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'This is the show that pitches TV's best-loved antiques experts | 0:00:02 | 0:00:07 | |
'against each other in an all-out battle for profit. | 0:00:07 | 0:00:11 | |
'And gives YOU the insider's view of the trade.' | 0:00:12 | 0:00:16 | |
I'm on the case. | 0:00:16 | 0:00:18 | |
'Each week, one pair of duelling dealers | 0:00:19 | 0:00:21 | |
'will face a different daily challenge...' | 0:00:21 | 0:00:24 | |
-I'm a cheeky chancer! -'Lovely! | 0:00:24 | 0:00:27 | |
'..putting their reputations on the line and giving you top tips | 0:00:27 | 0:00:30 | |
'and savvy secrets on how to make most money from buying and selling.' | 0:00:30 | 0:00:36 | |
-Let's go and spend some money! -Get in there! | 0:00:36 | 0:00:40 | |
'Make sure you're belted in and holding tight, | 0:00:40 | 0:00:43 | |
'as you're about to witness two Colossi of the antiques trade | 0:00:43 | 0:00:47 | |
'go head-to-head in the ultimate challenge - | 0:00:47 | 0:00:49 | |
'the Put Your Money Where Your Mouth Is Showdown. | 0:00:49 | 0:00:53 | |
'Our eminent experts will be pushed to the very limit, | 0:00:53 | 0:00:55 | |
'stretching every sinew of their bodies | 0:00:55 | 0:00:59 | |
'as they try to buy the greatest items for the best price, | 0:00:59 | 0:01:03 | |
'before driving themselves to near exhaustion | 0:01:03 | 0:01:05 | |
'as they go on missions to sell their purchases for premium profit. | 0:01:05 | 0:01:09 | |
'Coming up, Mark teaches Catherine a valuable lesson...' | 0:01:09 | 0:01:14 | |
This is how you play the game! | 0:01:14 | 0:01:16 | |
You find the items, source the buyer, get it at the price you want and you know you've got a profit. | 0:01:16 | 0:01:22 | |
'..Catherine goes supersonic...' | 0:01:22 | 0:01:24 | |
-How much are you asking for it? -I'd like 195 for it. -195? | 0:01:24 | 0:01:28 | |
'..and a colourful buyer is lost for words.' | 0:01:28 | 0:01:31 | |
-What can you say? -I don't know, dear. | 0:01:31 | 0:01:34 | |
'It's going to be an almighty war! | 0:01:34 | 0:01:36 | |
'This is Put Your Money Where Your Mouth Is!' | 0:01:36 | 0:01:40 | |
'This is the Showdown, where our first-rate antiques experts | 0:01:54 | 0:01:58 | |
'have to show their mettle as they go head-to-head in an Olympic bid | 0:01:58 | 0:02:02 | |
'to maximise their profit margins and conquer their opponent. | 0:02:02 | 0:02:06 | |
'Our colliding couple consists of two of the country's most impressive experts. | 0:02:06 | 0:02:10 | |
'First up, the battling boy from Brighton | 0:02:10 | 0:02:13 | |
'brimming with bucketloads of bargain-buying brilliance...' | 0:02:13 | 0:02:17 | |
Quality, quality, quality - as you would expect from me. | 0:02:19 | 0:02:23 | |
'He's up against a rival who is as ruthless as she is stunning. | 0:02:23 | 0:02:27 | |
'Controlled and steady, clever and savvy, | 0:02:27 | 0:02:30 | |
'stop the clocks, it's...' | 0:02:30 | 0:02:33 | |
If you don't gamble, you don't win. | 0:02:33 | 0:02:35 | |
'This will be their toughest trial to date, | 0:02:35 | 0:02:38 | |
'covering locations throughout the country and abroad, | 0:02:38 | 0:02:41 | |
'as their buying abilities and selling skills are put to the test | 0:02:41 | 0:02:44 | |
'until finally, a winner is revealed. | 0:02:44 | 0:02:46 | |
'It's time to cry havoc! Let slip the dogs of war!' | 0:02:46 | 0:02:51 | |
-Showdown time! -Snap! | 0:02:52 | 0:02:55 | |
-Oh, what IS it all about? -Do you know what I'm concerned about? | 0:02:55 | 0:02:59 | |
-Tell me. -You and I go back a long way. | 0:02:59 | 0:03:01 | |
I'm worried that this might be the end of a beautiful relationship. A long time. | 0:03:01 | 0:03:07 | |
BOTH: # Sisters, sisters... # | 0:03:07 | 0:03:09 | |
-All right, Catherine. Get on with it. Read, then. -All right! | 0:03:09 | 0:03:13 | |
-You're so bossy! -Oh, get on with it. | 0:03:13 | 0:03:15 | |
"Welcome to the mighty Showdown. The rules are simple. | 0:03:15 | 0:03:20 | |
"You must each buy two items at every one of your regular Put Your Money Challenges. | 0:03:20 | 0:03:25 | |
"You have £1,000 to spend. | 0:03:25 | 0:03:28 | |
"You can sell up to four items wherever you want. | 0:03:29 | 0:03:32 | |
"The rest will be sold at auction in Dorset, in direct competition with your opponent. | 0:03:32 | 0:03:37 | |
"The winner is the dealer who makes the most profit." | 0:03:37 | 0:03:40 | |
-Good luck. -Any ideas what you're going to buy? | 0:03:40 | 0:03:43 | |
-If I had, I wouldn't tell you. -I don't want to know. | 0:03:43 | 0:03:46 | |
'Our experts know that the £1,000 of their own money to spend | 0:03:46 | 0:03:50 | |
'must include any restoration, repairs and buying fees, | 0:03:50 | 0:03:53 | |
'and all the profits go to their chosen charities. | 0:03:53 | 0:03:57 | |
'They'll be buying from their usual hunting haunts - | 0:03:57 | 0:04:00 | |
'a foreign antiques market, | 0:04:00 | 0:04:02 | |
'an auction, | 0:04:02 | 0:04:04 | |
'a car boot sale | 0:04:04 | 0:04:06 | |
'and a UK antiques market. | 0:04:06 | 0:04:09 | |
'It's going to be a fierce fight, but who will end up with the biggest profit? | 0:04:09 | 0:04:14 | |
'Our purchasing players prepare for Round 1. | 0:04:14 | 0:04:17 | |
'Their first battle takes place on Belgian soil. | 0:04:17 | 0:04:21 | |
'It's a tale of two markets in Brussels. | 0:04:21 | 0:04:24 | |
'Catherine and Mark need to move fast and rummage deep | 0:04:24 | 0:04:28 | |
'if they want to slip off with the best bargains. | 0:04:28 | 0:04:32 | |
'Both of our intrepid explorers need to acquire two items. | 0:04:32 | 0:04:36 | |
'It's Mark who's first to pounce, spotting a divine picture | 0:04:36 | 0:04:39 | |
'that he thinks has profit potential.' | 0:04:39 | 0:04:42 | |
Now, the sun is shining and it only shines on the righteous, doesn't it? | 0:04:42 | 0:04:46 | |
Which leads us very nicely into this picture, | 0:04:46 | 0:04:49 | |
where the central character's a cardinal. | 0:04:49 | 0:04:52 | |
He's sitting there, along with some very noble-looking gentlemen. | 0:04:52 | 0:04:55 | |
These type of pictures were very popular in the late 19th century. | 0:04:55 | 0:04:59 | |
This is either a copy or a rendition of that type of picture, | 0:04:59 | 0:05:04 | |
probably painted in the 1950s. | 0:05:04 | 0:05:06 | |
It is signed indistinctly. I don't know the artist. | 0:05:06 | 0:05:10 | |
I think it might be worth a punt, depending on the price. | 0:05:10 | 0:05:14 | |
'Mark pays £128.21 for the painting, | 0:05:14 | 0:05:18 | |
'but will it be the answer to his prayers?' | 0:05:18 | 0:05:22 | |
I don't think it'll make hundreds and hundreds, but with a bit of luck | 0:05:22 | 0:05:26 | |
and intervention from above, we might make 100 quid on it, fingers crossed. | 0:05:26 | 0:05:31 | |
Anyway, it's too late now! I bought it and I'm off to get a cup of tea. | 0:05:31 | 0:05:35 | |
'Well, it's thirsty work, buying. | 0:05:37 | 0:05:39 | |
'Mark hopes his first purchase will offer ascension to victory. | 0:05:39 | 0:05:43 | |
'However, Catherine catches up when she buys a vanity case... | 0:05:43 | 0:05:47 | |
'..which she hopes will provide a "Vanity Fair" profit | 0:05:49 | 0:05:52 | |
'when it comes to the selling.' | 0:05:52 | 0:05:54 | |
It's not leather, sadly, but it's leatherette. | 0:05:54 | 0:05:57 | |
It's got the maker's mark on the front - Victor Luggage. | 0:05:57 | 0:06:01 | |
You open it up with these clasps. | 0:06:01 | 0:06:03 | |
This one, the spring's gone, but you can lift it up. | 0:06:03 | 0:06:07 | |
Inside, it is a little tatty and a little worn, | 0:06:07 | 0:06:12 | |
but nothing that a little super glue won't sort out. | 0:06:12 | 0:06:15 | |
And for eight euros, I think it's fabulous. | 0:06:15 | 0:06:19 | |
It's got the initials on it. | 0:06:19 | 0:06:22 | |
Do I know anyone with the initials EB? No! | 0:06:22 | 0:06:25 | |
Will I find someone with the initials EB? | 0:06:25 | 0:06:28 | |
Definitely. Watch this! | 0:06:28 | 0:06:30 | |
I'm going to make myself some serious money. | 0:06:30 | 0:06:34 | |
'Catherine's made up with her vanity case, | 0:06:34 | 0:06:36 | |
'but Mark has decided the perfect partner to his holy painting | 0:06:36 | 0:06:40 | |
'would be a devil-handled cane.' | 0:06:40 | 0:06:43 | |
Canes are very big business. There's a lot of collectors. | 0:06:43 | 0:06:46 | |
It's got a little silver collar and a simple bamboo shaft | 0:06:46 | 0:06:50 | |
with a little bit of silver plate on the bottom. | 0:06:50 | 0:06:53 | |
What I particularly like is that rather cheeky devil. | 0:06:53 | 0:06:58 | |
You can see his horns back there and his open mouth. | 0:06:58 | 0:07:01 | |
He's looking rather scary. | 0:07:01 | 0:07:03 | |
So what would be your very best price on that? | 0:07:03 | 0:07:06 | |
-200. ..Yeah, I know. -MARK GASPS | 0:07:06 | 0:07:09 | |
Surely you can let me have it for 180. | 0:07:09 | 0:07:11 | |
-Cash. -185. -No, come on! -185! | 0:07:11 | 0:07:14 | |
STALL HOLDERS LAUGH 180. 180. Well done. | 0:07:14 | 0:07:18 | |
'The Maverick's devilish negotiating gets the cane for... | 0:07:18 | 0:07:22 | |
'..and he's praying it'll deliver a demon of a profit.' | 0:07:23 | 0:07:27 | |
I always say the devil's in the detail. | 0:07:28 | 0:07:31 | |
Please, let me be right. | 0:07:31 | 0:07:34 | |
'With round one almost over, Catherine bags her second item, | 0:07:35 | 0:07:38 | |
'snapping up an ivory monocular for... | 0:07:38 | 0:07:41 | |
'..What exactly did she see in it?' | 0:07:42 | 0:07:45 | |
It's got these lovely sections and it closes down, | 0:07:46 | 0:07:49 | |
so it can easily be slipped into a handbag. | 0:07:49 | 0:07:52 | |
It's by Hawks and Grice. | 0:07:52 | 0:07:55 | |
I would say first quarter 19th century. | 0:07:55 | 0:07:58 | |
It's got this lovely ivory band around it. | 0:07:58 | 0:08:02 | |
It's pre-1947, so we don't have to worry about the whole ivory issue. | 0:08:02 | 0:08:07 | |
And for 150 euros? | 0:08:07 | 0:08:09 | |
I'm sure it'll make someone - and me - very happy. | 0:08:09 | 0:08:13 | |
'Catherine concludes round one, | 0:08:13 | 0:08:15 | |
'adding her monocular to her vanity case. | 0:08:15 | 0:08:18 | |
'Mark hedged his bets, | 0:08:18 | 0:08:20 | |
'picking up the religious painting and the demon-headed cane. | 0:08:20 | 0:08:24 | |
'How much have they spent so far? | 0:08:24 | 0:08:26 | |
'Our battling buyers started with £1,000 of their own money... | 0:08:27 | 0:08:32 | |
'..Our duelling duo arrive at Stacey auction rooms in Essex | 0:08:56 | 0:09:00 | |
'with a mission to acquire two impressive pieces to add to their collections. | 0:09:00 | 0:09:04 | |
'Catherine is the first to get going when she decides to bid | 0:09:04 | 0:09:08 | |
'on a pair of watercolours of Cornish views | 0:09:08 | 0:09:10 | |
'signed by the artist, Sydney James Beer. | 0:09:10 | 0:09:13 | |
'Carry on bidding!' | 0:09:13 | 0:09:15 | |
£30. 32, straight in. 32. | 0:09:16 | 0:09:19 | |
35 is now bid... | 0:09:19 | 0:09:21 | |
'The guide price is £40 to £60. | 0:09:21 | 0:09:23 | |
'Catherine's keen not to pay over the odds.' | 0:09:23 | 0:09:27 | |
And five. At £55 with the lady. | 0:09:27 | 0:09:29 | |
-Are you all done? -BANGS GAVEL | 0:09:29 | 0:09:32 | |
'Catherine keeps her cool and wins the watercolours | 0:09:32 | 0:09:34 | |
'for £66 after costs. | 0:09:34 | 0:09:37 | |
'The Maverick, on the other hand, is finding the going tough.' | 0:09:37 | 0:09:41 | |
No, 65? That's too much. | 0:09:41 | 0:09:44 | |
Too much! | 0:09:44 | 0:09:45 | |
'No such problem for Catherine, who is set on getting her second item, | 0:09:45 | 0:09:50 | |
'a cast iron door knocker she hopes might open the door to a profit.' | 0:09:50 | 0:09:54 | |
That's quite nice. | 0:09:54 | 0:09:56 | |
Regency style. | 0:09:56 | 0:09:59 | |
Door knocker. | 0:09:59 | 0:10:01 | |
It's iron and I think that's all right, actually. | 0:10:02 | 0:10:05 | |
I could sell that to a salvage yard and make a bit of money. | 0:10:05 | 0:10:09 | |
'The door knocker is estimated between £30 to £50 | 0:10:09 | 0:10:12 | |
'and Catherine's keen to knock out the competition.' | 0:10:12 | 0:10:15 | |
22. 25. £25 now. 28, new bidder. | 0:10:15 | 0:10:18 | |
Against you, sir. 28. 30 now bid. Against you, madam. 32. | 0:10:18 | 0:10:22 | |
At £32. Lady seated. Are you all done? | 0:10:22 | 0:10:25 | |
At £32... | 0:10:25 | 0:10:27 | |
'..Meaning she's bought-up for this round. | 0:10:28 | 0:10:34 | |
'But as the auction draws to an end, Mark has failed to buy a single lot for his Showdown. | 0:10:34 | 0:10:39 | |
'The rules say that he must leave the auction with two items. | 0:10:39 | 0:10:43 | |
'The Maverick is left to trawl the auction's unsold list. | 0:10:43 | 0:10:46 | |
'Thankfully for him, he finds a pair of items to buy.' | 0:10:46 | 0:10:49 | |
We all know luxury, | 0:10:49 | 0:10:52 | |
and Asprey's is right at the top of the tree for luxury. | 0:10:52 | 0:10:55 | |
We've got a solid nine-carat gold cigar puncturer. | 0:10:55 | 0:10:59 | |
If you wind this down, out comes the little piece. | 0:10:59 | 0:11:03 | |
In its original box. Not an antique. | 0:11:03 | 0:11:05 | |
Matching that is the gentleman's cigar case. | 0:11:05 | 0:11:10 | |
Nine-carat gold mounted, perfect condition, beautiful quality. | 0:11:10 | 0:11:15 | |
Again, in its fitted box. A lovely object. | 0:11:15 | 0:11:18 | |
'Is he pleased with his purchases?' | 0:11:26 | 0:11:30 | |
I'm thrilled with it because I've bought something | 0:11:30 | 0:11:33 | |
that is quality, quality, quality - | 0:11:33 | 0:11:35 | |
as you would expect from me. | 0:11:35 | 0:11:37 | |
'Mark's bold move brings us to the end of Round 2. | 0:11:38 | 0:11:42 | |
'While cunning Catherine was calm and self-assured in this round, | 0:11:42 | 0:11:46 | |
'Maverick Mark was the total opposite, | 0:11:46 | 0:11:48 | |
'almost failing to fulfil the required buys. | 0:11:48 | 0:11:51 | |
'Luckily, his last-minute buying spree saved his bacon. | 0:11:51 | 0:11:54 | |
'Let's see where we are at this stage... | 0:11:54 | 0:11:57 | |
'..They've now bought four items each... | 0:12:01 | 0:12:04 | |
'Tensions are sky high. | 0:12:29 | 0:12:32 | |
'Our purchasing pilots have landed at the Ford Airfield car boot sale in West Sussex, | 0:12:32 | 0:12:37 | |
'where they'll scour the stalls for items they can scoop up and sell on. | 0:12:37 | 0:12:41 | |
'But before they do, there's a chance to compare notes.' | 0:12:41 | 0:12:45 | |
-Are you nervous about this? -Always, Mark. | 0:12:45 | 0:12:47 | |
-I'm actually quietly confident. -Really? | 0:12:47 | 0:12:50 | |
-No! -BOTH LAUGH | 0:12:50 | 0:12:52 | |
-You don't know what I bought from the auction. -That's a good point. | 0:12:52 | 0:12:56 | |
-I did a sneaky after-sale. -Mm! And? | 0:12:56 | 0:12:59 | |
-Quality, good name, gold. -Did you spend a lot of money on them? | 0:12:59 | 0:13:04 | |
Quite a bit, actually, but I think they were worth every penny. | 0:13:04 | 0:13:08 | |
This is getting hard. | 0:13:08 | 0:13:10 | |
-Why are we doing it again? -I don't know, actually. | 0:13:10 | 0:13:12 | |
-BOTH LAUGH -Good luck. -Good luck. | 0:13:12 | 0:13:15 | |
'Catherine is keen to get going and quickly finds an arresting diversion | 0:13:15 | 0:13:19 | |
'in the form of an Edwardian silver police whistle.' | 0:13:19 | 0:13:22 | |
Give me a quick demonstration. | 0:13:22 | 0:13:24 | |
-If it doesn't work, I'm not buying it! -Can someone run off with something? | 0:13:24 | 0:13:28 | |
WHISTLE BLOWS | 0:13:28 | 0:13:31 | |
There's not a policeman in sight! | 0:13:31 | 0:13:33 | |
'She buys the whistle for £90. | 0:13:33 | 0:13:35 | |
'Will it help take down the particulars of a profit?' | 0:13:35 | 0:13:38 | |
It's got on the front, "The Metropolitan Patent". | 0:13:38 | 0:13:41 | |
Normally, policemen's whistles are nickel-plated. | 0:13:41 | 0:13:45 | |
This one is solid silver | 0:13:45 | 0:13:47 | |
and it's got the punched date of 30th March 1905. | 0:13:47 | 0:13:51 | |
Perhaps it was a presentation piece, which is why it's silver. | 0:13:51 | 0:13:56 | |
£90 I paid for it. | 0:13:56 | 0:13:58 | |
If you don't gamble, you don't win. | 0:13:58 | 0:14:00 | |
Let's just hope I win on this one. | 0:14:00 | 0:14:02 | |
WOLF WHISTLE | 0:14:02 | 0:14:04 | |
'On the other side of the car boot, Mark has spotted a Chinese porcelain panel.' | 0:14:06 | 0:14:11 | |
It's quite a nice panel painted in typical famille rose colours. | 0:14:13 | 0:14:17 | |
These are those delicate pinks you see around it. | 0:14:17 | 0:14:20 | |
It's very decorative, but if we look at the faces, | 0:14:20 | 0:14:23 | |
they're not 18th or 19th century, so we're into the 20th century. | 0:14:23 | 0:14:28 | |
But it is still a very decorative panel. | 0:14:28 | 0:14:31 | |
'Mark buys the panel for £90, | 0:14:31 | 0:14:33 | |
'keeping the pressure on his opponent. | 0:14:33 | 0:14:36 | |
'Catherine looks like she's hitting the bottle as she buys a wine rack.' | 0:14:36 | 0:14:40 | |
Can I say five? Please? | 0:14:41 | 0:14:43 | |
-Go on, then. -Thank you very much indeed. | 0:14:43 | 0:14:46 | |
Date-wise, 20 years old, something like that? | 0:14:46 | 0:14:49 | |
For £5, there's got to be something there, hasn't there? | 0:14:49 | 0:14:52 | |
Any offers? | 0:14:52 | 0:14:55 | |
'Mark is running out of time when he sets his sights on an antique telescope.' | 0:14:55 | 0:15:00 | |
It's a four-drawer telescope. | 0:15:00 | 0:15:02 | |
It's signed, I think, J Hirsch Dallmeyer. | 0:15:04 | 0:15:08 | |
London. London's always quite a good place for a maker | 0:15:08 | 0:15:12 | |
of these scientific instruments. | 0:15:12 | 0:15:14 | |
There's one big problem with it, though. The lens is broken. | 0:15:14 | 0:15:20 | |
We need to replace that. | 0:15:20 | 0:15:22 | |
'Mark buys the telescope for £35, bringing Round 3 to an end. | 0:15:22 | 0:15:26 | |
'But will Mark's purchase magnify his chances of success, | 0:15:26 | 0:15:30 | |
'or has Catherine blown hers with her policeman's whistle? | 0:15:30 | 0:15:34 | |
'With one round left, let's find out who's galloping ahead | 0:15:34 | 0:15:37 | |
'and who is lagging behind... | 0:15:37 | 0:15:40 | |
'..And so the bell rings for Round 4, | 0:16:05 | 0:16:08 | |
'in this stunning showdown between Stacey and Southon, | 0:16:08 | 0:16:11 | |
'taking them to a UK antiques fair. | 0:16:11 | 0:16:14 | |
'This bargain battle of the sexes arrives at Newark International Antiques and Collectors' fair | 0:16:14 | 0:16:20 | |
'in search of must-have memorabilia. | 0:16:20 | 0:16:22 | |
'It's Catherine who goes full steam ahead, as she spots an antique railway sign.' | 0:16:22 | 0:16:27 | |
That's cool. I like that very much. | 0:16:27 | 0:16:30 | |
This is a sign that you'd find at the end of the station | 0:16:30 | 0:16:34 | |
as the train is going out, so they can...whistle. | 0:16:34 | 0:16:38 | |
It's probably not that rare, but it's a good statement piece. | 0:16:38 | 0:16:42 | |
How many of them do you see? | 0:16:42 | 0:16:44 | |
-How much are you asking for it? -Um... | 0:16:44 | 0:16:47 | |
-I'd like 195 for it. -195?! | 0:16:47 | 0:16:50 | |
That's ridiculously expensive! | 0:16:51 | 0:16:54 | |
-Er... -I was hoping you were going to say 50 quid. | 0:16:54 | 0:16:58 | |
I think 120 is the really best on it. | 0:16:58 | 0:17:00 | |
115, and then I will run away. | 0:17:00 | 0:17:03 | |
-Go on, 115. -Thank you very much. You're a very lovely man. | 0:17:03 | 0:17:07 | |
'Catherine thinks she's on the right track with the railway sign. | 0:17:07 | 0:17:11 | |
'Will she be whistling into the wind when it comes to selling it?' | 0:17:11 | 0:17:15 | |
How rare these are, I just don't know, | 0:17:15 | 0:17:18 | |
so it is a huge gamble for me, but one that might just pay off. | 0:17:18 | 0:17:23 | |
# Whistle while you work... # | 0:17:23 | 0:17:25 | |
WHISTLES | 0:17:25 | 0:17:27 | |
'Mark spies and buys an Edwardian simulated tortoiseshell paperclip for £30.' | 0:17:30 | 0:17:36 | |
It's got that lucky wishbone motif in solid silver. | 0:17:36 | 0:17:40 | |
The important thing when you're looking at hallmarks, | 0:17:40 | 0:17:43 | |
particularly on things that have moving parts or removable parts, | 0:17:43 | 0:17:47 | |
is that there should be a full hallmark on the main piece of silver | 0:17:47 | 0:17:51 | |
and then anything attached to it should have a partial mark, | 0:17:51 | 0:17:55 | |
like we have here. | 0:17:55 | 0:17:57 | |
It's about 1910-ish, so it's Edwardian. | 0:17:57 | 0:18:01 | |
It looks like it's on tortoiseshell. | 0:18:01 | 0:18:03 | |
A lovely thing and a quality item to grace anybody's desk. | 0:18:03 | 0:18:08 | |
Oh, I can't wait to see Catherine's face when she sees this! | 0:18:08 | 0:18:12 | |
'Mark's pleased with the paper holder. | 0:18:12 | 0:18:14 | |
'With his final purchase looming, he reveals his secret weapon. | 0:18:14 | 0:18:18 | |
'He has a buyer in mind.' | 0:18:18 | 0:18:20 | |
I have someone who's redoing their little garden. | 0:18:22 | 0:18:26 | |
They did ask if I'd find something suitable for them. | 0:18:26 | 0:18:29 | |
This is rather fun. You've got cherubs climbing up here. | 0:18:29 | 0:18:33 | |
Now, it's not terribly old. It's a sundial. | 0:18:33 | 0:18:39 | |
Something spurious written on it. | 0:18:39 | 0:18:41 | |
We're not buying a quality antique. | 0:18:41 | 0:18:43 | |
What we might be buying is something that makes a profit. | 0:18:43 | 0:18:47 | |
'The Maverick decides to sun-dial his buyer's number | 0:18:47 | 0:18:50 | |
'and sound them out about his potential purchase.' | 0:18:50 | 0:18:53 | |
I think I might have found something interesting. I think you'll love it. | 0:18:53 | 0:18:57 | |
'Having got his buyer interested, | 0:18:57 | 0:18:59 | |
'Mark tries to get the lowest price to maximise his profits.' | 0:18:59 | 0:19:03 | |
95, but that's the best. | 0:19:03 | 0:19:05 | |
-I can't go less than that. -We can do a 90, can't we, for cash? | 0:19:05 | 0:19:09 | |
-Go on, then. -You're an angel. | 0:19:09 | 0:19:11 | |
The deal is done. Catherine, this is how you play the game. | 0:19:11 | 0:19:14 | |
You find the items. You source the buyer. | 0:19:14 | 0:19:17 | |
You talk nicely to the dealer, get it at the price you want | 0:19:17 | 0:19:21 | |
and you know you've got a profit - that's how you do it, dear. | 0:19:21 | 0:19:24 | |
'Very wily, Mr Stacey, but Catherine has a few tricks up her sleeve | 0:19:24 | 0:19:29 | |
'and moves in on an antique apothecary chest.' | 0:19:29 | 0:19:32 | |
It's a lovely, lovely chest. I love the drawers beneath. | 0:19:32 | 0:19:36 | |
Sometimes, you'd find scales or tablets. | 0:19:36 | 0:19:39 | |
Here we've got the glass bottles. All original bottles. | 0:19:39 | 0:19:45 | |
It's Edwardian in style, slightly later than others I have seen. | 0:19:45 | 0:19:50 | |
It's a bit iffy, though. | 0:19:50 | 0:19:52 | |
The locks, I think, are later. That's been put on later. | 0:19:52 | 0:19:56 | |
The hinges are new, though, as well. | 0:19:56 | 0:19:59 | |
'On closer inspection, Catherine is less sure that the box is the remedy she's after.' | 0:19:59 | 0:20:04 | |
Did it start out life as an apothecary chest? | 0:20:04 | 0:20:07 | |
Could you call it that? It hasn't quite got the interior. | 0:20:07 | 0:20:12 | |
In essence, it could just be a box with a load of bottles thrown in. | 0:20:12 | 0:20:17 | |
'Catherine is umming and ah-ing, but decides to swallow the bitter pill and make an offer.' | 0:20:17 | 0:20:22 | |
115 and that's it. Go on. | 0:20:22 | 0:20:25 | |
-I'm shaking on 120. -All right. -Good girl. She's a good'un. | 0:20:25 | 0:20:28 | |
Yeah, she's a fool! | 0:20:28 | 0:20:30 | |
'Catherine's acquisition brings us to the end of the final round. | 0:20:31 | 0:20:35 | |
'Our ultimate fighters battled it out to the bitter end. | 0:20:35 | 0:20:39 | |
'Catherine has the railway sign and the apothecary medicine box. | 0:20:39 | 0:20:42 | |
'Mark has the paper holder and sundial. | 0:20:42 | 0:20:45 | |
'It's time to find out who's reaching for the sky | 0:20:45 | 0:20:48 | |
'and who is lost at sea. | 0:20:48 | 0:20:51 | |
'Our battling buyers each started out with £1,000 of their own money. | 0:20:53 | 0:20:58 | |
'Catherine has kept a tight rein on her purchases and spent only... | 0:20:58 | 0:21:02 | |
'Mark Stacey let his hair down and splashed out... | 0:21:07 | 0:21:11 | |
'Before the exhaustion of our esteemed experts' exertions kicks in | 0:21:16 | 0:21:20 | |
'it's time for them to get together and compare purchases.' | 0:21:20 | 0:21:23 | |
-How are you feeling? -Not too bad. I'm a bit... | 0:21:25 | 0:21:29 | |
-One item I think is a real pain. -Oh. go on, then. | 0:21:29 | 0:21:32 | |
-Come on. You know what. -No, I don't. -That hideous picture. | 0:21:32 | 0:21:36 | |
From Brussels. I haven't even unpacked it. | 0:21:36 | 0:21:38 | |
I don't want to look at it again! What about you? | 0:21:38 | 0:21:41 | |
I bought a whistle, a silver whistle. That was almost £100. | 0:21:41 | 0:21:45 | |
I bought a lovely "whistle" sign. So I'm going for a whistle theme! | 0:21:45 | 0:21:50 | |
You are getting a bit repetitive, Catherine! | 0:21:50 | 0:21:52 | |
-Can't you think OUT of a box? -For God's sake! It's all good fun. | 0:21:52 | 0:21:56 | |
I'm going to put four or five items in the auction and cross my fingers. | 0:21:56 | 0:22:01 | |
-Cross everything. We'll be all right. -Shall we get a cuppa? | 0:22:01 | 0:22:04 | |
I think we deserve it. | 0:22:04 | 0:22:06 | |
'Our contesting couple need to up their game and power on through | 0:22:08 | 0:22:12 | |
'as this sensational showdown is about to sort the wheat from the chaff. | 0:22:12 | 0:22:16 | |
'Having carefully obtained eight items from four locations, | 0:22:16 | 0:22:20 | |
'Catherine and Mark need to use every ounce of their trading knowhow | 0:22:20 | 0:22:24 | |
'to sell on their wares. | 0:22:24 | 0:22:26 | |
'But the Showdown sell-off has a twist - the auction. | 0:22:26 | 0:22:30 | |
'Southon and Stacey must each put at least half their items under the hammer, | 0:22:30 | 0:22:35 | |
'where they'll be unable to control whether their profits soar | 0:22:35 | 0:22:38 | |
'or come crashing down to Earth. | 0:22:38 | 0:22:40 | |
'There's immense pressure on both experts, so how is Catherine feeling | 0:22:40 | 0:22:44 | |
'as she prepares for the approaching onslaught?' | 0:22:44 | 0:22:48 | |
I found it quite tough to buy these items. | 0:22:48 | 0:22:51 | |
The watercolours, I'm hoping that I sell both of those to hotels | 0:22:51 | 0:22:58 | |
or restaurants down in Cornwall, as they depict Cornish scenes. | 0:22:58 | 0:23:02 | |
The leather vanity case, that should be easy to sell. | 0:23:02 | 0:23:05 | |
That rack is not particularly exciting. | 0:23:05 | 0:23:08 | |
The monocular, that is beautiful. There is definitely a large profit. | 0:23:08 | 0:23:13 | |
The item that I'm not happy with... is this box. | 0:23:13 | 0:23:17 | |
It was sold to me as an apothecary box, | 0:23:17 | 0:23:20 | |
but I knew that it wasn't. | 0:23:20 | 0:23:23 | |
The whistle I bought at the boot fair, I love that piece. | 0:23:23 | 0:23:26 | |
The Regency door knocker I bought at auction. | 0:23:26 | 0:23:29 | |
I'll probably end up taking it back to auction. | 0:23:29 | 0:23:32 | |
The "whistle" sign! I think that has got to go to auction. | 0:23:32 | 0:23:36 | |
So this one, the box, the whistle and the knocker. | 0:23:36 | 0:23:40 | |
They're all going off to auction. A few problem areas there. | 0:23:40 | 0:23:44 | |
But Mark Stacey, I know you've got a few problem areas, too. | 0:23:44 | 0:23:47 | |
I'll see you at the auction. | 0:23:47 | 0:23:49 | |
'So, Catherine foresees trouble ahead for her and Mark. | 0:23:49 | 0:23:53 | |
'Down on the south coast, is the Maverick also experiencing pre-fight nerves?' | 0:23:53 | 0:23:58 | |
This is a mad old game, isn't it? | 0:23:58 | 0:24:00 | |
I love the walking cane. I quite like the telescope, | 0:24:00 | 0:24:04 | |
even though it's broken and I think it's early to mid-19th century. | 0:24:04 | 0:24:08 | |
I love the sundial. These I've found private buyers for. | 0:24:08 | 0:24:12 | |
Particularly the sundial. I think that's going to give me a ray of profit. | 0:24:12 | 0:24:16 | |
The other items I'll put into the Showdown auction. | 0:24:16 | 0:24:19 | |
A little bit risky. I'm putting the large oil painting from Brussels, | 0:24:19 | 0:24:24 | |
the Asprey's cigar-related items, | 0:24:24 | 0:24:30 | |
the little paper holder and the Chinese panel. | 0:24:30 | 0:24:35 | |
I'm just hoping that lots of people at the auction will love them. | 0:24:35 | 0:24:39 | |
But who knows? | 0:24:39 | 0:24:41 | |
'It won't be long before we find out. | 0:24:41 | 0:24:44 | |
'Before our experts head to the Showdown auction, | 0:24:44 | 0:24:47 | |
'they must get to work selling their other items. | 0:24:47 | 0:24:50 | |
'Both know that no deal is done until they get that all-important handshake. | 0:24:50 | 0:24:55 | |
'It's Mr Stacey who's first to make a move. | 0:24:57 | 0:25:00 | |
'He's headed to Hove, hoping for a sale of the skull walking cane | 0:25:00 | 0:25:03 | |
'he bought at the market in Brussels for £153.85. | 0:25:03 | 0:25:07 | |
'But will it impress walking cane collector Enrico?' | 0:25:07 | 0:25:11 | |
I've never seen one with that sort of top on it. | 0:25:12 | 0:25:15 | |
Well, that little top, he's actually a satyr. | 0:25:15 | 0:25:19 | |
It's obviously a lady's cane and the height is high. | 0:25:19 | 0:25:24 | |
You'd be a very tall lady to walk with that. | 0:25:24 | 0:25:27 | |
-You'd never be able to put weight on it. -No, you wouldn't. -Because of the flexibility. | 0:25:27 | 0:25:32 | |
I was hoping for around 300. | 0:25:32 | 0:25:36 | |
I'll tell you what. I would go 200. | 0:25:36 | 0:25:39 | |
If I said to you around 250, and you pushed me down a pound or two? | 0:25:39 | 0:25:44 | |
-My last and final offer... -Oh! -..will be 230. | 0:25:44 | 0:25:49 | |
Can I just squeeze you up £5 more and say 235? | 0:25:49 | 0:25:53 | |
-Yeah... -That's a good discount. | 0:25:53 | 0:25:55 | |
-Oh, what the heck? -Are you sure? -What the heck? | 0:25:55 | 0:25:57 | |
'After some tough negotiating from Enrico, Mark makes a profit of... | 0:25:57 | 0:26:01 | |
'..and walks away happy. | 0:26:03 | 0:26:05 | |
'It's a strong start from the Maverick, | 0:26:05 | 0:26:08 | |
'but Catherine is on the move, too. | 0:26:08 | 0:26:10 | |
'For starters, she sells the wine rack to antiques seller, Joe, | 0:26:10 | 0:26:14 | |
'for a modest £5 profit. | 0:26:14 | 0:26:17 | |
'There's a southerly wind prevailing for Miss Southon. | 0:26:17 | 0:26:20 | |
'She heads to Lizard, Cornwall, | 0:26:20 | 0:26:22 | |
'the most southern village in the country. | 0:26:22 | 0:26:24 | |
'She's hoping to sell one of her watercolours | 0:26:24 | 0:26:26 | |
'by Cornish artist Sydney James Beer, | 0:26:26 | 0:26:29 | |
'to local hotel owner, Alfred. | 0:26:29 | 0:26:31 | |
'Together, the two paintings cost Catherine £66, | 0:26:31 | 0:26:34 | |
'so will she now be able to brush up a profit?' | 0:26:34 | 0:26:38 | |
There we are. It's a watercolour. | 0:26:38 | 0:26:40 | |
I would probably date this to, I would say, probably the '30s. | 0:26:40 | 0:26:45 | |
Sydney James Beer is famous | 0:26:45 | 0:26:47 | |
for painting scenes around the Cornish coastline. | 0:26:47 | 0:26:50 | |
-What's your feeling? -Yeah, yeah. I think... it's nice. | 0:26:50 | 0:26:54 | |
It'd be nice to add on to our collection which we already have. | 0:26:54 | 0:26:59 | |
I'm looking for around, somewhere between... £80, £100? | 0:26:59 | 0:27:04 | |
-Mm-hm. -That sort of price. Shall we go in the middle? 90. -Yeah. | 0:27:04 | 0:27:08 | |
-Would you be happy with £90? -I'm happy with that. Beautiful. | 0:27:08 | 0:27:11 | |
Let's have a shake on 90. Thank you very much indeed. | 0:27:11 | 0:27:14 | |
'While in Cornwall, Catherine travels up the coast | 0:27:14 | 0:27:18 | |
'to the setting of the other picture, Mevagissey. | 0:27:18 | 0:27:21 | |
'The sale of the first painting means she's already made her money. | 0:27:21 | 0:27:24 | |
'So anything hotel owner John pays is pure profit.' | 0:27:24 | 0:27:28 | |
The problem is, and I'll be completely honest with you... | 0:27:28 | 0:27:32 | |
-Can you see that there? -Yeah. | 0:27:32 | 0:27:34 | |
It looks like, to me, that once upon a time, | 0:27:34 | 0:27:38 | |
before it was put into this frame, | 0:27:38 | 0:27:40 | |
there would have been a newspaper or something. | 0:27:40 | 0:27:44 | |
-Oh, it's type, isn't it? -Yeah. | 0:27:44 | 0:27:46 | |
It says something like "Drop it flat". | 0:27:46 | 0:27:49 | |
-Considerably reduces the value, I would have thought. -I know! | 0:27:49 | 0:27:52 | |
-You name a price and we'll go from there. -45? | 0:27:52 | 0:27:56 | |
That's very reasonable, considering there is a bit of damage. | 0:27:56 | 0:28:00 | |
-I should have said 30, then. -No! | 0:28:00 | 0:28:02 | |
-BOTH LAUGH -Let's stick to 45. | 0:28:02 | 0:28:05 | |
'Catherine's delighted with... | 0:28:05 | 0:28:07 | |
'Mark isn't dragging his feet. | 0:28:10 | 0:28:12 | |
'When he bought the sundial for £90, | 0:28:12 | 0:28:16 | |
'he had a buyer, Jason, in mind, and checked if he was interested. | 0:28:16 | 0:28:20 | |
'Now, he's taken the sundial to his flamboyant friend's garden, | 0:28:20 | 0:28:24 | |
'to finalise that deal.' | 0:28:24 | 0:28:26 | |
Welcome to my little oasis in Brighton, darling. | 0:28:26 | 0:28:29 | |
-The weather has turned in our favour. -The good Lord is on our side! | 0:28:29 | 0:28:33 | |
-I hope he'll be on my side with the price of this. -I have to say... | 0:28:33 | 0:28:37 | |
-it's SO you! Are you ready? -I'm ready. | 0:28:37 | 0:28:40 | |
Oh! | 0:28:40 | 0:28:42 | |
LAUGHS | 0:28:42 | 0:28:43 | |
-What can you say? -I don't know, dear. | 0:28:43 | 0:28:46 | |
-What do you think, Jason? Don't you love it? -Well, I do! | 0:28:46 | 0:28:50 | |
-I really like it. -I thought, you know... -Mm. -..a very modest £200. | 0:28:50 | 0:28:54 | |
CHOKES | 0:28:54 | 0:28:56 | |
I think it's 30 or 40 years old. | 0:28:56 | 0:28:58 | |
Darling, I can't quite go to £200. | 0:28:58 | 0:29:01 | |
-What could you go to? -I tell you what, I'll give you 199. | 0:29:01 | 0:29:06 | |
-MARK LAUGHS -Is that all right, dear? | 0:29:06 | 0:29:08 | |
I'm going to go for that. It's only £1 between friends. | 0:29:08 | 0:29:11 | |
-Is that all right, dear? -I love it. Thank you. | 0:29:11 | 0:29:14 | |
How lovely! Could you get the polish out? | 0:29:14 | 0:29:18 | |
I've got to clean this tatty old thing! | 0:29:18 | 0:29:20 | |
'Hm, Jason prepares to polish his sundial | 0:29:21 | 0:29:24 | |
'and Mark has a profit of £109, meaning the Maverick is beaming.' | 0:29:24 | 0:29:28 | |
Well, Miss Southon. How's the sun shining on you? | 0:29:28 | 0:29:31 | |
I can't wait to find out. | 0:29:31 | 0:29:34 | |
'As it happens, Catherine's in fine fettle. | 0:29:34 | 0:29:37 | |
'She's taken the brass and ivory monocular that cost her £128.21 | 0:29:37 | 0:29:41 | |
'to Hungerford, where she's hoping to spy a profit from Rita, | 0:29:41 | 0:29:45 | |
'who deals in scientific equipment.' | 0:29:45 | 0:29:47 | |
-I've got something to show you. There you go. -Isn't that gorgeous? | 0:29:48 | 0:29:52 | |
I hadn't heard of Grice before. | 0:29:52 | 0:29:54 | |
I looked them up, and Hawks Grice was working in Bond Street | 0:29:54 | 0:29:59 | |
from 1818 to 1823. | 0:29:59 | 0:30:03 | |
-So we can date this almost exactly to, say, circa 1820. -Yes. | 0:30:03 | 0:30:08 | |
He made microscopes and other optical instruments, | 0:30:08 | 0:30:11 | |
but for such a short period of time, I think this is quite a rare piece. | 0:30:11 | 0:30:16 | |
I don't think you'll find many instruments by this maker. | 0:30:16 | 0:30:19 | |
I know what I would like. I'd like around 200, 250. | 0:30:19 | 0:30:22 | |
But I know you've got to have a little profit on it. You've got to sell it. | 0:30:22 | 0:30:27 | |
-I can't go any higher than 200. -Are you happy with £200? -Yes. I love it. | 0:30:27 | 0:30:33 | |
Shall we shake on 200? | 0:30:33 | 0:30:35 | |
'Catherine makes a magnificent... | 0:30:35 | 0:30:37 | |
'..and has now just one item left to sell before the Showdown auction. | 0:30:40 | 0:30:45 | |
'Mark is also down to his final item before the auction, | 0:30:45 | 0:30:48 | |
'the telescope, but he can't seem to spy a buyer anywhere.' | 0:30:48 | 0:30:52 | |
I tried everywhere to sell this. | 0:30:52 | 0:30:54 | |
I've tried opticians, astronomy shops, yacht clubs. | 0:30:54 | 0:30:58 | |
Nothing. | 0:30:58 | 0:30:59 | |
So I found a friend who runs a lovely seaside hotel in Eastbourne | 0:30:59 | 0:31:03 | |
who might use it as a bar prop. | 0:31:03 | 0:31:05 | |
'Mark paid £35 for the telescope. | 0:31:05 | 0:31:08 | |
'Will hotelier Neil help him see his way to a profit?' | 0:31:08 | 0:31:12 | |
-This is it. -OK, looks... -It extends. | 0:31:12 | 0:31:15 | |
-It's about 1860. -It's a big one, isn't it? | 0:31:15 | 0:31:18 | |
Lovely by the sea. I can look out my bedroom. | 0:31:18 | 0:31:21 | |
-Mm, there's a slight problem. -Oh. | 0:31:21 | 0:31:23 | |
Have a look out of it. | 0:31:23 | 0:31:25 | |
-You can't see a thing, can you? -No. -Cos the lens is broken! | 0:31:28 | 0:31:32 | |
So I was rather hoping that we could get | 0:31:32 | 0:31:35 | |
sort of nearer to a nice round figure like 50. | 0:31:35 | 0:31:38 | |
-50 it is. It's a deal. -Thank you very much, Neil. | 0:31:38 | 0:31:41 | |
'Catherine takes the vanity case that cost her £6.84 | 0:31:47 | 0:31:51 | |
'to Lynn and Kit, who run a vintage clothes shop in Greenwich Market.' | 0:31:51 | 0:31:56 | |
I have something to show you, ladies, something that I bought in a market in Belgium. | 0:31:56 | 0:32:02 | |
A foreign market, so tell me what you think about that. | 0:32:02 | 0:32:05 | |
-I've sent you photos, haven't I? -Yes. That is nice. | 0:32:05 | 0:32:09 | |
Sadly, it's not leather. If it was, that would be quite nice. | 0:32:09 | 0:32:13 | |
I haven't done anything to it. It's as I bought it. | 0:32:13 | 0:32:17 | |
-So have a look. -That's nice. That's lovely. | 0:32:17 | 0:32:21 | |
I would like 35, how does that sound to you? | 0:32:21 | 0:32:24 | |
Maybe 30, cos we might have a bit of a job getting somebody with E.B. | 0:32:24 | 0:32:29 | |
-30. So, are we happy with that? £30. -We are, indeed. -I think so. | 0:32:29 | 0:32:34 | |
Thank you very much. Let me shake your hand, too. | 0:32:34 | 0:32:37 | |
Thank you very much, ladies. | 0:32:37 | 0:32:39 | |
'So, Catherine makes a profit of... | 0:32:39 | 0:32:42 | |
'proving that she's dressed for success.' | 0:32:42 | 0:32:45 | |
Beat that, Mark Stacey! | 0:32:45 | 0:32:48 | |
'We're halfway through this race for profit. | 0:32:48 | 0:32:51 | |
'It's time to see who'll be going into the auction on top, | 0:32:51 | 0:32:54 | |
'and who'll be the underdog. | 0:32:54 | 0:32:56 | |
'Catherine has sold four items... | 0:32:56 | 0:32:59 | |
'Mark has only made three deals... | 0:33:03 | 0:33:05 | |
'Our experts have worked tirelessly to fill their profit pots. | 0:33:09 | 0:33:12 | |
'Now, they must face the ups and downs of auction | 0:33:12 | 0:33:16 | |
'and surrender control to an auctioneer and his customers in Dorset, | 0:33:16 | 0:33:21 | |
'as their remaining items go under the hammer.' | 0:33:21 | 0:33:23 | |
-Good morning, darling. -My darling! -How are you? -I'm fine, thank you. | 0:33:23 | 0:33:27 | |
-And yourself? -Very well. The sun is shining on us. | 0:33:27 | 0:33:30 | |
-This is our showdown. -I know! Showdown time! | 0:33:30 | 0:33:34 | |
-Are you nervous? -I am absolutely petrified of this. | 0:33:34 | 0:33:38 | |
-I've got a few howlers here, Mark. -YOU've got a few howlers, Catherine? | 0:33:38 | 0:33:43 | |
-This could be our Titanic moment. -We will go on, Mark. And on. | 0:33:43 | 0:33:47 | |
-And on. -And on. | 0:33:47 | 0:33:49 | |
And you do. | 0:33:49 | 0:33:50 | |
'As former auctioneers themselves, Catherine and Mark know just how much can be won or lost. | 0:33:50 | 0:33:56 | |
'Before the bidding gets under way, our duelling duo | 0:33:56 | 0:33:59 | |
'check out each other's lots.' | 0:33:59 | 0:34:02 | |
It's a pretty box, but when you open it up, | 0:34:02 | 0:34:05 | |
it's meant to be an apothecary box. | 0:34:05 | 0:34:07 | |
I don't think it's an apothecary box. | 0:34:07 | 0:34:09 | |
Catherine doesn't think it's an apothecary box. | 0:34:09 | 0:34:11 | |
It has been catalogued as an apothecary box but I think it's made up. | 0:34:11 | 0:34:16 | |
These two items are fantastic. | 0:34:16 | 0:34:18 | |
Lovely cigar case and cigar piercer. Nine-carat gold. | 0:34:18 | 0:34:24 | |
Pure gold, Stacey. Pure gold. | 0:34:24 | 0:34:26 | |
'First under the hammer is Mark's Chinese porcelain panel. | 0:34:26 | 0:34:30 | |
'It cost him £90. Mark is concerned it won't fetch as much at auction.' | 0:34:30 | 0:34:35 | |
If I'm being realistic, I would put that in at £50 to £80. | 0:34:35 | 0:34:40 | |
-But you never know with the internet. -It might take off. | 0:34:40 | 0:34:43 | |
Lot number 594, the Chinese porcelain panel | 0:34:43 | 0:34:46 | |
in the famille rose colours. | 0:34:46 | 0:34:49 | |
£20 is bid here. At 20. 30. 40. 50. | 0:34:49 | 0:34:51 | |
60. 70. £70 I have, now. | 0:34:51 | 0:34:54 | |
-80. 90 on the net. 100. -Ooh, well done. | 0:34:54 | 0:34:57 | |
-110. 120. At £120. -Ooh, that's better. | 0:34:57 | 0:35:00 | |
-Come on! -I sell at £120. Selling at 120... | 0:35:00 | 0:35:04 | |
You cheeky devil! | 0:35:05 | 0:35:07 | |
'To Mark's relief, the picture paints a profit of... | 0:35:08 | 0:35:13 | |
'Next up is Catherine's "whistle" sign. | 0:35:13 | 0:35:16 | |
'She paid a mighty £115 for it at the antiques fair. | 0:35:16 | 0:35:19 | |
'She'll need to get a piercing price here if she's to turn any profit after fees.' | 0:35:19 | 0:35:25 | |
Straight in here at £45. At 45. 50. 60. | 0:35:25 | 0:35:29 | |
70. 80. 90. 100. That's £100 I have and away now. | 0:35:29 | 0:35:33 | |
-Come on! Bit more. -Selling and away at 100... | 0:35:33 | 0:35:36 | |
To be honest, I thought that might crash at £50 so I'm quite relieved. | 0:35:37 | 0:35:43 | |
Can we have a smile, then? Stop all this blustering. | 0:35:43 | 0:35:46 | |
'Catherine remains positive after losing... | 0:35:46 | 0:35:50 | |
'But could things be about to get worse as her next lot comes up? | 0:35:52 | 0:35:56 | |
'It's the cabinet she bought for £120 from the antiques fair. | 0:35:56 | 0:36:00 | |
'Miss Southon is still unsure about what exactly it is.' | 0:36:00 | 0:36:05 | |
Is it an apothecary cabinet? I don't think it is. | 0:36:05 | 0:36:07 | |
It's the 19th century apothecary's or medicine cabinet. | 0:36:07 | 0:36:10 | |
Straight in here at £60. Away now at 60. 70. 80. | 0:36:10 | 0:36:14 | |
90. 100. At £100 and away now. | 0:36:14 | 0:36:16 | |
-Selling away at 100... -BANGS GAVEL | 0:36:16 | 0:36:19 | |
'The hammer goes down at £100, meaning, after auction fees, | 0:36:19 | 0:36:23 | |
'Catherine swallows a £41.66 loss. | 0:36:23 | 0:36:28 | |
'The auction hasn't gone well so far for Catherine, but she's hoping that the rural setting | 0:36:28 | 0:36:33 | |
'might help her chances with her next lot - | 0:36:33 | 0:36:36 | |
'the knocker.' | 0:36:36 | 0:36:38 | |
There are some beautiful houses around here. | 0:36:38 | 0:36:41 | |
-Let's hope someone needs a knocker. -It could ring somebody's bell. | 0:36:41 | 0:36:46 | |
The cast iron door knocker, a nice one. Straight in at £20. | 0:36:46 | 0:36:49 | |
-Oh, 20 in. -A bit more. -20. Five. 30. Five. 40. | 0:36:49 | 0:36:54 | |
-Come on cos I'm not in profit now. -Last chance. Fair warning. | 0:36:54 | 0:36:57 | |
I'm selling away at 40, at 40... | 0:36:57 | 0:37:00 | |
BANGS GAVEL | 0:37:00 | 0:37:01 | |
'Ouch! It's another loss... | 0:37:01 | 0:37:03 | |
'..further knocking Catherine's dreams of victory.' | 0:37:06 | 0:37:08 | |
-I'm quite pleased cos my two biggies are out the way. -Yes. | 0:37:08 | 0:37:12 | |
It's good to get the biggies out the way, isn't it? | 0:37:12 | 0:37:15 | |
'Yes, it is. Now it's Mark's turn to worry, | 0:37:15 | 0:37:18 | |
'as his cardinal painting goes under the hammer. | 0:37:18 | 0:37:21 | |
'A very concerned Mark paid £128.21 at the Belgian market | 0:37:21 | 0:37:25 | |
'and is praying for divine inspiration.' | 0:37:25 | 0:37:28 | |
Why did I buy this painting? | 0:37:28 | 0:37:30 | |
-Oh, Mark, I'm trying to be nice about it. -Try harder. | 0:37:30 | 0:37:34 | |
-I'm straight in here at £70. -Oh, 70. -Good luck. | 0:37:34 | 0:37:38 | |
-80. 90. 100. 110. 120. -There you go! | 0:37:38 | 0:37:41 | |
130. 140. 150. 160, new bidder. | 0:37:41 | 0:37:45 | |
At £160. It's Ken's bid at £160... | 0:37:45 | 0:37:48 | |
-You jammy... -A bit more! | 0:37:48 | 0:37:50 | |
-"A bit more!" -Bit more. | 0:37:50 | 0:37:53 | |
"A bit more!" | 0:37:54 | 0:37:56 | |
-# Hallelujah! # -'Hallelujah indeed! | 0:37:56 | 0:37:59 | |
'Mark's prayers are sort of answered but he still has to make do | 0:37:59 | 0:38:02 | |
'with a small loss of 67p. | 0:38:02 | 0:38:05 | |
'Mark's two gold items are up next. | 0:38:05 | 0:38:08 | |
'He picked up the cigar case and piercer for £125 each | 0:38:08 | 0:38:12 | |
'when they failed to sell at the auction house in Essex. | 0:38:12 | 0:38:16 | |
'Will they now sell at this auction and will they make a profit? | 0:38:16 | 0:38:20 | |
'The cigar case is first up.' | 0:38:20 | 0:38:22 | |
This is the Asprey black simulated crocodile skin cigar case... | 0:38:22 | 0:38:25 | |
-The cigar case. -They have split them for some reason. | 0:38:25 | 0:38:30 | |
-I'd put them in as one lot. -Start me at £100 and away. 100. | 0:38:30 | 0:38:33 | |
50 to start it. £50 and away now. | 0:38:33 | 0:38:36 | |
-Oh, no! -No bids at £50. | 0:38:36 | 0:38:39 | |
30 to start it. 30 bid on the internet. | 0:38:39 | 0:38:43 | |
-Five. At £35 now. 40. Five. At 45. -It's going up. -This is terrible. | 0:38:43 | 0:38:47 | |
50. At £50 on the internet. At 50. 60 in the room. | 0:38:47 | 0:38:50 | |
Are you all sure? If not, it goes and sells at £60. | 0:38:50 | 0:38:54 | |
Fair warning. Selling away at 60... | 0:38:54 | 0:38:56 | |
'It seems like Mark's dreams of winning might be going up in smoke | 0:38:56 | 0:39:00 | |
'when the case sells for £60 | 0:39:00 | 0:39:02 | |
'and he loses a catastrophic... | 0:39:02 | 0:39:04 | |
'He's hoping the cigar piercer will do better.' | 0:39:08 | 0:39:11 | |
£50 and away for this one here? 30 to start it? | 0:39:11 | 0:39:14 | |
-Come on! It's got to be worth it. -I can't look! | 0:39:14 | 0:39:17 | |
At £30 I have. Take a fiver where? £35 on the internet. At 35. 40. | 0:39:17 | 0:39:22 | |
-£40 I have. 45. -That's terribly cheap. -That's cheap. | 0:39:22 | 0:39:26 | |
At £45 I have now. 50. Paul's bid at £50 I have now. | 0:39:26 | 0:39:29 | |
Fair warning. | 0:39:29 | 0:39:31 | |
-Selling and away at 50... -BANGS GAVEL | 0:39:31 | 0:39:33 | |
'What a mighty blow! The piercer loses even more. | 0:39:33 | 0:39:37 | |
'Mark is left licking his wounds, having lost a devastating...' | 0:39:37 | 0:39:41 | |
I'll survive! | 0:39:42 | 0:39:44 | |
Ooh! Darling! | 0:39:44 | 0:39:46 | |
'All Mark's hopes are pinned on his last item, | 0:39:46 | 0:39:49 | |
'the Edwardian simulated tortoiseshell paperclip | 0:39:49 | 0:39:52 | |
'which cost him £30 at the antiques fair.' | 0:39:52 | 0:39:55 | |
Straight in here at £25. | 0:39:55 | 0:39:57 | |
-25. -Come on. -30. Five. | 0:39:57 | 0:40:00 | |
40. Five. £45. My bid at 45... | 0:40:00 | 0:40:03 | |
-Oh, come on! -Any internet interest? | 0:40:03 | 0:40:05 | |
-On the internet, 60 there... -What did I say? 60? | 0:40:05 | 0:40:08 | |
-You did. You were right, Catherine. -Selling and away at 60... | 0:40:08 | 0:40:12 | |
Absolutely lovely. | 0:40:12 | 0:40:13 | |
'Hurrah! After costs, Mark makes a profit of...' | 0:40:13 | 0:40:17 | |
Clawed back a little bit! | 0:40:19 | 0:40:21 | |
'Catherine's hoping to do the same with her final piece. | 0:40:24 | 0:40:27 | |
'Can the silver police whistle she paid £90 for | 0:40:27 | 0:40:30 | |
'sound her very first profit at the auction?' | 0:40:30 | 0:40:33 | |
30 bid, thank you. At 30. £30 I have now. 30. Five. 40. Five. | 0:40:33 | 0:40:38 | |
50. 60. £60 I have now. | 0:40:38 | 0:40:40 | |
-I need more than that. 70. -70. | 0:40:40 | 0:40:43 | |
The room is out. It's an internet bid. It's going to be sold. | 0:40:43 | 0:40:47 | |
Away... 80. New bidder. Fresh blood at 80. 90. | 0:40:47 | 0:40:51 | |
-£90 I have. Still on the net, £90. -That's what I paid! | 0:40:51 | 0:40:56 | |
'The whistle goes for the same amount Catherine bought it for, | 0:40:57 | 0:41:01 | |
'meaning that, after costs, she makes a loss of... | 0:41:01 | 0:41:05 | |
'With that, the Showdown auction is done. | 0:41:05 | 0:41:08 | |
'Our duelling dealers each started with £1,000 of their own money... | 0:41:11 | 0:41:15 | |
'But the only thing that matters now is who has made the most profit? | 0:41:27 | 0:41:32 | |
'All the money will go to our dealers' chosen charities. | 0:41:32 | 0:41:35 | |
'Let's find out who is today's Put Your Money Where Your Mouth Is champion.' | 0:41:35 | 0:41:40 | |
-# Showdown! # -Show time, darling! | 0:41:40 | 0:41:43 | |
-How are you feeling? -All right, yeah... | 0:41:43 | 0:41:46 | |
-Well, no. -It's been tricky. Come on, it's been tricky. | 0:41:46 | 0:41:50 | |
-You must have had one or two good sales! -Yes, I did. | 0:41:50 | 0:41:54 | |
The monocular, that was very good. The others were mediocre. | 0:41:54 | 0:41:58 | |
What about you? | 0:41:58 | 0:42:00 | |
The walking stick. And the sundial really shone on me, I can tell you! | 0:42:00 | 0:42:04 | |
-I don't think you're worried about big profits, Catherine. -I'm not. | 0:42:04 | 0:42:08 | |
-I'm not hoping for much. -Ready? -One, two...three! | 0:42:08 | 0:42:12 | |
GASPS | 0:42:12 | 0:42:14 | |
CATHERINE LAUGHS | 0:42:14 | 0:42:16 | |
'Catherine pips Mark at the post, but there's more. | 0:42:16 | 0:42:20 | |
'Over the week, our experts have been building up their profit pots. | 0:42:20 | 0:42:24 | |
'It's time to find out who's won overall.' | 0:42:24 | 0:42:27 | |
You ready? One, two, three... | 0:42:27 | 0:42:30 | |
-Oh, we're so close, Catherine! -Oooh! | 0:42:32 | 0:42:34 | |
-It's always the best ones that win. -Oh! | 0:42:34 | 0:42:37 | |
Fluke! | 0:42:38 | 0:42:39 | |
'It's been a fiercely fought war, but Catherine comes out on top. | 0:42:39 | 0:42:43 | |
'Both she and Mark have made fantastic profits. | 0:42:43 | 0:42:46 | |
'All that money will be going to their chosen charities.' | 0:42:46 | 0:42:49 | |
I'm delighted to be able to give over £700 to my chosen charity, | 0:42:49 | 0:42:54 | |
the National Rheumatoid Arthritis Society. | 0:42:54 | 0:42:56 | |
I'm sure they'll put that money to very good use. | 0:42:56 | 0:42:59 | |
I'm absolutely thrilled to have made just under £800 for the charity Brainwave. | 0:42:59 | 0:43:06 | |
This is a charity that works with children with disabilities | 0:43:06 | 0:43:10 | |
and helps them to reach their maximum potential. | 0:43:10 | 0:43:14 | |
'What a week it's been! | 0:43:14 | 0:43:15 | |
'Mark and Catherine have both put their money where their mouths are | 0:43:15 | 0:43:19 | |
'and proved that they're more than capable of generating profits from collectables | 0:43:19 | 0:43:23 | |
'when their own money is on the line.' | 0:43:23 | 0:43:26 | |
Subtitles by Red Bee Media Ltd | 0:43:30 | 0:43:33 | |
E-mail [email protected] | 0:43:33 | 0:43:37 |