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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profit... | 0:00:07 | 0:00:11 | |
Hey-hey! | 0:00:11 | 0:00:12 | |
..and gives you the insider's view of the trade. | 0:00:12 | 0:00:16 | |
I'm on the case. | 0:00:16 | 0:00:18 | |
Each week, one pair of duelling dealers | 0:00:18 | 0:00:22 | |
will face a different daily challenge... | 0:00:22 | 0:00:24 | |
I'm a cheeky chancer. Lovely! | 0:00:24 | 0:00:27 | |
..putting their reputations on the line and giving you top tips | 0:00:27 | 0:00:30 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:30 | 0:00:36 | |
-Let's go and spend some money. -Get in there! | 0:00:36 | 0:00:39 | |
Today, it's Battlefield Belgium, where the savvy, streetwise salesman | 0:00:41 | 0:00:45 | |
Mark Franks takes on the auctioneer extraordinaire James Lewis. | 0:00:45 | 0:00:49 | |
Coming up, Mark demonstrates a novel way to get the best deal. | 0:00:49 | 0:00:53 | |
Have you ever seen John Cleese in Fawlty Towers? | 0:00:53 | 0:00:57 | |
-The programme Fawlty Towers? -Yes. -He did this, right? | 0:00:57 | 0:01:00 | |
-Flustered James is like a bull in a china shop. -Whoops! | 0:01:03 | 0:01:09 | |
And they both face some formidable buyers. | 0:01:09 | 0:01:11 | |
-How many have you struck? -Honestly...five? | 0:01:11 | 0:01:14 | |
That's a fiver you knocked off straight away, before you started. | 0:01:14 | 0:01:17 | |
Rust, schmust. Come on, it's a lot of railings there. | 0:01:17 | 0:01:20 | |
No, but it's gone, it's gone, it's had it. | 0:01:20 | 0:01:22 | |
This is Put Your Money Where Your Mouth Is. | 0:01:22 | 0:01:24 | |
Today's bargaining blitzkrieg | 0:01:36 | 0:01:39 | |
rattles the stalls of Belgium's | 0:01:39 | 0:01:41 | |
world-famous Waterloo antiques market. | 0:01:41 | 0:01:44 | |
Our titanic trinket traders have crossed the Channel | 0:01:44 | 0:01:47 | |
and need all guns blazing | 0:01:47 | 0:01:49 | |
in their battle for ultimate antiques glory. | 0:01:49 | 0:01:52 | |
These marauding dealers will hunt like savages and use | 0:01:52 | 0:01:56 | |
their wily ways to bag premium pieces for the best possible prices. | 0:01:56 | 0:02:01 | |
First up, the mercenary musketeer, Mark "Franksy" Franks - | 0:02:01 | 0:02:05 | |
a mighty man with his own unique charm. | 0:02:05 | 0:02:09 | |
Is it me, or does that really look like James? Look at the teeth! | 0:02:09 | 0:02:13 | |
But his contender is not to be messed with. | 0:02:13 | 0:02:16 | |
It's the Derbyshire dynamo, James "The Lionheart" Lewis, | 0:02:16 | 0:02:20 | |
a rip-roaring rummager | 0:02:20 | 0:02:21 | |
who has mastered the art of aping his adversary. | 0:02:21 | 0:02:25 | |
I'm Mark Franks! | 0:02:25 | 0:02:26 | |
They have a steep hill to climb in their search for the best | 0:02:26 | 0:02:30 | |
Belgian antiques and, once they reach the summit, | 0:02:30 | 0:02:33 | |
they must sell on their items for the highest profit, | 0:02:33 | 0:02:36 | |
but only one can peak and be crowned the conquering hero. | 0:02:36 | 0:02:39 | |
Both our boys have converted £750 of their own money into euros | 0:02:40 | 0:02:45 | |
and all the profit they make will go to their chosen charities. | 0:02:45 | 0:02:49 | |
So, Mark Franks and James Lewis, | 0:02:49 | 0:02:52 | |
it's time to Put Your Money Where Your Mouth Is. | 0:02:52 | 0:02:55 | |
-Morning. -Bonjour. -Bonjour. Ca va? -Mangetout. | 0:02:55 | 0:03:00 | |
-Del Boy's guide to French! -Yeah, exactly that. | 0:03:00 | 0:03:03 | |
Now, what a great fair, I do love this fair. It's a bit early for me. | 0:03:03 | 0:03:07 | |
I like my beauty sleep, but it is a nice fair, isn't it? | 0:03:07 | 0:03:10 | |
So what are you looking for? That's the question. | 0:03:10 | 0:03:12 | |
-What are you looking to buy? -Anything cheap really. | 0:03:12 | 0:03:15 | |
Anything cheap?! | 0:03:15 | 0:03:16 | |
I didn't think you were a cheap person, I thought | 0:03:16 | 0:03:18 | |
-you were a man of style and quality. -Of course, CHEAP style and quality. | 0:03:18 | 0:03:21 | |
Well, I'm going to be looking for stuff | 0:03:21 | 0:03:23 | |
that you just cannot buy in the UK. | 0:03:23 | 0:03:25 | |
If you find something that they underrate here | 0:03:25 | 0:03:27 | |
that we rate in the UK, it's a good policy. | 0:03:27 | 0:03:30 | |
-You know, there is one thing we should do. -What's that? | 0:03:30 | 0:03:32 | |
Get on with it. | 0:03:32 | 0:03:34 | |
They seem full of bonhomie, but this is a struggle for supremacy | 0:03:34 | 0:03:38 | |
and cheeky Franksy has sold James a big, fat, red herring. | 0:03:38 | 0:03:42 | |
Now, regardless of what I said | 0:03:42 | 0:03:44 | |
when I was talking to James earlier on, | 0:03:44 | 0:03:46 | |
the reality of it is that I'm here to buy industrial items. | 0:03:46 | 0:03:52 | |
That's what I've got in mind. | 0:03:52 | 0:03:54 | |
I'm thinking of big, big flats in London, | 0:03:54 | 0:03:58 | |
where they've got the room to have big, oversized items. | 0:03:58 | 0:04:02 | |
Franksy may have kept his cards close to his chest, | 0:04:02 | 0:04:04 | |
but the Lionheart is a formidable adversary | 0:04:04 | 0:04:07 | |
and is already sharply focused. | 0:04:07 | 0:04:10 | |
When you come somewhere like this, | 0:04:10 | 0:04:11 | |
the idea is to keep a very broad mind. | 0:04:11 | 0:04:15 | |
You're going to find something that you would never have | 0:04:15 | 0:04:18 | |
expected to find in a million years. | 0:04:18 | 0:04:21 | |
So, with the battle lines drawn, our fearless finders advance and | 0:04:21 | 0:04:25 | |
it's James who pounces straight away, buying a statue of a spaniel. | 0:04:25 | 0:04:30 | |
Well, that's my first little purchase in the bag. | 0:04:30 | 0:04:33 | |
It's a 19th-century bronze. | 0:04:33 | 0:04:35 | |
Every bronze starts life, in a way, like a brass colour. | 0:04:35 | 0:04:40 | |
The finish that you see, | 0:04:40 | 0:04:41 | |
is a finish that's patinated over the base metal. | 0:04:41 | 0:04:45 | |
So you either get gold-plated bronze, which is ormolu, | 0:04:45 | 0:04:48 | |
silvered bronze, dark-patinated bronze | 0:04:48 | 0:04:50 | |
or, like this one, brown patinated. | 0:04:50 | 0:04:53 | |
Unlike brass, if you clean it, you ruin it. | 0:04:53 | 0:04:56 | |
Luckily, this has still got loads of dust and all its patination left. | 0:04:56 | 0:05:01 | |
But for 35 euros, that, in my opinion, is a bit of a bargain. | 0:05:01 | 0:05:05 | |
And converting that money back into sterling, | 0:05:05 | 0:05:08 | |
the dog costs the Lionheart £29.91. | 0:05:08 | 0:05:12 | |
Franksy is barely out of the trenches | 0:05:12 | 0:05:15 | |
and James has already fired the opening salvo. | 0:05:15 | 0:05:18 | |
And the Lionheart wastes no time loading up with his second purchase, | 0:05:18 | 0:05:23 | |
a 19th-century Italian table sculpture. | 0:05:23 | 0:05:26 | |
This would have been brought back by a tourist, who had gone to visit | 0:05:26 | 0:05:31 | |
the original that is housed in the Uffizi Gallery in Florence. | 0:05:31 | 0:05:36 | |
The story goes that Spinario, this little boy, | 0:05:36 | 0:05:39 | |
he was sent with a message from the Roman Senate and he ran and ran | 0:05:39 | 0:05:44 | |
and ran and didn't even stop to take a thorn out of his foot | 0:05:44 | 0:05:49 | |
until he had delivered his message and then he arrived in Rome, | 0:05:49 | 0:05:53 | |
sat down and removed the now very deeply embedded thorn. | 0:05:53 | 0:05:57 | |
Out of respect for a very courageous little boy, | 0:05:57 | 0:06:00 | |
they carved a figure out of marble. | 0:06:00 | 0:06:03 | |
Having paid 45 euros, that is a dead cert. | 0:06:03 | 0:06:07 | |
45 euros works out at £38.46. James is off and running. | 0:06:07 | 0:06:13 | |
Still early and already two items tucked neatly under his belt. | 0:06:13 | 0:06:17 | |
It puts Franksy well and truly on the back foot, | 0:06:17 | 0:06:19 | |
not that you'd notice. He's off making new friends. | 0:06:19 | 0:06:23 | |
He's as cute as James is uncute. Aren't you, eh? | 0:06:23 | 0:06:26 | |
Look at your wiggly tail, little wiggly tail. | 0:06:26 | 0:06:30 | |
Yes, you need to get a wriggly on, Franks. | 0:06:30 | 0:06:32 | |
The Lionheart is pawing another potential purchase, | 0:06:32 | 0:06:35 | |
an early 20th-century walking cane with an ivory head | 0:06:35 | 0:06:38 | |
and the stallholder is willing to do a deal. | 0:06:38 | 0:06:41 | |
Maintenant, 80. | 0:06:41 | 0:06:44 | |
Merci. | 0:06:45 | 0:06:46 | |
He's saying normally it would be 100, now he's saying 80. | 0:06:46 | 0:06:50 | |
Oh, well, it's the third object | 0:06:50 | 0:06:52 | |
and the pressure is off, isn't it? So, merci. | 0:06:52 | 0:06:55 | |
And James walks off with the cane for £68.38 | 0:06:55 | 0:06:58 | |
and, because it's over 100 years old, | 0:06:58 | 0:07:01 | |
it predates the laws restricting the sale of ivory. | 0:07:01 | 0:07:04 | |
Three items up and there's no stopping the Lionheart | 0:07:04 | 0:07:07 | |
but, true to form, Mark has found his feet | 0:07:07 | 0:07:09 | |
and he's fallen for a biscuit barrel. | 0:07:09 | 0:07:11 | |
This is absolutely lovely. | 0:07:12 | 0:07:15 | |
Combien, s'il vous plait? | 0:07:15 | 0:07:17 | |
Combien? | 0:07:17 | 0:07:19 | |
-120. -What's your dernier, dernier prix? -110. | 0:07:19 | 0:07:22 | |
Oh, gosh! | 0:07:22 | 0:07:24 | |
-You'll never find... -No, I know, it's lovely. I love it. | 0:07:24 | 0:07:27 | |
Listen, I love it. You don't need to tell me, I love it, it's beautiful. | 0:07:27 | 0:07:30 | |
-It's from... Where is it from? -From Belgium, from Belgium. | 0:07:30 | 0:07:34 | |
And it was from a shop, from a magasin? | 0:07:34 | 0:07:36 | |
From a shop, yes, from a shop. | 0:07:36 | 0:07:39 | |
I'm in a real bad place here, a really bad place, | 0:07:39 | 0:07:42 | |
where my heart is going, "Buy it, buy it!" | 0:07:42 | 0:07:45 | |
My brain is going, "You won't make a profit, | 0:07:45 | 0:07:47 | |
"you won't even get your money back!" | 0:07:47 | 0:07:48 | |
Have you ever seen John Cleese in Fawlty Towers? | 0:07:48 | 0:07:51 | |
-The programme Fawlty Towers? -Yes. -He did this, right? | 0:07:51 | 0:07:56 | |
STALLHOLDER LAUGHS | 0:07:56 | 0:07:58 | |
And that is exactly how I feel. OK, | 0:08:00 | 0:08:03 | |
-cent...cinq, dernier prix. -OK. | 0:08:03 | 0:08:08 | |
-It's yours. -You are a gentleman. | 0:08:08 | 0:08:10 | |
Franksy is finally off and no Fawlties there. | 0:08:10 | 0:08:13 | |
The barrel cost him £89.74. | 0:08:13 | 0:08:16 | |
It's not exactly industrial, | 0:08:16 | 0:08:18 | |
but it's definitely something he won't find back at home. | 0:08:18 | 0:08:21 | |
Franksy's first find doesn't faze his foe | 0:08:21 | 0:08:24 | |
because James has been approached by a fan. | 0:08:24 | 0:08:26 | |
He just said, who am I up against? I said, "Mark Franks," | 0:08:26 | 0:08:30 | |
and he went, "Ha! That's going to be easy!" | 0:08:30 | 0:08:33 | |
Ooh! Let's not underestimate Mark too soon. | 0:08:33 | 0:08:36 | |
He's already off searching for purchase number two. | 0:08:36 | 0:08:39 | |
James gets back down to business and reveals a clever tactic. | 0:08:39 | 0:08:42 | |
He has come to Belgium with a short shopping list | 0:08:42 | 0:08:44 | |
for a guaranteed buyer back home. | 0:08:44 | 0:08:48 | |
I've got a friend who is just opening a hairdressing salon in Nottingham | 0:08:48 | 0:08:52 | |
and he's got lots of gilt mirrors | 0:08:52 | 0:08:55 | |
and he wants a chandelier, a clock and something to hang the coats on. | 0:08:55 | 0:09:00 | |
That would certainly work with his gilt mirrors. | 0:09:00 | 0:09:03 | |
Right, I've taken a photograph of it. | 0:09:03 | 0:09:07 | |
I've sent it back to the UK. | 0:09:07 | 0:09:10 | |
Let's just see what he thinks of it. | 0:09:10 | 0:09:12 | |
James must play a waiting game, | 0:09:12 | 0:09:14 | |
but he can't hang about because even though his friend also wants | 0:09:14 | 0:09:18 | |
a chandelier, the Lionheart could be about to miss out. | 0:09:18 | 0:09:21 | |
Franksy has found one first. | 0:09:21 | 0:09:23 | |
I can hear you laughing. | 0:09:23 | 0:09:26 | |
I think that's smashing. | 0:09:26 | 0:09:27 | |
Right, lose that, the little Chinese hat or whatever, that's horrible. | 0:09:27 | 0:09:32 | |
These, you have to unscrew, but what can we do with this? | 0:09:32 | 0:09:36 | |
Yes, I can take this apart. This is lovely. | 0:09:36 | 0:09:40 | |
Now, the big question is the price. Combien, monsieur? | 0:09:40 | 0:09:43 | |
-180. -180. | 0:09:43 | 0:09:46 | |
Cent euros, s'il vous plait? | 0:09:47 | 0:09:50 | |
-MAN SPEAKS IN FRENCH -He says, "Pardon, it's 120." | 0:09:50 | 0:09:53 | |
So, I've offered him 100 and he said 120. | 0:09:53 | 0:09:56 | |
OK, 110, finis. | 0:09:56 | 0:10:00 | |
-Complete. -OK. -OK? -Allez. | 0:10:00 | 0:10:03 | |
Merci beaucoup. OK, je retourne! Hooray! | 0:10:03 | 0:10:07 | |
And a manly bear hug seals the deal. | 0:10:07 | 0:10:10 | |
The chandelier sets him back £94.02 | 0:10:10 | 0:10:14 | |
and he's pretty pleased with himself. | 0:10:14 | 0:10:16 | |
I'm guessing it's probably 50, 60 years old. | 0:10:16 | 0:10:20 | |
It's hard to put an age on it. | 0:10:20 | 0:10:21 | |
You have to take into account electricity, | 0:10:21 | 0:10:23 | |
which came in about the 1920s into most homes, | 0:10:23 | 0:10:26 | |
so it's newer than that. | 0:10:26 | 0:10:28 | |
The antlers are natural and natural substances are really good. | 0:10:28 | 0:10:33 | |
This, I'm really pleased with. All I have to do now is sell it. | 0:10:33 | 0:10:37 | |
Yes, that's the hard bit, Franksy, | 0:10:37 | 0:10:39 | |
but could James already have a leg up in the selling stakes? | 0:10:39 | 0:10:42 | |
The verdict is in from Blighty | 0:10:42 | 0:10:44 | |
on the 19th-century-style clock for the hairdresser. | 0:10:44 | 0:10:47 | |
"Oh, my God, I love the clock. Is it expensive? It's fab!" | 0:10:47 | 0:10:50 | |
Right, I'm going to go and get the clock. | 0:10:50 | 0:10:52 | |
Bonjour. | 0:10:52 | 0:10:54 | |
I'll take the clock. | 0:10:54 | 0:10:56 | |
50 euros, yes? I'm not going to negotiate hard. | 0:10:56 | 0:10:59 | |
These guys have got to make a living, too. | 0:10:59 | 0:11:01 | |
A fourth item for the Lionheart. | 0:11:01 | 0:11:03 | |
He pays 50 euros or £42.74. | 0:11:03 | 0:11:06 | |
All that's left is to find | 0:11:06 | 0:11:08 | |
the other items on the salon's shopping list - | 0:11:08 | 0:11:10 | |
a chandelier and a coat stand. | 0:11:10 | 0:11:12 | |
While James peruses on, Franksy has got waylaid again. | 0:11:12 | 0:11:16 | |
Brace yourselves, people. | 0:11:16 | 0:11:18 | |
# Roll out the barrel | 0:11:18 | 0:11:22 | |
# We'll have a barrel of fun. # | 0:11:22 | 0:11:26 | |
-Thank you. -Yes, maybe stick to the antiques, Mark, and quick to it. | 0:11:28 | 0:11:32 | |
The unstoppable Lionheart Lewis has spotted yet another item - | 0:11:32 | 0:11:36 | |
a classic piece of French oak furniture, | 0:11:36 | 0:11:39 | |
it's marked up at 280 euros. | 0:11:39 | 0:11:42 | |
-What would be your best price on that? -250. | 0:11:42 | 0:11:45 | |
-It's a 17th-century piece. -Yes. | 0:11:45 | 0:11:48 | |
He's tempted, but it's too much money, | 0:11:48 | 0:11:51 | |
although as soon as he's walked away, he is back. | 0:11:51 | 0:11:53 | |
-Would 200 be OK? -230. -230... | 0:11:53 | 0:11:57 | |
-It's the middle. -220, a better middle for me. -225. | 0:11:59 | 0:12:04 | |
OK, you've got a deal. | 0:12:04 | 0:12:06 | |
And James closes the deal on the Normandy cabinet. | 0:12:06 | 0:12:09 | |
At £192.31, it's more than a quarter of his entire budget. | 0:12:09 | 0:12:14 | |
And that barnstorming buy brings us to the halfway stage | 0:12:14 | 0:12:17 | |
in this tremendous tussle. | 0:12:17 | 0:12:19 | |
Time to see how our battle-hardened beasts are getting on. | 0:12:19 | 0:12:23 | |
Each of our sabre rattlers started the day with £750 worth of euros. | 0:12:23 | 0:12:28 | |
The demon dealer Mark Franks | 0:12:28 | 0:12:31 | |
has notched up two purchases for £183.76, | 0:12:31 | 0:12:34 | |
leaving £566.24 in his collectables kitty. | 0:12:34 | 0:12:39 | |
But the awesome auctioneer James Lewis has spent twice as much. | 0:12:39 | 0:12:44 | |
Five items for £371.80, meaning he has £378.20 left to spend. | 0:12:44 | 0:12:51 | |
So there's no time to lose, particularly for Franksy. | 0:12:51 | 0:12:56 | |
He needs to buckle down, up his game | 0:12:56 | 0:12:58 | |
and trawl the stalls to claw back the advantage, | 0:12:58 | 0:13:01 | |
but juggernaut James is off and running again. | 0:13:01 | 0:13:04 | |
He soon finds a modern mannequin that could tick off another item | 0:13:04 | 0:13:07 | |
on the salon's shopping list - somewhere to hang coats. | 0:13:07 | 0:13:11 | |
But it's 100 euros, which I think is an awful lot of money for it, but... | 0:13:11 | 0:13:16 | |
-What's your best price on that? -80. | 0:13:18 | 0:13:21 | |
-80. -80. -No, 50. | 0:13:21 | 0:13:25 | |
-OK, 50, that's good. -You have a deal. Thank you. | 0:13:25 | 0:13:29 | |
Yes, the shop's mannequin is purchase number six | 0:13:29 | 0:13:32 | |
and costs £42.74. | 0:13:32 | 0:13:35 | |
At last, Mark spies something special | 0:13:35 | 0:13:38 | |
and it's one of those industrial items he said he was here to find. | 0:13:38 | 0:13:43 | |
What do you know about railings? | 0:13:43 | 0:13:45 | |
I know one thing. | 0:13:46 | 0:13:48 | |
(They're very expensive to get made!) | 0:13:48 | 0:13:51 | |
Combien? | 0:13:51 | 0:13:53 | |
-C'est 350 euros l'ensemble. -Ensemble? Un piece? Two piece? | 0:13:53 | 0:13:57 | |
-Huit pieces. -Huit pieces?! -Oui. -Eight pieces, OK? | 0:13:57 | 0:14:00 | |
-Eight pieces of... What is that? -Deux metres cinquante. | 0:14:00 | 0:14:04 | |
Two and a half metres. Le dernier prix? | 0:14:04 | 0:14:08 | |
250. 250 euros. | 0:14:08 | 0:14:11 | |
250 euros, what does that work out? 220 quid. | 0:14:11 | 0:14:14 | |
-210. -220. | 0:14:14 | 0:14:17 | |
-225, 225. -220. -5! | 0:14:17 | 0:14:20 | |
-220! -Allez, 220. | 0:14:20 | 0:14:23 | |
220 euros, roughly 200 quid. | 0:14:23 | 0:14:26 | |
Everyone, as they say, is a winner. | 0:14:26 | 0:14:29 | |
In fact, Franksy has done even better than he thinks | 0:14:29 | 0:14:32 | |
because 220 euros works out at £188.03. | 0:14:32 | 0:14:38 | |
You might say, "These are really worn out and falling apart." | 0:14:38 | 0:14:41 | |
I love all this. I love all this damage. These are smashing. | 0:14:41 | 0:14:45 | |
I love the paint flaking off, I love them! | 0:14:45 | 0:14:47 | |
You could do four fronts of houses, you could do a big front garden. | 0:14:47 | 0:14:51 | |
You could do down the side of a back garden. This is great! I'm so happy! | 0:14:51 | 0:14:56 | |
Nice to see him so excited | 0:14:56 | 0:14:58 | |
and the railings bring him right back into the game. | 0:14:58 | 0:15:01 | |
All of a sudden, things have started hotting up | 0:15:01 | 0:15:03 | |
and our bargain beagles begin to splash the cash. | 0:15:03 | 0:15:07 | |
Franksy buys an oversized washing powder box for £1.71, | 0:15:07 | 0:15:11 | |
along with a cello case in mint condition for £28.21. | 0:15:11 | 0:15:15 | |
I bet this is £100 new, if not £200 | 0:15:17 | 0:15:19 | |
or £300. | 0:15:19 | 0:15:21 | |
£400, £500, £600... | 0:15:21 | 0:15:23 | |
Yes, I think Franksy might be getting a bit carried away, | 0:15:25 | 0:15:27 | |
but it seems big is beautiful as James fights straight back | 0:15:27 | 0:15:31 | |
by buying a large copper pot for £17.09. | 0:15:31 | 0:15:35 | |
But feisty Franksy won't be beaten. | 0:15:35 | 0:15:37 | |
He's found himself a nice little squeeze. | 0:15:37 | 0:15:40 | |
I don't think it's worth a fortune, but 25 euros... | 0:15:40 | 0:15:45 | |
I think it's a steal. | 0:15:45 | 0:15:46 | |
1930s, 1920s, it's very hard to date. | 0:15:46 | 0:15:49 | |
There are over 2,000 moving parts in this. I bet you didn't know that! | 0:15:49 | 0:15:52 | |
I think this is going to not make me a huge profit, but... | 0:15:52 | 0:15:57 | |
I think it will still be music to my ears. | 0:15:57 | 0:15:59 | |
The baby accordion presses all the right buttons. | 0:15:59 | 0:16:02 | |
He snaps it up for £21.37 and it brings him almost level | 0:16:02 | 0:16:07 | |
with the Lionheart and that puts him in a mischievous mood. | 0:16:07 | 0:16:11 | |
With my little eye, I spy James Lewis. | 0:16:11 | 0:16:13 | |
Shall we go and annoy him? Come on! | 0:16:13 | 0:16:16 | |
MARK PLAYS THE ACCORDION TUNELESSLY | 0:16:16 | 0:16:19 | |
Don't give up the day job, mate. | 0:16:19 | 0:16:21 | |
25 euros and I think it's absolutely charming. | 0:16:21 | 0:16:24 | |
What have you bought? | 0:16:24 | 0:16:26 | |
Just lots of bits and bobs, really, | 0:16:26 | 0:16:27 | |
but I've bought quite a few. How about you? | 0:16:27 | 0:16:29 | |
-Just bits of china and glass. -Yes? -China and glass really. | 0:16:29 | 0:16:32 | |
China and glass, yes. Well, I haven't bought any china. | 0:16:32 | 0:16:35 | |
And I haven't bought any glass. I've bought a mannequin! | 0:16:35 | 0:16:38 | |
At least it'll keep me company on the train when you've had a few beers. | 0:16:38 | 0:16:41 | |
A few beers?! I'm going to be going up and down trying to raise money. | 0:16:41 | 0:16:46 | |
Good luck. It's the only way you're going to make any money today. | 0:16:46 | 0:16:50 | |
Yes, it's all good-humoured now, but don't be fooled. | 0:16:50 | 0:16:53 | |
These men are archrivals, each with a thirst for glory. | 0:16:53 | 0:16:57 | |
They plunge back into the stalls and it's not long before James | 0:16:57 | 0:17:00 | |
stumbles upon the last item for his friend's new salon at home - | 0:17:00 | 0:17:04 | |
a Dutch brass chandelier - but the couple selling it | 0:17:04 | 0:17:08 | |
won't budge from their asking price of 100 euros. | 0:17:08 | 0:17:11 | |
Then, to compound James's misery, Franksy returns. | 0:17:11 | 0:17:15 | |
Come on, James, get your money out. Offer her 70, come on. | 0:17:15 | 0:17:18 | |
What's your dernier prix? | 0:17:18 | 0:17:20 | |
C'est 100. Ce matin, c'est 150. | 0:17:20 | 0:17:22 | |
It belonged to her grandmother, she says. | 0:17:22 | 0:17:24 | |
Get on your knees, look, I'll teach you. This is how you do it, right? | 0:17:24 | 0:17:27 | |
Do this, right? You get her hand and you... | 0:17:27 | 0:17:30 | |
Look, she loves it, look. | 0:17:31 | 0:17:33 | |
But her husband doesn't and he's making the decision! | 0:17:33 | 0:17:35 | |
I'm bigger than him! | 0:17:35 | 0:17:37 | |
-JAMES LAUGHS -Good luck, James! -Thanks, Mark. | 0:17:37 | 0:17:39 | |
Yes, Franksy leaves James in a fluster and it starts to show. | 0:17:39 | 0:17:42 | |
Whoops! | 0:17:42 | 0:17:44 | |
JAMES LAUGHS | 0:17:45 | 0:17:47 | |
Yes, keep calm, James. | 0:17:47 | 0:17:49 | |
How about 90 then? 90 euros. | 0:17:49 | 0:17:51 | |
-90? -That's fair enough. -90... OK. | 0:17:51 | 0:17:55 | |
You got a deal. Well done. | 0:17:55 | 0:17:57 | |
And he gets there in the end. | 0:17:57 | 0:17:59 | |
The 17th-century-style chandelier costs him £76.92. | 0:17:59 | 0:18:04 | |
I just hope he likes it. Thank you very much. | 0:18:04 | 0:18:07 | |
As we get towards the end of the day, | 0:18:07 | 0:18:09 | |
the purchases are still coming thick and fast. | 0:18:09 | 0:18:14 | |
Love it! Got to be 100 years old, cast iron, wonderful. | 0:18:14 | 0:18:19 | |
Wonderful, wonderful, wonderful. | 0:18:19 | 0:18:21 | |
I just think, on the wall, with a mirror behind it, | 0:18:21 | 0:18:24 | |
in the garden, whatever. | 0:18:24 | 0:18:26 | |
The industrial wheel comes from the same stall as a glass sign | 0:18:26 | 0:18:29 | |
and, together, they cost 60 euros or £51.68. | 0:18:29 | 0:18:34 | |
All of a sudden, our boys are both on eight items each, | 0:18:34 | 0:18:37 | |
but not for long. | 0:18:37 | 0:18:38 | |
The Lionheart leaps out in front with another oversized item - | 0:18:38 | 0:18:42 | |
an enormous box of matches. | 0:18:42 | 0:18:44 | |
I'll give you 80 and meet you in the middle. | 0:18:44 | 0:18:46 | |
-All right, give it to me, give it to me. -Thank you. | 0:18:46 | 0:18:49 | |
James strikes a deal on the novelty item - £15.38. | 0:18:49 | 0:18:55 | |
I love them, I absolutely love them, | 0:18:55 | 0:18:57 | |
but they're probably not going to be a massive profit, | 0:18:57 | 0:19:00 | |
but I need to find a giant to sell them to. | 0:19:00 | 0:19:02 | |
Well, you would think he'd bought enough for one day, | 0:19:02 | 0:19:05 | |
but James can't resist his passion for African tribal art. | 0:19:05 | 0:19:08 | |
He buys two wooden masks and a statue for £128.21. | 0:19:08 | 0:19:14 | |
We've got the little Punu statue for fertility. | 0:19:17 | 0:19:21 | |
Probably 19th-century, so it's good to have a piece with some age. | 0:19:21 | 0:19:25 | |
Then, secondly, the Kwele hunting mask. | 0:19:25 | 0:19:29 | |
So stylish, it looks really art deco in its design. | 0:19:29 | 0:19:33 | |
And, finally, the Fang mask, covered in white slip | 0:19:33 | 0:19:37 | |
and then rubbed away to show the chocolate-coloured wood underneath. | 0:19:37 | 0:19:41 | |
Three really good decorative pieces. | 0:19:41 | 0:19:44 | |
Somebody should definitely want them as much as I do. | 0:19:44 | 0:19:47 | |
The Lionheart's never-ending prowling | 0:19:48 | 0:19:50 | |
keeps the pressure up on Franksy, | 0:19:50 | 0:19:52 | |
but he takes it all in his south London stride | 0:19:52 | 0:19:55 | |
and makes his final purchase of the day. | 0:19:55 | 0:19:58 | |
Yes, you think I've lost them. | 0:19:58 | 0:20:00 | |
The fact is, I've found them. Look, look. | 0:20:00 | 0:20:03 | |
My marbles. I tell you what, there are a lot of marbles there. | 0:20:06 | 0:20:09 | |
I gave 10 euros for them, which is slightly below £10. | 0:20:09 | 0:20:13 | |
I think these could be a winner. | 0:20:13 | 0:20:15 | |
I might sell them as a whole job lot, but for a tenner, it's a gift. | 0:20:15 | 0:20:20 | |
10 euros converts to £8.55 | 0:20:20 | 0:20:22 | |
and as Franksy gets reacquainted with his marbles, | 0:20:22 | 0:20:26 | |
James weighs in with a last cheeky buy - | 0:20:26 | 0:20:28 | |
a set of iron and brass scales from the 1920s. They cost £17.09. | 0:20:28 | 0:20:34 | |
So, it's all in the balance. | 0:20:34 | 0:20:37 | |
The stallholders pack up | 0:20:37 | 0:20:38 | |
and before our bargaining buccaneers can celebrate with a Belgian waffle, | 0:20:38 | 0:20:43 | |
let's see how they've done. | 0:20:43 | 0:20:45 | |
Both our boys started the day with £750 of their own money. | 0:20:45 | 0:20:49 | |
The merciless Mark Franks leaves the battlefield with eight buys, | 0:20:49 | 0:20:53 | |
having forked out £482.91. | 0:20:53 | 0:20:57 | |
But James Lewis was relentless. | 0:20:57 | 0:20:59 | |
He takes home 11 purchases for £669.23. | 0:20:59 | 0:21:04 | |
It's time to call a temporary truce, | 0:21:04 | 0:21:06 | |
as our weary warlords take stock of their foreign haul. | 0:21:06 | 0:21:10 | |
-Well, what a day! -What a day! I went a bit industrial. | 0:21:10 | 0:21:13 | |
That was my plan of action, so big lumps. | 0:21:13 | 0:21:15 | |
And more interesting items. | 0:21:15 | 0:21:16 | |
I'm not looking for the stuff you can buy at home. | 0:21:16 | 0:21:19 | |
-I love the railings. -Railings are good news, I like them. -Wonderful! | 0:21:19 | 0:21:23 | |
Yes, but I'll tell you what I like - your mannequin is absolutely... | 0:21:23 | 0:21:26 | |
-Do you like that? -Yes! He's white, he's clean, he's... Oh, fabulous! | 0:21:26 | 0:21:31 | |
Underneath all this, James, I'm exactly like that. | 0:21:31 | 0:21:34 | |
A bit thinner, in fact! | 0:21:34 | 0:21:35 | |
-Those are incredible! -I know just the place to sell those. -Yeah? | 0:21:35 | 0:21:38 | |
-Where is that, then? -I can't tell you. | 0:21:38 | 0:21:40 | |
MARK LAUGHS | 0:21:40 | 0:21:42 | |
-You've got a cunning plan? -I've got a cunning plan, like a fox. | 0:21:42 | 0:21:46 | |
-That's got a bit of age, hasn't it? -Yes, 17th-century French. | 0:21:46 | 0:21:49 | |
-Yeah, lovely. -She got from a farmhouse in Normandy, so she said. | 0:21:49 | 0:21:53 | |
Well, do you know what, I wouldn't be surprised. | 0:21:53 | 0:21:56 | |
It's got lovely pegged joints on it, fielded panels. | 0:21:56 | 0:21:59 | |
I love the way it's all sort of worn at the end there. | 0:21:59 | 0:22:02 | |
James, put it there, I think we've both done very well. | 0:22:02 | 0:22:05 | |
-Well done, mate. -So do I. Really good day. | 0:22:05 | 0:22:07 | |
Yes, the good times are now over. | 0:22:11 | 0:22:13 | |
This is where the hard work really begins. | 0:22:13 | 0:22:15 | |
Our supreme soldiers have amassed their arsenals | 0:22:15 | 0:22:18 | |
and head back to Britain to start their selling surge | 0:22:18 | 0:22:21 | |
and they have one clear aim - profit and lots of it. | 0:22:21 | 0:22:24 | |
In South London, Mark's missiles are lined up and he is ready to launch. | 0:22:24 | 0:22:29 | |
Well, I'm a long way from Waterloo. Now, the old washing powder. | 0:22:29 | 0:22:33 | |
That's great fun and, incidentally, | 0:22:33 | 0:22:36 | |
the label on there is in francs, so its pre-euro. | 0:22:36 | 0:22:40 | |
The railings... Ooh, I like these! | 0:22:40 | 0:22:43 | |
I don't know what I'm going to do with them yet, but I do like them. | 0:22:43 | 0:22:46 | |
And this, this is great fun, very industrial. | 0:22:46 | 0:22:48 | |
Biscuits, I love it, I really love it, | 0:22:48 | 0:22:51 | |
but to find someone else that loves it | 0:22:51 | 0:22:53 | |
might be harder than I really imagined. | 0:22:53 | 0:22:56 | |
The piece de la resistance is my marbles. | 0:22:56 | 0:22:59 | |
I'm going to take them to James Lewis's auction | 0:22:59 | 0:23:03 | |
and he's going to sell them for me. | 0:23:03 | 0:23:05 | |
If I put them in, he has to sell them. | 0:23:05 | 0:23:07 | |
Watch him choke when they make a profit! | 0:23:07 | 0:23:09 | |
Please let them make a profit! | 0:23:09 | 0:23:11 | |
So that was his big plan! | 0:23:11 | 0:23:13 | |
Franksy also needs to find new homes for his antler chandelier, | 0:23:13 | 0:23:17 | |
the baby accordion, the glass sign and the cello case. | 0:23:17 | 0:23:21 | |
In Derbyshire, James returns to Lionheart HQ to plan his attack. | 0:23:21 | 0:23:25 | |
What a mix - from the mad, giant matchbox, | 0:23:25 | 0:23:30 | |
then sitting on top of a giant piece | 0:23:30 | 0:23:33 | |
of 17th-century French provincial furniture. | 0:23:33 | 0:23:37 | |
It just wouldn't be me shopping in Belgium | 0:23:37 | 0:23:40 | |
without buying a bit of tribal art. | 0:23:40 | 0:23:42 | |
My clock, almost a guaranteed cert. | 0:23:42 | 0:23:45 | |
I was asked to find one by a hairdresser. | 0:23:45 | 0:23:48 | |
He also already has my chandelier. | 0:23:48 | 0:23:51 | |
His new hairdressing salon only opened recently. | 0:23:51 | 0:23:53 | |
He said, "If I'm going to have it, I want it now." | 0:23:53 | 0:23:56 | |
So I've given it to him and we'll see - | 0:23:56 | 0:23:58 | |
if it's still up and lit, that means he likes it. | 0:23:58 | 0:24:01 | |
And the mannequin. What do you think, matey? | 0:24:01 | 0:24:04 | |
James must also sell the 19th-century table sculpture, | 0:24:04 | 0:24:07 | |
the copper pot, the 1920s scales, the early 20th-century walking cane | 0:24:07 | 0:24:13 | |
and the 19th-century bronze spaniel statue. | 0:24:13 | 0:24:16 | |
Our selling superheroes get down to business, using their contacts | 0:24:16 | 0:24:20 | |
and digging deep to bag some buyers, | 0:24:20 | 0:24:22 | |
so will their Belgian bargains provide pots of profit? | 0:24:22 | 0:24:25 | |
Only time will tell, but until they've shaken on it | 0:24:25 | 0:24:28 | |
and the money has changed hands, no deal is truly sealed. | 0:24:28 | 0:24:33 | |
And it's James who charges first. | 0:24:33 | 0:24:36 | |
He's hoping to get three sales out of the way in one fell sweep. | 0:24:36 | 0:24:39 | |
He heads straight over to Giltbrook, just outside Nottingham, | 0:24:39 | 0:24:42 | |
to see his friend, Scott, | 0:24:42 | 0:24:44 | |
the man who's just opened his new hair salon. | 0:24:44 | 0:24:46 | |
Well, I've got my clock in the boot, | 0:24:48 | 0:24:51 | |
I've had the company of a rather boring mannequin all the way here, | 0:24:51 | 0:24:55 | |
but the great news is, the chandelier is up and that is a really good sign. | 0:24:55 | 0:25:00 | |
As he would with any light, James has advised Scott | 0:25:00 | 0:25:03 | |
that the chandelier should be wired in by a qualified electrician. | 0:25:03 | 0:25:07 | |
-You like it, don't you? -I love it! It's fab! | 0:25:07 | 0:25:10 | |
You said chandelier, clock, mannequin. | 0:25:10 | 0:25:13 | |
How about that for professional service? | 0:25:13 | 0:25:15 | |
All three of them are good, definitely. | 0:25:15 | 0:25:17 | |
They're definitely what I want in the shop. | 0:25:17 | 0:25:19 | |
Well, the chandelier first. | 0:25:19 | 0:25:21 | |
I know you had to have it up for your opening. How did it go? | 0:25:21 | 0:25:24 | |
-Really, really well. -It was a bit grotty. | 0:25:24 | 0:25:27 | |
Yeah, it needed a bit of attention as well. | 0:25:27 | 0:25:29 | |
I had an electrician out to sort some of the wiring out | 0:25:29 | 0:25:31 | |
-but it's... Yeah, it's brilliant, I love it. -Good. | 0:25:31 | 0:25:34 | |
-It's a great feature. -What do you think? 300? | 0:25:34 | 0:25:36 | |
I was thinking more...180? | 0:25:36 | 0:25:39 | |
180 shows me a profit. You've got a deal on that already. | 0:25:39 | 0:25:42 | |
-Brilliant, James. -I'm not going to haggle at all. 180. | 0:25:42 | 0:25:45 | |
James is off and running. | 0:25:45 | 0:25:47 | |
The chandelier lights up a profit of £103.08 | 0:25:47 | 0:25:51 | |
and Scott's not finished there. | 0:25:51 | 0:25:53 | |
He also loves the 19th-century-style clock. | 0:25:53 | 0:25:56 | |
£100. Have we got a deal? | 0:25:56 | 0:25:59 | |
-Go on, then. -Brilliant, excellent. That's two out of three. | 0:25:59 | 0:26:02 | |
Going well so far. The clock chimes in a profit of £57.26. | 0:26:02 | 0:26:07 | |
Can James get the hat-trick? | 0:26:07 | 0:26:09 | |
What about him? How about 100? | 0:26:09 | 0:26:12 | |
-50. -Oh! | 0:26:12 | 0:26:14 | |
-That's harsh! He's great! -I could stretch a little bit. | 0:26:14 | 0:26:18 | |
-Go on. -Er... | 0:26:18 | 0:26:20 | |
-Say 70. -80. | 0:26:20 | 0:26:21 | |
Go on, then. | 0:26:23 | 0:26:24 | |
I was going to say 75... | 0:26:24 | 0:26:26 | |
-I'm going to knock a fiver off, 75. -Are you sure? Aw, bless you. | 0:26:26 | 0:26:29 | |
All right, brilliant. | 0:26:29 | 0:26:31 | |
Goodness me! James Lewis does himself out of a fiver! | 0:26:31 | 0:26:34 | |
The modern mannequin stands another profit of £32.26. | 0:26:34 | 0:26:38 | |
The shopping list has well and truly paid off, | 0:26:38 | 0:26:42 | |
but James's early onslaught hasn't taken a hair off Franksy. | 0:26:42 | 0:26:46 | |
He's already lined up his first potential sale. | 0:26:46 | 0:26:49 | |
Thank goodness for the World Wide Web | 0:26:49 | 0:26:52 | |
cos if it wasn't for the Internet, I wouldn't have found this place. | 0:26:52 | 0:26:55 | |
I'm in Haslemere and it's only about half an hour's drive from my house. | 0:26:55 | 0:26:59 | |
I've got the cello case and these guys are interested in buying it. | 0:26:59 | 0:27:02 | |
Come on. | 0:27:02 | 0:27:04 | |
The British-made case cost Mark just over £28. | 0:27:04 | 0:27:07 | |
He's meeting Tom, who's the shop's cello specialist. | 0:27:07 | 0:27:11 | |
-Look at that, that is like new. -That is, it's practically mint, isn't it? | 0:27:11 | 0:27:15 | |
It's bright, isn't it? Nice and bright. | 0:27:15 | 0:27:17 | |
It shows a degree of age straight off the bat because | 0:27:17 | 0:27:20 | |
-the inside is actually a different colour in these these days. -OK. | 0:27:20 | 0:27:23 | |
And, in fact, if you look down here, that barely shows a scratch | 0:27:23 | 0:27:26 | |
and that's where your spike would go. | 0:27:26 | 0:27:28 | |
How does this compare in the world of cars? Is this a Rolls-Royce? | 0:27:28 | 0:27:32 | |
Is this a Mini? | 0:27:32 | 0:27:34 | |
This is more in your sort of Ford area, I suppose. | 0:27:34 | 0:27:36 | |
It's a very reliable kind of device. | 0:27:36 | 0:27:39 | |
We've got more in the Rolls-Royce area here, this MMX model. | 0:27:39 | 0:27:43 | |
Wow! That's a nice colour, isn't it? | 0:27:43 | 0:27:45 | |
Yeah, this is the sporty number for the weekend. | 0:27:45 | 0:27:47 | |
-Is it carbon fibre or something like that? -It is, yes. | 0:27:47 | 0:27:50 | |
Whereas these ones are made of ABS resin. | 0:27:50 | 0:27:52 | |
What would this retail at, the full retail on one of these? | 0:27:52 | 0:27:55 | |
-Brand new, out of the box, they are £700. -Whoo! That's a lot of money! | 0:27:55 | 0:28:00 | |
What would one of these little boys cost? | 0:28:00 | 0:28:03 | |
A new one of those is around 215. | 0:28:03 | 0:28:05 | |
Realistically, I could offer you somewhere in the region | 0:28:05 | 0:28:09 | |
-of about £70, I think. -I was hoping for a tiny bit more. | 0:28:09 | 0:28:12 | |
I just like round figures. I mean, £100 would... | 0:28:12 | 0:28:16 | |
-I'd be happy with that. -How about £80? Even rounder, possibly. | 0:28:16 | 0:28:20 | |
80 is just not a very lucky number for me. What about 90? | 0:28:20 | 0:28:23 | |
-Go on, we've got a deal. -You're a good man. | 0:28:25 | 0:28:27 | |
The cello case is in tune with Mark's game plan | 0:28:27 | 0:28:30 | |
and it strings up a profit of £61.79 | 0:28:30 | 0:28:33 | |
and our music man hopes to squeeze more money | 0:28:33 | 0:28:36 | |
out of the accordion that cost him just over £21. | 0:28:36 | 0:28:39 | |
He takes it to self-proclaimed accordion-oholic John, | 0:28:39 | 0:28:43 | |
who owns a specialist shop in North London. | 0:28:43 | 0:28:45 | |
A piano accordion, am I right? | 0:28:45 | 0:28:47 | |
-Yes. -And this is a baby one. That's all I know. | 0:28:47 | 0:28:50 | |
What do you think of that? | 0:28:50 | 0:28:51 | |
-HE PLAYS A NOTE -That needs attention. | 0:28:51 | 0:28:53 | |
-HE PLAYS ANOTHER NOTE -That one needs surgery. | 0:28:53 | 0:28:56 | |
-I should think that was probably early '50s, that one. -Oh, right, OK. | 0:28:56 | 0:29:00 | |
It will need quite a bit of work on it. | 0:29:00 | 0:29:02 | |
Give me your best offer and I've really got to say yes, haven't I? | 0:29:02 | 0:29:05 | |
Round about a fiver. In the condition it's in. | 0:29:05 | 0:29:08 | |
-What was that funny noise? -If everything... -How much?! | 0:29:08 | 0:29:11 | |
About a fiver. | 0:29:11 | 0:29:12 | |
If I've got to do some work on it, I could probably get 60 quid for it. | 0:29:12 | 0:29:17 | |
What's your bestest offer? | 0:29:17 | 0:29:19 | |
Well, I was going to say 12 quid, | 0:29:20 | 0:29:22 | |
but seeing as how you twisted my arm, I'll let you have 15 quid. | 0:29:22 | 0:29:26 | |
It's a loss, John, but I'm going to take your money. | 0:29:26 | 0:29:29 | |
You win some, you lose some. | 0:29:29 | 0:29:31 | |
You've got out of it quite good, I assure you. | 0:29:31 | 0:29:33 | |
Yes, Mark scores our first loss of the competition - £6.37 down. | 0:29:33 | 0:29:38 | |
Let's cheer him up a bit. Take it away, John. | 0:29:38 | 0:29:41 | |
HE PLAYS A LIVELY TUNE | 0:29:41 | 0:29:44 | |
Dancing in defeat, he's irrepressible, | 0:29:44 | 0:29:47 | |
so the loss is a big letdown for Franksy, | 0:29:47 | 0:29:50 | |
but a big leg-up for James | 0:29:50 | 0:29:52 | |
who's wasting no time with his next two sales. | 0:29:52 | 0:29:55 | |
He takes the large late-19th-century pot | 0:29:55 | 0:29:57 | |
to copper collector Paul | 0:29:57 | 0:29:59 | |
who buys it along with the brass scales for £110 all up, | 0:29:59 | 0:30:03 | |
meaning James walks away £75.82 better off. | 0:30:03 | 0:30:07 | |
Our incredible auctioneer is raking it in. | 0:30:08 | 0:30:11 | |
Mark needs to pull something out of the bag. | 0:30:11 | 0:30:14 | |
Time to put the wheels in motion on his evil tactic | 0:30:14 | 0:30:16 | |
and, first, our man with the plan needs a van. | 0:30:16 | 0:30:19 | |
Now, do you remember the marbles I bought when I was abroad? | 0:30:21 | 0:30:24 | |
The best thing about these marbles are | 0:30:24 | 0:30:27 | |
I'm going to put them into James Lewis's auction. | 0:30:27 | 0:30:30 | |
He is going to have the pleasure of making me money. | 0:30:30 | 0:30:34 | |
Isn't that sick and twisted? | 0:30:34 | 0:30:36 | |
Mr Lewis, special delivery coming your way. | 0:30:36 | 0:30:40 | |
And after a three-hour journey to Derby... | 0:30:40 | 0:30:43 | |
Well, Franksy, at least you've acknowledged | 0:30:46 | 0:30:48 | |
who the best salesman is. | 0:30:48 | 0:30:50 | |
So Franksy's fate is in James's hands. | 0:30:50 | 0:30:53 | |
Mark's marbles originally cost £8.55. | 0:30:53 | 0:30:57 | |
James decides to split them into three lots, | 0:30:57 | 0:30:59 | |
to give Franksy the fairest chance | 0:30:59 | 0:31:01 | |
and, before the bidding starts, he has a message for the saleroom. | 0:31:01 | 0:31:04 | |
The next lot are the marbles belonging to Mark Franks. | 0:31:04 | 0:31:08 | |
He's given them to me to try and sell, so please bid well. | 0:31:08 | 0:31:13 | |
This is your way of getting all those years of revenge against me. | 0:31:13 | 0:31:17 | |
If you bid, I will lose. If you don't bid, I will win, so it's up to you. | 0:31:17 | 0:31:22 | |
And I've got an absentee bid. I can start at £10, 12 anywhere? | 0:31:22 | 0:31:26 | |
Give him some competition, 12 bid, 12. | 0:31:26 | 0:31:29 | |
15, 18 standing. | 0:31:29 | 0:31:31 | |
18, 20 and 2 beats it. | 0:31:31 | 0:31:32 | |
22 by the pillar, 25 now. | 0:31:32 | 0:31:35 | |
25 online. 25 on the Internet. | 0:31:35 | 0:31:37 | |
22, 25 online, 28, sir. 28 by the pillar. 26 if you like. | 0:31:37 | 0:31:43 | |
Every pound counts. Go on, 26. | 0:31:43 | 0:31:45 | |
At 26, gavel is raised... | 0:31:45 | 0:31:48 | |
Anybody else at £26? Are you sure? | 0:31:48 | 0:31:51 | |
As the gavel comes down on the first set of marbles, | 0:31:51 | 0:31:53 | |
Franksy is already winning, but it gets better. | 0:31:53 | 0:31:57 | |
The second lot sells for exactly the same amount. | 0:31:57 | 0:32:00 | |
-26 is yours, 283, thank you. -And part three does well too. | 0:32:00 | 0:32:05 | |
£22. | 0:32:05 | 0:32:06 | |
On the Internet and selling... | 0:32:06 | 0:32:08 | |
Franksy, then, but he's been a very good sport. | 0:32:10 | 0:32:13 | |
Once the commission is deducted, | 0:32:13 | 0:32:14 | |
Mark still makes more than six times what he paid - a profit of £54.05. | 0:32:14 | 0:32:20 | |
Time to let him know the MARBLE-ous news. | 0:32:20 | 0:32:23 | |
FRANKSY CHEERS | 0:32:23 | 0:32:26 | |
He's so smug! | 0:32:26 | 0:32:27 | |
But James has to get back to selling his own stash | 0:32:27 | 0:32:30 | |
and it's his oversized matchbox next, that cost him over £15. | 0:32:30 | 0:32:34 | |
He takes it to John who owns a museum near Uttoxeter, | 0:32:34 | 0:32:38 | |
filled with all sorts of memorabilia. | 0:32:38 | 0:32:40 | |
Very nice. | 0:32:40 | 0:32:42 | |
-Good, aren't they? -I like a full box. -OK. I... | 0:32:42 | 0:32:45 | |
-I have to admit, I've... -You haven't, have you? -I've lit a few. | 0:32:45 | 0:32:48 | |
-You've devalued them. How many have you struck? -Honestly? | 0:32:48 | 0:32:53 | |
-Five? -That's a fiver you've knocked off straight away, | 0:32:53 | 0:32:55 | |
before you started. | 0:32:55 | 0:32:57 | |
Oh, right, so they're a pound each, right. One... | 0:32:57 | 0:33:00 | |
THEY LAUGH | 0:33:00 | 0:33:02 | |
I suppose, age-wise, do you think, 30, 40 years old? | 0:33:02 | 0:33:05 | |
-I should say so, looking at the box. -Yeah. -Get to the point, how much? | 0:33:05 | 0:33:09 | |
-What were you thinking? -25 quid. | 0:33:09 | 0:33:11 | |
-60. -Well, I'll go to 40. | 0:33:11 | 0:33:14 | |
Would you give me 50 quid for them? | 0:33:14 | 0:33:17 | |
-42? -Oh! -Come on. | 0:33:17 | 0:33:19 | |
I hate all this £2 business! | 0:33:19 | 0:33:21 | |
-Well, I can go 50 pence! -45, then. -45... | 0:33:21 | 0:33:25 | |
And it's not a penny less. | 0:33:26 | 0:33:28 | |
-Deal. -Thank you very much, lovely. | 0:33:30 | 0:33:32 | |
John is a hard haggler. | 0:33:32 | 0:33:34 | |
Nevertheless, James makes a profit of £29.62. | 0:33:34 | 0:33:37 | |
The great thing about dealing with John | 0:33:37 | 0:33:40 | |
is he always knows exactly what it's worth. | 0:33:40 | 0:33:43 | |
Although, he doesn't always stick to his own rules. | 0:33:43 | 0:33:46 | |
And the giant items are being snapped up. | 0:33:47 | 0:33:50 | |
Franksy takes his washing powder box to a local launderette | 0:33:50 | 0:33:54 | |
and sells it for £10, giving a profit of £8.29. | 0:33:54 | 0:33:57 | |
So is Franksy doing enough to clean up or is he left in a spin cycle? | 0:33:58 | 0:34:03 | |
Time to take stock of our barbaric barterers earnings. | 0:34:03 | 0:34:07 | |
Fearless Franksy has notched up four sales already | 0:34:07 | 0:34:10 | |
for a profit of £117.76, but the Lionheart is licking him. | 0:34:10 | 0:34:15 | |
He's ticked off six sales and made £298.04 profit. | 0:34:15 | 0:34:20 | |
Even though he's behind, Franksy is not disheartened | 0:34:22 | 0:34:25 | |
and he's still got all his big-value items left to sell. | 0:34:25 | 0:34:28 | |
He heads back out to Surrey to The Stag Pub. | 0:34:28 | 0:34:31 | |
It's a no-brainer, isn't it? | 0:34:31 | 0:34:35 | |
Come on. | 0:34:35 | 0:34:36 | |
He paid just over £94 for the antler chandelier, | 0:34:36 | 0:34:39 | |
-so will pub manager Louise think it's DEER? -So how old is it? | 0:34:39 | 0:34:45 | |
The antlers could be any age. | 0:34:45 | 0:34:47 | |
Looking at it, I would say it's probably 60 or 80 years old. | 0:34:47 | 0:34:51 | |
Should you want to buy it, | 0:34:51 | 0:34:52 | |
have it fitted up by a professional electrician, | 0:34:52 | 0:34:55 | |
it's all earthed and all that for safety reasons. Do you like it? | 0:34:55 | 0:34:58 | |
I do like it, it would be perfect in the restaurant. | 0:34:58 | 0:35:00 | |
I'd love £200 for it. | 0:35:00 | 0:35:03 | |
That's a bit steep. | 0:35:03 | 0:35:04 | |
I was thinking more kind of half of that. | 0:35:04 | 0:35:07 | |
-Oh, 150? -SHE LAUGHS | 0:35:07 | 0:35:09 | |
-100! -What about 150? | 0:35:09 | 0:35:11 | |
-125? -130. | 0:35:11 | 0:35:13 | |
On bended knees! | 0:35:17 | 0:35:18 | |
-£127.50. -I love it, £127.50. | 0:35:18 | 0:35:21 | |
-Deal. -Thank you very much, you've got a deal. | 0:35:21 | 0:35:24 | |
Another kiss on the hand seals the deal. He makes a profit of £33.48. | 0:35:24 | 0:35:30 | |
Both our antiques assassins are motoring now. | 0:35:30 | 0:35:33 | |
James meets Michael, | 0:35:33 | 0:35:34 | |
who has a small collection of Serpentine statues, | 0:35:34 | 0:35:37 | |
and he treats himself to another. | 0:35:37 | 0:35:39 | |
Yes, they will all go well together. | 0:35:39 | 0:35:42 | |
£160 buys the figure of Spinario, giving James a profit of £121.54. | 0:35:42 | 0:35:49 | |
He leaves Michael and heads straight off to Alfredton | 0:35:49 | 0:35:52 | |
to see a local vet, Graham, who is interested in the Normandy cabinet | 0:35:52 | 0:35:56 | |
and James has no time to waste. | 0:35:56 | 0:35:58 | |
Now, the sun's setting | 0:35:58 | 0:36:00 | |
and I'm not really too keen to get there after dark. | 0:36:00 | 0:36:04 | |
He lives in one of the most haunted Elizabethan mansions in Derbyshire. | 0:36:04 | 0:36:10 | |
CACKLING | 0:36:10 | 0:36:12 | |
DRAMATIC ORGAN MUSIC | 0:36:12 | 0:36:16 | |
The oak cabinet cost James just over £192. | 0:36:24 | 0:36:29 | |
So, have a look. | 0:36:29 | 0:36:31 | |
Have a look at your end, see whether you think the pegs are right | 0:36:31 | 0:36:34 | |
-and whether it fits... -If it's ghost friendly. | 0:36:34 | 0:36:38 | |
JAMES LAUGHS I was... | 0:36:38 | 0:36:40 | |
You're going to have these doors doing this. | 0:36:40 | 0:36:44 | |
-How are the ghosts? -They're in fine fettle. -Are they really? | 0:36:44 | 0:36:49 | |
They had a paddy fit on the Sunday a week ago | 0:36:49 | 0:36:53 | |
and there was a lot of door slamming and shutter banging. | 0:36:53 | 0:36:56 | |
So, back to the cabinet, this would have had a base to it | 0:36:56 | 0:37:00 | |
when it was originally made. | 0:37:00 | 0:37:02 | |
This skirt at this level, I think is 19th century, | 0:37:02 | 0:37:05 | |
but above it I think is 17th century. | 0:37:05 | 0:37:08 | |
The hinges are good, the panels are good, overall construction is good. | 0:37:08 | 0:37:13 | |
That's exactly what we're looking for, | 0:37:13 | 0:37:16 | |
-is older pieces that don't look out of place. -Yes, exactly. | 0:37:16 | 0:37:19 | |
James and Graham settle on a price of £370, | 0:37:19 | 0:37:22 | |
giving the Lionheart a profit of £177.69. | 0:37:22 | 0:37:27 | |
That is quite a blow to Mark's mission, | 0:37:27 | 0:37:29 | |
but our chirpy chappie remains undeterred. | 0:37:29 | 0:37:32 | |
He takes his biscuit barrel to Natasha, | 0:37:32 | 0:37:34 | |
who owns a shop in Tadworth that upcycles furniture. | 0:37:34 | 0:37:38 | |
-What do you think? -I'm impressed! | 0:37:38 | 0:37:40 | |
I reckon this would originally have been in a shop, OK? | 0:37:40 | 0:37:43 | |
Like a big sort of deli or something like that. | 0:37:43 | 0:37:47 | |
-Yeah, I see where you're going. -I think it's about 100 years old. | 0:37:47 | 0:37:49 | |
-All right, now the boring bit. -All right, OK, go on. | 0:37:49 | 0:37:52 | |
We've got to talk about money. 200 quid. | 0:37:52 | 0:37:55 | |
SHE CHOKES | 0:37:55 | 0:37:56 | |
Are you all right? | 0:37:56 | 0:37:58 | |
I'm all right, just got a bit... | 0:37:58 | 0:37:59 | |
Well, let's just go a little bit lower than that, | 0:37:59 | 0:38:01 | |
that was a brave start! | 0:38:01 | 0:38:03 | |
-No, well, you've got to try somewhere, haven't you? -Let's go... | 0:38:03 | 0:38:06 | |
I don't know, 30? I was thinking 35? | 0:38:06 | 0:38:10 | |
It cost me literally pennies away from 90 quid. Give me a profit. | 0:38:10 | 0:38:16 | |
-I'll go to 80. -Is that your bestest offer, Tash? | 0:38:16 | 0:38:18 | |
I can't go any higher than that, darling, I can't. | 0:38:18 | 0:38:21 | |
I would if I could, but I can't. | 0:38:21 | 0:38:22 | |
-We've got a deal. -All right, darling. | 0:38:22 | 0:38:24 | |
You win some, you lose some. | 0:38:24 | 0:38:25 | |
And that is definitely another loss. | 0:38:25 | 0:38:28 | |
£9.74 down, but he's still got his beloved railings to sell. | 0:38:28 | 0:38:33 | |
James stays steady. | 0:38:33 | 0:38:35 | |
He heads to London to sell his walking cane | 0:38:35 | 0:38:37 | |
to specialist retailer Dominic. | 0:38:37 | 0:38:39 | |
He pays £151 - a profit of £81.62. | 0:38:39 | 0:38:42 | |
He keeps the pace up back in Derby. | 0:38:44 | 0:38:47 | |
He meets local lad John who has been dealing for five years | 0:38:47 | 0:38:49 | |
even though he's only just turned 18. | 0:38:49 | 0:38:52 | |
John is pretty keen on the African fertility figure. | 0:38:52 | 0:38:56 | |
A lot of people don't know about tribal art round here | 0:38:56 | 0:38:59 | |
and it's just something different for me to buy, | 0:38:59 | 0:39:01 | |
to be honest with you. | 0:39:01 | 0:39:02 | |
She's a Punu fertility figure. | 0:39:02 | 0:39:05 | |
Punu, one of the major tribes in the Congo. | 0:39:05 | 0:39:09 | |
Things that tell you she is Punu are these - | 0:39:09 | 0:39:12 | |
the hatched squares in the centre of her forehead and on the sides. | 0:39:12 | 0:39:16 | |
-You get that on the Punu masks as well. -Right. -What do you think? | 0:39:16 | 0:39:21 | |
Yeah, it's very unusual, yeah. | 0:39:21 | 0:39:22 | |
-It's got a very nice look about it. -I think... | 0:39:22 | 0:39:25 | |
-My gut reaction is that's probably 100 years old. -Right, yeah. | 0:39:25 | 0:39:28 | |
It's a nice early one. Did you have a price in mind? | 0:39:28 | 0:39:32 | |
Can we call it 50? | 0:39:32 | 0:39:34 | |
Oh... | 0:39:34 | 0:39:36 | |
I'll do 50. | 0:39:36 | 0:39:38 | |
-That sounds as if it's firm. -It is. That's the death. | 0:39:38 | 0:39:42 | |
That's the death. | 0:39:42 | 0:39:44 | |
-If that's the death, that's the deal. -Thank you very much. | 0:39:44 | 0:39:47 | |
The figure came with the tribal masks. | 0:39:47 | 0:39:49 | |
James sells those for £180 to Paul, a dealer with a passion for Africa, | 0:39:49 | 0:39:54 | |
so altogether it's a profit of £101.79. | 0:39:54 | 0:39:58 | |
So it looks like it's all or nothing with Mark's railings. | 0:39:58 | 0:40:01 | |
He's lumped them together with his other industrial items - | 0:40:01 | 0:40:05 | |
the wheel and the glass sign - | 0:40:05 | 0:40:06 | |
and taken them to Ray, who runs a salvage yard in West London. | 0:40:06 | 0:40:10 | |
-They are a lovely railing. -Yeah. -Absolutely gorgeous. | 0:40:10 | 0:40:13 | |
The trouble with that railing, as there's a lot of railings, | 0:40:13 | 0:40:16 | |
-there's a lot of rust with it as well. -Rust, schmust! | 0:40:16 | 0:40:19 | |
Come on, it's a lot of railings. Now, what about that? | 0:40:19 | 0:40:21 | |
-Smashing, isn't it? Do you like that? -It's a flywheel, isn't it? | 0:40:21 | 0:40:25 | |
It's like off the old presses, they spin it and slam them out. | 0:40:25 | 0:40:30 | |
-Yeah. -That's nice, I like that, yeah. Can't go wrong with that. | 0:40:30 | 0:40:33 | |
And I've got this beautiful bit of glass. | 0:40:33 | 0:40:35 | |
I want to sell it as a parcel, Ray. | 0:40:35 | 0:40:38 | |
I'm in the right place, I'm not going back on the bus. | 0:40:38 | 0:40:41 | |
I can see a parcel, yeah, but I can't see that. | 0:40:41 | 0:40:44 | |
Right, I tell you what... | 0:40:44 | 0:40:46 | |
-Go on, you're the man, you are Mr Salvage. -I may be Mr Salvage, | 0:40:46 | 0:40:48 | |
but I might be Mr Broke if I carry on talking to you, that's the trouble. | 0:40:48 | 0:40:52 | |
Yes, sounds like a good sign, so will Mark make off | 0:40:52 | 0:40:55 | |
with bundles of notes or will Ray leave him staring into the abyss? | 0:40:55 | 0:40:59 | |
We'll find out shortly. One bit of good news for Franksy, though. | 0:40:59 | 0:41:02 | |
James failed to find a buyer for his bronze spaniel statue, | 0:41:02 | 0:41:06 | |
so that is a loss - £29.91 down the drain. | 0:41:06 | 0:41:11 | |
Both our dealing dynamos started out in Belgium with £750. | 0:41:11 | 0:41:15 | |
Mark Franks came back with eight purchases for just under £483. | 0:41:15 | 0:41:20 | |
James Lewis went further, 11 purchases for just over £669. | 0:41:20 | 0:41:26 | |
They've tried their hardest and worked their magic, | 0:41:26 | 0:41:29 | |
so which man will be crowned prince of profit? | 0:41:29 | 0:41:32 | |
All of the money that James and Mark have made from today's challenge | 0:41:32 | 0:41:36 | |
will be going to a charity of their choice, | 0:41:36 | 0:41:38 | |
so without further ado, it's time to find out | 0:41:38 | 0:41:41 | |
who is today's Put Your Money Where Your Mouth Is champion. | 0:41:41 | 0:41:44 | |
-Greetings! How are you? -Bonjour. -Bonjour. How did you find it? | 0:41:44 | 0:41:49 | |
Do you know, I bought that biscuit barrel with my heart, | 0:41:49 | 0:41:52 | |
not my head and I lost money. You, how did you get on? | 0:41:52 | 0:41:56 | |
Oh, yeah, I tell you what I sold really well - | 0:41:56 | 0:41:59 | |
-your marbles! -Wa-hey! | 0:41:59 | 0:42:01 | |
-Back of the net! -What a cheek! -What was your biggest profit, then? | 0:42:01 | 0:42:05 | |
My biggest profit, I think, was the Normandy cabinet. | 0:42:05 | 0:42:09 | |
-Lovely 17th-century thing. -Right, shall we see how we've done? Ready? | 0:42:09 | 0:42:13 | |
On the count of three. One, two, three. | 0:42:13 | 0:42:16 | |
-Ohh. -What?! | 0:42:16 | 0:42:17 | |
Where did you get that amount of money from? | 0:42:17 | 0:42:20 | |
I think you've beaten me hands down. Let's have a petit croissant. | 0:42:20 | 0:42:24 | |
Yes, James absolutely smashes it. | 0:42:24 | 0:42:26 | |
So what happened to Franksy at the salvage yard? | 0:42:26 | 0:42:29 | |
The three items together stood him at a shade under £240. | 0:42:29 | 0:42:34 | |
I'll match your money, but I can't profit it. | 0:42:34 | 0:42:36 | |
I can't... I just can't see it. | 0:42:36 | 0:42:38 | |
I don't even want the glass, that's the worst of it. | 0:42:38 | 0:42:40 | |
Call it 260, there's my hand, there's my heart. | 0:42:40 | 0:42:44 | |
-260. You're a top man, Ray. -Do us a favour - | 0:42:44 | 0:42:47 | |
don't come back here for at least another month! | 0:42:47 | 0:42:50 | |
See you next week! Cheers, Ray. | 0:42:50 | 0:42:53 | |
What am I going to do with this bit of glass? | 0:42:53 | 0:42:55 | |
The industrial items make a profit of just £20.69 combined. | 0:42:55 | 0:42:59 | |
The great thing about foreign markets is you find things | 0:42:59 | 0:43:02 | |
that you just don't find here in the UK. | 0:43:02 | 0:43:05 | |
And what does that result in? | 0:43:05 | 0:43:07 | |
Well, for me, a great profit. Sorry, Mark. | 0:43:07 | 0:43:10 | |
When I was in Belgium, I bought with my heart, not with my brain. | 0:43:10 | 0:43:14 | |
I didn't make an awful lot of money. | 0:43:14 | 0:43:15 | |
If I had used my brain, not my heart, I would've won. | 0:43:15 | 0:43:18 | |
Well, there's always tomorrow for Franksy when our fearsome fighters | 0:43:18 | 0:43:22 | |
take to the stalls once again at an antiques fair in Lincolnshire. | 0:43:22 | 0:43:27 | |
Subtitles by Red Bee Media Ltd | 0:43:35 | 0:43:38 |