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Yeah! | 0:00:00 | 0:00:01 | |
This is Put Your Money Where Your Mouth Is. | 0:00:01 | 0:00:04 | |
The show that pitches TV's best loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profit. | 0:00:07 | 0:00:10 | |
I'm a double your money girl. | 0:00:10 | 0:00:13 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
You've got to be in it to win it. | 0:00:16 | 0:00:18 | |
Each week, one pair of duelling dealers | 0:00:18 | 0:00:20 | |
will face a different daily challenge. | 0:00:20 | 0:00:23 | |
-Lovely! -We've got some work to do. Let's go. | 0:00:23 | 0:00:26 | |
Putting their own money | 0:00:26 | 0:00:28 | |
and their hard-earned reputations on the line, | 0:00:28 | 0:00:31 | |
as they see who can make the most money from buying and selling. | 0:00:31 | 0:00:36 | |
-Get in! -LAUGHS EVILLY | 0:00:36 | 0:00:38 | |
Today's battle pitches the First Lady Of The Barter, | 0:00:38 | 0:00:42 | |
Catherine Southon, against antiques super-smoothie Jonty Hearnden | 0:00:42 | 0:00:46 | |
in some of the worst weather in the Put Your Money history. | 0:00:46 | 0:00:50 | |
Coming up handsome Mr Hearnden gets a hefty knock-back. | 0:00:50 | 0:00:54 | |
You know you love me. | 0:00:54 | 0:00:55 | |
-No, I don't. -You don't love me? | 0:00:55 | 0:00:58 | |
Courageous Catherine faces up to this formidable fellow. | 0:00:58 | 0:01:02 | |
Can we please do 25? | 0:01:02 | 0:01:03 | |
We can do 28, and that's the best it can be. | 0:01:03 | 0:01:06 | |
And that's only cos you've got all your own teeth. | 0:01:06 | 0:01:08 | |
And Jonty throws down some shapes on a bowling green. | 0:01:08 | 0:01:13 | |
This is Put Your Money Where Your Mouth Is. | 0:01:13 | 0:01:15 | |
Batten down the hatches, people. There is a storm coming in. | 0:01:29 | 0:01:32 | |
The heavens have opened. | 0:01:32 | 0:01:34 | |
The Earth will tremble as fiendish furniture fancier | 0:01:34 | 0:01:38 | |
Jonty "the Hitman" Hearnden takes on Queen of Cunning, | 0:01:38 | 0:01:41 | |
Catherine Southon, in an elemental battle of wits and skill. | 0:01:41 | 0:01:46 | |
Hard-nosed dealers, we're out here for the bargains. | 0:01:46 | 0:01:49 | |
Today, these brave warriors must endure | 0:01:49 | 0:01:51 | |
the worst weather conditions nature can hurl at them. | 0:01:51 | 0:01:55 | |
An extra endurance test in an already crippling contest. | 0:01:55 | 0:01:59 | |
They're at the Swinderby antiques fair in Lincolnshire, | 0:01:59 | 0:02:04 | |
where there's 600 stalls to rifle for rarities. | 0:02:04 | 0:02:07 | |
25 and then I'll run away and you'll never see me again. | 0:02:07 | 0:02:09 | |
And they must be canny with their cash. | 0:02:09 | 0:02:12 | |
They've each got £750 to spend | 0:02:12 | 0:02:15 | |
and all the profit goes to their chosen charities. | 0:02:15 | 0:02:18 | |
Jonty Hearnden, Catherine Southon, | 0:02:18 | 0:02:21 | |
it's time to put your money where your mouth is. | 0:02:21 | 0:02:24 | |
Have you been here before? | 0:02:24 | 0:02:26 | |
No, never been here before. | 0:02:26 | 0:02:28 | |
But I think there's bargains to be had. I can feel it in my bones. | 0:02:28 | 0:02:32 | |
You reckon? Well, it's a pretty dank, cold day. | 0:02:32 | 0:02:34 | |
You've got that worrying glint in your eye, Jonty. | 0:02:34 | 0:02:37 | |
-You going to have a good day? -I'm going to have a great day. | 0:02:37 | 0:02:40 | |
-I've got a list in my pocket of all that I need to buy. -Really? | 0:02:40 | 0:02:44 | |
-You should be slightly worried. -What sort of thing are you going to buy, then? | 0:02:44 | 0:02:47 | |
I shall surprise you with some very good antiques. | 0:02:47 | 0:02:50 | |
My surprise is I have no idea what I'm going to buy, at all. | 0:02:50 | 0:02:54 | |
-Have a great day. -And you. Good luck. | 0:02:54 | 0:02:57 | |
And so, battle begins. | 0:02:58 | 0:03:01 | |
But with freezing temperatures and constant drizzle, | 0:03:01 | 0:03:04 | |
our daring dealers are soon drenched and freezing. | 0:03:04 | 0:03:07 | |
# You're as cold as ice... # | 0:03:07 | 0:03:09 | |
But, that won't hold back the Hitman. | 0:03:09 | 0:03:12 | |
In fact, our veteran brawler reckons it goes in his favour. | 0:03:12 | 0:03:16 | |
The weather conditions out here are really awful. | 0:03:16 | 0:03:19 | |
I just wonder how Catherine's getting along, | 0:03:19 | 0:03:21 | |
because she's an auctioneer. | 0:03:21 | 0:03:24 | |
And auctioneering is an indoor business. | 0:03:24 | 0:03:26 | |
But, us hard-nosed dealers, we're out here for the bargains. | 0:03:26 | 0:03:31 | |
Well, don't go doubting the Queen of Cunning, Jonty, | 0:03:31 | 0:03:34 | |
because she's already got one over on you. | 0:03:34 | 0:03:36 | |
Of course, I told Jonty that I had a list in my pocket | 0:03:36 | 0:03:40 | |
full of the items I was going to buy for people today. | 0:03:40 | 0:03:44 | |
I told a little porky. | 0:03:44 | 0:03:46 | |
I haven't actually got a clue what I'm going to buy today. | 0:03:46 | 0:03:49 | |
So it will be a complete challenge. | 0:03:49 | 0:03:52 | |
That's the spirit, Catherine! | 0:03:52 | 0:03:54 | |
Now, the weather's getting worse by the second. | 0:03:54 | 0:03:57 | |
And it's Jonty who's first into the fray, | 0:03:57 | 0:03:59 | |
straight in there with a classic Hitman haggle. | 0:03:59 | 0:04:03 | |
And the garden set? 130? | 0:04:03 | 0:04:06 | |
Will you do a ton? | 0:04:06 | 0:04:07 | |
-110. -Because it's the wrong time of year to sell this sort of thing. | 0:04:07 | 0:04:11 | |
Not to me, it's not, Jonty, I sell it all year. | 0:04:11 | 0:04:14 | |
Give me a ton and I'll buy it from you. | 0:04:14 | 0:04:16 | |
Oh, come on then. | 0:04:17 | 0:04:19 | |
-Is that all right? -Fine. -Thank you, my darling. | 0:04:19 | 0:04:21 | |
So, these are essentially 19th century in style, | 0:04:21 | 0:04:24 | |
because originally they'd have been cast iron, wouldn't they? | 0:04:24 | 0:04:27 | |
Yes, but if I was to try and lift one in cast iron, I'd struggle. | 0:04:27 | 0:04:32 | |
-I've got some money here for you. -Thank you very much. | 0:04:32 | 0:04:34 | |
I'll pick these up later, so thank you very much indeed. Brilliant. | 0:04:34 | 0:04:38 | |
Now, it's a cold, dank, winter's day. | 0:04:38 | 0:04:42 | |
The last thing I really wanted to buy was an outdoor garden table | 0:04:42 | 0:04:47 | |
and a set of four chairs, but, I simply bought it because, | 0:04:47 | 0:04:52 | |
at £100, it's worth every single penny of £100. | 0:04:52 | 0:04:55 | |
And I know I'll be able to turn that into a profit. | 0:04:55 | 0:04:58 | |
Jonty takes his first step on the ladder of lucre, | 0:04:58 | 0:05:02 | |
but Catherine can't even get a leg up. | 0:05:02 | 0:05:04 | |
I saw a ship's copper lantern earlier on and I thought, no, | 0:05:04 | 0:05:07 | |
I'll give it a little thought. | 0:05:07 | 0:05:11 | |
So I went away. I've now come back to buy it, and it's gone. | 0:05:11 | 0:05:16 | |
So, my tip is, strike while the iron's hot. | 0:05:16 | 0:05:19 | |
If you see it and you like it, buy it. | 0:05:19 | 0:05:22 | |
Well, that's a disappointment, but it's early days, | 0:05:22 | 0:05:24 | |
and while Catherine's down, she's far from out. | 0:05:24 | 0:05:28 | |
Stung by her error, she redoubles her focus | 0:05:28 | 0:05:31 | |
and soon spots a tool to add to her bargain belt. | 0:05:31 | 0:05:34 | |
Can I just ask you the price of your plane? | 0:05:34 | 0:05:36 | |
I know what's on it, but what could you do on that? | 0:05:36 | 0:05:39 | |
The best I could do on that would be 25. | 0:05:39 | 0:05:43 | |
But I would be looking more in the region of about 10, 15. | 0:05:43 | 0:05:49 | |
I could do 15 on it, but it is a particularly nice example. | 0:05:49 | 0:05:53 | |
It's very nicely prepared. | 0:05:53 | 0:05:56 | |
I love the way that you're dusting that there. | 0:05:56 | 0:05:59 | |
Trying to get the rain off it! | 0:05:59 | 0:06:02 | |
You can see where the carpenter's used it. It's a nicely used thing. | 0:06:02 | 0:06:08 | |
-It is nice. What's the maker's name on it? -Marple and Sons. | 0:06:08 | 0:06:11 | |
It has got a bit of a split there. | 0:06:11 | 0:06:15 | |
That's original patina, over the years. | 0:06:15 | 0:06:17 | |
I wouldn't want to pay any more than 10, to be honest. | 0:06:17 | 0:06:20 | |
If we could do a deal now on 10... | 0:06:20 | 0:06:22 | |
I'm going to be brave and I'm going to go for 10 on that. | 0:06:22 | 0:06:25 | |
And, after some bold bartering, | 0:06:25 | 0:06:26 | |
the plane ensures a smooth take-off for our antiques angel. | 0:06:26 | 0:06:29 | |
I think that this should make about £30-£40 profit on it. | 0:06:29 | 0:06:33 | |
It is a nice little piece in good, honest condition. | 0:06:33 | 0:06:37 | |
Hmmm! That cheeky wink says it all! | 0:06:37 | 0:06:40 | |
But even Catherine can't keep this good man down. | 0:06:40 | 0:06:42 | |
Jonty the juggernaut keeps on rolling. | 0:06:42 | 0:06:45 | |
Do you think they're old? | 0:06:45 | 0:06:46 | |
Yeah, they're old. That's the original box. | 0:06:46 | 0:06:50 | |
-That's the original box, is it? Yes. So, what's the best on this? -25. -25. | 0:06:50 | 0:06:57 | |
-I'll give you 20. I'll buy them for 20, now. -Yeah, go on, then, go on. | 0:06:57 | 0:07:01 | |
Yeah? You happy? Thank you very much indeed. | 0:07:01 | 0:07:04 | |
So, it's a fiver each. And the box is free? | 0:07:04 | 0:07:08 | |
You got a bargain. | 0:07:08 | 0:07:09 | |
JONTY LAUGHS | 0:07:09 | 0:07:10 | |
Jonty Hearnden a one-man haggling hit squad. | 0:07:10 | 0:07:14 | |
Is this a man or a machine? | 0:07:14 | 0:07:17 | |
A smooth, calm exterior, | 0:07:17 | 0:07:20 | |
but calculating and relentless on the inside. | 0:07:20 | 0:07:23 | |
And he's thirsty for fuel. Anything that would pick up a profit. | 0:07:23 | 0:07:27 | |
There's always a market for old-fashioned skiing equipment. | 0:07:29 | 0:07:32 | |
So, if you're a travel agent, what do you want hanging on your wall? | 0:07:32 | 0:07:35 | |
Not a brand-new pair of skis, | 0:07:35 | 0:07:38 | |
but an old-fashioned wooden pair of skis. | 0:07:38 | 0:07:41 | |
Those skis we were just looking at there fall between two stools, | 0:07:41 | 0:07:44 | |
not quite right. | 0:07:44 | 0:07:46 | |
But, if I found a wooden pair, they would do for me. | 0:07:46 | 0:07:50 | |
As the Hitman gets his skates on, | 0:07:50 | 0:07:52 | |
cunning Catherine moves in on a stall where she spots an inkwell. | 0:07:52 | 0:07:56 | |
It is a nice shape, isn't it? It's got a nice cut at the bottom. | 0:07:56 | 0:08:01 | |
It's 1913, is it? 1912? | 0:08:01 | 0:08:04 | |
I like it because it's not too bulky and it's quite elegant | 0:08:06 | 0:08:09 | |
but I still don't like the price. | 0:08:09 | 0:08:11 | |
The trader has already dropped to the lowest price | 0:08:11 | 0:08:13 | |
she will accept, £28, and she means what she says. | 0:08:13 | 0:08:17 | |
So, how many times will cunning Catherine push her luck? | 0:08:17 | 0:08:21 | |
I'd really like it for £20. | 0:08:21 | 0:08:23 | |
28, that's it. | 0:08:23 | 0:08:25 | |
-Can we just split it in the middle? -I already did a little bit. | 0:08:25 | 0:08:29 | |
25 and that's it. | 0:08:29 | 0:08:31 | |
Sorry, no, 28. | 0:08:31 | 0:08:32 | |
I'd be very happy at 25. | 0:08:32 | 0:08:36 | |
SHE MOUTHS | 0:08:36 | 0:08:38 | |
Oh, go on. | 0:08:38 | 0:08:40 | |
I promise, 25, and then I'll run away and you'll never see me again. | 0:08:40 | 0:08:44 | |
-Seven, lucky for some. -No, really, I really can't. | 0:08:44 | 0:08:47 | |
25, my final offer, and then I'll walk away. | 0:08:47 | 0:08:50 | |
No, no, no. | 0:08:50 | 0:08:52 | |
Please don't say no to me! I'll smile, sweetly. | 0:08:52 | 0:08:56 | |
Honestly, 28, that's it. | 0:08:56 | 0:08:58 | |
Oh go on, please, 25? | 0:08:58 | 0:08:59 | |
Oop! Into double figures. | 0:08:59 | 0:09:02 | |
-Oh, come on, 25. What's three pounds between friends? -Exactly! | 0:09:04 | 0:09:08 | |
And I'll buy you a cup of tea. | 0:09:08 | 0:09:12 | |
Go on, then. £28. | 0:09:12 | 0:09:14 | |
After 13 unlucky attempts, Catherine | 0:09:14 | 0:09:17 | |
accepts she's met her match, | 0:09:17 | 0:09:18 | |
but she knows she's on to a good thing. | 0:09:18 | 0:09:22 | |
This is a very charming little inkwell. | 0:09:22 | 0:09:25 | |
Solid silver cap there. | 0:09:25 | 0:09:28 | |
I love this paperweight-type base to this, | 0:09:28 | 0:09:31 | |
nice glass with a lovely cut underneath, | 0:09:31 | 0:09:35 | |
and I can see that there's a nice, chunky profit in this. | 0:09:35 | 0:09:39 | |
And that's what this game is all about cold, hard profit. | 0:09:39 | 0:09:43 | |
Catherine knows what she's doing but the Hitman's no fool, either, | 0:09:43 | 0:09:47 | |
He's spotted some very special spoons. | 0:09:47 | 0:09:49 | |
What's the best on those? | 0:09:49 | 0:09:51 | |
Er, 45 is the best. | 0:09:51 | 0:09:54 | |
I'll do 40 on those, but not 45. Are you happy about those? 40 on those? | 0:09:54 | 0:09:59 | |
No messing about. The Hitman's in the house. | 0:09:59 | 0:10:02 | |
But cunning Catherine won't be put off. | 0:10:02 | 0:10:05 | |
She's found a giant bottle of brandy. | 0:10:05 | 0:10:08 | |
How much can you do on that? | 0:10:08 | 0:10:10 | |
I'm asking 45. I could maybe go to 35. | 0:10:10 | 0:10:16 | |
Oh, no! | 0:10:16 | 0:10:17 | |
My final, final offer would be £28. | 0:10:19 | 0:10:23 | |
-28? -The lady asks her husband. | 0:10:24 | 0:10:27 | |
Time for to Catherine to unleash The Schmooze. | 0:10:27 | 0:10:31 | |
The Schmooze? Schmoozing! I like that. | 0:10:31 | 0:10:35 | |
How long do you want to schmooze for? | 0:10:35 | 0:10:37 | |
As long as it takes to go down and down and down and down. | 0:10:37 | 0:10:41 | |
Go on, take your £28. | 0:10:41 | 0:10:44 | |
Hang on, she's at it again. | 0:10:44 | 0:10:47 | |
-28. -We were schmoozing, a minute ago. -I know. | 0:10:47 | 0:10:49 | |
And you said we could schmooze for as long as we wanted. | 0:10:49 | 0:10:52 | |
Yeah, but the price goes up, if you schmooze too long. | 0:10:52 | 0:10:55 | |
Can we do 25? | 0:10:55 | 0:10:56 | |
We can do 28, and that's the best it can be. | 0:10:56 | 0:10:59 | |
And that's only because you've got all your own teeth. | 0:10:59 | 0:11:01 | |
I have, as well! | 0:11:01 | 0:11:03 | |
I haven't! | 0:11:03 | 0:11:04 | |
-Honestly, £28. That's the best it can be. -Go on, then. | 0:11:04 | 0:11:08 | |
-Go on, then. -25? -28. -28. | 0:11:08 | 0:11:12 | |
Shameless, Miss Southon, shameless! | 0:11:12 | 0:11:14 | |
We're almost at the halfway point in our elemental challenge, | 0:11:14 | 0:11:19 | |
but which of our wet warhorses | 0:11:19 | 0:11:20 | |
is getting bogged down by the bad weather? | 0:11:20 | 0:11:23 | |
-You're looking a little cold. -I'm blue. | 0:11:23 | 0:11:26 | |
I'm blue, right down to my toes. Absolutely frozen. | 0:11:26 | 0:11:30 | |
It's a wee bit chilly. How you doing? | 0:11:30 | 0:11:32 | |
All right. Not too bad. | 0:11:32 | 0:11:35 | |
I've got a couple of items under my belt that I'm quite happy with, ish, | 0:11:35 | 0:11:39 | |
not giving too much away. What about you? | 0:11:39 | 0:11:43 | |
I haven't bought enough stuff. I'm not a happy bunny, yet. | 0:11:43 | 0:11:47 | |
Excellent! | 0:11:47 | 0:11:48 | |
We've got a lot more work to do. | 0:11:48 | 0:11:49 | |
Everyone's packing up, which is slightly disconcerting. | 0:11:49 | 0:11:52 | |
The weather is so inclement that's exactly what people are going to do. | 0:11:52 | 0:11:55 | |
I think they're just going to go home early, | 0:11:55 | 0:11:57 | |
which means I have some more work to do. | 0:11:57 | 0:12:00 | |
Don't work too hard, now, Jonty, will you? | 0:12:00 | 0:12:03 | |
Another wink. Brazen! | 0:12:03 | 0:12:06 | |
As our two maestros of the market continue their trawl, | 0:12:06 | 0:12:09 | |
let's see how their items are stacking up. | 0:12:09 | 0:12:12 | |
They both hit the stalls with £750 of their own money to spend. | 0:12:12 | 0:12:17 | |
After an early blow, cunning Catherine has made | 0:12:17 | 0:12:20 | |
three purchases for £66, meaning she still has a whopping £684 left. | 0:12:20 | 0:12:26 | |
Jonty the Hitman is pacing himself. | 0:12:26 | 0:12:29 | |
He's also bought three items, but spent £160. | 0:12:29 | 0:12:32 | |
His kitty still has £590 remaining. | 0:12:32 | 0:12:36 | |
Our daring duo still have plenty of cash to spend, as they slosh | 0:12:36 | 0:12:40 | |
their way through these terrible weather conditions, | 0:12:40 | 0:12:43 | |
in dogged pursuit of the purchases | 0:12:43 | 0:12:46 | |
that will give them one up on their opponent. | 0:12:46 | 0:12:48 | |
Cunning Catherine is steering her way through the rain | 0:12:48 | 0:12:52 | |
towards a pair of ships' wheels. | 0:12:52 | 0:12:54 | |
Somebody I know has got a bar | 0:12:54 | 0:12:55 | |
and he wants to do it all up with a nautical theme. | 0:12:55 | 0:12:59 | |
Now, these caught my eye. I wouldn't say they've got great age to them. | 0:12:59 | 0:13:02 | |
They're certainly not late 19th-century. | 0:13:02 | 0:13:05 | |
They're just more for fun, for decoration. | 0:13:05 | 0:13:08 | |
Nice, brass central hub to them. | 0:13:08 | 0:13:11 | |
I'm going to see how much they are. | 0:13:11 | 0:13:13 | |
And our soggy street-fighter steps into the ring. | 0:13:13 | 0:13:17 | |
Ladies and gentlemen, welcome to a bruising bout of haggling. | 0:13:17 | 0:13:20 | |
In the wet, grey coat and pashmina, our challenger, | 0:13:20 | 0:13:24 | |
Cunning Catherine Southon. | 0:13:24 | 0:13:26 | |
And, in the warm, dry sheepskin, the defender. | 0:13:26 | 0:13:29 | |
It's Hardened Hat Man. Get ready for a rumble. | 0:13:29 | 0:13:33 | |
But who will be worn down first? | 0:13:33 | 0:13:35 | |
BOXING BELL SOUNDS | 0:13:35 | 0:13:36 | |
£10? | 0:13:36 | 0:13:37 | |
-They're getting wet. You don't want them to get wetter. -£20. | 0:13:37 | 0:13:41 | |
Come on, £10. | 0:13:41 | 0:13:42 | |
There's some early dancing around. | 0:13:42 | 0:13:45 | |
There's nothing to them! | 0:13:45 | 0:13:46 | |
Oh, a low blow! | 0:13:46 | 0:13:48 | |
Come on, £10. | 0:13:48 | 0:13:50 | |
He's got her there. | 0:13:50 | 0:13:52 | |
Can't do it for 10, honestly. | 0:13:52 | 0:13:54 | |
They're only a bit of decoration, aren't they? | 0:13:54 | 0:13:56 | |
I've got to feed the kids. | 0:13:56 | 0:13:57 | |
Hat Man jabs with a sob story. | 0:13:57 | 0:13:59 | |
Split the difference. £12. And we're done. | 0:13:59 | 0:14:02 | |
We started at 25. Come on! | 0:14:02 | 0:14:04 | |
Our hardened fighter's pleading. | 0:14:04 | 0:14:06 | |
Look at me, dripping wet here! | 0:14:06 | 0:14:08 | |
And the weather proves to be Catherine's knockout blow. | 0:14:08 | 0:14:12 | |
£15, and I'll give you a pound back for luck. | 0:14:12 | 0:14:14 | |
-You will give me a what? -£1 back for luck. | 0:14:14 | 0:14:16 | |
Pound back for luck, so £14? | 0:14:16 | 0:14:18 | |
-All right! -You drive a hard bargain. | 0:14:18 | 0:14:20 | |
BELL RINGS | 0:14:20 | 0:14:21 | |
Our challenger took some mighty punches | 0:14:21 | 0:14:23 | |
but, at £14, she's got her opponent on the ropes. | 0:14:23 | 0:14:26 | |
Let's hope that pound is lucky. | 0:14:26 | 0:14:28 | |
Now, elsewhere, the Hitman's dancing around the canvas | 0:14:28 | 0:14:32 | |
like an antiques Muhammad Ali. | 0:14:32 | 0:14:34 | |
And he's just found a pair of wait for it wooden skis. | 0:14:34 | 0:14:39 | |
Tell me about these. | 0:14:39 | 0:14:41 | |
These, um, are German. Probably '60s. | 0:14:41 | 0:14:46 | |
So, the bindings here are the giveaway for age, essentially. | 0:14:46 | 0:14:51 | |
They're decorative. I've always got customers | 0:14:51 | 0:14:53 | |
that are looking for something a wee bit different. | 0:14:53 | 0:14:56 | |
You're going to have to tempt me with a really good price. | 0:14:56 | 0:14:59 | |
-A really, really good price would be £25. -25 quid. | 0:14:59 | 0:15:03 | |
Hmm. That's not a really, really good price, is it? | 0:15:03 | 0:15:06 | |
It depends, whether it's to you or me! | 0:15:06 | 0:15:09 | |
I'm a little bit concerned about the damage, I have to say. | 0:15:09 | 0:15:12 | |
But 25 quid is not what I was looking for. | 0:15:12 | 0:15:15 | |
I would take them at 15 quid. | 0:15:15 | 0:15:17 | |
For 15? That's a little bit low for me. How about 20? | 0:15:17 | 0:15:20 | |
17.50, I'll take them. | 0:15:20 | 0:15:22 | |
I don't do 50 pences. Make it 18. | 0:15:22 | 0:15:25 | |
I'll take them off you for £18. | 0:15:25 | 0:15:27 | |
Yes, a tough haggle | 0:15:27 | 0:15:29 | |
but our relentless racer negotiates the slalom well | 0:15:29 | 0:15:32 | |
and Miss Southon follows in his tracks. | 0:15:32 | 0:15:34 | |
Sticking with her nautical theme | 0:15:34 | 0:15:36 | |
she's snapped up an array of maritime antiques. | 0:15:36 | 0:15:39 | |
The thing that really caught my eye was this half block model | 0:15:39 | 0:15:43 | |
which I actually think is quite nice. | 0:15:43 | 0:15:45 | |
It's made from pine. | 0:15:45 | 0:15:47 | |
It's built up in what we call a bread and butter style, | 0:15:47 | 0:15:51 | |
so we've got three different strips of pine on top of one another. | 0:15:51 | 0:15:56 | |
These little details, these little scrolls have been repainted | 0:15:56 | 0:15:59 | |
and touched up, but I'm not too bothered about that. | 0:15:59 | 0:16:03 | |
These little beauties, throwing lines, they speak for themselves, | 0:16:03 | 0:16:07 | |
and I think they work quite well with the nautical idea. | 0:16:07 | 0:16:11 | |
Little miniature bulkhead clock, a pair of row locks, | 0:16:11 | 0:16:14 | |
brass lamp, couple of other bits and pieces here, | 0:16:14 | 0:16:18 | |
I paid £240 for these. | 0:16:18 | 0:16:20 | |
I just really hope that the person that I've got in mind for these | 0:16:20 | 0:16:25 | |
will buy them, because otherwise I am in serious, serious trouble. | 0:16:25 | 0:16:31 | |
An expensive purchase and potentially a massive risk. | 0:16:31 | 0:16:34 | |
But, to counter that with a safer bet, our lady must work fast, | 0:16:34 | 0:16:38 | |
as more traders are packing up early to escape the rain. | 0:16:38 | 0:16:42 | |
This is now really, really worrying. | 0:16:42 | 0:16:45 | |
There's nothing left! | 0:16:45 | 0:16:48 | |
So many of the stalls have just packed up and gone. | 0:16:48 | 0:16:51 | |
In fact, it's not worrying. It's desperate. | 0:16:51 | 0:16:54 | |
MUSIC: "Holding Out For A Hero" by Bonnie Tyler. | 0:16:54 | 0:16:56 | |
And as the traders take flight, it's clear that there's only | 0:16:56 | 0:16:59 | |
two hotshots who can hack this weather, our Put Your Money dealers. | 0:16:59 | 0:17:03 | |
# I need a hero! | 0:17:03 | 0:17:05 | |
# I'm holding out for a hero till the end of the night | 0:17:05 | 0:17:09 | |
# He's got to be strong and he's got to be fast | 0:17:09 | 0:17:13 | |
# and he's got to be fresh from the fight... # | 0:17:13 | 0:17:16 | |
As the rain pelts down, our hardened hitman strikes again. | 0:17:16 | 0:17:20 | |
He buys a 1930s Shelley jug for just £5. | 0:17:20 | 0:17:24 | |
Cunning Catherine continues the hunt | 0:17:24 | 0:17:27 | |
for anything that will give her bang for her buck. | 0:17:27 | 0:17:29 | |
But once again, Jonty's locked on target. | 0:17:29 | 0:17:32 | |
Under the shelter of a windswept gazebo, | 0:17:32 | 0:17:35 | |
he comes across an electro-plated silver tea set. | 0:17:35 | 0:17:38 | |
I'm a desperate man. | 0:17:38 | 0:17:40 | |
There's nobody left! | 0:17:40 | 0:17:42 | |
I'm the only one! | 0:17:42 | 0:17:44 | |
-Absolutely. I've got money burning a hole in my pocket. -£90. | 0:17:44 | 0:17:48 | |
I'd like to do it for 85. | 0:17:48 | 0:17:50 | |
Come on, Jonty! Where's that famous charm? | 0:17:50 | 0:17:53 | |
-You know you love me. -Well, no, I don't. | 0:17:53 | 0:17:56 | |
You don't love me? | 0:17:56 | 0:17:57 | |
Well, maybe not. | 0:17:57 | 0:17:58 | |
You don't come and see me often enough any more. | 0:17:58 | 0:18:00 | |
He wants to take 85 for it. | 0:18:02 | 0:18:04 | |
OK, that's it, that'll do. | 0:18:04 | 0:18:06 | |
Yeah? 85 for the set. | 0:18:06 | 0:18:08 | |
The Hitman was trying to charm the wrong person | 0:18:08 | 0:18:11 | |
but he gets what he wants in the end. | 0:18:11 | 0:18:13 | |
The style is 18th-century. | 0:18:13 | 0:18:15 | |
I suppose, really, early 19th century. | 0:18:15 | 0:18:19 | |
And the styles never really went out of vogue. | 0:18:19 | 0:18:21 | |
But these coffee pots and teapots, and the set, well, | 0:18:21 | 0:18:25 | |
what age are they? No more than 1930s. | 0:18:25 | 0:18:28 | |
Well, if anyone can turn silver plate into gold, it's our Jonty. | 0:18:28 | 0:18:33 | |
Time's almost up now, but can the Hitman pinpoint one last find? | 0:18:33 | 0:18:37 | |
I've looked in the last two remaining stalls and, | 0:18:37 | 0:18:40 | |
as you can see, there's a vast space where everyone's literally left. | 0:18:40 | 0:18:45 | |
There are no more bargains to be had, | 0:18:45 | 0:18:47 | |
and anyone that's still remaining here is packing their goods away. | 0:18:47 | 0:18:51 | |
So, for me, it's time to raise my white flag for the day. | 0:18:51 | 0:18:54 | |
Hmmm. Jonty goes off in search of a towel and a hot toddy. | 0:18:56 | 0:18:59 | |
But our cunning Cat is still combing one of those last remaining stalls. | 0:18:59 | 0:19:04 | |
What do you think they are? Probably little ink bottles. | 0:19:04 | 0:19:07 | |
It's more for scent, isn't it? Might be scent, actually. | 0:19:07 | 0:19:11 | |
Definitely late 19th-century, with the sort of purple bottle. | 0:19:11 | 0:19:16 | |
I quite like those. That's too much at 80. | 0:19:16 | 0:19:19 | |
I paid 70 for them. Which is probably is too much. | 0:19:19 | 0:19:22 | |
It probably is too much. | 0:19:22 | 0:19:23 | |
Give me my money back and you can have it. | 0:19:23 | 0:19:25 | |
Oh, I don't know. I'm thinking. | 0:19:25 | 0:19:28 | |
I'll give you 60. £60. | 0:19:28 | 0:19:31 | |
Go on, then I'll get out of it. | 0:19:31 | 0:19:33 | |
Final offer, 60, OK. | 0:19:33 | 0:19:36 | |
-Put it there. -Thanks. | 0:19:36 | 0:19:38 | |
She may be drenched and freezing but Catherine never gives up the fight, | 0:19:38 | 0:19:42 | |
and the trader gets to unload an extra item | 0:19:42 | 0:19:44 | |
right at the end of a dismal day. | 0:19:44 | 0:19:47 | |
I couldn't resist that. | 0:19:47 | 0:19:49 | |
I thought I was actually done for the day, | 0:19:49 | 0:19:51 | |
but that is such a sweet little thing and it's got Me written all over it. | 0:19:51 | 0:19:55 | |
Which is probably a bad mistake | 0:19:55 | 0:19:57 | |
because that means I'm buying with my heart, not my head. | 0:19:57 | 0:20:00 | |
Well, don't rule out that gut instinct, Catherine. | 0:20:00 | 0:20:02 | |
It's a powerful tool. | 0:20:02 | 0:20:04 | |
And with that our buying bonanza comes to a close. | 0:20:04 | 0:20:07 | |
Our drenched dualists both started the day | 0:20:07 | 0:20:12 | |
with £750 in cold, hard cash. | 0:20:12 | 0:20:15 | |
Cunning Catherine Southon played hardball | 0:20:15 | 0:20:18 | |
and made six purchases for £380. | 0:20:18 | 0:20:22 | |
Jonty "The Hitman" Hearnden | 0:20:22 | 0:20:23 | |
charmed his way around this freezing market also picking up six items | 0:20:23 | 0:20:27 | |
but spending way less, just £268. | 0:20:27 | 0:20:30 | |
So, our bargain busters retreat to the warmth of a nearby hotel | 0:20:30 | 0:20:34 | |
to compare their wares. | 0:20:34 | 0:20:37 | |
It was cold today, wasn't it? | 0:20:37 | 0:20:39 | |
It was the dampness that got to me, I have to say. | 0:20:39 | 0:20:42 | |
But what's inside this little leather case here? | 0:20:42 | 0:20:44 | |
This was my last purchase of the day. | 0:20:44 | 0:20:47 | |
Oh, wow. What did you pay for it? | 0:20:47 | 0:20:49 | |
I paid £60 for it, but I think it's lovely. | 0:20:49 | 0:20:52 | |
What do you think of my best buy here? | 0:20:52 | 0:20:55 | |
Beautiful. | 0:20:55 | 0:20:56 | |
If I'd have seen them I would have bought them. | 0:20:56 | 0:20:58 | |
I still had money to spend. | 0:20:58 | 0:21:00 | |
I was in a desperate state to purchase | 0:21:00 | 0:21:02 | |
so what do you think that might have been? | 0:21:02 | 0:21:04 | |
I think I'm staring right at your desperate purchases. | 0:21:04 | 0:21:08 | |
-My tea and coffee set? -Yes. -Absolutely. | 0:21:08 | 0:21:10 | |
It's the finest quality. | 0:21:10 | 0:21:13 | |
-EPNS. -Yes. -Yes. | 0:21:13 | 0:21:14 | |
And I've never, ever bought EPNS before. Electro-plated silver. | 0:21:14 | 0:21:18 | |
So how much did you pay for this, then, Jonty? | 0:21:18 | 0:21:21 | |
85 quid. It's a lot of money, isn't it? | 0:21:21 | 0:21:24 | |
But, it's a gamble. And we shall see. | 0:21:24 | 0:21:26 | |
More tea? | 0:21:26 | 0:21:27 | |
-Oh, there's no tea in there. -There's not much in there. | 0:21:27 | 0:21:30 | |
-I tell you, £85, there should be tea in there. -Get some more. | 0:21:30 | 0:21:33 | |
Our dynamic duo | 0:21:35 | 0:21:38 | |
have endured the elements and been tested to their limits | 0:21:38 | 0:21:41 | |
but still this battle rages on. | 0:21:41 | 0:21:43 | |
Catherine and Jonty must now take on the task of selling all their items. | 0:21:43 | 0:21:47 | |
They need to rake in the cash and bank bundles of profit. | 0:21:47 | 0:21:52 | |
A supreme sell-off like this requires rigorous research, | 0:21:52 | 0:21:55 | |
convincing conversations, | 0:21:55 | 0:21:57 | |
and miles and miles of motoring across our green and pleasant land. | 0:21:57 | 0:22:00 | |
But there can only be one victor, | 0:22:00 | 0:22:02 | |
the dealer who mounts up the most profit. | 0:22:02 | 0:22:06 | |
Braving the outdoors in oh-so-lovely Oxfordshire, sturdy Jonty | 0:22:06 | 0:22:11 | |
is sizing up his showstoppers and plans a brutal campaign. | 0:22:11 | 0:22:15 | |
I bought the table and chairs, I bought my jug, my Shelley jug, | 0:22:17 | 0:22:21 | |
my bowls and my set of skis, what a contrast. | 0:22:21 | 0:22:24 | |
Table and chairs, | 0:22:24 | 0:22:25 | |
I need to find the right buyer for that person most definitely, | 0:22:25 | 0:22:29 | |
because it's quite seasonal. | 0:22:29 | 0:22:32 | |
The jug that I bought here, Shelley jug, | 0:22:32 | 0:22:34 | |
I should be able to find Shelley collectors for that. | 0:22:34 | 0:22:37 | |
My bowls which are turned out of timber, they are lovely. | 0:22:37 | 0:22:41 | |
There are always buyers for that, and my set of skis, | 0:22:41 | 0:22:43 | |
I've sold skis like that before, similar ones, | 0:22:43 | 0:22:46 | |
but these ones are a little bit worn. | 0:22:46 | 0:22:48 | |
The Hitman also needs to find new homes | 0:22:48 | 0:22:51 | |
for his spoon set, | 0:22:51 | 0:22:52 | |
and the silver-plated tea set. | 0:22:52 | 0:22:54 | |
So I've got a bit of homework to do. | 0:22:54 | 0:22:56 | |
I need to find my buyers, and I need to find them quickly. | 0:22:56 | 0:22:59 | |
Indeed you do, sir, because over at Cunning HQ in Kent | 0:22:59 | 0:23:03 | |
Catherine is ready to join battle, | 0:23:03 | 0:23:06 | |
despite some mixed emotions about her items. | 0:23:06 | 0:23:08 | |
I love my cognac bottle here on this wonderful little swinging pourer, | 0:23:09 | 0:23:15 | |
I guess, but I've got a big problem with my nautical items. | 0:23:15 | 0:23:20 | |
I just went a bit mad on the whole nautical theme. | 0:23:20 | 0:23:23 | |
The half block model is a nice piece, | 0:23:23 | 0:23:26 | |
it's nicely made, it's good quality. | 0:23:26 | 0:23:28 | |
But, this clock doesn't really work. | 0:23:29 | 0:23:33 | |
This is cracked, these are pieces of rope. | 0:23:33 | 0:23:39 | |
And the lantern's only got two glass panels, | 0:23:39 | 0:23:43 | |
so overall not a brilliant selection. | 0:23:43 | 0:23:45 | |
Most importantly, our lady is still smiling. | 0:23:45 | 0:23:49 | |
Catherine's cunning ways will also be put to the test | 0:23:49 | 0:23:51 | |
with the glass inkwell, the perfume bottles, | 0:23:51 | 0:23:54 | |
the two wooden wheels and the plane. | 0:23:54 | 0:23:57 | |
There's no doubt | 0:23:57 | 0:23:58 | |
that both our monolithic maestros are going to face | 0:23:58 | 0:24:00 | |
some almighty challenges | 0:24:00 | 0:24:02 | |
as they hunt down their potential buyers. | 0:24:02 | 0:24:04 | |
And no matter how many meetings they set up, | 0:24:04 | 0:24:07 | |
they know that until they have shaken on it | 0:24:07 | 0:24:09 | |
and the money has changed hands, | 0:24:09 | 0:24:10 | |
no deal is sealed. | 0:24:10 | 0:24:13 | |
Jonty's been hard at work | 0:24:13 | 0:24:14 | |
lining up a buyer for his set of antique bowls, | 0:24:14 | 0:24:17 | |
but years of experience | 0:24:17 | 0:24:19 | |
have taught The Hitman that presentation is everything. | 0:24:19 | 0:24:23 | |
What I need to do is to really give them | 0:24:23 | 0:24:25 | |
a good dosing of natural beeswax polish. | 0:24:25 | 0:24:29 | |
Can you see the colour difference already? | 0:24:29 | 0:24:31 | |
This has got the wax polish on, and look how dry this side is. | 0:24:31 | 0:24:35 | |
It's the buff that counts, | 0:24:35 | 0:24:36 | |
not the amount of wax polish that you put on. | 0:24:36 | 0:24:38 | |
Mmm, sounds like a rule to live by, Jonty. | 0:24:38 | 0:24:41 | |
All of a sudden I can see my face in it. | 0:24:41 | 0:24:44 | |
Let's hope that intense bout of buffing will add some value | 0:24:44 | 0:24:48 | |
to the £20 Jonty paid for the bowls. | 0:24:48 | 0:24:50 | |
The Hitman has arranged to meet Nigel, | 0:24:50 | 0:24:52 | |
the indoor director of the Oxford City and County Bowls Club. | 0:24:52 | 0:24:57 | |
But, will his patter bowl over such a seasoned enthusiast? | 0:24:57 | 0:25:01 | |
-What I do know is that they're lignum vitae. -Correct. | 0:25:01 | 0:25:03 | |
And they actually have a date on them as well. | 0:25:03 | 0:25:05 | |
So they're around the 1950s. | 0:25:05 | 0:25:07 | |
But what I loved about them as well, they have the original box. | 0:25:07 | 0:25:10 | |
Basically these were made for outdoor play. | 0:25:10 | 0:25:13 | |
As a collectors item they're quite common, | 0:25:13 | 0:25:17 | |
but they're in nice condition, and not too bad for its age. | 0:25:17 | 0:25:20 | |
Are you interested enough to talk money here? | 0:25:20 | 0:25:22 | |
Yeah. | 0:25:22 | 0:25:24 | |
Well, I'm looking for £100 for my set. | 0:25:24 | 0:25:26 | |
I think you're aiming a bit high with 100, Jonty, myself. | 0:25:26 | 0:25:29 | |
If these were all... There is a bit of damage, | 0:25:29 | 0:25:33 | |
and as I said, these are really collectors items. | 0:25:33 | 0:25:35 | |
60. | 0:25:35 | 0:25:37 | |
No, I need a bit more than that. | 0:25:38 | 0:25:40 | |
I'm looking for 80, really. I'd do 80. | 0:25:40 | 0:25:43 | |
75 you've got a deal. | 0:25:45 | 0:25:46 | |
-Go on then. Let's shake on it. -75. -That's brilliant. | 0:25:48 | 0:25:51 | |
I suppose now I'm the proud owner | 0:25:51 | 0:25:53 | |
I'd better see if you can actually bowl one of these. | 0:25:53 | 0:25:56 | |
Oh, Nigel lays down the gauntlet. | 0:25:56 | 0:25:58 | |
The Hitman's already banked £55, | 0:25:58 | 0:26:01 | |
but he's not one | 0:26:01 | 0:26:02 | |
to back down from a challenge. | 0:26:02 | 0:26:04 | |
Even those socks say hardened warrior. | 0:26:04 | 0:26:07 | |
That's an awfully long way away. | 0:26:07 | 0:26:10 | |
A vision of sporting prowess, the Hitman gets a quick lesson. | 0:26:10 | 0:26:14 | |
The number always faces to the inside. | 0:26:14 | 0:26:16 | |
Yep. So that's... The weight pulls it round. | 0:26:16 | 0:26:19 | |
And then our giant of the green shows us how it's done. | 0:26:19 | 0:26:23 | |
Oh no! | 0:26:24 | 0:26:27 | |
# Great balls of fire. # | 0:26:27 | 0:26:28 | |
Or not. As the case may be. | 0:26:28 | 0:26:30 | |
That's terrible. | 0:26:31 | 0:26:32 | |
Oh dear. But our honed hero is not a man who gives up. | 0:26:33 | 0:26:36 | |
He practises... | 0:26:36 | 0:26:38 | |
makes some funny noises... | 0:26:38 | 0:26:40 | |
Arghh! | 0:26:40 | 0:26:41 | |
And then eventually... | 0:26:41 | 0:26:43 | |
Come on! | 0:26:43 | 0:26:45 | |
..this happens. | 0:26:45 | 0:26:46 | |
Look at that. Woo! | 0:26:46 | 0:26:48 | |
# Great balls of fire! # | 0:26:48 | 0:26:51 | |
Yes, Jonty might be right on target, but in Kent | 0:26:51 | 0:26:54 | |
Catherine is launching her campaign. | 0:26:54 | 0:26:56 | |
In a bold opening move | 0:26:56 | 0:26:58 | |
she is hoping to shift two of her items in one fell swoop. | 0:26:58 | 0:27:02 | |
I've come along to see a dealer that I know called Terry. | 0:27:02 | 0:27:06 | |
Now, he has expressed interest in my perfume bottles and inkwell. | 0:27:06 | 0:27:11 | |
He buys similar sort of things to what I'm interested in | 0:27:11 | 0:27:15 | |
so I'm hoping that he's going to be just as passionate as I am, | 0:27:15 | 0:27:19 | |
and he's going to love these and give me lots of money. | 0:27:19 | 0:27:23 | |
Catherine's playing catch up, so she needs to get cracking, | 0:27:23 | 0:27:26 | |
and get to work on Terry. | 0:27:26 | 0:27:28 | |
Good to see you. Thank you. | 0:27:28 | 0:27:29 | |
First of all... | 0:27:29 | 0:27:30 | |
Got a little inkwell there. | 0:27:32 | 0:27:34 | |
Beautiful, isn't it? | 0:27:34 | 0:27:35 | |
The quality of the underneath here, when you look at it, | 0:27:35 | 0:27:38 | |
which is very unusual. | 0:27:38 | 0:27:39 | |
It's not just flat, is it? | 0:27:39 | 0:27:40 | |
No, you've got that lovely sort of cut in there, and a little shell. | 0:27:40 | 0:27:45 | |
-I've got the perfect spot for that. -Have you? -Would it be for you? | 0:27:45 | 0:27:49 | |
It would. Definitely, definitely, yes. | 0:27:49 | 0:27:51 | |
That's a great start and Catherine presses on. | 0:27:51 | 0:27:54 | |
This is something I really hope you'll keep for yourself | 0:27:54 | 0:27:56 | |
because I think | 0:27:56 | 0:27:58 | |
-it's absolutely... -Oh, wow, look at that. -..lovely. | 0:27:58 | 0:28:00 | |
-A perfect little travelling thing. -Really nice. | 0:28:00 | 0:28:03 | |
Could be used for both sexes, I suppose. | 0:28:03 | 0:28:05 | |
The all-important question, how much is this going to cost me? | 0:28:05 | 0:28:07 | |
I would like 60 on that. | 0:28:07 | 0:28:10 | |
I think because of the design it's not just an ordinary inkwell, | 0:28:11 | 0:28:14 | |
I'm happy with that. | 0:28:14 | 0:28:16 | |
Are you? £60. | 0:28:16 | 0:28:17 | |
Mmm, could have got in higher there, Catherine. | 0:28:17 | 0:28:20 | |
Now this is just so beautiful, and I'm a bit reluctant to let it go. | 0:28:20 | 0:28:24 | |
I don't want to part with it, but I'd like to ask 150 for that. | 0:28:24 | 0:28:29 | |
I was thinking more, sort of at the bottom end, | 0:28:29 | 0:28:31 | |
more around the £100 mark, how does that sound? | 0:28:31 | 0:28:35 | |
100. How does 140 sound? | 0:28:35 | 0:28:36 | |
How about 130? | 0:28:36 | 0:28:39 | |
OK, 130. Shall we say 130 and 60? | 0:28:39 | 0:28:44 | |
That's absolutely fine. | 0:28:44 | 0:28:45 | |
Are you happy with that? | 0:28:45 | 0:28:46 | |
Yes, I'm absolutely happy with that. That's brilliant. | 0:28:46 | 0:28:49 | |
Oh, that's a triumphant first outing for the cunning one. | 0:28:49 | 0:28:52 | |
The glass inkwell makes a glittering profit of £32, | 0:28:52 | 0:28:55 | |
but the perfume bottles proved to be the real treasure, | 0:28:55 | 0:28:58 | |
offering up a fragrant profit of £70, our lady is rightly delighted. | 0:28:58 | 0:29:04 | |
Jonty, I really hope you've got your skates on | 0:29:04 | 0:29:06 | |
because I am working very hard and getting some excellent results. | 0:29:06 | 0:29:11 | |
Mmm, she's fired up. | 0:29:11 | 0:29:12 | |
For our chiselled Chippendale it's not about skates, it's about skis. | 0:29:12 | 0:29:18 | |
Our Olympian is in Wallingford | 0:29:18 | 0:29:20 | |
carving through the streets | 0:29:20 | 0:29:22 | |
with a steely look in his eyes. | 0:29:22 | 0:29:24 | |
Well I hope I haven't gone too off piste buying these skis, | 0:29:24 | 0:29:28 | |
because on closer inspection they really are in ropey condition. | 0:29:28 | 0:29:32 | |
Look on the underside of this one here, there's glue all over it. | 0:29:32 | 0:29:35 | |
So they have seen better days. | 0:29:35 | 0:29:37 | |
But I've brought them here to show them to a travel agent. | 0:29:37 | 0:29:41 | |
Neil who runs the business is always interested in finding props | 0:29:41 | 0:29:44 | |
that are just slightly different. | 0:29:44 | 0:29:46 | |
I hope they're just not too unusual. | 0:29:46 | 0:29:48 | |
Well, he paid £18 so will he slide off with any profit? | 0:29:52 | 0:29:57 | |
Now, I have to confess, they have seen better days. | 0:29:57 | 0:30:00 | |
They have, haven't they? | 0:30:00 | 0:30:01 | |
They literally have been applied to the wall. | 0:30:01 | 0:30:03 | |
Not too much of problem as I'm planning on doing something similar. | 0:30:03 | 0:30:07 | |
-Yes? I suppose date wise they're probably about 50 years old. -OK. | 0:30:07 | 0:30:10 | |
1960s, I suppose. | 0:30:10 | 0:30:12 | |
Actually, if you feel the weight of that, | 0:30:12 | 0:30:14 | |
it's really quite heavy. | 0:30:14 | 0:30:16 | |
Imagine lugging those up a mountainside. | 0:30:16 | 0:30:18 | |
And you can see the way they're constructed. | 0:30:18 | 0:30:21 | |
Different types of timbers have been glued together. | 0:30:21 | 0:30:24 | |
And the bindings, look how different they all are as well? | 0:30:24 | 0:30:28 | |
It has come on a long, long way. | 0:30:28 | 0:30:30 | |
Well I'm looking for 60 quid for the pair, that's £30 each. | 0:30:30 | 0:30:33 | |
-Or £60 for one, and the other one is free. -OK! | 0:30:33 | 0:30:37 | |
Erm, I have seen better ones for a similar price. | 0:30:37 | 0:30:41 | |
I'd take them off your hands for 50. | 0:30:41 | 0:30:44 | |
-OK. -Yes? -That will be fine. | 0:30:44 | 0:30:46 | |
You have a deal. | 0:30:46 | 0:30:47 | |
The Hitman racks up £32 profit. It's like watching poetry in motion. | 0:30:47 | 0:30:52 | |
Now, sometimes when you're selling | 0:30:52 | 0:30:54 | |
it really feels like you're pushing boulders uphill. | 0:30:54 | 0:30:57 | |
It can be really, really tricky. | 0:30:57 | 0:30:59 | |
But selling those skis to Neil just felt so easy. | 0:30:59 | 0:31:02 | |
Catherine, you have snow chance of winning. | 0:31:02 | 0:31:05 | |
Catherine is in deep water for her next sale, | 0:31:05 | 0:31:07 | |
the array of nautical nick-nacks | 0:31:07 | 0:31:09 | |
she's developed serious doubts about. | 0:31:09 | 0:31:12 | |
But when in doubt, be daring | 0:31:12 | 0:31:15 | |
and our lady is trespassing on The Hitman's stomping ground. | 0:31:15 | 0:31:18 | |
She's in Henley-on-Thames, just 20 minutes from Jonty's door, | 0:31:18 | 0:31:21 | |
but will her trip pay off? | 0:31:21 | 0:31:23 | |
Now when I bought this, I bought this with somebody in mind. | 0:31:24 | 0:31:28 | |
However, he's since told me he's only interested in one item. | 0:31:28 | 0:31:32 | |
Nevertheless, I'm going to see if I can charm him. | 0:31:33 | 0:31:36 | |
And try and sell him the rest. | 0:31:36 | 0:31:38 | |
She's not in shippest of shapes | 0:31:39 | 0:31:41 | |
but if anyone can weigh anchor on a mighty profit it's our Catherine. | 0:31:41 | 0:31:46 | |
Now, rope. | 0:31:46 | 0:31:47 | |
Rope. | 0:31:48 | 0:31:49 | |
Is this going to be of any use to you? | 0:31:51 | 0:31:53 | |
To be honest, it's not the most attractive looking rope, is it? | 0:31:53 | 0:31:57 | |
Well, no, but you could sort of hang it somewhere. | 0:31:57 | 0:32:00 | |
Look, up there it would look quite nice. | 0:32:00 | 0:32:03 | |
-Do something with it. -Pair of earrings, maybe. | 0:32:03 | 0:32:05 | |
I don't know, that lantern in the box | 0:32:05 | 0:32:07 | |
looks a little bit more attractive. | 0:32:07 | 0:32:10 | |
Does it? | 0:32:10 | 0:32:11 | |
At last. | 0:32:11 | 0:32:12 | |
How does £80 sound to you? That's a bit of a bargain. | 0:32:12 | 0:32:15 | |
Is it? I was going to say I'd be interested at 50. | 0:32:15 | 0:32:18 | |
80 is just pushing it a little bit. | 0:32:18 | 0:32:20 | |
I don't know where I'm going to hang these things. | 0:32:21 | 0:32:24 | |
Shall we meet midway? | 0:32:24 | 0:32:26 | |
What's between 50 and 80? | 0:32:26 | 0:32:27 | |
In my book it's 75! | 0:32:27 | 0:32:30 | |
In your book it might be slightly different. | 0:32:30 | 0:32:32 | |
65, for the rope and the lantern. | 0:32:32 | 0:32:36 | |
-Oh, go on then. -All right! -65. | 0:32:36 | 0:32:41 | |
Catherine did better than she thought she would | 0:32:41 | 0:32:43 | |
but there's still the rest of the collection to go. | 0:32:43 | 0:32:46 | |
And she'll need to sell that for £175, just to break even. | 0:32:46 | 0:32:50 | |
Jonty has brought his £5 Shelley jug to Gerry, | 0:32:50 | 0:32:53 | |
the chair of the Shelley Group of China Enthusiasts, no less. | 0:32:53 | 0:32:58 | |
Mr Chairman pays £30 for it | 0:32:58 | 0:32:59 | |
giving The Hitman £25 profit. | 0:32:59 | 0:33:02 | |
So, as we hit the midway point in our super sell up, | 0:33:04 | 0:33:08 | |
our bargain bruisers have turned into bounty hunters. | 0:33:08 | 0:33:12 | |
Jonty The Hitman has sold three of his six items so far | 0:33:12 | 0:33:15 | |
and has raked in a very healthy profit of £112. | 0:33:15 | 0:33:19 | |
Cunning Catherine is making waves as well. | 0:33:19 | 0:33:22 | |
No final figures yet for the nautical collection, | 0:33:22 | 0:33:25 | |
but she is two items down and £102 in profit. | 0:33:25 | 0:33:28 | |
Our gorgeous gladiators could barely be closer, it's all to play for. | 0:33:30 | 0:33:33 | |
And as Jonty hits the phones, | 0:33:34 | 0:33:35 | |
Catherine sets out to find a home for her remaining nautical items. | 0:33:35 | 0:33:40 | |
She brings them to Paul in West Sussex, | 0:33:40 | 0:33:43 | |
a specialist dealer in maritime items. | 0:33:43 | 0:33:45 | |
He starts with the half boat. | 0:33:45 | 0:33:47 | |
I think it's the first quarter to the first half of the 20th century. | 0:33:47 | 0:33:53 | |
But been made in the traditional manner, | 0:33:53 | 0:33:56 | |
and it's a very attractive thing. | 0:33:56 | 0:33:59 | |
Nice back board too. I would be happy to consider buying it. | 0:33:59 | 0:34:03 | |
OK. All right. Moving on. | 0:34:03 | 0:34:04 | |
To the timepiece. | 0:34:04 | 0:34:05 | |
I would say, again, no great age but nice quality | 0:34:05 | 0:34:10 | |
and yes, in its proportions it's nice. | 0:34:10 | 0:34:12 | |
It's a good sort of decorative object. | 0:34:12 | 0:34:14 | |
If it's the right money I'd be interested. | 0:34:14 | 0:34:16 | |
And it tells the time, twice a day. | 0:34:16 | 0:34:18 | |
No excuse for being late. | 0:34:18 | 0:34:21 | |
Now, row locks. | 0:34:22 | 0:34:24 | |
Possibly the oldest thing on the table, perhaps. | 0:34:24 | 0:34:27 | |
Do you think? | 0:34:27 | 0:34:28 | |
Yeah, in my opinion I could do something with them. | 0:34:28 | 0:34:31 | |
-But you're not going to get rich over them. -No. OK. | 0:34:31 | 0:34:35 | |
And so the moment that Catherine's been dreading, the money. | 0:34:35 | 0:34:39 | |
Remember, Catherine needs £175 just to break even. | 0:34:39 | 0:34:43 | |
I'd like to think this is worth around £200. | 0:34:43 | 0:34:47 | |
The little timepiece here I would say about £20. | 0:34:47 | 0:34:51 | |
These little pair of beauties, £18, £20. | 0:34:53 | 0:34:55 | |
Shall we shake on 250 for that? | 0:34:55 | 0:34:58 | |
I'm happy to do that, that's no problem. | 0:34:58 | 0:34:59 | |
250. That's lovely, thank you so much. | 0:34:59 | 0:35:01 | |
What a result! | 0:35:01 | 0:35:03 | |
Adding the lantern and rope from earlier, | 0:35:03 | 0:35:05 | |
Catherine has sold all her nautical items for a total of £315, | 0:35:05 | 0:35:10 | |
netting her a healthy profit of £75, and she's not stopping there. | 0:35:10 | 0:35:15 | |
Whilst we're in that mood of shaking on not bad deals, | 0:35:15 | 0:35:18 | |
can I present these to you? | 0:35:18 | 0:35:21 | |
Can you do anything with them? | 0:35:21 | 0:35:23 | |
Nice to have a pair, actually. | 0:35:23 | 0:35:24 | |
They have come down a bit in price, probably about £40 for the pair. | 0:35:24 | 0:35:27 | |
That's absolutely fine by me. | 0:35:27 | 0:35:30 | |
Paul, you're lovely. | 0:35:30 | 0:35:32 | |
Catherine is like a royal yacht, | 0:35:32 | 0:35:35 | |
gliding majestically over rough seas. | 0:35:35 | 0:35:37 | |
The wooden wheels spin her a profit of £26. | 0:35:37 | 0:35:41 | |
Watch out, Jonty. | 0:35:41 | 0:35:43 | |
I think I'm sailing towards success. | 0:35:43 | 0:35:47 | |
Yes, Catherine has certainly earned her skipper's stripes | 0:35:47 | 0:35:50 | |
and she leaves Jonty trailing in her wake. | 0:35:50 | 0:35:52 | |
He hits back by selling | 0:35:52 | 0:35:54 | |
the silver-plated tea set for £100, | 0:35:54 | 0:35:57 | |
serving up a profit of £15. | 0:35:57 | 0:35:59 | |
The Hitman always has his eyes peeled for a potential sale. | 0:35:59 | 0:36:03 | |
His contact Claire has been looking for | 0:36:03 | 0:36:05 | |
a 19th-century style table and chair set for her garden, | 0:36:05 | 0:36:08 | |
and Mr H is determined to deliver. | 0:36:08 | 0:36:11 | |
Claire, here's the table and chairs. What do you think? | 0:36:11 | 0:36:15 | |
Yes, they look great. Perfect for the garden. | 0:36:15 | 0:36:19 | |
Coalbrookdale were the main foundry makers | 0:36:19 | 0:36:21 | |
that made garden furniture like this so popular in the Victorian era. | 0:36:21 | 0:36:25 | |
Sets like this have never really gone out of fashion. | 0:36:25 | 0:36:28 | |
The metal is not cast iron, it's more of a base metal, | 0:36:28 | 0:36:32 | |
it's much lighter, in fact. | 0:36:32 | 0:36:33 | |
-I think they need a bit of work. -They certainly do. | 0:36:33 | 0:36:36 | |
But you need to get rid of the green stuff, the lichen. | 0:36:36 | 0:36:39 | |
And the way to do that is either get a high-pressure hose onto it, | 0:36:39 | 0:36:42 | |
or bleach it off. | 0:36:42 | 0:36:44 | |
Preferably a bit of both if you can. | 0:36:44 | 0:36:46 | |
Bit of a sandpaper just to get rid of flaky bits, | 0:36:46 | 0:36:49 | |
and then the rest is paint. | 0:36:49 | 0:36:51 | |
I've done a bit of research on this set here. | 0:36:51 | 0:36:54 | |
I've seen that single chairs like this | 0:36:54 | 0:36:57 | |
are selling for around £150 a pop. | 0:36:57 | 0:36:58 | |
I am asking only £200 for this whole set. | 0:36:58 | 0:37:03 | |
Could be a game changer, | 0:37:03 | 0:37:05 | |
but will Claire give Jonty a run for his money? | 0:37:05 | 0:37:08 | |
All will be revealed a little later. | 0:37:08 | 0:37:10 | |
Cunning Catherine has brought her £10 plane | 0:37:10 | 0:37:13 | |
to the Building Crafts College in East London | 0:37:13 | 0:37:16 | |
where she is meeting John. | 0:37:16 | 0:37:17 | |
He's taught traditional tool-working methods for years, | 0:37:17 | 0:37:20 | |
so he knows his onions. | 0:37:20 | 0:37:22 | |
My goodness me, that's an interesting plane. | 0:37:22 | 0:37:28 | |
And I have to say, | 0:37:28 | 0:37:29 | |
I haven't seen many of these around for a long while. | 0:37:29 | 0:37:31 | |
When I was at school we actually used this type of plane. | 0:37:31 | 0:37:35 | |
-Which are lovely. You look at patina on this. -Amazing. | 0:37:35 | 0:37:40 | |
-It's got some fabulous grain in the timber there. -It's lovely, isn't it? | 0:37:40 | 0:37:43 | |
Given its length, this is designed for planing, for example, | 0:37:43 | 0:37:48 | |
if you are trying to joint two pieces of timber, | 0:37:48 | 0:37:50 | |
and to try and get it straight | 0:37:50 | 0:37:52 | |
so the joint goes together without any gaps, | 0:37:52 | 0:37:54 | |
this sort of plane would be used. | 0:37:54 | 0:37:56 | |
Very difficult to date it exactly. | 0:37:56 | 0:37:59 | |
It could be early 1900s this was made. | 0:38:01 | 0:38:04 | |
Downstairs we have a display of some historic tools down there. | 0:38:04 | 0:38:08 | |
This would have a home here. | 0:38:08 | 0:38:09 | |
-Oh, really? -Yes. -Fantastic, that's what we like to hear. | 0:38:09 | 0:38:12 | |
I think that would look quite good in place there. | 0:38:12 | 0:38:14 | |
How does £50 sound on that? | 0:38:14 | 0:38:15 | |
That's a little bit more than I think we'd want to be paying for it. | 0:38:15 | 0:38:19 | |
Is it? | 0:38:19 | 0:38:20 | |
What about £20? | 0:38:20 | 0:38:22 | |
Oh, John. | 0:38:22 | 0:38:23 | |
Can we settle on 30, would that be fair? | 0:38:23 | 0:38:26 | |
That gives me a little bit more profit. | 0:38:26 | 0:38:28 | |
-Does it? -Yes. | 0:38:28 | 0:38:30 | |
25. | 0:38:30 | 0:38:31 | |
Oh, John, you're a hard task master! | 0:38:31 | 0:38:34 | |
Oh, dear. | 0:38:34 | 0:38:35 | |
I think I've got to stick on that. | 0:38:35 | 0:38:38 | |
Have we? Have we? | 0:38:38 | 0:38:39 | |
28. | 0:38:41 | 0:38:42 | |
28, all right, deal done. | 0:38:42 | 0:38:44 | |
I don't think I could have pushed him any more, I don't think. | 0:38:44 | 0:38:47 | |
John's steely determination surprised even our Catherine. | 0:38:47 | 0:38:52 | |
The plane cuts a profit of £18. | 0:38:52 | 0:38:54 | |
Whilst she's in London our Countess of collectables | 0:38:54 | 0:38:56 | |
targets a hotel in exclusive Mayfair | 0:38:56 | 0:38:59 | |
to sell her last item, | 0:38:59 | 0:39:01 | |
the large brandy bottle and stand. | 0:39:01 | 0:39:03 | |
After some more schmoozing | 0:39:04 | 0:39:06 | |
she sells it for £80 | 0:39:06 | 0:39:07 | |
pouring a large glass of profit, £52. | 0:39:07 | 0:39:11 | |
And that's the first of our antiques assassins all sold up. | 0:39:11 | 0:39:15 | |
The Hitman has one last chance to scoop a peach of a profit. | 0:39:15 | 0:39:18 | |
He takes the spoons set he purchased for £40 | 0:39:18 | 0:39:22 | |
to David, a specialist Art Deco dealer in Berkshire. | 0:39:22 | 0:39:25 | |
Now look at the inside here. | 0:39:25 | 0:39:28 | |
Oh, they're lovely, they look very nice. | 0:39:28 | 0:39:30 | |
A set of lovely Art Deco silver and enamel spoons. | 0:39:30 | 0:39:34 | |
-They're certainly very nice indeed. -Aren't they charming? | 0:39:34 | 0:39:36 | |
-Are they hallmarked? -Yes, hallmarked on the reverse. Just there. | 0:39:36 | 0:39:40 | |
-But they are in their original box. -Yes, they're very good, aren't they? | 0:39:40 | 0:39:44 | |
Which is really beautiful. | 0:39:44 | 0:39:45 | |
I do like things like this. | 0:39:45 | 0:39:46 | |
This is a particularly attractive piece. | 0:39:46 | 0:39:49 | |
The decoration on them is very good. They're nice, original box. | 0:39:49 | 0:39:56 | |
-I particularly like the design of the fan, the Egyptian fan... -Yes. | 0:39:56 | 0:39:59 | |
..in the spoon there. | 0:39:59 | 0:40:00 | |
All inspired by Tutankhamen which is just absolutely wonderful. | 0:40:00 | 0:40:04 | |
£80 is what I'm looking for. | 0:40:04 | 0:40:06 | |
No, I wouldn't pay that for them, Jonty. | 0:40:06 | 0:40:09 | |
-I think my top price for these would be £50. -£50. | 0:40:09 | 0:40:13 | |
What about 70? | 0:40:13 | 0:40:15 | |
No. Not for me. | 0:40:15 | 0:40:17 | |
Just that little bit of damage. | 0:40:17 | 0:40:19 | |
It's not necessarily on the spoon, but it is the condition of the box. | 0:40:19 | 0:40:22 | |
It will limit its market. | 0:40:22 | 0:40:24 | |
What about... | 0:40:24 | 0:40:25 | |
..60? | 0:40:26 | 0:40:28 | |
I think I'd be happy at 60. | 0:40:28 | 0:40:30 | |
-I'm happy with 60. -Very welcome. | 0:40:30 | 0:40:31 | |
-Thank you very much indeed. -Thank you. | 0:40:31 | 0:40:33 | |
And the spoons round things off with a profit of £20, | 0:40:33 | 0:40:37 | |
but will it be enough for The Hitman | 0:40:37 | 0:40:39 | |
to hoist himself back into pole position? | 0:40:39 | 0:40:42 | |
We'll find out in just a moment. | 0:40:42 | 0:40:44 | |
Our haggling hawks both went to market on that rainy day | 0:40:44 | 0:40:47 | |
with £750 of their own cash to spend. | 0:40:47 | 0:40:51 | |
Jonty The Hitman Hearnden bought six items spending £268. | 0:40:51 | 0:40:55 | |
Cunning Catherine Southon also made six buys | 0:40:55 | 0:40:59 | |
pushing the boat out into the rain and spending £380. | 0:40:59 | 0:41:03 | |
But, with the bargains sold and all deals done, | 0:41:03 | 0:41:08 | |
it's time to concentrate on the reason we're all here. Profit. | 0:41:08 | 0:41:11 | |
All of the money Jonty and Catherine have made | 0:41:11 | 0:41:13 | |
from today's challenge will go to charities of their choice. | 0:41:13 | 0:41:16 | |
So, without further ado, it's time to find out | 0:41:16 | 0:41:20 | |
who is today's Put Your Money Where Your Mouth Is champion. | 0:41:20 | 0:41:24 | |
-Hello, Jonty. -How are you? -Very well, thank you. And you? | 0:41:24 | 0:41:29 | |
Have you got the medal that says | 0:41:29 | 0:41:31 | |
I survived the antiques market thanks to the weather conditions? | 0:41:31 | 0:41:34 | |
It was so cold. | 0:41:34 | 0:41:36 | |
Everything was against us. But we battled through, we got there. | 0:41:36 | 0:41:39 | |
We did. Star items? | 0:41:39 | 0:41:41 | |
-Star items for me, do you remember those nautical things? -Yes. | 0:41:41 | 0:41:45 | |
Well, I bought them, bought them for someone, he didn't want them, | 0:41:45 | 0:41:48 | |
but I managed to sell them, it was all OK in the end. | 0:41:48 | 0:41:51 | |
-And I've learnt a new sport. Bowls. -Very good. | 0:41:51 | 0:41:54 | |
-I'm now an expert. -Are you? | 0:41:54 | 0:41:56 | |
Yes, shall we see how we've done? | 0:41:56 | 0:41:57 | |
-Well you can take up that if you don't win this. -After three. | 0:41:57 | 0:42:00 | |
One, two, three. | 0:42:00 | 0:42:02 | |
SHE SQUEALS | 0:42:03 | 0:42:05 | |
I'm very pleased with that. | 0:42:05 | 0:42:08 | |
Well done, you. Very good. | 0:42:08 | 0:42:09 | |
-Thank you, Jonty. -I guess I am taking up bowls. | 0:42:09 | 0:42:12 | |
I think you are. | 0:42:12 | 0:42:13 | |
Yes, a convincing win for cunning Catherine. | 0:42:15 | 0:42:18 | |
The Hitman's garden set clearly didn't do the business. | 0:42:18 | 0:42:20 | |
Remember, he'd asked for £200. | 0:42:20 | 0:42:23 | |
-Would you take 150? -150. | 0:42:23 | 0:42:26 | |
Can I squeeze you a little bit more? | 0:42:26 | 0:42:28 | |
I'm not sure, Jonty. | 0:42:28 | 0:42:30 | |
No? Was that your very best? | 0:42:30 | 0:42:32 | |
The best offer. | 0:42:32 | 0:42:34 | |
150? | 0:42:34 | 0:42:35 | |
It's yours, madam. | 0:42:35 | 0:42:37 | |
His charming ways failed him this time. | 0:42:37 | 0:42:40 | |
The table and chairs brought in a profit of just £50. | 0:42:40 | 0:42:43 | |
Very disappointed to lose to Catherine | 0:42:45 | 0:42:47 | |
because antique markets are usually very happy hunting ground for me. | 0:42:47 | 0:42:52 | |
So I was up against the elements. | 0:42:52 | 0:42:54 | |
Well, we were both up against the elements, but she came out on top. | 0:42:54 | 0:42:57 | |
I am absolutely ecstatic that I have just beaten the old pro, Jonty. | 0:42:57 | 0:43:02 | |
Bring it on! | 0:43:02 | 0:43:04 | |
Mmm, cunning Catherine can't celebrate just yet | 0:43:05 | 0:43:08 | |
because there is a whole new challenge to face up to tomorrow. | 0:43:08 | 0:43:11 | |
Our next epic encounter will rock the antique world. | 0:43:11 | 0:43:15 | |
It's a mighty auction in Stroud. | 0:43:15 | 0:43:17 | |
Subtitles by Red Bee Media Ltd | 0:43:25 | 0:43:29 |