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This is the show that pitches | 0:00:02 | 0:00:04 | |
TV's best-loved antiques experts against each other | 0:00:04 | 0:00:08 | |
-in an all-out battle for profit... -Whaa-hay! | 0:00:08 | 0:00:12 | |
..and gives you the insider's view of the trade. | 0:00:12 | 0:00:16 | |
I'm on the case. | 0:00:16 | 0:00:18 | |
Whoo-hoo! | 0:00:18 | 0:00:19 | |
One pair of duelling dealers face a different daily challenge... | 0:00:19 | 0:00:24 | |
-I'm a cheeky chancer. -Lovely! | 0:00:24 | 0:00:26 | |
..putting their reputations on the line | 0:00:26 | 0:00:28 | |
and giving you top tips and savvy secrets | 0:00:28 | 0:00:31 | |
on how to make the most money from buying and selling. | 0:00:31 | 0:00:36 | |
Let's go and spend some money. | 0:00:36 | 0:00:37 | |
Get in there! | 0:00:37 | 0:00:40 | |
Today, the eagle-eyed treasure-hunter Eric Knowles | 0:00:40 | 0:00:43 | |
takes on the bold, bargain-bagger James Braxton. | 0:00:43 | 0:00:47 | |
Coming up, James reveals a clever way to spruce up your profits. | 0:00:47 | 0:00:52 | |
I think I can add a little value by giving it a jolly good clean. | 0:00:52 | 0:00:56 | |
Fearless Eric's brought the fighting talk from Blighty... | 0:00:56 | 0:00:59 | |
It's not where you start, it's where you finish. | 0:00:59 | 0:01:02 | |
..and one dealer finds another way of making money. | 0:01:02 | 0:01:06 | |
House! | 0:01:06 | 0:01:08 | |
This is Put Your Money Where Your Mouth Is. | 0:01:08 | 0:01:11 | |
Prepare yourselves, race-goers, you're about to witness a head-to-head clash like no other, | 0:01:23 | 0:01:30 | |
as two fearless masters of the antique circuit | 0:01:30 | 0:01:34 | |
line up for this raucous race for profit. | 0:01:34 | 0:01:36 | |
Hoping to power his way to victory, it's the Grand Prix king of the antiques world, | 0:01:36 | 0:01:41 | |
he's a veteran deal-driver, it's... | 0:01:41 | 0:01:43 | |
Beneath this calm exterior lurks a frustrated Eric Knowles. | 0:01:46 | 0:01:51 | |
But intending to put a spanner in the works of Team Knowles and snatch top spot, | 0:01:51 | 0:01:55 | |
it's that V8 profit powerhouse... | 0:01:55 | 0:01:58 | |
Eric will be a tough opponent because he knows his onions. | 0:02:00 | 0:02:04 | |
Our lovers of loot have raced across the Channel to Paris | 0:02:04 | 0:02:07 | |
for today's turbo-charged battle. | 0:02:07 | 0:02:11 | |
They're at the Bastille Antiques Market with one focus - | 0:02:11 | 0:02:14 | |
to buy the items that will bank them the greatest profits | 0:02:14 | 0:02:17 | |
and see they top the winners' podium. | 0:02:17 | 0:02:20 | |
They've each got £750 worth of their own euros to spend | 0:02:20 | 0:02:25 | |
and all the profit goes to their chosen charities. | 0:02:25 | 0:02:28 | |
Eric Knowles and James Braxton, | 0:02:28 | 0:02:31 | |
it's time to put your money where your mouth is. | 0:02:31 | 0:02:35 | |
-A-ha! Bonjour! -My dear boy! Two Englishmen abroad. | 0:02:36 | 0:02:41 | |
-I know. Here we are in lovely Paris. -It is. | 0:02:41 | 0:02:44 | |
I have to say that Bastille, | 0:02:44 | 0:02:47 | |
-or -Bastee -as the locals say it, is quite new to me. | 0:02:47 | 0:02:50 | |
-I don't know this market at all. -Moi aussi. | 0:02:50 | 0:02:53 | |
I don't know about you, but there's £750 worth of euros | 0:02:53 | 0:02:58 | |
burning a hole here that I'm desperate to spend. | 0:02:58 | 0:03:01 | |
I think we've got to spread it over some 450 stalls. | 0:03:01 | 0:03:05 | |
What about strategy? Dare I ask you? | 0:03:05 | 0:03:08 | |
Paris is famous for its metalwork. | 0:03:08 | 0:03:10 | |
I want to buy something sort of mercury-gilded. | 0:03:10 | 0:03:13 | |
OK. Well, I'm going to settle for stylish | 0:03:13 | 0:03:17 | |
-and preferably leggy. -Ohh! | 0:03:17 | 0:03:19 | |
So we will see where we go with that one. | 0:03:19 | 0:03:22 | |
-At least the weather is in our favour. -It is. | 0:03:22 | 0:03:25 | |
It's a lot better, isn't it? | 0:03:25 | 0:03:27 | |
Anyway, bonne chance, mon amie. | 0:03:27 | 0:03:29 | |
Yes. And an awful lot more of that from me to you. | 0:03:29 | 0:03:32 | |
-Au revoir. -Au revoir! | 0:03:32 | 0:03:34 | |
Yes, bonne chance indeed, but don't be fooled by the pally Parisian patter. | 0:03:34 | 0:03:39 | |
These daredevil dealers of the track are staunch rivals and both are out to win. | 0:03:39 | 0:03:44 | |
So strap yourselves in, | 0:03:44 | 0:03:46 | |
the Formula 1 dealing is about to begin. | 0:03:46 | 0:03:50 | |
James's plan is to chase ornate golden items. | 0:03:50 | 0:03:55 | |
# Goldfinger # | 0:03:55 | 0:03:57 | |
Now, the strategy I said to Eric on the bridge | 0:03:57 | 0:04:01 | |
was that I was looking for something sort of glittery, something gold, | 0:04:01 | 0:04:05 | |
and this is a nice bit of Ormolu, the French call it Ormolu. | 0:04:05 | 0:04:09 | |
I'd expect them to be heavier and slightly more crisp, so I'll leave those. | 0:04:09 | 0:04:13 | |
I wonder how Eric's getting along with his long, leggy and sinuous items. | 0:04:13 | 0:04:18 | |
It's still early days and I am seeing nice things, | 0:04:18 | 0:04:22 | |
but I don't mind telling you that they are at nice prices. | 0:04:22 | 0:04:26 | |
I'm looking for things which are primarily decorative. | 0:04:26 | 0:04:30 | |
It's got to have instant appeal | 0:04:30 | 0:04:33 | |
and if it has, then, you know, I'm interested. | 0:04:33 | 0:04:36 | |
With their race strategy sorted, our experts hit the market track | 0:04:36 | 0:04:40 | |
and start trawling the stalls for treasures. | 0:04:40 | 0:04:43 | |
But hang on a minute! James appears to have stolen Eric's plan, | 0:04:43 | 0:04:47 | |
as he eyes up a lovely little leggy piece. | 0:04:47 | 0:04:51 | |
It's a good light fellow, it hasn't got a great deal of age, but it's nicely designed. | 0:04:51 | 0:04:55 | |
Let's just see... Yes, it slides all right. | 0:04:55 | 0:04:58 | |
Just look at the construction. It's very simple. | 0:04:58 | 0:05:01 | |
It's just oak, which is then nailed. | 0:05:01 | 0:05:04 | |
But it seems to work. | 0:05:04 | 0:05:06 | |
Madam, il fait combien pour le... | 0:05:07 | 0:05:10 | |
-100. -100. | 0:05:10 | 0:05:12 | |
-None of the nasty worm? -No. | 0:05:12 | 0:05:15 | |
There's a bit of a split there. | 0:05:15 | 0:05:17 | |
-100. -James isn't sold on the vendor's price for the table, | 0:05:18 | 0:05:22 | |
but then spots something more in keeping with his shiny plan, | 0:05:22 | 0:05:25 | |
gold items! | 0:05:25 | 0:05:28 | |
Tres jolie. They're very pretty. Nice, quite crisply carved. | 0:05:28 | 0:05:34 | |
They are gild. They're heavy metal. They could be bronze. | 0:05:34 | 0:05:37 | |
They could be used for little images. | 0:05:37 | 0:05:40 | |
They're quite fun by the side of fireplaces and things, | 0:05:40 | 0:05:45 | |
add a little glitter to your home. | 0:05:45 | 0:05:47 | |
-I quite like these. -Yes. -And I like your table. | 0:05:47 | 0:05:50 | |
Is there, er, a better price for the two? | 0:05:50 | 0:05:54 | |
-Ten euro less. -Ten euro less. So that's 140. | 0:05:54 | 0:05:57 | |
-Merci, madam. -Oui? -Oui. HE LAUGHS | 0:05:57 | 0:06:01 | |
She's very surprised! | 0:06:01 | 0:06:03 | |
So Bingo powers into pole position | 0:06:03 | 0:06:06 | |
as he loads up with his first two items, | 0:06:06 | 0:06:08 | |
paying £42.73 for the gilt frames | 0:06:08 | 0:06:12 | |
and £76.92 for the 1920s walnut bedside table. | 0:06:12 | 0:06:18 | |
I like these. These are very much part of my strategy to buy some gilt metal. | 0:06:18 | 0:06:23 | |
I think they're bronze. There's a bit of verdigris there on the back, | 0:06:23 | 0:06:27 | |
that sort of green oxide | 0:06:27 | 0:06:29 | |
which is associated with bronze and copper, | 0:06:29 | 0:06:32 | |
and they've been nicely gilded. | 0:06:32 | 0:06:34 | |
50 euros for a pair, £25 euros each. They're not expensive. | 0:06:34 | 0:06:38 | |
But at the same time, I bought this table. | 0:06:38 | 0:06:41 | |
Not terribly old. It's walnut, it's French. | 0:06:41 | 0:06:45 | |
I quite like the chinoiserie, | 0:06:45 | 0:06:48 | |
the sort of Japanese-like style. | 0:06:48 | 0:06:52 | |
These form the handles, and it's a bedside table. | 0:06:52 | 0:06:56 | |
At 90 euros, not expensive. | 0:06:56 | 0:06:58 | |
First purchase down and I'm feeling chipper. | 0:06:58 | 0:07:00 | |
James may have taken an early lead in today's race, | 0:07:00 | 0:07:04 | |
but Eric is in top gear, working on his long-and-leggy strategy. | 0:07:04 | 0:07:08 | |
# She's got legs | 0:07:08 | 0:07:11 | |
# She knows how to use them # | 0:07:11 | 0:07:15 | |
Good legs, but late 20th-century. | 0:07:15 | 0:07:17 | |
Ooh! A bit young for our Eric. | 0:07:17 | 0:07:19 | |
I was looking for a leggy lady. I've found one. | 0:07:19 | 0:07:22 | |
She's got a fabulous physique | 0:07:22 | 0:07:25 | |
but she's a little bit out of my price range. | 0:07:25 | 0:07:27 | |
Story of my life. Champagne taste, beer money. | 0:07:27 | 0:07:31 | |
Oh, dear. It seems our Knocker's struggling to find the leggy loot he's looking for. | 0:07:31 | 0:07:36 | |
In need of his first buy, Eric zooms into familiar terrain - porcelain. | 0:07:36 | 0:07:42 | |
I'm just looking at a plate. | 0:07:42 | 0:07:43 | |
You think that Dutch Delftware, by definition, is made in Delft. | 0:07:43 | 0:07:47 | |
Well, this is a place called Makkum. | 0:07:47 | 0:07:49 | |
They were making that type of tin-glaze ware back in the 17th century. | 0:07:49 | 0:07:54 | |
But it's obviously 20th century, | 0:07:54 | 0:07:57 | |
and it sends a few bells ringing in my ear. | 0:07:57 | 0:07:59 | |
There's a voice coming through saying, | 0:07:59 | 0:08:02 | |
"Buy it, you twit. | 0:08:02 | 0:08:04 | |
"Buy it, you twit. Buy it, you twit." | 0:08:04 | 0:08:06 | |
Monsieur, s'il vous plait. | 0:08:06 | 0:08:09 | |
I think I buy that for 15 euro. Yes? Yes, yes. Thank you. | 0:08:09 | 0:08:13 | |
And he's off the starting grid, | 0:08:13 | 0:08:15 | |
paying £12.82 for the porcelain plate. | 0:08:15 | 0:08:19 | |
A Dutch tin-glaze plate. It says on the back Makkum. | 0:08:19 | 0:08:22 | |
Probably early to mid-20th century. | 0:08:22 | 0:08:25 | |
But what is interesting about it | 0:08:25 | 0:08:28 | |
is that that design is entirely hand-painted. | 0:08:28 | 0:08:32 | |
That's quite a complicated design. | 0:08:32 | 0:08:35 | |
Once it's on a dresser, you wouldn't know if it was 17th, 18th or 20th century, | 0:08:35 | 0:08:41 | |
which means it's a good decorative piece. | 0:08:41 | 0:08:44 | |
He's happy with his haul, but an expert antiquarian | 0:08:44 | 0:08:46 | |
always keeps an eye in his rear-view mirror. | 0:08:46 | 0:08:50 | |
My opposition is on the opposite bank. | 0:08:50 | 0:08:54 | |
The thought has crossed my mind | 0:08:54 | 0:08:57 | |
that he might be a few purchases ahead of me. | 0:08:57 | 0:08:59 | |
I've always been a slow starter but, as you know with life, | 0:08:59 | 0:09:03 | |
it's not where you start, it's where you finish. | 0:09:03 | 0:09:06 | |
Yes, and both our boys are eyeing first place. | 0:09:06 | 0:09:10 | |
But James isn't finding the market the stroll in the park he'd hoped for. | 0:09:10 | 0:09:15 | |
It is, er, plus cher, pus cher here. | 0:09:15 | 0:09:18 | |
It's quite expensive. | 0:09:18 | 0:09:19 | |
Plus cher it may be, but across the market | 0:09:19 | 0:09:23 | |
Eric has spotted a unique piece of glassware, priced at 280 euros, | 0:09:23 | 0:09:27 | |
and he launches into the speediest of haggles. | 0:09:27 | 0:09:31 | |
100 and... 80. | 0:09:31 | 0:09:34 | |
-OK. -OK. | 0:09:34 | 0:09:36 | |
-Put that there. -OK. -Thank you. I'll pop that there and I will give you... | 0:09:36 | 0:09:41 | |
-..180... -"BULLS-EYE" THEME MUSIC | 0:09:41 | 0:09:43 | |
..as they say back in Angleterre. | 0:09:43 | 0:09:45 | |
And his cheeky charm gets him a decent discount. | 0:09:45 | 0:09:48 | |
Well, they had 280 on the ticket | 0:09:48 | 0:09:51 | |
but I got it for 180, which wasn't bad. | 0:09:51 | 0:09:53 | |
It was only one haggle, nothing more than that. | 0:09:53 | 0:09:57 | |
Yes, Eric's one-haggle wonder pays off. | 0:09:57 | 0:09:59 | |
He nabs the 19th-century glass for... | 0:09:59 | 0:10:02 | |
I've just bought myself a piece of Masonic engraved glass. | 0:10:05 | 0:10:11 | |
I think it dates from around about 1860. | 0:10:11 | 0:10:13 | |
I've got a feeling that it's either British or American. | 0:10:13 | 0:10:17 | |
It's unusual because it's in pink glass. | 0:10:17 | 0:10:20 | |
More often than not, they're always in clear. | 0:10:20 | 0:10:23 | |
With two buys under his belt, | 0:10:23 | 0:10:26 | |
Eric takes the opportunity to give something back to his fans. | 0:10:26 | 0:10:29 | |
The price of fame... | 0:10:29 | 0:10:31 | |
I didn't have the heart to tell them that I wasn't Charles Aznavour, but hey-ho. | 0:10:31 | 0:10:37 | |
# She... | 0:10:37 | 0:10:38 | |
# May be the face I can't forget | 0:10:38 | 0:10:43 | |
# A trace of pleasure or regret # | 0:10:43 | 0:10:45 | |
Yes, making dreams come true - that's our Eric. | 0:10:45 | 0:10:48 | |
But he'll need to get back into race mode | 0:10:48 | 0:10:51 | |
if he's going to beat Battling Bingo to top spot. | 0:10:51 | 0:10:54 | |
With money on the mind, | 0:10:54 | 0:10:56 | |
it's time for our spending speeders to pull into the pit lane and compare race notes. | 0:10:56 | 0:11:01 | |
Bingo commeth. | 0:11:01 | 0:11:03 | |
My French is somewhat limited, but 'ow goes eet? | 0:11:03 | 0:11:06 | |
-Er, all right, all right. -All right? | 0:11:06 | 0:11:09 | |
-How are you doing? -Slow. Very slow. I don't mind admitting it. | 0:11:09 | 0:11:14 | |
-I've still got all my buying to do in the second part of the day. -Yes. | 0:11:14 | 0:11:19 | |
Come on, spill the beans. | 0:11:19 | 0:11:21 | |
-I'm covering about 20, 30 stalls to buy each one. -Yes. | 0:11:21 | 0:11:26 | |
So I'm nearly up... Is that the end up there? | 0:11:26 | 0:11:28 | |
-The end is nigh. But then you've got... -I haven't done the other side! | 0:11:28 | 0:11:33 | |
-Oh, right! OK. -What's it like? | 0:11:33 | 0:11:35 | |
Let me just tell you, it goes dark here | 0:11:35 | 0:11:38 | |
at around about nine at night, OK? | 0:11:38 | 0:11:40 | |
So pace yourself but get a move on. | 0:11:40 | 0:11:43 | |
-All right? -I will. Thank you, Eric. Good luck. | 0:11:43 | 0:11:46 | |
Both our driving dealers are keeping their tallies under wraps, | 0:11:46 | 0:11:50 | |
but little do they know they're bumper-to-bumper. | 0:11:50 | 0:11:53 | |
Eric and James started the day with £750 worth of euros from their own pockets. | 0:11:53 | 0:11:58 | |
Eric has done two deals so far | 0:11:58 | 0:12:01 | |
and has spent £166.67, | 0:12:01 | 0:12:04 | |
leaving £583.33 yet to spend. | 0:12:04 | 0:12:08 | |
James has also bagged two items, | 0:12:09 | 0:12:13 | |
spending £119.65, | 0:12:13 | 0:12:15 | |
leaving him with £630.35 still to play with. | 0:12:15 | 0:12:21 | |
So as our battling bargain-hunters exit the pit lane | 0:12:23 | 0:12:27 | |
and head out for the final laps around the circuit of this Parisian antiques market, | 0:12:27 | 0:12:31 | |
it's all to play for. | 0:12:31 | 0:12:33 | |
Both are desperate to add to their haul, and the pressure is mounting. | 0:12:33 | 0:12:38 | |
Eric gave me no clues to how many items he's bought. | 0:12:38 | 0:12:43 | |
I've bought some, but I don't think I'm going to find out anything until the reveal. | 0:12:43 | 0:12:48 | |
Well, I've been here two hours, I've made two purchases, | 0:12:48 | 0:12:52 | |
so it's becoming a little bit more pressing. | 0:12:52 | 0:12:56 | |
But I've been here before and somehow I managed to survive. | 0:12:56 | 0:13:00 | |
# I will survive # | 0:13:00 | 0:13:02 | |
And as a tough northerner, Knocker is happy to get stuck in. | 0:13:02 | 0:13:06 | |
You've got to ferret, you've got to really search out in these markets. | 0:13:06 | 0:13:11 | |
I know it's waiting out there and I know I'm going to buy it, | 0:13:11 | 0:13:15 | |
but we're playing hard to get. | 0:13:15 | 0:13:18 | |
Hard to get, maybe, | 0:13:18 | 0:13:19 | |
but has Eric found the one - a pewter Art Nouveau inkwell? | 0:13:19 | 0:13:23 | |
That's unusual. So the best price on this is 280. | 0:13:23 | 0:13:28 | |
So it's another "non, merci" from Eric | 0:13:28 | 0:13:31 | |
and he hits the road in search of that next item. | 0:13:31 | 0:13:34 | |
But his nemesis has pulled over to inspect a table with a ceramic top. | 0:13:34 | 0:13:39 | |
It's quite a nice sort of Iznik-y, Persian design table-top, | 0:13:39 | 0:13:44 | |
with the bamboo legs, | 0:13:44 | 0:13:46 | |
which is rather fun. | 0:13:46 | 0:13:47 | |
It has a bit of integrity. It's altogether as one. | 0:13:47 | 0:13:51 | |
But it isn't... It's not Persian. | 0:13:51 | 0:13:55 | |
I think I could add a little value to this one by giving it a jolly good clean. | 0:13:55 | 0:14:00 | |
Could you do quarante? | 0:14:00 | 0:14:02 | |
-Quatre-vingt-dix! -Quatre...vingt... -Dix. | 0:14:02 | 0:14:05 | |
-Quatre... -Nine-zero! -Nine-zero. | 0:14:05 | 0:14:08 | |
What could you do? Special price? | 0:14:08 | 0:14:11 | |
60. | 0:14:11 | 0:14:13 | |
60. Could you do cinquante? | 0:14:13 | 0:14:16 | |
-No. -No, no, no? -No. -No. -No. | 0:14:16 | 0:14:19 | |
-No. -60. -60. -Oui. | 0:14:19 | 0:14:23 | |
-You can put the cup of tea...! -It is for a cup of tea. -A cup of tea! | 0:14:23 | 0:14:28 | |
I think I'm going to have it. Soixante. | 0:14:28 | 0:14:30 | |
-Oui. -Soixante. -It's a good price for you. -It is. | 0:14:30 | 0:14:33 | |
James decides it is his cup of tea | 0:14:33 | 0:14:36 | |
and he takes home the bamboo table for £51.28. | 0:14:36 | 0:14:40 | |
I rather like this bit. It's about sort of 1900. | 0:14:40 | 0:14:45 | |
It would've lain in somebody's conservatory. | 0:14:45 | 0:14:48 | |
It's made of bamboo. I like the feet. They go down to a knobbly bit. | 0:14:48 | 0:14:52 | |
It's very well conceived but quite crudely put together. It's just nails slapped in. | 0:14:52 | 0:14:57 | |
And the top, it has an Iznik, | 0:14:57 | 0:15:00 | |
a Persian-designed tile-top. | 0:15:00 | 0:15:04 | |
I'm not sure whether it is. It doesn't have quite the clarity and the colours. | 0:15:04 | 0:15:07 | |
I'd like to see some red and turquoise. | 0:15:07 | 0:15:10 | |
Those are the colours of hot countries. It's a bit subdued. | 0:15:10 | 0:15:14 | |
And while Bingo is bagging the bargains, | 0:15:14 | 0:15:17 | |
old Knocker seems more concerned with puns than profit. | 0:15:17 | 0:15:21 | |
I can see from the next stall that he hasn't necessarily siphoned off everything. | 0:15:21 | 0:15:27 | |
Siphoned off... You're with me, aren't you? | 0:15:27 | 0:15:30 | |
Yes, don't give up the day job, Eric. | 0:15:30 | 0:15:33 | |
Now, in this 21st-century Battle of the Bastille, | 0:15:33 | 0:15:36 | |
our dealers need to use every bit of trading nous they can. | 0:15:36 | 0:15:41 | |
One of the tips about buying abroad is learn the language. Learn your numbers. | 0:15:41 | 0:15:46 | |
And it probably pays to be slightly cheeky. | 0:15:46 | 0:15:49 | |
Things are optimistically priced, | 0:15:49 | 0:15:51 | |
so pitch in low and, you never know, you may find success. | 0:15:51 | 0:15:55 | |
Otherwise, just keep smiling. | 0:15:55 | 0:15:57 | |
# Smile | 0:15:57 | 0:15:59 | |
-# Though your heart is aching # -And Bingo is smiling | 0:15:59 | 0:16:02 | |
because he's just ahead in this race. | 0:16:02 | 0:16:05 | |
But Eric isn't one to give up easily and puts his pedal to the metal. | 0:16:05 | 0:16:09 | |
You might see what follows in incredibly fast motion. | 0:16:09 | 0:16:14 | |
Do not adjust your set. | 0:16:14 | 0:16:16 | |
It really is me moving at that, er, at that pace. | 0:16:16 | 0:16:20 | |
And he's off. He holds the racing line on that first bend, then overtakes the lady in yellow. | 0:16:20 | 0:16:25 | |
Oh, he's encountered heavy Parisian traffic, but he negotiates it perfectly, | 0:16:25 | 0:16:29 | |
all the while, keeping his eyes open for possible buys. | 0:16:29 | 0:16:32 | |
Majestic. | 0:16:32 | 0:16:34 | |
And Knocker surprised us all by pulling in to take another look at an item he spotted earlier - | 0:16:34 | 0:16:38 | |
the pewter inkwell with a price tag of 280 euros. | 0:16:38 | 0:16:42 | |
It may be a French race | 0:16:42 | 0:16:43 | |
but it seems this German-made piece by WMF | 0:16:43 | 0:16:47 | |
has really taken Eric's fancy. | 0:16:47 | 0:16:50 | |
With the WMF well, there is a market out there. | 0:16:50 | 0:16:54 | |
There's the WMF collector and the inkwell collector. | 0:16:54 | 0:16:58 | |
I'm determined, in the next 30 minutes or so, | 0:16:58 | 0:17:02 | |
to, er, make two more purchases. | 0:17:02 | 0:17:05 | |
So Eric pays £239.32 for the inkwell | 0:17:05 | 0:17:09 | |
and revs up for the final stretch in this riotous race for profit. | 0:17:09 | 0:17:14 | |
With his foot to the floor, he snares a lion ornament | 0:17:14 | 0:17:17 | |
originating from an exotic, faraway land. | 0:17:17 | 0:17:21 | |
I come all the way to Paris to find myself buying a lion | 0:17:21 | 0:17:24 | |
that was probably made in Staffordshire, | 0:17:24 | 0:17:27 | |
probably round about 1825, 1835. | 0:17:27 | 0:17:31 | |
I can't tell you who made him, he's not marked, but I do like him. | 0:17:31 | 0:17:35 | |
He's been made as a paperweight, so he would've sat on a gentleman's desk. | 0:17:35 | 0:17:39 | |
I spent ages, ages, | 0:17:39 | 0:17:41 | |
making sure there was no restoration and I couldn't find any. | 0:17:41 | 0:17:45 | |
Tiny little chip down there, but I'm not going to worry about that. | 0:17:45 | 0:17:49 | |
Had it had extensive restoration, I would've left it alone | 0:17:49 | 0:17:52 | |
because no collector would necessarily want it. | 0:17:52 | 0:17:56 | |
It's got a couple of little chips. It's got one on the base. | 0:17:56 | 0:17:59 | |
It's what you might call honest wear and tear. | 0:17:59 | 0:18:02 | |
I like him. I like him a lot. I'm very pleased with that buy | 0:18:02 | 0:18:06 | |
and I'm very pleased to think that I'm going to repatriate him in the next few hours. | 0:18:06 | 0:18:12 | |
For the sum of £170.94, | 0:18:12 | 0:18:16 | |
Eric can now return the lion ornament to its natural habitat | 0:18:16 | 0:18:19 | |
and he takes the lead for the first time with four items to James three. | 0:18:19 | 0:18:24 | |
But Bingo isn't backing off in this race. | 0:18:24 | 0:18:27 | |
I haven't got much time left. I'd better get a wiggle on. | 0:18:27 | 0:18:30 | |
I want to buy two more items | 0:18:30 | 0:18:32 | |
and then I am complete. | 0:18:32 | 0:18:34 | |
And sure enough, James gets his hands on two more items, | 0:18:34 | 0:18:38 | |
including another golden delicacy. | 0:18:38 | 0:18:41 | |
He pays £38.46 for a brass lamp | 0:18:41 | 0:18:44 | |
and £72.65 for an Art Deco mirror. | 0:18:44 | 0:18:49 | |
I told you the French were good at their metalwork. | 0:18:49 | 0:18:52 | |
This is one of my last purchases, this nice brass alter stick. | 0:18:52 | 0:18:57 | |
It's got good height. It's halfway between a table lamp and a lamp standard. | 0:18:57 | 0:19:02 | |
It's half a lamp standard. | 0:19:02 | 0:19:03 | |
But would look fabulous on a table with a lovely big shade. | 0:19:03 | 0:19:07 | |
The second thing I bought was this - | 0:19:07 | 0:19:11 | |
this nice Art Deco mirror. | 0:19:11 | 0:19:13 | |
Regrettably, this has been in a damp place, | 0:19:13 | 0:19:15 | |
so the gilding has gone all dull, it's gone all matt. | 0:19:15 | 0:19:20 | |
It would've been water-gilded with this gesso underneath. | 0:19:20 | 0:19:24 | |
It's very stylish, | 0:19:24 | 0:19:27 | |
flowing with stylised fruit here. | 0:19:27 | 0:19:30 | |
So it's probably not pure Art Deco of the '20s. | 0:19:30 | 0:19:32 | |
It's probably more likely the '30s. | 0:19:32 | 0:19:35 | |
I need to replace the mirror, brighten up the gilded frame | 0:19:35 | 0:19:39 | |
and, at 85 euros, I'm sure I can make a profit on it. | 0:19:39 | 0:19:43 | |
The finishing line is in view, but there's still just enough time | 0:19:43 | 0:19:47 | |
for Eric to bag some last-minute loot. | 0:19:47 | 0:19:49 | |
I'm looking at an Art Nouveau-style ewer. | 0:19:49 | 0:19:55 | |
It's got that whiplash handle. | 0:19:55 | 0:19:58 | |
And it's got some age, actually. | 0:20:01 | 0:20:03 | |
I thought it was going to be very modern, but it's got real age to it. | 0:20:03 | 0:20:07 | |
It's showing a little bit of wear on the base, which is genuine age. | 0:20:07 | 0:20:11 | |
-The price on that is 30. -OK. -Is 30 euros OK? | 0:20:11 | 0:20:16 | |
The jug comes in at £25.64 | 0:20:16 | 0:20:19 | |
and Eric bags his final bit of booty just in the nick of time. | 0:20:19 | 0:20:22 | |
With that, the chequered flag falls on the buying leg of this antiques-dealing race. | 0:20:22 | 0:20:27 | |
Back in the pits, | 0:20:27 | 0:20:29 | |
it's time for our experts to reveal how they fared. | 0:20:29 | 0:20:32 | |
Our speedy spenders each started the day with £750 worth of euros | 0:20:35 | 0:20:39 | |
from their own pockets. | 0:20:39 | 0:20:41 | |
Eric spent much of the day lagging behind, | 0:20:41 | 0:20:44 | |
before finally sealing five deals at a cost of £602.57. | 0:20:44 | 0:20:49 | |
James also crossed the finish line with five items of his own, | 0:20:49 | 0:20:54 | |
spending a much more modest £282.04. | 0:20:54 | 0:20:58 | |
Our deal-driving duo have put heart and soul into this race around the Bastille Antiques Market, | 0:20:59 | 0:21:04 | |
so before they return to Blighty, | 0:21:04 | 0:21:06 | |
there's just enough time to show each other their luscious loot. | 0:21:06 | 0:21:10 | |
So, James, level with me, | 0:21:10 | 0:21:12 | |
was that or was that not one very tough call? | 0:21:12 | 0:21:16 | |
It was tough. Had I said it was a breeze, I would be lying! | 0:21:16 | 0:21:21 | |
-But, listen, we both managed to buy! -We did. -That's the amazing thing! | 0:21:21 | 0:21:25 | |
Which is the one that gave you the most pleasure? | 0:21:25 | 0:21:28 | |
-I think probably that's me, the table. -It's nice. I like that. | 0:21:28 | 0:21:31 | |
Bit scratched on the top, but a sort of Iznik-style fellow. | 0:21:31 | 0:21:35 | |
I like the pavilion bamboo-yness. | 0:21:35 | 0:21:38 | |
-Well, I like my lion because he started growling probably somewhere in Staffordshire. -Yes. | 0:21:38 | 0:21:44 | |
But at the same time, I like my Masonic piece. | 0:21:44 | 0:21:47 | |
I thought, "It must be English because it's got BR - Brother." | 0:21:47 | 0:21:51 | |
But then I thought, "Hang on, Eric, you did German at school. | 0:21:51 | 0:21:54 | |
-"What about bruder?" -Bruder. -As in brother. | 0:21:54 | 0:21:57 | |
So the chances are, it's probably Austrian, German or Austro-Hungarian. | 0:21:57 | 0:22:02 | |
I like your claret jug. How much did you pay for that? | 0:22:02 | 0:22:05 | |
Well, that was quite a nice buy, because that I paid 30 euros for. | 0:22:05 | 0:22:09 | |
-Yes. -That's a good buy! | 0:22:09 | 0:22:12 | |
I had a good look at it, because you've got to be careful. | 0:22:12 | 0:22:15 | |
There are questionable sort of fakes out there at the moment. | 0:22:15 | 0:22:19 | |
But that's right as rain. | 0:22:19 | 0:22:21 | |
-OK, listen, I'll go and get the bubble... -Yes. | 0:22:21 | 0:22:24 | |
..you get the boxes and we'll make a start. | 0:22:24 | 0:22:27 | |
Our powerhouse purchasers of all things antique | 0:22:29 | 0:22:32 | |
must now head back across the Channel | 0:22:32 | 0:22:35 | |
and prepare themselves for the second round of this race for victory. | 0:22:35 | 0:22:38 | |
Each will need to give their all as they attempt to sell their hauls for the biggest profit, | 0:22:38 | 0:22:43 | |
because there can only be one winner. | 0:22:43 | 0:22:47 | |
In Buckinghamshire, Team Knocker is plotting his selling strategy | 0:22:47 | 0:22:52 | |
for his not-so-French fancies. | 0:22:52 | 0:22:55 | |
It's sad to reflect on the fact that I've gone and bought five objects, | 0:22:55 | 0:22:59 | |
none of which are French. | 0:22:59 | 0:23:02 | |
Let's have a look at the Dutch contingent. | 0:23:02 | 0:23:05 | |
This Makkum dish - I can't believe it, it cost me £13. | 0:23:05 | 0:23:09 | |
Date-wise, probably around about 1900, 1910. | 0:23:09 | 0:23:14 | |
And then for £26, | 0:23:14 | 0:23:17 | |
a German Art Nouveau claret jug. | 0:23:17 | 0:23:20 | |
That has to be an absolute bargain. | 0:23:20 | 0:23:23 | |
I pushed the boat out here - £240 or thereabouts | 0:23:23 | 0:23:26 | |
for this inkstand. | 0:23:26 | 0:23:28 | |
It's probably going to be for an inkstand collector, and there are plenty out there. | 0:23:28 | 0:23:33 | |
Let's go to Austria, | 0:23:33 | 0:23:36 | |
because this tumbler dates to around about 1850. | 0:23:36 | 0:23:41 | |
And then, finally, what do I find but a British lion! | 0:23:41 | 0:23:46 | |
I was delighted to repatriate him back to the home country. | 0:23:46 | 0:23:51 | |
So on balance, I think I've got enough here | 0:23:51 | 0:23:55 | |
to scare the pants off Bingo Braxton. | 0:23:55 | 0:23:58 | |
Yes, fighting talk from Eric. | 0:23:58 | 0:24:00 | |
Over in East Sussex, James is planning his response. | 0:24:00 | 0:24:04 | |
These are all my items brought back from Paris. | 0:24:04 | 0:24:07 | |
My first, the lovely brass lamp. Get it rewired, it's good to go. | 0:24:07 | 0:24:12 | |
The bedside table, I quite like that. That's probably a trade sale. | 0:24:12 | 0:24:16 | |
The mirror needs a little work. | 0:24:16 | 0:24:19 | |
It's a bit dull. It's lost all its gilding. | 0:24:19 | 0:24:21 | |
It's lost some of its moulding. | 0:24:21 | 0:24:24 | |
I've got to weigh up whether I sell it "as is" at a cheap price, | 0:24:24 | 0:24:28 | |
or I do my work myself and try and get a good profit on it | 0:24:28 | 0:24:32 | |
at 250, 300. | 0:24:32 | 0:24:34 | |
The miniatures, these Ormolu-mounted miniature frames, | 0:24:34 | 0:24:37 | |
I think I know somebody who's going to buy those. | 0:24:37 | 0:24:40 | |
My table, I think, is the winner. | 0:24:40 | 0:24:42 | |
Moroccan Iznik tile in the top, 19th-century bamboo around it. | 0:24:42 | 0:24:47 | |
I'm not going to sell it for under £100. | 0:24:47 | 0:24:49 | |
This is the item that will create clear water between Knocker and I. | 0:24:49 | 0:24:54 | |
Watch out, Knocker! | 0:24:54 | 0:24:55 | |
So both our dashing deal-doers | 0:24:55 | 0:24:58 | |
have aspirations of standing atop the profit podium | 0:24:58 | 0:25:01 | |
at the end of this selling race. | 0:25:01 | 0:25:03 | |
But remember, until they've shaken on it | 0:25:03 | 0:25:06 | |
and the money has changed hands, | 0:25:06 | 0:25:08 | |
no deal is truly sealed. | 0:25:08 | 0:25:11 | |
It's Eric who's first onto the selling track, | 0:25:11 | 0:25:14 | |
heading north in search of profit. | 0:25:14 | 0:25:16 | |
He's hoping to land a double sale for the inkwell that cost £239.32 | 0:25:16 | 0:25:21 | |
and the glass jug that set him back £25.64. | 0:25:21 | 0:25:26 | |
I've arrived in Nottinghamshire because I'm going to see somebody who I normally buy from. | 0:25:27 | 0:25:34 | |
But on this occasion, I'm hoping to make a couple of sales | 0:25:34 | 0:25:38 | |
because Kirsty specialises in Art Nouveau. | 0:25:38 | 0:25:42 | |
But will Kirsty help Eric | 0:25:42 | 0:25:45 | |
get off to a flying start in the profit stakes? | 0:25:45 | 0:25:48 | |
A couple of German bits, but I don't have to tell you this, Kirsty, do I? | 0:25:48 | 0:25:51 | |
-The original inkwell's in there. -It's a lovely piece. | 0:25:51 | 0:25:55 | |
These were very special, expensive luxury items. | 0:25:55 | 0:25:59 | |
Just a wonderful shape, | 0:25:59 | 0:26:01 | |
known in the trade as the sledge inkwell. | 0:26:01 | 0:26:04 | |
Very good in terms of Art Nouveau pewter. | 0:26:04 | 0:26:07 | |
It's also got the patent number, which is excellent. | 0:26:07 | 0:26:10 | |
-Yes! -So we know we can date it to around 1904. | 0:26:10 | 0:26:14 | |
-It's my kind of thing. I love the whole shape. A lot of collectors out there. -Good. | 0:26:14 | 0:26:18 | |
As you can see, I've brought two things along. | 0:26:18 | 0:26:21 | |
-You said you thought this was German. -I thought it was German, yes. | 0:26:21 | 0:26:24 | |
-I think it's French. -Oh, do you? -I do. | 0:26:24 | 0:26:27 | |
If it was German, you'd have the handle connected to the body. | 0:26:27 | 0:26:30 | |
There's lots of tell-tale signs. | 0:26:30 | 0:26:33 | |
-Hey, listen, we're all on a learning curve. -Yes. | 0:26:33 | 0:26:35 | |
It's a lovely thing. Very pretty. | 0:26:35 | 0:26:38 | |
Most people would think this was for claret | 0:26:38 | 0:26:41 | |
but, actually, it's a water jug. | 0:26:41 | 0:26:43 | |
-Well, there you go again, Eric! -It's never too late to teach an old dog, eh, Eric? | 0:26:43 | 0:26:48 | |
-You can tell because of the shape. Claret jugs were generally narrow and straight. -Yes. | 0:26:48 | 0:26:53 | |
I love this because if you hold it up, | 0:26:53 | 0:26:56 | |
-you can see all this ribbing... -Yes. -..but the ribbing is on the inside. | 0:26:56 | 0:27:00 | |
-If you feel the outside, it's perfectly smooth. -Mm. | 0:27:00 | 0:27:04 | |
It's just a nice thing of the period but not a huge amount of value. | 0:27:04 | 0:27:08 | |
I'm looking somewhere in the region of £350 for the two. | 0:27:08 | 0:27:13 | |
What about a nice round three? | 0:27:13 | 0:27:15 | |
-Put it there. OK. -Thank you. -£300. OK. -That's great. | 0:27:15 | 0:27:18 | |
So our Lancashire lad is off to a solid start | 0:27:18 | 0:27:21 | |
with a profit on the two items of £35.04. | 0:27:21 | 0:27:26 | |
And going for gold on his first item is James. | 0:27:27 | 0:27:31 | |
He paid £42.73 for the two gilt frames. | 0:27:31 | 0:27:34 | |
What I'm doing here is just removing the dust. | 0:27:34 | 0:27:37 | |
It's been very well cast with roses. | 0:27:37 | 0:27:40 | |
And in the little nooks and crannies there's dust. | 0:27:40 | 0:27:43 | |
It's just taking the glow away. | 0:27:43 | 0:27:45 | |
They're of quite recent manufacture. | 0:27:45 | 0:27:48 | |
It's a very stylised moulding, often known as egg-and-dart, | 0:27:48 | 0:27:52 | |
where you get an egg-shape and then a little flack in between the dart. | 0:27:52 | 0:27:56 | |
We refer to the old stuff as Ormolu, which was, | 0:27:56 | 0:28:00 | |
the gilt was attached to the brass body | 0:28:00 | 0:28:04 | |
with an amalgam of mercury and gold, | 0:28:04 | 0:28:07 | |
and you get this fabulous gilded surface | 0:28:07 | 0:28:10 | |
which didn't require cleaning. | 0:28:10 | 0:28:12 | |
He sells the two frames and draws level | 0:28:12 | 0:28:14 | |
by notching up a stylish profit of £27.27. | 0:28:14 | 0:28:19 | |
# Follow the Yellow Brick Road Follow the Yellow Brick Road # | 0:28:19 | 0:28:22 | |
But Eric is on the move again, | 0:28:22 | 0:28:23 | |
as he races to Worcestershire with the lion sculpture | 0:28:23 | 0:28:27 | |
that cost £170.94. | 0:28:27 | 0:28:30 | |
I'm here to see Bob Price because he knows a good piece of modelling when he sees it. | 0:28:30 | 0:28:36 | |
I'm hoping that he'll take more than a shine to my lion. | 0:28:36 | 0:28:41 | |
-I'm hoping he's going to buy it. -# You're off to see the wizard... # | 0:28:41 | 0:28:44 | |
But will porcelain manufacturer and collector Bob | 0:28:44 | 0:28:47 | |
have room in his studio for another piece? | 0:28:47 | 0:28:51 | |
Bob, I know I sent you an image, but it's time for you to come face-to-face with my lion. | 0:28:51 | 0:28:56 | |
I found him in a Paris street market. | 0:28:56 | 0:28:59 | |
I was mindful that you made a figurine of the lion | 0:28:59 | 0:29:03 | |
-for the Wizard of Oz series that you did. -Right. | 0:29:03 | 0:29:05 | |
-Shall I reach it? -Go and grab it. | 0:29:05 | 0:29:07 | |
I want you to put the two side-by-side, | 0:29:07 | 0:29:10 | |
because once you look at that face and you look at this face, | 0:29:10 | 0:29:14 | |
-there is an uncanny similarity. -Perhaps they're related. | 0:29:14 | 0:29:18 | |
This lion was made in around about 1830, | 0:29:18 | 0:29:21 | |
so if he is a relation he's an ancestor. | 0:29:21 | 0:29:25 | |
Despite buying him in Paris, I'm convinced this is Staffordshire. | 0:29:25 | 0:29:28 | |
-Tell me what you think. -I would say it was English. | 0:29:28 | 0:29:32 | |
You can tell by the body. This is a vitreous body, | 0:29:32 | 0:29:36 | |
-pretty close to bone china. -Right. | 0:29:36 | 0:29:38 | |
I think it's really quite cute. | 0:29:38 | 0:29:40 | |
I'm looking for somewhere in the region of £220. | 0:29:40 | 0:29:45 | |
-Don't suck too hard or you'll never get your teeth back! -No. | 0:29:45 | 0:29:48 | |
I wouldn't think any more than 200. | 0:29:48 | 0:29:51 | |
200. OK. | 0:29:51 | 0:29:53 | |
-We'll settle on 200. -OK. That's great. Thanks, Eric. | 0:29:53 | 0:29:56 | |
And Eric's roared into the lead with a profit of £29.06. | 0:29:56 | 0:30:01 | |
Across the country, | 0:30:01 | 0:30:03 | |
James has taken the bamboo table with ceramic top to south-east London | 0:30:03 | 0:30:07 | |
to see if he can learn more about its origins. | 0:30:07 | 0:30:10 | |
I've come to see Amber Khokhar, | 0:30:10 | 0:30:12 | |
who's both an artist and lecturer in Iznik art. | 0:30:12 | 0:30:16 | |
I want to find out a bit more about my table. | 0:30:16 | 0:30:19 | |
James spent £51.28 on the table, | 0:30:19 | 0:30:22 | |
and hopes Amber's expert knowledge will reveal it to be a gem | 0:30:22 | 0:30:25 | |
and not junk. | 0:30:25 | 0:30:27 | |
Now, I have a very layman's view about this. | 0:30:28 | 0:30:31 | |
I bought it as a sort of rather decorative object, | 0:30:31 | 0:30:35 | |
but I don't know too much about this tile. Can you tell me? | 0:30:35 | 0:30:39 | |
Well, definitely inspired by Iznik-ware. | 0:30:39 | 0:30:43 | |
When I talk about Iznik-ware, | 0:30:43 | 0:30:45 | |
I mean the work that was produced in the town of Iznik, | 0:30:45 | 0:30:50 | |
-not far from Istanbul. -Ah! | 0:30:50 | 0:30:52 | |
So you have the tulip, | 0:30:52 | 0:30:55 | |
which is very popular with the Ottomans, | 0:30:55 | 0:30:58 | |
the old Arabic word - Ottoman word - for tulip was "lale", | 0:30:58 | 0:31:02 | |
which is the same Arabic letters as Allah, | 0:31:02 | 0:31:05 | |
so that's why it was so important. | 0:31:05 | 0:31:07 | |
-So I'm very happy to see that. -Good. | 0:31:07 | 0:31:09 | |
You have this beautiful saz leaf, | 0:31:09 | 0:31:11 | |
but the actual line work is very clumsy. | 0:31:11 | 0:31:16 | |
When you're painting those motifs, there are very strict rules as to the weight of the line | 0:31:16 | 0:31:22 | |
and I'm not seeing that rule here. | 0:31:22 | 0:31:24 | |
-You would say it's a European copy. -Yes, or definitely a copy. | 0:31:24 | 0:31:27 | |
And the glazes, the colours, are not Ottoman colours really. | 0:31:27 | 0:31:30 | |
-When I looked at it, I wanted a lovely turquoise, I wanted the hotter colours. -Yes. | 0:31:30 | 0:31:35 | |
I think we've lost the symmetry | 0:31:35 | 0:31:37 | |
of these established forms and motifs. | 0:31:37 | 0:31:41 | |
-This is for a less sophisticated market, isn't it? -Yes. -OK. | 0:31:41 | 0:31:46 | |
-Amber, you have really brought this alive. Thank you. -You're welcome. | 0:31:46 | 0:31:50 | |
James shows he can go from 0 to 60 in a flash when it comes to selling | 0:31:50 | 0:31:55 | |
as he takes the Iznik-style table, along with the brass lamp, | 0:31:55 | 0:31:58 | |
the Art Deco mirror and the 1920s bedside table, | 0:31:58 | 0:32:02 | |
which cost a combined £188 and thruppence, | 0:32:02 | 0:32:05 | |
to show local antiques dealer Andy. | 0:32:05 | 0:32:08 | |
Let me reveal. | 0:32:08 | 0:32:10 | |
Hopefully, there's something of interest here for you. | 0:32:10 | 0:32:13 | |
-Shall I run through the prices that I want? -Yes. | 0:32:13 | 0:32:15 | |
-60 pounds... -Yes. | 0:32:15 | 0:32:18 | |
..120, | 0:32:18 | 0:32:20 | |
120, 90 pounds. | 0:32:20 | 0:32:23 | |
Now, is there anything that is ringing, tempting you? | 0:32:23 | 0:32:28 | |
Something can be done with the lamp. | 0:32:28 | 0:32:30 | |
What about my nice bedside table? | 0:32:30 | 0:32:32 | |
I quite like these Japanese mound-shaped things. | 0:32:32 | 0:32:35 | |
It's a tidy bit, it's not terribly old, | 0:32:35 | 0:32:38 | |
but I always quite like when a draw slides in and out without juddering. | 0:32:38 | 0:32:43 | |
-Is that a possible? -We're close. -We're close, are we? -Yes. | 0:32:43 | 0:32:48 | |
-The mirror? -No. I'm going to have to decline that. -That's fine. | 0:32:48 | 0:32:51 | |
What would you like to give me on these two? | 0:32:51 | 0:32:54 | |
-40 pounds on that, James. -40. Right. | 0:32:54 | 0:32:57 | |
-And what about this fellow? -80 pounds. | 0:32:57 | 0:32:59 | |
Could you do 50 on that fellow and 95 on that? | 0:32:59 | 0:33:04 | |
-This has got to be rewired. -I understand that. | 0:33:04 | 0:33:08 | |
But it's got a decorative value and I quite like that. | 0:33:08 | 0:33:11 | |
-I could do 50 on that. -You could do 50. | 0:33:11 | 0:33:13 | |
And if we say 90 quid. Split the difference on that. | 0:33:13 | 0:33:17 | |
50 and 90. Thank you. | 0:33:17 | 0:33:21 | |
James may not have sold the lot, | 0:33:21 | 0:33:23 | |
but he's got a gleaming profit on the lamp of £11.54, | 0:33:23 | 0:33:27 | |
plus a tidy £13.08 on the bedside table. | 0:33:27 | 0:33:31 | |
And, actually, he's not done yet. | 0:33:31 | 0:33:34 | |
Andy's had a change of heart on one of the items. | 0:33:34 | 0:33:37 | |
This table is starting to appeal to me. | 0:33:37 | 0:33:40 | |
-It's growing on you! -It is. | 0:33:40 | 0:33:42 | |
-What's the death on it? -Really, Andy, that's got to be 120. | 0:33:42 | 0:33:46 | |
-Let's do 100. -100. Go on, then. -OK. | 0:33:46 | 0:33:49 | |
What a result! James nabs himself a last-minute nifty profit on his Iznik-style table | 0:33:49 | 0:33:55 | |
of £48.72, | 0:33:55 | 0:33:57 | |
leaving him with just the Art Deco mirror still to sell. | 0:33:57 | 0:34:01 | |
So with that daring deal done, let's pause for breath | 0:34:02 | 0:34:05 | |
and see which of our selling supremos is leading from the front | 0:34:05 | 0:34:08 | |
and who is stuck amongst the backmarkers. | 0:34:08 | 0:34:12 | |
Money maestro Eric has sold three items so far | 0:34:12 | 0:34:16 | |
and earned a profit of £64.10. | 0:34:16 | 0:34:19 | |
Whilst speedster James has sold four items | 0:34:19 | 0:34:22 | |
and notched up a profit of £100.61. | 0:34:22 | 0:34:26 | |
James may've opened up a lead on Eric, | 0:34:26 | 0:34:28 | |
but this selling Grand Prix still has some way to go | 0:34:28 | 0:34:31 | |
before one of them takes today's title, | 0:34:31 | 0:34:34 | |
so time for our two profit-hunters to get motoring once more. | 0:34:34 | 0:34:38 | |
Having utilised his speedy selling skills, | 0:34:38 | 0:34:40 | |
James is almost sold up, | 0:34:40 | 0:34:42 | |
and he's poised to finish the job by offloading his final item. | 0:34:42 | 0:34:46 | |
I'm here at my local market, Hailsham Market in East Sussex. | 0:34:46 | 0:34:50 | |
I'm hoping to sell this mirror. Bit of a mistake, really. | 0:34:50 | 0:34:53 | |
It needs a lot of work. | 0:34:53 | 0:34:55 | |
If I can get out of it, I might have to take a loss on this fellow. | 0:34:55 | 0:34:59 | |
# I'm starting with the man In the mirror # | 0:34:59 | 0:35:02 | |
So a less than confident Bingo | 0:35:02 | 0:35:04 | |
heads to see contact and second-hand antiques trader Jeremy with the £72.65 mirror. | 0:35:04 | 0:35:10 | |
-Mr Mirror Man, what do you think? -OK. It's not a bad mirror, is it? | 0:35:10 | 0:35:14 | |
I think it came from a restaurant. | 0:35:14 | 0:35:16 | |
It's brimming over with fruit. | 0:35:16 | 0:35:19 | |
But the gilding's gone. Why should the gilding have gone? | 0:35:19 | 0:35:22 | |
It's been somewhere damp, possibly an outbuilding, | 0:35:22 | 0:35:26 | |
hence that bit of staining on the mirror there. | 0:35:26 | 0:35:29 | |
The condition - you could call it poor! It needs restoration. | 0:35:29 | 0:35:33 | |
I could do the work on it, | 0:35:33 | 0:35:35 | |
-but I think it'll take me time and I'm not sure if time's on my side. -Okey-dokey. | 0:35:35 | 0:35:40 | |
-But you can re-cover it, do you think? -It could be re-covered. | 0:35:40 | 0:35:43 | |
Whether it's worth it is a different thing. | 0:35:43 | 0:35:45 | |
-I quite like it as it is because it's authentic, it's old. -It is. | 0:35:45 | 0:35:49 | |
It's got a bit of character to it. | 0:35:49 | 0:35:51 | |
-What would you pay for something like this? -In this condition, 75. | 0:35:51 | 0:35:55 | |
I'd love to take 75. Would you be happy with that? | 0:35:55 | 0:35:58 | |
-Yes. 75. OK, James. -Brilliant. That's really kind. Thank you. | 0:35:58 | 0:36:01 | |
James sees his mirror reflect a modest profit of £2.35. | 0:36:01 | 0:36:07 | |
Sometimes it's not about making a big profit, | 0:36:07 | 0:36:09 | |
sometimes it's about getting out of it, | 0:36:09 | 0:36:12 | |
and that mirror was work. | 0:36:12 | 0:36:14 | |
And with that sale, Bingo's done it. | 0:36:14 | 0:36:16 | |
He sold all his items in record time, | 0:36:16 | 0:36:19 | |
which leaves Eric playing catch up. | 0:36:19 | 0:36:21 | |
But in this race, it's not who finishes first that matters, | 0:36:21 | 0:36:25 | |
but who makes the biggest profit. | 0:36:25 | 0:36:28 | |
Eric gets back on the road, | 0:36:28 | 0:36:29 | |
intent on selling his last two items. | 0:36:29 | 0:36:33 | |
I knew full well when I bought this Masonic engraved glass in Paris | 0:36:33 | 0:36:38 | |
that I would be on the lookout for a specialist dealer. | 0:36:38 | 0:36:41 | |
And let me tell you, they are few and far between. | 0:36:41 | 0:36:45 | |
But I'm pleased to say that in a certain part of Hampshire, I've found one. | 0:36:45 | 0:36:50 | |
I'm off to do a deal. | 0:36:50 | 0:36:53 | |
But will Dean be impressed enough to add the £153.85 glassware to his collection | 0:36:53 | 0:36:59 | |
and give Eric the sale he desperately needs? | 0:36:59 | 0:37:02 | |
So, this is part of your collection? | 0:37:02 | 0:37:05 | |
This is part of the stock and collection. | 0:37:05 | 0:37:08 | |
Many things here, from regalia, jewels... | 0:37:08 | 0:37:12 | |
Let me reveal one very lovely | 0:37:12 | 0:37:16 | |
piece of engraved Masonic glassware. | 0:37:16 | 0:37:18 | |
That is fantastic, Eric. | 0:37:18 | 0:37:20 | |
Probably continental. Most likely bohemian. | 0:37:20 | 0:37:24 | |
Somewhere about, I don't know, 1840, 1850. | 0:37:24 | 0:37:27 | |
The quality just shouted at me. | 0:37:27 | 0:37:30 | |
I totally agree with you. | 0:37:30 | 0:37:33 | |
If you look at the temple, the engraving of the pillars, the pillars on the outside, | 0:37:33 | 0:37:36 | |
even the pathway going up to the temple, it feels fantastic. | 0:37:36 | 0:37:41 | |
And the glass itself is clear but it's been given a pink flash. | 0:37:41 | 0:37:44 | |
If you look, you will see that there's two distinct colours... | 0:37:44 | 0:37:47 | |
-Absolutely. -..the clear and then the internal sort of flash, | 0:37:47 | 0:37:51 | |
which is a technique where | 0:37:51 | 0:37:53 | |
they put a very fine film of coloured glass onto the interior | 0:37:53 | 0:37:58 | |
so it gives the illusion that it is totally made of pink or cranberry glass. | 0:37:58 | 0:38:04 | |
-I absolutely love it. -Good. I was looking around the 250 mark. | 0:38:04 | 0:38:08 | |
You're a little bit high. I think we're looking at 200. | 0:38:08 | 0:38:11 | |
Dare I push it to 220? | 0:38:11 | 0:38:13 | |
-You've got a deal. -OK. | 0:38:13 | 0:38:15 | |
And on that special handshake, Eric earns a profit of £66.15. | 0:38:15 | 0:38:20 | |
Well, that might be considered something of a double whammy, | 0:38:20 | 0:38:23 | |
because not only did I make a reasonable sale, I also learnt an awful lot about Mason regalia | 0:38:23 | 0:38:29 | |
and you never know when that sort of information can prove useful. | 0:38:29 | 0:38:33 | |
I hope you're watching, Bingo, and I hope you're leaning. | 0:38:33 | 0:38:38 | |
Not exactly, Eric. Having sold all his stash, | 0:38:38 | 0:38:41 | |
Bingo's got other things on his mind. | 0:38:41 | 0:38:43 | |
This antiques business really is stressful. | 0:38:43 | 0:38:46 | |
How are you getting on, Knocker? | 0:38:46 | 0:38:49 | |
So while Bingo catches up on his beauty routine, | 0:38:50 | 0:38:53 | |
arch-rival Eric is sailing towards his final buyer. | 0:38:53 | 0:38:57 | |
I'm by the Regent's Canal in London's King Cross. | 0:38:57 | 0:39:01 | |
I'm not one to name drop, | 0:39:01 | 0:39:03 | |
but I'm here to meet the Dutch Cultural Attache | 0:39:03 | 0:39:07 | |
because she's expressed an interest in my Makkum plate. | 0:39:07 | 0:39:11 | |
One thing I will say about the Dutch is that they know their ceramics. | 0:39:11 | 0:39:15 | |
So fingers crossed we can do a deal. | 0:39:15 | 0:39:18 | |
Eric splashed out £12.82 on the plate, | 0:39:18 | 0:39:22 | |
but can he convince Daphne it's a Dutch deal worth doing? | 0:39:22 | 0:39:26 | |
-I've brought along a little bit of Holland for you to look at. -How exciting. | 0:39:26 | 0:39:30 | |
Here it is. I think this is about 1910. | 0:39:30 | 0:39:33 | |
However, the design is very much | 0:39:33 | 0:39:37 | |
1660, 1680. | 0:39:37 | 0:39:40 | |
That dish is entirely hand-painted. | 0:39:40 | 0:39:43 | |
-Oh, it's one of those! -This is not a print. | 0:39:43 | 0:39:46 | |
And when you paint on a dish like this, | 0:39:46 | 0:39:49 | |
you have to get it right first time. | 0:39:49 | 0:39:51 | |
-You can't rub it out and start again. -No. | 0:39:51 | 0:39:53 | |
It's really pretty. And it's in very good nick. | 0:39:53 | 0:39:56 | |
If you turn it over, you can see it's been pierced there. | 0:39:56 | 0:40:00 | |
-Yes. -This is a plate that - -This is a wall plate. -It was never meant to be eaten off. | 0:40:00 | 0:40:05 | |
-It's signed Makkum. -Yes. | 0:40:05 | 0:40:07 | |
-I actually only have modern pieces in my own home. -Oh! | 0:40:07 | 0:40:10 | |
-But at the embassy, we have a similar plate. -Do you? -We do. | 0:40:10 | 0:40:14 | |
It'd be nice to have another one, I think. | 0:40:14 | 0:40:17 | |
And then we might give it away as a gift. | 0:40:17 | 0:40:20 | |
-What's the price? -Around about £80. | 0:40:20 | 0:40:25 | |
In terms of what we are allowed to spend on gifts that we then give away, | 0:40:25 | 0:40:29 | |
I think the maximum would be £60. | 0:40:29 | 0:40:33 | |
-£60. -Oh! -You do this in Holland, don't you? -We do. -You do. -Thank you. | 0:40:33 | 0:40:38 | |
So with a profit of £47.18, | 0:40:38 | 0:40:41 | |
Eric sold his last bit of loot and bagged all the profit he can. | 0:40:41 | 0:40:46 | |
His arch-rival, however, isn't even slightly concerned. | 0:40:47 | 0:40:52 | |
James is busy indulging in an alternative spot of money-making. | 0:40:52 | 0:40:56 | |
Bingo by name... | 0:40:56 | 0:40:57 | |
Six and two, 62. | 0:40:57 | 0:40:59 | |
-Seven and eight, 78. -Thank you, Margaret. | 0:40:59 | 0:41:03 | |
Four and three, 43. | 0:41:03 | 0:41:04 | |
One and nine, 19. | 0:41:04 | 0:41:06 | |
House! | 0:41:06 | 0:41:07 | |
-Or should that be "bingo!"? -Bingo! | 0:41:07 | 0:41:10 | |
I'm exhausted! | 0:41:11 | 0:41:14 | |
£32.50. That's not too bad for an afternoon's work. | 0:41:14 | 0:41:19 | |
In fact, substantially more than I've made on some of my items in this show. | 0:41:19 | 0:41:24 | |
Don't worry, Bingo won't be adding the £32 to his profit pot, | 0:41:24 | 0:41:27 | |
but let's see if his winning ways can take him to the title. | 0:41:27 | 0:41:32 | |
Eric and James both started this contest | 0:41:33 | 0:41:35 | |
with £750 worth of their own euros to spend. | 0:41:35 | 0:41:39 | |
Eric made five purchases, costing him a total of £602.57. | 0:41:39 | 0:41:44 | |
James also ended up with five buys, which cost him £282.04. | 0:41:44 | 0:41:50 | |
But all that matters now is who has made the biggest profit. | 0:41:50 | 0:41:54 | |
All the money that Eric and James have made will go to charities of their choice. | 0:41:54 | 0:42:00 | |
So without further ado, let's find out | 0:42:00 | 0:42:02 | |
who is today's "Put Your Money Where Your Mouth Is" Champion. | 0:42:02 | 0:42:07 | |
Mr James Bingo Braxton! | 0:42:07 | 0:42:09 | |
-Knocker, how are you? -I'm all right, thank you. | 0:42:09 | 0:42:11 | |
-How was Paris for you? -Expensive. | 0:42:11 | 0:42:13 | |
-It was a tough call. -It was a tough call. | 0:42:13 | 0:42:16 | |
-What was your best buy? -Best buy was that bamboo table | 0:42:16 | 0:42:20 | |
-with the Iznik-style tiled top. -Oh, yes. | 0:42:20 | 0:42:22 | |
Et vous? | 0:42:22 | 0:42:24 | |
For me, it has to be my Dutch blue and white plate, | 0:42:24 | 0:42:27 | |
only because I managed to sell it to the Dutch Cultural Attache. | 0:42:27 | 0:42:31 | |
Bit of a name drop. On top of that, my lion. | 0:42:31 | 0:42:35 | |
I've repatriated a British lion, as far as I'm concerned. | 0:42:35 | 0:42:37 | |
-That's quite a journey! -Shall we just do it? -Yes. | 0:42:37 | 0:42:41 | |
-OK. -BOTH: One, two, three... | 0:42:41 | 0:42:45 | |
-I don't believe it. -Well done, Eric. -There you go! -Well done. | 0:42:45 | 0:42:49 | |
You taught me an awful lot about French wine when I was over there | 0:42:49 | 0:42:52 | |
-and I'd like to do a little bit more research. -Head in this direction! | 0:42:52 | 0:42:56 | |
So it's Eric who races away with victory today, | 0:42:56 | 0:42:59 | |
sealing a profit on every single deal. | 0:42:59 | 0:43:02 | |
I made some small profits on things, namely that bamboo table, | 0:43:02 | 0:43:05 | |
but Eric - he pipped me. | 0:43:05 | 0:43:08 | |
Fortunately, it would appear that the old bonne chance was smiling on me. | 0:43:08 | 0:43:13 | |
Eric may've reigned supreme today, but tomorrow is another day | 0:43:13 | 0:43:17 | |
and our experts get the chance to battle it out again | 0:43:17 | 0:43:20 | |
at a car-boot sale in Leicestershire. | 0:43:20 | 0:43:23 | |
Subtitles by Red Bee Media Ltd | 0:43:23 | 0:43:26 |