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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:07 | |
against each other, in an all-out battle for profit. | 0:00:07 | 0:00:11 | |
Hey-hey! | 0:00:11 | 0:00:12 | |
And gives you the insider's view of the trade. | 0:00:12 | 0:00:16 | |
I'm on the case. | 0:00:16 | 0:00:17 | |
Wee-hee! | 0:00:18 | 0:00:19 | |
Each week, one pair of duelling dealers will face a different | 0:00:19 | 0:00:22 | |
daily challenge. | 0:00:22 | 0:00:24 | |
-I'm a cheeky chancer. -Lovely! | 0:00:24 | 0:00:27 | |
Putting their reputations on the line and giving you top tips | 0:00:27 | 0:00:30 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:30 | 0:00:35 | |
-Let's go and spend some money. -Get in there. | 0:00:36 | 0:00:38 | |
Today, the prince of profitable porcelain, Eric Knowles, | 0:00:40 | 0:00:44 | |
takes on the duke of delightful deal-doing, James Braxton. | 0:00:44 | 0:00:47 | |
Coming up, Eric trials a high-risk strategy in the auction room. | 0:00:48 | 0:00:52 | |
I'm leaving it all to the very end, which is a dodgy thing to do. | 0:00:52 | 0:00:56 | |
James shows the importance of concentration. | 0:00:56 | 0:00:58 | |
Excuse me, sir. What number are we on? | 0:00:58 | 0:01:01 | |
And you find out how to clean up a profit. | 0:01:01 | 0:01:04 | |
I've been responsible for restoring it. This is no sort of amateur job. | 0:01:04 | 0:01:08 | |
This is Put Your Money Where Your Mouth Is. | 0:01:08 | 0:01:11 | |
You are about to witness a battle like no other. | 0:01:24 | 0:01:30 | |
The clash of the antiques titans. | 0:01:30 | 0:01:32 | |
Watch, transfixed, as our first divine contender descends | 0:01:33 | 0:01:38 | |
from the heavens, in a flash of lightning. | 0:01:38 | 0:01:41 | |
There's nothing this man doesn't know about antiques, | 0:01:41 | 0:01:44 | |
and he'll go to any length to crush his opponent. | 0:01:44 | 0:01:47 | |
Poised like a coiled spring, it's Eric "Knocker" Knowles. | 0:01:47 | 0:01:52 | |
You've got that, sort of, butterfly feeling. | 0:01:52 | 0:01:55 | |
And hoping to stop this relentless onslaught | 0:01:55 | 0:01:58 | |
is a dapper dealer, with enough charm to woo the angels. | 0:01:58 | 0:02:01 | |
But don't be fooled by the jaunty exterior. | 0:02:01 | 0:02:04 | |
This is a man who means business. It's James "Bingo" Braxton. | 0:02:04 | 0:02:09 | |
The excitement, the nerves! | 0:02:09 | 0:02:10 | |
Our two antiques titans are risking their own money | 0:02:10 | 0:02:13 | |
at Sworders Sale Rooms in Stansted Mountfitchet, | 0:02:13 | 0:02:16 | |
as they go to battle for the greatest profit. | 0:02:16 | 0:02:19 | |
Between friends. | 0:02:19 | 0:02:20 | |
-There we are. Thank you. -I'm not so sure about that! | 0:02:20 | 0:02:22 | |
They've each got £1,000 of their own money to spend on trusty treasures, | 0:02:22 | 0:02:26 | |
that they can sell on for the most money. | 0:02:26 | 0:02:28 | |
All the profits go to their chosen charities. | 0:02:28 | 0:02:32 | |
Eric Knowles and James Braxton, | 0:02:32 | 0:02:34 | |
it's time to put your money where your mouth is. | 0:02:34 | 0:02:37 | |
So, the Essex countryside | 0:02:39 | 0:02:41 | |
and Sworders Sale Room, up here in Stansted Mountfitchet. | 0:02:41 | 0:02:45 | |
Today is just a general sale, | 0:02:45 | 0:02:47 | |
so I think it's fair to say that quality might be wanting. | 0:02:47 | 0:02:51 | |
Having said that, I don't mind telling you, | 0:02:51 | 0:02:54 | |
when it comes to auctions, strategy goes out the window, for me. | 0:02:54 | 0:02:58 | |
It does. But we have strength, we have £1,000. | 0:02:58 | 0:03:02 | |
It is £1,000, but remember, what with the buyer's premium, it means | 0:03:02 | 0:03:06 | |
our spending power is actually limited to around £750-760. | 0:03:06 | 0:03:11 | |
Oh, silly auctioneer forgetting that! | 0:03:11 | 0:03:14 | |
Go for it, boy. | 0:03:14 | 0:03:15 | |
Our two veterans of the antiques battlefield know each other | 0:03:15 | 0:03:19 | |
only too well, and that includes the tactics | 0:03:19 | 0:03:22 | |
they each employ in the auction room arena. | 0:03:22 | 0:03:25 | |
I think Bingo is going to concentrate on his strengths. | 0:03:25 | 0:03:28 | |
I think he's going to be pretty strong on the furniture. | 0:03:28 | 0:03:31 | |
He'd be wise to do that, because, quite frankly, there's not a lot | 0:03:31 | 0:03:34 | |
to go for in the ceramics, glass and general paraphernalia. | 0:03:34 | 0:03:38 | |
I can see Eric over there, hovering around the pots. | 0:03:38 | 0:03:42 | |
He's got a keen eye for restoration. | 0:03:42 | 0:03:44 | |
The clock is ticking | 0:03:44 | 0:03:46 | |
and the first fall of the hammer draws ever closer. | 0:03:46 | 0:03:49 | |
So, our two titans must use their time to assess | 0:03:49 | 0:03:51 | |
the myriad of trinkets and treasures on offer. | 0:03:51 | 0:03:55 | |
Keen to mark up the most profitable lots, | 0:03:55 | 0:03:58 | |
James has swooped on the furniture. | 0:03:58 | 0:04:00 | |
I like this pair of chairs. | 0:04:00 | 0:04:02 | |
They're made of oak, probably made about 1860-1880. Check a chair. | 0:04:02 | 0:04:07 | |
Check how tight it is, the joints are nice and tight on this. | 0:04:07 | 0:04:10 | |
Gently put your knee on and you're away. And have a sit on it. | 0:04:10 | 0:04:14 | |
If I can get them under £100, I should be able to make a good profit. | 0:04:14 | 0:04:18 | |
Arch-rival Eric is renowned for his expertise in porcelain. | 0:04:18 | 0:04:22 | |
And it's no surprise he makes straight for his comfort zone. | 0:04:22 | 0:04:26 | |
I do like that. | 0:04:26 | 0:04:28 | |
It's the nicest piece of porcelain in here, actually. By Royal Doulton. | 0:04:28 | 0:04:32 | |
And it dates to 1911, because it's got the impressed mark on the back. | 0:04:32 | 0:04:37 | |
That's nice. OK. | 0:04:37 | 0:04:39 | |
Quality will always out. | 0:04:39 | 0:04:40 | |
And with quality on his mind, Eric homes in on - guess what? | 0:04:40 | 0:04:45 | |
The same Gothic oak hall chairs that James was eyeing up earlier. | 0:04:45 | 0:04:50 | |
What I like about them is they're all pegged. | 0:04:50 | 0:04:53 | |
So there has been an attempt by the Victorian cabinet-maker | 0:04:53 | 0:04:59 | |
to replicate the, sort of, medieval ethos of handmade objects. | 0:04:59 | 0:05:04 | |
Our eagle-eyed experts have had an initial scour round the lots | 0:05:04 | 0:05:07 | |
and it's raised some concerns for Eric. | 0:05:07 | 0:05:10 | |
To be frank, you know, there's not a lot to really go for here today. | 0:05:10 | 0:05:15 | |
So it's inevitable that we are going to be going on | 0:05:15 | 0:05:18 | |
quite a few of the same lots. | 0:05:18 | 0:05:20 | |
Like those Gothic oak chairs, perhaps. | 0:05:20 | 0:05:23 | |
Mm, this looks like it is going to be an epic clash. | 0:05:23 | 0:05:25 | |
And, as the seconds tick away to the start of bidding, | 0:05:25 | 0:05:28 | |
our boys seize the chance to spot some last-minute money-makers. | 0:05:28 | 0:05:32 | |
Bible boxes were often reproduced out of old timber panels. | 0:05:32 | 0:05:36 | |
This one seems all right. It's suffered the rigours of age. | 0:05:36 | 0:05:40 | |
We've got remnants of the old lock there. | 0:05:40 | 0:05:43 | |
The auction catalogue has put 17th century. | 0:05:43 | 0:05:46 | |
It could even be earlier. | 0:05:46 | 0:05:47 | |
Well, if this little fellow makes between £50-100, I'm on it. | 0:05:47 | 0:05:51 | |
There are a few lots of wine coming up, | 0:05:52 | 0:05:56 | |
including a Chateau Latour of first growth, 1934. | 0:05:56 | 0:05:59 | |
I've got a feeling that Bingo might be going on a few of these, | 0:05:59 | 0:06:02 | |
because he's the refined type, isn't he? | 0:06:02 | 0:06:05 | |
And, sure enough, | 0:06:05 | 0:06:06 | |
gentleman James has made a beeline for the very same lot. | 0:06:06 | 0:06:10 | |
Chateau Latour, one of the most famous wine producers in France, | 0:06:10 | 0:06:14 | |
famous for its tower in the vineyard. | 0:06:14 | 0:06:16 | |
It's an old wine, 1934, but it's quite low. | 0:06:16 | 0:06:19 | |
It's got low shoulder, so really the wine should be up here, | 0:06:19 | 0:06:23 | |
but it's down there. | 0:06:23 | 0:06:24 | |
There's a slight break in the seal, but if that isn't vinegar, | 0:06:24 | 0:06:28 | |
that is a fabulous bottle of wine. | 0:06:28 | 0:06:31 | |
But will James take the risk? | 0:06:31 | 0:06:33 | |
Our battling bargaineers have marked their books | 0:06:33 | 0:06:35 | |
and marked each other's cards, and now the time has come to enter | 0:06:35 | 0:06:39 | |
the arena, as the auction is about to commence. | 0:06:39 | 0:06:42 | |
Both our experts know that one false move means victory could slip | 0:06:42 | 0:06:46 | |
through their hands. | 0:06:46 | 0:06:48 | |
Our two titans are in position | 0:06:50 | 0:06:52 | |
and, first up, it's the 1934 bottle of wine that both Eric | 0:06:52 | 0:06:55 | |
and James spotted earlier, with an estimate of £80-£100. | 0:06:55 | 0:06:59 | |
Your bid, sir. £50, I'm bid. 55. 60. | 0:07:00 | 0:07:03 | |
5. 70. 75, anywhere else, now? | 0:07:03 | 0:07:06 | |
I am going to sell at £70. Are we all done and finished, then? 70. | 0:07:06 | 0:07:10 | |
-Wow... -Oh, he sounds happy. | 0:07:10 | 0:07:13 | |
The first strike goes to James | 0:07:13 | 0:07:15 | |
and he pays £86.84 for the wine, including fees. | 0:07:15 | 0:07:18 | |
But will his gamble pay off? | 0:07:18 | 0:07:20 | |
Probably the most expensive bottle of vinegar I'm ever going to buy. | 0:07:20 | 0:07:23 | |
# Don't stop me now... # | 0:07:23 | 0:07:25 | |
And our bon viveur is not about to stop there. | 0:07:25 | 0:07:28 | |
He increases his lead, by landing two 1970s bottles of wine | 0:07:28 | 0:07:32 | |
for £86.80, costs included. | 0:07:32 | 0:07:35 | |
This speedy spending spree has got Bingo buzzing. | 0:07:35 | 0:07:39 | |
The excitement, the nerves! | 0:07:39 | 0:07:41 | |
I'm spilling my coffee, I'm all over the place. | 0:07:41 | 0:07:44 | |
His speedy start has left James brimming with confidence, | 0:07:44 | 0:07:48 | |
while our Eric is yet to get off the starting blocks. | 0:07:48 | 0:07:51 | |
And Bingo is about to dish out another almighty blow. | 0:07:51 | 0:07:55 | |
Carrying an estimate of £150-250, | 0:07:55 | 0:07:59 | |
James is ready to bid on his third lot of vintage alcohol - | 0:07:59 | 0:08:02 | |
a bottle of 1928 Champagne Cognac. | 0:08:02 | 0:08:06 | |
£100, it is, on the market. 110. 120. 130. | 0:08:06 | 0:08:10 | |
Selling at £130, we all finished? 130. | 0:08:10 | 0:08:14 | |
Wow, James is crushing the competition | 0:08:14 | 0:08:16 | |
and leaving poor old Eric in his wake. | 0:08:16 | 0:08:18 | |
He's paid a total of £161.20, including fees. | 0:08:18 | 0:08:23 | |
This is treasure. This is amber nectar. | 0:08:23 | 0:08:26 | |
This is a Cognac, a fine Champagne Cognac. 1928, it's bottled. | 0:08:26 | 0:08:31 | |
This will be fabulous. Unbroken. | 0:08:31 | 0:08:33 | |
Still a very good level and a fabulous amber colour. | 0:08:33 | 0:08:37 | |
Mm, James is overflowing with confidence, | 0:08:37 | 0:08:39 | |
but Eric can't resist a little jibe. | 0:08:39 | 0:08:41 | |
-Come on, how many bottles have you bought? -I've bought quite a few. | 0:08:41 | 0:08:44 | |
My most expensive lot was that Cognac. | 0:08:44 | 0:08:47 | |
If you were to send that to NASA, they could probably propel | 0:08:47 | 0:08:51 | |
a rocket as far as Mars on what's in that bottle! | 0:08:51 | 0:08:54 | |
I mean, it is lethal. | 0:08:54 | 0:08:55 | |
James now has an impressive three lots in his swag bag, | 0:08:55 | 0:08:58 | |
while Eric is getting desperate to get things moving. | 0:08:58 | 0:09:02 | |
You've got that, sort of, butterfly feeling coming on, you know. | 0:09:02 | 0:09:06 | |
Dare I say it, it's closely akin to your first date. | 0:09:06 | 0:09:11 | |
And Eric's first-date nerves might be about to reach boiling point, | 0:09:11 | 0:09:15 | |
as the moment he's been waiting for has come. | 0:09:15 | 0:09:18 | |
He's spotted a barge ware teapot that's about to go under the hammer. | 0:09:18 | 0:09:22 | |
35, is bid. Do I see 40? 40. 5. | 0:09:22 | 0:09:25 | |
50. 5. | 0:09:25 | 0:09:26 | |
60. 5. | 0:09:26 | 0:09:27 | |
70. 75. 80. | 0:09:27 | 0:09:30 | |
5. 90. | 0:09:30 | 0:09:31 | |
Oh, Eric, poised! | 0:09:31 | 0:09:34 | |
Selling at £90. Are we all done and finished? At £90. | 0:09:34 | 0:09:38 | |
Made a start. | 0:09:38 | 0:09:39 | |
And "Knocker" is, at last, in the game. | 0:09:39 | 0:09:41 | |
Eric's first buy cost a total of £111.60 including costs. | 0:09:41 | 0:09:46 | |
Well, I have got myself a classic Victorian barge teapot, | 0:09:46 | 0:09:51 | |
apparently made in a place called Measham, there on the canal network. | 0:09:51 | 0:09:56 | |
It has actually got its original teapot stand, which is very unusual. | 0:09:56 | 0:10:01 | |
And I love the fact that it has got the motto "Forget Me Not" | 0:10:01 | 0:10:07 | |
and, for that sort of money, I am more than happy. | 0:10:07 | 0:10:11 | |
Eric may have retaliated, | 0:10:11 | 0:10:13 | |
but not even wild horses could hold back his opponent. | 0:10:13 | 0:10:16 | |
James has already splashed out on three lots of alcohol. | 0:10:16 | 0:10:19 | |
So, surely it must be time to bid on something completely different. | 0:10:19 | 0:10:24 | |
Not on your nelly! | 0:10:24 | 0:10:25 | |
James snaps up a mixed lot of five bottles of wine, at a cost | 0:10:26 | 0:10:30 | |
of £93, fees included. | 0:10:30 | 0:10:32 | |
Are we supposed to be buying antiques | 0:10:32 | 0:10:35 | |
and collectables or cheap booze? | 0:10:35 | 0:10:37 | |
Sour grapes, Eric? | 0:10:37 | 0:10:39 | |
I bought five bottles, | 0:10:39 | 0:10:41 | |
all from Chateau Giscours. Grand Cru Classe, a Margaux wine. | 0:10:41 | 0:10:46 | |
This is the youngest, 1998. And look at the level of it, nice and high. | 0:10:46 | 0:10:51 | |
And then we go on to the '69s. Quite low, isn't it? | 0:10:51 | 0:10:55 | |
It's just age seepage. It's almost as old as I am. | 0:10:55 | 0:10:59 | |
Well, a fine vintage, then, James, | 0:10:59 | 0:11:01 | |
and our dapper dealer's liquid lots have not gone unnoticed by Eric. | 0:11:01 | 0:11:06 | |
-I don't drink it, I trade it. -Oh, no, no, you never drink it, no, no. | 0:11:06 | 0:11:10 | |
That's what they all say. | 0:11:10 | 0:11:12 | |
These two auction room veterans may enjoy some friendly banter, | 0:11:12 | 0:11:15 | |
but they only have one thing on their minds - victory. | 0:11:15 | 0:11:19 | |
James is storming ahead with four buys to Eric's one, | 0:11:19 | 0:11:22 | |
and he takes it to a 5-1 lead, by winning a 1930s case of maps | 0:11:22 | 0:11:27 | |
and guides for £86.80, fees included. | 0:11:27 | 0:11:30 | |
This is a nice lot I bought. I bought it for £70. | 0:11:31 | 0:11:34 | |
It's leather cased, early Michelin road maps. | 0:11:34 | 0:11:38 | |
We've got the actual guide, that'll take you to restaurants, | 0:11:38 | 0:11:42 | |
hotels, various other things. I am missing some maps. | 0:11:42 | 0:11:45 | |
We're missing number eight, so we've got seven to nine. | 0:11:45 | 0:11:49 | |
I'm looking on the key there. | 0:11:49 | 0:11:50 | |
Sorry, Liverpool, you are missing. | 0:11:50 | 0:11:52 | |
It may seem like the Bingo Braxton Show at this auction room today, | 0:11:52 | 0:11:56 | |
but Eric is not going to let that phase him. | 0:11:56 | 0:11:59 | |
I have to say that Bingo is well ahead of me, | 0:11:59 | 0:12:01 | |
he's bought quite a few lots, to my one. | 0:12:01 | 0:12:04 | |
I'm here, basically, to lift the tone of the programme, | 0:12:04 | 0:12:08 | |
-away from the realms of alcohol... -ORCHESTRAL MUSIC PLAYS | 0:12:08 | 0:12:11 | |
..and more into the celestial world of fine art and collectables. | 0:12:11 | 0:12:17 | |
Oh, thank goodness you're here, Eric! | 0:12:17 | 0:12:20 | |
And speaking of collectables, next up is an early 20th-Century | 0:12:20 | 0:12:23 | |
Crown Derby tea service | 0:12:23 | 0:12:25 | |
that our porcelain prince has got his eye on. | 0:12:25 | 0:12:28 | |
75. 80. 85. 90. | 0:12:28 | 0:12:31 | |
5. 100. | 0:12:31 | 0:12:33 | |
110. 120. 30. | 0:12:33 | 0:12:35 | |
140. 50. 160. | 0:12:35 | 0:12:37 | |
170. 180. 190. | 0:12:37 | 0:12:39 | |
Gentleman's bid, at 190, 200, anywhere? 190, all done? | 0:12:39 | 0:12:44 | |
And Eric buys the Crown Derby tea service for £235.60, fees included. | 0:12:44 | 0:12:50 | |
Well, this was a relatively big spend for me today. | 0:12:50 | 0:12:53 | |
These date to the early part of the 20th century. | 0:12:53 | 0:12:55 | |
Technically, it is a japan design, | 0:12:55 | 0:12:59 | |
because these colours were very popular in the Imari region | 0:12:59 | 0:13:04 | |
of Japan throughout the 18th and 19th century. | 0:13:04 | 0:13:07 | |
Quality bone china. | 0:13:07 | 0:13:08 | |
I've got an extra cup and saucer, I'll probably sell that separately. | 0:13:08 | 0:13:13 | |
Eric's made a valiant effort at catching up with his speedy rival, | 0:13:13 | 0:13:17 | |
but now it's time to find out who has got the upper hand. | 0:13:17 | 0:13:20 | |
Eric and James each started the day | 0:13:21 | 0:13:23 | |
with £1,000 of their own money to spend. | 0:13:23 | 0:13:27 | |
Eric has had a slow start and bought two items, costing him £347.20, | 0:13:27 | 0:13:32 | |
leaving him with £652.80 still to spend. | 0:13:32 | 0:13:36 | |
James has powered ahead, picking up five items, costing £514.60. | 0:13:38 | 0:13:44 | |
He has got £485.40 left in his kitty. | 0:13:44 | 0:13:48 | |
As round two gets underway, James is enjoying life in the auction room | 0:13:49 | 0:13:54 | |
fast lane, while Eric is languishing in the lay-by. | 0:13:54 | 0:13:57 | |
He knows he's got to raise his game, | 0:13:57 | 0:14:00 | |
so when the two Doulton cabinet plates, with a reserve price | 0:14:00 | 0:14:03 | |
of £40-60, come up, Eric is ready to take to the stage. | 0:14:03 | 0:14:07 | |
MUSIC: "Night Fever" by The Bee Gees | 0:14:07 | 0:14:10 | |
# Well, you can tell by the way I use my walk, I'm a women's man... # | 0:14:10 | 0:14:14 | |
Locked in the groove, Eric is working that auction room floor. | 0:14:14 | 0:14:18 | |
Selling at £60. £60, all done. | 0:14:18 | 0:14:20 | |
Yes, Eric is "Staying Alive", as he bags the two Doulton plates | 0:14:21 | 0:14:25 | |
for £74.40, including fees, and he is looking pleased. | 0:14:25 | 0:14:29 | |
It's a big smile, because I'm very happy with that lot. | 0:14:31 | 0:14:35 | |
Yes, Eric is on the comeback trail now, with just two items | 0:14:35 | 0:14:39 | |
separating our auction room action men. | 0:14:39 | 0:14:41 | |
And he ploughs straight into his next purchase, | 0:14:41 | 0:14:44 | |
splashing out £.49 60 on a pair of animal prints. | 0:14:44 | 0:14:48 | |
I bought this pair of Victorian pictures | 0:14:48 | 0:14:53 | |
simply because I know people love cats. | 0:14:53 | 0:14:56 | |
Cats, dogs, frogs, pigs, owls, you know. | 0:14:56 | 0:15:00 | |
And those kittens are cute. | 0:15:00 | 0:15:03 | |
It's just a matter of finding somebody out there | 0:15:03 | 0:15:06 | |
that is smitten with kittens. | 0:15:06 | 0:15:09 | |
Eric's clawed back more ground on his rival | 0:15:09 | 0:15:12 | |
and it's now James who isn't having such a playful time. | 0:15:12 | 0:15:15 | |
Losing my mojo here. So I dipped out. | 0:15:15 | 0:15:19 | |
I'm being a bit cautious, | 0:15:19 | 0:15:20 | |
I think I need to plunge back in with a purchase, don't I? | 0:15:20 | 0:15:23 | |
And while James awaits the return of his mojo, a reinvigorated Eric | 0:15:23 | 0:15:27 | |
is lining up to spend a penny on his next marked lot. | 0:15:27 | 0:15:30 | |
I'm going to have a go on a George III mahogany toilet mirror. | 0:15:30 | 0:15:34 | |
I think these offer really good value for money. | 0:15:34 | 0:15:36 | |
The mirror has an estimate of £70-100, | 0:15:36 | 0:15:39 | |
but can Eric see himself reflected in its glory? | 0:15:39 | 0:15:42 | |
80, anyone else? 80. 85. 90. 95. | 0:15:42 | 0:15:46 | |
100, you have it, sir. Selling, at £100. All done. | 0:15:46 | 0:15:50 | |
Eric pays the princely sum of £124, costs included. | 0:15:50 | 0:15:55 | |
Well, this little toilet mirror probably dates | 0:15:55 | 0:15:58 | |
to around 1800-1820. It needs a lot of tender love and care. | 0:15:58 | 0:16:03 | |
It's been left in the sunlight, it's bleached at the back | 0:16:03 | 0:16:06 | |
and all this can be brought back from the dead. | 0:16:06 | 0:16:08 | |
The mirror is original, it's in good order. | 0:16:08 | 0:16:11 | |
For £100, plus the extra, it has to be a bit of a giveaway, really. | 0:16:11 | 0:16:16 | |
And with that, Eric's levelled the competition, at five purchases each. | 0:16:16 | 0:16:20 | |
And now this battle is really heating up. | 0:16:20 | 0:16:23 | |
Determined to regain his lead, James is poised to bid | 0:16:23 | 0:16:27 | |
on the 17th-Century Bible box he admired earlier. | 0:16:27 | 0:16:30 | |
£30 is bid. I'll take 5. Anyone else, now? | 0:16:30 | 0:16:32 | |
35. 40. 5. | 0:16:32 | 0:16:35 | |
50. 5. | 0:16:35 | 0:16:36 | |
60. 5. | 0:16:36 | 0:16:38 | |
70. 5. | 0:16:38 | 0:16:40 | |
80. £80. The bid's at 80. | 0:16:40 | 0:16:42 | |
85, anyone else? £80, all done? | 0:16:42 | 0:16:46 | |
£80, I'm back. I've found my mojo again. | 0:16:46 | 0:16:50 | |
Including costs, James takes the Bible box for £99.20 | 0:16:50 | 0:16:54 | |
and his money-making mojo is fully restored. | 0:16:54 | 0:16:58 | |
James is in pole position, but this battle isn't over yet, | 0:16:59 | 0:17:03 | |
because next up is a certain lot that both our trading titans | 0:17:03 | 0:17:07 | |
have set their hearts on - The Gothic oak hall chairs. | 0:17:07 | 0:17:10 | |
I like these. And I think I'm going to dig deep for them. | 0:17:11 | 0:17:15 | |
Eric is also waiting for the chairs to come up, | 0:17:15 | 0:17:18 | |
but he knows he's going to have his work cut out. | 0:17:18 | 0:17:21 | |
I've only got X amount to spend on these, | 0:17:21 | 0:17:23 | |
because there's another chair I really want, after these. | 0:17:23 | 0:17:25 | |
I'm leaving it all to the very end, which is a dodgy thing to do. | 0:17:25 | 0:17:29 | |
Hoping to stick to his limit, Eric's straight in on the auction, | 0:17:29 | 0:17:33 | |
but his arch rival looks somewhat distracted. | 0:17:33 | 0:17:36 | |
5. 60. 5. | 0:17:36 | 0:17:38 | |
Eric wants those chairs and he's bidding hard. | 0:17:38 | 0:17:41 | |
80. 5. | 0:17:41 | 0:17:42 | |
-Excuse me. -But what's this? -Excuse me, sir. | 0:17:42 | 0:17:45 | |
-What number are we on? -377. | 0:17:45 | 0:17:48 | |
-Oh, I've got that marked. I'll bid. Thank you. -Thank you. £100. | 0:17:48 | 0:17:52 | |
Ah, the wake-up kid joins the game, with a £100 bid. | 0:17:52 | 0:17:56 | |
I nearly interrupted Bingo's flow there. | 0:17:56 | 0:17:59 | |
-Selling at £100. All done, at 100. -Thank you. Sorry. -No, no. | 0:17:59 | 0:18:03 | |
-Be my guest. -Between friends. There we are. Thank you. | 0:18:03 | 0:18:06 | |
I'm not so sure about that! | 0:18:06 | 0:18:08 | |
He was slightly distracted, then. | 0:18:08 | 0:18:10 | |
I think he might have been sampling some of his previous lots, | 0:18:10 | 0:18:13 | |
-I don't want to say too much. -What a turn up! | 0:18:13 | 0:18:16 | |
That stealthy swoop snatches James the pair of Victorian chairs | 0:18:16 | 0:18:20 | |
for £124, including costs. | 0:18:20 | 0:18:22 | |
And, once again, | 0:18:22 | 0:18:23 | |
James is firmly in the lead, with seven buys to Eric's five. | 0:18:23 | 0:18:28 | |
But you can't keep a dealing dynamo like Eric Knowles down, | 0:18:28 | 0:18:32 | |
and, determined to fight his way out of the trenches, Eric retaliates | 0:18:32 | 0:18:36 | |
by buying four 19th-Century yew wood dining chairs for £43.40, | 0:18:36 | 0:18:40 | |
fees included. | 0:18:40 | 0:18:42 | |
Why on Earth did I go for them? | 0:18:44 | 0:18:47 | |
Well, I don't mind admitting the very fact that they were yew wood | 0:18:47 | 0:18:51 | |
makes them that little bit more special. | 0:18:51 | 0:18:53 | |
The chairs themselves date to the early part of the 19th century. | 0:18:53 | 0:18:57 | |
And I think the upholstery gave up the ghost. | 0:18:57 | 0:19:00 | |
What I would need to spend on these to put them right | 0:19:00 | 0:19:04 | |
would be an awful lot more than the £35, plus premium, | 0:19:04 | 0:19:09 | |
that I bought all four for. So... | 0:19:09 | 0:19:12 | |
..a lesson learned. This could be quite an expensive lesson. | 0:19:13 | 0:19:17 | |
Well, let's hope Eric's hasty buy doesn't stitch him up later on. | 0:19:17 | 0:19:21 | |
And, with his eye on the clock, Eric has just enough time to even up | 0:19:21 | 0:19:24 | |
the scoreboard, which he does by paying £148.84 | 0:19:24 | 0:19:28 | |
for and Arts and Crafts chair. | 0:19:28 | 0:19:30 | |
Well, this chair was my final purchase. | 0:19:32 | 0:19:35 | |
And I have to say, it was well worth waiting for. | 0:19:35 | 0:19:40 | |
Because this chair started off life in High Wycombe, | 0:19:40 | 0:19:44 | |
it was made by a top maker, called William Birch. Early 20th century. | 0:19:44 | 0:19:48 | |
Classic Arts and Crafts armchair. Worked in oak, with a ruched seat. | 0:19:48 | 0:19:55 | |
I like it. I want to keep it. That's what makes this programme so tough. | 0:19:55 | 0:20:00 | |
And so exciting, Eric. | 0:20:00 | 0:20:02 | |
And with that final buy, | 0:20:02 | 0:20:03 | |
it is time to check how our profit hunters have fared. | 0:20:03 | 0:20:07 | |
Our fearless titans each started the day | 0:20:07 | 0:20:10 | |
with £1,000 of their own money to spend. | 0:20:10 | 0:20:12 | |
Eric made a late surge | 0:20:13 | 0:20:15 | |
and bagged seven purchases, for a total cost of £787.40. | 0:20:15 | 0:20:20 | |
James fought hard and won seven lots of his own, | 0:20:20 | 0:20:24 | |
costing him a total of £737.80. | 0:20:24 | 0:20:27 | |
Our bidders have battled it out and bagged the best booty they could. | 0:20:29 | 0:20:33 | |
All that remains now is for them | 0:20:33 | 0:20:34 | |
to tantalise each other with their loot. | 0:20:34 | 0:20:37 | |
Well, for me to ask, "How was it for you?" | 0:20:37 | 0:20:39 | |
is a bit of a pointless question, I have to say, James. | 0:20:39 | 0:20:43 | |
In fact, I am tempted to bring out a couple of glasses | 0:20:43 | 0:20:47 | |
and to help you with all this lot. | 0:20:47 | 0:20:49 | |
The thing that intrigues me about this little lot is this Cognac. 1928. | 0:20:49 | 0:20:54 | |
-16 years off its hundred. -And your furniture. | 0:20:54 | 0:20:57 | |
-Cos I had a stab at those. -I rather rudely came in, didn't I? | 0:20:57 | 0:21:02 | |
Well, you know, I just felt paternalistically towards you | 0:21:02 | 0:21:05 | |
-and that you should be given a go. -Tell me about yours. -Well, I'm happy. | 0:21:05 | 0:21:09 | |
I've always wanted a barge teapot | 0:21:09 | 0:21:11 | |
and I am delighted even more with my William Birch chair. | 0:21:11 | 0:21:15 | |
That lovely armchair. Classic bit of arts and crafts. | 0:21:15 | 0:21:18 | |
The best of High Wycombe. | 0:21:18 | 0:21:20 | |
So all that remains for me to say is, temptation gets | 0:21:20 | 0:21:23 | |
the better of you, ring me and I'll pop down to Sussex and help you. OK? | 0:21:23 | 0:21:27 | |
So, our battling buyers have survived the first part | 0:21:30 | 0:21:34 | |
of the challenge, but the toughest tussle lies ahead of them. | 0:21:34 | 0:21:37 | |
They will have to fight a lot harder | 0:21:37 | 0:21:39 | |
if they are to emerge victorious from this right royal rumble. | 0:21:39 | 0:21:43 | |
Our eminent experts have both retired to their lairs | 0:21:43 | 0:21:46 | |
to lick their wounds and take stock of their hauls. | 0:21:46 | 0:21:49 | |
At Knocker HQ in Buckinghamshire, | 0:21:50 | 0:21:53 | |
the prince of porcelain is sizing up his loot. | 0:21:53 | 0:21:56 | |
I have to say, I am quite pleased with what I ended up with. | 0:21:56 | 0:21:59 | |
A selection of Crown Derby in the Imari pattern. | 0:21:59 | 0:22:03 | |
Wonderful bone china, as is, dare I say, | 0:22:03 | 0:22:06 | |
this pair of cabinet plates by Royal Doulton. | 0:22:06 | 0:22:09 | |
And I've got a barge teapot. | 0:22:09 | 0:22:10 | |
I've always wanted one of these. And then the furniture. | 0:22:10 | 0:22:14 | |
That wonderful armchair. | 0:22:14 | 0:22:15 | |
I don't think I'm going to have any problem finding a buyer there. | 0:22:15 | 0:22:19 | |
Then I have got the toilet mirror. | 0:22:19 | 0:22:21 | |
It does need a little bit of tender loving care. | 0:22:21 | 0:22:24 | |
Finally, I have got a little bit of Victorian sentimentality there. | 0:22:24 | 0:22:28 | |
The oleographs, | 0:22:28 | 0:22:29 | |
made in such a way as to emulate oil paintings on canvas. | 0:22:29 | 0:22:33 | |
So, I am more than happy with my lots. | 0:22:33 | 0:22:36 | |
But Bingo has decided to go down a very boozy route and, | 0:22:36 | 0:22:41 | |
as we all know, that can be the road to ruin. | 0:22:41 | 0:22:46 | |
THUNDER CRASHES | 0:22:46 | 0:22:48 | |
Anyway, Eric also needs to sell the four | 0:22:48 | 0:22:50 | |
early-19th-century yew wood dining chairs. | 0:22:50 | 0:22:53 | |
Over at Bingo Barracks in Sussex, jaunty James is analysing his haul. | 0:22:53 | 0:22:58 | |
There are not many general sales where you can buy | 0:22:58 | 0:23:01 | |
the daddy of Bordeauxs - the Chateau Latour. | 0:23:01 | 0:23:04 | |
The fine Champagne brandy. | 0:23:04 | 0:23:06 | |
It is a fabulous Cognac. It is almost 100 years old. | 0:23:06 | 0:23:09 | |
I think I might make a handsome profit on that fellow. | 0:23:09 | 0:23:13 | |
And a lovely bible box. The stuff of Tudors. | 0:23:13 | 0:23:16 | |
1600s, or possibly even 1500s. | 0:23:16 | 0:23:18 | |
Here, we leap straight back into about the 1880s-1890s. | 0:23:18 | 0:23:24 | |
A bit of Gothic revival. Good solid-oak chairs, they are. | 0:23:24 | 0:23:28 | |
But my favourite from the auction day was the daddy of wines - | 0:23:28 | 0:23:31 | |
the Chateau Latour. | 0:23:31 | 0:23:33 | |
This is the one that is going to bring me the greatest profit. | 0:23:33 | 0:23:36 | |
Watch out, Knocker. | 0:23:36 | 0:23:38 | |
Yes, Bingo means business. | 0:23:38 | 0:23:40 | |
He must also sell the 1930s leather-cased set of maps and guides | 0:23:40 | 0:23:44 | |
and a mixed lot of five late-20th-century bottles of wine. | 0:23:44 | 0:23:48 | |
Our bidding big guns must now turn their treasures into cold, | 0:23:48 | 0:23:52 | |
hard cash, as they set to work lining up their sales. | 0:23:52 | 0:23:55 | |
But, remember, until they have shaken on it | 0:23:55 | 0:23:57 | |
and the money has changed hands, no deal is truly sealed. | 0:23:57 | 0:24:01 | |
Eric is not hanging about. | 0:24:03 | 0:24:05 | |
He has brought his early-20th-century William Birch | 0:24:05 | 0:24:08 | |
chair, that set him back £148.80, to show Stewart, | 0:24:08 | 0:24:11 | |
who owns a chair-making gallery in Buckinghamshire. | 0:24:11 | 0:24:14 | |
-Mr Linford, how are you? -Eric Knowles. | 0:24:16 | 0:24:19 | |
Let me introduce you to William Birch. | 0:24:19 | 0:24:21 | |
William Birch armchair. | 0:24:21 | 0:24:23 | |
So this is English oak, Quercus robur. | 0:24:23 | 0:24:26 | |
And the telltale sign is always looking underneath the chair, | 0:24:26 | 0:24:30 | |
because you can't fake this age underneath here. | 0:24:30 | 0:24:33 | |
The wear on the legs | 0:24:33 | 0:24:34 | |
and the interesting fact with this chair is these are oval. | 0:24:34 | 0:24:37 | |
You have got the egg shape, which means it was turned green | 0:24:37 | 0:24:40 | |
by the bodgers in the woods. | 0:24:40 | 0:24:42 | |
Bodgers were an important part, were they not, | 0:24:42 | 0:24:44 | |
-of the High Wycombe furniture trade? -That's right. Absolutely. | 0:24:44 | 0:24:48 | |
They are the guys who worked in the woods, produced the spindles, | 0:24:48 | 0:24:52 | |
stretchers, back sticks. And they were all brought by donkey | 0:24:52 | 0:24:56 | |
and cart into the chair-making workshops | 0:24:56 | 0:24:58 | |
and the framing workshops of High Wycombe. | 0:24:58 | 0:25:00 | |
-So this is a William Birch chair. 1910-1913. -Oh, good. -Rush seat. | 0:25:00 | 0:25:06 | |
Not bad nick. Dutch rush. It has been stuffed nicely. Yeah. | 0:25:06 | 0:25:12 | |
You could actually have that for 350 quid. Stand up, stand up. | 0:25:12 | 0:25:16 | |
I don't want you to fall over. | 0:25:16 | 0:25:17 | |
Don't fall over, because I knew you were expecting far more. | 0:25:17 | 0:25:20 | |
-How about £100? -Absolute minimum on this chair, £280. | 0:25:20 | 0:25:26 | |
-How about 220? -250 and that chair is in your collection. -250. | 0:25:26 | 0:25:31 | |
-There you go, sir. -What a star. | 0:25:31 | 0:25:33 | |
Yes, he had to work for it, | 0:25:33 | 0:25:34 | |
but Eric's William Birch has woven him a profit of £101.20. | 0:25:34 | 0:25:39 | |
And hoping to capitalise on his early lead, | 0:25:39 | 0:25:42 | |
Knocker puts the four | 0:25:42 | 0:25:44 | |
early-19th-century yew wood dining chairs into auction. | 0:25:44 | 0:25:47 | |
But it is a gamble that fails to pay off | 0:25:47 | 0:25:50 | |
and he notches up a loss of £35.40. | 0:25:50 | 0:25:55 | |
James isn't going to let Eric set the pace for long. | 0:25:56 | 0:26:00 | |
He has brought his mixed lot of five bottles of wine, which cost him | 0:26:00 | 0:26:03 | |
£93, and the other lot of two bottles of wine that he | 0:26:03 | 0:26:06 | |
paid £86.80 for, to show Peter, | 0:26:06 | 0:26:09 | |
a wine cellar owner, who James has bought from in the past. | 0:26:09 | 0:26:12 | |
These are the bottles I spoke of. The Chateau Giscours. | 0:26:14 | 0:26:18 | |
So I have got three '69s. | 0:26:18 | 0:26:20 | |
Three '69s. Corks look good. | 0:26:20 | 0:26:23 | |
-Nothing wet on them. There's only one little problem with that. -Yeah? | 0:26:23 | 0:26:27 | |
-'69 was a lousy year. Not a good year, at all. -All right. | 0:26:29 | 0:26:33 | |
-Oh, no. -Can a poor wine improve? With age? -No. Not that long. | 0:26:33 | 0:26:39 | |
-I think I would give you £25. -£25 each for those. -I certainly would. | 0:26:39 | 0:26:44 | |
So that is 75. You're happy with those at 35? | 0:26:44 | 0:26:47 | |
Oh, definitely. Yes, yes. | 0:26:47 | 0:26:49 | |
-So, that makes 140. -OK. | 0:26:49 | 0:26:51 | |
Slow down, Bingo. Shouldn't that be 145? | 0:26:51 | 0:26:54 | |
I am happy with that. | 0:26:54 | 0:26:56 | |
James's little miscalculation means he misses out on a fiver, | 0:26:56 | 0:27:00 | |
but still sips a sophisticated profit of £47 on the first lot. | 0:27:00 | 0:27:05 | |
-Good Medoc. -It's a good Medoc, is it? | 0:27:05 | 0:27:08 | |
James goes on to sell his second lot to Peter, | 0:27:08 | 0:27:10 | |
but it's not going to be so easy. | 0:27:10 | 0:27:13 | |
He only get £40 for it | 0:27:13 | 0:27:14 | |
and that leaves him with a loss of £46.80. | 0:27:14 | 0:27:19 | |
-With one, I gain, the other, I lose. -Swings and roundabouts. | 0:27:19 | 0:27:22 | |
It is swings and roundabouts. | 0:27:22 | 0:27:25 | |
Both our selling supremos have sold two items, | 0:27:25 | 0:27:28 | |
but already they have both notched up one hefty loss each. | 0:27:28 | 0:27:31 | |
So, prince of porcelain Eric | 0:27:31 | 0:27:33 | |
unleashes his prize-winning profit pullers - | 0:27:33 | 0:27:36 | |
the two early-20th-century Royal Doulton cabinet plates. | 0:27:36 | 0:27:39 | |
I'm in sunny Stoke-on-Trent and I'm at the pottery antiques centre. | 0:27:43 | 0:27:47 | |
Not only am I bringing coals to Newcastle, I'm actually dealing | 0:27:47 | 0:27:51 | |
with people who know the price of a pot, to the nearest penny. | 0:27:51 | 0:27:55 | |
Well, let's hope they know the price of a plate. | 0:27:55 | 0:27:57 | |
Eric paid £74.40 for the pair. | 0:27:57 | 0:28:00 | |
-How did they do that? -Yeah, beautiful, aren't they? | 0:28:00 | 0:28:03 | |
-The way it is gilded is fabulous, isn't it? -It is just. | 0:28:03 | 0:28:05 | |
-And there is a signature. -That's right, yeah, Charles Hart. | 0:28:05 | 0:28:08 | |
-Charles Hart. -He was a local chap, from Burslem. | 0:28:08 | 0:28:11 | |
Around about 1880, Doulton had a fabulous studio down the road | 0:28:11 | 0:28:15 | |
-and a lot of his family still live locally. -Do they? -Yeah. | 0:28:15 | 0:28:19 | |
I had some of his family in recently looking to buy some of his work. | 0:28:19 | 0:28:23 | |
Oh, well, that's fortuitous, isn't it? | 0:28:23 | 0:28:24 | |
Because I have a David Dewsbury plate there. Have a look at that. | 0:28:24 | 0:28:28 | |
I think that might be a little bit earlier. Do you? | 0:28:28 | 0:28:31 | |
Yeah, he started work at Burslem in 1889. A renowned orchid painter. | 0:28:31 | 0:28:35 | |
And, again, I am in touch with some of his relatives, | 0:28:35 | 0:28:38 | |
-who like to buy back his work. -Oh, it's getting better. | 0:28:38 | 0:28:40 | |
Obviously, I want to sell the two together. | 0:28:40 | 0:28:42 | |
My opening gambit is going to be about £180 for the two. | 0:28:42 | 0:28:46 | |
-I'm looking to pay about 120. -I will come to 140. | 0:28:46 | 0:28:49 | |
Yes, I think 140 is OK. | 0:28:49 | 0:28:52 | |
And we are repatriating them, not only to Stoke-on-Trent, | 0:28:52 | 0:28:55 | |
-but, hopefully, the Hart family and the Dewsbury family. -Exactly. | 0:28:55 | 0:28:58 | |
Eric returns the plates to their rightful home | 0:28:58 | 0:29:00 | |
and earns a sizeable profit of £65.60. | 0:29:00 | 0:29:04 | |
When it comes to money, well, I have doubled up. | 0:29:04 | 0:29:08 | |
And that, Bingo, is what it's all about. | 0:29:08 | 0:29:11 | |
You look and you learn, my boy. | 0:29:11 | 0:29:14 | |
Eric's brimming with confidence, as he takes the lead. | 0:29:15 | 0:29:18 | |
Now it is up to James to bring in some big guns of his own | 0:29:18 | 0:29:22 | |
for his next sale. | 0:29:22 | 0:29:23 | |
This is the Chateau Latour. | 0:29:23 | 0:29:25 | |
The Premier Cru Classe wine. 1934. It is an old fellow. | 0:29:25 | 0:29:30 | |
I must treat it with care. I'm keeping it under wraps, | 0:29:30 | 0:29:33 | |
but I have brought it to somebody who is very interested in wine. | 0:29:33 | 0:29:37 | |
James is targeting wine collector and friend Gere, in the hope that he | 0:29:37 | 0:29:41 | |
can tempt him with a third of his wine lots, that he paid £86.80 for. | 0:29:41 | 0:29:46 | |
Aha. A '34 Latour. | 0:29:46 | 0:29:50 | |
-It's Premier league, isn't it? -Yeah. | 0:29:50 | 0:29:53 | |
But it certainly depends on the level and the colour. | 0:29:53 | 0:29:56 | |
And this is a low shoulder. | 0:29:56 | 0:29:59 | |
That means that it has been exposed to air. | 0:29:59 | 0:30:02 | |
Once they get to this age - lottery. | 0:30:02 | 0:30:05 | |
It could be vinegar, it could be fantastic. There is the dilemma. | 0:30:05 | 0:30:08 | |
Would you buy that bottle for £120? | 0:30:08 | 0:30:12 | |
-Somewhere between 70 and 80, I would buy it. -Could we touch hands at 90? | 0:30:12 | 0:30:16 | |
-Go on, then. £90. -That is very kind. | 0:30:16 | 0:30:19 | |
Oh, James hoped that bottle would be the big daddy of profit, | 0:30:19 | 0:30:22 | |
but he walks away with only a modest profit of £3.20. | 0:30:22 | 0:30:28 | |
It seems both our boys are facing challenging times. | 0:30:28 | 0:30:31 | |
Eric is on his way to Measham in Leicestershire, | 0:30:31 | 0:30:34 | |
where he believes his late 19th Century barge ware teapot came from. | 0:30:34 | 0:30:38 | |
He paid £111.60 for it | 0:30:38 | 0:30:39 | |
and he is meeting Keith from the Measham Museum, | 0:30:39 | 0:30:42 | |
in the hope that it is just his cup of tea. | 0:30:42 | 0:30:46 | |
When you think of Measham, you think of barge ware. | 0:30:46 | 0:30:50 | |
Am I right in saying that it was actually made here in Measham? | 0:30:50 | 0:30:53 | |
No. It was called Measham ware, because it was sold here. | 0:30:53 | 0:30:57 | |
It was actually made at Mason and Cash at Gresley, for barge people. | 0:30:57 | 0:31:02 | |
From about 1880 and, really, they had finished, really by about 1910. | 0:31:02 | 0:31:07 | |
Barge people had it for Sunday best or presentation | 0:31:07 | 0:31:10 | |
for someone else or a special occasion. | 0:31:10 | 0:31:12 | |
That's why you normally get inscriptions on a lot of them. | 0:31:12 | 0:31:16 | |
-Let's have a look at this, then. -It is a nice, clean looking teapot. | 0:31:16 | 0:31:20 | |
It has got the same pattern on as the majority. | 0:31:20 | 0:31:23 | |
The flowers and birds, really, is what you get. | 0:31:23 | 0:31:26 | |
-So, when it comes to money. -The important bit. | 0:31:26 | 0:31:29 | |
Let me come in around the 200 mark and you come back to me | 0:31:29 | 0:31:33 | |
with what, you know... I'm sure we will find common ground. | 0:31:33 | 0:31:35 | |
-I think you would have to come down a little bit. -£160. | 0:31:35 | 0:31:38 | |
-I'll snap your hand off. -But it is for the museum. | 0:31:38 | 0:31:40 | |
-It is for the museum. -£160, you are on. | 0:31:40 | 0:31:43 | |
Eric has brewed himself a good pot of profit there. | 0:31:43 | 0:31:46 | |
£48.40, to be exact. | 0:31:46 | 0:31:48 | |
With this fever-pitched selling frenzy in full swing, | 0:31:50 | 0:31:53 | |
let's have a quick break, to see how our seasoned sellers are shaping up. | 0:31:53 | 0:31:58 | |
Speedy Eric has sold four items so far | 0:31:58 | 0:32:01 | |
and earned himself a profit of £179.80. | 0:32:01 | 0:32:06 | |
James has sold three items and notched up a, shall we say, | 0:32:06 | 0:32:09 | |
a more modest, profit of £3.40. | 0:32:09 | 0:32:11 | |
So, a war-dancing Eric | 0:32:13 | 0:32:15 | |
holds the advantage, as we head into the second round, | 0:32:15 | 0:32:19 | |
but there is still plenty of time for both our prolific profit-pullers | 0:32:19 | 0:32:22 | |
to use all the contacts and selling nous, to steal victory. | 0:32:22 | 0:32:26 | |
Bingo is on a money-making mission to London, in the hope of selling | 0:32:28 | 0:32:32 | |
the 1928 Champagne Cognac he paid £161.20 for. | 0:32:32 | 0:32:37 | |
He's meeting mixologist and whisky buyer Hannah, who is purchasing | 0:32:37 | 0:32:41 | |
on behalf of a bar owner that Bingo has sold to in the past. | 0:32:41 | 0:32:45 | |
It is quite a geriatric bottle, isn't it? 1928. | 0:32:45 | 0:32:49 | |
16 years off its big birthday, a century. | 0:32:49 | 0:32:53 | |
You can age Cognac quite a long time. | 0:32:53 | 0:32:54 | |
-You can even get them from the 1800s. -Really? -Yeah. | 0:32:54 | 0:32:58 | |
Is it all right, level-wise? | 0:32:58 | 0:33:00 | |
Level-wise it is good. It's well sealed. | 0:33:00 | 0:33:03 | |
In terms of provenance, you don't have a lot here | 0:33:03 | 0:33:06 | |
because Grande Champagne Cognac, | 0:33:06 | 0:33:08 | |
that's quite indistinct, as to where exactly it came from. | 0:33:08 | 0:33:11 | |
What you would really like is some more information, | 0:33:11 | 0:33:14 | |
as in the makers, the growers. | 0:33:14 | 0:33:16 | |
I wanted 250-350. How does that sound? | 0:33:16 | 0:33:19 | |
I think 250 is a great price, but I think that is what it is worth. | 0:33:19 | 0:33:23 | |
-Could you squeeze yourself up to 300? Would you do three? -Yeah, 300. | 0:33:23 | 0:33:27 | |
That would be fabulous. Well done. Thank you. | 0:33:27 | 0:33:30 | |
Hey, shall we open it? | 0:33:30 | 0:33:31 | |
Not on your life. | 0:33:33 | 0:33:35 | |
James seals a vintage sale and get himself back in the game, | 0:33:35 | 0:33:38 | |
with a whopping profit of £138.80. | 0:33:38 | 0:33:43 | |
It's a great item. I have got a good profit there. | 0:33:43 | 0:33:46 | |
Knocker, I am in the running. | 0:33:46 | 0:33:49 | |
Eminent expert Eric is not to be outdone and he's headed to | 0:33:49 | 0:33:52 | |
Worcester with the Royal Crown Derby bone china tea set, dated at 1919. | 0:33:52 | 0:33:58 | |
He is targeting Gabrielle, a renowned dealer in fine antiques | 0:33:58 | 0:34:01 | |
and Eric is hoping she will offer more than the £235.60 he paid out. | 0:34:01 | 0:34:06 | |
I have to say this is nice. The shape is good, isn't it? | 0:34:08 | 0:34:11 | |
The shape is good. | 0:34:11 | 0:34:12 | |
All these pieces are date coded for, I think, either 1919 or 1920. | 0:34:12 | 0:34:16 | |
-Is it cigar pattern? -Yeah. -I don't know why they call it cigar pattern. | 0:34:16 | 0:34:19 | |
-I can tell you that. -Oh, great. -I'll tell you. | 0:34:19 | 0:34:21 | |
If you look at this particular column here, it is | 0:34:21 | 0:34:24 | |
actually got this diagonal striping to it, which is supposed to be | 0:34:24 | 0:34:28 | |
representative of a cigar. | 0:34:28 | 0:34:30 | |
You see, that looks like a barber's pole to me, but, hey, | 0:34:30 | 0:34:33 | |
-they're nice pieces. -I was looking around about the £270 mark. | 0:34:33 | 0:34:38 | |
-£250. -Do you think we might do the 260? | 0:34:38 | 0:34:42 | |
Yeah, I'll do 260. Yes, yes, how's that? | 0:34:42 | 0:34:45 | |
So, Eric sips on a genteel profit | 0:34:45 | 0:34:47 | |
of £24.40 and that moves him forward, with five items sold | 0:34:47 | 0:34:52 | |
to Bingo's four. | 0:34:52 | 0:34:53 | |
-Do you think they have ever been used? -Lapsang Souchong, I think. | 0:34:53 | 0:34:56 | |
Crying out for Earl Grey. | 0:34:56 | 0:35:00 | |
Yes, but you can't keep a master money-maker like James | 0:35:00 | 0:35:03 | |
down for long. | 0:35:03 | 0:35:04 | |
He is on to his next deal, with motoring museum owner, Chris. | 0:35:05 | 0:35:09 | |
Bingo's hoping the leather-cased maps, that cost him £86.80, | 0:35:09 | 0:35:12 | |
will drive up the profit he needs. | 0:35:12 | 0:35:14 | |
-Have you seen the like of this before? -Not quite the same as this. | 0:35:16 | 0:35:19 | |
You see all sorts of map sets. | 0:35:19 | 0:35:21 | |
This would have been quite an expensive item | 0:35:21 | 0:35:24 | |
-when it was produced, I should think. -Do you think it is '30s? | 0:35:24 | 0:35:28 | |
Certainly, it's the early-style guide. | 0:35:28 | 0:35:31 | |
-Yeah, it's going to be pre-war, definitely. -So, pre-war. | 0:35:31 | 0:35:33 | |
I suppose Michelin were the people, weren't they? | 0:35:33 | 0:35:36 | |
Well, very early on, of course, with tyre manufacture | 0:35:36 | 0:35:39 | |
and then the travel thing, selling their guidebooks. | 0:35:39 | 0:35:43 | |
-As they do today, with restaurants. -Exactly. | 0:35:43 | 0:35:45 | |
-The Michelin Guide is the one, isn't it? -Yes, it is. | 0:35:45 | 0:35:47 | |
Would you be happy to pay 70 or £80 for that? | 0:35:47 | 0:35:52 | |
-65. -I will sell them for 65. -OK. | 0:35:52 | 0:35:55 | |
I think I got slightly carried away in the auction. | 0:35:55 | 0:35:59 | |
It just happens at auctions. | 0:35:59 | 0:36:02 | |
James sells the maps, but the engine's fallen out of his profit | 0:36:02 | 0:36:05 | |
and he has crashed into a loss of £21.80. | 0:36:05 | 0:36:09 | |
However, there is still time for Bingo to make a comeback in this | 0:36:09 | 0:36:14 | |
race for selling superstardom. | 0:36:14 | 0:36:16 | |
But he will need to catch Eric, who has brought his toilet mirror | 0:36:16 | 0:36:19 | |
for some value-adding TLC, before he sells it on. | 0:36:19 | 0:36:23 | |
I'm hoping to be given some sound advice, | 0:36:23 | 0:36:26 | |
when it comes to giving back this fine piece of furniture | 0:36:26 | 0:36:31 | |
its original looks, that would have been there in around about 1800. | 0:36:31 | 0:36:35 | |
So the great thing about this restorer mate of mine is, | 0:36:35 | 0:36:39 | |
his advice comes free. | 0:36:39 | 0:36:42 | |
And ready to show Eric how to shine up his mahogany mirror, | 0:36:44 | 0:36:47 | |
is old friend and furniture restorer, Rodrigo. | 0:36:47 | 0:36:50 | |
Well, Eric, what I've got here is a bit of turps in this jar | 0:36:50 | 0:36:55 | |
and a bit of 4/0 wire wool. | 0:36:55 | 0:36:57 | |
What I'm going to do initially is just very, very gently put | 0:36:57 | 0:37:00 | |
a bit of the turps on cos we can see how it's going to look at the end. | 0:37:00 | 0:37:06 | |
So that will dry. If I take the drawer out, you can see what | 0:37:06 | 0:37:11 | |
it's like against the drawer and, you know, we're not far off. | 0:37:11 | 0:37:14 | |
-That's not too bad. -So, actually, that suggests to me | 0:37:14 | 0:37:16 | |
that just a little bit of TLC, a bit of waxing, | 0:37:16 | 0:37:19 | |
a tiny bit of a clean, cos we can use the turps | 0:37:19 | 0:37:22 | |
to clean off all the dirt, | 0:37:22 | 0:37:23 | |
will actually give us a really, really good result | 0:37:23 | 0:37:26 | |
and actually, it won't take that long to do that. | 0:37:26 | 0:37:28 | |
Well, that means it's worth giving it a gentle going over, yeah? | 0:37:28 | 0:37:32 | |
Yeah. Over to you. | 0:37:32 | 0:37:33 | |
When restoration is complete, | 0:37:38 | 0:37:40 | |
Eric's hoping his handiwork will reflect a big profit. | 0:37:40 | 0:37:44 | |
This is Stoke Park Hotel & Golf Club, in South Buckinghamshire, | 0:37:44 | 0:37:48 | |
and I'm here to sell to the management | 0:37:48 | 0:37:52 | |
one Georgian toilet mirror, all fully restored, by moi. | 0:37:52 | 0:37:55 | |
Eric paid £124 for the toilet mirror and he wants | 0:37:55 | 0:37:59 | |
to find a new home for it, among other items from the same era. | 0:37:59 | 0:38:03 | |
Eric hopes Nick, who's buying on behalf of the hotel, | 0:38:03 | 0:38:06 | |
can open the door to a pretty profit. | 0:38:06 | 0:38:09 | |
This is quite an ancient place, isn't it? | 0:38:09 | 0:38:11 | |
It is. It is a Georgian building, | 0:38:11 | 0:38:13 | |
started in 1795, and actually finished in 1814. | 0:38:13 | 0:38:17 | |
My toilet mirror could fit in quite well, because it was | 0:38:17 | 0:38:21 | |
made at round about that time, about 1795, or maybe 1810. | 0:38:21 | 0:38:25 | |
I'm not too sure. It's been given a recent polish. | 0:38:25 | 0:38:29 | |
I've been responsible for restoring it. | 0:38:29 | 0:38:31 | |
I've been shown how to do it professionally. | 0:38:31 | 0:38:34 | |
This is no sort of amateur job. | 0:38:34 | 0:38:37 | |
This is mahogany veneered, solid mahogany in the supports | 0:38:37 | 0:38:40 | |
and in the stretcher, then the actual little drawers | 0:38:40 | 0:38:45 | |
are faced in just a lovely figured mahogany. | 0:38:45 | 0:38:48 | |
So, the question is, is this | 0:38:48 | 0:38:50 | |
the sort of thing that would fit in here? | 0:38:50 | 0:38:52 | |
I think it'd look beautiful. Absolutely beautiful. | 0:38:52 | 0:38:55 | |
When it comes to the asking price, if I had any common sense, | 0:38:55 | 0:39:00 | |
I should be charging for my time, | 0:39:00 | 0:39:01 | |
because I must have spent at least six to eight hours working on this, | 0:39:01 | 0:39:05 | |
but I've pitched mine at a very competitive £220. | 0:39:05 | 0:39:12 | |
Actually, Eric, it sounds like a very, very good deal, and Stoke Park | 0:39:12 | 0:39:16 | |
would be delighted to buy it and bring the mirror to its new home. | 0:39:16 | 0:39:19 | |
Excellent. Well, put your hand there. Deal done. | 0:39:19 | 0:39:22 | |
Thank you very much, indeed. Thank you. | 0:39:22 | 0:39:23 | |
Eric finds his mirror a fitting abode | 0:39:23 | 0:39:26 | |
and he bags £96, to add to his profit pot. | 0:39:26 | 0:39:29 | |
And with the finish line on the horizon, | 0:39:31 | 0:39:34 | |
Eric targets his contact Jeremy, | 0:39:34 | 0:39:36 | |
with the two late 19th-Century colour prints | 0:39:36 | 0:39:39 | |
by artist Charles Henry Blair, that cost him £49.60. | 0:39:39 | 0:39:43 | |
-If we could do 60? -Yeah, I could go for that. | 0:39:44 | 0:39:47 | |
Eric's selling skills are a work of art | 0:39:47 | 0:39:50 | |
and he draws a profit of £10.40. | 0:39:50 | 0:39:52 | |
It's quite obvious to me that Jeremy knows a baa-argain | 0:39:52 | 0:39:58 | |
when he sees one. | 0:39:58 | 0:40:00 | |
And with that, Eric is all sold up. | 0:40:00 | 0:40:03 | |
In need of some divine intervention, James is hoping his last two items | 0:40:03 | 0:40:06 | |
can clinch him some prize-winning profit. | 0:40:06 | 0:40:09 | |
I've come to see an old friend, Camilla, who creates interiors. | 0:40:11 | 0:40:15 | |
I'm standing in front of an old priory. | 0:40:15 | 0:40:17 | |
What better place to sell a Bible box? | 0:40:17 | 0:40:20 | |
Here's the Bible box. | 0:40:20 | 0:40:23 | |
And Gothic chairs. You know, everything is aligning. | 0:40:23 | 0:40:26 | |
It has a very religious tone. | 0:40:26 | 0:40:28 | |
So, we've got a nice Bible box. I think this is probably 1600s, this. | 0:40:33 | 0:40:38 | |
-And it's suffered the rigours of use. -But that's rather nice. | 0:40:38 | 0:40:42 | |
It is nice. It's got quite nice old hinges, these H-frame hinges here. | 0:40:42 | 0:40:46 | |
-It's got lovely old nails everywhere. -Hmm. -Good colour. | 0:40:46 | 0:40:51 | |
-And what about the chairs? -I'm not sure about them, if I'm honest. | 0:40:51 | 0:40:55 | |
Really? They're, sort of, Gothic revival. I bought those at auction. | 0:40:55 | 0:40:58 | |
-What you want for those? -I want to do a package deal, special price. | 0:40:58 | 0:41:03 | |
So, will Camilla let James drive away with a profit? | 0:41:03 | 0:41:07 | |
We'll find out shortly. This smashing selling slug-out is over. | 0:41:07 | 0:41:11 | |
Only one of them will emerge victorious. | 0:41:11 | 0:41:15 | |
Our duelling duo both had £1,000 of their own money to spend. | 0:41:16 | 0:41:20 | |
Eric splashed out on seven purchases, | 0:41:20 | 0:41:23 | |
at a total cost of £787.40. | 0:41:23 | 0:41:25 | |
James also made seven purchases, | 0:41:27 | 0:41:30 | |
but paid out less, at £737.80. | 0:41:30 | 0:41:34 | |
But now the only question is, who has made most profit? | 0:41:34 | 0:41:38 | |
All of the money that Eric and James have made from today's challenge | 0:41:38 | 0:41:42 | |
will go to charities of their choice, | 0:41:42 | 0:41:44 | |
so let's find out who is today's | 0:41:44 | 0:41:46 | |
Put Your Money Where Your Mouth Is champion. | 0:41:46 | 0:41:49 | |
Hey-up! How are you doing, big guy? | 0:41:51 | 0:41:52 | |
-Very well. How are you? -Yeah, I'm fine. | 0:41:52 | 0:41:55 | |
All I can tell you is, for me, it was the tale of five chairs, | 0:41:55 | 0:41:58 | |
really, because I bought four in panic mode | 0:41:58 | 0:42:01 | |
and I should've looked a little bit more closely, | 0:42:01 | 0:42:04 | |
so I took a bit of a hit on them, | 0:42:04 | 0:42:06 | |
but the other one was my William Birch chair, | 0:42:06 | 0:42:08 | |
which I really wanted to keep. I loved that chair. | 0:42:08 | 0:42:11 | |
For me, it was a game or two halves, wines and spirits, and furniture. | 0:42:11 | 0:42:15 | |
Wines and spirits - all right. Furniture - rather poor. | 0:42:15 | 0:42:19 | |
Right, let's see where we go. Are you ready? One, two, three... | 0:42:19 | 0:42:23 | |
-Ooh! -My word, Eric. | 0:42:23 | 0:42:25 | |
-That's a result, isn't it? -It as a result. | 0:42:25 | 0:42:28 | |
Listen, James, when I saw you buying all that vino, I thought, | 0:42:28 | 0:42:32 | |
"I wonder if he has checked the sell-by date!" | 0:42:32 | 0:42:34 | |
-Anyway, let's go for a tipple. -From the master! | 0:42:34 | 0:42:38 | |
So, it's an out-and-out win for The Knocker, | 0:42:38 | 0:42:40 | |
but where did it all go wrong for Bingo? | 0:42:40 | 0:42:43 | |
75, plus 50, on those chairs. | 0:42:43 | 0:42:46 | |
You KNOW that's more than generous. | 0:42:46 | 0:42:49 | |
Well, James made an unholy loss of £98.20 | 0:42:49 | 0:42:53 | |
on his 17th-century oak Bible box | 0:42:53 | 0:42:55 | |
and his two Victorian Gothic oak hall chairs. | 0:42:55 | 0:42:59 | |
I did poorly on the furniture, but some of those spirits - | 0:42:59 | 0:43:02 | |
that lovely mixing lady, that came good for me. But Eric, he pipped me. | 0:43:02 | 0:43:07 | |
Well, I take no great pleasure in that resounding victory. | 0:43:07 | 0:43:10 | |
No, that's a lie. I do, actually. | 0:43:10 | 0:43:13 | |
Tomorrow, James has the chance to redeem himself, | 0:43:13 | 0:43:16 | |
as our duelling dealers face-off in the Put Your Money showdown. | 0:43:16 | 0:43:20 | |
Subtitles by Red Bee Media Ltd | 0:43:37 | 0:43:40 |