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'This is the show that pitches TV's best-loved antiques experts | 0:00:02 | 0:00:07 | |
'against each other in an all-out battle for profit. | 0:00:07 | 0:00:11 | |
'And gives YOU the insider's view of the trade.' | 0:00:13 | 0:00:16 | |
I'm on the case. | 0:00:16 | 0:00:18 | |
'One pair of duelling dealers face a different daily challenge...' | 0:00:19 | 0:00:24 | |
I'm a cheeky chancer! | 0:00:24 | 0:00:26 | |
'..putting their reputations on the line | 0:00:26 | 0:00:29 | |
'and giving you top tips and savvy secrets | 0:00:29 | 0:00:32 | |
'on how to make the most money from buying and selling.' | 0:00:32 | 0:00:36 | |
-Let's go and spend some money! -Get in there! | 0:00:36 | 0:00:39 | |
'Today, the champion of cheeky charm, John Cameron, | 0:00:39 | 0:00:43 | |
'takes on the dashing dealing dynamo Jonty Hearnden. | 0:00:43 | 0:00:47 | |
'Coming up, John charms the locals...' | 0:00:47 | 0:00:50 | |
LAUGHING | 0:00:50 | 0:00:51 | |
I'm not sure if it's my French that's making her laugh or my cheekiness! | 0:00:51 | 0:00:56 | |
'Jonty shows you how it pays to be discreet.' | 0:00:56 | 0:01:00 | |
That little chair there is worth - | 0:01:00 | 0:01:02 | |
don't tell the stall holder this - between 300 and 400 quid. | 0:01:02 | 0:01:06 | |
They're asking 60 euros for it. | 0:01:06 | 0:01:09 | |
'And selling starts to get messy.' | 0:01:09 | 0:01:12 | |
More slime than even Jonty "The Hitman" Hearnden can deal with. | 0:01:12 | 0:01:16 | |
'This is Put Your Money Where Your Mouth Is.' | 0:01:16 | 0:01:20 | |
'Our two top athletes of the antiques world have arrived in Paris | 0:01:32 | 0:01:36 | |
'ready for today's race for profit. | 0:01:36 | 0:01:39 | |
'They've spent decades honing their skills. | 0:01:39 | 0:01:41 | |
'It's time to flex those antique muscles as they go for gold. | 0:01:41 | 0:01:45 | |
'Take your seats and steady your nerves as both experts settle in their starting blocks. | 0:01:45 | 0:01:51 | |
'Raring to go is a daring dealer who'll sprint past any competition | 0:01:51 | 0:01:56 | |
'if there's a profit to be had. It's...' | 0:01:56 | 0:01:58 | |
So much to see, so little time. | 0:02:01 | 0:02:03 | |
'Also poised on the starting line is another legend of the antiques track and field. | 0:02:03 | 0:02:08 | |
'He's one mean competitor. He's magnificent...' | 0:02:08 | 0:02:12 | |
I'm here to deal. I'm here to beat Mr Cameron. | 0:02:14 | 0:02:17 | |
'There can only be one winner. | 0:02:17 | 0:02:19 | |
'That's the dealer who sells on their purchases for the most profit. | 0:02:19 | 0:02:23 | |
'Our battle takes place at the Bastille antiques market in Paris. | 0:02:23 | 0:02:27 | |
'Each of our racers has £750 worth of their own euros to spend. | 0:02:27 | 0:02:31 | |
'All the profits will go to their chosen charities. | 0:02:31 | 0:02:35 | |
'John Cameron and Jonty Hearnden, it's time to put your money where your mouth is.' | 0:02:35 | 0:02:40 | |
-Bonjour, John. -Bonjour. It's good to see you, Jonty. | 0:02:40 | 0:02:43 | |
-Here in the middle of Paris. -What a great place. This market is amazing. | 0:02:43 | 0:02:48 | |
I understand, what, 450 dealers plus? | 0:02:48 | 0:02:51 | |
And I understand that it's going to take us a kilometre to walk, | 0:02:51 | 0:02:55 | |
if we want to see all those stands. | 0:02:55 | 0:02:57 | |
Importantly, have you got your money? | 0:02:57 | 0:02:59 | |
I've got £750 worth of euros in my pocket and I hope you have, too. | 0:02:59 | 0:03:03 | |
I have, indeed. I think we should split up, get on with it, meet up later - and bonne chance! | 0:03:03 | 0:03:09 | |
Have a good morning - but not too good a morning. | 0:03:09 | 0:03:12 | |
MUSIC: "I'm Gonna Be" by The Proclaimers | 0:03:13 | 0:03:17 | |
'The starter's fired his pistol and they're off. | 0:03:17 | 0:03:19 | |
'Because of the size of the market, both our trinket hunters | 0:03:19 | 0:03:23 | |
'will need to cover some distance in today's race. | 0:03:23 | 0:03:26 | |
'But speed and agility is only part of what's needed | 0:03:26 | 0:03:30 | |
'if they're to take today's title. | 0:03:30 | 0:03:32 | |
'They need a Parisian game plan.' | 0:03:32 | 0:03:35 | |
My plan today is to try and budget. | 0:03:35 | 0:03:37 | |
I'm looking for about six items and I have a limit to what I can spend. | 0:03:37 | 0:03:41 | |
I don't want to buy anything too dear because trying to get a profit is quite difficult. | 0:03:41 | 0:03:47 | |
I'm going to try and cost-average my six items at around 100 euros each. | 0:03:47 | 0:03:53 | |
'John may be carefully pacing his spending, | 0:03:53 | 0:03:56 | |
'but Jonty's taking a more relaxed approach.' | 0:03:56 | 0:03:58 | |
I need to really take my time about just looking first of all. | 0:03:58 | 0:04:02 | |
I just need to find golden nuggets. I know they're there somewhere. | 0:04:02 | 0:04:06 | |
So I'm going to do a lot of looking first of all. | 0:04:06 | 0:04:09 | |
'While Jonty's looking for those golden nuggets, | 0:04:09 | 0:04:12 | |
'John may have already found one in this unconventional tea cosy.' | 0:04:12 | 0:04:17 | |
Very different, isn't it? | 0:04:17 | 0:04:19 | |
Date-wise, with that bamboo, I'd say it was probably... | 0:04:22 | 0:04:26 | |
-Napoleon III. 1860, 1870. -1860, something like that. | 0:04:26 | 0:04:31 | |
-And what is, um... le dernier prix? -150. | 0:04:31 | 0:04:36 | |
-That's the very best price, 150? -Yes. It's like a gift for you. | 0:04:36 | 0:04:40 | |
-It's a gift! And you say that with such sincerity! -Yes! | 0:04:40 | 0:04:44 | |
Ah, OK. | 0:04:44 | 0:04:46 | |
So, um... | 0:04:46 | 0:04:48 | |
-Marche conclu? -OK. | 0:04:49 | 0:04:51 | |
'Yes, sale complete...' | 0:04:51 | 0:04:54 | |
It's very unusual. I couldn't resist it. | 0:05:00 | 0:05:02 | |
The lady tells me that in 25 years of dealing, | 0:05:02 | 0:05:05 | |
this is only the second one she's purchased. | 0:05:05 | 0:05:08 | |
It works by dropping down the sides. | 0:05:08 | 0:05:12 | |
You pop your teapot in there. It would be a rather small teapot. | 0:05:12 | 0:05:17 | |
It would keep it nice and warm inside there. | 0:05:17 | 0:05:20 | |
You'd keep it on the table. | 0:05:20 | 0:05:23 | |
Looking at the design and style, | 0:05:23 | 0:05:25 | |
it's a frame that's been made to resemble bamboo. | 0:05:25 | 0:05:28 | |
It's called faux bamboo. It's gilt metal. | 0:05:28 | 0:05:31 | |
It has these wonderful Chinoiserie or oriental silk panels. | 0:05:31 | 0:05:36 | |
That would place it, the combination of the bamboo and the panels, | 0:05:36 | 0:05:40 | |
around about 1860, 1870, in a period influenced by Japan and the Orient. | 0:05:40 | 0:05:45 | |
In the UK, we had a similar style known as the Aesthetic Movement, | 0:05:45 | 0:05:50 | |
which features bamboo in the construction. | 0:05:50 | 0:05:53 | |
Really pleased with that. | 0:05:53 | 0:05:55 | |
'John's raced into an early lead. | 0:05:55 | 0:05:57 | |
'Jonty has spied a vintage mirrored jewellery box | 0:05:57 | 0:06:00 | |
'and he's determined to pay eight euros for it.' | 0:06:00 | 0:06:03 | |
-Oh, non! -Oui. -Oh, non. Eight? Dix. -Huit. | 0:06:03 | 0:06:08 | |
'The problem is, the seller wants ten.' | 0:06:08 | 0:06:10 | |
-Tres jolie. Huit, huh? -Non! Dix! | 0:06:10 | 0:06:13 | |
-Dix? -Dix. -Pwar! -Oh! -'This may take some time.' | 0:06:13 | 0:06:16 | |
-Huit. -Dix. -Neuf. | 0:06:16 | 0:06:19 | |
'He's offered to meet in the middle.' | 0:06:19 | 0:06:22 | |
-Oui? -Bon. Neuf. | 0:06:22 | 0:06:24 | |
Merci. | 0:06:24 | 0:06:25 | |
'Deal done. Jonty bags the Art Deco jewellery box for...' | 0:06:25 | 0:06:29 | |
This is a fantastic 1950s dressing table set, mirror set. | 0:06:31 | 0:06:36 | |
If you look on the inside here, | 0:06:36 | 0:06:39 | |
you've got room for rings on the dressing table. | 0:06:39 | 0:06:42 | |
Down below, you've got a dinky drawer | 0:06:42 | 0:06:44 | |
to put yet more jewellery. | 0:06:44 | 0:06:47 | |
A lovely lady's piece to put on your dressing table. | 0:06:47 | 0:06:50 | |
Nine euros. Perfect. | 0:06:50 | 0:06:52 | |
'The Hitman's getting into his stride, | 0:06:52 | 0:06:55 | |
'as he spots another item at the same stall.' | 0:06:55 | 0:06:58 | |
Fantastic opera glasses. What can I see? | 0:06:59 | 0:07:03 | |
It's John struggling! | 0:07:05 | 0:07:07 | |
'Indeed, it appears The Hammer IS struggling to keep pace with this market's prices.' | 0:07:07 | 0:07:13 | |
# I still haven't found what I'm looking for... # | 0:07:13 | 0:07:18 | |
There really are some wonderful things here, | 0:07:18 | 0:07:21 | |
but everything's got whacking price tickets as well. | 0:07:21 | 0:07:25 | |
I don't suppose Jonty's faring any better. | 0:07:25 | 0:07:28 | |
Not unless he's already scoped out the cheaper end of the market. | 0:07:28 | 0:07:31 | |
I haven't come across it yet, so I'll keep looking. | 0:07:31 | 0:07:34 | |
'The cheaper end of the market, you say?' | 0:07:34 | 0:07:37 | |
These are great. 15 euros. | 0:07:37 | 0:07:39 | |
'That's exactly where pace-setter Jonty is.' | 0:07:39 | 0:07:42 | |
-Pour dix? -Dix, OK. | 0:07:43 | 0:07:45 | |
OK. | 0:07:45 | 0:07:48 | |
Bought some opera glasses, ten euros. That's perfect. | 0:07:48 | 0:07:51 | |
'He's not yet finished at the same stall.' | 0:07:57 | 0:08:00 | |
These are five euros. | 0:08:00 | 0:08:02 | |
'He's found a vintage ring-sizer he hopes will be another bargain.' | 0:08:02 | 0:08:06 | |
This are for jewellers to measure sizes of rings. | 0:08:06 | 0:08:10 | |
You start with a very large finger, going down to very tiny fingers. | 0:08:10 | 0:08:15 | |
That's a child's finger, presumably. I think that's a wonderful thing. | 0:08:15 | 0:08:19 | |
And for five euros, you just can't go wrong. | 0:08:19 | 0:08:22 | |
I'm really pleased with my little purchases there. Cheap and cheerful! | 0:08:28 | 0:08:31 | |
But, hey, that's me all over. | 0:08:31 | 0:08:34 | |
'With that burst of speedy spending, Jonty takes a 3-1 lead. | 0:08:34 | 0:08:38 | |
'John is still in this race, as he searches for that second buy.' | 0:08:38 | 0:08:42 | |
This is a wonderful children's toy. | 0:08:42 | 0:08:45 | |
It probably dates from...I would have thought the 1930s or '40s. | 0:08:45 | 0:08:51 | |
It would have occupied you for hours. | 0:08:51 | 0:08:53 | |
I think children today get bored rather more quickly, | 0:08:53 | 0:08:57 | |
but that's a charming little thing. | 0:08:57 | 0:09:00 | |
The price tag on it, though, is 380 euros! | 0:09:00 | 0:09:03 | |
'John is struggling with the prices, but no such trouble for The Hitman. | 0:09:03 | 0:09:08 | |
'He's setting the pace as he bags another buy, | 0:09:08 | 0:09:11 | |
'paying £17.09 for a timepiece.' | 0:09:11 | 0:09:14 | |
This is a mantel clock, probably made in the 1920s. | 0:09:14 | 0:09:17 | |
The dealer tells me that it's an eight-day movement, which is good. | 0:09:17 | 0:09:21 | |
It means you only have to wind the clock up every eight days. Perfect. | 0:09:21 | 0:09:25 | |
There are clocks out there that are just 24-hour winding mechanisms. | 0:09:25 | 0:09:30 | |
Nobody really wants those cos we're all lazy. | 0:09:30 | 0:09:33 | |
We just want an eight-day movement, so that's very good news. | 0:09:33 | 0:09:36 | |
'Jonty's strategy to take his time has fallen by the wayside, | 0:09:36 | 0:09:41 | |
'but battling bargaineer John finally seals his second buy with a kiss - | 0:09:41 | 0:09:46 | |
'a Mr Pickwick china ornament.' | 0:09:46 | 0:09:50 | |
This is the last thing I expected to see here in France. | 0:09:51 | 0:09:54 | |
It's a piece of English Crested China, | 0:09:54 | 0:09:57 | |
dating to the late 19th century. | 0:09:57 | 0:10:00 | |
These things were very popular and became souvenir wares. | 0:10:00 | 0:10:04 | |
There is a Portsmouth museum specialising in Crested China. | 0:10:04 | 0:10:07 | |
Hopefully, they haven't got one. | 0:10:07 | 0:10:10 | |
'John might have a plan to pack a profit back in Blighty, | 0:10:10 | 0:10:13 | |
'but what he can't do is stop his rival's spending marathon. | 0:10:13 | 0:10:17 | |
'Jonty has spied yet another possible purchase.' | 0:10:17 | 0:10:20 | |
This has a wonderfully French Art Nouveau feel to it. | 0:10:20 | 0:10:24 | |
The actual frame itself... | 0:10:24 | 0:10:27 | |
is really quite good quality. | 0:10:27 | 0:10:30 | |
Everything you see here is wrought iron. I think that's really nice. | 0:10:30 | 0:10:35 | |
At the moment, the price is 280 euros. | 0:10:35 | 0:10:38 | |
If I could get it for roughly around the 200 euro mark, | 0:10:38 | 0:10:42 | |
then that's possibly worth taking home with me. | 0:10:42 | 0:10:45 | |
'It's a glowing result for Jonty, | 0:10:45 | 0:10:47 | |
'as he gets the chandelier for a better-than-hoped-for price...' | 0:10:47 | 0:10:52 | |
What a bargain! | 0:10:53 | 0:10:55 | |
The price was 280 euros and I got him down to 190 euros, | 0:10:55 | 0:11:00 | |
which is a wonderful bargain, I'm just so pleased. | 0:11:00 | 0:11:04 | |
'Our experts have fought hard and run fast around the first lap | 0:11:04 | 0:11:08 | |
'with varying results. | 0:11:08 | 0:11:10 | |
'Let's catch a breath and see how they're faring. | 0:11:10 | 0:11:13 | |
'Both of our lithe loot hunters had £750 of euros from their own pocket to spend. | 0:11:15 | 0:11:21 | |
'John has struggled, buying just two items so far at a cost of... | 0:11:21 | 0:11:25 | |
'But Jonty has raced ahead with five buys, costing... | 0:11:31 | 0:11:36 | |
'It's all still to play for, as our antiques Olympians get set to return to the market. | 0:11:43 | 0:11:48 | |
'Before then, there's just enough time to psych each other out.' | 0:11:48 | 0:11:52 | |
-John! -Oh, The Hitman! How are you? | 0:11:52 | 0:11:57 | |
-Well, I've made a few purchases. -Have you? -Yeah. | 0:11:57 | 0:12:00 | |
-How's it going? -I like this fair. What about you? | 0:12:00 | 0:12:03 | |
I don't know if you're putting on a front, Jonty! | 0:12:03 | 0:12:06 | |
-No, I have bought some things. -Have you spent much money? | 0:12:06 | 0:12:10 | |
-Well...! How are you getting on? -I'm not doing as well as I'd hoped. | 0:12:10 | 0:12:15 | |
I have to say, LOADS of really nice things here. | 0:12:15 | 0:12:18 | |
So many nice things, it's unreal. | 0:12:18 | 0:12:20 | |
But every time I pick something up, the price tag scares me away! | 0:12:20 | 0:12:24 | |
-If I was buying it to keep, not a problem. -Yeah. | 0:12:24 | 0:12:27 | |
-Have you been over the bridge? -I'm working my way down, then going over the other side. | 0:12:27 | 0:12:32 | |
-What are the prices like? -All the bargains are on the other side. | 0:12:32 | 0:12:35 | |
-Mind you, I've bought them all. -Ah, no! Don't tell me that! | 0:12:35 | 0:12:40 | |
I'm not bothered, Jonty(!) Look! | 0:12:40 | 0:12:42 | |
-No pressure. -No pressure at all. I'll see you a bit later. | 0:12:42 | 0:12:46 | |
OK. Carry on. LAUGHS | 0:12:46 | 0:12:48 | |
'As our duelling dealers hit the track again, | 0:12:48 | 0:12:51 | |
'it seems that little encounter has got to John.' | 0:12:51 | 0:12:55 | |
Jonty seems quietly confident. He's almost smug, I would say. | 0:12:55 | 0:12:59 | |
He's spent a bit of money. He's got more items than I've got. | 0:12:59 | 0:13:02 | |
I'm starting to get worried, but...maybe it was a front. | 0:13:02 | 0:13:06 | |
At least, I hope so. | 0:13:06 | 0:13:08 | |
'Unfortunately not. | 0:13:08 | 0:13:10 | |
'Jonty's back into his stride and he's spotted a Hitman favourite - | 0:13:10 | 0:13:14 | |
'a chair in need of restoration.' | 0:13:14 | 0:13:17 | |
I can't resist a chair. You know me! | 0:13:17 | 0:13:20 | |
Have a look at this little nursing chair. | 0:13:20 | 0:13:23 | |
The shape and form have a Victorian feel to it. | 0:13:25 | 0:13:29 | |
If you look at the legs at the front, | 0:13:29 | 0:13:32 | |
we have an interesting little turn on the leg. | 0:13:32 | 0:13:35 | |
By looking at the legs, you know that this chair is not Victorian. | 0:13:35 | 0:13:41 | |
Victorian chair legs would be slightly more turned. | 0:13:41 | 0:13:44 | |
They'd quite easily have a caster, | 0:13:44 | 0:13:46 | |
which allowed the chair to be rolled forward and back. | 0:13:46 | 0:13:49 | |
Back home, if you can put a new cover on it, | 0:13:49 | 0:13:53 | |
that little chair is worth - | 0:13:53 | 0:13:55 | |
don't tell the stall holder - between 300 and 400 quid. | 0:13:55 | 0:13:59 | |
They're asking 60 euros for it at the moment. | 0:13:59 | 0:14:02 | |
'Our crafty connoisseur has swooped in on the 1920s nursing chair, | 0:14:02 | 0:14:06 | |
'but master profiteer Jonty doesn't want to pay the 60 euros.' | 0:14:06 | 0:14:10 | |
Would you take 50 euros for the chair? | 0:14:10 | 0:14:13 | |
-I can sell it for 50 euros. -50 euros? -Yes, it's OK. -OK. | 0:14:13 | 0:14:17 | |
'Result! The Hitman's confident he's bought a guaranteed money-spinner, | 0:14:17 | 0:14:21 | |
'as he pays £42.74 for a chair he believes he can sell for hundreds.' | 0:14:21 | 0:14:27 | |
I'm going to make a huge profit on this. | 0:14:27 | 0:14:30 | |
John, are you sitting comfortably? | 0:14:30 | 0:14:32 | |
'Yeah, not exactly. While Jonty races further ahead, | 0:14:32 | 0:14:35 | |
'John is still chasing that next buy. | 0:14:35 | 0:14:38 | |
'To make matters worse, all he can seem to find is his opponent.' | 0:14:38 | 0:14:42 | |
Jonty, Jonty, Jonty. It's not time for the guillotine yet. | 0:14:42 | 0:14:45 | |
-I was going to put your head in there! -Am I for the chop? | 0:14:46 | 0:14:50 | |
-How's it going, old boy? -Another purchase in the bag. | 0:14:50 | 0:14:53 | |
-How about you? -No more purchases. -No more purchases! | 0:14:53 | 0:14:56 | |
-Are you telling the truth, Jonty? -LAUGHING: Would I lie to you? | 0:14:56 | 0:15:00 | |
Well, I don't know. No time to chew the fat with you, Jonty. | 0:15:00 | 0:15:04 | |
-I must press on. -Okey-dokey. | 0:15:04 | 0:15:06 | |
-Watch your fingers on that. -Yes. | 0:15:06 | 0:15:08 | |
These are really interesting items. | 0:15:09 | 0:15:12 | |
I see a lot of these in French markets. | 0:15:12 | 0:15:15 | |
These are designed to chop your baguette up, | 0:15:15 | 0:15:18 | |
which is a fabulous thing. | 0:15:18 | 0:15:20 | |
They're great fun, but do they translate at home? Not necessarily. | 0:15:20 | 0:15:24 | |
At 110 euros? I definitely don't think so. | 0:15:24 | 0:15:28 | |
'No profit translates to no purchase for Jonty. | 0:15:28 | 0:15:31 | |
'John may be lagging behind, | 0:15:31 | 0:15:33 | |
'but he's hoping he may have run into his next purchase - | 0:15:33 | 0:15:36 | |
'some rather unusual knife rests.' | 0:15:36 | 0:15:39 | |
There are ten of them in quite nice condition. | 0:15:39 | 0:15:42 | |
They're from Limoges, a very famous enamelling centre in France. | 0:15:42 | 0:15:46 | |
They're knife rests | 0:15:46 | 0:15:48 | |
and each one has a little escargot perched on them, which is great. | 0:15:48 | 0:15:53 | |
The best price is 60. | 0:15:53 | 0:15:56 | |
-60 euros. The very best price? -Yes, the very best price. | 0:15:56 | 0:16:00 | |
Would you, er, take...cinquante? | 0:16:00 | 0:16:03 | |
-No. It's too... -Cinquante? -I can't. -No? | 0:16:03 | 0:16:07 | |
-Soixante? -Oui. -Soixante, we have a deal. | 0:16:07 | 0:16:11 | |
And I have another purchase, more importantly! | 0:16:11 | 0:16:13 | |
'That's another one in the bag, | 0:16:13 | 0:16:15 | |
'as John takes the set of ten 1930s knife rests for £51.28. | 0:16:15 | 0:16:20 | |
'He's increased his haul to three items, | 0:16:20 | 0:16:22 | |
'but he can't continue to buy at a snail's pace if he's to gain ground on Jonty.' | 0:16:22 | 0:16:28 | |
I do like to put pressure on myself. | 0:16:28 | 0:16:31 | |
I've got about an hour of buying left | 0:16:31 | 0:16:34 | |
and I'm still two or three items short. | 0:16:34 | 0:16:37 | |
If I know Jonty, he's somewhere with his feet up, | 0:16:37 | 0:16:40 | |
taking it easy with a cold drink. | 0:16:40 | 0:16:43 | |
'Well, not quite, but The Hitman's so on top | 0:16:43 | 0:16:46 | |
'he's finished his buying race and turned it into a French holiday, | 0:16:46 | 0:16:50 | |
'taking in the beautiful sights of the capital city, | 0:16:50 | 0:16:53 | |
'enjoying the local culture and sampling the Continental cuisine. | 0:16:53 | 0:16:57 | |
'Yeah. Wrong show, Jonty. | 0:16:58 | 0:17:01 | |
'Hoping to get into his spending stride, John is on the prowl | 0:17:01 | 0:17:05 | |
'and he's got a thirst for a vintage cocktail strainer. | 0:17:05 | 0:17:08 | |
'With an asking price of 55 euros, he's managed to talk the seller | 0:17:08 | 0:17:11 | |
'into a ten-euro discount, but he's not stopping there.' | 0:17:11 | 0:17:15 | |
-Trente-cinq. -SHE REMONSTRATES IN FRENCH | 0:17:15 | 0:17:19 | |
-Le desperado! -SHE LAUGHS | 0:17:19 | 0:17:21 | |
'Yes, desperado John has made a final plea of 35 euros, but will it be understood?' | 0:17:21 | 0:17:28 | |
-Yeah? -Oui. | 0:17:28 | 0:17:30 | |
-Trente-cinq? -Oui. -Ah, merci! -SHE LAUGHS | 0:17:30 | 0:17:33 | |
35 euros! I managed to get that for 35 euros. Thank you very much. | 0:17:34 | 0:17:39 | |
I'm not sure what this lady's saying, but I think I've got a bargain! | 0:17:39 | 0:17:44 | |
'Who needs language when you've got an eye for a deal? | 0:17:44 | 0:17:47 | |
'John takes the cocktail strainer for...' | 0:17:47 | 0:17:49 | |
It's been translated that she only gave me that price because of, apparently, my immense charm! | 0:17:52 | 0:17:57 | |
'Well, who can resist Pompey's Prince Charming?' | 0:17:57 | 0:18:00 | |
MUSIC: "Smooth Operator" by Sade | 0:18:00 | 0:18:03 | |
It's probably 30 or 40 years old, | 0:18:08 | 0:18:11 | |
but it does have the benefit of the Christofle name on there. | 0:18:11 | 0:18:14 | |
Condition is not bad. | 0:18:14 | 0:18:16 | |
The springs are a little stretched, but I'm happy with that. | 0:18:16 | 0:18:19 | |
'With two buys now separating our racers on the treasure track, | 0:18:19 | 0:18:23 | |
'John has spotted a late 19th-century umbrella stand | 0:18:23 | 0:18:27 | |
'with a price tag of 130 euros. | 0:18:27 | 0:18:29 | |
'Can John charm his way to another decent discount?' | 0:18:29 | 0:18:32 | |
-Er...dernier prix? -Cent. -Cent? -Oui. | 0:18:32 | 0:18:35 | |
'John smooth-talks his way to an immediate drop to 100 euros, | 0:18:35 | 0:18:39 | |
'but he wants more.' | 0:18:39 | 0:18:42 | |
-Mm...? Petit? -SHE LAUGHS | 0:18:42 | 0:18:44 | |
LAUGHING | 0:18:44 | 0:18:47 | |
-Non! -Not quatre-vingt? | 0:18:47 | 0:18:49 | |
I'm making her laugh. I'm not sure if it's my French or my cheekiness. | 0:18:49 | 0:18:55 | |
LAUGHING: I can't. I'm so sorry. | 0:18:55 | 0:18:58 | |
-All right. Cent. 100 euros it is. -SHE CONTINUES LAUGHING | 0:19:00 | 0:19:04 | |
'John's not sure what he said to get the lady laughing, | 0:19:04 | 0:19:07 | |
'but he still takes home the umbrella stand.' | 0:19:07 | 0:19:11 | |
I've just bought myself a faux bamboo umbrella/stick stand. | 0:19:12 | 0:19:17 | |
-SHE COMMENTS IN FRENCH -We've got the drip tray there. | 0:19:17 | 0:19:21 | |
100 euros. The lady drove a very hard bargain, but she has a very nice smile. | 0:19:21 | 0:19:26 | |
-LAUGHING: Thank you. -A bientot! -A bientot! | 0:19:26 | 0:19:30 | |
'It's too late for flattery now. | 0:19:30 | 0:19:32 | |
'John's closing the gap on his rival, who's called it a day. | 0:19:32 | 0:19:36 | |
'Determined to end this battle neck-and-neck, John spies one last item | 0:19:36 | 0:19:41 | |
'and wastes no time paying £51.28 for the novelty glass bottle.' | 0:19:41 | 0:19:46 | |
A lot of these would have been thrown away and damaged. | 0:19:46 | 0:19:50 | |
This would have come with some sort of sauce in it, I'd have thought. | 0:19:50 | 0:19:54 | |
Condition's quite good. 19th-century press-moulded glass. | 0:19:54 | 0:19:59 | |
These days, there is a big market for old bottles, novelty bottles. | 0:19:59 | 0:20:04 | |
'With that final purchase, John has made a colossal come-back. | 0:20:04 | 0:20:08 | |
'Now the chequered flag has fallen on this leg of the competition, | 0:20:08 | 0:20:11 | |
'let's find out who's top of the standings. | 0:20:11 | 0:20:15 | |
'Our tightly toned tacticians each started the day | 0:20:15 | 0:20:18 | |
'with £750 worth of their own euros to spend. | 0:20:18 | 0:20:21 | |
'John crossed the finish line with six items costing a total of... | 0:20:21 | 0:20:26 | |
'Jonty also closed out the second lap with six items, costing him... | 0:20:29 | 0:20:33 | |
'The buying race around the Parisian market is complete. | 0:20:37 | 0:20:40 | |
'It's time for our antiques athletes | 0:20:40 | 0:20:43 | |
'to inspect each other's French hauls.' | 0:20:43 | 0:20:47 | |
I really couldn't find any bargains! | 0:20:47 | 0:20:49 | |
In fact, the cheapest thing I got was 30 euros, bit of Crested China. | 0:20:49 | 0:20:54 | |
-What's that say, Nantwich? -Cheshire. -Near Paris(!) | 0:20:54 | 0:20:58 | |
JOHN LAUGHS | 0:20:58 | 0:21:00 | |
Jonty, you couldn't resist, could you? | 0:21:00 | 0:21:03 | |
-No, I couldn't. -You couldn't resist a chair. I can't believe it. | 0:21:03 | 0:21:07 | |
I couldn't, but 50 euros, for goodness' sake! That's cheap. | 0:21:07 | 0:21:10 | |
But my best buy is my chandelier. I'm very happy with that. | 0:21:10 | 0:21:14 | |
It needs to be rewired but the glass is all in good condition. | 0:21:14 | 0:21:18 | |
-Yeah, just very, very pleased. -"Pleased" might be stretching it! | 0:21:18 | 0:21:22 | |
I'm pleased with what I've got, not with what I paid. | 0:21:22 | 0:21:25 | |
I think they're interesting items. I'm trying to be polite, John. | 0:21:25 | 0:21:29 | |
Time to wrap up, take it home. | 0:21:29 | 0:21:31 | |
It was a difficult buying day. | 0:21:31 | 0:21:33 | |
-Is it going to be even more difficult to sell? -Time will tell. | 0:21:33 | 0:21:37 | |
'They may have slogged it out on foreign soil, | 0:21:40 | 0:21:43 | |
'but our travelling treasure hunters are back in familiar surroundings | 0:21:43 | 0:21:47 | |
'and are preparing for the most gruelling encounter of all - | 0:21:47 | 0:21:50 | |
'selling their stash. | 0:21:50 | 0:21:52 | |
'Both our legendary loot connoisseurs will have to dig deep, | 0:21:52 | 0:21:56 | |
'dust off their little black books and explore every avenue of dealing, | 0:21:56 | 0:22:00 | |
'if they're to emerge from this battle victorious. | 0:22:00 | 0:22:03 | |
'At Cameron HQ in Portsmouth, our fearless forager is taking stock | 0:22:05 | 0:22:09 | |
'of his Parisian purchases.' | 0:22:09 | 0:22:11 | |
I think I bought quality. I may have paid lots, but I bought nice items. | 0:22:11 | 0:22:15 | |
I've got my stick stand. | 0:22:15 | 0:22:17 | |
I've got my wonderful Limoges pottery tong and snail fork rests. | 0:22:17 | 0:22:22 | |
My tea cosy. | 0:22:22 | 0:22:24 | |
My favourite item has to be my little Crested China pin dish. | 0:22:24 | 0:22:28 | |
I've got all my items. I think I've got better quality than Jonty. | 0:22:28 | 0:22:33 | |
Let's hope I make better profits. | 0:22:33 | 0:22:35 | |
'Fighting talk from The Hammer. | 0:22:35 | 0:22:37 | |
'He must also sell the mid 20th-century cocktail strainer | 0:22:37 | 0:22:40 | |
'and the 19th-century novelty glass bottle. | 0:22:40 | 0:22:43 | |
'Over at The Hitman homestead in Oxfordshire, | 0:22:43 | 0:22:46 | |
'our unwavering warrior is feeling upbeat about HIS buys.' | 0:22:46 | 0:22:50 | |
I have to say that my star item has to be my chum, the chandelier. | 0:22:50 | 0:22:55 | |
I just think it's brilliant. It's 1930s. It's wrought iron. | 0:22:55 | 0:22:59 | |
We have these lovely stylised roses and leaves. | 0:22:59 | 0:23:02 | |
Really, really good quality. | 0:23:02 | 0:23:04 | |
And this chandelier is so beautifully typically French. | 0:23:04 | 0:23:08 | |
I just think it's wonderful. | 0:23:08 | 0:23:11 | |
My old trusty friend, an old trusty chair at £40. | 0:23:11 | 0:23:14 | |
What a steal! That's an absolute bargain as well. | 0:23:14 | 0:23:18 | |
So if you look hard enough, John, the bargains are out there. | 0:23:18 | 0:23:22 | |
'Jonty also needs to sell the 1950s mirrored glass jewellery box, | 0:23:22 | 0:23:26 | |
'the early 20th-century opera glasses, | 0:23:26 | 0:23:29 | |
'the antique jeweller's ring sizer | 0:23:29 | 0:23:31 | |
'and the early 20th-century mantel clock. | 0:23:31 | 0:23:34 | |
'Our battling buyers will now transform into selling supermen | 0:23:34 | 0:23:38 | |
'as they turn their treasures into cold hard cash. | 0:23:38 | 0:23:42 | |
'There can only be one focus for these fellows - profit. | 0:23:42 | 0:23:45 | |
'But remember, until they've shaken on it | 0:23:45 | 0:23:48 | |
'and the money has changed hands, no deal is truly sealed. | 0:23:48 | 0:23:52 | |
'The Hammer wastes no time in getting down to the nitty gritty.' | 0:23:52 | 0:23:57 | |
I've come to Horndean near Portsmouth to see William, | 0:23:57 | 0:24:00 | |
second-generation collector and dealer of Goss and Crested China. | 0:24:00 | 0:24:04 | |
There's nothing I can teach him. They literally wrote the book. | 0:24:04 | 0:24:08 | |
I've had a look in their price guide | 0:24:08 | 0:24:10 | |
and I know what they say my little Pickwick is worth. | 0:24:10 | 0:24:14 | |
The only mystery is going to be what they're prepared to pay me. | 0:24:14 | 0:24:18 | |
'John paid £25.64 for the Crested China pin dish. | 0:24:18 | 0:24:22 | |
'He's hoping William will find room for it | 0:24:22 | 0:24:24 | |
'amongst the 3,000 pieces he's got in his family collection.' | 0:24:24 | 0:24:28 | |
I'm hoping - although I suspect it's not the case - | 0:24:30 | 0:24:33 | |
you haven't seen this little piece before. | 0:24:33 | 0:24:36 | |
-There we are, in the flesh. What do you think? -Oh! Well! | 0:24:36 | 0:24:40 | |
As it happens, John, I haven't actually seen this piece before. | 0:24:40 | 0:24:44 | |
Straight away, I can tell it's by the Arcadian factory. | 0:24:44 | 0:24:48 | |
This particular factory started up in 1903 | 0:24:48 | 0:24:51 | |
and continued production until about 1920. | 0:24:51 | 0:24:54 | |
What collectors look for is condition. | 0:24:54 | 0:24:56 | |
This piece is in exceptionally good condition. You've done well, John. | 0:24:56 | 0:25:01 | |
I couldn't resist it. | 0:25:01 | 0:25:03 | |
What fascinated me is it started out life in Stoke. | 0:25:03 | 0:25:06 | |
It's ended up in Nantwich, where someone's bought it and then it found its way to Paris. | 0:25:06 | 0:25:11 | |
The nice thing is I brought it back here | 0:25:11 | 0:25:14 | |
with the little figure of Pickwick, | 0:25:14 | 0:25:16 | |
to Portsmouth, the birthplace of Charles Dickens. | 0:25:16 | 0:25:19 | |
-CHUCKLING: -I did take the liberty of having a look in your price guide | 0:25:19 | 0:25:23 | |
as to what you think this is worth. | 0:25:23 | 0:25:26 | |
I've seen in the book that you've got that valued at £65. | 0:25:26 | 0:25:30 | |
What would you offer me today? | 0:25:30 | 0:25:33 | |
I am, of course, buying to sell, as well as you are. | 0:25:33 | 0:25:36 | |
I'd be willing to meet you somewhere in the middle | 0:25:36 | 0:25:39 | |
and offer you £40 for this piece. | 0:25:39 | 0:25:42 | |
£40? | 0:25:42 | 0:25:44 | |
Hm... Could you do any better than that at all? | 0:25:44 | 0:25:48 | |
Well, given the condition the piece is in, | 0:25:48 | 0:25:51 | |
I'd be quite happy to go as far as 50. | 0:25:51 | 0:25:55 | |
-£50, I would certainly... -Deal? -..take your money. | 0:25:55 | 0:25:58 | |
'John gets his selling spree off to a good start. | 0:25:58 | 0:26:03 | |
'Jonty's wasted no time in opening his campaign in west London. | 0:26:04 | 0:26:09 | |
'He's hoping to sell the mantel clock that cost £17.09 | 0:26:09 | 0:26:13 | |
'to clock expert and dealer Mick.' | 0:26:13 | 0:26:15 | |
-It seems to tick but it needs a service. -It must need an overhaul. | 0:26:15 | 0:26:19 | |
-Yeah. -Absolutely. But I quite like the case. | 0:26:19 | 0:26:22 | |
It's quite a nice case. It's Edwardian. | 0:26:22 | 0:26:26 | |
About 1910. | 0:26:26 | 0:26:28 | |
-Yeah. So £75 was what I'm looking for. -Hm. -For this lovely clock. | 0:26:28 | 0:26:32 | |
-It's...potentially worth £75. -JONTY LAUGHS | 0:26:32 | 0:26:37 | |
But taking into account the work that needs doing to it, | 0:26:37 | 0:26:41 | |
£50 would be about the most I'd want to pay for it. | 0:26:41 | 0:26:44 | |
-£50? -Yeah. | 0:26:44 | 0:26:46 | |
-£55 you've got a deal, sir. -Hm. | 0:26:46 | 0:26:49 | |
-I think I'm going to stick to my £50. -OK. | 0:26:50 | 0:26:54 | |
-Well, I'm going to relent. -OK. | 0:26:54 | 0:26:56 | |
-I'm going to agree and say £50. -Thank you very much. | 0:26:56 | 0:26:59 | |
'Yes, Mick's a tough haggler but Jonty still clocks up a profit of... | 0:26:59 | 0:27:05 | |
'And The Hitman doesn't stop there. | 0:27:05 | 0:27:07 | |
'He snatches the lead by selling the antique ring sizer | 0:27:07 | 0:27:10 | |
'to a local dealer for £30, | 0:27:10 | 0:27:12 | |
'giving him a perfect fit of £25.73 profit.' | 0:27:12 | 0:27:16 | |
That has a jolly good ring to it. | 0:27:18 | 0:27:20 | |
'Jonty's nemesis immediately retaliates. | 0:27:20 | 0:27:24 | |
'John's targeted former world champion mixologist Paul | 0:27:24 | 0:27:28 | |
'with the 1930s silver-plated strainer.' | 0:27:28 | 0:27:31 | |
For something this age, this works beautifully! | 0:27:32 | 0:27:35 | |
'And he sips up a cool and delicious profit of... | 0:27:35 | 0:27:40 | |
'Our two duelling dealers are neck-and-neck with two sales each. | 0:27:41 | 0:27:45 | |
'Hoping to regain the lead, Jonty's hot-footing it to his next dazzling deal.' | 0:27:45 | 0:27:51 | |
This is my mirrored jewellery box. | 0:27:51 | 0:27:53 | |
It's not everyone's cup of tea, but there is one particular dealer | 0:27:53 | 0:27:58 | |
that I know trades in this sort of object. | 0:27:58 | 0:28:01 | |
I just know she's going to love it. | 0:28:01 | 0:28:03 | |
'Jonty paid £7.69 for the 1950s jewellery box. | 0:28:03 | 0:28:07 | |
'He's hoping it will glisten with profit once vintage shop owner Paula lays eyes on it.' | 0:28:07 | 0:28:13 | |
This is a beautiful object I bought in the middle of Paris. | 0:28:13 | 0:28:17 | |
You sell jewellery boxes, don't you? | 0:28:17 | 0:28:19 | |
-I do, but I've never seen anything like this before. -Really? -No. | 0:28:19 | 0:28:23 | |
It's very interesting. This is French. | 0:28:23 | 0:28:26 | |
That's probably why, but it is just up your street because it's 1950s. | 0:28:26 | 0:28:30 | |
Oh, lovely! Wonderful! | 0:28:30 | 0:28:32 | |
Open up the lid. On the inside, that's where you put your rings. | 0:28:32 | 0:28:37 | |
That's an almost sprung interior. | 0:28:37 | 0:28:40 | |
-We've also got a single drawer down below. -OK. | 0:28:40 | 0:28:43 | |
-More room for yet more jewellery. -It is, isn't it? | 0:28:43 | 0:28:47 | |
-So, what were you thinking? -£55 is my asking price for it. | 0:28:47 | 0:28:51 | |
That's a little bit high for me at the moment. | 0:28:51 | 0:28:55 | |
I could probably do 40. | 0:28:55 | 0:28:58 | |
-40? -Yeah. | 0:28:58 | 0:29:00 | |
40, 40. Can I squeeze you up a little? Say, 45? | 0:29:00 | 0:29:03 | |
-Or is 40...? -No, I'm so sorry. 40. Yeah. Mm-hm. | 0:29:03 | 0:29:06 | |
-£40 is fine by me. -Thank you. -Very happy with that. -And me. | 0:29:06 | 0:29:10 | |
-I know that you'll make a big fat profit on that. -Thank you very much. | 0:29:10 | 0:29:14 | |
'The Hitman nabs a glamorous profit...' | 0:29:14 | 0:29:17 | |
-As nobody's looking, have you got anything in my size? -Oh, yes! | 0:29:20 | 0:29:25 | |
# Man! I feel like a woman... # | 0:29:25 | 0:29:28 | |
Too many sequins. | 0:29:28 | 0:29:30 | |
Wrong colour... Too boring... Too pink. | 0:29:30 | 0:29:33 | |
# I feel like a woman! # | 0:29:34 | 0:29:36 | |
Sadly, there was nothing for me to take away today, | 0:29:36 | 0:29:40 | |
but all I've ended up with is an extra-large profit. | 0:29:40 | 0:29:43 | |
What a result! | 0:29:43 | 0:29:45 | |
'With the halfway mark on the horizon, | 0:29:45 | 0:29:48 | |
'John's battle campaign continues. | 0:29:48 | 0:29:50 | |
'He's not pulling any punches with his 19th-century novelty bottle. | 0:29:50 | 0:29:55 | |
'He sells it to local collector Steve and rakes in a profit of... | 0:29:55 | 0:29:59 | |
'With that, round one of this sellathon is over. | 0:30:01 | 0:30:04 | |
'So, which of our antiques action men has hit the target | 0:30:04 | 0:30:08 | |
'and which one has been firing blanks? | 0:30:08 | 0:30:10 | |
'John "The Moneymaker" has sold three items... | 0:30:10 | 0:30:14 | |
'The squire of selling, Jonty, has also sold three items... | 0:30:16 | 0:30:21 | |
'Our two battling super-sellers may be neck-and-neck now, | 0:30:24 | 0:30:28 | |
'but John's entering round two with trepidation, | 0:30:28 | 0:30:31 | |
'as he knows Jonty still has his nursing chair to sell.' | 0:30:31 | 0:30:35 | |
I've seen him snatch a win with those chairs in the past. | 0:30:35 | 0:30:38 | |
But like the identity of who shot JR | 0:30:38 | 0:30:43 | |
or who IS the Stig, | 0:30:43 | 0:30:45 | |
Jonty's upholsterer is the envy of antiques dealers around the country. | 0:30:45 | 0:30:50 | |
'John's fears could soon be realised as Jonty arrives with his chair | 0:30:50 | 0:30:55 | |
'to show his mystery upholsterer. | 0:30:55 | 0:30:57 | |
'Well, actually, he's called Greg. | 0:30:57 | 0:30:59 | |
'This time, The Hitman isn't after his stitching prowess, | 0:30:59 | 0:31:02 | |
'he's just hoping to sell him the chair that cost £32.74.' | 0:31:02 | 0:31:06 | |
-Hi, Jonty. What you got here? -A little nursing chair for you. | 0:31:06 | 0:31:10 | |
-Do you like it? -I do like it. -But it's not period. | 0:31:10 | 0:31:13 | |
-You can tell by looking at the legs. -Yes. -Those legs there. | 0:31:13 | 0:31:18 | |
-How old do you think that chair is? -I'd put it around 1920s. | 0:31:18 | 0:31:21 | |
-Yeah. -I'd have thought. Probably 1970s, fabric-wise. | 0:31:21 | 0:31:26 | |
-What would you do with a chair like this? -Take the covering off. | 0:31:26 | 0:31:30 | |
Get rid of the polyester wadding. | 0:31:30 | 0:31:32 | |
Really, put the traditional materials back in. | 0:31:32 | 0:31:35 | |
-And then cover it. -Are you interested in buying it? -I am. | 0:31:35 | 0:31:39 | |
I think I've got a client who would be interested in this. | 0:31:39 | 0:31:42 | |
I'm looking for £150 for this chair. | 0:31:42 | 0:31:45 | |
DRAWS BREATH | 0:31:45 | 0:31:47 | |
-I'd probably say between 90 and 100. -Would you now? -I would. | 0:31:47 | 0:31:52 | |
-What about 130? -I'd probably push it to about 115. | 0:31:52 | 0:31:56 | |
-115? -Yeah. | 0:31:56 | 0:31:58 | |
Another fiver more and it's yours. | 0:31:58 | 0:32:01 | |
-Go on, then. I'll do it for 120. -Good man! | 0:32:02 | 0:32:05 | |
'It's a comfortable profit for The Hitman...' | 0:32:05 | 0:32:08 | |
It's profit, profit, profit. | 0:32:11 | 0:32:14 | |
And I can just hear Cameron right now - | 0:32:14 | 0:32:17 | |
crying like a baby. | 0:32:17 | 0:32:19 | |
He's the one who needed that nursing chair. | 0:32:19 | 0:32:22 | |
'Ooh, Jonty's not mincing his words, as he takes an early lead in the second half. | 0:32:22 | 0:32:27 | |
'His fearless foe knows that slow and steady can also win the race.' | 0:32:27 | 0:32:31 | |
I'm in Aylesbury to meet an escargot or snail farmer | 0:32:31 | 0:32:35 | |
with my Limoges porcelain rests. | 0:32:35 | 0:32:38 | |
I believe she has a million snails at least. | 0:32:38 | 0:32:42 | |
That must generate a lot of slime. | 0:32:42 | 0:32:44 | |
We're talking more slime than Jonty "The Hitman" Hearnden can deal with! | 0:32:44 | 0:32:49 | |
I'm taking no chances on the clothing front. | 0:32:49 | 0:32:53 | |
Hopefully, I'm going to get a profit out of my knife rests | 0:32:53 | 0:32:56 | |
and not have to eat anything too unpalatable. | 0:32:56 | 0:32:59 | |
'Snail farmer and contact Sophie | 0:32:59 | 0:33:01 | |
'is a collector of all things snail related. | 0:33:01 | 0:33:04 | |
'John's hoping that will include his escargot knife rests | 0:33:04 | 0:33:07 | |
'that set him back £51.28. | 0:33:07 | 0:33:09 | |
'Sophie has over one million snails on her farm, | 0:33:11 | 0:33:14 | |
'but luckily for John they're all tucked away.' | 0:33:14 | 0:33:18 | |
-Where's all the slime? -There isn't any slime. | 0:33:18 | 0:33:21 | |
Now, Sophie, I've got to ask, | 0:33:21 | 0:33:23 | |
most people desperately try to get rid of snails from their gardens. | 0:33:23 | 0:33:28 | |
-Why so many snails? -Ah. | 0:33:28 | 0:33:30 | |
Probably about half of these will go off to restaurants. | 0:33:30 | 0:33:34 | |
About 3,000 or 4,000 a week or more go off to the restaurants. | 0:33:34 | 0:33:38 | |
The remainder come through and produce escargot pearls, snail caviar. | 0:33:38 | 0:33:43 | |
I have eaten escargot but I haven't tasted snail caviar. What's it like? | 0:33:43 | 0:33:48 | |
-I don't know. It's kind of a mossy, woody... -I'm not convinced. | 0:33:48 | 0:33:52 | |
The minute you taste it, it makes you think of the forest. | 0:33:52 | 0:33:55 | |
Eugh! Well, enough about that. Let's get down to business. | 0:33:55 | 0:33:59 | |
You know why I'm here. You've seen pictures. | 0:33:59 | 0:34:03 | |
I brought you these. Feast your eyes on that. | 0:34:03 | 0:34:05 | |
I've got ten in total. | 0:34:05 | 0:34:08 | |
Picked these up in Paris. They're wrapped up. | 0:34:08 | 0:34:11 | |
-Because they're not damaged I wanted to keep them in good condition. -Wow! | 0:34:11 | 0:34:15 | |
-Do you like those? -Yeah. | 0:34:15 | 0:34:17 | |
They're by Limoges. | 0:34:17 | 0:34:19 | |
This mottling here is very much a '30s thing. | 0:34:19 | 0:34:24 | |
I think these would date to the 1930s. | 0:34:24 | 0:34:26 | |
-They're great, aren't they? -Yeah. Definitely. | 0:34:26 | 0:34:29 | |
There are ten of them. They are in good condition. | 0:34:29 | 0:34:33 | |
And they are Limoges. Even if you said £20 each, it's only 200 quid. | 0:34:33 | 0:34:38 | |
WHISTLES Ooh! | 0:34:38 | 0:34:40 | |
-Got to come down a little bit there. -How much did you think? -100? -100? | 0:34:40 | 0:34:45 | |
-That's only a tenner each! -120? -You're going in the right direction! | 0:34:45 | 0:34:50 | |
Slowly, slowly. Let's pick the pace up. | 0:34:50 | 0:34:53 | |
-We've got to go by the pound. -We can do better than that. | 0:34:53 | 0:34:58 | |
There are ten of them here. Do 180? | 0:34:58 | 0:35:01 | |
-NO! -We're getting nearer. | 0:35:01 | 0:35:03 | |
No, no, no. 130? | 0:35:03 | 0:35:05 | |
130? 160, come on! | 0:35:05 | 0:35:07 | |
-Look at them. -140, then. It's going to save my table getting burnt. | 0:35:07 | 0:35:11 | |
JOHN LAUGHS 140. | 0:35:11 | 0:35:13 | |
I'll tell you what. 150...and I'll eat some of that snail caviar. | 0:35:13 | 0:35:19 | |
-OK. Deal. -Oh! What have I done? | 0:35:20 | 0:35:23 | |
'John chows down with a tasty profit... | 0:35:23 | 0:35:27 | |
'That's not the only thing he's chowing down on.' | 0:35:27 | 0:35:31 | |
Here goes. | 0:35:31 | 0:35:32 | |
Hm. That's actually very good. | 0:35:38 | 0:35:40 | |
'Yes, the face says it all. | 0:35:40 | 0:35:43 | |
'Our profit-hungry expert has a thirst for another deal | 0:35:43 | 0:35:46 | |
'and he wastes no time selling the 19th-century tea cosy | 0:35:46 | 0:35:49 | |
'to cafe owner Alex.' | 0:35:49 | 0:35:51 | |
-What do you think? -It's really nice. | 0:35:51 | 0:35:54 | |
It's something we could definitely use. | 0:35:54 | 0:35:56 | |
'He sips up a mouth-watering profit of... | 0:35:56 | 0:35:59 | |
'Our eminent expert Jonty is not to be outdone. | 0:36:01 | 0:36:05 | |
'He's already searching for his next buyer. | 0:36:05 | 0:36:08 | |
'He paid £8.55 for the theatre binoculars. | 0:36:08 | 0:36:11 | |
'Can he win a more dramatic profit from antiques trader Les?' | 0:36:11 | 0:36:15 | |
-A-ha! You must be Les. -Jonty, hi. -How are you doing? -Nice to see you. | 0:36:15 | 0:36:20 | |
Les, these are opera glasses that were made in France. | 0:36:20 | 0:36:23 | |
They're dated to the early part of the 20th century. | 0:36:23 | 0:36:26 | |
So these opera glasses are about 100 years old. | 0:36:26 | 0:36:30 | |
-What sort of, er...? -What's the damage? -What's the damage? | 0:36:30 | 0:36:33 | |
'The curtain's rising on this dramatic deal, | 0:36:33 | 0:36:36 | |
'but will it be tragedy or triumph?' | 0:36:36 | 0:36:39 | |
25 quid to you, sir. | 0:36:39 | 0:36:42 | |
-It's a little bit higher than I expected you to say. -Really? | 0:36:43 | 0:36:46 | |
-I'll offer you £12. -£12? I feel like I've been stabbed in the heart. | 0:36:46 | 0:36:52 | |
I'm lying on the floor and I'm breathing my last breath. | 0:36:52 | 0:36:56 | |
-So I will say with my last breath... -£12. -..it is £20. | 0:36:56 | 0:37:01 | |
Jonty, my final offer is going to be £15. | 0:37:01 | 0:37:05 | |
15 quid? I am at my last breath, I really am. | 0:37:05 | 0:37:11 | |
-Here's 15 quid to you, sir. -Well done. | 0:37:11 | 0:37:13 | |
'Jonty's hit a high note and nabs a profit of...' | 0:37:13 | 0:37:17 | |
When the final curtain came down... | 0:37:19 | 0:37:21 | |
SINGS OPERATICALLY # I was in for a big profit # | 0:37:21 | 0:37:26 | |
'Hm. Jonty's singing success story may have evened up the competition, | 0:37:26 | 0:37:30 | |
'but as our selling superstars prepare for their final bow, | 0:37:30 | 0:37:33 | |
'they each have one item left to sell - | 0:37:33 | 0:37:36 | |
'John his stick stand and Jonty his chandelier. | 0:37:36 | 0:37:39 | |
'Both can smell victory, but only one of them will succeed. | 0:37:39 | 0:37:44 | |
'In Portsmouth, John is hoping to be showered with profit | 0:37:44 | 0:37:48 | |
'when he sells the umbrella stand that cost £85.47. | 0:37:48 | 0:37:52 | |
'He's targeting local pub landlady Kate.' | 0:37:52 | 0:37:55 | |
When you get the patrons coming in, and we get our fair share of rain, | 0:37:57 | 0:38:01 | |
-where do they put their brollies? -Stand them in corners. | 0:38:01 | 0:38:05 | |
Anywhere, really. | 0:38:05 | 0:38:07 | |
-Dripping all over the carpet? -Possibly, yeah. | 0:38:07 | 0:38:10 | |
This is the thing I showed you in the photograph. | 0:38:10 | 0:38:13 | |
When this was made, we're going back to the 1870s here, 1880s, | 0:38:13 | 0:38:17 | |
there was a big craze for anything Japanese | 0:38:17 | 0:38:21 | |
and a lot of bamboo, simulated bamboo. | 0:38:21 | 0:38:23 | |
This isn't actually bamboo. It's simulated bamboo. | 0:38:23 | 0:38:26 | |
The nice thing about it is it's in original condition | 0:38:26 | 0:38:29 | |
and it still retains the drip pan. | 0:38:29 | 0:38:32 | |
Looking for around a couple of hundred pounds for it. | 0:38:32 | 0:38:35 | |
Ooh. | 0:38:35 | 0:38:37 | |
That's a lot for fake bamboo! BOTH LAUGH | 0:38:38 | 0:38:42 | |
What do you think is a fair price for fake bamboo? | 0:38:42 | 0:38:45 | |
-Well, more like 100, I think. -100? -Mm. | 0:38:45 | 0:38:48 | |
-What about 190? -What about 130? | 0:38:48 | 0:38:51 | |
-Oh. Would you do 170? -160. | 0:38:51 | 0:38:54 | |
160 is your final price, yeah? | 0:38:54 | 0:38:56 | |
OK. 160, you have yourself a deal. | 0:38:57 | 0:39:00 | |
'It's raining cash for The Hammer, | 0:39:00 | 0:39:02 | |
'as he soaks himself in £74.53 worth of profit. | 0:39:02 | 0:39:07 | |
'Going for gold with his crucial final item is Jonty. | 0:39:07 | 0:39:10 | |
'He's brought his favourite buy, the 1930s French chandelier | 0:39:10 | 0:39:14 | |
'that cost £162.39, | 0:39:14 | 0:39:16 | |
'to show antiques dealer Alan, who specialises in Art Deco.' | 0:39:16 | 0:39:21 | |
Alan, I sent you pictures. This is it in real life. What do you think? | 0:39:21 | 0:39:25 | |
It's almost got a little bit of crossover | 0:39:25 | 0:39:28 | |
from Art Nouveau to the Art Deco period. | 0:39:28 | 0:39:31 | |
-It's not pure Art Deco. It's a little bit more organic. -Yes. | 0:39:31 | 0:39:35 | |
When you're saying that, that's really the flowers... | 0:39:35 | 0:39:38 | |
-And the leaves. -Too realistic rather than being stylistic? -Yes. | 0:39:38 | 0:39:42 | |
You're worrying me at the moment. ALAN LAUGHS | 0:39:42 | 0:39:46 | |
The lights, I'm a big fan of the frosted glass. | 0:39:46 | 0:39:50 | |
The frosted glass and this look I like. That's all really nice. | 0:39:50 | 0:39:54 | |
It works well with the Deco period. | 0:39:54 | 0:39:57 | |
It is, actually, only the flowery bit that doesn't appeal to me. | 0:39:57 | 0:40:01 | |
I would have to get it completely rewired. | 0:40:01 | 0:40:04 | |
You're looking at probably £150 on having the rewiring done. | 0:40:04 | 0:40:07 | |
-Absolutely. So you've got to bear that in mind. -Yes. | 0:40:07 | 0:40:10 | |
Well, ideally, I'm looking for 400 quid for this. | 0:40:10 | 0:40:13 | |
-OK, fine. -How does that grab you? | 0:40:13 | 0:40:16 | |
-That makes me instantly back away. -Right! | 0:40:16 | 0:40:19 | |
'Jonty's prized purchase from Paris isn't having the desired effect. | 0:40:19 | 0:40:23 | |
'Can he still pull a profit?' | 0:40:23 | 0:40:26 | |
I'm not going to give you a very high offer. | 0:40:26 | 0:40:28 | |
I'm going to come in at 150. | 0:40:28 | 0:40:30 | |
150? That's killing me! | 0:40:30 | 0:40:32 | |
Oh, dear. | 0:40:32 | 0:40:35 | |
What about 225? | 0:40:36 | 0:40:38 | |
No, I can't get to 225. | 0:40:38 | 0:40:41 | |
200. | 0:40:41 | 0:40:43 | |
-175. -Can we do 185? | 0:40:43 | 0:40:46 | |
Hm. | 0:40:46 | 0:40:48 | |
-185, OK. I will do 185. -Bless you. Thank you very much. | 0:40:48 | 0:40:54 | |
'The lights have gone out on Jonty's super-profit...' | 0:40:54 | 0:40:57 | |
I made the tiniest of profit but to me that's almost like a loss | 0:41:00 | 0:41:04 | |
because I was expecting so much more. | 0:41:04 | 0:41:07 | |
'That may not be the finale he hoped for but both boys are all sold up. | 0:41:07 | 0:41:12 | |
'There's nothing more our battlers can do. | 0:41:12 | 0:41:14 | |
'Their fate has been sealed and the winner will be revealed shortly. | 0:41:14 | 0:41:19 | |
'Our duelling duo each started with... | 0:41:19 | 0:41:22 | |
'Now, all that matters is who's made the most profit. | 0:41:37 | 0:41:41 | |
'All the money John and Jonty made will go to charities of their choice. | 0:41:41 | 0:41:45 | |
'Let's find out who is today's Put Your Money Where Your Mouth Is champion.' | 0:41:45 | 0:41:50 | |
-Mr Hearnden. -How are you, John? -How did you find the selling? | 0:41:50 | 0:41:54 | |
Very difficult, actually. I thought that I was plain sailing. | 0:41:54 | 0:41:58 | |
I thought that I'd banked my money in my chandelier and it would do well. It bombed. | 0:41:58 | 0:42:03 | |
I really didn't make hardly any profit on that at all. | 0:42:03 | 0:42:06 | |
Really disappointed. What about you? | 0:42:06 | 0:42:09 | |
Well, did all right with my little escargot knife rests. | 0:42:09 | 0:42:14 | |
-I think, overall, I've made a profit. -Shall we see how we've done? -OK. On three. | 0:42:14 | 0:42:19 | |
One, two, three. | 0:42:19 | 0:42:22 | |
-Oooh! Took me to the cleaners! -I don't know about that, Jonty. | 0:42:23 | 0:42:27 | |
I'm surprised. I really had high hopes for your chandelier. | 0:42:27 | 0:42:30 | |
And as soon as I saw the chair, I thought, "That's it." | 0:42:30 | 0:42:33 | |
LAUGHS Didn't work out for me THIS time. | 0:42:33 | 0:42:36 | |
'So, John Cameron hammered home a victory with a comfortable win over his rival.' | 0:42:38 | 0:42:44 | |
I'm delighted to have beaten Jonty at the foreign market, | 0:42:44 | 0:42:47 | |
not least because it was so hard to buy anything there. | 0:42:47 | 0:42:50 | |
I had some great fun along the way, not least of all with those knife rests. | 0:42:50 | 0:42:55 | |
I made some great profits and, at the end of the day, | 0:42:55 | 0:42:58 | |
the big-hitting Hammer hammered The Hitman. | 0:42:58 | 0:43:01 | |
It was all about the chandelier. | 0:43:01 | 0:43:03 | |
Sometimes you win. Sometimes you don't. | 0:43:03 | 0:43:05 | |
It's in the lap of the gods sometimes. | 0:43:05 | 0:43:08 | |
'Tomorrow, Jonty gets the chance to redeem himself, | 0:43:08 | 0:43:11 | |
'as the boys go head-to-head at an antiques fair in West Sussex.' | 0:43:11 | 0:43:15 | |
Subtitles by Red Bee Media Ltd | 0:43:25 | 0:43:28 | |
E-mail [email protected] | 0:43:28 | 0:43:31 |