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This is Put Your Money Where Your Mouth Is, | 0:00:01 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:07 | |
against each other in an all-out battle for profit. | 0:00:07 | 0:00:11 | |
Heh-hay! | 0:00:11 | 0:00:12 | |
And gives you the insider's view of the trade. | 0:00:12 | 0:00:16 | |
I'm on the case. | 0:00:16 | 0:00:18 | |
Whee-hee! | 0:00:18 | 0:00:19 | |
Each week, one pair of duelling dealers will face a different daily challenge. | 0:00:19 | 0:00:24 | |
I'm a cheeky chancer. Lovely. | 0:00:24 | 0:00:27 | |
Putting their reputations on the line, and giving YOU top tips | 0:00:27 | 0:00:30 | |
and savvy secrets | 0:00:30 | 0:00:32 | |
on how to make the most money from buying and selling. | 0:00:32 | 0:00:36 | |
Let's go and spend some money. | 0:00:36 | 0:00:37 | |
Get in there! | 0:00:37 | 0:00:40 | |
Today, the strong-armed auctioneer James Lewis takes | 0:00:40 | 0:00:43 | |
aim against Mark Franks, the wiliest wheeler-dealer around. | 0:00:43 | 0:00:48 | |
Coming up, Mark enjoys a return to childhood... | 0:00:48 | 0:00:51 | |
Whoa! Wo-ho! Wo-ho! | 0:00:51 | 0:00:54 | |
..James proves you should never chuck anything away... | 0:00:55 | 0:00:58 | |
I bet all of the schools up and down Britain are going, "No! | 0:00:58 | 0:01:03 | |
"We threw them in the skip!" | 0:01:03 | 0:01:05 | |
And we're shown the art of charm when it comes to sealing a deal... | 0:01:05 | 0:01:10 | |
-Because I love you! -And I love you too. | 0:01:10 | 0:01:13 | |
-Your Majesty! -Thou art welcome, Master James. | 0:01:13 | 0:01:16 | |
50 and a hot chocolate? | 0:01:16 | 0:01:18 | |
-Yeah, go on then. -Yeah? Deal. -Thank you. | 0:01:18 | 0:01:20 | |
This is Put Your Money Where Your Mouth Is. | 0:01:20 | 0:01:23 | |
Seat belts on. It's time to buckle up | 0:01:36 | 0:01:39 | |
for one of the biggest battles ever witnessed on television. | 0:01:39 | 0:01:42 | |
Two finely honed antiques athletes are limbering up to enter | 0:01:42 | 0:01:46 | |
the stadium and demonstrate their prowess. | 0:01:46 | 0:01:49 | |
First up, a man with a fierce focus | 0:01:49 | 0:01:52 | |
calmly preparing for the race of his life. | 0:01:52 | 0:01:54 | |
His stamina knows no bounds and his thirst for glory is never-ending. | 0:01:54 | 0:01:59 | |
It's the fighter in the flat cap, James "The Lionheart" Lewis. | 0:01:59 | 0:02:04 | |
If I wear those around my neck, that'll keep them away. | 0:02:04 | 0:02:07 | |
But this is no walk in the park. | 0:02:07 | 0:02:09 | |
His challenger is a muscleman known as a master tactician. | 0:02:09 | 0:02:13 | |
He consistently fires on all cylinders with | 0:02:13 | 0:02:15 | |
an irrepressible love of life. | 0:02:15 | 0:02:17 | |
It's the dynamo in the duffle coat, Mark "Franksy" Franks. | 0:02:17 | 0:02:21 | |
I can't be like James Lewis wandering around. I've got to get on. | 0:02:23 | 0:02:27 | |
Our two crowd-pleasers are showing off their skills at the Antiques and Home Show | 0:02:27 | 0:02:31 | |
at the Lincolnshire Showground and it's a mammoth event. | 0:02:31 | 0:02:35 | |
No less than 2,000 stalls, which means they need raw strength | 0:02:35 | 0:02:39 | |
and winning wits if they're to leave with a gold medal. | 0:02:39 | 0:02:42 | |
Our bargain busters have each got £750 of their own money to | 0:02:42 | 0:02:46 | |
spend and all their profits will go to their chosen charities. | 0:02:46 | 0:02:50 | |
So, James Lewis and Mark Franks, | 0:02:50 | 0:02:53 | |
it's time to Put Your Money Where Your Mouth Is. | 0:02:53 | 0:02:56 | |
-Hello, James. How you doing? -Morning, mate. | 0:02:56 | 0:02:59 | |
-Cor, it's a bit chilly, isn't it? -It is. | 0:02:59 | 0:03:01 | |
-I've got my thermals on, as ever. -Have you got your passport? | 0:03:01 | 0:03:04 | |
I've got my passport. When I got to Watford, I showed it. | 0:03:04 | 0:03:06 | |
-And I've got 750 sterling to spend. Woo-hoo! -Same as me. | 0:03:06 | 0:03:11 | |
-But I've got an advantage this time. -Go on. | 0:03:11 | 0:03:13 | |
-This is my favourite fair in England. I love this place. -Oh, no! | 0:03:13 | 0:03:16 | |
Lots of locals as well. I feel at home. | 0:03:16 | 0:03:19 | |
Hello, James. Oh, hello, mate. Yes, this is all I need, isn't it? | 0:03:19 | 0:03:22 | |
I want to buy lots and lots and lots of gear today. | 0:03:22 | 0:03:26 | |
-I want to buy as much as possible. -# It's not unusual to be loved... # | 0:03:26 | 0:03:30 | |
Cor, that's not unusual, is it? | 0:03:30 | 0:03:32 | |
-How about you? -Small, small, small, small, small. -Five things. | 0:03:32 | 0:03:37 | |
Yes, it might sound like jokey banter, | 0:03:38 | 0:03:40 | |
but these two super-sportsmen are deadly serious, and as they | 0:03:40 | 0:03:44 | |
wait for the starting pistol, their minds are racing through strategies. | 0:03:44 | 0:03:48 | |
People often say there's masses of choice, | 0:03:48 | 0:03:51 | |
it's much easier to buy when there's a lot of things. | 0:03:51 | 0:03:53 | |
In a way, it's a lot harder. | 0:03:53 | 0:03:55 | |
It's just getting your mind round the total variety. | 0:03:55 | 0:03:58 | |
It's a long-distance event today and if anyone has marathon endurance, it's our Lionheart. | 0:03:58 | 0:04:04 | |
But Mark is bursting with energy as well, | 0:04:04 | 0:04:06 | |
in fact he's so confident, he's set himself an added challenge. | 0:04:06 | 0:04:10 | |
If you've not seen it before, I'm going to buy it. | 0:04:11 | 0:04:14 | |
I'm not buying anything you've seen ever before. | 0:04:14 | 0:04:16 | |
I'm going to buy weird, wonderful things, | 0:04:16 | 0:04:18 | |
because I'm going to beat James Lewis. | 0:04:18 | 0:04:20 | |
Yes, Mark Franks, a dealer who cannot be daunted, but his brimming | 0:04:20 | 0:04:24 | |
over-confidence could trip him up and see him fall flat on his face. | 0:04:24 | 0:04:29 | |
Anyway, the gun fires and our Supermen are off. | 0:04:29 | 0:04:32 | |
They dig, they trawl, they scour, and rummage, | 0:04:32 | 0:04:35 | |
and Franksy's the first to strike when he spies a fairground mirror, | 0:04:35 | 0:04:38 | |
charming the stallholder in his own individual way. | 0:04:38 | 0:04:43 | |
-Do you want to go out for a drink tonight? -No, I'm too tired. -Worth a try. | 0:04:43 | 0:04:49 | |
Worth a try, weren't it? | 0:04:49 | 0:04:50 | |
This is part of a showman's...like, traveller's fairground ride, | 0:04:50 | 0:04:56 | |
or it could have been a barrow, and what they've done is | 0:04:56 | 0:04:59 | |
they've got four bits of timber and they've planted little | 0:04:59 | 0:05:03 | |
bits across the joints to hide the joints. What's the best on that? | 0:05:03 | 0:05:08 | |
-The best on the mirror is 130. -I'm going to offer you £100. | 0:05:08 | 0:05:11 | |
I can't go a penny more. There's me hand. There's me heart. Deal? | 0:05:11 | 0:05:14 | |
Deal. | 0:05:14 | 0:05:17 | |
She used to have a stone in that ring. I just bit it out! | 0:05:17 | 0:05:20 | |
So, Mark bounds off the starting line. First purchase - sorted. | 0:05:20 | 0:05:25 | |
The reason I bought this is it's completely different | 0:05:25 | 0:05:28 | |
from anything I've seen, and that is my strategy today. | 0:05:28 | 0:05:30 | |
James, you can go and buy all the boring bits that you always do. | 0:05:30 | 0:05:33 | |
If I find a buyer for this, they won't be able to get another one. | 0:05:33 | 0:05:37 | |
Therefore I should be able to make a profit. | 0:05:37 | 0:05:39 | |
Well, we'll see about that, but James is right on Mark's tail. | 0:05:39 | 0:05:43 | |
At exactly the same moment, he spots two sets of weights, one iron, | 0:05:43 | 0:05:47 | |
the other brass, which date to the early part of the 20th century. | 0:05:47 | 0:05:51 | |
How much are your weights? | 0:05:51 | 0:05:54 | |
-I'm doing them for 12 quid to you. -12 quid. | 0:05:54 | 0:05:57 | |
-Will you take eight quid for them? -Tenner. -Got a deal. £10. | 0:05:57 | 0:06:01 | |
At this early stage, our boys are running neck-and-neck. | 0:06:01 | 0:06:04 | |
But James is clearly feeling vulnerable. | 0:06:04 | 0:06:06 | |
He's even considering some body armour. | 0:06:06 | 0:06:09 | |
-How much is it? -60 quid. | 0:06:09 | 0:06:12 | |
-Is 40 quid any good to you? -55. -45 and you've got a deal. -50 quid. | 0:06:12 | 0:06:18 | |
-Go on, make it 45. -Go on, make it 50. -I'll take it. | 0:06:18 | 0:06:22 | |
50 quid. | 0:06:22 | 0:06:24 | |
Ooh! He relented. | 0:06:24 | 0:06:25 | |
The usually hard-haggling James doesn't even get a penny off | 0:06:25 | 0:06:28 | |
but despite that bruising encounter he's feeling philosophical. | 0:06:28 | 0:06:33 | |
It's a complete and utter fake. | 0:06:33 | 0:06:35 | |
And it's just a bit of fun, but find somebody with a great, | 0:06:35 | 0:06:39 | |
big medieval-style house that needs it furnishing fairly cheaply - | 0:06:39 | 0:06:44 | |
50 quid isn't a lot of money. | 0:06:44 | 0:06:47 | |
So the Lionheart roars into the lead leaving Franksy on the back foot, | 0:06:47 | 0:06:51 | |
but Mark soon finds something to tickle his fancy. | 0:06:51 | 0:06:55 | |
It just... It just sort of looks like James, doesn't it? | 0:06:55 | 0:06:57 | |
He's all sort of hairy. Makes you think of James. | 0:06:57 | 0:07:01 | |
Ooh, he's getting personal. He must be feeling the pressure. | 0:07:01 | 0:07:05 | |
But the Lionheart is going from strength to strength. | 0:07:05 | 0:07:08 | |
At one stall, a couple of items catch his eye. | 0:07:08 | 0:07:11 | |
Ooh, a large green aircraft fuel tank, and a motorcycle sign. | 0:07:11 | 0:07:15 | |
-£85. -Oh, it's not? -It is. | 0:07:15 | 0:07:18 | |
It's only made of fibreglass. | 0:07:18 | 0:07:20 | |
Yes, but it's antique fibreglass! | 0:07:20 | 0:07:22 | |
JAMES LAUGHS | 0:07:22 | 0:07:23 | |
-What could it be? -It's got to be 85. -Oh, has it? -Yes. | 0:07:23 | 0:07:27 | |
What would be your best on that? | 0:07:27 | 0:07:30 | |
We'll do the two for an offer of 205. | 0:07:30 | 0:07:33 | |
I'll give you 150 quid, the two. | 0:07:33 | 0:07:36 | |
160. | 0:07:38 | 0:07:40 | |
No? Aw, it's... | 0:07:40 | 0:07:43 | |
It's too much. | 0:07:43 | 0:07:45 | |
James walks away from the deal, | 0:07:45 | 0:07:47 | |
but he can't go far without having one last go. | 0:07:47 | 0:07:50 | |
Go on, you've got to do it. Move a bit. 180, and I'll take them. | 0:07:50 | 0:07:55 | |
Go on, put your money where your mouth is, then! | 0:07:55 | 0:07:58 | |
JAMES LAUGHS | 0:07:58 | 0:07:59 | |
-Oh, you're a hard man! -Cheers. -What on earth...? What...! | 0:07:59 | 0:08:04 | |
James, you'll make a bomb out of that. | 0:08:04 | 0:08:08 | |
Yes, it certainly looks explosive. | 0:08:08 | 0:08:10 | |
This may be James's favourite fair, | 0:08:10 | 0:08:12 | |
but the stallholders are flexing their muscles | 0:08:12 | 0:08:14 | |
and our long-distance runner is finding it hard to overpower them. | 0:08:14 | 0:08:18 | |
That has to be one of the weirdest deals I have ever done. | 0:08:18 | 0:08:22 | |
I think I'm losing it. | 0:08:22 | 0:08:24 | |
Well, he's miles ahead of his contender with four items to Franksy's one. | 0:08:24 | 0:08:28 | |
But Mark has found something familiar. | 0:08:28 | 0:08:30 | |
Remember that mirror that was different to anything else you'd seen? | 0:08:30 | 0:08:34 | |
Well, he's just found another one. | 0:08:34 | 0:08:36 | |
How much is that as it is? | 0:08:36 | 0:08:38 | |
-That? -Yes, go on. | 0:08:38 | 0:08:41 | |
-120. -Oooooooooh! | 0:08:41 | 0:08:42 | |
I just bought one with the glass, more or less identical, | 0:08:42 | 0:08:47 | |
for 80 quid from the bloke over there. Excuse me, am I telling the truth? | 0:08:47 | 0:08:51 | |
On my budgie's life, I swear! | 0:08:51 | 0:08:53 | |
£80? Well, let's just remind ourselves. | 0:08:53 | 0:08:56 | |
I'm going to offer you £100. I can't go a penny more. | 0:08:56 | 0:08:58 | |
-There's my hand, there's my heart - deal? -Deal. | 0:08:58 | 0:09:01 | |
Yes, let's put that down to memory loss. | 0:09:01 | 0:09:04 | |
-I'd give you 60, cash pound notes, take it away. -70. | 0:09:04 | 0:09:07 | |
-I'll toss a coin 60-70, if you've got a coin? -I don't do coins. | 0:09:07 | 0:09:11 | |
-We'll arm-wrestle for it. 60-70. -Easy. -Deal? -Yeah. -Love it! | 0:09:11 | 0:09:15 | |
The deal is, when he beats me with my bad shoulder... | 0:09:15 | 0:09:18 | |
-I must be mad doing this! -My God. -This is true. | 0:09:18 | 0:09:21 | |
When he beats me, I give him 70 quid. | 0:09:21 | 0:09:24 | |
If I beat him, I give him 60 quid. Go! | 0:09:24 | 0:09:26 | |
-Come on! -I've got such a bad shoulder! | 0:09:28 | 0:09:31 | |
So the strong-arm approach sees forgetful Franksy | 0:09:31 | 0:09:34 | |
get his comeuppance and he pays £70. | 0:09:34 | 0:09:37 | |
But Mark's not finished with this stall yet as he spots | 0:09:37 | 0:09:40 | |
a collection of artworks made from pieces of classic board games. | 0:09:40 | 0:09:44 | |
So what he's got is an old Monopoly game. | 0:09:46 | 0:09:48 | |
He's put it in a frame. He's turned rubbish into art. | 0:09:48 | 0:09:52 | |
Give us a price on them three. A nice friendly price. | 0:09:52 | 0:09:54 | |
You can't afford another arm wrestle, so let's say 40 quid. | 0:09:54 | 0:09:57 | |
-I can't, honestly. I can't. -40 quid. And get out of me hair.. | 0:09:57 | 0:10:00 | |
HE LAUGHS | 0:10:00 | 0:10:02 | |
I can have a cuddle. £40 quid. You're a good man. | 0:10:02 | 0:10:06 | |
Irrepressible Franksy takes another chance, | 0:10:06 | 0:10:08 | |
and gets a purchase for his community chest. | 0:10:08 | 0:10:11 | |
But when it comes to making a profit, | 0:10:11 | 0:10:12 | |
will he land on Mayfair or the Old Kent Road? | 0:10:12 | 0:10:16 | |
Across the fair James's buying momentum remaining unstoppable. | 0:10:16 | 0:10:20 | |
He's interested in a pair of candle holders with glass lustres, | 0:10:20 | 0:10:23 | |
priced up at £180. | 0:10:23 | 0:10:26 | |
But he's noticed that at some point they've been drilled through. | 0:10:26 | 0:10:30 | |
The stallholder is only available on the phone. | 0:10:30 | 0:10:32 | |
I was offering 135, and that gives me a chance. | 0:10:32 | 0:10:36 | |
Stop being so tight! | 0:10:36 | 0:10:38 | |
I'm trying. OK. | 0:10:38 | 0:10:43 | |
It's just, because the lustres are broken... | 0:10:43 | 0:10:46 | |
..and they're not the right lustres, | 0:10:47 | 0:10:50 | |
£140 and you've got a deal. That's it. | 0:10:50 | 0:10:53 | |
That's a discount of more than 20%, so what exactly has he bought? | 0:10:53 | 0:10:58 | |
Really pleased with these. | 0:10:58 | 0:11:00 | |
They're a pair of post-Regency, or just slightly after 1830, | 0:11:00 | 0:11:05 | |
candle lustres. | 0:11:05 | 0:11:07 | |
The idea is that they would have gone on the mantelpiece | 0:11:07 | 0:11:10 | |
of a really smart town house. | 0:11:10 | 0:11:13 | |
They're cast in bronze, | 0:11:13 | 0:11:15 | |
and they're known as lustres because of these glass-faceted droppers, | 0:11:15 | 0:11:20 | |
that are suspended from these stylised stiff leaves. | 0:11:20 | 0:11:23 | |
For £140, even with drilling, they're still cheap. | 0:11:23 | 0:11:28 | |
As James races off to hunt down his next formidable find, | 0:11:28 | 0:11:31 | |
let's catch up with those all-important numbers. | 0:11:31 | 0:11:35 | |
Both our veterans at the antiques track started the day | 0:11:35 | 0:11:37 | |
with £750 of their own money to spend. | 0:11:37 | 0:11:41 | |
Mark Franks has kept a steady pace, spending £210 on three purchases, | 0:11:41 | 0:11:46 | |
leaving him with £540, | 0:11:46 | 0:11:48 | |
while James Lewis has sprinted to five items for £380, | 0:11:48 | 0:11:53 | |
meaning he has £370 left to spend. | 0:11:53 | 0:11:56 | |
So, at this stage Mark has an uphill struggle ahead, | 0:11:57 | 0:12:00 | |
but as our bargain busters break for a breather, | 0:12:00 | 0:12:03 | |
Mr Franks appears relaxed, and in fine fettle. | 0:12:03 | 0:12:06 | |
Oh, yeah. Ideas above your station, have you? | 0:12:07 | 0:12:10 | |
Well, the way I see it is, if I'm the king of the castle, | 0:12:10 | 0:12:12 | |
you are the dirty old rascal. | 0:12:12 | 0:12:14 | |
Oh, no. No. You've got it the wrong way round. | 0:12:14 | 0:12:16 | |
-How you done? -Getting there. Not bought much. | 0:12:16 | 0:12:18 | |
-No. -How about you? | 0:12:18 | 0:12:20 | |
I don't believe you. What have you bought? | 0:12:20 | 0:12:22 | |
You really want to know? | 0:12:22 | 0:12:24 | |
No, I don't want to know, actually. I want to carry on buying. | 0:12:24 | 0:12:26 | |
See you later. | 0:12:26 | 0:12:28 | |
Oh, it's starting to get tetchy. | 0:12:28 | 0:12:30 | |
Our trading trackmongers stride out once again, | 0:12:30 | 0:12:33 | |
and they're soon up to full pace. | 0:12:33 | 0:12:35 | |
Franksy's chasing, but the man's unflappable. | 0:12:35 | 0:12:38 | |
That's nice, I just don't think I've got enough dough. | 0:12:38 | 0:12:41 | |
Yes, very amusing. | 0:12:44 | 0:12:45 | |
Now get down to it, because James has already found his rhythm again. | 0:12:45 | 0:12:49 | |
He's spied a censer from the Far East. | 0:12:49 | 0:12:53 | |
Would you take a fiver for that? It's got a tenner on it. | 0:12:53 | 0:12:56 | |
-Yes, that's all right. -You will? Thank you. | 0:12:56 | 0:12:59 | |
Well, it's not a lot of money, but there's a profit in it, | 0:12:59 | 0:13:03 | |
and that's what counts. | 0:13:03 | 0:13:04 | |
This is a little 19th-century, probably Chinese, censer. | 0:13:04 | 0:13:10 | |
It's made from bronze. | 0:13:10 | 0:13:11 | |
We've got a temple lion or Dog of Fo on the cover, | 0:13:11 | 0:13:14 | |
and the idea is they fill that with a bit of sand, | 0:13:14 | 0:13:18 | |
they put little incense sticks in there, put the cover on it, | 0:13:18 | 0:13:22 | |
and the smell comes out of the four pierced holes in the cover. | 0:13:22 | 0:13:25 | |
So James powers on, and leaves Franksy further adrift | 0:13:25 | 0:13:29 | |
when he picks up more armour - a breastplate - for £50. | 0:13:29 | 0:13:33 | |
It's not genuine 17th-century steel, it's 20th-century, | 0:13:33 | 0:13:38 | |
but at least it's handmade. | 0:13:38 | 0:13:40 | |
If this was real 17th-century cavalry armour, | 0:13:40 | 0:13:43 | |
we'd be looking at £1,000 | 0:13:43 | 0:13:44 | |
but for £50, together with my helmet that also cost 50, | 0:13:44 | 0:13:49 | |
it should, in theory, make a decent sale, and hopefully a decent profit. | 0:13:49 | 0:13:54 | |
James has got himself well defended, but he should watch out, | 0:13:54 | 0:13:57 | |
because Franksy's just secured a deal. | 0:13:57 | 0:13:59 | |
He's agreed £250 for a signal lamp. | 0:13:59 | 0:14:02 | |
So tell me about what I've just bought. | 0:14:02 | 0:14:06 | |
OK, probably about 1940s. It's been totally renovated. | 0:14:06 | 0:14:09 | |
Sorry, explain for people who don't understand what a signal lamp is. | 0:14:09 | 0:14:13 | |
Signal lamp, Morse code. | 0:14:13 | 0:14:14 | |
Morse code, basically not used nowadays. | 0:14:14 | 0:14:18 | |
So it's been converted to take standard light bulbs. | 0:14:18 | 0:14:22 | |
Yeah, and this bit is? | 0:14:22 | 0:14:23 | |
That is to sight your ship in the distance. | 0:14:23 | 0:14:28 | |
Yeah, angle for your signalling. | 0:14:28 | 0:14:30 | |
Basically, there's the button. | 0:14:30 | 0:14:32 | |
This doesn't work now, because it's been converted. | 0:14:32 | 0:14:35 | |
You've been a gentleman with the price. | 0:14:35 | 0:14:37 | |
Now, the big question is, will I be firing SOS or win, win, win? | 0:14:37 | 0:14:44 | |
Time will tell. | 0:14:44 | 0:14:46 | |
Indeed it will, Mark! | 0:14:46 | 0:14:47 | |
And a little bonus - | 0:14:47 | 0:14:48 | |
the seller had the electrics tested and has the certificate to prove it, | 0:14:48 | 0:14:53 | |
so that's one less job for Franksy. | 0:14:53 | 0:14:55 | |
Both our antiques athletes are quickening their pace. | 0:14:55 | 0:14:59 | |
James continues to stalk the stalls, | 0:14:59 | 0:15:01 | |
but Mark's confidence is driving him on. | 0:15:01 | 0:15:03 | |
Not long ago, it looked like the writing was on the wall for Franksy, | 0:15:03 | 0:15:06 | |
but now it's on the table, | 0:15:06 | 0:15:08 | |
the bench | 0:15:08 | 0:15:09 | |
and the floor. | 0:15:09 | 0:15:10 | |
Cool, man, cool. | 0:15:10 | 0:15:13 | |
He buys a whole load of letters. | 0:15:13 | 0:15:16 | |
I've tried to work out every potential, possible person that | 0:15:16 | 0:15:20 | |
might want to buy something, and I've got lots of little things here. | 0:15:20 | 0:15:24 | |
Helen. I know a few Helens. | 0:15:24 | 0:15:25 | |
Shop. Lots of people have shops. | 0:15:25 | 0:15:27 | |
Tea room. The Sun pub. | 0:15:27 | 0:15:29 | |
I think this is hot property. | 0:15:29 | 0:15:31 | |
125 the lot. | 0:15:32 | 0:15:36 | |
That's a fair wedge of Mark's money, so will his purchase spell success? | 0:15:36 | 0:15:41 | |
James is stuck on seven items, but our ace auctioneer is a spender, | 0:15:41 | 0:15:45 | |
and with £300 of remaining budget burning a hole in his pocket, | 0:15:45 | 0:15:49 | |
he's putting in the legwork. | 0:15:49 | 0:15:52 | |
But Franksy's fast catching up with powerhouse Lewis, | 0:15:52 | 0:15:55 | |
and for some extra acceleration, our cheeky chappie's found | 0:15:55 | 0:15:58 | |
an ingenious way of getting around. | 0:15:58 | 0:16:01 | |
Stop, stop, stop! Stop, stop, stop! | 0:16:01 | 0:16:03 | |
Thank you, driver. | 0:16:03 | 0:16:05 | |
Takes you back, doesn't it? | 0:16:06 | 0:16:09 | |
To when I was 15. | 0:16:09 | 0:16:10 | |
Come on then, give me your worst price. | 0:16:10 | 0:16:13 | |
I will do you, the worst price, £10. | 0:16:13 | 0:16:16 | |
£10. Have that tenner. Smashing. Thanks very much. | 0:16:16 | 0:16:20 | |
You want to get ahead, get a skateboard. | 0:16:20 | 0:16:23 | |
Yes, always a child at heart. | 0:16:23 | 0:16:24 | |
Our skater boy can't resist burning some rubber. | 0:16:24 | 0:16:28 | |
# He was a skater boy She said see you later, boy | 0:16:28 | 0:16:32 | |
# He wasn't good enough for her | 0:16:32 | 0:16:35 | |
# He was a skater boy She said see you later, boy. # | 0:16:35 | 0:16:38 | |
Whoa! Whoa! | 0:16:38 | 0:16:41 | |
I ain't lost it! | 0:16:41 | 0:16:42 | |
Yeah, whatever you say, Franksy! | 0:16:42 | 0:16:44 | |
And James's inner athlete is coming out as well. | 0:16:44 | 0:16:47 | |
He's spotted a vaulting horse. | 0:16:47 | 0:16:49 | |
£450 for one of these. | 0:16:49 | 0:16:52 | |
I bet all of the schools up and down Britain are going "No! | 0:16:52 | 0:16:57 | |
"We threw them in the skip!" | 0:16:57 | 0:17:00 | |
-Well, look and learn, because -I -certainly am. | 0:17:00 | 0:17:04 | |
£450 each. Gosh. | 0:17:04 | 0:17:08 | |
No triple somersaults from Mr Lewis, | 0:17:08 | 0:17:10 | |
just a gentle acceleration back onto the racetrack. | 0:17:10 | 0:17:13 | |
Mark, however, is powering his way around the showground, | 0:17:13 | 0:17:16 | |
but he slows for a pit stop when he spies a vintage petrol can. | 0:17:16 | 0:17:20 | |
If I offer you a fiver, you're going to say no, aren't you? | 0:17:20 | 0:17:23 | |
You can have it for eight. | 0:17:25 | 0:17:26 | |
-I'll toss you, five or ten. -OK then. | 0:17:26 | 0:17:29 | |
Yeah? You got a coin? | 0:17:29 | 0:17:32 | |
-Call. -Heads. | 0:17:32 | 0:17:33 | |
He said heads, it's tails. | 0:17:33 | 0:17:36 | |
Sorry, mate. | 0:17:36 | 0:17:37 | |
Yes, the old coin toss trick works a treat. | 0:17:37 | 0:17:40 | |
Lovely brass top, BP. | 0:17:42 | 0:17:44 | |
If that's missing, these aren't really worth very much at all. | 0:17:44 | 0:17:47 | |
This is what makes it. | 0:17:47 | 0:17:49 | |
As the stall holders begin to pack up for the day, | 0:17:49 | 0:17:52 | |
the bell tolls for the last lap, | 0:17:52 | 0:17:54 | |
and as they hit the final stretch, | 0:17:54 | 0:17:56 | |
both our runners are chasing that one last item. | 0:17:56 | 0:18:00 | |
I want to buy something fabulous. Something small. | 0:18:00 | 0:18:03 | |
Something exquisite. | 0:18:03 | 0:18:05 | |
Something that will make me a profit. | 0:18:05 | 0:18:08 | |
Yes. Still on the hunt, James races indoors | 0:18:08 | 0:18:10 | |
to look at the more delicate items, | 0:18:10 | 0:18:13 | |
but for HIS last purchase, it seems that Franksy has travelled | 0:18:13 | 0:18:17 | |
to a far distant planet. | 0:18:17 | 0:18:19 | |
I said I wanted to buy unusual stuff that you can't buy just anywhere, | 0:18:19 | 0:18:22 | |
and then I've gone and bought something really run-of-the-mill. | 0:18:22 | 0:18:25 | |
Take a look at these two. | 0:18:25 | 0:18:27 | |
They're made of fibreglass. | 0:18:27 | 0:18:30 | |
Apparently they came from the Blackpool Illuminations. | 0:18:30 | 0:18:33 | |
Goodness knows what I'm going to do with them. | 0:18:33 | 0:18:36 | |
I've just laid out £150 from my hard-earned cash, | 0:18:36 | 0:18:40 | |
but I think these are going to be an absolute winner. | 0:18:40 | 0:18:44 | |
Indoors, James's local connections have finally paid off. | 0:18:44 | 0:18:48 | |
He's bumped into Robert, who he's bought from before, | 0:18:48 | 0:18:50 | |
and the Lionheart is just in time. | 0:18:50 | 0:18:53 | |
Robert was about to leave, but he unpacks a case of rings. | 0:18:53 | 0:18:57 | |
You've got some whoppers! | 0:18:57 | 0:18:59 | |
That one you can have for 240. | 0:18:59 | 0:19:02 | |
James chooses his three favourites, but he can't make up his mind, | 0:19:02 | 0:19:05 | |
so he looks for ladies to help. | 0:19:05 | 0:19:09 | |
# Diamonds are a girl's best friend. # | 0:19:09 | 0:19:12 | |
I need advice. Which do you like? | 0:19:12 | 0:19:14 | |
That one. OK. Thank you. | 0:19:16 | 0:19:17 | |
Of those three rings, which would you like? | 0:19:17 | 0:19:19 | |
Mmm - that one. | 0:19:19 | 0:19:21 | |
That one. Right, OK. Thank you. | 0:19:21 | 0:19:24 | |
Excuse me. | 0:19:24 | 0:19:25 | |
If you were buying a ring, which would you go for, of those three? | 0:19:25 | 0:19:28 | |
Ummm... That one, I think. | 0:19:28 | 0:19:31 | |
Oh, no, that's one each! | 0:19:31 | 0:19:33 | |
That's not helping me. | 0:19:33 | 0:19:34 | |
Right, the next one seals the deal. | 0:19:35 | 0:19:37 | |
I know, where is she? | 0:19:39 | 0:19:40 | |
-That one. -That one, thank you. | 0:19:42 | 0:19:44 | |
Brilliant. You've been a great help. | 0:19:44 | 0:19:46 | |
The first one James picked, the diamond crossover ring, | 0:19:46 | 0:19:49 | |
is the winner, but it costs him almost a third of his budget. | 0:19:49 | 0:19:53 | |
Well, at last, my final purchase of the day. | 0:19:53 | 0:19:58 | |
I'm hoping the weary eyes and legs haven't led me to a bad decision. | 0:19:58 | 0:20:03 | |
But I don't normally buy jewellery. | 0:20:03 | 0:20:06 | |
But I just thought for a change, why not? | 0:20:06 | 0:20:08 | |
So James's final push brings this buying battle to a close. | 0:20:08 | 0:20:13 | |
Our sprinters cross the finish line and while they go for | 0:20:13 | 0:20:16 | |
a well-earned shakedown, it's time to tot up some numbers. | 0:20:16 | 0:20:19 | |
Our two medal winners both started the day with £750 of their own | 0:20:19 | 0:20:23 | |
money spurring them on. | 0:20:23 | 0:20:25 | |
Mark "Franksy" Franks has collected eight purchases on his travels | 0:20:25 | 0:20:28 | |
and spent every last penny of his budget. | 0:20:28 | 0:20:31 | |
James "The Lionheart" Lewis has also racked up eight items, | 0:20:31 | 0:20:36 | |
but spent less, £675. | 0:20:36 | 0:20:38 | |
And so, our antiques chasers take a vantage point over the arena | 0:20:38 | 0:20:42 | |
and compare their kit. | 0:20:42 | 0:20:44 | |
-I thought I'd bought some rubbish! -I do like that. -Do you? | 0:20:44 | 0:20:47 | |
I didn't know it was for sale or I'd have bought it. | 0:20:47 | 0:20:50 | |
Do you know what it is? | 0:20:50 | 0:20:52 | |
Yes, it's a fuel tank for an aeroplane that mainly was | 0:20:52 | 0:20:55 | |
-flown over Korea. -Somebody's told you that. -Yes. -How do you know that? | 0:20:55 | 0:20:58 | |
-Well, you know. -Those heads, they are brilliant. -Aren't they? | 0:20:58 | 0:21:02 | |
-And they're as mad as that. -Yeah, yeah. | 0:21:02 | 0:21:04 | |
-They would go together well. -They would. | 0:21:04 | 0:21:06 | |
I paid a lot of money for this, | 0:21:06 | 0:21:08 | |
but I can't see anything expensive there at all. | 0:21:08 | 0:21:11 | |
There was...somewhere | 0:21:11 | 0:21:13 | |
a ring. | 0:21:13 | 0:21:15 | |
There's one there, is that it? | 0:21:15 | 0:21:17 | |
JAMES LAUGHS | 0:21:17 | 0:21:19 | |
That was all right. | 0:21:19 | 0:21:20 | |
I mean, I don't buy jewellery, it's not my thing really. | 0:21:20 | 0:21:23 | |
No, and there's nothing wrong with buying cubic zirconia. I think it's a good way forward. | 0:21:23 | 0:21:29 | |
-What about this? What's going on here? -Try it. | 0:21:29 | 0:21:33 | |
-Now, hang on a minute. Make sure... Hang on. -Let's get me ears in! | 0:21:33 | 0:21:36 | |
-Get your ears inside. -OK. -Are your ears in? -Just about. Gently! | 0:21:36 | 0:21:41 | |
-Argh, that's my chin! -Go on! | 0:21:43 | 0:21:46 | |
Oh! | 0:21:46 | 0:21:48 | |
-What's this? -That's my... | 0:21:48 | 0:21:50 | |
That's my chin! | 0:21:50 | 0:21:52 | |
I can't even... | 0:21:52 | 0:21:54 | |
-JAMES LAUGHS -See you. -Oh, thanks, James(!) | 0:21:54 | 0:21:57 | |
Our awesome knights of all things antique may have set a mean | 0:22:00 | 0:22:03 | |
pace during the buying, | 0:22:03 | 0:22:05 | |
but that was just the first leg in this race for Put Your Money Gold. | 0:22:05 | 0:22:09 | |
Now, as they return to their respective bases, | 0:22:09 | 0:22:12 | |
both our battle-hardened hagglers have only two things on their minds, | 0:22:12 | 0:22:16 | |
selling their items for as much money as possible | 0:22:16 | 0:22:19 | |
and making sure that they're the one who finishes the day standing | 0:22:19 | 0:22:22 | |
proud on the winner's podium. | 0:22:22 | 0:22:24 | |
Back at the Lionheart's lair, | 0:22:24 | 0:22:26 | |
James reflects on his unusual antiques fair haul. | 0:22:26 | 0:22:29 | |
I've gone for the quirky and I've gone for the unusual. | 0:22:29 | 0:22:33 | |
Let's start with my wonderful armour. | 0:22:33 | 0:22:35 | |
It isn't old, but it looks the part. | 0:22:35 | 0:22:37 | |
And I've got just the person in mind. | 0:22:37 | 0:22:40 | |
The weights at the front, well, I've already found somebody a set of scales in the past | 0:22:40 | 0:22:45 | |
and I promised them I'd find them some weights to go with it. | 0:22:45 | 0:22:48 | |
Of all of the things that I've found at the antiques fair, my cut-glass | 0:22:48 | 0:22:52 | |
and bronze candle lustres are without question the most in demand. | 0:22:52 | 0:22:55 | |
Everybody loves them | 0:22:55 | 0:22:56 | |
and the final two lots are my Korean War extended flight fuel tank that | 0:22:56 | 0:23:02 | |
has been used as an antiques shop sign | 0:23:02 | 0:23:04 | |
and my International Motorcycle Club Tour map. | 0:23:04 | 0:23:09 | |
They're both bonkers, but they're both going to be great fun. | 0:23:09 | 0:23:14 | |
James also needs to find buyers for the 19th-century Chinese censer | 0:23:14 | 0:23:18 | |
and the gold diamond crossover ring. | 0:23:18 | 0:23:20 | |
While the Lionheart appears to be the picture of confidence, | 0:23:20 | 0:23:24 | |
down in his London lock-up, | 0:23:24 | 0:23:26 | |
wheeler-dealer Franksy is less at ease, as he surveys his stash. | 0:23:26 | 0:23:30 | |
Right, what have we actually bought? A beautiful lamp. Isn't it nice? | 0:23:30 | 0:23:33 | |
The letters? Not a problem, they'll sell themselves. | 0:23:33 | 0:23:36 | |
These are pretty, recycling, love it! | 0:23:36 | 0:23:39 | |
The heads? Mmm, anyway, let's just gloss over the heads. | 0:23:39 | 0:23:43 | |
The petrol can, that should be great. | 0:23:43 | 0:23:45 | |
Now, I've got a couple of different colours that I'm going to spray it. | 0:23:45 | 0:23:49 | |
I'm going to go for blue. A mate of mine's got a blue car. | 0:23:49 | 0:23:52 | |
If I can spray that blue, they'll be very saleable. | 0:23:52 | 0:23:56 | |
£750? | 0:23:56 | 0:23:59 | |
The lad looks daunted. Mark will also need to sell the skateboard | 0:23:59 | 0:24:02 | |
and the fairground mirrors. | 0:24:02 | 0:24:04 | |
Well, this looks set to be an almighty clash of differing styles, | 0:24:04 | 0:24:08 | |
the ducking and diving of dealer Mark versus the knowledge | 0:24:08 | 0:24:12 | |
and determination of auctioneer James. | 0:24:12 | 0:24:14 | |
They'll both need to dig deep into their contacts books to | 0:24:14 | 0:24:17 | |
secure the best buyers for the biggest profit. | 0:24:17 | 0:24:20 | |
Remember, until they've shaken on it | 0:24:20 | 0:24:22 | |
and the money has changed hands, no deal is truly sealed. | 0:24:22 | 0:24:26 | |
It's Mark who is first to get into his selling stride, | 0:24:26 | 0:24:29 | |
as he dashes over to Battersea, south-west London, | 0:24:29 | 0:24:31 | |
with some of the letters he paid a total of £125 for. | 0:24:31 | 0:24:35 | |
He's hoping the personal touch will do the trick | 0:24:35 | 0:24:38 | |
when he shows them to dealer and long-time friend Helen. | 0:24:38 | 0:24:42 | |
-They're lovely, Mark. Where are they from? Can I have a look? -Yeah, sure. | 0:24:42 | 0:24:45 | |
Oh, they're wood. No9, it's not wood. It's MDF-y stuff. | 0:24:45 | 0:24:49 | |
-Is it? -They've got to be of age though. They're not brand-new. | 0:24:49 | 0:24:53 | |
OK, darling. Well, as usual, how much? | 0:24:53 | 0:24:56 | |
-Would £100 be wrong? -Yes! | 0:24:56 | 0:24:59 | |
Is it too cheap? | 0:24:59 | 0:25:02 | |
-So wrong! -Shucks! | 0:25:02 | 0:25:05 | |
I was doing sums in my head. Can you get a tenner a letter? | 0:25:05 | 0:25:08 | |
If you get a tenner each, I want to pay you half that. I think 40 quid. | 0:25:08 | 0:25:12 | |
45. | 0:25:12 | 0:25:14 | |
Because I love you. | 0:25:14 | 0:25:16 | |
I love you too! | 0:25:16 | 0:25:18 | |
Sealed with a kiss. Charmer Mark pockets £45. | 0:25:18 | 0:25:22 | |
He's not in profit yet, | 0:25:22 | 0:25:24 | |
but he's still got over two-thirds of the letters left to go. | 0:25:24 | 0:25:27 | |
He's quick to line up another potential | 0:25:27 | 0:25:29 | |
deal for more of the letters and he heads over to a cafe in his local town of Wallington, in Surrey. | 0:25:29 | 0:25:34 | |
He's hoping that Natasha, who works there, will be | 0:25:34 | 0:25:37 | |
interested in buying the letters to use as wall art. | 0:25:37 | 0:25:40 | |
-What do you think of that? -Yeah, love it. -Is it something you'd be interested in? -Yeah. | 0:25:40 | 0:25:45 | |
-I've got the perfect space for it up on the wall. -You've got the room. And it's a showstopper. | 0:25:45 | 0:25:49 | |
So how much is that then? | 0:25:49 | 0:25:51 | |
-Why don't you make me an offer that I can't refuse? -40? | 0:25:51 | 0:25:55 | |
50 and a hot chocolate. | 0:25:55 | 0:25:56 | |
-Yeah, go on then. -Yeah? Deal! -Thank you. | 0:25:56 | 0:25:59 | |
Yes, it's another kiss, another £50 in the pot and a hot chocolate. | 0:25:59 | 0:26:04 | |
And when Franksy finds two more buyers for the remaining | 0:26:04 | 0:26:07 | |
letters, it spells out a final overall profit of £40. | 0:26:07 | 0:26:10 | |
But James has no intention of letting Mark run away with victory. | 0:26:12 | 0:26:15 | |
He's hoping to redress the balance, | 0:26:15 | 0:26:18 | |
as he takes the weights he bought for £10 to show Paul Harrison, | 0:26:18 | 0:26:21 | |
a client to whom he's previously sold a set of scales. | 0:26:21 | 0:26:24 | |
-Are they something you'd be prepared to have a go for? -Um...depends what you want for them. | 0:26:24 | 0:26:29 | |
-Obviously. -Yeah. I don't want a fortune. What would you have in mind? | 0:26:29 | 0:26:33 | |
I'd probably say round about the 20 mark. | 0:26:33 | 0:26:36 | |
-Could I budge you a couple of quid? -25? | 0:26:36 | 0:26:39 | |
-Deal. -OK. -Brilliant. Thank you. | 0:26:39 | 0:26:41 | |
James weighs in with an opening profit of £15. | 0:26:41 | 0:26:44 | |
Next, he focuses attention on the diamond ring he bought for £240. | 0:26:44 | 0:26:49 | |
Aiming to maximise his profit, James has decided to raffle the ring | 0:26:49 | 0:26:53 | |
and has invested in a raffle licence and tickets. | 0:26:53 | 0:26:56 | |
At £10 a ticket, he's hoping to sell enough to far exceed what | 0:26:56 | 0:27:00 | |
he might have earned if he'd merely sold on. | 0:27:00 | 0:27:03 | |
-There's a lump in my throat to say this is my last ten-pound note. -Oh! | 0:27:03 | 0:27:07 | |
Thank you! | 0:27:07 | 0:27:08 | |
That's fantastic. Thank you very much. | 0:27:08 | 0:27:10 | |
-There we go. -Thank you. -Have one of those. | 0:27:10 | 0:27:13 | |
-£10 each, there you go. -I want two. -There we are. Thank you very much. | 0:27:13 | 0:27:16 | |
-And for me. -Brilliant. Thank you very much. | 0:27:16 | 0:27:18 | |
Fill out your details on there for me. Thank you. | 0:27:18 | 0:27:20 | |
-I'll have one. -Brilliant. | 0:27:20 | 0:27:22 | |
There we go. There's one. I'll let you know. Fingers crossed. | 0:27:22 | 0:27:25 | |
Well done, guys. Thanks very much. Cheers, bye! | 0:27:25 | 0:27:28 | |
It's a radical strategy, | 0:27:28 | 0:27:30 | |
but will James's raffle deliver victory or disappointment? | 0:27:30 | 0:27:33 | |
Time will tell. | 0:27:33 | 0:27:36 | |
Back in London, Franksy's looking to race away with his next profit. | 0:27:36 | 0:27:40 | |
He's meeting friend Mark Coughlin, the owner of a classic 1926 | 0:27:40 | 0:27:45 | |
Delage car, to show him the vintage petrol can which he paid £5 for. | 0:27:45 | 0:27:50 | |
And in a bid to secure the best deal, Franksy has repainted | 0:27:50 | 0:27:54 | |
the can with old spray paint to try and match the colour of the car. | 0:27:54 | 0:27:58 | |
What about that for a nice colour match? Not bad, is it? | 0:27:58 | 0:28:01 | |
-Is it a Second World War one? -I think it's pre-Second World War. | 0:28:01 | 0:28:04 | |
No, it's been through the Second World War! | 0:28:04 | 0:28:07 | |
Look, it's a nice thing. Are you interested in buying it, Mark? | 0:28:07 | 0:28:11 | |
Depends how much it is. | 0:28:11 | 0:28:12 | |
We'll talk money, but I do need a lift home. | 0:28:12 | 0:28:14 | |
I've been standing out here in the damp. | 0:28:14 | 0:28:17 | |
20 quid and I'll give you a lift home. | 0:28:17 | 0:28:20 | |
Go on, then. Deal. Start driving! | 0:28:20 | 0:28:22 | |
Franksy manages to fuel a profit of £15 on the petrol can | 0:28:22 | 0:28:25 | |
and get a lift home to boot. | 0:28:25 | 0:28:28 | |
-Mark, would you mind if I called you James, rather than Mark? -James? | 0:28:28 | 0:28:32 | |
James! Home, James! And don't spare the horses! | 0:28:32 | 0:28:35 | |
Cheeky boy! | 0:28:37 | 0:28:38 | |
This selling race is now starting to heat up with Mark leading | 0:28:38 | 0:28:42 | |
James by two sales to one. | 0:28:42 | 0:28:44 | |
But the Lionheart is looking to strike back, | 0:28:44 | 0:28:47 | |
as he travels to Uttoxeter to see John, | 0:28:47 | 0:28:49 | |
a regular client of his and owner of a museum of everyday items. | 0:28:49 | 0:28:53 | |
James is hoping his pair of candle holders that cost him | 0:28:53 | 0:28:57 | |
£140 will prove a desirable addition to John's collection. | 0:28:57 | 0:29:01 | |
Of all the things I've bought from the antiques fair, | 0:29:01 | 0:29:04 | |
if I was going to live with and own any of it, it'd be these. | 0:29:04 | 0:29:08 | |
So I think they're probably 1850, | 0:29:08 | 0:29:12 | |
with these candle lustre droppers. | 0:29:12 | 0:29:16 | |
Yes, very nice. Very ornate. So what are you looking for? | 0:29:16 | 0:29:19 | |
You're going to knock me down, so I'll start higher. | 0:29:19 | 0:29:24 | |
-500. -500? -Yeah. | 0:29:24 | 0:29:26 | |
And do you know? Actually, to be fair, | 0:29:26 | 0:29:29 | |
I could see those with a price tag of more than 500 in a smart shop. | 0:29:29 | 0:29:35 | |
I'm going to be cheeky. I like the idea of 285. | 0:29:35 | 0:29:40 | |
-300. -Thank you very much. -300, there you go. | 0:29:40 | 0:29:43 | |
Extraordinary. James lights up a profit of £160 on the candleholders. | 0:29:43 | 0:29:48 | |
And whilst he's there, quick-thinking Mr Lewis also tries his luck | 0:29:48 | 0:29:52 | |
selling some raffle tickets. | 0:29:52 | 0:29:54 | |
It's a tenner to win something that's probably worth, | 0:29:54 | 0:29:57 | |
if you were to buy it from a shop, 500-700. | 0:29:57 | 0:30:00 | |
Well, the wife does love a bit of bling. | 0:30:00 | 0:30:03 | |
-Does she? -Mm. | 0:30:03 | 0:30:05 | |
-JAMES LAUGHS -She does. I'll have five. | 0:30:05 | 0:30:07 | |
Fantastic! You're a good man. Thank you very much. | 0:30:07 | 0:30:10 | |
Yes, Mark's quick to retaliate though, as he heads up to Stotfold | 0:30:10 | 0:30:14 | |
in Hertfordshire with his mirror and mirror frame, | 0:30:14 | 0:30:17 | |
which cost a combined £170. | 0:30:17 | 0:30:19 | |
He's arranged to see fairground and steam enthusiast John, | 0:30:19 | 0:30:23 | |
who has expressed an interest in them, | 0:30:23 | 0:30:25 | |
which Franksy's hoping will be reflected in a tidy profit. | 0:30:25 | 0:30:28 | |
John, I bought these at an antique fair. What do you think of those? | 0:30:28 | 0:30:32 | |
I think they are very good. | 0:30:32 | 0:30:34 | |
A nice piece of original fairground memorabilia. | 0:30:34 | 0:30:38 | |
It's been sculptured, the woodwork, | 0:30:38 | 0:30:41 | |
because fairground people were very much artists as well, | 0:30:41 | 0:30:44 | |
not just the decorative work, | 0:30:44 | 0:30:46 | |
but the gold leaf and the way they got it all together. | 0:30:46 | 0:30:48 | |
Are these something that would be of any interest to you at all? | 0:30:48 | 0:30:51 | |
-They'd be well worth having, yes. -Good stuff. -Well, I don't know. | 0:30:51 | 0:30:54 | |
I would have thought probably somewhere about £85 apiece. | 0:30:54 | 0:30:57 | |
Why don't we round it up and call it 200 quid and then make life a lot easier? | 0:30:57 | 0:31:01 | |
You're a hard man to deal with, I think! | 0:31:01 | 0:31:04 | |
But if you say you want 200, the thing you've got to remember, | 0:31:04 | 0:31:07 | |
-we can't go and buy any more new ones. -You won't get them new and these have got age. | 0:31:07 | 0:31:11 | |
It's craftsmanship and I agree. I'm taking the words out of your mouth. | 0:31:11 | 0:31:14 | |
-Yeah. -Can I shake your hand? -You're a good salesman, I think. | 0:31:14 | 0:31:18 | |
Mark pockets a profit of £30 for the mirror and frame. | 0:31:18 | 0:31:22 | |
So, as we reach the halfway point in this selling battle, | 0:31:22 | 0:31:25 | |
it's time to see who is looking at victory | 0:31:25 | 0:31:28 | |
and who just needs to take a long, hard look in the mirror. | 0:31:28 | 0:31:31 | |
Mark was first to hit the track and has made four sales so far, | 0:31:31 | 0:31:35 | |
sprinting ahead with an £85 profit. | 0:31:35 | 0:31:38 | |
James has only sold two items, but has a profit of £175, as well | 0:31:38 | 0:31:43 | |
as the money from the diamond ring raffle tickets he's sold so far. | 0:31:43 | 0:31:47 | |
So, James has taken an imposing lead in this selling race and he shows | 0:31:50 | 0:31:54 | |
no signs of slowing down, as he heads to Tutbury Castle, | 0:31:54 | 0:31:57 | |
near Burton on Trent, with the replica breastplate | 0:31:57 | 0:32:00 | |
and helmet that cost a combined £100. | 0:32:00 | 0:32:03 | |
He's hoping they'll be interested in buying them, | 0:32:03 | 0:32:06 | |
but he's going up against a formidable potential buyer. | 0:32:06 | 0:32:09 | |
By Royal Appointment, it's Queen Elizabeth I herself. | 0:32:09 | 0:32:12 | |
Well, Lesley actually - the castle curator, | 0:32:12 | 0:32:16 | |
to give her her proper title. | 0:32:16 | 0:32:18 | |
Hello there! | 0:32:18 | 0:32:20 | |
-Or should I say - Your Majesty! -Thou art welcome, Master James. | 0:32:20 | 0:32:25 | |
-Lovely to see you. -And you. | 0:32:25 | 0:32:27 | |
Well, I was thinking in terms of some things to decorate | 0:32:27 | 0:32:31 | |
Tutbury Castle, but in such garb, | 0:32:31 | 0:32:33 | |
maybe it's more appropriate to fight the Spanish with them! | 0:32:33 | 0:32:36 | |
Of course. Well, this looks fabulous. | 0:32:36 | 0:32:39 | |
And in my other job as a curator, | 0:32:39 | 0:32:41 | |
as well as being Queen of England, I'm delighted to see some | 0:32:41 | 0:32:44 | |
things that could be interesting and we want people to be engaged | 0:32:44 | 0:32:47 | |
-with history here, as long as it's the right price! -Yes. Yes. | 0:32:47 | 0:32:50 | |
-Then I could get a bit queenie again! -OK. | 0:32:50 | 0:32:52 | |
-Tell me all about it then. -Neither of them are period. | 0:32:52 | 0:32:56 | |
They're not real. They are good-quality props. | 0:32:56 | 0:33:01 | |
-That has more age than that. -And what would this be used for? | 0:33:01 | 0:33:04 | |
To decorate some great Victorian's home? Or is it later still than that? | 0:33:04 | 0:33:09 | |
-I think it's 20th century. -Oh, is it? -Yeah. | 0:33:09 | 0:33:11 | |
I think it's probably a prop from a film studio, something like that. | 0:33:11 | 0:33:16 | |
In style, it's early, it's probably 14th century, something like that. | 0:33:16 | 0:33:20 | |
I'd much rather have the real thing, but often it's important for people to get a chance to handle | 0:33:20 | 0:33:24 | |
these things, which they wouldn't normally have. So this is great for the schoolchildren | 0:33:24 | 0:33:28 | |
-and the public to get a sense of the weight of these things. This does feel like the real weight. -Yes. | 0:33:28 | 0:33:33 | |
What time do you think this dates from? | 0:33:33 | 0:33:36 | |
-19th century. -So, let's talk about the price. | 0:33:36 | 0:33:39 | |
-What were you thinking? -150? 175 would be the top, I think. | 0:33:39 | 0:33:44 | |
-I was hoping for nearer 250. -Let's just have a look at things here. | 0:33:44 | 0:33:47 | |
And this of course, as you can see, is the real thing. | 0:33:47 | 0:33:50 | |
Now then, we've got some notes here. | 0:33:50 | 0:33:52 | |
I should probably ask you who that woman is on the front! | 0:33:52 | 0:33:55 | |
-I'm going to put 200 in front of you and see how you feel about it. -Go on, then. | 0:33:55 | 0:33:59 | |
20, 40, 60, 80, 100. | 0:33:59 | 0:34:02 | |
-20, 40, 60, 80, 100. -Oh, you've got more left! But I'm not going to go down that line. | 0:34:02 | 0:34:08 | |
-You've got a deal. -200? -Brilliant. -Fantastic! That's great! | 0:34:08 | 0:34:11 | |
Yes, thankfully, James is more Blackadder than Baldrick, | 0:34:11 | 0:34:14 | |
as he haggles his way to a double-your-money profit of £100. | 0:34:14 | 0:34:18 | |
But Mark won't go down without a fight | 0:34:18 | 0:34:21 | |
and he's putting in the hard graft. | 0:34:21 | 0:34:23 | |
He's travelled north to Blackpool in Lancashire with the alien | 0:34:23 | 0:34:26 | |
heads that cost him £150. He knows they were originally part of the city's world-famous | 0:34:26 | 0:34:32 | |
Illuminations and he's hoping they can be repatriated for a profit | 0:34:32 | 0:34:35 | |
when he shows them to Mark Yates, a collector of Blackpool memorabilia. | 0:34:35 | 0:34:40 | |
Mark, I've e-mailed you pictures of these but they're quite a size. | 0:34:40 | 0:34:44 | |
-Are they bigger than you imagined them to be? -They're a lot bigger, yeah. They are brilliant though. | 0:34:44 | 0:34:48 | |
-It's not often you get to see the Illuminations up this close. -Yeah. -So it is a good thing to see them. | 0:34:48 | 0:34:54 | |
-Now, you've done a bit of homework. You believe they were in... -In the flying saucers, yeah. | 0:34:54 | 0:34:59 | |
They used to have a sign at the start of the Illuminations that said "Welcome Earthlings". | 0:34:59 | 0:35:03 | |
And they were either there or on one of the roundabout features. | 0:35:03 | 0:35:06 | |
-Brilliant. -As you go through them. So they're a piece of history, really. | 0:35:06 | 0:35:09 | |
Where are you going to put them? Have you any ideas? | 0:35:09 | 0:35:12 | |
I think first of all, we might put them in the window of the shop | 0:35:12 | 0:35:16 | |
-downstairs and actually light them up for people to see them. -Fantastic. I'm so glad I bought them. | 0:35:16 | 0:35:21 | |
The ball's in your court, we're in Blackpool, you know what these things cost and what their value is. | 0:35:21 | 0:35:27 | |
Make me an offer and we'll shake hands. | 0:35:27 | 0:35:29 | |
-I was thinking around the 200 quid mark. -Are you happy with that? | 0:35:29 | 0:35:33 | |
-Over the moon. -We've got a deal. Thank you very much. -Thank you. -Stick of rock thrown in, obviously. | 0:35:33 | 0:35:37 | |
-We'll sort you out with some rock. -Brilliant! | 0:35:37 | 0:35:39 | |
So the alien heads head home and Mark heads back to London with a £50 profit. | 0:35:39 | 0:35:45 | |
Both our battling bruisers have been banking impressive profits | 0:35:45 | 0:35:48 | |
and the frenetic pace of selling shows no signs of abating, | 0:35:48 | 0:35:52 | |
as James targets more profit with a fuel tanker that cost him £110. | 0:35:52 | 0:35:56 | |
He's travelled to Newark Air Museum, a place he knows well, | 0:35:56 | 0:36:00 | |
having spent many a day there as a boy. | 0:36:00 | 0:36:03 | |
I have to say, it's 26 years ago that I was last here. | 0:36:03 | 0:36:07 | |
I think you had about five planes then, something like that. | 0:36:07 | 0:36:11 | |
That's right, that's when we first started. And now we have over 80. | 0:36:11 | 0:36:15 | |
So we've grown quite a bit since then. | 0:36:15 | 0:36:17 | |
-Gosh! And what are we leaning on? -This is a Meteor. | 0:36:17 | 0:36:20 | |
A night fighter Meteor. Hence the rather large nose. | 0:36:20 | 0:36:23 | |
And it would be used in interception roles. | 0:36:23 | 0:36:25 | |
-And the relevance of this is that. -It's the fuel tank, that's right. | 0:36:25 | 0:36:29 | |
When I first saw this, I had no idea what it was. | 0:36:29 | 0:36:33 | |
I thought it could be a torpedo. It could be a missile. | 0:36:33 | 0:36:37 | |
The guy who sold it to me actually knew. I thought, one place for that. | 0:36:37 | 0:36:41 | |
Well, it's fabulous. Most of the later ones were aluminium. | 0:36:41 | 0:36:46 | |
This is a fibreglass one. | 0:36:46 | 0:36:47 | |
And obviously designed to mount on the wing tips. | 0:36:47 | 0:36:50 | |
We can see the connections here for the fuel, which was for being | 0:36:50 | 0:36:54 | |
pumped out, and the refilling would be on the side there. | 0:36:54 | 0:36:57 | |
-But it normally would not be this green. -No! | 0:36:57 | 0:37:00 | |
-It makes it stand out more. -Would it be silver or grey, like that? -Something like that, a silver grey. | 0:37:00 | 0:37:05 | |
-Yes. -How about 350? | 0:37:05 | 0:37:07 | |
Ooh, that's a little bit too much, that is. | 0:37:07 | 0:37:10 | |
-If you said half that, I'd have... -Half? Oh, how about 250? | 0:37:10 | 0:37:15 | |
225? | 0:37:15 | 0:37:17 | |
-We've got a deal. -Thank you very much, James. Thank you. | 0:37:17 | 0:37:21 | |
So, James fills up with another £115 of profit fuel. | 0:37:21 | 0:37:26 | |
The pressure's really on Mark now to turn his last three | 0:37:27 | 0:37:31 | |
items into big profits. | 0:37:31 | 0:37:33 | |
But things don't go well when two of his items he's | 0:37:33 | 0:37:35 | |
put into auction in Tooting, south London, make a loss. | 0:37:35 | 0:37:39 | |
Firstly, the Monopoly and Scrabble pictures fail to prove bankers, | 0:37:39 | 0:37:43 | |
leaving Mark with a loss of £32.64 after selling fees. | 0:37:43 | 0:37:48 | |
Then, the skateboard which cost Mark £10 skates away for exactly the same | 0:37:48 | 0:37:52 | |
amount he paid for it, meaning that after fees, Franksy's down by £2.64. | 0:37:52 | 0:37:58 | |
That wasn't very good, was it? | 0:37:58 | 0:38:00 | |
Franksy's quest for profit may be floundering | 0:38:00 | 0:38:03 | |
but there's no such problem for James. | 0:38:03 | 0:38:05 | |
He's made profits on all his items so far and that continues, | 0:38:05 | 0:38:09 | |
as he offloads the censer to a dealer who is | 0:38:09 | 0:38:12 | |
a client of his for a profit of £20. | 0:38:12 | 0:38:14 | |
And with the finishing line in sight, and the raffle draw for | 0:38:14 | 0:38:18 | |
the diamond crossover ring imminent, James sells his last few tickets. | 0:38:18 | 0:38:22 | |
But as well as the ring raffle, | 0:38:22 | 0:38:25 | |
the Lionheart also has one other item to find a buyer for, | 0:38:25 | 0:38:29 | |
the motorcycle sign that cost £70. | 0:38:29 | 0:38:31 | |
Aiming for a clean sweep of profits, he's travelled to meet | 0:38:31 | 0:38:35 | |
Bill at the London Motorcycle Museum in Greenford, north London. | 0:38:35 | 0:38:39 | |
Bill, I have to say, I've never been | 0:38:39 | 0:38:42 | |
so sure that I've brought the right thing to the right place. | 0:38:42 | 0:38:45 | |
This is what I've brought along for you. | 0:38:45 | 0:38:48 | |
-Is it something you're familiar with? -I've heard about it. | 0:38:48 | 0:38:53 | |
There's quite a few biker clubs across Europe, of course. | 0:38:53 | 0:38:56 | |
-If it was a vitreous enamel, it would be very collectible. -Yeah. | 0:38:56 | 0:39:01 | |
But being fibreglass, it's not so interesting, | 0:39:01 | 0:39:05 | |
but the actual sign is good and it would look good. | 0:39:05 | 0:39:10 | |
-So what sort of price are you looking for it? -How about 150? | 0:39:10 | 0:39:13 | |
I think it would be nearer the price at 50. | 0:39:13 | 0:39:16 | |
Would 75 do it? | 0:39:16 | 0:39:18 | |
65. | 0:39:18 | 0:39:20 | |
That's fine by me. It's the right place for it. | 0:39:20 | 0:39:23 | |
Thanks very much. | 0:39:23 | 0:39:25 | |
Oh, James's hopes of a clean sweep of profits are dashed | 0:39:25 | 0:39:28 | |
as he makes a £5 loss on the sign. | 0:39:28 | 0:39:32 | |
So, with James all sold up, it all comes down to Franksy's last item, | 0:39:32 | 0:39:36 | |
the signal lamp, which cost him £250. | 0:39:36 | 0:39:40 | |
Looking for that deal to seal victory, | 0:39:40 | 0:39:42 | |
Mark has taken his lamp all the way to the Lanes in Brighton to | 0:39:42 | 0:39:46 | |
meet Alice, who owns a retro antiques shop. | 0:39:46 | 0:39:49 | |
-What do you think? -Yeah, it's lovely. -It's nice, isn't it? -Yeah. | 0:39:49 | 0:39:51 | |
What's the story behind it? Do you know? | 0:39:51 | 0:39:54 | |
Well, I bought it from a guy, he makes them, | 0:39:54 | 0:39:57 | |
so he's bought an old signal lamp and if you look on the handle, | 0:39:57 | 0:40:00 | |
there's a button you can press in which would do like the Morse code. | 0:40:00 | 0:40:03 | |
It's got a lovely old wooden tripod and it's just really nice. | 0:40:03 | 0:40:07 | |
So I can see by your shop that you've got taste cos it's rammo-jammo | 0:40:07 | 0:40:11 | |
full of nice stuff. | 0:40:11 | 0:40:12 | |
-So it just fits in nicely. -Yeah, it goes with the concept very well. | 0:40:12 | 0:40:17 | |
-I do like it. So what kind of money do you want for it? -It cost me 250. | 0:40:17 | 0:40:21 | |
If you can give me a profit, I'll be over the moon. | 0:40:21 | 0:40:24 | |
Cos it is nice and I do think, to the right person, | 0:40:24 | 0:40:28 | |
you could put it in the window and you'll make a profit on it. | 0:40:28 | 0:40:30 | |
I reckon...bottom line would probably be 290, | 0:40:30 | 0:40:34 | |
I could give you for that. | 0:40:34 | 0:40:36 | |
-We've got a deal. Lovely. -Great. | 0:40:36 | 0:40:38 | |
Yes, it's a £40 profit for Mark, but is it enough for victory? | 0:40:38 | 0:40:44 | |
James and Mark both started this contest with £750 of their own | 0:40:44 | 0:40:48 | |
money to spend at the antiques fair. | 0:40:48 | 0:40:51 | |
Mark Franks picked up eight purchases, | 0:40:51 | 0:40:53 | |
spending all £750 of his budget. | 0:40:53 | 0:40:56 | |
James Lewis also bought eight items, but spent less, £675. | 0:40:56 | 0:41:02 | |
But who has made the most profit? All the money that James | 0:41:02 | 0:41:06 | |
and Mark have made from today's challenge will go to | 0:41:06 | 0:41:09 | |
charities of their choice, so without further ado, let's | 0:41:09 | 0:41:12 | |
find out who is today's Put Your Money Where Your Mouth Is champion. | 0:41:12 | 0:41:16 | |
-Have you bought me a present? -I have. This is all about my ring. | 0:41:16 | 0:41:20 | |
Would you do me the honour of drawing my raffle? | 0:41:20 | 0:41:25 | |
-I won't look. I'm not going to look. -I'm not going to look either. | 0:41:25 | 0:41:30 | |
If it says Mark Franks, we're all onto a winner. | 0:41:30 | 0:41:33 | |
This is the ticket that I've drawn. His name is Alan Whelan. | 0:41:33 | 0:41:38 | |
-What was that ring worth, a few hundred quid, yeah? -It was worth probably 300-500 at auction, yeah. | 0:41:38 | 0:41:44 | |
So his ten pound has done very well for himself. | 0:41:44 | 0:41:46 | |
-Righty-ho. -Come on, then. This is scary. -Three... -I don't want to look. | 0:41:46 | 0:41:51 | |
-..two, one. -Well, I'm pleased with what I made. I'm not looking at yours. | 0:41:51 | 0:41:55 | |
Cos you've wiped the floor with me, no doubt, by selling the ring for... | 0:41:55 | 0:41:59 | |
Wow! You have wiped the floor with me! | 0:41:59 | 0:42:02 | |
-You're my hero, James Lewis! -Aw, thanks, Mark! | 0:42:02 | 0:42:06 | |
Can I keep the fishbowl? Yeah, why not? | 0:42:06 | 0:42:09 | |
So, James dishes out an almighty thrashing. | 0:42:09 | 0:42:13 | |
Having got Mark to do the draw, James arranges to see Alan, | 0:42:13 | 0:42:16 | |
the winning ticket holder, to tell him the good news. | 0:42:16 | 0:42:19 | |
-You...have won that. -The raffle! I've won it! -Well done, you. | 0:42:19 | 0:42:24 | |
Thank you very much. | 0:42:24 | 0:42:26 | |
But the story doesn't end there. | 0:42:26 | 0:42:28 | |
James has an admission to make about the prize ring. | 0:42:28 | 0:42:31 | |
I have got a confession to make. That is not the original ring. | 0:42:31 | 0:42:36 | |
The original one has gone missing. I've no idea where it's gone. | 0:42:36 | 0:42:39 | |
We've searched high and low for it, | 0:42:39 | 0:42:42 | |
-but I think this might be a bit prettier. -It's a nice ring. | 0:42:42 | 0:42:45 | |
Cost me the same though, that came straight out of my pocket. | 0:42:45 | 0:42:48 | |
-Thank you very much. -It's a pleasure. | 0:42:48 | 0:42:50 | |
It's jolly pretty and I hope whoever ends up with it enjoys it. | 0:42:50 | 0:42:53 | |
-Thank you very much, James. -Pleasure. -Cheers. | 0:42:53 | 0:42:56 | |
Luckily for James, the Put Your Money gamesmasters ruled that he could | 0:42:56 | 0:42:59 | |
pay for a replacement ring of the same value | 0:42:59 | 0:43:01 | |
and style out of his own money and not from his profits. | 0:43:01 | 0:43:05 | |
So, the raffle makes James a total profit of £433.54 after the | 0:43:05 | 0:43:10 | |
cost of the raffle licence and tickets are taken off. | 0:43:10 | 0:43:14 | |
I made a good profit, but I couldn't quite keep up with James. | 0:43:14 | 0:43:17 | |
Well, what a whopping profit from the antiques fair. | 0:43:17 | 0:43:21 | |
I'm thrilled with that. | 0:43:21 | 0:43:22 | |
James may have prevailed today, but tomorrow is another day | 0:43:22 | 0:43:26 | |
and our experts get the chance to battle it out at an auction. | 0:43:26 | 0:43:30 | |
Subtitles by Red Bee Media Ltd | 0:43:30 | 0:43:34 |