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This is Put Your Money Where Your Mouth Is. | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profit. | 0:00:07 | 0:00:11 | |
I'm a double-your-money girl. | 0:00:11 | 0:00:13 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
You've got to be in it to win it. | 0:00:16 | 0:00:19 | |
Each week, one pair of duelling dealers | 0:00:19 | 0:00:21 | |
face a different daily challenge. | 0:00:21 | 0:00:23 | |
Lovely! We've got some work to do. Let's go. | 0:00:23 | 0:00:26 | |
Putting their own money, and their hard-earned reputations, | 0:00:26 | 0:00:30 | |
-on the line. -Ha! | 0:00:30 | 0:00:32 | |
As they see who can make the most money | 0:00:32 | 0:00:34 | |
from buying and selling. | 0:00:34 | 0:00:36 | |
Get in there! | 0:00:36 | 0:00:37 | |
Ha-ha-ha-ha! | 0:00:37 | 0:00:40 | |
Today's fearsome face-off puts the brutal brains of Jonty Hearnden | 0:00:40 | 0:00:43 | |
against the cut-throat canniness of Catherine Southon. | 0:00:43 | 0:00:46 | |
Coming up, | 0:00:46 | 0:00:48 | |
Jonty experiences auction room ecstasy. | 0:00:48 | 0:00:52 | |
I just bought that for £30. | 0:00:52 | 0:00:55 | |
Catherine gears up for all-out war. | 0:00:55 | 0:00:58 | |
We started this competition as real pals, | 0:00:58 | 0:01:01 | |
and we've really fallen out now. | 0:01:01 | 0:01:03 | |
And someone will do absolutely anything | 0:01:03 | 0:01:07 | |
for a sale. | 0:01:07 | 0:01:08 | |
You have no idea just how desperate I am. | 0:01:08 | 0:01:11 | |
Well, that's good. | 0:01:11 | 0:01:14 | |
This is Put Your Money Where Your Mouth Is. | 0:01:14 | 0:01:16 | |
Hold onto your hats, it's an auction house bust up | 0:01:29 | 0:01:32 | |
between two of the most audacious antiques experts around. | 0:01:32 | 0:01:35 | |
They're bold, they're heroic, | 0:01:35 | 0:01:38 | |
and they've got degrees in derring-do. | 0:01:38 | 0:01:41 | |
Our first contender couldn't have more experience up his belt. | 0:01:41 | 0:01:46 | |
This antiques James Bond | 0:01:46 | 0:01:48 | |
has been shooting from the hip for well over 30 years, | 0:01:48 | 0:01:51 | |
and he can spot a target a mile away. | 0:01:51 | 0:01:55 | |
It's the famous fancier of furniture Jonty "The Hitman" Hearnden. | 0:01:55 | 0:01:59 | |
I don't want small profits. | 0:01:59 | 0:02:01 | |
I want big profits. | 0:02:01 | 0:02:02 | |
His rival is a ruthless businesswoman | 0:02:02 | 0:02:05 | |
with a focus on cold, hard profit. | 0:02:05 | 0:02:07 | |
She's a tenacious trader, whose fearlessness and fortitude | 0:02:07 | 0:02:11 | |
have rocketed her to the top of her profession. | 0:02:11 | 0:02:13 | |
It's the awesome auctioneer herself, | 0:02:13 | 0:02:14 | |
"Cunning" Catherine Southon. | 0:02:14 | 0:02:18 | |
(Watch this space). | 0:02:18 | 0:02:20 | |
Our duelling duo are battling it with the gavel | 0:02:20 | 0:02:24 | |
at the Stroud Auction Rooms in Gloucestershire. | 0:02:24 | 0:02:25 | |
The auction will test them to the max. | 0:02:25 | 0:02:28 | |
It's a place they can't completely control. | 0:02:28 | 0:02:30 | |
They're not just up against a room full of bidders, | 0:02:30 | 0:02:33 | |
they're also competing with buyers on the internet, | 0:02:33 | 0:02:36 | |
all clamouring for a piece of the action. | 0:02:36 | 0:02:39 | |
Catherine and Jonty have each stocked up £1,000 of their own cash, | 0:02:39 | 0:02:43 | |
and every penny of profit goes to their chosen charities. | 0:02:43 | 0:02:47 | |
So, Jonty Hearnden | 0:02:47 | 0:02:49 | |
and Catherine Southon, | 0:02:49 | 0:02:51 | |
it's time to put your money where your mouth is. | 0:02:51 | 0:02:54 | |
Jonty, good to see you. | 0:02:54 | 0:02:55 | |
-How you doing? -Very well, thank you. | 0:02:55 | 0:02:59 | |
-Auction day. Here we are in Stroud. -I do love an auction, Jonty. | 0:02:59 | 0:03:02 | |
I know you've worked in auction rooms, | 0:03:02 | 0:03:04 | |
but have you bought a lot in auctions? | 0:03:04 | 0:03:06 | |
I have bought quite a few bits and pieces over the years, | 0:03:06 | 0:03:09 | |
so I shall be very excited to get in | 0:03:09 | 0:03:11 | |
and have a good look around. | 0:03:11 | 0:03:13 | |
I notice in the catalogue that we have got a two day sale. | 0:03:13 | 0:03:16 | |
So half the items in the room today, we can't even look at. | 0:03:16 | 0:03:19 | |
-I was actually quite happy about that, Jonty. -Why's that? | 0:03:19 | 0:03:22 | |
Cos half of it is furniture, which is tomorrow. | 0:03:22 | 0:03:25 | |
You've spotted that, as well! | 0:03:25 | 0:03:26 | |
So, £1,000. Are you going to spend it all? | 0:03:26 | 0:03:29 | |
I have no idea, because furniture's out. | 0:03:29 | 0:03:32 | |
I've just got to look at absolutely everything. | 0:03:32 | 0:03:34 | |
-All those smaller items. What I call "twiddly bits". -Right. | 0:03:34 | 0:03:38 | |
-What about you? -There's a very nice collection of bits and pieces. | 0:03:38 | 0:03:41 | |
A private collection, which I'm going to examine very closely. | 0:03:41 | 0:03:45 | |
Oh, you mean purses? | 0:03:45 | 0:03:47 | |
I've spotted those, too. | 0:03:47 | 0:03:48 | |
You're really getting me worried! | 0:03:48 | 0:03:51 | |
-No, we'll be fine. Good luck, Jonty. -Good luck. Enjoy. | 0:03:51 | 0:03:54 | |
And you. Thank you. | 0:03:54 | 0:03:56 | |
MUSIC: "I'm So Excited" by The Pointer Sisters | 0:03:56 | 0:03:58 | |
# I'm so excited and I just can't hide it. # | 0:03:58 | 0:03:59 | |
They're wishing each other luck, but it's through gritted teeth. | 0:03:59 | 0:04:03 | |
They're both raring for a right royal rumble. | 0:04:03 | 0:04:05 | |
Before the bidding begins, | 0:04:05 | 0:04:08 | |
Jonty and Catherine must race through the items on offer, | 0:04:08 | 0:04:10 | |
to sort the delights from the duffers. | 0:04:10 | 0:04:12 | |
Cunning Catherine knows her auctions inside out. | 0:04:12 | 0:04:17 | |
She made her name at Sotheby's, | 0:04:17 | 0:04:19 | |
so she should be in the driving seat. | 0:04:19 | 0:04:22 | |
And there's even more to harass The Hitman. | 0:04:22 | 0:04:25 | |
His forte is furniture, | 0:04:25 | 0:04:26 | |
but there's not a single piece of it in today's sale. | 0:04:26 | 0:04:29 | |
So, Jonty needs to buckle down, | 0:04:29 | 0:04:31 | |
and rummage through the small stuff. | 0:04:31 | 0:04:34 | |
And he starts with a collection of tortoise shell purses | 0:04:34 | 0:04:37 | |
that Catherine said she was keen on. | 0:04:37 | 0:04:39 | |
What a wonderful collection. | 0:04:39 | 0:04:42 | |
They're all estimated between £150 and £300. | 0:04:42 | 0:04:45 | |
So, the problem for me is, | 0:04:45 | 0:04:47 | |
even though they're really exquisite quality, | 0:04:47 | 0:04:49 | |
will I make a profit on them? I'm not so sure. | 0:04:49 | 0:04:52 | |
For my money, I'll probably not invest in them, | 0:04:52 | 0:04:54 | |
but I wonder if she's going to be tempted by them. | 0:04:54 | 0:04:57 | |
They're just so beautiful. | 0:04:57 | 0:04:59 | |
But there's a difference between beauty and profit. | 0:04:59 | 0:05:03 | |
Mm, sounds like The Hitman is bowing out, | 0:05:03 | 0:05:05 | |
but his cunning counterpart is still interested. | 0:05:05 | 0:05:09 | |
They're all absolutely exquisite | 0:05:09 | 0:05:11 | |
and all look to be in perfect condition. | 0:05:11 | 0:05:13 | |
The problem is they've all got really punchy estimates on | 0:05:13 | 0:05:18 | |
so I think the thing to do with these is | 0:05:18 | 0:05:20 | |
keep your eye on every single one that's selling and just see | 0:05:20 | 0:05:24 | |
if there's one that happens to go for less than the estimate. | 0:05:24 | 0:05:28 | |
She's always strategising but our lady must crack on. | 0:05:28 | 0:05:32 | |
There are hundreds of items up today | 0:05:32 | 0:05:35 | |
and like a sharp eyed magpie, Jonty is at the jewellery. | 0:05:35 | 0:05:38 | |
This is an aquamarine stone in a nine-carat gold setting. | 0:05:38 | 0:05:43 | |
Now, an object like this would be worn simply as a cocktail ring | 0:05:43 | 0:05:49 | |
as just a bit of flash. | 0:05:49 | 0:05:52 | |
Date is indeterminate but probably 1920s, 1930s | 0:05:52 | 0:05:55 | |
cos that's when cocktail rings like this | 0:05:55 | 0:05:57 | |
were very fashionable, very desirable. | 0:05:57 | 0:06:00 | |
While The Hitman sets his plan in stone, | 0:06:00 | 0:06:03 | |
cunning Catherine picks out some pictures. | 0:06:03 | 0:06:06 | |
Now these have caught my eye. It's a box of children's prints. | 0:06:06 | 0:06:10 | |
Mostly from AA Milne's Winnie-the-Pooh. | 0:06:10 | 0:06:14 | |
They're all prints of Shepard sketches. | 0:06:14 | 0:06:16 | |
There's a scene there of Eeyore floating in the river | 0:06:16 | 0:06:19 | |
with Winnie-the-Pooh looking over. | 0:06:19 | 0:06:22 | |
I think at £20, £20/30, I think that's definitely worth a go. | 0:06:22 | 0:06:27 | |
Yes, there's no doubt in Catherine's mind that she's going to win big | 0:06:27 | 0:06:31 | |
but across the room, Jonty's rooted out a box of goodies | 0:06:31 | 0:06:34 | |
including a piece that's really caught his eye. | 0:06:34 | 0:06:36 | |
We're got what looks to be a silver cigarette case | 0:06:36 | 0:06:40 | |
and if one opens it on the inside... There we go, | 0:06:40 | 0:06:43 | |
you can see that it's hallmarked | 0:06:43 | 0:06:44 | |
so this is a silver cigarette case so that's a nice object in itself. | 0:06:44 | 0:06:48 | |
Costume jewellery - an object like this, very fashionable today. | 0:06:48 | 0:06:54 | |
-(Don't tell Catherine!) -(I don't think she's bothered!) | 0:06:54 | 0:06:57 | |
She's spotted her own little delight. | 0:06:57 | 0:07:00 | |
Little pepperette, so probably part of a cruet set. | 0:07:00 | 0:07:04 | |
You can see there the little holes for the pepper, | 0:07:04 | 0:07:08 | |
but in the form of a thistle. | 0:07:08 | 0:07:10 | |
I just think that is so lovely and it's Birmingham. | 0:07:10 | 0:07:13 | |
And it's...1816. | 0:07:13 | 0:07:18 | |
Definitely one for me. | 0:07:18 | 0:07:20 | |
Our sharp-eyed sharks keep cruising the cabinets. | 0:07:20 | 0:07:23 | |
With almost 700 lots today, there's a vastness of valuables to view. | 0:07:23 | 0:07:28 | |
-Found some goodies? -A few bits and pieces, yes. What about you? | 0:07:28 | 0:07:33 | |
I think there's enough here for me to put my hand up on one or two things. | 0:07:33 | 0:07:36 | |
-You look worryingly happy! -I don't know about that. | 0:07:36 | 0:07:40 | |
-I've had a look at the furniture. -Yeah? | 0:07:40 | 0:07:42 | |
-Yes, and I've LOOKED at the furniture! -And you can't touch. -I can't touch. | 0:07:42 | 0:07:45 | |
Denied his usual hunting ground, | 0:07:45 | 0:07:48 | |
our furniture fancier is out of his comfort zone | 0:07:48 | 0:07:50 | |
but there's no time to dwell on it | 0:07:50 | 0:07:52 | |
because the bidding is about to begin. | 0:07:52 | 0:07:55 | |
And with two of the trade's most competitive dealers in the room, | 0:07:55 | 0:07:59 | |
it could all kick off. | 0:07:59 | 0:08:01 | |
The sale starts with the pictures. | 0:08:01 | 0:08:02 | |
Catherine is gearing up to strike for those children's prints. | 0:08:02 | 0:08:05 | |
The prints are going rather cheaply so with a bit of luck, | 0:08:07 | 0:08:10 | |
I might get this at a snip. | 0:08:10 | 0:08:12 | |
Lot 21, the box of prints. 8, I'm bid. At £8, £10 bid. 10? 12 there. | 0:08:12 | 0:08:18 | |
12 in the room, at 12. 14, net. | 0:08:18 | 0:08:20 | |
Ooh, there's competition from an internet bidder. | 0:08:20 | 0:08:23 | |
-The price quickly rises. -25, 8? | 0:08:23 | 0:08:25 | |
25? At 28, bid. At £28, I have to hurry you on the net. | 0:08:25 | 0:08:28 | |
-Fair warning... 30, 30 I've got at 30. Two? -One more. -One more, 32 bid. | 0:08:28 | 0:08:33 | |
At £32 then, we'll sell it. | 0:08:33 | 0:08:35 | |
-£32... -GAVEL BANGS -32. 323, thank you. | 0:08:35 | 0:08:39 | |
I paid £32 for those, slightly more than I wanted. Damn internet got in. | 0:08:39 | 0:08:44 | |
I think otherwise I could've got those for about £10. | 0:08:44 | 0:08:47 | |
Catherine's first to get the gavel. | 0:08:47 | 0:08:49 | |
Including auction house commission, the prints cost £37.76. | 0:08:49 | 0:08:54 | |
I see she's bought some children's prints. | 0:08:56 | 0:09:00 | |
Now, if they had been original Shepard etchings, | 0:09:00 | 0:09:03 | |
they'd be worth a small fortune. But prints? I'm not so sure. | 0:09:03 | 0:09:08 | |
Well, it's no good putting her down, Hitman. | 0:09:08 | 0:09:11 | |
Cunning Catherine is off and she's not looking back. | 0:09:11 | 0:09:14 | |
The silverware section is up next, and Catherine is in her element. | 0:09:14 | 0:09:18 | |
# I got chills They're multiplyin'... # | 0:09:18 | 0:09:23 | |
I do like to buy nice quality silver. | 0:09:23 | 0:09:27 | |
That's why I've got my eye on this pepperette | 0:09:27 | 0:09:30 | |
cos it's something a little bit different. | 0:09:30 | 0:09:32 | |
# It's electrifying! | 0:09:32 | 0:09:34 | |
-# You're the one that I want... # -She means business. | 0:09:34 | 0:09:37 | |
This is a woman who gets what she wants | 0:09:37 | 0:09:40 | |
but the nerves are starting to show. | 0:09:40 | 0:09:43 | |
I've got a horrible feeling that this is going to do very well. | 0:09:43 | 0:09:47 | |
-Lot 104, again interest in this. I have £40. -Interest in this. | 0:09:47 | 0:09:52 | |
At £40, 42. At £42, bid at 42, where's the five? 45, net. | 0:09:52 | 0:09:56 | |
-At 45, 48. -She bides her time. -48. -At 55? | 0:09:56 | 0:10:01 | |
And she's in. | 0:10:01 | 0:10:03 | |
60 in the room, thank you. At £60, 65. | 0:10:03 | 0:10:06 | |
Oh, it's the internet again. | 0:10:06 | 0:10:07 | |
79 bid. 79 bid, at 70, I think the screen's gone quiet. | 0:10:07 | 0:10:12 | |
At £70, are we done then at £70? | 0:10:12 | 0:10:14 | |
And she wins it. | 0:10:14 | 0:10:16 | |
Top estimate. | 0:10:16 | 0:10:18 | |
I didn't want to pay the top estimate but I wanted that so badly | 0:10:18 | 0:10:22 | |
and it got the better of me, so I got it for £70 plus commission. | 0:10:22 | 0:10:28 | |
That's quite a big price, but it's so sweet. | 0:10:28 | 0:10:31 | |
The fees do indeed add up. | 0:10:31 | 0:10:33 | |
The thistle pepperette sets our lady back £82.60. | 0:10:33 | 0:10:37 | |
That's the problem with auctions, you can get carried away, | 0:10:37 | 0:10:40 | |
especially when the auctioneer looks at you with a smile | 0:10:40 | 0:10:43 | |
and you just think, "I'll keep bidding." | 0:10:43 | 0:10:45 | |
While Cunning Catherine's already made two purchases | 0:10:45 | 0:10:48 | |
the Hitman and has yet to bid on a single thing. | 0:10:48 | 0:10:51 | |
He's just sitting back like patience personified, waiting to strike | 0:10:51 | 0:10:56 | |
and it's psychological torture for the cunning one. | 0:10:56 | 0:11:00 | |
He's not bidding on anything. What is he going to bid on? | 0:11:00 | 0:11:03 | |
Oh, the frustration! | 0:11:03 | 0:11:04 | |
Our smooth operator is a cool cat waiting for the perfect moment. | 0:11:04 | 0:11:09 | |
And for this... | 0:11:09 | 0:11:11 | |
When a lot comes up, I just see what's happening in the room | 0:11:11 | 0:11:14 | |
cos once you're committed, it's very difficult to hold back. | 0:11:14 | 0:11:17 | |
So, I wait till the very last moment | 0:11:17 | 0:11:20 | |
and then I enter in if I think it's the right thing to do. | 0:11:20 | 0:11:23 | |
He's so cool, it hurts. | 0:11:23 | 0:11:25 | |
But he can't hold back any longer - | 0:11:25 | 0:11:28 | |
the Hitman is ready to pounce on a silver wine tasting cup. | 0:11:28 | 0:11:30 | |
55, screen. £60 bid, £60 I'm bid. At £60, at 60? | 0:11:31 | 0:11:36 | |
They're hurrying. They think they're quiet. £60 takes it. | 0:11:36 | 0:11:38 | |
On this side then, at £60. | 0:11:38 | 0:11:40 | |
I'm quite pleased with that, £60, lower end of the estimate. | 0:11:40 | 0:11:43 | |
It's a wine tasting cup. It's really unusual, it's different. | 0:11:43 | 0:11:47 | |
And he's finally off the mark taking everyone by surprise. | 0:11:47 | 0:11:51 | |
The wine tasting cup cost him £70.80, after fees. | 0:11:51 | 0:11:55 | |
So, this is my silver wine tasting goblet. | 0:11:55 | 0:11:59 | |
The shape is oriental but this wasn't made in the Orient. | 0:11:59 | 0:12:03 | |
This has an assay mark with the anchor, | 0:12:03 | 0:12:06 | |
which means that this was made in the Birmingham area. | 0:12:06 | 0:12:10 | |
My market, well, who's it going to be? | 0:12:10 | 0:12:12 | |
Is it going to be the silver trade, people who love silver objects? | 0:12:12 | 0:12:15 | |
Or, of course, it could be somebody that loves their wine. | 0:12:15 | 0:12:19 | |
I've got different avenues to explore. | 0:12:19 | 0:12:21 | |
Jonty's picked up his first lot with a Hitman's precision, | 0:12:21 | 0:12:25 | |
going for maximum appeal. | 0:12:25 | 0:12:27 | |
Both our dealers need to be ready to react | 0:12:27 | 0:12:30 | |
because an undiscovered a gem could pop up at any second. | 0:12:30 | 0:12:34 | |
-Any more? At £35... -I'm going to go for this, it's going really cheap. | 0:12:34 | 0:12:38 | |
She's bidding away again. What's she after? | 0:12:38 | 0:12:41 | |
Catherine jumps in on a glass decanter | 0:12:41 | 0:12:45 | |
and wins it with a bid of £38. | 0:12:45 | 0:12:47 | |
There's always a risk in buying things you haven't seen. | 0:12:47 | 0:12:49 | |
It's probably the worst thing you can possibly do, | 0:12:49 | 0:12:52 | |
especially with ceramics and glass, but for £38, | 0:12:52 | 0:12:56 | |
I think that's quite good, as long as it's in good condition! | 0:12:56 | 0:13:00 | |
You MUST view items before you bid on them. | 0:13:00 | 0:13:03 | |
Was that pure cunning or a huge gamble? | 0:13:03 | 0:13:05 | |
Including commission, Catherine forks out £44.84, | 0:13:05 | 0:13:09 | |
but has her daring paid off? | 0:13:09 | 0:13:10 | |
So, we've got a glass decanter, shaped decanter, | 0:13:13 | 0:13:16 | |
with these nice squeezed pieces of glass here | 0:13:16 | 0:13:20 | |
and then silver top and cap. | 0:13:20 | 0:13:24 | |
And quite a nice little heart-shaped label, nicely hallmarked, all silver. | 0:13:24 | 0:13:30 | |
And for £38, I actually think that's quite a nice piece. | 0:13:30 | 0:13:34 | |
I can definitely work my magic with this. | 0:13:34 | 0:13:36 | |
Big relief for Catherine | 0:13:36 | 0:13:38 | |
but that just shows what a tussle the auction can be. | 0:13:38 | 0:13:41 | |
Our competitors must be focused | 0:13:41 | 0:13:42 | |
and ready to take a risk when a good thing comes along. | 0:13:42 | 0:13:45 | |
As the auction moves on, it looks like the impulse bid is catching! | 0:13:47 | 0:13:52 | |
I'm going to have a go with this. | 0:13:52 | 0:13:54 | |
# Ain't no stopping us now... # | 0:13:54 | 0:13:57 | |
£50. | 0:13:57 | 0:13:58 | |
Cool as a cucumber, Jonty buys a bowl and jug | 0:13:58 | 0:14:01 | |
made of Indian white metal, she suspect is actually silver. | 0:14:01 | 0:14:06 | |
With all the costs included, he pays £59. | 0:14:06 | 0:14:09 | |
Date-wise, these two objects here would have been made | 0:14:09 | 0:14:12 | |
about 100 years ago and silver objects that came from India then | 0:14:12 | 0:14:16 | |
would have all been made from silver and nothing else. | 0:14:16 | 0:14:21 | |
If you look round the outside, | 0:14:21 | 0:14:23 | |
there's all sorts of things going on here - predominately hunting scenes, | 0:14:23 | 0:14:26 | |
but I can see tigers, I can see Indian elephants, | 0:14:26 | 0:14:29 | |
I can even see palm trees with the influence of southern India. | 0:14:29 | 0:14:34 | |
Hopefully, I'm going to sell these well in excess of £100. | 0:14:34 | 0:14:37 | |
I like these. | 0:14:37 | 0:14:38 | |
For a spontaneous purchase, that would be a tasty profit | 0:14:38 | 0:14:41 | |
but how does it affect the bigger picture? | 0:14:41 | 0:14:45 | |
Jonty and Catherine both arrived here with £1,000 of their own money. | 0:14:45 | 0:14:50 | |
The Hitman has had a very relaxed start | 0:14:50 | 0:14:52 | |
buying just two items for £129.80, leaving him over £870 to spend. | 0:14:52 | 0:14:58 | |
Cunning Catherine, however, has been working hard. | 0:15:00 | 0:15:03 | |
She's spent £165.20 on three purchases, | 0:15:03 | 0:15:07 | |
meaning there's nearly £835 left in her kitty. | 0:15:07 | 0:15:13 | |
As we forge forward into round two, | 0:15:13 | 0:15:15 | |
the pressure on our dealers only increases. | 0:15:15 | 0:15:17 | |
Jonty now needs to be more proactive | 0:15:17 | 0:15:20 | |
because Cunning Catherine is ahead | 0:15:20 | 0:15:23 | |
and she's watching for any opportunity to increase her lead. | 0:15:23 | 0:15:26 | |
It's times like this when the Hitman comes into his own. | 0:15:26 | 0:15:29 | |
163 it is... | 0:15:29 | 0:15:31 | |
He's perfectly poised now and it looks like he is going to bid. | 0:15:31 | 0:15:35 | |
It's the box containing the silver cigarette case | 0:15:35 | 0:15:37 | |
and costume jewellery. | 0:15:37 | 0:15:39 | |
At 22, I've got now, at 22, where's the five? | 0:15:39 | 0:15:42 | |
At £22, Jonty looks keen. | 0:15:42 | 0:15:44 | |
25 bid, 25, thank you. Any further bids? | 0:15:44 | 0:15:47 | |
Oh, 28 sitting. 28, 28, 30 bid. | 0:15:47 | 0:15:50 | |
£30 I've got here, a £30, at 30 we're selling, at £30, are you done? | 0:15:50 | 0:15:54 | |
At £30. £30, 125. | 0:15:54 | 0:15:57 | |
Actually, he's probably done quite well on that, | 0:15:57 | 0:15:59 | |
£30 is probably quite cheap. | 0:15:59 | 0:16:01 | |
I had £80 marked on my catalogue. I've just bought that for £30. | 0:16:01 | 0:16:08 | |
Just look at his delight. | 0:16:08 | 0:16:09 | |
Even with the commission, the lot only cost £35.40. | 0:16:09 | 0:16:12 | |
Our bargain bruisers are now level pegging - | 0:16:16 | 0:16:19 | |
three items apiece | 0:16:19 | 0:16:20 | |
but it looks like Jonty is gearing up for a major attack. | 0:16:20 | 0:16:24 | |
This is the aquamarine ring I really quite like. | 0:16:24 | 0:16:27 | |
I'm thinking about this one. I think Jonty is as well. | 0:16:27 | 0:16:32 | |
Are we about to see some head to head bidding? | 0:16:32 | 0:16:35 | |
-Jonty's in. -£60, five, 70, five... | 0:16:35 | 0:16:40 | |
Catherine watches and waits. | 0:16:40 | 0:16:42 | |
-£85. -He's bidding against commission. | 0:16:42 | 0:16:45 | |
He's gone for this ring at 85. | 0:16:45 | 0:16:48 | |
Oh, Catherine didn't enter the fray! It wasn't to be. | 0:16:48 | 0:16:51 | |
He's happy with that. | 0:16:51 | 0:16:53 | |
I think it's a beautiful ring, 85 quid, | 0:16:53 | 0:16:56 | |
so it stands me in roughly around £100 without doing my maths. | 0:16:56 | 0:16:59 | |
Perfect, I really like that. | 0:16:59 | 0:17:01 | |
Well, Jonty, your sums are almost bang on. £100.30. | 0:17:01 | 0:17:06 | |
I think that's quite a lot, | 0:17:06 | 0:17:09 | |
but knowing Jonty, he'll get something out of that. | 0:17:09 | 0:17:12 | |
Oh, come on Catherine, don't get despondent. | 0:17:12 | 0:17:15 | |
Your opponent's already off and bidding again. | 0:17:15 | 0:17:18 | |
He's just bagged himself two pairs of earrings | 0:17:18 | 0:17:22 | |
and they cost him £44.84. | 0:17:22 | 0:17:24 | |
Now, sometimes in auction sales, things are so cheap, | 0:17:24 | 0:17:27 | |
you just have to buy them. | 0:17:27 | 0:17:28 | |
A smidgen under £45, there HAS to be a margin there. | 0:17:28 | 0:17:33 | |
Jonty's landing his punches thick and fast | 0:17:33 | 0:17:37 | |
and our new king of bling's not stopping there. | 0:17:37 | 0:17:39 | |
This is my next lot. I love these. | 0:17:39 | 0:17:42 | |
Jonty's bidding on a pair of 19th-century gold cufflinks. | 0:17:42 | 0:17:44 | |
At £85, then, 85, 125. | 0:17:44 | 0:17:48 | |
Gent's cufflinks, good quality gold cufflinks, | 0:17:49 | 0:17:53 | |
you'll always find a market for those. Lovely things. | 0:17:53 | 0:17:56 | |
The pair of gold cufflinks set Jonty back another £100.30. | 0:17:56 | 0:18:01 | |
He's now way out in front with six items to Catherine's three. | 0:18:01 | 0:18:04 | |
He's on a bit of a roll there and he's looking so happy with himself. | 0:18:06 | 0:18:11 | |
She's getting riled and what do you not need when you're riled? | 0:18:11 | 0:18:15 | |
A gloating opponent, of course! | 0:18:15 | 0:18:17 | |
-Catherine, you're looking very serious. -I know! I am, yes. | 0:18:17 | 0:18:21 | |
-I'm focused. -Focused? -Hm. | 0:18:21 | 0:18:22 | |
Well, I think I've bought enough to beat you already. | 0:18:22 | 0:18:26 | |
I don't think so, Jonty, but good luck. | 0:18:26 | 0:18:29 | |
Oh, our lady is seething. She's not going to stand for this! | 0:18:30 | 0:18:34 | |
The auctioneers changeover and Catherine retaliates straightaway | 0:18:34 | 0:18:38 | |
by bagging four barometers that set her back £21.24 with fees. | 0:18:38 | 0:18:43 | |
The tortoiseshell purses are up next and Cunning Catherine | 0:18:44 | 0:18:48 | |
has a canny plan to make sure she makes a bargain. | 0:18:48 | 0:18:52 | |
I've laid them all out here, so I've laid out the tortoiseshell purses. | 0:18:52 | 0:18:56 | |
What I'm going to do, as the lots go on, | 0:18:56 | 0:18:58 | |
I'm going to look at each one and see | 0:18:58 | 0:19:00 | |
and if there is one that's going cheap, | 0:19:00 | 0:19:02 | |
I'll have a quick look and I'll go for it. | 0:19:02 | 0:19:05 | |
17 of the purses go for big bucks, but then... | 0:19:05 | 0:19:09 | |
334, tortoiseshell... | 0:19:09 | 0:19:11 | |
This is absolutely beautiful, this one. | 0:19:11 | 0:19:14 | |
The strap-work across, really nice. | 0:19:14 | 0:19:17 | |
-Game for 150? 140 it is, do I see 150? -Will you take 145? | 0:19:17 | 0:19:21 | |
I'll take 145, yeah. 145, I have. Do I see 150? | 0:19:21 | 0:19:26 | |
Selling then in the room for 145. | 0:19:26 | 0:19:29 | |
That is beautiful. | 0:19:29 | 0:19:31 | |
The lady is grappling her way back into the game | 0:19:31 | 0:19:33 | |
with the most expensive item purchased so far. | 0:19:33 | 0:19:36 | |
Catherine hands over £171.10 with fees | 0:19:37 | 0:19:41 | |
and because of the age of the piece, it predates the legislation | 0:19:41 | 0:19:45 | |
governing the buying and selling of tortoiseshell. | 0:19:45 | 0:19:48 | |
Really nice tortoiseshell here, a bit of blonde tortoiseshell. | 0:19:48 | 0:19:52 | |
Lovely strap-work, inlaid strap-work | 0:19:52 | 0:19:54 | |
and a central silver cartouche. | 0:19:54 | 0:19:57 | |
Inside, it's in lovely condition - it's got the silk lining. | 0:19:57 | 0:20:02 | |
So, happy with that. Just got to sell it now for a profit. | 0:20:02 | 0:20:06 | |
Before she heads back into the fray, | 0:20:06 | 0:20:09 | |
Catherine takes look at a Waterford crystal bowl | 0:20:09 | 0:20:11 | |
and two Victorian glass inkwells and she must like what she sees. | 0:20:11 | 0:20:16 | |
She bids on them and is victorious. | 0:20:16 | 0:20:21 | |
The collection of glassware costs £47.20 with fees. | 0:20:21 | 0:20:24 | |
Last of the big spenders! | 0:20:26 | 0:20:28 | |
He's so rude! | 0:20:29 | 0:20:31 | |
We started this competition as real pals and we've really fallen out now. | 0:20:31 | 0:20:37 | |
Well, there's no room for friendship in this game. | 0:20:37 | 0:20:39 | |
Catherine has her eye on one last item - | 0:20:39 | 0:20:42 | |
a box of railway books and DVDs and she's had to wait for it. | 0:20:42 | 0:20:46 | |
It's the final lot of the day. | 0:20:46 | 0:20:48 | |
I was hoping that the room would have cleared | 0:20:49 | 0:20:52 | |
but there's still a few stragglers, | 0:20:52 | 0:20:54 | |
so I might not get them, but we'll see. | 0:20:54 | 0:20:56 | |
Don't look now, but one of those stragglers is right behind you. | 0:20:56 | 0:21:00 | |
Somebody give me £10 to clear it up. £10 to clear it up, anybody want it? | 0:21:00 | 0:21:05 | |
-Oh, thank you very much. -Hammer down! | 0:21:05 | 0:21:07 | |
£10, any advance on £10? | 0:21:07 | 0:21:09 | |
Selling then at 10 whole pounds. Who's that behind you there? | 0:21:09 | 0:21:14 | |
-£10... -Go away! £10. Just ignore him. | 0:21:14 | 0:21:17 | |
-He's distracting me greatly. Selling at £10, yours. -Yes, thank you. | 0:21:17 | 0:21:21 | |
The railway collection shunts our buying bonanza to its final stop. | 0:21:21 | 0:21:26 | |
Add in the fees and Catherine pays £11.80. | 0:21:26 | 0:21:29 | |
-Finished? -Finished. | 0:21:29 | 0:21:30 | |
And now, it's all over, but how much of their £1,000 budgets | 0:21:30 | 0:21:34 | |
did our premium pair end up spending? | 0:21:34 | 0:21:37 | |
Jonty had a burst of buying and then it all went quiet. | 0:21:37 | 0:21:41 | |
The Hitman has bought six items for a total of £410.64. | 0:21:41 | 0:21:46 | |
Catherine was determined to get even and waited till the bitter end. | 0:21:46 | 0:21:49 | |
She made seven purchases and spent a tiny bit more - | 0:21:49 | 0:21:53 | |
£416.54 with fees. | 0:21:53 | 0:21:56 | |
The race is just too close to call but before the selling spree starts, | 0:21:56 | 0:21:59 | |
our auction hawks size up each other's wares. | 0:21:59 | 0:22:03 | |
Good day at the office? | 0:22:03 | 0:22:05 | |
Fantastic. It wasn't too bad at all. What about you? | 0:22:05 | 0:22:07 | |
I've really enjoyed today. I didn't realise that you're a train buff. | 0:22:07 | 0:22:11 | |
No, I'm not, but I have got someone in mind for them. | 0:22:11 | 0:22:14 | |
My best purchase, | 0:22:14 | 0:22:16 | |
I think is my gorgeous little thistle pepperette, isn't it nice? | 0:22:16 | 0:22:20 | |
Very nice indeed. I'm jealous that you bought that. | 0:22:20 | 0:22:21 | |
Are you actually jealous, do you mean that? | 0:22:22 | 0:22:25 | |
-I mean it sincerely. I think this is lovely. -What's your best buy? | 0:22:25 | 0:22:28 | |
-I really love this little cup here, this wine tasting cup. -Pretty. | 0:22:28 | 0:22:33 | |
-Isn't that nice? -Very, very pretty. -Just delicate. -Yeah. | 0:22:33 | 0:22:37 | |
I like the applied grapes around the lip, really nice. | 0:22:37 | 0:22:39 | |
What about that at the end, the silver jug and bowl? | 0:22:39 | 0:22:43 | |
That's probably my least favourite purchase, I have to say. | 0:22:43 | 0:22:47 | |
I can see why. Why did you buy that? | 0:22:47 | 0:22:50 | |
Um... Pass. | 0:22:50 | 0:22:52 | |
Well, I wish you all the best of luck in selling you items, | 0:22:52 | 0:22:56 | |
especially your delightful white metal bowl. | 0:22:56 | 0:22:58 | |
I think I'm going to need it. | 0:22:58 | 0:23:00 | |
The auction was rough, but now, it's gets tough | 0:23:02 | 0:23:05 | |
because our hard-hitting hammer heads | 0:23:05 | 0:23:08 | |
must now plan their selling campaigns. | 0:23:08 | 0:23:11 | |
Every last lot needs a new home and our dealers must scour the land | 0:23:11 | 0:23:15 | |
seeking out deals to pump up their profit pots. | 0:23:15 | 0:23:18 | |
Our rivals must rifle through their contact books, | 0:23:18 | 0:23:21 | |
race through the search engines and reach for the phones | 0:23:21 | 0:23:25 | |
because there's no room for rest until there's a winner. | 0:23:25 | 0:23:29 | |
Jonty gets down to business at Hitman HQ | 0:23:29 | 0:23:33 | |
and our Oxfordshire ox is feeling bullish. | 0:23:33 | 0:23:35 | |
Here are the items that I've come back with. | 0:23:35 | 0:23:38 | |
I've bought a ring, really good quality antique ring. | 0:23:38 | 0:23:43 | |
And, I have a very large collection of costume jewellery. | 0:23:43 | 0:23:47 | |
The item that's worth the most money in here | 0:23:47 | 0:23:49 | |
is the silver cigarette case. | 0:23:49 | 0:23:52 | |
I think I could probably still sell that as one whole collection. | 0:23:52 | 0:23:56 | |
The Indian silver, I purchased because it was the right price. | 0:23:56 | 0:24:00 | |
The earrings, great investment. | 0:24:00 | 0:24:02 | |
If they are diamonds there, then they're worth a small fortune. | 0:24:02 | 0:24:07 | |
Everything I brought back with me I'm genuinely very pleased with. | 0:24:07 | 0:24:11 | |
And Jonty must also sell the silver wine tasting cup | 0:24:11 | 0:24:14 | |
and the gold cufflinks. | 0:24:14 | 0:24:15 | |
Catherine's holed-up in Cunning Castle in Kent | 0:24:15 | 0:24:18 | |
and she's loving her lots. | 0:24:18 | 0:24:21 | |
I'm really happy with everything that I bought at the auction. | 0:24:21 | 0:24:25 | |
I've got my railwayana collection there, set of barometers. | 0:24:25 | 0:24:29 | |
The only thing that I might have a problem with | 0:24:29 | 0:24:32 | |
is the tortoiseshell purse. | 0:24:32 | 0:24:34 | |
I love it, but... | 0:24:34 | 0:24:37 | |
£145 hammer I paid for it, plus commission | 0:24:37 | 0:24:41 | |
and I think I may struggle to sell that and make a profit on it. | 0:24:41 | 0:24:46 | |
The item which I think I will make a profit on | 0:24:46 | 0:24:49 | |
is this lovely silver pepperette. | 0:24:49 | 0:24:52 | |
All the other pieces, I paid relatively small amounts of money on, | 0:24:52 | 0:24:56 | |
so there's no problem there that I'm going to make myself decent profits. | 0:24:56 | 0:25:01 | |
Hm! No problem, she says. | 0:25:01 | 0:25:03 | |
Catherine's also got glassware galore - | 0:25:03 | 0:25:05 | |
the decanter, the glass inkwells and the crystal bowl | 0:25:05 | 0:25:08 | |
as well as the children's prints to sell. | 0:25:08 | 0:25:11 | |
Our maestros have some serious sales to set up. | 0:25:11 | 0:25:15 | |
They can plan for every eventuality but until they've shaken on it | 0:25:15 | 0:25:19 | |
and the money's changed hands, no deal is truly sealed. | 0:25:19 | 0:25:22 | |
It's the Hitman who wades in first | 0:25:22 | 0:25:24 | |
with a visit to one of his regular customers, Roxanne. | 0:25:24 | 0:25:28 | |
She's on the lookout for a gift for her husband | 0:25:28 | 0:25:30 | |
and Jonty is ready to tickle her fancy | 0:25:30 | 0:25:33 | |
with the gold cufflinks he bought for £100. | 0:25:33 | 0:25:36 | |
-They're very pretty, aren't they? -Do you like those? -I do, very much. | 0:25:36 | 0:25:40 | |
They're hallmarked and they are nine carat gold, | 0:25:40 | 0:25:42 | |
but they're coated in 22 carat gold. | 0:25:42 | 0:25:44 | |
What sort of age do you think, what sort of date are they? | 0:25:44 | 0:25:47 | |
You're looking at around the turn of the century, | 0:25:47 | 0:25:50 | |
so they're actually more 19th century than 20th century | 0:25:50 | 0:25:53 | |
and you can really tell that by the design work. | 0:25:53 | 0:25:57 | |
I like them, Jonty, | 0:25:57 | 0:25:59 | |
so now you're going to have to tell me what I've got to cough up. | 0:25:59 | 0:26:02 | |
Talk money! Well, I think these are really, really good quality. | 0:26:02 | 0:26:06 | |
£225 is my asking price. | 0:26:06 | 0:26:09 | |
-SHE GULPS -I was thinking... | 0:26:09 | 0:26:11 | |
You were thinking? I'm waiting for it... | 0:26:11 | 0:26:13 | |
Because I've got four bits here, if I was to say £50 a bit. | 0:26:13 | 0:26:16 | |
-£50 a bit? Yeah, go on. That's fine, 200. -Would that be OK? | 0:26:16 | 0:26:20 | |
-Absolutely. -That would make you happy? -Yes, absolutely. -OK. | 0:26:20 | 0:26:24 | |
-Do a bit of dancing? -I don't think so. | 0:26:24 | 0:26:26 | |
Dad dancing might be frowned upon but profit making certainly isn't | 0:26:26 | 0:26:31 | |
and Jonty waltzes off with a profit of £99.70. | 0:26:31 | 0:26:34 | |
Oh go on then, Hitman, treat yourself to a celebratory dance! | 0:26:36 | 0:26:39 | |
MEXICAN-STYLE MUSIC | 0:26:39 | 0:26:41 | |
That is quite extraordinary. | 0:26:48 | 0:26:52 | |
Our ballroom belle is also tripping the light fantastic. | 0:26:52 | 0:26:55 | |
She's brought her collection of railway items | 0:26:55 | 0:26:58 | |
to see train enthusiast, Roy. | 0:26:58 | 0:26:59 | |
She's already sold the DVDs for £30, | 0:26:59 | 0:27:02 | |
meaning she's well into profit on the lot, | 0:27:02 | 0:27:05 | |
but she can she boost her profits further? | 0:27:05 | 0:27:08 | |
Well, I can't quite come up to the chimney | 0:27:08 | 0:27:10 | |
but I have brought you a box of, are you ready...? | 0:27:10 | 0:27:13 | |
-Yes. -Ta-dah! -Oh, that's interesting. | 0:27:13 | 0:27:15 | |
So, we've got a nice selection here of books relating to... | 0:27:15 | 0:27:19 | |
well I think they're all steam trains. | 0:27:19 | 0:27:21 | |
Now, I know that you're mainly interested in Great Western. | 0:27:21 | 0:27:25 | |
Please don't tell me you have that book. | 0:27:25 | 0:27:27 | |
There's so many books on the Great Western Railway | 0:27:27 | 0:27:30 | |
-that I don't think I've got that one. -Ding! | 0:27:30 | 0:27:33 | |
Then there's the model. This is a model of the Flying Scotsman. | 0:27:33 | 0:27:37 | |
-Yes, that's very nice. -You like that? Maybe I have under-sold that. | 0:27:37 | 0:27:40 | |
-I should keep quiet, shouldn't I? -You should! | 0:27:40 | 0:27:44 | |
You're learning, you're learning very well. | 0:27:44 | 0:27:46 | |
Price - I'd like about £60 for them. | 0:27:46 | 0:27:49 | |
I will certainly give you that. | 0:27:49 | 0:27:51 | |
-Would you? -I will. -I should have said more than that! | 0:27:51 | 0:27:55 | |
-I should have said a bit more. -I think £60 is very good. | 0:27:55 | 0:27:59 | |
-Are you happy with that? -I'm very happy. | 0:27:59 | 0:28:00 | |
Mind the closing doors! | 0:28:00 | 0:28:02 | |
The service from Little Purchase to Big Profit is now departing. | 0:28:02 | 0:28:05 | |
Including the money made from the sale of the DVDs, | 0:28:05 | 0:28:09 | |
the railwayana pulls in a total profit of £78.20. | 0:28:09 | 0:28:14 | |
I probably could have pushed him to about £80, | 0:28:14 | 0:28:16 | |
but it's a good sale, I'm on the right track | 0:28:16 | 0:28:20 | |
and it's full steam ahead. | 0:28:20 | 0:28:22 | |
And Catherine gauges the weather just right | 0:28:22 | 0:28:26 | |
for selling her barometers. | 0:28:26 | 0:28:28 | |
All four are bought by Alan, | 0:28:28 | 0:28:30 | |
a watch and barometer specialist in Kent. | 0:28:30 | 0:28:32 | |
He takes the pressure off by paying £50, | 0:28:32 | 0:28:35 | |
giving our lady a profit of £28.76. | 0:28:35 | 0:28:37 | |
Cunning Catherine has now edged ahead of the Hitman. | 0:28:39 | 0:28:42 | |
Jonty may have given up on the dad dancing | 0:28:42 | 0:28:44 | |
but hold onto your hats, he's moved on to dressing up. | 0:28:44 | 0:28:47 | |
# Where did you get that hat? Where did you get that tie? | 0:28:49 | 0:28:53 | |
What do you think? | 0:28:53 | 0:28:54 | |
# Isn't it a lovely one and just the proper style? | 0:28:54 | 0:28:58 | |
# I should like to have one just the same as that... # | 0:28:58 | 0:29:02 | |
Right, that's enough of that. | 0:29:02 | 0:29:05 | |
Jonty's come cap in hand to Reading to see Adrienne, | 0:29:05 | 0:29:08 | |
who's not only a milliner, she also deals in vintage accessories | 0:29:08 | 0:29:11 | |
which is exactly why he's here. | 0:29:11 | 0:29:14 | |
Here's my collection of costume jewellery and other items. | 0:29:14 | 0:29:17 | |
When I say other items, | 0:29:17 | 0:29:19 | |
I believe the real star item to be this cigarette case, here. | 0:29:19 | 0:29:22 | |
It does look splendid. I rather like this. | 0:29:22 | 0:29:24 | |
-That's probably Indian, actually. -Is it? | 0:29:24 | 0:29:26 | |
Yeah, there we've got mother-of-pearl, | 0:29:26 | 0:29:28 | |
we've got a bit of ebony inlay in there as well. | 0:29:28 | 0:29:31 | |
-Do you like that? -Yes, I do, I do. -We've got all sorts of things here. | 0:29:31 | 0:29:34 | |
We've got a pair of compacts, three pairs of earrings, | 0:29:34 | 0:29:37 | |
two necklaces and we've also got this very showy-offy brooch as well, | 0:29:37 | 0:29:41 | |
so that actually looks a lot more glamorous on you | 0:29:41 | 0:29:44 | |
-than it does on the suitcase. -It does. I think it's lovely | 0:29:44 | 0:29:47 | |
and it's the kind of thing I'm interested in, as you well know. | 0:29:47 | 0:29:50 | |
That's a huge relief, phew! | 0:29:50 | 0:29:53 | |
The price that I'm looking for is 100 quid. | 0:29:53 | 0:29:56 | |
As you know, I have to sell it on, so, 70? | 0:29:56 | 0:29:59 | |
-If we can tweak that up a bit, then I'm a happy man, so 80 quid? -Yes. | 0:29:59 | 0:30:04 | |
-Happy? -Definitely, as it's such a good lot. | 0:30:04 | 0:30:07 | |
Jonty's collection breaks in another chunky profit - £44.60. | 0:30:07 | 0:30:11 | |
Time for another celebration. | 0:30:11 | 0:30:14 | |
No, I think we've seen enough of that. | 0:30:16 | 0:30:18 | |
Cunning Catherine should be dancing in the aisle soon - | 0:30:18 | 0:30:21 | |
she's hoping to make big bucks | 0:30:21 | 0:30:23 | |
out of her much-loved tortoiseshell purse. | 0:30:23 | 0:30:25 | |
She's come to see Gerald, a dealer in West London. | 0:30:25 | 0:30:29 | |
-Here we are, hand it straight over. -Oh, thank you. | 0:30:29 | 0:30:32 | |
-A sweet little thing, isn't it? -Isn't it sweet? | 0:30:32 | 0:30:34 | |
Yes, lady's tortoiseshell evening purse with silver pique. | 0:30:34 | 0:30:40 | |
It's nicer than it looked in the picture. | 0:30:40 | 0:30:42 | |
-Nicer than it was in the picture? -Yes, I think so. | 0:30:42 | 0:30:45 | |
Oh, good. That's music to my ears, Gerald. | 0:30:45 | 0:30:47 | |
Oh, sounds like she's onto a winner. The purse cost Catherine £171. | 0:30:47 | 0:30:52 | |
I'd like 200 for it, Gerald. | 0:30:52 | 0:30:55 | |
Oh, wow... | 0:30:55 | 0:30:56 | |
I had in mind to pay about £100. | 0:30:57 | 0:31:00 | |
Right... | 0:31:01 | 0:31:03 | |
I can tell you that I paid quite a bit more than that for it at auction. | 0:31:03 | 0:31:07 | |
130. | 0:31:07 | 0:31:09 | |
-I would make a significant loss. -What have you got to get for it? | 0:31:10 | 0:31:14 | |
About 180. | 0:31:14 | 0:31:16 | |
-Oh... -And that's giving me the tiniest tiny profit. -Wow... | 0:31:16 | 0:31:21 | |
-160? -Can we meet in the middle at 170? | 0:31:21 | 0:31:25 | |
I knew you were going to say that. Yes, 170, yes. | 0:31:25 | 0:31:27 | |
-Can we do 170? -Yes. | 0:31:27 | 0:31:29 | |
Catherine, that's a loss! | 0:31:29 | 0:31:31 | |
The purse makes £1.10 than her lady paid for it. | 0:31:31 | 0:31:35 | |
Disappointment for the cunning one and it's Jonty's game again. | 0:31:35 | 0:31:39 | |
CHEERING | 0:31:39 | 0:31:40 | |
But don't get too cocky, Hitman, there's a long way to go yet. | 0:31:40 | 0:31:43 | |
Jonty's lined up a meeting with Ed, who sells wine | 0:31:43 | 0:31:46 | |
and he's come to show him the wine tasting cup that he bought for £70. | 0:31:46 | 0:31:51 | |
I was attracted to this because it was obvious that it was handmade. | 0:31:51 | 0:31:54 | |
If you can see round the outside here, it's all been hand beaten. | 0:31:54 | 0:31:57 | |
I can see that, yes. | 0:31:57 | 0:31:59 | |
-So a lot of work has gone into making this cup. -OK. | 0:31:59 | 0:32:02 | |
Here, it's got a maker's mark, | 0:32:02 | 0:32:04 | |
so this was actually made in the 1990s. | 0:32:04 | 0:32:08 | |
It's not particularly old at all. What do you think? | 0:32:08 | 0:32:10 | |
It's a very nice piece of silver | 0:32:10 | 0:32:12 | |
and there's a wonderful link to the business I'm in, | 0:32:12 | 0:32:15 | |
which is what's attracting me to it. | 0:32:15 | 0:32:17 | |
The price - I'm looking for 180 quid for it. | 0:32:17 | 0:32:20 | |
I was thinking more along the lines of 130, perhaps. | 0:32:20 | 0:32:23 | |
-Can we meet somewhere in the middle? -I'm sure there's a meeting point. | 0:32:23 | 0:32:26 | |
Erm... I really would be happy with 150. | 0:32:26 | 0:32:30 | |
150. | 0:32:32 | 0:32:33 | |
-Yes, I think that seems a fair compromise. -You like that? | 0:32:34 | 0:32:37 | |
-I'll shake on that, yes. -OK. -Thank you very much, Jonty. | 0:32:37 | 0:32:39 | |
-Maybe we should drink to that. -Let's do that. | 0:32:39 | 0:32:42 | |
Yes, that's another very tasty result. | 0:32:42 | 0:32:44 | |
Jonty more than doubles his money with a profit of £79.20. | 0:32:44 | 0:32:49 | |
We are now halfway through this battle for sales, | 0:32:49 | 0:32:52 | |
so let's count up the cash and see who's ahead. | 0:32:52 | 0:32:55 | |
Cunning Catherine has sold three items. | 0:32:55 | 0:32:57 | |
She had a minor hiccup with a tortoiseshell purse, | 0:32:57 | 0:33:00 | |
but she's on the up with a profit so far of £105.86. | 0:33:00 | 0:33:06 | |
The Hitman is going great guns. | 0:33:06 | 0:33:07 | |
Three sales as well | 0:33:07 | 0:33:09 | |
but twice as much profit as his opponent - £223.50. | 0:33:09 | 0:33:13 | |
Our king and queen of the auction | 0:33:13 | 0:33:17 | |
have no time to rest on their laurels. | 0:33:17 | 0:33:19 | |
They need to add to their riches or face life as an antiques pauper. | 0:33:19 | 0:33:21 | |
And there's plenty more to sell. | 0:33:21 | 0:33:24 | |
The Countess of Cunning needs to strike back, | 0:33:24 | 0:33:27 | |
and she's brought her thistle pepperette to her contact, Brian, | 0:33:27 | 0:33:31 | |
who happens to be a Scotsman. | 0:33:31 | 0:33:33 | |
-That is rather lovely. -I'll tell you the reasons why I bought it. | 0:33:34 | 0:33:38 | |
Novelty silver is a good thing to buy, | 0:33:38 | 0:33:40 | |
it's always desirable and collectable. | 0:33:40 | 0:33:43 | |
This one is actually made by a rather important silversmith. | 0:33:43 | 0:33:47 | |
If you look at it closely, | 0:33:47 | 0:33:50 | |
you can see that it's got the initials JW in a little circle, | 0:33:50 | 0:33:54 | |
for Joseph Willmore. | 0:33:54 | 0:33:56 | |
Joseph Willmore was a significant silversmith. | 0:33:56 | 0:33:59 | |
He was born in the 1770s, | 0:33:59 | 0:34:01 | |
And he flourished around the early 1800's. | 0:34:01 | 0:34:04 | |
He is a well-known and important silversmith of his time. | 0:34:04 | 0:34:08 | |
We do see people collecting other items by him, | 0:34:08 | 0:34:12 | |
namely snuff boxes and other small pieces of silver. | 0:34:12 | 0:34:16 | |
I'm very impressed with what you're saying. | 0:34:16 | 0:34:19 | |
Number one, | 0:34:19 | 0:34:20 | |
the first thing is I have never seen anything like that before. | 0:34:20 | 0:34:23 | |
It's certainly a very, from my point of view, a unique piece. | 0:34:23 | 0:34:28 | |
-Is something you would be interested in? -Yes, yes. | 0:34:28 | 0:34:32 | |
-Hmmm. OK. -He said cautiously! | 0:34:32 | 0:34:36 | |
-I would like £150. -150. | 0:34:36 | 0:34:40 | |
That's considerably beyond the mark. | 0:34:40 | 0:34:43 | |
Is it? | 0:34:43 | 0:34:44 | |
As far as I'm concerned, yes. I'd be looking at 100. | 0:34:44 | 0:34:47 | |
I would like to say 140. | 0:34:47 | 0:34:50 | |
You've dropped it 10, I'll up it 10. To 110. | 0:34:50 | 0:34:54 | |
Oh, come on, Brian, 140 is good, isn't it? | 0:34:54 | 0:34:56 | |
I'll push it up another five, 115. | 0:34:56 | 0:34:59 | |
Oh, Brian - come on! | 0:34:59 | 0:35:03 | |
Brian's making Catherine work for her money. | 0:35:03 | 0:35:05 | |
OK, well I'll jump significantly to 130. | 0:35:05 | 0:35:10 | |
-135, it's a deal. -Done. -Done. | 0:35:10 | 0:35:13 | |
That was easy! | 0:35:13 | 0:35:14 | |
It didn't look easy, Catherine. | 0:35:14 | 0:35:16 | |
The pepperette shakes up a Handsome profit, £52.40, | 0:35:16 | 0:35:19 | |
and brings Catherine right back into the game. | 0:35:19 | 0:35:22 | |
Jonty is facing tribulations of his own. | 0:35:22 | 0:35:25 | |
He's discovered that his two pairs of earrings, | 0:35:25 | 0:35:27 | |
which he thought were diamond, are actually not diamonds after all. | 0:35:27 | 0:35:32 | |
Which significantly reduces their value. | 0:35:32 | 0:35:35 | |
He's come to Berkshire to meet his contact, Gemma. | 0:35:35 | 0:35:39 | |
She is looking for a gift for her mother-in-law to be. | 0:35:39 | 0:35:42 | |
And Jonty is just looking to make a profit | 0:35:42 | 0:35:45 | |
on the £44.84 he paid for the lot. | 0:35:45 | 0:35:47 | |
The two ordinarily should be at least £60. | 0:35:47 | 0:35:51 | |
But I'm very prepared to offer you less than that. | 0:35:51 | 0:35:55 | |
You have no idea just how desperate I am. | 0:35:55 | 0:35:59 | |
OK, well that's good. | 0:35:59 | 0:36:02 | |
I do like these ones. | 0:36:02 | 0:36:05 | |
I'm not so keen on these ones | 0:36:05 | 0:36:06 | |
because I can't wear them myself, of course, | 0:36:06 | 0:36:09 | |
unless I go and get my ears pierced. Would you do them both for £30? | 0:36:09 | 0:36:12 | |
Can I squeeze you up a bit, because I'm now making a fat loss here. | 0:36:12 | 0:36:17 | |
Could you do 40, or...? | 0:36:17 | 0:36:18 | |
-I'm still making a loss. -35 for the pair. | 0:36:21 | 0:36:25 | |
-That's probably the best I can do. -35. | 0:36:25 | 0:36:27 | |
-OK. Let's call it 35. -Thank you. | 0:36:27 | 0:36:31 | |
You have a sale. | 0:36:31 | 0:36:32 | |
And you, Jonty, have a loss of £9.84. | 0:36:32 | 0:36:35 | |
Feel like dancing now? | 0:36:35 | 0:36:37 | |
# I'm never gone a dance again | 0:36:37 | 0:36:39 | |
# Guilty feet have got no rhythm... # | 0:36:39 | 0:36:41 | |
Better clear the stage for Cunning Catherine then. | 0:36:41 | 0:36:45 | |
And our golden girl is really getting into the swing of things. | 0:36:46 | 0:36:49 | |
She shows her Winnie-the-Pooh prints to a variety of contacts, | 0:36:49 | 0:36:52 | |
including some of the parents she knows from her children's school. | 0:36:52 | 0:36:57 | |
She sells eight prints for a total of £110. | 0:36:57 | 0:36:58 | |
That's a profit of £72.24. | 0:36:58 | 0:37:03 | |
Thank you very much indeed. | 0:37:03 | 0:37:05 | |
And her hard work has paid off. | 0:37:05 | 0:37:06 | |
She's back out in front of The Hitman... But not for long. | 0:37:06 | 0:37:09 | |
Jonty heads to Hungerford, | 0:37:09 | 0:37:11 | |
where dealer Anne buys the matching pieces of Indian silver for £100. | 0:37:11 | 0:37:16 | |
That's a shiny profit of £41. | 0:37:16 | 0:37:19 | |
There's barely anything between our two selling soldiers, | 0:37:19 | 0:37:23 | |
and Jonty is down to one last item. | 0:37:23 | 0:37:26 | |
It's proving more than a little problematic. | 0:37:26 | 0:37:28 | |
I'm still left with my blue stone ring. | 0:37:28 | 0:37:32 | |
I've tried to find buyers for it but without success. | 0:37:32 | 0:37:36 | |
I'm going to offer it to Andy now, who's a jewellery dealer. | 0:37:36 | 0:37:39 | |
But will I even get my money back? | 0:37:39 | 0:37:41 | |
Catherine still has two items left in her bargain bag | 0:37:41 | 0:37:44 | |
so this meeting with Andy is make or break for The Hitman. | 0:37:44 | 0:37:48 | |
Ladies dress ring. | 0:37:48 | 0:37:50 | |
Blue stone. | 0:37:50 | 0:37:51 | |
-Nine carat gold band and setting. -OK. | 0:37:52 | 0:37:56 | |
-I'm looking for £150 for it. -Blue Topaz. | 0:37:56 | 0:38:01 | |
It looks like it should be a 1950s ring, | 0:38:01 | 0:38:04 | |
but actually it's a reproduction. | 0:38:04 | 0:38:06 | |
You think it's repro? | 0:38:06 | 0:38:07 | |
Yeah, because I can see casting marks on the underside. | 0:38:07 | 0:38:12 | |
Also, 375 is the modern European standard. | 0:38:12 | 0:38:16 | |
-Yeah. -That was put on pieces of jewellery after 1973. | 0:38:16 | 0:38:22 | |
Prior to that you would have probably had nine carat stamped on there, | 0:38:22 | 0:38:25 | |
if that was a genuine '40s, '50s. | 0:38:25 | 0:38:27 | |
So, what does this mean? | 0:38:27 | 0:38:29 | |
Will the ring bring in a premium profit | 0:38:29 | 0:38:31 | |
or doesn't really belong in a Christmas cracker? | 0:38:31 | 0:38:33 | |
We'll find out in a few minutes. | 0:38:33 | 0:38:35 | |
Because Cunning Catherine is circling to sell her last two items. | 0:38:35 | 0:38:41 | |
I've come along to see my mate Tim, | 0:38:41 | 0:38:43 | |
who's got an antiques shop in Farnborough village. | 0:38:43 | 0:38:46 | |
I've come armed with a couple of items. | 0:38:46 | 0:38:49 | |
My decanter and my inkwells. | 0:38:49 | 0:38:52 | |
Although I've bought items from Tim before, | 0:38:52 | 0:38:54 | |
I've never actually sold him anything. | 0:38:54 | 0:38:57 | |
So this could be interesting. | 0:38:57 | 0:38:59 | |
Catherine opens with the decanter | 0:38:59 | 0:39:01 | |
she unexpectedly bought on impulse for £44. | 0:39:01 | 0:39:05 | |
Silver mounted, Silver stopper. Have a look, tell me what you think. | 0:39:05 | 0:39:09 | |
Well, I love it straightaway | 0:39:09 | 0:39:11 | |
because I've always been so fond of this shape. | 0:39:11 | 0:39:14 | |
It's the perfect shape for pouring whiskey. | 0:39:14 | 0:39:17 | |
You know, most of the things I see like this are damaged in some way | 0:39:17 | 0:39:20 | |
-and this one seems absolutely perfect. -It is. | 0:39:20 | 0:39:22 | |
You have to be very careful with the top section here, | 0:39:22 | 0:39:25 | |
run your finger around and make sure there are no cracks there. | 0:39:25 | 0:39:28 | |
Lovely condition. | 0:39:28 | 0:39:29 | |
And not too much fogging on the inside, which is nice to see too. | 0:39:29 | 0:39:33 | |
-It just needs a little clean, I think. -It does. | 0:39:33 | 0:39:36 | |
-So, yeah, right up my street. -You like that? | 0:39:36 | 0:39:39 | |
It was actually sold together with this decanter label, | 0:39:39 | 0:39:41 | |
which I think you agree doesn't go with it at all. | 0:39:41 | 0:39:43 | |
I love this. I have a passion for small pieces of silver. | 0:39:43 | 0:39:46 | |
This one I like particularly | 0:39:46 | 0:39:47 | |
because it's so unusual to find in a heart-shape. | 0:39:47 | 0:39:50 | |
I know, isn't that lovely? | 0:39:50 | 0:39:52 | |
Engraved with brandy, it's absolutely charming. | 0:39:52 | 0:39:55 | |
How does 100 sound on the two? | 0:39:55 | 0:39:57 | |
Three figures. In my mind I was still in two figures. | 0:39:57 | 0:40:01 | |
I tell you what I'd be very happy to pay. I'd be happy to pay £70. | 0:40:01 | 0:40:05 | |
How does 80 sound? | 0:40:05 | 0:40:07 | |
-I tell you what, split it down the middle, make it £78. -78?! | 0:40:07 | 0:40:10 | |
-We can definitely do a deal. -I like it. 78 on that. -Me too. | 0:40:10 | 0:40:13 | |
Wonderful! | 0:40:13 | 0:40:14 | |
That's a great start. The decanter makes a profit of £33.16. | 0:40:14 | 0:40:19 | |
Tim also goes on to buy the inkwells and crystal bowl, | 0:40:19 | 0:40:22 | |
but he's not nearly so keen. | 0:40:22 | 0:40:24 | |
All in all, they make a meagre profit of just £2.80. | 0:40:24 | 0:40:29 | |
And with that, all the sales are complete. | 0:40:29 | 0:40:31 | |
Both our bargain beauties arrived at the auction | 0:40:31 | 0:40:33 | |
with £1000 of their own cash to spend. | 0:40:33 | 0:40:36 | |
Jonty, The Hitman, bought six lots, costing a total of £410.64. | 0:40:36 | 0:40:42 | |
Cunning Catherine made seven purchases | 0:40:42 | 0:40:45 | |
but spent almost exactly the same. £416.54. | 0:40:45 | 0:40:49 | |
So, who had the cream of the contacts | 0:40:49 | 0:40:51 | |
and who was left crying into their dealer directory? | 0:40:51 | 0:40:54 | |
All of the money that Jonty and Catherine | 0:40:54 | 0:40:57 | |
have made from today's challenge | 0:40:57 | 0:40:59 | |
will be going to a charity of their choice. | 0:40:59 | 0:41:01 | |
So without further ado, it's time to find out who is today's | 0:41:01 | 0:41:05 | |
Put Your Money Where Your Mouth Is champion. | 0:41:05 | 0:41:08 | |
-Jonty, good to see you. -How are you doing? -Good, thank you. | 0:41:09 | 0:41:13 | |
-Welcome to my house. -What a beautiful house it is, too. | 0:41:13 | 0:41:16 | |
How did you get on at the auction? | 0:41:16 | 0:41:18 | |
The auction was pretty good for me. | 0:41:18 | 0:41:21 | |
Do you remember I waited right till the very end. | 0:41:21 | 0:41:23 | |
You did, for all those train items. | 0:41:23 | 0:41:25 | |
Yeah, and it was worth the wait, let me tell you that. | 0:41:25 | 0:41:28 | |
-It was one of my best profits, Jonty. -Damn! | 0:41:28 | 0:41:32 | |
-Also, the decanter which I bought blind. -Yes, what happened to that? | 0:41:32 | 0:41:36 | |
-Well, I sold that pretty well as well. -Did you? | 0:41:36 | 0:41:39 | |
-I'm feeling quite confident. -Looking confident, yes, you are. | 0:41:39 | 0:41:42 | |
-What about you? That jewellery. -Yes, I bought lots of jewellery. | 0:41:42 | 0:41:45 | |
My best sales were my cufflinks. Pleased with those. | 0:41:45 | 0:41:49 | |
-Those were the highlight, I have to say. -You're not giving much away. | 0:41:49 | 0:41:52 | |
-Shall we reveal, see how we've done? -Yeah, let's go for it. | 0:41:52 | 0:41:55 | |
One, two, three! | 0:41:55 | 0:41:58 | |
-Oh! -Oh, Jonty! -That's close, that was very close. | 0:41:58 | 0:42:03 | |
-I thought I was going to beat you on that one. -Really? -Oh, well. | 0:42:03 | 0:42:06 | |
Let me console you. Massive meal on my dining room table. | 0:42:06 | 0:42:09 | |
Come on, let me show you. It's in the house. | 0:42:09 | 0:42:12 | |
Our Hitman reigns victorious, so just what happened with the ring? | 0:42:12 | 0:42:16 | |
Jonty asked Andy for £150. | 0:42:16 | 0:42:18 | |
-It's certainly a sellable item. -Yeah. | 0:42:18 | 0:42:22 | |
It's quite commercial to us. | 0:42:22 | 0:42:23 | |
It's certainly my clientele's taste. | 0:42:23 | 0:42:27 | |
150 seems... | 0:42:27 | 0:42:29 | |
I'm not going to even argue with you because that's a good price. | 0:42:29 | 0:42:32 | |
-Are you happy? -If you're happy with that. | 0:42:32 | 0:42:34 | |
-I'm very happy. -Very good. | 0:42:34 | 0:42:37 | |
The ring rang in a profit of £49.70. Top man, Hitman! | 0:42:37 | 0:42:41 | |
I'm relieved and pleased | 0:42:43 | 0:42:44 | |
that I managed to win the auction challenge. | 0:42:44 | 0:42:48 | |
But that Cunning Catherine, she pushed me incredibly close indeed. | 0:42:48 | 0:42:53 | |
That's not the result I thought it was going to be. | 0:42:53 | 0:42:55 | |
I was actually really confident I'd won that one. | 0:42:55 | 0:42:58 | |
But well done, Jonty. Hats off to you. | 0:42:58 | 0:43:01 | |
Well, tomorrow is another day, Catherine, and what a day it is. | 0:43:01 | 0:43:05 | |
Our mighty maestros put their careers and their reputations on the line | 0:43:05 | 0:43:09 | |
when they face the ultimate antiques challenge. | 0:43:09 | 0:43:12 | |
It's the Put Your Money Showdown. | 0:43:12 | 0:43:14 | |
Keep going. | 0:43:14 | 0:43:16 | |
Subtitles by Red Bee Media Ltd | 0:43:32 | 0:43:36 |