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'This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
'the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:07 | |
'against each other in an all-out battle for profit.' | 0:00:07 | 0:00:11 | |
-Whey-hey! -'And gives you the insider's view of the trade.' | 0:00:11 | 0:00:16 | |
I'm on the case. | 0:00:16 | 0:00:18 | |
-Whee! -'Each week, one pair of duelling dealers | 0:00:18 | 0:00:21 | |
'will face a different daily challenge.' | 0:00:21 | 0:00:24 | |
-I'm a cheeky chancer. -'Lovely! | 0:00:24 | 0:00:27 | |
'Putting their reputations on the line | 0:00:27 | 0:00:29 | |
'and giving you top tips and savvy secrets | 0:00:29 | 0:00:32 | |
'on how to make the most money from buying and selling.' | 0:00:32 | 0:00:36 | |
-Let's go and spend some money. -Get in there! | 0:00:36 | 0:00:39 | |
'Today, preeminent princess of purchasing Christina Trevanion | 0:00:40 | 0:00:45 | |
'battles it out with that brilliant behemoth of the bargain, Phil Serrell. | 0:00:45 | 0:00:50 | |
'Coming up, Phil struggles to find things to his taste.' | 0:00:50 | 0:00:53 | |
That is just about the worst thing I have ever seen in my life. | 0:00:53 | 0:00:59 | |
'Christina shows you how to drive a hard bargain | 0:00:59 | 0:01:02 | |
'while keeping people on side.' | 0:01:02 | 0:01:06 | |
-45. -50. -45. Go on. Go on! | 0:01:06 | 0:01:09 | |
'And Phil's got his work cut out selling for big money.' | 0:01:09 | 0:01:12 | |
-Give me 150 quid for the four. -No. | 0:01:12 | 0:01:15 | |
-Is that the end of it? -That's the end of it. You can go now. | 0:01:15 | 0:01:17 | |
250 quid for it, that's what I'd like to get. | 0:01:17 | 0:01:20 | |
'This is Put Your Money Where Your Mouth Is. | 0:01:20 | 0:01:23 | |
'Prepare yourselves for a gargantuan intergalactic fight of epic proportions. | 0:01:36 | 0:01:41 | |
'Two mythical antiques experts with monumental and mysterious powers | 0:01:41 | 0:01:46 | |
'have landed on the little bit of planet Earth they call Paris. | 0:01:46 | 0:01:51 | |
'These duelling superheroes of the deal will stop at nothing | 0:01:51 | 0:01:54 | |
'in a bitter battle for profit. | 0:01:54 | 0:01:57 | |
'First up, is it a bird? Is it a plane? | 0:01:57 | 0:02:00 | |
'Great Scot, it's Christina The Magpie Trevanion. | 0:02:00 | 0:02:03 | |
'This wonderful warrior woman of the skies | 0:02:03 | 0:02:05 | |
'will take deadly aim at any trinket she spies.' | 0:02:05 | 0:02:09 | |
I'm loving it here. There's just so much to look at, it's brilliant. I'm like a child in a sweet shop. | 0:02:09 | 0:02:13 | |
'Pitted against her, it's the saviour of the universe. | 0:02:13 | 0:02:17 | |
'Saints alive, it's Phil The Fox Serrell! | 0:02:17 | 0:02:20 | |
'With his sensational super powers, | 0:02:20 | 0:02:22 | |
'our scarfed crusader will scour the market for the sale that means he'll reign supreme.' | 0:02:22 | 0:02:27 | |
Is that for sale? For sale? | 0:02:27 | 0:02:30 | |
'Our tremendous antiques twosome will traverse the streets of gay Paris | 0:02:30 | 0:02:35 | |
'at the Porte De Vanves flea market | 0:02:35 | 0:02:37 | |
'as they engage in the most colossal conflict over collectables the world has ever surely witnessed. | 0:02:37 | 0:02:43 | |
'They're on a quest to plunder the top purchases | 0:02:43 | 0:02:45 | |
'and purloin the most prodigious profit. | 0:02:45 | 0:02:48 | |
'They've each got £750 worth of their own Euros to spend | 0:02:48 | 0:02:52 | |
'and all the profit goes to their chosen charities. | 0:02:52 | 0:02:54 | |
'Christina Trevanion and Phil Serrell, | 0:02:54 | 0:02:58 | |
'it's time to put your money where your mouth is.' | 0:02:58 | 0:03:01 | |
-Bonjour! -Bonjour! How are you? | 0:03:03 | 0:03:05 | |
-Very well. How are you? -I feel a little bit intimidated this morning. | 0:03:05 | 0:03:08 | |
-Why? -Je ne pas parle Francais. | 0:03:08 | 0:03:11 | |
-La plume de ma tante. -Whoa! SHE LAUGHS | 0:03:11 | 0:03:15 | |
I haven't got a clue what I'm doing here but I love these markets. | 0:03:15 | 0:03:18 | |
-It's great fun. There is a real buzz about it. -Have you got a plan? | 0:03:18 | 0:03:21 | |
Well, we are kind of in the birthplace of the Art Deco, Art Nouveau movement. | 0:03:21 | 0:03:24 | |
We might see a bit of it. So keep my nose to the ground and see if there's anything about. | 0:03:24 | 0:03:30 | |
-Oh, right. -Yeah. What about you? | 0:03:30 | 0:03:32 | |
I'm going to try and buy stuff that you can't put a price on. | 0:03:32 | 0:03:35 | |
We've got £750 worth of Euro, so... | 0:03:35 | 0:03:38 | |
-If you can't put a price on it, how are you going to buy it? -Ah. | 0:03:38 | 0:03:41 | |
-SHE LAUGHS -Come on, which way are we going to go? | 0:03:41 | 0:03:44 | |
Let's both go this way, shall we? Come on. | 0:03:44 | 0:03:47 | |
'Yes, don't be afraid, mes ami. | 0:03:48 | 0:03:51 | |
'Despite possessing powers beyond imagination, | 0:03:51 | 0:03:53 | |
'our purchasing predators come in peace to France | 0:03:53 | 0:03:56 | |
'and mean no harm to earthlings. | 0:03:56 | 0:03:59 | |
'They'll reserve their mighty rage for each other in this epic battle for profit. | 0:03:59 | 0:04:03 | |
'And Phil is raring to go.' | 0:04:03 | 0:04:06 | |
This looks like a really good market | 0:04:06 | 0:04:09 | |
and the thing about it is, you're in a foreign country, | 0:04:09 | 0:04:12 | |
you've got to look round here with a completely different set of eyes. | 0:04:12 | 0:04:15 | |
So I want to try and find things that you can't put a price on | 0:04:15 | 0:04:18 | |
and things that hopefully I can sell for a good profit when I get home. | 0:04:18 | 0:04:22 | |
'So while Phil looks around with new eyes, | 0:04:22 | 0:04:24 | |
'Christina's heart is set on art.' | 0:04:24 | 0:04:28 | |
I'm loving this market. It's got a real buzz about it, | 0:04:28 | 0:04:30 | |
which is quite nice. My dream has come true slightly | 0:04:30 | 0:04:33 | |
in that there seems to be a lot of very Art Deco, very Art Nouveau things, | 0:04:33 | 0:04:37 | |
which is wonderful to see, but we are a bit spoilt for choice, | 0:04:37 | 0:04:40 | |
so it's thinking what will translate well back in the UK as well as in France. | 0:04:40 | 0:04:44 | |
'Yes, this is a lady who knows what she wants and her X-ray specs | 0:04:44 | 0:04:47 | |
'have already zoomed in on something she likes the look of. | 0:04:47 | 0:04:50 | |
'A shabby chic cabinet.' | 0:04:50 | 0:04:53 | |
I'm quite drawn to this cos it's a miniature armoire, which is lovely, | 0:04:53 | 0:04:56 | |
but it is fairly crude. It's got a bit of a woodworm problem. | 0:04:56 | 0:05:00 | |
And she wants 60 Euros for it. We'll bear it in mind but I'm not convinced. | 0:05:00 | 0:05:05 | |
'And while Christina ponders over her cabinet, | 0:05:05 | 0:05:08 | |
'our Super Serrell has some sage advice.' | 0:05:08 | 0:05:10 | |
If you're going to come to a foreign market, you've got to get your foreign market head on. | 0:05:10 | 0:05:14 | |
This is not like looking around an antique fair in England. | 0:05:14 | 0:05:17 | |
So you've got to get used to what you're going to see. | 0:05:17 | 0:05:21 | |
And it's just a question of familiarising yourself of your surroundings | 0:05:21 | 0:05:24 | |
before you really dive in and start buying. | 0:05:24 | 0:05:27 | |
'And Phil promptly fails to follow his own advice | 0:05:27 | 0:05:30 | |
'and heads straight towards a novelty box.' | 0:05:30 | 0:05:33 | |
How about 40 Euros? | 0:05:33 | 0:05:35 | |
-OK. -SHE SPEAKS FRENCH | 0:05:35 | 0:05:38 | |
Oh, is that good? 40 Euros. | 0:05:38 | 0:05:41 | |
I think these are really cool. They'll make a great desk accessory. | 0:05:41 | 0:05:44 | |
It looks like it's three books, but you open it up | 0:05:44 | 0:05:48 | |
and it's a box for putting your knick-knacks in. | 0:05:48 | 0:05:50 | |
No great age to it, probably 40, 50 years old, | 0:05:50 | 0:05:55 | |
but it's got a really good look to it. | 0:05:55 | 0:05:57 | |
And I think I've got someone who might just be interested in buying that when I get home. | 0:05:57 | 0:06:01 | |
But we're on the way! We've started shopping! Isn't that good? | 0:06:01 | 0:06:04 | |
'It certainly is. Phil's booked himself into first place, | 0:06:04 | 0:06:08 | |
'nabbing the box for £34.19. | 0:06:08 | 0:06:11 | |
'Christina has been thinking hard about that armoire | 0:06:11 | 0:06:14 | |
'and heads back to the stall to see if she can get the price knocked down.' | 0:06:14 | 0:06:18 | |
-I do really like this. -Yes. -But I think you said 60 Euros, didn't you? -Yes. | 0:06:18 | 0:06:23 | |
-Would you say 40? -Oh, no, 40, I can't. | 0:06:23 | 0:06:26 | |
-I can make, er, 50 if you want. -50 Euros? | 0:06:26 | 0:06:31 | |
-Yes. -OK, I'm happy with that. | 0:06:31 | 0:06:33 | |
-Is that a deal? -OK. -Brilliant. Thank you very much. | 0:06:33 | 0:06:35 | |
'And Christina's off the mark, cutting a deal | 0:06:35 | 0:06:38 | |
'on the mid-20th century armoire for £42.74. | 0:06:38 | 0:06:42 | |
'Razor-sharp Phil makes sure his finger is firmly on the purchasing pulse | 0:06:42 | 0:06:47 | |
'before he makes his next move on a set of funky chairs.' | 0:06:47 | 0:06:51 | |
You see, the thing about this business is, there's four chairs over there | 0:06:51 | 0:06:55 | |
that have come from a factory or a warehouse, | 0:06:55 | 0:06:57 | |
and 20 years ago, you'd have quite quietly confined them to the skip. | 0:06:57 | 0:07:01 | |
But life changes and they've now become uber trendy. | 0:07:01 | 0:07:05 | |
'Yes, this fox knows how to hunt the funk | 0:07:05 | 0:07:07 | |
'and begins to circle his prey.' | 0:07:07 | 0:07:10 | |
Er, monsieur. Bonjour. Combien? | 0:07:10 | 0:07:13 | |
Cent-cinquant. | 0:07:13 | 0:07:15 | |
-Cent-cinquant. A hundred and... -Er, 50. | 0:07:15 | 0:07:19 | |
150 Euros. | 0:07:19 | 0:07:21 | |
That's sort of reasonable. It's basically, I think, | 0:07:21 | 0:07:25 | |
the full retail value back home. | 0:07:25 | 0:07:27 | |
I'll perhaps bear it in mind for later. | 0:07:27 | 0:07:29 | |
'And while Phil is contemplating the hip and trendy, | 0:07:31 | 0:07:34 | |
'Christina's contemplating something else.' | 0:07:34 | 0:07:38 | |
I think someone must've been looking at Phil and sketching this.' | 0:07:38 | 0:07:41 | |
'Oh, mais oui, madame! With her eye firmly back on the prize, | 0:07:41 | 0:07:46 | |
'Christina homes in on some more tasteful pictures.' | 0:07:46 | 0:07:49 | |
-How much are these? -20 each. | 0:07:49 | 0:07:52 | |
-So we've got the circa 1900 ones. -Yes, yes. | 0:07:52 | 0:07:55 | |
-And then the 1950s ones. -57. | 0:07:55 | 0:07:58 | |
But it is, er, | 0:07:58 | 0:08:00 | |
150 for ten if you want. | 0:08:00 | 0:08:03 | |
-If I had four pictures... -Yes? -..how much would that be? | 0:08:03 | 0:08:07 | |
-HE SIGHS -You're hard with me. | 0:08:07 | 0:08:09 | |
-SHE LAUGHS -60 if you want. The same price for ten, yes. -OK. | 0:08:09 | 0:08:13 | |
Thank you, that's wonderful. I'll have a look through and see what I can find. Thank you very much. | 0:08:13 | 0:08:17 | |
-So you want all these? -Well, is that classed as four? | 0:08:17 | 0:08:21 | |
-Cos we've got one, two, three, four. -Yes. | 0:08:21 | 0:08:24 | |
Ah! So we said 40. | 0:08:24 | 0:08:27 | |
-No, we said 60 for that. -60. -Yes. | 0:08:27 | 0:08:30 | |
OK. Thank you very much. That's brilliant. | 0:08:30 | 0:08:32 | |
'And with her stylish purchasing powers, | 0:08:32 | 0:08:35 | |
'Christina bags the prints for £51.28.' | 0:08:35 | 0:08:38 | |
I'm really pleased with these. They just epitomise for me everything that's French. | 0:08:40 | 0:08:44 | |
And I love the fashion atelier. | 0:08:44 | 0:08:47 | |
Everything here, the fashion plate, it's just absolutely beautiful. | 0:08:47 | 0:08:50 | |
My plan is to frame them | 0:08:50 | 0:08:52 | |
and then hopefully find a bit of a fashion expert or a fashionista | 0:08:52 | 0:08:58 | |
that will be interested in displaying them. | 0:08:58 | 0:09:00 | |
'This dynamo diva is two-one up, | 0:09:00 | 0:09:03 | |
'meaning Monsieur Serrell has got some catching up to do. | 0:09:03 | 0:09:06 | |
'And his mind has been in overdrive.' | 0:09:06 | 0:09:08 | |
I really like those chairs. They're not even 15 years old. | 0:09:08 | 0:09:12 | |
They're 150 Euros, that's about £135. | 0:09:12 | 0:09:15 | |
I'm going to go and see if I can buy them for 120, 130 Euros. | 0:09:15 | 0:09:20 | |
Who on earth am I going to sell them to? But I think they're really cool things. | 0:09:20 | 0:09:24 | |
One, two, zero. | 0:09:24 | 0:09:27 | |
THEY LAUGH | 0:09:29 | 0:09:31 | |
-Yeah? Is that all right? -Yeah. -Thank you. | 0:09:31 | 0:09:34 | |
So I've just bought these chairs for 120 Euros. | 0:09:34 | 0:09:37 | |
Quite what I'm going to do with them, I don't know, but I think they're really cool things. | 0:09:37 | 0:09:41 | |
'He hunted the funk and snared the snazzy. | 0:09:41 | 0:09:43 | |
'Our hipster swipes the chairs for £102.56.' | 0:09:43 | 0:09:47 | |
I've got a 28-year-old daughter and I think I'm going to have to sell these to one of her mates, | 0:09:47 | 0:09:51 | |
cos I can't see any of my friends putting them round their Victorian mahogany dining table. | 0:09:51 | 0:09:57 | |
'Hip Phil thinks he's onto a winner, but cool cat Christina is moving up a gear. | 0:09:57 | 0:10:02 | |
'She's formulated a very definite battle plan.' | 0:10:02 | 0:10:04 | |
Having weighed up what I've seen, I think on my wish list now | 0:10:04 | 0:10:08 | |
is going to be a bronze, a piece of really nice glass | 0:10:08 | 0:10:11 | |
or an Art Deco light fitting. | 0:10:11 | 0:10:14 | |
'Confident Christina has her shopping list all worked out | 0:10:14 | 0:10:17 | |
'and her strategy has her nemesis nervous.' | 0:10:17 | 0:10:19 | |
Christina's plan to look at Art Deco and Art Nouveau, | 0:10:19 | 0:10:22 | |
I think she's going to do well with that because it's absolutely everywhere. | 0:10:22 | 0:10:26 | |
Perhaps that's what I should be looking at. | 0:10:26 | 0:10:29 | |
'Christina's single-minded determination has confounded her enemy | 0:10:29 | 0:10:34 | |
'and her laser-beam focus has targeted an Art Deco sculpture.' | 0:10:34 | 0:10:38 | |
This is absolutely beautiful. | 0:10:39 | 0:10:41 | |
But can you do anything on the price at all? | 0:10:41 | 0:10:44 | |
-The price? -Yeah. It's 500 Euros. | 0:10:44 | 0:10:46 | |
And is it genuine Art Deco? It looks... | 0:10:46 | 0:10:49 | |
-Yeah, I think it's from 1900. -1900? That early? | 0:10:49 | 0:10:53 | |
-I would've said 1920, 1930. -1900 to 1920. | 0:10:53 | 0:10:57 | |
Yeah, exactly. | 0:10:57 | 0:10:59 | |
But price-wise, can you do anything on that? | 0:10:59 | 0:11:04 | |
-If I say 450? -Oh, it's heavy! -It's quite heavy. | 0:11:04 | 0:11:07 | |
It's very heavy and it's got ceramics by it, which is terrifying. SHE LAUGHS | 0:11:07 | 0:11:11 | |
450 is your best price? | 0:11:13 | 0:11:15 | |
-I hope to get 450. -OK. | 0:11:15 | 0:11:19 | |
I'm going to keep wandering down there, but I like it a lot. | 0:11:19 | 0:11:21 | |
-Can you put it back for me? -I'll put it back. -Thank you. Brilliant. | 0:11:21 | 0:11:25 | |
'But hang on, Christina, wasn't that exactly what you were looking for?' | 0:11:25 | 0:11:29 | |
I absolutely love that bronze, the swallows diving. | 0:11:29 | 0:11:32 | |
I think it's just beautiful and the movement in it is fabulous. | 0:11:32 | 0:11:36 | |
The only thing that worries me is that when I looked at the bottom of it, | 0:11:36 | 0:11:40 | |
the screws on the bottom looked quite new, as if they were either a replacement | 0:11:40 | 0:11:44 | |
or that it was newer than it was purporting to be. | 0:11:44 | 0:11:48 | |
It looked very 1920s, very Art Nouveau-Art Deco transition. | 0:11:48 | 0:11:52 | |
So I think we'll keep on walking but give it some thought. | 0:11:52 | 0:11:55 | |
'And while Christina ponders her predicament, | 0:11:55 | 0:11:58 | |
'let's turn our attention to their tallies. | 0:11:58 | 0:12:01 | |
'Both our antiques avengers started the day | 0:12:02 | 0:12:05 | |
'with £750 worth of their own Euros to spend. | 0:12:05 | 0:12:08 | |
'Christina has captured two treasures, | 0:12:08 | 0:12:11 | |
'spending £94.02, | 0:12:11 | 0:12:13 | |
'leaving her £655.98. | 0:12:13 | 0:12:16 | |
'Mr Serrell has also tethered two trophies, | 0:12:17 | 0:12:20 | |
'spending £136.75, | 0:12:20 | 0:12:24 | |
'leaving £613.25 in his kitty. | 0:12:24 | 0:12:28 | |
'So before part two gathers a pace that's faster than a speeding bullet, | 0:12:28 | 0:12:33 | |
'our dynamic duo pause to refuel.' | 0:12:33 | 0:12:36 | |
-I am... -This all looks very relaxed! -Look what I've bought! | 0:12:36 | 0:12:39 | |
Do you think there's a profit in that? | 0:12:39 | 0:12:41 | |
-How are you getting on? -Well, fantastic! Look! Absolutely brilliant! | 0:12:41 | 0:12:44 | |
-Food aside. -I'm going to spend my £750 in Euros on these, cos these are fantastic | 0:12:44 | 0:12:50 | |
and I'm sure if I can keep these warm till I get home, | 0:12:50 | 0:12:52 | |
-there's going to be a massive... I can double my money. -Brilliant! | 0:12:52 | 0:12:55 | |
-There's a plan. -How have you got on? -Yeah, it's good, isn't it? | 0:12:55 | 0:12:59 | |
-I haven't bought much yet, but there's just so much to see! -Yeah. | 0:12:59 | 0:13:02 | |
Art Deco, Art... That's sort of an Art Deco shaped fan crepe, isn't it? | 0:13:02 | 0:13:06 | |
-You're a happy man, aren't you? -I'm going to go and enjoy this somewhere quiet. -OK. | 0:13:06 | 0:13:11 | |
'Mr Serrell, we hereby dub you the creped crusader. | 0:13:11 | 0:13:14 | |
'And with a swoosh and a swallow, he's resumed hostilities, | 0:13:14 | 0:13:18 | |
'spotting a metal decorative plaque with a sporting motif.' | 0:13:18 | 0:13:21 | |
I think that's a stylish thing. He's asking me... | 0:13:21 | 0:13:24 | |
He's written 30 Euros. | 0:13:24 | 0:13:27 | |
And I'm going to offer him 20 Euros | 0:13:27 | 0:13:30 | |
cos you've sort of got to make a spirited offer. | 0:13:30 | 0:13:33 | |
I think they're good things. | 0:13:33 | 0:13:35 | |
-Monsieur. -Non. -HE SPEAKS FRENCH | 0:13:35 | 0:13:40 | |
I have to try! I have to try! | 0:13:40 | 0:13:44 | |
I'm going to buy that cos I think that's really cool. | 0:13:44 | 0:13:47 | |
'Yes, it's another cool deal for Phil, | 0:13:47 | 0:13:49 | |
'but he doesn't manage to minimise the asking price, | 0:13:49 | 0:13:52 | |
'picking up the plaque for £25.64.' | 0:13:52 | 0:13:55 | |
I'm really pleased with that. | 0:13:55 | 0:13:58 | |
I mean, the trick is going to be to find out who Mr Contaux is down here. | 0:13:58 | 0:14:02 | |
But I just think that's a really good image. Actually, what would look good | 0:14:02 | 0:14:07 | |
is if you got a glass or Perspex frame | 0:14:07 | 0:14:11 | |
and mounted it in that, that would look really cool. | 0:14:11 | 0:14:14 | |
'That Olympian effort spurs Phil on to his fourth buy, | 0:14:14 | 0:14:18 | |
'an early 20th century English copper milk churn | 0:14:18 | 0:14:21 | |
'to take back to the mother country for £128.21.' | 0:14:21 | 0:14:25 | |
Oh, thank you. | 0:14:25 | 0:14:27 | |
Well, this is called repatriation. | 0:14:27 | 0:14:29 | |
I've come all the way from England to France | 0:14:29 | 0:14:33 | |
to buy an English milk churn and take it back again. | 0:14:33 | 0:14:35 | |
It's cost me 150 Euros, but I'm quite pleased with that. | 0:14:35 | 0:14:39 | |
'Phil's super-sonic spending spree means that Christina needs to up her game | 0:14:39 | 0:14:43 | |
'and she quickly responds when a French letterbox tickles her fancy.' | 0:14:43 | 0:14:48 | |
-How much is it? -It's very expensive. It's 80 Euros. -80 Euros? -Yes. | 0:14:48 | 0:14:53 | |
-Why so expensive? -Because you can't find anymore. | 0:14:53 | 0:14:57 | |
-You can't find them? -No. It's very difficult. | 0:14:57 | 0:14:59 | |
-It is lovely, but... -60 if you want. | 0:14:59 | 0:15:02 | |
I would be looking at 40 max. | 0:15:02 | 0:15:05 | |
-No. -No. You can't do it for 40? | 0:15:05 | 0:15:08 | |
-No, because I love it. -You don't want to sell it. | 0:15:08 | 0:15:11 | |
-THEY LAUGH You want to take it home. -Yes, probably! | 0:15:11 | 0:15:14 | |
I think it's gorgeous but it's too expensive at that, I think. | 0:15:14 | 0:15:18 | |
Sadly. Beautiful. | 0:15:18 | 0:15:20 | |
-45? -50. | 0:15:20 | 0:15:23 | |
-45. -50. -45. | 0:15:23 | 0:15:25 | |
-Go on! Go on! -Yes. | 0:15:25 | 0:15:28 | |
'Yes, and she does it. Our bionic woman | 0:15:28 | 0:15:30 | |
'sends herself into the stratosphere, | 0:15:30 | 0:15:32 | |
'snaffling the vintage letterbox for £38.46.' | 0:15:32 | 0:15:36 | |
I'm really pleased with that! We started off at 80 Euros | 0:15:37 | 0:15:40 | |
and I just bartered down to 45, so I'm really pleased with that. | 0:15:40 | 0:15:42 | |
A good deal. Lovely little French enamelled metalwork letterbox. | 0:15:42 | 0:15:47 | |
I'm not quite sure how it's going to be received back in the UK, | 0:15:47 | 0:15:50 | |
but I'm really pleased with it and I think it's absolutely charming. | 0:15:50 | 0:15:54 | |
'Yes, c'est formidable! And there's no stopping this determined lady now | 0:15:54 | 0:15:58 | |
'as she unswervingly swoops on a pair of 1930s Art Deco china doves.' | 0:15:58 | 0:16:03 | |
70? Would you? | 0:16:03 | 0:16:05 | |
Yay! Thank you very much, that's fantastic! | 0:16:05 | 0:16:07 | |
I love it! That's brilliant! Thank you very much! | 0:16:07 | 0:16:10 | |
'And snatches them for £59.83. | 0:16:10 | 0:16:13 | |
'Her super strategy seems to be working.' | 0:16:13 | 0:16:16 | |
So, I promised myself something Art Deco today and here it is. | 0:16:16 | 0:16:20 | |
I love it and it really appeals to the inner romantic in me, | 0:16:20 | 0:16:23 | |
this rather beautiful dove sheltering his companion here. | 0:16:23 | 0:16:27 | |
It's very stylised, very Art Deco | 0:16:27 | 0:16:29 | |
and I think rather lovely. | 0:16:29 | 0:16:32 | |
'Fantastique. | 0:16:32 | 0:16:34 | |
'Our antiques adversaries are level with four buys a piece | 0:16:34 | 0:16:37 | |
'and Phil has a theory about his rival.' | 0:16:37 | 0:16:40 | |
I think one of the joys of this business is that Christina and I can both look at the same stall | 0:16:40 | 0:16:44 | |
and we've got two completely different sets of eyes. | 0:16:44 | 0:16:47 | |
So what I might see, she wouldn't, and she will see, I wouldn't. | 0:16:47 | 0:16:51 | |
And in a way, I think that all makes it so much more interesting. | 0:16:51 | 0:16:54 | |
'And moments later, that rings true.' | 0:16:54 | 0:16:57 | |
Look at this! It's awesome! | 0:16:57 | 0:17:00 | |
What every girl needs, a velour telephone cover. | 0:17:00 | 0:17:04 | |
Very Austin Powers. | 0:17:04 | 0:17:06 | |
That is just about the worst thing I have ever seen in my life. | 0:17:06 | 0:17:11 | |
'Different eyes indeed. But there are certain things where our rivals are on exactly the same page.' | 0:17:13 | 0:17:19 | |
Vintage booze. Now you are talking! | 0:17:19 | 0:17:22 | |
If only I weren't pregnant, I'd take about four or five of these crates home. | 0:17:23 | 0:17:27 | |
'Phil tears himself away from the tipple in time to target purchase number five, | 0:17:29 | 0:17:33 | |
'a little case for £12.82.' | 0:17:33 | 0:17:36 | |
Whether this is for cigars or whether it's for spectacles, I don't know. | 0:17:36 | 0:17:41 | |
But it looks to me like it's quite a good quality leather case. | 0:17:41 | 0:17:44 | |
And you never know, if I've really won the lottery, | 0:17:44 | 0:17:46 | |
they might even be gold mounts. | 0:17:46 | 0:17:49 | |
'Stranger things have happened, Phil. But wait! | 0:17:49 | 0:17:52 | |
'Holy metal swallows! Christina's been mulling over the Art Deco bronze she saw earlier | 0:17:53 | 0:17:58 | |
'and now has her sights firmly set on it. | 0:17:58 | 0:18:01 | |
'Our super heroine flies back to the stall and she's ready for a fight!' | 0:18:01 | 0:18:06 | |
-What is your best, best price on it? -Er, I said 450, | 0:18:06 | 0:18:09 | |
but this is not the best price. | 0:18:09 | 0:18:12 | |
-Would 400... -What would you offer? | 0:18:12 | 0:18:15 | |
-Well... 200? -No. -THEY LAUGH | 0:18:15 | 0:18:19 | |
-Is 400 OK? -I'm just slightly concerned that that looks like a very new screw. -I know. | 0:18:19 | 0:18:25 | |
Do you think it's just been tightened up and it's just had a new screw | 0:18:25 | 0:18:28 | |
-to replace... -I think so, yeah. Probably the model was broken | 0:18:28 | 0:18:31 | |
-and they changed it, I don't know. -OK. Would 350 be too far away? | 0:18:31 | 0:18:36 | |
-400. -380? | 0:18:36 | 0:18:39 | |
-380, OK. -Brilliant! | 0:18:39 | 0:18:41 | |
Thank you very much. That's a deal! Fantastic! | 0:18:41 | 0:18:45 | |
'Jumping jellyfish, this iron lady won't be beaten! | 0:18:45 | 0:18:48 | |
'She's won her fifth prize, bagging the bronze for £324.79.' | 0:18:48 | 0:18:53 | |
This has just cost me a huge amount of money, 380 Euros, | 0:18:57 | 0:19:01 | |
which was marked up at 500, but I couldn't get it out of my mind all day | 0:19:01 | 0:19:05 | |
and I'm really glad that I went back to get it. I just think it's beautiful, | 0:19:05 | 0:19:08 | |
and for me, epitomises everything that is French. | 0:19:08 | 0:19:10 | |
It's just... The movement in it is beautiful, it's a beautiful piece. | 0:19:10 | 0:19:14 | |
You can have it in the middle of a room because both sides are beautiful and I love it. | 0:19:14 | 0:19:17 | |
'Ooh-la-la! Our foes are neck and neck in this ferocious French fray. | 0:19:17 | 0:19:22 | |
'With everything still to play for, Phil is going to have his work cut out. | 0:19:22 | 0:19:26 | |
'He cunningly ventures onto Christina's turf | 0:19:26 | 0:19:29 | |
'and moves in for the kill on an Art Nouveau cabinet.' | 0:19:29 | 0:19:32 | |
THEY SPEAK FRENCH | 0:19:32 | 0:19:35 | |
-250. -250 Euros. OK. | 0:19:35 | 0:19:38 | |
I would like to buy this, but the price... | 0:19:38 | 0:19:41 | |
-It's not expensive. -It's very expensive. | 0:19:41 | 0:19:45 | |
Can I make you an offer? | 0:19:47 | 0:19:50 | |
-200. -Oh, no, I can't. | 0:19:50 | 0:19:53 | |
What's your very, very best? | 0:19:53 | 0:19:55 | |
-230. -220 and I'll buy it. | 0:19:57 | 0:20:01 | |
-Let me get the money out. -OK. | 0:20:03 | 0:20:05 | |
You're a gentleman. Thank you very much. | 0:20:05 | 0:20:08 | |
'The cabinet costs £188.03 | 0:20:08 | 0:20:12 | |
'and Phil is delighted.' | 0:20:12 | 0:20:14 | |
I think it's really cheap. Whether there's a profit or not, I don't know, but it's really cheap. | 0:20:14 | 0:20:18 | |
There's just a little tip that I was once told many years ago. | 0:20:18 | 0:20:22 | |
If you see a cabinet and it's got glazed doors, | 0:20:22 | 0:20:25 | |
you automatically think it might be a display cabinet, but what I was told was that | 0:20:25 | 0:20:29 | |
glazed doors, solid side is a bookcase, | 0:20:29 | 0:20:32 | |
glazed doors, glazed side is a display cabinet. | 0:20:32 | 0:20:35 | |
It'll be whatever the buyer wants it to be. | 0:20:35 | 0:20:38 | |
'So, time is up and the Parisian stallholders begin to pack away. | 0:20:39 | 0:20:44 | |
'As the sun sets over the beautiful boulevards of the French capital, | 0:20:44 | 0:20:47 | |
'let's see who's soaring skyward and who is plunging to the ground. | 0:20:47 | 0:20:53 | |
'Christina and Phil started the day with £750 worth of their own Euros to spend. | 0:20:53 | 0:20:58 | |
'Christina has totalled five buys | 0:20:58 | 0:21:01 | |
'and laid out £517.10. | 0:21:01 | 0:21:04 | |
'Phil has swiped six buys, | 0:21:04 | 0:21:07 | |
'spending slightly less, £491.45. | 0:21:07 | 0:21:10 | |
'But from here on in, it's all about profit. | 0:21:10 | 0:21:14 | |
'So, before our sparring superheroes swoosh home and hang up their capes, | 0:21:14 | 0:21:19 | |
'there's just time to compare their wares.' | 0:21:19 | 0:21:22 | |
-There was some stuff there, wasn't there? -There really was! | 0:21:22 | 0:21:25 | |
I could've spent an absolute fortune and bought tons of stuff. | 0:21:25 | 0:21:28 | |
I just loved it. Everything there was brilliant. | 0:21:28 | 0:21:31 | |
What's your best bit? There's a bit of a bird theme going on here. | 0:21:31 | 0:21:34 | |
Yeah, I went a bit oiseau crazy today, didn't I? | 0:21:34 | 0:21:36 | |
Yeah. I love the Art Deco or Art Nouveau bronze. | 0:21:36 | 0:21:39 | |
-I love your milk churn! -It's fantastic! -It's nice that you're repatriating it. | 0:21:39 | 0:21:44 | |
I'm taking it back home! It's been captured by the French. | 0:21:44 | 0:21:48 | |
-How considerate of you. -This was my last thing I bought | 0:21:48 | 0:21:51 | |
-and I love it. -It's beautiful. I love the inlay. | 0:21:51 | 0:21:53 | |
-I really, really like it. So, we've had a good time, haven't we? -I've had a brilliant time! | 0:21:53 | 0:21:58 | |
'This monumental challenge is just about to ramp up several gears. | 0:22:00 | 0:22:04 | |
'Our battle-hardened hagglers now need to focus with pinpoint precision | 0:22:04 | 0:22:09 | |
'as they race back to Britain to baton down the hatches | 0:22:09 | 0:22:12 | |
'and start their selling sprees. | 0:22:12 | 0:22:14 | |
'From this point on, profit is king. | 0:22:14 | 0:22:17 | |
'That demands a precise plan of action to orchestrate energetic advances on their finest contacts. | 0:22:17 | 0:22:24 | |
'There's no time to waste. They must line up their weapons | 0:22:24 | 0:22:27 | |
'and choose their targets with the utmost care, | 0:22:27 | 0:22:30 | |
'because one foot wrong could bring their whole campaign crashing down. | 0:22:30 | 0:22:34 | |
'Christina The Magpie swoops back to Shropshire | 0:22:34 | 0:22:37 | |
'to survey her feast of finery.' | 0:22:37 | 0:22:40 | |
I'll start with these fashion pictures over here, which are actually dated 1904 and 1905, | 0:22:40 | 0:22:45 | |
so a really early insight into what was happening at the turn of the century with women's fashions. | 0:22:45 | 0:22:51 | |
And then we go on to the rather beautiful Art Nouveau-Art Deco transitional swallow sculpture. | 0:22:51 | 0:22:58 | |
I just think that's beautiful. The fluidity in that water | 0:22:58 | 0:23:01 | |
is just stunning. Love it. | 0:23:01 | 0:23:03 | |
And then we've got the Art Deco doves, 1930s, 1940s. | 0:23:03 | 0:23:08 | |
I'm hoping that I've got a private buyer in mind for that. | 0:23:08 | 0:23:12 | |
And then this wonderful 1940s | 0:23:12 | 0:23:15 | |
fairly utilitarian letterbox, but quite shabby chic. | 0:23:15 | 0:23:20 | |
And then slightly obscurely, bought the armoire, which was a bit of fun, really, bit frivolous. | 0:23:20 | 0:23:24 | |
But it is a slightly later reproduction | 0:23:24 | 0:23:27 | |
of a French armoire, a miniature one. | 0:23:27 | 0:23:30 | |
So all in all, I'm very happy with what I've bought in France. I just need to find some buyers. | 0:23:30 | 0:23:35 | |
'Yes, you're not the only one. Down in Worcestershire, | 0:23:35 | 0:23:38 | |
'Phil The Fox retreats to his lair | 0:23:38 | 0:23:40 | |
'and he's pretty pleased with himself.' | 0:23:40 | 0:23:42 | |
Now, these chairs, I think they're fantastic, they're really funky, cool, retro, vintage, warehouse. | 0:23:42 | 0:23:48 | |
But are they Malvern? I mean, therein might lie a problem for me. | 0:23:48 | 0:23:52 | |
And this Art Nouveau cabinet, which I think is a fantastic thing. | 0:23:52 | 0:23:57 | |
Do you know, in my memory, it was, like, this wide and this high. | 0:23:57 | 0:24:02 | |
So I think I might have been perhaps over-egging the price on that. | 0:24:02 | 0:24:06 | |
I love this plaque and that's my real Olympic gold medal hope. | 0:24:06 | 0:24:10 | |
Hopefully I should do quite well with that. | 0:24:10 | 0:24:12 | |
The barrel, what I'm going to try and do, it's got the dairy that owned it impressed onto the top | 0:24:12 | 0:24:17 | |
and I'm going to try and trace them to see if they want to buy a bit of their ancient history back. | 0:24:17 | 0:24:21 | |
And these two little bits of leather here, they're really desk accessories | 0:24:21 | 0:24:25 | |
and I think they'll do OK. So fingers crossed. | 0:24:25 | 0:24:28 | |
'Our antiques supremos seem cool and calm, | 0:24:28 | 0:24:32 | |
'but the heat is on, the pressure is building. | 0:24:32 | 0:24:35 | |
'They must steam their way through their contacts | 0:24:35 | 0:24:37 | |
'and research the best buyers to make as much money as they possibly can. | 0:24:37 | 0:24:42 | |
'They can set up all the potential sales they like, but a deal counts for nothing | 0:24:42 | 0:24:46 | |
'until that all-important handshake. | 0:24:46 | 0:24:48 | |
'It's Phil who hits the road first. | 0:24:48 | 0:24:50 | |
'He kicks off with a short hop, skip and a jump to Upton-upon-Severn. | 0:24:50 | 0:24:55 | |
'The Art Nouveau cabinet that cost just over £188 is quite heavy, | 0:24:55 | 0:24:59 | |
'so he's already had it delivered to an antiques shop owned by one of his regular buyers, Lee.' | 0:24:59 | 0:25:04 | |
Now, I think this is a really good quality thing. | 0:25:04 | 0:25:07 | |
What it does need is a bit of TLC, cos I wouldn't think this has seen any polish in a long while. | 0:25:07 | 0:25:12 | |
And I think that, fantastic quality rosewood in my eyes. | 0:25:12 | 0:25:15 | |
And what I love about it is the fact that you've got | 0:25:15 | 0:25:19 | |
the sides, which you wouldn't ordinarily see, are just as good as the front. | 0:25:19 | 0:25:24 | |
So if someone's taken time... These bevelled plates I love. | 0:25:24 | 0:25:28 | |
The hinges are great. And just open it up and look at the strap that runs all the way down the door. | 0:25:28 | 0:25:34 | |
Look at that. Even that locking plate. I think that's fantastic quality. | 0:25:34 | 0:25:38 | |
-When would you date this to? -Er, it's certainly sort of Art Nouveau, | 0:25:38 | 0:25:43 | |
1900, 1910, something like that. | 0:25:43 | 0:25:46 | |
-So it's a good piece of French furniture, isn't it? -Yeah. | 0:25:46 | 0:25:49 | |
What you going to give me for it? | 0:25:49 | 0:25:51 | |
Erm, well, I think, allowing for the work, | 0:25:51 | 0:25:53 | |
a good polish, it would probably be in the region of £200, I would say. | 0:25:53 | 0:25:58 | |
-Really? -Yeah. That'd be nice. | 0:25:58 | 0:26:00 | |
I think you've got to come closer to £300, Lee. | 0:26:00 | 0:26:03 | |
Erm, no, I think I'm just about there at that, Phil. | 0:26:03 | 0:26:09 | |
I think, at a push, probably 220. | 0:26:09 | 0:26:12 | |
You bid me 260 and I'll do a deal with you here and now. | 0:26:12 | 0:26:16 | |
-Absolute death on it would be 230, Phil. -250. | 0:26:16 | 0:26:20 | |
240. | 0:26:21 | 0:26:23 | |
-Is that the end of it? -That's the end of it. You can go now. | 0:26:23 | 0:26:26 | |
I'm going to. You've really put me through the mincer there. | 0:26:28 | 0:26:31 | |
'Yes, Phil met his match there. | 0:26:31 | 0:26:34 | |
'He does as he's told and leaves licking his wounds. | 0:26:34 | 0:26:36 | |
'But it's sweetened with a profit of £51.97. | 0:26:36 | 0:26:40 | |
'Will Christina meet her haggling match with her first potential sale, | 0:26:40 | 0:26:44 | |
'the doves that cost just under £60? | 0:26:44 | 0:26:47 | |
'The Magpie flies south to Shifnal near Telford | 0:26:47 | 0:26:50 | |
'to meet Sue, who adores all things Art Deco, | 0:26:50 | 0:26:53 | |
'and she has quite the collection.' | 0:26:53 | 0:26:56 | |
-So, I guess it's French. -Yes.. -Yes, French. | 0:26:59 | 0:27:03 | |
-Very Parisian. I actually bought it in Paris, as well. -Oh, right. | 0:27:03 | 0:27:06 | |
-It's about late 1920, early 30s. -I should say, yeah. | 0:27:06 | 0:27:11 | |
-About 30s or something. -Yeah. | 0:27:11 | 0:27:13 | |
-Crackle glaze. -Yeah, exactly. -And a pair of doves. | 0:27:13 | 0:27:19 | |
-There is a little chip on the back of the tail there. -A-ha. Oh, I can see. | 0:27:19 | 0:27:22 | |
I think it's probably quite an old one, cos it's a little bit dirty. | 0:27:22 | 0:27:27 | |
-And Le Jan. It's signed. -Oh, yes. | 0:27:27 | 0:27:30 | |
Le Jan was actually a collaboration between a chap called Andre Fau | 0:27:30 | 0:27:34 | |
and another chap called Marcel Guillard. | 0:27:34 | 0:27:36 | |
And they established this company and they were famous for this crackle glaze, | 0:27:36 | 0:27:41 | |
-so it's very characteristic of the company. -I like it. | 0:27:41 | 0:27:44 | |
Oh, good. Brilliant. Cos it's quite a powerful sculpture, isn't it? | 0:27:44 | 0:27:47 | |
It is. It is. And I like the way that it's not symmetrical. | 0:27:47 | 0:27:51 | |
-Yeah, it's slightly off-centre. -This one wing is doing that. | 0:27:51 | 0:27:55 | |
-So... -I was hoping to get in the region of about £150 for him. | 0:27:55 | 0:28:00 | |
-I was going towards 90. -OK, all right. | 0:28:00 | 0:28:03 | |
-So how do you feel? -Could we meet somewhere in the middle, maybe? | 0:28:03 | 0:28:07 | |
I can go up to 100. 100? | 0:28:08 | 0:28:11 | |
A bit more in the middle! THEY LAUGH | 0:28:11 | 0:28:13 | |
Erm, 115. | 0:28:13 | 0:28:18 | |
115. Would you stretch to 120? | 0:28:18 | 0:28:21 | |
120. I'm happy with 120, yes. I think that's a fair price. | 0:28:23 | 0:28:27 | |
-Fantastic! So £120. -Thank you! -It's a deal! | 0:28:27 | 0:28:30 | |
THEY LAUGH | 0:28:30 | 0:28:32 | |
'Birds are clearly Christina's thing. | 0:28:32 | 0:28:35 | |
'The Magpie flaps her wings and takes flight, | 0:28:35 | 0:28:38 | |
'doubling her money with a profit of £60.17.' | 0:28:38 | 0:28:42 | |
One down, one to tick off the list. | 0:28:42 | 0:28:44 | |
A lot more to go. | 0:28:44 | 0:28:46 | |
'Our tip-top traders are almost level pegging at this early stage, | 0:28:46 | 0:28:49 | |
'Christina just slightly ahead on profit. | 0:28:49 | 0:28:53 | |
'But The Fox is hoping to raise the bar with the high-jumper plaque | 0:28:53 | 0:28:56 | |
'that cost more than £25. | 0:28:56 | 0:28:58 | |
'His next port of call is further up the River Severn at Worcester.' | 0:28:58 | 0:29:03 | |
I've been umming and ahhing whether to sell this as it is or get it framed up, | 0:29:03 | 0:29:07 | |
and I've come to the conclusion, if I can get a good price for it, it's got to go. | 0:29:07 | 0:29:11 | |
So I'm going to go and see an old regular customer of mine | 0:29:11 | 0:29:14 | |
and just see where we go. | 0:29:14 | 0:29:17 | |
'He's here to meet Gabrielle, a dealer he's sold to many times before. | 0:29:17 | 0:29:21 | |
'She really knows her stuff, so can The Fox wheedle out a profit?' | 0:29:21 | 0:29:25 | |
-I've been to France. -Uh-huh. | 0:29:25 | 0:29:28 | |
I was a little bit hamstrung | 0:29:28 | 0:29:30 | |
because the dealer I was speaking to, and I think I got this right, | 0:29:30 | 0:29:33 | |
he was clearing a factory and he found in this factory | 0:29:33 | 0:29:36 | |
a whole load of these plaques. | 0:29:36 | 0:29:39 | |
And I looked up Mr Contaux, | 0:29:39 | 0:29:42 | |
a Georges Contaux, and he was apparently a late 19th century French foundry worker | 0:29:42 | 0:29:47 | |
who won a medal in the 20s. | 0:29:47 | 0:29:49 | |
He did a wide variety of things. | 0:29:49 | 0:29:52 | |
He did animals, masks, all sorts of different things, | 0:29:52 | 0:29:55 | |
but I just thought that had a really good look | 0:29:55 | 0:29:58 | |
and a really good sporting interest. | 0:29:58 | 0:30:00 | |
-So, you know... -You're doing a good sell. | 0:30:00 | 0:30:02 | |
I know. So you're interested in it? | 0:30:02 | 0:30:04 | |
-I think it's lovely, yes. -I don't really know what to ask for it. | 0:30:04 | 0:30:08 | |
But I've got a feeling I should be trying to get £100, £120 for it | 0:30:08 | 0:30:12 | |
-or something like that, cos I think it is a good thing. -I think you've done very well. | 0:30:12 | 0:30:16 | |
Blimey! Praise indeed! That is praise indeed, trust me! | 0:30:16 | 0:30:19 | |
-I'm not a haggler. -No, I know. -You know that. -Go on, best price. | 0:30:19 | 0:30:22 | |
-Best price, one off, £100. -Thank you. | 0:30:22 | 0:30:26 | |
'Our own little athlete clears the jump first time | 0:30:26 | 0:30:28 | |
'and the plaque powers in a profit of £74.36. | 0:30:28 | 0:30:33 | |
'Phil is gathering momentum. Also in Worcester, | 0:30:33 | 0:30:35 | |
'he sells his glasses case to an optician's shop for £15, | 0:30:35 | 0:30:40 | |
'making a profit of £2.18. | 0:30:40 | 0:30:42 | |
'Might need a magnifying glass instead of specs to see that one. | 0:30:42 | 0:30:46 | |
'But our magpie is flying above the clouds. | 0:30:46 | 0:30:49 | |
'She swiftly sells the brass swallows to an antiques shop in Shrewsbury, | 0:30:49 | 0:30:53 | |
'agreeing a price of £375.' | 0:30:53 | 0:30:57 | |
-Perfect. -Thank you very much. -Thank you, Mark. Thanks. | 0:30:57 | 0:31:00 | |
'And giving a profit of £50.21. | 0:31:00 | 0:31:04 | |
'Then our bird woman swans over to Whitchurch to visit a shop | 0:31:04 | 0:31:07 | |
'specialising in shabby chic items. | 0:31:07 | 0:31:10 | |
'Christina's hoping to tempt the owner, Jane, with the armoire | 0:31:10 | 0:31:13 | |
'that cost nearly £43.' | 0:31:13 | 0:31:15 | |
-What's your thoughts? -Yeah, it's very cute. Can I have a look inside? -Yeah, course, go for it. | 0:31:15 | 0:31:20 | |
Oh, look, it's even got little areas for shelves. | 0:31:20 | 0:31:23 | |
-I don't think it's particularly old. -Right. I was just about to ask the age. | 0:31:23 | 0:31:27 | |
I think it's probably mid-20th century. | 0:31:27 | 0:31:30 | |
-It's not going to be hugely old. -I could see jewellery in here, | 0:31:30 | 0:31:34 | |
smaller things I can see in here, little scarves and things. | 0:31:34 | 0:31:37 | |
So price-wise, I was really hoping to get somewhere in the region of maybe £70 or £80 for it. | 0:31:37 | 0:31:42 | |
Well, I'm just thinking as a shop display thing, | 0:31:42 | 0:31:45 | |
I would probably go for 65. | 0:31:45 | 0:31:48 | |
-65? -65, 70? | 0:31:48 | 0:31:51 | |
-70, if you could stretch to 70, would be brilliant. -Mm-hm. | 0:31:51 | 0:31:54 | |
-70 would be fine. -Brilliant! It's a deal! -Excellent! | 0:31:54 | 0:31:57 | |
And I'm so pleased it's going to be used. | 0:31:57 | 0:31:59 | |
And I'm delighted. You'll have to pop in and see what we fill it with. | 0:31:59 | 0:32:02 | |
I'll probably be buying what's on it next time I come in. THEY LAUGH | 0:32:02 | 0:32:06 | |
'Yes, beneath that hard-nosed business exterior, | 0:32:06 | 0:32:10 | |
'Christina Trevanion is a girl who likes to shop. | 0:32:10 | 0:32:12 | |
'The armoire makes her a profit of £27.26. | 0:32:12 | 0:32:17 | |
'It's going great guns so far. | 0:32:17 | 0:32:19 | |
'Whilst our selling soldiers take stock of their strategy, let's see how the money's working out. | 0:32:19 | 0:32:24 | |
'Christina The Magpie Trevanion is chirping along very merrily. | 0:32:24 | 0:32:28 | |
'Three items sold and £137.64 profit. | 0:32:28 | 0:32:32 | |
'But Phil Serrell is stalking close behind. | 0:32:32 | 0:32:35 | |
'He's also sold three items, tucking away a profit of £128.51 | 0:32:35 | 0:32:41 | |
'So there's just £9 in it. | 0:32:41 | 0:32:44 | |
'Our wandering warriors must buckle down and work up a selling sweat | 0:32:44 | 0:32:48 | |
'because anything could happen. | 0:32:48 | 0:32:50 | |
'Christina has a clear selling strategy and hits the phones once more. | 0:32:50 | 0:32:55 | |
'Our Phil usually has a steely determination, | 0:32:55 | 0:32:57 | |
'but he's turned his attention to the things he's least keen on. | 0:32:57 | 0:33:00 | |
'The four metal chairs that cost him a little over £102.' | 0:33:00 | 0:33:05 | |
# What a feeling | 0:33:06 | 0:33:08 | |
# Being's believing | 0:33:10 | 0:33:12 | |
'So, who in Malvern will flash the cash for the industrial chairs? | 0:33:14 | 0:33:18 | |
'Simon deals in 20th century items | 0:33:18 | 0:33:21 | |
'and meets Phil at Fox HQ.' | 0:33:21 | 0:33:24 | |
-Simon, these are they. These are they. -Oh, right. | 0:33:24 | 0:33:27 | |
-Now... -These aren't exactly what you usually buy, are they, Phil? | 0:33:27 | 0:33:32 | |
No, but I love them. I think they're really good, trendy things. | 0:33:32 | 0:33:35 | |
I bought these cos I like them. | 0:33:35 | 0:33:37 | |
-Well, antique-wise, they're not... They're not, are they? -No. | 0:33:37 | 0:33:42 | |
I mean, they're barely vintage. But I wouldn't underestimate them | 0:33:42 | 0:33:46 | |
-cos I think they've got a look, haven't they? -How old do you think they are? | 0:33:46 | 0:33:50 | |
Not very old. It might be an older frame | 0:33:50 | 0:33:52 | |
and somebody's spot-welded them on. | 0:33:52 | 0:33:55 | |
Upcycled them, I think the word is these days, isn't it? | 0:33:55 | 0:33:58 | |
I was sort of hoping that they might make £40 to £50 a chair. | 0:33:58 | 0:34:00 | |
-Make me an offer. -110. | 0:34:00 | 0:34:03 | |
-How much? -110. | 0:34:03 | 0:34:05 | |
That's £27.50 each. | 0:34:05 | 0:34:08 | |
Yeah, well, that's trade price. | 0:34:08 | 0:34:12 | |
-Give me 150 quid for the four. -No. | 0:34:12 | 0:34:15 | |
-Oh, right. Do you want to think about it? -No. | 0:34:15 | 0:34:18 | |
My end price, my very, very end price, is £118. | 0:34:18 | 0:34:24 | |
My end price is £122. | 0:34:24 | 0:34:28 | |
-£120. -£122, because then that gives me 20 quid profit. | 0:34:28 | 0:34:32 | |
Look at this. Oh, you're a gentleman! | 0:34:34 | 0:34:37 | |
# What a feeling | 0:34:37 | 0:34:39 | |
'Yes, it's not quite £20 profit, Philip. | 0:34:39 | 0:34:41 | |
'£19.44 to be precise. | 0:34:41 | 0:34:44 | |
'Mr Serrell soldiers on. | 0:34:46 | 0:34:48 | |
'Back in Worcester, he sells the novelty book box to an estate agency | 0:34:48 | 0:34:51 | |
'looking to decorate their meeting room. The box makes £90.' | 0:34:51 | 0:34:55 | |
-Thank you. -Thank you. | 0:34:55 | 0:34:57 | |
'Giving a profit of £55.81. | 0:34:57 | 0:35:00 | |
'Phil's quick wits and cunning have opened up a clear lead over his flighty rival. | 0:35:00 | 0:35:06 | |
'But our magpie won't let that ruffle her feathers. | 0:35:06 | 0:35:09 | |
'She flies the coop and dips and darts her way over to Chester | 0:35:09 | 0:35:12 | |
'with her letterbox that cost just under £39. | 0:35:12 | 0:35:15 | |
'Appropriately, she's heading to a French restaurant to meet the owner.' | 0:35:15 | 0:35:20 | |
There we go, Jason. | 0:35:20 | 0:35:22 | |
-What do you think? -Very old. | 0:35:22 | 0:35:24 | |
-It is quite old, isn't it? -Authentic. -But it's authentic, exactly. | 0:35:24 | 0:35:28 | |
I like it. You can see what I'm seeing. | 0:35:28 | 0:35:31 | |
But I thought of you when I bought this. It would make a perfect comments box for a restaurant. | 0:35:31 | 0:35:36 | |
Well, it's certainly the right size for a comments box | 0:35:36 | 0:35:39 | |
and it's got a lovely authentic feel about it. | 0:35:39 | 0:35:42 | |
-Just, again, the fact that it's real and it just makes a funny noise. -Yeah. | 0:35:42 | 0:35:47 | |
And a little bit of rust on there, which I think, again, | 0:35:47 | 0:35:51 | |
-just shows that it's actually been used. -Yeah. Exactly. | 0:35:51 | 0:35:54 | |
-I would say it's probably, what, 60 years old. -Maybe a bit older. | 0:35:54 | 0:35:59 | |
-Yeah, 1930s, 1940s. -Yeah, 20s, 30s, I think. | 0:35:59 | 0:36:02 | |
Yeah. It's lovely, isn't it? Might it be the kind of thing that you would use? | 0:36:02 | 0:36:06 | |
Certainly, I think, for a comments box, | 0:36:06 | 0:36:08 | |
especially if we had it near the front door, because it gives the illusion of letters by the door. | 0:36:08 | 0:36:12 | |
So I suppose the only thing we need to talk about now really is the money. | 0:36:12 | 0:36:16 | |
-Cold, hard cash. -Bring on the cash! -SHE LAUGHS | 0:36:16 | 0:36:19 | |
But I was hoping to get maybe £70 or £80 for it. | 0:36:19 | 0:36:23 | |
BOX SQUEAKS And you get the free squeak. | 0:36:23 | 0:36:26 | |
-That's not free! -THEY LAUGH | 0:36:26 | 0:36:29 | |
I would be happy to pay £60 for it. | 0:36:29 | 0:36:33 | |
£60. OK. Can I just nudge you slightly more than that? | 0:36:33 | 0:36:39 | |
-61, maybe? -THEY LAUGH | 0:36:39 | 0:36:42 | |
Oh, you're a generous man. Go on, meet me in the middle. | 0:36:42 | 0:36:45 | |
-So 65. -Only cos you brought it here for me. | 0:36:45 | 0:36:49 | |
Ah, brilliant. Is it a deal at 65? | 0:36:49 | 0:36:51 | |
-It's a deal at 65. -Brilliant! Thank you very much. That's fantastic. | 0:36:51 | 0:36:55 | |
'Yes, another deal done and dusted. | 0:36:55 | 0:36:57 | |
'The letterbox posts a profit of £26.54.' | 0:36:57 | 0:37:00 | |
Ah! Perfect comments card box, perfect profit! | 0:37:01 | 0:37:05 | |
'Our sly fox still rules the roost for now, | 0:37:05 | 0:37:08 | |
'but he's down to his last item, | 0:37:08 | 0:37:10 | |
'the milk churn he spent more than £128 on. | 0:37:10 | 0:37:13 | |
COW MOOS # Old MacDonald had a farm | 0:37:16 | 0:37:19 | |
# Ee-ay-ee-ay-oh | 0:37:19 | 0:37:22 | |
'Phil's brought the churn to a farm near Droitwich where owner Mike | 0:37:22 | 0:37:25 | |
'and daughter Gillian make ice cream.' | 0:37:25 | 0:37:28 | |
This was on the pavement and I thought, "That's ridiculous." | 0:37:28 | 0:37:31 | |
It's Wincanton Dairies or Dairy Products, | 0:37:31 | 0:37:34 | |
and apparently this was used in a chateau somewhere in the regions of Paris. | 0:37:34 | 0:37:39 | |
And I just think it's a real cool thing. Would it have been used as a milk churn? | 0:37:39 | 0:37:43 | |
Oh, I'm sure it would've been used as a milk churn, certainly. | 0:37:43 | 0:37:46 | |
Here's the marking here for the number of gallons and so on. | 0:37:46 | 0:37:49 | |
It's just a bit of an upmarket churn, I'd say. | 0:37:49 | 0:37:51 | |
Only the best for you, Mike. | 0:37:51 | 0:37:54 | |
-But when did milk churns go out, then? -Around here, about 1982. | 0:37:54 | 0:37:58 | |
I thought this would've been 1920s. | 0:37:58 | 0:38:01 | |
Oh, well, my grandfather used churns like this. | 0:38:01 | 0:38:04 | |
He'd have taken two churns to Droitwich with horse and trap to sell milk round the houses. | 0:38:04 | 0:38:08 | |
I would like to get somewhere between 200 and 250 quid for it. | 0:38:08 | 0:38:13 | |
-That's what I'd like to get. -I'd have to sell a lot of ice cream for that. | 0:38:13 | 0:38:17 | |
Yeah, but it'll make your ice cream taste better. | 0:38:17 | 0:38:20 | |
What would you give me for it? | 0:38:20 | 0:38:22 | |
-150? -You've got to try a bit harder than that. | 0:38:22 | 0:38:25 | |
-What do you think? -Oh, I don't know. 180? | 0:38:25 | 0:38:29 | |
-It's up towards 200. -Give me 190 quid and I'll shake your hand and give you a kiss. How's that? | 0:38:31 | 0:38:36 | |
-Go on. -That sounds good to me. -There you are. -That'll do. | 0:38:36 | 0:38:39 | |
'And a kiss seals the deal. | 0:38:39 | 0:38:42 | |
'Phil churns up a profit of £61.79 | 0:38:42 | 0:38:45 | |
'and that gives him a very clear lead. | 0:38:45 | 0:38:48 | |
'But Christina is waiting in the wings with her last sale. | 0:38:48 | 0:38:52 | |
'And no-one should underestimate The Magpie, | 0:38:52 | 0:38:55 | |
'as she is a shrewd operator. | 0:38:55 | 0:38:57 | |
'Everything rests on her French fashion prints from the early years of the 20th century. | 0:38:57 | 0:39:02 | |
'They cost her just over £51, | 0:39:02 | 0:39:04 | |
'and Christina's pulling out all the stops | 0:39:04 | 0:39:07 | |
'with a three-hour journey to the capital.' | 0:39:07 | 0:39:10 | |
When I saw these in Paris, I completely fell in love with them. | 0:39:10 | 0:39:13 | |
I just thought they were beautiful and so representative of their time. But there were quite a lot of them. | 0:39:13 | 0:39:18 | |
So I've brought them to London in the hope that they'll be slightly more scarce | 0:39:18 | 0:39:22 | |
and therefore more sought after. | 0:39:22 | 0:39:24 | |
'Christina has come to see fashionista Kal, | 0:39:24 | 0:39:27 | |
'whose company in Marylebone sells second-hand designer labels.' | 0:39:27 | 0:39:31 | |
So, Kal, you're obviously a lover of quite contemporary fashions. | 0:39:32 | 0:39:36 | |
Are you also a lover of vintage fashions? | 0:39:36 | 0:39:39 | |
I'm a lover of anything that's beautiful. | 0:39:39 | 0:39:42 | |
So whether that's a dress that was made this season | 0:39:42 | 0:39:47 | |
or a vintage dress, I think it's more a case of being in love with fashion. | 0:39:47 | 0:39:51 | |
So what really struck me when I first saw them | 0:39:51 | 0:39:53 | |
was that even though they look quite similar, | 0:39:53 | 0:39:56 | |
every little bit of detail is different and they're so beautifully made | 0:39:56 | 0:40:00 | |
and constructed to fit so beautifully. | 0:40:00 | 0:40:03 | |
Er, I mean, they're sort of 1904, 1905. | 0:40:03 | 0:40:08 | |
So are these part of a collection, then? Since they're numbered? | 0:40:08 | 0:40:12 | |
The fashion tailor would have issued this book | 0:40:12 | 0:40:15 | |
which then tailors would have shown their clients, their lady clients, | 0:40:15 | 0:40:19 | |
and a lady would have gone through and said, "Right, OK, I like the sleeves on this one, | 0:40:19 | 0:40:24 | |
"I like this style of jacket, these buttons." | 0:40:24 | 0:40:28 | |
And it would've been custom-made to fit her. | 0:40:28 | 0:40:30 | |
These would've been, I suppose, the fashion shows of their day. | 0:40:30 | 0:40:34 | |
-Something they presented to buyers? -Yeah, exactly. | 0:40:34 | 0:40:37 | |
I was sort of hoping for maybe £30 or £40 for each of these. | 0:40:37 | 0:40:42 | |
And then maybe £25, £30 for these. Something like that. | 0:40:42 | 0:40:47 | |
I mean, sort of £100 to £150 would be brilliant. | 0:40:47 | 0:40:50 | |
'So, what will Kal say? Are the prints the geese that lay the golden eggs, | 0:40:50 | 0:40:55 | |
'or is Christina just a sitting duck? We'll find out in a moment. | 0:40:55 | 0:41:00 | |
'Both our hardened hagglers started the day with £750 to spend. | 0:41:00 | 0:41:04 | |
'Christina The Magpie made five purchases for £517.10. | 0:41:04 | 0:41:09 | |
'Phil The Fox bought more and spent less, | 0:41:09 | 0:41:12 | |
'six items for £491.45. | 0:41:12 | 0:41:15 | |
'All of the profit that Phil and Christina have made from today's challenge | 0:41:15 | 0:41:19 | |
'will be going to a charity of their choice. So, without further ado, | 0:41:19 | 0:41:23 | |
'it's time to find out who is today's Put Your Money Where Your Mouth Is champion.' | 0:41:23 | 0:41:27 | |
Good to see you. Well, Paris. | 0:41:27 | 0:41:31 | |
Oh, gay Paris. I loved it. I loved Paris. It was just fantastic. | 0:41:31 | 0:41:35 | |
-And I loved what I bought. -What did you buy? What was your best bit? | 0:41:35 | 0:41:38 | |
My best bit, it all got a bit birdie, didn't it? | 0:41:38 | 0:41:40 | |
-Yeah. -So I bought the doves and the swallows | 0:41:40 | 0:41:43 | |
-and I think those are probably my favourite pieces. -Did they fly? | 0:41:43 | 0:41:46 | |
I made a profit on them, I don't know whether they flew. | 0:41:46 | 0:41:48 | |
-But how about you? -Well, I really... | 0:41:48 | 0:41:51 | |
The milk churn was great cos I took it to people who made ice cream. | 0:41:51 | 0:41:55 | |
-Oh, well done. -Some farmer friends. And they bought that, which was fantastic. | 0:41:55 | 0:41:58 | |
-We'd better have a look, do you think? -Are you brave enough? | 0:41:58 | 0:42:03 | |
-I'm not looking forward to this. On a count of three? -Yep. | 0:42:03 | 0:42:05 | |
One, two, three! What have you done? What did I do? | 0:42:05 | 0:42:09 | |
-Oh, well done! -Blimey! Oh, that's not too bad, is it? | 0:42:09 | 0:42:13 | |
-Well, oh, you won. Well done. -Yeah, but it doesn't happen very often. | 0:42:13 | 0:42:17 | |
-You want to watch this programme. Come on. Drink time. -Definitely. | 0:42:17 | 0:42:21 | |
'So, no dressing it up, the fashion prints clearly ended in disappointment for Christina.' | 0:42:21 | 0:42:27 | |
I'll offer you 70 for it, because I think we could... | 0:42:27 | 0:42:30 | |
SHE SIGHS Can we go a little bit more? | 0:42:30 | 0:42:33 | |
-75. -Is that absolutely flatly it? | 0:42:33 | 0:42:36 | |
-76. -Deal. -Yay! THEY LAUGH | 0:42:36 | 0:42:41 | |
'The prints make a profit of £24.72, | 0:42:41 | 0:42:45 | |
'but Phil outsmarted Christina overall.' | 0:42:45 | 0:42:48 | |
I absolutely loved Paris, really enjoyed the experience. | 0:42:48 | 0:42:51 | |
And I happily would've kept everything that I bought. | 0:42:51 | 0:42:53 | |
And even though I made consistent profits on everything I bought, | 0:42:53 | 0:42:56 | |
sadly it just wasn't quite enough to beat Philip. | 0:42:56 | 0:42:59 | |
Well, I had some luck there, didn't I? | 0:42:59 | 0:43:01 | |
What are the odds on going to Paris | 0:43:01 | 0:43:03 | |
and finding an English milk churn on the pavement, | 0:43:03 | 0:43:06 | |
buying it, and bringing it back home and selling it to some people who make ice cream? | 0:43:06 | 0:43:11 | |
That, and my Olympic high-jumper, | 0:43:11 | 0:43:13 | |
I think they saw me into the gold medal position. | 0:43:13 | 0:43:15 | |
'Yes, he wins today, but will The Fox take gold again tomorrow | 0:43:15 | 0:43:19 | |
'as our two beasts of the bargain lock horns at an auction in Cirencester?' | 0:43:19 | 0:43:24 | |
Subtitles by Red Bee Media Ltd | 0:43:24 | 0:43:28 | |
. | 0:43:28 | 0:43:28 |