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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:07 | |
against each other in an all-out battle for profit... | 0:00:07 | 0:00:11 | |
Weh-hey! | 0:00:11 | 0:00:13 | |
..and gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
I'm on the case. | 0:00:16 | 0:00:17 | |
Each week, one pair of duelling dealers will face | 0:00:19 | 0:00:22 | |
a different daily challenge... | 0:00:22 | 0:00:24 | |
I'm a cheeky chancer. Lovely! | 0:00:24 | 0:00:27 | |
..putting their reputations on the line and giving you top tips | 0:00:27 | 0:00:30 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:30 | 0:00:35 | |
Let's go and spend some money! | 0:00:36 | 0:00:38 | |
Get in there! Ha ha ha ha! | 0:00:38 | 0:00:40 | |
Today, iconic antiques expert David Harper takes on | 0:00:40 | 0:00:44 | |
the plucky prince of purchasing, Paul Hayes. | 0:00:44 | 0:00:47 | |
Coming up, David finds his perfect purchase... | 0:00:48 | 0:00:51 | |
Oh! | 0:00:51 | 0:00:52 | |
Did you say a cheese board? | 0:00:52 | 0:00:54 | |
Paul makes a new friend... | 0:00:54 | 0:00:56 | |
Are you enjoying things, David? Yes! Whereabouts are you? | 0:00:56 | 0:00:59 | |
I'm inside, where it's nice and warm! | 0:00:59 | 0:01:01 | |
And David gets delusions of grandeur... | 0:01:01 | 0:01:03 | |
Thank you, all, my people. | 0:01:03 | 0:01:05 | |
Marvellous people, they are. | 0:01:05 | 0:01:07 | |
This is Put Your Money Where Your Mouth Is. | 0:01:07 | 0:01:10 | |
Today, it's the ultimate battle of mind over matter | 0:01:23 | 0:01:26 | |
as two heroes of antiques folklore hit the stage, strutting their stuff | 0:01:26 | 0:01:32 | |
and cranking up the volume in search of profit. | 0:01:32 | 0:01:34 | |
First up, they say the devil is in the detail, and this man | 0:01:35 | 0:01:39 | |
certainly knows every trick in the book of the dark arts of dealing! | 0:01:39 | 0:01:43 | |
It's "Devilish" David Harper. | 0:01:43 | 0:01:46 | |
He's up against a legend in his own lunchtime, | 0:01:46 | 0:01:49 | |
the ultimate bargain hit-maker, | 0:01:49 | 0:01:51 | |
the blonde bombshell of the antiques world, a man with Northern Soul. | 0:01:51 | 0:01:55 | |
Paul "Mr Morecambe" Hayes. | 0:01:55 | 0:01:58 | |
Today our two Rolling Stones are rolling into the Lincolnshire | 0:01:58 | 0:02:02 | |
Antiques and Home show to uncover some superb purchases | 0:02:02 | 0:02:05 | |
to sell on later. | 0:02:05 | 0:02:07 | |
They've each got £750 of their own money to spend | 0:02:07 | 0:02:11 | |
and all the profit goes to their chosen charities. | 0:02:11 | 0:02:14 | |
But will our duelling duo be able to storm the stage | 0:02:14 | 0:02:17 | |
and uncover some spectacular bargains? | 0:02:17 | 0:02:19 | |
Or will they go down like a lead zeppelin? | 0:02:19 | 0:02:22 | |
David Harper and Paul Hayes, | 0:02:22 | 0:02:25 | |
it's time to put your money where your mouth is. | 0:02:25 | 0:02:29 | |
Morning, David. | 0:02:29 | 0:02:30 | |
-Good morning. -How are you? | 0:02:30 | 0:02:31 | |
-I'm very well. A bit chilly. -And a bit wet. | 0:02:31 | 0:02:34 | |
-And a bit early! -Certainly a bit early. | 0:02:34 | 0:02:36 | |
Can you believe it, these guys have been here | 0:02:36 | 0:02:38 | |
since five o'clock this morning. | 0:02:38 | 0:02:39 | |
We've been at the rough end as well, haven't we? | 0:02:39 | 0:02:41 | |
-We know it's a tough old job. But we have got money. -Yeah. -750 quid. | 0:02:41 | 0:02:45 | |
Yeah, to spend on items, hopefully, we can make a profit on. | 0:02:45 | 0:02:47 | |
-Well, that's the whole idea! -There's always a first time! -Any plans? | 0:02:47 | 0:02:50 | |
Well, do you know what, | 0:02:50 | 0:02:52 | |
-I've got something that I always bring to antique fairs. -Really? | 0:02:52 | 0:02:55 | |
Yes. I'm not going to show you it just now. | 0:02:55 | 0:02:57 | |
You're not going to feel this item? | 0:02:57 | 0:02:58 | |
-No, you've never seen anything like it. -Well, I should hope not! | 0:02:58 | 0:03:01 | |
-But I also have something very special. -Really? | 0:03:01 | 0:03:04 | |
-It's called a secret weapon. -Oh, right. Fair enough. -Yes. | 0:03:04 | 0:03:06 | |
And because it's secret, you aren't going to know about it. | 0:03:06 | 0:03:09 | |
-Keep that to yourself, David. -You don't look worried at all, Paul! -No. | 0:03:09 | 0:03:12 | |
-It's funny, that. -Good luck! | 0:03:12 | 0:03:14 | |
So our Machiavellian megastar dealers are both keeping each other | 0:03:14 | 0:03:18 | |
in the dark about their orchestrated manoeuvres. | 0:03:18 | 0:03:20 | |
But has Paul really got a master plan? | 0:03:20 | 0:03:24 | |
There we are now, believe it or not, I do have a strategy today. | 0:03:24 | 0:03:28 | |
And I really feel sorry for the guys that are standing here outside. | 0:03:28 | 0:03:31 | |
But that could actually be to my advantage, they all want to sell. | 0:03:31 | 0:03:35 | |
Most people have actually gone inside where it's nice and warm | 0:03:35 | 0:03:38 | |
to browse at your leisure. | 0:03:38 | 0:03:40 | |
But if you're willing to survive the elements, really, | 0:03:40 | 0:03:43 | |
you can find some bargains out here. | 0:03:43 | 0:03:45 | |
So, Paul's staying outside in the hope of soaking up a good deal or two. | 0:03:45 | 0:03:49 | |
But what little scheme has David got tucked away? | 0:03:49 | 0:03:53 | |
I'm going to reveal my secret weapon. And my secret weapon is information. | 0:03:53 | 0:03:58 | |
So we've got Michael, he wants something cafe-related. | 0:03:58 | 0:04:01 | |
We've got architectural stuff, we've got book people, | 0:04:01 | 0:04:04 | |
cooking-related objects. All quirky, all fun things. | 0:04:04 | 0:04:08 | |
And I tell you what, information, baby, is power. | 0:04:08 | 0:04:12 | |
That secret weapon is power. | 0:04:12 | 0:04:15 | |
David's armed with his list of items for potential buyers. | 0:04:15 | 0:04:18 | |
But didn't Paul also mention having a secret weapon tucked away? | 0:04:18 | 0:04:22 | |
I must admit, I've been to lots of antique fairs. | 0:04:22 | 0:04:25 | |
I've stood out here, I've slept in the van. | 0:04:25 | 0:04:27 | |
And there's one piece of essential kit that everyone should have. | 0:04:27 | 0:04:31 | |
It's... | 0:04:31 | 0:04:33 | |
a decent pair of thermals! That's all you need! | 0:04:33 | 0:04:35 | |
-WOLF WHISTLE -There you are! Right! | 0:04:35 | 0:04:37 | |
So, that's Paul's secret weapon! Mmm! | 0:04:37 | 0:04:40 | |
Well, with the 4-bar intro over, it's straight into the first verse | 0:04:40 | 0:04:44 | |
of this melody of masterly antiques acquiring. | 0:04:44 | 0:04:47 | |
And it's David who's first off the mark as he spots a set of wall lamps. | 0:04:47 | 0:04:51 | |
Well, they're funky, aren't they? What have we got here, then? | 0:04:51 | 0:04:54 | |
-Four of those. -1960s. -1960s? They're really light. | 0:04:54 | 0:04:57 | |
-No, in actual fact, I'm really strong, cos they're cast iron, aren't they? -They are, yeah. | 0:04:57 | 0:05:02 | |
That. Actually, I'm not very strong at all. What are they, wood? | 0:05:02 | 0:05:05 | |
-Aluminium. -Look at that style there. | 0:05:05 | 0:05:07 | |
That is so Victorian, it's unbelievable. | 0:05:07 | 0:05:10 | |
I would say, looking at them from a distance, they're cast iron, | 0:05:10 | 0:05:13 | |
1860, made by a company like Coalbrookdale. | 0:05:13 | 0:05:16 | |
If they were stamped Coalbrookdale they'd be worth a fortune, | 0:05:16 | 0:05:19 | |
they'd be monstrously heavy and fantastic quality, but no. | 0:05:19 | 0:05:23 | |
They're actually what we might refer to as mug's eyefuls, | 0:05:23 | 0:05:28 | |
because if you're a bit of a mug, | 0:05:28 | 0:05:30 | |
you might think they were made in 1860, a bit like I did, | 0:05:30 | 0:05:33 | |
but what they are is funky | 0:05:33 | 0:05:35 | |
and great architectural things. | 0:05:35 | 0:05:38 | |
-What kind of money are they? -Umm... -Cheap, cheap, cheap? | 0:05:38 | 0:05:43 | |
-150 for the four. -Cheap, cheap, cheap! | 0:05:43 | 0:05:46 | |
-150 for the four. -No! | 0:05:46 | 0:05:47 | |
Can they be 20 quid apiece? | 0:05:47 | 0:05:49 | |
-They could be £90 for four. -£90 for four? | 0:05:49 | 0:05:52 | |
Done deal. Thank you very much indeed. Marvellous. | 0:05:52 | 0:05:55 | |
Fantastic to get a purchase in, quick fire. | 0:05:55 | 0:05:58 | |
Yes, David takes the lead. | 0:05:58 | 0:06:00 | |
His wall lamps put Paul in the shade to the tune of one-nil. | 0:06:00 | 0:06:04 | |
But, before Paul gets a chance to catch up, David spots something | 0:06:04 | 0:06:07 | |
else that really will get his armoury of antiques up and running. | 0:06:07 | 0:06:12 | |
-So, they're re-enactment shields? -Re-enactment shields. -Medieval shields? | 0:06:12 | 0:06:16 | |
With some kind of heraldry on each one. | 0:06:16 | 0:06:18 | |
I tell you what, they're heavy. What are they? Aluminium again? | 0:06:18 | 0:06:22 | |
I would say something like that. | 0:06:22 | 0:06:24 | |
But they're heavy, aren't they, Noel? | 0:06:24 | 0:06:25 | |
-Yeah, for aluminium. -How much are they, Noel? | 0:06:25 | 0:06:27 | |
I'll do £10 each or £50 for the five. | 0:06:27 | 0:06:31 | |
-Is that a good deal, Noel? -Excellent. | 0:06:31 | 0:06:33 | |
-You promise me that's a good deal? -Excellent deal. | 0:06:33 | 0:06:35 | |
So, if I buy all of them, am I getting a better deal? | 0:06:35 | 0:06:38 | |
-You'll profit immensely from that. -If you say it, Noel, I'll have them. | 0:06:38 | 0:06:41 | |
-Thank you. -Thank you very much indeed. | 0:06:41 | 0:06:43 | |
Great guy. You always need all the help you can get. Thank you, Noel. | 0:06:43 | 0:06:46 | |
And while David goes back to school for a lesson in maths, | 0:06:46 | 0:06:49 | |
Paul isn't one to buckle under the pressure, | 0:06:49 | 0:06:51 | |
as he approaches his first possible purchase. | 0:06:51 | 0:06:53 | |
Look at this. This is a type of nursing buckle. | 0:06:53 | 0:06:57 | |
They used to buy these... The old Victorian ladies used to have these huge belts to | 0:06:57 | 0:07:01 | |
hold on their bustles and so on. This is extremely Art Nouveau. | 0:07:01 | 0:07:05 | |
Look at that. It's all organic forms. | 0:07:05 | 0:07:07 | |
It looks like the entrance to the metro in Paris, doesn't it? | 0:07:07 | 0:07:10 | |
All that wonderful artwork. | 0:07:10 | 0:07:12 | |
Sorry, what did you say that was? £30? | 0:07:12 | 0:07:15 | |
You can't do 20, with a smile? | 0:07:15 | 0:07:17 | |
PAUL LAUGHS | 0:07:18 | 0:07:20 | |
-It must be 25. -25. I'll have that, thank you very much. | 0:07:20 | 0:07:23 | |
So, Paul's purchase of the Edwardian belt buckle means | 0:07:23 | 0:07:26 | |
he's out of the blocks and in the race. | 0:07:26 | 0:07:29 | |
With Paul now rocking the outside stalls, David runs for cover. | 0:07:29 | 0:07:33 | |
Under shelter now, he whips out his list | 0:07:33 | 0:07:36 | |
and shows it to a pair of dealers | 0:07:36 | 0:07:38 | |
he knows to see if they can help. | 0:07:38 | 0:07:40 | |
First edition books. | 0:07:40 | 0:07:41 | |
What about this one? | 0:07:43 | 0:07:45 | |
Now, is it a first edition? | 0:07:45 | 0:07:47 | |
-Cricket Triumphs And Troubles. -Oh! | 0:07:47 | 0:07:51 | |
Cecil Parkin, 1936. | 0:07:51 | 0:07:53 | |
This is a book all about cricket triumphs and troubles. | 0:07:53 | 0:07:57 | |
And anybody who plays cricket knows | 0:07:57 | 0:07:59 | |
all about the triumphs and troubles. | 0:07:59 | 0:08:01 | |
But this is quite interesting, depending on how much it is. | 0:08:01 | 0:08:04 | |
How much is it? | 0:08:04 | 0:08:05 | |
£22. That's not expensive, is it? | 0:08:06 | 0:08:09 | |
But anybody who's interested in cricket, | 0:08:09 | 0:08:12 | |
sporting memorabilia can be really good news. | 0:08:12 | 0:08:15 | |
So, ladies, this doesn't fall into any of my distinct categories, | 0:08:15 | 0:08:19 | |
but how are you going to make me spend my money? | 0:08:19 | 0:08:21 | |
What are you going to say to me? | 0:08:21 | 0:08:23 | |
-Come on, tempt me! -Simple. | 0:08:23 | 0:08:25 | |
-That's the price, and to you... -Yes, what? Go on! | 0:08:25 | 0:08:29 | |
-Go on, tell me! -It's another ten! Up ten. -Up ten? | 0:08:29 | 0:08:32 | |
-You can't do that to me! -20. -20. | 0:08:32 | 0:08:36 | |
It's 22, she said 20, there's no point in arguing, is there? | 0:08:36 | 0:08:39 | |
Not on those sort of prices. | 0:08:39 | 0:08:41 | |
No, I'll just give you 20 and I'll be very happy. Will you be happy? | 0:08:41 | 0:08:45 | |
-We'll be happy. -We've made each other happy. Lovely to see you again. | 0:08:45 | 0:08:48 | |
Thank you very much. | 0:08:48 | 0:08:49 | |
# I don't like cricket... # | 0:08:49 | 0:08:52 | |
That's David's third buy and he's bowled over. | 0:08:52 | 0:08:54 | |
# I love it... # | 0:08:54 | 0:08:56 | |
So, Paul really needs to fine-tune his act | 0:08:56 | 0:08:59 | |
if he's hoping to end up top of the purchasing pops. | 0:08:59 | 0:09:02 | |
Still outside, he's scoured the stalls and has spotted something | 0:09:02 | 0:09:05 | |
he really hopes will get him ahead. | 0:09:05 | 0:09:07 | |
You know what, I spotted this earlier. I just walked away and I thought I'd come back | 0:09:07 | 0:09:11 | |
and have another look at it. | 0:09:11 | 0:09:13 | |
It's an old helmet and it looks like a First World War example. | 0:09:13 | 0:09:16 | |
It looks like a fireman's helmet at first glance. But it's in French. | 0:09:16 | 0:09:19 | |
I'm not sure what this actually translates as, | 0:09:19 | 0:09:21 | |
which is part of the challenge for me, actually. | 0:09:21 | 0:09:24 | |
These things can command quite a lot of money. | 0:09:24 | 0:09:26 | |
This one is priced at £65, so we've got a good starting base, haven't we? | 0:09:26 | 0:09:29 | |
But I've honestly no idea whether it's a fireman's helmet, | 0:09:29 | 0:09:33 | |
whether it's military helmet. | 0:09:33 | 0:09:35 | |
I'm going to ask the stall holder now, see if she can shed any light. | 0:09:35 | 0:09:38 | |
But that's a great research item. | 0:09:38 | 0:09:40 | |
I'll really enjoy trying to find out exactly what this was for. | 0:09:40 | 0:09:43 | |
What a great bit of history there. | 0:09:43 | 0:09:45 | |
Let's see if we can find out a bit more about it. Excuse me, madam. | 0:09:45 | 0:09:47 | |
I'm sorry to bother you. Do you know what this translates as? | 0:09:47 | 0:09:50 | |
-Is it military or fireman? -It is fireman's. -Fireman's? | 0:09:50 | 0:09:53 | |
-Right, from? -About 1890 to 1920. | 0:09:53 | 0:09:57 | |
It's the local fire service. | 0:09:57 | 0:09:59 | |
-And the name underneath... -It says "Sapeurs Pompiers De Chace." | 0:09:59 | 0:10:04 | |
-De Chace, that's the town it's from. -The town, right. | 0:10:04 | 0:10:07 | |
It's a fireman's helmet from the town of De Chace. | 0:10:07 | 0:10:10 | |
You've got 65 on it. Or is it £6.50? | 0:10:10 | 0:10:14 | |
I wish. No. Umm... | 0:10:14 | 0:10:16 | |
The very best is 50. | 0:10:16 | 0:10:18 | |
£50? OK. Thank you very much, madam. I shall have that. | 0:10:18 | 0:10:22 | |
There we are, so I'm at an English antiques market, I've bought | 0:10:22 | 0:10:25 | |
a French helmet off a German lady. | 0:10:25 | 0:10:27 | |
There we are! Who's next? | 0:10:27 | 0:10:29 | |
Well, it's like the United Nations of antiques. | 0:10:29 | 0:10:32 | |
In spite of the rain, Mr Morecambe is on fire. | 0:10:32 | 0:10:35 | |
As we reach the middle eight of our rhapsody of rapid buying, | 0:10:35 | 0:10:38 | |
it's time to see who will be bashing out a rocking profit | 0:10:38 | 0:10:41 | |
and who still needs to crank up their volume. | 0:10:41 | 0:10:45 | |
Both our brave boys started the day | 0:10:45 | 0:10:47 | |
with £750 to spend. | 0:10:47 | 0:10:50 | |
David has picked up three items and spent £160, | 0:10:50 | 0:10:53 | |
leaving him with £590 to play with. | 0:10:53 | 0:10:56 | |
Paul has made two purchases, | 0:10:58 | 0:11:01 | |
totalling £75, | 0:11:01 | 0:11:03 | |
leaving 675 in his kitty. | 0:11:03 | 0:11:07 | |
So, at this halfway mark, | 0:11:07 | 0:11:08 | |
our two striding antiques heroes | 0:11:08 | 0:11:11 | |
take a break from their cacophony | 0:11:11 | 0:11:13 | |
of cash-splashing in order to meet up | 0:11:13 | 0:11:15 | |
and reveal their secret weapons. | 0:11:15 | 0:11:17 | |
-Ah! Now then, David, how's it going? -My lips are going, Paul. | 0:11:17 | 0:11:20 | |
I've just been inside and I'm freezing. Outside I'm freezing. | 0:11:20 | 0:11:24 | |
You know what, I'm lovely and warm. I shall say no more. | 0:11:24 | 0:11:27 | |
There's some amazing stuff here. You know, you can buy anything. | 0:11:27 | 0:11:30 | |
-I love it. -If you had a shopping list and said | 0:11:30 | 0:11:32 | |
-"Bring me back something really obscure," you'd find it here today. -Really? -Yeah. | 0:11:32 | 0:11:35 | |
I think it's probably about time that I reveal to you my secret weapon. | 0:11:35 | 0:11:39 | |
-Go on, then. -You want to see the weapon? -I want to see the weapon. | 0:11:39 | 0:11:42 | |
-Are you going to be impressed? -Probably not. What is it? | 0:11:42 | 0:11:44 | |
You mentioned a shopping list, | 0:11:44 | 0:11:46 | |
this is the ultimate shopping list | 0:11:46 | 0:11:50 | |
-for the professional. -Right, OK. | 0:11:50 | 0:11:52 | |
So I don't know why I've got it. | 0:11:52 | 0:11:53 | |
So, come on, what's your secret weapon? | 0:11:53 | 0:11:55 | |
It's nothing quite as advanced as yours, actually. | 0:11:55 | 0:11:58 | |
If you call that advanced. | 0:11:58 | 0:11:59 | |
Every time I come to an outdoor market, | 0:11:59 | 0:12:01 | |
do you know what I bring with me? | 0:12:01 | 0:12:03 | |
-What? -A good pair of long johns. Come on, I'll show you them. | 0:12:03 | 0:12:06 | |
Yes, Paul's feeling roasty-toasty in his long johns, | 0:12:06 | 0:12:09 | |
but does that mean David will be toast in this competition? | 0:12:09 | 0:12:12 | |
Well, that is a very good plan, I think, from Paul Hayes, | 0:12:12 | 0:12:16 | |
wearing thermal underwear, that will keep him warm. | 0:12:16 | 0:12:19 | |
So I'm going back indoors, cos I'm not wearing any underwear at all. | 0:12:19 | 0:12:23 | |
Actually, I am. That was a joke. | 0:12:23 | 0:12:24 | |
Well, I'm very pleased to hear that, David, | 0:12:24 | 0:12:26 | |
otherwise we'd have to call you Knickerless Harper. | 0:12:26 | 0:12:29 | |
NARRATOR CLEARS THROAT | 0:12:29 | 0:12:30 | |
But, just how is Paul's thermal thinking really working out? | 0:12:30 | 0:12:34 | |
I tell you something, what an investment these long johns were. | 0:12:34 | 0:12:37 | |
I'm nice and cosy, I'm wandering around. | 0:12:37 | 0:12:40 | |
I've bought well, I think all the best stuff's still outside | 0:12:40 | 0:12:43 | |
and David's inside, looking at all the pretty little bits and pieces, | 0:12:43 | 0:12:46 | |
which, in my opinion, tend to be a little bit overpriced. | 0:12:46 | 0:12:49 | |
It's much better to get out here to find the variety of things, I think. | 0:12:49 | 0:12:53 | |
Yes, that's quite enough about your undercrackers. | 0:12:53 | 0:12:55 | |
It's now time to turn on, tune in and buy out, | 0:12:55 | 0:12:58 | |
as our two plucky pundits return to the stage. | 0:12:58 | 0:13:01 | |
Paul is first to move in on his target | 0:13:01 | 0:13:03 | |
and he spots a ventriloquist's doll that speaks for itself. | 0:13:03 | 0:13:07 | |
Are you enjoying things, David? "Yes." Whereabouts are you? | 0:13:07 | 0:13:10 | |
"Inside, where it's nice and warm." Have you bought anything nice? | 0:13:10 | 0:13:13 | |
"Yes, some great stuff. I'm going to beat you." | 0:13:13 | 0:13:16 | |
There we go. What do you think? Are you going to come home with me? | 0:13:16 | 0:13:19 | |
"I don't know. Where are we going?" We're going back to Morecambe. | 0:13:19 | 0:13:21 | |
"I've heard it's rubbish." | 0:13:21 | 0:13:23 | |
No, it's lovely. It's improved. I'll buy you an ice cream. | 0:13:23 | 0:13:25 | |
"OK. We'll go, then." | 0:13:25 | 0:13:27 | |
So can that be 20? | 0:13:27 | 0:13:28 | |
-Oh, go on, then. -Is that all right? -Oh, yeah. -Lovely. | 0:13:29 | 0:13:32 | |
"Thank you very much." | 0:13:32 | 0:13:33 | |
There we are, thank you. | 0:13:33 | 0:13:35 | |
"Don't put me in that bag! Don't put me in that bag! | 0:13:35 | 0:13:38 | |
"I can't breathe!" | 0:13:38 | 0:13:40 | |
Thank you very much. "Let me out of this bag!" | 0:13:40 | 0:13:42 | |
PAUL LAUGHS | 0:13:42 | 0:13:44 | |
Paul bags his new friend, the ventriloquist's doll, | 0:13:44 | 0:13:47 | |
and let's hope he doesn't feel like a dummy when he comes to sell it. | 0:13:47 | 0:13:51 | |
I've got a new buying partner. Here we are. How's it all going, then? | 0:13:51 | 0:13:55 | |
"Great out here, isn't it?" Fantastic. | 0:13:55 | 0:13:57 | |
It's a bit of bad weather, though, isn't it? "Yes, it is." | 0:13:57 | 0:14:00 | |
Do you know what? This is a really, really fun item. | 0:14:00 | 0:14:02 | |
I'm going to call him David. I think it suits him, doesn't it, really? | 0:14:02 | 0:14:05 | |
But I think this could do quite well. It's such an unusual piece. | 0:14:05 | 0:14:08 | |
I've never seen one quite like it. | 0:14:08 | 0:14:10 | |
Never seen a Canadian doll, actually, | 0:14:10 | 0:14:12 | |
so I look forward to researching this one, hopefully to find a buyer. | 0:14:12 | 0:14:16 | |
You're going back in that bag, is that all right? | 0:14:16 | 0:14:18 | |
"Not the bag! Not the bag!" | 0:14:18 | 0:14:20 | |
PAUL LAUGHS | 0:14:20 | 0:14:21 | |
Oh, it's great being cruel! | 0:14:21 | 0:14:24 | |
And it's no wonder he's as giddy as a schoolboy, | 0:14:24 | 0:14:26 | |
because that purchase takes the score to three-all. | 0:14:26 | 0:14:29 | |
Unaware that Paul's caught up, David's found another | 0:14:29 | 0:14:31 | |
item of interest, but will his list come in handy again? | 0:14:31 | 0:14:35 | |
That's a cheeseboard. | 0:14:35 | 0:14:36 | |
-That's a good cheeseboard. -Spanish. | 0:14:36 | 0:14:38 | |
-That's a really good cheeseboard. Oh! -What is it, David? | 0:14:38 | 0:14:42 | |
-Did you say cheeseboard? -Yeah. Not a cheeseboard? | 0:14:42 | 0:14:45 | |
-No, say a cheeseboard. -Cheese press. | 0:14:45 | 0:14:49 | |
-This is for cheese manufacturing. -Cheese manufacturing. | 0:14:49 | 0:14:52 | |
Definitely, positively? | 0:14:52 | 0:14:53 | |
Definitely. Identified by a gentleman this morning. | 0:14:53 | 0:14:56 | |
Excuse me a moment. | 0:14:56 | 0:14:58 | |
Cheese shop display. | 0:14:59 | 0:15:02 | |
You see, this is where being organised can really pay dividends. | 0:15:02 | 0:15:07 | |
So this is, what, a 19th-century... | 0:15:07 | 0:15:09 | |
-Spanish. -Spanish cheese press. | 0:15:09 | 0:15:13 | |
-Cheese press. -And it's definitely... | 0:15:13 | 0:15:16 | |
With a cheese press, the whey is put in there, | 0:15:16 | 0:15:19 | |
the curds are put in there, you put a layer of sacking on it, | 0:15:19 | 0:15:22 | |
and then they put more curds on the sacking. | 0:15:22 | 0:15:25 | |
-OK. -Then they weigh it down with stones. | 0:15:25 | 0:15:26 | |
OK, this is very interesting. How much? | 0:15:26 | 0:15:29 | |
-For that? -Yeah. | 0:15:29 | 0:15:31 | |
-35 quid. -30 quid. -No. 35. | 0:15:31 | 0:15:34 | |
I've got to buy it, haven't I? I just have to have it. | 0:15:36 | 0:15:38 | |
Will you spin me a coin, just to make a bit of fun? | 0:15:38 | 0:15:41 | |
30 or 35? | 0:15:41 | 0:15:42 | |
Well, I've seen you do this before and they always say that | 0:15:43 | 0:15:47 | |
you have a double-headed coin. | 0:15:47 | 0:15:49 | |
-Ha! Do they? -Yeah. | 0:15:49 | 0:15:50 | |
-Do you want to inspect the coin? -You spin it. -You call it. -OK. | 0:15:50 | 0:15:54 | |
-30 or 35. Happy? And call. -Head. | 0:15:54 | 0:15:58 | |
Oh, and it's tails. | 0:15:58 | 0:16:01 | |
It's a double-tailed coin, quite obviously. | 0:16:01 | 0:16:03 | |
Done deal? | 0:16:03 | 0:16:05 | |
Of course, it's a normal coin, as David always plays by the rules. | 0:16:05 | 0:16:09 | |
He gets the press for less and takes the lead. | 0:16:09 | 0:16:12 | |
Slicing straight through this competition like butter, | 0:16:12 | 0:16:15 | |
David has spotted an antique knife sharpener | 0:16:15 | 0:16:17 | |
he wants to take a stab at. | 0:16:17 | 0:16:19 | |
Now then, just have a look. | 0:16:19 | 0:16:22 | |
Clap your eyes on a really fine piece of quality machinery | 0:16:22 | 0:16:27 | |
made to sharpen knives. | 0:16:27 | 0:16:29 | |
So, imagine, you've got some great big country house, | 0:16:29 | 0:16:31 | |
a good working kitchen, you've got to keep those knives incredibly sharp to | 0:16:31 | 0:16:35 | |
cut the Sunday roast or a big joint of ham, | 0:16:35 | 0:16:39 | |
you need a good piece of kit, | 0:16:39 | 0:16:41 | |
something incredibly well-made. And look at that. | 0:16:41 | 0:16:44 | |
Cast iron, solid oak, | 0:16:44 | 0:16:46 | |
big brass plaque, | 0:16:46 | 0:16:48 | |
S Nye & Co Manufacturers, London. | 0:16:48 | 0:16:50 | |
That just does a really cracking job | 0:16:50 | 0:16:52 | |
and it has done for about 120 years. | 0:16:52 | 0:16:54 | |
So you'd bung your knives in the top, there, | 0:16:54 | 0:16:56 | |
or in the side and you just crank it up | 0:16:56 | 0:16:59 | |
and that sharpens your blades. | 0:16:59 | 0:17:01 | |
But such a great piece of kit, | 0:17:01 | 0:17:04 | |
just so well-made. | 0:17:04 | 0:17:06 | |
Dealer Karen has offered it for £85, | 0:17:06 | 0:17:09 | |
but are David's wits sharp enough to get it cheaper? | 0:17:09 | 0:17:12 | |
Karen, can you be kind, or don't you do kind? | 0:17:12 | 0:17:14 | |
-Do you do kind? -Me do kind? | 0:17:14 | 0:17:16 | |
-Yeah. Do you do kind? -I do kind. | 0:17:16 | 0:17:18 | |
-Oh, do you? -Yes. But I don't do kind on that. Give me the best price. | 0:17:18 | 0:17:22 | |
-Oh! -And I know it's on your shopping list! | 0:17:22 | 0:17:24 | |
-That is you being horrible, not being kind. -I know. | 0:17:24 | 0:17:28 | |
A bit kinder. | 0:17:28 | 0:17:29 | |
I'll lose a fiver, and that gives me 15 quid on it, | 0:17:29 | 0:17:32 | |
-so I won't take any less than that. -Go on, then. | 0:17:32 | 0:17:34 | |
Lovely. Thank you very much. | 0:17:34 | 0:17:36 | |
-Ooh, and a kiss. -I know. | 0:17:36 | 0:17:37 | |
David seals the knife sharpener deal for £80 and a kiss. | 0:17:37 | 0:17:41 | |
His latest purchase sends him rocketing up the buying charts, | 0:17:41 | 0:17:45 | |
making it five-three. | 0:17:45 | 0:17:47 | |
The countdown to the end is under way | 0:17:47 | 0:17:49 | |
and Paul knows full well the gravity of the situation. | 0:17:49 | 0:17:52 | |
Luckily, with time running out, | 0:17:52 | 0:17:54 | |
he finds a retro space helmet TV set that's out of this world. | 0:17:54 | 0:17:59 | |
MUSIC: "Also Sprach Zarathustra" by Richard Strauss | 0:17:59 | 0:18:03 | |
Oh, there you go. Look at that, eh? Wonderful. | 0:18:05 | 0:18:08 | |
An astronaut's helmet that doubles as a television set. | 0:18:08 | 0:18:11 | |
Isn't that a wonderful item to have? | 0:18:11 | 0:18:13 | |
It's 1980, 1981, it's in good working order. | 0:18:13 | 0:18:16 | |
It's got a bit of a catch missing, | 0:18:16 | 0:18:18 | |
but I think I can do something with that. | 0:18:18 | 0:18:21 | |
But it's so retro and it's space inspired. | 0:18:21 | 0:18:23 | |
Where I'm going to sell this, I've honestly no idea, | 0:18:23 | 0:18:26 | |
but you know what, I hope the profits are intergalactic. | 0:18:26 | 0:18:29 | |
# Intergalactic planetary... # | 0:18:29 | 0:18:31 | |
Mr Morecambe is over the moon with the space helmet TV set at £50, | 0:18:31 | 0:18:36 | |
but he's not finished yet. | 0:18:36 | 0:18:37 | |
Rock and roller Paul sees something else that strikes a chord with him. | 0:18:38 | 0:18:42 | |
Now then, believe it or not, I've walked past this stall once already, and I saw | 0:18:42 | 0:18:46 | |
this wonderful-looking guitar at the back here. | 0:18:46 | 0:18:49 | |
It's a Epiphone Les Paul and it has its original case with it. | 0:18:49 | 0:18:53 | |
I just think it's a fantastic piece | 0:18:53 | 0:18:55 | |
of iconic music memorabilia. | 0:18:55 | 0:18:58 | |
The problem is, they still | 0:18:58 | 0:18:59 | |
make these items today. | 0:18:59 | 0:19:01 | |
If this was a period one, from the 1950s or '60s, | 0:19:01 | 0:19:03 | |
you're looking at thousands of pounds. | 0:19:03 | 0:19:05 | |
The gentleman wants 250 quid for it. | 0:19:05 | 0:19:07 | |
It's a solid body, obviously it's very heavy. | 0:19:07 | 0:19:10 | |
There you are, you see? | 0:19:10 | 0:19:11 | |
I could be one of the Beatles. | 0:19:11 | 0:19:13 | |
# Shake it up baby, now... # | 0:19:13 | 0:19:15 | |
-And it's all in working order? -It is. -With its leads? | 0:19:15 | 0:19:17 | |
There's no leads with it, but the leads are an optional extra, anyway. | 0:19:17 | 0:19:21 | |
-You can pick them up anywhere. -OK. Yeah. | 0:19:21 | 0:19:24 | |
There's no cracks or chips or anything? | 0:19:24 | 0:19:26 | |
-There's a tiny wee chip on the top. -Just on the top. | 0:19:26 | 0:19:28 | |
-That's just a wee lacquer chip on the top. -Right. | 0:19:28 | 0:19:30 | |
And what would be your best price on it? | 0:19:30 | 0:19:33 | |
-The death on it? 210. -210. -210 would be the death on that. | 0:19:33 | 0:19:36 | |
Can we say around £200? I was going to say, you knew that was coming. | 0:19:37 | 0:19:40 | |
-I knew that was coming. -I'll give you a tune. | 0:19:40 | 0:19:42 | |
Since we know the business, we'll do around 200. Thank you very much. | 0:19:42 | 0:19:46 | |
Thank you very much. I'll have that. Thank you. | 0:19:46 | 0:19:48 | |
I love it. I just like the look of it. | 0:19:48 | 0:19:50 | |
If anything else, it just looks fantastic. There we are. | 0:19:50 | 0:19:52 | |
A bit of rock and roll memorabilia. | 0:19:52 | 0:19:54 | |
I had to buy something that was music-related and here it is. | 0:19:54 | 0:19:57 | |
Yes, the electric guitar gets Paul all tuned up | 0:19:57 | 0:20:00 | |
and brings the buying round to a grand crescendo. | 0:20:00 | 0:20:02 | |
And as the stadium empties, | 0:20:02 | 0:20:04 | |
it's time for our two rockers to take a bow and clear the stage. | 0:20:04 | 0:20:08 | |
But not before we find out how they got on. | 0:20:08 | 0:20:11 | |
David and Paul started the day with | 0:20:13 | 0:20:16 | |
£750 of their own money to spend. | 0:20:16 | 0:20:19 | |
David ends the day having done five deals, | 0:20:19 | 0:20:22 | |
spending a total of £270. | 0:20:22 | 0:20:24 | |
Paul has also bought five items, | 0:20:25 | 0:20:28 | |
but has forked out more - £345. | 0:20:28 | 0:20:32 | |
So, with the concerto of concerted buying coming to a close, | 0:20:32 | 0:20:36 | |
our two harmonious guitar heroes | 0:20:36 | 0:20:38 | |
reunite to compare their wares. | 0:20:38 | 0:20:41 | |
Well, I think, Paul, that's what you call an eclectic mix. | 0:20:41 | 0:20:44 | |
I think you're right, actually. That's one word for it. | 0:20:44 | 0:20:46 | |
I think there are a few other words we could use to describe our | 0:20:46 | 0:20:49 | |
purchases, but eclectic, I think, is the one I'm searching for. | 0:20:49 | 0:20:52 | |
I'm glad to see you've polished up your act. | 0:20:52 | 0:20:54 | |
Boom, boom! He's great, isn't he? | 0:20:54 | 0:20:56 | |
Joking apart, what's been your best buy? | 0:20:56 | 0:21:00 | |
OK. My best buy, I think, has probably got to be that. | 0:21:00 | 0:21:04 | |
It's a part of a cheese press, but I love it, | 0:21:04 | 0:21:07 | |
because it's got that ancient, aged feel. Very tactile. | 0:21:07 | 0:21:10 | |
Sounds good. I wouldn't know anything about it. | 0:21:10 | 0:21:13 | |
It sounds like my joke book. | 0:21:13 | 0:21:14 | |
-It supplies cheese. -Exactly. | 0:21:14 | 0:21:17 | |
-I must admit, my favourite thing has to be that guitar. -I just knew it. | 0:21:17 | 0:21:20 | |
I knew you'd buy something musical. | 0:21:20 | 0:21:23 | |
What about your secret weapon? How was it? | 0:21:23 | 0:21:25 | |
They've been priceless today, | 0:21:25 | 0:21:27 | |
cos they've kept me nice and snug | 0:21:27 | 0:21:28 | |
while I've been outside. | 0:21:28 | 0:21:30 | |
And it's been great for buying, I've come back with this lovely stuff. | 0:21:30 | 0:21:33 | |
-But I've had one problem with them. -Did they get wet? | 0:21:33 | 0:21:35 | |
I'll show you. There's this bit down here. | 0:21:35 | 0:21:37 | |
I thought you were walking a bit strange. | 0:21:37 | 0:21:39 | |
We've reached the middle eight of this rare | 0:21:41 | 0:21:44 | |
rhapsody in the key of antiques. | 0:21:44 | 0:21:47 | |
And our dealing duo now need to sell each of their items | 0:21:47 | 0:21:50 | |
for as much money as they can. | 0:21:50 | 0:21:52 | |
But it's the one who makes the most profit | 0:21:52 | 0:21:55 | |
who will walk away the winner. | 0:21:55 | 0:21:57 | |
Our selling soloists return to their home ground | 0:21:57 | 0:22:00 | |
to plan their attacks. | 0:22:00 | 0:22:02 | |
So, how does Barnard Castle-based David feel about his haul? | 0:22:03 | 0:22:07 | |
This, when I look at it now, | 0:22:07 | 0:22:10 | |
is a mad collection of things. | 0:22:10 | 0:22:12 | |
It's mind-boggling. | 0:22:12 | 0:22:14 | |
We've got some lamps that look like they're Victorian | 0:22:14 | 0:22:17 | |
and made from cast iron, but they're not. | 0:22:17 | 0:22:19 | |
They're probably 1960s. | 0:22:19 | 0:22:20 | |
They're reproduction fakes. | 0:22:20 | 0:22:22 | |
We've got some 13th century-style medieval shields, | 0:22:22 | 0:22:27 | |
which are nowhere near that. | 0:22:27 | 0:22:28 | |
They're probably 20 years old, | 0:22:28 | 0:22:30 | |
so they're a bit fakey as well. | 0:22:30 | 0:22:32 | |
We've got something to do with cheesemaking. | 0:22:32 | 0:22:35 | |
I'm hopefully going to send it to a | 0:22:35 | 0:22:37 | |
cheese shop, just as a novelty item. | 0:22:37 | 0:22:39 | |
And the cricket book. I love cricket and I love the drawing on the front. | 0:22:39 | 0:22:43 | |
I think I paid too much money, but it doesn't really matter. | 0:22:43 | 0:22:46 | |
I just like that. Then, look at this thing. | 0:22:46 | 0:22:48 | |
A Victorian knife sharpener, circa 1880, 1900. | 0:22:48 | 0:22:52 | |
Beautiful quality, quarter cut oak. | 0:22:52 | 0:22:54 | |
Fabulous thing, but that will | 0:22:54 | 0:22:57 | |
never, ever, | 0:22:57 | 0:22:58 | |
in the history of the world, | 0:22:58 | 0:23:00 | |
sharpen a knife. | 0:23:00 | 0:23:02 | |
Now, then, Mr Morecambe, how about you? | 0:23:02 | 0:23:05 | |
What have I bought? | 0:23:05 | 0:23:07 | |
Well, I think I bought | 0:23:07 | 0:23:09 | |
a contrasting mix of items. | 0:23:09 | 0:23:10 | |
The first obvious thing has to be | 0:23:10 | 0:23:12 | |
this television that is | 0:23:12 | 0:23:13 | |
a wonderful 1980s retro TV, space-inspired. | 0:23:13 | 0:23:17 | |
The guitar, well, wonderful guitar. | 0:23:17 | 0:23:20 | |
Gibson, one of the biggest American manufacturers of guitars. | 0:23:20 | 0:23:23 | |
It's a Les Paul design. | 0:23:23 | 0:23:25 | |
He's actually credited with inventing the electric guitar. | 0:23:25 | 0:23:27 | |
It has the word treble, so I hope I can treble my money on that one. | 0:23:27 | 0:23:31 | |
You never know. | 0:23:31 | 0:23:32 | |
The helmet, I think, is going to take a bit more research. | 0:23:32 | 0:23:36 | |
It is definitely a fireman's helmet. | 0:23:36 | 0:23:37 | |
And the buckle, from the turn of the century. | 0:23:37 | 0:23:39 | |
It's very Art Nouveau, very stylish. | 0:23:39 | 0:23:41 | |
And then, we have a ventriloquist's dummy. | 0:23:41 | 0:23:43 | |
You know, behind every great expert, there's someone pulling the strings. | 0:23:43 | 0:23:47 | |
In my case, I think it might be David Harper. | 0:23:47 | 0:23:50 | |
But there are no dummies in this contest of buying and selling. | 0:23:50 | 0:23:54 | |
Both our boys begin the phone work, web work | 0:23:54 | 0:23:57 | |
and legwork that is necessary to make the sale. | 0:23:57 | 0:23:59 | |
Remember, no deal is sealed until they've shaken | 0:23:59 | 0:24:02 | |
and the cash is in their hands. | 0:24:02 | 0:24:04 | |
Back on planet Earth, it's Paul who's first off the mark, | 0:24:10 | 0:24:13 | |
hoping to sell the 1980s space helmet TV | 0:24:13 | 0:24:16 | |
to retro game collector, Andrew, | 0:24:16 | 0:24:18 | |
who works in a videogame shop in Paul's hometown of Morecambe. | 0:24:18 | 0:24:22 | |
Paul paid £50 for the TV, | 0:24:22 | 0:24:25 | |
but will he be able to launch a profit with it? | 0:24:25 | 0:24:28 | |
-How are you? -All right. You? | 0:24:28 | 0:24:30 | |
Now, then, I mentioned that I had this the other day. It's a fantastic item. | 0:24:30 | 0:24:33 | |
I know very little about these, | 0:24:33 | 0:24:35 | |
-but I know a cool thing when I see it. -It's very nice. | 0:24:35 | 0:24:37 | |
-The helmet, shzzzzzz, isn't that wonderful? -That's fantastic. | 0:24:37 | 0:24:41 | |
All right. There was one little snag with it. | 0:24:41 | 0:24:44 | |
-When I bought it, there was a handle missing. Can you see? -Yeah. | 0:24:44 | 0:24:47 | |
I managed to track down somebody, | 0:24:47 | 0:24:48 | |
believe it or not, so it's all complete. | 0:24:48 | 0:24:50 | |
And I've had it PAT tested. | 0:24:50 | 0:24:52 | |
The gentleman came along and he made sure all the electrics were safe. | 0:24:52 | 0:24:55 | |
What are you going to do with it, if you want to buy it? | 0:24:55 | 0:24:58 | |
It's going to go in my games room | 0:24:58 | 0:24:59 | |
and I'm going to play the old consoles and computers on it. | 0:24:59 | 0:25:02 | |
It's going to be set up and played daily. | 0:25:02 | 0:25:04 | |
-So you can be ten years old again. -Yeah. | 0:25:04 | 0:25:06 | |
THEY LAUGH | 0:25:06 | 0:25:08 | |
I was hoping, if it's something that you wanted, | 0:25:08 | 0:25:10 | |
I'd be looking for maybe about 100 quid, £120? | 0:25:10 | 0:25:13 | |
-Yeah, £100 is a fair price. -Shall we shake on 100 quid? | 0:25:13 | 0:25:15 | |
-Shake on 100, definitely. -Fantastic. | 0:25:15 | 0:25:18 | |
You know what, it's a really nice feeling to actually re-home | 0:25:18 | 0:25:21 | |
something and to find a person as enthusiastic as me | 0:25:21 | 0:25:24 | |
and make up bit of profit in the meantime. | 0:25:24 | 0:25:27 | |
Repairs and PAT testing cost Paul a further £12, | 0:25:27 | 0:25:30 | |
meaning he's rocketed up a profit of £38. | 0:25:30 | 0:25:34 | |
Over in Yorkshire, David is also on the move. | 0:25:35 | 0:25:38 | |
He's taken the faux Victorian lamps that cost £90 to | 0:25:38 | 0:25:42 | |
Richmond-based contact Sarah, | 0:25:42 | 0:25:44 | |
a dealer of architectural items. | 0:25:44 | 0:25:47 | |
Pick one up and tell me what you think. | 0:25:47 | 0:25:49 | |
I'm a bit worried, they look a bit heavy, like... | 0:25:49 | 0:25:51 | |
Oh, no, they're really light. | 0:25:51 | 0:25:53 | |
They're very light. Aren't they clever? | 0:25:53 | 0:25:55 | |
-You think they're cast iron. -Exactly what I thought. | 0:25:55 | 0:25:57 | |
They're actually made of aluminium. | 0:25:57 | 0:25:59 | |
They've been wired, but I think they're going to need rewiring, | 0:25:59 | 0:26:02 | |
-just for safety. -They're very eye-catching. | 0:26:02 | 0:26:05 | |
I think even with the bit of gold detail, as well. | 0:26:05 | 0:26:07 | |
-They're not like a flat black. -Now, can I tempt you on price? | 0:26:07 | 0:26:11 | |
-I think one thing is it's a set of four. -Is that good? | 0:26:11 | 0:26:14 | |
-I could struggle with that. -Really? | 0:26:14 | 0:26:16 | |
A lot of customers get pairs or sets. | 0:26:16 | 0:26:18 | |
How about, if I said to you | 0:26:18 | 0:26:21 | |
-115 per pair. -Right, OK. | 0:26:21 | 0:26:24 | |
So that's 230 for the four. | 0:26:24 | 0:26:27 | |
If I took the four, I'm looking at, say, | 0:26:27 | 0:26:31 | |
200 for the four. | 0:26:31 | 0:26:32 | |
Ooooh. | 0:26:32 | 0:26:34 | |
-That's a 30 quid discount. -Or I could just have two. | 0:26:34 | 0:26:38 | |
Oh, now, you're torturing me, aren't you? | 0:26:38 | 0:26:40 | |
THEY LAUGH | 0:26:40 | 0:26:42 | |
-Go on. -Right. -200. | 0:26:42 | 0:26:45 | |
-Marvellous. -Lovely. | 0:26:45 | 0:26:46 | |
First profit is always the best profit. | 0:26:46 | 0:26:50 | |
With a glowing profit of £110 | 0:26:51 | 0:26:54 | |
for the lamps, David's all lit up, | 0:26:54 | 0:26:56 | |
but Paul is hot on his heels. | 0:26:56 | 0:26:58 | |
Do you recognise this helmet? | 0:26:59 | 0:27:00 | |
It was quite dull, wasn't it, | 0:27:00 | 0:27:02 | |
but it's taken me about three hours' hard work on a Sunday afternoon | 0:27:02 | 0:27:05 | |
and a bit of polish and this is the end result. | 0:27:05 | 0:27:07 | |
Isn't it fantastic? | 0:27:07 | 0:27:09 | |
I managed to find a plume for an extra fiver, | 0:27:09 | 0:27:12 | |
so it stands me now at £55. | 0:27:12 | 0:27:14 | |
But I brought it along to Lewes, | 0:27:14 | 0:27:16 | |
where Lady Patricia was telling me recently she's going to France. | 0:27:16 | 0:27:19 | |
And with this being a French fireman's helmet, | 0:27:19 | 0:27:21 | |
it might be just down her alley. | 0:27:21 | 0:27:22 | |
C'est magnifique, n'est pas? Fire! | 0:27:22 | 0:27:26 | |
Madame, ca va? | 0:27:26 | 0:27:27 | |
I have come across this wonderful fireman's helmet, | 0:27:27 | 0:27:30 | |
which is from a place called De Chace, | 0:27:30 | 0:27:33 | |
which I think is in the south of France. | 0:27:33 | 0:27:35 | |
And it says Sapeurs Pompiers, which is the fire service of De Chace. | 0:27:35 | 0:27:40 | |
So, this particular one dates from the First World War. | 0:27:40 | 0:27:42 | |
I think it's about 1917. | 0:27:42 | 0:27:44 | |
So what is it about these sort of helmets that you like? | 0:27:44 | 0:27:47 | |
-Is there a good market for them here? -Yes, there is. | 0:27:47 | 0:27:50 | |
It's a good market, cos it's not only just a collectors market. | 0:27:50 | 0:27:52 | |
Most people nowadays are going to parties | 0:27:52 | 0:27:55 | |
where they're wearing fancy dress. | 0:27:55 | 0:27:56 | |
Well, if the hat fits, as they say. I'm delighted that you like it. | 0:27:56 | 0:28:00 | |
Is there a bit of profit in it for me? | 0:28:00 | 0:28:01 | |
Is it the sort of thing I could ask you, maybe, £75? | 0:28:01 | 0:28:04 | |
Would that be overegging it a bit? | 0:28:04 | 0:28:06 | |
Do I need to wear my helmet for the answer? | 0:28:06 | 0:28:08 | |
-No, I couldn't do 75. -No? | 0:28:08 | 0:28:10 | |
-You won't find another one, I don't think, in that... -60. | 0:28:10 | 0:28:13 | |
-You can't say 65, give us a tenner on it? -All right. | 0:28:13 | 0:28:15 | |
Is that all right? I'll even model it for you. | 0:28:15 | 0:28:17 | |
-How does that sound? £65. -Funnily enough, it fits you. | 0:28:17 | 0:28:20 | |
It does fit me and that's a good sign, | 0:28:20 | 0:28:22 | |
cos I've got quite a big head. | 0:28:22 | 0:28:24 | |
-Shall we shake on that? -Yeah. | 0:28:24 | 0:28:26 | |
The sale of the fireman's helmet brings in a profit of £10 | 0:28:26 | 0:28:29 | |
and things are getting really tense, | 0:28:29 | 0:28:32 | |
especially when Paul rushes the ventriloquist's doll in | 0:28:32 | 0:28:35 | |
for some urgent surgery from expert toy repairer, Paul. | 0:28:35 | 0:28:38 | |
I've got you, mate. I've got you. Hang on in there. Hang on in there. | 0:28:40 | 0:28:43 | |
MUSIC: Casualty theme | 0:28:43 | 0:28:47 | |
-Do you think he'll pull through? -Yes, he'll be as good as new. | 0:28:48 | 0:28:51 | |
Phew, that's a relief. I'd hate to lose him now, | 0:28:51 | 0:28:53 | |
after all we've been through. | 0:28:53 | 0:28:55 | |
With a hospital bill of £10 on top of the £20 | 0:28:56 | 0:28:59 | |
Paul paid for the dummy at the antiques fair, | 0:28:59 | 0:29:01 | |
he drives his little pal to find a potential buyer, | 0:29:01 | 0:29:04 | |
in the form of a man renowned as one of the country's | 0:29:04 | 0:29:06 | |
best loved professional ventriloquists.... | 0:29:06 | 0:29:09 | |
HE KNOCKS ON DOOR | 0:29:09 | 0:29:10 | |
-..and his feathered friend. -ORVILLE: -I don't know. -Hello, Keith. | 0:29:10 | 0:29:13 | |
Hello, Orville, how are you? | 0:29:13 | 0:29:15 | |
It's Paul, ain't it, off the telly? | 0:29:15 | 0:29:18 | |
I've seen him! It's exciting! | 0:29:18 | 0:29:20 | |
Hello, little fella. He doesn't say much. | 0:29:20 | 0:29:23 | |
He doesn't say much. | 0:29:23 | 0:29:24 | |
You're supposed to be working him, Paul. | 0:29:24 | 0:29:27 | |
"Hello, Orville. How are you?" | 0:29:27 | 0:29:28 | |
I can see your mouth moving. | 0:29:28 | 0:29:30 | |
He's ugly, in't it? | 0:29:30 | 0:29:31 | |
-He's not ugly. -Ah? -He's very famous. | 0:29:31 | 0:29:34 | |
He's Charlie McCarthy, which was a very famous dummy of a fellow called | 0:29:34 | 0:29:38 | |
Edgar Bergen, who's American, had his own TV show, | 0:29:38 | 0:29:41 | |
made lots of films and this was his character. | 0:29:41 | 0:29:45 | |
That's right. I was chatting to the doctor... | 0:29:45 | 0:29:47 | |
-Is he not real? -No. | 0:29:47 | 0:29:48 | |
He said that these were sold during the war | 0:29:48 | 0:29:51 | |
in the 1940s and chances are it came over with the Canadian service | 0:29:51 | 0:29:54 | |
and ended up over here. | 0:29:54 | 0:29:56 | |
I must admit, I have come here for a reason, Keith...and Orville. | 0:29:56 | 0:29:59 | |
I've come to ask you a big favour. | 0:29:59 | 0:30:01 | |
I've got a very busy schedule at the moment, | 0:30:01 | 0:30:03 | |
and I haven't got time to look after Charlie, | 0:30:03 | 0:30:06 | |
and I was wondering if you'd do me the honour, | 0:30:06 | 0:30:08 | |
if you were able, to buy him for your collection. | 0:30:08 | 0:30:10 | |
What sort of money are you talking? | 0:30:10 | 0:30:12 | |
Well, with his restoration and so on, | 0:30:12 | 0:30:15 | |
if I was to ask you £60... | 0:30:15 | 0:30:17 | |
£60, I think, yes, he's well worth it, | 0:30:17 | 0:30:19 | |
because he's very old and he's travelled around. | 0:30:19 | 0:30:22 | |
-I can use him, can't I? -You can use him and play with him. | 0:30:22 | 0:30:25 | |
-We can have a conversation. -You could have a conversation. | 0:30:25 | 0:30:28 | |
Hee-hee! | 0:30:28 | 0:30:30 | |
-Can I tell you one bad joke? -Go on then. | 0:30:30 | 0:30:32 | |
Would you like to pay me, or would you like me to put it on your bill? | 0:30:32 | 0:30:35 | |
-Does that make any... -I don't get it. | 0:30:35 | 0:30:38 | |
-I don't get it! -Your bill! | 0:30:38 | 0:30:40 | |
-Oh, my bill! -Yeah! -Ha ha ha! | 0:30:40 | 0:30:43 | |
-What a load of rubbish. -Sorry! | 0:30:43 | 0:30:46 | |
Oh, dear. Bad jokes aside, Keith and Orville fly away with the doll | 0:30:47 | 0:30:51 | |
and Paul doubles his money and flutters off with a profit of £30. | 0:30:51 | 0:30:55 | |
With only one sale to Paul's three, | 0:30:58 | 0:31:00 | |
David needs to churn up some serious profit. | 0:31:00 | 0:31:03 | |
Back in Barnard Castle, | 0:31:03 | 0:31:05 | |
his devilish master plan is about to be put to the test. | 0:31:05 | 0:31:09 | |
So then, now let's find out if my big, secret weapon of taking | 0:31:09 | 0:31:13 | |
a shopping list with me whilst antique hunting is going to pay off. | 0:31:13 | 0:31:17 | |
Here we have a lovely 19th-century or earlier cheese press, | 0:31:17 | 0:31:22 | |
very much a cheese-related thing for a cheese shop. | 0:31:22 | 0:31:25 | |
I'm hoping it's going to find a new home. | 0:31:25 | 0:31:29 | |
He's meeting shop owner Anne, who he had in mind all along. | 0:31:29 | 0:31:33 | |
-Now, it's all about cheese here, Anne, isn't it? -It is, absolutely. | 0:31:34 | 0:31:38 | |
Well, I'm going to show you then something really cheesy. | 0:31:38 | 0:31:41 | |
Interesting, tell me about it. | 0:31:41 | 0:31:43 | |
Right, it's at least 19th-century, | 0:31:43 | 0:31:46 | |
but what it is is the base of a cheese press. | 0:31:46 | 0:31:50 | |
-Right, right. -A Spanish one... -Oh, right. | 0:31:50 | 0:31:54 | |
..made out of a fruit wood, possibly a walnut, very heavy, | 0:31:54 | 0:31:59 | |
gorgeous colour, handmade, and you can imagine the size... | 0:31:59 | 0:32:02 | |
-Well, you can imagine the size of that cheese, can't you? -Definitely. | 0:32:02 | 0:32:06 | |
You can tell it's Spanish because... | 0:32:06 | 0:32:09 | |
look at the markings on the Manchego top. | 0:32:09 | 0:32:12 | |
-My gosh, hello, let's have a look at that. -They are exactly the same. | 0:32:12 | 0:32:17 | |
-Right, OK, got you. -Obviously on a smaller scale. | 0:32:17 | 0:32:20 | |
So, although it's a cheese press, if you turn it over, | 0:32:20 | 0:32:24 | |
I reckon that would make a fantastic... | 0:32:24 | 0:32:27 | |
-It would make a fantastic cheeseboard. -..cheeseboard. | 0:32:27 | 0:32:30 | |
It lends itself to cheeseboard. | 0:32:30 | 0:32:32 | |
-I think half the battle is won, isn't it? Because you love it... -I do, yes. | 0:32:32 | 0:32:36 | |
It fits in here perfectly. | 0:32:36 | 0:32:38 | |
But you know where the stumbling block might come? | 0:32:38 | 0:32:40 | |
Because I might want £2,000 for that, you don't know. | 0:32:40 | 0:32:42 | |
-I might want it for free seeing as it's my birthday. -Is it? | 0:32:42 | 0:32:46 | |
-Yes, it is. -Aw, bless! Happy birthday! | 0:32:46 | 0:32:48 | |
Right, I'm going to give you a birthday treat. | 0:32:48 | 0:32:50 | |
I'm going to reduce the price. How about if I said 65? | 0:32:50 | 0:32:53 | |
-What about 60? -Go on then, seeing as it's your birthday. | 0:32:53 | 0:32:57 | |
-Happy birthday. -Thank you very much. | 0:32:57 | 0:32:59 | |
Happy new cheeseboard. Always lovely, lovely to see you. | 0:32:59 | 0:33:02 | |
Normally Paul Hayes does the cheese. Not today. | 0:33:02 | 0:33:06 | |
So, David's crafty buying to order plan successfully adds | 0:33:07 | 0:33:10 | |
a wedge of £30 to his profit plate. | 0:33:10 | 0:33:13 | |
Both of our plucky experts are halfway through this | 0:33:16 | 0:33:18 | |
sensational symphony of selling, so it's time to find out who's | 0:33:18 | 0:33:22 | |
blowing their own trumpet and who's playing piano in the dark. | 0:33:22 | 0:33:25 | |
So far, devilish David has done two deals, racking up a profit of £140. | 0:33:28 | 0:33:34 | |
Paul has sold three items, but has only made £78 so far. | 0:33:34 | 0:33:39 | |
But this is still anyone's game, | 0:33:40 | 0:33:42 | |
as our two vigorous virtuosos have plenty more playing | 0:33:42 | 0:33:45 | |
and profiteering to do before the final curtain. | 0:33:45 | 0:33:49 | |
Sharp-edged David draws level with Paul | 0:33:49 | 0:33:52 | |
when he cuts a £60 profit after selling the Victorian knife | 0:33:52 | 0:33:55 | |
sharpener to a couple who snapped it up for their holiday home. | 0:33:55 | 0:33:59 | |
And David continues his super selling streak | 0:34:02 | 0:34:05 | |
when he hunts down a potential buyer who he thinks will be | 0:34:05 | 0:34:07 | |
the perfect target for the imitation mediaeval shields that cost £50. | 0:34:07 | 0:34:12 | |
I did some research at home, and I found a mediaeval re-enactment | 0:34:13 | 0:34:17 | |
group who are performing here today in Retford in Nottinghamshire, | 0:34:17 | 0:34:20 | |
who might well be interested in buying my mediaeval shields. | 0:34:20 | 0:34:24 | |
So, you're dressed like the fellow I think | 0:34:27 | 0:34:29 | |
I'm supposed to be looking for. Simon? | 0:34:29 | 0:34:31 | |
Obviously I want to show you the shields, | 0:34:31 | 0:34:33 | |
but it looks like you're all getting ready to get into the arena, | 0:34:33 | 0:34:35 | |
so shall I wait until you boys are finished? | 0:34:35 | 0:34:37 | |
-Well, we've some spare kit if you're willing to have a go. -Really? | 0:34:37 | 0:34:40 | |
-Yeah. -Like what? | 0:34:40 | 0:34:42 | |
Unfortunately, our lord's not here today, so we need an extra lord. | 0:34:42 | 0:34:44 | |
I don't think that will be a problem for me, | 0:34:44 | 0:34:46 | |
I've always fancied being a lord. | 0:34:46 | 0:34:48 | |
In fact, I think I deserve to be a lord. | 0:34:48 | 0:34:49 | |
David disappears to don his royal robes, then emerges | 0:34:49 | 0:34:54 | |
Lord Harper, Earl of Profitdom. | 0:34:54 | 0:34:56 | |
Looks more like Baldrick. | 0:34:56 | 0:34:58 | |
Thank you all, my people. Marvellous people they are. | 0:34:58 | 0:35:02 | |
Laisser-aller! | 0:35:02 | 0:35:03 | |
Come on, Lord Adam! | 0:35:05 | 0:35:07 | |
Oh, no. That's our man down there. | 0:35:13 | 0:35:17 | |
Well, Sir Simon, that was pretty impressive stuff, I've got to say. | 0:35:17 | 0:35:20 | |
Thank you. I've cooled down a bit now. | 0:35:20 | 0:35:22 | |
Now, the shields you were using weren't quite like these. | 0:35:22 | 0:35:25 | |
I can tell by the shape and size of the shields, | 0:35:25 | 0:35:27 | |
-these were probably used for jousting. -Ah, right. | 0:35:27 | 0:35:30 | |
I think probably more likely they've been used for wall hangings | 0:35:30 | 0:35:33 | |
-or something similar. -Right. | 0:35:33 | 0:35:34 | |
Now, can I tempt you, Sir Simon? | 0:35:34 | 0:35:36 | |
What would you say would be the right price? | 0:35:36 | 0:35:38 | |
I think, because of the style of the shields | 0:35:40 | 0:35:42 | |
and what they're used for, I'd probably look somewhere around £10? | 0:35:42 | 0:35:47 | |
-For the lot. -What?! For the lot?! | 0:35:49 | 0:35:51 | |
What about all your servants, Sir Simon, they could have one. | 0:35:51 | 0:35:54 | |
-25 quid a go, guys. -What do you think? | 0:35:54 | 0:35:57 | |
Can I tempt you just to buy one? You need a memento from Lord Harper. | 0:35:57 | 0:36:01 | |
-25 quid for one. -I think you could persuade us for one. | 0:36:01 | 0:36:05 | |
-Shall we go, 25 quid for one? -I think that's a fair deal. -Marvellous. | 0:36:05 | 0:36:09 | |
OK, Mr Morecambe, that wasn't great, I'll admit, | 0:36:09 | 0:36:12 | |
on the profit stakes, but this is a long war. | 0:36:12 | 0:36:15 | |
So, brave Sir David only managed to sell one shield | 0:36:15 | 0:36:18 | |
to the re-enactment group. | 0:36:18 | 0:36:20 | |
Undaunted and driven by a need for profit, | 0:36:20 | 0:36:23 | |
he hits the phones until he finds a dealer who'll take the rest | 0:36:23 | 0:36:26 | |
off his hands for £100, and he's delighted with a profit of £75. | 0:36:26 | 0:36:32 | |
While David is selling like an unstoppable tornado, | 0:36:34 | 0:36:38 | |
Paul buckles down to business and tracks down brooch connector Mably. | 0:36:38 | 0:36:42 | |
Selling her the Edwardian art nouveau buckle for £40, | 0:36:42 | 0:36:46 | |
snapping up a neat £15 profit. | 0:36:46 | 0:36:48 | |
But David steps up to the crease as he prepares to sell | 0:36:52 | 0:36:55 | |
his final crucial item the 1930s cricket book that cost him £20. | 0:36:55 | 0:37:00 | |
He's brought it to Barnard Castle Cricket club | 0:37:00 | 0:37:03 | |
and hopes to hit it for six | 0:37:03 | 0:37:05 | |
by selling it to long-standing member John. | 0:37:05 | 0:37:08 | |
Well, thanks for meeting me, John. | 0:37:09 | 0:37:11 | |
What about this, have you ever | 0:37:11 | 0:37:12 | |
-heard of Cecil Parkin? -Cecil Parkin no. | 0:37:12 | 0:37:15 | |
-A 1930s and 1920s cricketer, famous in his day. -OK. | 0:37:15 | 0:37:20 | |
He wrote this book, I think it was published in 1936, | 0:37:20 | 0:37:24 | |
so it's kind of a bit of a humorous look, his life story, | 0:37:24 | 0:37:28 | |
a tour of Australia, a real snapshot of cricket in the '20s and '30s. | 0:37:28 | 0:37:33 | |
Now, is this the kind of thing that might suit you for the clubhouse? | 0:37:33 | 0:37:36 | |
It might well be, yes. We have a little cabinet there, | 0:37:36 | 0:37:40 | |
we've got some 1930s fixture cards in there. | 0:37:40 | 0:37:42 | |
Well, I think it's worth anywhere between 30 and 40 quid. | 0:37:42 | 0:37:45 | |
What do you feel? | 0:37:45 | 0:37:47 | |
-Maybe 20 quid, we could... -That's a bit rotten, isn't it? | 0:37:47 | 0:37:50 | |
-I tell you what, what about a challenge? -OK. | 0:37:50 | 0:37:53 | |
-I'll bowl one over against you, six balls. -Right. | 0:37:53 | 0:37:56 | |
If I can bowl you out, you pay 40 - | 0:37:56 | 0:37:58 | |
and don't worry, that's going to be very unlikely - | 0:37:58 | 0:38:03 | |
-if you knock a six... -Yes, which is highly unlikely. | 0:38:03 | 0:38:05 | |
..you pay 30. | 0:38:05 | 0:38:07 | |
And if neither of us perform very well, we just agree 35, how's that? | 0:38:08 | 0:38:12 | |
-OK, sounds good. -Are you up for that? | 0:38:12 | 0:38:13 | |
-I'm up for that. -Love a bit of a challenge. | 0:38:13 | 0:38:15 | |
David's certainly a good sport when it comes to making money. | 0:38:15 | 0:38:18 | |
OK. Here we go. | 0:38:18 | 0:38:20 | |
And the crowd is hushed as Harper runs in to bowl his first ball. | 0:38:20 | 0:38:25 | |
Oh, and he's actually not bad. | 0:38:25 | 0:38:27 | |
Second bowl, oh dear, it's wide. | 0:38:27 | 0:38:29 | |
Third bowl. And the sweet sound of leather on willow. | 0:38:30 | 0:38:33 | |
Good fielding! | 0:38:33 | 0:38:35 | |
John really wants to hit it for six. | 0:38:35 | 0:38:37 | |
We're looking at 35 quid at the moment, come on. | 0:38:37 | 0:38:40 | |
Oh, it's like watching Botham. | 0:38:40 | 0:38:41 | |
Give him a place on the England team. | 0:38:41 | 0:38:44 | |
Final one. | 0:38:44 | 0:38:45 | |
Oh, look at it soar! | 0:38:48 | 0:38:50 | |
-Oh, bad luck. -Halfway. | 0:38:50 | 0:38:52 | |
-35 quid, yes? -35 quid. | 0:38:52 | 0:38:55 | |
Marvellous. | 0:38:55 | 0:38:56 | |
So, David fails to bowl John out, | 0:38:56 | 0:38:58 | |
but he still hits a whacking profit of £15 and he's all sold up. | 0:38:58 | 0:39:03 | |
Even though David didn't perform well in the cricket, | 0:39:03 | 0:39:06 | |
he's certainly giving it his all in this epic contest. | 0:39:06 | 0:39:10 | |
Paul will soon have to face the music, but not before an encore, | 0:39:10 | 0:39:14 | |
as it's time to sell his final item the electric guitar. | 0:39:14 | 0:39:18 | |
Paul badly needs to crank up the volume | 0:39:19 | 0:39:21 | |
if he's going to use the guitar to sing for his supper. | 0:39:21 | 0:39:25 | |
Mr Morecambe soon comes up with a masterly plan of how to | 0:39:25 | 0:39:28 | |
increase its value and hot-foots to Liverpool, | 0:39:28 | 0:39:30 | |
where there's a get-together of some of the greatest names | 0:39:30 | 0:39:34 | |
of the Merseybeat scene. | 0:39:34 | 0:39:36 | |
Obviously I am a big rock 'n' roll fan, a big music fan, | 0:39:36 | 0:39:38 | |
and I've come to The Green Room in Liverpool, and I've come | 0:39:38 | 0:39:42 | |
to get this guitar signed by some of the Merseybeat legends of the day. | 0:39:42 | 0:39:45 | |
I have none other than the fabulous rhythm guitarist, vocalist, | 0:39:45 | 0:39:50 | |
-from The Undertakers, Mr Jeff Nugent. Hi, Jeff. -Hi, Paul. | 0:39:50 | 0:39:53 | |
-How are you, mate? -Not so bad. | 0:39:53 | 0:39:54 | |
Would you do me the honour of being the first person, Jeff, | 0:39:54 | 0:39:57 | |
to sign this guitar as a history of the whole Merseybeat movement? | 0:39:57 | 0:40:01 | |
Sign where you like, mate. | 0:40:01 | 0:40:02 | |
Paul works his magic and gets signatures from Merseybeat bands | 0:40:04 | 0:40:07 | |
The Undertakers, The Hideaways and The Dominos. | 0:40:07 | 0:40:11 | |
I might even sign the back myself. How do you spell Paul? | 0:40:12 | 0:40:15 | |
Caught up with rock 'n' roll fever, | 0:40:17 | 0:40:18 | |
Paul can't resist taking to the stage with The Hideaways. | 0:40:18 | 0:40:21 | |
With the guitar signed by some of the legends | 0:40:29 | 0:40:32 | |
of the 1960s Merseybeat scene, | 0:40:32 | 0:40:34 | |
Paul now targets a place synonymous with that era The Cavern. | 0:40:34 | 0:40:38 | |
His plan is to sell the collector's item to entertainment director John. | 0:40:38 | 0:40:43 | |
Here we are then, John, | 0:40:43 | 0:40:45 | |
-we spoke about this beauty on the phone. -We certainly did. | 0:40:45 | 0:40:47 | |
It is a beauty, as well. | 0:40:47 | 0:40:49 | |
As you can see, it's full of autographs and signatures, | 0:40:49 | 0:40:52 | |
and they are all relating to what I regard as some of the most | 0:40:52 | 0:40:54 | |
important Merseybeat bands of the period. | 0:40:54 | 0:40:57 | |
You're looking late 1950s into the late 1960s. | 0:40:57 | 0:41:00 | |
I mean, the guys you're talking about, | 0:41:00 | 0:41:02 | |
they were the bedrock of Merseybeat. | 0:41:02 | 0:41:05 | |
You know, this is fantastic, what you've done. | 0:41:05 | 0:41:08 | |
But, will John want to pay a fantastic enough price | 0:41:08 | 0:41:10 | |
to give Paul a chance against some devilish work from David? | 0:41:10 | 0:41:14 | |
All will soon be revealed. | 0:41:14 | 0:41:16 | |
Both our battling boys had £750 of their own money to spend. | 0:41:18 | 0:41:23 | |
David made five antiques fair purchases and spent a total of £270. | 0:41:23 | 0:41:28 | |
Paul also bought five items but spent more £372, | 0:41:29 | 0:41:32 | |
including restoration costs. | 0:41:32 | 0:41:35 | |
But the only thing that matters now is who has made the most profit. | 0:41:36 | 0:41:41 | |
All of the money that David and Paul have made from today's | 0:41:41 | 0:41:43 | |
challenge will be going to charities of their choice. | 0:41:43 | 0:41:46 | |
So, now it's time to find out who is today's | 0:41:46 | 0:41:49 | |
Put Your Money Where Your Mouth Is champion. | 0:41:49 | 0:41:52 | |
-Hello, David. -Hey, Paul. | 0:41:52 | 0:41:53 | |
-Are you well? -Very well, how did it go? | 0:41:53 | 0:41:55 | |
This one was really good, actually, I enjoyed it, did you? | 0:41:55 | 0:41:57 | |
Brilliant. Antiques fairs, come on. | 0:41:57 | 0:41:59 | |
What I loved is the variety. I bought a ventriloquist dummy. | 0:41:59 | 0:42:03 | |
I brought it along to two celebrities, | 0:42:03 | 0:42:05 | |
one being Keith Harris, the other one being Orville! | 0:42:05 | 0:42:08 | |
And what about yourself? | 0:42:08 | 0:42:09 | |
Lots of interesting things - a cricket book, | 0:42:09 | 0:42:12 | |
took it to Barnard Castle Cricket club, and I bowled a cricket ball | 0:42:12 | 0:42:15 | |
for the first time since I was at school, so that was good. | 0:42:15 | 0:42:19 | |
And the five shields I was Lord Harper. | 0:42:19 | 0:42:22 | |
-Well, we all know that anyway. -Of course you do. -Sorry, your Majesty. | 0:42:22 | 0:42:25 | |
-Are you ready? -Yes, I'm ready. | 0:42:25 | 0:42:27 | |
-I'm quite positive about this one. -Good luck. -Hopefully. | 0:42:27 | 0:42:29 | |
Three, two, one... | 0:42:29 | 0:42:30 | |
-Oh! -Come on! -Good man! | 0:42:32 | 0:42:34 | |
Well done you! | 0:42:34 | 0:42:35 | |
That was the guitar, what I managed to do was get The Dominos... | 0:42:35 | 0:42:39 | |
So, Paul is crowned the Put Your Money Where Your Mouth Is | 0:42:40 | 0:42:43 | |
champion after making a massive £300 profit on the guitar, | 0:42:43 | 0:42:47 | |
which he sold for £500. | 0:42:47 | 0:42:49 | |
Shall we twist and shake, or just shake? | 0:42:51 | 0:42:53 | |
Do you know what? It's been an honour and a pleasure | 0:42:54 | 0:42:56 | |
to get all those signatures on that guitar, | 0:42:56 | 0:42:59 | |
and it's nice that that will live forever now in recognition, | 0:42:59 | 0:43:02 | |
really, of those wonderful Merseybeat bands, | 0:43:02 | 0:43:04 | |
and it was even better to get one over David. | 0:43:04 | 0:43:07 | |
Well, some good profits for me there, | 0:43:07 | 0:43:09 | |
but well and truly thrashed by Paul, so well done him. | 0:43:09 | 0:43:13 | |
And really clever, too, using the guitar in the way that he did. | 0:43:13 | 0:43:17 | |
Yes, David may have lost today, but there's all to play for | 0:43:17 | 0:43:20 | |
tomorrow as our duelling dealers | 0:43:20 | 0:43:21 | |
fight it out at an auction in Gloucestershire. | 0:43:21 | 0:43:24 | |
Subtitles by Red Bee Media Ltd | 0:43:45 | 0:43:49 |