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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:05 | |
the show that pitches TV's best-loved antiques experts | 0:00:05 | 0:00:08 | |
against each other in an all-out battle for profit. | 0:00:08 | 0:00:11 | |
-Wahey! -And gives you the insider's view of the trade. | 0:00:11 | 0:00:15 | |
I'm on the case. | 0:00:15 | 0:00:17 | |
Each week, one pair of duelling dealers will face a different daily challenge... | 0:00:18 | 0:00:24 | |
-I'm a cheeky chancer. -Lovely! | 0:00:24 | 0:00:26 | |
..putting their reputations on the line and giving you top tips and savvy secrets | 0:00:26 | 0:00:32 | |
on how to make the most money from buying and selling. | 0:00:32 | 0:00:36 | |
-Let's spend some money. -Get in there! | 0:00:36 | 0:00:39 | |
Prepare for a white-knuckle ride. | 0:00:40 | 0:00:42 | |
James Lewis and Mark Franks are about to face the most formidable challenge. | 0:00:42 | 0:00:47 | |
It's time for the Showdown. | 0:00:47 | 0:00:49 | |
Our remnant experts must toil at the limits of human endurance | 0:00:49 | 0:00:53 | |
in a ferocious fight to find prized purchases that produce premium profits. | 0:00:53 | 0:00:59 | |
Coming up, James gets up to monkey business... | 0:00:59 | 0:01:02 | |
MIMICS MONKEY SOUNDS | 0:01:02 | 0:01:04 | |
..Mark shows you how to push past personal taste... | 0:01:04 | 0:01:08 | |
Absolutely horrible! | 0:01:08 | 0:01:11 | |
..and one expert gets rumbled by a customer. | 0:01:11 | 0:01:15 | |
Look at that face! | 0:01:15 | 0:01:17 | |
Is this the haggling face? | 0:01:18 | 0:01:21 | |
This will be a colossal clash. It's time to Put Your Money Where Your Mouth Is. | 0:01:21 | 0:01:26 | |
The Showdown pits our two purchasing powerhouses against each other | 0:01:37 | 0:01:42 | |
in a seismic struggle to earn enormous profits. | 0:01:42 | 0:01:46 | |
Only one can achieve immortality. For the other, it's abject defeat. | 0:01:46 | 0:01:50 | |
First into the ring, a delectable, devious dealer | 0:01:50 | 0:01:53 | |
whose irrepressible charm and winning smile makes mortal souls fall at his feet. | 0:01:53 | 0:01:59 | |
It's Mark "Franksy" Franks. | 0:01:59 | 0:02:02 | |
-# I'm in the money! # -But he has a considerable contender, a bewitching, but brutal barterer | 0:02:04 | 0:02:10 | |
who shows not an ounce of mercy. | 0:02:10 | 0:02:12 | |
It's James "The Lionheart" Lewis. | 0:02:12 | 0:02:15 | |
I'm not going to be beaten. | 0:02:15 | 0:02:17 | |
There can be only one winner, so expect blood, sweat and tears | 0:02:17 | 0:02:21 | |
as these two wizened warriors use all their knowledge and skill | 0:02:21 | 0:02:25 | |
to triumph in the toughest test of their professional lives, | 0:02:25 | 0:02:29 | |
so let's see what's in store. | 0:02:29 | 0:02:31 | |
I want to have a word with the postman. These keep turning up. It's better than the gas bill. | 0:02:31 | 0:02:37 | |
-Let's have a look. Showdown time, I guess. -Showdown! | 0:02:37 | 0:02:40 | |
-"Welcome to the mighty Showdown." -Mighty! | 0:02:40 | 0:02:43 | |
"The rules are simple. You must each buy two items at every one of your regular Put Your Money challenges. | 0:02:43 | 0:02:49 | |
-"You have £1,000 to spend." -That's quite a lot of money. | 0:02:49 | 0:02:52 | |
"You can sell up to four items wherever you want | 0:02:52 | 0:02:55 | |
"and the rest will have to be sold at an auction which is in Cheshire. | 0:02:55 | 0:02:59 | |
-"The winner is the dealer that makes the most amount of money." Shall we get on with it? -Let's go. -Hoe-down! | 0:02:59 | 0:03:05 | |
Yes, let the games begin. | 0:03:05 | 0:03:07 | |
Both our incredible experts must cover the cost of any restoration repairs and buying fees | 0:03:07 | 0:03:13 | |
from their £1,000 budgets. | 0:03:13 | 0:03:15 | |
Our heavyweight hagglers will be buying in their usual Put Your Money hunting grounds - | 0:03:15 | 0:03:20 | |
a foreign antiques market, a car boot sale, | 0:03:20 | 0:03:23 | |
an auction and a UK antiques fair. | 0:03:23 | 0:03:27 | |
So who can battle his way to the biggest profit? | 0:03:27 | 0:03:30 | |
They're ready for Round 1, The Foreign Market. | 0:03:30 | 0:03:33 | |
Our rummaging rivals beat their way to Belgium to the famous Waterloo Antiques Market | 0:03:33 | 0:03:37 | |
where James and Mark must each buy two items. | 0:03:37 | 0:03:41 | |
It shouldn't be a problem. The place is packed with tempting trinkets and captivating collectables. | 0:03:41 | 0:03:48 | |
Mark is the first to swoop. He's found a print by the Belgian artist Roger Hebbelinck. | 0:03:48 | 0:03:53 | |
From a distance, | 0:03:53 | 0:03:55 | |
if you go back a bit, it's nice. | 0:03:55 | 0:03:58 | |
I don't know the artist. It's only a print. 187 of 350 that were made. It's a limited edition. | 0:03:58 | 0:04:04 | |
Not a massive run, but not a small run. And he wants 50 euros for it. | 0:04:04 | 0:04:08 | |
I'm going to offer him 30 euros. I can hear him laughing in the background. | 0:04:08 | 0:04:13 | |
He's really laughing now! Le dernier prix, monsieur? | 0:04:13 | 0:04:17 | |
-45 for you. -So, if I said 40, you'd say no? -45. | 0:04:17 | 0:04:22 | |
OK. Vendu. | 0:04:22 | 0:04:24 | |
Mark launches himself straight into the game. | 0:04:24 | 0:04:26 | |
Converting euros into pounds, the picture cost him £38.46. | 0:04:26 | 0:04:30 | |
James is normally chomping at the bit to spend money, but not today. He must get his act together. | 0:04:32 | 0:04:38 | |
Franksy has locked eyes on his second potential purchase. | 0:04:38 | 0:04:41 | |
-Have a look. -It's another print, this time a work by the Dutch artist Pieter Zwaanswijk. | 0:04:41 | 0:04:48 | |
Has it got any chance? That's the question. | 0:04:48 | 0:04:50 | |
It could really fly because it will be an auction piece. | 0:04:50 | 0:04:54 | |
Two people trying to buy it, it could fly. | 0:04:54 | 0:04:57 | |
Also, it could really fail. This could be unsold at five quid. | 0:04:57 | 0:05:01 | |
-That's the reality of it. -Ten euros. -Sold! -That's what I paid for it, ten euros. | 0:05:01 | 0:05:06 | |
-I'll give you 15. How's that? Are you happy? -I'm very happy. -That's what I call a gentleman. | 0:05:06 | 0:05:11 | |
Mark is so taken by the artwork, he pays over the asking price. | 0:05:11 | 0:05:16 | |
He seals the deal for the equivalent of £12.82. | 0:05:16 | 0:05:20 | |
For the price I've paid, I'd be very unlucky not to make a profit. | 0:05:20 | 0:05:25 | |
It's 1977. The date's on it. | 0:05:25 | 0:05:29 | |
It's a limited edition print. I like it. Watch it fly! | 0:05:29 | 0:05:32 | |
So that's Mark's foreign foray sorted. Time for James to shift up a gear. | 0:05:32 | 0:05:38 | |
He targets one of his favourite genres when be buys a trio of modern African tribal masks | 0:05:38 | 0:05:43 | |
for 90 euros or £76.92. | 0:05:43 | 0:05:46 | |
These three are really great fun. | 0:05:48 | 0:05:50 | |
They're all Punu. They're probably from Gabon or Congo. | 0:05:50 | 0:05:55 | |
We've got one male hunter with the horns | 0:05:55 | 0:05:58 | |
and we've got two female, lady masks as well. | 0:05:58 | 0:06:02 | |
Probably 20 or 30 years old at the most, but they have a great look. | 0:06:02 | 0:06:07 | |
Our Lionheart is at home with African art, never able to resist, | 0:06:07 | 0:06:11 | |
but it's getting towards the end of the day and the stallholders are packing up. | 0:06:11 | 0:06:16 | |
He's running out of time, so returns to something he dismissed earlier. | 0:06:16 | 0:06:20 | |
Here we have a classic pair of 19th century, cast-iron garden urns, | 0:06:20 | 0:06:24 | |
but they are what we call a campana shape. | 0:06:24 | 0:06:27 | |
The whole design is taken directly from antiquity. | 0:06:27 | 0:06:31 | |
This was the sort of thing that was being dug up at Herculaneum and Pompeii around 1780 and 1820. | 0:06:31 | 0:06:38 | |
Now, the Victorians were the first people to start making these, but they were made all over Europe, | 0:06:38 | 0:06:44 | |
normally in cast iron. The first time I looked at these was first thing this morning. | 0:06:44 | 0:06:49 | |
They were 400 euros. It's the end of the day and they're heavy and he hasn't sold them. | 0:06:49 | 0:06:54 | |
I'm going to try my luck again. | 0:06:54 | 0:06:57 | |
You don't want to load them back into here. I know they're 400. Would you do a bit of a deal for me? | 0:06:57 | 0:07:03 | |
The best I can do is 250. | 0:07:03 | 0:07:06 | |
That's it. You've got it. Absolute deal. Brilliant. | 0:07:08 | 0:07:12 | |
Yes, the pair of urns plant a sizeable hole in James's budget of £213.68. | 0:07:12 | 0:07:17 | |
Our mighty merchants came and they conquered, | 0:07:17 | 0:07:21 | |
so let's see how they're positioned in our purchasing power struggle. | 0:07:21 | 0:07:25 | |
Both our gutsy gladiators started out with £1,000 to play with. | 0:07:26 | 0:07:31 | |
Fearless Mark Franks snapped up his two items quick-smart. | 0:07:31 | 0:07:34 | |
He spent £51.28, leaving £948.72 in his kitty. | 0:07:34 | 0:07:40 | |
Meanwhile, James "The Lionheart" Lewis took his time | 0:07:40 | 0:07:44 | |
and then splashed out £290.60, | 0:07:44 | 0:07:46 | |
leaving £709.40 for the three remaining rounds. | 0:07:46 | 0:07:51 | |
Our boys are back in Blighty for Round 2, the Car Boot Sale. | 0:07:53 | 0:07:57 | |
Messrs Franks and Lewis are at Marks Tey in Essex. | 0:07:57 | 0:08:00 | |
Amongst the items on offer, a mixture of all things ancient and modern | 0:08:00 | 0:08:05 | |
and once again, they each need to hunt down two purchases. | 0:08:05 | 0:08:08 | |
Even though it's a wet morning, Franksy is looking at something sunny, a garden table. | 0:08:08 | 0:08:14 | |
-Do you want a fiver for it? -I'll take a tenner. It cost 15 quid. | 0:08:14 | 0:08:18 | |
-We'll toss a coin. -Yeah? -5 or 15, how does that sound? | 0:08:18 | 0:08:22 | |
Go on then. I'll go heads. 5 or 15... Yes! | 0:08:24 | 0:08:28 | |
And our Londoner's luck comes good. He gets the table for £5. | 0:08:28 | 0:08:32 | |
All right, it's not the nicest thing in the world. | 0:08:32 | 0:08:36 | |
It's made of metal. It's like some sort of cast aluminium alloy. | 0:08:36 | 0:08:41 | |
It's got a nice lattice pattern going through the top there, so it's interwoven. | 0:08:41 | 0:08:46 | |
It's quite sturdy. With a little bit of tidying up, this has got to be £25. | 0:08:46 | 0:08:51 | |
Mark's reputation for transforming trash into treasure precedes him, so all the signs are good. | 0:08:51 | 0:08:56 | |
However, James isn't hanging about this time. | 0:08:56 | 0:09:00 | |
He has spotted a glass jug, but it does have a tiny chip in the rim. | 0:09:00 | 0:09:04 | |
20, you say? 15 and you've got a deal. | 0:09:04 | 0:09:07 | |
And £15 seals the deal. | 0:09:07 | 0:09:10 | |
In the mid to late 19th century, glass like this was really popular. | 0:09:10 | 0:09:14 | |
It's known as cranberry glass due to its colour. | 0:09:14 | 0:09:17 | |
A good way of telling this glass is genuine is the fact it has a pontil mark on the bottom. | 0:09:17 | 0:09:22 | |
The glass is blown with a blowing tube. | 0:09:22 | 0:09:25 | |
It is then attached to the pontil iron underneath | 0:09:25 | 0:09:29 | |
and then removed and smoothed out on the top. | 0:09:29 | 0:09:32 | |
When the glass is knocked off the pontil iron, it leaves a little mark underneath. | 0:09:32 | 0:09:37 | |
That is a classic example of 19th century glass. | 0:09:37 | 0:09:41 | |
Without a chip, it's £50. | 0:09:41 | 0:09:44 | |
Hopefully, I can grind that down and it'll still be 30, 35. Fingers crossed. | 0:09:44 | 0:09:49 | |
Let's hope so. James heads off to trawl the stalls for his next purchase. | 0:09:49 | 0:09:54 | |
Mark beats him to it though. He buys a collection of dozens and dozens of dance music records. | 0:09:54 | 0:09:59 | |
At just £10 the lot, he could be waltzing off the winner. | 0:09:59 | 0:10:03 | |
And it's not long before James finds his other car boot bargain, but it's slightly unorthodox. | 0:10:03 | 0:10:09 | |
He spends the grand sum of 50 pence on a novelty monkey hat | 0:10:09 | 0:10:13 | |
and he suddenly and strangely goes ape. | 0:10:13 | 0:10:16 | |
# Hey, hey, we're The Monkees and people say we monkey around... # | 0:10:16 | 0:10:20 | |
It's a bit scary. Even the Put Your Money sound man isn't safe from Jungle James. | 0:10:20 | 0:10:26 | |
Enough, James! Time to explain yourself. | 0:10:26 | 0:10:29 | |
Quality, style... | 0:10:30 | 0:10:33 | |
price. | 0:10:33 | 0:10:34 | |
It's what it's all about. | 0:10:34 | 0:10:36 | |
And when you've got model looks like me, who couldn't buy this hat? | 0:10:36 | 0:10:41 | |
Well, Mark and Monkey Man are done and dusted with the car boot chaos | 0:10:41 | 0:10:46 | |
and it brings us to the midway point in our colossal clash, | 0:10:46 | 0:10:49 | |
so let's see where we stand. | 0:10:49 | 0:10:51 | |
Both our bargain busters each started with £1,000 of their own money. | 0:10:51 | 0:10:56 | |
Mark is still holding on to his cash. | 0:10:56 | 0:10:59 | |
Two rounds down and just £66.28 spent, | 0:10:59 | 0:11:01 | |
leaving a whopping £933.72 in his kitty. | 0:11:01 | 0:11:06 | |
James has spent much more - | 0:11:06 | 0:11:08 | |
£306.10, | 0:11:08 | 0:11:10 | |
so he moves on with £693.90 left. | 0:11:10 | 0:11:14 | |
And so to Round 3, The Auction. | 0:11:16 | 0:11:18 | |
Our antiques assassins are at the Diss Auction Rooms in Norfolk | 0:11:18 | 0:11:22 | |
which is rammed with over 1,700 luscious lots, but this is a tough location for our titans. | 0:11:22 | 0:11:28 | |
There's four separate auctions all running simultaneously, | 0:11:28 | 0:11:32 | |
so they must pick carefully and position themselves wisely. | 0:11:32 | 0:11:37 | |
I've got a funny feeling it's going to be a challenge today. | 0:11:37 | 0:11:41 | |
It will be a challenge and we have got our work cut out. | 0:11:41 | 0:11:44 | |
Unless you've spotted anything you want to point out, I'll crack on. | 0:11:44 | 0:11:48 | |
It's a nightmare putting something from an auction into an auction, | 0:11:48 | 0:11:52 | |
so whatever we buy today, I reckon we'll have to sell privately. | 0:11:52 | 0:11:56 | |
Yes, something to bear in mind because again they each need two purchases | 0:11:56 | 0:12:01 | |
and while Mark's rooting around indoors, our very own auctioneer is outside. | 0:12:01 | 0:12:06 | |
He fancies a bit of furniture, so he's analysing the armchairs on offer. | 0:12:06 | 0:12:10 | |
If you're coming to an auction looking for a chair to buy, the upholstery is not important. | 0:12:10 | 0:12:16 | |
It's all about the wood, it's about the shape and probably the most important thing is the leg. | 0:12:16 | 0:12:22 | |
But here we have the star. | 0:12:22 | 0:12:24 | |
The leg is big, it's bold, it's strong, | 0:12:24 | 0:12:27 | |
it's hand-carved, it's got a great patination | 0:12:27 | 0:12:31 | |
and it's original. That's the winner. | 0:12:31 | 0:12:34 | |
It's not long before the button-backed armchair goes under the hammer. | 0:12:34 | 0:12:39 | |
Any advance? We'll sell away at 130. | 0:12:39 | 0:12:41 | |
I love that chair. | 0:12:41 | 0:12:44 | |
Adding in the auction house's fees, the Victorian chair cost £149.50, | 0:12:44 | 0:12:48 | |
and before Mark even gets a look-in, James is primed again, ready to pounce on more furniture, | 0:12:48 | 0:12:55 | |
this time, a walnut cabinet. | 0:12:55 | 0:12:57 | |
Coming up is a Victorian walnut credenza. | 0:12:57 | 0:13:00 | |
It needs an awful lot of money spending on it, but done, it's quite a nice lot. | 0:13:00 | 0:13:05 | |
It's got these curved glass doors, but done up, it would look super and a really smart, glitzy interior. | 0:13:05 | 0:13:12 | |
180. 190. 200. | 0:13:12 | 0:13:15 | |
220. 240. | 0:13:15 | 0:13:17 | |
-240 bid. 240 bid. Take 60? -50? | 0:13:17 | 0:13:19 | |
250 I've got. At 250 bid. At 250 bid. | 0:13:19 | 0:13:22 | |
Selling at 250... BANGS GAVEL | 0:13:22 | 0:13:25 | |
Hopefully, there's a profit. Hopefully. | 0:13:25 | 0:13:28 | |
James roars away with the credenza. | 0:13:29 | 0:13:31 | |
Including fees, he hands over more than a quarter of his entire budget. | 0:13:31 | 0:13:35 | |
It cost £287.50. | 0:13:35 | 0:13:38 | |
But with such a big investment, he may have some regrets. | 0:13:38 | 0:13:42 | |
The phrase "Oh, no, what have I done" springs to mind when I look at this. | 0:13:43 | 0:13:49 | |
A bit of Victorian walnut furniture made around 1860, 1870, | 0:13:49 | 0:13:54 | |
this needs a colossal amount of work. | 0:13:54 | 0:13:58 | |
The entire base needs restructuring. | 0:13:58 | 0:14:01 | |
If it was veneers on the top, it would be more tricky, but it's not. | 0:14:01 | 0:14:05 | |
The glass is all right, the mounts are there, it has a great look | 0:14:05 | 0:14:09 | |
and I've got faith that there's a profit left in it somewhere. | 0:14:09 | 0:14:13 | |
Quite where, I don't know! | 0:14:13 | 0:14:15 | |
You'd better put your thinking cap on then! | 0:14:15 | 0:14:18 | |
Mark, meanwhile, has taken his time to buy his first lot - | 0:14:18 | 0:14:21 | |
a silver card case and two silver vesta cases for £149.50, including fees. | 0:14:21 | 0:14:27 | |
If you open the top, you can see a good, strong hallmark where it's not been over-cleaned, which is good. | 0:14:27 | 0:14:33 | |
It looks like it's been made in Birmingham. The spring hinge works OK which is very important. | 0:14:33 | 0:14:39 | |
So, yeah, not a bad little thing. | 0:14:39 | 0:14:42 | |
What have we got here? A little, simple vesta. | 0:14:42 | 0:14:45 | |
A lot of the younger people watching this will go, "What's a vesta?" | 0:14:45 | 0:14:49 | |
When smoking was fashionable, dirty habit, people used to carry match books around with them | 0:14:49 | 0:14:55 | |
and a match book would fit in there. | 0:14:55 | 0:14:57 | |
You would open it up, strike your match, back in your pocket, | 0:14:57 | 0:15:01 | |
but as smoking is so unfashionable now, | 0:15:01 | 0:15:04 | |
smoking memorabilia is going up in value. | 0:15:04 | 0:15:07 | |
The next one is a bit more modern. | 0:15:07 | 0:15:11 | |
It looks more 1930s, 1940s, very geometric. | 0:15:11 | 0:15:14 | |
Made in Birmingham. Don't forget, silver will always have an intrinsic value, | 0:15:14 | 0:15:19 | |
so that is something you can think about, you can always cash it. | 0:15:19 | 0:15:23 | |
But that's the real gem of the lot. Not a bad little buy. | 0:15:23 | 0:15:27 | |
But you'll remember that Mark has masses of money left to spend, so he has a premium plan. | 0:15:27 | 0:15:33 | |
"Always believe in your soul - gold." | 0:15:33 | 0:15:37 | |
I'm going to buy a big lump of gold. I've got about five or six weeks to sell it. | 0:15:37 | 0:15:42 | |
I'm going to watch the price on a daily basis. | 0:15:42 | 0:15:45 | |
If the price goes up, I'm going to London to make the money. | 0:15:45 | 0:15:49 | |
# Gold | 0:15:49 | 0:15:50 | |
# Always believe in your soul... # | 0:15:50 | 0:15:53 | |
Mark bides his time, but when a rose gold double fob chain comes up, he makes sure he gets it. | 0:15:53 | 0:16:00 | |
550. 580. 600. | 0:16:00 | 0:16:02 | |
620. 640. 640 I have. 640... | 0:16:02 | 0:16:05 | |
And our antiques athlete gets gold, but it costs him big-time. | 0:16:07 | 0:16:11 | |
Add in the fees and the price hits £736. | 0:16:11 | 0:16:15 | |
Gold is traded as a commodity. The price fluctuates. | 0:16:16 | 0:16:20 | |
I used to be a commodities trader, so I know a bit about it. | 0:16:20 | 0:16:24 | |
It's an Albert chain and it was named after or by Prince Albert who used to wear one. | 0:16:24 | 0:16:29 | |
It would go in your pocket with your watch on one end and this would go round your waistcoat. | 0:16:29 | 0:16:34 | |
It's nine-carat gold and each link is hallmarked which is wonderful. | 0:16:34 | 0:16:39 | |
I bought it on the weight. I don't want to scrap it, | 0:16:39 | 0:16:42 | |
but I do want to raise money and I do want to beat James Lewis. | 0:16:42 | 0:16:46 | |
Yes, it's an enormous risk to take. He's invested a huge amount of money. | 0:16:46 | 0:16:51 | |
If the gold price goes down, it will take Franksy with it. | 0:16:51 | 0:16:55 | |
Or will he have a gold rush and leave James in his dust? | 0:16:55 | 0:16:59 | |
Both our boys have spent big at the auction, so let's see where they stand. | 0:16:59 | 0:17:03 | |
Our experts started this contest with £1,000. | 0:17:03 | 0:17:06 | |
Mark went all out in Norfolk. | 0:17:06 | 0:17:08 | |
He's now spent £951.78 in total, | 0:17:08 | 0:17:11 | |
leaving just £48.22 for the last round. | 0:17:11 | 0:17:15 | |
James, unusually, has spent quite a bit less than his opponent - | 0:17:15 | 0:17:19 | |
£743.10. | 0:17:19 | 0:17:21 | |
He has £256.90 for the final push. | 0:17:21 | 0:17:24 | |
Which brings us to Round 4, The Antiques Fair, | 0:17:25 | 0:17:29 | |
the last chance for our audacious experts to prove their buying bravery. | 0:17:29 | 0:17:34 | |
Our bartering beasts are at Lincolnshire Antiques and Home Show to complete their epic haul, | 0:17:34 | 0:17:39 | |
but Franksy doesn't have much to play with, so he must spend wisely. | 0:17:39 | 0:17:44 | |
He's straight into the fray when he pounces on a 1950s cabinet. | 0:17:44 | 0:17:48 | |
Go on, how much? | 0:17:48 | 0:17:50 | |
-50 quid. -15 quid? | 0:17:50 | 0:17:53 | |
-£50! -Sorry, I misheard him. | 0:17:53 | 0:17:55 | |
It's right up your street. It's unusual. | 0:17:55 | 0:17:58 | |
I'm in a blooming cul-de-sac if that's right up my street. It's horrible. | 0:17:58 | 0:18:03 | |
I'm going to offer you £28 and 22 pence. How does that grab you? | 0:18:03 | 0:18:08 | |
-Done. -Done. Done deal. | 0:18:08 | 0:18:11 | |
It might sound like a random amount, but it leaves Mark with an even £20 in his kitty. | 0:18:11 | 0:18:16 | |
Screaming 1950s, | 0:18:16 | 0:18:18 | |
Formica top, | 0:18:18 | 0:18:20 | |
absolutely horrible! | 0:18:20 | 0:18:23 | |
And that's why it's going to make a profit. | 0:18:23 | 0:18:26 | |
Well, if you say so, Mark. | 0:18:26 | 0:18:28 | |
He's off and running and while The Lionheart stalks the stalls, | 0:18:28 | 0:18:32 | |
Franksy finds his final item, a wooden sign for a particular lady. | 0:18:32 | 0:18:37 | |
I need to find somebody called Sue who's a bit saucy. | 0:18:37 | 0:18:40 | |
Isn't it great? That was a fiver. It's got plenty of age. It's just a little wooden panel. | 0:18:40 | 0:18:46 | |
It's got to be a profit. Are you Sue? Please phone me now on 555 5555... | 0:18:46 | 0:18:51 | |
So, Mark's all bought up which gives plenty of time to find a lady called Sue | 0:18:51 | 0:18:56 | |
who will admit to being saucy. | 0:18:56 | 0:18:58 | |
So, once again, James is trailing. The pressure of the Showdown must be getting to him. | 0:19:00 | 0:19:05 | |
Eventually, he spots an Art Deco, marble clock. | 0:19:05 | 0:19:08 | |
It's marked up at £45, but James isn't convinced. | 0:19:08 | 0:19:13 | |
-20 quid? -No, it's got to be 40, honestly. | 0:19:13 | 0:19:16 | |
Go on, take 25. I don't really want it, but... | 0:19:16 | 0:19:19 | |
-Go on then. -Cheers. | 0:19:19 | 0:19:22 | |
He's not keen. Could that be a panic purchase? Time will tell. | 0:19:22 | 0:19:27 | |
But after a hint of hunting, he buys something he absolutely loves - | 0:19:27 | 0:19:31 | |
a 1930s chair for £95. | 0:19:31 | 0:19:34 | |
There are certain things in life that you see that you just have to have and this is one of them. | 0:19:34 | 0:19:40 | |
It's either a dentist's chair | 0:19:40 | 0:19:42 | |
or, I think more likely, a hairdresser's or a barber's chair. | 0:19:42 | 0:19:46 | |
And it raises... | 0:19:46 | 0:19:49 | |
And it also tilts. | 0:19:50 | 0:19:53 | |
It's also got a little baby chair as well. Look at that. Isn't it fantastic? | 0:19:53 | 0:19:59 | |
One thing is without doubt. | 0:19:59 | 0:20:01 | |
It's certainly a cut above the rest. | 0:20:01 | 0:20:03 | |
And a confident buy brings it all to an end - | 0:20:03 | 0:20:06 | |
eight items each bought and paid for. | 0:20:06 | 0:20:09 | |
James and Mark have battled ferociously in their bid for antiques immortality. | 0:20:09 | 0:20:14 | |
It's time to tot up their final tallies. | 0:20:14 | 0:20:17 | |
Our Grade One experts each started out with £1,000. | 0:20:17 | 0:20:21 | |
Madcap Mark spent almost everything on his eight items - | 0:20:21 | 0:20:25 | |
£985 all up. | 0:20:25 | 0:20:27 | |
Jaunty James has uncharacteristically spent less - | 0:20:27 | 0:20:30 | |
£863.10. | 0:20:30 | 0:20:33 | |
This may be the ultimate contest, but our two gallant gladiators call a truce to review their purchases. | 0:20:33 | 0:20:39 | |
-What's your favourite item you bought? -A credenza. -Very nice. | 0:20:39 | 0:20:44 | |
Absolutely lovely. | 0:20:44 | 0:20:46 | |
-It's quite grown-up stuff, proper antiques. -Yeah. | 0:20:46 | 0:20:49 | |
My biggest risk, shall I say, is buying that big lump of gold. | 0:20:49 | 0:20:54 | |
-What did you pay for it? -About 700 quid. | 0:20:54 | 0:20:57 | |
Oh! | 0:20:57 | 0:20:58 | |
-All about the gold. -Yeah. -Massive risk. | 0:20:58 | 0:21:01 | |
-Any regrets? -Why on earth, in a rush of blood to the head, did I buy that monkey hat? | 0:21:01 | 0:21:07 | |
I reckon, percentage-wise, that will make more money than any of the other items. | 0:21:07 | 0:21:12 | |
-I've enjoyed your company. -I've enjoyed your company. Good fun. -It's been good fun. | 0:21:12 | 0:21:17 | |
Well, they might love each other now, but our hardened hagglers must toughen up | 0:21:20 | 0:21:25 | |
because here they turn their attention to the tricky task of finding buyers for their booty. | 0:21:25 | 0:21:30 | |
And because this is the ultimate, electrifying antiques challenge, | 0:21:30 | 0:21:34 | |
our heavyweight competitors must also prepare for the intimidating, awe-inspiring Showdown auction. | 0:21:34 | 0:21:40 | |
At Lionheart HQ in Derbyshire, James has realised the magnitude of the situation. | 0:21:40 | 0:21:46 | |
It's crunch time. It all boils down to this. | 0:21:46 | 0:21:50 | |
I've split my items up into two main categories - | 0:21:50 | 0:21:54 | |
those I'll take to the auction and those I'll sell privately. Privately, the cast-iron urns - | 0:21:54 | 0:22:00 | |
I have absolutely no idea. | 0:22:00 | 0:22:02 | |
My balloon-back chair. I had slight interest in it already, | 0:22:02 | 0:22:08 | |
but by far the most interest - my hairdresser's/dentist's chair. | 0:22:08 | 0:22:14 | |
There is a battle going on. Everybody wants it. | 0:22:14 | 0:22:18 | |
However, the thing that I'm most nervous about is my walnut credenza. | 0:22:18 | 0:22:24 | |
It's at the restorers, needs a lot of work. | 0:22:24 | 0:22:27 | |
That means he's sending to auction the modern African tribal masks, | 0:22:27 | 0:22:32 | |
the 1930s French marble clock garniture, | 0:22:32 | 0:22:35 | |
the 19th-century glass jug | 0:22:35 | 0:22:38 | |
and the monkey hat! | 0:22:38 | 0:22:40 | |
Franksy's not yet worked out which items he'll send to auction. For Mark, there's a single focus. | 0:22:40 | 0:22:47 | |
It's all about gold. Most of the money was spent on this one chain. | 0:22:47 | 0:22:52 | |
The price of gold needs to go up and then I make loads of money. | 0:22:52 | 0:22:56 | |
I bought other things - paintings, tables, loads of bits and bobs, | 0:22:56 | 0:23:01 | |
but it's all about...gold. | 0:23:01 | 0:23:04 | |
But Mark still has to sell all those other bits and bobs. | 0:23:04 | 0:23:08 | |
The 20th-century Belgian print. The 1970s Dutch print. | 0:23:08 | 0:23:12 | |
The vintage metal table. The collection of dance music records. | 0:23:12 | 0:23:16 | |
The selection of silverware. | 0:23:16 | 0:23:19 | |
The 1950s Formica cabinet. And the Saucy Sue sign. | 0:23:19 | 0:23:23 | |
Remember, at least four of those must be sent to auction. | 0:23:23 | 0:23:27 | |
Our profit pioneers pick up the phones and peruse their contacts | 0:23:27 | 0:23:31 | |
as they have only a limited time to secure private buyers before they meet again at the auction. | 0:23:31 | 0:23:37 | |
Until the money has changed hands, no deal is truly sealed. | 0:23:37 | 0:23:42 | |
It's our South London smasher who crashes into action first. | 0:23:42 | 0:23:46 | |
He's headed to Mrs Smith's Tea and Gift Shop in Banstead | 0:23:46 | 0:23:51 | |
where he hopes friend Sue will be impressed by the sign he bought for £5. | 0:23:51 | 0:23:56 | |
-Hello, Sue. How are you doing? -How are you? -Not bad. | 0:23:56 | 0:24:00 | |
Listen, I was at an antique fair and I say something and it made me think of you. | 0:24:00 | 0:24:06 | |
-Right... -I wondered if you wanted to buy it. Ready? -Yeah, go on. | 0:24:06 | 0:24:10 | |
-It had your name written all over it. -Better not be saucy. | 0:24:10 | 0:24:15 | |
-Isn't that smashing? -I like that. You thought of me straight away? | 0:24:17 | 0:24:21 | |
Yeah. "Do I know anyone called Sue who's a bit saucy?" Yeah, you. | 0:24:21 | 0:24:25 | |
-Would you be interested? -Go on. -15 quid. How's that sound? -Tenner. | 0:24:25 | 0:24:30 | |
-I knew she'd battle me down. 20. -Tenner. | 0:24:30 | 0:24:34 | |
Go on, then. As it's for you. | 0:24:34 | 0:24:37 | |
-Saucy Sue. -That's lovely. | 0:24:37 | 0:24:39 | |
So he pulls off the surprise and doubles his money and signposts a profit of £5, | 0:24:39 | 0:24:45 | |
but James is not far behind. He's arranged a potential buyer for his button-backed armchair | 0:24:45 | 0:24:52 | |
that cost almost £150. In the Lionheart saleroom he meets David, who he regularly sells to. | 0:24:52 | 0:24:58 | |
It needs a bit of polish and new upholstery. | 0:25:00 | 0:25:04 | |
-Yeah. -But under there I don't think the horsehair will need redoing, | 0:25:04 | 0:25:10 | |
so it's not a full re-upholster. What I loved was that leg. | 0:25:10 | 0:25:16 | |
-The way that that sweeps all the way down. -It is nice, | 0:25:16 | 0:25:20 | |
-but what are you looking for? -How does 350 grab you? -No. | 0:25:20 | 0:25:24 | |
-Under two. -Under two won't buy it. | 0:25:24 | 0:25:28 | |
-220? -How about 240? -225? | 0:25:28 | 0:25:32 | |
-230 and you've got a deal. -Deal. | 0:25:32 | 0:25:34 | |
And a very solid starting profit from the chair - £80.50. | 0:25:34 | 0:25:38 | |
And James is on a roll. He takes his 19th-century cast-iron urns to Steve | 0:25:38 | 0:25:45 | |
whose garden overlooks the impressive Derbyshire countryside and all goes well. | 0:25:45 | 0:25:50 | |
-395 and you've got yourself a deal. -Go on, James. -You've got a deal. Thank you. | 0:25:50 | 0:25:55 | |
The urns earn a hefty profit - £181.32. | 0:25:55 | 0:26:00 | |
And that puts Franksy a long way behind, but there's always the gold. | 0:26:00 | 0:26:05 | |
He's been checking the gold price every day so can his £736 investment make a winning profit? | 0:26:05 | 0:26:11 | |
Here I am in Hatton Garden, the epicentre of gold and jewellery in central London. | 0:26:11 | 0:26:18 | |
I've got the gold chain and I've been watching the gold price. | 0:26:18 | 0:26:22 | |
And it's done that - absolutely flatlined. I kept waiting for it to beep up or drop down. | 0:26:22 | 0:26:28 | |
It's done nothing. Unfortunately, it's time to get out of jail. | 0:26:28 | 0:26:33 | |
We'll see if I can make or lose, but there's not a lot in it. Come and see how I get on. | 0:26:33 | 0:26:38 | |
Mark's meeting Steve, a precious metals dealer he knows. | 0:26:38 | 0:26:42 | |
Well, listen, I bought this at auction, I paid commission. | 0:26:42 | 0:26:46 | |
-It's a nice thing. -Nice Victorian Albert. -Exactly. All ramped up, every link. | 0:26:46 | 0:26:53 | |
-Nine carat, yeah? -Yeah. I paid through the nose. -You can have mate's rates. | 0:26:53 | 0:26:59 | |
Right. We're paying 11.66. | 0:26:59 | 0:27:02 | |
You can have 11.86, so... | 0:27:02 | 0:27:05 | |
-I'll round it up as well. -Go on. -£714. -That's me losing money. | 0:27:05 | 0:27:10 | |
-If you can hang on to it, it could go up. -It cost me 736. | 0:27:10 | 0:27:15 | |
-Could you do any better? -720. | 0:27:15 | 0:27:19 | |
-That's my best, best offer. -It's a loss. What do I do? | 0:27:19 | 0:27:23 | |
-Take the money and run. -Get the chequebook out, Steve. | 0:27:23 | 0:27:28 | |
So Mark's big plan backfired. That's a loss of £16. | 0:27:28 | 0:27:33 | |
Now over in Derbyshire, James is also in a spot of bother. | 0:27:33 | 0:27:38 | |
He asked his regular furniture restorer, Paul, to renovate his Victorian walnut credenza | 0:27:38 | 0:27:44 | |
using his leftover money, just under £137. | 0:27:44 | 0:27:49 | |
Paul initially thought he could do it for that sum, but now it seems there's a little bit of a problem. | 0:27:49 | 0:27:55 | |
-You've spent more money, haven't you? -I have. | 0:27:55 | 0:27:59 | |
It took a lot longer to put right. | 0:27:59 | 0:28:02 | |
I said that I had this budget of about £135 or so. | 0:28:02 | 0:28:06 | |
-At that stage you said you thought you could get it done. -I did. | 0:28:06 | 0:28:11 | |
Right. So what happened? | 0:28:11 | 0:28:14 | |
Very simply, it's had some time in the house, it's dried right out. | 0:28:14 | 0:28:19 | |
-Yeah. -All the veneer was just falling away. | 0:28:19 | 0:28:22 | |
I've re-veneered the whole plinth, but there is no way I could let that leave my workshop | 0:28:22 | 0:28:28 | |
in the state it would have been in. | 0:28:28 | 0:28:30 | |
-So what should this have cost? -250. | 0:28:30 | 0:28:34 | |
I've got a slight problem here. I don't have the rest of that to pay you out of what I had. | 0:28:34 | 0:28:40 | |
I quite like the piece, especially now. | 0:28:40 | 0:28:43 | |
If you want to come to an arrangement - I'm being serious - | 0:28:43 | 0:28:47 | |
I'll waive the entire restoration figure if you're prepared to accept an offer on the piece. | 0:28:47 | 0:28:54 | |
OK. All right. | 0:28:55 | 0:28:57 | |
The most I would pay, and I'm not prepared to haggle, | 0:28:57 | 0:29:01 | |
I'd pay £400 for it. | 0:29:01 | 0:29:04 | |
-And I won't charge any restoration. That's down to me. -OK. | 0:29:04 | 0:29:08 | |
Do you want to take that on board, have a think? | 0:29:08 | 0:29:12 | |
And that's exactly what James does. Will he take Paul's offer or face our wrath for going over-budget, | 0:29:12 | 0:29:19 | |
however unwitting it may have been? | 0:29:19 | 0:29:22 | |
While James ponders, Franksy motors across to Lewes in East Sussex. He's re-sprayed the metal table | 0:29:22 | 0:29:29 | |
and taken it to a pub to meet barmaid Sara. And she's keen. | 0:29:29 | 0:29:34 | |
-Let's talk money. Gosh... -Maybe about 15? -Wow! | 0:29:34 | 0:29:37 | |
-Did you say 15 or 50? -15. -Cos my hearing. -15. -Oh, gosh. | 0:29:37 | 0:29:42 | |
Oh, gosh... You can do a bit better than that. | 0:29:42 | 0:29:46 | |
How about...20? | 0:29:46 | 0:29:48 | |
25 and we've got a deal. How's that? | 0:29:48 | 0:29:50 | |
Wow! You'd have got more. You shook my hand far too fast! I feel like I've been done. | 0:29:50 | 0:29:56 | |
But that's still a blinding result. | 0:29:56 | 0:29:59 | |
Mark sells the table for five times what he paid, a profit of £20. | 0:29:59 | 0:30:04 | |
And he also offloads the 1950s Formica cabinet. He sells it to a private buyer for £35, | 0:30:05 | 0:30:11 | |
making a profit of £6.78. | 0:30:11 | 0:30:13 | |
James moves on to the 1930s hairdresser's chair that cost £95. | 0:30:14 | 0:30:19 | |
It's had an awful lot of interest, but James has chosen to take it to Chelmsford | 0:30:19 | 0:30:24 | |
and celebrity hairstylist Lee Stafford. Lee is currently creating a hairdressing academy | 0:30:24 | 0:30:30 | |
and offers to meet James in the salon next door. | 0:30:30 | 0:30:35 | |
-I do like it. -Good. -I like the shape of it a lot. It looks like it's from Sweeney Todd. | 0:30:35 | 0:30:41 | |
-It does look a bit frightening. -I love that bit. That looks great. | 0:30:41 | 0:30:45 | |
For kiddies, right? Brilliant. | 0:30:45 | 0:30:47 | |
I've never seen one of those before with a drop-down top. | 0:30:47 | 0:30:51 | |
-It weighs a ton! -You have to really shuffle it to move it. | 0:30:51 | 0:30:55 | |
-And it works. -Yeah. No, it's a lovely shape. | 0:30:55 | 0:30:59 | |
-I do like the shape. -Good. -You could make it look very modern, but very old at the same time. | 0:30:59 | 0:31:05 | |
Are you a hard haggler? I have to start really high to... | 0:31:05 | 0:31:09 | |
-I don't know. I mean... I don't know. We'll see. -OK. | 0:31:09 | 0:31:14 | |
600. | 0:31:14 | 0:31:16 | |
Well, I've done a little bit of research, I must say. I was seeing them for 400 quid. | 0:31:16 | 0:31:22 | |
-I think 400... 400 shows me a very nice profit. -But they were in good condition. | 0:31:22 | 0:31:27 | |
-At 400? -Yeah. They were reasonably good condition. | 0:31:27 | 0:31:32 | |
Why don't we say 300 quid? That face! | 0:31:32 | 0:31:36 | |
That face! | 0:31:37 | 0:31:39 | |
Is this it? Is this the haggling phase? | 0:31:39 | 0:31:42 | |
300 quid. It ain't got a headrest on it. It needs a hell of a lot of work. | 0:31:42 | 0:31:47 | |
-I tell you what. 320. -I was wanting over four. I'll take four. A flat four. | 0:31:47 | 0:31:53 | |
350. 350. | 0:31:54 | 0:31:57 | |
380 and it's below what I was hoping for and you've got a deal. | 0:31:57 | 0:32:01 | |
-In the middle. 360. -70. | 0:32:01 | 0:32:04 | |
-365. -Done! | 0:32:04 | 0:32:06 | |
Yes, that's an excellent return. The hairdresser's chair cuts a mighty profit of £270. | 0:32:07 | 0:32:13 | |
During his trip down south, James mulls over Paul's offer for the credenza. | 0:32:13 | 0:32:19 | |
He phones Paul with his decision. | 0:32:19 | 0:32:22 | |
-The credenza, do you still want it? -I'd certainly be interested. | 0:32:22 | 0:32:26 | |
-OK, it's yours, then. 400. All right? -That's absolutely fine. | 0:32:26 | 0:32:30 | |
Brilliant. Paul, it's yours. | 0:32:30 | 0:32:33 | |
Accepting Paul's offer means James doesn't have to pay restoration fees | 0:32:33 | 0:32:38 | |
and that means he makes a profit on the credenza of £112.50. | 0:32:38 | 0:32:42 | |
That rounds off the private sales. Before we witness the nerve-jangling terror of the showdown auction | 0:32:42 | 0:32:48 | |
let's see where they stand. | 0:32:48 | 0:32:51 | |
James "The Lionheart" Lewis has come up trumps on every sale so far, | 0:32:51 | 0:32:55 | |
building up a very healthy profit of £644.32. | 0:32:55 | 0:33:00 | |
Sadly, the same can't be said of Mark Franks. | 0:33:00 | 0:33:04 | |
In fact, his profit is rather meagre - just £15.78. | 0:33:04 | 0:33:08 | |
So the stunning showdown auction is make or break for Mark. | 0:33:08 | 0:33:13 | |
Our sharpshooters are squaring up at the Adam Partridge auctioneers in Macclesfield | 0:33:13 | 0:33:18 | |
and our southerner is out of his comfort zone. | 0:33:18 | 0:33:21 | |
-Mr Lewis, we are a long way from London. -Good! -Round the corner for you. -Up north, can't quite cope? | 0:33:21 | 0:33:29 | |
It's exactly that! | 0:33:29 | 0:33:31 | |
So, not confident, then? | 0:33:31 | 0:33:33 | |
No, listen, it's an internet-based auction. There's buyers all over the world bidding for this stuff | 0:33:33 | 0:33:40 | |
and a room full of people. You've got phone bidders, the lot. | 0:33:40 | 0:33:44 | |
Exactly. I reckon this whole day, this finale, hangs on one lot. | 0:33:44 | 0:33:49 | |
-The monkey mask! -It's got to be, hasn't it? -You are a cheeky monkey! | 0:33:50 | 0:33:56 | |
Our pair of prizefighters have no control over what happens. | 0:33:56 | 0:34:01 | |
Before bidding begins, James and Mark check out each other's items. | 0:34:01 | 0:34:07 | |
Old Franksy and I probably have the eight worst lots here, | 0:34:07 | 0:34:12 | |
but the worst of the lot has got to be these! | 0:34:12 | 0:34:16 | |
A term that auctioneers quite often use is to wipe your mouth. | 0:34:16 | 0:34:20 | |
This basically means get your money back. | 0:34:20 | 0:34:24 | |
If James wipes his mouth with this, that's all it's going to do. | 0:34:24 | 0:34:29 | |
I'd forgotten this belonged to old Franksy. | 0:34:29 | 0:34:32 | |
I think my mind must have blanked out ever seeing it to protect my own brain because it's vile. | 0:34:32 | 0:34:40 | |
James, this reminds me of one of my old girlfriends. Good from far, but far from good. | 0:34:40 | 0:34:46 | |
Old Franksy's purchase of this cigarette case and two Vesta cases | 0:34:46 | 0:34:51 | |
could go either way. The bad news is in the last two weeks silver prices have plummeted. | 0:34:51 | 0:34:58 | |
I reckon he's in for a loss. | 0:34:58 | 0:35:01 | |
I see these masks all over the place. I've tried buying them before and I never make a profit. | 0:35:01 | 0:35:08 | |
Will James be lucky today? That is the question. | 0:35:08 | 0:35:12 | |
I would never have bought these. | 0:35:12 | 0:35:15 | |
That little print does nothing for me whatsoever. | 0:35:16 | 0:35:21 | |
Two words. | 0:35:21 | 0:35:23 | |
James...Lewis. | 0:35:23 | 0:35:26 | |
Yes, we'll come on to that, | 0:35:26 | 0:35:29 | |
but the auctioneer is in position and the sale is soon underway. | 0:35:29 | 0:35:33 | |
Our pair's first item is Franksy's collection of dance music vinyls that cost £10 | 0:35:33 | 0:35:38 | |
and our boys bust a few moves of their own. | 0:35:38 | 0:35:42 | |
-£20? Let's see £20 for them. -£20... | 0:35:42 | 0:35:46 | |
20 bid. At 20 online. I'll take 5. I'm not surprised! | 0:35:46 | 0:35:51 | |
At £20. Online at 20. Any advance? | 0:35:51 | 0:35:54 | |
It's online at 20. Any advance? | 0:35:54 | 0:35:56 | |
-Well done, Adam. -What a good auctioneer! | 0:35:56 | 0:36:00 | |
So Mark is back in the game...just. | 0:36:00 | 0:36:03 | |
After paying seller's commission, he makes a profit of £4. | 0:36:03 | 0:36:06 | |
James' turn next. It's his French Art Deco marble clock garniture that he paid £25 for. | 0:36:06 | 0:36:13 | |
So, as Franksy predicted, will he wipe his mouth with it? | 0:36:13 | 0:36:17 | |
£40 for it? Surely. 20, then? | 0:36:17 | 0:36:20 | |
20 bid. Take 5. And 30? 35. | 0:36:20 | 0:36:24 | |
-40. 5. -Go on. -50. | 0:36:24 | 0:36:26 | |
-At £50. At 50. -Oh, he did his best. That's fine. | 0:36:26 | 0:36:31 | |
-I'm happy with that. -I'm surprised. -Ye of little faith. | 0:36:31 | 0:36:35 | |
You older auctioneers have more knowledge than us young pup dealers. | 0:36:35 | 0:36:39 | |
How old are you? | 0:36:39 | 0:36:41 | |
27. Plus VAT. | 0:36:41 | 0:36:43 | |
And so James is away as well. After fees, the clock chimes in a profit of £17.50. | 0:36:43 | 0:36:49 | |
There's a slight turn for the worse with the next lot - the 19th-century cranberry glass jug. | 0:36:49 | 0:36:55 | |
It sells for £20, which delivers a £1 loss for James. | 0:36:55 | 0:36:59 | |
So will his next lot fare better? It's his big passion, the African masks. | 0:36:59 | 0:37:06 | |
Here we go. A bit of tribal art. Always goes well in Macclesfield. | 0:37:06 | 0:37:10 | |
You think Macclesfield, you think Congo. | 0:37:10 | 0:37:14 | |
-My feeling is you'll get 100 quid back. What did they cost you? -I think about 70-something. | 0:37:14 | 0:37:20 | |
-They have got the chance of making a bit more, being online. -At 55. Online, 60. | 0:37:20 | 0:37:26 | |
At £60. Where's 5? 65 bid. 70 next. | 0:37:26 | 0:37:30 | |
-70 bid. -Go on. -75 here. | 0:37:30 | 0:37:33 | |
80 online. 85 bid. Still going. | 0:37:33 | 0:37:36 | |
Any advance now for the masks? | 0:37:36 | 0:37:38 | |
At £85. Oh, dear. Sad face. | 0:37:38 | 0:37:41 | |
90, still going. 95. | 0:37:41 | 0:37:44 | |
95. £100. | 0:37:44 | 0:37:46 | |
-110. -Go on, Adam! -At £110. | 0:37:46 | 0:37:49 | |
-Finished? -Go on. | 0:37:49 | 0:37:51 | |
Yes, James is back on track. That's another profit, this time £15.08. | 0:37:51 | 0:37:57 | |
And Mark doesn't get a look in as James' final item comes round | 0:37:57 | 0:38:02 | |
and this could take Macclesfield by storm. | 0:38:02 | 0:38:05 | |
It's my star lot. All my hopes are on this. The whole challenge rests on my monkey hat. | 0:38:05 | 0:38:11 | |
Sir, can he wear it in front of the rostrum? | 0:38:11 | 0:38:14 | |
-Yeah, fine. -Adam, just say no! | 0:38:14 | 0:38:18 | |
Just to prove he's a serious auctioneer and valuer, here comes Mr James Lewis. | 0:38:18 | 0:38:24 | |
It looks quite convincing. | 0:38:26 | 0:38:28 | |
MONKEY NOISES Who'll bid me a fiver for the hat? | 0:38:28 | 0:38:30 | |
5 is bid. At £5. I'll take 8. | 0:38:30 | 0:38:34 | |
-Oo oo! -10 is bid. At 10. | 0:38:34 | 0:38:37 | |
Come on, bid! Go on! | 0:38:37 | 0:38:40 | |
-I'll have a bit of your banana. -Go on! | 0:38:40 | 0:38:43 | |
-That's a bid! -He's feeding her a banana! | 0:38:43 | 0:38:48 | |
18? 18 in the room. | 0:38:48 | 0:38:50 | |
20 bid. 22. | 0:38:50 | 0:38:53 | |
25. 28. | 0:38:53 | 0:38:55 | |
It's only money. £28. | 0:38:55 | 0:38:57 | |
Selling at £28. | 0:38:57 | 0:39:00 | |
-Congratulations. -Yes! -Ladies and gentlemen, | 0:39:02 | 0:39:06 | |
esteemed antiques expert, auctioneer and valuer James Lewis impersonating a monkey. | 0:39:06 | 0:39:12 | |
And he has a little revenge for Mark Franks. | 0:39:12 | 0:39:15 | |
It's been on the floor. | 0:39:15 | 0:39:18 | |
-I'm hot. -Fair play to you. | 0:39:22 | 0:39:25 | |
He'll do anything for money. Anything for money at all. | 0:39:25 | 0:39:29 | |
Well, it's paid off. The 50p hat gets a mark-up of 5,600% | 0:39:29 | 0:39:35 | |
and James makes a profit of £21.50. | 0:39:35 | 0:39:37 | |
Now it's time for Mark to take the limelight. His next lot is the print by Roger Hebbelinck. | 0:39:37 | 0:39:43 | |
He paid just over £38. | 0:39:43 | 0:39:46 | |
-Here we go. -The funny thing about art, it's all a matter of opinion. | 0:39:46 | 0:39:51 | |
-I mean... -That print's horrible. | 0:39:51 | 0:39:55 | |
£20? Give me a tenner. £10 for it? | 0:39:55 | 0:39:58 | |
You see? I told you. | 0:39:58 | 0:40:00 | |
-At £10 only. 10. -So the etching makes a loss Franksy can ill afford. | 0:40:02 | 0:40:08 | |
He's £34.46 worse off. | 0:40:08 | 0:40:11 | |
And the Dutch print doesn't fare much better. That sells for £10 as well, but he spent less on it. | 0:40:11 | 0:40:18 | |
-Another loss of £8.82. -I'm thinking about becoming a plumber. | 0:40:18 | 0:40:22 | |
I could move that pipe over there, but I can't do it for a week. | 0:40:22 | 0:40:27 | |
-You'll earn more money. -Mark consoles himself with an ice cream as it's all or nothing | 0:40:27 | 0:40:33 | |
with his final lot, the silverware that cost him nearly £150. | 0:40:33 | 0:40:37 | |
-This is...really make or break and I'm really... -It's not going to make. -Hold that for a minute. | 0:40:37 | 0:40:45 | |
I need to concentrate, right, cos this is important. | 0:40:45 | 0:40:48 | |
James, don't eat it. | 0:40:48 | 0:40:51 | |
What are you doing? | 0:40:52 | 0:40:54 | |
At 55. 60. 5. 70. 5. | 0:40:54 | 0:40:57 | |
80. 5. 90? | 0:40:57 | 0:40:59 | |
85 bid. 85. At £85. Take 90 next. | 0:40:59 | 0:41:03 | |
Selling at £85. Middle of the estimate. 85. All done? | 0:41:03 | 0:41:08 | |
Oh, well. Thanks for holding it. | 0:41:08 | 0:41:11 | |
Oh, God. Smell that. | 0:41:11 | 0:41:14 | |
You wouldn't think that Mark had just lost £77.25 | 0:41:16 | 0:41:21 | |
and that is a rather sad way to end this magnificent contest. | 0:41:21 | 0:41:25 | |
The boys have given it their all, but who's come out on top? | 0:41:25 | 0:41:29 | |
Both experts started with £1,000 of their own money. | 0:41:29 | 0:41:33 | |
James spent £863.10 and ended up not paying for the credenza restoration. | 0:41:33 | 0:41:39 | |
Mark, however, spent almost everything - £985, exactly. | 0:41:39 | 0:41:44 | |
All of the money that they have made will go to their chosen charities, | 0:41:44 | 0:41:49 | |
so let's find out who is today's Put Your Money Where Your Mouth Is showdown champion. | 0:41:49 | 0:41:55 | |
-Mr Lewis. -How are you? -Not bad. | 0:41:55 | 0:41:58 | |
-What a challenge. -How did you get on? | 0:41:58 | 0:42:02 | |
It was tough, but for me the star lot was my hairdressing chair. | 0:42:02 | 0:42:07 | |
-It was also the heaviest thing I've ever moved in my life. -All my eggs were in that gold basket. | 0:42:07 | 0:42:13 | |
Do you know what gold's done from the day I bought it? | 0:42:13 | 0:42:17 | |
-Gone down? -Just levelled and done nothing. | 0:42:17 | 0:42:20 | |
-So let's have a look. Three. -Two. -One. | 0:42:20 | 0:42:24 | |
No! | 0:42:24 | 0:42:25 | |
I've never had red before! That's rubbish! | 0:42:26 | 0:42:30 | |
Yes, quite. Both experts have saved their profit over the week, so how much have they made in total? | 0:42:30 | 0:42:36 | |
On the week... | 0:42:38 | 0:42:41 | |
Red. I've never had red before. | 0:42:41 | 0:42:43 | |
Wow. | 0:42:43 | 0:42:44 | |
Oh, look. | 0:42:44 | 0:42:47 | |
-That's very good. -I was pleased with that. -I'm quite pleased with that. | 0:42:47 | 0:42:52 | |
-No wonder you're hiding it! -What red one?! | 0:42:52 | 0:42:56 | |
-I think we need a pint, mate. -Dear me. | 0:42:56 | 0:42:59 | |
So the Derbyshire dynamo wins, but where is that money going? | 0:42:59 | 0:43:03 | |
My chosen charity is Elephant Family, which works tirelessly to protect elephants in the wild. | 0:43:03 | 0:43:10 | |
My chosen charity is St Raphael's Hospice. It's in Surrey. They do some great work. | 0:43:10 | 0:43:17 | |
It's been a week of no holds barred combat and our experts really put their money where their mouths are | 0:43:17 | 0:43:22 | |
and showed they can make a convincing profit when their own money is on the line! | 0:43:22 | 0:43:30 | |
Subtitles by Red Bee Media Ltd | 0:43:45 | 0:43:47 |