Browse content similar to Christina Trevanion and Philip Serrell - UK Antiques Fair. Check below for episodes and series from the same categories and more!
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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:07 | |
against each other in an all-out battle for profit... | 0:00:07 | 0:00:10 | |
Hey-hey! | 0:00:10 | 0:00:12 | |
..and gives you the insider's view of the trade. | 0:00:12 | 0:00:15 | |
I'm on the case. | 0:00:15 | 0:00:17 | |
Each week, one pair of duelling dealers | 0:00:19 | 0:00:21 | |
will face a different daily challenge... | 0:00:21 | 0:00:23 | |
I'm a cheeky chancer. Lovely! | 0:00:24 | 0:00:26 | |
..putting their reputations on the line | 0:00:26 | 0:00:29 | |
and giving you top tips and savvy secrets | 0:00:29 | 0:00:31 | |
on how to make the most money from buying and selling. | 0:00:31 | 0:00:34 | |
Let's go and spend some money! | 0:00:36 | 0:00:37 | |
Get in there! | 0:00:37 | 0:00:39 | |
Today, it's do or die, | 0:00:40 | 0:00:41 | |
as two rivals of auctioneering aristocracy, | 0:00:41 | 0:00:44 | |
Christina Trevanion and Philip Serrell, | 0:00:44 | 0:00:47 | |
pit their mighty wits against each other. | 0:00:47 | 0:00:49 | |
Coming up... Will Phil's dreams come true? | 0:00:51 | 0:00:53 | |
Do you know, it has, in all seriousness, | 0:00:53 | 0:00:55 | |
been a lifelong ambition of mine to come here | 0:00:55 | 0:00:57 | |
and buy £1,000-worth of hundreds and thousands. | 0:00:57 | 0:01:00 | |
Christina shows you how to spot a potential diamond in the rough... | 0:01:02 | 0:01:06 | |
I think he's rather lovely. | 0:01:06 | 0:01:08 | |
I think with a little bit of a scrub, | 0:01:08 | 0:01:09 | |
perhaps a new saddle, he could be quite lovely. | 0:01:09 | 0:01:12 | |
And when it comes to selling, Phil has an out-of-body experience. | 0:01:12 | 0:01:17 | |
I think this is what heaven looks like, isn't it? | 0:01:17 | 0:01:20 | |
This is Put Your Money Where Your Mouth Is. | 0:01:20 | 0:01:23 | |
Are you sitting comfortably? | 0:01:36 | 0:01:38 | |
Then I'll begin. | 0:01:38 | 0:01:39 | |
Once upon a time, in a faraway land, | 0:01:39 | 0:01:41 | |
two gallant knights of the antiques world | 0:01:41 | 0:01:44 | |
drew their swords and prepared to engage | 0:01:44 | 0:01:46 | |
in a battle for profit. | 0:01:46 | 0:01:48 | |
First up, in his jaunty scarf, it's... | 0:01:48 | 0:01:50 | |
On his home turf today | 0:01:53 | 0:01:54 | |
and with a fire in his belly, | 0:01:54 | 0:01:56 | |
he's aiming to defeat the enemy with his cunning knowledge. | 0:01:56 | 0:01:59 | |
You've got to know your onions in this business. | 0:02:01 | 0:02:03 | |
Next, with her flaxen hair, winning smile | 0:02:03 | 0:02:05 | |
and an awe-inspiring expertise in jewellery and silver, it's... | 0:02:05 | 0:02:10 | |
A princess who takes pleasure in treasure. | 0:02:13 | 0:02:15 | |
Really quite exciting, and I'm very much enjoying it. | 0:02:15 | 0:02:18 | |
Especially all the diamonds. | 0:02:18 | 0:02:20 | |
Today's clash takes place at the Malvern Flea and Collectables Fair | 0:02:20 | 0:02:24 | |
in Worcestershire, where, under stormy skies, | 0:02:24 | 0:02:27 | |
a glittering array of hidden wealth | 0:02:27 | 0:02:29 | |
is just waiting to be discovered. | 0:02:29 | 0:02:31 | |
This dashing duke and duchess of dealing | 0:02:33 | 0:02:36 | |
each have £750 of their own money to spend | 0:02:36 | 0:02:39 | |
and all the profits will go to their chosen charities. | 0:02:39 | 0:02:43 | |
But which of these excellent auctioneers will reign supreme? | 0:02:44 | 0:02:48 | |
Christina Trevanion and Phil Serrell, | 0:02:48 | 0:02:51 | |
it's time to Put Your Money Where Your Mouth Is. | 0:02:51 | 0:02:54 | |
-Brrr! -It's cold! | 0:02:56 | 0:02:58 | |
Turned out nice again, hasn't it(?) | 0:02:58 | 0:03:00 | |
-Blimey! -Brrr! | 0:03:00 | 0:03:01 | |
Well, here we are in "sunny" Malvern! | 0:03:01 | 0:03:04 | |
Lord above! | 0:03:04 | 0:03:06 | |
-Just round the corner from yours. -I'm not sure if that's an advantage or a disadvantage. | 0:03:06 | 0:03:10 | |
-We've got £750, haven't we? -We have. -You got a plan? | 0:03:10 | 0:03:13 | |
Spend it all. | 0:03:13 | 0:03:14 | |
-Really? -Yeah. Why not? Let's go for it. | 0:03:14 | 0:03:17 | |
-What about yours? -Well, I think, when you buy, | 0:03:17 | 0:03:20 | |
you've got to think of who you're going to sell it to, so I'll try and be focused. It'll never work! | 0:03:20 | 0:03:24 | |
-No! -Not really going to work... | 0:03:24 | 0:03:26 | |
For today's thrilling encounter, let's go deep into the forest of antiques, | 0:03:27 | 0:03:32 | |
where a Fox and a Magpie are locked in combat | 0:03:32 | 0:03:36 | |
over who will end the day triumphant. | 0:03:36 | 0:03:39 | |
So I told Phil I would spend my entire £750 budget today, | 0:03:39 | 0:03:43 | |
which I will really work hard to do. | 0:03:43 | 0:03:44 | |
So I think what we'll do is buy a couple of low-value items, | 0:03:44 | 0:03:48 | |
maybe a few bits and bobs, | 0:03:48 | 0:03:50 | |
and save our pennies for the big spend, which will be on jewellery, | 0:03:50 | 0:03:53 | |
specifically things that can appeal to quite a broad market. | 0:03:53 | 0:03:56 | |
But in my experience, jewellery tends to be quite expensive, | 0:03:56 | 0:03:59 | |
so we'll save our pennies until then. | 0:03:59 | 0:04:00 | |
So, Christina's clear on her strategy, | 0:04:02 | 0:04:05 | |
but has she got our Phil worried? | 0:04:05 | 0:04:08 | |
I've got to be really on my mettle today, | 0:04:09 | 0:04:11 | |
because this, I think, is Christina's emporium, | 0:04:11 | 0:04:14 | |
and I think she's really got her buying hat on. | 0:04:14 | 0:04:17 | |
So look out, Mr Serrell. | 0:04:17 | 0:04:19 | |
Look out indeed, as our fiery lady of the flea market | 0:04:19 | 0:04:23 | |
attempts to canter into the lead | 0:04:23 | 0:04:25 | |
as she spies her first potential buy - | 0:04:25 | 0:04:27 | |
a 1930s rocking horse. | 0:04:27 | 0:04:29 | |
We're on Phil's turf today, | 0:04:29 | 0:04:31 | |
and he's going to know the world and his wife, so he's going to be going pretty quickly. | 0:04:31 | 0:04:35 | |
On the way in, I spotted this little fellow over here, | 0:04:35 | 0:04:37 | |
who I think could be a bit of a restoration project, | 0:04:37 | 0:04:40 | |
but... | 0:04:40 | 0:04:42 | |
I think he's rather lovely. It might just be the mummy in me, | 0:04:42 | 0:04:44 | |
but I think, with a little bit of a scrub, perhaps a new saddle, | 0:04:44 | 0:04:48 | |
he could be quite lovely. | 0:04:48 | 0:04:49 | |
I really like him. Shall we find out much he wants for him? | 0:04:49 | 0:04:52 | |
-Hello! Can you tell me how much you want for your...? -It's £45. | 0:04:52 | 0:04:56 | |
Is that your best price? | 0:04:56 | 0:04:58 | |
Er...I could do it for £40, if you really want it. | 0:04:58 | 0:05:01 | |
Cos he needs quite a lot of work doing, and now he's got wet. | 0:05:02 | 0:05:05 | |
-Yeah, makes it worth more. -Does it?! | 0:05:05 | 0:05:07 | |
Original Malvern rain? | 0:05:07 | 0:05:08 | |
How are you for £35? | 0:05:08 | 0:05:10 | |
-Er...yeah, that's OK. -Yeah? -Yeah. -£35. | 0:05:10 | 0:05:13 | |
Perfect! Thank you very much. I'm very happy with him. | 0:05:13 | 0:05:16 | |
Brilliant. I'm thrilled to bits with that. I'm now the proud owner of a rocking horse. | 0:05:19 | 0:05:23 | |
With a bit of TLC, new mane, new saddle maybe, | 0:05:23 | 0:05:26 | |
and a bit of a paint job, he could turn from being very unloved and unwanted | 0:05:26 | 0:05:30 | |
to being a beautiful stallion. | 0:05:30 | 0:05:32 | |
So, Christina has thrown down the gauntlet, | 0:05:34 | 0:05:37 | |
and Phil is picking it up. | 0:05:37 | 0:05:39 | |
He's embracing his inner decorator | 0:05:39 | 0:05:41 | |
with plans for a 19th-century spirit barrel. | 0:05:41 | 0:05:44 | |
How much is your barrel, please? | 0:05:44 | 0:05:46 | |
-90 quid for that. -Thank you. | 0:05:46 | 0:05:48 | |
This is a Doulton Lambeth spirit barrel. | 0:05:48 | 0:05:51 | |
I just think it's lovely. This would have originally stood behind the bar, | 0:05:51 | 0:05:55 | |
probably up high on a shelf, in a pub. | 0:05:55 | 0:05:57 | |
You'd have had one for gin, one for brandy, one for rum, | 0:05:57 | 0:06:00 | |
one for whisky. | 0:06:00 | 0:06:01 | |
There would have been a brass tap just here. | 0:06:01 | 0:06:03 | |
I just think that's a really, really good thing. | 0:06:03 | 0:06:07 | |
What would you do with it? Well... | 0:06:07 | 0:06:09 | |
It would make a great table lamp, if you got a lamp fitted in there. | 0:06:10 | 0:06:13 | |
You see, this is the problem with this business, because I'm now | 0:06:13 | 0:06:16 | |
sort of talking myself into this thing. | 0:06:16 | 0:06:19 | |
That's a real Serrell problem, | 0:06:19 | 0:06:21 | |
because... | 0:06:21 | 0:06:22 | |
..this has ceased to become a spirit barrel any more. | 0:06:23 | 0:06:26 | |
Is £90 the best on it? | 0:06:26 | 0:06:27 | |
70 quid, then. | 0:06:27 | 0:06:29 | |
You've had a result. | 0:06:29 | 0:06:30 | |
Bet you always do! | 0:06:30 | 0:06:32 | |
Hark at this! | 0:06:32 | 0:06:34 | |
Go on then - let's have a go. | 0:06:34 | 0:06:36 | |
I don't know what I'm going to... This is lunacy! | 0:06:36 | 0:06:39 | |
But I think it's a bit of good fun, isn't it? | 0:06:39 | 0:06:41 | |
Yes, Phil's hit the ground running. | 0:06:41 | 0:06:43 | |
He may be buying with his heart, but his cunning selling strategy | 0:06:43 | 0:06:47 | |
is firmly in place...for now. | 0:06:47 | 0:06:50 | |
All fired up, he quickly spots his next prey - | 0:06:50 | 0:06:53 | |
a large cat - and is gearing up for a ferocious joust. | 0:06:53 | 0:06:57 | |
-I think it would be more fibreglass. -How much is it? -I've got £120 on it. | 0:06:58 | 0:07:02 | |
That wasn't an answer to the question, was it? | 0:07:02 | 0:07:04 | |
It's a starting point. You can make me an offer. | 0:07:08 | 0:07:11 | |
I need to buy it for somewhere between 60 and 80 quid. | 0:07:11 | 0:07:14 | |
That's what I need to try and buy it for. | 0:07:14 | 0:07:16 | |
Being utterly truthful with you. | 0:07:16 | 0:07:18 | |
I'm going to try and sell it | 0:07:18 | 0:07:19 | |
to somebody I think who's got a car. | 0:07:19 | 0:07:22 | |
What the best you can do on him, seriously? | 0:07:22 | 0:07:24 | |
£90. | 0:07:24 | 0:07:25 | |
That ain't between 60 and 80, is it? | 0:07:25 | 0:07:27 | |
I was never very good at maths at school, but I always thought | 0:07:27 | 0:07:30 | |
60, 80, and then 90's over there. It doesn't fit in that bit, does it? | 0:07:30 | 0:07:34 | |
It doesn't. But in Wales, it does! | 0:07:34 | 0:07:36 | |
Now, look...you beat us at rugby... | 0:07:38 | 0:07:40 | |
so it should be 50 quid really, shouldn't it? | 0:07:40 | 0:07:42 | |
-Should be 110, then. -Get out of here! | 0:07:42 | 0:07:46 | |
-Would 60 quid buy it? -I'll go to your top end - 80 quid. | 0:07:46 | 0:07:48 | |
That's 40 quid off. | 0:07:50 | 0:07:52 | |
I think you've been very, very fair. | 0:07:52 | 0:07:53 | |
And I'm going to buy it. The thing I love about things like this | 0:07:53 | 0:07:56 | |
is...what's it worth? Well, I haven't got the first idea, | 0:07:56 | 0:08:00 | |
and I suspect you haven't got the first idea, | 0:08:00 | 0:08:02 | |
and I'm hoping the person I sell it to hasn't got the first idea either! | 0:08:02 | 0:08:06 | |
It's a really nice thing. | 0:08:06 | 0:08:08 | |
The thing is, if you buy a high-quality brand, | 0:08:08 | 0:08:12 | |
you should always find a buyer for it. | 0:08:12 | 0:08:14 | |
I don't actually know who I'm going to sell that to yet, | 0:08:14 | 0:08:17 | |
but I'm sure someone out there is just dying to have that on their wall. | 0:08:17 | 0:08:20 | |
Yes, but who? | 0:08:21 | 0:08:23 | |
Has Phil's pledge of buying to order disappeared with purchase number two? | 0:08:23 | 0:08:27 | |
Our jewellery queen's promise to spend it all | 0:08:29 | 0:08:31 | |
is looking likely, as she's in her element amongst the market's twinkling wares. | 0:08:31 | 0:08:35 | |
I sold one like that not long ago. | 0:08:35 | 0:08:38 | |
I'm like a child in a sweetie shop. There's just so much to see. | 0:08:38 | 0:08:41 | |
Yes, Mr Serrell wants to eat his sweets, not just look at them. | 0:08:41 | 0:08:46 | |
Do you know, it has, in all seriousness, | 0:08:46 | 0:08:49 | |
been a lifelong ambition of mine to come here | 0:08:49 | 0:08:52 | |
and buy £1,000-worth of hundreds and thousands. | 0:08:52 | 0:08:54 | |
Hmm. But that's not what you're here for, Phil. | 0:08:54 | 0:08:57 | |
Like a moth to a flame, Christina is drawn to all that glitters | 0:08:57 | 0:09:01 | |
and she's flown into the lead with her second deal | 0:09:01 | 0:09:03 | |
of not one but two items. | 0:09:03 | 0:09:06 | |
I've just bought these two little bits of silver, which I'm really, really pleased with. | 0:09:09 | 0:09:13 | |
Coming from the Cheshire area, | 0:09:13 | 0:09:15 | |
this especially I'm pleased with. | 0:09:15 | 0:09:17 | |
It's a lovely little silver bangle | 0:09:17 | 0:09:19 | |
with engine-turned decoration here. | 0:09:19 | 0:09:21 | |
But the most important thing for me is, if we look inside... | 0:09:21 | 0:09:24 | |
we've got the maker's mark - Charles Horner, who is incredibly collectable | 0:09:24 | 0:09:27 | |
and also a really nice, clear Chester hallmark for 1943. | 0:09:27 | 0:09:32 | |
So we've got really nice Art Deco decoration | 0:09:32 | 0:09:35 | |
and a Chester hallmark and a Chester maker, | 0:09:35 | 0:09:38 | |
so we'll definitely find a buyer for that one. | 0:09:38 | 0:09:41 | |
Followed by...which I think is a bit of a novelty... | 0:09:42 | 0:09:44 | |
Not particularly old, but this ring box here has got a hallmark on it | 0:09:44 | 0:09:47 | |
of Edinburgh 1998. | 0:09:47 | 0:09:50 | |
If we look inside... It is quite a modern box, | 0:09:50 | 0:09:53 | |
but I just think, if you had a special engagement ring | 0:09:53 | 0:09:56 | |
or a ring you'd inherited, | 0:09:56 | 0:09:57 | |
to have your initials engraved on the top there... | 0:09:57 | 0:10:00 | |
Silver-mounted ring box. I think it's lovely. | 0:10:00 | 0:10:02 | |
Really nice little touch, and just something a bit different. | 0:10:02 | 0:10:05 | |
I've got a jeweller friend in mind | 0:10:05 | 0:10:07 | |
who I think will, well, hopefully, agree with me | 0:10:07 | 0:10:09 | |
and hopefully think that's worth more than the £10 I've just paid. | 0:10:09 | 0:10:12 | |
This is one crackerjack contest. | 0:10:14 | 0:10:15 | |
Fantastic Mr Fox is sneaking back into contention | 0:10:15 | 0:10:19 | |
as his appetite for the unusual | 0:10:19 | 0:10:22 | |
leads him to some early 19th-century crimping irons. | 0:10:22 | 0:10:25 | |
-How much is that? -£120. | 0:10:25 | 0:10:26 | |
Oh, I think that's got me at the minute. I love that. | 0:10:26 | 0:10:30 | |
So that... | 0:10:30 | 0:10:31 | |
I mean, this really would have been Downton Abbey, wouldn't it? | 0:10:33 | 0:10:36 | |
-Oh, yeah, absolutely. -And that would have fitted in there, | 0:10:36 | 0:10:39 | |
and then you would put starch in there, | 0:10:39 | 0:10:41 | |
-then you would put your ruffs through? -Yeah, I think so. | 0:10:41 | 0:10:44 | |
What's the best on that? | 0:10:44 | 0:10:46 | |
£110. I had to buy a whole box full of tat at a sale just to get that. | 0:10:46 | 0:10:50 | |
You know what these auctioneers are like! Terrible people. | 0:10:50 | 0:10:52 | |
£100. | 0:10:52 | 0:10:54 | |
Go on, then. | 0:10:55 | 0:10:56 | |
I'm going to have that. | 0:10:56 | 0:10:57 | |
Check that for me, matey. | 0:10:57 | 0:10:59 | |
Thank you ever so much. I'm pleased with that. | 0:10:59 | 0:11:01 | |
You're a star. Thanks, matey. | 0:11:01 | 0:11:03 | |
-I'll see you in a bit. -Thank you. | 0:11:03 | 0:11:05 | |
I am really pleased with that, which proves that I don't get out much. | 0:11:05 | 0:11:09 | |
Well, Mr Fox, your foe Christina | 0:11:09 | 0:11:12 | |
HAS been getting out and about, and is in her element. | 0:11:12 | 0:11:15 | |
I am absolutely loving the selection here today. | 0:11:15 | 0:11:18 | |
It's just been brilliant. Lots of jewellery, lots of silver - perfect for me. | 0:11:18 | 0:11:22 | |
I wonder what that Mr Serrell has been up to? | 0:11:22 | 0:11:25 | |
Well, he's been a bit sidetracked by his adoring public. | 0:11:25 | 0:11:29 | |
So, as we reach the halfway mark of this fearsome contest, | 0:11:29 | 0:11:33 | |
let's see who's living the dream | 0:11:33 | 0:11:35 | |
and whose hopes are being dashed. | 0:11:35 | 0:11:37 | |
Christina and Phil each started the day with £750 of their own money. | 0:11:39 | 0:11:44 | |
Christina has bagged three deals so far, totalling £105, | 0:11:44 | 0:11:49 | |
leaving her £645 to spend. | 0:11:49 | 0:11:53 | |
Phil is hot on her heels, | 0:11:53 | 0:11:56 | |
also with three items, | 0:11:56 | 0:11:59 | |
totalling £250, | 0:11:59 | 0:12:01 | |
leaving £500 in his kitty. | 0:12:01 | 0:12:04 | |
So, it's all to play for, but even the fiercest fighters | 0:12:06 | 0:12:10 | |
need their food. | 0:12:10 | 0:12:11 | |
-Hello! -I'm hoping this is the stairway to success. | 0:12:11 | 0:12:14 | |
-Oh. Well, I brought you some sustenance. -You are a girl! | 0:12:14 | 0:12:17 | |
-You look like you need it. -What an angel! | 0:12:17 | 0:12:19 | |
-How have you got on? -Fine. | 0:12:19 | 0:12:22 | |
This is really good! | 0:12:23 | 0:12:25 | |
HE SPEAKS WITH HIS MOUTH FULL | 0:12:25 | 0:12:28 | |
Good, isn't it? It's a bit of a jaw-locker. | 0:12:28 | 0:12:30 | |
I'm getting £750-worth of chocolate brownie. | 0:12:30 | 0:12:33 | |
What have you bought? | 0:12:33 | 0:12:35 | |
Well, I've lived up to my name a bit, and I've got lots of silver and sparkly things. | 0:12:35 | 0:12:39 | |
-Really? -Yeah. How have you got on? | 0:12:39 | 0:12:41 | |
Well, Serrell does wacky, and I've done it again. | 0:12:41 | 0:12:44 | |
-But I have to say...this is just the best brownie, isn't it? Where did you get these from? -Just up there. | 0:12:44 | 0:12:48 | |
Be back in a minute! | 0:12:48 | 0:12:50 | |
Yes, don't be fooled by their jolly banter - | 0:12:50 | 0:12:52 | |
the sly Fox has given Christina food for thought. | 0:12:52 | 0:12:55 | |
So, Phil says he's fairly happy with what he bought. | 0:12:55 | 0:12:58 | |
He's certainly going for some alternative things, I think. | 0:12:58 | 0:13:01 | |
But it sounds like he's doing well, so let's go and see if we can find a couple more things to buy. | 0:13:01 | 0:13:05 | |
Christina seems calm and collected, but what of Phil? | 0:13:07 | 0:13:10 | |
I really need to try and focus and concentrate here, | 0:13:12 | 0:13:14 | |
cos the plan was to try and find things | 0:13:14 | 0:13:17 | |
with the eventual buyer in mind, and at the minute, | 0:13:17 | 0:13:20 | |
that has gone straight out of the window. | 0:13:20 | 0:13:22 | |
Oh, dear! Phil's plans have gone awry. | 0:13:23 | 0:13:26 | |
Whilst the wily one rethinks his approach, | 0:13:26 | 0:13:29 | |
our princess of precious things is one step ahead. | 0:13:29 | 0:13:32 | |
She has broadened her horizons and has braved the elements | 0:13:32 | 0:13:35 | |
to pounce on a larger-than-usual prey. | 0:13:35 | 0:13:38 | |
Is this a pony barrow or just a hand barrow? | 0:13:38 | 0:13:41 | |
Just a hand barrow. It's a flower barrow, | 0:13:41 | 0:13:43 | |
so it was used at flower markets. | 0:13:43 | 0:13:45 | |
That's lovely, isn't it? Where did it come from? | 0:13:45 | 0:13:48 | |
-Oh, locally. -Did it? | 0:13:48 | 0:13:50 | |
And is it quite old? It looks Victorian. | 0:13:50 | 0:13:52 | |
-Late Victorian? -Yeah. | 0:13:54 | 0:13:56 | |
It's really nice. | 0:13:56 | 0:13:57 | |
And what would your best price be? | 0:13:57 | 0:14:00 | |
I could do it for £80. | 0:14:00 | 0:14:01 | |
Any flexibility on that at all? | 0:14:03 | 0:14:04 | |
That's the best price - £80? | 0:14:04 | 0:14:07 | |
OK. Cool. | 0:14:07 | 0:14:08 | |
I'll have a little look around. Thank you. | 0:14:08 | 0:14:11 | |
Christina wants to be sure, so steps away to think, | 0:14:11 | 0:14:13 | |
but this lady knows what she wants, and in no time, | 0:14:13 | 0:14:16 | |
she's made up her mind. | 0:14:16 | 0:14:18 | |
I really like this hand barrow, and I'm fairly sure I can find a buyer for it. | 0:14:18 | 0:14:22 | |
It's a really nice, traditional market ware item. | 0:14:22 | 0:14:24 | |
And I've already had a chat with her, so let's see if there's any movement in that price. | 0:14:24 | 0:14:28 | |
I really like this, | 0:14:28 | 0:14:30 | |
but I just wondered whether there was any more movement in the price? | 0:14:30 | 0:14:34 | |
I could go to £75. | 0:14:34 | 0:14:36 | |
-£75? -Is the very lowest. | 0:14:36 | 0:14:38 | |
OK. All right. £75? | 0:14:38 | 0:14:40 | |
You couldn't do £70? | 0:14:40 | 0:14:42 | |
No! | 0:14:43 | 0:14:44 | |
OK. No, I do like it. I really like it, | 0:14:44 | 0:14:47 | |
so £75, I think we've got a deal! | 0:14:47 | 0:14:49 | |
All right. Brilliant. I love it. I don't know how I'm going to get it home. | 0:14:49 | 0:14:53 | |
It's not going to fit in the car. | 0:14:53 | 0:14:55 | |
Yes, our Christina is blithe as a barrow boy | 0:14:55 | 0:14:58 | |
with that purchase, but the bling is still calling out to her. | 0:14:58 | 0:15:02 | |
I am a very fair-weather buyer. I've bought two things outside now, | 0:15:02 | 0:15:05 | |
and I think that's plenty of being in the great outdoors. | 0:15:05 | 0:15:08 | |
So I'm going to go back inside. | 0:15:08 | 0:15:09 | |
Lucky Mr Serrell is on his home turf, | 0:15:12 | 0:15:14 | |
and with his wealth of local contacts, is hoping | 0:15:14 | 0:15:17 | |
a friendly face might have a bargain to offer. | 0:15:17 | 0:15:19 | |
Matt, how are you? | 0:15:19 | 0:15:21 | |
Very well, Philip, very well. | 0:15:21 | 0:15:22 | |
-Are you taking lots of money? -It's been OK. | 0:15:22 | 0:15:25 | |
Now, Matt is a regular customer at all of my auctions. | 0:15:25 | 0:15:27 | |
Have you got any Worcester-related or Malvern or...? | 0:15:27 | 0:15:30 | |
There's a map here of the Malverns, | 0:15:30 | 0:15:31 | |
with plenty of advertising around it. | 0:15:31 | 0:15:33 | |
-Can we have a look at it? -Of course. | 0:15:33 | 0:15:35 | |
Oh! I've got to buy this. | 0:15:37 | 0:15:40 | |
-Why's that? -Because that's where I started work. -Fantastic. | 0:15:42 | 0:15:46 | |
-Perfect. -Phone number 160... Isn't that just...? | 0:15:47 | 0:15:49 | |
Oh, goodness me! | 0:15:49 | 0:15:51 | |
No, I don't want this at all, Matt(!) How much is it? | 0:15:51 | 0:15:55 | |
-It's marked at £38. -What's the best? | 0:15:55 | 0:15:57 | |
-£32 to you. -Good man. | 0:15:57 | 0:15:59 | |
I'll take that off you, Matt, because I love that. | 0:15:59 | 0:16:01 | |
What I think I might do with this is get it framed up | 0:16:01 | 0:16:03 | |
and sell it... See if I can sell it to someone in Malvern. | 0:16:03 | 0:16:07 | |
I love that. | 0:16:07 | 0:16:09 | |
Excellent stuff. So...did you say £30 for cash? | 0:16:09 | 0:16:12 | |
I said £32. I need the extra £2, I'm afraid. | 0:16:12 | 0:16:14 | |
A small profit margin. | 0:16:14 | 0:16:16 | |
Well, there you are, Matt. I'm really pleased with that. | 0:16:16 | 0:16:18 | |
There's £40. Thank you very much indeed. | 0:16:20 | 0:16:23 | |
I'm so excited by that. Isn't that bizarre? I found a map that's got an advertising logo on it | 0:16:26 | 0:16:31 | |
for where I started work, | 0:16:31 | 0:16:33 | |
and I won't tell you how long ago it was, | 0:16:33 | 0:16:35 | |
but it wasn't when this was new. | 0:16:35 | 0:16:36 | |
And with that heroic fourth buy, | 0:16:38 | 0:16:40 | |
Phil has put himself firmly back on the map. | 0:16:40 | 0:16:42 | |
Now the Fox is flying, and with the scent of triumph in his nostrils, | 0:16:42 | 0:16:46 | |
he's tempted by a collection of copper pots and pans. | 0:16:46 | 0:16:49 | |
How are you, all right? | 0:16:51 | 0:16:53 | |
How old are those? | 0:16:53 | 0:16:54 | |
I think they're probably '20s, don't you? | 0:16:54 | 0:16:58 | |
-1920s. -Yeah. | 0:16:58 | 0:16:59 | |
-They're cool things, aren't they? -They're lovely. | 0:16:59 | 0:17:01 | |
One of the ways you can tell - correct me if I'm wrong - | 0:17:01 | 0:17:04 | |
an early piece of copper | 0:17:04 | 0:17:05 | |
is the rivet has got a zigzag, hasn't it? | 0:17:05 | 0:17:08 | |
-In the early ones, they'd be riveted on the base. -Yeah. | 0:17:08 | 0:17:11 | |
-These are not. -But the later ones, | 0:17:11 | 0:17:13 | |
-they're a straight seam, aren't they? -Yes. | 0:17:13 | 0:17:16 | |
-Whereas 18th-century ones would be zigzag? -They'd be zigzag. | 0:17:16 | 0:17:19 | |
-So you think these are perhaps 1920s? -Yes. | 0:17:19 | 0:17:21 | |
-And what's the best you could do? -£120. | 0:17:21 | 0:17:24 | |
-That's the absolute finito? -It is, yes. | 0:17:24 | 0:17:26 | |
Can I ask you to do me a favour? | 0:17:26 | 0:17:28 | |
-Could you just hold them for me for about ten minutes? -Yes. | 0:17:28 | 0:17:31 | |
I'm going to have a scout round. | 0:17:31 | 0:17:33 | |
And with that, Phil's off for one final madcap dash | 0:17:33 | 0:17:37 | |
to see if any other delights catch his eye. | 0:17:37 | 0:17:39 | |
Be quick, be quick, because this is a real rush time, this is. | 0:17:42 | 0:17:45 | |
Ooh, I'm sorry! | 0:17:45 | 0:17:46 | |
That concludes the Philip Serrell whistle-stop tour | 0:17:55 | 0:17:57 | |
to Malvern Flea and Antiques Fair, | 0:17:57 | 0:17:59 | |
and I've got about 30 seconds left to get my saucepans. Bye-bye! | 0:17:59 | 0:18:02 | |
So, with the £120 purchase, Phil is done. | 0:18:03 | 0:18:07 | |
Six...eight...10... | 0:18:07 | 0:18:10 | |
12. | 0:18:10 | 0:18:11 | |
Just check that's right. | 0:18:11 | 0:18:13 | |
Thank you very much. | 0:18:13 | 0:18:15 | |
But our fair lady is still trapping treasure, | 0:18:16 | 0:18:19 | |
and adds two final items to her trove. | 0:18:19 | 0:18:22 | |
I've just bought these two pieces of jewellery, | 0:18:23 | 0:18:25 | |
which I'm really, really pleased with. | 0:18:25 | 0:18:27 | |
The first is a little half-hoop diamond-set eternity ring. | 0:18:27 | 0:18:30 | |
Called half-hoop because the diamonds are only set halfway round, | 0:18:30 | 0:18:34 | |
which makes it an awful lot easier to resize. | 0:18:34 | 0:18:36 | |
This particular one is set with a quarter of a carat of diamonds, | 0:18:36 | 0:18:39 | |
about 0.25 carats of diamonds, | 0:18:39 | 0:18:40 | |
and it's set in 18-carat yellow gold. | 0:18:40 | 0:18:43 | |
I paid £100 for it, which can't be bad. | 0:18:43 | 0:18:46 | |
Can't be bad at all. | 0:18:46 | 0:18:48 | |
And the second thing I bought was this rather beautiful | 0:18:48 | 0:18:51 | |
amethyst and opal bracelet, | 0:18:51 | 0:18:53 | |
which is set in nine-carat, | 0:18:53 | 0:18:56 | |
and I think is relatively modern, | 0:18:56 | 0:18:58 | |
but I love the combination of the really rich colour purple amethysts | 0:18:58 | 0:19:02 | |
and the play of light and play of colour on the opals there. | 0:19:02 | 0:19:05 | |
Opals, unfortunately, do have a bit of a bad reputation. | 0:19:05 | 0:19:08 | |
They're considered as being quite unlucky. | 0:19:08 | 0:19:11 | |
Because the majority of opals are made up so much of water, | 0:19:11 | 0:19:14 | |
they tended to dehydrate and shrink | 0:19:14 | 0:19:17 | |
and therefore fall out of their settings. | 0:19:17 | 0:19:19 | |
So people became very suspicious about them. | 0:19:19 | 0:19:21 | |
They thought they were very unlucky. | 0:19:21 | 0:19:23 | |
So I'm very pleased that I paid £250 for that | 0:19:23 | 0:19:25 | |
little collet-set amethyst and opal bracelet. | 0:19:25 | 0:19:28 | |
And I love it. Beautiful. Absolutely beautiful. | 0:19:28 | 0:19:30 | |
So, as the market draws to a close | 0:19:30 | 0:19:33 | |
and the sun sinks behind the Malvern Hills, | 0:19:33 | 0:19:36 | |
it's time to find out how our rummaging rampagers have done. | 0:19:36 | 0:19:40 | |
Christina and Phil each started the day with £750 of their own money. | 0:19:42 | 0:19:47 | |
Courageous Christina had a glittering day, | 0:19:47 | 0:19:50 | |
purchasing six items and splashing out £530. | 0:19:50 | 0:19:54 | |
Fearless Phil searched far and wide, | 0:19:54 | 0:19:57 | |
but only managed five items, | 0:19:57 | 0:19:59 | |
spending £402. | 0:19:59 | 0:20:02 | |
So it's time for our weary antiques warriors | 0:20:02 | 0:20:05 | |
to call a temporary truce and size up each other's swag. | 0:20:05 | 0:20:09 | |
-How did you find that? -I loved it. | 0:20:09 | 0:20:10 | |
-Really? -I've had a great day. | 0:20:10 | 0:20:12 | |
Just every other stall was a glass cabinet with jewellery | 0:20:12 | 0:20:17 | |
-and beautiful things in. Loved it. -Girly bling. | 0:20:17 | 0:20:20 | |
-Absolutely. -Girly bling, girly bling. -How about you? | 0:20:20 | 0:20:23 | |
Yeah, it was an interesting time. I sort of... | 0:20:23 | 0:20:25 | |
You know I said I was going to buy things specifically | 0:20:25 | 0:20:29 | |
-with the end buyer in mind? -Yeah. | 0:20:29 | 0:20:31 | |
P-ching! | 0:20:31 | 0:20:32 | |
Straight out of the window! | 0:20:32 | 0:20:34 | |
Which is your best buy? | 0:20:34 | 0:20:36 | |
I think... I like my horse very much. | 0:20:36 | 0:20:39 | |
The bangle. | 0:20:39 | 0:20:41 | |
It's a Chester hallmark, so it's nice and close to home | 0:20:41 | 0:20:44 | |
and I think it's lovely. Very simple, very stylish. | 0:20:44 | 0:20:47 | |
-That's your thing, isn't it? -Completely. How have you got on today? | 0:20:47 | 0:20:50 | |
I love my map of the Malverns, | 0:20:50 | 0:20:52 | |
not because there's a huge profit in it, but simply because | 0:20:52 | 0:20:55 | |
the firm that I first started working for | 0:20:55 | 0:20:57 | |
advertise on there. | 0:20:57 | 0:20:59 | |
Is it 19th century...? | 0:20:59 | 0:21:01 | |
Oh, you're so sweet(!) | 0:21:01 | 0:21:03 | |
Now, our gallant knights' valiant fight | 0:21:07 | 0:21:09 | |
on the battlefield of buying may be over, | 0:21:09 | 0:21:11 | |
but their crusade is only at the halfway point. | 0:21:11 | 0:21:14 | |
Both these eminent experts | 0:21:14 | 0:21:16 | |
must now turn their buys into cold, hard profit. | 0:21:16 | 0:21:20 | |
So brace yourselves, as our duelling dealers | 0:21:20 | 0:21:23 | |
retire to their own stomping grounds | 0:21:23 | 0:21:25 | |
to draw up plans for the final battle. | 0:21:25 | 0:21:28 | |
They'll need to call on every bit of expertise and selling skill | 0:21:28 | 0:21:32 | |
in their armoury, | 0:21:32 | 0:21:34 | |
along with a touch of luck, | 0:21:34 | 0:21:35 | |
if they're to vanquish their opponent. | 0:21:35 | 0:21:37 | |
Back in his Worcestershire fox-hole, | 0:21:37 | 0:21:40 | |
Phil takes stock, and is struck by a sudden amount of uncertainty | 0:21:40 | 0:21:43 | |
over his hoard. | 0:21:43 | 0:21:44 | |
I look at this stuff now, | 0:21:44 | 0:21:46 | |
and I think some of it might just be a bit old-fogeyish, | 0:21:46 | 0:21:49 | |
but... Well, don't please answer that. | 0:21:49 | 0:21:51 | |
My gin barrel - I think that's quite a cool thing | 0:21:51 | 0:21:54 | |
and I love the fact that it's got "Gin" on the front. | 0:21:54 | 0:21:56 | |
The saucepans at £120... I don't really see how I can fail with those. | 0:21:56 | 0:22:00 | |
I hope there's a tidy profit in those. | 0:22:00 | 0:22:02 | |
And I just love that crimping iron. | 0:22:02 | 0:22:04 | |
I think I bought that with my heart and not my head, | 0:22:04 | 0:22:06 | |
but there might be a small profit there. | 0:22:06 | 0:22:08 | |
The two stars buys for me... Fancy finding a map | 0:22:08 | 0:22:10 | |
with my old firm in it. Hopefully, | 0:22:10 | 0:22:12 | |
there might be a connection there when I come to sell it. | 0:22:12 | 0:22:15 | |
And this car motif... There's got to be people out there | 0:22:15 | 0:22:19 | |
with a connection to this who will pay good money for it. | 0:22:19 | 0:22:22 | |
So Phil may be unsure about some of his bounty, | 0:22:22 | 0:22:25 | |
but up in her Shropshire bolthole, | 0:22:25 | 0:22:28 | |
Christina doesn't doubt any of her spoils. | 0:22:28 | 0:22:30 | |
Of all the things I bought at the antiques fair, | 0:22:32 | 0:22:34 | |
really, the cart for me was my favourite. | 0:22:34 | 0:22:37 | |
I'm desperate to find a buyer to take it back to a marketplace | 0:22:37 | 0:22:40 | |
so it can be in a busy, bustling market environment. | 0:22:40 | 0:22:44 | |
I also bought some beautiful pieces of jewellery, | 0:22:44 | 0:22:47 | |
indulging my love of anything sparkly. | 0:22:47 | 0:22:50 | |
So, starting with the opal and amethyst bracelet over here... | 0:22:50 | 0:22:53 | |
I was really, really pleased with it. | 0:22:53 | 0:22:55 | |
It is a modern piece of jewellery. | 0:22:55 | 0:22:57 | |
Then we've got the Charles Horner bracelet, | 0:22:57 | 0:22:59 | |
with the nice Chester hallmark. | 0:22:59 | 0:23:01 | |
I'm hoping the combination of these two factors | 0:23:01 | 0:23:04 | |
will make a nice tidy profit on that one. | 0:23:04 | 0:23:06 | |
Then the little diamond-set half eternity ring here, | 0:23:06 | 0:23:09 | |
which... I think every girl deserves an eternity ring | 0:23:09 | 0:23:12 | |
at some point in their lives, don't they? | 0:23:12 | 0:23:14 | |
Then the little silver-mounted ring box over here. | 0:23:14 | 0:23:17 | |
Of course, we're missing the rocking horse, which my father-in-law | 0:23:17 | 0:23:19 | |
is very, very kindly just giving a little bit of a tidy and a spruce-up to. | 0:23:19 | 0:23:24 | |
So, all in all, a good day. | 0:23:24 | 0:23:27 | |
Christina's hoping that her little bit of bling | 0:23:27 | 0:23:29 | |
will sparkle all the way to the bank. | 0:23:29 | 0:23:31 | |
So now it's time for both our masters of the antiques realm | 0:23:31 | 0:23:36 | |
to don their armour, mount their steeds | 0:23:36 | 0:23:38 | |
and strike out in search of profit. | 0:23:38 | 0:23:40 | |
But remember - no deal is truly sealed until that final handshake. | 0:23:40 | 0:23:45 | |
First up, Christina checks in on her very handy father-in-law, Chas, | 0:23:46 | 0:23:50 | |
who's tightened a few screws and given the horse a quick once-over. | 0:23:50 | 0:23:55 | |
How's it going? | 0:23:55 | 0:23:57 | |
-There was a bit of a problem with this cross-piece here. -Right. | 0:23:57 | 0:24:00 | |
That was quite wobbly, I seem to remember. | 0:24:00 | 0:24:03 | |
I've just made it very secure, because we don't want any little ones | 0:24:03 | 0:24:07 | |
-falling off it or anything like that. -Exactly. | 0:24:07 | 0:24:10 | |
I think it's important that we didn't do too much to it, | 0:24:10 | 0:24:12 | |
because it's... I've had a chat to a specialist about it | 0:24:12 | 0:24:15 | |
and it's actually earlier than I thought it was - it's a 1930s one. | 0:24:15 | 0:24:18 | |
-When I sent him photographs, he seemed to think this was the original paintwork. -Oh, right. | 0:24:18 | 0:24:23 | |
He's no Red Rum, but he'll be a good Dobbin for someone. | 0:24:23 | 0:24:26 | |
-Well, that's what it's about, isn't it? -Exactly. Thank you ever so much. | 0:24:26 | 0:24:30 | |
Christina's hoping her old nag will prove to be champion in the profit stakes. | 0:24:30 | 0:24:35 | |
Mr Serrell is hoping to bag his first sale | 0:24:35 | 0:24:39 | |
by taking a trip down memory lane. | 0:24:39 | 0:24:42 | |
He bought the local Malvern map after discovering inside it | 0:24:42 | 0:24:45 | |
an ad for the very first auction house he worked for. | 0:24:45 | 0:24:48 | |
Back in those days, Phil was a young cub about town. | 0:24:48 | 0:24:52 | |
Collars were big, trousers were flared | 0:24:52 | 0:24:56 | |
and scarves were all the rage. | 0:24:56 | 0:24:57 | |
Phil's got in touch with his first boss, who ran that company, Malcolm Hodges, | 0:24:57 | 0:25:01 | |
and has brought the £32 map to show him. | 0:25:01 | 0:25:05 | |
What really intrigues me is... | 0:25:05 | 0:25:06 | |
I bought this map down at the Three Counties Showground, | 0:25:06 | 0:25:10 | |
but it's how many of these people are still in existence. | 0:25:10 | 0:25:13 | |
Your old firm, which is JG Lear & Son, | 0:25:13 | 0:25:15 | |
and I think they were established in 1861, weren't they? | 0:25:15 | 0:25:18 | |
-1863. -1863. | 0:25:18 | 0:25:21 | |
-So your memory's not very good, is it? -No. -Not much it isn't! | 0:25:21 | 0:25:23 | |
It says here "established over 70 years", | 0:25:23 | 0:25:28 | |
so this map is probably somewhere between 1935-ish | 0:25:28 | 0:25:32 | |
-and 1940, isn't it? -That's about it. | 0:25:32 | 0:25:35 | |
-But it wouldn't have been done during the Second World War. -No. | 0:25:35 | 0:25:38 | |
So it's probably 1936, 1937? | 0:25:38 | 0:25:42 | |
-That would be about it. -Not even you were here then. -No. | 0:25:42 | 0:25:45 | |
The quality of the paper tells you that as well. | 0:25:45 | 0:25:48 | |
Is it something you might be interested in buying? | 0:25:48 | 0:25:50 | |
Are you going to give me a hard time, Malcolm? | 0:25:50 | 0:25:52 | |
How much do you want for it? | 0:25:52 | 0:25:54 | |
-I think it's worth £100 to the right bloke. -Pardon? | 0:25:54 | 0:25:57 | |
I tell you what I'll do... | 0:25:59 | 0:26:00 | |
I'll give you half. | 0:26:00 | 0:26:02 | |
Give it half. | 0:26:02 | 0:26:03 | |
-50 quid? -Yes. -Get out of here! | 0:26:03 | 0:26:05 | |
I'll drop it to 90 quid. | 0:26:05 | 0:26:07 | |
-Done? -Done. -You're a gentleman, Malcolm. | 0:26:09 | 0:26:12 | |
When can I pay - next year? | 0:26:12 | 0:26:14 | |
Easy credit terms for pensioners. | 0:26:14 | 0:26:16 | |
So Phil manages to reminisce his way to a £58 profit on the map. | 0:26:18 | 0:26:23 | |
-This was my first job, so for me that's a real little bit of a magic moment. -Quite. -Cheers, Malcolm. | 0:26:23 | 0:26:28 | |
Christina has no intention of letting this battle become a one-sided affair. | 0:26:30 | 0:26:34 | |
Behind that warm and friendly exterior lies a hardened warrior, | 0:26:34 | 0:26:38 | |
intent on victory. | 0:26:38 | 0:26:40 | |
She's rounded up three of her jewellery items, | 0:26:40 | 0:26:43 | |
which cost £360 in total | 0:26:43 | 0:26:45 | |
and taken them to show Nigel Woodroffe, | 0:26:45 | 0:26:47 | |
a jeweller contact in Shrewsbury. | 0:26:47 | 0:26:50 | |
You've got an interesting cross-section here, Christina. | 0:26:50 | 0:26:53 | |
"Interesting" - is that polite?! | 0:26:53 | 0:26:55 | |
It's a bit diverse, isn't it? | 0:26:55 | 0:26:58 | |
-Yeah. What shall we start with? -I'm quite fond of the bracelet. | 0:26:58 | 0:27:01 | |
I just like the colour combination between the opal and the amethyst. | 0:27:01 | 0:27:04 | |
-Beautiful amethysts. -Yes. -They are beautiful amethysts. | 0:27:04 | 0:27:06 | |
-Nice dark colour. -But... -But... | 0:27:06 | 0:27:09 | |
as you well know, they're not real opals. | 0:27:09 | 0:27:12 | |
But very, very pretty. | 0:27:12 | 0:27:13 | |
-And is that the kind of thing you...? -I think we could | 0:27:13 | 0:27:17 | |
find a customer for that. | 0:27:17 | 0:27:19 | |
What do you think of my little half eternity ring? | 0:27:19 | 0:27:22 | |
That's quite modern again. | 0:27:22 | 0:27:23 | |
Um...all little diamonds. | 0:27:23 | 0:27:27 | |
I think it is 18. It's 18-carat, so that's quite nice. | 0:27:27 | 0:27:30 | |
-They're not the best diamonds. -Sorry! | 0:27:32 | 0:27:34 | |
-But I'm sure that'll be reflected in the price. -Oh, I'm sure. | 0:27:34 | 0:27:38 | |
But even so, it's set well. | 0:27:39 | 0:27:41 | |
It's what we call a channel set. That's quite saleable at the moment. | 0:27:41 | 0:27:45 | |
Excellent. What do you think? I know it's an empty ring box, | 0:27:45 | 0:27:48 | |
which I know is a little bit random, | 0:27:48 | 0:27:50 | |
but I've not seen one with a silver... | 0:27:50 | 0:27:53 | |
Well, it's repro, | 0:27:53 | 0:27:55 | |
so it's a copy of an old Victorian box, I would think. | 0:27:55 | 0:27:59 | |
-OK. -Nice little bit of silver. | 0:27:59 | 0:28:01 | |
Lovely hallmark on there. | 0:28:01 | 0:28:03 | |
And you could put a really nice engagement ring in there. | 0:28:03 | 0:28:06 | |
-Absolutely. -And put somebody's initials on there. | 0:28:06 | 0:28:08 | |
And make it something really special. | 0:28:08 | 0:28:10 | |
So, pennies-wise, | 0:28:10 | 0:28:12 | |
I was hoping to get in the region of £350. | 0:28:12 | 0:28:15 | |
Hmm. | 0:28:15 | 0:28:16 | |
-It's a little bit top-heavy, I think. -Do you think? -Yeah. | 0:28:16 | 0:28:19 | |
What's your thoughts on that one? | 0:28:19 | 0:28:21 | |
I know they're synthetic, or created, opals, but... | 0:28:21 | 0:28:24 | |
it's a nice thing. | 0:28:24 | 0:28:26 | |
At the back of my mind, I'd have been thinking round about the £280 mark. | 0:28:26 | 0:28:30 | |
-Shall we split the difference at £300? -A deal at £300? | 0:28:30 | 0:28:34 | |
-Would you be happy with that? -Yeah, | 0:28:34 | 0:28:36 | |
I think there's a little bit of a margin in it for us at that. | 0:28:36 | 0:28:38 | |
That would be fantastic. | 0:28:38 | 0:28:40 | |
And then we've got the diamond eternity ring. | 0:28:40 | 0:28:44 | |
Well, I think about £150 - we could probably do a deal on something like that. | 0:28:44 | 0:28:48 | |
All right. I'd be happy with £150. That gives me £50. | 0:28:48 | 0:28:51 | |
That's great. | 0:28:51 | 0:28:53 | |
And this - I've not seen one of these before. | 0:28:53 | 0:28:55 | |
I think about £35 for that. | 0:28:55 | 0:28:57 | |
-£35? -Yeah. | 0:28:57 | 0:28:59 | |
I couldn't tempt you a little bit more on that one? | 0:28:59 | 0:29:03 | |
Seeing as it's you, £40, then. | 0:29:03 | 0:29:05 | |
Oh, £40? That would be brilliant! | 0:29:05 | 0:29:08 | |
-We'll shake on that. -Deal on that. -Thank you very much. -You're welcome. | 0:29:08 | 0:29:11 | |
Christina strikes a deadly blow, | 0:29:11 | 0:29:13 | |
selling half her stash and making a handsome £130 profit. | 0:29:13 | 0:29:18 | |
Proof that behind that beaming smile, | 0:29:20 | 0:29:22 | |
she's a ruthless negotiator. | 0:29:22 | 0:29:24 | |
Now, we all know that, unlike his rival, | 0:29:27 | 0:29:30 | |
battle-hardened Phil isn't quite so chirpy. | 0:29:30 | 0:29:34 | |
He may move at his own pace, | 0:29:34 | 0:29:36 | |
but don't be fooled - this fox is a determined one. | 0:29:36 | 0:29:39 | |
He's hoping to fill up his own profit pot | 0:29:43 | 0:29:45 | |
by parting with his £120 copper pans. | 0:29:45 | 0:29:48 | |
He's headed to Leominster to see dealer Ben | 0:29:48 | 0:29:51 | |
in the hope of cooking up a deal. | 0:29:51 | 0:29:53 | |
I'm guessing that they were around 1920, 1930. | 0:29:55 | 0:29:58 | |
-They could well be French. Certainly continental. -Yeah. | 0:30:02 | 0:30:05 | |
They've got a nice continental-type stamp with the numbers on the side. | 0:30:05 | 0:30:09 | |
Yeah. If they were English, you'd sort of expect to see | 0:30:09 | 0:30:12 | |
two-pint, three-pint, whatever, wouldn't you? | 0:30:12 | 0:30:15 | |
Yeah. So there is sizing - each one's got one on. | 0:30:15 | 0:30:18 | |
How far off £200 for these can you come? | 0:30:18 | 0:30:21 | |
I'd want to go quite a bit under. | 0:30:21 | 0:30:23 | |
Could you see £180, £190? | 0:30:23 | 0:30:26 | |
More... | 0:30:26 | 0:30:28 | |
£150-ish. | 0:30:28 | 0:30:30 | |
How's the ish? | 0:30:32 | 0:30:33 | |
-It's quite a low ish. -Is it? | 0:30:33 | 0:30:35 | |
-Yeah. -Is £150-ish like £170? | 0:30:35 | 0:30:39 | |
Can you just knock another five...£165? | 0:30:40 | 0:30:43 | |
Yeah, I'll do that, | 0:30:43 | 0:30:44 | |
because I think you've been really, really fair to me. | 0:30:44 | 0:30:47 | |
And I think that you've also - this is the key thing about this... | 0:30:47 | 0:30:51 | |
I think you've got the market for selling these, | 0:30:51 | 0:30:54 | |
and I'm not sure that I possibly have, | 0:30:54 | 0:30:56 | |
so I'm going to shake you by the hand. | 0:30:56 | 0:30:58 | |
-Okey-dokey. -Thank you. | 0:30:58 | 0:31:00 | |
Monsieur Serrell says au revoir | 0:31:00 | 0:31:02 | |
to his French copper pans | 0:31:02 | 0:31:04 | |
and bonjour to a £45 profit. | 0:31:04 | 0:31:06 | |
I think that's a good sale | 0:31:06 | 0:31:09 | |
for a lot that probably is not as saleable as it was 20 years ago. | 0:31:09 | 0:31:13 | |
Now, intent on selling the final part of her jewellery stash, | 0:31:19 | 0:31:22 | |
the Magpie Trevanion has swooped down | 0:31:22 | 0:31:25 | |
to Piccadilly's Burlington Arcade | 0:31:25 | 0:31:27 | |
to see silver dealer Daniel Bexfield. | 0:31:27 | 0:31:29 | |
She's hoping that the streets of London | 0:31:29 | 0:31:31 | |
really will be paved with gold | 0:31:31 | 0:31:34 | |
when it comes to parting with her silver bangle. | 0:31:34 | 0:31:36 | |
-Mr Bexfield. -Christina, please call me Daniel. | 0:31:38 | 0:31:40 | |
-How are you? -I'm very good. | 0:31:40 | 0:31:42 | |
Here you go. This is this silver Charles Horner bangle. | 0:31:42 | 0:31:45 | |
-Let's have a little look. -What do you think? | 0:31:45 | 0:31:47 | |
Well, I've seen lots and lots of these over the years | 0:31:47 | 0:31:49 | |
and generally, they often get buckled and bent. | 0:31:49 | 0:31:52 | |
And Charles Horner - or the company, Charles Horner - | 0:31:52 | 0:31:54 | |
made a lot of these. | 0:31:54 | 0:31:56 | |
But I've got to say this is one of the nicer ones | 0:31:56 | 0:31:58 | |
-I've seen for a long time. -Brilliant. | 0:31:58 | 0:32:00 | |
Because Charles Horner, for me, | 0:32:00 | 0:32:02 | |
when I think of Charles Horner, | 0:32:02 | 0:32:03 | |
I think of Art Nouveau hat pins set with quartz or amethyst. | 0:32:03 | 0:32:06 | |
Yes, he did a lot of Art Nouveau little pieces of jewellery - | 0:32:06 | 0:32:10 | |
brooches, hat pins, as you say, | 0:32:10 | 0:32:12 | |
little bits of enamelling. This is so very different from... | 0:32:12 | 0:32:15 | |
-Very different. -..Charles Horner. | 0:32:15 | 0:32:16 | |
-But the good thing is, it's in good condition. -Brilliant. | 0:32:16 | 0:32:19 | |
Well, in my mind, I was thinking around about the £85 mark. | 0:32:19 | 0:32:23 | |
-Perfect. Well, I was hoping £100. -Were you? | 0:32:23 | 0:32:25 | |
Yeah. Because it's pretty and because I like it! | 0:32:25 | 0:32:29 | |
Yes, but it's not very old - 1943. | 0:32:29 | 0:32:31 | |
And there are quite a number of them about, | 0:32:31 | 0:32:33 | |
-but it is the fact that it's in excellent condition. -OK. Many thanks. | 0:32:33 | 0:32:37 | |
Christina, wonderful. Thank you for coming to see me. | 0:32:37 | 0:32:40 | |
Bye-bye, bangle. I'll miss you. | 0:32:40 | 0:32:41 | |
Yes, it's another sparkling sale for Christina, | 0:32:41 | 0:32:44 | |
as she bags a £25 profit on the silver bangle. | 0:32:44 | 0:32:48 | |
Well, that can't be bad, can it? | 0:32:48 | 0:32:51 | |
Not a bad profit, and Daniel says that I've bought well, | 0:32:51 | 0:32:53 | |
so condition, condition, condition - it really is so important. | 0:32:53 | 0:32:57 | |
So, at the halfway point, let's see who's been making the diamond sales | 0:32:58 | 0:33:03 | |
and who's been stuck peddling the costume jewellery. | 0:33:03 | 0:33:06 | |
Christina has hit the ground running | 0:33:06 | 0:33:09 | |
and sold all of her jewellery, | 0:33:09 | 0:33:10 | |
notching up a profit of £155. | 0:33:10 | 0:33:13 | |
Phil has sold two items, | 0:33:13 | 0:33:16 | |
but is still in touching distance | 0:33:16 | 0:33:18 | |
with a profit of £103. | 0:33:18 | 0:33:20 | |
Christina is in a commanding position, | 0:33:24 | 0:33:26 | |
but the wily warrior of Worcester hasn't given up yet. | 0:33:26 | 0:33:29 | |
He's ventured to Buckinghamshire, | 0:33:29 | 0:33:32 | |
intent on doing a deal for the car insignia | 0:33:32 | 0:33:34 | |
that he bought for £80. | 0:33:34 | 0:33:36 | |
For petrol-head Phil, it's a pilgrimage. | 0:33:36 | 0:33:39 | |
The Fox has come to see Dick Skipworth, | 0:33:46 | 0:33:49 | |
classic car enthusiast and owner of a large collection of cars | 0:33:49 | 0:33:52 | |
from the famous Ecosse Ecurie race team, | 0:33:52 | 0:33:55 | |
winners of two 24-hour Le Mans races in the 1950s. | 0:33:55 | 0:33:59 | |
I think this is what heaven looks like, isn't it? | 0:34:01 | 0:34:03 | |
-Heaven? -Yeah. | 0:34:03 | 0:34:05 | |
I don't know. | 0:34:05 | 0:34:07 | |
This is just fantastic. | 0:34:07 | 0:34:10 | |
-These are competition cars, aren't they? -Yes. | 0:34:10 | 0:34:12 | |
They're all currently in competition in historic racing. | 0:34:12 | 0:34:16 | |
There's a well-known driver's name on there, isn't there? | 0:34:16 | 0:34:18 | |
-Jackie Stewart. -Yes. -Should read "Sir Jackie Stewart" now. | 0:34:18 | 0:34:22 | |
He was Jackie when he drove it. | 0:34:22 | 0:34:24 | |
Well, Dick, there is a real reason why I'm here. | 0:34:24 | 0:34:27 | |
I went to an antiques fair in Malvern | 0:34:27 | 0:34:29 | |
and I bought this. | 0:34:29 | 0:34:30 | |
My goodness! | 0:34:30 | 0:34:31 | |
-Shiny, isn't it? -It is. | 0:34:31 | 0:34:33 | |
I mean, it isn't chrome. | 0:34:33 | 0:34:35 | |
I would think this has come out of a showroom, hasn't it? | 0:34:35 | 0:34:38 | |
It must have done, I think. | 0:34:38 | 0:34:39 | |
I thought I'd need to find a man | 0:34:39 | 0:34:41 | |
who's got a certain passing interest in the old big cat. | 0:34:41 | 0:34:44 | |
-I wonder! -At the minute, Dick, I can't think of anybody else | 0:34:45 | 0:34:50 | |
other than you who's around here. | 0:34:50 | 0:34:53 | |
Well, it's a nice thing, Phil, to have on the garage wall. | 0:34:53 | 0:34:56 | |
Bit of memorabilia. | 0:34:56 | 0:34:58 | |
Would 100 quid be all right? | 0:34:58 | 0:35:00 | |
I'll shake you by the hand now. You're an absolute gentleman. | 0:35:00 | 0:35:03 | |
Deal done, the cars take centre stage, | 0:35:03 | 0:35:05 | |
and there's one in particular that really gets the revs going. | 0:35:05 | 0:35:08 | |
C-Type Jaguar - it's absolutely fantastic, isn't it? | 0:35:08 | 0:35:12 | |
There she is, Philip. | 0:35:12 | 0:35:13 | |
Would you like to drive it? | 0:35:13 | 0:35:15 | |
ENGINE PURRS | 0:35:16 | 0:35:17 | |
Bye! | 0:35:20 | 0:35:21 | |
Yes, the car's not part of the deal, Phil. | 0:35:21 | 0:35:23 | |
Mr Serrell has to settle for a quick go in the C-Type | 0:35:23 | 0:35:26 | |
and a £20 profit. | 0:35:26 | 0:35:28 | |
It's all still to play for in this tense battle of selling prowess. | 0:35:29 | 0:35:32 | |
Our antiques lord and lady each have two items left to sell. | 0:35:32 | 0:35:37 | |
Christina is the first to strike, as she visits a contact from her little black book - | 0:35:37 | 0:35:41 | |
mum-of-two Laura, to show her the well-loved but tidied-up £35 rocking horse. | 0:35:41 | 0:35:47 | |
What do you think? | 0:35:47 | 0:35:49 | |
Well, it could do with a bit of care and attention, I think. | 0:35:49 | 0:35:52 | |
You might be right, bless him. But he is from the 1930s. | 0:35:52 | 0:35:54 | |
He's by a firm called Patterson Edwards. | 0:35:54 | 0:35:56 | |
So he's actually by a known maker. | 0:35:56 | 0:35:59 | |
They started in the 1890s and they finished in the 1980s. | 0:35:59 | 0:36:02 | |
So they were there quite a long time, really. | 0:36:02 | 0:36:04 | |
Father-in-law Chas has tightened up all the screws, | 0:36:04 | 0:36:08 | |
so it should be ready for rocking. | 0:36:08 | 0:36:10 | |
And price-wise, I was hoping for about 50 quid for him. | 0:36:10 | 0:36:13 | |
As much as I love him, | 0:36:13 | 0:36:16 | |
I think it's going to take a bit of money | 0:36:16 | 0:36:18 | |
to make him look beautiful again. | 0:36:18 | 0:36:20 | |
So I think the highest I'd be happy to go would be £40. | 0:36:20 | 0:36:24 | |
Little bit more? | 0:36:26 | 0:36:27 | |
£42.50? | 0:36:27 | 0:36:29 | |
-£42.50 sounds really good to me. -It's a deal. -Thank you very much. | 0:36:31 | 0:36:34 | |
Yes, Christina rocks her way to a small profit of £7.50 | 0:36:34 | 0:36:39 | |
and Archie and Scarlett take it for a test drive. | 0:36:39 | 0:36:42 | |
There we go - not a huge profit, but so great to see it being used again | 0:36:54 | 0:36:56 | |
and hopefully, he'll be loved long into the future. | 0:36:56 | 0:36:59 | |
Just the handcart to go! | 0:36:59 | 0:37:01 | |
Sneakily, though, the Fox is looking to land a killer blow | 0:37:01 | 0:37:05 | |
by doubling up on his last two items. | 0:37:05 | 0:37:08 | |
He's headed to Lechlade in Gloucestershire | 0:37:08 | 0:37:10 | |
with his gin barrel and crimping iron. | 0:37:10 | 0:37:13 | |
These are my last two bits to sell, | 0:37:13 | 0:37:15 | |
and I've brought them to an antiques centre, where lots of sellers means, | 0:37:15 | 0:37:19 | |
hopefully, lots of buyers too. | 0:37:19 | 0:37:21 | |
First up, Phil shows the 19th-century gin barrel that cost him £70 to dealer Richard. | 0:37:21 | 0:37:28 | |
I'd like to try and get close to 120 quid - what do you think? | 0:37:28 | 0:37:31 | |
-£100? -Is that your best shot? | 0:37:33 | 0:37:35 | |
-Yeah. -I tell you what, you've been fair with me - I'm going to take that. Thank you. | 0:37:36 | 0:37:40 | |
You're welcome. | 0:37:40 | 0:37:41 | |
So, Phil makes a neat £30 profit on the gin barrel | 0:37:41 | 0:37:44 | |
and then quickly moves on to see dealer John, | 0:37:44 | 0:37:48 | |
a client who has expressed an interest | 0:37:48 | 0:37:50 | |
in the early 19th-century crimping iron that set him back £100. | 0:37:50 | 0:37:54 | |
-These would have crimped collars, wouldn't they? -Yes, cuffs and collars. | 0:37:56 | 0:38:00 | |
-You'd have had a starched collar, a bit like Upstairs Downstairs. -Yes. | 0:38:00 | 0:38:03 | |
And it would have been affixed to a table... | 0:38:03 | 0:38:06 | |
-Yes. -..and in a laundry room or somewhere like that. | 0:38:06 | 0:38:09 | |
It would have been a stately home or something. | 0:38:09 | 0:38:11 | |
It really would have been Downton Abbey in the ground floor. | 0:38:11 | 0:38:13 | |
Yes. And it would have had two pokers, | 0:38:13 | 0:38:16 | |
with ring handles so you could pull them in. You put them in the fire, | 0:38:16 | 0:38:19 | |
warm them up, and then put them in there | 0:38:19 | 0:38:22 | |
and then it would warm these rollers up | 0:38:22 | 0:38:24 | |
and you'd just adjust it. | 0:38:24 | 0:38:27 | |
I was hoping I would get close to 150, 160 quid. | 0:38:27 | 0:38:30 | |
That's what I was hoping for. | 0:38:30 | 0:38:32 | |
No way, no. | 0:38:32 | 0:38:33 | |
It's not complete. | 0:38:33 | 0:38:36 | |
Without the pokers. | 0:38:36 | 0:38:38 | |
-John, it's 180 years old! -Put it this way, | 0:38:38 | 0:38:40 | |
-I've never seen one complete. -Well, there you are, then! | 0:38:40 | 0:38:43 | |
But it's very nice. Um... | 0:38:43 | 0:38:45 | |
-I've got to get a profit on it. -Of course. -£135. -Is that your best shot? | 0:38:46 | 0:38:51 | |
Yeah, £135. | 0:38:51 | 0:38:52 | |
-Your best shot? -I think so. | 0:38:52 | 0:38:54 | |
-£135. -OK. Well, I'm going to shake you by the hand on that. | 0:38:54 | 0:38:57 | |
-You sure? -Yeah. | 0:38:57 | 0:38:59 | |
-I think you've been very fair to me. -It's not a bad piece. | 0:38:59 | 0:39:02 | |
-I love it. -I could live with it. | 0:39:02 | 0:39:03 | |
It's a crisp £35 profit for the Fox, | 0:39:03 | 0:39:06 | |
and with that, he's all sold up. | 0:39:06 | 0:39:10 | |
Two sales in one - that's the way to go at it! | 0:39:11 | 0:39:14 | |
The only thing is, I'm not sure overall | 0:39:14 | 0:39:16 | |
if I've made quite enough money to beat Christina. | 0:39:16 | 0:39:19 | |
As this epic battle between two proud and noble knights of the antiques world nears its end, | 0:39:21 | 0:39:26 | |
all the pressure is now on Christina. | 0:39:26 | 0:39:28 | |
Yes, our steely-eyed expert has headed back to London, | 0:39:41 | 0:39:44 | |
where she's hoping to get a nice bit of bread and honey | 0:39:44 | 0:39:47 | |
for the cart that cost her £75. | 0:39:47 | 0:39:49 | |
When I saw this in Malvern, I thought it would be absolutely ideal | 0:39:51 | 0:39:54 | |
for a market trader. I've come to one of the most famous food markets in the world, | 0:39:54 | 0:39:58 | |
because I think I know a man who might just be able to put it to good use. | 0:39:58 | 0:40:01 | |
-Hi, Rory. -How are you doing? -All right. Here's the barrow. | 0:40:03 | 0:40:07 | |
I sent you pictures of it. | 0:40:07 | 0:40:09 | |
-Can I have a look? -Of course you can. | 0:40:09 | 0:40:11 | |
I think it was painted quite recently as well. | 0:40:11 | 0:40:13 | |
He sanded down all the spokes and that kind of thing. | 0:40:13 | 0:40:16 | |
I think it's an early 20th-, late 19th-century one. | 0:40:16 | 0:40:20 | |
It's good and solid. | 0:40:20 | 0:40:22 | |
No brakes, no suspension! | 0:40:22 | 0:40:24 | |
-No mod cons. -No mod cons, sadly. | 0:40:24 | 0:40:27 | |
So... | 0:40:27 | 0:40:29 | |
I was hoping to get | 0:40:29 | 0:40:31 | |
somewhere in the region of about 250 quid for it. | 0:40:31 | 0:40:34 | |
Something like that. What's your thoughts about that? | 0:40:34 | 0:40:37 | |
That's quite a lot for a wheelbarrow. | 0:40:37 | 0:40:39 | |
Hmm, it's not started well. | 0:40:39 | 0:40:42 | |
I would think more like £120 would be about the price. | 0:40:43 | 0:40:45 | |
That's quite generous. | 0:40:47 | 0:40:49 | |
Rory may have had a butcher's at the cart, | 0:40:49 | 0:40:51 | |
but he's proving a tough customer to agree a price with. | 0:40:51 | 0:40:54 | |
Can Christina wheel and deal her way to the profit she needs for victory? | 0:40:54 | 0:40:58 | |
All will be revealed. | 0:40:58 | 0:41:00 | |
Our duelling duo both started with £750 of their own money to spend. | 0:41:02 | 0:41:07 | |
Christina bagged six buys for a total cost of £530. | 0:41:07 | 0:41:11 | |
Phil was more frugal. | 0:41:11 | 0:41:14 | |
He spent £402 | 0:41:14 | 0:41:15 | |
and made five purchases. | 0:41:15 | 0:41:18 | |
But the only thing that matters now | 0:41:18 | 0:41:20 | |
is who has made the most profit. | 0:41:20 | 0:41:22 | |
All of the money that Christina and Phil have made | 0:41:24 | 0:41:26 | |
from today's challenge will go to charities of their choice. | 0:41:26 | 0:41:29 | |
So, without further ado, | 0:41:29 | 0:41:31 | |
let's find out who is today's Put Your Money Where Your Mouth Is champion. | 0:41:31 | 0:41:35 | |
-Hello, lovey. -How are you? -Very well. How are you? -Good to see you. | 0:41:37 | 0:41:40 | |
Antique fair. | 0:41:40 | 0:41:42 | |
For me, one of the problems is, if you go round and see lots of stuff... | 0:41:42 | 0:41:45 | |
"I'll come back for that", yes. | 0:41:45 | 0:41:48 | |
"I'll buy something in a minute" and then it's gone. | 0:41:48 | 0:41:50 | |
What was your favourite bit? | 0:41:50 | 0:41:52 | |
Oh, my favourite bit was my car sign. | 0:41:52 | 0:41:54 | |
I had a day selling that that will live with me forever. | 0:41:54 | 0:41:57 | |
-Really? -Yeah! | 0:41:57 | 0:41:59 | |
Absolutely stunning. But what about you? | 0:41:59 | 0:42:02 | |
Well, I was working on the theory of stick with what you know. | 0:42:02 | 0:42:05 | |
-You jewellery-ed, didn't you? -I jewellery-ed, yeah. | 0:42:05 | 0:42:07 | |
And it seemed to work. | 0:42:07 | 0:42:09 | |
Bearing in mind that you jewellery-ed to the max, | 0:42:09 | 0:42:12 | |
I think this is bottom-smacking time! | 0:42:12 | 0:42:15 | |
OK, the 3-2-1. 3...2...1...go! | 0:42:15 | 0:42:18 | |
Oh, yeah! | 0:42:20 | 0:42:21 | |
I thought as much. | 0:42:21 | 0:42:22 | |
-Not hugely. -Your jewellery did well, didn't it? | 0:42:22 | 0:42:26 | |
-Well, I think stick to what you know. What do you know? -Nothing. | 0:42:26 | 0:42:29 | |
Don't keep following me! | 0:42:34 | 0:42:35 | |
So Christina takes the spoils of today's knightly battle, | 0:42:37 | 0:42:41 | |
and why? Because she managed to sell the cart | 0:42:41 | 0:42:44 | |
for a contest-winning price of £145... | 0:42:44 | 0:42:49 | |
OK, deal. | 0:42:49 | 0:42:50 | |
-Enjoy your handcart. -I will. | 0:42:50 | 0:42:51 | |
..pocketing £70 profit. | 0:42:51 | 0:42:54 | |
Hard luck, Mr Serrell. Better luck next time. | 0:42:56 | 0:42:58 | |
Christina beat me fair and square, | 0:42:58 | 0:43:00 | |
but do you know, it was worth it just to go and see all those fabulous classic cars. | 0:43:00 | 0:43:04 | |
Given half the chance, I'd be back there again tomorrow. | 0:43:04 | 0:43:08 | |
But in fact tomorrow Phil has a chance to redeem himself | 0:43:08 | 0:43:12 | |
as our duelling dealers go head-to-head | 0:43:12 | 0:43:14 | |
at a car boot sale in London. | 0:43:14 | 0:43:16 | |
Subtitles by Red Bee Media Ltd | 0:43:24 | 0:43:26 |