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'This is the show that pitches TV's best-loved antiques experts | 0:00:02 | 0:00:07 | |
'against each other in an all-out battle for profit. | 0:00:07 | 0:00:11 | |
'And gives YOU the insider's view of the trade.' | 0:00:13 | 0:00:16 | |
I'm on the case. | 0:00:16 | 0:00:18 | |
'One pair of duelling dealers face a different daily challenge...' | 0:00:19 | 0:00:24 | |
I'm a cheeky chancer! | 0:00:24 | 0:00:26 | |
'..putting their reputations on the line | 0:00:26 | 0:00:29 | |
'and giving you top tips and savvy secrets | 0:00:29 | 0:00:32 | |
'on how to make the most money from buying and selling.' | 0:00:32 | 0:00:36 | |
-Let's go and spend some money! -Get in there! | 0:00:36 | 0:00:39 | |
'Today, two mighty auctioneers pit their wits against each other | 0:00:39 | 0:00:43 | |
'as Put Your Money new girl Christina Trevanion | 0:00:43 | 0:00:46 | |
'takes on the charms of veteran bruiser Phil Serrell. | 0:00:46 | 0:00:51 | |
'Coming up, Phil has a crisis of confidence...' | 0:00:51 | 0:00:54 | |
How daft can you get? I'll get it home and think, "What have I done now?" | 0:00:54 | 0:00:59 | |
'..Christina shows you what it takes to get a winning bid at auction...' | 0:00:59 | 0:01:03 | |
Look at that steely determination. | 0:01:03 | 0:01:06 | |
'..and Phil crumbles when face with England rugby legend Mike Teague.' | 0:01:06 | 0:01:11 | |
How can I do a deal against a Gloucester boy? | 0:01:11 | 0:01:13 | |
'This is Put Your Money Where Your Mouth Is.' | 0:01:13 | 0:01:16 | |
'Let's steady our nerves and train our sights | 0:01:28 | 0:01:32 | |
'as we hunt for treasure in the great indoors. | 0:01:32 | 0:01:35 | |
'First up is... | 0:01:35 | 0:01:37 | |
'expert auctioneer specialising in jewellery. | 0:01:37 | 0:01:41 | |
'Nothing shiny gets past her beady eye. | 0:01:41 | 0:01:43 | |
'She'll pounce on a twinkle of a profit.' | 0:01:43 | 0:01:46 | |
I'm going to have to do some serious buying. | 0:01:46 | 0:01:48 | |
'Next up, it's... | 0:01:48 | 0:01:50 | |
'A veteran auctioneer with guile and cool cunning, | 0:01:50 | 0:01:53 | |
'he's dogged in his pursuit of victory.' | 0:01:53 | 0:01:57 | |
It could all go horribly wrong. | 0:01:57 | 0:01:59 | |
'Fur will fly, as these two brilliant beasts go head-to-head | 0:01:59 | 0:02:03 | |
'in a bid to be crowned King or Queen of the antiques jungle. | 0:02:03 | 0:02:07 | |
'Today's rumble is taking place at Moore, Allen and Innocent auctioneers in Cirencester. | 0:02:07 | 0:02:13 | |
'They each have £1,000 of their own money to spend. | 0:02:13 | 0:02:16 | |
'The profits will go to their chosen charity. | 0:02:16 | 0:02:19 | |
'So, Phil Serrell and Christina Trevanion, | 0:02:19 | 0:02:22 | |
'it's time to put your money where your mouth is.' | 0:02:22 | 0:02:25 | |
-Christina, how are you? -Really well, thanks. | 0:02:26 | 0:02:28 | |
-How are you? -I'm really good. Sunny Cirencester! | 0:02:28 | 0:02:32 | |
-Happy days! £1,000 in the pocket. -Happy auction days. -Yeah. | 0:02:32 | 0:02:36 | |
-Have you got a plan? -Ooh, I think... Gosh. | 0:02:36 | 0:02:40 | |
You never know what's going to be here, but "condition, condition, condition" for me. | 0:02:40 | 0:02:45 | |
I've had a look around. I'm going to go a bit off-piste. | 0:02:45 | 0:02:48 | |
-Really? -Yeah. -A bit quirky? -Daft and wacky. -Ooh, I like it. | 0:02:48 | 0:02:52 | |
-Are you going to spend all your £1,000? -I don't know. Let's look and see. | 0:02:52 | 0:02:57 | |
'On the surface, it's all smiles, | 0:02:57 | 0:03:00 | |
'but beware the steely glint in both sets of narrowed eyes, | 0:03:00 | 0:03:05 | |
'as each of these purchasing predators is ready to pounce. | 0:03:05 | 0:03:08 | |
'Our Phil is seasoned and stealthy, | 0:03:08 | 0:03:11 | |
'and knows he'll need to take a few risks | 0:03:11 | 0:03:13 | |
'if he wants to land those killer blows.' | 0:03:13 | 0:03:17 | |
I've got a real plan. I'm going to try to buy some daft and wacky things. | 0:03:17 | 0:03:21 | |
If you buy things that are standard, they've got a standard price. | 0:03:21 | 0:03:25 | |
I'm hoping to go a bit off-piste. | 0:03:25 | 0:03:27 | |
I've got to be on my mettle with Christina. She's a really able girl. | 0:03:27 | 0:03:31 | |
-She's going to keep me on my toes. -'That's right, Phil. | 0:03:31 | 0:03:33 | |
'After a decade in the business, Christina knows what she's doing. ' | 0:03:33 | 0:03:38 | |
I told Phil that my strategy was "condition, condition, condition". | 0:03:38 | 0:03:42 | |
Hopefully, we can stick to that, but to be perfectly honest, | 0:03:42 | 0:03:46 | |
I'm keeping my options wide open and we're going for whatever we can. | 0:03:46 | 0:03:51 | |
'The bidding starts soon, so both experts need to rifle through | 0:03:51 | 0:03:55 | |
'as many items as they can in their hunt for profit-busters. | 0:03:55 | 0:03:59 | |
'Phil's prowl for trophies is going global.' | 0:03:59 | 0:04:02 | |
There's a certain delicious irony to this, because... | 0:04:03 | 0:04:06 | |
..a failed geography teacher is looking at a globe. | 0:04:07 | 0:04:11 | |
I think these are great things. | 0:04:11 | 0:04:13 | |
An easy way to date this is to look on the internet | 0:04:13 | 0:04:16 | |
and find the manufacturer, but it gives you some clues here. | 0:04:16 | 0:04:20 | |
There are steamer routes. What's the age of steamer routes? | 0:04:20 | 0:04:23 | |
That's probably 1920s, isn't it? | 0:04:23 | 0:04:25 | |
My guess is that this is probably somewhere between 1920 and 1940. | 0:04:25 | 0:04:32 | |
Who's going to buy that? | 0:04:32 | 0:04:34 | |
I think that's a really great thing | 0:04:34 | 0:04:36 | |
to put on someone's really good office desk. | 0:04:36 | 0:04:40 | |
It's a "dressing" lot. I think that's great fun. | 0:04:40 | 0:04:43 | |
I think the estimate is £20 to £30. | 0:04:43 | 0:04:46 | |
I'm going to have a go at that | 0:04:46 | 0:04:48 | |
and I would think it might cost me into three figures. | 0:04:48 | 0:04:52 | |
It might also teach me a little bit about geography. | 0:04:52 | 0:04:56 | |
'Y-yes, Phil may need a geography lesson, | 0:04:58 | 0:05:01 | |
'but Christina has niftily navigated herself | 0:05:01 | 0:05:04 | |
'towards an interesting collection with a guide price of £30 to £50.' | 0:05:04 | 0:05:08 | |
I've spotted this group lot of pictures. | 0:05:08 | 0:05:11 | |
They caught my eye because my mum went to school in Croydon. | 0:05:11 | 0:05:14 | |
This is the Pump Pail, 1934. | 0:05:14 | 0:05:17 | |
Beautiful picture. I love that it's quite gritty. | 0:05:17 | 0:05:21 | |
It's not a pretty-pretty traditional view of Croydon. | 0:05:21 | 0:05:24 | |
It's a group of men working on the road, | 0:05:24 | 0:05:26 | |
digging it up, gritty, I love it. | 0:05:26 | 0:05:29 | |
But it also comes with this picture, the Fairy Geese at Walberswick. | 0:05:29 | 0:05:34 | |
And also this three-fold mirror, | 0:05:34 | 0:05:36 | |
which I haven't got a clue what I'm going to do with. | 0:05:36 | 0:05:39 | |
We'll have to find a home for it somewhere. | 0:05:39 | 0:05:42 | |
'In his search for the wacky, the Fox is circling his next prey. | 0:05:42 | 0:05:46 | |
'It's stripy. It's enormous. | 0:05:46 | 0:05:49 | |
'It's got big teeth. | 0:05:49 | 0:05:51 | |
'It looks like another hunter has beaten Phil to it!' | 0:05:52 | 0:05:55 | |
This is a great bit of modern art. | 0:05:55 | 0:05:58 | |
This guy David Farrer, who made this, was born in 1968. | 0:05:58 | 0:06:05 | |
It's made of papier-mache. That's a thing, actually, to bear in mind. | 0:06:05 | 0:06:10 | |
Because things like this are incredibly fragile. | 0:06:10 | 0:06:13 | |
If you puncture this, all your value's gone. | 0:06:13 | 0:06:16 | |
I think it's a really good, wacky thing, a decorative thing. | 0:06:16 | 0:06:20 | |
Who's going to buy it? I don't really know. | 0:06:20 | 0:06:23 | |
Hopefully, someone who's got a...gallery of modern art. | 0:06:23 | 0:06:26 | |
Perhaps an end collector, who knows? | 0:06:26 | 0:06:28 | |
You might even be able to go to the artist and try to sell it to him. | 0:06:28 | 0:06:33 | |
'With an estimate of £400 to £600, | 0:06:33 | 0:06:35 | |
'let's hope you get a rock-bottom price! | 0:06:35 | 0:06:38 | |
'Because a radiant Christina is walking down the aisle | 0:06:38 | 0:06:42 | |
'towards her next target.' | 0:06:42 | 0:06:44 | |
I'm a sucker for any vintage clothing, vintage accessories. | 0:06:47 | 0:06:50 | |
I found this wedding dress, which is just beautiful! | 0:06:50 | 0:06:54 | |
Silk. Unfortunately, it has got a bit of staining, as you'd expect, | 0:06:54 | 0:06:58 | |
but that's quite easy to get out, and a beautiful lace collar. | 0:06:58 | 0:07:02 | |
I don't think it's going to fit me, | 0:07:02 | 0:07:04 | |
but there has been a resurgence of interest in vintage wedding dresses | 0:07:04 | 0:07:08 | |
and vintage costume and textiles. | 0:07:08 | 0:07:10 | |
I love, particularly, these beautiful hand-sewn buttons. | 0:07:10 | 0:07:14 | |
Just stunning. What's even better is you've got bridesmaids' dresses. | 0:07:14 | 0:07:20 | |
It's got quite a low estimate on it. | 0:07:20 | 0:07:22 | |
I'm keeping my fingers crossed for this one. | 0:07:22 | 0:07:25 | |
'The auction is about to start, but Christina just has time | 0:07:25 | 0:07:29 | |
'to dive on a sign she's glimpsed with a guide price of £50 to £80.' | 0:07:29 | 0:07:34 | |
I think it's quite fun. | 0:07:34 | 0:07:36 | |
I am slightly concerned that it will go way over the estimate. | 0:07:36 | 0:07:40 | |
There's quite an interest in early advertising signs. | 0:07:40 | 0:07:42 | |
It looks typically Edwardian to me. | 0:07:42 | 0:07:45 | |
Look at this wonderful hairbell decoration. | 0:07:45 | 0:07:48 | |
Very early 20th century. Great title. | 0:07:48 | 0:07:51 | |
It's a little bit rickety. You've got a few rivets missing. | 0:07:51 | 0:07:55 | |
There might be something missing from here, but I still love it. | 0:07:55 | 0:08:00 | |
'That's it. Browsing time over. | 0:08:00 | 0:08:02 | |
'The seasoned pro steals himself for a fearsome battle, | 0:08:02 | 0:08:07 | |
'as our ravishing rookie is certainly no push-over.' | 0:08:07 | 0:08:11 | |
Christina's ready now. She's got herself in pole position. | 0:08:11 | 0:08:14 | |
I think she's a lovely girl. I also thinks she's a silent assassin. | 0:08:14 | 0:08:18 | |
She's going to creep up on me and catch me unawares. | 0:08:18 | 0:08:23 | |
She's going to be good at this. Just you watch. | 0:08:23 | 0:08:26 | |
'How about the newbie? Is she nervous about battling such a don of dealing?' | 0:08:26 | 0:08:30 | |
How do I feel about being up against Phil? Well... | 0:08:30 | 0:08:34 | |
He's been doing this for a long time. There's no flies on him. | 0:08:34 | 0:08:38 | |
It's slightly concerning. I'm the new girl on the block. | 0:08:38 | 0:08:41 | |
We'll see how well we can do against him. | 0:08:41 | 0:08:44 | |
-Scary? Definitely not scary! -LAUGHS | 0:08:44 | 0:08:48 | |
'Those foxy fangs don't fluster our fearless feathered friend, | 0:08:48 | 0:08:52 | |
'and she's out to prove it, as her first lot is about to go under the hammer.' | 0:08:52 | 0:08:57 | |
We're coming up to the wedding dress and the bridesmaids' dresses now. | 0:08:57 | 0:09:02 | |
They're very nice, but I'm not going to pay over the odds for them. | 0:09:02 | 0:09:06 | |
Vintage textiles are collectable because they're affordable. | 0:09:06 | 0:09:10 | |
We're not going to go wild on them. Wish me luck. First lot! | 0:09:10 | 0:09:14 | |
Who'll start me at 20, then? £20 I have. Can I see 22? 22. | 0:09:14 | 0:09:20 | |
24. 26. | 0:09:20 | 0:09:21 | |
-28. 30. -It's mine at 30. | 0:09:21 | 0:09:25 | |
Do I see 32 anywhere? | 0:09:25 | 0:09:27 | |
-Wish me luck. -32. 34. | 0:09:27 | 0:09:29 | |
36. 38. | 0:09:29 | 0:09:32 | |
40. | 0:09:32 | 0:09:34 | |
Five. | 0:09:34 | 0:09:35 | |
45 I have. On my left at 45. | 0:09:35 | 0:09:39 | |
All sure at 45, then...? | 0:09:39 | 0:09:41 | |
-45 is by 282. Thank you. -One in the bag! | 0:09:42 | 0:09:47 | |
'Yes, she's done it! Bagging the vintage dresses for £53.10, | 0:09:47 | 0:09:51 | |
'including auction fees. | 0:09:51 | 0:09:54 | |
'Christina's hoping that the profit on these could make this | 0:09:54 | 0:09:58 | |
'the happiest day of her life. | 0:09:58 | 0:10:00 | |
'Now, it's Phil's chance to try and strike back. | 0:10:00 | 0:10:03 | |
'The globe he spotted earlier is up next. | 0:10:03 | 0:10:06 | |
'But his rival's also got an eye on it and has her own plans.' | 0:10:06 | 0:10:11 | |
The globe. Love the globe. Love, love, love the globe. | 0:10:11 | 0:10:14 | |
It's a little bit tatty, but there are a lot of collectors for globes. | 0:10:14 | 0:10:19 | |
They've only put £25 to £35 on it, | 0:10:19 | 0:10:21 | |
but I have a feeling it's going to go massively over the estimate. | 0:10:21 | 0:10:25 | |
So I think I might be out before I'm in, if that makes any sense. | 0:10:25 | 0:10:29 | |
We'll see what happens. | 0:10:29 | 0:10:30 | |
I have to start you at... | 0:10:30 | 0:10:33 | |
140! | 0:10:33 | 0:10:34 | |
80. At £80 on the book here. 85 now? | 0:10:34 | 0:10:38 | |
Five. 90. Five. 100. | 0:10:38 | 0:10:41 | |
And five. 110. | 0:10:41 | 0:10:43 | |
-120... -That's me gone. See what Phil does. | 0:10:43 | 0:10:46 | |
'Christina doesn't even bid, as the price sky-rockets. | 0:10:46 | 0:10:50 | |
'However, Phil is intent on world domination.' | 0:10:50 | 0:10:53 | |
..150. At 150. 160. 170. | 0:10:53 | 0:10:58 | |
At 170. 180 now? 170 here. | 0:10:58 | 0:11:01 | |
180 at the back. 190, to be fair? 190 if you like. | 0:11:01 | 0:11:05 | |
190. | 0:11:05 | 0:11:07 | |
At 190. 200, if you like. | 0:11:07 | 0:11:09 | |
At 190, then. All sure at 190...? | 0:11:09 | 0:11:13 | |
It's cost £230, but I really like that. | 0:11:14 | 0:11:17 | |
I think that's half the battle. If you like it, you'll find someone for it. | 0:11:17 | 0:11:22 | |
'A deadly strike! Phil snares the early 20th-century globe for... | 0:11:22 | 0:11:26 | |
'..With our dealers neck-and-neck and Christina's sign up next, | 0:11:29 | 0:11:34 | |
'Phil decides to employ some underhand tactics.' | 0:11:34 | 0:11:37 | |
Oh, typical! Here he comes! | 0:11:37 | 0:11:39 | |
-Put me off my stride. -80. At £80... | 0:11:39 | 0:11:42 | |
-I found a lot. -I'm bidding. -What? | 0:11:42 | 0:11:45 | |
-So am I. -Next lot. No, you're not. -I am. | 0:11:45 | 0:11:48 | |
-What are you bidding on? -Whatever you are! | 0:11:48 | 0:11:51 | |
This is going to be an object lesson. | 0:11:51 | 0:11:53 | |
Look at that steely determination. | 0:11:53 | 0:11:57 | |
Focused. Look at it! | 0:11:57 | 0:11:59 | |
Don't mess with that, trust me. | 0:11:59 | 0:12:01 | |
Ooh, the look! Did you see that? | 0:12:03 | 0:12:05 | |
Go on. Get your hand up. | 0:12:05 | 0:12:07 | |
-AUCTIONEER CONTINUES -No. Peer pressure! Leave me alone. | 0:12:07 | 0:12:12 | |
-130 here... -Philip! I should have bid on that! | 0:12:12 | 0:12:15 | |
BOTH LAUGH | 0:12:15 | 0:12:17 | |
'Phil's spectacular skullduggery put Christina off her game. | 0:12:17 | 0:12:22 | |
'He rolls with his success and bounces away with a 1920s medicine ball he saw earlier.' | 0:12:22 | 0:12:27 | |
Selling on my right, then, at 55... | 0:12:27 | 0:12:30 | |
I'm really pleased because I got my medicine ball. | 0:12:36 | 0:12:39 | |
It reminds me of days gone by when I was a PE student. | 0:12:39 | 0:12:43 | |
Yeah, I was. Trust me. | 0:12:43 | 0:12:45 | |
Somebody might want to get fit with it. | 0:12:45 | 0:12:48 | |
Too heavy for me. | 0:12:51 | 0:12:53 | |
'Christina needs to retaliate quickly and is already galloping towards her next target.' | 0:12:55 | 0:13:00 | |
We're coming up to a rather nice riding hat. | 0:13:00 | 0:13:05 | |
It's in a very nice box, £20 to £30. See what happens. | 0:13:05 | 0:13:08 | |
Who will start me? 20? Ten to get on? | 0:13:08 | 0:13:11 | |
'Tally-ho, Christina!' | 0:13:11 | 0:13:13 | |
Got to be cheap at £10 here. At £10. 12 can I say now? It's at £10. | 0:13:13 | 0:13:17 | |
Good looking bowler at £10 the bid only. | 0:13:17 | 0:13:20 | |
At £10, we're selling. | 0:13:20 | 0:13:22 | |
On a maiden bid... 12, thank you, madam. 15. | 0:13:22 | 0:13:25 | |
18, if you like. 18. 20. | 0:13:25 | 0:13:27 | |
Two. 25. | 0:13:27 | 0:13:30 | |
28. 30. | 0:13:30 | 0:13:32 | |
At £30. Lady's bid here at £30. Five anyone else? At 30... | 0:13:32 | 0:13:37 | |
'She's done it again. Christina captures the riding hat at...' | 0:13:37 | 0:13:42 | |
This was an impromptu buy, I have to be honest. | 0:13:46 | 0:13:49 | |
I saw the box and thought, "Ooh!" But nice riding hat. | 0:13:49 | 0:13:52 | |
Nice medium size. Got a great label... | 0:13:52 | 0:13:55 | |
..The nice address of 1 Old Bond Street, Piccadilly. | 0:13:59 | 0:14:03 | |
And Scott & Co, who are quite good hatters. | 0:14:03 | 0:14:06 | |
But for me, the icing on the cake... It isn't in its original box. | 0:14:06 | 0:14:11 | |
But this box is a Herbert Johnson box, | 0:14:11 | 0:14:14 | |
one of the best hatters of the early 20th century. | 0:14:14 | 0:14:17 | |
Unfortunately, a bit of damage on the label, but still love it. | 0:14:17 | 0:14:21 | |
I think this box and this hat, together could make me a profit. | 0:14:21 | 0:14:25 | |
'Christina's really motoring, as she snaps up a lot | 0:14:25 | 0:14:28 | |
'containing an early 20th-century flask and scent bottle for... | 0:14:28 | 0:14:33 | |
'..And makes it a double blow, by snaring some vintage fishing tins | 0:14:35 | 0:14:40 | |
-'that caught her eye.' -Sell it! | 0:14:40 | 0:14:42 | |
'Time to take a breath and see how our antiques adversaries are doing. | 0:14:46 | 0:14:52 | |
'Christina and Phil started the day with £1,000 of their own money. | 0:14:53 | 0:14:58 | |
'Christina has soared to four buys, costing... | 0:14:58 | 0:15:03 | |
'..Phil has only bought two items... | 0:15:08 | 0:15:11 | |
'These wild beasts are scenting blood. | 0:15:19 | 0:15:21 | |
'Neither will accept defeat, as they enter the auction jungle once more. | 0:15:21 | 0:15:27 | |
'Phil is up next. He's polished his pith helmet. | 0:15:27 | 0:15:30 | |
'He's donned his deerstalker and he's cocked his bidding blunderbuss, | 0:15:30 | 0:15:34 | |
'as he targets his next purchase. | 0:15:34 | 0:15:37 | |
'The papier-mache zebra is firmly in his sights.' | 0:15:37 | 0:15:41 | |
I really want to own this because it's daft. | 0:15:41 | 0:15:44 | |
I mean, how daft can you get? It's not going to be easy to sell. | 0:15:44 | 0:15:49 | |
Part of me hopes that it makes £500 or £600 and I don't buy it, | 0:15:49 | 0:15:53 | |
cos I'll get it home and think, "What have I done now?" | 0:15:53 | 0:15:56 | |
'You could stop before it gets that far, old boy.' | 0:15:56 | 0:15:59 | |
-At 110. 120 anywhere...? -It's made it a bit more interesting. | 0:15:59 | 0:16:03 | |
..190, if you like on the phone. 180 I have. 190. | 0:16:03 | 0:16:06 | |
At 190. 200, if you like, madam. | 0:16:06 | 0:16:09 | |
190 here. Still cheap. 200. At 200 on my right. 220, now? | 0:16:09 | 0:16:15 | |
At £200 in the room. At 200. | 0:16:15 | 0:16:17 | |
At £200. 220, if you like. | 0:16:17 | 0:16:19 | |
220 on the phone. 240. Still looks cheap. 240. 260, now? | 0:16:19 | 0:16:25 | |
240 here. At 240. | 0:16:25 | 0:16:27 | |
Selling in the room at £240. 260 anywhere? | 0:16:27 | 0:16:31 | |
At 240, are you all sure now...? | 0:16:31 | 0:16:34 | |
What have I done? GAVEL BANGS | 0:16:34 | 0:16:36 | |
'Well, Phil, you just bought a zebra's head and bottom for...' | 0:16:36 | 0:16:40 | |
Sometimes, you do things and you find yourself asking yourself, | 0:16:46 | 0:16:50 | |
"Why?" | 0:16:50 | 0:16:52 | |
And... Why? | 0:16:52 | 0:16:55 | |
I think I'm losing my marbles. | 0:16:55 | 0:16:58 | |
'Christina's marbles are all firmly in place, | 0:16:58 | 0:17:01 | |
'as she bids on another mesmerising lot, | 0:17:01 | 0:17:03 | |
'the mirror and two pictures with an estimate of £30 to £50.' | 0:17:03 | 0:17:08 | |
I'm quite excited about this. | 0:17:08 | 0:17:11 | |
I think my mum would be very proud if I bought this picture. | 0:17:11 | 0:17:15 | |
Lot 305. What's that worth? £20 for the three? At 20 anywhere? | 0:17:15 | 0:17:19 | |
A tenner for it? All the hands! Ten! | 0:17:19 | 0:17:22 | |
12. 15. 18. 20. Five. | 0:17:22 | 0:17:26 | |
30. Five. 40. | 0:17:26 | 0:17:29 | |
45. 50. | 0:17:29 | 0:17:31 | |
55. 55 here. | 0:17:31 | 0:17:34 | |
60, fresh place. 60. £60 on my left. | 0:17:34 | 0:17:37 | |
Is there any advance at 60? All done? Last chance. At 60... | 0:17:37 | 0:17:41 | |
-And your number, please. 282. -Thank you. | 0:17:43 | 0:17:47 | |
'Our girl sealed the deal for... | 0:17:47 | 0:17:50 | |
'..Let's hope her mum is delighted. | 0:17:51 | 0:17:54 | |
'The rookie is pushing forward, but Phil tackles this head-on | 0:17:54 | 0:17:58 | |
'and wins a famous rugby commentator's match crib sheet...' | 0:17:58 | 0:18:04 | |
There are certain commentators you link with sports. John Arlott was the voice of cricket. | 0:18:06 | 0:18:11 | |
Brian Moore, the voice of football. David Coleman covered all sports. | 0:18:11 | 0:18:15 | |
But for me, one of the greatest sport commentating icons of all time | 0:18:15 | 0:18:21 | |
is the great Bill McLaren. | 0:18:21 | 0:18:23 | |
This here is a print of his notes for a game. | 0:18:23 | 0:18:28 | |
He would prepare this before the match. | 0:18:28 | 0:18:31 | |
You've got each player itemised. | 0:18:31 | 0:18:34 | |
Their heights, weights, clubs, what they've done, | 0:18:34 | 0:18:37 | |
what's notable about them. | 0:18:37 | 0:18:39 | |
This is England versus South Africa. | 0:18:39 | 0:18:42 | |
All these notes are there. I just think it's an iconic thing. | 0:18:42 | 0:18:47 | |
It's just great reading. | 0:18:47 | 0:18:48 | |
Now, I've got to find someone who's a bit of a rugby nut. | 0:18:48 | 0:18:52 | |
I've got a few people in mind. | 0:18:52 | 0:18:54 | |
It would be nice if we could try and sell it to someone who features on this list, but you never know. | 0:18:54 | 0:19:01 | |
What I really want to do with it is hang on to it and read it all. | 0:19:01 | 0:19:06 | |
'Phil's back in the game and it's not over yet. | 0:19:06 | 0:19:09 | |
'He's got his eye on a 19th-century child's cradle, | 0:19:09 | 0:19:12 | |
'estimated at £60 to £100.' | 0:19:12 | 0:19:14 | |
Crib's coming up shortly. I've sort of backed myself into a corner | 0:19:14 | 0:19:19 | |
because I've only bought four bits. | 0:19:19 | 0:19:22 | |
I don't really want to pay much more than £60 or £80 for it. | 0:19:22 | 0:19:25 | |
We'll find out in a minute. | 0:19:26 | 0:19:28 | |
50 to get on? At £50, I'm bid. Five if you like. | 0:19:28 | 0:19:32 | |
£50 I have. Five. 60. Five. | 0:19:32 | 0:19:35 | |
At 65. 70 now? At £65 for the crib. | 0:19:35 | 0:19:38 | |
70. Five. £80 if you like, madam. 80. Five. | 0:19:38 | 0:19:43 | |
90. Five. 100 if you like. At 95. | 0:19:43 | 0:19:47 | |
It's on my right now. 100 if you like anywhere? | 0:19:47 | 0:19:50 | |
At 95, are you all sure? | 0:19:50 | 0:19:53 | |
'And Phil rocks to triumph...' | 0:19:53 | 0:19:56 | |
I think this is such a lovely thing. | 0:20:00 | 0:20:02 | |
It's an oak child's crib. | 0:20:02 | 0:20:05 | |
It would date from, I guess, 1840 to 1880. | 0:20:05 | 0:20:08 | |
I think it's such a cool thing. | 0:20:08 | 0:20:10 | |
This, ten years ago, would have been probably £300 to £500 worth. | 0:20:10 | 0:20:15 | |
That's how this market has changed. This is really good value for money. | 0:20:15 | 0:20:19 | |
I just love the colour of it. It's a well-made thing. | 0:20:19 | 0:20:22 | |
I think there's going to be half a chance of a tidy profit there. | 0:20:22 | 0:20:28 | |
'And with that final purchase, | 0:20:28 | 0:20:31 | |
'it's time to see what both our predators have plundered. | 0:20:31 | 0:20:35 | |
'Our wild warriors started the day with £1,000 of their own money. | 0:20:35 | 0:20:41 | |
'Christina is hoping to trounce Phil with her haul of five purchases... | 0:20:41 | 0:20:45 | |
'..Phil counter-attacked with five lots of his own and spent more... | 0:20:50 | 0:20:54 | |
'..The bidding is over. They bared their fangs and fought ferociously. | 0:20:57 | 0:21:02 | |
'Now, the beastly battlers check each other's booty.' | 0:21:02 | 0:21:06 | |
It's been a day and a half. Have you enjoyed it? | 0:21:06 | 0:21:09 | |
I have very much enjoyed it. I'm slightly nervous that I spent nearly £350 and looking around... | 0:21:09 | 0:21:14 | |
-But I've spent double that. LAUGHING: -Have you? | 0:21:14 | 0:21:18 | |
I'm feeling a little hoarse! | 0:21:18 | 0:21:20 | |
BOTH LAUGH Which is your best lot? | 0:21:20 | 0:21:23 | |
The best lot, and the one that I like most, is my wedding dress. | 0:21:23 | 0:21:28 | |
-I think we're a bit late for that! -What about your zebra? | 0:21:28 | 0:21:33 | |
Most profit's got to be in the zebra otherwise I've gone horribly wrong. | 0:21:33 | 0:21:38 | |
-So, we've done the easy bit now. -Ooh, gosh. Now the tough bit begins. | 0:21:38 | 0:21:43 | |
-I tell you what, all the best, my love. -Good luck. -Yeah. | 0:21:43 | 0:21:47 | |
-I think you might need it! -Yeah. So do I. | 0:21:47 | 0:21:50 | |
'The first torrid tussle between these two is over. | 0:21:55 | 0:21:58 | |
'They'll need every ounce of their selling nouse and expertise, | 0:21:58 | 0:22:02 | |
'as the toughest part of this epic war is about to start. | 0:22:02 | 0:22:07 | |
'Their buys will mean nothing if our eminent experts don't make a profit on them! | 0:22:07 | 0:22:12 | |
'Brace yourselves, as both dealers retire to their own stomping grounds | 0:22:12 | 0:22:17 | |
'to prepare for the final battle. | 0:22:17 | 0:22:19 | |
'At Trevanion Towers in Shropshire, | 0:22:19 | 0:22:22 | |
'Christina's taking stock of her treasure trove.' | 0:22:22 | 0:22:25 | |
Here's everything I bought. | 0:22:25 | 0:22:27 | |
I've got the Croydon picture by Kenneth Broad. | 0:22:27 | 0:22:31 | |
I believe he's an architect and artist. | 0:22:31 | 0:22:33 | |
That came with this mirror and this picture of the geese. | 0:22:33 | 0:22:37 | |
Not sure what I'm going to do with those. | 0:22:37 | 0:22:39 | |
The Scott & Co hat and the Herbert Johnson box, | 0:22:39 | 0:22:42 | |
I think are probably 1940s, | 0:22:42 | 0:22:44 | |
judging by the packaging and the style of them. | 0:22:44 | 0:22:48 | |
The flies, I know quite a few fishermen. | 0:22:48 | 0:22:52 | |
Then we've got the Mappin & Webb hipflask | 0:22:52 | 0:22:55 | |
and the Chester silver scent bottle. | 0:22:55 | 0:22:58 | |
We're not too far away from Chester. | 0:22:58 | 0:23:01 | |
We'll see if we can find a silver dealer interested in Chester silver | 0:23:01 | 0:23:05 | |
that we can sell that to. | 0:23:05 | 0:23:07 | |
The obvious missing piece is the wedding dress and bridesmaids' dresses, | 0:23:07 | 0:23:12 | |
which I have handed over to my mum. | 0:23:12 | 0:23:15 | |
She's said that she'll give it a go | 0:23:15 | 0:23:17 | |
at getting those nasty brown stains out of the wedding dress. | 0:23:17 | 0:23:20 | |
So, I'll have to see those later. | 0:23:20 | 0:23:22 | |
'Christina's hoping to clean up the wedding dress and clean up in this competition. | 0:23:22 | 0:23:27 | |
'In his Worcestershire saleroom, Phil is feeling positive, | 0:23:27 | 0:23:30 | |
'as he assesses his wares.' | 0:23:30 | 0:23:33 | |
I've got back and I still love all this stuff. | 0:23:33 | 0:23:35 | |
The crib's a real old-fashioned antique dealer's lot. | 0:23:35 | 0:23:40 | |
The zebra's head and bottom! Well! It was the thick end of £300. | 0:23:40 | 0:23:44 | |
But I think there's a market there and it's a really cool thing. | 0:23:44 | 0:23:49 | |
What about me? Ex-PE teacher. Ex-geography teacher. | 0:23:49 | 0:23:52 | |
I bought a medicine ball and a globe. | 0:23:52 | 0:23:55 | |
But the star of the show | 0:23:55 | 0:23:57 | |
was the great rugby commentator Bill McLaren. | 0:23:57 | 0:24:00 | |
His notes - he would have used these in a game. | 0:24:00 | 0:24:03 | |
He was a complete idol of mine and many players'. | 0:24:03 | 0:24:06 | |
I'm hoping that I find someone who played in that game | 0:24:06 | 0:24:09 | |
and convince him that he can't live without this. | 0:24:09 | 0:24:12 | |
'Phil's hoping to score a try with the rugby crib sheet. | 0:24:12 | 0:24:16 | |
'Now it's time for both our experts to try to score, | 0:24:16 | 0:24:20 | |
'as they hit the streets, hoping to turn all that precious treasure | 0:24:20 | 0:24:24 | |
'into pocketfuls of pounds. | 0:24:24 | 0:24:26 | |
'But no deal is truly sealed until they get that final handshake. | 0:24:26 | 0:24:31 | |
'Seasoned salesman Mr Serrell is first to strike, | 0:24:31 | 0:24:35 | |
'as he hauls the zebra pieces that cost him £283.20 | 0:24:35 | 0:24:39 | |
'to an art gallery in the Cotswolds, | 0:24:39 | 0:24:42 | |
'where he's hoping old friend Amanda will share his enthusiasm.' | 0:24:42 | 0:24:47 | |
I know I need to get out more, but I really love these. | 0:24:47 | 0:24:50 | |
This is something that you can really stay ahead with. | 0:24:50 | 0:24:54 | |
You might get left a little behind with this! | 0:24:54 | 0:24:57 | |
I know just the lady to buy these. | 0:24:57 | 0:24:59 | |
There we are, Amanda! | 0:24:59 | 0:25:01 | |
I think he's a fantastic head. | 0:25:02 | 0:25:05 | |
I've got to say, for me, the jury's out about the zebra's bum. | 0:25:05 | 0:25:09 | |
I agree with you. | 0:25:09 | 0:25:12 | |
-I sent you a photo. Did you look up David Farrer on his website? -Mm-hm. | 0:25:12 | 0:25:16 | |
-So you saw what he charges for these? -Yes. | 0:25:16 | 0:25:20 | |
£5,450. | 0:25:20 | 0:25:22 | |
Yes. | 0:25:22 | 0:25:23 | |
Now, I think they're really fun and I've got to be really truthful. | 0:25:23 | 0:25:27 | |
I think he's fantastic. I think he'd look really, really good. | 0:25:27 | 0:25:33 | |
You wouldn't have any problems selling him. | 0:25:33 | 0:25:35 | |
There's sort of... Well. | 0:25:35 | 0:25:38 | |
The jury's a bit out for me down here. | 0:25:38 | 0:25:41 | |
I'm not quite sure. Honest opinion? | 0:25:41 | 0:25:44 | |
-I do like it. -Get in there! -Like you, I like quirky things. | 0:25:44 | 0:25:49 | |
It's not something that I would probably have in the gallery, | 0:25:49 | 0:25:53 | |
but I actually do like them myself. | 0:25:53 | 0:25:56 | |
-So if I buy them, I might just take them home. -Oh, right. | 0:25:56 | 0:25:59 | |
-What do you see them as being worth? -I would be happy to give you 400. | 0:25:59 | 0:26:04 | |
I was really hoping I'd get 600 quid for them. Is that destined to fail? | 0:26:04 | 0:26:09 | |
-Yes. -Right. OK. -But I'll tell you what I would do. | 0:26:09 | 0:26:12 | |
-I'd meet you in the middle. -500? You're an angel. | 0:26:12 | 0:26:16 | |
I'll give you a full handshake for that. How awfully nice. | 0:26:16 | 0:26:19 | |
Thanks, sweetie. | 0:26:19 | 0:26:21 | |
'So, with a little help from an angel, Phil gets a heavenly profit.' | 0:26:21 | 0:26:27 | |
That was my most expensive buy at the auction and my most speculative. | 0:26:28 | 0:26:33 | |
I've no idea whether it was worth £300 or £3,000. | 0:26:33 | 0:26:36 | |
I suspect somewhere in the middle. | 0:26:36 | 0:26:39 | |
But Amanda's been really fair. It's a good profit. | 0:26:39 | 0:26:41 | |
I hope she does well with it, too. | 0:26:41 | 0:26:44 | |
'Phil's feeling even better when he sells his 1920s medicine ball | 0:26:45 | 0:26:50 | |
'for £85 to a friend who runs an antique shop, making... | 0:26:50 | 0:26:53 | |
'..With her £53.10 wedding dresses all cleaned up by her mum, | 0:26:55 | 0:27:00 | |
'can Christina marry a profit to her purchases, as she starts her selling in London?' | 0:27:00 | 0:27:05 | |
I'm in Camden Passage, world famous for its antiques and collectables, | 0:27:05 | 0:27:09 | |
to show Annie my wedding dress and bridesmaids' dresses. | 0:27:09 | 0:27:13 | |
She was one of the first people to spot potential in vintage textiles, so let's see what she thinks. | 0:27:13 | 0:27:18 | |
Here we go, Annie. There's this wedding dress. | 0:27:18 | 0:27:22 | |
-Hello, there. -What are your thoughts? | 0:27:22 | 0:27:25 | |
-I have to say, I'm not so interested in the bridesmaids' dresses. -OK. | 0:27:25 | 0:27:30 | |
Just a little bit prudish, don't you think? | 0:27:30 | 0:27:33 | |
They are quite high-necked. There's not much being revealed! | 0:27:33 | 0:27:37 | |
It is period, late 30s. That's how they were. | 0:27:37 | 0:27:42 | |
They had the bridesmaids looking very prudish. | 0:27:42 | 0:27:45 | |
-Then we've got the star of the show. -Definitely. | 0:27:45 | 0:27:48 | |
The bride. What are your thoughts? | 0:27:48 | 0:27:50 | |
Um... Well, I would be interested. | 0:27:50 | 0:27:54 | |
-I'd be interested in buying. -Super. -Depending on how much. | 0:27:54 | 0:27:59 | |
That's it, isn't it? Can you give me an idea...? | 0:27:59 | 0:28:02 | |
I thought maybe turn of the century, early 20th century. | 0:28:02 | 0:28:05 | |
Late '30s, just before the Second World War, | 0:28:05 | 0:28:09 | |
when an awful lot of people got married. | 0:28:09 | 0:28:11 | |
Price-wise. I know you're not overly keen on the bridesmaids' dresses. | 0:28:11 | 0:28:15 | |
I can understand your reservations, but I am ridiculously sentimental. | 0:28:15 | 0:28:20 | |
I would hate to split them | 0:28:20 | 0:28:22 | |
and I was hoping to realise about £100 for all three of them. | 0:28:22 | 0:28:26 | |
-I don't know what your thoughts are about that. -This one, I like. | 0:28:26 | 0:28:30 | |
And I would be happy... | 0:28:30 | 0:28:33 | |
..to pay... I'd like to say 90. | 0:28:34 | 0:28:37 | |
Right. OK. | 0:28:37 | 0:28:38 | |
-I can't just push you to that £100? -Oh, go on. -Is that all right? -Yeah. | 0:28:38 | 0:28:43 | |
-That's fine. -Oh, fantastic! It's a deal! | 0:28:43 | 0:28:46 | |
'Christina says, "I do" to her first sale and a profit of...' | 0:28:46 | 0:28:51 | |
There we go, one down. Almost doubled my money so can't be bad. | 0:28:54 | 0:28:58 | |
The important thing for me is that, for now, they're staying together. | 0:28:58 | 0:29:02 | |
Although how long those dresses will stay bridesmaids' dresses, I'm not sure. | 0:29:02 | 0:29:08 | |
'Rugby fan Phil is in Gloucester | 0:29:08 | 0:29:11 | |
'to try and sell his star buy, the framed rugby match crib sheet | 0:29:11 | 0:29:15 | |
'by revered commentator the late Bill McLaren | 0:29:15 | 0:29:18 | |
'that cost him just over £47. | 0:29:18 | 0:29:21 | |
'He's cunningly tracked down former England player Mike Teague, | 0:29:21 | 0:29:24 | |
'who played in the match concerned, and is meeting him in his pub.' | 0:29:24 | 0:29:28 | |
-Mike. -Phil. -How are you doing? -Yeah, I'm good. | 0:29:28 | 0:29:31 | |
This is the one thing I bought that I don't want to sell. | 0:29:31 | 0:29:35 | |
-But I've got to. You played in this game. -A long time ago. | 0:29:35 | 0:29:39 | |
There I am, number 6. Definitely. | 0:29:39 | 0:29:44 | |
That's awesome. Did you meet Bill McLaren? | 0:29:44 | 0:29:48 | |
-Face-to-face? No. He was like a god, wasn't he? -Yeah. | 0:29:48 | 0:29:52 | |
He never really... He distanced himself from the players. | 0:29:52 | 0:29:57 | |
Why was Bill McLaren so good? | 0:29:57 | 0:30:00 | |
He had a very calm voice, the way he put things across. | 0:30:00 | 0:30:03 | |
For every rugby player, the one thing you wanted | 0:30:03 | 0:30:06 | |
is Bill McLaren to say, | 0:30:06 | 0:30:08 | |
"There's going to be a big cheer down Gloucester way cos Mike Teague's got his cap." | 0:30:08 | 0:30:13 | |
You think, "I've made it. I am now an international rugby player." | 0:30:13 | 0:30:18 | |
I think every player wanted him to say that. | 0:30:18 | 0:30:21 | |
I went to an auction in Cirencester and I saw this there. | 0:30:21 | 0:30:24 | |
I can't tell you how pleased I was to see it. | 0:30:24 | 0:30:28 | |
I don't even know what it was estimated at. | 0:30:28 | 0:30:32 | |
If it had cost me £200, I'd have bought it. | 0:30:32 | 0:30:35 | |
It stands me in a few quid under £50, OK? | 0:30:35 | 0:30:38 | |
And I think... | 0:30:38 | 0:30:40 | |
Hark at this, eh? How can I do a deal against a Gloucester boy, eh? | 0:30:40 | 0:30:44 | |
I think this is worth 120 quid to you. | 0:30:44 | 0:30:47 | |
Oh, look at the face! | 0:30:47 | 0:30:49 | |
-You do realise that this is part of the amateur era? -Yeah. | 0:30:49 | 0:30:55 | |
-And we never got paid. -Oh! -No money at all. -Right. | 0:30:55 | 0:30:58 | |
-"Nee money." There was nothing for us. -Yeah. | 0:30:58 | 0:31:02 | |
-And being a builder now, it's an awful trade to be in. -Yeah. | 0:31:02 | 0:31:07 | |
-Is that enough? -Yeah. | 0:31:07 | 0:31:09 | |
-I've no money. -Have you got any violins on the wall? | 0:31:09 | 0:31:12 | |
-The pub trade as well, not doing good. -Yeah, yeah. | 0:31:12 | 0:31:15 | |
-Um, right. -Go on. | 0:31:15 | 0:31:18 | |
-Make me an offer I can't refuse. -80 quid. -I can refuse that. | 0:31:19 | 0:31:22 | |
I just have. I'll tell you what I'll do... | 0:31:22 | 0:31:25 | |
-Bidding, do I go up in fives or twos? -You go up in 20s. -OK. | 0:31:25 | 0:31:30 | |
I said 120. You said 80. | 0:31:30 | 0:31:33 | |
-I'll shake your hand at 100 quid. -Sounds fair. -Good man. | 0:31:33 | 0:31:37 | |
'Phil gets to shake the hand of a hero | 0:31:37 | 0:31:40 | |
'and converts a purchase of passion into a powerful profit of...' | 0:31:40 | 0:31:45 | |
I'm glad we got the price sorted. I wouldn't want to fight him for it! | 0:31:46 | 0:31:51 | |
'Another fight is the last thing Phil needs in the middle of this profiteering punch-up. | 0:31:51 | 0:31:56 | |
'At the half-way point, let's see who's jabbing above their weight | 0:31:56 | 0:32:00 | |
'and who's hitting below the belt. | 0:32:00 | 0:32:03 | |
'Courageous Christina has sold just one of her lots... | 0:32:04 | 0:32:07 | |
'..Super salesman Phil has sold three items... | 0:32:11 | 0:32:15 | |
'..Phil has raced ahead for now, | 0:32:20 | 0:32:22 | |
'but Christina has decided to spread her wings | 0:32:22 | 0:32:25 | |
'as she flies south to busy Croydon, to try and sell her Pump Pail print. | 0:32:25 | 0:32:30 | |
'She's hoping that an old school friend of her mum's | 0:32:30 | 0:32:33 | |
'and lifelong resident of the town, Jan, | 0:32:33 | 0:32:36 | |
'might be interested in her piece of Croydon history.' | 0:32:36 | 0:32:40 | |
-Hi, Jan. -Hello, how are you? -Good to see you. | 0:32:40 | 0:32:43 | |
-Fine, thank you. -Thanks so much for meeting me. -That's a pleasure. | 0:32:44 | 0:32:48 | |
We meet in all the best places(!) | 0:32:48 | 0:32:51 | |
We brought you here today because I think that this | 0:32:51 | 0:32:55 | |
is pretty much the only surviving feature in this painting. | 0:32:55 | 0:32:59 | |
-I think you're right. -It's brilliant that you can still see it. | 0:32:59 | 0:33:05 | |
-What do you think? -I think it's lovely. Yes. | 0:33:05 | 0:33:09 | |
As you know, I have a passion for architecture | 0:33:09 | 0:33:12 | |
from Arts and Crafts, since the 1930s. | 0:33:12 | 0:33:16 | |
I love the Art Deco period and I like local history, | 0:33:16 | 0:33:20 | |
-so this sort of gives all of those things. -Ticks the boxes. | 0:33:20 | 0:33:24 | |
I would be hoping to fetch somewhere in the region of 150 for it. | 0:33:24 | 0:33:28 | |
-Right. -Would that be something you might be interested in? | 0:33:28 | 0:33:31 | |
It's sentimental value, in that Pump Pail was where the Trinity School was. | 0:33:31 | 0:33:36 | |
My husband went to Trinity School. | 0:33:36 | 0:33:39 | |
I'm going to buy it for him for his birthday, but don't tell anyone! | 0:33:39 | 0:33:43 | |
OK! Brilliant, well, that would be wonderful. | 0:33:43 | 0:33:47 | |
-With regards to money-wise, how are you...? -Yes. I'll pay the 150. | 0:33:47 | 0:33:52 | |
Brilliant! That's fantastic! Thank you very much, Jan. | 0:33:52 | 0:33:55 | |
It's a deal! Brilliant. Thank you. | 0:33:55 | 0:33:59 | |
'Christina is cheerful about getting £150 for the print. | 0:33:59 | 0:34:03 | |
'She follows up quickly with sales of the watercolour and mirror from the same lot, | 0:34:03 | 0:34:09 | |
'getting £25 for both. | 0:34:09 | 0:34:11 | |
'A heartening overall profit of... | 0:34:11 | 0:34:14 | |
'..Hoping to gallop into the lead by selling | 0:34:16 | 0:34:18 | |
'the early to mid 20th-century riding hat she bought for £35.40, | 0:34:18 | 0:34:23 | |
'Christina trots back to Shropshire to meet dressage and event rider Emily Gilruth.' | 0:34:23 | 0:34:28 | |
-I wonder whether you're in the market for a new hat. -A new hat? | 0:34:28 | 0:34:32 | |
-Um... -You take the top off for me. | 0:34:32 | 0:34:35 | |
-And see what you think. -Yeah. | 0:34:35 | 0:34:38 | |
-I bought it at auction... -Oh, wow! | 0:34:38 | 0:34:40 | |
What do you think? | 0:34:40 | 0:34:42 | |
That's the sort of thing I'd wear doing my dressage part of eventing. | 0:34:42 | 0:34:46 | |
-So it's a riding hat? -Yeah. Shall I try it on? | 0:34:46 | 0:34:50 | |
-LAUGHING: -That's the crux of it, isn't it? | 0:34:50 | 0:34:53 | |
I don't really suit hats, though. | 0:34:53 | 0:34:56 | |
-It needs to be fairly tight, I would imagine, to not fall off. -Yeah. | 0:34:59 | 0:35:04 | |
-You look very, very smart. -Well, not with this gear on! | 0:35:04 | 0:35:08 | |
Maybe with my smart gear on, it'd look all right. | 0:35:08 | 0:35:11 | |
-Maybe if I could try and ride in it? -That would be brilliant. | 0:35:11 | 0:35:15 | |
Go on. You know you want to. That would be lovely. | 0:35:15 | 0:35:19 | |
'Emily decides to put her potential purchase through its paces | 0:35:19 | 0:35:23 | |
'before agreeing to the sale.' | 0:35:23 | 0:35:25 | |
Very smart. | 0:35:25 | 0:35:27 | |
MUSIC: Theme to "Black Beauty" | 0:35:27 | 0:35:30 | |
'The rider returns, but has the hat lived up to expectations?' | 0:35:36 | 0:35:41 | |
-Happy with it? -Yeah, I am. Yeah. -Oh, brilliant! | 0:35:41 | 0:35:46 | |
-I was hoping to get 50 quid for it, because it's a nice box. -Yeah. | 0:35:46 | 0:35:51 | |
-But... -It's got the name on it and everything. | 0:35:51 | 0:35:54 | |
-Yeah. Nice hat. -It's obviously very old. -It fits. | 0:35:54 | 0:35:57 | |
-Well, I'd give you 30 quid for it. -30 quid? Emily! | 0:35:57 | 0:36:01 | |
Emily! Go on, a little bit more. Little bit more. | 0:36:01 | 0:36:05 | |
-40 quid. -OK. 40. And then you've got a bit of... -Thank you very much. | 0:36:05 | 0:36:10 | |
-A bit of profit in it. -Yeah. -Thank you very much. It's a deal. | 0:36:10 | 0:36:15 | |
'Christina finds the hat a worthy home, but only just wins a profit. | 0:36:15 | 0:36:20 | |
'She then sells the 1920s hipflask for £60 | 0:36:22 | 0:36:25 | |
'to contact and fan of the great outdoors Fred, | 0:36:25 | 0:36:29 | |
'to warm his cockles on country pursuits.' | 0:36:29 | 0:36:32 | |
Yay! | 0:36:32 | 0:36:34 | |
'And the scent bottle for £10, | 0:36:36 | 0:36:39 | |
'giving her a grand total of £11 profit. | 0:36:39 | 0:36:43 | |
'But Phil is fighting back. | 0:36:43 | 0:36:45 | |
'He circumnavigates his globe to Worcester | 0:36:45 | 0:36:48 | |
'to see whether antiques dealer Gabrielle will love it | 0:36:48 | 0:36:51 | |
'as much as he does.' | 0:36:51 | 0:36:54 | |
I just think these are really great things. | 0:36:54 | 0:36:59 | |
I wasn't sure on date. | 0:36:59 | 0:37:01 | |
If you had a mind to, you could go through the countries and date it. | 0:37:01 | 0:37:05 | |
-When do you think this is? -Um... | 0:37:05 | 0:37:08 | |
-It's obviously not an 18th-century one. -No, no. | 0:37:08 | 0:37:11 | |
And it's not... Might it squeak into the 19th? Probably not. | 0:37:11 | 0:37:17 | |
No. I think it's probably early part of the 20th, is my shout. | 0:37:17 | 0:37:21 | |
-Yeah. 1910? -Yeah. -1915? | 0:37:21 | 0:37:25 | |
Do you want to sit down cos the bit that's coming... | 0:37:25 | 0:37:28 | |
-LAUGHING: -It's going to be that bad? -Well, you know what I'm like. | 0:37:28 | 0:37:32 | |
I wanted to own that. | 0:37:32 | 0:37:34 | |
I did and I still do. | 0:37:34 | 0:37:37 | |
-You can, you can. -No, no. | 0:37:37 | 0:37:39 | |
Is it worth 300 quid? | 0:37:39 | 0:37:42 | |
I could probably sell it for 300. | 0:37:42 | 0:37:44 | |
-It's not worth £300 for you to buy. -It's going to be tight, Philip. | 0:37:44 | 0:37:48 | |
But I do like it. | 0:37:48 | 0:37:50 | |
-What's your best price? -Um... | 0:37:50 | 0:37:52 | |
I won't haggle with you. No ups or downs. Give me your best price. | 0:37:52 | 0:37:56 | |
-I'll give you 280 cos I'd like to have it. -I'll take it. | 0:37:56 | 0:38:00 | |
-You're a star, Gabrielle. -It's a good globe. -Yeah. | 0:38:00 | 0:38:04 | |
'Phil's globe gives him a stellar profit of... | 0:38:04 | 0:38:07 | |
'but he soon comes back down to Earth with a bump.' | 0:38:07 | 0:38:11 | |
I'm really sorry to see my globe go. | 0:38:11 | 0:38:13 | |
I might have learnt something from it. It was a good thing. | 0:38:13 | 0:38:17 | |
I think Gabrielle did me a good price for it. | 0:38:17 | 0:38:20 | |
'Phil adds to his total by selling the 19th-century oak crib | 0:38:20 | 0:38:24 | |
'to dealer Ben for £185, | 0:38:24 | 0:38:27 | |
'making a profit of... | 0:38:27 | 0:38:29 | |
'..But to clinch the deal, Phil has to throw in some elbow grease.' | 0:38:30 | 0:38:35 | |
Things I let myself in for! | 0:38:35 | 0:38:38 | |
'Christina is hoping to throw a line and catch a profit | 0:38:39 | 0:38:43 | |
'when she takes the vintage fishing tins, which cost £129.80, | 0:38:43 | 0:38:47 | |
'to angling enthusiast Peter.' | 0:38:47 | 0:38:49 | |
-What have you got in here, Christina? -Have a good root around. | 0:38:49 | 0:38:53 | |
To be perfectly honest with you, | 0:38:53 | 0:38:56 | |
-I haven't got a clue. -BOTH LAUGH | 0:38:56 | 0:38:58 | |
It's a nice box. You've got quite a lot of nice dry flies in here. | 0:38:58 | 0:39:04 | |
You float those on the surface. | 0:39:04 | 0:39:06 | |
So, forgive my ignorance, but the point of fly fishing | 0:39:06 | 0:39:10 | |
is that you have a fly on the end of a rod and you cast out | 0:39:10 | 0:39:15 | |
and you're trying to trick the fish into thinking | 0:39:15 | 0:39:20 | |
-that this is some sort of insect? -Exactly. | 0:39:20 | 0:39:22 | |
-And it wants to come up and gobble it? -That's right. | 0:39:22 | 0:39:26 | |
To fish with a dry fly on the surface is the most exciting type of trout fishing. | 0:39:26 | 0:39:31 | |
When they come up and take your fly, you know that you're doing it right. | 0:39:31 | 0:39:35 | |
-LAUGHING: -Always helpful. -Doesn't always happen like that! | 0:39:35 | 0:39:39 | |
Yes, there's a nice lot of dry flies in there. | 0:39:39 | 0:39:42 | |
-Would they be the sort of thing that you'd be interested in buying? -Yes. | 0:39:42 | 0:39:46 | |
We can salvage quite a few of them. | 0:39:46 | 0:39:48 | |
I was thinking - now don't fall in the lake - | 0:39:48 | 0:39:51 | |
but I was thinking a couple of hundred quid. | 0:39:51 | 0:39:54 | |
-What's your thoughts? -Way over the top. -Is it? -Hm. | 0:39:54 | 0:39:57 | |
-What do you think? -Way over the top. | 0:39:57 | 0:40:00 | |
Well, I think I would go as far as 150 and that would be my lot. | 0:40:00 | 0:40:05 | |
And I think that's plenty at that. | 0:40:05 | 0:40:07 | |
OK. Can we call it £150 and a free fishing lesson? | 0:40:07 | 0:40:11 | |
-All right. -Ooh! That sounds good. We'll shake on that, then. | 0:40:11 | 0:40:15 | |
Thank you very much. Can I take a fish home for my tea? | 0:40:15 | 0:40:18 | |
If we catch one. BOTH LAUGH | 0:40:18 | 0:40:21 | |
'Peter takes the bait and Christina reels in a profit of...' | 0:40:21 | 0:40:25 | |
That's the last thing I needed to find a home for from the auction. | 0:40:30 | 0:40:33 | |
Let's hope I've made enough profit to beat that foxy Serrell. | 0:40:33 | 0:40:37 | |
Shame I didn't catch a fish. Don't know what I'm going to have for tea now. | 0:40:37 | 0:40:42 | |
'Never mind catching fish. | 0:40:42 | 0:40:44 | |
'The question is whether Christina netted enough profit to beat Phil | 0:40:44 | 0:40:48 | |
'in this battle of buying and selling. | 0:40:48 | 0:40:51 | |
'Our duelling duo both had £1,000 of their own money to spend... | 0:40:51 | 0:40:56 | |
'..Who has made the most profit? | 0:41:08 | 0:41:11 | |
'All the money Christina and Phil have made from the challenge will go to charities of their choice. | 0:41:11 | 0:41:16 | |
'So, let's find out who is today's | 0:41:16 | 0:41:19 | |
'Put Your Money Where Your Mouth Is champion.' | 0:41:19 | 0:41:22 | |
-Hello. -How are you? -Really well. | 0:41:22 | 0:41:24 | |
-Good to see you. -Nice to be at your home again! | 0:41:24 | 0:41:26 | |
I'll be pleased when the extension's finished. | 0:41:26 | 0:41:29 | |
-The auction, how did you get on? -It was fairly nerve-racking at times. | 0:41:29 | 0:41:33 | |
One of my first Put Your Money experiences. | 0:41:33 | 0:41:35 | |
But came out with some really good selling days. Enjoyed it very much. | 0:41:35 | 0:41:40 | |
Considering we're auctioneers, the auction room is a bit tense. Which were your best selling days? | 0:41:40 | 0:41:45 | |
Personally, for pure girlie indulgence, | 0:41:45 | 0:41:48 | |
it had to be the wedding dress and bridesmaids' dresses. | 0:41:48 | 0:41:52 | |
-How about you? -You've got your wedding dress. I've got my rugby commentary. | 0:41:52 | 0:41:57 | |
-I met a legend, a rugby legend. -Brilliant. | 0:41:57 | 0:42:00 | |
That was fantastic, really good. | 0:42:00 | 0:42:03 | |
-And your medicine ball? -Yeah, OK. Shall we do the...? | 0:42:03 | 0:42:06 | |
-We won't concentrate on that. -No. Swiftly moving on. -OK. | 0:42:08 | 0:42:12 | |
On a count of three, then. One, two, three... | 0:42:12 | 0:42:15 | |
-Kerching. How did you do? How did I do? -Oh, my goodness! | 0:42:15 | 0:42:19 | |
-Yeah, but... -How on Earth did you manage that? -I don't know. | 0:42:19 | 0:42:23 | |
-I just had a bit of luck. -You had a serious amount of luck! | 0:42:23 | 0:42:27 | |
-What did you get out of your dresses? -I made 50 quid in the end. | 0:42:27 | 0:42:31 | |
-They were a bit minging, weren't they? -They weren't when I sold them. | 0:42:31 | 0:42:35 | |
-You got them un-minged? -My mum worked wonders. | 0:42:35 | 0:42:38 | |
Is your mum any good at sewing...? | 0:42:38 | 0:42:41 | |
'Mm, Phil has trounced Christina in today's auction hoedown, | 0:42:41 | 0:42:45 | |
'making over twice as much profit.' | 0:42:45 | 0:42:48 | |
I really enjoyed the auction. | 0:42:48 | 0:42:50 | |
Given half a chance, I'd buy my front and back end of a zebra again. | 0:42:50 | 0:42:54 | |
I really enjoyed selling them and they made me a great profit. | 0:42:54 | 0:42:57 | |
The one thing I wish I hadn't sold were Bill McLaren's notes. | 0:42:57 | 0:43:01 | |
They were fantastic, but it got me to meet Mike Teague - England and the British Lions. | 0:43:01 | 0:43:06 | |
It was a very different experience on the other side of the rostrum. | 0:43:06 | 0:43:10 | |
I'm flabbergasted that a, Philip Serrell made money on modern art | 0:43:10 | 0:43:15 | |
and b, that it was on papier-mache - clearly there's money here. | 0:43:15 | 0:43:18 | |
'Christina may have lost today, but there's all to play for tomorrow, | 0:43:18 | 0:43:22 | |
'as our duelling dealers fight it out one last time | 0:43:22 | 0:43:25 | |
'in the Put Your Money Where Your Mouth Is Showdown.' | 0:43:25 | 0:43:28 | |
Subtitles by Red Bee Media Ltd | 0:43:32 | 0:43:35 | |
E-mail [email protected] | 0:43:35 | 0:43:38 |