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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profit... | 0:00:07 | 0:00:10 | |
Ha-hey! | 0:00:10 | 0:00:12 | |
..and gives you the insider's view of the trade! | 0:00:12 | 0:00:16 | |
I'm on the case! | 0:00:16 | 0:00:17 | |
-Woo-hoo! -Each week, one pair of duelling dealers | 0:00:18 | 0:00:22 | |
will face a different daily challenge... | 0:00:22 | 0:00:24 | |
I'm a cheeky chancer! Lah-vely! | 0:00:24 | 0:00:26 | |
..putting their reputations on the line | 0:00:26 | 0:00:29 | |
and giving you top tips and savvy secrets | 0:00:29 | 0:00:32 | |
on how to make the most money from buying and selling. | 0:00:32 | 0:00:36 | |
Let's go and spend some money. | 0:00:36 | 0:00:37 | |
Get in there! | 0:00:37 | 0:00:39 | |
Today, devilish deal-doer David Harper | 0:00:40 | 0:00:43 | |
takes on purchasing powerhouse Paul Hayes. | 0:00:43 | 0:00:46 | |
Coming up, Paul has comedic competition... | 0:00:46 | 0:00:50 | |
It's damage, but its character. Right, there we are. | 0:00:50 | 0:00:53 | |
-I do the jokes, all right? -Sorry! | 0:00:53 | 0:00:55 | |
THEY LAUGH | 0:00:55 | 0:00:57 | |
David tries to make 'em laugh... | 0:00:57 | 0:00:59 | |
What did the 0 say to the 8? | 0:00:59 | 0:01:01 | |
You say, "I don't know." | 0:01:03 | 0:01:05 | |
-I don't know. -Nice belt. | 0:01:05 | 0:01:06 | |
And one man's musical ability fails to impress. | 0:01:08 | 0:01:11 | |
HE PLAYS OUT OF TUNE | 0:01:11 | 0:01:13 | |
I'm expecting to see the snake come up here! | 0:01:13 | 0:01:15 | |
-Would you like an encore? -No. | 0:01:15 | 0:01:18 | |
This is Put Your Money Where Your Mouth Is. | 0:01:18 | 0:01:21 | |
Prepare for the ultimate in hand-to-hand antiques combat | 0:01:34 | 0:01:37 | |
as our two experts in martial decorative arts | 0:01:37 | 0:01:41 | |
step into the ring and get down to business. | 0:01:41 | 0:01:44 | |
From the mysterious land of Durham, | 0:01:44 | 0:01:46 | |
the lone fighter with a black belt in bargain hunting, | 0:01:46 | 0:01:49 | |
enter the dragon - It's "Devilish" David Harper. | 0:01:49 | 0:01:52 | |
He's versus the inscrutable | 0:01:52 | 0:01:54 | |
Paul "Mr Morecambe" Hayes, | 0:01:54 | 0:01:56 | |
the grand master who will kung fu hustle up a profit from nowhere | 0:01:56 | 0:01:59 | |
and send his opponents reeling. | 0:01:59 | 0:02:01 | |
They've travelled to the mystic Northeast to go head-to-head | 0:02:01 | 0:02:04 | |
and risk their own money and put their skills to the test. | 0:02:04 | 0:02:08 | |
Today, they've come to the Bilton Giant Indoor Car Boot Fayre | 0:02:08 | 0:02:11 | |
in North Shields. Their goal is to defeat one another | 0:02:11 | 0:02:14 | |
with a low sweep of the best bargains | 0:02:14 | 0:02:16 | |
and a high kick of the ultimate profits. | 0:02:16 | 0:02:19 | |
They've each got £250 of their own money to spend, | 0:02:19 | 0:02:23 | |
and all the profit goes to their chosen charities. | 0:02:23 | 0:02:26 | |
David Harper and Paul Hayes, | 0:02:26 | 0:02:29 | |
it's time to Put Your Money Where Your Mouth Is! | 0:02:29 | 0:02:32 | |
-Ah, why-aye, David! -Ah, why-aye, Paul. How are you, mate? | 0:02:32 | 0:02:36 | |
That's my best Northeast accent. | 0:02:36 | 0:02:37 | |
That was mine as well, and both a bit on the rubbish side, I'd say. | 0:02:37 | 0:02:40 | |
I'll tell you what's really unusual about today. | 0:02:40 | 0:02:42 | |
-What's that? -It's a car boot sale. | 0:02:42 | 0:02:44 | |
-Yeah? -But it's inside. How civilised is that? | 0:02:44 | 0:02:46 | |
I think that's the best form of car-boot sale, don't you? | 0:02:46 | 0:02:48 | |
So, do you have some kind of a broad plan of attack, Paul? | 0:02:48 | 0:02:51 | |
Yeah, I do, actually. | 0:02:51 | 0:02:52 | |
I'm trying to buy a wide variety of items, but to be honest, | 0:02:52 | 0:02:55 | |
I don't want to pay anything more than £20, £30, for anything today. | 0:02:55 | 0:02:58 | |
-No more than 20 or 30 quid? -No more than 20 or 30 quid. | 0:02:58 | 0:03:00 | |
Good luck, because I think car boots are getting more expensive by the day! | 0:03:00 | 0:03:04 | |
But I think for me, my broad plan of attack is, as ever, | 0:03:04 | 0:03:07 | |
pull the antiques out, Paul, I always get a wonderful satisfaction | 0:03:07 | 0:03:11 | |
when I pull an antique out of a car boot, | 0:03:11 | 0:03:13 | |
so if I can do that, marvellous. | 0:03:13 | 0:03:15 | |
-OK. Well, good luck to you, mate. -You too. | 0:03:15 | 0:03:17 | |
-Which way's Byker Grove? -Left. -OK. | 0:03:17 | 0:03:20 | |
Let's get ready to rumble! | 0:03:20 | 0:03:22 | |
MUSIC: "Let's Get Ready To Rumble" by PJ and Duncan | 0:03:22 | 0:03:26 | |
The antiques world's answer to PJ and Duncan | 0:03:26 | 0:03:28 | |
might be all chummy to begin with, but soon it'll be time | 0:03:28 | 0:03:32 | |
for our world-class warriors to take their positions | 0:03:32 | 0:03:34 | |
and get ready to rumble! | 0:03:34 | 0:03:36 | |
This is a contest where control and deadly precision are everything | 0:03:36 | 0:03:40 | |
but what secret techniques | 0:03:40 | 0:03:42 | |
do these two have to floor their opponents and win the contest? | 0:03:42 | 0:03:46 | |
Do you know what? I love car-boot sales cos the variety is endless. | 0:03:46 | 0:03:50 | |
You can get things for 10p, you can get things for £20. | 0:03:50 | 0:03:52 | |
There's something, really, for everybody, | 0:03:52 | 0:03:55 | |
but my weapon today is a bag full of pound coins | 0:03:55 | 0:03:58 | |
for the simple reason, everything, hopefully, is going to be £8, £6, | 0:03:58 | 0:04:02 | |
I can give the correct change. | 0:04:02 | 0:04:04 | |
That way, I don't have to produce a pound note | 0:04:04 | 0:04:06 | |
and don't feel obliged to give more than it's worth. | 0:04:06 | 0:04:09 | |
So Paul's taking a chance on his change getting his choices | 0:04:09 | 0:04:13 | |
as cheap as chips, but what's David plotting? | 0:04:13 | 0:04:16 | |
Now, what I didn't reveal to Paul earlier on is that | 0:04:16 | 0:04:19 | |
I do actually have a secret weapon. | 0:04:19 | 0:04:21 | |
I didn't want to reveal it to Paul | 0:04:21 | 0:04:23 | |
because it's something to do with Paul. | 0:04:23 | 0:04:26 | |
What I did when I got home the other day, | 0:04:26 | 0:04:28 | |
I searched online for very poor | 0:04:28 | 0:04:30 | |
or very good jokes, depending on how you view them, | 0:04:30 | 0:04:33 | |
I thought, "I'm going to use them." | 0:04:33 | 0:04:35 | |
It works for Paul. He tells beauties all the time, | 0:04:35 | 0:04:38 | |
and I think it gets him discounts, | 0:04:38 | 0:04:40 | |
so I'm going to try and use the Paul Hayes School Of Jokes | 0:04:40 | 0:04:42 | |
to attempt to get me some discount. | 0:04:42 | 0:04:45 | |
I think it'll work really well. | 0:04:45 | 0:04:47 | |
With their special moves revealed, | 0:04:47 | 0:04:49 | |
our high-kicking masters fly through the air in pursuit of some prime purchases. | 0:04:49 | 0:04:53 | |
And it's Paul who lands first, | 0:04:53 | 0:04:56 | |
as he buys a pair of decorative vases for £40. | 0:04:56 | 0:04:59 | |
I've landed on these. | 0:05:01 | 0:05:02 | |
They're one of the best names in the art deco world, Malings, great, | 0:05:02 | 0:05:05 | |
all sort of 1930s into 1950s. | 0:05:05 | 0:05:07 | |
Hopefully, I can find a collector of Maling ware. | 0:05:07 | 0:05:10 | |
They made all sorts of geometric shapes, | 0:05:10 | 0:05:12 | |
all sorts of different designs. | 0:05:12 | 0:05:13 | |
The important thing with these is that they're in good condition, | 0:05:13 | 0:05:16 | |
complete, and they are marked on the bottom. | 0:05:16 | 0:05:19 | |
So a strong start from Paul there, | 0:05:19 | 0:05:21 | |
but David isn't left reeling for too long | 0:05:21 | 0:05:23 | |
and retaliates when something grabs his attention. | 0:05:23 | 0:05:26 | |
There's, um, a good example of a Thermos flask of some sort, | 0:05:26 | 0:05:30 | |
dating, what do you reckon, 1950s? | 0:05:30 | 0:05:31 | |
-1950s, yeah. -Yeah. And its original leather carrying case. | 0:05:31 | 0:05:36 | |
That's positively straight out | 0:05:36 | 0:05:37 | |
of the hunting-shooting-fishing brigade, isn't it? | 0:05:37 | 0:05:40 | |
-Absolutely. -Bang on. | 0:05:40 | 0:05:42 | |
It even has someone's name in there - A Barker. | 0:05:42 | 0:05:44 | |
-Have you seen that? -It's as good as the day it was made, isn't it? | 0:05:44 | 0:05:47 | |
The seal's still on it and everything, yes. | 0:05:47 | 0:05:49 | |
-And made to last forever, not made to break. -No. | 0:05:49 | 0:05:52 | |
So you've got a big cork. | 0:05:52 | 0:05:53 | |
Look at that, I mean, it's just so functional. | 0:05:53 | 0:05:56 | |
That's really wacky, isn't it? | 0:05:56 | 0:05:57 | |
Now then, for me, how much is it? | 0:05:57 | 0:05:59 | |
-25. -25. | 0:05:59 | 0:06:01 | |
I think I just have to have it. Thank you very much indeed. | 0:06:01 | 0:06:04 | |
-You're welcome. -Thank you. Marvellous. | 0:06:04 | 0:06:06 | |
David equalises with his hunting Thermos flask | 0:06:06 | 0:06:09 | |
but Paul has located a pair of maps that have sparked his interest. | 0:06:09 | 0:06:13 | |
Let's have a look. So this one's Hereford and this one's Gloucester. | 0:06:13 | 0:06:16 | |
And they're £8 each, are they? | 0:06:16 | 0:06:18 | |
I quite like them, actually. I like maps. | 0:06:18 | 0:06:20 | |
it says on the back, "Hereford from a map of 1840 by Thomas Moule." | 0:06:20 | 0:06:23 | |
-So how much are they? -£8 each. | 0:06:23 | 0:06:25 | |
-Yes, I can see that. -Right! | 0:06:25 | 0:06:27 | |
Hey, there's no pulling the wool over your eyes, is there? | 0:06:27 | 0:06:30 | |
£8 each. So that means it's £16 for the pair. | 0:06:30 | 0:06:33 | |
Could you do anything for them for me? And a smile. | 0:06:33 | 0:06:37 | |
-14? -£14. £7 each. | 0:06:37 | 0:06:40 | |
Go on, I'll have them for £14 | 0:06:40 | 0:06:41 | |
-and luckily, I have the correct change. -Smashing. | 0:06:41 | 0:06:44 | |
How's that? Nice to see you, mate. I like them, yeah. | 0:06:44 | 0:06:46 | |
Paul's purchase puts him back on the map | 0:06:46 | 0:06:49 | |
but David doesn't need directions to find his next target, | 0:06:49 | 0:06:52 | |
a pair of green hanging lamps. | 0:06:52 | 0:06:54 | |
However, the stallholder isn't there today | 0:06:54 | 0:06:57 | |
and has left his wares in the hands of his friend, Keith. | 0:06:57 | 0:07:01 | |
OK, any idea how much he wants for them? | 0:07:01 | 0:07:03 | |
It's £45 for the pair, I believe. | 0:07:03 | 0:07:06 | |
45 for the pair. | 0:07:06 | 0:07:07 | |
Circa 1930, would you agree? | 0:07:07 | 0:07:09 | |
-Something like that. -Yeah. -Round about there. -Nice colour. | 0:07:09 | 0:07:12 | |
-Could we have a look at one? -Certainly. -Would you mind? | 0:07:12 | 0:07:15 | |
That is absolutely lovely. Look at that colour. | 0:07:15 | 0:07:17 | |
Can you imagine that thing lit? | 0:07:17 | 0:07:19 | |
Gorgeous shaped glass. | 0:07:19 | 0:07:21 | |
You could just imagine that in a three-bedroom semi | 0:07:21 | 0:07:24 | |
anywhere in the UK, brand-new in 1930. | 0:07:24 | 0:07:27 | |
That would have been absolutely the height of fashion, wouldn't it? | 0:07:27 | 0:07:31 | |
The most trendiest light fitting you could buy in its day. | 0:07:31 | 0:07:35 | |
Even though it's got a Victorian sort of feel to it, | 0:07:35 | 0:07:37 | |
it's definitely an early 20th-century one. | 0:07:37 | 0:07:40 | |
-Now, Keith, are you authorised to do full negotiations? -Yes. | 0:07:40 | 0:07:43 | |
What kind of money are you thinking, Keith? | 0:07:43 | 0:07:46 | |
This is bulk purchasing here. Eh? | 0:07:46 | 0:07:48 | |
I've been instructed to go to 40. | 0:07:50 | 0:07:52 | |
Oh, for goodness sake! I'll tell you what I'll do with you. | 0:07:52 | 0:07:55 | |
Time for David to deploy his secret weapon. | 0:07:55 | 0:07:58 | |
-Now, Paul Hayes is the master of joke telling, right? -Right. | 0:07:58 | 0:08:02 | |
Now, if I can give you a Paul Hayes joke and you laugh, | 0:08:02 | 0:08:06 | |
can I have them for 35? | 0:08:06 | 0:08:08 | |
If you don't laugh, I'll give you 40. | 0:08:08 | 0:08:10 | |
-Go on, then. -Are you ready? -I'm ready. -Get ready, Keith. | 0:08:12 | 0:08:16 | |
-I'm ready. -Prepare to laugh. -I'm prepared not to. | 0:08:16 | 0:08:19 | |
I asked my yoga instructor if he could teach me to do the splits. | 0:08:19 | 0:08:22 | |
He said to me, "How flexible are you?" | 0:08:22 | 0:08:24 | |
I said, "I can't make Tuesday." | 0:08:24 | 0:08:26 | |
WOMAN LAUGHS | 0:08:26 | 0:08:28 | |
She's laughing, Keith! She's laughing! Keith, she's laughing! | 0:08:28 | 0:08:31 | |
"I can't make Tuesday!" | 0:08:31 | 0:08:32 | |
WIND HOWLS, BELL TOLLS | 0:08:32 | 0:08:34 | |
Oh, go on, then. | 0:08:35 | 0:08:37 | |
-Is that a laugh? -35. -Oh, good man! | 0:08:37 | 0:08:39 | |
Hey, it works! The Paul Hayes School Of Jokes, it worked! | 0:08:39 | 0:08:43 | |
What a result! David jokes the price down | 0:08:43 | 0:08:46 | |
and draws even with Paul's two purchases. | 0:08:46 | 0:08:48 | |
But "Mr Morecambe" has already tuned in to his next target. | 0:08:48 | 0:08:52 | |
Look at that. It's a recorder. Can I have a little play? | 0:08:52 | 0:08:56 | |
-Yeah. -I can play... | 0:08:56 | 0:08:57 | |
HE PLAYS RANDOM NOTES | 0:08:59 | 0:09:02 | |
That's jazz for you, isn't it? That's called improvisation. | 0:09:03 | 0:09:06 | |
That's one word for it, Paul. | 0:09:06 | 0:09:08 | |
How much is your recorder, mate? | 0:09:08 | 0:09:10 | |
-Fiver. -A fiver? I might have that for a fiver. | 0:09:10 | 0:09:12 | |
Where else do you get a really good working instrument for five quid? | 0:09:12 | 0:09:15 | |
I'll have that, mate. Thank you very much. | 0:09:15 | 0:09:17 | |
So Paul gets a three-two lead | 0:09:17 | 0:09:19 | |
in this game of antiques snakes and ladders. | 0:09:19 | 0:09:22 | |
Do you know what? To get some bargains today, | 0:09:23 | 0:09:26 | |
I've got to use my charming skills. | 0:09:26 | 0:09:27 | |
I'm going to practise on this snake. Any minute now. | 0:09:27 | 0:09:30 | |
Hmm. Making a bit of an ASP of himself. | 0:09:34 | 0:09:36 | |
Now, before we find out how our two masters of arts and crafts | 0:09:36 | 0:09:39 | |
are getting on at the halfway point of this epic buying battle, | 0:09:39 | 0:09:43 | |
David and Paul step out of the ring to compare notes. | 0:09:43 | 0:09:46 | |
Do you normally buy your shoes from car boots? | 0:09:46 | 0:09:49 | |
-Ah, do you know what? And just loafing around. -Oh! | 0:09:49 | 0:09:51 | |
-I can't get enough of them! I love them. -I can. | 0:09:51 | 0:09:54 | |
-But anyway, I've got my secret weapon. -Oh, in your pocket there? | 0:09:54 | 0:09:57 | |
Yeah, have you got one? | 0:09:57 | 0:09:59 | |
Well, it's all down to you. I call it the ultimate secret weapon, | 0:09:59 | 0:10:02 | |
and it is actually, it's inspired by you. | 0:10:02 | 0:10:05 | |
-Right, so it's either going to be a song... -No. | 0:10:05 | 0:10:08 | |
..or a really good joke. | 0:10:08 | 0:10:10 | |
You've heard them laughing, haven't you? | 0:10:11 | 0:10:13 | |
-Do you know the secret of a good joke? -No... -Timing! | 0:10:13 | 0:10:15 | |
-Oh! -Did you see what I did there? | 0:10:15 | 0:10:18 | |
What's the secret of a good joke? Timing! | 0:10:18 | 0:10:20 | |
Yes, we've reached the midway point of our antiques tournament | 0:10:20 | 0:10:23 | |
so it's time to find out | 0:10:23 | 0:10:24 | |
who's smashing a piece of wood with their bare hands | 0:10:24 | 0:10:27 | |
and who's hitting their head against a brick wall. | 0:10:27 | 0:10:30 | |
David and Paul each started the day with £250 of their own money. | 0:10:30 | 0:10:35 | |
"Devilish" David Harper has done two deals, spending £60, | 0:10:35 | 0:10:39 | |
leaving him with £190 in the kitty. | 0:10:39 | 0:10:42 | |
Paul "Mr Morecambe" Hayes has bought three items | 0:10:42 | 0:10:46 | |
at a total cost of £59, | 0:10:46 | 0:10:48 | |
meaning he has £191 still to spend. | 0:10:48 | 0:10:51 | |
With round two about to kick off, | 0:10:53 | 0:10:56 | |
David is lagging behind and is beginning to buckle | 0:10:56 | 0:10:58 | |
under the pressure of this competitive collision. | 0:10:58 | 0:11:01 | |
I've really got to pull my finger out here, I think, | 0:11:01 | 0:11:04 | |
because just meeting Paul there, | 0:11:04 | 0:11:05 | |
he seems very comfortable and confident, | 0:11:05 | 0:11:08 | |
which is not a good thing for me, | 0:11:08 | 0:11:09 | |
so I've really got to get my act together here. | 0:11:09 | 0:11:13 | |
But Mr Sunshine himself, Paul, is also suffering some self-doubt. | 0:11:13 | 0:11:18 | |
It really is hard sometimes to keep upbeat | 0:11:18 | 0:11:21 | |
and to keep all these bad jokes going | 0:11:21 | 0:11:23 | |
and sometimes you feel like the world is getting you down, | 0:11:23 | 0:11:25 | |
but it's great to have a soul mate who knows exactly how I'm feeling. | 0:11:25 | 0:11:29 | |
Look at him. He's told one joke too many, | 0:11:29 | 0:11:31 | |
he can't tell any jokes any more, and he'll live on. | 0:11:31 | 0:11:34 | |
You're all right, mate, keep your chin up, son. You'll be all right. | 0:11:34 | 0:11:36 | |
There's no time for clowning around | 0:11:36 | 0:11:38 | |
when there's buying business to get on with | 0:11:38 | 0:11:41 | |
and Paul soon spots a watercolour that catches his attention. | 0:11:41 | 0:11:44 | |
-I can see it's got a little bit of foxing on here. -Yes. | 0:11:44 | 0:11:47 | |
"John Hayton, 1873", but you said it might be somewhere in particular. | 0:11:47 | 0:11:51 | |
Yes, that's right. I can't quite remember the name. | 0:11:51 | 0:11:54 | |
-I think it says it on the back there, yes. -"Saltwood..." | 0:11:54 | 0:11:57 | |
-Saltwood Castle. -Saltwood Castle. | 0:11:57 | 0:11:59 | |
-He is a recognised artist, he has got other pictures. -Oh, right. | 0:11:59 | 0:12:05 | |
So how much is he? | 0:12:05 | 0:12:06 | |
Well, I had 35 on it, but I could do it for 25 for you. | 0:12:06 | 0:12:11 | |
Couldn't make it a round £20? | 0:12:11 | 0:12:13 | |
Well, I think so, since I can't quite remember the whole story! | 0:12:13 | 0:12:17 | |
Well, do you know what, this is the beauty now. | 0:12:17 | 0:12:19 | |
I can go away, and this is the bit I love, | 0:12:19 | 0:12:21 | |
-it's finding out exactly where this was. -OK. | 0:12:21 | 0:12:24 | |
I think it's interesting to have... | 0:12:24 | 0:12:26 | |
-This building is probably the same as it is now. -Well, that's right. | 0:12:26 | 0:12:29 | |
Yeah, I think I'll have that, if that's all right, for £20. | 0:12:29 | 0:12:32 | |
I don't think you can do anything with the foxing, as it's watercolour. | 0:12:32 | 0:12:35 | |
Sometimes it adds character, especially when it's got age. | 0:12:35 | 0:12:38 | |
Do you know, I'll remember that. | 0:12:38 | 0:12:39 | |
"Right, it's damage, but it's character." Right, there we are. | 0:12:39 | 0:12:42 | |
-I do the jokes, all right? -Sorry! | 0:12:42 | 0:12:45 | |
THEY LAUGH | 0:12:45 | 0:12:47 | |
Paul is a picture of happiness with his watercolour | 0:12:47 | 0:12:50 | |
but David fights back when he spots an antique cigar cutter. | 0:12:50 | 0:12:54 | |
Have you dated it? | 0:12:54 | 0:12:56 | |
-1899. -1899? There you go. | 0:12:56 | 0:12:59 | |
There's the elusive genuine antique at a car boot. Not bad. | 0:12:59 | 0:13:02 | |
What sort of money? | 0:13:02 | 0:13:03 | |
-65-ish. -Oof! | 0:13:03 | 0:13:05 | |
There you go, the elusive antique at antique money. | 0:13:06 | 0:13:09 | |
So, can you imagine you're a gentleman in your club in London? | 0:13:09 | 0:13:12 | |
This is the kind of thing you would keep on your person at all times | 0:13:12 | 0:13:16 | |
because whenever you fancied a cigar, | 0:13:16 | 0:13:18 | |
you would use your cigar cutter, you'd put the cigar in the end, | 0:13:18 | 0:13:22 | |
and rather than, as you see in the cowboy movies, | 0:13:22 | 0:13:24 | |
they bite them off and then start smoking, that's very unrefined, | 0:13:24 | 0:13:27 | |
the sophisticated way to do it, every gentleman knows this, | 0:13:27 | 0:13:31 | |
you put your cigar in the end, | 0:13:31 | 0:13:32 | |
nip the end off, | 0:13:32 | 0:13:34 | |
a little tip comes out of here | 0:13:34 | 0:13:36 | |
and a snapshot way back to the late Victorian period. | 0:13:36 | 0:13:39 | |
What could we do? What can you do for me, Bill? | 0:13:39 | 0:13:42 | |
-50. -50 quid. | 0:13:42 | 0:13:44 | |
How about...? I'm going to offer you a challenge. | 0:13:45 | 0:13:48 | |
Keen to get the best price, David wheels out his strategy again. | 0:13:48 | 0:13:52 | |
-If I tell you a joke and you laugh... -Yeah? -..40 quid. | 0:13:52 | 0:13:57 | |
If you don't laugh, I'll give you your 50. | 0:13:57 | 0:14:00 | |
If I don't laugh, 60. | 0:14:00 | 0:14:02 | |
Oh, no! Because you look like a man who could possibly not laugh. | 0:14:02 | 0:14:06 | |
-That's right. -That's slightly worrying to me. -That's right. | 0:14:06 | 0:14:09 | |
You're laughing now, so maybe! It's from the Paul Hayes School Of Jokes. | 0:14:09 | 0:14:12 | |
-You're going to be in trouble. They're brilliant. -Come on. | 0:14:12 | 0:14:15 | |
-OK, you ready? Are you prepared, Bill? -I'm prepared. | 0:14:15 | 0:14:17 | |
-OK, just loosen up a bit. -I'm loose. | 0:14:17 | 0:14:19 | |
-Relax. -I'm relaxed. | 0:14:19 | 0:14:20 | |
Get into the mode. It's going to be a short one, | 0:14:20 | 0:14:23 | |
so you've got to keep your ears pricked. | 0:14:23 | 0:14:25 | |
What did the 0 say to the 8? | 0:14:25 | 0:14:27 | |
You say "I don't know." | 0:14:29 | 0:14:31 | |
-I don't know. -"Nice belt." | 0:14:31 | 0:14:32 | |
Look at the crowd! Look at my audience! | 0:14:34 | 0:14:37 | |
They think it's hilarious, Bill! | 0:14:37 | 0:14:40 | |
I can't believe it. The Paul Hayes School Of Jokes has failed. | 0:14:40 | 0:14:45 | |
-50 quid. -Thank you. | 0:14:45 | 0:14:46 | |
Well done, you just earned yourself a tenner. | 0:14:46 | 0:14:49 | |
Yes, his joke may have fallen flat | 0:14:49 | 0:14:52 | |
but the cigar cutter helps him catch up, making it three-four to Paul, | 0:14:52 | 0:14:56 | |
but David soon makes it even | 0:14:56 | 0:14:58 | |
when he spots a pair of candle lamps. | 0:14:58 | 0:15:01 | |
They're good. What kind of money are they to me? | 0:15:01 | 0:15:06 | |
-Go on, tempt me. -We've got... What have we got? We've got 20 on them. | 0:15:06 | 0:15:10 | |
-20, yeah. -15? | 0:15:10 | 0:15:12 | |
Ooh, you're a hard woman, aren't you? I can sense it, I can sense it. | 0:15:12 | 0:15:17 | |
How about ten quid? | 0:15:17 | 0:15:19 | |
12. | 0:15:19 | 0:15:20 | |
Go on, then. Thank you very much. Marvellous. | 0:15:20 | 0:15:24 | |
Well, there you go. I think that's a really nice, interesting purchase | 0:15:24 | 0:15:27 | |
and always good to have a pair of anything but this is, for me, | 0:15:27 | 0:15:32 | |
the interesting thing, the White Star, Liverpool, of course, | 0:15:32 | 0:15:35 | |
representing the ocean liners. | 0:15:35 | 0:15:38 | |
They're probably not in period and when I say in period, | 0:15:38 | 0:15:41 | |
we're talking early 20th century, 1910, 1912, | 0:15:41 | 0:15:45 | |
the time of the Titanic, but they've got the look, | 0:15:45 | 0:15:49 | |
they're interesting, you have a pair of them, | 0:15:49 | 0:15:51 | |
they're ready to hang on the wall, they're ready to go, | 0:15:51 | 0:15:54 | |
and for 12 quid, £6 each, they are what I would describe as | 0:15:54 | 0:15:58 | |
a true car-boot bargain. These are the things we're looking for. | 0:15:58 | 0:16:03 | |
A deft move from the devilish one there | 0:16:05 | 0:16:07 | |
but Paul sails back into the lead | 0:16:07 | 0:16:09 | |
when he catches a fair wind and buys a naval uniform. | 0:16:09 | 0:16:12 | |
You know what? The more I look at this, the more I really like it. | 0:16:12 | 0:16:15 | |
It's a real quality naval uniform. | 0:16:15 | 0:16:17 | |
It looks like the gentleman has seen some military service. | 0:16:17 | 0:16:21 | |
These are all ribbons belonging to medals, and the colours | 0:16:21 | 0:16:24 | |
of the ribbons represents which medal the gentleman actually won, | 0:16:24 | 0:16:27 | |
it was awarded to. | 0:16:27 | 0:16:29 | |
This one, to me, looks like Italy. This one is French and German | 0:16:29 | 0:16:32 | |
and I think this one might actually be the Atlantic Fleet, | 0:16:32 | 0:16:36 | |
to do with the Second World War. | 0:16:36 | 0:16:37 | |
What I have got at home is a lovely reference book which I can look up | 0:16:37 | 0:16:40 | |
each individual medal and see what campaigns he was involved in, | 0:16:40 | 0:16:44 | |
and that might help me place where this uniform was worn. | 0:16:44 | 0:16:47 | |
It would be fantastic if my theory about the stripes comes true | 0:16:47 | 0:16:51 | |
and this is a high-ranking officer. | 0:16:51 | 0:16:53 | |
Then we have got a great piece of naval history, all for 20 quid. | 0:16:53 | 0:16:57 | |
Bargain, really. | 0:16:57 | 0:16:58 | |
So Paul's happy with his suit and it's almost the end of round two | 0:16:58 | 0:17:01 | |
but before the final gong sounds, | 0:17:01 | 0:17:04 | |
Paul takes pity on David's clowning abilities | 0:17:04 | 0:17:06 | |
and offers him a comedy masterclass. | 0:17:06 | 0:17:09 | |
So why do golfers wear two pairs of trousers? | 0:17:09 | 0:17:12 | |
-I don't know. -Just in case they get a hole-in-one. | 0:17:12 | 0:17:15 | |
HE LAUGHS | 0:17:15 | 0:17:18 | |
Look at that. Hey! | 0:17:18 | 0:17:19 | |
Hey, he's good. He's good, isn't he? | 0:17:19 | 0:17:22 | |
Send him back to Morecambe! | 0:17:22 | 0:17:24 | |
Thank you very much! Now, don't forget, David, | 0:17:24 | 0:17:27 | |
it's "Copyright Paul Hayes". | 0:17:27 | 0:17:28 | |
So, armed with Paul's joke, David sets his sights on a shooting stick | 0:17:28 | 0:17:32 | |
that he'd like to walk away with. | 0:17:32 | 0:17:34 | |
That's a good shooting stick, don't you think? | 0:17:34 | 0:17:36 | |
You know what these things are for? You can imagine going for... | 0:17:36 | 0:17:40 | |
a shoot and while you're waiting, | 0:17:40 | 0:17:42 | |
you can just push the stick into the ground | 0:17:42 | 0:17:46 | |
and rest your weary legs, or, at the racecourse, of course, | 0:17:46 | 0:17:49 | |
similarly, you could do that, you can go to a boating regatta, | 0:17:49 | 0:17:53 | |
you could go for a picnic. It's just a good, useful thing, | 0:17:53 | 0:17:56 | |
and what's really unusual with this is the leather. | 0:17:56 | 0:17:59 | |
I mean, they're not always in leather but they're certainly not | 0:17:59 | 0:18:02 | |
always in this leather, and this leather is ostrich. | 0:18:02 | 0:18:06 | |
You can tell that by the big bobbles. | 0:18:06 | 0:18:08 | |
So very thick, very hard-wearing, | 0:18:08 | 0:18:10 | |
lovely colour, that kind of caramel colour. | 0:18:10 | 0:18:13 | |
Good quality, made in England, with its original tag. | 0:18:13 | 0:18:17 | |
Something like this, stamp on the base there, "Made In England", | 0:18:17 | 0:18:20 | |
it's probably no more than 20 or 30 years old but it's just quality, | 0:18:20 | 0:18:24 | |
and when you find something that is quality, it will scream it. | 0:18:24 | 0:18:27 | |
So priced at £20, um... | 0:18:27 | 0:18:31 | |
It's OK, could be doing with being a little cheaper, | 0:18:31 | 0:18:34 | |
of course, but it is quality, so let's find a... Oh, Keith. | 0:18:34 | 0:18:37 | |
-You are the man, again. -Once again. -Once again. | 0:18:38 | 0:18:41 | |
Come in to the lion's den, Keith. | 0:18:41 | 0:18:45 | |
-What is the best for me? -The best... | 0:18:45 | 0:18:48 | |
-Go on. -..is 18. -£18? -18. | 0:18:48 | 0:18:51 | |
-£18? -Good price. | 0:18:51 | 0:18:53 | |
What if... | 0:18:53 | 0:18:54 | |
I deliver to you the best joke? | 0:18:54 | 0:18:58 | |
Cos I've just been told it, Paul's just taught me this new joke. | 0:18:58 | 0:19:01 | |
15 is as low as I can go. | 0:19:01 | 0:19:03 | |
-15 or 18, then. -CURB YOUR ENTHUSIASM THEME PLAYS | 0:19:03 | 0:19:05 | |
-That's how confident I am. -OK. -Are you a golfer, Keith? -No. | 0:19:05 | 0:19:09 | |
-You know that they wear trousers, don't you? -Yes. -OK, get this, then. | 0:19:09 | 0:19:13 | |
Why, then, do golfers wear four pairs of... | 0:19:13 | 0:19:17 | |
No. I'll do that again. Why, then... | 0:19:17 | 0:19:20 | |
Does that count? He just laughed. Hang on. | 0:19:20 | 0:19:23 | |
David's doing his best, but he's no Paul Hayes. | 0:19:23 | 0:19:26 | |
Why do golfers wear two pairs of trousers? All about delivery. | 0:19:26 | 0:19:30 | |
-Why do they were two pairs of trousers? -I don't know. | 0:19:30 | 0:19:32 | |
Why do they wear two pairs of trousers? | 0:19:32 | 0:19:34 | |
In case they get a hole-in-one. | 0:19:34 | 0:19:36 | |
Yes! Yes! | 0:19:38 | 0:19:41 | |
Paul Hayes, that's one down to you. | 0:19:41 | 0:19:43 | |
I owe Paul a couple of pints for that. | 0:19:43 | 0:19:45 | |
Keith, thank you very much. £15. | 0:19:45 | 0:19:47 | |
And David's clanger sounds the end of the final round of buying, | 0:19:47 | 0:19:51 | |
meaning it's time to see who's the crouching dealer | 0:19:51 | 0:19:54 | |
and who's the leaping expert. Rarr! | 0:19:54 | 0:19:57 | |
Our battling boys each started the day | 0:19:58 | 0:20:00 | |
with £250 of their own money to spend. | 0:20:00 | 0:20:03 | |
"Devilish" David Harper finishes with five purchases, | 0:20:03 | 0:20:06 | |
having spent £137. | 0:20:06 | 0:20:09 | |
Paul "Mr Morecambe" Hayes has matched him, | 0:20:09 | 0:20:12 | |
also with 5 deals but spent less - just £99. | 0:20:12 | 0:20:17 | |
But it's all about who will make the most profit. | 0:20:17 | 0:20:20 | |
Our two karate kids have waxed on and waxed off, | 0:20:21 | 0:20:25 | |
but now it's time for them to get together | 0:20:25 | 0:20:27 | |
to wax lyrical about their day's purchases. | 0:20:27 | 0:20:30 | |
-These are the way you like to do car boots, aren't they? -Under cover. | 0:20:30 | 0:20:33 | |
Every car boot from now on should actually be under cover. | 0:20:33 | 0:20:36 | |
-They're perfect. -Not a car in sight. -Not a car in sight. Who cares? | 0:20:36 | 0:20:39 | |
It's a car boot indoors with no cars! It's great. | 0:20:39 | 0:20:41 | |
-So how have you got on? -Brilliant! Interesting, quirky sorts of things. | 0:20:41 | 0:20:45 | |
-Yes. -Lamps. -There's a running theme. You've got two pairs of lamps. | 0:20:45 | 0:20:49 | |
-Two pairs of lamps. -This is the White Star Line, isn't that? | 0:20:49 | 0:20:52 | |
-White Star Line, Titanic. -Titanic, yeah. | 0:20:52 | 0:20:54 | |
Early 20th century, romantic, massive ocean-going liners, | 0:20:54 | 0:20:58 | |
transatlantic, wonderful. | 0:20:58 | 0:20:59 | |
-I must admit, though, I get that sinking feeling. -Oh, you do? -THEY LAUGH | 0:20:59 | 0:21:03 | |
Now then, believe it or not, I have bought some quite serious items. | 0:21:03 | 0:21:06 | |
-I bought two pieces of Maling. -Local interest. -Yeah, exactly. | 0:21:06 | 0:21:09 | |
-A lovely watercolour. -Very nice, yes. | 0:21:09 | 0:21:12 | |
So I think I could probably frame that up. And a naval jacket. | 0:21:12 | 0:21:15 | |
This guy's seen a bit of history here, I think. | 0:21:15 | 0:21:17 | |
-That... -Yes. -..is so Paul Hayes. -It is. | 0:21:17 | 0:21:19 | |
-It's musical, just like you. -Do you want to hear some improv jazz? | 0:21:19 | 0:21:23 | |
-Would you mind? -Are you ready? -Shall I count you in? -Go like that. | 0:21:23 | 0:21:27 | |
One, two, three. Take it away. | 0:21:27 | 0:21:28 | |
PLAYS TUNELESSLY | 0:21:28 | 0:21:33 | |
-Come on, tap your feet. -No, that was rubbish. Oh, sorry. | 0:21:33 | 0:21:35 | |
Excellent, Paul. You might need a bit of help with your recorder, | 0:21:35 | 0:21:38 | |
-but never mind. -I think I need a bit of help with my jokes as well. | 0:21:38 | 0:21:41 | |
You don't. Your jokes are magnificent. | 0:21:41 | 0:21:43 | |
-Get your uniform on, get selling. -All right, good man. | 0:21:43 | 0:21:46 | |
Our fantastic fighters might well be armed to the teeth | 0:21:49 | 0:21:52 | |
with an assortment of wonderful weaponry, | 0:21:52 | 0:21:54 | |
but they now step into the selling ring | 0:21:54 | 0:21:57 | |
and prepare for the most ferocious fight yet. | 0:21:57 | 0:21:59 | |
They'll be aiming high as they attempt to sell their goods | 0:21:59 | 0:22:02 | |
for profit and maximise their margins in a bid to come out on top. | 0:22:02 | 0:22:07 | |
Back in Morecambe, | 0:22:08 | 0:22:10 | |
Grandmaster Hayes is contemplating his day's catch. | 0:22:10 | 0:22:13 | |
What have I bought? Well, I bought an eclectic mix. | 0:22:13 | 0:22:16 | |
First of all, I bought a fantastic naval uniform, | 0:22:16 | 0:22:19 | |
and it is from the British Navy. | 0:22:19 | 0:22:20 | |
What threw me, actually, was the letter R on the arm, | 0:22:20 | 0:22:23 | |
but that's the Reserves, | 0:22:23 | 0:22:25 | |
so that's been a really interesting item to research. | 0:22:25 | 0:22:28 | |
The maps - one good map of Gloucester which dates from maybe 1900, | 0:22:28 | 0:22:32 | |
1890, 1900. The other one of Hereford is a modern reproduction, | 0:22:32 | 0:22:35 | |
so I need to find someone in the Gloucester area, | 0:22:35 | 0:22:38 | |
hopefully, for that one. | 0:22:38 | 0:22:39 | |
I was expecting to find some items like this. This is Maling, | 0:22:39 | 0:22:42 | |
it's the biggest factory to come out of the Newcastle area. | 0:22:42 | 0:22:44 | |
And then this one, the watercolour here - | 0:22:44 | 0:22:46 | |
see, I'm using this as a pointer here - the watercolour, | 0:22:46 | 0:22:49 | |
that actually turns out to be Saltwood Castle, | 0:22:49 | 0:22:52 | |
which is in Hythe in Kent. And then, of course, | 0:22:52 | 0:22:55 | |
I've got this do-it-yourself improv jazz busking kit. | 0:22:55 | 0:23:00 | |
So take it away, fellas. | 0:23:00 | 0:23:01 | |
PLAYS TUNELESSLY | 0:23:01 | 0:23:03 | |
Oh, yeah! | 0:23:03 | 0:23:04 | |
Oooh! Paul's in improv heaven, | 0:23:04 | 0:23:07 | |
but how is David feeling in Barnard Castle? | 0:23:07 | 0:23:10 | |
Well, I hope you're going to agree with me when I say | 0:23:10 | 0:23:13 | |
that this is not a bad old haul for a car boot. | 0:23:13 | 0:23:16 | |
So what have we got? A pair of 1930s glass hanging light shades. | 0:23:16 | 0:23:22 | |
Absolutely the business. | 0:23:22 | 0:23:24 | |
This thing is really posh - | 0:23:24 | 0:23:26 | |
a shooting stick covered in ostrich leather, | 0:23:26 | 0:23:29 | |
or ostrich-esque leather, but really good quality. | 0:23:29 | 0:23:33 | |
English-made. This is funky - | 0:23:33 | 0:23:36 | |
my flask from the 1950s, made in Germany. Beautiful condition, | 0:23:36 | 0:23:42 | |
so well engineered with its original leather carrying case. | 0:23:42 | 0:23:46 | |
And then I've got a pair of candle lamps here, | 0:23:46 | 0:23:49 | |
with the White Star Line emblem, | 0:23:49 | 0:23:52 | |
so dating in their style to the early 20th century. | 0:23:52 | 0:23:55 | |
Think Titanic, think 1912. Very glamorous. | 0:23:55 | 0:23:58 | |
And then, the gentleman's bit of kit - | 0:23:58 | 0:24:01 | |
the 1899 solid silver cigar cutter. | 0:24:01 | 0:24:06 | |
So, all in all, that is the business. | 0:24:06 | 0:24:09 | |
A great collection, great fun doing it, | 0:24:09 | 0:24:13 | |
and now the real hard work begins, | 0:24:13 | 0:24:16 | |
because everything on there has to be turned into hard cash. | 0:24:16 | 0:24:20 | |
So here we go. | 0:24:20 | 0:24:22 | |
Yes, he's not wrong. | 0:24:22 | 0:24:24 | |
The gong sounds and the two tussling experts | 0:24:24 | 0:24:27 | |
set about doing what they do best, | 0:24:27 | 0:24:29 | |
finding buyers for their superlative sales items, | 0:24:29 | 0:24:32 | |
knowing that until they get that final handshake | 0:24:32 | 0:24:35 | |
and the money is in their hands, no deal is truly sealed. | 0:24:35 | 0:24:39 | |
And nobody does it better than Paul Hayes. | 0:24:43 | 0:24:46 | |
He's the first to get moving when he takes | 0:24:46 | 0:24:48 | |
the World War II naval uniform for a trip to the coast. | 0:24:48 | 0:24:51 | |
After doing some research on this jacket, on this uniform, | 0:24:54 | 0:24:57 | |
this belonged to a Lieutenant Commander | 0:24:57 | 0:24:59 | |
of the British Royal Navy. | 0:24:59 | 0:25:01 | |
Actually, Paul, it's pronounced "LEFF-tenant", but carry on. | 0:25:01 | 0:25:05 | |
Exactly the same regiment and rank as Mr James Bond. | 0:25:05 | 0:25:09 | |
Hayes, Paul Hayes... | 0:25:09 | 0:25:11 | |
antiques agent double-oh, no, not another old joke. | 0:25:11 | 0:25:16 | |
Paul spies a possible buyer for the naval suit that cost him | 0:25:16 | 0:25:19 | |
£20, taking it to a naval museum in New Brighton run by Dougie. | 0:25:19 | 0:25:24 | |
-BOTH: -Nice to see you. | 0:25:24 | 0:25:25 | |
When I came across this, I wasn't sure what it represented. | 0:25:25 | 0:25:28 | |
It looked like a British naval jacket. | 0:25:28 | 0:25:30 | |
I looked at the ribbons on top here, and using a book, | 0:25:30 | 0:25:33 | |
I've managed to work out what the ribbons are. | 0:25:33 | 0:25:36 | |
You've got the 1939 Star, the Atlantic Star, | 0:25:36 | 0:25:38 | |
which meant that he was in charge of the Atlantic crossings, | 0:25:38 | 0:25:41 | |
the Italy Star, the Defence Medal, the War Medal, | 0:25:41 | 0:25:44 | |
and a Long Service, Good Conduct medal. | 0:25:44 | 0:25:47 | |
So chances are he was involved in the Atlantic Convoys. | 0:25:47 | 0:25:50 | |
What was happening at the time then, during the Second World War? | 0:25:50 | 0:25:53 | |
Well, certainly Liverpool was the gateway to America. | 0:25:53 | 0:25:56 | |
I think the Battle of the Atlantic was actually the longest battle | 0:25:56 | 0:26:00 | |
of the Second World War. Its headquarters was in Liverpool. | 0:26:00 | 0:26:04 | |
So you think this may have had some connection to Liverpool, then? | 0:26:04 | 0:26:07 | |
It could well have done, Paul. The chap, the person that owned it, | 0:26:07 | 0:26:11 | |
would almost certainly have sailed from Liverpool | 0:26:11 | 0:26:13 | |
at some point in his career, so it's welcome home, really. | 0:26:13 | 0:26:16 | |
That's amazing, isn't it? It was meant to be. | 0:26:16 | 0:26:18 | |
Is there any way you could actually trace this | 0:26:18 | 0:26:20 | |
to a particular Lieutenant Commander? | 0:26:20 | 0:26:23 | |
-Is there any way I can do that? -I doubt it. | 0:26:23 | 0:26:25 | |
There may be a number inside, but it's a very, very long shot. | 0:26:25 | 0:26:29 | |
So you would use this as an exhibit here, as a display piece? | 0:26:29 | 0:26:33 | |
-Yes, definitely. -Well, I'd love you to have it. | 0:26:33 | 0:26:35 | |
I think it's a great example. | 0:26:35 | 0:26:37 | |
-There are a pair of pants there as well. -Yes, very nice. | 0:26:37 | 0:26:40 | |
If I was to ask you £60 for this, | 0:26:40 | 0:26:42 | |
would that be asking too much or would be a reasonable price? | 0:26:42 | 0:26:45 | |
Yes, yeah, we are a museum of volunteers | 0:26:45 | 0:26:47 | |
and don't really have great funds, | 0:26:47 | 0:26:49 | |
but certainly, yes, I think we'd make that, yes. | 0:26:49 | 0:26:52 | |
-Does that sound a reasonable price? -If you're happy, Paul, yes. | 0:26:52 | 0:26:55 | |
I'm happy with that. Where do I get my medal? | 0:26:55 | 0:26:56 | |
-Have you got my medal? For bad jokes. -I've got a big one. -Have you? | 0:26:56 | 0:26:59 | |
An unshaken Paul stirs up a £40 profit on the uniform, | 0:27:02 | 0:27:06 | |
and sails into the lead. | 0:27:06 | 0:27:07 | |
You know what, it's hard to believe that that particular uniform | 0:27:10 | 0:27:13 | |
of a Lieutenant Commander could have belonged to a gentleman | 0:27:13 | 0:27:16 | |
that was on a vessel that sailed out from the centre of Liverpool here | 0:27:16 | 0:27:19 | |
to protect the Atlantic convoys in that direction. | 0:27:19 | 0:27:21 | |
Isn't that quite poignant? | 0:27:21 | 0:27:23 | |
I'm delighted I found a good home for it, but a bit of profit, | 0:27:23 | 0:27:25 | |
but you know what? I may have won the battle, David, | 0:27:25 | 0:27:28 | |
but I haven't won the war yet. It's all hands on deck. | 0:27:28 | 0:27:31 | |
Indeed it is, Paul. But David's feet are firmly on dry land, | 0:27:31 | 0:27:35 | |
as he goes hunting for a big profit | 0:27:35 | 0:27:38 | |
on his 1950s flask that cost him £25. | 0:27:38 | 0:27:41 | |
He takes it to another Barnard Castle-based dealer, | 0:27:41 | 0:27:44 | |
who is also called David, | 0:27:44 | 0:27:46 | |
and who specialises in sporting antiques. | 0:27:46 | 0:27:49 | |
Well, David, I want to show you the most wonderful flask. | 0:27:49 | 0:27:53 | |
-It looks interesting, David. -You like that, don't you? -Yes, yes. | 0:27:53 | 0:27:57 | |
Immediately, I knew that you would appreciate that lovely leather case. | 0:27:57 | 0:28:01 | |
Something in a leather case like that is always for fishing people. | 0:28:01 | 0:28:04 | |
So, hang on. There you go. | 0:28:04 | 0:28:06 | |
So, a cracking leather case, and look at that thing. | 0:28:06 | 0:28:10 | |
It's such engineered beauty. | 0:28:10 | 0:28:13 | |
German manufactured, German engineered. | 0:28:13 | 0:28:16 | |
-What sort of age would you think? -50s? -Yes, yes. | 0:28:16 | 0:28:18 | |
-I would go along with that. Can we open it? -Go for it. | 0:28:18 | 0:28:21 | |
Oh, that looks good, David. | 0:28:21 | 0:28:23 | |
-Doesn't it? -Yes. -Look at that cork. -Yes. | 0:28:23 | 0:28:25 | |
The original cork. | 0:28:25 | 0:28:26 | |
And look, that just slips on and stays there. | 0:28:26 | 0:28:28 | |
-So the fishermen can have his soup or whatever he wants. -Yes. | 0:28:28 | 0:28:32 | |
-Exactly. -No, that's a good thing, David. | 0:28:32 | 0:28:34 | |
Now, would fishermen actually use that today, | 0:28:34 | 0:28:36 | |
or was it just something that you would have | 0:28:36 | 0:28:39 | |
-in your gentleman's study? -We have a lot of fishermen | 0:28:39 | 0:28:41 | |
still fish with traditional tackle - split cane rods, the old reels, | 0:28:41 | 0:28:46 | |
and they most certainly would. | 0:28:46 | 0:28:47 | |
Right, so it's going to be used by a proper, traditional fisherman? | 0:28:47 | 0:28:51 | |
More than likely. The crux of the matter is the price. | 0:28:51 | 0:28:54 | |
I reckon if I could get somewhere around 50 quid. | 0:28:54 | 0:28:57 | |
It's near the mark, but it's a bit high, David, at that. | 0:28:58 | 0:29:01 | |
I would like to think I was selling it | 0:29:01 | 0:29:03 | |
for just a little more than that, so I would want to make | 0:29:03 | 0:29:05 | |
a little bit more margin. | 0:29:05 | 0:29:07 | |
-35? -It's a bit tight, I've got to say. -45? | 0:29:07 | 0:29:12 | |
-Let's shake on 40. -Go on, good man. | 0:29:14 | 0:29:17 | |
David walks away with a nice, warm £15 profit on the flask. | 0:29:17 | 0:29:22 | |
And continues on his selling streak | 0:29:22 | 0:29:24 | |
as he takes the green glass hanging lamps to Gloucester | 0:29:24 | 0:29:27 | |
to show dealer Andy. David paid £35 for the pair, | 0:29:27 | 0:29:32 | |
so will Andy help illuminate a profit? | 0:29:32 | 0:29:35 | |
Well, Andy, I'm really hoping that | 0:29:35 | 0:29:36 | |
these are absolutely right up your street. | 0:29:36 | 0:29:39 | |
-I like them immensely, actually. -When you catch them in the light, don't they look great? -They are. | 0:29:39 | 0:29:44 | |
They're meant to have bulbs in of some kind, aren't they? | 0:29:44 | 0:29:46 | |
Well, they are lanterns, so you just drop them in. | 0:29:46 | 0:29:49 | |
I've even got a 1930s original in there, | 0:29:49 | 0:29:51 | |
which I don't think you'll be using. | 0:29:51 | 0:29:52 | |
-No, I don't it'll pass the safety standards. -Exactly. | 0:29:52 | 0:29:55 | |
We'll put a new one in. I've got a feeling that the wire was made, | 0:29:55 | 0:29:58 | |
and then the glass was blown inside it, because it fits so tight. | 0:29:58 | 0:30:01 | |
I think date-wise, 1930s. | 0:30:01 | 0:30:05 | |
Yeah, I would have said the same. Possibly a touch earlier. | 0:30:05 | 0:30:08 | |
Possibly. | 0:30:08 | 0:30:09 | |
When I saw these, I just pictured a 1930s semi anywhere in Britain, | 0:30:09 | 0:30:14 | |
with these hanging, one in the hall, maybe one in the downstairs loo. | 0:30:14 | 0:30:19 | |
-So I want to sell them as a pair. -OK. | 0:30:19 | 0:30:21 | |
-Would you be up for that, first of all? -Yeah, yeah, definitely. | 0:30:21 | 0:30:25 | |
-You sure? -Yeah. They look well together. | 0:30:25 | 0:30:27 | |
For the pair, I think 100 quid for the pair. | 0:30:27 | 0:30:31 | |
-Can you do a touch better? -What are you thinking? | 0:30:34 | 0:30:37 | |
Even a tenner off or something? | 0:30:37 | 0:30:39 | |
-90 quid? -Yeah. -Bang on. Absolutely. | 0:30:39 | 0:30:41 | |
Thank you. As always, a pleasure. | 0:30:41 | 0:30:44 | |
David makes a fabulous £55 profit for the lamps | 0:30:44 | 0:30:47 | |
and he's all lit up. | 0:30:47 | 0:30:49 | |
CHEERING AND APPLAUSE | 0:30:49 | 0:30:52 | |
But Paul isn't in his shadow for long | 0:30:54 | 0:30:56 | |
as sells the pre-war Maling china vases | 0:30:56 | 0:30:59 | |
that cost him £40 to Lewes-based antiques emporium owner Michelle, | 0:30:59 | 0:31:03 | |
delivering a modest £5 profit for the pair. | 0:31:03 | 0:31:07 | |
Leading the way, Paul is like the pied piper of Morecambe. | 0:31:09 | 0:31:13 | |
PLAYS TUNELESSLY | 0:31:13 | 0:31:14 | |
I'll tell you something, | 0:31:14 | 0:31:16 | |
this do-it-yourself busking kit wasn't the best idea I've had. | 0:31:16 | 0:31:19 | |
It's time now to try and move this recorder on. | 0:31:19 | 0:31:21 | |
I brought it to a friend of mine, Mabli, who wants to buy it. | 0:31:21 | 0:31:24 | |
I think it's a bit bigger than the one she's got | 0:31:24 | 0:31:26 | |
and it's a great instrument. So, on this note, it's not over | 0:31:26 | 0:31:29 | |
until I've played a tune that's recognisable. | 0:31:29 | 0:31:32 | |
That may be some time. The recorder set him back £5, | 0:31:32 | 0:31:36 | |
so will he make a profit from musician Mabli? | 0:31:36 | 0:31:40 | |
-So, Mabli, It's lovely to see you. -And you. | 0:31:40 | 0:31:43 | |
And I believe that you have an interest in the recorder. | 0:31:43 | 0:31:45 | |
-My background to all of this is that I'm a singer. -OK. | 0:31:45 | 0:31:49 | |
But I'm getting older | 0:31:49 | 0:31:50 | |
and I know my voice isn't as good now as it was when I was younger. | 0:31:50 | 0:31:54 | |
But when I decide to stop singing, | 0:31:54 | 0:31:56 | |
-I still want to be involved in music. -Right. | 0:31:56 | 0:31:59 | |
So I thought, "I know, I'll go back to the recorder," | 0:31:59 | 0:32:03 | |
which was something I learnt some years ago. | 0:32:03 | 0:32:05 | |
So what have I bought here? This is a lot smaller than this one. | 0:32:05 | 0:32:08 | |
-Well, that's a treble recorder. -A treble recorder. | 0:32:08 | 0:32:11 | |
-So you can expect to get much richer notes out of it. -OK. | 0:32:11 | 0:32:15 | |
This is a descant recorder, and it's the type of recorder | 0:32:15 | 0:32:17 | |
normally given to a child, usually in school music lessons. | 0:32:17 | 0:32:21 | |
This is an Allios. | 0:32:21 | 0:32:23 | |
In the older days, the Allios was the one. | 0:32:23 | 0:32:26 | |
And this one's a Japanese one, this one. | 0:32:26 | 0:32:28 | |
-I know that cos it says Japan on the bottom. -Oh. | 0:32:28 | 0:32:31 | |
-Is it the sort of thing you want to buy? -Yes, please. | 0:32:31 | 0:32:33 | |
If I was to ask you £20, | 0:32:33 | 0:32:35 | |
is that about the going rate for these or...? | 0:32:35 | 0:32:37 | |
-I think I had in my mind 15. -15. | 0:32:37 | 0:32:39 | |
-Right, OK. -But I'd like you to play me a tune | 0:32:39 | 0:32:42 | |
-and I'll put something in your hat. -OK, that's fine. | 0:32:42 | 0:32:45 | |
PLAYS TUNELESSLY | 0:32:45 | 0:32:48 | |
I've got a real feel for jazz. | 0:32:48 | 0:32:50 | |
Expecting to see this snake appear. | 0:32:50 | 0:32:53 | |
-All right, well, there we go. -Lovely. Thank you much. -Thank you very much. | 0:32:53 | 0:32:57 | |
-Thank you, Paul. -You're very welcome. Would you like an encore? | 0:32:57 | 0:33:00 | |
-No. -THEY LAUGH | 0:33:00 | 0:33:02 | |
Thank goodness for that. | 0:33:02 | 0:33:03 | |
Mabli pays the piper and gives Paul a £10 profit, | 0:33:03 | 0:33:06 | |
having trebled his money with the treble recorder. | 0:33:06 | 0:33:09 | |
It's music to my ears, I think. | 0:33:09 | 0:33:11 | |
With Paul busy profiteering | 0:33:12 | 0:33:14 | |
and David determinedly dealing, it's time to find out | 0:33:14 | 0:33:17 | |
who's bringing home the bacon | 0:33:17 | 0:33:18 | |
and who needs to turn up the temperature. | 0:33:18 | 0:33:21 | |
"Devilish" David Harper has | 0:33:23 | 0:33:24 | |
so far sold 2 items, turning a profit of £70. | 0:33:24 | 0:33:29 | |
But Paul "Mr Morecambe" Hayes has done three deals | 0:33:29 | 0:33:32 | |
and is only just behind, having banked £55. | 0:33:32 | 0:33:36 | |
With Paul trailing behind David, | 0:33:38 | 0:33:40 | |
he'll need to accentuate his abilities to eliminate his opponent. | 0:33:40 | 0:33:44 | |
But it's David who is cruising towards his next sale. | 0:33:44 | 0:33:47 | |
The pair of early-20th-century-style White Star candle lamps | 0:33:48 | 0:33:52 | |
cost David £12, so he's hoping to bring home a TITANIC profit. | 0:33:52 | 0:33:57 | |
I haven't travelled very far from North Shields with my two lanterns. | 0:33:57 | 0:34:00 | |
I've come right to the city centre of Durham to see a friend of mine | 0:34:00 | 0:34:04 | |
who has a cafe right up that dark, steep alleyway, | 0:34:04 | 0:34:08 | |
cos I think these are right up his...well, alley. | 0:34:08 | 0:34:12 | |
Now Michael, have you heard of the White Star Line? | 0:34:13 | 0:34:17 | |
Come on, David. Who hasn't heard of the White Star Line? | 0:34:17 | 0:34:21 | |
-We're talking Titanic here. -We know we're talking Titanic. | 0:34:21 | 0:34:24 | |
Right, well there you go. We've got the early 20th century, | 0:34:24 | 0:34:27 | |
the romance of those ocean-going liners crossing over to New York. | 0:34:27 | 0:34:32 | |
That was the way to do it. | 0:34:32 | 0:34:34 | |
Michael, if you were doing that circa 1910, 1920, | 0:34:34 | 0:34:38 | |
and you were wandering down through the bar, | 0:34:38 | 0:34:41 | |
you would see plenty of objects like this, with the White Star Line | 0:34:41 | 0:34:46 | |
company logo, and these objects, I think, are actually in period. | 0:34:46 | 0:34:51 | |
I think they are early 20th century. They've been used. | 0:34:51 | 0:34:55 | |
Initially, I thought they'd been converted from oil - they haven't. | 0:34:55 | 0:34:58 | |
They've always been candle holders. | 0:34:58 | 0:34:59 | |
-You could put a little lamp in those, actually. -You could. | 0:34:59 | 0:35:03 | |
-Would they work in your cafe? -I can see them working, yeah. | 0:35:03 | 0:35:06 | |
It's funny, because they're not as uncommon as I'd imagined | 0:35:06 | 0:35:09 | |
they would or should be. I found a couple of pairs for sale online. | 0:35:09 | 0:35:14 | |
-The pair on auction were hovering around 80 quid. -Right. | 0:35:14 | 0:35:17 | |
I think I absolutely bagged a pair of beauty bargains | 0:35:17 | 0:35:22 | |
when I bought these. | 0:35:22 | 0:35:23 | |
-Nice one. -So I'm going to give you treat. | 0:35:23 | 0:35:25 | |
So if I said to you £55, Michael, for the pair... | 0:35:25 | 0:35:30 | |
-Is that it? Have we done a deal? -Done! | 0:35:31 | 0:35:34 | |
Michael snaps up the lamps at £55 | 0:35:34 | 0:35:37 | |
and David floats away with a profit of £43. | 0:35:37 | 0:35:40 | |
Percentage-wise, that is a cracking profit. | 0:35:42 | 0:35:45 | |
Beat that, Mr Hayes. | 0:35:45 | 0:35:47 | |
Yes, fighting talk from the devilish one, | 0:35:47 | 0:35:49 | |
but Paul is far from losing or being lost. | 0:35:49 | 0:35:53 | |
He knows exactly where to go for his next sale. | 0:35:53 | 0:35:56 | |
Now then, remember these two maps that I got in North Shields? | 0:35:56 | 0:35:59 | |
One was of Hereford, and one of Gloucestershire. | 0:35:59 | 0:36:01 | |
I'm in Gloucestershire. | 0:36:01 | 0:36:03 | |
I'm in Tewkesbury today, and I thought I'd try my luck. | 0:36:03 | 0:36:05 | |
There's a local bookshop here that sells antiquarian maps | 0:36:05 | 0:36:08 | |
and books, and hopefully they're just down his alley. | 0:36:08 | 0:36:11 | |
But which way is it? I think it's over there somewhere. | 0:36:11 | 0:36:14 | |
Paul paid £14 for the pair of maps and he takes them | 0:36:14 | 0:36:18 | |
to map collector Graham. | 0:36:18 | 0:36:20 | |
So, Graham, It's a pleasure to meet you. Now, I've contacted you. | 0:36:20 | 0:36:24 | |
I've got some maps for you. | 0:36:24 | 0:36:25 | |
I've come across these two and I don't know whether you've come across | 0:36:25 | 0:36:28 | |
this one, the map of Gloucestershire I'm bringing you in. | 0:36:28 | 0:36:31 | |
And it does look like it's been a folded map of some sort. | 0:36:31 | 0:36:34 | |
-Do you recognise that one straight away? -Yes. | 0:36:34 | 0:36:36 | |
-I certainly recognise the vintage. -Right. | 0:36:36 | 0:36:39 | |
With maps of this vintage, the first thing you look for is the railways. | 0:36:39 | 0:36:42 | |
OK. And what sort of period are we looking for? | 0:36:42 | 0:36:44 | |
I would place that round about 1840s. | 0:36:44 | 0:36:47 | |
You've got the main railway coming down there from Birmingham, | 0:36:47 | 0:36:51 | |
-which is off the map. -So that's this big, black line here. | 0:36:51 | 0:36:53 | |
That's the railway line. OK. Now, this one, it came in with it. | 0:36:53 | 0:36:56 | |
The reason I'm showing you these separately, it says on the back here, | 0:36:56 | 0:36:59 | |
"From a map of 1840 by Thomas Moule." So it's the right age. | 0:36:59 | 0:37:02 | |
But this one's a reproduction. You can tell by the colour of the paper. | 0:37:02 | 0:37:06 | |
Even though the frame is the same, totally different period. | 0:37:06 | 0:37:09 | |
This one's a new, this one's 1840s. That's what I was thinking, actually. | 0:37:09 | 0:37:13 | |
-If I said how does £20 for the pair sound? -I think I can do that. | 0:37:13 | 0:37:17 | |
-Does that sound reasonable? -I can make something on that. | 0:37:17 | 0:37:19 | |
We'll shake on that, Graham. | 0:37:19 | 0:37:21 | |
Paul finds his way to a £6 profit for the maps | 0:37:21 | 0:37:23 | |
and he's down to his final item. | 0:37:23 | 0:37:26 | |
Hey-hey! | 0:37:27 | 0:37:29 | |
It's the 19th-century watercolour of Saltwood Castle, | 0:37:29 | 0:37:32 | |
which he bought for £20 and spent a further £8 reframing. | 0:37:32 | 0:37:36 | |
But "Mr Morecambe" makes a loss | 0:37:36 | 0:37:39 | |
when he sells the picture to antiques dealer Ruth. | 0:37:39 | 0:37:42 | |
After framing costs, Paul ends up £3 down on the deal, | 0:37:42 | 0:37:46 | |
but all his items are sold. | 0:37:46 | 0:37:48 | |
David, however, is still on a mission | 0:37:48 | 0:37:50 | |
to sell his last two purchases | 0:37:50 | 0:37:52 | |
before the final bell tolls. | 0:37:52 | 0:37:55 | |
The shooting stick cost David £15, so will it fetch him a good profit? | 0:37:55 | 0:38:00 | |
Well, here we are in Barnard Castle with my very stylish, | 0:38:00 | 0:38:04 | |
very posh, in actual fact, hunting-fishing-shooting stick, | 0:38:04 | 0:38:08 | |
covered in ostrich hide. A vintage object if ever I've seen one. | 0:38:08 | 0:38:12 | |
Now, you know what the trick to selling is? | 0:38:12 | 0:38:14 | |
Always take the right item to the right market. | 0:38:14 | 0:38:17 | |
I'm going to go and see Donna. | 0:38:17 | 0:38:19 | |
She owns a country workshop here in Barnard Castle, | 0:38:19 | 0:38:21 | |
she deals with all the hunting-fishing-shooting brigade, | 0:38:21 | 0:38:24 | |
and let me tell you this - they are the right market for this. | 0:38:24 | 0:38:29 | |
Oh, it is very nice, yes. It is. Very nice indeed. | 0:38:31 | 0:38:35 | |
-That is a delicious seat, isn't it? -Very nice. | 0:38:35 | 0:38:39 | |
And the fact that it's covered in ostrich hide, | 0:38:39 | 0:38:42 | |
I think is incredibly rare. I've never seen one in ostrich before. | 0:38:42 | 0:38:45 | |
I must admit, I haven't seen one like this either. | 0:38:45 | 0:38:47 | |
-And this is the original there. -Maker's tag. Aluminium frame. | 0:38:47 | 0:38:50 | |
I think it's probably 20 to 40 years old. | 0:38:50 | 0:38:53 | |
Made in England, and look at this. I mean, come on. At the races? Yes? | 0:38:53 | 0:38:58 | |
-Absolutely. -Sitting down. -Pass the champagne. -Oh, hello. | 0:38:58 | 0:39:02 | |
A couple of glasses and I'm off! But that's all part of the fun. | 0:39:02 | 0:39:07 | |
So, at the right money, you'd be keen for it? | 0:39:07 | 0:39:10 | |
At the right money, yes. | 0:39:10 | 0:39:12 | |
-What with the right money be to you? -Oh, I don't know. | 0:39:12 | 0:39:16 | |
I'd maybe be looking at... | 0:39:16 | 0:39:18 | |
25, possibly 30. I'd need to make a bit of profit on myself as well. | 0:39:18 | 0:39:24 | |
Donna, Donna, Donna. | 0:39:24 | 0:39:26 | |
-40. -Oh. I couldn't go to 40. | 0:39:26 | 0:39:29 | |
-You couldn't? -No, no. | 0:39:29 | 0:39:32 | |
35. | 0:39:32 | 0:39:34 | |
And it's a deal. It would look lovely in the window. | 0:39:34 | 0:39:38 | |
I think I've done all right. 35, well done. Thank you. Thank you. | 0:39:38 | 0:39:42 | |
The shooting stick provides David with a £20 profit | 0:39:42 | 0:39:45 | |
and he's down to his final item. | 0:39:45 | 0:39:47 | |
David takes the cigar cutter that cost him £50 to Rosie, | 0:39:48 | 0:39:52 | |
who works in the Bowes Museum in Barnard Castle, | 0:39:52 | 0:39:55 | |
hoping to smoke out a bit of profit. | 0:39:55 | 0:39:57 | |
-What a place to work, Rosie. -I know. | 0:39:57 | 0:40:00 | |
I'd better just explain that this is actually my house, | 0:40:00 | 0:40:04 | |
-and Rosie is my housekeeper. -It's the other way round! | 0:40:04 | 0:40:07 | |
And of course, you're from Paul Hayes' territory, the Northwest. | 0:40:07 | 0:40:12 | |
-Really? -That's just dawned on me. -Really? | 0:40:12 | 0:40:14 | |
Yes, that makes me all the more keen to sell you... | 0:40:14 | 0:40:18 | |
this wonderful cigar cutter. You have a hold of that. | 0:40:18 | 0:40:23 | |
1899, that was made. In London. | 0:40:23 | 0:40:26 | |
-Solid silver. -It's nice and heavy. -Exactly. | 0:40:26 | 0:40:28 | |
That's a side of quality in almost everything, in actual fact. | 0:40:28 | 0:40:31 | |
Shall I demonstrate? So, there's the end of your cigar. | 0:40:31 | 0:40:35 | |
Simply, you place that very safely | 0:40:35 | 0:40:37 | |
-into that end, nice and gently cut, and there we have it. -Wow. | 0:40:37 | 0:40:43 | |
But will Rosie want to buy the cigar cutter? | 0:40:43 | 0:40:46 | |
And will David be able to snip off enough of a profit | 0:40:46 | 0:40:50 | |
to propel himself to the winner's podium? | 0:40:50 | 0:40:53 | |
All will soon be revealed. | 0:40:53 | 0:40:55 | |
David and Paul each started the day | 0:40:57 | 0:40:59 | |
with £250 of their own money to spend. | 0:40:59 | 0:41:03 | |
"Devilish" David Harper made five purchases and spent £137. | 0:41:03 | 0:41:09 | |
Paul "Mr Morecambe" Hayes matched him, | 0:41:09 | 0:41:11 | |
also with five deals and spent £107 with restoration fees. | 0:41:11 | 0:41:15 | |
But all that matters now is who's made the biggest profit. | 0:41:17 | 0:41:21 | |
All of the money that David and Paul have made from today's challenge | 0:41:21 | 0:41:24 | |
will be going to charities of their choice. | 0:41:24 | 0:41:26 | |
So without further ado, let's find out who is today's | 0:41:26 | 0:41:29 | |
Put Your Money Where Your Mouth Is Champion. | 0:41:29 | 0:41:32 | |
-Now then, David. How are you? -Paul, great to see you. | 0:41:32 | 0:41:35 | |
-Great to see you too. -From a car boot to this. | 0:41:35 | 0:41:37 | |
Have we gone up in the world or what? | 0:41:37 | 0:41:39 | |
-It's what we're used to, isn't it(?) -It is! | 0:41:39 | 0:41:41 | |
-I live in a place like this, Paul! -How did you get on? -Not bad. | 0:41:41 | 0:41:45 | |
-Good? -Not bad. | 0:41:45 | 0:41:46 | |
The two White Star Line candleholders, sold them | 0:41:46 | 0:41:49 | |
to a pal of mine who has a cafe. | 0:41:49 | 0:41:51 | |
-He absolutely loved them. -Brilliant! | 0:41:51 | 0:41:53 | |
They were great. So, all in all, pretty good. What about you? | 0:41:53 | 0:41:56 | |
Well, my lot really was a bit of a research curve. | 0:41:56 | 0:41:59 | |
-Remember that naval jacket? -Yes. | 0:41:59 | 0:42:01 | |
It turned out to belong to a Commander | 0:42:01 | 0:42:03 | |
of the British Royal Naval Reserves, | 0:42:03 | 0:42:05 | |
and chances are it could have been used in the Second World War, | 0:42:05 | 0:42:08 | |
possibly aboard a submarine. | 0:42:08 | 0:42:09 | |
-Isn't that wonderful? -Are we ready for it? -I'm ready. | 0:42:09 | 0:42:12 | |
-Good luck. -Good luck to you, mate. | 0:42:12 | 0:42:14 | |
Three, two, one. | 0:42:14 | 0:42:15 | |
THEY CHEER | 0:42:15 | 0:42:16 | |
Well done, mate. That's great. A great bit of profit. | 0:42:16 | 0:42:19 | |
-It's not bad. But you're not a million miles away. -Well done. | 0:42:19 | 0:42:22 | |
Yes, David won today, because even though Rosie refused | 0:42:22 | 0:42:26 | |
to by the cigar cutter... | 0:42:26 | 0:42:28 | |
Whilst it's lovely... | 0:42:28 | 0:42:29 | |
..it's not for me. | 0:42:30 | 0:42:32 | |
..David still managed to sell it for £100 to fellow dealer Anthony, | 0:42:32 | 0:42:37 | |
earning a £50 profit and compounding his win. | 0:42:37 | 0:42:40 | |
It's always a very satisfying feeling to go to a car boot, | 0:42:43 | 0:42:47 | |
pull some antiques out that shouldn't really be there, | 0:42:47 | 0:42:50 | |
and then move them on for profit. | 0:42:50 | 0:42:52 | |
It's exactly what I'd done and it's a good feeling. | 0:42:52 | 0:42:55 | |
Who'd have thought that naval jacket would have so much history to it? | 0:42:55 | 0:42:59 | |
I made a bit of a mistake with the watercolour, had that reframed | 0:42:59 | 0:43:02 | |
but didn't factor the cost in, but overall, it was a good challenge | 0:43:02 | 0:43:05 | |
and you did well, David. | 0:43:05 | 0:43:07 | |
So David is triumphant today, but tomorrow Paul has the chance | 0:43:07 | 0:43:11 | |
to fight back as our brave boys go head to head in the battle | 0:43:11 | 0:43:15 | |
to end all battles, the Put Your Money Where Your Mouth Is showdown! | 0:43:15 | 0:43:19 | |
Subtitles by Red Bee Media Ltd | 0:43:40 | 0:43:43 |