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This is Put Your Money Where Your Mouth Is, | 0:00:00 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:07 | |
against each other in an all-out battle for profit. | 0:00:07 | 0:00:12 | |
And gives you the insider's view of the trade! | 0:00:12 | 0:00:15 | |
I'm on the case. | 0:00:15 | 0:00:17 | |
Woo-hoo! | 0:00:18 | 0:00:19 | |
Each week, duelling dealers will face a different daily challenge. | 0:00:19 | 0:00:24 | |
-I'm a cheeky chancer. -Lovely! | 0:00:24 | 0:00:26 | |
Putting their reputations on the line | 0:00:26 | 0:00:29 | |
and giving you top tips and savvy secrets | 0:00:29 | 0:00:31 | |
on how to make the most money from buying and selling. | 0:00:31 | 0:00:36 | |
Let's go and spend some money! | 0:00:36 | 0:00:37 | |
Get in there! | 0:00:37 | 0:00:39 | |
Today, Durham's ultimate auction hero David Harper | 0:00:39 | 0:00:44 | |
takes on Morecambe's daringly dapper Paul Hayes. | 0:00:44 | 0:00:48 | |
Coming up, Paul's overcome with auction angst. | 0:00:48 | 0:00:50 | |
He seems very professional, doesn't he, David? Very serious. | 0:00:50 | 0:00:54 | |
Very good at his job. I'm a bit worried, to be honest. | 0:00:54 | 0:00:57 | |
David is humbled by a schoolboy error. | 0:00:57 | 0:01:00 | |
Reading between the lines, you missed the lot, didn't you? | 0:01:00 | 0:01:03 | |
-I missed the lot, yeah! -I'll let you concentrate, good luck. | 0:01:03 | 0:01:06 | |
Thanks, Paul. That's a great help(!) | 0:01:06 | 0:01:09 | |
And we are given a masterclass in not giving up. | 0:01:09 | 0:01:13 | |
-475. -400 quid. -470. -420. | 0:01:13 | 0:01:16 | |
-For the sake of £40, you're going to walk away. -It's not £40. | 0:01:16 | 0:01:19 | |
This is Put Your Money Where Your Mouth Is. | 0:01:19 | 0:01:22 | |
Ah, the lovely British countryside! | 0:01:35 | 0:01:38 | |
The first golden rays of the dawn sun are peaking through the trees, | 0:01:38 | 0:01:43 | |
painting picturesque English villages with colours | 0:01:43 | 0:01:46 | |
straight from mother nature's majestic palette. | 0:01:46 | 0:01:50 | |
But get ready to run for cover, folks, | 0:01:50 | 0:01:52 | |
because the heavens are about to open | 0:01:52 | 0:01:55 | |
as two giants of the antiques trade appear glowering like storm-clouds on the horizon. | 0:01:55 | 0:02:01 | |
First up, the sky darkens as 'Devilish' David Harper appears. | 0:02:01 | 0:02:07 | |
God of lightning purchasing and reigning monarch of profit. | 0:02:07 | 0:02:12 | |
Next, a low rumbling heralds the arrival | 0:02:12 | 0:02:15 | |
of Paul 'Mr Morecambe' Hayes. | 0:02:15 | 0:02:18 | |
The trim tempest who pin-points his targets and bags them faster than a bolt from the blue. | 0:02:18 | 0:02:24 | |
Today, these storming giants will be battling it out to see who ends up with the greatest profit. | 0:02:24 | 0:02:29 | |
They've descended on Wotton Auction Rooms in Gloucestershire | 0:02:29 | 0:02:33 | |
to see who can gather the best bargains and prove themselves the better dealer. | 0:02:33 | 0:02:37 | |
They've each got £1,000 of their own money to spend | 0:02:37 | 0:02:40 | |
and all the profits go to their chosen charities. | 0:02:40 | 0:02:44 | |
David Harper and Paul Hayes, | 0:02:44 | 0:02:46 | |
it's time to put your money where your mouth is. | 0:02:46 | 0:02:50 | |
-Good morning, David. -Good morning, Paul. | 0:02:50 | 0:02:53 | |
What a lovely, beautiful morning. | 0:02:53 | 0:02:54 | |
Isn't this fantastic? It's quite a way for me and you. | 0:02:54 | 0:02:57 | |
Quite a way. A nice part of the world, Gloucestershire. | 0:02:57 | 0:03:00 | |
-Have you got a strategy? -Not really. Same as ever. | 0:03:00 | 0:03:03 | |
Seat of my pants, Paul. | 0:03:03 | 0:03:05 | |
Turn up with a bit of money and do the best you possibly can. | 0:03:05 | 0:03:07 | |
-But I have a cunning plan. -What is that? -I am not going to reveal it to you. | 0:03:07 | 0:03:12 | |
-Really? -Good luck, David. -See you in a bit. | 0:03:12 | 0:03:15 | |
These two may be all sunny smiles and breezy backslapping | 0:03:15 | 0:03:18 | |
but don't let that fool you. | 0:03:18 | 0:03:19 | |
The forecast today shows there's a perfect bidding storm heading this way. | 0:03:19 | 0:03:25 | |
Our boys bluster their way into the auction room and begin to hunt down the best lots. | 0:03:25 | 0:03:29 | |
Behind that charming veneer, Paul is quietly determined. | 0:03:29 | 0:03:33 | |
Believe it or not, I do have a little strategy. | 0:03:35 | 0:03:37 | |
I've found from experience, when you come to an auction house like this, | 0:03:37 | 0:03:40 | |
where everything is online, | 0:03:40 | 0:03:42 | |
there will be a job lot of items which they can't describe. | 0:03:42 | 0:03:47 | |
I'm looking for a hidden gem amongst the bric-a-brac. | 0:03:47 | 0:03:51 | |
And so Paul begins methodically rifling through every nook and cranny for hidden delights, | 0:03:51 | 0:03:57 | |
but what of David? | 0:03:57 | 0:03:58 | |
Is his fortune-finding strategy | 0:03:58 | 0:04:01 | |
really as frivolous as he's making out? | 0:04:01 | 0:04:04 | |
I can tell you, honestly, my strategy really is seat of my pants. | 0:04:04 | 0:04:08 | |
That is the only way you can do it. | 0:04:08 | 0:04:11 | |
You can't go out with a shopping list, you've got to be open minded. | 0:04:11 | 0:04:16 | |
That's quite enough about your pants, David. | 0:04:16 | 0:04:19 | |
It's not long until our two competitors must clash on the auction floor, | 0:04:19 | 0:04:23 | |
and every second counts | 0:04:23 | 0:04:24 | |
when it comes to pin-pointing those potential purchases. | 0:04:24 | 0:04:28 | |
Paul is the first to spot a pair of pop-art prints. | 0:04:28 | 0:04:32 | |
These two items - I spotted these online. | 0:04:32 | 0:04:35 | |
They are by Michael English, 1972. | 0:04:35 | 0:04:38 | |
He had a place on King's Road in London. | 0:04:38 | 0:04:41 | |
It was a big nightclub | 0:04:41 | 0:04:42 | |
and these used to adorn that nightclub as part of a series. | 0:04:42 | 0:04:45 | |
What you have to watch with prints, | 0:04:45 | 0:04:47 | |
or anything with a frame, is to make sure it's not damp. | 0:04:47 | 0:04:52 | |
Make sure the veneer hasn't lifted off the top. | 0:04:52 | 0:04:54 | |
I'll put my toe in the water and have a go at this one. | 0:04:54 | 0:04:59 | |
Always one to shoe in an old joke is our Paul. | 0:04:59 | 0:05:02 | |
He's first to mark his catalogue, | 0:05:02 | 0:05:04 | |
but David has spotted something he'd be honoured to walk away with. | 0:05:04 | 0:05:08 | |
This is the great thing about this business, you never stop learning. | 0:05:08 | 0:05:12 | |
Some things make you do a double take | 0:05:12 | 0:05:14 | |
and start to wonder and scratch your head. | 0:05:14 | 0:05:17 | |
Take that! MBE. What do you think of? Member of the British Empire? | 0:05:17 | 0:05:21 | |
No, surely there can't be a medal in there? | 0:05:21 | 0:05:25 | |
But here we are, handling I believe an MBE! | 0:05:25 | 0:05:30 | |
It's from Garrard & Co, silversmiths to the King. | 0:05:30 | 0:05:34 | |
It's got instructions here on how to wear your MBE | 0:05:34 | 0:05:38 | |
and it's the kind of thing | 0:05:38 | 0:05:40 | |
that could take you on a very interesting journey. | 0:05:40 | 0:05:43 | |
The MBE has got David's patriotic heart pounding, | 0:05:43 | 0:05:47 | |
but he isn't the only one getting regal. | 0:05:47 | 0:05:50 | |
This is a really interesting item. | 0:05:50 | 0:05:53 | |
This commemorates Queen Victoria's Diamond Jubilee of 1897. | 0:05:53 | 0:05:58 | |
Isn't that beautiful? | 0:05:58 | 0:05:59 | |
It tells the story of one of the most lavish parades | 0:05:59 | 0:06:03 | |
that ever was for our dear Queen. | 0:06:03 | 0:06:05 | |
You'd think these two were after knighthoods, the way they're carrying on. | 0:06:05 | 0:06:10 | |
They're both vying for glory in this competition | 0:06:10 | 0:06:12 | |
and it looks like Paul's psychological warfare is having an effect. | 0:06:12 | 0:06:16 | |
Paul Hayes says he's got a plan! | 0:06:16 | 0:06:19 | |
Oh, come on, I haven't met anyone in my life that has a plan. | 0:06:19 | 0:06:22 | |
I've never, ever had a plan. Let's see if he has a plan. | 0:06:22 | 0:06:26 | |
I don't think he does and if he does, I bet it's rubbish. | 0:06:26 | 0:06:29 | |
That's fighting talk from the devilish one | 0:06:29 | 0:06:32 | |
but will his own lack of tactics pay off | 0:06:32 | 0:06:35 | |
or turn out to be his Achilles heel? | 0:06:35 | 0:06:37 | |
Unfazed by his opponent, | 0:06:37 | 0:06:39 | |
Paul uncovers his next noteworthy item. | 0:06:39 | 0:06:44 | |
These are pianola rolls. I love these things, look at that. | 0:06:44 | 0:06:48 | |
You can have all sorts of classical music playing away there. | 0:06:48 | 0:06:52 | |
Nowadays, you can have these remade, | 0:06:52 | 0:06:54 | |
so people are making them with more contemporary tunes. | 0:06:54 | 0:06:58 | |
What I like about these is that they are all music of the day, | 0:06:58 | 0:07:02 | |
dance halls, classical things from the early 1900s, late nineteenth century. | 0:07:02 | 0:07:07 | |
Mechanical music, I'm interested in that, so we'll have a go at them. | 0:07:07 | 0:07:10 | |
£50 for 70 of them. If I sell them for £1 each, I'm doing all right. | 0:07:10 | 0:07:15 | |
With bidding about to begin, our two tornados of antiques expertise | 0:07:15 | 0:07:19 | |
find their places and hunker down for the buying blizzard ahead. | 0:07:19 | 0:07:23 | |
But who will be the first to get things started? | 0:07:23 | 0:07:27 | |
It's Paul as he bids on a Victorian floral jardiniere | 0:07:27 | 0:07:31 | |
with an estimated price of £60-80. | 0:07:31 | 0:07:34 | |
40 I'm bid, 45 I'm bid, 50, £50 I'm bid. | 0:07:34 | 0:07:38 | |
Anybody moving it along? Are you all happy with that? £50 this time. | 0:07:38 | 0:07:41 | |
I think I know just the place that's going to want that. | 0:07:41 | 0:07:44 | |
I don't like it when he's buying and I'm not. | 0:07:44 | 0:07:47 | |
After fees, the jardiniere costs Paul £60 | 0:07:47 | 0:07:50 | |
but is he as pleased when he gets to take a closer look? | 0:07:50 | 0:07:54 | |
I bought a late-19th-century jardiniere. | 0:07:54 | 0:07:57 | |
The problem is, it has had a little damage on the bottom. | 0:07:57 | 0:08:00 | |
But on a size this big, who cares? It's such a visual item to have. | 0:08:00 | 0:08:04 | |
But it has been decorated in the impasto style, | 0:08:04 | 0:08:07 | |
which is a very thick slip decoration, | 0:08:07 | 0:08:10 | |
where the flowers almost seem real. | 0:08:10 | 0:08:12 | |
I might invest another tenner and put an aspidistra in there. | 0:08:12 | 0:08:16 | |
I think you've got a great visual item. | 0:08:16 | 0:08:18 | |
With that first purchase, Paul takes control of the game. | 0:08:18 | 0:08:22 | |
David's waiting to strike back but before he has a chance, | 0:08:22 | 0:08:25 | |
Paul's bidding for item number two. | 0:08:25 | 0:08:28 | |
While I was looking round, there was a pottery jug of Widdicombe Fair. | 0:08:28 | 0:08:32 | |
At 15, at 18 I'm bid. 20 I'm bid, 22. | 0:08:32 | 0:08:37 | |
-25, 28, 30. -Go on, Paul, I know you want it. | 0:08:37 | 0:08:41 | |
At £32 I am bid. At the back at £32 I am bid. | 0:08:41 | 0:08:43 | |
Anybody moving in at £32? | 0:08:43 | 0:08:46 | |
Sold at 32. 1376. | 0:08:46 | 0:08:48 | |
The musical ale jug was estimated at £30-£40. | 0:08:48 | 0:08:51 | |
It's Paul's for £38.40 after fees and our boy's delighted with it. | 0:08:51 | 0:08:56 | |
There we are, so what I've bought is a fantastic 1920s musical jug. | 0:08:58 | 0:09:02 | |
Unfortunately, the movement doesn't seem to be working | 0:09:02 | 0:09:06 | |
but I think it might need a bit of TLC. | 0:09:06 | 0:09:08 | |
But I would love to find out more about the Widdicombe Fair | 0:09:08 | 0:09:10 | |
and it rings a bell. | 0:09:10 | 0:09:12 | |
Wasn't there an ex-politician called Widdecombe? | 0:09:12 | 0:09:16 | |
Answer your phone, Ann, I've got just the thing for you. | 0:09:16 | 0:09:19 | |
Let's hope she hasn't blocked your number, Paul. | 0:09:19 | 0:09:22 | |
With his jardiniere and musical jug, Paul's taken an early lead, | 0:09:22 | 0:09:25 | |
but David has got a sniff of his first prey. | 0:09:25 | 0:09:28 | |
With an estimated price of £20-£25, | 0:09:28 | 0:09:32 | |
it's a Yorkshire-made ashtray that's gone astray. | 0:09:32 | 0:09:35 | |
Now it's an interesting one. This is a Mouseman-carved ashtray. | 0:09:35 | 0:09:39 | |
Here we are in the south-west of England. | 0:09:39 | 0:09:42 | |
It was made in the north-east of England, | 0:09:42 | 0:09:45 | |
not far from me, and I want to take him home. | 0:09:45 | 0:09:48 | |
32, 35, 38, 40, 45. | 0:09:48 | 0:09:53 | |
At £45. 50, 55, 60. | 0:09:53 | 0:09:57 | |
And five, £65 at the back of the room. | 0:09:57 | 0:09:59 | |
Any advance on £65? Standing at the back at 65. | 0:09:59 | 0:10:03 | |
David catches the Mouseman ashtray for £78. | 0:10:03 | 0:10:07 | |
He's gaining ground but can he make it even | 0:10:07 | 0:10:10 | |
by winning that MBE that he so desperately wants? | 0:10:10 | 0:10:12 | |
What is all this about? This is what I like about this business. | 0:10:15 | 0:10:19 | |
This is what gets me going. Exciting, interesting things. Here we are. | 0:10:19 | 0:10:23 | |
But then disaster strikes! | 0:10:23 | 0:10:25 | |
David was so busy talking, | 0:10:28 | 0:10:30 | |
he failed to look up before the hammer came down, | 0:10:30 | 0:10:33 | |
meaning he's missed the lot and his opportunity to get an MBE. | 0:10:33 | 0:10:37 | |
No! I can't believe it, the MBE badge, I've lost it, I've missed it. | 0:10:38 | 0:10:42 | |
Didn't even get a chance to bid on it. | 0:10:42 | 0:10:45 | |
Paul, I'm not going to go for that MBE badge now. | 0:10:45 | 0:10:48 | |
-Right, oh, why? -I don't know. Gone off it. -I quite liked it actually. | 0:10:48 | 0:10:52 | |
-Did you? -I thought it was cheap. -No. You find them everywhere, charity shops. | 0:10:52 | 0:10:56 | |
I thought there's no point in me having something | 0:10:56 | 0:10:59 | |
that everybody else has got, | 0:10:59 | 0:11:00 | |
so I thought I'll just leave it and went into a daydream. | 0:11:00 | 0:11:04 | |
Reading between the lines, you missed the lot, didn't you? | 0:11:04 | 0:11:06 | |
-I missed the lot, yeah. -I'll let you concentrate. | 0:11:06 | 0:11:09 | |
Thanks, Paul. Thanks a lot(!) Great help, thank you. | 0:11:09 | 0:11:12 | |
Having torn straight through David's tissue of lies, | 0:11:12 | 0:11:15 | |
Paul remains in the lead in this bidding battle. | 0:11:15 | 0:11:18 | |
But next up is a vintage watch | 0:11:18 | 0:11:20 | |
from a maker favoured by a certain gentleman spy. | 0:11:20 | 0:11:24 | |
Estimated at £300-£350, David could be in double-o-heaven | 0:11:24 | 0:11:30 | |
if he manages to get it for the right price. | 0:11:30 | 0:11:33 | |
One of my many interests in this business is vintage watches. | 0:11:33 | 0:11:38 | |
I absolutely adore them. | 0:11:38 | 0:11:40 | |
Coming up is a real classic. It's an Omega Seamaster. | 0:11:40 | 0:11:44 | |
First produced in 1947 and still being produced | 0:11:44 | 0:11:47 | |
and made famous in the 1990s by James Bond when he dumped his Rolex. | 0:11:47 | 0:11:52 | |
At £300-£350, it is a lot of money but I want it. | 0:11:52 | 0:11:56 | |
Wish myself some luck here. I will try and concentrate. | 0:11:56 | 0:12:01 | |
At 220, 240, 260, 280, 300. | 0:12:01 | 0:12:05 | |
Any bidding over £300? | 0:12:05 | 0:12:07 | |
Go on, give it to me. Give it to me. | 0:12:07 | 0:12:10 | |
Thank you very much. £300. Marvellous. | 0:12:10 | 0:12:13 | |
The watch winds up with David for a sizeable £360 including costs. | 0:12:13 | 0:12:20 | |
He's impressed with his purchase. | 0:12:20 | 0:12:23 | |
It's got the silvered face. | 0:12:23 | 0:12:24 | |
Got the date which is absolutely brilliant. | 0:12:24 | 0:12:27 | |
It has got the original winder and a non-original strap | 0:12:27 | 0:12:31 | |
and it's called the Seamaster | 0:12:31 | 0:12:32 | |
because it's meant to go deep-sea diving. | 0:12:32 | 0:12:35 | |
It's all boys adventure territory. | 0:12:35 | 0:12:37 | |
That is a real sports watch | 0:12:37 | 0:12:40 | |
but very tastefully done indeed. | 0:12:40 | 0:12:44 | |
She's a beauty. | 0:12:44 | 0:12:46 | |
Well, it's not often you see a grown man kissing his ticker. | 0:12:46 | 0:12:51 | |
We're half way through the day's bidding and what a start. | 0:12:51 | 0:12:54 | |
With the trauma of David's missing MBE | 0:12:54 | 0:12:56 | |
and some punchy purchases from Paul, | 0:12:56 | 0:12:59 | |
our boys come together to compare notes. | 0:12:59 | 0:13:01 | |
-Oh, look at you, looking all studious. -I'm doing my homework. | 0:13:01 | 0:13:05 | |
-Hiya, how's it going? -I need all the help I can get. -Me too. | 0:13:05 | 0:13:08 | |
Lot 27, my career, no bids. | 0:13:08 | 0:13:11 | |
Have you got your eye on something? | 0:13:11 | 0:13:13 | |
A few things but as ever, things come and go. | 0:13:13 | 0:13:16 | |
They are too expensive. | 0:13:16 | 0:13:17 | |
I don't know what's wrong with my brain. It's not firing, Paul. | 0:13:17 | 0:13:20 | |
-Do you know what you need? -What? -A nice cup of tea and a piece of Victoria sponge. -Seriously? | 0:13:20 | 0:13:25 | |
While the boys take tea and cake, let's find out who's riding high on cloud nine | 0:13:25 | 0:13:29 | |
and who's left feeling under the weather. | 0:13:29 | 0:13:32 | |
David and Paul each started the day with £1,000 of their own money. | 0:13:32 | 0:13:37 | |
David has bought two items so far, spending £438. | 0:13:38 | 0:13:42 | |
This leaves him with £562 still to spend. | 0:13:42 | 0:13:46 | |
Paul got off to a flying start but has spent less, | 0:13:46 | 0:13:50 | |
£98.40 on two lots, | 0:13:50 | 0:13:53 | |
leaving him with £901.60 to play with. | 0:13:53 | 0:13:57 | |
It's the eye of the storm and time for our two titanic traders | 0:13:57 | 0:14:01 | |
to blow back inside for yet more bidding and buying. | 0:14:01 | 0:14:05 | |
Keen to take the lead, David is quick off the mark, | 0:14:05 | 0:14:08 | |
when a little bird catches his eye | 0:14:08 | 0:14:11 | |
with an estimated value of £50-£60. | 0:14:11 | 0:14:14 | |
Coming up is a quirky novelty, interesting little thing. | 0:14:14 | 0:14:19 | |
It's an inkwell but it is more than an inkwell, | 0:14:19 | 0:14:22 | |
it is in the shape of a song bird | 0:14:22 | 0:14:24 | |
which makes it sweet and interesting. | 0:14:24 | 0:14:27 | |
Got to be CHEEP, I'm going to have a go. | 0:14:27 | 0:14:29 | |
32, 35, 38. 40 I'm bid. 42. | 0:14:29 | 0:14:33 | |
Everybody wants it. I can't believe it. | 0:14:33 | 0:14:36 | |
45 I'm bid. 48. 50 I'm bid. | 0:14:36 | 0:14:39 | |
At £50 I'm bid, back row. | 0:14:39 | 0:14:40 | |
50 quid for an odd little songbird but he is really sweet. | 0:14:40 | 0:14:44 | |
Give it to me. Marvellous, marvellous, marvellous, marvellous! | 0:14:44 | 0:14:48 | |
David cages the bird for £60 including costs | 0:14:48 | 0:14:52 | |
but will he fly away with a soaring profit when he comes to sell it? | 0:14:52 | 0:14:56 | |
Don't you think he is gorgeous? No fantastic age - | 0:14:56 | 0:14:59 | |
I can tell by its weight and the casting. It feels still sharp. | 0:14:59 | 0:15:03 | |
But well-detailed in his feathers. | 0:15:03 | 0:15:06 | |
Probably French or German. | 0:15:06 | 0:15:08 | |
No markings on him. Absolutely delicious. | 0:15:08 | 0:15:11 | |
I have no idea who I'm going to sell him to. | 0:15:11 | 0:15:15 | |
With the inkwell bird, David flies into the lead | 0:15:15 | 0:15:19 | |
and his newly-found focus is beginning to give his rival cause for concern. | 0:15:19 | 0:15:24 | |
He seems like a professional, doesn't he, David? Very serious. | 0:15:24 | 0:15:27 | |
Very good at his job. I'm a bit worried, to be honest. | 0:15:27 | 0:15:31 | |
And worried he should be | 0:15:31 | 0:15:32 | |
because it's not long before David bags a vintage car headlamp. | 0:15:32 | 0:15:37 | |
After fees it costs him £120 | 0:15:37 | 0:15:39 | |
but will it light the way in this competition? | 0:15:39 | 0:15:43 | |
This is the vintage Ford model 666. | 0:15:43 | 0:15:48 | |
Ha, ha, ha! Mr Harper's favourite figure. | 0:15:48 | 0:15:53 | |
A devilish number there. | 0:15:53 | 0:15:55 | |
Made by E&J Detroit, Michigan. | 0:15:55 | 0:15:58 | |
That is just screaming 1920s, 1930s. | 0:15:58 | 0:16:01 | |
That would make a great table piece. | 0:16:01 | 0:16:04 | |
The lamp puts David ahead | 0:16:04 | 0:16:06 | |
and he leaps further into the lead with a job lot of animal ornaments. | 0:16:06 | 0:16:10 | |
A frog prince and a pair of decorative deer are added to his haul, | 0:16:10 | 0:16:15 | |
costing David £78 after fees, so what attracted him to them? | 0:16:15 | 0:16:20 | |
Check this little lot out for a pair of major contrasts. | 0:16:22 | 0:16:27 | |
We have got a really pretty Art Deco bronze deer with her fawn | 0:16:27 | 0:16:34 | |
and then behind we have got the monstrosity | 0:16:34 | 0:16:37 | |
of a Prince frog with his crown on. | 0:16:37 | 0:16:40 | |
Again he falls into the category of being so ugly, | 0:16:40 | 0:16:44 | |
he's sort of attractive. | 0:16:44 | 0:16:46 | |
The Art Deco piece. Doesn't everybody love Art Deco? | 0:16:46 | 0:16:49 | |
Don't you love Art Deco? | 0:16:49 | 0:16:51 | |
I need to find someone who really loves Art Deco. | 0:16:51 | 0:16:55 | |
So Paul's not the only one with anxieties it seems! | 0:16:55 | 0:16:58 | |
Mr Morecambe is determined to claw the game back. | 0:16:58 | 0:17:02 | |
He's focussing on a new target, | 0:17:02 | 0:17:04 | |
a stereoscopic viewer with an estimated value of £50-£60. | 0:17:04 | 0:17:08 | |
65, 70 there. Five, at 75 at the back of the room. | 0:17:08 | 0:17:13 | |
-1376 at £75. Your bid, sir. -Yeah, I got one. | 0:17:13 | 0:17:18 | |
The stereoscopic viewer costs Paul £90 | 0:17:18 | 0:17:21 | |
and the blue-eyed boy is chuffed! | 0:17:21 | 0:17:23 | |
Do you know what? | 0:17:23 | 0:17:24 | |
I think these are the most under-rated items you can find. | 0:17:24 | 0:17:28 | |
When you go back to the 19th century, they really were a novelty. | 0:17:28 | 0:17:32 | |
It was the first time you could capture a real image. | 0:17:32 | 0:17:35 | |
Lots of amateur photographers used to do that. | 0:17:35 | 0:17:39 | |
They would have a special camera | 0:17:39 | 0:17:40 | |
which would take a picture in stereo. | 0:17:40 | 0:17:42 | |
The camera would have two lenses, | 0:17:42 | 0:17:44 | |
they would be at slightly different angles apart. | 0:17:44 | 0:17:46 | |
Takes the same view but when you put them through a viewer, | 0:17:46 | 0:17:49 | |
they seem to be in stereo, or three dimensions. | 0:17:49 | 0:17:52 | |
It's one of those antiques which is useable. | 0:17:52 | 0:17:55 | |
I haven't shown you the marvellous rosewood 19th-century viewer. | 0:17:55 | 0:17:59 | |
The idea is that you'd hold it up to the window | 0:17:59 | 0:18:02 | |
and using this contraption here, | 0:18:02 | 0:18:04 | |
it reflects the mirror to give the eyes more light. | 0:18:04 | 0:18:07 | |
I'm going to have great fun going through them | 0:18:07 | 0:18:10 | |
and seeing these images from a time gone by. | 0:18:10 | 0:18:13 | |
Snap-happy Paul is catching up but David's fighting back. | 0:18:13 | 0:18:18 | |
Having missed the MBE when it went under the hammer earlier, | 0:18:18 | 0:18:22 | |
the Devilish One has brought about a breath-taking reversal of fortune. | 0:18:22 | 0:18:27 | |
This is the object that I missed out on in the saleroom | 0:18:27 | 0:18:31 | |
and I haven't just borrowed it, | 0:18:31 | 0:18:33 | |
I now own it. | 0:18:33 | 0:18:35 | |
Luckily for me, the guy that bought it, I found out who it was, | 0:18:35 | 0:18:39 | |
and I've just bought an original MBE for £140. | 0:18:39 | 0:18:46 | |
I'm very proud to have such a thing | 0:18:46 | 0:18:48 | |
and I will wear it on special occasions | 0:18:48 | 0:18:52 | |
with great pride and great honour, until I sell it. | 0:18:52 | 0:18:56 | |
Arise, Sir David, decorated at last! | 0:18:56 | 0:19:00 | |
He might be resting on his laurels | 0:19:00 | 0:19:03 | |
but young pretender Paul is bidding for the set of pianola rolls | 0:19:03 | 0:19:08 | |
estimated at £50-£60. | 0:19:08 | 0:19:09 | |
Any advance on 22? 25, 28, 30. five. | 0:19:09 | 0:19:14 | |
But Paul's got competition, a rival bidder is also after the rolls. | 0:19:14 | 0:19:19 | |
70, five. 80, five. | 0:19:19 | 0:19:22 | |
At 85 at the back, any advance on £85? 1376. | 0:19:22 | 0:19:27 | |
All that music of generations | 0:19:27 | 0:19:29 | |
ready to be played on the very first CD player. | 0:19:29 | 0:19:32 | |
I think it's fantastic. | 0:19:32 | 0:19:34 | |
It's music to Paul's ears | 0:19:34 | 0:19:36 | |
when he gets the pianola rolls for £102 including costs. | 0:19:36 | 0:19:40 | |
Paul's on a roll and also snaps up the pair of 1970s pictures | 0:19:40 | 0:19:44 | |
he spotted earlier, setting him back £72. | 0:19:44 | 0:19:48 | |
I put my toe in the water. | 0:19:48 | 0:19:52 | |
Good to see that you're recycling the jokes, Paul. | 0:19:52 | 0:19:55 | |
And as the sun starts to slowly sink in the sky, | 0:19:55 | 0:19:59 | |
David sets his sights on a pair of early-19th-century silhouettes, | 0:19:59 | 0:20:03 | |
estimated at £100-£120. | 0:20:03 | 0:20:06 | |
Take a chance. 50 I'm only bid. 55, 60, 65. | 0:20:06 | 0:20:09 | |
70, 75. | 0:20:09 | 0:20:11 | |
80, the pair I'm bid. At £80. | 0:20:11 | 0:20:14 | |
You're finished with them all at £80? | 0:20:14 | 0:20:17 | |
I like them, they were cheap. | 0:20:17 | 0:20:19 | |
The silhouette miniatures cost £96 after fees | 0:20:19 | 0:20:22 | |
but, on closer inspection, will they raise David's profile? | 0:20:22 | 0:20:26 | |
You know, they always say it's better to have good pair | 0:20:26 | 0:20:29 | |
and here is a great example of a super pair | 0:20:29 | 0:20:33 | |
of early-19th-century silhouettes in their original frame | 0:20:33 | 0:20:37 | |
with the oak-leaf brass ormolu hanging mounts. | 0:20:37 | 0:20:40 | |
Again, all intact. | 0:20:40 | 0:20:41 | |
Remaining together is absolutely fantastic. | 0:20:41 | 0:20:44 | |
There has to be a profit, probably 50% profit, | 0:20:44 | 0:20:48 | |
because there are always people looking for silhouettes | 0:20:48 | 0:20:53 | |
and especially a pair. | 0:20:53 | 0:20:55 | |
With time running out before the final hammer falls, | 0:20:55 | 0:20:58 | |
Paul decides to make a play for the commemorative Queen Victoria | 0:20:58 | 0:21:01 | |
diamond jubilee book that's estimated at £15-£20. | 0:21:01 | 0:21:05 | |
The next lot is the London Illustrated News, | 0:21:06 | 0:21:09 | |
the commemorative for Queen Victoria 1897, her diamond jubilee. | 0:21:09 | 0:21:13 | |
OK, I think I'll have a go at this, | 0:21:13 | 0:21:16 | |
in at £15-£20 which sounds a bargain. | 0:21:16 | 0:21:18 | |
20, 22, 25, 28, 30. | 0:21:18 | 0:21:21 | |
32. Five? £35 this time. | 0:21:21 | 0:21:23 | |
So I bought that and it's a real piece of history. | 0:21:23 | 0:21:27 | |
1897, sounds a good lot that. | 0:21:27 | 0:21:29 | |
The book costs Paul the princely sum of £40.83 including fees. | 0:21:29 | 0:21:35 | |
Both our boys have fought hard at today's auction | 0:21:35 | 0:21:38 | |
but it's Paul who makes the final purchase | 0:21:38 | 0:21:41 | |
to bring this whirlwind of bidding to a close. | 0:21:41 | 0:21:44 | |
Our two challengers each started the day | 0:21:44 | 0:21:47 | |
with £1,000 of their own money to spend. | 0:21:47 | 0:21:49 | |
David Harper said he would be flying by the seat of his pants | 0:21:49 | 0:21:52 | |
and finishes with seven items, almost blowing his budget at £932. | 0:21:52 | 0:21:58 | |
Paul Hayes went in with a clear strategy and ends the day | 0:21:58 | 0:22:01 | |
with six items costing him a much more modest £403.23. | 0:22:01 | 0:22:06 | |
But it's not about who's spent the most. | 0:22:06 | 0:22:09 | |
It's about who can make the biggest profit. | 0:22:09 | 0:22:13 | |
After the dust settles from the avalanche of auctioneering, | 0:22:13 | 0:22:16 | |
our bargain hurricanes settle to compare their day's haul. | 0:22:16 | 0:22:20 | |
If there ever was a time where I'd like to swap some items... | 0:22:22 | 0:22:25 | |
-Oh, stop it. Stop being modest. -Would you like 70 pianola rolls? | 0:22:25 | 0:22:29 | |
That is quite amazing, that is one collection. | 0:22:29 | 0:22:32 | |
I wanted to ask you, though, I thought you didn't buy the MBE? | 0:22:32 | 0:22:34 | |
-What's going on? -No, no, there's a story there. | 0:22:34 | 0:22:37 | |
I don't know whether it's legal but I've awarded myself an MBE. | 0:22:37 | 0:22:40 | |
Does that mean I have to call you Sir David now? | 0:22:40 | 0:22:42 | |
-Well, why not. -Or Sir Harper? -Sir Harper will do, MBE. | 0:22:42 | 0:22:46 | |
What's your favourite object? | 0:22:46 | 0:22:48 | |
My favourite object probably... The jardiniere, we won't mention that. | 0:22:48 | 0:22:52 | |
-I love it! -But I do like these stereoscopic viewers, | 0:22:52 | 0:22:55 | |
I've always loved these items. | 0:22:55 | 0:22:56 | |
My favourite buy has to be the pianola rolls. | 0:22:56 | 0:22:59 | |
You're not going to sing to them by any chance? | 0:22:59 | 0:23:01 | |
I can sing two songs. I can sing badly or somewhere else! | 0:23:01 | 0:23:05 | |
-Somewhere else. -Good luck to you, mate. -Thank you. | 0:23:05 | 0:23:07 | |
The sky's clear with the buying over | 0:23:11 | 0:23:13 | |
but there's a cold front moving in | 0:23:13 | 0:23:15 | |
as the selling storm is set to descend. | 0:23:15 | 0:23:18 | |
The frantic bidding is now a distant memory | 0:23:19 | 0:23:22 | |
and pales in comparison | 0:23:22 | 0:23:24 | |
to the out-and-out effort | 0:23:24 | 0:23:25 | |
that must go into the second half of this competition, | 0:23:25 | 0:23:28 | |
when it's the biggest profit that will secure a win. | 0:23:28 | 0:23:31 | |
Hayes and Harper now head home to assess their acquisitions. | 0:23:33 | 0:23:36 | |
Back in Morecambe, how is Paul predicting his purchases will fare? | 0:23:36 | 0:23:43 | |
On the whole, I'm delighted with what I've brought back. | 0:23:43 | 0:23:46 | |
The pianola rolls, I think these are fantastic bits of musical history. | 0:23:46 | 0:23:49 | |
The jardiniere, I know somebody that has a very large Victorian parlour | 0:23:49 | 0:23:53 | |
which is a very similar colour to this. | 0:23:53 | 0:23:56 | |
These are a little bit out of my comfort zone, | 0:23:56 | 0:23:58 | |
this sort of modern retro 1970s era. | 0:23:58 | 0:24:01 | |
But that does tend to be where the market is. | 0:24:01 | 0:24:04 | |
The Widdicombe jug, hopefully I can go to Widdicombe. | 0:24:04 | 0:24:07 | |
Stereoscopic viewers, a thing of the past. We're in a 3D age now, | 0:24:07 | 0:24:11 | |
but these were fascinating items when they first came out. | 0:24:11 | 0:24:14 | |
Lastly, the book, which is a celebration | 0:24:14 | 0:24:17 | |
of Queen Victoria's diamond jubilee, 1897. | 0:24:17 | 0:24:20 | |
You've got two collectors there, people that collect books | 0:24:20 | 0:24:23 | |
and people that are interested in Royal memorabilia. | 0:24:23 | 0:24:26 | |
I've gone from 1897 to 1977 all in one shop, how fantastic is that? | 0:24:26 | 0:24:31 | |
So Paul is feeling positive | 0:24:31 | 0:24:33 | |
but how's David doing in his County Durham digs? | 0:24:33 | 0:24:37 | |
Well, I think that's quite a good selection. | 0:24:37 | 0:24:39 | |
The MBE badge is absolutely fascinating. | 0:24:39 | 0:24:42 | |
Early-20th-century car lamp, | 0:24:42 | 0:24:44 | |
that I'm hoping will take me on a nice interesting journey. | 0:24:44 | 0:24:47 | |
Mouseman, well, he's back home. | 0:24:47 | 0:24:49 | |
The two miniatures, fantastic. | 0:24:49 | 0:24:51 | |
Proper Georgian pieces. I've got an idea of where they might go. | 0:24:51 | 0:24:55 | |
The bird I think is hilarious. | 0:24:55 | 0:24:58 | |
The watch, you know I absolutely adore watches. | 0:24:58 | 0:25:01 | |
The two pieces together, the two bronzes, | 0:25:01 | 0:25:04 | |
the period Art Deco style, very traditional. | 0:25:04 | 0:25:06 | |
And then the wild and funky frog. | 0:25:06 | 0:25:08 | |
When I first saw him I thought he was absolutely monstrous | 0:25:08 | 0:25:11 | |
and he did remind me of Paul Hayes, bizarrely! | 0:25:11 | 0:25:13 | |
So, to sum up, a great collection and not one pianola roll in sight. | 0:25:13 | 0:25:19 | |
Fighting talk from David there | 0:25:19 | 0:25:21 | |
but which of our tussling tornados will make enough money | 0:25:21 | 0:25:24 | |
to elevate them to victory? | 0:25:24 | 0:25:26 | |
Remember, no deal is truly sealed until the money is in their hands! | 0:25:26 | 0:25:30 | |
DUCK QUACKS | 0:25:32 | 0:25:33 | |
David is the first to make a move | 0:25:33 | 0:25:35 | |
when he invites good contact and fierce barterer, Anthony, | 0:25:35 | 0:25:39 | |
to his shop, hoping to wind up in profit | 0:25:39 | 0:25:41 | |
by selling the vintage wristwatch that cost him £360. | 0:25:41 | 0:25:46 | |
-'70s? '60s? -Well done, it's the '60s. | 0:25:47 | 0:25:50 | |
Non-restored, it's never been restored. | 0:25:50 | 0:25:52 | |
And the crown has a stamp as well, so it is the original crown. | 0:25:52 | 0:25:55 | |
-And not a fake? -Oh, please, please! | 0:25:55 | 0:25:59 | |
Right. David, I like the watch. Let's do a deal, David, please. | 0:25:59 | 0:26:03 | |
-480. -No, 400 and that's it. | 0:26:03 | 0:26:06 | |
-I'm not going higher. -I can't. -You can do this, David. £400. | 0:26:06 | 0:26:10 | |
-475. -No, £400. | 0:26:10 | 0:26:12 | |
-475. -£400. -470? | 0:26:12 | 0:26:15 | |
-420. -465. -420. | 0:26:15 | 0:26:17 | |
-465. -425 and we're done. -460. -No, that's too much. | 0:26:17 | 0:26:22 | |
For the sake of £40 you're going to walk away? | 0:26:22 | 0:26:25 | |
It's not £40. All right, 440 and let's compromise on it now. | 0:26:25 | 0:26:29 | |
Yes, you can have it for 440. You can. | 0:26:29 | 0:26:33 | |
But you can't have the box because I can sell than for £25. | 0:26:33 | 0:26:36 | |
-Take the box out... -Oh, no, David, you can't do that. | 0:26:36 | 0:26:39 | |
Box gone, forget the box. You have the watch, 440. | 0:26:39 | 0:26:42 | |
I tell you what, why don't you take the innards out | 0:26:42 | 0:26:45 | |
and just give me the shell? | 0:26:45 | 0:26:47 | |
-450, there's profit in that. -450. -Good man, thank you very much. | 0:26:47 | 0:26:50 | |
Oh, my. Let me sit down. | 0:26:50 | 0:26:52 | |
After a colossal price war, David makes a profit of £90 for the watch. | 0:26:52 | 0:26:57 | |
But he can't rest on his laurels for long. | 0:26:57 | 0:27:00 | |
Paul is next up, as he tries to make a Royal profit | 0:27:00 | 0:27:04 | |
from the Queen Victoria jubilee book. | 0:27:04 | 0:27:07 | |
Take a page out of my book, these sort of books are really collectable | 0:27:07 | 0:27:11 | |
and I've brought it along to a Royal memorabilia collector | 0:27:11 | 0:27:14 | |
here in Chorley in Lancashire. | 0:27:14 | 0:27:16 | |
Paul paid £40.83 for the book and hopes that collector Neil | 0:27:18 | 0:27:21 | |
will be suitably impressed with it. | 0:27:21 | 0:27:23 | |
It's very nice because it's got the leather which makes it look nicer. | 0:27:25 | 0:27:29 | |
The gilt on the side is very still, very strong. | 0:27:29 | 0:27:32 | |
And there's no big splits. What tends to happen... | 0:27:32 | 0:27:35 | |
And also the hinges inside, I always look at the hinges just inside. | 0:27:35 | 0:27:38 | |
When you see these illustrations and take a look at the skill, | 0:27:38 | 0:27:42 | |
it's just superb, isn't it? Look at that. | 0:27:42 | 0:27:45 | |
So, could you see maybe £70 for that? | 0:27:45 | 0:27:48 | |
-No, that's a little bit too much. -Is it? | 0:27:48 | 0:27:50 | |
I'd be looking to pay somewhere around £55 for it. | 0:27:50 | 0:27:53 | |
-How does that..? -55? I'm trying to do the maths here. | 0:27:53 | 0:27:56 | |
I wonder how much £55 was in 1897? | 0:27:56 | 0:27:59 | |
A fortune. You could buy a house. | 0:27:59 | 0:28:01 | |
You can't make it around £60? | 0:28:01 | 0:28:03 | |
-Because it is the 60 years of reign. -Yeah. | 0:28:04 | 0:28:06 | |
-Does that sound good? -I'll go to £60. -Thank you so much. | 0:28:06 | 0:28:10 | |
The handshake secures Paul a profit of £19.17. | 0:28:10 | 0:28:15 | |
David isn't one to be overtaken, | 0:28:16 | 0:28:18 | |
as he drives to North Yorkshire hoping to flog the car headlamp. | 0:28:18 | 0:28:22 | |
Well, this car lamp, I've got to tell you, is fascinating. | 0:28:22 | 0:28:26 | |
My research has told me that it's actually much earlier than I thought. | 0:28:26 | 0:28:31 | |
The early years of the 20th century, made for Ford, | 0:28:31 | 0:28:34 | |
but made for one of the world's most iconic cars ever. | 0:28:34 | 0:28:39 | |
It's the Ford Model T. | 0:28:39 | 0:28:41 | |
What I've done, I've contacted a Ford Model T owner | 0:28:41 | 0:28:44 | |
here in Hawes in North Yorkshire | 0:28:44 | 0:28:46 | |
who's interested in looking at this thing | 0:28:46 | 0:28:49 | |
and he has an exceptionally beautiful Ford Model T. | 0:28:49 | 0:28:52 | |
HORN HONKS | 0:28:52 | 0:28:54 | |
At auction, David paid £120 for the headlamp so will it shine out enough | 0:28:54 | 0:28:59 | |
to convince Ford-Model-T-owner Geoff to buy it? | 0:28:59 | 0:29:02 | |
-Geoff. -Good to see you. | 0:29:03 | 0:29:05 | |
Good to see you as well but even better, | 0:29:05 | 0:29:07 | |
good to see that Ford Model T. | 0:29:07 | 0:29:09 | |
-Isn't she beautiful? -She's a grand car. | 0:29:09 | 0:29:11 | |
I bought this in auction, what do you know about that? | 0:29:11 | 0:29:14 | |
-This is an original lamp. I mean, they do reproduce... -Do they? | 0:29:14 | 0:29:18 | |
..another lamp exactly the same as this. | 0:29:18 | 0:29:20 | |
So, how much are you going to ask me then? | 0:29:20 | 0:29:22 | |
Well, I thought a couple of hundred quid-ish. Maybe 220? | 0:29:22 | 0:29:25 | |
-About 160, I think. -Ooh, ouch! | 0:29:25 | 0:29:28 | |
-210. -170. | 0:29:28 | 0:29:31 | |
-Meet me in the middle, 190. -170, we'll split it. | 0:29:33 | 0:29:37 | |
-180. -Deal. -Good man. | 0:29:37 | 0:29:39 | |
It's gone to a good home and that's just as important as anything else. | 0:29:39 | 0:29:43 | |
David drives a hard bargain and the headlamp brings in a profit of £60 | 0:29:43 | 0:29:48 | |
and he gets a lift back in time thrown in for free. | 0:29:48 | 0:29:51 | |
Well, this is absolutely marvellous. | 0:29:51 | 0:29:54 | |
It's the first time I've ever been in a Model T | 0:29:54 | 0:29:56 | |
and all down to that lovely lamp and made a bit of money too. | 0:29:56 | 0:30:00 | |
This is something straight out of a 1920s movie. | 0:30:00 | 0:30:05 | |
Or Laurel and Hardy even! Laurel, take it away. | 0:30:05 | 0:30:08 | |
LAUREL AND HARDY THEME TUNE PLAYS | 0:30:08 | 0:30:11 | |
Paul's also harking back to a bygone era | 0:30:12 | 0:30:15 | |
as he heads to a vintage postcard and print shop in Brighton | 0:30:15 | 0:30:19 | |
to see whether shop owner, Robert, will buy his stereoscopic viewer | 0:30:19 | 0:30:23 | |
and slides, which cost him £90. | 0:30:23 | 0:30:26 | |
How desirable are these? Have a look through those, I'll hold this. | 0:30:26 | 0:30:30 | |
I'll have a quick look. These are a little bit earlier than postcards | 0:30:30 | 0:30:33 | |
and mostly Victorian. They do go into the Edwardian time as well. | 0:30:33 | 0:30:37 | |
They did come with this particular viewer, and that's in with the parcel. | 0:30:37 | 0:30:40 | |
Would somebody come looking for this or would they have this already? | 0:30:40 | 0:30:44 | |
-I think most collectors would have a viewer. -OK. | 0:30:44 | 0:30:46 | |
There are collectors of the actual viewers. | 0:30:46 | 0:30:50 | |
-I feel about £70, I'd probably pay. -Right. | 0:30:50 | 0:30:54 | |
-That's without the viewer. -Oh, right. OK. | 0:30:54 | 0:30:57 | |
-So shall we shake on that? -Shall we shake on that? | 0:30:57 | 0:31:00 | |
That sounds fine to me, thank you very much. | 0:31:00 | 0:31:03 | |
Paul sells the slides for £70 | 0:31:03 | 0:31:05 | |
but despite some painstaking research into selling the lot, | 0:31:05 | 0:31:09 | |
only manages to add another £20 when he sells the viewer, | 0:31:09 | 0:31:13 | |
meaning he ends up nearly breaking even. | 0:31:13 | 0:31:16 | |
Keen to push up his profits, Paul steps up a gear | 0:31:19 | 0:31:22 | |
and sells the Victorian jardiniere to a buyer looking to sell it on | 0:31:22 | 0:31:26 | |
and watches his £60 investment blossom into a £15 profit. | 0:31:26 | 0:31:30 | |
David is also doing well. | 0:31:33 | 0:31:35 | |
When he bought the Art Deco deer and bronze frog he paid £78. | 0:31:35 | 0:31:40 | |
He speedily sells the deer to a shop customer for £100, | 0:31:40 | 0:31:44 | |
proving the price he paid certainly wasn't TOO DEAR! | 0:31:44 | 0:31:48 | |
Next he turns his attention to the frog prince. | 0:31:48 | 0:31:52 | |
Isn't he handsome, don't you think? | 0:31:52 | 0:31:53 | |
Really good-looking fella. Frog's not too bad either. | 0:31:53 | 0:31:57 | |
He's got a crown on his head there. He's made out of solid bronze. | 0:31:57 | 0:32:00 | |
He is drawing the attention from a very young art dealer from London, | 0:32:00 | 0:32:06 | |
called Catalina, and she's on her way to see him. | 0:32:06 | 0:32:09 | |
But will the ugly frog serve up a handsome profit? | 0:32:09 | 0:32:12 | |
Now, Catalina, have you ever seen anything so wonderful as that? | 0:32:12 | 0:32:17 | |
I don't think I have. | 0:32:17 | 0:32:19 | |
-You've seen a picture of him. -Yes, I have, but in real life I'm amazed. | 0:32:19 | 0:32:24 | |
-Really? Is that in a good way or a bad way? -A really good way. | 0:32:24 | 0:32:27 | |
-I think he is the Frog Prince. -He is, that's why I came up to see him. | 0:32:27 | 0:32:31 | |
Oh, he is, definitely. | 0:32:31 | 0:32:33 | |
Now, price-wise, around £80-ish. | 0:32:33 | 0:32:36 | |
I was thinking 50. | 0:32:36 | 0:32:38 | |
How can someone who loves something so much only pay £50 for it? | 0:32:39 | 0:32:44 | |
-70. -No. | 0:32:44 | 0:32:46 | |
What do you mean? | 0:32:46 | 0:32:48 | |
-60. -£60. Marvellous. Thank you very much. | 0:32:48 | 0:32:52 | |
Selling the frog for £60 brings the total profit for the lot | 0:32:54 | 0:32:58 | |
to an impressive £82, meaning Paul needs to do some catching up. | 0:32:58 | 0:33:03 | |
Unfortunately, he only manages to make | 0:33:03 | 0:33:06 | |
a £3 profit on his 1970s posters | 0:33:06 | 0:33:08 | |
when he sells them to retro- furniture-shop owners, Ben and Emma. | 0:33:08 | 0:33:12 | |
Paul's latest sale brings us to the halfway point | 0:33:15 | 0:33:19 | |
of this daring display of salesmanship, | 0:33:19 | 0:33:21 | |
so let's find out who's racking up a princely profit | 0:33:21 | 0:33:24 | |
and who's serving up a pauper's portion. | 0:33:24 | 0:33:28 | |
David Harper has so far made four sales making a profit of £232. | 0:33:28 | 0:33:33 | |
Paul Hayes has also done four deals | 0:33:33 | 0:33:36 | |
but his profit margin is a mere £37.17. | 0:33:36 | 0:33:40 | |
Paul badly needs to sell, sell, sell, | 0:33:43 | 0:33:46 | |
but it's David who gets going next. | 0:33:46 | 0:33:49 | |
He sells his Georgian silhouette miniatures to collector Roger | 0:33:49 | 0:33:52 | |
for £150, making a handsome profit of £54. | 0:33:52 | 0:33:57 | |
And there's no stopping him now! | 0:33:57 | 0:33:59 | |
One of David's regulars, Ronnie, has seen the bird inkwell | 0:33:59 | 0:34:03 | |
and he wants it but when it comes to doing a haggle, he's away, | 0:34:03 | 0:34:06 | |
so his mother-in-law Lynette has stepped in. | 0:34:06 | 0:34:10 | |
-So, Lynette, are you in charge of Ronnie's money? -Always. | 0:34:10 | 0:34:13 | |
Ho-ho! The mother-in-law, eh! What do you think of the dicky? | 0:34:13 | 0:34:17 | |
I think its gorgeous. Very detailed, very pretty. | 0:34:17 | 0:34:21 | |
So, Lynette, what do you reckon? | 0:34:21 | 0:34:24 | |
Never having seen one before, I think maybe... | 0:34:24 | 0:34:26 | |
-..85. -Oh, my gosh! Where did that come from? That's a bombshell. | 0:34:29 | 0:34:33 | |
Seriously? | 0:34:33 | 0:34:35 | |
Well, yeah, well, OK. | 0:34:35 | 0:34:37 | |
95. | 0:34:37 | 0:34:38 | |
Because it's you, 110? | 0:34:38 | 0:34:42 | |
-OK. -Happy? -Yes. | 0:34:44 | 0:34:46 | |
Lynette, thank you very much. | 0:34:46 | 0:34:48 | |
The bird inkwell pecks up a perky profit of £50, | 0:34:48 | 0:34:51 | |
meaning David's squealing with delight. | 0:34:51 | 0:34:54 | |
CHEERS | 0:34:54 | 0:34:55 | |
Full of confidence, he returns to Barnard Castle | 0:34:57 | 0:35:00 | |
where he's hoping decorative-arts-dealer John | 0:35:00 | 0:35:03 | |
will like his £78 wooden ashtray enough to provide a profit. | 0:35:03 | 0:35:07 | |
# Oh, yeah. # | 0:35:07 | 0:35:09 | |
He's nice, isn't he? Really nice. | 0:35:09 | 0:35:11 | |
Looking at this, I think, you know, it's not very old, | 0:35:11 | 0:35:15 | |
about seven years old I believe. | 0:35:15 | 0:35:16 | |
Obviously, I think we'll be going down to some money transaction. | 0:35:16 | 0:35:20 | |
-Are you trying to..? -Of course. £100. | 0:35:20 | 0:35:23 | |
£100. David, I'll put you right. | 0:35:23 | 0:35:25 | |
I've got some Mouseman ashtrays in the window | 0:35:25 | 0:35:27 | |
-and I'm retailing them at 75. -Oh. | 0:35:27 | 0:35:30 | |
So, I've got to come lower than that. | 0:35:30 | 0:35:33 | |
I'm looking at about 50. | 0:35:33 | 0:35:35 | |
-What?! -50. | 0:35:35 | 0:35:36 | |
I would like to see one of these £75-ers in the window. | 0:35:36 | 0:35:39 | |
I want to compare my beauty to those. | 0:35:39 | 0:35:41 | |
OK, I would say mine has a more glorious colour. | 0:35:41 | 0:35:47 | |
You can see the raise. I think it's a nicer cut of oak, | 0:35:47 | 0:35:50 | |
I've got a bigger mouse. He's a well-fed mouse compared to | 0:35:50 | 0:35:54 | |
your skinny little number here. | 0:35:54 | 0:35:55 | |
Obviously your price and my price, so I'll push it up to 65. | 0:35:55 | 0:36:01 | |
Make it 80, which is my money back and a couple of pounds. | 0:36:01 | 0:36:05 | |
OK, 70, then. That's me losing money, you know. | 0:36:05 | 0:36:07 | |
You're losing money but things happen that way. | 0:36:07 | 0:36:10 | |
There's winners and losers in life. | 0:36:10 | 0:36:12 | |
Look at you with that big grin on your face. | 0:36:12 | 0:36:14 | |
David makes a loss of £8 on the ashtray but, | 0:36:14 | 0:36:18 | |
being no stranger to risk, it will take more than this to get him down. | 0:36:18 | 0:36:23 | |
You've just got to take the losses and get on | 0:36:23 | 0:36:26 | |
and make sure you make more profits than losses. | 0:36:26 | 0:36:29 | |
Over in Gloucester, Paul has used his expertise to locate | 0:36:31 | 0:36:35 | |
the perfect man to assess | 0:36:35 | 0:36:36 | |
his purchase of the antique pianola rolls - | 0:36:36 | 0:36:39 | |
Keith Harding, who owns a shop and museum specialising in mechanical music. | 0:36:39 | 0:36:44 | |
How do they actually work? How do they get the piano to work? | 0:36:44 | 0:36:47 | |
The best way is to show you. There's a thing here called a tracker bar. | 0:36:47 | 0:36:51 | |
Basically there are 88 holes so that when a hole in the tracker bar | 0:36:51 | 0:36:56 | |
is uncovered by a hole in the music, those are the notes, you see? | 0:36:56 | 0:37:01 | |
When air can be sucked through the hole it operates a little motor | 0:37:01 | 0:37:05 | |
which hits the hammers onto the strings... | 0:37:05 | 0:37:09 | |
And magically plays the piano. | 0:37:09 | 0:37:11 | |
That's amazing. Right, so this is the moment of truth. | 0:37:11 | 0:37:15 | |
It's the first time in 80 years and it'll be wonderful to hear | 0:37:15 | 0:37:18 | |
what it sounded like. | 0:37:18 | 0:37:20 | |
Whilst he's there, chancer Paul has a go at flogging the rolls to Keith. | 0:37:24 | 0:37:29 | |
We're not looking to buy large quantities ourselves | 0:37:29 | 0:37:33 | |
because we've already got plenty. | 0:37:33 | 0:37:35 | |
How many do you have in stock? | 0:37:35 | 0:37:36 | |
Oh, several thousand I should think! | 0:37:36 | 0:37:39 | |
No joy there then. | 0:37:40 | 0:37:41 | |
Undeterred, Paul sets about searching | 0:37:41 | 0:37:44 | |
and researching for a buyer to provide a profit. | 0:37:44 | 0:37:47 | |
But in spite of his best efforts, | 0:37:47 | 0:37:49 | |
he eventually has to settle with a price of £50 from a collector, | 0:37:49 | 0:37:53 | |
meaning he makes a catastrophic loss of £52. | 0:37:53 | 0:37:57 | |
But Paul is a true trooper | 0:37:57 | 0:38:00 | |
and whilst he's in Gloucester tries for his next musical sale. | 0:38:00 | 0:38:04 | |
Now then, do you remember this Widdicombe Fair jug? | 0:38:04 | 0:38:06 | |
Well, it's now fully working, | 0:38:06 | 0:38:08 | |
I managed to get the movement working, | 0:38:08 | 0:38:10 | |
so it's a great complete 1920s musical jug. | 0:38:10 | 0:38:13 | |
I mentioned it to a friend of mine | 0:38:13 | 0:38:15 | |
who has a stall in this antique centre here. | 0:38:15 | 0:38:17 | |
She's very interested in it but she is a little bit camera shy | 0:38:17 | 0:38:20 | |
so her friend Ruth, hopefully, is going to act on her behalf | 0:38:20 | 0:38:24 | |
and buy it for her, with a bit of luck. | 0:38:24 | 0:38:26 | |
Paul bought the ale jug for £38.40 | 0:38:26 | 0:38:29 | |
and is hoping for a Widdicombe Fair profit on the sale. | 0:38:29 | 0:38:33 | |
-So has she left you any instructions? -She has. | 0:38:35 | 0:38:38 | |
-Right, go on. -Do you know how old it is? | 0:38:38 | 0:38:40 | |
-About 1920. -Right, OK. -I was hoping for around £50. | 0:38:40 | 0:38:43 | |
OK, right. She hasn't left me £50. | 0:38:43 | 0:38:46 | |
-Well, she has left me £45. -That's what she had in mind? | 0:38:46 | 0:38:50 | |
Erm, do you know what? There's a saying in this job | 0:38:50 | 0:38:53 | |
that one bid is worth a thousand lookers on. | 0:38:53 | 0:38:56 | |
If she wants it for that and you're happy to act on her behalf... | 0:38:56 | 0:38:59 | |
-Yes, absolutely. -We shall shake on that then. Thank you very much. | 0:38:59 | 0:39:02 | |
Paul makes a modest profit of £6.60 on the jug. | 0:39:02 | 0:39:07 | |
David is down to his final crucial item - the MBE. | 0:39:08 | 0:39:12 | |
Now, as you know, this really threw me. | 0:39:12 | 0:39:15 | |
Seeing an MBE in an auction, to me, just felt not quite right. | 0:39:15 | 0:39:20 | |
I didn't know very much about this particular medal, | 0:39:20 | 0:39:23 | |
so I've called in a colleague of mine, Andrew, who's a specialist | 0:39:23 | 0:39:26 | |
and I'm meeting him here for a coffee. | 0:39:26 | 0:39:29 | |
The MBE set David back £140, but will medal specialist Andrew | 0:39:29 | 0:39:35 | |
want to buy it and award David a profit? | 0:39:35 | 0:39:39 | |
-Andrew, great to see you again. -David, good to see you again. | 0:39:39 | 0:39:42 | |
Thanks for coming and you know what I've brought for you. | 0:39:42 | 0:39:45 | |
-A medal...of some sort. -Of some sort, an MBE. | 0:39:45 | 0:39:49 | |
What kind of person might have been awarded this particular MBE? | 0:39:49 | 0:39:53 | |
This was awarded to a lady in 1918 of thereabouts | 0:39:53 | 0:39:58 | |
for service, probably, on the home front. | 0:39:58 | 0:40:02 | |
It was the first time, actually, that women had been able | 0:40:02 | 0:40:08 | |
to be part of an award such as this. | 0:40:08 | 0:40:11 | |
So there you go, different times altogether. | 0:40:11 | 0:40:14 | |
What'll be the difference between a male and a female MBE? | 0:40:14 | 0:40:17 | |
The male has a different type of ribbon which isn't a bow like that. | 0:40:17 | 0:40:20 | |
-Really? -The difficulty is we don't know who that was awarded to. | 0:40:20 | 0:40:24 | |
-Why is that? -Unlike war medals from the First World War, | 0:40:24 | 0:40:28 | |
which were named around the rim, | 0:40:28 | 0:40:30 | |
traditionally there was no name put on the medal. | 0:40:30 | 0:40:33 | |
-Would you be interested in buying it? -Yes, I would be interested. | 0:40:33 | 0:40:37 | |
I think it's a nice thing, it reflects the history of the time | 0:40:37 | 0:40:40 | |
and it's an interesting object. | 0:40:40 | 0:40:42 | |
It cost me 140. | 0:40:42 | 0:40:44 | |
If you had rung me up, as you were about to buy this, | 0:40:44 | 0:40:47 | |
and said, "What's an MBE worth, | 0:40:47 | 0:40:50 | |
"do you think, on the specialist market?" | 0:40:50 | 0:40:54 | |
I would have said, "£80-£100." | 0:40:54 | 0:40:56 | |
The most I'd be able to offer you would be £120. | 0:40:56 | 0:41:01 | |
I'd be happy with 140. | 0:41:02 | 0:41:05 | |
Not to make any profit. Would you be happy at that? | 0:41:06 | 0:41:10 | |
Yes. We'll go for that, shall we? | 0:41:10 | 0:41:12 | |
-I'll be very happy if you are. -Shall we shake on that? -Shake on that. | 0:41:12 | 0:41:16 | |
David walks away from the deal MB-Even, | 0:41:18 | 0:41:21 | |
having made nothing on the medal, | 0:41:21 | 0:41:23 | |
which brings us to the end of this almighty war, | 0:41:23 | 0:41:27 | |
but, when all is said and done, who will be victorious? | 0:41:27 | 0:41:30 | |
All will soon be revealed. | 0:41:30 | 0:41:32 | |
Our duelling duo each started with £1,000 of their own money. | 0:41:34 | 0:41:38 | |
David Harper bagged seven lots and spent a whopping £932. | 0:41:38 | 0:41:43 | |
Paul Hayes bought six lots, spending less at £403.23. | 0:41:43 | 0:41:48 | |
But the only thing that matters now is who has made the most profit. | 0:41:48 | 0:41:52 | |
All the money that David and Paul have made | 0:41:52 | 0:41:55 | |
will go to the charities of their choice. | 0:41:55 | 0:41:57 | |
So, without further ado, let's find out who is today's | 0:41:57 | 0:42:01 | |
Put Your Money Where Your Mouth Is champion! | 0:42:01 | 0:42:05 | |
-Ah, David, how are you? Are you well? -Paul, great to see you. | 0:42:05 | 0:42:08 | |
-How did the auction go? -Bit of a disaster. -Really? | 0:42:08 | 0:42:11 | |
-I've got two words for you. -What's that? -Pianola rolls. | 0:42:11 | 0:42:15 | |
-What about yourself? -Two very interesting objects. | 0:42:15 | 0:42:18 | |
-The car lamp I discovered was for a Model T Ford. -Wow! | 0:42:18 | 0:42:22 | |
-Fantastic. -That's amazing! | 0:42:22 | 0:42:24 | |
But the MBE, I learned loads, | 0:42:24 | 0:42:26 | |
met a very interesting expert and collector, | 0:42:26 | 0:42:29 | |
spent lots of time and made no money at all. | 0:42:29 | 0:42:33 | |
But what I learned is absolutely invaluable for the future. | 0:42:33 | 0:42:36 | |
-So, there you go. -Right. -Interesting journey. | 0:42:36 | 0:42:39 | |
Don't worry, I think you've definitely... | 0:42:39 | 0:42:41 | |
-Do you reckon? -Unless you've had a disaster. | 0:42:41 | 0:42:43 | |
-Three... -Two. -..One. | 0:42:43 | 0:42:45 | |
-Oh, Paul! -This is becoming a recurrence. Look at that! | 0:42:45 | 0:42:48 | |
-What went wrong? -I'll tell you all about it over a cup of tea. | 0:42:48 | 0:42:51 | |
-Will you? -Pianola rolls, mate. Pianola rolls, don't mention it. | 0:42:51 | 0:42:55 | |
Both Paul and I have been on some very interesting journeys. | 0:42:55 | 0:42:59 | |
Paul with his pianola, he adores music, | 0:42:59 | 0:43:01 | |
and me with that MBE, absolutely fascinating. | 0:43:01 | 0:43:05 | |
Not all about the money but it's nice to win. | 0:43:05 | 0:43:08 | |
My mistake was buying something that's a very specialised market. | 0:43:08 | 0:43:12 | |
Nobody else really wants them unless you have a pianola. | 0:43:12 | 0:43:15 | |
You may have won this one though, David, but the war's not over yet. | 0:43:15 | 0:43:19 | |
So David walks away the winner today | 0:43:19 | 0:43:22 | |
but tomorrow Paul has a chance to fight back as they go head-to-head | 0:43:22 | 0:43:26 | |
at an indoor car-boot sale in North Shields. | 0:43:26 | 0:43:29 | |
Subtitles by Red Bee Media Ltd | 0:43:34 | 0:43:36 |