |
some cherry forks. | 0:10:19 | 0:10:21 | |
-How much is it? -15. | 0:10:21 | 0:10:23 | |
-I think that's quite fun. -It's funny, isn't it? | 0:10:28 | 0:10:31 | |
-How old you think it is? '70s, do you think? -Yes, I think it's from the '70s. | 0:10:31 | 0:10:35 | |
It's quite kitsch, isn't it? Can you take ten euros? | 0:10:35 | 0:10:39 | |
-All right? -Ten euros? | 0:10:39 | 0:10:41 | |
It a bit of fun, isn't it? I wouldn't say I like it, but it caught my eye. | 0:10:41 | 0:10:45 | |
And she picks up the forks for £9.09. | 0:10:45 | 0:10:48 | |
This is going to get someone very excited. | 0:10:50 | 0:10:52 | |
They are going to have this on the bar and this is going to be a talking point. | 0:10:52 | 0:10:56 | |
I can see big money from this. | 0:10:56 | 0:10:58 | |
What a way to hit the halfway stage, relaxed, happy and confident. | 0:11:00 | 0:11:04 | |
How long is that going to last? | 0:11:04 | 0:11:05 | |
Both our French fighters arrived in Paris with the euro equivalent | 0:11:07 | 0:11:10 | |
of £750 of their own money. | 0:11:10 | 0:11:14 | |
Jonty The Hitman has made two purchases for just under £55, | 0:11:14 | 0:11:18 | |
leaving him more than £695 to spend. | 0:11:18 | 0:11:22 | |
But Cunning Catherine has edged out in front. | 0:11:22 | 0:11:25 | |
Three buys for just over £89, | 0:11:25 | 0:11:28 | |
meaning there's almost £661 left in her kitty. | 0:11:28 | 0:11:31 | |
As we roll into round two, | 0:11:33 | 0:11:35 | |
both our bargain bruisers are freewheeling with French flair. | 0:11:35 | 0:11:38 | |
Both supremely confident they'll batter their opponent into submission. | 0:11:38 | 0:11:43 | |
This is Catherine putting on a brave face. | 0:11:43 | 0:11:45 | |
Today's market has an impressive array of continental collectables, which has | 0:11:45 | 0:11:50 | |
Catherine purring, but frustrated. | 0:11:50 | 0:11:51 | |
There's some very nice things. | 0:11:51 | 0:11:54 | |
Very, very nice things but very, very pricey. | 0:11:54 | 0:11:57 | |
Our trading Titans have both been focusing | 0:11:57 | 0:12:01 | |
on 20th century decorative items and The Hitman is right on target | 0:12:01 | 0:12:05 | |
with some silk scarves from the 1950s. | 0:12:05 | 0:12:08 | |
So she's asking 30 euros which is just on the money, really. | 0:12:08 | 0:12:12 | |
I like the fact that we've got a lovely French silk scarf | 0:12:12 | 0:12:16 | |
and these are the sort of things that translate back home. | 0:12:16 | 0:12:20 | |
I really like this one here. | 0:12:20 | 0:12:22 | |
I don't think it's going to suit me. | 0:12:22 | 0:12:24 | |
In fact, this is the thing that I should be selling to Catherine. | 0:12:24 | 0:12:28 | |
One Hitman haggle later and he buys one and gets one free. | 0:12:28 | 0:12:31 | |
Two scarves for £27.27. | 0:12:31 | 0:12:34 | |
I think... I might... | 0:12:34 | 0:12:38 | |
Just walk down the street. | 0:12:38 | 0:12:42 | |
What do you think? Yeah? | 0:12:42 | 0:12:44 | |
The Parisian sense of fashion seems to be rubbing off on the Hitman | 0:12:44 | 0:12:48 | |
and he's not the only one who's feeling all 'a la mode'. | 0:12:48 | 0:12:52 | |
# Girls on film | 0:12:52 | 0:12:55 | |
# Girls on film. # | 0:12:55 | 0:12:57 | |
So they've both got the moves but it's The Hitman | 0:12:59 | 0:13:02 | |
who walks the walk and sneaks ahead with a sudden fourth purchase, | 0:13:02 | 0:13:06 | |
a pair of dog book ends that cost £22.73. | 0:13:06 | 0:13:10 | |
They're probably made of beech. That's the soft timber that's very easy to carve. | 0:13:10 | 0:13:15 | |
Date wise, 1920s, 1930s. Nothing more than that. | 0:13:15 | 0:13:19 | |
At home, they're very saleable because there are dog lovers in France, | 0:13:19 | 0:13:22 | |
but there are dog lovers back home. | 0:13:22 | 0:13:24 | |
Well, let's hope so, Jonty. As The Hitman pushes ahead, | 0:13:24 | 0:13:28 | |
Catherine has jumped off the catwalk and come straight to a standstill. | 0:13:28 | 0:13:32 | |
Everything I'm picking up is broken. | 0:13:32 | 0:13:35 | |
Losing quite a lot of mother of pearl. Merci beaucoup. | 0:13:35 | 0:13:39 | |
-That's chipped. -Oui. -Oui. | 0:13:39 | 0:13:43 | |
Table croquet. It's not complete. | 0:13:43 | 0:13:47 | |
Good for decor. | 0:13:47 | 0:13:48 | |
Yeah, but it's been relined. Broken, recovered. | 0:13:48 | 0:13:53 | |
And, when you're struggling, what do you need? | 0:13:53 | 0:13:56 | |
There you are, a rose amongst everyone here in Paris. | 0:13:56 | 0:14:00 | |
How are you getting on? | 0:14:00 | 0:14:02 | |
I'd love to say that I'm doing brilliantly, | 0:14:02 | 0:14:04 | |
but I'm actually struggling. It's tough. It's tough. | 0:14:04 | 0:14:08 | |
I think, my problem is I'm enjoying myself in the market | 0:14:08 | 0:14:11 | |
and just being nice and slow and easy and enjoying the ambience. | 0:14:11 | 0:14:15 | |
I'm not really being productive. | 0:14:15 | 0:14:18 | |
But, just moments later, Cunning Catherine | 0:14:18 | 0:14:22 | |
navigates her way to a maritime marvel, | 0:14:22 | 0:14:25 | |
two sets of parallel rules from the 1940s. | 0:14:25 | 0:14:28 | |
The trader wants 60 euros for the rules. | 0:14:28 | 0:14:32 | |
So, in typical Catherine style, she offers him just 25. | 0:14:32 | 0:14:37 | |
Vingt-cinq? | 0:14:37 | 0:14:40 | |
Vingt-cinq? | 0:14:40 | 0:14:43 | |
Cinquante. | 0:14:43 | 0:14:45 | |
-Cinquante? -50. -No, that's too much. | 0:14:45 | 0:14:49 | |
Too much. Can you come down a bit more? | 0:14:49 | 0:14:52 | |
45. | 0:14:52 | 0:14:54 | |
Best price. | 0:14:54 | 0:14:56 | |
It's so expensive. | 0:14:56 | 0:14:57 | |
A cheap price. | 0:14:57 | 0:14:59 | |
No, cos they're not very old. | 0:15:00 | 0:15:04 | |
-I mean, they're nice. They're sort of ebonised... -Older than you. -Well... | 0:15:04 | 0:15:10 | |
Oh, a bit of French flattery, but will it work? | 0:15:10 | 0:15:15 | |
Honestly, these prices are incredible. | 0:15:15 | 0:15:18 | |
-This makes me cry. -Oh, no! I don't want that. | 0:15:22 | 0:15:26 | |
Catherine can't give in without one final effort. | 0:15:26 | 0:15:29 | |
-40? Come on. -Five. -40? | 0:15:29 | 0:15:31 | |
There you go. | 0:15:31 | 0:15:33 | |
-Please? -45. | 0:15:33 | 0:15:36 | |
Thank you. | 0:15:36 | 0:15:38 | |
And after all that, it's 45 euros, or £40.91. | 0:15:40 | 0:15:43 | |
Thank you. And I'm going to take these. | 0:15:43 | 0:15:46 | |
And they part friends. | 0:15:46 | 0:15:47 | |
-Nice. -Sort of. | 0:15:47 | 0:15:49 | |
He was not budging. That was really, really hard work. | 0:15:49 | 0:15:54 | |
I cannot negotiate with these Parisians. | 0:15:54 | 0:15:58 | |
They're so stuck on their price and they are not taking a penny less. | 0:15:58 | 0:16:02 | |
Despite the game being evenly split on four items each, | 0:16:02 | 0:16:07 | |
it's all getting a bit stressful for our lady in red. | 0:16:07 | 0:16:10 | |
But across the market, Jonty is looking more laid back than ever. | 0:16:10 | 0:16:14 | |
Having recently bumped into Catherine, I had no idea | 0:16:14 | 0:16:18 | |
just how stressed she would have been in a market like this. | 0:16:18 | 0:16:22 | |
She looked worried, which has kind of relaxed me even more. | 0:16:22 | 0:16:26 | |
But there's one thing about our Catherine, | 0:16:26 | 0:16:29 | |
she's a tenacious trader and she never gives up. | 0:16:29 | 0:16:32 | |
Bonjour. | 0:16:32 | 0:16:33 | |
# Ain't nothing gonna break my stride | 0:16:33 | 0:16:35 | |
# Nobody gonna slow me down | 0:16:35 | 0:16:38 | |
# Oh no, I got to keep on movin'... # | 0:16:38 | 0:16:42 | |
Been around. And coming round again. | 0:16:42 | 0:16:46 | |
Salt and peppers in the form of owls. | 0:16:46 | 0:16:49 | |
But they're in what one would call a poor condition. | 0:16:50 | 0:16:54 | |
Quite poor quality. Not very nicely done. It's a shame. That's the sort of novelty thing I like. | 0:16:54 | 0:17:00 | |
Well, how about a silver-plated figure of a frog? | 0:17:00 | 0:17:03 | |
-What is a frog in French? -Grenouille. -Grenouille. | 0:17:03 | 0:17:08 | |
Grenouille. | 0:17:08 | 0:17:10 | |
Mmm, but she's not gone oui for the grenouille. And Catherine hops off. | 0:17:10 | 0:17:15 | |
At a nearby stall, The Hitman has hit upon a 1960s vase. | 0:17:15 | 0:17:20 | |
Can you see there's actually two or three layers of glass in there? | 0:17:20 | 0:17:25 | |
For my money, that vase has to be made in Murano, so Venice. | 0:17:25 | 0:17:30 | |
It's really very good quality. | 0:17:30 | 0:17:33 | |
If you look at the underside, there's no scratches on it, | 0:17:33 | 0:17:36 | |
so 19 euros, that is a really good price. | 0:17:36 | 0:17:41 | |
He's excited about this one. | 0:17:41 | 0:17:43 | |
The lady drops the price to 15 euros, that's £13.64. | 0:17:43 | 0:17:48 | |
Jonty is chuffed to bits. | 0:17:48 | 0:17:50 | |
That's spot on for me. I really like that. | 0:17:50 | 0:17:53 | |
Really very nice quality indeed. So...another purchase. | 0:17:53 | 0:17:58 | |
Just look at The Hitman, all pleased with himself. | 0:17:58 | 0:18:01 | |
While Catherine continues to trawl the stalls, Jonty's laser beam focus locks on target once again. | 0:18:01 | 0:18:07 | |
This time, it's on his first piece of furniture, a mirror. | 0:18:07 | 0:18:11 | |
It's on a stool that is housed, | 0:18:11 | 0:18:14 | |
is riddled with ladies clothing and accessories, | 0:18:14 | 0:18:18 | |
which means there's a strong possibility that they might not | 0:18:18 | 0:18:22 | |
really understand the true value of this mirror. | 0:18:22 | 0:18:25 | |
# Here comes the mirror man... # | 0:18:25 | 0:18:28 | |
Yes, he's a master strategist. | 0:18:28 | 0:18:30 | |
He spots a weakness and hits where it hurts. | 0:18:30 | 0:18:34 | |
-C'est combien? -Deux cent. -Deux cent. | 0:18:34 | 0:18:39 | |
The man wants 200 euros. So out comes the pen and paper. | 0:18:39 | 0:18:43 | |
My best price. Dernier prix. Pour moi, Cent cinquante. | 0:18:43 | 0:18:48 | |
Jonty offers 150. | 0:18:48 | 0:18:51 | |
Come on then, you tell me. | 0:18:51 | 0:18:53 | |
The man comes right down to 160. | 0:18:53 | 0:18:56 | |
Jonty tries again with 155. | 0:18:56 | 0:18:59 | |
At which point, the man refers up to his boss, his wife. | 0:18:59 | 0:19:05 | |
She's a hard woman. | 0:19:05 | 0:19:07 | |
They agree a price at 160. | 0:19:07 | 0:19:10 | |
-160. -Tres difficile. OK? -Sold. | 0:19:10 | 0:19:13 | |
I'm glad I wasn't dealing with the missus! | 0:19:13 | 0:19:16 | |
The day's first non-20th century item and by far and away the most expensive so far. | 0:19:16 | 0:19:21 | |
The mirror sets Jonty back £145.45. | 0:19:21 | 0:19:25 | |
I just saw something that Jonty bought from a distance, | 0:19:25 | 0:19:29 | |
which is this hideous carved mirror. | 0:19:29 | 0:19:32 | |
I think he's as desperate as I am at the moment. | 0:19:32 | 0:19:36 | |
Don't hold back, Catherine. But The Hitman thinks he has struck gold. | 0:19:36 | 0:19:40 | |
This is such a gorgeous mirror. | 0:19:40 | 0:19:43 | |
It's 19th century, it's beautifully carved and it's in great condition. | 0:19:43 | 0:19:48 | |
Take a look right down here, | 0:19:48 | 0:19:50 | |
there is nothing that's broken on here at all. | 0:19:50 | 0:19:53 | |
It's really deliciously clean and crisp. | 0:19:53 | 0:19:56 | |
And the bevel mirror is the original mirror. And that too is in very, very good condition. | 0:19:56 | 0:20:03 | |
Jonty wheels away, pleased as punch. | 0:20:03 | 0:20:05 | |
And as the day draws to a close, two hours since her last purchase, | 0:20:07 | 0:20:11 | |
Catherine makes a final find. | 0:20:11 | 0:20:13 | |
It's a cast iron umbrella stand with a drip tray in the bottom. | 0:20:13 | 0:20:17 | |
And this one has been enamelled. It's got the original enamel on. | 0:20:17 | 0:20:22 | |
Normally, we'd want to get these for about 60-70... £60-£70. | 0:20:22 | 0:20:27 | |
I might just go and have a word with the stallholder | 0:20:27 | 0:20:30 | |
and see how much he wants. | 0:20:30 | 0:20:33 | |
And quick as a flash, she's back. But is it good news or bad? | 0:20:33 | 0:20:39 | |
Well, I am now the proud owner of this umbrella stand, | 0:20:39 | 0:20:44 | |
without all these bits and pieces, but I got him down to 70 euros. | 0:20:44 | 0:20:48 | |
He was adamant he was having 80, but I got him down to 70. | 0:20:48 | 0:20:51 | |
So that in itself is an achievement. | 0:20:51 | 0:20:54 | |
Whether I'm going to make any profit, that's another matter. | 0:20:54 | 0:20:58 | |
The umbrella stand stands our lady at £63.64. | 0:20:58 | 0:21:03 | |
And with that, both our bartering big shots call it a day. | 0:21:03 | 0:21:06 | |
So with the whistle blown, let's see how things stand. | 0:21:06 | 0:21:10 | |
Both our bargain busters brought £750 worth of their own euros | 0:21:10 | 0:21:15 | |
with them to Paris. | 0:21:15 | 0:21:16 | |
The Hitman had a solid and steady day. | 0:21:16 | 0:21:19 | |
He goes home with six items that cost him £263.63. | 0:21:19 | 0:21:24 | |
And although she spent much of the day worrying, | 0:21:24 | 0:21:27 | |
Cunning Catherine still picked up five pieces for £193.64. | 0:21:27 | 0:21:33 | |
But it's profit that counts in this game. | 0:21:33 | 0:21:36 | |
So who thinks they stand the best chance of some stellar selling? | 0:21:36 | 0:21:40 | |
Last time I saw you, you had a bit of a worried look on your face. | 0:21:40 | 0:21:44 | |
-You're smiling now. -I am smiling, Jonty. | 0:21:44 | 0:21:47 | |
-I'm happy actually with my purchases. -Firewood at the back here, explain. | 0:21:47 | 0:21:51 | |
It is not firewood! It is a piece of French history. | 0:21:51 | 0:21:54 | |
Something you'd find perhaps hanging up in a baker's or something like that, biscuit moulds. | 0:21:54 | 0:22:00 | |
Anyway, there's a bit of firewood down there. | 0:22:00 | 0:22:02 | |
-What are they supposed to be? -Bookends. | 0:22:02 | 0:22:03 | |
Classy, Jonty, really classy. | 0:22:03 | 0:22:05 | |
-HE LAUGHS -Thank you. | 0:22:05 | 0:22:07 | |
-My mirror, I'm very pleased with. -Yeah, that's another bit of firewood. | 0:22:07 | 0:22:10 | |
NOTHING Beats my fantastic... | 0:22:10 | 0:22:13 | |
That is class. | 0:22:13 | 0:22:14 | |
This is class beyond belief. | 0:22:14 | 0:22:16 | |
Isn't that wonderful? | 0:22:16 | 0:22:17 | |
-No. -Don't you think it's fabulous?! I think it's fab! | 0:22:17 | 0:22:21 | |
-I mean, come on, it's a bit of fun, isn't it? And for ten euros. -Bargain. | 0:22:21 | 0:22:26 | |
I'm going to have a huge amount of fun selling my stuff. | 0:22:26 | 0:22:29 | |
Not sure you are though. It's going to be pretty tricky, looking at that lot. | 0:22:29 | 0:22:33 | |
Yes, I know. And we've got to get it back, as well. | 0:22:33 | 0:22:35 | |
I have no idea how we're going to get it back. My mirror... | 0:22:35 | 0:22:37 | |
-Well, yeah. -Mmm. Might want to leave that one here, actually! -Enough! | 0:22:37 | 0:22:41 | |
Cunning Catherine takes no prisoners giving The Hitman | 0:22:43 | 0:22:47 | |
a psychological stripping down before the selling has even begun. | 0:22:47 | 0:22:51 | |
But once back in Blighty the hard work really gets going. | 0:22:51 | 0:22:54 | |
It's no longer about what you know but who you know | 0:22:54 | 0:22:58 | |
and even then that might not even be enough. | 0:22:58 | 0:23:00 | |
Our vendetta-driven vendors must comb the entire country | 0:23:00 | 0:23:05 | |
if necessary to find people who'll pay the very best price. | 0:23:05 | 0:23:08 | |
In Oxfordshire our Hitman reveals he had a hard time hunting. | 0:23:08 | 0:23:12 | |
There were so many things there that were really quite expensively priced, | 0:23:12 | 0:23:16 | |
so you have to really delve deeply to find those bargains. | 0:23:16 | 0:23:19 | |
But I have to say, I think I've got them. | 0:23:19 | 0:23:22 | |
I've got my retro here, I've got my bit of clothing here, | 0:23:22 | 0:23:26 | |
I've got the set of prints, I've got my little bookends | 0:23:26 | 0:23:30 | |
and if there's anybody that appreciates their pets | 0:23:30 | 0:23:34 | |
and their animals it's the French and the Brits, and I am | 0:23:34 | 0:23:37 | |
SO pleased with my mirror - what a find and what a purchase, | 0:23:37 | 0:23:40 | |
I had no idea I could get it so cheaply. | 0:23:40 | 0:23:43 | |
Jonty's clearly overjoyed with his purchases | 0:23:43 | 0:23:46 | |
but Cunning Catherine couldn't be less impressed. | 0:23:46 | 0:23:49 | |
Those disgusting little doggy bookends that Jonty bought, | 0:23:49 | 0:23:54 | |
what was he thinking of?! | 0:23:54 | 0:23:55 | |
And that horrible, ghastly mirror. And he paid a lot of money for that. | 0:23:55 | 0:24:00 | |
Now, come on, Catherine, tell us what you really think. | 0:24:00 | 0:24:03 | |
Jonty, I definitely bought the better items. | 0:24:03 | 0:24:06 | |
I absolutely love these biscuit moulds. | 0:24:06 | 0:24:10 | |
They're so unusual, something completely different | 0:24:10 | 0:24:12 | |
and I'm sure I can have enormous fun selling these. | 0:24:12 | 0:24:16 | |
I can make serious profit on these. | 0:24:16 | 0:24:19 | |
The umbrella stand. | 0:24:19 | 0:24:21 | |
It is quite ordinary and it is the sort of thing you'll find when | 0:24:21 | 0:24:24 | |
you walk round most fairs, but this one is in good original condition. | 0:24:24 | 0:24:30 | |
My parallel rulers I did pay quite a lot of money for but they are | 0:24:30 | 0:24:32 | |
nice pieces and it was really hard to get the right price on that. | 0:24:32 | 0:24:36 | |
Catherine's also selling her shoe shine box and cherry forks. | 0:24:36 | 0:24:41 | |
Like coiled springs our primed predators are ready to pounce. | 0:24:41 | 0:24:44 | |
But until they've shaken on it and the money's changed hands, | 0:24:44 | 0:24:49 | |
no deal is truly sealed, so it's time for the trading to commence. | 0:24:49 | 0:24:53 | |
It's Jonty who launches into action first | 0:24:53 | 0:24:57 | |
but then he hasn't got far to go. | 0:24:57 | 0:24:59 | |
I've just left my home which is, what, 200 meters down the road that way. | 0:24:59 | 0:25:03 | |
And I'm off to see Sid who's just opened up a tea shop | 0:25:03 | 0:25:06 | |
just down the road from me | 0:25:06 | 0:25:08 | |
and amongst many things in her shop is a row of teapots and I'm hoping | 0:25:08 | 0:25:11 | |
she might want to buy one more so I've got my teapot and sugar bowl | 0:25:11 | 0:25:16 | |
and my champagne bucket to see if I can see the whole lot. | 0:25:16 | 0:25:19 | |
The Hitman paid a grand total of £9.09 for this little lot. | 0:25:21 | 0:25:25 | |
And he looks like he's in luck. | 0:25:25 | 0:25:27 | |
Sid clearly likes her vintage cups, saucers and pots. | 0:25:27 | 0:25:30 | |
-So, here's my teapot. Well, actually on closer inspection it's a coffee pot. -Yes, I would say that. | 0:25:30 | 0:25:36 | |
And here I have my sugar bowl, as well. So it's all matching. | 0:25:36 | 0:25:39 | |
-Beautiful. -There we go. -Lovely. | 0:25:39 | 0:25:42 | |
So we have a nice little back stamp there which shows it's all nice and French. | 0:25:42 | 0:25:46 | |
-Lovely colour. I love the colour as well. -You like the colour? -Yeah, it's great. | 0:25:46 | 0:25:50 | |
-It is a bit of a retro colour. -It is, it's good. | 0:25:50 | 0:25:52 | |
And I have from the same period, 1960s, | 0:25:52 | 0:25:55 | |
a stainless steel champagne bucket. | 0:25:55 | 0:25:57 | |
-So I need to sell the whole lot. -Yep, altogether? | 0:25:57 | 0:26:00 | |
What about 35 for the whole lot? | 0:26:00 | 0:26:02 | |
-How about 30? I could probably manage 30. -30 quid? | 0:26:02 | 0:26:05 | |
I'll tell you what, here's the deal, 30 quid, | 0:26:05 | 0:26:07 | |
but one of your really special coffees. | 0:26:07 | 0:26:09 | |
-OK! You're on. -And there you have it. | 0:26:09 | 0:26:12 | |
The pots and champagne bucket bring in a bubbly profit of £20.91. | 0:26:12 | 0:26:16 | |
The Hitman takes a caffeine hit to fire him up | 0:26:17 | 0:26:20 | |
for some more superb sales, | 0:26:20 | 0:26:22 | |
but Catherine has her own method of invigoration - | 0:26:22 | 0:26:25 | |
a day trip to the Sussex coast. | 0:26:25 | 0:26:28 | |
I've come along to the wonderful seaside town of Hastings with | 0:26:28 | 0:26:32 | |
these two fabulous moulds which I absolutely adore, but I'm still not | 0:26:32 | 0:26:37 | |
sure whether for chocolate or for biscuits, so I've come to see French | 0:26:37 | 0:26:43 | |
pastry chef Michel who's going to enlighten me and hopefully buy them. | 0:26:43 | 0:26:47 | |
The moulds cost nearly £55 so will Catherine taste sweet success. | 0:26:48 | 0:26:53 | |
She catches Michel as he's baking biscuits. | 0:26:53 | 0:26:57 | |
What do you think about these? | 0:27:01 | 0:27:05 | |
-I have never seen that before. -Never seen them before? | 0:27:05 | 0:27:07 | |
No. | 0:27:07 | 0:27:09 | |
I don't know if they're biscuit moulds, chocolate moulds | 0:27:09 | 0:27:12 | |
or what they are but I thought they were absolutely stunning. | 0:27:12 | 0:27:16 | |
But they're quite shallow, aren't they? They're not very deep. | 0:27:16 | 0:27:20 | |
No, they are not. | 0:27:20 | 0:27:21 | |
So if you were putting a biscuit mixture in or perhaps | 0:27:21 | 0:27:24 | |
a chocolate mixture in or something to set, | 0:27:24 | 0:27:27 | |
you wouldn't be able to put in an awful lot of mixture. | 0:27:27 | 0:27:30 | |
But do you think they're lovely? | 0:27:30 | 0:27:32 | |
They are very, very nice, yes. | 0:27:32 | 0:27:33 | |
I mean, it's not too cook, you wouldn't cook in this but you'd | 0:27:33 | 0:27:36 | |
make the mixture, perhaps put flour or something in this, I don't know. | 0:27:36 | 0:27:39 | |
Why not try one? | 0:27:39 | 0:27:41 | |
Try one? OK. Sounds good to me. | 0:27:41 | 0:27:45 | |
Michel gives it a go with his left over biscuit mix. Catherine is getting him interested. | 0:27:45 | 0:27:49 | |
What do you think? I think it looks quite nice. | 0:27:49 | 0:27:52 | |
Yes, it is very, very nice. | 0:27:55 | 0:27:58 | |
But I just wonder what is it for? | 0:27:58 | 0:28:01 | |
Now, are these something that you would possibly be interested in purchasing? | 0:28:01 | 0:28:06 | |
Yes, it depends how much. | 0:28:06 | 0:28:08 | |
I'll give you an idea of the sort of figure that I'm looking for and then you can decide. | 0:28:08 | 0:28:13 | |
Yes, then I can scratch my head. | 0:28:13 | 0:28:15 | |
You can scratch your head and hopefully agree. | 0:28:15 | 0:28:19 | |
OK, I'm looking fro £100 for these. | 0:28:19 | 0:28:21 | |
£100. Yes, I would give £80. | 0:28:21 | 0:28:25 | |
£80...OK. | 0:28:25 | 0:28:26 | |
All right. Do you know what? | 0:28:26 | 0:28:29 | |
I think £80 is absolutely fine | 0:28:29 | 0:28:31 | |
because they are being sold to the right person. | 0:28:31 | 0:28:34 | |
Oh, that's completely out of character. | 0:28:34 | 0:28:36 | |
No haggling from Catherine. | 0:28:36 | 0:28:38 | |
But why would she? | 0:28:38 | 0:28:40 | |
The moulds instantly put her ahead of The Hitman with | 0:28:40 | 0:28:42 | |
a profit of £25.45. | 0:28:42 | 0:28:44 | |
So Jonty is playing catch-up, but never fear, | 0:28:44 | 0:28:47 | |
he's the man with the plan and it involves his two silk scarves. | 0:28:47 | 0:28:52 | |
He's gone into his local town of Wallingford to meet Paula who | 0:28:52 | 0:28:55 | |
runs a vintage clothing business. | 0:28:55 | 0:28:57 | |
Now, these I've just bought in a Parisian market. | 0:28:57 | 0:29:01 | |
-So hopefully they'll be nice and exotic. -Very beautiful. | 0:29:01 | 0:29:04 | |
-Very stylish. -Very lovely. -Do you like the colours there? | 0:29:04 | 0:29:06 | |
I love the colours, I like the name. Paris, as well. | 0:29:06 | 0:29:09 | |
-Absolutely. -And silk, of course. | 0:29:09 | 0:29:11 | |
And it's also in very good condition, as well, I made sure of that. | 0:29:11 | 0:29:14 | |
They look in very good condition too, yes. | 0:29:14 | 0:29:16 | |
This is a wee bit different. | 0:29:16 | 0:29:18 | |
Bianchini Ferier, that's a company that was based in Lyon. | 0:29:18 | 0:29:22 | |
-Oh. -Over the recent years, so '60s, 70s, '80s, | 0:29:23 | 0:29:27 | |
they were supplying silk scarves to the really big labels | 0:29:27 | 0:29:31 | |
like Hermes, Louis Vuitton, etc. | 0:29:31 | 0:29:35 | |
-Yes. -And as I'm sure you're aware, when it comes to fashion, | 0:29:35 | 0:29:38 | |
often labels count as well. | 0:29:38 | 0:29:41 | |
They do, they do and yes, I love it, it's absolutely gorgeous. | 0:29:41 | 0:29:43 | |
-You like that one? -Yes, I do, I do. | 0:29:43 | 0:29:45 | |
-Shall we talk price? -Yes, what do you think? | 0:29:45 | 0:29:48 | |
Well, I'm looking for £60 for the two. | 0:29:48 | 0:29:51 | |
OK, yes, I can see what you think. I was looking more to about 50. | 0:29:51 | 0:29:57 | |
-50. -Yeah, £50, I'm happy with. -I won't argue with that. | 0:29:57 | 0:30:02 | |
-That's brilliant. -Paula, that's absolutely lovely. -Shall we shake on that? -Absolutely. | 0:30:02 | 0:30:06 | |
Paula's pleased and Jonty banks a profit of £22.73. | 0:30:06 | 0:30:10 | |
So, I see you've got a lot of ladies fashion here, | 0:30:10 | 0:30:13 | |
have you got any gents? | 0:30:13 | 0:30:14 | |
I'm afraid not, but I've got something just for you, Jonty. | 0:30:14 | 0:30:17 | |
You'll look absolutely gorgeous, they're we go! | 0:30:17 | 0:30:20 | |
Oh! A feather boa, look at that! What do you think? | 0:30:20 | 0:30:22 | |
Absolutely gorgeous! | 0:30:23 | 0:30:24 | |
Oh, yes, Hitman, very fetching. | 0:30:24 | 0:30:27 | |
Why don't you show it off to your adoring public? | 0:30:27 | 0:30:29 | |
# Pretty woman, walking down the street | 0:30:29 | 0:30:32 | |
# Pretty woman The kind I like to meet | 0:30:32 | 0:30:37 | |
# Pretty woman... # | 0:30:37 | 0:30:39 | |
Yes, probably best, Jonty. But Cunning Catherine is all dolled-up. | 0:30:39 | 0:30:42 | |
She's hoping for a big night in London. | 0:30:42 | 0:30:45 | |
She's got a date with Scott, the manager of a cocktail bar. | 0:30:45 | 0:30:49 | |
But will she prong his interest with her £9 set of cocktail forks. | 0:30:49 | 0:30:54 | |
Now, this is very kitsch, I have to warn you, and very Del Boy. | 0:30:54 | 0:30:59 | |
Don't you think that's a fab thing? | 0:30:59 | 0:31:01 | |
It's a thing...yeah, interesting, good for sort of punches and that kind of stuff, I can see. | 0:31:01 | 0:31:06 | |
Not getting a huge amount of warmth. | 0:31:06 | 0:31:08 | |
-No, no, I can picture... -Are you warming to it? | 0:31:08 | 0:31:11 | |
I can picture it up on the bar. You know. And probably use it, we use a lot of our stuff. | 0:31:11 | 0:31:15 | |
-We don't just have it on display. -Do you put cherries in cocktails. | 0:31:15 | 0:31:18 | |
That's a very kind of '80s thing, isn't it? | 0:31:18 | 0:31:20 | |
No, it's classic, classic Manhattan would have a cherry. | 0:31:20 | 0:31:23 | |
We're looking to put our new cocktail list together | 0:31:23 | 0:31:26 | |
so we'd probably find something! | 0:31:26 | 0:31:27 | |
What kind of money are we talking? | 0:31:27 | 0:31:29 | |
Oh, you're a hard negotiator. | 0:31:29 | 0:31:31 | |
I don't mess around. | 0:31:31 | 0:31:33 | |
I don't mess around either so I'm going straight in with £50. | 0:31:33 | 0:31:36 | |
Yeah...bit rich, I'm thinking. | 0:31:36 | 0:31:38 | |
How about £40 and a cocktail? | 0:31:38 | 0:31:42 | |
Hmm, £40 and a cocktail...well, | 0:31:42 | 0:31:45 | |
sounds quite good, actually, | 0:31:45 | 0:31:47 | |
but £45 and a cocktail would be even better. | 0:31:47 | 0:31:50 | |
-Go on then. -The cocktail forks do the business. | 0:31:54 | 0:31:59 | |
Cunning Catherine sells them for five times what she paid, | 0:31:59 | 0:32:03 | |
pouring in a profit of £35.91 | 0:32:03 | 0:32:05 | |
and let's not forget that cocktail. | 0:32:05 | 0:32:07 | |
Oh, that's powerful. Whoa! Very nice. | 0:32:07 | 0:32:13 | |
So, before our lady ends up on the rocks, | 0:32:15 | 0:32:17 | |
let's take a look at how the game is progressing. | 0:32:17 | 0:32:19 | |
Jonty "The Hitman" Hearnden has so far sold two of his six items | 0:32:19 | 0:32:24 | |
and picked up a profit of £43.64. | 0:32:24 | 0:32:26 | |
Cunning Catherine Southon has also notched up two sales | 0:32:28 | 0:32:31 | |
and is leading the way in the profit stakes at £61.36. | 0:32:31 | 0:32:35 | |
And Catherine wastes no time furthering her finances. | 0:32:37 | 0:32:40 | |
She's back in the capital, this time in an upmarket arcade in Mayfair. | 0:32:40 | 0:32:45 | |
She's hoping her shoeshine box scrubs up a good profit with resident shoe polisher Ronnie. | 0:32:45 | 0:32:50 | |
-What do you think about this? -Wow. | 0:32:50 | 0:32:53 | |
-SHE LAUGHS -Interesting. | 0:32:53 | 0:32:55 | |
I can see you're very excited by it. | 0:32:55 | 0:32:57 | |
I thought it would be great for all your polishes and your brushes | 0:32:57 | 0:33:02 | |
and your liquids. | 0:33:02 | 0:33:04 | |
I'd love to have it, it's just, I've got a few boxes myself. | 0:33:04 | 0:33:08 | |
-What, like this? -Similar. -Oh, have you? | 0:33:08 | 0:33:12 | |
Oh. Not good, is it?! That's not a good result. | 0:33:12 | 0:33:17 | |
Oh, Catherine takes a tumble with the shoeshine box. | 0:33:17 | 0:33:20 | |
She'll just have to dig in and chase down another buyer. | 0:33:20 | 0:33:23 | |
She needs to keep moving because Jonty is trying to sell his canine bookshelf accessories. | 0:33:23 | 0:33:28 | |
Or as Catherine called them... | 0:33:28 | 0:33:31 | |
Those disgusting, disgusting... | 0:33:31 | 0:33:34 | |
..disgusting little doggy bookends. | 0:33:36 | 0:33:39 | |
Hmm, she doesn't hold back, does she? It's a dog eat dog world. | 0:33:39 | 0:33:44 | |
So is The Hitman barking up the wrong tree. | 0:33:44 | 0:33:48 | |
He's at an antiques centre in Hungerford to meet dealer, Sue. | 0:33:48 | 0:33:51 | |
# How much is that doggy in the window? | 0:33:51 | 0:33:56 | |
# I do hope that doggy's for sale. # | 0:33:56 | 0:34:01 | |
-They're quite interesting. -They're nice, aren't they? | 0:34:01 | 0:34:05 | |
Yeah, they are. Scotty dogs, very popular. | 0:34:05 | 0:34:07 | |
That's right, Highland terriers, as some people like to call them. | 0:34:07 | 0:34:11 | |
We've got oak bases and the heads are probably beech I would imagine. | 0:34:11 | 0:34:16 | |
-But they're a nice pair. -They are nice. | 0:34:16 | 0:34:18 | |
They're nicely carved round the side. | 0:34:18 | 0:34:20 | |
-Yes. All carved out of one piece. -Yes. | 0:34:20 | 0:34:23 | |
They're quite nice, I quite like them. Scotty dogs are very popular. | 0:34:23 | 0:34:27 | |
I sell a lot of Scotty dog brooches and all sorts, they're very popular. | 0:34:28 | 0:34:32 | |
-You want a price? -Yes, how much? | 0:34:32 | 0:34:35 | |
-I'm looking for £80. -Agh! No-no-no-no. -No? | 0:34:35 | 0:34:39 | |
No, I couldn't do £80, no. | 0:34:39 | 0:34:43 | |
Where are we going with these? | 0:34:43 | 0:34:45 | |
-I was thinking more like 50. -50? -Yeah. | 0:34:45 | 0:34:49 | |
That's kind of different to 80. | 0:34:49 | 0:34:51 | |
-Hmm, I know. -Erm...what about 70 then? | 0:34:51 | 0:34:55 | |
-60? -60? -Yeah. -60 quid. -Yeah. It's good. | 0:34:55 | 0:35:00 | |
That's good. | 0:35:00 | 0:35:02 | |
Yes, Jonty did know what he was doing, after all. | 0:35:02 | 0:35:05 | |
Catherine is left feeling RUFF, | 0:35:07 | 0:35:09 | |
and our Hitman scores a profit of £37.27. | 0:35:09 | 0:35:12 | |
It's time for Catherine to regain the ground | 0:35:14 | 0:35:16 | |
she lost on the shoeshine box. | 0:35:16 | 0:35:18 | |
She's still slap-bang in the heart of Central London and has | 0:35:18 | 0:35:21 | |
come to see Leon who deals in military and navigational antiques. | 0:35:21 | 0:35:25 | |
She's brought him the parallel rules that cost almost £41, | 0:35:26 | 0:35:30 | |
but will they measure up? | 0:35:30 | 0:35:32 | |
They're quite nice, aren't they? Quite interesting pieces. | 0:35:32 | 0:35:35 | |
Ebony and brass. | 0:35:35 | 0:35:39 | |
And they're both stamped by the maker - Windsor and Newton. | 0:35:39 | 0:35:42 | |
They made artists' materials and draughtsmen's materials. | 0:35:42 | 0:35:45 | |
They did. They still do, I think. | 0:35:45 | 0:35:47 | |
They're dated so they're certainly Second World War period. | 0:35:47 | 0:35:50 | |
And that becomes World War Two memorabilia which is always | 0:35:50 | 0:35:52 | |
-very saleable, very collectable. -Yep. -Big interest. Big interest. | 0:35:52 | 0:35:55 | |
Well, I'll be honest with you, I did pay quite a bit for these. | 0:35:55 | 0:35:59 | |
Serves you right, Catherine. | 0:35:59 | 0:36:01 | |
Thank you. And very kind of you! | 0:36:01 | 0:36:04 | |
But I am asking for, which I think is quite reasonable - | 0:36:04 | 0:36:07 | |
correct me if I'm wrong - I'm asking for 70 on them. | 0:36:07 | 0:36:10 | |
You are wrong, but thank you for offering. | 0:36:10 | 0:36:14 | |
-I'd be prepared to offer you 50 on those two. -50. | 0:36:14 | 0:36:18 | |
Yeah, but that's really as good as it's going to get. | 0:36:18 | 0:36:20 | |
-£50, you don't want to go up any more. -No, I don't, thank you! Thanks anyway. | 0:36:20 | 0:36:24 | |
All right! I love your honesty, Leon. | 0:36:24 | 0:36:26 | |
Yes, Leon's a man who says it like it is, | 0:36:26 | 0:36:29 | |
but Catherine still leaves with a profit of £9.09. | 0:36:29 | 0:36:33 | |
While Catherine's gallivanting around London, The Hitman is keeping it local. | 0:36:33 | 0:36:38 | |
He's just outside Oxford | 0:36:38 | 0:36:40 | |
and is hoping for two sales rolled into one. | 0:36:40 | 0:36:43 | |
I've got my really large mirror and my set of prints, | 0:36:43 | 0:36:47 | |
because I've come here to this pub to meet the manager, | 0:36:47 | 0:36:51 | |
because they have recently refurbished | 0:36:51 | 0:36:54 | |
and they're looking for items to put on the wall. | 0:36:54 | 0:36:57 | |
Jonty bough the mirror and retro drinks ads for a combined total of nearly £191. | 0:36:57 | 0:37:03 | |
He's meeting Ollie and opens with the mirror. | 0:37:03 | 0:37:06 | |
-What'd you think? -I think it's fantastic. | 0:37:06 | 0:37:08 | |
Well, what we're looking at here is a French oak frame mirror. | 0:37:08 | 0:37:12 | |
It's about 100 years old. | 0:37:12 | 0:37:14 | |
The great thing about French mirrors is they have these four side | 0:37:14 | 0:37:19 | |
because a lot of British mirrors, | 0:37:19 | 0:37:20 | |
particularly those that sit over fireplaces had one flat side | 0:37:20 | 0:37:25 | |
-so they could literally stand on top of the mantle shelf. -OK. | 0:37:25 | 0:37:29 | |
So it means that mirrors like this are much more versatile. | 0:37:29 | 0:37:33 | |
The mirror is original and you've got these nice little bits | 0:37:33 | 0:37:37 | |
of pitting here which gives it age. | 0:37:37 | 0:37:38 | |
-A brand new mirror also looks like a brand new mirror. -Absolutely, yeah. | 0:37:38 | 0:37:43 | |
A mirror like this tends to be a little bit more smoky which is great. | 0:37:43 | 0:37:48 | |
I think it's a steal, and absolute steal cos I'm looking for 300 quid. | 0:37:48 | 0:37:52 | |
-That is a genuine bargain. -Right. | 0:37:52 | 0:37:54 | |
And The Hitman's not finished his sales pitch yet. | 0:37:54 | 0:37:57 | |
He's also brought along his alcohol-themed prints. | 0:37:57 | 0:38:00 | |
I just think they'll make a real great impact cos | 0:38:00 | 0:38:02 | |
I like the simplicity of them. | 0:38:02 | 0:38:04 | |
-Well, absolutely. -Do you like those? | 0:38:04 | 0:38:08 | |
Certainly some of them, yes. | 0:38:08 | 0:38:11 | |
-I want to sell them as a group though. -OK. | 0:38:11 | 0:38:13 | |
When you say "some" you're worrying me. | 0:38:13 | 0:38:16 | |
-I suppose for the right price. -OK. | 0:38:16 | 0:38:19 | |
-Well, I'm looking for £15 a shot for those. -OK. | 0:38:19 | 0:38:22 | |
And there's six of them There's six, yeah. | 0:38:22 | 0:38:24 | |
So that would be...6 x 15...90 quid. So that's where I'm coming from for those cos | 0:38:24 | 0:38:28 | |
they are genuine original prints so a lot of them are, give or take, | 0:38:28 | 0:38:32 | |
50-years-old and they've got that nice retro feel about them, as well. | 0:38:32 | 0:38:35 | |
So, we've got those and the mirror. | 0:38:35 | 0:38:38 | |
-OK. -So we're looking at 390 quid for the two of them. | 0:38:38 | 0:38:44 | |
Right, OK. I'd probably go in a bit more like 340. | 0:38:44 | 0:38:48 | |
Am I squeezing you a bit there? | 0:38:48 | 0:38:51 | |
No, that's fine, I mean, I understand completely there. 340. | 0:38:51 | 0:38:55 | |
What about 350? | 0:38:55 | 0:38:57 | |
Yeah...I think I could stretch to 350, yeah. | 0:38:59 | 0:39:02 | |
Yes, that could be the winning blow. | 0:39:02 | 0:39:05 | |
Jonty takes home a combined profit of £159.10. | 0:39:05 | 0:39:08 | |
# I'm starting with the man in the mirror... # | 0:39:08 | 0:39:12 | |
Cunning Catherine is having to roll with The Hitman's punches. | 0:39:12 | 0:39:16 | |
She's taken her umbrella stand to a hotel in Blackheath | 0:39:16 | 0:39:19 | |
and manager Ken is keen, | 0:39:19 | 0:39:21 | |
but not to use the stand for brollies. | 0:39:21 | 0:39:24 | |
The hotel has a golf-themed room | 0:39:24 | 0:39:26 | |
and needs a display for a set of Victorian clubs. | 0:39:26 | 0:39:30 | |
-Let's have a go. -You could sort of cross them. | 0:39:30 | 0:39:33 | |
Bit of a mishmash and let's have a look at that. | 0:39:33 | 0:39:36 | |
-That works for me. -Does it? -Yeah. -Good. Right, price. | 0:39:39 | 0:39:43 | |
I'm looking for £150. | 0:39:43 | 0:39:45 | |
In my head £120 I was probably more interested in paying. | 0:39:45 | 0:39:48 | |
I think that's a fair price. | 0:39:48 | 0:39:51 | |
Well, not quite a hole in one but certainly a birdie. | 0:39:51 | 0:39:54 | |
She flies away with a profit of £56.36, | 0:39:54 | 0:39:59 | |
which brings us to the last item from the French market. | 0:39:59 | 0:40:02 | |
It all comes down to this, the vase that cost Jonty £13. | 0:40:02 | 0:40:07 | |
He's brought it to Berkshire to see Jo who has a penchant for coloured glass. | 0:40:07 | 0:40:12 | |
# ...and it was a gas | 0:40:12 | 0:40:15 | |
# Still turned out had a heart of glass... # | 0:40:15 | 0:40:18 | |
-I love it! -D'you like it? -The colours are great. | 0:40:18 | 0:40:20 | |
It's smaller than I thought but I think it's really lovely. | 0:40:20 | 0:40:23 | |
And you've even got a sort of pinky hue to | 0:40:23 | 0:40:26 | |
the colour of glass there, as well. | 0:40:26 | 0:40:28 | |
But it's lovely the way you've got the blues | 0:40:28 | 0:40:30 | |
-and the greens just coming through like that. -Yeah, I love that. | 0:40:30 | 0:40:33 | |
-What is your fee? -I'm looking for £70 for my vase. | 0:40:33 | 0:40:36 | |
Well, I think it's very lovely. | 0:40:36 | 0:40:38 | |
I wonder whether you might be interested in going a little bit lower - 60? | 0:40:38 | 0:40:41 | |
-60 quid. -I'd be very happy with it for 60. | 0:40:41 | 0:40:43 | |
60 quid. | 0:40:43 | 0:40:45 | |
I'd be happy with £60 cos I think it's a lovely vase and I think you deserve it. | 0:40:45 | 0:40:48 | |
That's very sweet of you. I think it'd be lovely here too. | 0:40:48 | 0:40:51 | |
The glass vase holds water. That's a cracking profit of £46.36. | 0:40:51 | 0:40:55 | |
So there you go. Everything's sold off and settled in new homes. | 0:40:57 | 0:41:01 | |
So, which of out selling sovereigns will reign victorious? | 0:41:01 | 0:41:05 | |
And who is heading for the dark dungeon of despair? | 0:41:05 | 0:41:08 | |
Both our daring dealers started this contest | 0:41:08 | 0:41:11 | |
with £750 of their own money. | 0:41:11 | 0:41:14 | |
Cunning Catherine came home having made five purchase totalling | 0:41:14 | 0:41:17 | |
nearly £194. | 0:41:17 | 0:41:20 | |
Jonty The Hitman went a little further. | 0:41:20 | 0:41:22 | |
He pushed the boat out to six items and spent almost £264. | 0:41:22 | 0:41:26 | |
But who has made the most profit? | 0:41:28 | 0:41:30 | |
All of the money that Catherine | 0:41:30 | 0:41:32 | |
and Jonty have made from today's challenge will be going to | 0:41:32 | 0:41:35 | |
a charity of their choice, so without further ado let's find out | 0:41:35 | 0:41:39 | |
who is today's Put Your Money Where Your Mouth Is champion. | 0:41:39 | 0:41:42 | |
FRENCH ACCENT: Jonty, bonjour. | 0:41:42 | 0:41:44 | |
-Catherine, how are you? -Very well, thank you. | 0:41:44 | 0:41:47 | |
-FRENCH ACCENT: -How was Paris for you? | 0:41:47 | 0:41:48 | |
I had a good time, but I don't know that I bought particularly well. | 0:41:48 | 0:41:52 | |
I found it quite hard to barter in French. | 0:41:52 | 0:41:56 | |
And also, I thought the prices were pretty high, weren't they? | 0:41:56 | 0:41:59 | |
It's always tough. | 0:41:59 | 0:42:00 | |
Now, I did call them firewood in the Paris market but I actually | 0:42:00 | 0:42:04 | |
quite liked those biscuit moulds, how'd you get on with those? | 0:42:04 | 0:42:07 | |
Oh, they were good, actually. They were beautiful. | 0:42:07 | 0:42:09 | |
I was saved, I have to say, by my glass, my mirror | 0:42:09 | 0:42:12 | |
and my glass vase. | 0:42:12 | 0:42:14 | |
-Oh, right?! -I did OK with those, so... | 0:42:14 | 0:42:16 | |
Oh, well, well done, you. | 0:42:16 | 0:42:17 | |
I've got a horrible feeling about this one. | 0:42:17 | 0:42:20 | |
I think you are going to have thrashed me. | 0:42:20 | 0:42:22 | |
You've got something up your sleeve, haven't you? | 0:42:22 | 0:42:25 | |
-Believe me, I have nothing up my sleeve! -Shall we see? | 0:42:25 | 0:42:28 | |
Un... | 0:42:28 | 0:42:29 | |
-Deux... -Trois... | 0:42:29 | 0:42:31 | |
Ohhh, Jonty! | 0:42:31 | 0:42:33 | |
That's not TOO bad. | 0:42:33 | 0:42:36 | |
That's not too good either. Come on. | 0:42:36 | 0:42:38 | |
Let's go and celebrate your success. | 0:42:39 | 0:42:41 | |
Ah...poor Catherine. | 0:42:41 | 0:42:43 | |
To compound her misery the shoeshine box did her no favours in the end. | 0:42:43 | 0:42:47 | |
She sold it for just £20 making the only loss of the day at £5.45. | 0:42:47 | 0:42:52 | |
The Parisian market was a great place to buy | 0:42:53 | 0:42:55 | |
and I had lots of fun making those sales. | 0:42:55 | 0:42:59 | |
So all in all I'm relieved but also very pleased I did so well. | 0:42:59 | 0:43:04 | |
Well, Jonty did extremely well at the foreign market and I had no chance. | 0:43:04 | 0:43:10 | |
Tres bien, Jonty. Tres bien. | 0:43:11 | 0:43:13 | |
It wasn't to be for our Cunning lass, | 0:43:13 | 0:43:16 | |
but there's always tomorrow for Catherine to regain her stripes. | 0:43:16 | 0:43:19 | |
Or will The Hitman knock the spots off her at a car boot sale in Essex. | 0:43:19 | 0:43:24 | |
I think I need to wear this to protect myself from Catherine. | 0:43:24 | 0:43:28 | |
Subtitles by Red Bee Media Ltd | 0:43:45 | 0:43:48 |