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This is Put Your Money Where Your Mouth Is, pitching TV's best-loved antiques experts | 0:00:02 | 0:00:08 | |
against each other in an all-out battle for profit | 0:00:08 | 0:00:13 | |
-and giving you the insider's view of the trade. -I'm on the case. | 0:00:13 | 0:00:17 | |
Each week, one pair of duelling dealers will face a different daily challenge. | 0:00:19 | 0:00:24 | |
-I'm a cheeky chancer. -Lovely! | 0:00:24 | 0:00:27 | |
Putting their reputations on the line and giving you top tips and savvy secrets | 0:00:27 | 0:00:32 | |
on how to make the most money from buying and selling. | 0:00:32 | 0:00:36 | |
-Let's go and spend some money! -Get in there! | 0:00:36 | 0:00:40 | |
Today devil-may-care antiques assassin David Harper goes up against | 0:00:40 | 0:00:45 | |
dapper international man of mystery Paul Hayes. | 0:00:45 | 0:00:49 | |
Coming up: Paul's attempts at bilingual buying. | 0:00:49 | 0:00:52 | |
Je pense... | 0:00:52 | 0:00:55 | |
-Est-ce que vous...quarante pour moi? -Non, non! -Cinquante? -Cinquante. | 0:00:55 | 0:00:59 | |
-David struggles to make himself understood. -Do you speak English? -Non. -Oh, gosh. | 0:00:59 | 0:01:05 | |
Do you speak English, anybody? | 0:01:05 | 0:01:07 | |
The best price... The beret's not doing me any good at all, is it? | 0:01:07 | 0:01:12 | |
-And it's coin toss mayhem for Mr Harper. -Is it heads or tails? -What is it? | 0:01:12 | 0:01:18 | |
-Heads. -Heads. | 0:01:18 | 0:01:20 | |
Do it again. | 0:01:20 | 0:01:23 | |
This is Put Your Money Where Your Mouth Is. | 0:01:23 | 0:01:27 | |
The location: Northern France, Europe. | 0:01:38 | 0:01:41 | |
A special undercover operation is about to get underway | 0:01:41 | 0:01:46 | |
involving two top secret antiques agents. It's going to be sell-adelic! | 0:01:46 | 0:01:52 | |
First up, a double-O operative who does it for Queen and country every time. | 0:01:52 | 0:01:57 | |
Versus the spymaster from Morecambe, the man who knows too much. | 0:02:00 | 0:02:04 | |
They've jetted across the water to Douai, France. | 0:02:07 | 0:02:11 | |
Their mission, should they choose to accept it, is to hunt down the best bargains to sell for cash. Groovy! | 0:02:11 | 0:02:18 | |
They've each got £750-worth of their own euros to spend and all profits go to their chosen charities. | 0:02:18 | 0:02:25 | |
David Harper and Paul Hayes, it's time to put your money where your mouth is. | 0:02:27 | 0:02:34 | |
-Bonjour, David. -Bonjour, Paul. -Ca va? -Oh, I have no idea! | 0:02:34 | 0:02:38 | |
-You say, "Ca va bien, merci." -I'm very well. And look at the size of that. | 0:02:38 | 0:02:43 | |
-It's massive! And full of antiques. -Any plans? -I have a cunning plan. | 0:02:43 | 0:02:48 | |
-Would you reveal it to me? -Well, let's see yours first. -OK. You have to close your eyes. -OK. | 0:02:48 | 0:02:55 | |
Remember, I am a master at blending in wherever I go. | 0:02:56 | 0:03:00 | |
-Is it a string of onions and a beret? -Oh, la la! | 0:03:00 | 0:03:04 | |
It IS a beret! Hello? Is it David? | 0:03:04 | 0:03:07 | |
-Oui, monsieur! Bonjour. -I've got a similar thing here. | 0:03:07 | 0:03:12 | |
A list of jokes in French. Right... | 0:03:12 | 0:03:15 | |
It says here, right, "Tu as deja entendu la blague de la cravate? C'est longue et plate." | 0:03:15 | 0:03:22 | |
Which translates as, "Would you like to hear the joke about the tie? It's long and flat." | 0:03:22 | 0:03:27 | |
-And that's the best French joke I could find! -That's the best English joke you've got! | 0:03:27 | 0:03:33 | |
-Is that right? Want to hear another one? -Yeah, go on. | 0:03:33 | 0:03:38 | |
They might be all jokes and smiles now, but as they run off into the fray, | 0:03:38 | 0:03:43 | |
this duplicitous pair get to work and Paul has plans to use his good humour as a weapon. | 0:03:43 | 0:03:50 | |
I've got a list of really good French jokes. That should put the stallholders at ease | 0:03:50 | 0:03:56 | |
and get me a lesser price. | 0:03:56 | 0:03:59 | |
When you're in France buying antiques, you can buy things that are distinctly French, | 0:03:59 | 0:04:04 | |
which makes them more unusual back home. I've got the beret, I've got some money, | 0:04:04 | 0:04:10 | |
I'm in France, I'm excited. But I look more French than the French. | 0:04:10 | 0:04:15 | |
Well, with David going over the top and Paul going undercover, | 0:04:15 | 0:04:19 | |
it's time for our espionage antiques experts to start spying what's on offer. | 0:04:19 | 0:04:25 | |
-David's looking for a foreign object and it doesn't take long. -That's got a real French look. | 0:04:25 | 0:04:31 | |
A Louis XVI-style mirror. Probably 1920s, I'd have thought. | 0:04:31 | 0:04:36 | |
Might have been gilded at one time. It's been painted. All it needs is a great big piece of mirror. | 0:04:36 | 0:04:42 | |
It's a console mirror, so originally it would have been made to fit above a table | 0:04:42 | 0:04:49 | |
that is either attached to the wall or on legs with a marble base. | 0:04:49 | 0:04:53 | |
Excuse me, monsieur. | 0:04:53 | 0:04:56 | |
Er, c'est combien? Combien? | 0:04:56 | 0:04:59 | |
-Soixante euros. -Soixante euros. -Sixty. | 0:04:59 | 0:05:03 | |
-Six-oh? -Oui. -OK. | 0:05:03 | 0:05:06 | |
The best price... The beret's not doing me any good, is it? ..No. | 0:05:06 | 0:05:11 | |
Forty-five. | 0:05:11 | 0:05:13 | |
-Forty-five. -Oui. -Yes? | 0:05:13 | 0:05:16 | |
The beret has worked its magic. You don't realise it, but it has. Thank you. | 0:05:16 | 0:05:22 | |
The mirror and frame reflect well on David's negotiating skills, | 0:05:23 | 0:05:27 | |
costing him £38.46. | 0:05:27 | 0:05:31 | |
And French-bereted Monsieur Harper desperately tries to win over another seller | 0:05:31 | 0:05:36 | |
when he spots an Art Deco table. | 0:05:36 | 0:05:38 | |
-Hello, madam. -Hello. -Do you speak English? -A little. -Good. | 0:05:38 | 0:05:42 | |
-Because I speak no French. Do I look French? -It is very difficult for me. | 0:05:42 | 0:05:46 | |
-You're very good. Very good indeed. -Thank you. | 0:05:46 | 0:05:50 | |
-What do you think of the beret? Like it? -It's very blue. | 0:05:50 | 0:05:54 | |
-Now this little Japanese-inspired table. -It's lovely. | 0:05:54 | 0:06:00 | |
-A little, little price. -Little price. Can we go and have a look at it? -Yes. | 0:06:00 | 0:06:06 | |
What do we say in French when a dealer deals with a dealer? We trade, we look after each other. | 0:06:06 | 0:06:13 | |
-We make sure that we're happy... -I can give a good price. -OK! | 0:06:13 | 0:06:18 | |
-What would a good dealer price be? -60. Soixante. | 0:06:18 | 0:06:22 | |
Soixante. How about we do what all good dealers do? | 0:06:22 | 0:06:26 | |
Meet in the middle? Compromise? | 0:06:26 | 0:06:28 | |
-Cinquante-cinq. Is that right? -Yes, yes. -55. -I can. | 0:06:28 | 0:06:33 | |
Oh, my God. Marvellous. Thank you. | 0:06:33 | 0:06:36 | |
Tres bon! The table costs David just over £47 and puts him into a two-nil lead. | 0:06:36 | 0:06:43 | |
There's a few things going on here. You've got a Japanese influence, | 0:06:43 | 0:06:47 | |
you've got the aesthetic influence from the late-19th century, | 0:06:47 | 0:06:51 | |
and an Art Deco feel from the 1920s, 1930s, all kind of combined. | 0:06:51 | 0:06:56 | |
So, date-wise, 1925, 1930. There's a real multiple mix of designs there, | 0:06:56 | 0:07:02 | |
but a really good-looking thing. | 0:07:02 | 0:07:05 | |
So David's got two purchases to Paul's nul points, but Mr Morecambe is not sleeping on the job | 0:07:05 | 0:07:11 | |
as he deploys his laudable linguistic abilities to inquire about an antique cradle. | 0:07:11 | 0:07:16 | |
Monsieur... | 0:07:16 | 0:07:18 | |
..le age de la...? | 0:07:18 | 0:07:21 | |
-Cent ans. -Cent ans. 100 years old. | 0:07:21 | 0:07:25 | |
-Et le prix? C'est combien? -Cent. -Cent. 100 quid for me. | 0:07:25 | 0:07:30 | |
I think you mean euros, Paul. | 0:07:30 | 0:07:33 | |
-Est-ce que vous acceptez...? -Non. -Non? | 0:07:33 | 0:07:36 | |
-I'm asking 80. -Quatre-vingt dix. -Quatre-vingt dix. 90. | 0:07:36 | 0:07:41 | |
Souhaitez-vous entendre une blague? | 0:07:41 | 0:07:43 | |
Oui? You'd like to hear a joke? OK, here we go. | 0:07:43 | 0:07:47 | |
OK. | 0:07:47 | 0:07:49 | |
Je voudrais acheter. | 0:07:59 | 0:08:02 | |
Merci. Merci beaucoup, monsieur. | 0:08:02 | 0:08:06 | |
Yes, Paul's cunning comedy comes good and the cradle rocks up at £76.92. | 0:08:06 | 0:08:11 | |
Yeah, baby! | 0:08:11 | 0:08:13 | |
What have I bought? A cradle. It's a wonderful item. | 0:08:13 | 0:08:17 | |
You just don't see these in England. If you've got a new-born baby, what an impressive bit of furniture. | 0:08:17 | 0:08:24 | |
Also, these are great-selling items for the vintage doll market. | 0:08:24 | 0:08:28 | |
If you've got a good old Victorian doll, this is perfect to display it. | 0:08:28 | 0:08:33 | |
I'm so pleased, I fancy a bit of a nap myself. If only I could fit in there, it would be lovely. | 0:08:33 | 0:08:39 | |
And hot water bottle. | 0:08:39 | 0:08:41 | |
Yes, there's no time for a snooze, Paul. David has seen an item that he hopes won't blow his budget. | 0:08:41 | 0:08:48 | |
Is it OK if I blow? Yeah? | 0:08:48 | 0:08:51 | |
-See if it works. -MUFFLED NOTE | 0:08:51 | 0:08:54 | |
Not exactly Louis Armstrong, is he? | 0:08:54 | 0:08:57 | |
Monsieur? Combien? | 0:08:57 | 0:08:59 | |
-Quarante euro. -Quarante? | 0:08:59 | 0:09:02 | |
Quarante. Thirty euro? Yeah? OK? | 0:09:02 | 0:09:07 | |
Thank you very much. ..So I've just purchased a nice vintage trumpet without its case, | 0:09:07 | 0:09:13 | |
with its original cord and a factory mark from Paris. In brass. | 0:09:13 | 0:09:17 | |
Dated probably 1920, 1930. For 30 euro. | 0:09:17 | 0:09:22 | |
That, to me, is a celebration and I've got to do it again. | 0:09:22 | 0:09:26 | |
Bought. | 0:09:28 | 0:09:30 | |
David blows his own trumpet and the vintage horn puts him back £25.64. | 0:09:30 | 0:09:35 | |
David now has three items to Paul's one, but Paul has found something else to spend his money on - | 0:09:35 | 0:09:40 | |
money. | 0:09:40 | 0:09:42 | |
This is something that I find really interesting. | 0:09:42 | 0:09:46 | |
The study of banknotes. | 0:09:46 | 0:09:48 | |
We've got a thousand Deutschmarks here, which is quite a lot of money. | 0:09:48 | 0:09:53 | |
This is pre-euro years, this one. 1,000 Deutschmarks. | 0:09:53 | 0:09:57 | |
And this one is...5,000 roubles. | 0:09:57 | 0:10:00 | |
I hope he'll do a good price for the lot. I'd rather pay 50 quid and have 10 or 20 of them | 0:10:00 | 0:10:06 | |
-rather than buy one for a fiver. -Soixante-dix pour le tout. | 0:10:06 | 0:10:11 | |
-Which is...seventy. -Seventy. -Seems a lot of money. | 0:10:11 | 0:10:16 | |
-Est-ce que vous acceptez quarante? -Quarante? Non, non. | 0:10:16 | 0:10:21 | |
-No? -Cinquante. | 0:10:21 | 0:10:23 | |
50 the lot? Hang on. Monsieur... | 0:10:23 | 0:10:27 | |
-Souhaitez-vous entendre une blague? -Oui. -Oui. | 0:10:28 | 0:10:32 | |
There we go. We've got an audience. | 0:10:32 | 0:10:35 | |
Not that old chestnut again! | 0:10:39 | 0:10:41 | |
Oui. Oui, oui, effectivement. | 0:10:44 | 0:10:46 | |
Paul hands over 50 euro for the early 20th-century Russian notes | 0:10:48 | 0:10:53 | |
and the vendor offers to write down a new joke for him! | 0:10:53 | 0:10:58 | |
It's the universal language. Humour is universal. | 0:10:58 | 0:11:02 | |
And Mr Hayes' humour helps him withdraw the banknotes for £42.74 | 0:11:02 | 0:11:07 | |
and he hopes he'll laugh all the way to the bank when he sells them, | 0:11:07 | 0:11:11 | |
but what was the joke the seller gave him? | 0:11:11 | 0:11:16 | |
I've had this translated. Hilarious. | 0:11:16 | 0:11:18 | |
It says it's better to be a little bit courageous than to be a lot lazy. | 0:11:18 | 0:11:25 | |
Hilarious(!) Almost as bad as one of my jokes, that one. | 0:11:25 | 0:11:30 | |
Perhaps it got lost in translation. | 0:11:30 | 0:11:33 | |
Anyway, it's the midway point of Operation Antiques and time to find out who's feeling the heat | 0:11:33 | 0:11:39 | |
and who's coming in from the cold. | 0:11:39 | 0:11:42 | |
Both our deadly dealers came armed with £750 of their own euros to spend. | 0:11:42 | 0:11:49 | |
David has captured three targets, spending £111.11, | 0:11:50 | 0:11:55 | |
leaving him with £638.89 in his kitty. | 0:11:55 | 0:11:59 | |
Paul has done two deals costing £119.66, | 0:12:00 | 0:12:04 | |
so he has £630.34 still to play with. | 0:12:04 | 0:12:08 | |
Before heading back into the fray, Agent Hayes and Operative Harper meet up at Checkpoint Charlie | 0:12:10 | 0:12:15 | |
for an exchange of information. | 0:12:15 | 0:12:18 | |
-Bonjour. -It is David, isn't it? -Yes, it is. Monsieur David. | 0:12:18 | 0:12:23 | |
-It's not working at all pour moi. -My jokes are going down a storm. -Really? | 0:12:23 | 0:12:28 | |
-What have you bought? -Oh, my gosh, yes. Some good things. | 0:12:28 | 0:12:32 | |
-Are you happy? -I am, but don't you find the things you want to buy are a thousand euros? -Yes! | 0:12:32 | 0:12:39 | |
There's absolutely no rhyme nor reason to the pricing. | 0:12:39 | 0:12:43 | |
-Well, good luck to you. As they say in Morecambe, bonne chance. -Ah, bonne chance. | 0:12:43 | 0:12:49 | |
Yes, back patting over, it's time to get back to work and re-infiltrate this foreign market. | 0:12:49 | 0:12:56 | |
David is quick to home in on his next target. | 0:12:56 | 0:12:59 | |
I just love those. Four cinema seats or theatre seats. | 0:12:59 | 0:13:04 | |
Numbered. | 0:13:04 | 0:13:06 | |
I just absolutely love them to bits, but where on earth would I take them? Who do I know to buy them? | 0:13:06 | 0:13:13 | |
Look at that. It's a fake crocodile seat. | 0:13:13 | 0:13:17 | |
It's just plastic. When you're dealing in these things, you've got to have an idea, | 0:13:17 | 0:13:23 | |
maybe not a specific customer, but an idea, a feeling that you can move them on to somebody. | 0:13:23 | 0:13:29 | |
-Ah, bonjour. Do you speak English? -Non. -Oh, gosh. | 0:13:29 | 0:13:33 | |
And zero French. So it's not good. | 0:13:33 | 0:13:38 | |
-The cinema seats. -Cinema. | 0:13:38 | 0:13:40 | |
They're cast iron, with this bent wood. Very cheaply made. Of course, made in big numbers. | 0:13:40 | 0:13:46 | |
Monsieur, combien? | 0:13:46 | 0:13:49 | |
Trois cent. | 0:13:50 | 0:13:53 | |
OK, best price. Monsieur? | 0:13:53 | 0:13:55 | |
200? | 0:13:55 | 0:13:57 | |
No? | 0:13:57 | 0:13:59 | |
-C'est possible. -250? | 0:14:00 | 0:14:02 | |
How about, monsieur, 220? | 0:14:02 | 0:14:05 | |
-Eh? What do you think about that, then? -Er, non. | 0:14:05 | 0:14:09 | |
Oh. You're going to write it down. | 0:14:09 | 0:14:12 | |
-240. -240? -Vrai. | 0:14:12 | 0:14:15 | |
Well, I think I'm going to buy these for 240. | 0:14:15 | 0:14:18 | |
They're 1930s cinema seats. No idea where I'll go with them, but I do think they're fantastic. | 0:14:18 | 0:14:24 | |
Monsieur, I understand everything and I will shake your hand. Thank you. Yes. Tres bien. | 0:14:24 | 0:14:31 | |
The seats cost David £205.13, but will he be able to find a buyer for them? | 0:14:31 | 0:14:38 | |
David now has four purchases to Paul's two, but Mr Morecambe is catching up | 0:14:38 | 0:14:42 | |
and has bought an Art Deco statue. | 0:14:42 | 0:14:45 | |
I think that might be one of the better buys of today. | 0:14:46 | 0:14:50 | |
I bought an original Art Deco bronze figure. These are so stylish and fit into the modern home. | 0:14:50 | 0:14:56 | |
The fact that the balls are gilded, the boules or the balls, | 0:14:56 | 0:15:01 | |
tells me it could be a Lorenzl piece. | 0:15:01 | 0:15:04 | |
He made lots and lots of objects at the time and for a very stylish original Art Deco figure | 0:15:04 | 0:15:11 | |
130 euros is cheap, actually. I think it's a good thing | 0:15:11 | 0:15:16 | |
and I hope it shows a bit of a profit. | 0:15:16 | 0:15:19 | |
The statue costs Paul £111.11 and brings the score to three-four, | 0:15:19 | 0:15:24 | |
but Agent Harper isn't resting on his laurels and he's moving in for the kill. | 0:15:24 | 0:15:30 | |
Doesn't that just ooze style? | 0:15:30 | 0:15:33 | |
It really does. A really good garden piece. Very continental. Very French. It has age. | 0:15:33 | 0:15:39 | |
It's not a reproduction. If it was, it would be so light and flimsy. | 0:15:39 | 0:15:43 | |
The frame of that thing, made of wrought iron, | 0:15:43 | 0:15:47 | |
is superb, but the seat, just look at it. | 0:15:47 | 0:15:50 | |
You really wouldn't want to put your bottom on that seat. It wouldn't stay very long. | 0:15:50 | 0:15:56 | |
So is it repairable? I suppose it is, but with great expense. | 0:15:56 | 0:16:00 | |
It's a restoration project. | 0:16:00 | 0:16:02 | |
Sorry to interrupt, gentlemen. Do you speak English? | 0:16:02 | 0:16:06 | |
-C'est combien? How much? -Cent euros. -OK. | 0:16:06 | 0:16:10 | |
So 100 euros. Gentlemen, 50 euros? | 0:16:10 | 0:16:14 | |
-Oh, non... -Oh, yes! | 0:16:14 | 0:16:16 | |
He was going to say yes. | 0:16:16 | 0:16:18 | |
-OK, go on. You show me. -Un moment. -Go on. | 0:16:18 | 0:16:23 | |
-Quatre-vingt. -Ah! | 0:16:23 | 0:16:25 | |
OK... | 0:16:25 | 0:16:27 | |
Gentlemen, get ready to be amazed. | 0:16:27 | 0:16:30 | |
Does he look like he'll be amazed? | 0:16:30 | 0:16:33 | |
-What do you think about that? -Non... -Yes! No? | 0:16:33 | 0:16:38 | |
-No? -Non, merci. -55? | 0:16:38 | 0:16:41 | |
-55? -C'est impossible. | 0:16:41 | 0:16:43 | |
-55 and you can have my hat. -Non. | 0:16:43 | 0:16:46 | |
You can have it. | 0:16:46 | 0:16:49 | |
Yeah. Here, here. Have that. And 55 euros. | 0:16:49 | 0:16:53 | |
Non, non. | 0:16:53 | 0:16:56 | |
Le prix... | 0:16:56 | 0:16:58 | |
-You want...? -Quatre-vingt. -Go on, write something down. Yes. | 0:16:58 | 0:17:03 | |
Seventy. | 0:17:03 | 0:17:05 | |
Quatre-vingt. | 0:17:05 | 0:17:07 | |
A little. | 0:17:07 | 0:17:09 | |
It does help, it does help. OK, 70 euros. | 0:17:09 | 0:17:13 | |
I can't even give this beret away! If you can't give a beret away in France, you're in big trouble. 70. | 0:17:13 | 0:17:19 | |
-Merci beaucoup. -Merci beaucoup. It's been a great pleasure. | 0:17:19 | 0:17:22 | |
The early-20th century garden bench costs £59.83 | 0:17:22 | 0:17:27 | |
and David hopes his restoration project will restore his chances of winning. | 0:17:27 | 0:17:33 | |
But Paul is hot on his heels with an item that gets his heart racing. | 0:17:33 | 0:17:37 | |
This is interesting. Look at that. | 0:17:37 | 0:17:40 | |
Circuit 24. The 24-hour Le Mans race. Look at that. | 0:17:40 | 0:17:44 | |
That's motor racing, isn't it? | 0:17:44 | 0:17:47 | |
Can you imagine that? It looks like 1950s, maybe 1960s. | 0:17:47 | 0:17:51 | |
24-hour circuit. Never seen one like that before. A slot racing machine. | 0:17:51 | 0:17:56 | |
It's got its original box and both cars are here. Look at that. | 0:17:56 | 0:18:00 | |
Wow. | 0:18:01 | 0:18:02 | |
That is so stylish. Look at that. The original Ferrari. | 0:18:02 | 0:18:06 | |
Isn't that wonderful? There's a massive market for anything like this. And it looks complete. | 0:18:06 | 0:18:12 | |
Let's see how much this is. Bonjour, monsieur. Ca va? | 0:18:12 | 0:18:18 | |
-J'aime beaucoup le jouer. C'est combien? -Soixante euro. | 0:18:18 | 0:18:23 | |
-Soixante euro. -Sixty. | 0:18:23 | 0:18:25 | |
60 euro. Ah, that's quite nice. Quelle age? '50s? | 0:18:25 | 0:18:30 | |
-'60. -'60. 1960, yeah. And 60 euros. | 0:18:30 | 0:18:33 | |
Soixante. Quarante? | 0:18:33 | 0:18:36 | |
-Non? -Fifty. | 0:18:36 | 0:18:38 | |
OK, I'm going to have that. OK, oui. J'achete. | 0:18:38 | 0:18:44 | |
The slot-car racing set costs Paul £42.74, but Mr Morecambe is still behind in this race | 0:18:44 | 0:18:49 | |
with four buys to David's five. With the finishing line in sight, | 0:18:49 | 0:18:54 | |
Paul puts his pedal to the metal and moves in on one more purchase. | 0:18:54 | 0:19:00 | |
My dad used to say if it doesn't go in your pocket, don't buy it, but there are exceptions. | 0:19:00 | 0:19:05 | |
I've come across this wonderful pedestal table. It's got four legs, | 0:19:05 | 0:19:09 | |
all heavily carved. She's asking 230 euros, | 0:19:09 | 0:19:14 | |
but it dates maybe 1830, that sort of time. | 0:19:14 | 0:19:18 | |
And it's typically French. The pedestal is a cracker. It's worth that just for its base. | 0:19:18 | 0:19:24 | |
With a bit of a polish, a bit of TLC, this could be a good seller. | 0:19:24 | 0:19:28 | |
Let's see if I can get a bit of a discount on it. Madame? Ca va? | 0:19:28 | 0:19:33 | |
Quelle age? Quelle age? | 0:19:33 | 0:19:36 | |
-Em...100 ans. -Yeah, and a bit. | 0:19:36 | 0:19:40 | |
And le best price pour moi? | 0:19:40 | 0:19:44 | |
-150 euro... -150? | 0:19:44 | 0:19:47 | |
-80. -180? -80. | 0:19:47 | 0:19:49 | |
Un cent cinquante? 150? I buy. | 0:19:49 | 0:19:53 | |
It's nice. Non? | 0:19:53 | 0:19:56 | |
No? Too low? | 0:19:56 | 0:19:58 | |
I would like to pay... Je voudrais de acheter for 150. Non? | 0:19:58 | 0:20:04 | |
C'est trop bas? | 0:20:04 | 0:20:06 | |
Oui. On coupe la poire en deux? 50/50. | 0:20:06 | 0:20:09 | |
50/50? So... | 0:20:09 | 0:20:12 | |
-Oui. -Oui? 175. OK, oui. | 0:20:12 | 0:20:15 | |
Je prendrais. | 0:20:15 | 0:20:17 | |
Merci. Merci, madame. Merci beaucoup. | 0:20:17 | 0:20:20 | |
And Paul takes the table for £149.57 | 0:20:20 | 0:20:24 | |
and brings the buying round to its denouement. With the best prices extracted, | 0:20:24 | 0:20:31 | |
it's time to say au revoir to this special assignment and find out how our super spies got on. | 0:20:31 | 0:20:38 | |
Our astounding operatives each started the day with £750-worth of their own euros. | 0:20:38 | 0:20:44 | |
David picked up five purchases, | 0:20:44 | 0:20:46 | |
costing him a total of £376.07. | 0:20:46 | 0:20:49 | |
After a slow start, Paul also ended up with five deals, | 0:20:49 | 0:20:53 | |
costing him £423.08. | 0:20:53 | 0:20:56 | |
But this frenetic game is all about who will make the most profit. | 0:20:56 | 0:21:01 | |
So with the foreign foray over and items of intrigue bagged, | 0:21:01 | 0:21:06 | |
it's time for our explosive experts to see who's ended up with what. | 0:21:06 | 0:21:10 | |
Well, my beret was absolutely rubbish. I've just chucked it away. | 0:21:10 | 0:21:14 | |
-It was devastated. -My jokes went down a storm. -Seriously? | 0:21:14 | 0:21:19 | |
-"Where did you get these jokes? They're wonderful!" -No way! -I've been offered a slot to tell them. | 0:21:19 | 0:21:26 | |
You need to move to France, Paul. They understand you, obviously. | 0:21:26 | 0:21:30 | |
-Can I tell the truth now? They were dismal. -Were they? -Not one laugh. | 0:21:30 | 0:21:35 | |
-Gosh. What about the items? -My favourite item is...well, it's got to be the slot-racing machine. | 0:21:35 | 0:21:40 | |
You've got two vintage Ferraris. The whole thing just says 1950s, 1960s, Le Mans. | 0:21:40 | 0:21:47 | |
-What about yourself? Where's the rest of the theatre? -I know. | 0:21:47 | 0:21:51 | |
You could never predict what you're going to buy. | 0:21:51 | 0:21:55 | |
-I bought this with you in mind. -Really? -My favourite item. | 0:21:55 | 0:21:58 | |
-Want me to impress you? -Go on. -Would you give me a job in your band. Tell me in three seconds. | 0:21:58 | 0:22:05 | |
STRAINED NOTE | 0:22:06 | 0:22:08 | |
-Have I got the job? -No. You're not one to blow your own trumpet. | 0:22:10 | 0:22:14 | |
-No, never! Best of luck. -OK, best of luck to you, too. -Here we go. Back to Blighty. | 0:22:14 | 0:22:20 | |
Our special antiques operatives now head back home and gear up for the second part of their mission. | 0:22:21 | 0:22:27 | |
Each will be trying their hardest to sell their acquisitions for the biggest profit, | 0:22:27 | 0:22:33 | |
hoping to secure a win. On home soil now, our brave boys take time to peruse their purchases. | 0:22:33 | 0:22:40 | |
Back in Morecambe, is Paul pleased with the products of his foreign foraging? | 0:22:40 | 0:22:46 | |
I've got some great stuff here. The first one is this cradle or rocking cot. | 0:22:46 | 0:22:52 | |
It's oak, it's about 1920. It's in great usable condition. | 0:22:52 | 0:22:56 | |
The table is a cracker. It's French oak, dates from about 1830, 1840. | 0:22:56 | 0:23:01 | |
And the quality of the carving is superb. Such a great rustic table. | 0:23:01 | 0:23:06 | |
A complete contrast, we have two 1960s Ferraris here with this slot-car racing set. | 0:23:06 | 0:23:13 | |
Le Mans 24-hour race. Very French. | 0:23:13 | 0:23:16 | |
The most traditional piece has to be this lovely Art Deco figure. | 0:23:16 | 0:23:20 | |
It's bronze, 1920s. A bargain. I think I know where that might go. | 0:23:20 | 0:23:24 | |
And then a complete gamble, really - I bought some banknotes. Russian. | 0:23:24 | 0:23:29 | |
I've never seen these before. From the beginning of the 20th century, the time of the Russian Tsars. | 0:23:29 | 0:23:35 | |
So au revoir for now. How did you get on, David? | 0:23:35 | 0:23:39 | |
I did say I was looking for anything distinctly French. I think I've got it. Don't you think, Buttons? "Yes!" | 0:23:39 | 0:23:46 | |
Look at that. That is a beautiful early 20th century, real antique French garden bench. | 0:23:46 | 0:23:54 | |
Just the business. And this very distinctly French Art Deco table, circa 1930. | 0:23:54 | 0:24:01 | |
The trumpet. Well, I know now it's actually a bugle. I'm not particularly musically minded. | 0:24:01 | 0:24:08 | |
I'll turn that into something else. Wait and see what I do. | 0:24:08 | 0:24:11 | |
Then the mirror frame. That is so French. I'm going to turn that back into a mirror | 0:24:11 | 0:24:19 | |
by putting the mirror glass in. And then, finally, the theatre seats or cinema seats. | 0:24:19 | 0:24:25 | |
They're in the garage. They'll take me on an adventure. Now it really begins. | 0:24:25 | 0:24:31 | |
All right, Buttons? "I think so." | 0:24:31 | 0:24:34 | |
Yes, as David's talking dog says, this antiques adventure is about to begin | 0:24:34 | 0:24:39 | |
as our secret selling agents start setting up potential buyers, knowing that no deal is truly sealed | 0:24:39 | 0:24:47 | |
until they get that final handshake. | 0:24:47 | 0:24:51 | |
It's Paul who's first to get going as he heads over to Southport to visit | 0:24:51 | 0:24:57 | |
Art Deco expert Paul Wood, who he hopes will be interested in his bronze lady statuette | 0:24:57 | 0:25:04 | |
which put him back £111.11. | 0:25:04 | 0:25:06 | |
In my opinion, you're the fountain of all knowledge on Art Deco. | 0:25:06 | 0:25:11 | |
-I've brought a really iconic piece of Art Deco. -That's rather nice. -Do you recognise the artist? | 0:25:11 | 0:25:17 | |
-There's quite a few it could be. -I suspect this is by Bourain. | 0:25:17 | 0:25:22 | |
This bit here is original. That's probably Algerian onyx. | 0:25:22 | 0:25:26 | |
This bit at the bottom I suspect was put on later to give more support. | 0:25:26 | 0:25:31 | |
-What age are you looking at? 1925? -Probably '30s. -'30s? -Yeah. | 0:25:31 | 0:25:36 | |
-It was 130 euros. Could I ask you a couple of hundred for it? -That's difficult. | 0:25:36 | 0:25:41 | |
-How do you see it, then? -You'd need closer to 150. -160? | 0:25:41 | 0:25:45 | |
-And there's her phone number on the bottom. -Has she really? | 0:25:45 | 0:25:49 | |
-Split the difference. 155. -Absolutely. -Absolute pleasure. | 0:25:49 | 0:25:55 | |
What a start for the man from Morecambe. He makes a profit of £43.89. | 0:25:55 | 0:26:00 | |
David isn't going to let Paul get away with his early lead for long. | 0:26:02 | 0:26:07 | |
Keen to make the most of his purchases, he's done some repairs. | 0:26:07 | 0:26:12 | |
This absolutely delicious early 20th century French garden seat might look exactly the same | 0:26:12 | 0:26:18 | |
as it did when I bought it, but it's very much different. Look at the seat. | 0:26:18 | 0:26:24 | |
Identical to the eye, but on the underside I have attached a big piece of steel, welded on. | 0:26:24 | 0:26:29 | |
It cost me 20 quid. So now I've brought it to a mate in Yorkshire who runs an architectural business | 0:26:29 | 0:26:36 | |
and I'm hoping that it's going to be right up his street. | 0:26:36 | 0:26:40 | |
After repairs, the bench cost David £79.83, so will Andrew show any interest? | 0:26:40 | 0:26:46 | |
-Absolutely wonderful. -Isn't it? -Very nice. -I did think of you. | 0:26:47 | 0:26:51 | |
-I know you have a love of France and have a place there. -We do. | 0:26:51 | 0:26:56 | |
-I could see that over in France, no problem at all. -Yeah. | 0:26:56 | 0:27:01 | |
I spoke to my local blacksmith and if I can just show you what I've done on the underside, | 0:27:01 | 0:27:07 | |
can you see that big strap of steel? That now has saved that original seat, | 0:27:07 | 0:27:13 | |
-which I think is fantastic. -Yeah, I do. -I thought you would. How do you see it price-wise? | 0:27:13 | 0:27:19 | |
-Possibly about £100? -Andrew... | 0:27:19 | 0:27:22 | |
170. | 0:27:22 | 0:27:24 | |
-What about we meet somewhere in the middle at 150? -Make it 160. -Go on. I do like it. | 0:27:24 | 0:27:31 | |
Thanks very much. Good piece. | 0:27:31 | 0:27:33 | |
David makes a formidable profit of £80.17 on the French bench. | 0:27:33 | 0:27:39 | |
These things are always so much more comfortable than they look. | 0:27:39 | 0:27:44 | |
I'm just going to relax and enjoy it before it heads back to France. | 0:27:44 | 0:27:48 | |
How bonkers is that? | 0:27:48 | 0:27:51 | |
-Come on, Andrew! Glass of wine! -No chance! | 0:27:51 | 0:27:55 | |
With strong starts from both our boys, David makes the next move. | 0:27:56 | 0:28:01 | |
Do you remember this shabby chic French mirror frame? | 0:28:01 | 0:28:06 | |
I did say that I wanted to do some restoration and put a mirror in. | 0:28:06 | 0:28:11 | |
My guy's done it for 30 quid, which is brilliant. | 0:28:11 | 0:28:15 | |
A client of mine, Barbara, lives here in the middle of the city of Durham. | 0:28:15 | 0:28:20 | |
She's seen it already in the shop without the mirror in. | 0:28:20 | 0:28:24 | |
The mirror frame cost David £38.46. So will the extra £30 spent on it be reflected in the price | 0:28:24 | 0:28:31 | |
as he tries to sell to Barbara who hasn't seen it since David's restoration? | 0:28:31 | 0:28:38 | |
-Are you ready? -I'm ready. -Open your eyes. | 0:28:38 | 0:28:41 | |
Ah! That is very nice. | 0:28:41 | 0:28:44 | |
Oh, golly. Yeah. | 0:28:44 | 0:28:46 | |
I'd like to put it just up there. | 0:28:46 | 0:28:48 | |
-Did you do any more work to this? -No, but because the mirror is in it, | 0:28:48 | 0:28:53 | |
it makes the rest of it look so much better. And fresher. | 0:28:53 | 0:28:58 | |
I think it's circa 1920. That would be a safe date. | 0:28:58 | 0:29:02 | |
It could be 19th century, but this finish is only 20 or 30 years old. | 0:29:02 | 0:29:07 | |
But the frame of the mirror is much older. | 0:29:07 | 0:29:11 | |
-It's a question of how much you want. -If I said to you £130... | 0:29:11 | 0:29:16 | |
-130? Would you take about...£90? -Honestly, you've just tried to knock me down | 0:29:16 | 0:29:22 | |
40 quid! 125. | 0:29:22 | 0:29:25 | |
Let's toss a coin for it. | 0:29:25 | 0:29:28 | |
-Right. You decide what we're going for. -You want... You said 110. | 0:29:28 | 0:29:33 | |
-No, 125. -Oh, right. | 0:29:33 | 0:29:36 | |
125. OK. I'll tell you what, I'll round it up to 100. 100 or 125. How's that? | 0:29:36 | 0:29:42 | |
-115 or 125. -OK. -Go on, then. | 0:29:42 | 0:29:45 | |
-Hang on. Who's heads and who's tails? -Ah, is it heads or tails? | 0:29:45 | 0:29:49 | |
-What is it? -Oh. | 0:29:49 | 0:29:51 | |
-Heads. -Heads. No, do it again. | 0:29:51 | 0:29:56 | |
-Yes, better had. -I'll have heads. -OK. | 0:29:56 | 0:29:58 | |
-Do you want me to catch it? -Aww! OK. -Ready? | 0:29:58 | 0:30:03 | |
-And go. -Tails! | 0:30:03 | 0:30:05 | |
-Oh, no! I can't believe it. -I've won! -Well done, you. | 0:30:05 | 0:30:08 | |
Yes, David may have lost the toss, but he's won a profit of £46.54, including restoration. | 0:30:08 | 0:30:15 | |
So with David racing forward, Paul gears up for a sale of his own | 0:30:15 | 0:30:20 | |
with the 1960s slot car racing set that cost him £42.74. | 0:30:20 | 0:30:25 | |
These slot cars are wonderful items. They all remind me of my childhood. | 0:30:25 | 0:30:30 | |
I've made a few phone calls and managed to track down Kevin | 0:30:30 | 0:30:34 | |
and he has a big collection of original 1960s slot cars, | 0:30:34 | 0:30:39 | |
so I'll hopefully make a sale | 0:30:39 | 0:30:42 | |
I was so excited when I saw this, Kevin. | 0:30:42 | 0:30:46 | |
So what have I bought here? I've never come across this maker. | 0:30:46 | 0:30:50 | |
What you've got here is Circuit 24. French manufacturer, 1/30th scale, | 0:30:50 | 0:30:55 | |
-made between 1962 and 1974. -Right. -So... | 0:30:55 | 0:31:00 | |
-The heyday of slot cars. -Now how important is the box? | 0:31:00 | 0:31:04 | |
If you've got a really tatty box, it does devalue the set a lot, but your box, it's not too bad. | 0:31:04 | 0:31:11 | |
-There we go. Do you know what cars these represent? -Ferrari Testarossa. | 0:31:11 | 0:31:16 | |
I deliberately cut the plug off. It doesn't fit our system. | 0:31:16 | 0:31:21 | |
-It's cost me 50 euros, which is about 40-odd quid. -Yeah. | 0:31:21 | 0:31:27 | |
-If I asked you 70 quid for it, would that be too expensive? -I would say £60. -And that's fair? -£60. | 0:31:27 | 0:31:33 | |
I'm willing to let you have this for £60, providing I can have a race with you on your set. | 0:31:33 | 0:31:40 | |
-Of course you can. -Go on, then! | 0:31:40 | 0:31:43 | |
So with a profit of £17.26, Paul revs his engine and goes head to head with Kevin. | 0:31:43 | 0:31:49 | |
-Three, two, one, go! -It's Paul's yellow Lotus taking on Kevin's green BRM. | 0:31:50 | 0:31:56 | |
Kevin's in the lead. Paul's struggling to catch up. | 0:31:56 | 0:31:59 | |
Paul takes the lead on the straight. | 0:31:59 | 0:32:02 | |
-I'm gong to catch you! -But Kevin puts his foot down! Let's see that again. | 0:32:02 | 0:32:08 | |
Oh, Kevin just beat the man from Morecambe. | 0:32:08 | 0:32:12 | |
Well done. I thought I had it. Where's the champagne? | 0:32:12 | 0:32:16 | |
So with Paul now zooming on ahead, he accelerates towards a nursery goods shop | 0:32:18 | 0:32:23 | |
and sells the 1920s crib that cost him £76.92 to Adrian and Vivienne, | 0:32:23 | 0:32:30 | |
rocking up £33.08 of pure profit. | 0:32:30 | 0:32:33 | |
So it's time to see which of our super sellers is raking it in and who needs to ramp it up a notch. | 0:32:35 | 0:32:43 | |
So far David has done two deals and made a profit of £126.71, | 0:32:43 | 0:32:49 | |
including restoration costs. | 0:32:49 | 0:32:51 | |
Paul has sold three of his items, but has made slightly less - £94.23. | 0:32:51 | 0:32:57 | |
But this mission still has some way to go before the final result | 0:32:59 | 0:33:04 | |
and our brave boys can't afford to relax if they want to keep alive their chance to come out on top. | 0:33:04 | 0:33:11 | |
Next up, both dealers go head to head in a tussling tale of two tables. | 0:33:12 | 0:33:18 | |
Paul has his 19th-century table, while David has his Art Deco one, | 0:33:18 | 0:33:22 | |
but who will have a leg to stand on when they come to sell? | 0:33:22 | 0:33:27 | |
Paul is first to make a move, taking his extendable table to Shropshire-based auctioneer Jeremy | 0:33:27 | 0:33:33 | |
and he's hoping for a tasty profit. | 0:33:33 | 0:33:36 | |
I bought this table out in France. French oak. I thought it was a circular breakfast table, | 0:33:36 | 0:33:42 | |
but the lady was trying to explain something to me. She had five leaves that go in the middle. | 0:33:42 | 0:33:48 | |
-Ever come across one like this before? -We've come across French dining tables like this. | 0:33:48 | 0:33:53 | |
Five leaves absolutely helps you when you try to sell it. | 0:33:53 | 0:33:57 | |
In this country, it would be Victorian. Mid to late-19th century. | 0:33:57 | 0:34:03 | |
-But because it's French, this is called Henri Deux style. -Really? -After the 16th-century monarch. | 0:34:03 | 0:34:09 | |
It's sort of Renaissance revival. | 0:34:09 | 0:34:12 | |
But the leaves, I understand that in France they're not above having their dining tables covered, | 0:34:12 | 0:34:18 | |
so they don't particularly worry about what the leaves look like. | 0:34:18 | 0:34:22 | |
They'll put a nice Chantilly lace or whatever on it, a nice French lace cloth. | 0:34:22 | 0:34:28 | |
-They don't seem to match. -But they may well be original, funnily enough, so that might help. | 0:34:28 | 0:34:34 | |
-What sort of estimate would you put on it? -Slightly more than you paid. | 0:34:34 | 0:34:38 | |
-Can I put a reserve on it? -Put your money back on it. 150. | 0:34:38 | 0:34:44 | |
-But only if we set it up, Paul. -Right. -We'll set it up. | 0:34:44 | 0:34:47 | |
That's a really impressive table. I didn't expect that. It looks much better than I imagined. | 0:34:49 | 0:34:56 | |
So Paul's got his auction planned and now it's David's turn. | 0:34:56 | 0:35:00 | |
He takes the Art Deco Japanese-style table that cost him £47.01 to Cumbria | 0:35:00 | 0:35:06 | |
to see whether fellow dealer Andy will fall in love with it. | 0:35:06 | 0:35:10 | |
I think, Andy, this is a very unusual table with lots of stuff going on. | 0:35:10 | 0:35:16 | |
-What do you feel? -It's actually got, have you noticed it's got two initials on the far corner? -No. | 0:35:16 | 0:35:23 | |
-I hadn't noticed that. -OK. Don't know what those mean, but the guy who carved it, I'd have thought. | 0:35:23 | 0:35:29 | |
It's really unusual. You've got the 1930s in its time, | 0:35:29 | 0:35:34 | |
a bit of a Japanese kind of feel, which reminds you of the late-19th century Aesthetic Movement. | 0:35:34 | 0:35:40 | |
I don't think it'll be expensive at about 90 quid. | 0:35:40 | 0:35:45 | |
-What would make you happy? -What about 60 quid? | 0:35:45 | 0:35:48 | |
-Meet you halfway. 75 quid. -We'll do that. -Brilliant. Thanks. | 0:35:48 | 0:35:53 | |
So David rings up a profit of £27.99. | 0:35:53 | 0:35:58 | |
But what about Paul's auction? | 0:35:59 | 0:36:01 | |
Remember that fantastic extending dining table? Well, it didn't actually reach the reserve, | 0:36:01 | 0:36:08 | |
but the auctioneer rang me up and said he had somebody interested, so it has sold for £150, | 0:36:08 | 0:36:13 | |
minus a bit of commission. | 0:36:13 | 0:36:16 | |
So after auction fees, Paul is down £29.81. | 0:36:16 | 0:36:21 | |
Having pushed up the prices of his mirror and bench with some natty repair work, | 0:36:23 | 0:36:30 | |
David now turns his attentions to the bugle. | 0:36:30 | 0:36:34 | |
He asks restoration expert John to convert the bugle into a sellable object, but what will he make of it? | 0:36:34 | 0:36:41 | |
This bugle will never play a tune ever again because it has been recycled | 0:36:45 | 0:36:50 | |
into a really jazzy, wacky table lamp. | 0:36:50 | 0:36:54 | |
It's very safely and professionally converted. Lovely what looks like old 1920s, 1930s cable, | 0:36:54 | 0:37:01 | |
but it's completely brand new. | 0:37:01 | 0:37:04 | |
And it's been weighted and sat on this base, lovely turned mahogany. | 0:37:04 | 0:37:09 | |
And then to give it some real weight a big old slab of marble. It's fantastic. | 0:37:09 | 0:37:14 | |
The bugle cost David £25.64 and the lamp conversion put him back another £30, | 0:37:14 | 0:37:21 | |
putting the total cost at £55.64, so what will musician Steve think? | 0:37:21 | 0:37:27 | |
A light? | 0:37:28 | 0:37:30 | |
Fantastic. | 0:37:30 | 0:37:32 | |
Yeah, em... That, yeah, will bring light into somebody's house very nicely, yeah. | 0:37:32 | 0:37:38 | |
Paris is a good part for instruments. | 0:37:38 | 0:37:42 | |
-Is it? -French, Paris-made instruments usually carry quite a lot of value. | 0:37:42 | 0:37:48 | |
OK. Now date-wise, I'd have thought '20s, '30s? | 0:37:48 | 0:37:52 | |
I'd have to do some research. You'd look for a serial number. I'm not seeing anything. | 0:37:52 | 0:37:58 | |
Yeah, it's funky. In the right place it could look the business. | 0:37:58 | 0:38:03 | |
So where are we, then? Is it worth 100 quid? £95? How's that? | 0:38:03 | 0:38:09 | |
Well, it's coming down, but... | 0:38:09 | 0:38:12 | |
-90? -90? I still think it's too much. | 0:38:12 | 0:38:15 | |
£85. | 0:38:15 | 0:38:17 | |
80! | 0:38:18 | 0:38:19 | |
-There's somebody definitely out there who will fall in love with this. -There always is. -And buy it. | 0:38:19 | 0:38:26 | |
-OK, thanks anyway. -So Steve politely declines. What a blow for David's bugle. | 0:38:26 | 0:38:33 | |
But ever the professional, David returns home, wounded but resolute, | 0:38:33 | 0:38:37 | |
and manages to sell the bugle lamp to another dealer for a resounding £34.36 profit. | 0:38:37 | 0:38:44 | |
David is down to his final item, the set of four 1930s theatre seats | 0:38:44 | 0:38:49 | |
that cost him £205.13. He tracks down Durham cafe owner Michael | 0:38:49 | 0:38:56 | |
with a view to raising the curtains on a fabulous profit. | 0:38:56 | 0:39:01 | |
-Michael, feast your eyes. -Oh, my gum! -Feast them, Michael. | 0:39:01 | 0:39:05 | |
-Enjoy yourself. Isn't that just a great piece of kit? -I like it. | 0:39:05 | 0:39:10 | |
-I do like it. -They're French. I bought them just outside Lille. | 0:39:10 | 0:39:14 | |
And the chap told me, I think, that they were produced in 1932 for this particular theatre. | 0:39:14 | 0:39:20 | |
-Oh, you know I love that 1920s, 1930s thing. -You are a bit of a Deco man. | 0:39:20 | 0:39:26 | |
-You had me up your sleeve for that, didn't you? -So there you go. -Nice. | 0:39:26 | 0:39:31 | |
-Could you find a place in the cafe for it? -I've a place in mind. -Good. | 0:39:31 | 0:39:36 | |
-What sort of money is it worth? -How much are you going to charge? | 0:39:36 | 0:39:40 | |
-Three and a half-ish. -Oof! | 0:39:40 | 0:39:43 | |
£350? | 0:39:43 | 0:39:44 | |
Well... Come on, it's me you're talking to, David. | 0:39:44 | 0:39:48 | |
360, then. | 0:39:48 | 0:39:50 | |
-Come on. -345? | 0:39:51 | 0:39:54 | |
-Go for it. Tell me. -320 quid. -320... | 0:39:54 | 0:39:59 | |
-Am I being too hard on you there? Come on. -330. -Split the difference. We can't spend all day like this. | 0:40:00 | 0:40:06 | |
Nattering like two old wives. | 0:40:06 | 0:40:09 | |
-325 quid. -Always a pleasure. | 0:40:09 | 0:40:12 | |
David makes an incredible £119.87 profit and he's all sold up. | 0:40:12 | 0:40:19 | |
But with time running out Paul still has the collection of early-20th century banknotes | 0:40:20 | 0:40:26 | |
and he's brought them to Gloucester. | 0:40:26 | 0:40:28 | |
Dosvedanya. Time now for these fantastic banknotes. | 0:40:28 | 0:40:32 | |
I've framed them nicely in this gold frame for £8, | 0:40:32 | 0:40:35 | |
so this now stands me about £50. Hopefully there's a good exchange rate here. I'll try to sell them. | 0:40:35 | 0:40:43 | |
The notes and frame set Paul back just over £50, but will antiques dealer and expert on old notes Rob | 0:40:43 | 0:40:49 | |
want to swap them for sterling? | 0:40:49 | 0:40:51 | |
Now I mentioned that I had these fantastic Russian banknotes. | 0:40:51 | 0:40:56 | |
And what I realised when I bought them is that they go from one rouble | 0:40:56 | 0:41:01 | |
all the way up to 5,000 roubles. | 0:41:01 | 0:41:04 | |
Now would that have been a lot of money at the time, Rob? | 0:41:04 | 0:41:08 | |
At the time it probably would have been. It's nice in a frame. | 0:41:08 | 0:41:12 | |
Will Rob want to hand over enough money to inflate Paul's chances? | 0:41:12 | 0:41:17 | |
All will soon be revealed. | 0:41:17 | 0:41:20 | |
David and Paul both started this contest with £750-worth of their own euros to spend. | 0:41:22 | 0:41:28 | |
David made five purchases costing him a total of £456.07, including restoration fees. | 0:41:28 | 0:41:35 | |
Paul ended up with five items as well, which cost him £431.08, also including restoration. | 0:41:35 | 0:41:42 | |
But all that matters now is who's made the most profit. | 0:41:42 | 0:41:45 | |
All of the money that David and Paul have made today will be going to charities of their choice, | 0:41:45 | 0:41:51 | |
so now it's time to reveal who is today's Put Your Money Where Your Mouth Is champion. | 0:41:51 | 0:41:57 | |
-Bonjour, Monsieur Harper. How are you? -We're still in the French mode. We just blended in, particularly me. | 0:41:57 | 0:42:05 | |
-What's French for rollercoaster? -Don't ask me the French for anything! It was a rollercoaster. | 0:42:05 | 0:42:12 | |
-Any good with the sales? -Yeah, I did OK with the lovely cradle. | 0:42:12 | 0:42:17 | |
-Did you really? I had a good result with my theatre seats. -Brilliant. | 0:42:17 | 0:42:22 | |
But I had a disaster with my bugle. | 0:42:22 | 0:42:25 | |
-Turned it into a lamp. -Great. -Took it to a pal, a musician, and he just didn't want it. | 0:42:25 | 0:42:32 | |
Are we ready for it? Three, two, one. | 0:42:32 | 0:42:37 | |
-Look at that! -Not to worry. We had a good day, didn't we? It was good fun. -Enjoyed it. | 0:42:37 | 0:42:43 | |
So David is the winner in today's tussle after consistently bringing home a profit at every turn, | 0:42:43 | 0:42:50 | |
while Paul suffered his second disappointment when the used condition of the Russian notes | 0:42:50 | 0:42:55 | |
lost him £25.74. | 0:42:55 | 0:42:58 | |
Well, nice profit and it goes to show if you're going to a foreign environment, | 0:42:58 | 0:43:03 | |
get something distinctly foreign. When it gets here, it's different and unique. | 0:43:03 | 0:43:08 | |
Nice for me, but unlucky for Paul. | 0:43:08 | 0:43:11 | |
I lost my shirt on those roubles. If I buy them again, it'll have to be in mint condition. | 0:43:11 | 0:43:17 | |
Overall, I've got a bit of a profit and it's better than a loss. | 0:43:17 | 0:43:21 | |
Yes, Paul may have been beaten, but anything can happen tomorrow | 0:43:21 | 0:43:25 | |
as our experts go up against each other at an antiques fair in Lincolnshire. | 0:43:25 | 0:43:30 | |
Subtitles by Red Bee Media Ltd | 0:43:45 | 0:43:47 |