Browse content similar to Catherine Southon v Mark Stacey - Auction. Check below for episodes and series from the same categories and more!
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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best- loved antiques experts against | 0:00:04 | 0:00:08 | |
each other in an all-out battle for profit. | 0:00:08 | 0:00:11 | |
-Wahey! -And gives you the insider's view of the trade. | 0:00:11 | 0:00:16 | |
I'm on the case. | 0:00:16 | 0:00:17 | |
Wahey! | 0:00:17 | 0:00:19 | |
Each week, one pair of duelling dealers will face a different | 0:00:19 | 0:00:22 | |
daily challenge. | 0:00:22 | 0:00:24 | |
I'm a cheeky chancer! Lah-vely! | 0:00:24 | 0:00:27 | |
Putting their reputations on the line and giving you top tips | 0:00:27 | 0:00:30 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:30 | 0:00:35 | |
Let's go and spend some money. | 0:00:35 | 0:00:38 | |
Get in there! | 0:00:38 | 0:00:40 | |
Today, it's the wonderful wizard of antiques Mark Stacey | 0:00:40 | 0:00:44 | |
and the fairest dealer of them all, Catherine Southon. | 0:00:44 | 0:00:48 | |
-Coming up, Catherine's shocked by Mark's spending. -I've got it! | 0:00:48 | 0:00:52 | |
That's SO much money! | 0:00:52 | 0:00:54 | |
Mark learns an important lesson. | 0:00:54 | 0:00:56 | |
Don't bid if you haven't looked at something. These wretched feet... | 0:00:56 | 0:01:00 | |
-Aren't they shocking? -And Catherine takes a wild ride to make a sale. | 0:01:00 | 0:01:05 | |
This is Put Your Money Where Your Mouth Is. | 0:01:05 | 0:01:09 | |
Once upon a time, in a magical faraway land, | 0:01:21 | 0:01:24 | |
lived a fearless hero and a fair maiden. | 0:01:24 | 0:01:28 | |
One day, they set off to overcome untold obstacles | 0:01:28 | 0:01:31 | |
in an ultimate quest to buy and sell antiques for profit. | 0:01:31 | 0:01:36 | |
From the fairy kingdom of Brighton, East Sussex, | 0:01:36 | 0:01:39 | |
our very own Oberon, "Maverick" Mark Stacey. | 0:01:39 | 0:01:43 | |
I'm so angry I could crush a grape! | 0:01:43 | 0:01:45 | |
And playing Titania to Mark's Oberon, the enchanting beauty | 0:01:45 | 0:01:49 | |
who you won't find sleeping on the job, "Cunning" Catherine Southon. | 0:01:49 | 0:01:53 | |
See, Mark? A bargain! | 0:01:53 | 0:01:55 | |
Today, they've arrived at Stacey's auctioneers in Essex to see | 0:01:55 | 0:01:59 | |
who can magic up the best buys | 0:01:59 | 0:02:01 | |
and who will stride off with the golden goose of great profit. | 0:02:01 | 0:02:05 | |
Put the hammer down. | 0:02:05 | 0:02:07 | |
They've each got £1,000 of their own money to spend | 0:02:07 | 0:02:10 | |
and all the profits go to their chosen charities. | 0:02:10 | 0:02:14 | |
Mark Stacey and Catherine Southon, | 0:02:14 | 0:02:16 | |
it's time to put your money where your mouth is. | 0:02:16 | 0:02:19 | |
This means war! | 0:02:19 | 0:02:21 | |
Stacey's Auction? This all sounds a bit dodgy to me. | 0:02:23 | 0:02:29 | |
-A bit fishy? -A bit of a fix, isn't it? -It's not really cos I've never been here before. | 0:02:29 | 0:02:34 | |
But it is spooky cos his Christian name is Mark as well. | 0:02:34 | 0:02:37 | |
I can assure you, I'm thrilled to be here. It's a lovely-looking sale. | 0:02:37 | 0:02:41 | |
-Just be very careful cos I've got a few tricks up my sleeve. -Have you? | 0:02:41 | 0:02:45 | |
-Oh, yes. -Well, I've got £1,000 to spend, as have you. -As have I. | 0:02:45 | 0:02:49 | |
-£1,000. -And I'm going to spend it! | 0:02:49 | 0:02:51 | |
I'm going to really spend it! | 0:02:51 | 0:02:54 | |
Hang on. I just want to say that for the record, | 0:02:54 | 0:02:56 | |
that'll be a first! Catherine spend money?! You know what she's like! | 0:02:56 | 0:03:00 | |
I will spend it! I will spend it and I'm going to enjoy myself. | 0:03:00 | 0:03:03 | |
-So...good luck, my friend. -And you. -You will need it! | 0:03:03 | 0:03:07 | |
Happy hunting! | 0:03:07 | 0:03:09 | |
Straight away, Mark's rattling Catherine's cage. | 0:03:09 | 0:03:13 | |
It looks like this bidding war is going to be no fairytale. | 0:03:13 | 0:03:16 | |
So how is Catherine feeling about the coming war? | 0:03:16 | 0:03:20 | |
I think it is going to be a battle. It's going to be hard. | 0:03:20 | 0:03:23 | |
So Catherine's already feeling the pressure, | 0:03:23 | 0:03:26 | |
but what has Mark got planned? | 0:03:26 | 0:03:29 | |
I bet you're just dying to know what the trick is up my sleeve. | 0:03:29 | 0:03:34 | |
Well, so am I! So if you find it, let me know | 0:03:34 | 0:03:36 | |
cos I haven't got a clue what I'm doing here. | 0:03:36 | 0:03:40 | |
Oh, so the only tricks Mark's got up his sleeve are the ones he's | 0:03:40 | 0:03:44 | |
playing on Catherine. | 0:03:44 | 0:03:47 | |
So before we raise the curtain for act one of this audacious | 0:03:47 | 0:03:51 | |
tale of auctioneering, our fortune hunting hero | 0:03:51 | 0:03:54 | |
and heroine have the chance to browse some potential purchases | 0:03:54 | 0:03:58 | |
and Catherine spies a doll's house she finds curiouser and curiouser. | 0:03:58 | 0:04:04 | |
What I like about this is that it's quite early, | 0:04:05 | 0:04:08 | |
it's about 1900 in date. | 0:04:08 | 0:04:11 | |
And they've catalogued it as German. | 0:04:11 | 0:04:13 | |
Isn't that a lovely little door with the knocker? | 0:04:13 | 0:04:16 | |
I'm sure that can be sort of fixed quite easily. | 0:04:16 | 0:04:20 | |
A bit of the chimney's been lobbed off, a bit of a problem. | 0:04:20 | 0:04:23 | |
But the windows are intact, the glass windows are not broken. | 0:04:23 | 0:04:27 | |
And I actually think that is a charming little house, | 0:04:27 | 0:04:31 | |
so I'm going to note that one down. | 0:04:31 | 0:04:33 | |
Yes, Catherine is in her element at the collectors' sale, | 0:04:34 | 0:04:37 | |
so it's a surprise to find her feeling grumpy. | 0:04:37 | 0:04:41 | |
Aren't these fabulous? Mark Stacey - Grumpy. | 0:04:43 | 0:04:48 | |
And I'm not quite sure who that dwarf is, | 0:04:48 | 0:04:51 | |
but two dwarfs from Snow White and the Seven Dwarfs. | 0:04:51 | 0:04:54 | |
We've got 1950s Chad Valley dwarfs. | 0:04:54 | 0:04:59 | |
Ideally, I'd like a set of them...and these are a little | 0:04:59 | 0:05:03 | |
bit grubby. I don't really want to spend any more than £20-30, | 0:05:03 | 0:05:06 | |
but I've got to have them. I'm going to have a bit of fun with these. | 0:05:06 | 0:05:11 | |
They're mine. | 0:05:11 | 0:05:12 | |
So Mark may well be grumpy. | 0:05:14 | 0:05:16 | |
It looks like he needs a fairy godmother to guide him in the right direction. | 0:05:16 | 0:05:21 | |
And while he struggles to find anything of interest, | 0:05:21 | 0:05:24 | |
Catherine has found an antique handbag that she likes the look of. | 0:05:24 | 0:05:28 | |
Now, this is absolutely fantastic. | 0:05:28 | 0:05:33 | |
We've got a vintage lady's handbag in the shape of a beehive, | 0:05:33 | 0:05:39 | |
so we've got that sort of stepped design. It's very Art Deco in style. | 0:05:39 | 0:05:45 | |
It's all plastic. And the lid has been carved. | 0:05:45 | 0:05:50 | |
It's just got that brilliant look. | 0:05:50 | 0:05:52 | |
And while Catherine's struggling to find something that she | 0:05:52 | 0:05:55 | |
doesn't love, at last Mark's found something that he does like, | 0:05:55 | 0:05:59 | |
a clock that he thinks is an absolute hoot. | 0:05:59 | 0:06:03 | |
I've fallen in love with this clock. It's very cheaply made. | 0:06:03 | 0:06:06 | |
It's Japanese. Probably 1950s, I would think. | 0:06:06 | 0:06:10 | |
It's an owl and it's called the Wink Clock. | 0:06:10 | 0:06:13 | |
It's one of those ones, it's a bit like a cuckoo clock, | 0:06:13 | 0:06:16 | |
but the cuckoo doesn't come out. As you move that, look at the eyes. | 0:06:16 | 0:06:21 | |
Look in the eyes, look in the eyes! | 0:06:21 | 0:06:23 | |
These are quite unusual things because they were made in large | 0:06:23 | 0:06:27 | |
quantities but when they got broke, they were thrown out. | 0:06:27 | 0:06:30 | |
So this is quite a rare survivor. | 0:06:30 | 0:06:33 | |
What a wise old expert I am! | 0:06:33 | 0:06:36 | |
Hmm. And not to mention modest, Mark. | 0:06:36 | 0:06:40 | |
Browsing over, our Hansel and Gretel of antiques skip on down | 0:06:40 | 0:06:44 | |
to prepare for the epic bidding battle that's ahead of them. | 0:06:44 | 0:06:48 | |
And it's Mark who's first to strike, as he bids for an early | 0:06:48 | 0:06:52 | |
19th century child's rocking chair with an estimated cost of £40-60. | 0:06:52 | 0:06:58 | |
£30 bid. 30, I have. At £30 now. | 0:06:58 | 0:07:01 | |
For auction pro Mark, | 0:07:01 | 0:07:03 | |
it's all about the eyebrows to keep his bidding under wraps. | 0:07:03 | 0:07:07 | |
At 38, are we all done? I shall sell now then. At £38. | 0:07:07 | 0:07:12 | |
Yours, sir. | 0:07:12 | 0:07:14 | |
He wins the bidding but there is a possible problem. | 0:07:14 | 0:07:17 | |
I haven't seen that lot at all. | 0:07:17 | 0:07:19 | |
But it looked quite interesting on the actual screen. | 0:07:21 | 0:07:25 | |
The rocking chair rocks up at £45.60 after auction house fees, | 0:07:25 | 0:07:30 | |
but does it live up to close scrutiny? | 0:07:30 | 0:07:33 | |
Now, take this as a solitary lesson, OK? | 0:07:33 | 0:07:36 | |
Don't bid if you haven't looked at something. | 0:07:36 | 0:07:40 | |
Because on the screen, | 0:07:40 | 0:07:42 | |
that's all I saw was a lovely 19th century child's rocking chair. | 0:07:42 | 0:07:47 | |
And now I've looked at it, these wretched feet are brand new. | 0:07:47 | 0:07:53 | |
Aren't they shocking? It's obviously broken and somebody's taken... | 0:07:53 | 0:07:57 | |
I don't know what they've taken... and made it on. | 0:07:57 | 0:07:59 | |
So it's ruined it really. | 0:07:59 | 0:08:01 | |
This back is quite nice. But there's nothing you can do about those legs. | 0:08:01 | 0:08:05 | |
I don't think I'm going to rock myself to sleep tonight on a profit. | 0:08:05 | 0:08:10 | |
What a shocker! | 0:08:10 | 0:08:11 | |
Thankfully, he has a chance to redeem himself | 0:08:11 | 0:08:14 | |
because the 1950s owl clock is up next. | 0:08:14 | 0:08:18 | |
This is the one, actually, that I really want. | 0:08:18 | 0:08:21 | |
I want this clock. | 0:08:21 | 0:08:23 | |
24, 26, 28 and 30. | 0:08:23 | 0:08:26 | |
-32, 35... -It's so tacky. So Mark! | 0:08:26 | 0:08:30 | |
£40. 42. | 0:08:30 | 0:08:32 | |
There go the eyebrows again. | 0:08:32 | 0:08:34 | |
48 and 50. 55. 60. | 0:08:34 | 0:08:38 | |
-At £60 now. -It's so expensive! -At £60. | 0:08:38 | 0:08:42 | |
SHE GASPS | 0:08:42 | 0:08:45 | |
I got it! | 0:08:45 | 0:08:46 | |
-Mark! -Catherine. | 0:08:46 | 0:08:49 | |
That is SO much money! | 0:08:49 | 0:08:52 | |
He flies away with the owl clock for £72, including commission. | 0:08:52 | 0:08:56 | |
But Catherine is not impressed. | 0:08:56 | 0:08:59 | |
If he wants to pay £60 for a winking eye, who am I to stop him? | 0:08:59 | 0:09:04 | |
At least I'm buying! | 0:09:04 | 0:09:07 | |
Determined to close the gap on Mark's two-nil lead, Catherine tries | 0:09:07 | 0:09:11 | |
her luck with a late 19th century trunk with a guide price of £80-120. | 0:09:11 | 0:09:15 | |
-105, if you like. -Go on, then. | 0:09:17 | 0:09:20 | |
It's a lot of money. | 0:09:20 | 0:09:22 | |
No. | 0:09:22 | 0:09:23 | |
She's not brave enough. It's a lovely bid. | 0:09:23 | 0:09:27 | |
Go on, then. | 0:09:27 | 0:09:29 | |
Oh, she's back in. | 0:09:29 | 0:09:30 | |
-120, I have got. -No. | 0:09:30 | 0:09:32 | |
She won't even bid an extra fiver. | 0:09:32 | 0:09:35 | |
What is she doing?! | 0:09:35 | 0:09:37 | |
We're supposed to be buying things here. | 0:09:37 | 0:09:39 | |
Yes, Catherine may be being cautious with her money, but Mark continues | 0:09:39 | 0:09:43 | |
full pelt on his buying streak, taking a punt on a pair of pastels. | 0:09:43 | 0:09:48 | |
They're quite attractive. They're late Victorian. They're signed and dated. | 0:09:48 | 0:09:52 | |
I suspect the auctioneer thinks they're going to make £50-60. | 0:09:52 | 0:09:55 | |
I'd be very happy to pay that for it and maybe a little bit more. | 0:09:55 | 0:09:59 | |
22, 25 now. At 28, I am out. | 0:09:59 | 0:10:01 | |
-Here. -On my right. 32, sir. | 0:10:01 | 0:10:04 | |
35. 38. 40. | 0:10:04 | 0:10:08 | |
42, 45, 48. | 0:10:08 | 0:10:10 | |
He's not giving up. | 0:10:10 | 0:10:12 | |
55. £60. Are we all done then? | 0:10:12 | 0:10:15 | |
-Put the hammer down. -At £60. -Ooh, lovely. | 0:10:15 | 0:10:19 | |
I'm really pleased with those. Now that was a really late decision. | 0:10:19 | 0:10:24 | |
And Mark's late decision puts him into a three-nil lead, | 0:10:24 | 0:10:27 | |
as he pays £72 for the Victorian pastels. | 0:10:27 | 0:10:31 | |
But is he the picture of happiness when he sees them up close? | 0:10:31 | 0:10:35 | |
I think these are absolutely charming. | 0:10:35 | 0:10:37 | |
Pastels are the sort of poor man's watercolour | 0:10:37 | 0:10:41 | |
and oil because they're not as commercial as oils or | 0:10:41 | 0:10:44 | |
watercolours, but I just think these are beautifully painted. | 0:10:44 | 0:10:48 | |
They're so sympathetic. | 0:10:48 | 0:10:50 | |
It is signed here, but I can't say that | 0:10:50 | 0:10:53 | |
I know this artist immediately, but it's signed 1880. | 0:10:53 | 0:10:56 | |
I think that's an absolute steal. Don't you? | 0:10:56 | 0:10:59 | |
Anybody with a Victorian house who wants to create instant | 0:10:59 | 0:11:03 | |
ancestry is going to love these. | 0:11:03 | 0:11:05 | |
I'm absolutely thrilled I managed to secure them. | 0:11:05 | 0:11:09 | |
Yes, Mark is unstoppable and sticking with his Victorian theme... | 0:11:09 | 0:11:14 | |
Are you all done? | 0:11:14 | 0:11:15 | |
..he snaffles a portrait of Queen Victoria herself for £26.40. | 0:11:15 | 0:11:21 | |
Another impromptu purchase of mine, I'm afraid. | 0:11:21 | 0:11:25 | |
A framed print of Queen Victoria | 0:11:25 | 0:11:28 | |
and she's looking there all the way we expect her to look | 0:11:28 | 0:11:32 | |
at the end of her reign. This is 1887-1897. | 0:11:32 | 0:11:35 | |
It's in a nice maple frame, which is typical for the period as well. | 0:11:35 | 0:11:39 | |
It's 100-odd years old. I think I'll find a buyer for this. | 0:11:39 | 0:11:42 | |
I won't make an imperial profit on it, | 0:11:42 | 0:11:45 | |
but let's hope I can make a regal profit on it. | 0:11:45 | 0:11:48 | |
Way ahead of his rival now, Mark is anything but Prince Charming, | 0:11:48 | 0:11:52 | |
as he taunts Miss Southon over his four-nil lead. | 0:11:52 | 0:11:55 | |
Catherine still hasn't bought anything. | 0:11:55 | 0:11:58 | |
Oh! | 0:11:58 | 0:12:00 | |
I mustn't gloat. | 0:12:00 | 0:12:02 | |
But I will! | 0:12:02 | 0:12:04 | |
And they continue to rub each other up the wrong way. | 0:12:04 | 0:12:07 | |
-I thought you were spending all your money today. -Take your time. | 0:12:07 | 0:12:11 | |
-Be lucky if she spends a tenner at this rate. -Don't be stroppy! | 0:12:11 | 0:12:15 | |
It seems that with bidders to the left of them and gavels to | 0:12:15 | 0:12:18 | |
the right, they're both stuck in the middle with each other. | 0:12:18 | 0:12:21 | |
-Go on, Catherine. -Shut up. -You said you were going to spend a lot today. | 0:12:21 | 0:12:25 | |
-Leave me alone! -Have a go! -He's winding me up now. | 0:12:25 | 0:12:29 | |
Catherine's got to make a move and this could be a chance | 0:12:29 | 0:12:32 | |
when she decides to bit on a 20th century oil painting with | 0:12:32 | 0:12:35 | |
an estimate of £100-150. | 0:12:35 | 0:12:38 | |
There's a painting coming up of the Lusitania, | 0:12:38 | 0:12:41 | |
the sister ship of the Mauretania, by a well-known artist, Tordoff. | 0:12:41 | 0:12:46 | |
I'm going to have a good stab at this one. | 0:12:46 | 0:12:50 | |
85 is bid, 90 now. 95. 100, new bidder. | 0:12:50 | 0:12:53 | |
Are you all done? At £100, lady on my right. Selling at £100. | 0:12:53 | 0:12:58 | |
(Yes!) | 0:12:58 | 0:13:01 | |
I am back! | 0:13:01 | 0:13:04 | |
I'm going to beat the Stacey. | 0:13:04 | 0:13:07 | |
Hoorah! Catherine snaps up her very first purchase. | 0:13:07 | 0:13:10 | |
The oil painting cost her £120 after fees. | 0:13:10 | 0:13:14 | |
But when she ventures over to see what she's bought, she gets | 0:13:14 | 0:13:17 | |
a sinking feeling, as she realises she's bid on the wrong painting. | 0:13:17 | 0:13:22 | |
I was looking at the picture of the Mauretania, thinking it was | 0:13:22 | 0:13:27 | |
the Lusitania, cos visually that to me is the more attractive picture. | 0:13:27 | 0:13:32 | |
But I actually bid on that one, | 0:13:32 | 0:13:36 | |
which is the Lusitania. The Lusitania is the more famous ship. | 0:13:36 | 0:13:42 | |
So I think what I'm trying to say is I'm actually quite happy that | 0:13:42 | 0:13:45 | |
I did get that one. | 0:13:45 | 0:13:47 | |
Catherine salvages her chances with the oil painting and brings us | 0:13:47 | 0:13:51 | |
to the end of act one. | 0:13:51 | 0:13:52 | |
So it's time to see who's little red riding high in the sky | 0:13:52 | 0:13:56 | |
and who's cast under a spell of misery. | 0:13:56 | 0:13:59 | |
Catherine and Mark each started the day with £1,000 of their own money. | 0:14:00 | 0:14:05 | |
Catherine has been biding her time, buying just one item for £120 | 0:14:05 | 0:14:10 | |
so far, leaving her £880 in her kitty. | 0:14:10 | 0:14:14 | |
Mark, however, got off to a legendary start, | 0:14:14 | 0:14:19 | |
spending £216 on four items, leaving him with £784 to play with. | 0:14:19 | 0:14:25 | |
Before we find out whether this yellow brick road | 0:14:25 | 0:14:28 | |
is leading to an emerald palace or a ramshackle cottage, | 0:14:28 | 0:14:32 | |
our two leads step off the stage to compare notes. | 0:14:32 | 0:14:35 | |
Catherine, what are you doing? | 0:14:35 | 0:14:38 | |
Ah, I'm just relaxing, Mark. I do feel a bit more relaxed now. | 0:14:38 | 0:14:42 | |
But I can't believe you can say that. | 0:14:42 | 0:14:44 | |
-Why? -All I've seen you do all morning is dither. -I have not! | 0:14:44 | 0:14:47 | |
-I've been busy! -You tried to bid on two lots. | 0:14:47 | 0:14:50 | |
Most of the time, there's just been a squeal of, | 0:14:50 | 0:14:52 | |
"Oh, my God! There's people interested. I can't bid." | 0:14:52 | 0:14:54 | |
But it's fine because I'm feeling a bit more confident now. | 0:14:54 | 0:14:57 | |
The whole of the rest of the day is just going to be perfect. | 0:14:57 | 0:15:00 | |
I'm pleased to hear that. But I think we ought to get back on with it. | 0:15:00 | 0:15:03 | |
We've still got a long way to go. | 0:15:03 | 0:15:05 | |
-OK, all right. -Well done, though. -OK, thanks. | 0:15:05 | 0:15:08 | |
Go on. | 0:15:08 | 0:15:10 | |
Yes, it's time for our two auctioning adventurers | 0:15:10 | 0:15:13 | |
to tread back inside and continue with their story of wondrous | 0:15:13 | 0:15:17 | |
antiques wizardry as the bidding begins. | 0:15:17 | 0:15:20 | |
I shall sell now then. | 0:15:22 | 0:15:24 | |
Cunning Catherine's really got to get going now. | 0:15:24 | 0:15:27 | |
And she does when she wins an Edwardian backgammon set | 0:15:27 | 0:15:31 | |
costing £12 after commission. | 0:15:31 | 0:15:32 | |
I don't even know how you play backgammon. | 0:15:32 | 0:15:35 | |
Catherine, it's a game of strategy with a little bit of luck | 0:15:35 | 0:15:38 | |
thrown in, a bit like this one. | 0:15:38 | 0:15:42 | |
Nice little bit of inlay on the top. Boxwood and ebony stringing. | 0:15:42 | 0:15:47 | |
Open it up... | 0:15:47 | 0:15:49 | |
A little bit worn inside but nonetheless, it's all there. | 0:15:49 | 0:15:53 | |
Lovely leather beakers and there's two of these. | 0:15:53 | 0:15:57 | |
Absolutely lovely. | 0:15:57 | 0:15:59 | |
The backgammon board brings the score to two-four. | 0:15:59 | 0:16:02 | |
Cunning Catherine is catching up and next up, | 0:16:02 | 0:16:04 | |
it's the doll's house she saw earlier that she so badly wants. | 0:16:04 | 0:16:09 | |
£10. At 10. Are we all done now? I'm going to sell. | 0:16:09 | 0:16:13 | |
See, Mark? A bargain! | 0:16:13 | 0:16:15 | |
Yes, there's no need for a second mortgage to buy | 0:16:15 | 0:16:18 | |
the turn of the century doll's house, as it costs her £12. | 0:16:18 | 0:16:21 | |
Now, with this battle so close, you'd think Cinders | 0:16:21 | 0:16:24 | |
and Buttons would give up this constant jibing, but... | 0:16:24 | 0:16:27 | |
oh, no, they won't! | 0:16:27 | 0:16:29 | |
She's getting desperate. | 0:16:29 | 0:16:31 | |
And I can see that buying things for £10 is really going to spend | 0:16:31 | 0:16:34 | |
that budget of £1,000(!) | 0:16:34 | 0:16:35 | |
I wish he'd just leave me alone. | 0:16:35 | 0:16:37 | |
He does moan, doesn't he? He doesn't stop. | 0:16:37 | 0:16:41 | |
You don't have to work with him. I do! | 0:16:41 | 0:16:44 | |
Oof! I'm so angry I could crush a grape! | 0:16:44 | 0:16:47 | |
Things are really hotting up on the auction floor | 0:16:47 | 0:16:50 | |
and the way these two are getting on each other's nerves, this | 0:16:50 | 0:16:53 | |
midsummer night's dream looks set to turn into an out and out nightmare. | 0:16:53 | 0:16:57 | |
We're going to be digging at each other all day long. | 0:16:57 | 0:17:01 | |
I hate it! I love it really. | 0:17:01 | 0:17:03 | |
It is getting personal. | 0:17:03 | 0:17:05 | |
This means war! | 0:17:05 | 0:17:07 | |
Can Catherine draw even by tossing the 1950s dwarfs into her | 0:17:07 | 0:17:12 | |
pile of collectibles? They're estimated at £30-50. | 0:17:12 | 0:17:17 | |
£20 bid for this lot. £20, 22. | 0:17:17 | 0:17:20 | |
25, 28. | 0:17:20 | 0:17:23 | |
£30. At £30 now, late bit at £30. Any advance on 30? | 0:17:23 | 0:17:28 | |
-£30, thank you. -I know there's only two, but they're good characters, | 0:17:28 | 0:17:33 | |
they're in very good condition. | 0:17:33 | 0:17:35 | |
So Catherine takes two of the seven dwarfs hi-home for £36, | 0:17:35 | 0:17:39 | |
including costs. | 0:17:39 | 0:17:40 | |
-Have you got the other five? -No. | 0:17:40 | 0:17:43 | |
Oh, they're still at it! | 0:17:43 | 0:17:45 | |
I'm selling one to you cos it's Grumpy! | 0:17:45 | 0:17:47 | |
Ha-ha-ha... | 0:17:47 | 0:17:50 | |
Hmm, it's four-all and Mark starts huffing and puffing | 0:17:50 | 0:17:53 | |
and hoping to blow the price down of a railway track fixture, | 0:17:53 | 0:17:56 | |
estimated at £50-80. | 0:17:56 | 0:17:58 | |
-At £40. -£40! -It's here with me at 40. | 0:18:00 | 0:18:02 | |
Any advance on 40? 42, 45. | 0:18:02 | 0:18:05 | |
At £45 now. 45, last chance then. At 45, 48, I have against you, sir. | 0:18:05 | 0:18:10 | |
-Selling, 48... 50 is now bid. At £50 now. -Why am I buying this? | 0:18:10 | 0:18:15 | |
Railway item for £50. | 0:18:15 | 0:18:18 | |
Put the hammer down, for God's sake! | 0:18:18 | 0:18:20 | |
Thank you. | 0:18:20 | 0:18:21 | |
He pays £60, including costs. | 0:18:23 | 0:18:25 | |
But will it transport into victory or end up | 0:18:25 | 0:18:28 | |
as a dead weight around his neck? | 0:18:28 | 0:18:31 | |
I'm not chuffed with this lot. | 0:18:31 | 0:18:34 | |
Because... Well, it's just a cast iron railway sleeper. | 0:18:34 | 0:18:37 | |
I presume the plank of wood would have gone in there. | 0:18:37 | 0:18:40 | |
But we do have GWR, Great Western Railways. And it does say 1909 here. | 0:18:40 | 0:18:46 | |
So it's Edwardian and it does weight a tonne. | 0:18:46 | 0:18:49 | |
I don't think anybody's copied this. I suppose it's just great fun. | 0:18:49 | 0:18:53 | |
It'd make a great doorstop. | 0:18:53 | 0:18:55 | |
So as the auction approaches its end, the pressure has pushed | 0:18:56 | 0:18:59 | |
Mark into purchasing something that he isn't 100% sure of. | 0:18:59 | 0:19:03 | |
But he's not one to tread water | 0:19:03 | 0:19:05 | |
when he spots a lot featuring a pair of buoys estimated at £30-50. | 0:19:05 | 0:19:10 | |
He's frustrated however when a phone bidder pushes the price up and up. | 0:19:10 | 0:19:16 | |
Bid against you, sir. | 0:19:16 | 0:19:18 | |
75 now. 75 is bid. | 0:19:18 | 0:19:20 | |
One more? £80 is bid. | 0:19:21 | 0:19:24 | |
-It's a no. -And up it goes! | 0:19:25 | 0:19:28 | |
-One more, sir. Don't lose it for a fiver. At £85. -I don't care. | 0:19:28 | 0:19:33 | |
I don't care. | 0:19:33 | 0:19:35 | |
Knockout bid. Are you all done? Selling for £85. | 0:19:35 | 0:19:39 | |
The vintage life buoys and helmet cost a disgruntled Mark £102, | 0:19:39 | 0:19:43 | |
including fees, but coast-based Mark doesn't look too | 0:19:43 | 0:19:47 | |
buoyant about his latest purchases. | 0:19:47 | 0:19:49 | |
What have I done? I really don't know. | 0:19:49 | 0:19:52 | |
These attracted me cos I thought they'd be great fun. | 0:19:52 | 0:19:55 | |
In Brighton, if I can't find someone who wants an old fireman's | 0:19:55 | 0:19:58 | |
helmet, I don't know where I can find a buyer for it. | 0:19:58 | 0:20:02 | |
And a pair of buoys? Well, it was made for me in Brighton, wasn't it? | 0:20:02 | 0:20:07 | |
Will I be sailing in profit or will I need these to save me from drowning? | 0:20:07 | 0:20:11 | |
Our fabulous fable is drawing to a close, | 0:20:11 | 0:20:14 | |
but Catherine, refusing to be outdone by her rival, | 0:20:14 | 0:20:17 | |
is determined to get her mitts on the 1950s handbag, estimated at £30 to £50. | 0:20:17 | 0:20:22 | |
I'll start the bidding in the book at £40. | 0:20:22 | 0:20:25 | |
The bid's at £40. 42, 45. | 0:20:25 | 0:20:28 | |
48, coming in now, sir. 50, new bidder. | 0:20:28 | 0:20:31 | |
52, 55, 58. | 0:20:31 | 0:20:35 | |
Against you. sir. At £58, it's the lady's bid then at £58. | 0:20:35 | 0:20:38 | |
And selling at 58. | 0:20:38 | 0:20:41 | |
£58 going to 5834. | 0:20:41 | 0:20:43 | |
And she's done it. | 0:20:43 | 0:20:45 | |
Catherine bags the bag for £69.60 in total | 0:20:45 | 0:20:48 | |
and brings the day's buying action to a close. | 0:20:48 | 0:20:51 | |
That's me done. | 0:20:51 | 0:20:53 | |
With Act Two at an end, let's find out who's climbing the magic | 0:20:55 | 0:20:58 | |
beanstalk and who's on the yellow brick road to nowhere. | 0:20:58 | 0:21:02 | |
Our two heroes set off on their saga with £1,000 of their own money. | 0:21:04 | 0:21:08 | |
Catherine started slowly, | 0:21:08 | 0:21:10 | |
but kicked into gear, buying five lots at a cost of £249.60. | 0:21:10 | 0:21:16 | |
Mark started strong and kept his pecker up, buying six lots for £378. | 0:21:16 | 0:21:21 | |
But the question is, who will be able to summon up enough | 0:21:23 | 0:21:25 | |
selling magic to conjure up the biggest profit? | 0:21:25 | 0:21:28 | |
And, at the end of this epic tale of purchasing, | 0:21:30 | 0:21:32 | |
our intrepid two take time to reveal the treasures they bought. | 0:21:32 | 0:21:35 | |
-Dah-dah! -It was a tough day, wasn't it? -Oh. So, what did you buy? | 0:21:36 | 0:21:40 | |
-Well, I did well, what can I say. This was my first purchase. -Yes. | 0:21:40 | 0:21:44 | |
-Why? -I've been asking myself that. | 0:21:44 | 0:21:47 | |
-I saw the back of it and I thought, actually it looks quite nice. -Yeah. | 0:21:47 | 0:21:51 | |
I couldn't quite imagine that these hideous sort of rockers were | 0:21:51 | 0:21:54 | |
-going to be later. -What about the handbag? -I love it. | 0:21:54 | 0:21:57 | |
-It's brilliant, isn't it? -I love it. It's so fantastically of its type. | 0:21:57 | 0:22:03 | |
-I envy you that. -What is that, Mark? | 0:22:03 | 0:22:05 | |
-To me now, that is becoming a work of art. -It's just so dull. | 0:22:05 | 0:22:11 | |
Anyway, moving on swiftly, your owl. | 0:22:11 | 0:22:13 | |
It's very poor quality. | 0:22:13 | 0:22:16 | |
-But... -But, it's a bit of fun. | 0:22:16 | 0:22:17 | |
These automaton-type clocks can be very, very popular. | 0:22:17 | 0:22:22 | |
-I think that was a very wise buy. -Mmm, a wise old owl. | 0:22:22 | 0:22:26 | |
-It's been great fun, hasn't it, come on? -It has. | 0:22:26 | 0:22:28 | |
-Really, really been good fun. It has been a giggle. -And, Catherine... | 0:22:28 | 0:22:33 | |
I can't wait till we do it again. | 0:22:33 | 0:22:35 | |
Good luck! | 0:22:35 | 0:22:37 | |
So the buying part of this antiques adventure is over | 0:22:41 | 0:22:44 | |
but hubble bubble, it looks like trouble as the selling | 0:22:44 | 0:22:47 | |
is set to begin. | 0:22:47 | 0:22:49 | |
The barrage of bidding was nothing compared to | 0:22:49 | 0:22:52 | |
the salesmanship about to be displayed by Catherine and Mark. | 0:22:52 | 0:22:56 | |
Back in the magical realm of Brighton, | 0:22:59 | 0:23:01 | |
Mark is assessing his acquisitions. | 0:23:01 | 0:23:03 | |
Well, the auction was much more enjoyable than I thought it was going to be | 0:23:05 | 0:23:08 | |
and, I think, I managed to find one or two really interesting items. | 0:23:08 | 0:23:13 | |
I love the pair of portraits | 0:23:13 | 0:23:15 | |
and I really hope I'm going to make a lot of money on those. | 0:23:15 | 0:23:18 | |
They're charming. | 0:23:18 | 0:23:20 | |
The Victoria print was a little bit of a spur-of-the-moment buy | 0:23:20 | 0:23:24 | |
but I think I might have found a buyer further up the coast. | 0:23:24 | 0:23:28 | |
I love this winking clock. I mean, I wanted it as soon as I saw it. | 0:23:28 | 0:23:33 | |
The chair, on the other hand, has got the awful, | 0:23:33 | 0:23:36 | |
modern replacement legs and I hate them. | 0:23:36 | 0:23:39 | |
The other mad thing I bought was this bit of railwayana. | 0:23:39 | 0:23:43 | |
I've got a few ideas of how to sell that and, hopefully, | 0:23:43 | 0:23:47 | |
it will chug me along a profit. | 0:23:47 | 0:23:49 | |
The other items that I'm really pleased we've got, | 0:23:49 | 0:23:51 | |
because I think they're great fun, are these pair of buoys. | 0:23:51 | 0:23:56 | |
That really is my lot. | 0:23:56 | 0:23:57 | |
Catherine, I hope you're happier with yours than I am with mine | 0:23:57 | 0:24:01 | |
but I think I might come out of it with a bigger profit. | 0:24:01 | 0:24:06 | |
Fighting talk from Mark, who's hoping to conjure up a high magic number. | 0:24:06 | 0:24:10 | |
But has Catherine got the right ingredients to create her own potion of victory? | 0:24:10 | 0:24:15 | |
This is the best thing I bought, this backgammon set, £10, | 0:24:15 | 0:24:19 | |
what a bargain. | 0:24:19 | 0:24:20 | |
That is going to make a huge profit. | 0:24:20 | 0:24:24 | |
The beehive, 1950s vintage handbag. | 0:24:24 | 0:24:27 | |
It just oozes style and quality. | 0:24:27 | 0:24:30 | |
My little dwarfs - why did I buy them? | 0:24:31 | 0:24:33 | |
I have absolutely no idea who I'm going to sell them to. | 0:24:33 | 0:24:38 | |
The dolls' house... | 0:24:38 | 0:24:40 | |
Quite frankly, it is a little bit knackered | 0:24:40 | 0:24:42 | |
but I'm going to take it to a restorer. | 0:24:42 | 0:24:45 | |
I'm going to get it tarted up a little bit. | 0:24:45 | 0:24:48 | |
There's got to be 40, 50 quid profit there. | 0:24:48 | 0:24:52 | |
The big problem is my painting. | 0:24:52 | 0:24:55 | |
It's not very nice. | 0:24:55 | 0:24:57 | |
I think, just like the Lusitania, it's going to be torpedoed | 0:24:57 | 0:25:01 | |
and I think it's going to haunt me forever. | 0:25:01 | 0:25:04 | |
So Catherine's worried but mirror, mirror on the wall, | 0:25:05 | 0:25:08 | |
who will be the fairest winner of all? | 0:25:08 | 0:25:11 | |
Well, whoever makes the most money, that's who and, remember, | 0:25:11 | 0:25:14 | |
no deal is truly sealed until that all-important handshake. | 0:25:14 | 0:25:17 | |
Mark is first to get going. | 0:25:19 | 0:25:21 | |
He's keen to kick-off the selling | 0:25:21 | 0:25:23 | |
when he takes the 19th-century portrait of Queen Victoria | 0:25:23 | 0:25:27 | |
from East Sussex to West Sussex. | 0:25:27 | 0:25:29 | |
I've brought my Queen Victoria print to where else | 0:25:30 | 0:25:33 | |
but the Queen Victoria inn. | 0:25:33 | 0:25:35 | |
No, not Walford, Bognor Regis. | 0:25:35 | 0:25:38 | |
Let's go in and find out how we do. | 0:25:38 | 0:25:41 | |
The picture cost him £26.40 so will licensee Donna | 0:25:41 | 0:25:45 | |
help him pull a pint of profit? | 0:25:45 | 0:25:47 | |
-And here's the print. -Oh, it's lovely. | 0:25:47 | 0:25:50 | |
I think it was produced, | 0:25:50 | 0:25:52 | |
either for her Golden Jubilee or her Diamond Jubilee. | 0:25:52 | 0:25:56 | |
Either way, it's over 100 years old so it's actually an antique. | 0:25:56 | 0:26:00 | |
I've dug around a bit about Queen Victoria and I found, | 0:26:00 | 0:26:04 | |
as a child, Queen Victoria used to visit Bognor quite regularly. | 0:26:04 | 0:26:08 | |
-I've heard that too. -She referred to it in her diary as, "My dear little Bognor". -Mm-hm. | 0:26:08 | 0:26:14 | |
And we're in Bognor and I think this is the right place to try and sell it. | 0:26:14 | 0:26:18 | |
Definitely! Definitely, it will fit in. It's a nice picture. | 0:26:18 | 0:26:22 | |
What has your manager told you you can go up to? | 0:26:22 | 0:26:25 | |
He's actually told me 50. | 0:26:25 | 0:26:27 | |
-Oh! Quite firm, is he? -He is quite firm. | 0:26:27 | 0:26:30 | |
-I think we can say, "Yes" to 50 quid. -That absolutely fantastic. | 0:26:30 | 0:26:33 | |
-I just want you to do me one more favour, Donna. -Mm-hm. | 0:26:33 | 0:26:36 | |
Can you say in your best cockney accent, get out of my pub? | 0:26:36 | 0:26:40 | |
-Get out of my pahb! -Oh, I'm off. | 0:26:40 | 0:26:42 | |
THEY LAUGH | 0:26:42 | 0:26:43 | |
Yes, Donna clearly went to the Dick Van Dyke School of Cockney | 0:26:45 | 0:26:48 | |
but Mark's the picture of happiness with a profit of £23.60. | 0:26:48 | 0:26:52 | |
Now, Catherine isn't going to let Mark keep his lead for long. Oh, no. | 0:26:54 | 0:26:59 | |
She paid £69.40 for the 1950s handbag | 0:26:59 | 0:27:02 | |
but will London-based vintage accessories dealer Linda | 0:27:02 | 0:27:06 | |
take it off her hands for a profit? | 0:27:06 | 0:27:08 | |
Linda, when I phoned you up initially and said I had | 0:27:10 | 0:27:13 | |
-a beehive handbag, you got very excited. -I did. | 0:27:13 | 0:27:16 | |
When I show you this, I hope you're going to be excited. | 0:27:16 | 0:27:20 | |
It looks kind of like a beehive | 0:27:20 | 0:27:22 | |
but the beehive one has got a curved top. | 0:27:22 | 0:27:25 | |
When was that made, Linda? | 0:27:25 | 0:27:27 | |
-Probably the same time as this, which is '50s. -Right, OK. | 0:27:27 | 0:27:31 | |
They were only made in America and there were different makes. | 0:27:31 | 0:27:34 | |
Some of them have names on them. | 0:27:34 | 0:27:37 | |
-I don't think this one does. -No, I did have a look on that one. | 0:27:37 | 0:27:40 | |
-But it is a very nice one. -Is it something that you would buy? | 0:27:40 | 0:27:43 | |
It is, yes. I do have collectors that like them. | 0:27:43 | 0:27:47 | |
I know what I would like, which is about £100. | 0:27:47 | 0:27:51 | |
Would you do 85? | 0:27:51 | 0:27:53 | |
Shall we say 90 and then call it a day? | 0:27:53 | 0:27:56 | |
-OK. -It is lovely, isn't it? | 0:27:56 | 0:27:58 | |
-Yeah. -Are you happy with that, Linda? -Yes. | 0:27:58 | 0:28:00 | |
Thank you very much indeed. | 0:28:00 | 0:28:02 | |
Catherine bags a profit of £20.40 and she's not stopping there. | 0:28:02 | 0:28:06 | |
She tracks down Canterbury-based James | 0:28:06 | 0:28:08 | |
who organises a group of backgammon enthusiasts. | 0:28:08 | 0:28:12 | |
She has a scheme to sell them her Edwardian backgammon set. | 0:28:12 | 0:28:15 | |
-James, hello, I'm Catherine. -Hello, Catherine. | 0:28:15 | 0:28:18 | |
I know absolutely nothing about playing backgammon, I must confess. | 0:28:18 | 0:28:22 | |
-Is it a difficult game? -No, it's very simple | 0:28:22 | 0:28:25 | |
but the more you know about it, the less you know, in a way. | 0:28:25 | 0:28:30 | |
-It's supposed to be the oldest board game in the world. -Really? -Yeah. | 0:28:30 | 0:28:34 | |
-Well have a look at this. -Wow! -It's an Edwardian backgammon set. | 0:28:34 | 0:28:38 | |
-It's going to be about 1910 in date. -Wonderful. Gosh. | 0:28:38 | 0:28:42 | |
It's in original condition. I mean, this hasn't been touched. | 0:28:42 | 0:28:45 | |
I must draw your attention, first of all, it is a little bit moth-eaten there but it's the original baize | 0:28:45 | 0:28:49 | |
and look at these gorgeous leather beakers. Aren't they lovely? | 0:28:49 | 0:28:52 | |
Fantastic. | 0:28:52 | 0:28:53 | |
The backgammon set set her back £12 and scheming Catherine | 0:28:53 | 0:28:57 | |
is planning to deploy her auctioneering abilities to score up | 0:28:57 | 0:29:00 | |
the best possible profit. | 0:29:00 | 0:29:02 | |
Who is good to give me 48? 48, 48. | 0:29:02 | 0:29:06 | |
50, any more at £50? Five... | 0:29:06 | 0:29:10 | |
Catherine's persistent patter helps push up the price | 0:29:10 | 0:29:12 | |
and it's soon over the £100 mark. | 0:29:12 | 0:29:15 | |
All done then, selling then, £120! | 0:29:15 | 0:29:19 | |
Well done. | 0:29:19 | 0:29:20 | |
APPLAUSE | 0:29:20 | 0:29:21 | |
Yes, Catherine's ace auctioneering skills | 0:29:21 | 0:29:24 | |
win her an incredible profit of £108. | 0:29:24 | 0:29:27 | |
So with Catherine one sale ahead, it's time for Mark to up his game. | 0:29:29 | 0:29:33 | |
He's bringing the owl clock that cost him £72 | 0:29:34 | 0:29:37 | |
to specialist Nick in East Sussex and is hoping | 0:29:37 | 0:29:40 | |
to tick up a timely profit. | 0:29:40 | 0:29:44 | |
# You've got to beat the clock! # | 0:29:44 | 0:29:45 | |
I fell in love with it simply because it had the trademark | 0:29:45 | 0:29:49 | |
-and the name Wink Clock on it. -Right. | 0:29:49 | 0:29:52 | |
Can you tell us anything about it? | 0:29:52 | 0:29:54 | |
I can. Well, hopefully... | 0:29:54 | 0:29:56 | |
That's the weight connected to a chain and rather than having | 0:29:56 | 0:29:59 | |
-a spring, it has a weight using gravity. -Oh, right, OK. -To drive it. | 0:29:59 | 0:30:04 | |
I think, as it says, Made In Japan. | 0:30:04 | 0:30:07 | |
Some of them are made by the Tezuka Clock Company | 0:30:07 | 0:30:11 | |
between '45 and '52. | 0:30:11 | 0:30:14 | |
The most desirable ones of these have Made In Occupied Japan on the back. | 0:30:14 | 0:30:18 | |
This one doesn't, unfortunately. | 0:30:18 | 0:30:21 | |
Still, it's very handsome. | 0:30:21 | 0:30:23 | |
Is it something you think you could get working again | 0:30:23 | 0:30:27 | |
and would be interested in for the shop? | 0:30:27 | 0:30:28 | |
I would certainly think so, you know. It is missing its pendulum. | 0:30:28 | 0:30:32 | |
It would have another pendulum that comes down which regulates the time. | 0:30:32 | 0:30:37 | |
OK. | 0:30:37 | 0:30:39 | |
All the bits are there other than its little pendulum, which I may be able to get hold of. | 0:30:39 | 0:30:43 | |
Obviously, I'm not going to get over the £100 mark for it. | 0:30:43 | 0:30:47 | |
What sort of figure would make you feel comfortable? | 0:30:47 | 0:30:50 | |
If you were happy to go with £80 because he has been quite loved. | 0:30:50 | 0:30:55 | |
Well, look, it's not the biggest profit in the world | 0:30:55 | 0:30:58 | |
-but let's settle on 80. -That will be brilliant, thank you, Mark. -Thank you, Nick. | 0:30:58 | 0:31:01 | |
So Mark flaps home with a profit of just £8. | 0:31:01 | 0:31:05 | |
What an experience that was. It might not have been the biggest profit in the world | 0:31:06 | 0:31:10 | |
but I have learnt a bit and actually, you know what, I'm still winking. | 0:31:10 | 0:31:14 | |
Mmm... So Mark's head is just above water but he keeps on paddling away. | 0:31:14 | 0:31:20 | |
Next he's planning to sell the pair of vintage lifebuoys. | 0:31:20 | 0:31:23 | |
He bought them as a mixed lot with a fireman's helmet but Mark decides | 0:31:23 | 0:31:27 | |
that the buoys are his best chance of floating off with a profit. | 0:31:27 | 0:31:30 | |
Do you know, I thought I would have found out a lot more of the history of these | 0:31:33 | 0:31:36 | |
but I haven't been able to find out much at all. | 0:31:36 | 0:31:38 | |
I have found a potential buyer. | 0:31:38 | 0:31:40 | |
His name is Tristan and he runs hen nights and stag parties | 0:31:40 | 0:31:43 | |
and I was rather hoping these couple of buoys might end up as stage props. | 0:31:43 | 0:31:48 | |
What do you think? It's a perfect idea. | 0:31:48 | 0:31:50 | |
Let's go and see if I can make | 0:31:50 | 0:31:53 | |
a very buoyant profit. | 0:31:53 | 0:31:55 | |
So will events organiser Tristan throw him a lifeline and buy them? | 0:31:56 | 0:32:01 | |
I thought they might be like be like a campy prop somebody could use in a carefully stage set. | 0:32:01 | 0:32:06 | |
Yeah, we do do stage props and we do have hottie lifeguards. | 0:32:06 | 0:32:10 | |
I was hoping for say a couple of hundred pounds. | 0:32:10 | 0:32:13 | |
HE LAUGHS | 0:32:13 | 0:32:15 | |
-What? -I paid £102. | 0:32:15 | 0:32:18 | |
-No, you didn't. -I did. -No, you didn't. -I did. | 0:32:18 | 0:32:20 | |
-No, you couldn't have. -I want to try and get as close as I can to it. | 0:32:20 | 0:32:24 | |
-£70. -Oh! Oh, dear. | 0:32:24 | 0:32:27 | |
Could we get a bit higher, do you think? | 0:32:27 | 0:32:30 | |
Make it 80 and we've got a deal. | 0:32:30 | 0:32:32 | |
-I don't think I'm going to get any more out of you, am I? -No, no. | 0:32:32 | 0:32:35 | |
Thank you very much. | 0:32:35 | 0:32:36 | |
And do you know, I'm so thrilled, I've got rid of them. HE LAUGHS | 0:32:36 | 0:32:39 | |
-How much did you really pay for them? -£102. | 0:32:39 | 0:32:41 | |
-Did you really? -Seriously. -Somebody get this man a doctor. Please! | 0:32:41 | 0:32:45 | |
Actually, someone get this man a lifeguard. | 0:32:45 | 0:32:48 | |
Mark has fallen overboard with a terrible loss of £22. | 0:32:48 | 0:32:52 | |
With this frenetic frenzy of favoured selling well under way, | 0:32:52 | 0:32:56 | |
it's high time we found out how our seasoned sellers are faring. | 0:32:56 | 0:33:00 | |
Catherine is doing well. | 0:33:02 | 0:33:04 | |
She sold two items and made a healthy profit of £128.40. | 0:33:04 | 0:33:09 | |
Mark, however, has sold three items | 0:33:09 | 0:33:12 | |
but has only made £9.60 profit so far. | 0:33:12 | 0:33:16 | |
Mark is lagging behind at the moment | 0:33:16 | 0:33:18 | |
but don't write The Maverick off just yet, | 0:33:18 | 0:33:20 | |
as our two wonderful wizards of antique wares | 0:33:20 | 0:33:23 | |
embark on their second selling round. | 0:33:23 | 0:33:25 | |
Like a selling express, | 0:33:25 | 0:33:28 | |
Mark pulls into Brighton Station hoping to persuade train driver manager, Ryan, | 0:33:28 | 0:33:32 | |
to choo-choose the railway heavy metal that cost Mark £60. | 0:33:32 | 0:33:37 | |
-# -Take me right back to the track. -# | 0:33:37 | 0:33:40 | |
You wouldn't believe I go to the gym four times a day, would you? | 0:33:40 | 0:33:43 | |
No, we wouldn't! | 0:33:43 | 0:33:44 | |
-Have a look. This is Great Western Railway, isn't it? -Yeah. | 0:33:44 | 0:33:47 | |
Do you know what these other numbers mean? Is this the date? | 0:33:47 | 0:33:50 | |
I believe that is the date. That's for the gauge. | 0:33:50 | 0:33:53 | |
Then the SN is where it would be made, probably Swindon. | 0:33:53 | 0:33:56 | |
It's a track chair, which the track sits in. | 0:33:56 | 0:33:58 | |
-That's the modern version, there. -So actually, the rails... | 0:33:58 | 0:34:01 | |
-The rails sit in that. -Oh, right. | 0:34:01 | 0:34:04 | |
-And it's made out of cast iron, I think. -Yes. | 0:34:04 | 0:34:07 | |
-It's really quite a weight. -It is. -So shall we start with £80? | 0:34:07 | 0:34:11 | |
I think you can go a bit lower than that, Mark, I think. | 0:34:11 | 0:34:14 | |
Well, what about 70? | 0:34:14 | 0:34:16 | |
-65. -£65. | 0:34:16 | 0:34:19 | |
-And will you use it? -I'll use it as a doorstop. | 0:34:19 | 0:34:22 | |
-Perfect, I have to say, "Yes" at 65. Thank you, Ryan. -You're more than welcome. | 0:34:22 | 0:34:26 | |
And Mark notches up a £5 profit and is back on track. | 0:34:26 | 0:34:30 | |
# Take me right back to the track, Jack! # | 0:34:30 | 0:34:33 | |
Well, Catherine, it's all aboard the profit express here at Brighton station. | 0:34:33 | 0:34:38 | |
Do you know, I've always wanted to do this, listen. | 0:34:38 | 0:34:41 | |
HORN TOOTS | 0:34:41 | 0:34:43 | |
And while Mark's tooting his horn, | 0:34:46 | 0:34:48 | |
Catherine is off to her next potential sale in East Sussex. | 0:34:48 | 0:34:52 | |
# Hi, ho, hi ho, it's home from work we go. # | 0:34:52 | 0:34:55 | |
Well, here I am in Lewes. The sun is shining | 0:34:55 | 0:34:58 | |
and I've got Grumpy and Bashful and it's off to work I go. | 0:34:58 | 0:35:02 | |
Catherine paid £36 for the 1950s dwarfs. | 0:35:04 | 0:35:07 | |
So, will antique toyshop owner, Sue, | 0:35:07 | 0:35:10 | |
be bashful or happy to hand over a profit-winning price for the pair? | 0:35:10 | 0:35:15 | |
-There we are. -Oh, Chad Valley dwarfs. -There we are. | 0:35:15 | 0:35:18 | |
They're nice. They're in nice condition. | 0:35:18 | 0:35:20 | |
Aren't they in lovely condition? | 0:35:20 | 0:35:22 | |
-They're painted faces, aren't they? -Yes. | 0:35:22 | 0:35:24 | |
-No boxes, though? -No, I don't have the boxes. | 0:35:24 | 0:35:27 | |
-It's nice because they all came in boxes. -I'm sorry. | 0:35:27 | 0:35:29 | |
-They did all come in original boxes? -Yes, they did. | 0:35:29 | 0:35:31 | |
-If you lift up one of their little tops. -Oh, look! | 0:35:31 | 0:35:35 | |
-The Chad Valley name there. -We've got the Chad Valley name, as clear as a bell. | 0:35:35 | 0:35:39 | |
-Now this one is obviously Grumpy and is he Bashful? -Yes, I think he is. | 0:35:39 | 0:35:44 | |
His little cheeks and he looks quite cross. | 0:35:44 | 0:35:47 | |
A bit like Mark Stacey, really. | 0:35:47 | 0:35:49 | |
THEY LAUGH | 0:35:49 | 0:35:50 | |
Would these be something that you would be interested in? | 0:35:50 | 0:35:53 | |
-Well, it does depend on the price. -Right. | 0:35:53 | 0:35:56 | |
I was going to say about 100, really. | 0:35:56 | 0:35:58 | |
Can I pinch you up another little £10? Would that be all right? | 0:35:58 | 0:36:03 | |
-Yes. -Thank you very much. | 0:36:03 | 0:36:05 | |
And Catherine's far from grumpy with a profit of £74 to add to her pot. | 0:36:05 | 0:36:11 | |
Catherine's stupendous selling streak continues. | 0:36:11 | 0:36:14 | |
She sells the £12 doll house to furniture restorer, Chris, | 0:36:14 | 0:36:18 | |
for £20, opening the door to an £8 profit. | 0:36:18 | 0:36:21 | |
But, while Catherine is flourishing, Mark is floundering. | 0:36:24 | 0:36:28 | |
Let this be a lesson to you when you're buying at auction - | 0:36:28 | 0:36:31 | |
always examine the pieces before you bid for them. I wish I had. | 0:36:31 | 0:36:35 | |
I bid on this from the screen. | 0:36:35 | 0:36:37 | |
It wasn't until I found it that I realised it was quite badly restored. | 0:36:37 | 0:36:41 | |
I've brought it to Steph, who's a dealer in this sort of thing and a fair organiser | 0:36:41 | 0:36:46 | |
and I'm hoping she'll buy it off me. | 0:36:46 | 0:36:47 | |
The chair cost Mark £45.60, so will he be able to rock up a profit? | 0:36:47 | 0:36:53 | |
-I'm not going to tell you what I paid for it. -OK. | 0:36:53 | 0:36:55 | |
I want you to have a look at it, examine it and give me your feelings. | 0:36:55 | 0:36:59 | |
I think it's lovely. Is it early Victorian? | 0:36:59 | 0:37:02 | |
I think it probably is, you know. | 0:37:02 | 0:37:03 | |
I would probably date it sort of 1840-ish, something like that. | 0:37:03 | 0:37:07 | |
Sure, yeah. It's lovely. Certainly I'd be very interested in it. | 0:37:07 | 0:37:11 | |
It's a shame these are replaced but it's well done, anyway. | 0:37:11 | 0:37:15 | |
-It does work, at least. -I think it's a lovely thing. | 0:37:15 | 0:37:18 | |
I think it would be worth a lot of money | 0:37:18 | 0:37:20 | |
if it hadn't been played about with. | 0:37:20 | 0:37:22 | |
-It would be a couple of hundred pounds. -It's still very beautiful. | 0:37:22 | 0:37:25 | |
It would look great with my stock. | 0:37:25 | 0:37:27 | |
-Is there any chance we can say 35? -I think that would be fine, yeah. | 0:37:27 | 0:37:30 | |
-Would you be happy with that? -I would be more than happy with that. | 0:37:30 | 0:37:33 | |
Well, I'm happy to sell it to you. | 0:37:33 | 0:37:34 | |
Happy to be rid of the rocker, | 0:37:34 | 0:37:35 | |
Mark loses £10.60 and notches up his second loss. | 0:37:35 | 0:37:39 | |
Always look at what you're buying before you buy it. | 0:37:39 | 0:37:42 | |
Will I never learn? | 0:37:42 | 0:37:44 | |
With only one crucial item left each, | 0:37:47 | 0:37:49 | |
this competition is reaching boiling point. | 0:37:49 | 0:37:52 | |
Our expert detective, Catherine, has a plan. | 0:37:52 | 0:37:55 | |
She's come to Southend, having found the perfect person | 0:37:55 | 0:37:58 | |
to, hopefully, buy her painting of the Lusitania. | 0:37:58 | 0:38:02 | |
I have got in touch with the auctioneer that | 0:38:02 | 0:38:05 | |
I bought this from originally and he has pointed me | 0:38:05 | 0:38:08 | |
in the direction of Philip and, apparently, he collects such paintings. | 0:38:08 | 0:38:14 | |
We'll just have to go and see. | 0:38:14 | 0:38:16 | |
She's a genius! | 0:38:16 | 0:38:18 | |
Catherine paid £120 for the painting but will businessmen Philip | 0:38:18 | 0:38:22 | |
want to help her set sail with a profit? | 0:38:22 | 0:38:25 | |
-There we are. -Lusitania. -Lusitania! | 0:38:25 | 0:38:28 | |
-We all know what happened to the Lusitania, don't we? -It sunk. | 0:38:28 | 0:38:31 | |
-It sunk without trace. -Was that sunk by the Germans? | 0:38:31 | 0:38:34 | |
Yes, it was torpedoed by a German U-boat in 1915. | 0:38:34 | 0:38:38 | |
Over 1,000 lives lost. | 0:38:38 | 0:38:41 | |
-Is the artist known, is he? -This artist is Frederick Tordoff. | 0:38:41 | 0:38:45 | |
Now, he was born in 1939 | 0:38:45 | 0:38:47 | |
and he's known actually for his whaling scenes. | 0:38:47 | 0:38:50 | |
-That's really what he's famous for. -That's lovely, isn't it? | 0:38:50 | 0:38:53 | |
Admittedly, this frame is pretty ghastly but, I think, | 0:38:53 | 0:38:56 | |
if you reframe that, you've got yourself quite a nice painting. | 0:38:56 | 0:38:59 | |
-I think that'll go very nicely in my boardroom, actually. -Oh, would it? | 0:38:59 | 0:39:02 | |
Yes. All according to how much it is. | 0:39:02 | 0:39:04 | |
Ideally, I'd like around the sort of 200 to 250 but make me an offer. | 0:39:04 | 0:39:10 | |
-I'm happy with 250. -Are you? -Yeah. Done, there you go. | 0:39:10 | 0:39:13 | |
Nice work, Philip. | 0:39:13 | 0:39:15 | |
Catherine takes a titanic profit of £130 for the painting | 0:39:15 | 0:39:19 | |
but there's a condition. | 0:39:19 | 0:39:21 | |
I just want you to do me one little favour, as well. | 0:39:21 | 0:39:23 | |
We're going to specially open the rollercoaster for you | 0:39:23 | 0:39:26 | |
and we're going to give you a couple of laps. | 0:39:26 | 0:39:29 | |
-I really don't like rollercoasters. -It's quite a calm one. | 0:39:29 | 0:39:33 | |
Oh! | 0:39:34 | 0:39:35 | |
# Scream if you want to go faster, baby | 0:39:35 | 0:39:38 | |
# Scream if you want to go faster. # | 0:39:38 | 0:39:40 | |
Oh! | 0:39:40 | 0:39:41 | |
Oh, it's going up and down like Mark Stacey's profits. | 0:39:41 | 0:39:45 | |
The lengths this lady will go for a sale. | 0:39:46 | 0:39:48 | |
We're approaching the end of this wild rollercoaster ride | 0:39:50 | 0:39:52 | |
of buying and selling, and we're heading | 0:39:52 | 0:39:54 | |
for a helter-skelter ride of the final result | 0:39:54 | 0:39:58 | |
but Mark still has to sell the Victorian pastels that cost him £72. | 0:39:58 | 0:40:03 | |
He's arranged a meeting with Hove-based contact and collector of Victoriana, Sue. | 0:40:03 | 0:40:08 | |
When I bought them, I thought they might have been a wedding. | 0:40:10 | 0:40:15 | |
-Yes, on their marriage. -They're newly married. | 0:40:15 | 0:40:18 | |
But, the more I looked into them, | 0:40:18 | 0:40:20 | |
the Victorians and our ancestors liked symbolism, didn't they? | 0:40:20 | 0:40:23 | |
-They did. -I have a feeling, because of the use of the moon brooch. | 0:40:23 | 0:40:29 | |
-Yeah, Moonstone brooch. -Moonstone brooch and the little handkerchief. | 0:40:29 | 0:40:33 | |
Do you think, actually, that he's passed away? | 0:40:33 | 0:40:36 | |
I do, and the fact that she's wearing black. | 0:40:36 | 0:40:39 | |
-I think that's a widow's cap she's wearing. -It is. | 0:40:39 | 0:40:42 | |
-I haven't found much about the artist but they are both dated. -Yes. | 0:40:42 | 0:40:46 | |
And signed. | 0:40:46 | 0:40:48 | |
It's a shame, really, that the frame is here for this one | 0:40:48 | 0:40:51 | |
-but there's no frame for that one. -No. | 0:40:51 | 0:40:53 | |
I know you've got to get them glazed and obviously find a suitable oval frame for the lady. | 0:40:53 | 0:40:57 | |
Is this something you feel you can make an offer on? | 0:40:57 | 0:41:00 | |
So will Mark's Victorian pastels provide a palpable profit | 0:41:02 | 0:41:06 | |
and will it stand him in good stead against Catherine's sensational selling skills? | 0:41:06 | 0:41:11 | |
All will soon be revealed. | 0:41:12 | 0:41:14 | |
Our two tussling experts set off on the saga | 0:41:16 | 0:41:19 | |
with £1,000 of their own money. | 0:41:19 | 0:41:21 | |
Catherine Southon acquired five items at a total cost of £249.60. | 0:41:23 | 0:41:28 | |
Mark Stacey purchased six lots costing him £378. | 0:41:29 | 0:41:35 | |
But all that matters now is profit. | 0:41:35 | 0:41:39 | |
All the money from today's challenge will go to our dealers' chosen charities, | 0:41:39 | 0:41:43 | |
so let's find out who is today's Put Your Money Where Your Mouth Is champion. | 0:41:43 | 0:41:49 | |
You are smiling, aren't you? I can see. | 0:41:49 | 0:41:52 | |
I had a wonderful time at the auction. | 0:41:52 | 0:41:54 | |
-Catherine, you dithered for England. -I did not dither. -You dithered. | 0:41:54 | 0:41:58 | |
-I was focused. Anyway, how was it for you? -I had an awful time. | 0:41:58 | 0:42:02 | |
-Oh, darling. -Oh, such sincerity! not! | 0:42:02 | 0:42:06 | |
SHE LAUGHS | 0:42:06 | 0:42:07 | |
I actually did quite well. | 0:42:07 | 0:42:09 | |
You remember that painting that you were nasty about? | 0:42:09 | 0:42:12 | |
Don't tell me, for goodness' sake, you actually made a profit on that? | 0:42:12 | 0:42:15 | |
I did and I did quite well and I went on a rollercoaster. | 0:42:15 | 0:42:19 | |
-You actually made a profit on that stinker? -Yeah. | 0:42:19 | 0:42:22 | |
Don't be nasty! You're just jealous that you didn't see it. | 0:42:22 | 0:42:26 | |
Shall get on with it? | 0:42:26 | 0:42:28 | |
-Yes, I'm quite excited about this. -I'm not. | 0:42:28 | 0:42:31 | |
-Ready? -Mm-hm. -One, two, three... | 0:42:31 | 0:42:34 | |
-Oh! -Oh, Catherine! | 0:42:35 | 0:42:37 | |
That's ridiculous. | 0:42:37 | 0:42:40 | |
-Oh, Mark. -I can't believe that. | 0:42:40 | 0:42:42 | |
I'm not happy. | 0:42:43 | 0:42:45 | |
You buy the drinks. | 0:42:45 | 0:42:48 | |
Catherine is victorious because although Mark managed to sell | 0:42:48 | 0:42:51 | |
the Victorian pastels for a profit of £48, | 0:42:51 | 0:42:54 | |
it wasn't enough to touch the high-performing Miss Southon. | 0:42:54 | 0:42:58 | |
I should be good at auctions, I was an auctioneer for 16 years or more | 0:42:58 | 0:43:02 | |
but I wasn't very good at this one, was I? | 0:43:02 | 0:43:04 | |
And Catherine managed to pull out all the stops | 0:43:04 | 0:43:08 | |
and absolutely trounced me. | 0:43:08 | 0:43:10 | |
Mark, you need to try a little bit harder. | 0:43:10 | 0:43:14 | |
I made almost £300 more than you. Oh dear, oh dear. | 0:43:14 | 0:43:19 | |
Oh, well, tomorrow Mark has a chance of redeeming himself as our duelling dealers | 0:43:21 | 0:43:25 | |
go head-to-head at a car boot sale in Sussex. | 0:43:25 | 0:43:29 | |
I'm loving it! | 0:43:29 | 0:43:30 | |
Subtitles by Red Bee Media Ltd | 0:43:46 | 0:43:49 |