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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:06 | |
against each other in an all-out battle for profit. | 0:00:06 | 0:00:12 | |
And gives you the insider's view of the trade. | 0:00:12 | 0:00:16 | |
I'm on the case. | 0:00:16 | 0:00:18 | |
Wahey! | 0:00:18 | 0:00:20 | |
Each week, one pair of duelling dealers will face | 0:00:20 | 0:00:23 | |
a different daily challenge. | 0:00:23 | 0:00:24 | |
I'm a cheeky chancer. Lovely! | 0:00:24 | 0:00:26 | |
Putting their reputations on the line and giving you top tips, | 0:00:26 | 0:00:30 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:30 | 0:00:36 | |
-Let's go and spend some money. -Get in there! | 0:00:36 | 0:00:38 | |
Today's auction room clash for cash pitches the leading | 0:00:40 | 0:00:44 | |
man of the loop, Jonty "The Hitman" Hearnden, | 0:00:44 | 0:00:46 | |
against the superstar of the stash, John "The Hammer" Cameron. | 0:00:46 | 0:00:51 | |
Coming up - our experts show you the importance of being vigilant. | 0:00:51 | 0:00:56 | |
-Pay attention when you're at the auction. -I've just missed a lot. | 0:00:56 | 0:01:00 | |
John plays dirty. | 0:01:00 | 0:01:01 | |
I've run him up a bit there. He doesn't realise that. | 0:01:02 | 0:01:05 | |
And The Hammer tries some extreme training in preparation for battle. | 0:01:05 | 0:01:09 | |
You call yourself The Hammer, you area a toffee hammer! | 0:01:09 | 0:01:12 | |
Get down and push ten press ups right now, go on! | 0:01:12 | 0:01:14 | |
This is Put Your Money Where Your Mouth Is. | 0:01:14 | 0:01:16 | |
The scene is set. Our two leading men are standing in the wings. | 0:01:35 | 0:01:39 | |
Both have been nominated for the prestigious award of | 0:01:39 | 0:01:42 | |
Best Antiques Dealer In A Leading Role. | 0:01:42 | 0:01:45 | |
Oh! Wow. | 0:01:45 | 0:01:47 | |
Introducing our first nominee. | 0:01:47 | 0:01:49 | |
He's suave, he's sophisticated, and he's here to win, | 0:01:49 | 0:01:52 | |
it's Jonty "The Hitman" Hearnden. | 0:01:52 | 0:01:54 | |
He's got one of those faces, you see it once and you never forget it. | 0:01:55 | 0:01:58 | |
Those striking, Oxfordshire good looks. | 0:01:58 | 0:02:01 | |
You know, the Roger Moore of the antiques trade. | 0:02:01 | 0:02:04 | |
Also vying for the accolade is the debonair duke of the deal, | 0:02:04 | 0:02:07 | |
the guru of the gavel, John "The Hammer" Cameron. | 0:02:07 | 0:02:10 | |
He's a bit like a swan. | 0:02:11 | 0:02:13 | |
Graceful on the top, frantically paddling down below. | 0:02:13 | 0:02:17 | |
Our dashing, dealing dynamos need to get into character and find | 0:02:17 | 0:02:21 | |
their motivation to outperform each other at today's auction. | 0:02:21 | 0:02:25 | |
-It's not just about antiques, it's about profit. -Indeed! | 0:02:25 | 0:02:28 | |
And all of that profit will be going to charities of their choice. | 0:02:28 | 0:02:31 | |
They've each got £1,000 of their own money to spend, | 0:02:31 | 0:02:35 | |
so, quiet on set, it's lights, camera, action! | 0:02:35 | 0:02:38 | |
I'm not getting nervous...yet. | 0:02:40 | 0:02:43 | |
Only one virtuoso can be victorious. | 0:02:43 | 0:02:45 | |
Jonty Hearnden and John Cameron, | 0:02:45 | 0:02:47 | |
it's time to put your money where your mouth is. | 0:02:47 | 0:02:50 | |
-John, how are you doing? -Good morning, Hitman. I'm good, and good. | 0:02:50 | 0:02:53 | |
-So here we are, in Sherborne. -I know. | 0:02:53 | 0:02:55 | |
And I've had a look through the catalogue, | 0:02:55 | 0:02:57 | |
and I've circled quite a bit. What about you? | 0:02:57 | 0:03:00 | |
I've had a sneak preview, as well, | 0:03:00 | 0:03:01 | |
but my problem is always that everybody else wants what I want, | 0:03:01 | 0:03:05 | |
so either I don't get it, or end up paying far too much. | 0:03:05 | 0:03:08 | |
But I've looked at a few items of militaria etc, but do you have £1,000? | 0:03:08 | 0:03:12 | |
I've got my £1,000 in my pocket. | 0:03:12 | 0:03:14 | |
And I've circled a few things, including some furniture, for a change. | 0:03:14 | 0:03:18 | |
-Ha-ha! Well, spend wisely, Jonty. -Good luck. -Good luck to you. | 0:03:18 | 0:03:22 | |
Our antique superstars are at Charterhouse Auctions in Dorset | 0:03:22 | 0:03:26 | |
and both know they will need to search high and low to find their | 0:03:26 | 0:03:30 | |
profit-busters as this sale has 900 lots spread over three rooms. | 0:03:30 | 0:03:35 | |
These sophisticated scene-stealers of the showroom have | 0:03:35 | 0:03:38 | |
cast their scripts aside | 0:03:38 | 0:03:39 | |
and are adopting their own foolproof tactics to take home the title. | 0:03:39 | 0:03:43 | |
My plan of action today is to go for the things that I really want, | 0:03:44 | 0:03:48 | |
the things I think I have buyers for. | 0:03:48 | 0:03:50 | |
I've set my limits to my bidding | 0:03:50 | 0:03:51 | |
and I'm going to be fairly strict with myself today. | 0:03:51 | 0:03:55 | |
So, John is ready to perform, and not one to rest on his theatrical | 0:03:55 | 0:03:59 | |
tush, Jonty knows the secret to separating the gems from the junk. | 0:03:59 | 0:04:03 | |
I always advise, if you want to come and have a look at an auction | 0:04:03 | 0:04:07 | |
room yourself, do it the day before the auction. | 0:04:07 | 0:04:10 | |
Come back and buy those items you really, really want. | 0:04:10 | 0:04:14 | |
Wise words from the tactical trader. | 0:04:14 | 0:04:17 | |
As this is a general sale, even the furniture fancier himself | 0:04:17 | 0:04:20 | |
will need to turn his hand to as many items as he can. | 0:04:20 | 0:04:23 | |
And The Hitman's just spotted his first possible money-maker. | 0:04:23 | 0:04:28 | |
In the catalogue, I've seen a chess set. | 0:04:28 | 0:04:31 | |
Now, these are very commercial, for obvious reasons, | 0:04:31 | 0:04:34 | |
because people like to play chess. | 0:04:34 | 0:04:36 | |
And they also like to have chess pieces of good quality. | 0:04:36 | 0:04:40 | |
Now, these are bone, not ivory. | 0:04:40 | 0:04:42 | |
Date-wise, we're looking at a chess set that has to | 0:04:42 | 0:04:46 | |
be about 100 to 150 years old, but really commercial. | 0:04:46 | 0:04:50 | |
The Hitman's formulating his plans to become | 0:04:50 | 0:04:52 | |
the grand master of the auction room, but the guru of the gavel | 0:04:52 | 0:04:55 | |
always has victory in his sights and a glint in his eye. | 0:04:55 | 0:05:00 | |
We've got so much glass and ceramics, and lots of job lots, | 0:05:00 | 0:05:03 | |
but nestled amongst it you'll find a real nice classic piece like this, | 0:05:03 | 0:05:07 | |
an 18th century English wine glass. | 0:05:07 | 0:05:09 | |
It has a wonderful double series, opaque twist stem. | 0:05:09 | 0:05:12 | |
A nice thing, in good condition. | 0:05:12 | 0:05:14 | |
Hot on The Hammer's heels, | 0:05:14 | 0:05:16 | |
Jonty has found his way to his natural habitat. | 0:05:16 | 0:05:19 | |
And whilst frolicking around in the furniture, | 0:05:19 | 0:05:21 | |
he makes a beeline for a chair with an estimate of £100-£200. | 0:05:21 | 0:05:25 | |
This is a classic Georgian style wing chair. | 0:05:25 | 0:05:30 | |
But what I love about it is the actual cover. | 0:05:30 | 0:05:33 | |
It's a really neutral fabric, and it's also in very good | 0:05:33 | 0:05:37 | |
condition, so it's recently been re-covered. | 0:05:37 | 0:05:40 | |
See the carving on the legs here? Really superb. | 0:05:40 | 0:05:43 | |
Just really nice detail. So, I've marked it off in my catalogue. | 0:05:43 | 0:05:47 | |
This is one I really want. | 0:05:47 | 0:05:49 | |
They've both tee'd up possible treasures for the taking, | 0:05:49 | 0:05:52 | |
so, without further ado, it's showtime! | 0:05:52 | 0:05:54 | |
Take your seats for what the critics are calling the selling | 0:05:54 | 0:05:57 | |
spectacle of the season. | 0:05:57 | 0:05:59 | |
Both of our experts know that one fluff blind means that | 0:05:59 | 0:06:02 | |
victory could slip through their hands. | 0:06:02 | 0:06:05 | |
It's standing room only. | 0:06:05 | 0:06:06 | |
People are bidding away, they're bidding on the internet, | 0:06:06 | 0:06:09 | |
they're bidding in the room, it's fierce competition. | 0:06:09 | 0:06:12 | |
Yes, it may be hotting up, but Jonty is cool, calm, | 0:06:12 | 0:06:15 | |
and collected and ready for the opening act. | 0:06:15 | 0:06:18 | |
Can the same be said for John? | 0:06:18 | 0:06:21 | |
I have to confess that I find it much easier | 0:06:21 | 0:06:23 | |
being on the rostrum on auction day. | 0:06:23 | 0:06:26 | |
Being here, having to buy and make a profit, is quite nerve-wracking. | 0:06:26 | 0:06:30 | |
I don't mind saying it's something that's starting to build up. | 0:06:30 | 0:06:34 | |
And that's when all your plans go out the window. | 0:06:34 | 0:06:37 | |
Opening night nerves, John? | 0:06:37 | 0:06:39 | |
Well, he's hoping the next lot could spin him a pretty penny. | 0:06:39 | 0:06:42 | |
That wine glass is just coming up. I'm going to have a look. | 0:06:42 | 0:06:46 | |
-The guide price is high. £200-£250. -18th century wine glass here | 0:06:46 | 0:06:51 | |
-and I'm straight in, lots of bids, £150 I have now. -He's waiting. | 0:06:51 | 0:06:56 | |
-170, at £170 now, 170 and away now, 170. -Is he going to bid? | 0:06:56 | 0:07:01 | |
That one stays with us. | 0:07:01 | 0:07:04 | |
Adding the commission there is £200. Profit's gone. | 0:07:04 | 0:07:08 | |
John stands firm on his strict strategy and lets the glass go. | 0:07:08 | 0:07:12 | |
But, the show must go on, | 0:07:12 | 0:07:13 | |
and The Hammer has spotted his next potential purchase. | 0:07:13 | 0:07:17 | |
This is a lot I'm interested in. | 0:07:17 | 0:07:19 | |
Five blue and white porcelain dishes that were salvaged from a famous wreck. | 0:07:19 | 0:07:23 | |
The 19th century dishes have a guide price of £50-£80, | 0:07:23 | 0:07:27 | |
but will they sink or float John's profit boat? | 0:07:27 | 0:07:30 | |
£80 is bid on this lot, at £80 I have the Tek Sing, | 0:07:30 | 0:07:34 | |
on the book at 90, 100, and 10, 20, 130, 140, standing at 140... | 0:07:34 | 0:07:40 | |
I've got my first lot, I'm off the mark, and I feel good. | 0:07:42 | 0:07:45 | |
MUSIC: "I Feel Good" by James Brown | 0:07:45 | 0:07:47 | |
So, John's ship has come in and the Chinese dishes | 0:07:47 | 0:07:51 | |
are John's for £172.76 including fees. | 0:07:51 | 0:07:55 | |
I bought five porcelain plates. | 0:07:55 | 0:07:58 | |
They're Chinese, and they came from the wreck of the Tek Sing. | 0:07:58 | 0:08:03 | |
It's regarded as China's Titanic. | 0:08:03 | 0:08:05 | |
It went down in 1822, off the | 0:08:05 | 0:08:08 | |
Belvidere Reef in the South China Sea, with the loss of around 1,500 lives. | 0:08:08 | 0:08:12 | |
It wasn't discovered again until around 1993. | 0:08:12 | 0:08:15 | |
Lots and lots of china and porcelain was brought up. | 0:08:15 | 0:08:18 | |
They all carry the little sticker on the bottom, the official | 0:08:18 | 0:08:22 | |
sticker, and I think that's the great thing about this lot. | 0:08:22 | 0:08:26 | |
It has history and provenance. | 0:08:26 | 0:08:29 | |
I think there's a profit in there. | 0:08:29 | 0:08:30 | |
It might not be all the tea in China, but I reckon I'll be in the black. | 0:08:30 | 0:08:34 | |
With John off the starting blocks, Jonty needs to catch up. | 0:08:34 | 0:08:37 | |
And he's got his sights set on an 18th century stoneware pot | 0:08:37 | 0:08:40 | |
with an estimate of £30-£40. | 0:08:40 | 0:08:42 | |
-£20 and away now, 20, 20, 25, 30, 30 and away... -Well now, what's this? | 0:08:43 | 0:08:49 | |
John is putting a serious spanner in the works. | 0:08:49 | 0:08:54 | |
-£50 and away now, on the right and £50... -I've run him up a bit there. | 0:08:54 | 0:08:58 | |
-He doesn't realise that. -You sneaky devil! | 0:08:58 | 0:09:01 | |
I don't know if he knows that I was bidding against him. | 0:09:01 | 0:09:04 | |
No, he knows all right. | 0:09:04 | 0:09:07 | |
The crafty so-and-so. He was bidding on my lot. | 0:09:07 | 0:09:10 | |
I genuinely like that lot. What can I say? | 0:09:10 | 0:09:14 | |
Yes, there is no love lost between these two | 0:09:14 | 0:09:17 | |
masters of the auction room as they battle it out for supremacy. | 0:09:17 | 0:09:21 | |
With no thanks to John, Jonty wins the stoneware pot for £61.70, including fees. | 0:09:21 | 0:09:27 | |
This little beauty is almost 200 years old. | 0:09:28 | 0:09:32 | |
It's absolutely charming. | 0:09:32 | 0:09:34 | |
Salt-glazed, so you get this lovely sheen to the glaze. | 0:09:34 | 0:09:37 | |
The actual silver is dated 1823, which is quite extraordinary. | 0:09:37 | 0:09:41 | |
It was obviously designed to store some preserve of some description. | 0:09:41 | 0:09:46 | |
As it stands, our two lieutenants of loot have captured one lot each. | 0:09:46 | 0:09:50 | |
But John has seen an unusual tea set made from Second World War | 0:09:50 | 0:09:54 | |
shell cases with a guide price of £30-£40 and he's going into battle. | 0:09:54 | 0:09:59 | |
And quite a bit of interest here, I'm straight in here at £60, 70, 80, 90... | 0:09:59 | 0:10:04 | |
100, 110, 120, 130. | 0:10:04 | 0:10:07 | |
At £130, now selling, far left, 130... | 0:10:07 | 0:10:12 | |
And mission accomplished! | 0:10:13 | 0:10:15 | |
John buys the tea set for £160.42, including costs. | 0:10:15 | 0:10:18 | |
But, he's not finished there and heads straight | 0:10:18 | 0:10:21 | |
back into combat for a Victorian army officer's swagger stick. | 0:10:21 | 0:10:25 | |
20 bid, thank you, 20, 25, here with me at £30, in the corner, | 0:10:26 | 0:10:32 | |
and 40 on the internet, | 0:10:32 | 0:10:34 | |
and the internet bid coming in, £45 in the room, our last chance at 45... | 0:10:34 | 0:10:40 | |
-Yes, he's done it! -Yes! -He's just bought a swagger stick. | 0:10:41 | 0:10:45 | |
Just up his street, because he swaggers quite well, don't you think? | 0:10:45 | 0:10:50 | |
Is that sour grapes, Jonty? | 0:10:50 | 0:10:53 | |
It's a big haul for our daring dealer. | 0:10:53 | 0:10:55 | |
He's notched up his third item to Jonty's one, | 0:10:55 | 0:10:58 | |
paying £55.54, including fees, and he's delighted. | 0:10:58 | 0:11:02 | |
Now, here are two lots that I'm really pleased I bought. | 0:11:02 | 0:11:06 | |
This is a swagger stick, | 0:11:06 | 0:11:07 | |
the sort of thing that would have been carried by an army officer. | 0:11:07 | 0:11:11 | |
It has a little silver mounted top, with the emblem | 0:11:11 | 0:11:15 | |
and crest of the Lancashire Fusiliers. | 0:11:15 | 0:11:17 | |
A regiment steeped in history. | 0:11:17 | 0:11:20 | |
In the First World War, during the landings at Gallipoli, | 0:11:20 | 0:11:24 | |
they famously won six Victoria Cross medals before breakfast. | 0:11:24 | 0:11:28 | |
A nice thing there, hoping to find a military historian that will like that. | 0:11:28 | 0:11:33 | |
But this, I absolutely love. | 0:11:33 | 0:11:35 | |
It's a silver-plated tea set that has been made from artillery shells. | 0:11:35 | 0:11:40 | |
I think that's superbly stylish, it has cross-over appeal to a silver collector, | 0:11:40 | 0:11:44 | |
a Deco collector, and a militaria collector. | 0:11:44 | 0:11:49 | |
And there may be some interest in the swagger stick sooner than | 0:11:49 | 0:11:52 | |
John thinks, because while the auction room is a hub of activity, | 0:11:52 | 0:11:56 | |
one of our soldiers has abandoned his position. | 0:11:56 | 0:11:59 | |
This is John's swagger stick. | 0:11:59 | 0:12:01 | |
Attention! Left, left, right, left right. | 0:12:04 | 0:12:07 | |
It's been a tough first round, and it's time to see who | 0:12:07 | 0:12:10 | |
is in line for a medal and who's stuck in the trenches. | 0:12:10 | 0:12:14 | |
Both our boys started the day with £1,000 of their own money. | 0:12:15 | 0:12:20 | |
John is in the lead, bagging three lots costing £388.72, | 0:12:20 | 0:12:24 | |
leaving him with £611.28 for the rest of the day. | 0:12:24 | 0:12:28 | |
Jonty is lagging behind on just one purchase, spending £61.70, | 0:12:28 | 0:12:34 | |
leaving £938.30 in his kitty. | 0:12:34 | 0:12:37 | |
MUSIC: "There's No Business Like Show Business" by Ethel Merman | 0:12:39 | 0:12:43 | |
After the interval, our dashing duo return to the theatre of dreams and | 0:12:43 | 0:12:47 | |
take their positions for the second act in our auction room drama. | 0:12:47 | 0:12:51 | |
He's looking nervous. | 0:12:51 | 0:12:53 | |
They both need to give the performance of a lifetime | 0:12:53 | 0:12:56 | |
in this money-making melodrama. | 0:12:56 | 0:12:57 | |
The heat is on, and time stands still for no man, not even Jonty Hearnden. | 0:13:05 | 0:13:10 | |
So, this next lot is a little carriage clock, | 0:13:10 | 0:13:14 | |
estimate of £70-£100. | 0:13:14 | 0:13:16 | |
If I can't get it for 70, I'm out. | 0:13:16 | 0:13:19 | |
Timepiece here... | 0:13:19 | 0:13:21 | |
At £50 and away, 50, 30, 30 bid, 40, 50, 60, 70, 80, | 0:13:21 | 0:13:25 | |
£80 on my right now, selling, going away at 80... | 0:13:25 | 0:13:30 | |
I really wanted to pay 70, but £80? That's OK. | 0:13:31 | 0:13:35 | |
Actually, Jonty paid £98.72 including fees, | 0:13:35 | 0:13:38 | |
but will the big hand point to profit? | 0:13:38 | 0:13:42 | |
Early 20th century, not 19th century, | 0:13:42 | 0:13:44 | |
late 19th century ones are a little bit more desirable. | 0:13:44 | 0:13:47 | |
We've got the Arabic numerals here. | 0:13:47 | 0:13:50 | |
More often than not, these are French, but that is commercial. | 0:13:50 | 0:13:54 | |
Jonty is nipping at his rival's heel's, but John has caught the whiff | 0:13:54 | 0:13:58 | |
of potential profit and pays a total of £74.04 for this scent bottle. | 0:13:58 | 0:14:02 | |
I'm hoping to sell this French perfume bottle to a collector. | 0:14:04 | 0:14:07 | |
How do we know it's French? | 0:14:07 | 0:14:08 | |
Well, because it has silver mounts, solid silver mounts, | 0:14:08 | 0:14:11 | |
that carry the French equivalent of a hallmark there. | 0:14:11 | 0:14:14 | |
It's the head of Minerva. | 0:14:14 | 0:14:15 | |
It'll date from the turn of the last century, I think | 0:14:15 | 0:14:18 | |
that's probably early 20th century. | 0:14:18 | 0:14:21 | |
The decoration is quite subtle. | 0:14:21 | 0:14:22 | |
It's just simple band panels with little circles engraved into them. | 0:14:22 | 0:14:27 | |
But I think I smell profit. | 0:14:28 | 0:14:30 | |
Ooh-la-la! John is hoping for a sweet-scented success story, | 0:14:30 | 0:14:35 | |
but Jonty hits back with an immediate retaliation, bagging | 0:14:35 | 0:14:39 | |
this silver Art Deco cigarette box for £135.74, including costs. | 0:14:39 | 0:14:45 | |
And the reason why I liked it so much is, of course originally, | 0:14:45 | 0:14:48 | |
it was a cigarette box, not such a fashionable idea as a gift any more. | 0:14:48 | 0:14:52 | |
But just what a lovely trinket box would that | 0:14:52 | 0:14:55 | |
be as a gift for someone somewhere down the line? | 0:14:55 | 0:14:58 | |
We have an Assay mark, which is | 0:14:58 | 0:15:01 | |
a stamp to prove that it is silver, of 1928. | 0:15:01 | 0:15:05 | |
I think that's a bargain. | 0:15:05 | 0:15:08 | |
£100 I have, £100 away now... | 0:15:08 | 0:15:09 | |
The auction room is awash with dosh, and the bids are coming in | 0:15:09 | 0:15:12 | |
so quick that even our experts are finding it hard to keep up. | 0:15:12 | 0:15:16 | |
The auction is going at such a fast | 0:15:16 | 0:15:17 | |
and furious pace that I've just missed a lot, my lovely chess set. | 0:15:17 | 0:15:21 | |
It's gone! | 0:15:21 | 0:15:23 | |
There's a lesson. Pay attention when you're at the auction, | 0:15:23 | 0:15:25 | |
because you might not get what you're looking for. | 0:15:25 | 0:15:28 | |
Yes, wise words from our awesome auctioneer there, | 0:15:28 | 0:15:31 | |
but you can't keep a good man down and eagle-eyed Jonty | 0:15:31 | 0:15:34 | |
has tracked down an item that he knows failed to sell earlier. | 0:15:34 | 0:15:37 | |
Now, I noticed that there was a clock that was unsold. | 0:15:37 | 0:15:41 | |
It was estimated at £300-£400, | 0:15:41 | 0:15:44 | |
so what I've done is I've been to the office to make a bid. | 0:15:44 | 0:15:48 | |
I've made a bid of £250 and they are going to phone up the vendor | 0:15:48 | 0:15:53 | |
to check to see whether that's OK. | 0:15:53 | 0:15:56 | |
And that is a completely legitimate thing to do. | 0:15:56 | 0:15:59 | |
There are many items that don't sell at auctions, and sometimes, you can | 0:15:59 | 0:16:02 | |
make a bid after the sale or during the sale and sometimes | 0:16:02 | 0:16:06 | |
those bids are accepted. | 0:16:06 | 0:16:08 | |
And Jonty doesn't have long to wait. | 0:16:08 | 0:16:11 | |
I've got some very exciting news. | 0:16:11 | 0:16:13 | |
My offer has been accepted! £250. That clock is mine. | 0:16:13 | 0:16:17 | |
All's fair in this antiques war, and Jonty pays £308.50, | 0:16:17 | 0:16:22 | |
including fees, for the 19th century clock. | 0:16:22 | 0:16:26 | |
Now, you're going to say to yourself, | 0:16:26 | 0:16:28 | |
is it really worth that amount of money? | 0:16:28 | 0:16:31 | |
Well, the reason why it is is because it is a London maker, | 0:16:31 | 0:16:35 | |
that's a tick in the box. And it also has a fusee movement. | 0:16:35 | 0:16:38 | |
Now, a fusee movement is a conical shape which appears in the | 0:16:38 | 0:16:42 | |
workings, which is all about giving accuracy to the winding mechanism. | 0:16:42 | 0:16:47 | |
And that is another tick in the box. | 0:16:47 | 0:16:50 | |
Our brave boys are now neck and neck, | 0:16:50 | 0:16:52 | |
and with the furniture lots on the horizon, it's game on. | 0:16:52 | 0:16:56 | |
-The furniture section is coming up. We may be bidding on the same lots. -Beware, be warned. | 0:16:56 | 0:17:01 | |
I think we should do this back-to-back, Jonty, so we can't see each other. | 0:17:01 | 0:17:05 | |
We can bid this way, what about bidding this way? | 0:17:05 | 0:17:07 | |
Yeah, I think that's probably it, actually. | 0:17:07 | 0:17:10 | |
Yes, don't be fooled by their bonhomie. | 0:17:10 | 0:17:12 | |
Underneath the banter, these two are deadly serious. | 0:17:12 | 0:17:16 | |
With the Georgian style chair Jonty spotted earlier up next, | 0:17:16 | 0:17:19 | |
with an estimate of £100-£200, it's time for him to take centre stage. | 0:17:19 | 0:17:24 | |
And we're straight in here at £100, a bid of £100, 100... | 0:17:24 | 0:17:28 | |
The panther is waiting to pounce. | 0:17:28 | 0:17:31 | |
..140, 150, 160, 170, 180, 190... | 0:17:31 | 0:17:34 | |
And he'd bidding. But he's got competition from an internet bidder. | 0:17:36 | 0:17:42 | |
-..260, on the internet. -270. -270 now. At 270, 280... | 0:17:42 | 0:17:46 | |
£280, Jonty's backed out. | 0:17:46 | 0:17:49 | |
Selling at 280, 280... | 0:17:49 | 0:17:51 | |
I think he was banking on getting that for a couple of hundred quid. | 0:17:53 | 0:17:56 | |
Wretched internet! | 0:17:56 | 0:17:58 | |
It's a big blow for Hitman, but our furniture aficionado isn't | 0:17:58 | 0:18:02 | |
daunted and moves on to his next target. | 0:18:02 | 0:18:04 | |
I'm quite interested in lot 837, which is the French chair | 0:18:04 | 0:18:09 | |
and matching stool. | 0:18:09 | 0:18:11 | |
Estimate £150-£200. | 0:18:11 | 0:18:13 | |
180, 190, 200... | 0:18:13 | 0:18:16 | |
-He's in at 200. -£240, 260. | 0:18:16 | 0:18:20 | |
-270. -270, 280, 280 bid... | 0:18:20 | 0:18:22 | |
Jonty's been outbid on some chairs again. | 0:18:22 | 0:18:25 | |
Now, I suspect he's probably panicking, | 0:18:25 | 0:18:27 | |
because he has been waiting for the furniture section. | 0:18:27 | 0:18:31 | |
It's another calamity for our crusading chair hunter. | 0:18:31 | 0:18:34 | |
His two profit-pulling chair lots have gone. | 0:18:34 | 0:18:38 | |
It's all going to pot at the moment. | 0:18:38 | 0:18:40 | |
With the clock ticking, | 0:18:40 | 0:18:42 | |
both of our experts are feeling the pressure to buy. | 0:18:42 | 0:18:45 | |
I'm starting to panic. | 0:18:45 | 0:18:47 | |
I need some lots. | 0:18:47 | 0:18:49 | |
I'm getting desperate now. | 0:18:49 | 0:18:51 | |
There's a little table just in front of me here | 0:18:51 | 0:18:53 | |
that I might have little go at, see what it makes. | 0:18:53 | 0:18:55 | |
And with an estimate of much of £180, the bidding gets under way. | 0:18:55 | 0:18:59 | |
£50 and away for it, good, clean little tripod table, | 0:18:59 | 0:19:03 | |
30 then, £30 and away, | 0:19:03 | 0:19:06 | |
35, 40, 45, 50, 60, 70, 80 standing at 80, | 0:19:06 | 0:19:11 | |
my very far right at £80, they're at 80... | 0:19:11 | 0:19:17 | |
Result! | 0:19:17 | 0:19:19 | |
Jonty seals the deal on the tripod table for £98.72 including costs. Phew. | 0:19:19 | 0:19:24 | |
Now, I'm just inspecting this little occasional table | 0:19:26 | 0:19:29 | |
which I've just purchased. It's perfectly formed. | 0:19:29 | 0:19:32 | |
Date-wise, this is mid-Victorian and it's clean as a whistle, | 0:19:32 | 0:19:36 | |
so if you have a look at the top it's a nice oval top but very, | 0:19:36 | 0:19:39 | |
very clean and what I mean by clean is that it's a | 0:19:39 | 0:19:42 | |
piece of furniture that I don't have to take through the workshop. | 0:19:42 | 0:19:45 | |
I can buy it here in the auction room which is great, | 0:19:45 | 0:19:48 | |
and then I can sell it on to someone. | 0:19:48 | 0:19:50 | |
Retail, it has to be a good couple of hundred pounds. | 0:19:50 | 0:19:53 | |
So, my margin should be there. | 0:19:53 | 0:19:55 | |
But of course, I've got to find that buyer. | 0:19:56 | 0:19:59 | |
With Jonty edging ahead, | 0:19:59 | 0:20:01 | |
John brings out the big guns for this pair of 18th century style cannons. | 0:20:01 | 0:20:05 | |
With an estimate of £100-£150, will the bidding go stratospheric? | 0:20:05 | 0:20:10 | |
200, 220, 240, 260, 280, at 280... | 0:20:10 | 0:20:15 | |
300, and 20. | 0:20:15 | 0:20:17 | |
340, 360, 380, 400, £400... | 0:20:18 | 0:20:21 | |
John bows out at £400 | 0:20:21 | 0:20:24 | |
and the cannons go on to sell for more than five times their estimate. | 0:20:24 | 0:20:31 | |
£800. Plus commission. That's £1,000. | 0:20:31 | 0:20:36 | |
While John reassesses the rest of his budget, Jonty forges ahead | 0:20:38 | 0:20:42 | |
and nabs a cast iron umbrella stand for £98.72 including fees. | 0:20:42 | 0:20:46 | |
These were very popular in the late 19th century, this design. | 0:20:47 | 0:20:52 | |
So, there was garden furniture and there was also interior | 0:20:52 | 0:20:56 | |
furniture, cast from iron and painted, just like this beastie here. | 0:20:56 | 0:21:00 | |
I can see me selling it for about £150, 175. | 0:21:00 | 0:21:03 | |
Worth every penny, a lovely little thing. | 0:21:03 | 0:21:07 | |
And with that, The Hitman's work is done. | 0:21:07 | 0:21:09 | |
But, as we rapidly approach the auction finish line, | 0:21:09 | 0:21:12 | |
John's not happy with his haul. | 0:21:12 | 0:21:14 | |
I'm short of a few items. | 0:21:14 | 0:21:16 | |
What I'm going to probably do is approach the auctioneer | 0:21:16 | 0:21:19 | |
afterwards to have a look at the unsold lot list, | 0:21:19 | 0:21:21 | |
and that's quite a common practice with dealers after auctions. | 0:21:21 | 0:21:25 | |
I may be able to buy one or two things. We'll have to see. | 0:21:25 | 0:21:28 | |
Well, I don't have a choice. | 0:21:28 | 0:21:31 | |
With the auction over, John scans the unsold list. | 0:21:31 | 0:21:34 | |
If he spots something he wants, | 0:21:34 | 0:21:36 | |
he'll need to ask the auction house to approach the seller. | 0:21:36 | 0:21:40 | |
He makes offers on two final items and is successful, taking home | 0:21:40 | 0:21:45 | |
a 1980s gentleman's watch for £160.42, including fees, | 0:21:45 | 0:21:49 | |
and a Royal Doulton ornament for £104.90, including costs. | 0:21:49 | 0:21:53 | |
So, after a short encore from John, | 0:21:53 | 0:21:55 | |
the curtain has fallen on today's auction action. | 0:21:55 | 0:21:58 | |
And as our protagonists prepare to take their final bow, let's see who | 0:21:58 | 0:22:02 | |
will be enjoying rapturous applause and who's heading for the hecklers. | 0:22:02 | 0:22:07 | |
They both started the day with £1,000 of their own money to spend. | 0:22:08 | 0:22:13 | |
John is hoping he's seen off the competition with his six | 0:22:13 | 0:22:17 | |
lots at a total cost of £728.08. | 0:22:17 | 0:22:20 | |
Jonty fought hard and also bought six lots, spending £802.10. | 0:22:20 | 0:22:26 | |
But the only thing that matters now is profit. | 0:22:26 | 0:22:31 | |
Our auction room acrobats have survived a real royal rumble, | 0:22:31 | 0:22:35 | |
so, which items do they think are the jewels in their crowns? | 0:22:35 | 0:22:39 | |
My favourite item, if I'm honest, has to be the plated tea set. | 0:22:39 | 0:22:42 | |
-I like that, a lot. -And I think it should do quite well. | 0:22:42 | 0:22:46 | |
It's good quality, it's good quality. | 0:22:46 | 0:22:48 | |
And I also love my Tek Sing salvaged Chinese plates, | 0:22:48 | 0:22:51 | |
I really do love anything with a story. | 0:22:51 | 0:22:54 | |
So, how about you? Come on, what's your favourite purchase? | 0:22:54 | 0:22:57 | |
I have to say that my favourite item was an item | 0:22:57 | 0:22:59 | |
which I bought as an unsold. It's this clock. | 0:22:59 | 0:23:02 | |
It needs a bit of restoration, but it's a London maker | 0:23:02 | 0:23:04 | |
and it's got a fusee movement so I should be able to sell it on. | 0:23:04 | 0:23:08 | |
Well, I think we've ended up with some really nice lots here. | 0:23:08 | 0:23:12 | |
It was tough buying, | 0:23:12 | 0:23:13 | |
but can you imagine how tough it's going to be selling? | 0:23:13 | 0:23:16 | |
Yes, there's no time to rest for our two bravehearts of the bargain, | 0:23:19 | 0:23:23 | |
because the real fight for the spotlight is just around the corner. | 0:23:23 | 0:23:27 | |
The auction room tussle for treasure was nothing | 0:23:27 | 0:23:30 | |
compared to the punishing regime required to sell their wares. | 0:23:30 | 0:23:33 | |
This next encounter will separate the men from the mice | 0:23:33 | 0:23:36 | |
and selling superstars from the selling sauerkraut. | 0:23:36 | 0:23:40 | |
At Cameron Command HQ in Portsmouth, | 0:23:40 | 0:23:43 | |
our leading man of the loot is taking stock. | 0:23:43 | 0:23:45 | |
My favourite item has to be this silver-plated tea set. | 0:23:48 | 0:23:51 | |
Beautifully converted from World War Two artillery shells. | 0:23:51 | 0:23:55 | |
I think that is absolutely fabulous, | 0:23:55 | 0:23:58 | |
and will appeal to two different types of collector. | 0:23:58 | 0:24:01 | |
Then, I've got my five Oriental porcelain | 0:24:01 | 0:24:04 | |
plates from the wreck of the Tek Sing. | 0:24:04 | 0:24:07 | |
But this, my swagger stick from the Lancashire Fusiliers, | 0:24:07 | 0:24:11 | |
a regiment steeped in military history. | 0:24:11 | 0:24:14 | |
There's got to be a collector out there for this. | 0:24:14 | 0:24:17 | |
So, whatever happens now, I'm going to have to use all of my dealing | 0:24:17 | 0:24:20 | |
acumen if I'm to be victorious on the dealing battlefield. | 0:24:20 | 0:24:24 | |
Private Hearndon, I'll make you sorry you ever met me, boy. | 0:24:24 | 0:24:27 | |
Fighting talk from The Hammer! | 0:24:27 | 0:24:29 | |
He must also sell the 20th century flowers-sellers children ornament, | 0:24:29 | 0:24:32 | |
the 1980s gentleman's watch, | 0:24:32 | 0:24:35 | |
and the early 20th century French scent bottle. | 0:24:35 | 0:24:38 | |
Over at The Hitman's homestead in Oxfordshire, | 0:24:38 | 0:24:41 | |
our superstar of the stash is rather pleased with his haul. | 0:24:41 | 0:24:45 | |
My first object is this lovely stoneware pot with the silver lid. | 0:24:45 | 0:24:49 | |
Now, I paid a bit too much for that, but I think somebody was | 0:24:49 | 0:24:52 | |
running me up, not mentioning any names, John Cameron. | 0:24:52 | 0:24:57 | |
Now, my table. It's in perfect order, so this table can go straight into somebody's | 0:24:57 | 0:25:02 | |
home and I just think it's wonderful. Mid-19th century, walnut. | 0:25:02 | 0:25:06 | |
We've got this lovely, tapering, | 0:25:06 | 0:25:08 | |
turn support down at the bottom here. At £98, what an investment. | 0:25:08 | 0:25:12 | |
I should be able to double my money on that. | 0:25:12 | 0:25:16 | |
And while I'm here, this stick stand is really very good quality. | 0:25:16 | 0:25:20 | |
The casting on this was so crisp, the quality is superb, | 0:25:20 | 0:25:25 | |
1880 to 1890, what a wonderful investment. | 0:25:25 | 0:25:28 | |
So, all in all, I'm very pleased. | 0:25:28 | 0:25:31 | |
Jonty also needs to sell the 19th century wall clock, | 0:25:31 | 0:25:34 | |
the early 20th century carriage clock, and the 1928 silver box. | 0:25:34 | 0:25:39 | |
Our bidding behemoths must now transform into selling | 0:25:39 | 0:25:42 | |
supremos and turn their talk into tactics, | 0:25:42 | 0:25:45 | |
as it's time to turn their purchases into profit. | 0:25:45 | 0:25:48 | |
But remember, until they've shaken on it | 0:25:48 | 0:25:50 | |
and money has changed hands, no deal is truly sealed. | 0:25:50 | 0:25:55 | |
The Hammer wastes no time in opening his campaign. | 0:25:55 | 0:25:58 | |
He's brought the dishes from the 1822 Tek Sing shipwreck to show | 0:25:58 | 0:26:02 | |
Peter, a local Chinese restaurant owner, | 0:26:02 | 0:26:05 | |
and is hoping to drop anchor beyond the £172.76 cost price. | 0:26:05 | 0:26:09 | |
-What you think of them? -Well, it's certainly interesting. | 0:26:09 | 0:26:13 | |
I mean, they're classic Chinese ceramic colours, the blue. | 0:26:13 | 0:26:16 | |
That sort of thing. | 0:26:17 | 0:26:19 | |
My only concern is the fact that I'm very superstitious, you see. | 0:26:19 | 0:26:24 | |
And generally, I don't like to own things that are connected to | 0:26:25 | 0:26:30 | |
tragedy, which obviously these artefacts are. | 0:26:30 | 0:26:35 | |
However, we can reach a price, OK, or agree a price, that will | 0:26:35 | 0:26:40 | |
-finish with the eights. -With the eights? -Eight means wealth. | 0:26:40 | 0:26:44 | |
Basically, so it always ends in well-being, such as 888, | 0:26:44 | 0:26:48 | |
so you always end with that. | 0:26:48 | 0:26:50 | |
Now, a dealer of John's calibre should be able to handle any | 0:26:50 | 0:26:54 | |
situation, lucky numbers and superstitions included. | 0:26:54 | 0:26:58 | |
OK, so you want it to end in three eights. | 0:26:58 | 0:27:00 | |
So how about, and I think these are quite collectable, | 0:27:00 | 0:27:04 | |
-how about we say, £288.88? -Ha-ha-ha! That's four eights! | 0:27:04 | 0:27:08 | |
-That's what I said, you said four eights! -But mate, mate, that's it. | 0:27:08 | 0:27:13 | |
Let's stick with three eights. | 0:27:13 | 0:27:16 | |
-So, what do you reckon? -I probably would say £100 under that. | 0:27:16 | 0:27:20 | |
-Would you? -Yeah, £188.88. -That's going to give me nothing of a profit. | 0:27:20 | 0:27:24 | |
OK. Let's go with £218.88. | 0:27:24 | 0:27:26 | |
What about we meet in the middle there, at 228.88? | 0:27:26 | 0:27:31 | |
-228.88... -It gives me a little bit of a respectable profit. | 0:27:31 | 0:27:35 | |
I'm up against Jonty Hearndon here, you know! | 0:27:35 | 0:27:38 | |
I never have any luck at auctions. Be my lucky auction buyer, Peter. | 0:27:38 | 0:27:43 | |
-Have pity on me! -You don't need pity, I need pity! | 0:27:44 | 0:27:47 | |
-I'm the one who's parting with the money! -Come on, come on. | 0:27:47 | 0:27:50 | |
You've got something tangible for your money here. | 0:27:50 | 0:27:53 | |
These are charming pieces. I love them. | 0:27:53 | 0:27:56 | |
I think they're worth more than that, actually, | 0:27:56 | 0:27:58 | |
but I know I'm not going to get more than that from you. | 0:27:58 | 0:28:01 | |
-OK. Let's deal, then. £288.88. -Thank you. | 0:28:01 | 0:28:04 | |
So, John's lucky numbers have come up | 0:28:04 | 0:28:06 | |
and he sails away with a profit of £56.12. | 0:28:06 | 0:28:10 | |
MUSIC: "I Should Be So Lucky" by Kylie Minogue | 0:28:10 | 0:28:14 | |
Hoping for some luck of his own in Buckinghamshire, Jonty is wasting | 0:28:14 | 0:28:18 | |
no time in attempting to sell two items to the same specialist buyer. | 0:28:18 | 0:28:22 | |
Now, between you and me, I took a bit of a gamble in the auction | 0:28:22 | 0:28:26 | |
when I bought those two clocks. | 0:28:26 | 0:28:28 | |
They cost me an awful lot of money. | 0:28:28 | 0:28:30 | |
Now, I have got them here, | 0:28:30 | 0:28:31 | |
and going to show them to Nigel who runs this antiques business. | 0:28:31 | 0:28:34 | |
The question is, | 0:28:34 | 0:28:35 | |
will he want to buy two clocks that need an awful lot of restoration? | 0:28:35 | 0:28:40 | |
We'll soon find out. | 0:28:40 | 0:28:42 | |
Nigel already has a large collection of clocks, | 0:28:42 | 0:28:45 | |
but does he have room for two more? | 0:28:45 | 0:28:47 | |
First up for inspection is the wall clock that set Jonty back just over £300. | 0:28:47 | 0:28:52 | |
So, nice mahogany case, there's a little bit damage though, | 0:28:53 | 0:28:57 | |
is that restorable? | 0:28:57 | 0:28:58 | |
Yes, yes, I think we can preserve the original finish. | 0:28:58 | 0:29:02 | |
There's a lot of cleaning up to be done, it's had a few... | 0:29:02 | 0:29:05 | |
They generally have had a hard life, but I think in essence, it's a nice clock. | 0:29:05 | 0:29:10 | |
I've done a little bit of research on John Cook. | 0:29:10 | 0:29:13 | |
-And his dates were 1869 to 1881. -Sounds about right. | 0:29:13 | 0:29:17 | |
-So, so we have a clock that's 1870. -I would say that is spot on. | 0:29:17 | 0:29:22 | |
I'm hoping to get £600 for this clock. | 0:29:22 | 0:29:26 | |
Right. Ha-ha! | 0:29:26 | 0:29:28 | |
So, I'm asking £600. Where are we? How warm am I? | 0:29:28 | 0:29:34 | |
Well, I think you'd be warm if it was in good condition. | 0:29:35 | 0:29:39 | |
I think we've got to factor in the restoration, | 0:29:39 | 0:29:43 | |
so, I would like to pay about £350 for it. | 0:29:43 | 0:29:46 | |
-Oh! Right. -Ha-ha! | 0:29:46 | 0:29:47 | |
-So, we're way off. -How about 400? -No, I can't do 400, no way. | 0:29:49 | 0:29:54 | |
-I'll come down from my 600. What about 500? -No, no, no. | 0:29:54 | 0:29:58 | |
-What about 450? -Um... | 0:29:59 | 0:30:03 | |
How about splitting it, 425? | 0:30:05 | 0:30:07 | |
-All right then. -Got a deal? -We've got a deal. | 0:30:09 | 0:30:11 | |
Nigel is a tough haggler, | 0:30:11 | 0:30:13 | |
but Jonty still clocked up a profit of £116.50. | 0:30:13 | 0:30:17 | |
And The Hitman doesn't stop there. | 0:30:17 | 0:30:20 | |
He also sells Nigel the carriage clock for £150, | 0:30:20 | 0:30:23 | |
with a timely profit of £51.28. | 0:30:23 | 0:30:27 | |
Back in Portsmouth, Jonty's nemesis John is at the historic | 0:30:27 | 0:30:31 | |
naval dockyard, with his World War Two artillery shell tea set | 0:30:31 | 0:30:34 | |
that cost him just over £160. | 0:30:34 | 0:30:36 | |
He's targeted antiques dealer Andrew, | 0:30:36 | 0:30:39 | |
who has a special interest in militaria. | 0:30:39 | 0:30:42 | |
-So, there it is. What do you think? -It's wonderful, what is it? | 0:30:43 | 0:30:46 | |
Apart from a big tea set. | 0:30:46 | 0:30:48 | |
-Look, I thought this would really appeal to you. These are all... -Oh! | 0:30:48 | 0:30:51 | |
-Shell cases! -..World War II shell cases. -Yeah. | 0:30:51 | 0:30:54 | |
-It's a wonderful piece. -They're beautifully turned out. | 0:30:54 | 0:30:57 | |
I'd never seen one, Andrew, and you've handled lots and lots, have you seen one? | 0:30:57 | 0:31:01 | |
-Not at all. It sort of utilities-Deco, isn't it? -It is. | 0:31:01 | 0:31:04 | |
Listen, Andrew, I thought of you when I saw this, | 0:31:04 | 0:31:07 | |
but obviously I know you're going to be thinking about price. | 0:31:07 | 0:31:09 | |
-Kind of. -Do you want to make me an offer? -Um... | 0:31:11 | 0:31:15 | |
-I go two on it, 200. -Two? Really? | 0:31:15 | 0:31:17 | |
-I was thinking about adding another hundred. -225. | 0:31:17 | 0:31:21 | |
I'll tell you what, if you go 250, you can have it. | 0:31:21 | 0:31:26 | |
I definitely think it's worth it. Do you know what I paid... | 0:31:26 | 0:31:29 | |
-I can't refuse it. You know I can't, I just love it. -Can we do 250? | 0:31:29 | 0:31:32 | |
250 is divine. | 0:31:32 | 0:31:34 | |
Our lieutenant of loot pulls in a profit of £89.58. | 0:31:34 | 0:31:38 | |
He fell in love with the piece, | 0:31:40 | 0:31:42 | |
so much so that I managed to get him to shell out £250. Get it? Shell out? | 0:31:42 | 0:31:46 | |
-Boom-boom. -Yes, we get it, John. | 0:31:46 | 0:31:48 | |
The Hammer's hit his stride, but that may be short lived, as Jonty | 0:31:48 | 0:31:52 | |
is in London to meet Tony, who runs a swanky private members club. | 0:31:52 | 0:31:56 | |
Jonty hopes he'll be interested in the Victorian table | 0:31:56 | 0:32:00 | |
he acquired for just under £100. | 0:32:00 | 0:32:01 | |
There we go. | 0:32:01 | 0:32:03 | |
-That's rather nice. -D'you like that? -Yeah. Victorian? | 0:32:03 | 0:32:05 | |
Yes, I suppose. It's sort of mid-Victorian rather than late. | 0:32:05 | 0:32:08 | |
-Is it? -Yes. -Unusual, though, isn't it? -I think... | 0:32:08 | 0:32:11 | |
I'm a big fan of this sort of Victorian table. | 0:32:11 | 0:32:15 | |
Many Victorian tables can just look a bit too OTT, a bit too heavy. | 0:32:15 | 0:32:18 | |
So, are you looking for furniture like this? | 0:32:18 | 0:32:20 | |
Yeah, we're always on the lookout, | 0:32:20 | 0:32:22 | |
but that really rather depends on price, as ever. | 0:32:22 | 0:32:25 | |
I'm sure it does. I'm sure it does. | 0:32:25 | 0:32:27 | |
-A bargain at £275. -275? -Yes. -Wow. | 0:32:27 | 0:32:32 | |
It's very nice, but I wonder if it's...£275 worth. | 0:32:34 | 0:32:39 | |
I would have thought more in the order of about 180. | 0:32:39 | 0:32:44 | |
Well, how about if I discounted by a whole £50, to 225? | 0:32:44 | 0:32:48 | |
-Yeah, I could live with that. I think that would be... Yes. -You like that? | 0:32:50 | 0:32:57 | |
Yes, absolutely. | 0:32:57 | 0:32:59 | |
That's a plush profit of £126.28. | 0:32:59 | 0:33:03 | |
Now after that sale, Mr Cameron, the tables are turning in my favour. | 0:33:03 | 0:33:07 | |
Not so fast, Hitman. | 0:33:08 | 0:33:09 | |
John retaliates straight back, selling the flower-seller's | 0:33:09 | 0:33:14 | |
children ornament to florists Jane and Paul, adding £30.10 to his profit pot. | 0:33:14 | 0:33:19 | |
-But, has that sale done enough to put The Hammer in the lead? -What?! | 0:33:19 | 0:33:23 | |
Let's see how our selling supremos are faring. | 0:33:23 | 0:33:27 | |
John the money maestro has sold three items | 0:33:27 | 0:33:31 | |
and earn a profit of £175.80, while selling superman Jonty has | 0:33:31 | 0:33:36 | |
also sold three items and notched up £294.06 worth of profit. | 0:33:36 | 0:33:42 | |
The Hitman may be in the lead for now, but while he's | 0:33:42 | 0:33:45 | |
at home scouring his contacts list, his rival is preparing for fierce combat. | 0:33:45 | 0:33:49 | |
Yes, when the going gets tough, The Hammer pulls out all the stops. | 0:33:49 | 0:33:54 | |
John is bringing the Victorian Lancashire Fusiliers swagger | 0:33:54 | 0:33:57 | |
stick to the Fusilier Museum in Bury. | 0:33:57 | 0:34:00 | |
But before he gets down to business, | 0:34:00 | 0:34:02 | |
Private Hammer is put through his paces by Sergeant Monaghan. | 0:34:02 | 0:34:05 | |
Private Hammer, get up, parade! | 0:34:05 | 0:34:07 | |
Halt! | 0:34:09 | 0:34:11 | |
You scruffy individual. You walk in here, strutting your stuff like a peacock. | 0:34:11 | 0:34:14 | |
You call yourself a hammer, you are a toffee hammer! | 0:34:14 | 0:34:17 | |
I'm going to put you on the floor, make you into a pool of sweat! | 0:34:17 | 0:34:20 | |
Get down and push ten press ups now, go! | 0:34:20 | 0:34:23 | |
One, two, weak individual! Four, five, six. Antiques? | 0:34:23 | 0:34:28 | |
I'll give you antiques! | 0:34:28 | 0:34:30 | |
Yes, he's survived the initiation from the drill sergeant | 0:34:31 | 0:34:35 | |
and all that stands between him | 0:34:35 | 0:34:36 | |
and his precious profit are ex-Lancashire | 0:34:36 | 0:34:39 | |
Fusiliers Colonel Brian Gorski and Colonel Mike Glover. | 0:34:39 | 0:34:43 | |
And John hopes they'll offer more than the £55.54 he paid for it. | 0:34:43 | 0:34:47 | |
How impressive is this here? | 0:34:47 | 0:34:49 | |
Is this something you think you could acquire for the collection? | 0:34:49 | 0:34:52 | |
I think so. This is fundamental to what the museum is about. | 0:34:52 | 0:34:55 | |
It belonged to a soldier, | 0:34:55 | 0:34:56 | |
it belonged to a real person who served in this regiment. | 0:34:56 | 0:35:00 | |
I'm looking for around £140 for it. | 0:35:00 | 0:35:03 | |
I would think that's probably a little bit excessive. | 0:35:04 | 0:35:08 | |
We're probably looking in the region of £100 or so. | 0:35:08 | 0:35:11 | |
How much more do you think we could do? 120? | 0:35:11 | 0:35:14 | |
I think 120 would be fair. | 0:35:14 | 0:35:16 | |
No, no, no, I think we could just split the difference at 115. | 0:35:16 | 0:35:19 | |
-115, yeah, I'll go with that. -The man said 120! -No, no, no. | 0:35:19 | 0:35:22 | |
-He's junior to me. -Ha-ha! 115, OK, you've got yourself a deal. | 0:35:22 | 0:35:27 | |
John's repatriated the swagger stick to its regimental home | 0:35:27 | 0:35:31 | |
and fought his way to a profit of £59.46. | 0:35:31 | 0:35:34 | |
And battle-ready John marches straight onto his fifth deal, | 0:35:34 | 0:35:38 | |
selling his early 20th century French perfume bottle to | 0:35:38 | 0:35:42 | |
collector Helen, making a sweet-smelling profit of £50.96. | 0:35:42 | 0:35:46 | |
Our eminent expert Jonty is not to be outdone. | 0:35:46 | 0:35:49 | |
He's brought the cast-iron umbrella stand, costing just under £100, | 0:35:49 | 0:35:53 | |
to family friend Ali and is hoping she can find room for it. | 0:35:53 | 0:35:57 | |
What are your first impressions? | 0:35:57 | 0:35:59 | |
Well, I rather like it. | 0:36:01 | 0:36:03 | |
They come in different shapes and sizes, but also different qualities. | 0:36:03 | 0:36:07 | |
Really, it's down to the quality of the casting. | 0:36:07 | 0:36:11 | |
And I think the quality of the mask in particular is very good. | 0:36:11 | 0:36:15 | |
And also just down here, do you see, we've got | 0:36:15 | 0:36:17 | |
a pair of griffins or dragons on either side. | 0:36:17 | 0:36:21 | |
D'you know where it would have originated from, where it was made? | 0:36:21 | 0:36:25 | |
-Is it an English piece? -This is wonderful English. | 0:36:25 | 0:36:29 | |
-Really? -Absolutely. This can only be English. | 0:36:29 | 0:36:33 | |
-This is a late Victorian stick stand. -Victorian, OK. | 0:36:33 | 0:36:37 | |
So date-wise, we're looking at 1870 to 1890. | 0:36:37 | 0:36:41 | |
That would retail for quite a lot of money, | 0:36:41 | 0:36:44 | |
but I'm a generous kind of bloke. I'm looking for £200. | 0:36:44 | 0:36:48 | |
-Would I be cheeky saying 150? -You are being cheeky. -Ha-ha-ha! | 0:36:50 | 0:36:55 | |
Well, let's split it down the middle, let's go half way. 175. | 0:36:55 | 0:37:00 | |
175... Well, I made you drop down a little bit, I guess. | 0:37:00 | 0:37:04 | |
-OK, I'll give you 175 for that. -Yeah? -I will. | 0:37:04 | 0:37:09 | |
And that nets Jonty a tidy surplus of £76.28. | 0:37:09 | 0:37:13 | |
He's sold his umbrella stand, but luckily, he's held onto his brolly. | 0:37:13 | 0:37:18 | |
THUNDER RUMBLES | 0:37:18 | 0:37:21 | |
MUSIC: "Raindrops Keep Fallin' On My Head" by BJ Thomas | 0:37:21 | 0:37:28 | |
It's always raining profits when I'm making sales. | 0:37:28 | 0:37:31 | |
Raining profits? Get it? | 0:37:31 | 0:37:33 | |
OK, Russell, cut. | 0:37:35 | 0:37:36 | |
Yes, with a little help from Ali's son Russell, Jonty proves he's | 0:37:38 | 0:37:41 | |
the master of the punchline as well as the profit. What a joker. | 0:37:41 | 0:37:45 | |
And he laughs all the way to his next deal, | 0:37:45 | 0:37:48 | |
selling the 1920s silver cigarette box. | 0:37:48 | 0:37:51 | |
What about 250? | 0:37:51 | 0:37:53 | |
240 would sound better to me, Jonty. | 0:37:53 | 0:37:55 | |
Well, because I'm a generous kind of bloke, it's yours for 240. | 0:37:55 | 0:37:59 | |
Giving him a profit of £104.26. | 0:37:59 | 0:38:02 | |
Our superstar sellers have fought hard and worked tirelessly. | 0:38:04 | 0:38:08 | |
So far, they have both been pulling in the profit. | 0:38:08 | 0:38:11 | |
John is down to his final item | 0:38:11 | 0:38:13 | |
and is taking it on a trip down memory lane. | 0:38:13 | 0:38:15 | |
I've returned to my old senior school to meet a schoolfriend with | 0:38:17 | 0:38:20 | |
the watch I bought at auction. | 0:38:20 | 0:38:22 | |
Now, I have had this steam cleaned and got a nice fitted box for it. | 0:38:22 | 0:38:26 | |
Usually, that would cost money, but my long-suffering wife, | 0:38:26 | 0:38:29 | |
a retail jeweller, has done that for free. | 0:38:29 | 0:38:31 | |
Hopefully, I've added some value at no extra cost. | 0:38:31 | 0:38:34 | |
So, in terms of business and economics, | 0:38:34 | 0:38:36 | |
full marks to Mr Cameron and no detention tonight. | 0:38:36 | 0:38:39 | |
Well, hopefully. | 0:38:39 | 0:38:41 | |
-Hi, mate! -Good to see you. How are you? -Good to see you. Nice to be back? -Unbelievable. | 0:38:43 | 0:38:47 | |
John's old school friend, Bradley, is a keen watch collector and | 0:38:47 | 0:38:52 | |
The Hammer hopes to tempt him with a 1980s timepiece that cost just over £160. | 0:38:52 | 0:38:56 | |
The boys head back to their old stomping ground and get straight | 0:38:56 | 0:39:00 | |
down to the important business - looking at old school photos. | 0:39:00 | 0:39:04 | |
Have a look at those. | 0:39:04 | 0:39:06 | |
-That is brilliant. -Listen, that haircut was all the rage. | 0:39:09 | 0:39:13 | |
-The Kevin Keegan perm! -Come on, let's see yours. -OK, there's you. | 0:39:13 | 0:39:18 | |
-Oh, my goodness. That's a bad photograph. -Pulling hilarious faces. | 0:39:18 | 0:39:23 | |
-Is that you? -That's me, with my wedge. | 0:39:23 | 0:39:25 | |
Right, enough about this, I don't want to see more pictures of me, | 0:39:25 | 0:39:29 | |
I want to show this watch and get out of here. | 0:39:29 | 0:39:32 | |
-Stainless steel case, square dial. -Very nice. | 0:39:32 | 0:39:35 | |
It actually looks better than the actual photograph. | 0:39:35 | 0:39:39 | |
-It has been steam cleaned, nicely. -It shows, as well. | 0:39:39 | 0:39:42 | |
What I like about it is obviously, period-wise, the 80s, | 0:39:42 | 0:39:46 | |
it's our generation. | 0:39:46 | 0:39:47 | |
-Yeah, yeah. -It does really encompass the 80s, especially with the... | 0:39:49 | 0:39:52 | |
It's got the date there, plain batons for the numbers, nice coloured face. | 0:39:52 | 0:39:56 | |
Yeah, I like this, very nice. | 0:39:56 | 0:39:57 | |
-So, you want to buy? -I do. -Let me tell you what, | 0:39:57 | 0:40:01 | |
what I'm looking for. | 0:40:01 | 0:40:03 | |
-I'm looking for around £600. -OK. | 0:40:03 | 0:40:06 | |
-What do you reckon? -I was looking more for 400. | 0:40:07 | 0:40:10 | |
-I'd want more than that, Brad. -OK. -I was hoping for at least £500. | 0:40:12 | 0:40:16 | |
John is doing his best to hammer out a colossal profit. | 0:40:17 | 0:40:20 | |
Can he drive up the price and call time on this epic sellathon? | 0:40:20 | 0:40:24 | |
We'll find out later. | 0:40:24 | 0:40:26 | |
Going for gold with his crucial final item, Jonty tries a | 0:40:26 | 0:40:31 | |
bold tactic and sells his 19th century salt-glazed pot to John Cameron. | 0:40:31 | 0:40:36 | |
Hang on a minute... | 0:40:36 | 0:40:38 | |
Not that John Cameron, this Jonathan Cameron, a local antiques trader. | 0:40:38 | 0:40:42 | |
-I'll pay 70 for it, Jonty. -You like it? Brilliant. | 0:40:42 | 0:40:44 | |
Now all of a sudden, I think Cameron's a really nice name. | 0:40:44 | 0:40:47 | |
What a charmer. | 0:40:47 | 0:40:49 | |
That sale adds a modest £8.30 to Jonty's pot, | 0:40:49 | 0:40:53 | |
and The Hitman is all sold up. | 0:40:53 | 0:40:55 | |
So, at the end of this mammoth selling marathon, | 0:40:55 | 0:40:57 | |
there's nothing more our battlers can do. | 0:40:57 | 0:41:00 | |
Their fate has been sealed and the winner will be revealed shortly. | 0:41:00 | 0:41:03 | |
There's only one victor in this battle. | 0:41:04 | 0:41:07 | |
That's me. | 0:41:07 | 0:41:09 | |
Our duelling duo each started with £1,000 of their own money. | 0:41:09 | 0:41:14 | |
John splashed out on six items and spent £728.08. | 0:41:14 | 0:41:19 | |
Jonty also hauled six items and spent £802.10, | 0:41:19 | 0:41:23 | |
but the question still remains, who has made the most profit? | 0:41:23 | 0:41:28 | |
All the money that John | 0:41:28 | 0:41:30 | |
and Jonty have made will go to the charities of their choice, so let's | 0:41:30 | 0:41:33 | |
find out who is today's Put Your Money Where Your Mouth Is champion! | 0:41:33 | 0:41:37 | |
-Fancy meeting you here, John. -Mr Hearnden. How are you? | 0:41:39 | 0:41:41 | |
-Very good, how are you? -Not bad. Have you got over your auction fever yet? | 0:41:41 | 0:41:45 | |
Well, there was so much in that auction sale, | 0:41:45 | 0:41:47 | |
so much I circled, so much in my catalogue, but then other bidders | 0:41:47 | 0:41:50 | |
turned up, including yourself, and they all bid against me. | 0:41:50 | 0:41:54 | |
I have to say, I don't tend to perform well when I'm not on the | 0:41:54 | 0:41:58 | |
rostrum, Jonty, so if I'm consistent, then you've probably beaten me. | 0:41:58 | 0:42:03 | |
You're looking at bit pessimistic all of a sudden. | 0:42:03 | 0:42:06 | |
I had a couple of good sales. I enjoyed my swagger stick sale. | 0:42:06 | 0:42:11 | |
-Shall we see how we've done? -Yeah, come on then. | 0:42:11 | 0:42:14 | |
-Want to count it in? -One, two, three! | 0:42:14 | 0:42:17 | |
Wow! There's less than £100 in that, Jonty. | 0:42:17 | 0:42:19 | |
I think we've done very well, don't you think? | 0:42:19 | 0:42:21 | |
It's the first time I've ever won an auction, I have to tell you. | 0:42:21 | 0:42:25 | |
-The drinks are definitely on me. -Well done, congratulations. | 0:42:25 | 0:42:27 | |
So, John "The Hammer" Cameron emerges triumphant today, | 0:42:28 | 0:42:32 | |
but what did it boil down to? | 0:42:32 | 0:42:34 | |
-450? -450... And you hand over that photograph. -OK. -Deal? -Deal. | 0:42:34 | 0:42:42 | |
Thank you. | 0:42:42 | 0:42:44 | |
John sold the watch for the princely sum of £450, | 0:42:44 | 0:42:47 | |
taking away £289.58 in profit, plus his dodgy school photo. | 0:42:47 | 0:42:52 | |
The Hammer could not have timed it better. | 0:42:52 | 0:42:55 | |
That was a sweet victory, | 0:42:55 | 0:42:57 | |
because I've never won the auction challenge before. | 0:42:57 | 0:42:59 | |
And I managed to repatriate this rather embarrassing | 0:42:59 | 0:43:02 | |
photograph from my school days. | 0:43:02 | 0:43:04 | |
I am going to make sure no one ever gets to see this. | 0:43:04 | 0:43:06 | |
Well, John did really well because my figures were high too, | 0:43:09 | 0:43:14 | |
so, we both did very well. | 0:43:14 | 0:43:16 | |
So hats off to you, John. | 0:43:16 | 0:43:18 | |
Tomorrow, Jonty gets the chance to redeem himself as the boys go | 0:43:19 | 0:43:23 | |
head-to-head in a car boot sale in West Sussex. | 0:43:23 | 0:43:26 | |
Ha-ha! | 0:43:26 | 0:43:27 | |
Subtitles by Red Bee Media | 0:43:32 | 0:43:37 |