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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best loved antiques | 0:00:04 | 0:00:07 | |
experts against each other in an all-out battle for profit. | 0:00:07 | 0:00:11 | |
Wahey! | 0:00:11 | 0:00:13 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
I'm on the case! | 0:00:16 | 0:00:18 | |
Ya-hay! | 0:00:18 | 0:00:20 | |
Each week, one pair of duelling dealers will face a different | 0:00:20 | 0:00:23 | |
-daily challenge... -I'm a cheeky chancer! Lah-vly! | 0:00:23 | 0:00:26 | |
..putting their reputations on the line and giving you top tips | 0:00:26 | 0:00:31 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:31 | 0:00:35 | |
Let's go and spend some money! | 0:00:36 | 0:00:38 | |
Get in there! | 0:00:38 | 0:00:40 | |
Today, the champion of cheeky charm, Mark Franks, takes on the almighty | 0:00:40 | 0:00:45 | |
auctioneer James Lewis in an epic record-breaking display of buying | 0:00:45 | 0:00:49 | |
and selling. | 0:00:49 | 0:00:50 | |
Coming up, Mark shows his dastardly side. | 0:00:50 | 0:00:53 | |
Deceitful, nasty, devious... That's me! | 0:00:53 | 0:00:57 | |
James shows you a strange way to add value. | 0:00:57 | 0:01:01 | |
Well, it's truly broken now. | 0:01:02 | 0:01:05 | |
And both employ creative tactics to convince buyers to part | 0:01:05 | 0:01:08 | |
with their cash. | 0:01:08 | 0:01:10 | |
I'm going to show you how strong this is. | 0:01:10 | 0:01:12 | |
There we are! | 0:01:14 | 0:01:15 | |
This is Put Your Money Where Your Mouth Is. | 0:01:15 | 0:01:17 | |
It's time to witness one of the biggest | 0:01:31 | 0:01:33 | |
battles in Put Your Money history. | 0:01:33 | 0:01:35 | |
Two valiant Vikings lock horns at an auction of titanic proportions. | 0:01:35 | 0:01:41 | |
First up, a master of nifty negotiations, a champion chomping at | 0:01:41 | 0:01:45 | |
the bit, it's the irrepressible South London smoothie | 0:01:45 | 0:01:49 | |
-Mark 'Franksy' Franks. -Ching-ching! That's a winner! | 0:01:49 | 0:01:53 | |
His powerful opponent is a burly buyer with brains | 0:01:53 | 0:01:56 | |
and brawn in abundance. | 0:01:56 | 0:01:58 | |
It's the Derbyshire dynamo, James 'The Lionheart' Lewis. | 0:01:58 | 0:02:03 | |
That was close. | 0:02:03 | 0:02:04 | |
Our trading tearaways take each other on at an auction | 0:02:04 | 0:02:07 | |
in Diss in Norfolk, and it is enormous. | 0:02:07 | 0:02:11 | |
Not just one sale here, not even two or three, but four separate | 0:02:11 | 0:02:15 | |
auctions all running simultaneously throughout the day. | 0:02:15 | 0:02:19 | |
So, our boys will have to work out where to be and when. | 0:02:19 | 0:02:22 | |
They've each got £1,000 of their own money to spend | 0:02:22 | 0:02:26 | |
and every penny of profit goes to charities of their choice. | 0:02:26 | 0:02:29 | |
So, which of our princes of profit will be crowned | 0:02:29 | 0:02:32 | |
king of the collectible? | 0:02:32 | 0:02:34 | |
James Lewis and Mark Franks, | 0:02:34 | 0:02:37 | |
it's time to Put Your Money Where Your Mouth Is. | 0:02:37 | 0:02:41 | |
-Morning, sir. -Oh, what a cold one! | 0:02:41 | 0:02:43 | |
-It's because we're up north! -Not that far north. | 0:02:43 | 0:02:46 | |
We're north of Watford! | 0:02:46 | 0:02:48 | |
I'm a bit concerned today because you're an auctioneer, | 0:02:48 | 0:02:51 | |
you've got a huge advantage over me. | 0:02:51 | 0:02:53 | |
No, because I'm used to selling it, you're used to buying it. | 0:02:53 | 0:02:56 | |
You're the one with the advantage really. | 0:02:56 | 0:02:58 | |
-Well, we've got £1,000 to spend. -Yup. Lots of lots, but not many antiques. | 0:02:58 | 0:03:02 | |
Yeah, it's a bit thin on the ground, | 0:03:02 | 0:03:04 | |
but we need to do a grown-up look around. Come on, then. | 0:03:04 | 0:03:08 | |
Our boys have no time to waste. | 0:03:08 | 0:03:10 | |
This massive event will require stupendous stamina | 0:03:10 | 0:03:13 | |
and nerves of steel. | 0:03:13 | 0:03:14 | |
Anything less and they'll buckle under the pressure. | 0:03:14 | 0:03:17 | |
And so, they're off. | 0:03:17 | 0:03:19 | |
With over 17,000 lots across the four auction locations, | 0:03:19 | 0:03:23 | |
this will be a race unlike anything they've ever seen. | 0:03:23 | 0:03:26 | |
As an auctioneer, James should be in his element. | 0:03:26 | 0:03:29 | |
But even he could be out of his depth. | 0:03:29 | 0:03:32 | |
The key is not to discount anything. | 0:03:32 | 0:03:36 | |
There are modern things, there are tractors, there are vases, | 0:03:36 | 0:03:40 | |
there's jewellery, there's gold. I'm not going to be beaten. | 0:03:40 | 0:03:44 | |
Mark is a wily wheeler-dealer, but even he knows this auction | 0:03:44 | 0:03:47 | |
will take all his guts and guile if he's to emerge victorious. | 0:03:47 | 0:03:51 | |
James is an auctioneer and every single day of the week, | 0:03:51 | 0:03:55 | |
he's dealing in this stuff. He knows the prices as of yesterday. | 0:03:55 | 0:03:58 | |
But I'm a cheeky chancer. Let's go and make some money! | 0:03:58 | 0:04:02 | |
So, Mark is sounding confident. | 0:04:02 | 0:04:04 | |
As our boys begin to hunt around, | 0:04:04 | 0:04:06 | |
speed and alertness are of the essence. | 0:04:06 | 0:04:08 | |
Franksy is the first to find something, | 0:04:08 | 0:04:10 | |
a mahogany chest of drawers, but it's been split in two. | 0:04:10 | 0:04:14 | |
Quite often, they would cut a chest of drawers bang in half cos it | 0:04:14 | 0:04:17 | |
wouldn't go up the staircase of a cottage. | 0:04:17 | 0:04:20 | |
This probably lived its life from 1880 | 0:04:20 | 0:04:23 | |
until now in a country cottage in a little bedroom. | 0:04:23 | 0:04:26 | |
They don't sell as well when they're cut. | 0:04:26 | 0:04:29 | |
Estimate on this is about 40 to 60 quid. | 0:04:29 | 0:04:32 | |
With a bit of TLC, there's a profit. | 0:04:32 | 0:04:34 | |
Out front, James catches sight of two galvanised bowsers, | 0:04:34 | 0:04:37 | |
but he's a little perplexed. | 0:04:37 | 0:04:40 | |
It's fantastic. | 0:04:40 | 0:04:42 | |
But who would want it? | 0:04:42 | 0:04:43 | |
And why? | 0:04:43 | 0:04:45 | |
James hits the buffers, but Franksy is chugging away | 0:04:45 | 0:04:48 | |
and he soon spies a real boy's toy - a steam engine. | 0:04:48 | 0:04:53 | |
Isn't this beautiful? | 0:04:53 | 0:04:56 | |
This is a stationary engine. Can you imagine that chugging away? | 0:04:56 | 0:05:00 | |
Look at the line, it's been done by hand. | 0:05:00 | 0:05:02 | |
The detail all round there, absolutely stunning. | 0:05:02 | 0:05:05 | |
Estimate, 300-400. This could make double estimate, easily. | 0:05:05 | 0:05:10 | |
Fingers crossed, I might buy it. | 0:05:10 | 0:05:12 | |
And sticking with the railway theme, | 0:05:12 | 0:05:14 | |
Mark spots an early to mid-20th century penalty sign. | 0:05:14 | 0:05:17 | |
There's a lot of railway buffs | 0:05:17 | 0:05:19 | |
and there's a lot of pubs called the Railway Tavern. | 0:05:19 | 0:05:22 | |
This little baby is coming home with me. | 0:05:22 | 0:05:24 | |
He's all steamed up, but James is now whistling along. | 0:05:24 | 0:05:27 | |
He specialises in country estates | 0:05:27 | 0:05:29 | |
and has found something right up his street. | 0:05:29 | 0:05:32 | |
That is a classic bit of country kitchen usable kit. | 0:05:32 | 0:05:39 | |
Most of these were French, made in the 19th century. | 0:05:39 | 0:05:43 | |
They're known as game hangers. | 0:05:43 | 0:05:45 | |
Once you'd gone out and shot your brace of pheasants, you would | 0:05:45 | 0:05:48 | |
hang them from this and let them get all gamey, ready for eating. | 0:05:48 | 0:05:52 | |
Age? Well, don't let the rust fool you. | 0:05:52 | 0:05:56 | |
It's about as old as I am. | 0:05:56 | 0:05:58 | |
But it's got a look. | 0:05:58 | 0:06:00 | |
Mark's perusal is going great guns. | 0:06:00 | 0:06:03 | |
His next find is a German canteen of cutlery, but he's not too impressed. | 0:06:03 | 0:06:08 | |
These are tacky. | 0:06:08 | 0:06:10 | |
This auction has all sorts of random items | 0:06:13 | 0:06:16 | |
and that gives the Lionheart an idea, | 0:06:16 | 0:06:18 | |
a cheeky challenge for his competitor. | 0:06:18 | 0:06:21 | |
Franksy is always known for being able to do something | 0:06:21 | 0:06:24 | |
and make something out of nothing. | 0:06:24 | 0:06:26 | |
But I challenge even him to make something out of that lot. | 0:06:26 | 0:06:30 | |
That's right, it's a great big pile of rubble. | 0:06:30 | 0:06:33 | |
But fearless Franksy can't duck a dare. | 0:06:33 | 0:06:36 | |
Guess what, James! I am going to buy this and I'm going to make a profit, | 0:06:36 | 0:06:39 | |
just to prove you wrong! | 0:06:39 | 0:06:42 | |
The viewing time is over and the bidding begins. | 0:06:42 | 0:06:45 | |
Franksy is ready and waiting. | 0:06:45 | 0:06:47 | |
First up, the cast iron railway penalty notice. | 0:06:47 | 0:06:49 | |
The estimate is £50 to £80. | 0:06:49 | 0:06:52 | |
Two, two bid. 35. Eight, 40. 42. | 0:06:52 | 0:06:56 | |
45. 48 bid, take 50. | 0:06:56 | 0:06:59 | |
It's £48. Take 50 now. At 48. At 48 and selling. | 0:06:59 | 0:07:04 | |
Bit more than I wanted to pay, | 0:07:04 | 0:07:05 | |
but it's good to get your feet wet nice and early. | 0:07:05 | 0:07:09 | |
Adding in the auction fees, Mark pays £55.20. | 0:07:09 | 0:07:13 | |
And desperate to continue his good start, he goes | 0:07:13 | 0:07:15 | |
straight for his next lot, the damaged Victorian chest of drawers. | 0:07:15 | 0:07:19 | |
And it doesn't take long before the deal is sealed. | 0:07:19 | 0:07:22 | |
£38. | 0:07:23 | 0:07:25 | |
Ching-ching! | 0:07:25 | 0:07:28 | |
That's a winner! 38 plus commission, I can't do the maths. | 0:07:28 | 0:07:31 | |
It's less 50 quid. There's got to be a profit. | 0:07:31 | 0:07:35 | |
It is indeed below 50 quid - £43.70, to be precise. | 0:07:35 | 0:07:40 | |
Now, it's time for our awesome auctioneer to | 0:07:40 | 0:07:42 | |
start his bidding battle. | 0:07:42 | 0:07:44 | |
He's indoors and the first lot he's interested in is a glass-top | 0:07:44 | 0:07:47 | |
jewellery box. | 0:07:47 | 0:07:49 | |
I'm out. £32 bid now. Five? | 0:07:52 | 0:07:55 | |
In the room, £32. | 0:07:55 | 0:07:57 | |
That's my first lot bought. | 0:07:57 | 0:07:58 | |
Really good quality by Lockton and Forwood, brand new, but expensive. | 0:07:58 | 0:08:03 | |
So, the Lionheart's campaign is off and running. | 0:08:03 | 0:08:06 | |
The jewellery box cost £36.80 with fees and straightaway, | 0:08:06 | 0:08:10 | |
he makes his second purchase. | 0:08:10 | 0:08:12 | |
A Japanese eggshell tea service for just £13.80, including fees. | 0:08:12 | 0:08:17 | |
This is so underrated. | 0:08:17 | 0:08:19 | |
Made around 1915, it's all hand-decorated. | 0:08:19 | 0:08:24 | |
Now just look at the quality of that. | 0:08:24 | 0:08:28 | |
Hand-painted with pagodas, forests, lakeland landscapes and rivers. | 0:08:28 | 0:08:34 | |
And hand-gilt as well. | 0:08:34 | 0:08:36 | |
We've got an extra three spare cups and... Ooh! | 0:08:36 | 0:08:39 | |
TAPS | 0:08:39 | 0:08:41 | |
Some rather cracked ones as well. | 0:08:41 | 0:08:44 | |
If I put this out with the cracked cups, everyone thinks, | 0:08:44 | 0:08:47 | |
"Urgh, a couple of cracked cups, I don't want to buy it." | 0:08:47 | 0:08:50 | |
There's only one thing to do with these really. | 0:08:50 | 0:08:53 | |
Well, they're truly broken now! | 0:08:56 | 0:08:59 | |
Oh, there's no way back from that. | 0:08:59 | 0:09:01 | |
James gets on with his buying spree and snaps up another | 0:09:01 | 0:09:04 | |
rosewood-effect jewellery box that matches his first one. | 0:09:04 | 0:09:07 | |
After commission, he pays £32.20. | 0:09:07 | 0:09:10 | |
Our boys are now well on their way. James has three items to Mark's two. | 0:09:10 | 0:09:15 | |
Mr Franks though wants to push ahead and he's feeling dastardly. | 0:09:15 | 0:09:19 | |
I have a plan. | 0:09:19 | 0:09:21 | |
Deceitful, nasty, devious. That's me. | 0:09:21 | 0:09:25 | |
I'm going to buy something which is absolutely horrible, | 0:09:25 | 0:09:29 | |
that gold set that's in a case of ladles and cutlery | 0:09:29 | 0:09:32 | |
and horribleness, and put it under James's name. | 0:09:32 | 0:09:36 | |
Below the belt, Franksy! | 0:09:36 | 0:09:38 | |
It's the next lot. | 0:09:38 | 0:09:40 | |
But there could be a scuffle of the skulduggery. | 0:09:40 | 0:09:42 | |
Mark has no idea James is heading his way. | 0:09:42 | 0:09:46 | |
MUSIC: "Theme From Jaws" by John Williams | 0:09:46 | 0:09:50 | |
£48, any advance? | 0:09:55 | 0:09:57 | |
9968, sir. | 0:09:57 | 0:09:59 | |
-All right, mate? What's your bidding number? -What? | 0:09:59 | 0:10:02 | |
What's your bidding number? 9968. | 0:10:02 | 0:10:07 | |
-Yeah. -Cushty. | 0:10:07 | 0:10:08 | |
-Why? -Just wondered, really. | 0:10:08 | 0:10:11 | |
The canteen cost £55.20 with fees. | 0:10:11 | 0:10:14 | |
But James has no idea what's just happened | 0:10:14 | 0:10:18 | |
and Franksy is keeping schtum. | 0:10:18 | 0:10:20 | |
The Lionheart was simply positioning himself for a bidding blitz. | 0:10:20 | 0:10:25 | |
First, an assortment of 1870s brass pans | 0:10:25 | 0:10:28 | |
and tongs for £17.26 with fees, followed by more brass. | 0:10:28 | 0:10:33 | |
A 1920s fire extinguisher for £25.30. | 0:10:33 | 0:10:36 | |
James then legs it to another sale to get the game hanger | 0:10:36 | 0:10:39 | |
he saw earlier. | 0:10:39 | 0:10:41 | |
-That was close. -Add in the fees and the total is £46. | 0:10:47 | 0:10:52 | |
Then, it's Mark's turn to get stuck in. | 0:10:52 | 0:10:54 | |
He kicks off with a vintage stamp collection, costing £36.80, | 0:10:54 | 0:10:58 | |
including fees. | 0:10:58 | 0:11:00 | |
He then nips outside to pick up a pair of iron hanging | 0:11:00 | 0:11:03 | |
baskets for £13.80, with commission. | 0:11:03 | 0:11:05 | |
And he rounds off his spree back indoors with | 0:11:05 | 0:11:08 | |
a collection of brewery signs which cost £36.80, all up. | 0:11:08 | 0:11:12 | |
And after all that running about, it's time to take a breath | 0:11:12 | 0:11:15 | |
and recap on our rivals' race so far. | 0:11:15 | 0:11:18 | |
Our contenders each started the day with £1,000. | 0:11:20 | 0:11:24 | |
James Lewis has seven items on his bill for £226.56, | 0:11:24 | 0:11:29 | |
including the cutlery he's as yet unaware of. | 0:11:29 | 0:11:32 | |
He still has £773.44 to spend. | 0:11:32 | 0:11:37 | |
Mark Franks has bought five items so far, spending £186.30, | 0:11:37 | 0:11:42 | |
meaning he's got £813.70 left. | 0:11:42 | 0:11:46 | |
Our thoroughbreds continue their charge and on current form, | 0:11:46 | 0:11:49 | |
anything could happen. | 0:11:49 | 0:11:52 | |
While our South London smasher waits patiently for his next lot, | 0:11:52 | 0:11:55 | |
James faces an auction buyer's worst nightmare. | 0:11:55 | 0:11:59 | |
I've got my Crich cheese dish coming up in there in ten lots. | 0:11:59 | 0:12:04 | |
I've got my first iron bench coming up out here in ten lots. | 0:12:04 | 0:12:09 | |
That one. | 0:12:12 | 0:12:13 | |
Well, the cheese dish with an estimate of £15-25 gets the nod | 0:12:13 | 0:12:17 | |
and James has discovered something exciting. | 0:12:17 | 0:12:19 | |
Has no age to it. Well, about 15 years old. | 0:12:19 | 0:12:23 | |
But it says underneath "CP", | 0:12:23 | 0:12:25 | |
a little pottery that was going in the 1980s and 1990s in my village, | 0:12:25 | 0:12:29 | |
back in Derbyshire! You hardly see any of them | 0:12:29 | 0:12:31 | |
and to find a bit here in the auction is just brilliant. | 0:12:31 | 0:12:34 | |
Ten pounds and start me. Ten is yours, sir. | 0:12:34 | 0:12:37 | |
It is here at £10 now. It's going to sell at £10. Are we done? | 0:12:37 | 0:12:41 | |
There's no competition in the room, so it's a quick purchase, | 0:12:41 | 0:12:45 | |
totalling £11.50. | 0:12:45 | 0:12:46 | |
Meaning our Lionheart can leg it back outside to get the bench | 0:12:46 | 0:12:50 | |
he wanted. And he makes it just in time. | 0:12:50 | 0:12:53 | |
They're still on the previous lot, a garden table, | 0:12:53 | 0:12:55 | |
chairs and parasol that opponent Mark is bidding on. | 0:12:55 | 0:12:59 | |
And Franksy gets them for £63.26, including fees. | 0:12:59 | 0:13:04 | |
Moments later, James gets his iron bench - another £63.26. | 0:13:04 | 0:13:10 | |
-We're all in to garden furniture, aren't we? -And James is off again. | 0:13:10 | 0:13:13 | |
A couple of lots later, our country gent buys a Victorian cast iron | 0:13:13 | 0:13:17 | |
feeding trough for £43.70, with commission. | 0:13:17 | 0:13:21 | |
He then buys another bench, one with a 19th century style cast iron back. | 0:13:21 | 0:13:26 | |
He splashes out almost a sixth of his entire budget, £161, with fees. | 0:13:26 | 0:13:32 | |
James has reached for the sky and is flying along. | 0:13:32 | 0:13:35 | |
As for Franksy, well, his buying plan has gone off the rails. | 0:13:35 | 0:13:39 | |
Unfortunately, I missed my stationary engine | 0:13:39 | 0:13:44 | |
because I was busy buying other stuff, causing mayhem. | 0:13:44 | 0:13:48 | |
So, I'm now in the grown-ups part of the auction, | 0:13:48 | 0:13:51 | |
trying to buy something for smart money, to make more money. | 0:13:51 | 0:13:55 | |
And that means he's buying stuff he hasn't even looked at. | 0:13:57 | 0:14:01 | |
As he makes himself comfortable, a bisque headed doll | 0:14:01 | 0:14:04 | |
estimated at £40-60 comes up and Franksy suddenly makes a move. | 0:14:04 | 0:14:08 | |
18. | 0:14:08 | 0:14:10 | |
18, it was. | 0:14:10 | 0:14:12 | |
Top tips... | 0:14:12 | 0:14:14 | |
..never buy anything you've not viewed. | 0:14:14 | 0:14:18 | |
Just broken my own rule. | 0:14:18 | 0:14:21 | |
Mark's mantra is out of the window and he pays £20.70 for the doll, | 0:14:21 | 0:14:25 | |
but will it prove costly? | 0:14:25 | 0:14:26 | |
Well, that's always a good start(!) | 0:14:27 | 0:14:30 | |
But with dollies, it's the head that's important. | 0:14:30 | 0:14:34 | |
So this is a bisque head. It is made in Germany, yes, that's good news. | 0:14:34 | 0:14:38 | |
Beautiful little teeth, I can't see any damage to the head. | 0:14:38 | 0:14:40 | |
So what I've really bought is a head | 0:14:40 | 0:14:42 | |
and I'm not really interested in the body. | 0:14:42 | 0:14:44 | |
It's 100 years old, easily. I think there's a nice little profit. | 0:14:44 | 0:14:48 | |
Sounds like Mark's had a lucky break. | 0:14:48 | 0:14:50 | |
Moments later, our chancer's back bidding on more unseen items | 0:14:50 | 0:14:54 | |
and he snaps up a silver manicure stand for £86.26. | 0:14:54 | 0:14:58 | |
Meanwhile, Derbyshire's wonderboy has now joined Franksy. | 0:14:58 | 0:15:02 | |
He's arrived to bid on an inro, an ornamental Japanese box. | 0:15:02 | 0:15:06 | |
The guide price is £35-55. | 0:15:06 | 0:15:08 | |
It is here at £45 now. 48. 50. Five, | 0:15:10 | 0:15:13 | |
60. Five, 70. Five, 80. Five, 90. | 0:15:13 | 0:15:16 | |
Five, 100. | 0:15:16 | 0:15:18 | |
110, 120, 130, 140, 150, | 0:15:18 | 0:15:21 | |
160, 170, 180. | 0:15:21 | 0:15:23 | |
190. 190, I have. | 0:15:23 | 0:15:26 | |
200. | 0:15:26 | 0:15:27 | |
How much money has he got left? | 0:15:27 | 0:15:30 | |
Bid at 200. | 0:15:30 | 0:15:31 | |
I was planning to go up to about 110. | 0:15:31 | 0:15:34 | |
Well, we'll see. Do you think it's too much? | 0:15:34 | 0:15:37 | |
No, it's cheap. | 0:15:37 | 0:15:39 | |
And with the commission, the price increases even further to £230. | 0:15:39 | 0:15:45 | |
This is a Japanese inro, | 0:15:45 | 0:15:47 | |
a four section box that would have been suspended from the waist. | 0:15:47 | 0:15:51 | |
The reason why they had them is | 0:15:51 | 0:15:53 | |
because they wore flowing robes, rather than trousers with pockets. | 0:15:53 | 0:15:56 | |
It was made around 1880-1890, which means it's the Meiji period, | 0:15:56 | 0:16:01 | |
but I don't know if they're popular enough. | 0:16:01 | 0:16:04 | |
A hammer price of £200 is plenty, if not too much. | 0:16:04 | 0:16:09 | |
Mark spots James's worry and exploits it. | 0:16:09 | 0:16:12 | |
He pounces on a silver snuff box and buys it for £23, including fees. | 0:16:12 | 0:16:17 | |
But James is undeterred and jumps in again on a Georgian silver | 0:16:17 | 0:16:21 | |
pocket compass, estimated to sell at £50-70. | 0:16:21 | 0:16:26 | |
Made around 1780-1790 and a really interesting connoisseur's piece. | 0:16:26 | 0:16:33 | |
180. 190. 200. | 0:16:33 | 0:16:36 | |
That's £200. That's enough. | 0:16:36 | 0:16:40 | |
The Lionheart's down, but Mark seizes the moment. | 0:16:40 | 0:16:44 | |
It is selling here for £260. 280. | 0:16:44 | 0:16:48 | |
Oh! | 0:16:48 | 0:16:50 | |
It's 280 now, so 280. | 0:16:50 | 0:16:53 | |
-280, it was. Goes to buyer number... -280?! | 0:16:55 | 0:16:59 | |
-It's a snip. -He might do all right with that cos it's a lovely lot. | 0:16:59 | 0:17:03 | |
So, what a turn up! It's Mark who walks away with the compass. | 0:17:03 | 0:17:08 | |
It cost £322, including commission, | 0:17:08 | 0:17:10 | |
and it's another item he hadn't viewed. | 0:17:10 | 0:17:13 | |
It's a silver compass. | 0:17:13 | 0:17:16 | |
And on the back, that head in a box, that is a Georgian duty mark. | 0:17:16 | 0:17:22 | |
Basically meant, tax was paid on the silver, and you've got the leopard's | 0:17:22 | 0:17:26 | |
head, which means it went through a London assay house | 0:17:26 | 0:17:29 | |
and there's a date letter. You see the black round the edge, | 0:17:29 | 0:17:33 | |
I really like that because it means it's not been over-cleaned. | 0:17:33 | 0:17:37 | |
It's a charming thing. I paid a lot of money for this. | 0:17:37 | 0:17:40 | |
Don't get me wrong. | 0:17:40 | 0:17:42 | |
I'm either going to do well on this or struggle to get my money back. | 0:17:42 | 0:17:45 | |
In a few short minutes, both our beasts have spent a lot of money. | 0:17:45 | 0:17:49 | |
And they just can't stop themselves. | 0:17:49 | 0:17:51 | |
Mark adds in a Victorian slate clock for £46. | 0:17:51 | 0:17:55 | |
At exactly the same moment, James buys yet another bench | 0:17:55 | 0:17:58 | |
and this one comes with a couple of chairs. | 0:17:58 | 0:18:00 | |
He pays £55.20 with fees. | 0:18:00 | 0:18:03 | |
The Lionheart sails away with a Chinese ship's wheel, £57.50 all up, | 0:18:04 | 0:18:09 | |
and Mark fights back again. | 0:18:09 | 0:18:11 | |
He purchases a Victorian style pine table and chairs for £149.50, | 0:18:11 | 0:18:16 | |
including costs. | 0:18:16 | 0:18:17 | |
Good thing about this table, | 0:18:17 | 0:18:19 | |
what I really like is it's absolutely solid. | 0:18:19 | 0:18:22 | |
It's that solid. It's that solid! | 0:18:22 | 0:18:25 | |
Probably best not to try that at home. | 0:18:25 | 0:18:27 | |
James goes slightly off piste with his next buy, | 0:18:27 | 0:18:30 | |
a Victorian copper kettle. | 0:18:30 | 0:18:32 | |
He missed the earlier bidding but finds the lady who did buy it. | 0:18:32 | 0:18:35 | |
She accepts his offer of £12 and in this situation, | 0:18:35 | 0:18:39 | |
there's obviously no fees. | 0:18:39 | 0:18:41 | |
The Lionheart returns to more conventional bidding | 0:18:41 | 0:18:43 | |
as he promptly buys two glass-topped coffee tables | 0:18:43 | 0:18:46 | |
for £32.20 and a chrome ceiling light for £17.26. | 0:18:46 | 0:18:51 | |
And then there's the rubble. | 0:18:53 | 0:18:54 | |
James challenged Franksy so he can't resist. | 0:18:54 | 0:18:58 | |
-£1, sir. -£1 is bid. At £1. | 0:18:58 | 0:19:01 | |
-At £1 only. -Yes! -And two is bid. | 0:19:01 | 0:19:05 | |
-At -£2. Three! -Three. | 0:19:05 | 0:19:06 | |
Go on, they're worth more than that. | 0:19:06 | 0:19:09 | |
I'll tell you what, if you want to pick a few more up as well, you can. | 0:19:09 | 0:19:13 | |
At £3 and selling... | 0:19:13 | 0:19:15 | |
What on earth is he going to do with that lot? | 0:19:18 | 0:19:21 | |
I can't believe I got run up on a pile of bloomin' stones. | 0:19:21 | 0:19:24 | |
Add in the fees and Mark pays £3.46 for the large bag of rubble. | 0:19:24 | 0:19:29 | |
Could he be building the foundations of success? Hmm. | 0:19:29 | 0:19:32 | |
It's been a long day's bidding but before our boy racers | 0:19:33 | 0:19:36 | |
finally heave their weary frames over the finish line, | 0:19:36 | 0:19:39 | |
James can't resist more gardenware - a pair of metal obelisks for £13.80. | 0:19:39 | 0:19:44 | |
He rounds it all off with his two galvanised water bowsers - | 0:19:44 | 0:19:48 | |
£41.40 the pair. | 0:19:48 | 0:19:50 | |
So all four auctions are over | 0:19:50 | 0:19:52 | |
and as our experts collect their purchases, | 0:19:52 | 0:19:54 | |
James finds out about the cutlery that Mark bought using his number. | 0:19:54 | 0:19:58 | |
You will not believe what that sneaky Franksy | 0:19:58 | 0:20:02 | |
has done to me this time. | 0:20:02 | 0:20:04 | |
It's just a 1970s tacky briefcase, can it get much worse? | 0:20:04 | 0:20:10 | |
Yes. It's disgusting. It's tacky. | 0:20:10 | 0:20:14 | |
I mean, who has gold plated cutlery? | 0:20:14 | 0:20:19 | |
Franksy, I'm going to be having words with you. | 0:20:19 | 0:20:22 | |
But James will have the last laugh. | 0:20:22 | 0:20:24 | |
The Put Your Money games masters rule that Mark bought it | 0:20:24 | 0:20:27 | |
so he must pay for it. What does all that do to the figures? | 0:20:27 | 0:20:30 | |
Well, our racing rebels rolled off with £1,000 to spend. | 0:20:32 | 0:20:36 | |
Mark notched up 14 lots including the cutlery, spending £955.68. | 0:20:36 | 0:20:42 | |
But James bought a mind-blowing 19 lots, handing over £910.18. | 0:20:42 | 0:20:48 | |
Never in the history of Put Your Money have | 0:20:49 | 0:20:52 | |
so many lots been bought in one day. | 0:20:52 | 0:20:54 | |
Time for our purchasing pioneers to size up each other's spoils. | 0:20:54 | 0:20:59 | |
Considering it was an auction without many antiques, | 0:20:59 | 0:21:02 | |
we've done all right, haven't we? | 0:21:02 | 0:21:04 | |
To be honest, I don't think we really bought enough. | 0:21:04 | 0:21:06 | |
JAMES LAUGHS | 0:21:06 | 0:21:07 | |
There's not enough items here, really. | 0:21:07 | 0:21:09 | |
There's one thing that I think you probably missed. | 0:21:09 | 0:21:13 | |
Why did you buy that? | 0:21:13 | 0:21:14 | |
I thought it would be really funny and I gave your number | 0:21:14 | 0:21:17 | |
and I thought you would end up paying for it, but the adjudicator said, | 0:21:17 | 0:21:22 | |
"It's not part of the rules, you've cheated, it's now yours." | 0:21:22 | 0:21:25 | |
Talk about "why did you bid on it?" Hello? | 0:21:25 | 0:21:28 | |
I just thought they were all right. | 0:21:28 | 0:21:31 | |
I thought you could plant them up with flowers. | 0:21:31 | 0:21:34 | |
The best idea, though, knock the wheels off, | 0:21:34 | 0:21:38 | |
-sand-blast inside, line it with some sort of paint... -Bonkers. | 0:21:38 | 0:21:44 | |
-..fill it with water, put lilies in it... -Yeah, lovely. | 0:21:44 | 0:21:48 | |
Do that, give me a shout, I'll be interested in those, | 0:21:48 | 0:21:50 | |
they'd look nice in my living room. | 0:21:50 | 0:21:52 | |
-Come on, blimey. -Oh, dear, oh, dear. | 0:21:52 | 0:21:54 | |
Our prize poachers must now turn gamekeepers | 0:21:57 | 0:21:59 | |
as they reverse their strategies to sell their huge hauls. | 0:21:59 | 0:22:03 | |
And this will be immense, as there's an enormous amount of work. | 0:22:03 | 0:22:07 | |
But if anyone can cope it's these two colossal competitors. | 0:22:07 | 0:22:11 | |
In Derbyshire, the magnitude of James' task is becoming clear. | 0:22:11 | 0:22:15 | |
19 lots! | 0:22:17 | 0:22:18 | |
I think I have an entire country park's worth of benches. | 0:22:19 | 0:22:23 | |
This is going to be a real challenge. | 0:22:23 | 0:22:26 | |
We've got an eggshell tea service, | 0:22:26 | 0:22:27 | |
a pair of coffee tables, a Victorian copper kettle. | 0:22:27 | 0:22:30 | |
We've got chicken feeders, a ship's wheel, rosewood boxes, | 0:22:30 | 0:22:34 | |
a modern stylish chrome lamp, a genuine antique is my inro, | 0:22:34 | 0:22:39 | |
a pair of bowsers, a pair of rose trees. | 0:22:39 | 0:22:42 | |
Help! | 0:22:44 | 0:22:45 | |
Erm, there's even more. | 0:22:45 | 0:22:47 | |
Don't forget the late 20th century cheese dish, | 0:22:47 | 0:22:49 | |
the assortment of 1870s brass pans, | 0:22:49 | 0:22:52 | |
the 1920s brass fire extinguisher and the modern wartime game hanger. | 0:22:52 | 0:22:57 | |
Over in south London, Mark has had to decant his rubble into sacks, | 0:22:57 | 0:23:02 | |
so he can move it more easily. | 0:23:02 | 0:23:04 | |
I've got a plan for this, so I'm not worried about that. | 0:23:04 | 0:23:06 | |
I've got some money left over and these two baskets, | 0:23:06 | 0:23:09 | |
I'm going to plant these up. | 0:23:09 | 0:23:11 | |
And I bought a load of silver, that could be quite tricky. | 0:23:11 | 0:23:14 | |
The clock, I've got a man who's got a house full of clocks. | 0:23:14 | 0:23:18 | |
Hopefully he'll buy that. | 0:23:18 | 0:23:20 | |
The stamps, they should be interesting, fingers crossed. | 0:23:20 | 0:23:23 | |
It's like a bad dream, isn't it? This is what James Lewis does to me. | 0:23:23 | 0:23:27 | |
I've got a load of rubble and now, trying to stitch him up, | 0:23:27 | 0:23:30 | |
I ended up getting this. | 0:23:30 | 0:23:32 | |
Would you give your house for them? | 0:23:32 | 0:23:34 | |
I certainly wouldn't. | 0:23:34 | 0:23:35 | |
Mark must also sell the vintage German bisque-headed doll, | 0:23:35 | 0:23:38 | |
the modern brewery signs, | 0:23:38 | 0:23:40 | |
the Victorian style pine table and chairs, | 0:23:40 | 0:23:43 | |
the early 20th century cast-iron railway sign, | 0:23:43 | 0:23:46 | |
the Victorian mahogany draws and the modern metal garden furniture. | 0:23:46 | 0:23:52 | |
So no trouble at all, then. | 0:23:52 | 0:23:54 | |
Our determined dealers need to get their skates on and start selling, | 0:23:54 | 0:23:58 | |
and they can set up all the potential sales they like | 0:23:58 | 0:24:01 | |
but until they've shaken hands and got the money in their back pockets, | 0:24:01 | 0:24:06 | |
no deal is truly sealed. | 0:24:06 | 0:24:07 | |
Mark knows he has the advantage in terms of workload | 0:24:07 | 0:24:10 | |
and he jumps straight into action. | 0:24:10 | 0:24:13 | |
He takes the £46 early 20th century slate clock to see another Mark, | 0:24:13 | 0:24:17 | |
who's a specialist dealer in Carshalton. | 0:24:17 | 0:24:19 | |
It's a house full of average clocks and I've just lifted it, haven't I? | 0:24:19 | 0:24:23 | |
-Not really. If I need an ugly clock... -Leave off! | 0:24:23 | 0:24:26 | |
..to sell the good ones...! This is the ugly sister. | 0:24:26 | 0:24:29 | |
If it was French, which it's not, it's American... | 0:24:29 | 0:24:32 | |
It's the cheapest of the cheap. You can buy a good quality French one, | 0:24:32 | 0:24:36 | |
a reasonable quality German movement | 0:24:36 | 0:24:39 | |
and a really poor quality American movement, so before you ask me | 0:24:39 | 0:24:43 | |
what you ask me, take into account this is the ugly sister. | 0:24:43 | 0:24:47 | |
OK, we've got a bit of bevelled glass there, that will help. | 0:24:47 | 0:24:50 | |
If you look at the dial, that's in perfect condition. | 0:24:50 | 0:24:53 | |
It's been out in the wet. This grey, you cannot get rid of | 0:24:53 | 0:24:58 | |
because the linseed oil that the slate is polished with oxidises. | 0:24:58 | 0:25:02 | |
You'd have to take every single bit of the case apart, polish it, | 0:25:02 | 0:25:06 | |
-colour, bring it back. -Give us your best offer. -60 quid. | 0:25:06 | 0:25:10 | |
-Well... -And that's in a really good mood. | 0:25:10 | 0:25:13 | |
-You're getting 60 quid and that's it. -Not 70? -No. | 0:25:13 | 0:25:18 | |
-Right, 65, take a chance? -Yeah. 65 quid. Done. | 0:25:18 | 0:25:21 | |
You're a gentleman, thank you, Mark. | 0:25:21 | 0:25:23 | |
Not much wiggle room there, | 0:25:23 | 0:25:24 | |
but he's off and running with a profit of £19. | 0:25:24 | 0:25:28 | |
James doesn't have far to go for his first potential sale, | 0:25:28 | 0:25:32 | |
the cheese dish that cost £11.50. | 0:25:32 | 0:25:34 | |
That building is where this was made. | 0:25:35 | 0:25:38 | |
So I've come back to Derbyshire, to my home village of Crich, | 0:25:38 | 0:25:41 | |
visiting Andrew at The Loaf. I'm sure he'll just love it. | 0:25:41 | 0:25:46 | |
The Village bakery is right opposite the recently closed pottery studio, | 0:25:46 | 0:25:50 | |
and Andrew and Roger remember the couple who ran it. | 0:25:50 | 0:25:53 | |
Di and David Worthy. | 0:25:55 | 0:25:56 | |
I believe that David was the potter and Di did all the glazing. | 0:25:56 | 0:26:01 | |
We actually visited the pottery | 0:26:01 | 0:26:03 | |
and they were just kind of moving out, and they had the remains | 0:26:03 | 0:26:06 | |
of what they had left, they were selling it off at that time. | 0:26:06 | 0:26:10 | |
There you go. | 0:26:10 | 0:26:12 | |
It's a classic bit of Crich pottery, I turned it over, | 0:26:12 | 0:26:15 | |
I saw the CP mark and I was really chuffed. | 0:26:15 | 0:26:18 | |
I normally have a cheese of the week, | 0:26:18 | 0:26:20 | |
I sample the cheeses on the counters. That would be perfect. | 0:26:20 | 0:26:23 | |
-Ah, to cover the little bits of cheese. -Fantastic. | 0:26:23 | 0:26:26 | |
-It's come all the way home. -Yes, exactly. | 0:26:26 | 0:26:29 | |
-And it belongs here, really. -What about something like £60? | 0:26:29 | 0:26:35 | |
I'm not going to argue. That's a profit. Thank you very much. | 0:26:35 | 0:26:38 | |
He brings the cheese dish home and earns a starting profit of £48.50. | 0:26:38 | 0:26:43 | |
Marks next stop is a tea shop in Banstead | 0:26:44 | 0:26:47 | |
which also sells furniture. | 0:26:47 | 0:26:48 | |
He's hoping the owner, Helen, | 0:26:48 | 0:26:50 | |
will like his Victorian style pine table and chairs. | 0:26:50 | 0:26:53 | |
They cost him just under £150 and Mark has his own way | 0:26:53 | 0:26:56 | |
of demonstrating their unique selling point. | 0:26:56 | 0:26:59 | |
-Do you know how strong this is? -Go on. | 0:26:59 | 0:27:01 | |
I'm going to show you how strong this is. | 0:27:01 | 0:27:03 | |
SHE LAUGHS | 0:27:03 | 0:27:06 | |
There we are. There we are. How strong's that? | 0:27:06 | 0:27:10 | |
-It's just a bit strong. -Right. Come back to rest. | 0:27:10 | 0:27:16 | |
It's English, it's a scrub top table so you'd have had a scrubbing brush, | 0:27:16 | 0:27:20 | |
some caustic soda, scrubbed it, | 0:27:20 | 0:27:22 | |
and that's why it's got an unfinished top, | 0:27:22 | 0:27:25 | |
but it's a good Victorian style table. | 0:27:25 | 0:27:28 | |
-So... -220. | 0:27:28 | 0:27:29 | |
# Silence is golden... # | 0:27:31 | 0:27:33 | |
-Shall I go for a walk? -Yeah, see ya! | 0:27:33 | 0:27:37 | |
-Didn't you go quiet? -150. -Well, all right. | 0:27:37 | 0:27:39 | |
There's 150, there's 220, can we meet somewhere in the middle? | 0:27:39 | 0:27:42 | |
Bang in the middle, 200? | 0:27:42 | 0:27:44 | |
-That's not in the middle. -I was never very good at school, was I? | 0:27:45 | 0:27:48 | |
180. | 0:27:48 | 0:27:50 | |
Go on, then, deal. It gives you a chance, you can still make a profit. | 0:27:50 | 0:27:53 | |
And so does Franksy, £30.50 to add to his total. | 0:27:53 | 0:27:58 | |
And he doesn't stop there, selling the damaged Victorian mahogany chest | 0:27:58 | 0:28:02 | |
to a dealer who restores furniture. | 0:28:02 | 0:28:03 | |
She pays £70, leaving a profit of £26.30. | 0:28:03 | 0:28:08 | |
I am just a sucker for your big blue eyes, that's what it is. | 0:28:08 | 0:28:12 | |
Now for a rare moment. James Lewis is not wearing smart attire. | 0:28:13 | 0:28:17 | |
He's sprucing up the bowsers | 0:28:17 | 0:28:19 | |
and feeding troughs so they might appeal to a neighbour, | 0:28:19 | 0:28:22 | |
and he uses his remaining budget to buy something unusual | 0:28:22 | 0:28:25 | |
to help his selling pitch. | 0:28:25 | 0:28:27 | |
I've got a whole load of hens. | 0:28:27 | 0:28:29 | |
Why, you are asking. They are for a sweetener. | 0:28:29 | 0:28:31 | |
Shona, Roger's daughter, | 0:28:31 | 0:28:33 | |
who I'm going to try and sell them to, is a hen lover. | 0:28:33 | 0:28:36 | |
I've worked with chickens, I know what I'm doing. | 0:28:36 | 0:28:38 | |
I'm transporting them in that little metal cage | 0:28:38 | 0:28:40 | |
to my next door neighbour. | 0:28:40 | 0:28:42 | |
They've been in the barn all night so they've been happy. | 0:28:42 | 0:28:44 | |
Not only that, they've been laying eggs, too. | 0:28:44 | 0:28:46 | |
Each to their own. The ten hens cost £2 each, | 0:28:46 | 0:28:49 | |
which takes his total layout to just over £105. | 0:28:49 | 0:28:53 | |
And even though it is a dull, dreary Derbyshire day, | 0:28:53 | 0:28:56 | |
James then pushes the whole lot a quarter of a mile to Roger's farm. | 0:28:56 | 0:29:00 | |
I thought they'd be absolutely perfect for using with your cows. | 0:29:02 | 0:29:06 | |
I thought they can contain your hay, | 0:29:06 | 0:29:08 | |
-keep it in a nice area, keep it all tidy. -Very useful. | 0:29:08 | 0:29:11 | |
JAMES LAUGHS | 0:29:11 | 0:29:13 | |
I know you're cunningly ignoring the chickens that are on the top | 0:29:13 | 0:29:17 | |
-but that was for you. -Thank you. | 0:29:17 | 0:29:21 | |
I know you've got chickens and I thought, | 0:29:21 | 0:29:23 | |
Roger's a hard-nosed businessman, | 0:29:23 | 0:29:25 | |
I thought you might be able to sway it with the chicken deal. | 0:29:25 | 0:29:28 | |
The goose feed is Victorian, or the hen feeder. And I guess... | 0:29:28 | 0:29:32 | |
It needs a bit of a claim. I started. | 0:29:32 | 0:29:35 | |
But feel the weight of that, it's a really good early one. | 0:29:36 | 0:29:40 | |
That's what cost me the most money. These weren't expensive. | 0:29:40 | 0:29:44 | |
The chickens were £2 each. | 0:29:44 | 0:29:46 | |
What are we looking at for the whole lot, James? | 0:29:46 | 0:29:48 | |
-65 for that. -65 for that. -30 each for these. | 0:29:48 | 0:29:53 | |
And then 20 quid for my chickens. 140? | 0:29:53 | 0:29:57 | |
145. | 0:29:57 | 0:29:58 | |
OK, 145. | 0:29:58 | 0:30:01 | |
Brilliant, brilliant. | 0:30:01 | 0:30:02 | |
Although James asks for no profit on the hens, they do the trick, | 0:30:02 | 0:30:05 | |
pecking in a combined profit of £39.90. | 0:30:05 | 0:30:09 | |
And he makes light work of the fragile eggshell tea service | 0:30:09 | 0:30:12 | |
made around 1915. | 0:30:12 | 0:30:14 | |
He sells it to two ladies whose company hires out vintage tea sets. | 0:30:14 | 0:30:19 | |
-Do you want it? -Yes. We'll take it. -You've got a deal. | 0:30:19 | 0:30:22 | |
They pay £50, giving James a profit of £36.20. | 0:30:22 | 0:30:27 | |
But with load still to shift, James doesn't slow down, selling | 0:30:27 | 0:30:31 | |
the modern chrome ceiling light for £40, showing a profit of £22.74. | 0:30:31 | 0:30:36 | |
Mark is also hard at work. His cast-iron railway sign, | 0:30:36 | 0:30:40 | |
made between the 1920s and the 1940s, | 0:30:40 | 0:30:43 | |
is sold to a pub landlord for £60, shunting in a profit of £4.80. | 0:30:43 | 0:30:49 | |
Franksy is really into the swing of things and drives to | 0:30:49 | 0:30:52 | |
Canterbury with his 100-year-old doll, that cost just under £21. | 0:30:52 | 0:30:56 | |
He's taking it to Tina, who repairs broken dolls | 0:30:56 | 0:30:59 | |
and has a collection of over 3,000. | 0:30:59 | 0:31:01 | |
What's important, Tina, because I don't know a lot about dollies? | 0:31:01 | 0:31:05 | |
The head is nearly three quarters of the value, actually. | 0:31:05 | 0:31:09 | |
As long as the head is good, | 0:31:09 | 0:31:11 | |
anything else can be replaced or repaired. | 0:31:11 | 0:31:14 | |
And I may actually repair her and put her into my collection. | 0:31:14 | 0:31:17 | |
-Would you be interested in making me an offer, please? -I'd go 50. | 0:31:17 | 0:31:21 | |
The only problem with 50, it's one of my unlucky numbers. | 0:31:21 | 0:31:24 | |
-I could go to 60. -Tina, you've got yourself a deal, you're an angel. | 0:31:24 | 0:31:28 | |
Thank you very much. | 0:31:28 | 0:31:29 | |
Franksy almost triples his money with the German doll | 0:31:29 | 0:31:31 | |
and makes a profit of £39.30. | 0:31:31 | 0:31:34 | |
This boy is going great guns, | 0:31:34 | 0:31:36 | |
and he sells the modern metal garden furniture to a friend for £70. | 0:31:36 | 0:31:41 | |
That's a profit of £6.74. | 0:31:41 | 0:31:43 | |
Both our beasts of the barter have made steady work of finding buyers. | 0:31:43 | 0:31:48 | |
Time to find out who's in front. | 0:31:48 | 0:31:50 | |
Mark has sold six of his lots and made a profit of £126.64. | 0:31:50 | 0:31:55 | |
James has also got rid of six lots, but is slightly out in front - | 0:31:55 | 0:31:59 | |
£147.34. | 0:31:59 | 0:32:02 | |
Unbelievably, there are still 21 lots left to sell. | 0:32:02 | 0:32:06 | |
James has sold less than a third of his items | 0:32:06 | 0:32:09 | |
and needs to pull his finger out. | 0:32:09 | 0:32:11 | |
But Mark knows he's up against the ultimate competitor, | 0:32:11 | 0:32:14 | |
so will do anything to add value to his items. | 0:32:14 | 0:32:16 | |
He fills his £13.80 wall baskets with over £40 worth of plants | 0:32:16 | 0:32:21 | |
and then sells them to a pub in Wimbledon. | 0:32:21 | 0:32:23 | |
£80 a pair, and a nice cup of coffee, | 0:32:25 | 0:32:27 | |
-because it's a bit early for a pint. -A deal, sir. -Thank you very much. | 0:32:27 | 0:32:31 | |
After the cost of the flowers he makes a profit of £23.75. | 0:32:31 | 0:32:36 | |
But this is the point at which James comes out fighting. | 0:32:36 | 0:32:39 | |
He attempts a bulk sale with all the various bits of garden furniture | 0:32:39 | 0:32:43 | |
that set him back £293.26 in total. | 0:32:43 | 0:32:47 | |
He takes them to Tim, | 0:32:47 | 0:32:48 | |
who hires out his house near Ripley as a wedding venue. | 0:32:48 | 0:32:52 | |
But Tim is not a man to mess about. | 0:32:52 | 0:32:54 | |
-What do you think? -Not a lot. | 0:32:54 | 0:32:57 | |
-Not a lot! -Seriously, not a lot. That's nice, I do like that one. | 0:32:57 | 0:33:00 | |
That's got some weight about it. | 0:33:00 | 0:33:01 | |
Garden centre fodder. Not a lot, if anything at all. | 0:33:01 | 0:33:04 | |
I'm thinking it's worth 300, 350 for the lot. 400 if you pushed me. | 0:33:04 | 0:33:08 | |
This was the way my brain was working. | 0:33:08 | 0:33:10 | |
-I thought you probably needed a lot of seating. -We do. | 0:33:10 | 0:33:13 | |
If you've got 100 guests, | 0:33:13 | 0:33:14 | |
bride and groom having their photograph taken... | 0:33:14 | 0:33:17 | |
We can potentially hold 600 guests. | 0:33:17 | 0:33:18 | |
In that case, you need some seating for the elderly. | 0:33:18 | 0:33:21 | |
-That's the good one. -Cast iron. | 0:33:21 | 0:33:23 | |
Coalbrookdale style, is probably a recasting, | 0:33:23 | 0:33:26 | |
originally made around 1870. | 0:33:26 | 0:33:28 | |
-This one... -That's 1870? -No, this one is slightly later. | 0:33:28 | 0:33:32 | |
They used the same castings and they redid it again and again. | 0:33:32 | 0:33:35 | |
This, I think you are under-rating. I like this. | 0:33:35 | 0:33:38 | |
-Very 1970s. -No, it's a Regency style one. -Is it? | 0:33:38 | 0:33:41 | |
This is exactly the style of bench you would have had in the 1820s. | 0:33:41 | 0:33:45 | |
550, the lot. | 0:33:45 | 0:33:46 | |
No. You're getting me on a good day. 450, for everything. | 0:33:46 | 0:33:49 | |
520. | 0:33:49 | 0:33:51 | |
-£500. -Deal. | 0:33:51 | 0:33:53 | |
Tim's a haggling hardman but James does very nicely. | 0:33:53 | 0:33:57 | |
The four lots make £206.74 profit. | 0:33:57 | 0:34:00 | |
And bulk sales prove profitable. | 0:34:00 | 0:34:03 | |
James sells his kettle and pans, all from the 1870s, | 0:34:03 | 0:34:06 | |
with his 1920s fire extinguisher, to his local pub landlord. | 0:34:06 | 0:34:10 | |
He gets £150 - that's a profit of £95.44. | 0:34:10 | 0:34:14 | |
James is suddenly raking it in, so Franksy has to fire back. | 0:34:16 | 0:34:20 | |
He aims high with his biggest auction purchase - | 0:34:20 | 0:34:22 | |
the Georgian silver compass. | 0:34:22 | 0:34:24 | |
He takes it along with a manicure set to the upmarket | 0:34:24 | 0:34:27 | |
Burlington Arcade in central London, to meet silver dealer Daniel. | 0:34:27 | 0:34:31 | |
All together, Mark paid just over £408. | 0:34:31 | 0:34:34 | |
Let's start with the manicure set. | 0:34:34 | 0:34:37 | |
It's not bad. Obviously it needs a bit of straightening up. | 0:34:37 | 0:34:40 | |
But the good thing is you've got all the pieces there. | 0:34:40 | 0:34:43 | |
Not the greatest item in the world | 0:34:43 | 0:34:45 | |
-but one of the good things is, it's art deco. -It's stylish. | 0:34:45 | 0:34:48 | |
There's a good market for art deco. | 0:34:48 | 0:34:49 | |
Let's look at the piece that you like. | 0:34:49 | 0:34:52 | |
I like that, but I don't always come across pocket compasses. | 0:34:52 | 0:34:56 | |
The nice thing is you've got good hallmarks there. | 0:34:56 | 0:34:59 | |
At this sort of age - this is made in 1803, that makes it George III - | 0:34:59 | 0:35:03 | |
normally they're not marked at all. | 0:35:03 | 0:35:05 | |
My only concern is that you have a little button on the side here | 0:35:05 | 0:35:09 | |
that if you turn it, it should stop and clamp the needle | 0:35:09 | 0:35:11 | |
from moving around so it's not rattling all the time. | 0:35:11 | 0:35:14 | |
That can be sorted out. | 0:35:14 | 0:35:15 | |
Money does need to be spent on it, that's for sure. | 0:35:15 | 0:35:18 | |
I was thinking, on the manicure set, around 100, to 120. | 0:35:18 | 0:35:23 | |
On that I was thinking, 330, 350. | 0:35:23 | 0:35:25 | |
-450 for the two. -Well, I'm going to shake your hand. | 0:35:25 | 0:35:28 | |
And that way, encourage you to come back | 0:35:28 | 0:35:30 | |
and find some more lovely little Georgian pieces. | 0:35:30 | 0:35:33 | |
Daniel clearly liked what he saw. | 0:35:33 | 0:35:35 | |
The two silver items make Franksy a combined profit of £41.74. | 0:35:35 | 0:35:40 | |
Mark also doubles his money on the brewery signs. | 0:35:40 | 0:35:44 | |
He sells them over the phone to a pub in Suffolk for £75, | 0:35:44 | 0:35:47 | |
serving up a profit of £38.20. | 0:35:47 | 0:35:50 | |
James makes another bulk sale. | 0:35:50 | 0:35:53 | |
The pair of coffee tables | 0:35:53 | 0:35:54 | |
and both the modern rosewood effect jewellery boxes | 0:35:54 | 0:35:57 | |
are all bought by Michelle, who is a regular in his sale room. | 0:35:57 | 0:36:00 | |
-You've got a deal. -Excellent, thank you very much. -Thank you. | 0:36:00 | 0:36:03 | |
She pays £310, giving our Lionheart a profit of £208.80. | 0:36:03 | 0:36:08 | |
Next, James heads to Nottingham to meet Donna, | 0:36:09 | 0:36:12 | |
whose company hosts medieval banquets. | 0:36:12 | 0:36:14 | |
He's is hoping she'll want his £46 game hanger. | 0:36:14 | 0:36:17 | |
But she's brought along two familiar friends. | 0:36:17 | 0:36:20 | |
Now, the Sheriff of Nottingham is a famous penny pincher, | 0:36:21 | 0:36:24 | |
and Robin Hood steals from the rich to give to the poor. | 0:36:24 | 0:36:27 | |
Either way, this isn't looking good for the Lionheart. | 0:36:27 | 0:36:31 | |
I thought it was a brand-new reproduction thing that would be | 0:36:31 | 0:36:35 | |
sitting in a farmhouse kitchen, but I then have a look at it. | 0:36:35 | 0:36:38 | |
It's actually old. | 0:36:38 | 0:36:39 | |
It is a genuine antique one. | 0:36:39 | 0:36:41 | |
I think it's probably French, though, probably about 1880, | 0:36:41 | 0:36:44 | |
so it's a little bit later than your period. But I thought it had a look. | 0:36:44 | 0:36:48 | |
Imagine you guys with a big table, | 0:36:48 | 0:36:50 | |
with braces of pheasants hanging from it. | 0:36:50 | 0:36:52 | |
You can have a bit of fun with that. | 0:36:52 | 0:36:55 | |
-Yeah, I think we could. -Absolutely. -How about 120 quid. | 0:36:55 | 0:36:57 | |
He doesn't have any money, he's going to be tight, | 0:36:57 | 0:37:00 | |
so I would probably start closer to 50. | 0:37:00 | 0:37:02 | |
How about 100? | 0:37:02 | 0:37:03 | |
-70? -Oh... | 0:37:03 | 0:37:06 | |
-How about £80? -80 gold pieces! | 0:37:06 | 0:37:09 | |
-Is that a deal? -75... -That's a deal. | 0:37:09 | 0:37:12 | |
-No! You've got a deal. You spoke too late. -You always do that! | 0:37:12 | 0:37:15 | |
Close shave at the end there but James makes a profit of £34. | 0:37:15 | 0:37:20 | |
With time running out, Franksy makes two quick sales. | 0:37:20 | 0:37:23 | |
His snuff box goes for £20, | 0:37:23 | 0:37:25 | |
which unfortunately for him is a £3 loss. | 0:37:25 | 0:37:28 | |
Next the vintage stamp albums that Mark took a gamble on. | 0:37:28 | 0:37:32 | |
He paid £36.80 but is disappointed when he shows them to expert, Hugh. | 0:37:32 | 0:37:37 | |
-I could make it 20. -Hugh, you got a deal. | 0:37:38 | 0:37:41 | |
That's a loss of £16.80. | 0:37:41 | 0:37:45 | |
Mark only has two items left, | 0:37:45 | 0:37:48 | |
the rubble and the canteen of cutlery that he bought as a prank. | 0:37:48 | 0:37:51 | |
He's had an idea for the rubble that cost £3.46 | 0:37:51 | 0:37:54 | |
that involves his friend, Phil, | 0:37:54 | 0:37:56 | |
who runs a clay pigeon shooting club in Surrey | 0:37:56 | 0:37:58 | |
which is accessed by a very bumpy track. | 0:37:58 | 0:38:01 | |
I've got to be honest, your road, oh, my word. | 0:38:02 | 0:38:06 | |
It seen better days, I'll give you that. | 0:38:06 | 0:38:08 | |
There are a few lumps here and there. | 0:38:08 | 0:38:10 | |
I was thinking that this might help you level that road out. | 0:38:10 | 0:38:13 | |
In the winter, it can be touch and go. | 0:38:13 | 0:38:15 | |
It does get rocky, especially when it's been raining. | 0:38:15 | 0:38:17 | |
There's quite a lot here, how does 40 quid sound, the lot? | 0:38:17 | 0:38:20 | |
Tell you what, if I take tenner off | 0:38:20 | 0:38:22 | |
and offer you 30, deal's done. Shake hands. | 0:38:22 | 0:38:24 | |
-You've got a deal. -Cheers, mate. | 0:38:24 | 0:38:26 | |
Mark sells the rubble for over eight times what he paid | 0:38:26 | 0:38:29 | |
and drives off smoothly, £26.54 better off. | 0:38:29 | 0:38:33 | |
James is also on the final furlong. | 0:38:33 | 0:38:36 | |
He motors across to Burbage in Leicestershire to meet the landlord | 0:38:36 | 0:38:39 | |
of a pub with a maritime theme. | 0:38:39 | 0:38:41 | |
He sells the ship's wheel for £92.50, making a £35 profit. | 0:38:41 | 0:38:45 | |
-Deal. -OK, well done, James, thank you very much. | 0:38:45 | 0:38:49 | |
Which brings him down to his favourite auction purchase, | 0:38:49 | 0:38:52 | |
the £230 Japanese inro. | 0:38:52 | 0:38:54 | |
He travels all the way to the swanky St James's area of central London | 0:38:54 | 0:38:58 | |
to see an inro specialist. | 0:38:58 | 0:39:00 | |
He's arranged to meet Rosemary, who deals in Japanese art. | 0:39:00 | 0:39:04 | |
I must say, it's much bigger than I expected it was going to be. | 0:39:04 | 0:39:07 | |
Normally, it would be a storage case for carrying medicines around, | 0:39:07 | 0:39:12 | |
but this is rather large. | 0:39:12 | 0:39:13 | |
They usually call these sumo wrestler's inro, | 0:39:13 | 0:39:18 | |
because they're so big, they think it goes with a big man. | 0:39:18 | 0:39:21 | |
-But this is probably 18th century. -Oh, really? -Yeah. | 0:39:21 | 0:39:25 | |
-The decoration is interesting, this is a family crest. -Oh, right. | 0:39:25 | 0:39:30 | |
Those three leaves, and then we have a dragon amongst waves, | 0:39:30 | 0:39:34 | |
as a symbol of power and continuity. | 0:39:34 | 0:39:37 | |
What's curious about it are these images on the inside of these cases, | 0:39:37 | 0:39:42 | |
which I've never seen before. | 0:39:42 | 0:39:45 | |
There's a lady playing a lute, there's a lady preparing her hair | 0:39:45 | 0:39:49 | |
and then there's a lady sitting by some rice bales. | 0:39:49 | 0:39:52 | |
-It's in terrible condition, I have to say. I'm sorry, James. -OK. | 0:39:52 | 0:39:55 | |
Never normally buy lacquer which has been damaged like that, yes. | 0:39:55 | 0:39:59 | |
-The condition... -The condition is a serious problem. -OK. | 0:39:59 | 0:40:05 | |
I don't know where to start, really. Is 500 too much? | 0:40:05 | 0:40:08 | |
500 is too much. | 0:40:08 | 0:40:10 | |
I'd probably like to give you 300. | 0:40:10 | 0:40:12 | |
350? | 0:40:12 | 0:40:13 | |
-320. -Ooh... | 0:40:13 | 0:40:15 | |
40... | 0:40:16 | 0:40:17 | |
HE LAUGHS | 0:40:17 | 0:40:19 | |
-30. -Deal. | 0:40:19 | 0:40:20 | |
THEY LAUGH | 0:40:20 | 0:40:21 | |
I thought we weren't going to get there! | 0:40:21 | 0:40:24 | |
Yes, the rare decoration does it, | 0:40:24 | 0:40:25 | |
and the inro brings in a profit of £100, so James is all sold up. | 0:40:25 | 0:40:30 | |
That leaves the item that nobody wanted - | 0:40:30 | 0:40:33 | |
Mark's prank purchase of the German canteen of gold plated cutlery. | 0:40:33 | 0:40:37 | |
The only chance I've got is the auction. Let's see how I get on. | 0:40:37 | 0:40:41 | |
I'm not looking forward to this. | 0:40:41 | 0:40:43 | |
Franksy is at a sale room in Tooting in south London. | 0:40:43 | 0:40:46 | |
He paid just over £55 for the canteen but remember, whatever | 0:40:46 | 0:40:50 | |
the hammer price, there will be auction fees to come off as well. | 0:40:50 | 0:40:55 | |
30, 32, 34, 36. | 0:40:55 | 0:40:58 | |
At the back, 38. 40. 45? | 0:40:59 | 0:41:03 | |
45 in the doorway. 50? | 0:41:04 | 0:41:07 | |
55 at the back. 60. The doorway is 70. | 0:41:07 | 0:41:10 | |
I think that's a profit. | 0:41:10 | 0:41:12 | |
It is indeed a profit, but it's not stopping there. | 0:41:12 | 0:41:15 | |
120, 125, 130. | 0:41:15 | 0:41:19 | |
And it goes higher. And higher. | 0:41:19 | 0:41:21 | |
170, 175. 180, 185. | 0:41:21 | 0:41:25 | |
190. 195. | 0:41:25 | 0:41:27 | |
195... | 0:41:27 | 0:41:28 | |
I'm glad James Lewis didn't get this after all - | 0:41:28 | 0:41:31 | |
195, that's a profit and a half! | 0:41:31 | 0:41:34 | |
The canteen is the surprise item of the day. | 0:41:34 | 0:41:37 | |
It exceeds all expectations | 0:41:37 | 0:41:39 | |
and after fees makes Mark a profit of £88.32. | 0:41:39 | 0:41:42 | |
What a way to end the day. | 0:41:42 | 0:41:45 | |
It's been a mammoth mission but every last item has been sold. | 0:41:45 | 0:41:49 | |
Our two auction heavyweights started the day with £1,000. | 0:41:49 | 0:41:53 | |
Mark Franks bought 14 lots | 0:41:53 | 0:41:55 | |
and along with the flowers for his wall basket, spent £998.13. | 0:41:55 | 0:42:00 | |
James Lewis bought 19 lots plus ten chickens, | 0:42:00 | 0:42:04 | |
bringing his total outlay to £930.18. | 0:42:04 | 0:42:08 | |
All of the money that Mark and James make from today's challenge | 0:42:08 | 0:42:12 | |
will be going to charities of their choice, | 0:42:12 | 0:42:14 | |
so who is the Put Your Money Where Your Mouth Is auction champion? | 0:42:14 | 0:42:18 | |
-Mr Lewis. -Greetings. -Auctioneer extraordinaire. | 0:42:18 | 0:42:22 | |
You were at home there, weren't you? | 0:42:22 | 0:42:24 | |
I should have been, but I don't like being down on the floor, | 0:42:24 | 0:42:27 | |
I like being up on the rostrum. | 0:42:27 | 0:42:28 | |
I ended up with some gold plated cutlery which cost me 55 quid, | 0:42:28 | 0:42:32 | |
and no-one wanted to buy it. | 0:42:32 | 0:42:34 | |
So guess what I did, I put it into auction. | 0:42:34 | 0:42:36 | |
-And I sold it for the biggest profit of the whole... -No! -Yes. -No! | 0:42:36 | 0:42:41 | |
-How ironic is that? -What did you sell it for? -195 quid. | 0:42:41 | 0:42:44 | |
-You are... No way. -Yeah way! Trust me, yeah. | 0:42:44 | 0:42:48 | |
You're surprised? I was there! | 0:42:48 | 0:42:50 | |
It made an £88 profit. | 0:42:50 | 0:42:52 | |
So, talking about profit, three, two, one... | 0:42:52 | 0:42:56 | |
Wow! He's done it again! Wow. | 0:42:57 | 0:43:01 | |
That's quite lumpy, isn't it? | 0:43:01 | 0:43:03 | |
-That's not bad. We made over 1,000 between us. -Yes. | 0:43:03 | 0:43:06 | |
So, a convincing win for James. | 0:43:06 | 0:43:09 | |
Well, 800 or so pounds profit is a great result, | 0:43:09 | 0:43:13 | |
but my word did I have to work for it. | 0:43:13 | 0:43:15 | |
I ran around like a headless chicken and I made a good profit. | 0:43:15 | 0:43:19 | |
Unfortunately, James made more profit. You win some, you lose some. | 0:43:19 | 0:43:23 | |
But there's no rest for our roaming rummagers - | 0:43:23 | 0:43:25 | |
James and Mark square up again tomorrow | 0:43:25 | 0:43:28 | |
at a car boot sale in Essex. | 0:43:28 | 0:43:29 | |
Subtitles by Red Bee Media Ltd | 0:43:52 | 0:43:56 |