Browse content similar to Catherine Southon v Mark Stacey - UK Antiques Fair. Check below for episodes and series from the same categories and more!
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This is Put Your Money Where Your Mouth Is - | 0:00:02 | 0:00:04 | |
the shows that pitches TV's best loved antiques experts | 0:00:04 | 0:00:08 | |
-against each other in an all-out battle for profit. -Hey! | 0:00:08 | 0:00:12 | |
And gives you the insider's view of the trade. | 0:00:12 | 0:00:16 | |
I'm on the case. | 0:00:16 | 0:00:18 | |
-Wahey! -Each week, one pair of duelling dealers | 0:00:18 | 0:00:21 | |
will face a different daily challenge. | 0:00:21 | 0:00:24 | |
-I'm a cheeky chancer. -Lovely! | 0:00:24 | 0:00:26 | |
Putting their reputations on the line and giving you top tips | 0:00:27 | 0:00:30 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:30 | 0:00:35 | |
-Let's go and spend some money. -Get in there! | 0:00:36 | 0:00:38 | |
Ha ha ha ha! | 0:00:38 | 0:00:40 | |
Today, Brighton-based bounty hunter Mark Stacey takes on | 0:00:40 | 0:00:44 | |
dynamic dealing diva Catherine Southon. | 0:00:44 | 0:00:47 | |
Coming up, Catherine thinks she's found a dead cert. | 0:00:48 | 0:00:51 | |
If I don't make a profit on that, then I'm just going to give up. | 0:00:51 | 0:00:55 | |
-Mark takes some almighty risks. -What have I done? | 0:00:56 | 0:00:59 | |
I've bought things I know nothing about. | 0:00:59 | 0:01:01 | |
And one dealer comes out of her shell to make a sale. | 0:01:01 | 0:01:05 | |
-These are some of my breeding snails. -Ohh! | 0:01:05 | 0:01:08 | |
This is Put Your Money Where Your Mouth Is. | 0:01:08 | 0:01:10 | |
MUSIC: "Thriller" | 0:01:24 | 0:01:25 | |
-MIMICS VINCENT PRICE: -As storm clouds gather in the sky, | 0:01:25 | 0:01:29 | |
lost souls wander with thirst of eye, | 0:01:29 | 0:01:31 | |
This antique tale is oh so thrilling, | 0:01:31 | 0:01:34 | |
our experts here to make a killing. | 0:01:34 | 0:01:36 | |
First, the booty hunting beast of Brighton, | 0:01:39 | 0:01:42 | |
the covetous creature who craves victory, greedily gorges on bargains | 0:01:42 | 0:01:47 | |
and tirelessly tracks Titanic profits - | 0:01:47 | 0:01:50 | |
it's... | 0:01:50 | 0:01:52 | |
I might be the cat who's got the cream. | 0:01:53 | 0:01:56 | |
Up against him it's... | 0:01:56 | 0:01:59 | |
a queen of the night who wants to sink her teeth | 0:01:59 | 0:02:02 | |
into the best buys and draw out the most palatable profits. | 0:02:02 | 0:02:07 | |
I am now oozing with confidence. | 0:02:07 | 0:02:11 | |
This thriller takes place at the Newark International Antiques and Collectors Fair. | 0:02:11 | 0:02:16 | |
With over 4,000 stands, our esteemed experts will | 0:02:16 | 0:02:20 | |
have to be utterly brutal in this battle to bag the best bargains. | 0:02:20 | 0:02:25 | |
I'm surprised people even talk to us, really, because the first thing | 0:02:25 | 0:02:28 | |
we say is how lovely the item is and then we want to knock them down. | 0:02:28 | 0:02:33 | |
They've each got £750 of their own money to spend | 0:02:33 | 0:02:36 | |
and all the profit goes to their chosen charities. | 0:02:36 | 0:02:40 | |
-I really need to buy something meaty and beefy. -Bring it on! | 0:02:40 | 0:02:44 | |
Mark Stacey and Catherine Southon, | 0:02:44 | 0:02:47 | |
it's time to put your money where your mouth is. | 0:02:47 | 0:02:50 | |
-Mark Stacey! -Catherine Southon! -How are you? | 0:02:53 | 0:02:55 | |
-I'm fine, how are you? -Very excited today. | 0:02:55 | 0:02:58 | |
A bit chilly, isn't it? | 0:02:58 | 0:03:00 | |
I don't know about you, | 0:03:00 | 0:03:01 | |
-but that 750 quid is just burning a hole in my pocket. -Really? | 0:03:01 | 0:03:05 | |
-Are you going to spend money today, then? -I'm going to spend, are you? | 0:03:05 | 0:03:09 | |
I'm going to try... I want to buy real antiques today. | 0:03:09 | 0:03:13 | |
HE LAUGHS | 0:03:13 | 0:03:14 | |
Now you know what an antique is, don't you? Something 100 years old or more. | 0:03:15 | 0:03:19 | |
Oh, thank you. You are so kind. What's your plan? | 0:03:19 | 0:03:21 | |
My plan is to do the same. | 0:03:21 | 0:03:23 | |
I want to find four or five really good quality items. | 0:03:23 | 0:03:27 | |
I want to tell you that I think it's going to absolutely pour down later. | 0:03:27 | 0:03:31 | |
-Yes. -So I have brought something along to help you, Mark. | 0:03:31 | 0:03:35 | |
A bonnet de douche. | 0:03:35 | 0:03:37 | |
SHE LAUGHS | 0:03:37 | 0:03:39 | |
Here we are. | 0:03:39 | 0:03:40 | |
SHE CHUCKLES | 0:03:40 | 0:03:42 | |
Hmm, very fetching. | 0:03:43 | 0:03:45 | |
What do you think? | 0:03:45 | 0:03:47 | |
I don't know what to say, Catherine, except you shouldn't have. | 0:03:47 | 0:03:50 | |
Really, you shouldn't have. | 0:03:50 | 0:03:52 | |
-I know it's sunny now, but it's definitely going to rain. -Goodbye. | 0:03:52 | 0:03:55 | |
Behind the banter, Mark and Catherine are baying for each other's blood, | 0:03:56 | 0:04:00 | |
and as buying begins, so does their epic hunt for the most | 0:04:00 | 0:04:04 | |
profitable pieces this market can offer. | 0:04:04 | 0:04:07 | |
Catherine is determined to find them first | 0:04:07 | 0:04:10 | |
and her famous cunning isn't about to desert her. | 0:04:10 | 0:04:13 | |
Newark is one of the biggest antique fairs in the country. | 0:04:16 | 0:04:20 | |
So to help me get around, with the help of my little daughter, | 0:04:20 | 0:04:23 | |
I've got my secret weapon. | 0:04:23 | 0:04:25 | |
While Catherine's hoping to scoot to victory, | 0:04:26 | 0:04:28 | |
Mark is dreaming of bigger things. | 0:04:28 | 0:04:31 | |
I always get a little twitchy feeling | 0:04:31 | 0:04:33 | |
when I first get into an antiques fair. | 0:04:33 | 0:04:35 | |
Because you think this is the day you're going to find almost | 0:04:35 | 0:04:38 | |
the missing link, you know, that one piece that's going to change your life. | 0:04:38 | 0:04:41 | |
A bit like Del Boy, you know? | 0:04:41 | 0:04:43 | |
"This time next year I'm going to be a millionaire." | 0:04:43 | 0:04:45 | |
# No income tax, no VAT... # RECORD SCRATCHES | 0:04:45 | 0:04:48 | |
Well, Mark has set his sights high. | 0:04:48 | 0:04:50 | |
But now it's time for our purveyors of profit to prowl, | 0:04:50 | 0:04:54 | |
pounce and plunder as they peruse the potential purchases. | 0:04:54 | 0:04:59 | |
Mark is first to move in when he spots something | 0:04:59 | 0:05:01 | |
glinting in the sunlight. | 0:05:01 | 0:05:03 | |
I'm sure this will be too expensive. | 0:05:03 | 0:05:05 | |
It's quite nice, it is a cased little set of cups, I suppose. | 0:05:05 | 0:05:08 | |
But they are all marked "N Birmingham". | 0:05:10 | 0:05:13 | |
And they've got a little retailer's name here, "Charles Proctor". | 0:05:13 | 0:05:18 | |
"Jewellers, Newcastle upon Tyne". | 0:05:18 | 0:05:20 | |
But it's got a sort of an Art Nouveau feel about it, | 0:05:20 | 0:05:23 | |
with those sort of handles on them. And a gilt interior. | 0:05:23 | 0:05:28 | |
In quite good condition, there's the odd dent. | 0:05:28 | 0:05:30 | |
But I like things with cases. | 0:05:32 | 0:05:34 | |
And before Mark goes in for the kill, | 0:05:34 | 0:05:36 | |
his eye is caught by another item at the same stall. | 0:05:36 | 0:05:40 | |
Now, that's quite nice. Look at that picture of a horse. | 0:05:40 | 0:05:44 | |
Now I think that might be a pencil drawing, | 0:05:44 | 0:05:46 | |
but it's quite naively done. | 0:05:46 | 0:05:48 | |
But there's a lot of movement and feeling in that face. | 0:05:48 | 0:05:51 | |
And it's in quite a nice frame. | 0:05:51 | 0:05:53 | |
If I can get someone who's interested in horses, | 0:05:53 | 0:05:55 | |
that could be quite interesting. | 0:05:55 | 0:05:58 | |
-How much is that? Be sensible now. -£80 to you. | 0:05:58 | 0:06:01 | |
Oh, come on! And what about this set? | 0:06:01 | 0:06:04 | |
-If I said 100 for that, it would be cheap, wouldn't it? -No, it wouldn't. | 0:06:04 | 0:06:08 | |
-There's a few dents. -OK, can't argue with that. | 0:06:08 | 0:06:12 | |
80 for them if you want them. And 70 for that. | 0:06:12 | 0:06:15 | |
Oh, Mark's not happy, | 0:06:18 | 0:06:19 | |
but he goes ahead and bags the first two deals of the day. | 0:06:19 | 0:06:22 | |
Am I pleased with what I bought? Well, I think I rather am. | 0:06:24 | 0:06:28 | |
Because these are a no-brainer really. | 0:06:28 | 0:06:30 | |
They are six little liqueur cups, silver, in a fitted case. | 0:06:30 | 0:06:33 | |
This is the surprise item. | 0:06:33 | 0:06:36 | |
It's beautifully done and I have a feeling it is a drawing. | 0:06:36 | 0:06:39 | |
And if we look at the back, we've got this artist's name here. | 0:06:39 | 0:06:44 | |
And some dates. He is Swiss, | 0:06:44 | 0:06:46 | |
1769 to 1849. | 0:06:46 | 0:06:50 | |
And it says, "Portrait of a horse" in French. | 0:06:50 | 0:06:53 | |
If that is by this artist, that could be a real find, you know. | 0:06:55 | 0:06:58 | |
70 quid I paid for that. | 0:06:58 | 0:07:00 | |
And 80 for these. | 0:07:00 | 0:07:02 | |
If that's right, it could be a couple of hundred pounds or more in that. | 0:07:02 | 0:07:05 | |
Catherine, I'm doing rather well. How are you doing? | 0:07:05 | 0:07:09 | |
So, Mark's brimming with confidence. | 0:07:09 | 0:07:11 | |
But Catherine is getting round this market faster | 0:07:11 | 0:07:14 | |
than a nippy whippet. | 0:07:14 | 0:07:15 | |
# Round, round, get around I get around | 0:07:15 | 0:07:18 | |
# Yeah, get around... | 0:07:18 | 0:07:19 | |
# Ooh-ooh-ooh, I get around Get around... # | 0:07:19 | 0:07:23 | |
Speedy Southon slams on the brakes and hops off her scooter | 0:07:23 | 0:07:26 | |
when she spies and buys a wondrous wooden object. | 0:07:26 | 0:07:30 | |
Look at this little beauty. | 0:07:31 | 0:07:34 | |
I absolutely adore interesting pieces of treen. | 0:07:34 | 0:07:38 | |
Treen is something like a small piece of wood that's got a useful purpose. | 0:07:38 | 0:07:43 | |
Now I collect biscuit stamps and butter stamps. | 0:07:43 | 0:07:46 | |
And this appealed to me straightaway. | 0:07:46 | 0:07:49 | |
We've got a Regency butter stamp, | 0:07:49 | 0:07:51 | |
so we're looking at about 1830 in date. | 0:07:51 | 0:07:54 | |
This is going to be made from fruit wood and you push this down | 0:07:54 | 0:07:58 | |
and make a little mark, a little print, on your butter. | 0:07:58 | 0:08:02 | |
To make it look pretty. | 0:08:02 | 0:08:03 | |
OK, there is a little bit of a crack there, | 0:08:03 | 0:08:05 | |
but to have a swan design is so beautiful. | 0:08:05 | 0:08:10 | |
I paid £45 for this. | 0:08:10 | 0:08:13 | |
And to me, it's a winner. | 0:08:13 | 0:08:15 | |
So Catherine stamps her mark on the competition with her first | 0:08:15 | 0:08:18 | |
purchase, but Mark has already found another box of delights. | 0:08:18 | 0:08:22 | |
I know Stratton as manufacturers of ladies' compacts. | 0:08:24 | 0:08:28 | |
And they're quite collectable. | 0:08:28 | 0:08:29 | |
But here we seem to have a pair of cuff links and a tiepin | 0:08:29 | 0:08:33 | |
in the form of a golf club. | 0:08:33 | 0:08:36 | |
I don't think they have got a huge amount of age to them. | 0:08:36 | 0:08:38 | |
But it is nice that they've got a box there, | 0:08:38 | 0:08:41 | |
a little bit scuffed, but that shows vintage condition. | 0:08:41 | 0:08:44 | |
-How much are they, sir? -£10. -£10? | 0:08:44 | 0:08:47 | |
-What about eight? -Yeah, go on then. | 0:08:47 | 0:08:49 | |
Eight pounds. I think we are going to take these for £8. | 0:08:49 | 0:08:52 | |
There must be somebody out there who wants a pair of golfing cufflinks. | 0:08:52 | 0:08:57 | |
Thank you very much, sir. | 0:08:57 | 0:08:59 | |
Mark scores a hole-in-one with the golf themed cufflinks | 0:08:59 | 0:09:03 | |
and swings further into the lead. | 0:09:03 | 0:09:05 | |
But Catherine isn't moving at a snail's pace. | 0:09:05 | 0:09:08 | |
She's seized upon a bargain that she hopes will set | 0:09:08 | 0:09:10 | |
her on the trail to victory. | 0:09:10 | 0:09:12 | |
Well, although I'm going fast and zooming around, | 0:09:14 | 0:09:17 | |
I've come up with something that's not going quite so fast. | 0:09:17 | 0:09:20 | |
Mr Snail Man. Started off life as a boot scraper. | 0:09:22 | 0:09:27 | |
I paid, wait for it, 50 pence for this. It's cast iron. | 0:09:27 | 0:09:33 | |
OK, it's not very old, but what you need to do - get rid of this, | 0:09:33 | 0:09:36 | |
put in a scrubbing brush. | 0:09:36 | 0:09:39 | |
Ta-dah, you've got yourself a new boot scraper. | 0:09:39 | 0:09:43 | |
50 pence. Come on! | 0:09:43 | 0:09:45 | |
Catherine's half pound purchase brings us | 0:09:46 | 0:09:49 | |
to the halfway mark of this frenzied fight, so it's time to find out | 0:09:49 | 0:09:52 | |
who's in high spirits and who's wallowing in a pit of despair. | 0:09:52 | 0:09:56 | |
Catherine and Mark each had up to £750 of their own cash | 0:09:58 | 0:10:02 | |
to spend today. | 0:10:02 | 0:10:04 | |
Catherine has bought just two items so far, spending £45.50, | 0:10:04 | 0:10:09 | |
meaning she has £704.50 left to spend. | 0:10:09 | 0:10:13 | |
Mark is ahead, he's done three deals and spent £158, | 0:10:13 | 0:10:19 | |
leaving him with £592 in his kitty. | 0:10:19 | 0:10:22 | |
And so our buying beast | 0:10:24 | 0:10:26 | |
and bartering beauty prepare to double their efforts | 0:10:26 | 0:10:29 | |
for the next round of hunting out the hidden gems. | 0:10:29 | 0:10:32 | |
Their minds may be focused but what if the entire | 0:10:32 | 0:10:35 | |
destiny of the day could be altered by one chance meeting? | 0:10:35 | 0:10:38 | |
-Mwah! Missed! -Oh, Catherine, you missed me, darling. | 0:10:42 | 0:10:45 | |
-You were going too fast. -How are you doing? Well, you look happy! | 0:10:45 | 0:10:48 | |
-I am happy. I'm really happy. -Makes a change. | 0:10:48 | 0:10:51 | |
-I've bought wonderful lots. -Have you? | 0:10:51 | 0:10:54 | |
-You are really bouncing, aren't you? -I am. How are you doing? -All right. | 0:10:54 | 0:10:58 | |
-Not bad. I've got a couple. -Have you spent your money? -No. | 0:10:58 | 0:11:01 | |
-I've bought a couple of nice, nice pieces. -Oh. | 0:11:02 | 0:11:06 | |
-Do you want to borrow this? -No thanks. I'll leave it with you. | 0:11:06 | 0:11:09 | |
Dealers are shouting all over the place, | 0:11:09 | 0:11:11 | |
"Mark, we've got something for you." | 0:11:11 | 0:11:13 | |
Good luck. | 0:11:14 | 0:11:15 | |
Oh, I don't think she liked that, do you? | 0:11:15 | 0:11:18 | |
Oh, it's a maelstrom of monstrous mind games with these two today. | 0:11:19 | 0:11:24 | |
Well, Catherine wasn't really giving an awful lot away there, was she, | 0:11:24 | 0:11:28 | |
she was saying, "Oh..." | 0:11:28 | 0:11:30 | |
But she always plays this little vulnerable lady. | 0:11:30 | 0:11:33 | |
But secretly she's got a heart of pure steel. | 0:11:33 | 0:11:38 | |
Hmm, little does Mark know, | 0:11:40 | 0:11:41 | |
but steel-hearted Catherine is starting to feel the pressure, too. | 0:11:41 | 0:11:45 | |
So, I've bought two pieces that are a bit low value, really. | 0:11:45 | 0:11:50 | |
So I really need to buy something meaty and beefy. | 0:11:50 | 0:11:53 | |
-Better get going, really. -Meaty and beefy? | 0:11:55 | 0:11:59 | |
Is this "Cooking with Catherine" or "beat Mark Stacey at all costs"? | 0:11:59 | 0:12:02 | |
Luckily, our lady is only focused on victory | 0:12:02 | 0:12:05 | |
and very soon swoops on her next item of interest. | 0:12:05 | 0:12:09 | |
I love these little deckchairs. | 0:12:09 | 0:12:11 | |
I had exactly the same thing when I was little. | 0:12:11 | 0:12:14 | |
And sadly my parents didn't keep it. | 0:12:14 | 0:12:16 | |
But these little deckchairs are harder to find. | 0:12:16 | 0:12:19 | |
And what is nice is it is in lovely condition. | 0:12:19 | 0:12:22 | |
£20 of my hard-earned cash. | 0:12:22 | 0:12:25 | |
Catherine pays £20 for the deckchair, | 0:12:25 | 0:12:27 | |
but how will it fare when it comes to the selling? | 0:12:27 | 0:12:30 | |
I'm not going to make a huge profit on it, | 0:12:30 | 0:12:32 | |
but it's certainly a nice little piece and every little profit helps. | 0:12:32 | 0:12:37 | |
Let's just hope the sun shines on me when I sell it. | 0:12:37 | 0:12:40 | |
And while Catherine suns herself outside, | 0:12:41 | 0:12:44 | |
Mark heads indoors where he reveals a hidden agenda. | 0:12:44 | 0:12:47 | |
I didn't really want to buy any porcelain or glass today, | 0:12:49 | 0:12:52 | |
but I have got a potential buyer who said, if you see anything | 0:12:52 | 0:12:56 | |
in the form of a cat or painted with a cat, he might be interested in it. | 0:12:56 | 0:13:01 | |
So I'm keeping an eye out for something like that. | 0:13:01 | 0:13:04 | |
So far I'm out of luck. | 0:13:04 | 0:13:06 | |
Come on, Mark, that's part of the challenge. | 0:13:06 | 0:13:09 | |
Chin up and find that feline friend. | 0:13:09 | 0:13:11 | |
-# Searching -Searching, searching | 0:13:12 | 0:13:15 | |
# For so long... # | 0:13:15 | 0:13:17 | |
Looks like Catherine's sleeping on the job. | 0:13:17 | 0:13:20 | |
Eventually Mark sees just the thing. | 0:13:22 | 0:13:25 | |
Oh, he's rather fun, isn't he? It's hardly an antique. | 0:13:25 | 0:13:28 | |
But he's rather cute, with his ball of wool. | 0:13:28 | 0:13:31 | |
He looks quite mischievous. | 0:13:31 | 0:13:33 | |
But a little bit of a look of Catherine Southon about him. | 0:13:33 | 0:13:36 | |
It's called Kitten by John Aynsley in 1975. And it's priced at £22. | 0:13:36 | 0:13:42 | |
I'd need to get that down. Let me see what I can do. | 0:13:42 | 0:13:45 | |
I'd need to get that down quite a lot. Is there any chance? | 0:13:47 | 0:13:51 | |
Yeah. £15 any good? | 0:13:51 | 0:13:52 | |
-Oooh. It's getting better. -You're cheeky like the cat. -I am. | 0:13:52 | 0:13:55 | |
-I don't suppose we can get it down to 12, could we? -Go on. | 0:13:57 | 0:14:01 | |
Are you sure? Listen, thank you so much. So much. | 0:14:01 | 0:14:04 | |
Well I'm rather pleased with that, it's not the sort of thing | 0:14:04 | 0:14:07 | |
I would usually buy, but I do have a potential customer in mind. | 0:14:07 | 0:14:11 | |
And I might be the cat who's got the cream. | 0:14:11 | 0:14:13 | |
Meow! | 0:14:13 | 0:14:15 | |
Mark bags the cat and takes the score to 4-3. | 0:14:15 | 0:14:18 | |
But he's only ahead by a whisker. | 0:14:18 | 0:14:21 | |
And Catherine's retaliation is quick as she spies a solid silver | 0:14:21 | 0:14:25 | |
paperclip dating back to 1897. | 0:14:25 | 0:14:27 | |
Not even sure what those figures are supposed to be. It's quite unusual. | 0:14:29 | 0:14:33 | |
He looks, to me, like he has got a monkey's head. | 0:14:35 | 0:14:38 | |
And then a sort of human's body. | 0:14:38 | 0:14:40 | |
Bit like Mark Stacey, really. | 0:14:40 | 0:14:41 | |
Can I give you 30 for it? | 0:14:41 | 0:14:43 | |
-You're giving me... -Oh, 35 we'll call it. | 0:14:43 | 0:14:47 | |
-Don't know. Give me 38. -38. Thank you very much. Thank you. £38. | 0:14:48 | 0:14:52 | |
It's a silver paperclip. | 0:14:52 | 0:14:54 | |
It's hallmarked on the front and back. | 0:14:54 | 0:14:57 | |
I think I can make myself about £50 profit on this. | 0:14:57 | 0:15:02 | |
Who is laughing now then, Mark? | 0:15:02 | 0:15:04 | |
Well, it certainly isn't Mr Stacey. | 0:15:04 | 0:15:06 | |
He's the picture of steely focus and he spends | 0:15:06 | 0:15:10 | |
£35 on an intriguing piece of glass which isn't just any old jug. | 0:15:10 | 0:15:16 | |
Now I've got something I want to show you here. | 0:15:16 | 0:15:18 | |
"What is it?" you're asking yourself. | 0:15:18 | 0:15:20 | |
I can tell you, it's a jug. | 0:15:20 | 0:15:21 | |
It's got a globular body with a nice simple handle. | 0:15:21 | 0:15:25 | |
Very plain, very ordinary. Not terribly inspiring. | 0:15:25 | 0:15:28 | |
Except when you turn it over. | 0:15:28 | 0:15:31 | |
And you've got a magic name engraved on the bottom - | 0:15:31 | 0:15:34 | |
"Tiffany & Co". | 0:15:34 | 0:15:36 | |
Now it's not very old, it's not an Art Nouveau piece of Tiffany. | 0:15:36 | 0:15:39 | |
But just the fact that it is retailed and made at Tiffany's | 0:15:39 | 0:15:43 | |
makes a huge amount of difference. | 0:15:43 | 0:15:45 | |
I think someone with a nose for quality will love it. | 0:15:45 | 0:15:50 | |
Catherine, I hope you are buying quality. | 0:15:50 | 0:15:53 | |
In fact, Catherine's still at the stall where | 0:15:53 | 0:15:56 | |
she bought the paperclip. | 0:15:56 | 0:15:57 | |
And she's found an inkwell that is ringing out to her. | 0:15:57 | 0:16:01 | |
Oh, that's nice, isn't it, in the form of a bell. | 0:16:02 | 0:16:06 | |
It's hallmarked as well. | 0:16:06 | 0:16:08 | |
-Hasn't got its liner. -They're easy to get. | 0:16:08 | 0:16:12 | |
-What can I get on that? -45. | 0:16:12 | 0:16:15 | |
-45. As I've bought something else from you, I will give you £40. -Go on. | 0:16:15 | 0:16:19 | |
Thank you very much, you are an incredibly lovely, lovely man. | 0:16:19 | 0:16:22 | |
I think it's a nice novelty piece. | 0:16:24 | 0:16:27 | |
It's been gilded inside, so that if the ink spills on the side, | 0:16:27 | 0:16:31 | |
it doesn't stain it. Cos if it was silver, it would stain the silver. | 0:16:31 | 0:16:35 | |
£40 I paid for this. I am now oozing with confidence. | 0:16:35 | 0:16:39 | |
Yes, Catherine is outside oozing while Mark's inside perusing. | 0:16:41 | 0:16:45 | |
And coincidently, he's also looking at inkwells. | 0:16:45 | 0:16:48 | |
Now, isn't this a charming little item? | 0:16:48 | 0:16:50 | |
It looks like a little leather cricket ball. | 0:16:50 | 0:16:52 | |
But if you just gently press the front, it springs open | 0:16:52 | 0:16:56 | |
and it's a travelling inkwell. Lovely coloured brass. | 0:16:56 | 0:17:00 | |
You can see how warm that's got. | 0:17:00 | 0:17:02 | |
The spring, actually, is still very good. | 0:17:02 | 0:17:05 | |
And you've got a very tight top in there. | 0:17:05 | 0:17:08 | |
Which stops the ink, as you are moving along, getting out. | 0:17:08 | 0:17:12 | |
It's probably 1900, 1910. | 0:17:12 | 0:17:16 | |
Considering it is an antique, it's not in bad form. | 0:17:16 | 0:17:19 | |
Can I have a look at the violin as well? These are such unusual items. | 0:17:19 | 0:17:24 | |
I've never seen either of those. So it's the same principle? | 0:17:24 | 0:17:28 | |
Look at that. | 0:17:28 | 0:17:30 | |
A little brush in there, to wipe your pen as well. | 0:17:31 | 0:17:36 | |
I just love that. It's a violin case. | 0:17:36 | 0:17:40 | |
And that's marked up at 120. | 0:17:40 | 0:17:42 | |
-So what is the best on that one? -150. -150. And this one? | 0:17:42 | 0:17:49 | |
90. | 0:17:49 | 0:17:51 | |
And if I took both of them, could we do any better? | 0:17:51 | 0:17:55 | |
-I could take another £10. -So 230? I'll take both of those. | 0:17:55 | 0:18:00 | |
Thank you very much. Catherine, what have I done? | 0:18:00 | 0:18:03 | |
I've bought things that I know nothing about. | 0:18:03 | 0:18:06 | |
But I think they are quality and I just think... | 0:18:06 | 0:18:11 | |
I don't know what I think, really. | 0:18:11 | 0:18:13 | |
Oh, Mark's breaking down. | 0:18:13 | 0:18:15 | |
And Catherine is catching up as she bags a Victorian ivory gavel for £120. | 0:18:15 | 0:18:20 | |
This is ivory but it's pre-1945. | 0:18:20 | 0:18:23 | |
I would say it would probably mid to late 19th century. | 0:18:24 | 0:18:27 | |
And it's just got a lovely pattern. | 0:18:27 | 0:18:30 | |
I know so many auctioneers around the country, | 0:18:30 | 0:18:32 | |
this one is going to be... sold. | 0:18:32 | 0:18:35 | |
She's one heavy hitter. | 0:18:35 | 0:18:38 | |
The clock is now counting down to the end of our trading | 0:18:38 | 0:18:41 | |
and our lady is determined to catch up with her rival, who is still one purchase ahead. | 0:18:41 | 0:18:46 | |
After more intense foraging, | 0:18:47 | 0:18:49 | |
she swoops on an item that really gets her temperature rising. | 0:18:49 | 0:18:53 | |
This is an Edwardian, so we are saying 1900 to 1910, | 0:18:53 | 0:18:59 | |
gentleman's hunt kettle. And why did I buy it? | 0:18:59 | 0:19:03 | |
See that name across there? | 0:19:03 | 0:19:06 | |
Asprey's. So it was retailed by a very good maker in Bond Street. | 0:19:06 | 0:19:11 | |
And it is superb quality. | 0:19:11 | 0:19:13 | |
Now, a hunt kettle, what you would do, | 0:19:13 | 0:19:16 | |
a gentleman would take this along on his hunt. | 0:19:16 | 0:19:19 | |
He'd strap this to his leather belt. | 0:19:19 | 0:19:22 | |
We've got here the burner. | 0:19:22 | 0:19:25 | |
This is where you'd keep your meth, | 0:19:25 | 0:19:26 | |
so you'd pour your meths into here, heat the liquid. | 0:19:26 | 0:19:30 | |
And then inside this lovely little travelling mug here, that is | 0:19:30 | 0:19:34 | |
where you'd heat your water and put your little toddy in there, | 0:19:34 | 0:19:37 | |
so you could have a little quick drink. | 0:19:37 | 0:19:39 | |
Something you would definitely need on your cold winter mornings. | 0:19:39 | 0:19:43 | |
£150 I paid for this. It is absolutely spectacular. | 0:19:43 | 0:19:48 | |
It's in mint condition and if I don't make a profit on that, | 0:19:48 | 0:19:52 | |
then I'm just going to give up. | 0:19:52 | 0:19:54 | |
And with that, both our experts' insatiable | 0:19:54 | 0:19:57 | |
appetites for acquisitions are satisfied. | 0:19:57 | 0:19:59 | |
It's time to find out who's got the winning hand | 0:19:59 | 0:20:02 | |
and who's got the busted flush. | 0:20:02 | 0:20:04 | |
Catherine and Mark both started the day | 0:20:06 | 0:20:08 | |
with £750 of their own money to spend. | 0:20:08 | 0:20:12 | |
Catherine has made seven deals and spent a total of £413.50. | 0:20:12 | 0:20:18 | |
Mark also picked up seven purchases | 0:20:18 | 0:20:21 | |
and forked out fractionally more at £435. | 0:20:21 | 0:20:26 | |
But this game is all about who will make the most profit. | 0:20:27 | 0:20:32 | |
And with our B-movie of buying at an end it's time for our | 0:20:32 | 0:20:35 | |
Hammer horror heroes to haul out into the sunlight | 0:20:35 | 0:20:38 | |
the results of their feeding frenzies. | 0:20:38 | 0:20:41 | |
Well, it feels like it's going to start to rain now after | 0:20:41 | 0:20:43 | |
having a beautiful day. You might need your little hat after all. | 0:20:43 | 0:20:46 | |
-I might need it after all, Catherine. -Good day? | 0:20:46 | 0:20:48 | |
Well, it's been all right | 0:20:48 | 0:20:49 | |
considering I had to wait an hour for you to turn up. | 0:20:49 | 0:20:52 | |
Stop moaning. I was still buying. | 0:20:52 | 0:20:54 | |
Tell me about your horsey. | 0:20:54 | 0:20:56 | |
That is potentially the most interesting. | 0:20:56 | 0:20:58 | |
-It is exquisitely drawn. -Really nicely done. | 0:20:58 | 0:21:01 | |
What's interesting is the name on the back. If it is by this guy. | 0:21:01 | 0:21:04 | |
-Yeah. -1767 to 1849. | 0:21:04 | 0:21:07 | |
I think you could actually do all right with that. | 0:21:07 | 0:21:10 | |
-I think I could. -What did you pay? -70. What about this? -I know. | 0:21:10 | 0:21:14 | |
-Last-minute purchase. Very happy with that. -You like your names, don't you? | 0:21:14 | 0:21:18 | |
-I do. I like a name and I like a leather case. -Yes, I know you do. | 0:21:18 | 0:21:21 | |
-I bought the ivory gavel. -Yes. -A couple of silver pieces as well. | 0:21:21 | 0:21:25 | |
I like your... Is it a paperclip? | 0:21:25 | 0:21:27 | |
Yes, it's London hallmarked front and back. £38. | 0:21:27 | 0:21:30 | |
You're going to more than double that, I'd have thought. | 0:21:30 | 0:21:33 | |
-Very happy. -No, I think you have done extremely well. | 0:21:33 | 0:21:35 | |
-I think we've both done extremely well. -Sorry, Catherine. | 0:21:35 | 0:21:38 | |
You need your bonnet. | 0:21:38 | 0:21:39 | |
I know you have got a sadistic streak buying me this | 0:21:39 | 0:21:42 | |
-but it is actually... -I was being thoughtful. | 0:21:42 | 0:21:45 | |
-It is actually going to come in handy. -Come on. | 0:21:45 | 0:21:47 | |
We've got to sell this stuff now. | 0:21:47 | 0:21:49 | |
The purchasing part is over so now it is time to sell, sell, sell. | 0:21:52 | 0:21:57 | |
Our thrilling pair zoom back to their homesteads | 0:21:57 | 0:22:00 | |
and begin their preparations with a mind to making a killing. | 0:22:00 | 0:22:04 | |
Each will be hoping to accrue the most profound profit | 0:22:04 | 0:22:07 | |
and emerge from this stupendous struggle for ultimate victor. | 0:22:07 | 0:22:11 | |
Down in Kent, Catherine is sifting through her sellables. | 0:22:11 | 0:22:15 | |
We had a brilliant time at Newark and I think both Mark | 0:22:15 | 0:22:19 | |
and I bought some really nice pieces | 0:22:19 | 0:22:21 | |
and I think we got some good bargains as well. | 0:22:21 | 0:22:23 | |
Firstly, the deckchair. | 0:22:23 | 0:22:25 | |
That is probably one of my least favourite items. | 0:22:25 | 0:22:28 | |
I can't resist a little butter mould | 0:22:28 | 0:22:30 | |
and with the swan on it, I think it makes it slightly unusual. | 0:22:30 | 0:22:33 | |
This is one of my favourite pieces and I really couldn't resist it - | 0:22:33 | 0:22:38 | |
the Asprey hunting kettle. | 0:22:38 | 0:22:40 | |
I am hoping to make about £50-100 on it but we shall see. | 0:22:40 | 0:22:45 | |
The two silver items down here I bought from the same gentleman | 0:22:45 | 0:22:49 | |
and he gave me really good deals on those so I should be | 0:22:49 | 0:22:52 | |
home and dry and make myself some tasty profits. | 0:22:52 | 0:22:56 | |
This - 50p for the boot-scraper? I'm going to make at least £30 on it. | 0:22:56 | 0:23:01 | |
Now, the final item was my ivory gavel. | 0:23:01 | 0:23:03 | |
I know so many people that I could sell that to. | 0:23:03 | 0:23:06 | |
Mark Stacey, I could win this one. | 0:23:06 | 0:23:09 | |
So, Catherine's feeling positive | 0:23:09 | 0:23:11 | |
but how is Brighton-based Mark as he assesses his haul? | 0:23:11 | 0:23:14 | |
This is it. It all fits on a small, round table. | 0:23:14 | 0:23:17 | |
It's very impressive, don't you agree? | 0:23:17 | 0:23:19 | |
I am quite pleased with it actually. I think I've already found buyers | 0:23:19 | 0:23:23 | |
for the lovely, little pussycat there and the jug. | 0:23:23 | 0:23:26 | |
Now, I haven't talked to the buyer of the jug that it is stamped | 0:23:26 | 0:23:29 | |
Tiffany's & Co cos I think that is going to impress him even more. | 0:23:29 | 0:23:33 | |
The other items, well, it's not so optimistic at the moment. | 0:23:33 | 0:23:36 | |
I might have found a buyer for the silver toddy ladles, | 0:23:36 | 0:23:39 | |
which I love cos they are fitted in their case. | 0:23:39 | 0:23:41 | |
They have got quite a nice Art Nouveau feature, actually. | 0:23:41 | 0:23:43 | |
Better than I thought originally. | 0:23:43 | 0:23:46 | |
The Arab horse - yes, I found out it's an Arab horse - | 0:23:46 | 0:23:50 | |
I have written to a society about that, | 0:23:50 | 0:23:52 | |
which I am hoping might help me pass the winning post. | 0:23:52 | 0:23:55 | |
The other three items, which I thought would be the first to | 0:23:55 | 0:23:58 | |
sell, the inkwells and the golfing cuff links, nothing yet. | 0:23:58 | 0:24:03 | |
The war is under way but there is plenty of groundwork | 0:24:03 | 0:24:06 | |
needed from each of our two experts if they're to come out on top. | 0:24:06 | 0:24:10 | |
And, remember, no deal will be done until it is sealed with a handshake. | 0:24:10 | 0:24:15 | |
Mark might be pleased with how his selling plans are panning out | 0:24:15 | 0:24:18 | |
but it is Catherine who's first to close in on a potential sale. | 0:24:18 | 0:24:21 | |
I have come to an auction house in Newbury | 0:24:23 | 0:24:25 | |
and I've come to see my friend and auctioneer Thomas Plant. | 0:24:25 | 0:24:29 | |
I have bought him the beautiful ivory gavel | 0:24:29 | 0:24:32 | |
and let's just hope that this item is sold. | 0:24:32 | 0:24:36 | |
Catherine bought the Victorian gavel for £120 | 0:24:36 | 0:24:40 | |
so will it hammer up a profit for her? | 0:24:40 | 0:24:43 | |
-Hello, Thomas. Good to see you. -Catherine. -Have a look at this. | 0:24:43 | 0:24:48 | |
Oh, it's a particularly nice one, isn't it? | 0:24:48 | 0:24:50 | |
It is a nice one, isn't it? | 0:24:50 | 0:24:51 | |
I thought it was going to be not as elegant | 0:24:51 | 0:24:53 | |
but that is actually just about right to put in your pocket. | 0:24:53 | 0:24:56 | |
It is, isn't it? I think that's quite nice. | 0:24:56 | 0:24:58 | |
Then you can sort of unscrew it and then | 0:24:58 | 0:25:01 | |
-when you're conducting an auction... -You just need a little... | 0:25:01 | 0:25:04 | |
-You just need the thing. -There you are, you've got your knocker. | 0:25:04 | 0:25:07 | |
You got the knocker, the hammer, the gavel. | 0:25:07 | 0:25:09 | |
Now, who will start the bidding on this next lot, | 0:25:09 | 0:25:11 | |
a beautiful antique ivory gavel? | 0:25:11 | 0:25:13 | |
How about 150? | 0:25:13 | 0:25:15 | |
150 to the man in the suit. | 0:25:15 | 0:25:17 | |
-Oh, Thomas, that's mean. -I am being tight. | 0:25:17 | 0:25:21 | |
Yes, don't be tight. I'd love 200 for it. | 0:25:21 | 0:25:23 | |
Is that 200 for the lady with the pink scarf? No? | 0:25:23 | 0:25:27 | |
No. No. 200 is too much. I'll meet you halfway. | 0:25:27 | 0:25:33 | |
-And I increase it a little bit. -OK. -Keep it in the odds - 170. | 0:25:33 | 0:25:37 | |
170. We have 170. | 0:25:37 | 0:25:39 | |
Do you want to make it another £10 or not? | 0:25:39 | 0:25:41 | |
-No, I don't want to make it another £10. -Oh, you are mean. | 0:25:41 | 0:25:44 | |
-Go on then, 170. -Really? -No. -175. -Go on. | 0:25:44 | 0:25:47 | |
It's going, going and it's gone | 0:25:47 | 0:25:49 | |
to the Newbury auctioneer for £175, knocking up | 0:25:49 | 0:25:53 | |
a profit for Catherine of £55 and getting the selling started. | 0:25:53 | 0:25:57 | |
-It's a lovely thing. -Sold. | 0:25:57 | 0:25:59 | |
Mark isn't one to be outbid | 0:25:59 | 0:26:00 | |
though, and he is soon down to business as he takes | 0:26:00 | 0:26:03 | |
his classic glass jug to a friend, David, hoping to romance more | 0:26:03 | 0:26:07 | |
than the £35 he paid for it. | 0:26:07 | 0:26:10 | |
-This is the jug. -Oh, wow. | 0:26:10 | 0:26:12 | |
Now, it's very simple and plain, which is what first attracted me. | 0:26:12 | 0:26:15 | |
I thought, with that mark underneath, it does make it... | 0:26:15 | 0:26:19 | |
-It's quite elegant. -It is. | 0:26:19 | 0:26:20 | |
-I just love the curves and everything. -Are you going buy it? | 0:26:20 | 0:26:24 | |
Well, it's very tempting. | 0:26:24 | 0:26:26 | |
What sort of price would make you feel comfortable? | 0:26:26 | 0:26:28 | |
-Originally, I was thinking 40, 45. -Oh, David, no, no. | 0:26:28 | 0:26:32 | |
I'll tell you what, I believe I may make what I consider a sort of | 0:26:32 | 0:26:35 | |
very whimsical offer just to start the ball rolling, shall we say? | 0:26:35 | 0:26:40 | |
Maybe I can come down a little bit. Just say 85. | 0:26:40 | 0:26:45 | |
I could actually come up to 60. | 0:26:45 | 0:26:47 | |
-Could you go up any more, do you think? -I could do 65. | 0:26:47 | 0:26:49 | |
-What about 75? -70. And that's my final offer. -Is it? -Yeah. | 0:26:49 | 0:26:56 | |
-Come on, let's shake on it. Thanks, David. -Thank you. | 0:26:56 | 0:26:59 | |
Mark makes £35 on the jug, doubling his money. | 0:26:59 | 0:27:04 | |
But this is a tale with some way to go | 0:27:04 | 0:27:06 | |
and Mark now has another potential buyer lined up. | 0:27:06 | 0:27:09 | |
This time it is the £12 vintage porcelain cat that is | 0:27:09 | 0:27:12 | |
up for the selling treatment. | 0:27:12 | 0:27:14 | |
I think I have brought this to the right person. | 0:27:14 | 0:27:16 | |
-I mean, looking around us. -I think you have. | 0:27:16 | 0:27:18 | |
I mean, you have got a room full of cat-related collections here, | 0:27:18 | 0:27:22 | |
which is lovely. And you came to the shop and had a look at it. | 0:27:22 | 0:27:26 | |
-I came and had a look. -It is Aynsley porcelain, which is quite good. | 0:27:26 | 0:27:29 | |
It means we've got quality. | 0:27:29 | 0:27:30 | |
And it was obviously designed by John Aynsley, | 0:27:30 | 0:27:33 | |
-one of the Aynsley family, in 1975. -It's bigger than I thought. | 0:27:33 | 0:27:37 | |
I've seen it once and it seemed smaller, so it seems bigger | 0:27:37 | 0:27:39 | |
-and better. -I think I said to you around £35, is that right? | 0:27:39 | 0:27:43 | |
Yes, you did. Yes. I was thinking around £25. | 0:27:43 | 0:27:48 | |
Awful lot of thinking going on here. | 0:27:48 | 0:27:50 | |
-Could we maybe meet in the middle and say 30? -How about 28? | 0:27:50 | 0:27:54 | |
John, I mean, I really... | 0:27:54 | 0:27:55 | |
Do you know? Looking around, this is the right place for it. | 0:27:55 | 0:27:58 | |
So I'm going to agree to £28 because I have still made | 0:27:58 | 0:28:03 | |
-a small profit on it. -As long as you're not spinning me a yarn. | 0:28:03 | 0:28:07 | |
The puss boots up a profit of £16 | 0:28:07 | 0:28:09 | |
and maverick Mark's feeling marvellous. | 0:28:09 | 0:28:12 | |
Well, I think that was the purr-fect sale, don't you? | 0:28:12 | 0:28:16 | |
Because it has gone to a loving new home and I am purring with delight. | 0:28:16 | 0:28:20 | |
Catherine is also hard at it as she closes in on her next target. | 0:28:20 | 0:28:25 | |
She is off to meet school friend Claire, who loves small | 0:28:25 | 0:28:28 | |
decorative items and Miss Southon is hoping the antique silver | 0:28:28 | 0:28:32 | |
paperclip that cost her £38 will be right up her street. | 0:28:32 | 0:28:35 | |
I believe that you do collect the odd little bits and pieces, | 0:28:35 | 0:28:38 | |
-when your husband lets you. -I do, | 0:28:38 | 0:28:40 | |
yes. I've got a few bits around the house, as you can see. | 0:28:40 | 0:28:42 | |
-I might have brought you a little bit of silver. There we are. -Oh, gosh. | 0:28:42 | 0:28:47 | |
-That's very pretty. -It is pretty, isn't it? | 0:28:47 | 0:28:49 | |
-It's fully hallmarked. -Is that fully solid silver? | 0:28:49 | 0:28:52 | |
Absolutely, 100% solid silver. It is 1897 in date. Do you like it, Claire? | 0:28:52 | 0:28:57 | |
I do really like it. It is very pretty. | 0:28:57 | 0:29:00 | |
-It is a really different piece and something nice, you know. -It is. | 0:29:00 | 0:29:03 | |
A nice bit of quality. I like a little bit of quality. | 0:29:03 | 0:29:07 | |
How does 80 sound? | 0:29:07 | 0:29:09 | |
-Oh, there's a big intake of breath going on there. -50? | 0:29:10 | 0:29:13 | |
Oh, that was a big drop, wasn't it? Mind you, she is in finance. | 0:29:13 | 0:29:19 | |
-What about 70? -Go on then, 70. -Oh, really? -Yes, it is pretty and that. | 0:29:19 | 0:29:25 | |
It is pretty and I do like it. | 0:29:25 | 0:29:27 | |
-Are you happy with it at 70? -Yes. -Oh, Claire, thank you very much. | 0:29:27 | 0:29:30 | |
Catherine makes £32 on the paperclip and she is feeling good. | 0:29:30 | 0:29:35 | |
Well, that is another profit. On to the next sale. | 0:29:35 | 0:29:39 | |
But this competition is no walk in the park as Catherine finds out | 0:29:39 | 0:29:42 | |
when the Lewes-based antiques shop owner Steven | 0:29:42 | 0:29:45 | |
passes on the butter stamp. | 0:29:45 | 0:29:47 | |
And although he agrees to buy the deckchair, it is | 0:29:47 | 0:29:50 | |
for a much lower price than she was hoping. | 0:29:50 | 0:29:53 | |
22 quid. Do you want 22 quid for it? | 0:29:53 | 0:29:55 | |
Go on then. I have got to sell it. I've got to sell it. | 0:29:55 | 0:29:58 | |
Catherine walks away with a measly £2 profit | 0:29:58 | 0:30:01 | |
for the child's deckchair. And things get even worse | 0:30:01 | 0:30:05 | |
when she fails to generate enough interest in the butter stamp and | 0:30:05 | 0:30:08 | |
is forced to accept a £13 loss from another Kent-based antiques shop. | 0:30:08 | 0:30:13 | |
While Catherine is licking her wounds, Mark is back on the prowl, | 0:30:14 | 0:30:18 | |
heading to Newhaven to see Paula, who is interested in | 0:30:18 | 0:30:21 | |
buying the turn-of-the-century toddy cups as a present for her husband. | 0:30:21 | 0:30:25 | |
Mark paid £80 for them so will Paula help top up his profit margins? | 0:30:25 | 0:30:29 | |
-They are so pretty. -They do have a loveableness. | 0:30:29 | 0:30:32 | |
-The more I look at them... -What year are they? Have you looked it up? | 0:30:32 | 0:30:34 | |
I think they're about 1908. | 0:30:34 | 0:30:37 | |
The more I look at them, the more they are Art Nouveau to me. | 0:30:37 | 0:30:40 | |
They are, aren't they? | 0:30:40 | 0:30:41 | |
-And they're gilded inside as well. -Beautiful. I really do like those. | 0:30:41 | 0:30:46 | |
Well, of course, originally, I did say around 160, didn't I? | 0:30:46 | 0:30:50 | |
How about 100? | 0:30:50 | 0:30:51 | |
Sorry, Paula, you have got my deaf side. | 0:30:52 | 0:30:55 | |
£100 for a quality set of six pieces like this? | 0:30:55 | 0:30:58 | |
120 would be my absolute best. | 0:30:58 | 0:31:02 | |
-Go on. 120. -Thank you. | 0:31:02 | 0:31:04 | |
-I know he will be very pleased with those. -Yes. | 0:31:04 | 0:31:08 | |
And Mark downs a neat £40 profit for the toddy cups. | 0:31:08 | 0:31:12 | |
With both Catherine and Mark busy peddling their wares, | 0:31:12 | 0:31:15 | |
it's time to find out whose profit margin magic is working | 0:31:15 | 0:31:18 | |
and who is lacking the right ingredients? | 0:31:18 | 0:31:22 | |
Catherine Southon has so far sold four items and made £76. | 0:31:22 | 0:31:27 | |
Mark Stacey has done three deals | 0:31:27 | 0:31:29 | |
but he's sneaking ahead with a profit of £91. | 0:31:29 | 0:31:32 | |
Only a fool would try to predict how this twisting story of buying | 0:31:32 | 0:31:36 | |
and selling is going to end as our daring dealers | 0:31:36 | 0:31:39 | |
continue on their selling sprees. | 0:31:39 | 0:31:42 | |
Next up, Catherine and Mark go head-to-head | 0:31:42 | 0:31:45 | |
in the battle of the inkwells. | 0:31:45 | 0:31:46 | |
Melodious Mark has his violin inkwell, | 0:31:46 | 0:31:49 | |
whereas Catherine is hoping to ring up a profit with the bell inkwell. | 0:31:49 | 0:31:54 | |
Mark cleverly tracks down Buckinghamshire-based violin case | 0:31:54 | 0:31:58 | |
maker Des Timms, hoping to make a good case | 0:31:58 | 0:32:01 | |
for the antique inkwell which cost him £90. | 0:32:01 | 0:32:04 | |
I bought this little travelling inkwell. | 0:32:04 | 0:32:08 | |
-So, what sort of date would that be then? -I think this is on the border. | 0:32:08 | 0:32:11 | |
It is late 19th, early 20th century, so somewhere around 1890, 1900. | 0:32:11 | 0:32:15 | |
What is it actually made of? | 0:32:15 | 0:32:17 | |
Well, the lid is, I presume, a metal which has been made in a mould | 0:32:17 | 0:32:20 | |
and come out and then it has been covered in this sort of letter. | 0:32:20 | 0:32:23 | |
-What do you think of it? -It is very, very strange. I have never seen one. | 0:32:23 | 0:32:28 | |
I said, originally, I wanted around £140. You kindly came back... | 0:32:28 | 0:32:32 | |
Yes, I know, calm down. You came back to me and said, | 0:32:32 | 0:32:35 | |
"I don't know a lot about these things." | 0:32:35 | 0:32:37 | |
I would love to make some kind of profit on it, if I could. | 0:32:37 | 0:32:39 | |
Well, if you can make a tenner on it, I guess you'll be delighted. | 0:32:39 | 0:32:42 | |
Well, I'd be much more delighted if I could make 20 on it. | 0:32:42 | 0:32:45 | |
-It is a powerful amount of money. -It is. -Yes, I think we can do a deal. | 0:32:45 | 0:32:49 | |
Are you sure? Des, are you happy to shake my hand at 110? | 0:32:49 | 0:32:52 | |
I'm happy to shake your hand anyway but 110, that's fine. | 0:32:52 | 0:32:55 | |
-Thank you very much. -Thank you, Des. Thank you. | 0:32:55 | 0:32:57 | |
Yes, Mark makes a profit to the tune of £20 | 0:32:57 | 0:33:01 | |
and now it is Catherine's turn. | 0:33:01 | 0:33:03 | |
She has also used the shape of her 1920s inkwell that | 0:33:03 | 0:33:05 | |
cost £40 to steer her to a possible buyer | 0:33:05 | 0:33:09 | |
and is headed to St Mary's Church in Kemsing | 0:33:09 | 0:33:12 | |
to show campanologist Catherine, | 0:33:12 | 0:33:14 | |
who is representing one of her bell-ringing colleagues | 0:33:14 | 0:33:17 | |
who has shown interest in the solid silver item. | 0:33:17 | 0:33:20 | |
We have here a solid silver inkwell and it is hallmarked | 0:33:20 | 0:33:25 | |
and it is dated to 1920 and it is by a makers called A & J Zimmerman. | 0:33:25 | 0:33:32 | |
Now, I believe your friend is interested in buying this. | 0:33:32 | 0:33:34 | |
-Has he giving you a set amount of money? -Yes. | 0:33:34 | 0:33:37 | |
-He is prepared to pay £75 for it. -£75. Right. | 0:33:37 | 0:33:41 | |
I shall hand it over then. £75. Well, thank you very much indeed. | 0:33:41 | 0:33:47 | |
Lovely to meet you. | 0:33:47 | 0:33:48 | |
Well, that was a very good profit made | 0:33:48 | 0:33:51 | |
and the bells are ringing to the sound of victory. | 0:33:51 | 0:33:54 | |
Yes, the chiming bells toll for Catherine as she makes | 0:33:54 | 0:33:57 | |
a £35 profit on the inkwell but the selling war still wages on. | 0:33:57 | 0:34:03 | |
Mark makes the next move when he takes the golf-themed cuff links | 0:34:03 | 0:34:07 | |
and tiepin that cost him £8 to Brighton mini-golf proprietor Roy. | 0:34:07 | 0:34:12 | |
-I called you out of the blue, didn't I, Roy? -You did indeed. | 0:34:12 | 0:34:15 | |
And said, "I'd love to show you something I've bought." | 0:34:15 | 0:34:17 | |
and I thought they were rather nice. | 0:34:17 | 0:34:19 | |
They're by a firm called Stratton who are normally compact makers | 0:34:19 | 0:34:23 | |
and I thought they were rather fun. Have a little look. | 0:34:23 | 0:34:27 | |
-Yes, they look quite nice, don't they? -Do you like them? | 0:34:27 | 0:34:29 | |
Yes, I do indeed. | 0:34:29 | 0:34:30 | |
If I remember rightly, Roy, on the phone I said I was hoping to | 0:34:30 | 0:34:34 | |
get somewhere ridiculously under-par, around £20-£25 for them. | 0:34:34 | 0:34:39 | |
-What do you think? -Well, I think that is not a bad price. | 0:34:39 | 0:34:43 | |
I think £10 would be better. | 0:34:43 | 0:34:45 | |
THEY LAUGH | 0:34:45 | 0:34:46 | |
What is the vintage, Mark? | 0:34:46 | 0:34:48 | |
Well, I'd say sort of 1960s, '70s. | 0:34:48 | 0:34:50 | |
They could be '50s I suppose, but more likely to be '60s or '70s. | 0:34:50 | 0:34:53 | |
About my age, I suppose. Yeah, that's a good age. | 0:34:53 | 0:34:55 | |
I think £20 would be wonderful. | 0:34:55 | 0:34:57 | |
Oh, so we have knocked a fiver off without me even knowing about it. | 0:34:57 | 0:35:00 | |
-If I get a hole-in-one, it's 25. If not, we will settle on 20. -OK. | 0:35:00 | 0:35:05 | |
I think that is very fair. | 0:35:05 | 0:35:07 | |
-Mark steps up to the tee. -So I'm going to put it down there. | 0:35:07 | 0:35:11 | |
Just stroke it right through, Mark. | 0:35:11 | 0:35:12 | |
He aims and takes a swing but he is wide of the hole. | 0:35:12 | 0:35:15 | |
Might get it on the rebound. | 0:35:15 | 0:35:18 | |
-Oh! -See what I mean? | 0:35:18 | 0:35:20 | |
-You nearly did that, Mark. -It was so close. | 0:35:20 | 0:35:22 | |
That rebound could have done that. | 0:35:22 | 0:35:24 | |
Roy takes the cuff links | 0:35:24 | 0:35:25 | |
and tiepin for £20, meaning Mark swings a £12 profit. | 0:35:25 | 0:35:30 | |
I bet you can't do this, Catherine, can you? | 0:35:30 | 0:35:32 | |
Because I was a drum majorette when I was a child, | 0:35:32 | 0:35:34 | |
believe it or not, many years ago. | 0:35:34 | 0:35:37 | |
So I am quite used to throwing a baton around. | 0:35:37 | 0:35:39 | |
And I'm quite used to making quite half-decent profits. | 0:35:39 | 0:35:43 | |
And, while Mark is twirling with success, | 0:35:43 | 0:35:45 | |
Catherine appears to have gone all Continental. | 0:35:45 | 0:35:48 | |
FRENCH ACCENT: I am 'ere in the beautiful countryside | 0:35:48 | 0:35:51 | |
of Lenham in Kent and I 'ave my lovely boot-scraper | 0:35:51 | 0:35:54 | |
in the form of an escargot. | 0:35:54 | 0:35:56 | |
And I have brought it along to see Ian who has got an escargot farm. | 0:35:56 | 0:36:01 | |
A snail farm to you and me. | 0:36:01 | 0:36:04 | |
The boot scraper can cost Catherine 50 pence | 0:36:04 | 0:36:06 | |
so will she get a snail, sorry, sale from snail farmer Ian Brown? | 0:36:06 | 0:36:12 | |
-Ian, it's lovely to meet you. -Thank you. It's nice to meet you. | 0:36:12 | 0:36:15 | |
But I'm not sure about these. So, what have we got here? | 0:36:15 | 0:36:19 | |
We have got three different boxes. | 0:36:19 | 0:36:21 | |
-Three different stages of development, basically. -Oh, right. | 0:36:21 | 0:36:23 | |
The tray in the middle are the smallest | 0:36:23 | 0:36:25 | |
and these ones will have hatched, say, three or four weeks ago. | 0:36:25 | 0:36:29 | |
SHE SQUEALS | 0:36:29 | 0:36:30 | |
Having separated them out when they've got bigger, | 0:36:30 | 0:36:32 | |
I put them into boxes, which is the intermediate-sized box | 0:36:32 | 0:36:35 | |
and intermediate-sized snails but they must be, what, | 0:36:35 | 0:36:38 | |
-10 times the size of the baby ones? -Yes. | 0:36:38 | 0:36:40 | |
These are some of my breeding snails. These are ones that | 0:36:40 | 0:36:42 | |
have actually gone beyond the size for a restaurant. | 0:36:42 | 0:36:45 | |
Well, it's amazing but I've also got something to sell you. So, hold fire. | 0:36:45 | 0:36:50 | |
What do you think, Ian? The burning question. | 0:36:50 | 0:36:53 | |
Well, I think it's rather a good specimen of a snail. | 0:36:53 | 0:36:55 | |
I'd like in the region of £40. How does that sound? | 0:36:55 | 0:36:59 | |
-That's too much, actually. -Too much. -I was thinking more 20. | 0:36:59 | 0:37:02 | |
Is there no way we could make it 30? | 0:37:02 | 0:37:05 | |
How about if you, being so squeamish, | 0:37:05 | 0:37:08 | |
were to pick up one of these, I will add a fiver to my 20. | 0:37:08 | 0:37:12 | |
25 then if I pick... right. | 0:37:12 | 0:37:14 | |
-If you pick one up. -OK. Just like this? -Yes. | 0:37:14 | 0:37:19 | |
There you are. Well done. | 0:37:19 | 0:37:22 | |
Catherine, it has been a pleasure. | 0:37:22 | 0:37:24 | |
Catherine's shell-shocked but she gets £24.50 profit for the snail - | 0:37:24 | 0:37:29 | |
a fantastic 50 times what she paid for it. | 0:37:29 | 0:37:32 | |
Mark is trailing behind with two items still to sell | 0:37:32 | 0:37:36 | |
and disaster strikes when he stands on his horse picture that | 0:37:36 | 0:37:39 | |
cost him £70 and smashes the glass. | 0:37:39 | 0:37:43 | |
The maverick isn't going to be held back though and he gallops onwards. | 0:37:43 | 0:37:47 | |
In fact, all the way to Brighton racecourse where he is hoping | 0:37:47 | 0:37:50 | |
customer service executive Judy will help him get past the winning post. | 0:37:50 | 0:37:54 | |
-Hello, Judy. -Hello, Mark. | 0:37:54 | 0:37:56 | |
I bought this at an antiques fair | 0:37:56 | 0:37:58 | |
because I just thought it was exquisitely drawn. | 0:37:58 | 0:38:01 | |
There is a suggested artist name on the back but | 0:38:01 | 0:38:03 | |
I've done some research and I don't think it is by him. | 0:38:03 | 0:38:05 | |
It may be a follower of his or simply after his work. | 0:38:05 | 0:38:08 | |
-Would you like to see it? -I would. What does it date from? | 0:38:08 | 0:38:12 | |
-It actually is 19th century. -It's a very fine drawing, isn't it? | 0:38:12 | 0:38:15 | |
But it's a beautiful... | 0:38:15 | 0:38:16 | |
I mean, the eyes and the muscle texture I thought was very good. | 0:38:16 | 0:38:20 | |
I have to say, when I got, it was glazed | 0:38:20 | 0:38:24 | |
but I had a bit of an accident. I stood on it. | 0:38:24 | 0:38:26 | |
It is in its original frame. | 0:38:26 | 0:38:28 | |
There was a little bit of damage there when | 0:38:28 | 0:38:30 | |
I bought it but obviously there's a little bit extra damage there. | 0:38:30 | 0:38:33 | |
It would fit well with Brighton racecourse | 0:38:33 | 0:38:35 | |
cos we have been here since that period. | 0:38:35 | 0:38:38 | |
I'm hoping to get somewhere in the region of £100 for it. | 0:38:38 | 0:38:42 | |
-Move slightly on that or not? -What if we shook hands at 90? | 0:38:42 | 0:38:45 | |
Would that be happy for you? | 0:38:45 | 0:38:46 | |
-That would be fine, I think, yes. -Are you sure? | 0:38:46 | 0:38:49 | |
-I think so, yes. -Thank you very much, Judy. | 0:38:49 | 0:38:52 | |
So, after a flutter on his horse picture, | 0:38:52 | 0:38:55 | |
Mark makes £20 profit and he's jumping for joy. | 0:38:55 | 0:38:58 | |
He has got one item left now. | 0:39:01 | 0:39:03 | |
It is the late-Victorian cricket ball inkwell that cost him £140. | 0:39:03 | 0:39:08 | |
So, can he bat up a good price when he visits | 0:39:08 | 0:39:11 | |
the Cricketers Arms in East Sussex to see landlord Peter? | 0:39:11 | 0:39:14 | |
As you can see, it's a little cricket ball or what | 0:39:14 | 0:39:17 | |
looks like a cricket ball but when you press a little nozzle there, | 0:39:17 | 0:39:20 | |
-it opens up and it's a little travelling inkwell. -How old is it? | 0:39:20 | 0:39:24 | |
I would say it's around about 1900. So, it's late Victorian, Edwardian. | 0:39:24 | 0:39:29 | |
We collect quite a lot of cricketing memorabilia | 0:39:29 | 0:39:33 | |
and I'm quite interested in this. | 0:39:33 | 0:39:35 | |
I was hoping to get around 150 for it. | 0:39:35 | 0:39:38 | |
Well, I think, considering the age | 0:39:38 | 0:39:40 | |
and it's in really good condition, that really is a pretty fair price. | 0:39:40 | 0:39:44 | |
-That's great, Peter. Thank you very much indeed. -Thank you. | 0:39:44 | 0:39:47 | |
Mark makes £10 on the inkwell and he's done. | 0:39:47 | 0:39:52 | |
Well, that's it. All my items are now sold from the antiques fair. | 0:39:52 | 0:39:55 | |
The profit wasn't exactly hitting a six but I wasn't bowled out either. | 0:39:55 | 0:39:59 | |
Catherine has got one final sale to go - | 0:39:59 | 0:40:02 | |
the antique hunting kettle which cost £150. | 0:40:02 | 0:40:06 | |
Every penny counts now as she sets out to make a sale that will | 0:40:06 | 0:40:10 | |
tip the scales in her favour, | 0:40:10 | 0:40:12 | |
taking the kettle to West Horsley gun shop owner John. | 0:40:12 | 0:40:16 | |
Let me just show you this. | 0:40:16 | 0:40:18 | |
So, that's your little burner underneath there. | 0:40:18 | 0:40:21 | |
You lift up this lid and underneath there is some gauze | 0:40:21 | 0:40:24 | |
-and you'd put your meths in there and light your meths. -Yes. | 0:40:24 | 0:40:28 | |
There is little container for the meths. | 0:40:28 | 0:40:32 | |
-Oh, OK. -Take that with you. | 0:40:32 | 0:40:33 | |
-That's clever. -Then you put that on there | 0:40:33 | 0:40:36 | |
and then you'd heat whatever you want to heat, John. | 0:40:36 | 0:40:39 | |
I don't think this has ever really been used. | 0:40:39 | 0:40:42 | |
It's in really beautiful condition. What do you really think about it? | 0:40:42 | 0:40:45 | |
It's a... It would be a fun thing to have. | 0:40:45 | 0:40:48 | |
-Well, it all comes down to price, I'm afraid. You look very worried. -Yes. | 0:40:48 | 0:40:53 | |
-I'm just a poor, old pensioner. -Oh, John, don't. | 0:40:53 | 0:40:58 | |
I'd be looking at about 250 for it. | 0:40:58 | 0:41:03 | |
I was thinking much nearer 100. | 0:41:03 | 0:41:06 | |
-Oh, were you? -How about 125? | 0:41:06 | 0:41:08 | |
Oh, gosh, that gives a loss. | 0:41:08 | 0:41:10 | |
Oh, dear. An early deadlock. | 0:41:10 | 0:41:12 | |
So, will Catherine make a loss or will | 0:41:12 | 0:41:15 | |
she boil up a profit that will give her the edge? | 0:41:15 | 0:41:17 | |
All will soon be revealed. | 0:41:17 | 0:41:20 | |
Catherine and Mark both started with £750 of their own money to spend. | 0:41:20 | 0:41:26 | |
Catherine made seven deals and spent a total of £413.50. | 0:41:26 | 0:41:31 | |
Mark also picked up seven purchases | 0:41:31 | 0:41:34 | |
and paid £435 but all that matters now is who has made the most profit. | 0:41:34 | 0:41:41 | |
All of the money from today's challenge will go to our dealers' | 0:41:41 | 0:41:43 | |
chosen charities so let's find out who is today's | 0:41:43 | 0:41:46 | |
Put Your Money Where Your Mouth Is champion. | 0:41:46 | 0:41:49 | |
Hello, my darling. | 0:41:49 | 0:41:50 | |
-Catherine, how are you, dolly? -How was it? -Oh! -Oh, come on, Mark. | 0:41:50 | 0:41:56 | |
It was, honestly, I just... | 0:41:56 | 0:41:58 | |
I thought I bought some really interesting bits. | 0:41:58 | 0:42:01 | |
You bought some very nice pieces. I loved the cricket ball. | 0:42:01 | 0:42:03 | |
I know, but apart from a reasonable-ish profit | 0:42:03 | 0:42:06 | |
-on the little toddy cups... -Oh, yes, they were nice. | 0:42:06 | 0:42:09 | |
..everything else just made tincey-wincey profits. | 0:42:09 | 0:42:12 | |
Oh, but you did look gorgeous, darling, in your little rain cap. | 0:42:12 | 0:42:15 | |
Catherine, don't mention that rain cap. | 0:42:15 | 0:42:17 | |
It's costing me a fortune in psychotherapy. How about you anyway? | 0:42:17 | 0:42:20 | |
How did you do? I'd better ask. | 0:42:20 | 0:42:23 | |
I thought I actually got some nice pieces too but mine were all | 0:42:23 | 0:42:25 | |
-kind of mediocre profits. Nothing... -In your face. -Punchy. -Yes. | 0:42:25 | 0:42:30 | |
Shall we actually count anyway? | 0:42:30 | 0:42:32 | |
One, two, three. | 0:42:32 | 0:42:35 | |
Oh. You see, I thought you were going to trounce me on that. | 0:42:37 | 0:42:41 | |
You see, you do moan but it was absolutely fine, wasn't it? | 0:42:41 | 0:42:44 | |
-Who is going to pay for the drinks? -I don't know about this one. | 0:42:44 | 0:42:47 | |
Shall we go Dutch? | 0:42:47 | 0:42:48 | |
Well, Catherine is today's winner and why? | 0:42:48 | 0:42:51 | |
Because although she was trailing behind until the very end, | 0:42:51 | 0:42:54 | |
she sold the hunting flask for a profit of £30 and took the lead. | 0:42:54 | 0:42:59 | |
-180. -Are you sure about that? -OK. Yeah. | 0:42:59 | 0:43:02 | |
Thank you very much indeed, John. | 0:43:02 | 0:43:04 | |
I love antiques fairs. | 0:43:04 | 0:43:05 | |
I spend a lot of my time there and I thought I bought some really | 0:43:05 | 0:43:09 | |
nice items but they just didn't transfer into enough profit. | 0:43:09 | 0:43:14 | |
Never mind, Mark. Better luck next time. | 0:43:14 | 0:43:17 | |
Tomorrow, Mark has a chance to avenge his loss when our | 0:43:17 | 0:43:20 | |
competing experts fly off to foreign soil in search of treasure, | 0:43:20 | 0:43:25 | |
scouring the antique markets of Belgium in hope of victory. | 0:43:25 | 0:43:28 | |
Subtitles by Red Bee Media Ltd | 0:43:31 | 0:43:34 |