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'This is the show that pitches TV's best-loved antiques experts | 0:00:02 | 0:00:07 | |
'against each other in an all-out battle for profit. | 0:00:07 | 0:00:11 | |
'And gives YOU the insider's view of the trade.' | 0:00:13 | 0:00:16 | |
I'm on the case. | 0:00:16 | 0:00:18 | |
'One pair of duelling dealers face a different daily challenge...' | 0:00:19 | 0:00:24 | |
I'm a cheeky chancer! | 0:00:24 | 0:00:26 | |
'..putting their reputations on the line | 0:00:26 | 0:00:29 | |
'and giving you top tips and savvy secrets | 0:00:29 | 0:00:32 | |
'on how to make the most money from buying and selling.' | 0:00:32 | 0:00:36 | |
-Let's go and spend some money! -Get in there! | 0:00:36 | 0:00:39 | |
'Brace yourselves. We're about to witness a whopping battle | 0:00:41 | 0:00:44 | |
'between two colossal experts, | 0:00:44 | 0:00:47 | |
'as they face the ultimate antiques test - | 0:00:47 | 0:00:49 | |
'the Put Your Money Where Your Mouth Is Showdown! | 0:00:49 | 0:00:53 | |
'Our eminent experts will bolster their buying skills | 0:00:53 | 0:00:56 | |
'with incredible attention to detail | 0:00:56 | 0:00:59 | |
'before engaging their extensive experience to sell their purchases for premium profit! | 0:00:59 | 0:01:04 | |
'Coming up, Phil's pin-point plan comes tumbling down...' | 0:01:04 | 0:01:08 | |
You should have a wealth warning. What to do with those I do not know. | 0:01:08 | 0:01:12 | |
'..Christina shows it's possible to ask for too much...' | 0:01:12 | 0:01:16 | |
Can you wrap each one individually for me, please? | 0:01:16 | 0:01:20 | |
'..and she finds a major flaw with one of Phil's antiques.' | 0:01:20 | 0:01:24 | |
-This is signed 1986. -Yeah, late quality. -That's younger than me! | 0:01:24 | 0:01:28 | |
'The public has been queuing to get front-row seats for this epic encounter. | 0:01:30 | 0:01:34 | |
'Hold tight, everyone. | 0:01:34 | 0:01:36 | |
'It's time to put your money where your mouth is.' | 0:01:36 | 0:01:39 | |
'The Showdown puts two of the best bargain buccaneers in the business | 0:01:53 | 0:01:58 | |
'head-to-head as they duck and dive to pack a profit punch. | 0:01:58 | 0:02:02 | |
'But with only one possible winner, | 0:02:02 | 0:02:04 | |
'this is also the decisive battle of the sexes. | 0:02:04 | 0:02:07 | |
'First up, for the ladies, it's... | 0:02:07 | 0:02:10 | |
'..a classy and captivating bird, but don't be deceived. | 0:02:12 | 0:02:16 | |
'Her talons are razor sharp and she always collars her prey. | 0:02:16 | 0:02:20 | |
'For the gents, it's... | 0:02:20 | 0:02:22 | |
'..Behind those glasses there's an unsettling glint of viciousness in those wily eyes. | 0:02:23 | 0:02:31 | |
'This will be their toughest challenge yet | 0:02:31 | 0:02:33 | |
'across four major antiques events. | 0:02:33 | 0:02:36 | |
'Only one will triumph, so buckle up. | 0:02:36 | 0:02:39 | |
'Philip Serrell and Christina Trevanion, it's time to put your money where your mouth is.' | 0:02:39 | 0:02:44 | |
-This is it, isn't it? -Yeah. Big Showdown. | 0:02:44 | 0:02:47 | |
-What have we got to do? -Let's have a look. | 0:02:47 | 0:02:49 | |
"Welcome to the mighty Showdown. The rules are simple..." | 0:02:49 | 0:02:52 | |
-They'll need to be! LAUGHING: -They will. | 0:02:52 | 0:02:55 | |
"You must each buy two items | 0:02:55 | 0:02:57 | |
"at every one of your regular Put Your Money challenges." | 0:02:57 | 0:03:00 | |
-And we've got £1,000 to spend. -That's good, isn't it? Right. | 0:03:00 | 0:03:04 | |
-"You can sell up to four items wherever you want." -Four. OK. | 0:03:04 | 0:03:08 | |
"The rest will be sold at auction in Dorset, | 0:03:08 | 0:03:10 | |
-"in direct competition with your opponent." -Oooh! | 0:03:10 | 0:03:14 | |
-"The winner is the person who makes the most profit." -Sounds good. | 0:03:14 | 0:03:17 | |
-We need a bit of luck here! -We do. -Come on. | 0:03:17 | 0:03:20 | |
'Both our dazzling dealers are using their own money | 0:03:21 | 0:03:24 | |
'and all the profit goes to their chosen charities. | 0:03:24 | 0:03:27 | |
'They'll be racing around their usual hunting grounds - | 0:03:27 | 0:03:31 | |
'an auction, | 0:03:31 | 0:03:33 | |
'a car boot sale, | 0:03:33 | 0:03:35 | |
'an antiques fair | 0:03:35 | 0:03:37 | |
'and a foreign antiques market. | 0:03:37 | 0:03:40 | |
'It's going to be a terrific tussle, | 0:03:40 | 0:03:43 | |
'but who will end up with the biggest profit? | 0:03:43 | 0:03:46 | |
'Both our aces are auctioneers, | 0:03:46 | 0:03:48 | |
'so should be in comfortable territory for... | 0:03:48 | 0:03:51 | |
'They're at the Moore, Allen & Innocent saleroom near Cirencester, | 0:03:51 | 0:03:56 | |
'where they must each find their first Showdown items. | 0:03:56 | 0:03:59 | |
'They have plenty to choose from. | 0:03:59 | 0:04:01 | |
'More than 600 lots are going under the hammer. | 0:04:01 | 0:04:04 | |
'The viewing starts and almost immediately Christina is smitten.' | 0:04:04 | 0:04:08 | |
I fell in love with this Arts & Crafts chair. | 0:04:08 | 0:04:11 | |
It's absolutely beautiful. You can almost see how it's been made. | 0:04:11 | 0:04:14 | |
Typical Arts & Crafts. Great curves all along the back. | 0:04:14 | 0:04:17 | |
Unfortunately, someone hasn't loved it quite as much. | 0:04:17 | 0:04:21 | |
It's had an attack of the mice. | 0:04:21 | 0:04:23 | |
Beautiful chair and, surprisingly, | 0:04:23 | 0:04:26 | |
it's actually really rather comfy. | 0:04:26 | 0:04:28 | |
I might have found my bidding spot from here! | 0:04:28 | 0:04:32 | |
'Best not get too comfy, until you've bought it. | 0:04:32 | 0:04:35 | |
'And a bit of a bonus, it comes with another Arts & Crafts chair. | 0:04:35 | 0:04:39 | |
'Phil, meanwhile, has spotted something he thinks will sell well.' | 0:04:39 | 0:04:44 | |
There are things that are flavour of the month and this is one of them. | 0:04:44 | 0:04:48 | |
This is an oil painting on board by a lady called Cora Harrington. | 0:04:48 | 0:04:54 | |
You've got these typical Irish cottages. | 0:04:54 | 0:04:59 | |
This is an Irish subject. | 0:04:59 | 0:05:01 | |
It's probably Donegal, | 0:05:01 | 0:05:04 | |
somewhere on the west coast of Ireland, early 20th century. | 0:05:04 | 0:05:07 | |
This is estimated at £100 to £150. | 0:05:07 | 0:05:10 | |
I think I might give top side of £150 for that, | 0:05:10 | 0:05:14 | |
cos I just happen to like it. | 0:05:14 | 0:05:17 | |
'Both have their eyes on the prize. | 0:05:17 | 0:05:19 | |
'It's Phil's oil painting that goes under the gavel first.' | 0:05:19 | 0:05:23 | |
I'm starting here at £55 on the book. 60. Five. | 0:05:23 | 0:05:27 | |
70. Five. 80. Five. | 0:05:27 | 0:05:30 | |
90. I'm out. All done? And selling now at 90... | 0:05:30 | 0:05:33 | |
'And Phil snaps up the landscape for less than its estimate. | 0:05:35 | 0:05:39 | |
'The auction fees add on a bit... | 0:05:39 | 0:05:42 | |
'..He's in the swing of it and waves his paddle again!' | 0:05:43 | 0:05:46 | |
All sure at 130...? | 0:05:46 | 0:05:50 | |
'It's a double strike, as he buys a circa 1900 satinwood table | 0:05:50 | 0:05:55 | |
'with gilded floral decoration for...' | 0:05:55 | 0:05:58 | |
If that isn't cheap for a table that would grace anyone's front room, | 0:06:01 | 0:06:05 | |
well... | 0:06:05 | 0:06:06 | |
I'm really pleased with that. | 0:06:06 | 0:06:08 | |
'As always, you look elated, Foxy(!) | 0:06:08 | 0:06:11 | |
'He's got his two purchases sorted, so the pressure's on Christina. | 0:06:11 | 0:06:15 | |
'But she's not fazed. The late 19th-century Arts & Crafts chairs, | 0:06:15 | 0:06:19 | |
'with an estimate of £80 to £100, soon go under the hammer.' | 0:06:19 | 0:06:23 | |
At £80 I'm bid here. At £80 for it. Five if you like now. | 0:06:23 | 0:06:27 | |
At £80. I'm selling, make no mistake. At 85. 90. | 0:06:27 | 0:06:31 | |
Five. 100. 110, and the book's out at 110. | 0:06:31 | 0:06:34 | |
At 110. 120 now? At £110, right in front of me... | 0:06:34 | 0:06:39 | |
'The Magpie is flying high, as she lands the chairs for...' | 0:06:40 | 0:06:44 | |
Absolutely chuffed to bits. I think that's a bargain. | 0:06:47 | 0:06:50 | |
'And she follows that up | 0:06:50 | 0:06:52 | |
'by bidding on a 20th-century Arts & Crafts oak bookcase | 0:06:52 | 0:06:55 | |
'with a guide price of £40 to £60.' | 0:06:55 | 0:06:58 | |
At £65. Are you all sure at 65...? | 0:06:58 | 0:07:02 | |
'Christina makes it a one-two by buying the bookcase for...' | 0:07:02 | 0:07:06 | |
I love pieces of furniture that are functional as well as quite pretty. | 0:07:09 | 0:07:13 | |
This is perfect. We've got a nice book slide, or book rest, on top. | 0:07:13 | 0:07:17 | |
And a nice little reading table that comes out. | 0:07:17 | 0:07:21 | |
You can sit and read your book. Very Liberty's style. | 0:07:21 | 0:07:25 | |
I am pleased as punch with that. | 0:07:25 | 0:07:28 | |
'Our tough competitors have traded heavy punches, | 0:07:28 | 0:07:31 | |
'but who will reap the most reward? | 0:07:31 | 0:07:34 | |
'Each warrior started the Showdown with £1,000 in their war chest. | 0:07:34 | 0:07:39 | |
'Courageous Christina Trevanion has spent... | 0:07:39 | 0:07:42 | |
'..Fearless Phil Serrell has splashed a bit more cash... | 0:07:48 | 0:07:52 | |
'..The bell's gone for Round 2. | 0:07:58 | 0:08:00 | |
'Our daredevil duo are at a sale in Battersea in south London. | 0:08:02 | 0:08:06 | |
'The sun is shining and the crowd is thronging | 0:08:06 | 0:08:09 | |
'as they get ready to fight it out. | 0:08:09 | 0:08:12 | |
'Christina is straight in there.' | 0:08:12 | 0:08:14 | |
Look at those! I love them! | 0:08:14 | 0:08:17 | |
-How much are the marbles? -You want the entire lot? | 0:08:19 | 0:08:23 | |
-It depends how much they are. -A fiver for the whole lid. | 0:08:23 | 0:08:27 | |
A fiver for a whole lid. Will you take a couple of quid? | 0:08:27 | 0:08:31 | |
-Four. -Go on. You've got to get rid of them. -Four. | 0:08:31 | 0:08:35 | |
Three! Go on! | 0:08:35 | 0:08:37 | |
-3.50. -All right, then. £3.50. It's a deal. I like those. | 0:08:37 | 0:08:40 | |
-Have you got a bag? -No! How am I going to get them home? | 0:08:40 | 0:08:44 | |
Can you wrap each one individually for me, please? | 0:08:44 | 0:08:47 | |
'Individually wrapped? Have you lost your marbles? | 0:08:47 | 0:08:51 | |
'If you have, no need to worry. There's plenty more on offer.' | 0:08:51 | 0:08:54 | |
-We've got some more, if you want them. -Marbles? -Yeah. -Where? | 0:08:54 | 0:08:58 | |
-Do you know what? I'll tell you what we'll do. -Are you serious? | 0:08:58 | 0:09:02 | |
-RATTLING -Oh, my God! Keep the change. | 0:09:02 | 0:09:05 | |
-I'll have those. -You want the whole box? -Yeah! That'd be brilliant. | 0:09:05 | 0:09:09 | |
-Thank you very much! Oh, my God! -STALL HOLDERS LAUGH | 0:09:09 | 0:09:12 | |
I need serious muscles for those! | 0:09:12 | 0:09:15 | |
£5. A whole box of marbles. Just got to find a marble collector. | 0:09:15 | 0:09:20 | |
'Well, good luck, Christina. | 0:09:20 | 0:09:22 | |
'Across the market, Phil buys both his items in one deal - | 0:09:22 | 0:09:26 | |
'a fountain pen and a French vase for a total of £50.' | 0:09:26 | 0:09:30 | |
You're an angel. | 0:09:30 | 0:09:32 | |
'Phew! Light work, Mr Fox.' | 0:09:32 | 0:09:35 | |
I'm really, really pleased. | 0:09:36 | 0:09:38 | |
I bought these two bits as a bulk-buy for my Showdown. | 0:09:38 | 0:09:40 | |
This is a French 1980s art glass vase. | 0:09:40 | 0:09:45 | |
It's signed just here, look. | 0:09:45 | 0:09:47 | |
1986. | 0:09:47 | 0:09:49 | |
I think that's a really cool thing. Needs a bit of a clean-up. | 0:09:49 | 0:09:53 | |
And this Parker Duofold 1940s pen. | 0:09:53 | 0:09:56 | |
It's got a nine-carat gold nib. You can melt the nib if you need to! | 0:09:56 | 0:10:02 | |
£25 each. £50 the two. | 0:10:02 | 0:10:04 | |
I hope I'm on a winner. I've got big hopes for this. | 0:10:04 | 0:10:08 | |
I'm going to put this into auction. | 0:10:08 | 0:10:10 | |
I think. | 0:10:10 | 0:10:12 | |
'No room for indecision, Phil, as the Magpie, true to her nature, | 0:10:12 | 0:10:15 | |
'spots some silver lids glinting on a pair of 1960s glass bottles.' | 0:10:15 | 0:10:21 | |
-How much are those? -I'm asking 45. | 0:10:21 | 0:10:24 | |
-Because they are silver hallmarked tops. -Right. | 0:10:24 | 0:10:28 | |
-Do you think they're storage jars? -No. They're too nice for that. | 0:10:28 | 0:10:32 | |
They could be on a man's, not dressing table, whatever men have. | 0:10:32 | 0:10:37 | |
Yeah. I quite like those. | 0:10:37 | 0:10:40 | |
-I think they're lovely. -You want 45? | 0:10:40 | 0:10:43 | |
I'd take 40 but I can't do any less. | 0:10:43 | 0:10:46 | |
-£40. £20 a bottle? -Mm. | 0:10:46 | 0:10:49 | |
I think that's a fair price. | 0:10:50 | 0:10:52 | |
-We'll shake at 40 on it. -Thank you very much. | 0:10:52 | 0:10:56 | |
'She's done it. The sparks are really flying. | 0:10:56 | 0:10:59 | |
'As they reach the midway point of our bargain bust-up, | 0:10:59 | 0:11:01 | |
'let's see where they stand. | 0:11:01 | 0:11:04 | |
'From her starting purse of £1,000, | 0:11:05 | 0:11:08 | |
'Christina Trevanion has trod carefully... | 0:11:08 | 0:11:11 | |
'..Phil has forked out a little bit more... | 0:11:18 | 0:11:20 | |
'..The antiques fair! | 0:11:32 | 0:11:34 | |
'Our dealers are about to be unleashed in the freezing winds | 0:11:34 | 0:11:37 | |
'of Malvern's flea and antiques market. | 0:11:37 | 0:11:39 | |
'It's Phil's own stomping ground, so will he have an advantage? | 0:11:39 | 0:11:44 | |
'Under ominous skies, there's a veritable cornucopia | 0:11:44 | 0:11:47 | |
'of collectables for our ruthless rivals to rummage through. | 0:11:47 | 0:11:50 | |
'Fantastic Mr Fox gets tooled-up for the fight straight away. | 0:11:50 | 0:11:54 | |
'He buys a 19th-century truncheon for £60.' | 0:11:54 | 0:11:58 | |
It's a little different to the norm. | 0:11:58 | 0:12:00 | |
Normal truncheons are, strangely enough, truncheon shaped. | 0:12:00 | 0:12:04 | |
This, with its lantern head, it has just got a bit of a different look. | 0:12:04 | 0:12:08 | |
'Phil sticks with weaponry, | 0:12:08 | 0:12:10 | |
'as he batters his way to his second potential purchase - | 0:12:10 | 0:12:14 | |
'four leather ammunition bags.' | 0:12:14 | 0:12:16 | |
-You reckon these are First World War... -That's what I... | 0:12:16 | 0:12:20 | |
You put a Bren gun magazine in there. Do you know? I like these. | 0:12:20 | 0:12:25 | |
The thing is, they are completely and utterly useless, aren't they? | 0:12:25 | 0:12:30 | |
-How much for the lot? -110 for the four. | 0:12:30 | 0:12:33 | |
-What about 100 quid cash, here and now? -Yeah. Go on. | 0:12:34 | 0:12:38 | |
What am I going to do with these? | 0:12:38 | 0:12:40 | |
-I'm sure you'll find a use for them. -You should have a wealth warning. | 0:12:40 | 0:12:44 | |
-What I'm going to do with those, I do not know. -They're so different. | 0:12:44 | 0:12:47 | |
I have to pay you £100. What have I bought these for? | 0:12:47 | 0:12:51 | |
'He doesn't seem sure, but could the cases give Phil the ammunition he needs to vanquish his enemy? | 0:12:51 | 0:12:57 | |
'Not to be outdone, the Magpie is in glittery heaven, | 0:12:57 | 0:13:00 | |
'as she snaps up an 18th-century | 0:13:00 | 0:13:03 | |
'imitation diamond shoe buckle for £30.' | 0:13:03 | 0:13:06 | |
Thank you very much. | 0:13:06 | 0:13:08 | |
I'm really pleased with this buckle. I have taken a gamble. | 0:13:08 | 0:13:12 | |
This replaced stone will put people off. | 0:13:12 | 0:13:15 | |
But it's lovely. It's George III, 1790, 1800, | 0:13:15 | 0:13:20 | |
with this beautiful paste set surround. | 0:13:20 | 0:13:22 | |
Each of the stones has been especially cut to fit in an oval. | 0:13:22 | 0:13:26 | |
And intricate work on the gold, on the interior there. | 0:13:26 | 0:13:30 | |
Sadly, there's only one. There would have been two originally. | 0:13:30 | 0:13:34 | |
I know a buckle collector | 0:13:34 | 0:13:36 | |
who'll, hopefully, give me a profit on that. Very pleased. | 0:13:36 | 0:13:39 | |
'All sounds good, but the real sparkler is her next purchase. | 0:13:39 | 0:13:44 | |
'More diamonds - this time, real ones on an Art Deco pendant. | 0:13:44 | 0:13:48 | |
'But she had to splash the cash to get it.' | 0:13:48 | 0:13:50 | |
Up until today, I hadn't spent much money on my Showdown pieces | 0:13:50 | 0:13:54 | |
at the auction and car boot sale. | 0:13:54 | 0:13:57 | |
Until I saw this little dazzler. | 0:13:57 | 0:13:59 | |
It was £1,000, which was way over budget. | 0:13:59 | 0:14:02 | |
I managed to knock him down to 700 | 0:14:02 | 0:14:05 | |
and then 600 and then 575. | 0:14:05 | 0:14:07 | |
It's a beautiful, beautiful Art Deco | 0:14:07 | 0:14:10 | |
two-stone diamond pendant. | 0:14:10 | 0:14:12 | |
We've got this large diamond at the bottom, claw set, | 0:14:12 | 0:14:15 | |
suspended from a knife-edge bar, then a further collet set diamond. | 0:14:15 | 0:14:19 | |
All from an 18-carat white gold chain. | 0:14:19 | 0:14:22 | |
Absolutely beautiful. Very commercial. | 0:14:22 | 0:14:25 | |
I think it's absolutely gorgeous. | 0:14:25 | 0:14:27 | |
I'm sure I'll be able to sell it for a profit. | 0:14:27 | 0:14:31 | |
The only thing is, I don't particularly want to! | 0:14:31 | 0:14:33 | |
'Could the pendant be the jewel in Christina's victory crown? | 0:14:33 | 0:14:37 | |
'Our valiant warriors are done with Blighty. | 0:14:37 | 0:14:41 | |
'It's time to head abroad. | 0:14:41 | 0:14:43 | |
'Let's catch up with who has spent what. | 0:14:43 | 0:14:46 | |
'Well, it's all-change for Christina... | 0:14:46 | 0:14:49 | |
'..Phil has been much more cautious... | 0:15:00 | 0:15:03 | |
'..It's the last chance to stockpile their armouries, | 0:15:17 | 0:15:21 | |
'as they say "bonjour" to Paris | 0:15:21 | 0:15:24 | |
'and the 400 stall holders at the Porte de Vanves flea market. | 0:15:24 | 0:15:27 | |
'C'est magnifique! But all that matters to our traders is who will end the day triumphant? | 0:15:27 | 0:15:34 | |
'The Worcestershire warrior spots a Chinese vase. | 0:15:34 | 0:15:37 | |
'However, the Fox doesn't speak French. | 0:15:37 | 0:15:40 | |
'He won't let his lack of lingo get in the way of a good haggle.' | 0:15:40 | 0:15:44 | |
-How much? -Deux cents. | 0:15:44 | 0:15:46 | |
200 euro? | 0:15:46 | 0:15:48 | |
-Can that be 100 euro? -No. It is not possible. | 0:15:48 | 0:15:53 | |
-What is possible? -Cent cinquante. | 0:15:53 | 0:15:56 | |
-Is that 150 euro? -Yes, yes. | 0:15:57 | 0:16:01 | |
'Phil's gearing up for some serious sign language.' | 0:16:01 | 0:16:04 | |
120 euro. One...20 euro. | 0:16:04 | 0:16:08 | |
Merci, monsieur. Merci. | 0:16:15 | 0:16:17 | |
130 euros. | 0:16:17 | 0:16:19 | |
'Some fine fingerwork from the Fox. | 0:16:19 | 0:16:22 | |
'Converting that to sterling, the Chinese vase cost... | 0:16:22 | 0:16:25 | |
'..Phil's hoping the pottery is full of eastern promise!' | 0:16:27 | 0:16:31 | |
I really like this. It's a Chinese vase decorated with a celadin ground. | 0:16:32 | 0:16:38 | |
The stall holder said it's around 1900. I'm hoping he's right. | 0:16:38 | 0:16:42 | |
Sometimes, these black marks can indicate that they're later. | 0:16:42 | 0:16:48 | |
They reproduced some of these and they would have that mark. | 0:16:48 | 0:16:51 | |
But he says he got this from a house clearance. | 0:16:51 | 0:16:55 | |
I've no reason to disbelieve him. He was asking 200 euros. | 0:16:55 | 0:16:59 | |
I think it's too nice to convert into a dreaded Serrell lamp! | 0:16:59 | 0:17:02 | |
'That leaves him just one Showdown item to shop for. | 0:17:04 | 0:17:07 | |
'To avoid antiques annihilation, | 0:17:07 | 0:17:09 | |
'Christina must hit back boldly - and she does.' | 0:17:09 | 0:17:12 | |
-Rolling cigars to put them in a mould? -Mm. | 0:17:12 | 0:17:15 | |
'She buys a piece of smoking ephemera for 35 euros...' | 0:17:15 | 0:17:19 | |
I'm now the proud owner of a cigar mould. | 0:17:22 | 0:17:25 | |
Probably a bizarre purchase, but there we go. | 0:17:25 | 0:17:28 | |
I quite like the fact that it's got its original labels. | 0:17:28 | 0:17:31 | |
It's pine, 1950s, so he tells me. 1960s. | 0:17:31 | 0:17:35 | |
We've got some German print on here. | 0:17:35 | 0:17:38 | |
And the nice labels. It's a bit of fun, isn't it? Smoking ephemera. | 0:17:38 | 0:17:42 | |
Yeah. Maybe one of my more wacky purchases. | 0:17:42 | 0:17:46 | |
'If it provides profit, it'll seem a sensible decision. | 0:17:46 | 0:17:50 | |
'Spurred on, the Magpie spots her next target - a pastel sketch.' | 0:17:50 | 0:17:55 | |
Do you know who the artist is? Oui. C'est Eugene Deshayes. | 0:17:55 | 0:17:59 | |
Do you know where it was painted? | 0:17:59 | 0:18:02 | |
-Barbizon. -Barbizon, in France. OK. | 0:18:02 | 0:18:06 | |
-Would you take 130? -Hundred...? | 0:18:06 | 0:18:09 | |
-Cent trente? -OK. | 0:18:09 | 0:18:12 | |
Yeah? Excellent. Merci, monsieur. | 0:18:12 | 0:18:16 | |
'Christina's pretty as a picture, as she cuts a deal for...' | 0:18:16 | 0:18:20 | |
I'm very taken with this picture. | 0:18:21 | 0:18:23 | |
To me, it's very Impressionist. | 0:18:23 | 0:18:26 | |
The fact that it's pastel rather than a watercolour is quite unusual. | 0:18:26 | 0:18:30 | |
It's more like a hasty sketch and the light on it is beautiful. | 0:18:30 | 0:18:33 | |
I love the way that it's still got its label on the back. | 0:18:33 | 0:18:37 | |
Really lovely. Nice signature at the bottom. | 0:18:37 | 0:18:40 | |
Very pleased with that. Very, very pleased. Merci, monsieur. | 0:18:40 | 0:18:44 | |
'Christina's all bought-up, but Phil matches her blow for blow, | 0:18:44 | 0:18:48 | |
'as he serves up his final buy.' | 0:18:48 | 0:18:51 | |
It's a metal tray that's been painted to look like it's in the Chinoiserie style. | 0:18:51 | 0:18:57 | |
These originally were made out of papier-mache in the Regency period. | 0:18:57 | 0:19:01 | |
So they dated to about 1810, 1820. | 0:19:01 | 0:19:04 | |
This is probably 1910, 1920. | 0:19:04 | 0:19:06 | |
It's not going to be a tray when I've finished it - I hope. | 0:19:06 | 0:19:10 | |
Depending upon cost. | 0:19:10 | 0:19:12 | |
It's going to make a lovely little low table on some turned legs. | 0:19:12 | 0:19:16 | |
They want to be quite contemporary. | 0:19:16 | 0:19:19 | |
If I could buy some perspex rods to drop it on, that would be ideal. | 0:19:19 | 0:19:23 | |
I've either got to sell the idea to someone else, | 0:19:23 | 0:19:26 | |
or I've got to do it myself. | 0:19:26 | 0:19:28 | |
I paid 95 euros and, hopefully, there should be a profit in that. | 0:19:28 | 0:19:33 | |
'So, in the final move of this colossal clash, Phil spends... | 0:19:33 | 0:19:36 | |
'..And that's it. Time is up. | 0:19:40 | 0:19:42 | |
'The epic expedition is over. | 0:19:42 | 0:19:45 | |
'Our heavyweight hagglers have dug deep at four giant events | 0:19:45 | 0:19:48 | |
'and pushed themselves to the limit of human endeavour. | 0:19:48 | 0:19:52 | |
'But has it all been worth it? | 0:19:52 | 0:19:54 | |
'Our bartering battlers started out with £1,000 of their own money. | 0:19:55 | 0:19:59 | |
'Christina's gone all-out and has spent almost everything she had... | 0:19:59 | 0:20:05 | |
'..Phil has been much more modest... | 0:20:08 | 0:20:10 | |
'..Outlay is one thing. Now it's all about selling and profit. | 0:20:15 | 0:20:20 | |
'With a temporary truce to the hostilities, our warriors agree to meet, but Phil is waiting.' | 0:20:20 | 0:20:26 | |
She'll be shopping. This is what blokes do, sit down and wait... | 0:20:26 | 0:20:30 | |
-Oi! I can hear you. -Oh, sorry. How are you? -Hello. | 0:20:30 | 0:20:32 | |
-Well, done isn't it, eh? -Yeah. Showdown! -Shutdown! | 0:20:32 | 0:20:36 | |
-LAUGHS -Feels a bit that way. | 0:20:36 | 0:20:38 | |
-Have you had a good day? -I've loved every single minute. | 0:20:38 | 0:20:42 | |
-Overall, what's your best Showdown bit? -Ooh, goodness me! | 0:20:42 | 0:20:46 | |
I do love the diamond necklace. | 0:20:46 | 0:20:48 | |
-Worst bit? -Possibly my cigar mould. | 0:20:48 | 0:20:52 | |
I haven't got a clue what it is! How about you? | 0:20:52 | 0:20:55 | |
I really love my leather Bren gun cartridge cases. | 0:20:55 | 0:20:58 | |
-We'd better get home. -We've got the journey to think about it. -Come on. | 0:20:58 | 0:21:03 | |
'Our brazen beauties beat their way back to Britain | 0:21:06 | 0:21:09 | |
'to beaver away at finding new homes for all their prized purchases. | 0:21:09 | 0:21:14 | |
'Because this is the ultimate thrill-seeking antiques challenge, | 0:21:14 | 0:21:18 | |
'our hardened hagglers must choose which four items | 0:21:18 | 0:21:21 | |
'they enter into the very special Showdown auction. | 0:21:21 | 0:21:25 | |
'In the Magpie's nest in rural Shropshire, | 0:21:25 | 0:21:28 | |
'Christina has it all figured out - almost.' | 0:21:28 | 0:21:31 | |
There are things that I'm sure are going to go to auction. | 0:21:31 | 0:21:35 | |
We're going to send the chairs. | 0:21:35 | 0:21:37 | |
Love this chair. It was "buy one get one free". | 0:21:37 | 0:21:41 | |
To complement that, I'm going to put the Arts & Crafts bookcase in. | 0:21:41 | 0:21:45 | |
The marbles, they are such a diverse age range. | 0:21:45 | 0:21:49 | |
They've got to make more than a fiver. I'll let the market dictate. | 0:21:49 | 0:21:54 | |
Slightly undecided whether to put the cigar mould | 0:21:54 | 0:21:58 | |
or my pastel sketch which I bought in Paris into the auction. | 0:21:58 | 0:22:02 | |
We'll see what happens. | 0:22:02 | 0:22:04 | |
'She must also find buyers for the 1960s glass bottles, | 0:22:04 | 0:22:08 | |
'the Art Deco diamond pendant and the 18th-century buckle. | 0:22:08 | 0:22:13 | |
'At the Fox's den in Worcestershire, Phil is all of a lather.' | 0:22:13 | 0:22:17 | |
This is what it boils down to! | 0:22:17 | 0:22:19 | |
I'm going to sell my satinwood table privately. | 0:22:19 | 0:22:22 | |
I think I've got a buyer for that type of furniture. | 0:22:22 | 0:22:25 | |
The Chinese market's quite volatile. Very good things make very good money. | 0:22:25 | 0:22:29 | |
I think that's an average 1900 vase. | 0:22:29 | 0:22:32 | |
It should do OK, | 0:22:32 | 0:22:34 | |
but it's better to sell it privately. | 0:22:34 | 0:22:37 | |
As for the rest of it, it's an open book for me. | 0:22:37 | 0:22:40 | |
The tray, I might speak with a friend who's got a base for that. | 0:22:40 | 0:22:45 | |
One of us is going to have a better thing at the end of the day. | 0:22:45 | 0:22:50 | |
The painting, Irish market, Cora Harrington, hot at the moment. | 0:22:50 | 0:22:54 | |
Which leaves us with one thing - or rather four things. | 0:22:54 | 0:22:58 | |
Win or lose? Who knows? | 0:22:58 | 0:23:00 | |
'Phil must also decide about the 1940s fountain pen, | 0:23:01 | 0:23:04 | |
'the 19th-century police truncheon | 0:23:04 | 0:23:06 | |
'and the 1980s French glass vase. | 0:23:06 | 0:23:09 | |
'Our gold diggers gather their contact books and grab their phones, | 0:23:09 | 0:23:14 | |
'because there's no time to waste finding buyers. | 0:23:14 | 0:23:17 | |
'Until they've shaken on it and the money's changed hands, no deal is truly sealed. | 0:23:17 | 0:23:22 | |
'It's our golden girl who strikes first. | 0:23:22 | 0:23:26 | |
'Christina races to Shrewsbury, to meet Derek, who works in the same auction house as her. | 0:23:26 | 0:23:31 | |
'She knows he's an avid collector of antique shoe buckles. | 0:23:31 | 0:23:35 | |
'The one she bought cost £30.' | 0:23:35 | 0:23:39 | |
What is it about buckles that attracts you? | 0:23:39 | 0:23:41 | |
They're just wonderful, aren't they? They're in different materials. | 0:23:41 | 0:23:45 | |
We've got brass, steel, silver. | 0:23:45 | 0:23:50 | |
-And gold. -Ooh, nice! | 0:23:51 | 0:23:53 | |
As they went through the 18th century, | 0:23:53 | 0:23:56 | |
the buckles gradually got larger. | 0:23:56 | 0:24:00 | |
So we finish up with this sort of size. | 0:24:00 | 0:24:03 | |
-And then this. -That's huge! | 0:24:03 | 0:24:07 | |
They were considered a necessity, | 0:24:07 | 0:24:10 | |
-rather than a luxury. -They didn't have shoe laces. | 0:24:10 | 0:24:13 | |
-This was the only way of keeping your shoes on. -Yeah. | 0:24:13 | 0:24:16 | |
-That one looks very similar to this one! -Ah! | 0:24:16 | 0:24:20 | |
I bought it because I knew you had an interest in buckles. | 0:24:20 | 0:24:23 | |
-I'd be interested to know what you think. -Right. | 0:24:23 | 0:24:27 | |
Well, it's about 1780. | 0:24:27 | 0:24:30 | |
It's got, probably, gold. Yeah. Very nice. | 0:24:30 | 0:24:34 | |
-There's one been replaced there. -Yeah. -Which detracts from the price. | 0:24:34 | 0:24:39 | |
-It's a shame, isn't it? -Mmm. | 0:24:39 | 0:24:41 | |
I was really hoping to get in the region of, maybe, £60 for it. | 0:24:41 | 0:24:46 | |
I'm thinking more...£40. | 0:24:46 | 0:24:48 | |
-What about 50? Cos it's very lovely. -It is. | 0:24:48 | 0:24:51 | |
-Look how sparkly it is! -I know. -And it's gold. | 0:24:51 | 0:24:53 | |
I know. | 0:24:53 | 0:24:56 | |
-Yes. -Really? -Yes. -Thank you very much. That's fantastic. | 0:24:56 | 0:25:00 | |
-£50. It's a deal. A deal. Thank you very much. -Thank you. | 0:25:00 | 0:25:04 | |
'First item sold. The buckle fastens a profit of £20. | 0:25:06 | 0:25:10 | |
'Phil is not far behind. | 0:25:11 | 0:25:13 | |
'There was never any doubt about selling the Chinese vase privately. | 0:25:13 | 0:25:17 | |
'He's brought it to Upton-upon-Severn to see buyer Lee, who owns an antiques shop. | 0:25:17 | 0:25:23 | |
'The vase cost just over £111.' | 0:25:23 | 0:25:26 | |
Do you want to have a quick inspect before you go any further? | 0:25:26 | 0:25:30 | |
Yeah. It's a nice big fellow. | 0:25:30 | 0:25:32 | |
I would think it's, what? 1900? 1910? Something like that? | 0:25:32 | 0:25:36 | |
Yeah. It's hard to tell with these vases. | 0:25:36 | 0:25:39 | |
Obviously, the same methods are still used, but it's got a bit of age. | 0:25:39 | 0:25:44 | |
I'd like to try and get as close to £200 as I can for it. | 0:25:44 | 0:25:47 | |
-Hm. -I think it's worth that. | 0:25:47 | 0:25:49 | |
The market is not as strong for this, decoratively, as it once was. | 0:25:49 | 0:25:54 | |
Subsequently, the prices are slightly affected. | 0:25:54 | 0:25:57 | |
-About £100? -Noo. No, no, no. | 0:25:57 | 0:26:01 | |
-Try again, sir. -I think... | 0:26:01 | 0:26:04 | |
120. That would be my best shot, and it'd be a gamble, from my part. | 0:26:04 | 0:26:09 | |
180. | 0:26:09 | 0:26:10 | |
No. I think we're worlds apart. | 0:26:13 | 0:26:16 | |
My best shot, and it is my best shot, is 150. | 0:26:16 | 0:26:20 | |
-I'm not going to say no. -You're a gentleman. Thank you. | 0:26:20 | 0:26:23 | |
'Lee didn't make it easy, but our wily Fox survived | 0:26:23 | 0:26:26 | |
'and stalked off with a profit of... | 0:26:26 | 0:26:28 | |
'..Phil goes off to line up more buyers and Christina, still in Shrewsbury, is at a jeweller's. | 0:26:30 | 0:26:35 | |
'She's hoping to find a buyer for her Art Deco diamond pendant, | 0:26:35 | 0:26:39 | |
'which cost over half her total budget - £575. | 0:26:39 | 0:26:44 | |
'So, this is the big one. Will Nigel like it? Deep breath, Christina.' | 0:26:44 | 0:26:49 | |
-It's very sparkly. Let's have a look. -Really beautiful. | 0:26:49 | 0:26:53 | |
Nice old cut on the bottom. Another one on the top there. | 0:26:53 | 0:26:58 | |
I think that's probably a platinum bar with a claw setting | 0:26:58 | 0:27:03 | |
and a rub over set on the top. | 0:27:03 | 0:27:05 | |
-Somebody's probably put a new chain on it. -What do you think of the diamonds? What's your thoughts? | 0:27:05 | 0:27:12 | |
Nice colour. A few inclusions in the stones. | 0:27:12 | 0:27:16 | |
-You mean little black speckles that form? -Yeah. | 0:27:16 | 0:27:19 | |
Natural little bits of carbon - diamonds are formed from carbon - | 0:27:19 | 0:27:24 | |
are left in the stone and that affects the price. | 0:27:24 | 0:27:28 | |
-That's how we grade them. -Absolutely. | 0:27:28 | 0:27:30 | |
I was hoping somewhere in the region of the £1,000 mark. | 0:27:30 | 0:27:34 | |
Mm. Yeah. Little bit top-heavy. A little bit top-heavy. | 0:27:34 | 0:27:38 | |
I think about £800, possibly. | 0:27:38 | 0:27:41 | |
-Could you bump it up slightly? -A little bit more. | 0:27:41 | 0:27:44 | |
£850? Do you think? | 0:27:44 | 0:27:46 | |
Can we strike a deal on that? | 0:27:46 | 0:27:49 | |
That sounds like a deal. I'd be happy with that. Yeah. 850. | 0:27:49 | 0:27:52 | |
I'm happy with that. Brilliant. | 0:27:52 | 0:27:54 | |
'The diamonds dazzle and Christina sparkles a whacking profit of... | 0:27:54 | 0:27:59 | |
'Has our marvellous Magpie taken all the glory in one fell swoop? | 0:28:01 | 0:28:06 | |
'Not if Phil has anything to do with it. He's bought a base from a furniture restorer | 0:28:06 | 0:28:10 | |
'for his tray with the Chinese style decoration, | 0:28:10 | 0:28:13 | |
'which he thinks will improve the item.' | 0:28:13 | 0:28:16 | |
That's fantastic. There's my £80, £85 tray. | 0:28:16 | 0:28:20 | |
There is my £40 butler's tray base. | 0:28:20 | 0:28:25 | |
But put the two together and you've now got | 0:28:25 | 0:28:28 | |
a really good serviceable, useful table and I'm really pleased. | 0:28:28 | 0:28:32 | |
'But is the base worth the extra investment? | 0:28:32 | 0:28:35 | |
'Foxy takes his newly created table to an antiques centre in Chipping Norton to meet Carol.' | 0:28:35 | 0:28:42 | |
-The tray! -Ah! | 0:28:42 | 0:28:44 | |
I felt so proud of myself. | 0:28:44 | 0:28:46 | |
You saw this at the saleroom in less salubrious surroundings. | 0:28:46 | 0:28:49 | |
-That's right. -I thought it was a nice tray. | 0:28:49 | 0:28:52 | |
-It's trying to be Regency, but it isn't. -No. | 0:28:52 | 0:28:56 | |
It's trying to be 1800, 1820 and I think it's probably... | 0:28:56 | 0:29:01 | |
-70 or 80 years later than that. -You're probably right with the age. | 0:29:01 | 0:29:05 | |
But...not sure about this stand. It doesn't go with it, does it? | 0:29:05 | 0:29:10 | |
It does now. It didn't then. | 0:29:10 | 0:29:13 | |
-Right. -Get a nice country house colour. | 0:29:13 | 0:29:15 | |
-One of those greens or greys they use. -Ah. Yes. | 0:29:15 | 0:29:19 | |
-Yeah. -And paint it, and then put this on there. | 0:29:19 | 0:29:23 | |
Yes. It is useful, I'll grant you that. | 0:29:23 | 0:29:26 | |
Yes, OK. I'm interested - but at a price. | 0:29:26 | 0:29:30 | |
I'd like to get a tickle over £200, if I could, for it. | 0:29:30 | 0:29:34 | |
Oooh! I'd like to pay nearer 150 for it. | 0:29:34 | 0:29:38 | |
-I'll split it down the middle. £175. LAUGHING: -170. | 0:29:38 | 0:29:42 | |
I've got to get a bit more than that. | 0:29:42 | 0:29:44 | |
I'll tell you what. £172.50, how's that? | 0:29:44 | 0:29:47 | |
-Shall we forget the 50? 172. -You're an angel. Thank you. | 0:29:47 | 0:29:51 | |
'The table creation stands Phil a decent profit of... | 0:29:51 | 0:29:55 | |
'..His leather magazine cases from World War I do him proud as well. | 0:29:56 | 0:30:00 | |
'He sells them for £150 to a farmer near Tewkesbury | 0:30:00 | 0:30:04 | |
'who loves his country pursuits, and pops in a profit of £50. | 0:30:04 | 0:30:08 | |
'Christina decides not to send her pastel sketch to auction | 0:30:08 | 0:30:12 | |
'when she finds a private buyer - | 0:30:12 | 0:30:14 | |
'the owner of an antiques shop in Shrewsbury. He pays £142.50...' | 0:30:14 | 0:30:17 | |
-Perfect. -We'll do the deal. Lovely. | 0:30:17 | 0:30:21 | |
'..and she draws a profit of... | 0:30:21 | 0:30:24 | |
'She goes all-out for her fourth item, | 0:30:25 | 0:30:27 | |
'the £40 glass bottles with silver lids that date from 1968. | 0:30:27 | 0:30:32 | |
'She travels to the swanky Burlington Arcade | 0:30:32 | 0:30:34 | |
'in London's Mayfair to meet silver dealer Daniel. | 0:30:34 | 0:30:37 | |
'And he solves the puzzle of their origin.' | 0:30:37 | 0:30:41 | |
They would have been for communion wine for a travelling priest. | 0:30:41 | 0:30:45 | |
The long thread! | 0:30:45 | 0:30:47 | |
You'd get really frustrated if that was on your dressing table. | 0:30:47 | 0:30:51 | |
-You would do. -I would like to get... -Yeah. -..£100 for them. | 0:30:51 | 0:30:55 | |
I was thinking £30, £35 a bottle. | 0:30:55 | 0:30:59 | |
-OK. So that's 70. -That's 70. How about 80? Split the difference. | 0:30:59 | 0:31:04 | |
That's a fair price for them. £80, I'm very happy with that. | 0:31:04 | 0:31:08 | |
-Christina, that's fantastic. -Thank you. | 0:31:08 | 0:31:10 | |
'Well worth the journey. Christina doubles her money. | 0:31:10 | 0:31:14 | |
'Christina heads back to Shropshire with four items sold. | 0:31:16 | 0:31:19 | |
'She's in the lead and can only wait for the Showdown auction. | 0:31:19 | 0:31:23 | |
'All that remains for Phil is his satinwood table. | 0:31:23 | 0:31:26 | |
'He has a plan involving a trip to Herefordshire.' | 0:31:26 | 0:31:29 | |
At £150-odd, this was my most expensive buy for the Showdown. | 0:31:29 | 0:31:33 | |
I really believe in it. You've got to if you want to make a profit. | 0:31:33 | 0:31:38 | |
'Phil paid over £153 for the table. | 0:31:38 | 0:31:40 | |
'He's meeting Nick, a furniture dealer based just outside Bromyard.' | 0:31:40 | 0:31:45 | |
I just think this is a really good thing. | 0:31:45 | 0:31:48 | |
It's satinwood. Probably dates to 1900? | 0:31:48 | 0:31:51 | |
There or thereabouts. | 0:31:51 | 0:31:53 | |
It's got a lovely little French label on the back, or on the bottom. | 0:31:53 | 0:31:57 | |
-Oh, yeah. -That's probably a Parisian retailer rather than a maker. -Yeah. | 0:31:57 | 0:32:03 | |
Imagine if this had got a London retailer, | 0:32:03 | 0:32:06 | |
-it would make it a good table, wouldn't it? -It's lovely quality. | 0:32:06 | 0:32:10 | |
I would like to get as close to 250 quid as I can. | 0:32:10 | 0:32:14 | |
I'd be happier nearer the two. | 0:32:14 | 0:32:17 | |
If you can give me £230 and that's the finish of it, I'll be happy. | 0:32:19 | 0:32:23 | |
-Go on, then. -You're a gentleman. Thank you very much. | 0:32:23 | 0:32:25 | |
'The table polishes off the private sales and provides a profit of... | 0:32:25 | 0:32:30 | |
'..Is it enough to catch up with the Magpie? | 0:32:32 | 0:32:35 | |
'Both our sparring Spartans have sold four items privately. | 0:32:35 | 0:32:40 | |
'Christina "the Magpie" Trevanion's diamond pendant | 0:32:40 | 0:32:43 | |
'has put her in sterling position... | 0:32:43 | 0:32:45 | |
'..That puts her miles ahead of Phil "the Fox" Serrell... | 0:32:49 | 0:32:53 | |
'..And that is where our hardened heroes hang up their haggling hats. | 0:32:58 | 0:33:03 | |
'This is the point where they lose all control. | 0:33:03 | 0:33:06 | |
'It's time for the supreme sell-off, the Showdown auction, | 0:33:06 | 0:33:10 | |
'at the Charterhouse saleroom in Sherbourne in Dorset. | 0:33:10 | 0:33:14 | |
'Our pair of awesome auctioneers are anxious.' | 0:33:14 | 0:33:17 | |
-How are you? -You look very well. Are you OK? -Lovely day in Dorset. | 0:33:17 | 0:33:21 | |
How could you fail to be nervous on a day like today! | 0:33:21 | 0:33:25 | |
What's your big worry? | 0:33:25 | 0:33:27 | |
Oh, gosh! My chairs, I think. | 0:33:28 | 0:33:30 | |
My chairs, my cigar mould, my marbles... | 0:33:30 | 0:33:33 | |
I'm only worried about the four bits I put in! | 0:33:33 | 0:33:37 | |
'To add to the tension, there are no reserve prices on our experts' lots. | 0:33:37 | 0:33:42 | |
'Before it all kicks off, Phil and Christina check out their items.' | 0:33:42 | 0:33:46 | |
I've been chatting to the auctioneer about my chairs. | 0:33:46 | 0:33:48 | |
Yesterday, someone sat on this one and nearly went through the seat. | 0:33:48 | 0:33:53 | |
I'm not feeling overly confident. | 0:33:53 | 0:33:55 | |
Irish art at the moment really is collectable. | 0:33:56 | 0:33:59 | |
If it gets picked up by the internet it could make £200 to £400. | 0:33:59 | 0:34:03 | |
If it doesn't, that's another story. | 0:34:03 | 0:34:05 | |
I loved this when I bought it and I still love it today. | 0:34:05 | 0:34:09 | |
It's useful. It would fit into a modern home. What can go wrong? | 0:34:09 | 0:34:13 | |
This was £25 and I think it's a funky modern object. | 0:34:14 | 0:34:18 | |
It's 1980s. | 0:34:18 | 0:34:20 | |
Not the retro vintage market, but I think that's a cool thing. | 0:34:20 | 0:34:23 | |
Phil paid £25 for this, which I don't think was a bad buy. | 0:34:23 | 0:34:28 | |
It's not a rare example of a Parker Duofold, | 0:34:28 | 0:34:30 | |
but there is an active pen collectors' market. | 0:34:30 | 0:34:33 | |
It's a little bit scuffed and worn, but it was a good buy. | 0:34:33 | 0:34:36 | |
Christina paid £30 for this cigar mould and I'm not sure I would have. | 0:34:36 | 0:34:41 | |
I'm not sure I can pass comment on Phil's truncheon. | 0:34:42 | 0:34:45 | |
Sadly, the colours have gone. | 0:34:45 | 0:34:47 | |
You can't distinguish which force it's from. | 0:34:47 | 0:34:50 | |
It's still a collector's item, isn't it? | 0:34:50 | 0:34:54 | |
One of the ways I think I can beat Christina | 0:34:54 | 0:34:57 | |
is by reducing her lot. | 0:34:57 | 0:35:00 | |
If I just keep... | 0:35:00 | 0:35:03 | |
taking these out of here... I'm going to be here some time! | 0:35:03 | 0:35:08 | |
'Rest assured, he put them all back and just in time. | 0:35:08 | 0:35:11 | |
'The marble collection is the first lot to go under the hammer.' | 0:35:11 | 0:35:14 | |
-I think they'll do well. -They might be the only thing I make a profit on! | 0:35:14 | 0:35:19 | |
They're just really good fun things. What are you ever going to do with a box of marbles? | 0:35:19 | 0:35:24 | |
'Christina paid £5 for the marbles at the car boot.' | 0:35:24 | 0:35:28 | |
Straight in here at £25. | 0:35:28 | 0:35:31 | |
30. Five. At £35 and away now. | 0:35:31 | 0:35:33 | |
At 35. At £35 now. | 0:35:33 | 0:35:36 | |
Done, going, are you all sure? Selling away at 35... | 0:35:36 | 0:35:40 | |
-That's really good. -It's not too bad. | 0:35:40 | 0:35:42 | |
-Well done, you. -I've got commission to come off that. | 0:35:42 | 0:35:45 | |
-INSINCERELY: I'm pleased for you. LAUGHING: -Thanks. | 0:35:45 | 0:35:50 | |
'Our Magpie is already flying high. | 0:35:50 | 0:35:53 | |
'After auction costs, the marbles make a profit of...' | 0:35:53 | 0:35:57 | |
We've got your art glass vase. | 0:35:57 | 0:36:00 | |
I always think it's good if you can try and buy a bit of quality... | 0:36:00 | 0:36:06 | |
-Phil, this is signed, 1986. -Yeah. Late quality, vintage... | 0:36:06 | 0:36:10 | |
That's younger than me. Vintage? | 0:36:10 | 0:36:14 | |
-Would you say I was vintage? -You're retro. -Probably right. | 0:36:14 | 0:36:18 | |
-Straight in at £10... -Ouch. -No. | 0:36:18 | 0:36:21 | |
..30. £30 and away now. Last chance against the internet at £30. 30... | 0:36:21 | 0:36:26 | |
'That's not enough. Once fees are deducted, the French vase goes into the red. | 0:36:27 | 0:36:33 | |
'It's catching. Christina's cigar moulds also make a loss.' | 0:36:35 | 0:36:39 | |
Selling away at 20... | 0:36:39 | 0:36:42 | |
'And leave her £20.77 out of pocket, | 0:36:42 | 0:36:45 | |
'wiping out the money she made on the marbles. | 0:36:45 | 0:36:48 | |
'Next, it's Phil's Irish landscape by Cora Harrington. | 0:36:48 | 0:36:52 | |
'It cost him over £106. His nerves are starting to show.' | 0:36:52 | 0:36:56 | |
-How many picture dealers are in this room? -But it's internet bidding. | 0:36:56 | 0:37:01 | |
-Internet bidding. -What happens if there's a power cut in Ireland? | 0:37:01 | 0:37:05 | |
-Have confidence, Phil. -I'm straight in here at £60. | 0:37:05 | 0:37:10 | |
60. 70. 80. 90. 100. At £100 I have and away now. | 0:37:10 | 0:37:15 | |
-At £100... -Come on! | 0:37:15 | 0:37:17 | |
Selling. Going away at £100... | 0:37:17 | 0:37:20 | |
That's another little loss! BOTH LAUGH | 0:37:21 | 0:37:24 | |
'Phil's second of the day. | 0:37:24 | 0:37:26 | |
'Will the auction destroy our antiques ace? | 0:37:28 | 0:37:31 | |
'It's really not going well.' | 0:37:31 | 0:37:33 | |
MUSIC: "Holding Out For A Hero" by Bonnie Tyler. | 0:37:33 | 0:37:37 | |
'Redemption isn't anywhere in sight. | 0:37:39 | 0:37:41 | |
'Phil's 19th-century truncheon is another miss. | 0:37:41 | 0:37:45 | |
'It makes £50 and batters the Fox with his third loss... | 0:37:45 | 0:37:49 | |
'..He has just one chance left and he's really feeling the heat.' | 0:37:52 | 0:37:56 | |
I'm getting really anxious because my pen is coming up. | 0:37:56 | 0:38:00 | |
I won't let you be gloomy. | 0:38:00 | 0:38:02 | |
I've had three out of three... | 0:38:02 | 0:38:05 | |
-And I just... -You paid 25 quid for it. | 0:38:06 | 0:38:09 | |
-£25. -It's got that magic name. Parker, Duofold, it's got gold! | 0:38:09 | 0:38:15 | |
-The Duofold fountain pen. -Oh, look at this. | 0:38:15 | 0:38:19 | |
Straight in at £15. 20. Five. I have £25. At £25. | 0:38:19 | 0:38:24 | |
Someone come in to fill it up. If not, it sells away at £25. | 0:38:24 | 0:38:28 | |
Fair warning at 25... | 0:38:28 | 0:38:30 | |
-LAUGHING: -Again, your valuation was perfect! | 0:38:31 | 0:38:34 | |
'So, that's a clean sweep of losses. | 0:38:34 | 0:38:37 | |
'The 1940s fountain pen writes off Phil's auction...' | 0:38:37 | 0:38:40 | |
You're not very nice sometimes. | 0:38:43 | 0:38:45 | |
I'm here to support you, Phil. | 0:38:45 | 0:38:48 | |
If you can support me without laughing I'd find it a whole load more supportive. | 0:38:48 | 0:38:53 | |
'Our laughing lass now has the chance to capitalise on Phil's fall from grace. | 0:38:53 | 0:38:58 | |
'She's got two items left to maximise her profit, | 0:38:58 | 0:39:01 | |
'but her next lot is the mouse-eaten late 19th-century chairs. | 0:39:01 | 0:39:05 | |
'She spent the best part of £130 on them and can't bear to look.' | 0:39:05 | 0:39:10 | |
£100 and away, the two chairs? 100? 50, then, to start them? | 0:39:10 | 0:39:13 | |
50 bid, thank you. At 50. £50 and away now. £50 I have now. | 0:39:13 | 0:39:18 | |
50. 60. 70. 80 on the internet. At 80. | 0:39:18 | 0:39:20 | |
Last chance. Fair warning. Last chance at 80... | 0:39:20 | 0:39:24 | |
Crunch. | 0:39:26 | 0:39:27 | |
'This is one of the worst days in Put Your Money history. | 0:39:27 | 0:39:31 | |
'Not only is that another loss, but it's the biggest of the day...' | 0:39:31 | 0:39:34 | |
-Shall I go and start the car? -Say consoling things, please. | 0:39:37 | 0:39:41 | |
I'll tell you one thing. You've no idea... | 0:39:41 | 0:39:44 | |
how relieved I am that they only made that! | 0:39:44 | 0:39:47 | |
'But it's not over yet. It all comes down to one last lot. | 0:39:47 | 0:39:51 | |
'It has a book trough, | 0:39:51 | 0:39:54 | |
'a sliding reading stand | 0:39:54 | 0:39:57 | |
'and a cupboard below. | 0:39:57 | 0:39:59 | |
'It's early 20th-century oak. It cost almost £77. | 0:39:59 | 0:40:03 | |
'It IS Christina's bookcase!' | 0:40:03 | 0:40:07 | |
Basically, it all comes down to this bookcase. | 0:40:08 | 0:40:11 | |
Straight in here at £50 I have. 50. | 0:40:13 | 0:40:16 | |
-60. 70. -Bid, bid, bid. | 0:40:16 | 0:40:19 | |
£70 and away. Try another ten. If not, it goes and sells. | 0:40:19 | 0:40:23 | |
Going away at 70... | 0:40:23 | 0:40:25 | |
That's a bit of a disappointment, isn't it? | 0:40:25 | 0:40:28 | |
-Cos I was hoping... -It's no surprise. | 0:40:29 | 0:40:32 | |
It's a big disappointment. I was hoping it'd make 15 quid. | 0:40:32 | 0:40:36 | |
Rats! | 0:40:37 | 0:40:38 | |
'Christina ends the day on a low. | 0:40:38 | 0:40:41 | |
'It's her third loss.' | 0:40:41 | 0:40:44 | |
-So we put eight lots in. -Yes. -And £5 of marbles have shown a profit. -That's it. Yup. | 0:40:45 | 0:40:51 | |
Time to go. It's been lovely. Thank you so much. | 0:40:51 | 0:40:55 | |
'That's the Showdown done and dusted. | 0:40:56 | 0:40:59 | |
'They've given it their all, | 0:40:59 | 0:41:00 | |
'but after that disastrous auction, did either of them come up trumps? | 0:41:00 | 0:41:05 | |
'Both our experts started with £1,000... | 0:41:05 | 0:41:08 | |
'All money that Christina and Phil made from our colossal contest will go to a charity of their choice. | 0:41:22 | 0:41:28 | |
'So, it's time to find out who is today's Put Your Money Where Your Mouth Is Showdown champion!' | 0:41:28 | 0:41:35 | |
-How are you? -Yeah, good. This is the big one. | 0:41:35 | 0:41:38 | |
-How did you find the Showdown? -I quite enjoyed it. | 0:41:38 | 0:41:41 | |
Apart from the auction which, the less said the better. | 0:41:41 | 0:41:45 | |
-But you bought a really good lot for this, didn't you? -Well, Yeah. | 0:41:45 | 0:41:49 | |
My old adage, buy what you know. | 0:41:49 | 0:41:51 | |
That beautiful diamond pendant. I did quite well on that. | 0:41:51 | 0:41:55 | |
-How did you...? -I just found it tough. I really found it tough. | 0:41:55 | 0:41:58 | |
-The satinwood table, I liked that. I thought it was cheap. -Mm. | 0:41:58 | 0:42:02 | |
I thought I'd get 250, 300 for it. | 0:42:02 | 0:42:05 | |
I didn't quite do that, but it was OK. | 0:42:05 | 0:42:07 | |
-Are we going to have a look-see? -OK. Good luck. | 0:42:07 | 0:42:10 | |
Count to three. One, two, three, bang! | 0:42:10 | 0:42:14 | |
-Ooh! -Well, I sort of thought that. | 0:42:14 | 0:42:16 | |
CHRISTINA LAUGHS That is a complete whopping. | 0:42:16 | 0:42:20 | |
That's quite satisfying. | 0:42:20 | 0:42:22 | |
'It's a hard-fought victory for Christina, | 0:42:22 | 0:42:24 | |
'but our experts have been building up their profit stash over a week. | 0:42:24 | 0:42:29 | |
'Let's find out how much they've made in total.' | 0:42:29 | 0:42:33 | |
On the count of three. One, two, three! | 0:42:33 | 0:42:35 | |
-Look at that! -Well done! | 0:42:35 | 0:42:39 | |
The thing is, there's two charities that have got over £2,000. | 0:42:39 | 0:42:45 | |
-That's the real winner. -That's the main thing. | 0:42:45 | 0:42:47 | |
-I need a real stiff drink now. -I need a rest. | 0:42:47 | 0:42:50 | |
-I suppose I'd better go and have a baby. -Take it steady! | 0:42:50 | 0:42:54 | |
'It's an overall win for the wily Fox. | 0:42:54 | 0:42:57 | |
'So, where is the money going?' | 0:42:57 | 0:42:59 | |
My chosen charity is a Worcestershire based charity called PUPS. | 0:42:59 | 0:43:03 | |
It looks after unwanted and abandoned puppies. | 0:43:03 | 0:43:06 | |
I'm really hopeful that £1,200 is going to make a massive difference. | 0:43:06 | 0:43:10 | |
My chosen charity is Hope House Children's Hospice. It's great to be able to give them this money. | 0:43:10 | 0:43:15 | |
'It's been a week of no-holds barred combat. | 0:43:15 | 0:43:18 | |
'Our excellent experts have put their money where their mouths are | 0:43:18 | 0:43:22 | |
'and showed they can make convincing profits from buying and selling antiques | 0:43:22 | 0:43:26 | |
'when their own money is on the line.' | 0:43:26 | 0:43:28 | |
Subtitles by Red Bee Media Ltd | 0:43:32 | 0:43:35 | |
E-mail [email protected] | 0:43:35 | 0:43:38 |