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This is Put Your Money Where Your Mouth Is, | 0:00:01 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profit. | 0:00:07 | 0:00:10 | |
Hey-hey! | 0:00:10 | 0:00:12 | |
And gives you the insider's view of the trade. | 0:00:12 | 0:00:15 | |
Who's there? | 0:00:16 | 0:00:17 | |
Each week, one pair of duelling dealers will face | 0:00:19 | 0:00:21 | |
a different daily challenge. | 0:00:21 | 0:00:24 | |
The original cheeky chappie. Lovely! | 0:00:24 | 0:00:27 | |
Putting their reputations on the line... Full house. | 0:00:27 | 0:00:30 | |
Well, I say! | 0:00:30 | 0:00:32 | |
..and giving you their top tips | 0:00:32 | 0:00:34 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:34 | 0:00:39 | |
I'm feeling rather lucky. | 0:00:39 | 0:00:41 | |
Today, Portsmouth's antiques powerhouse John Cameron | 0:00:43 | 0:00:47 | |
takes on all loot-seeking Londoner Mark Franks. | 0:00:47 | 0:00:50 | |
Coming up, John finds a familiar foe on his travels. | 0:00:50 | 0:00:55 | |
I think it looks a bit like Mark Franks, don't you reckon? | 0:00:55 | 0:00:57 | |
Mark fears he might be taken for a ride. | 0:00:57 | 0:01:00 | |
You know it makes sense. Come on, Rodney. | 0:01:00 | 0:01:03 | |
Yeah, Only Fools And Horses if I buy that! | 0:01:03 | 0:01:06 | |
And John goes further than ever before in pursuit of a sale. | 0:01:06 | 0:01:11 | |
You ready to do this? | 0:01:11 | 0:01:13 | |
This is Put Your Money Where Your Mouth Is. | 0:01:13 | 0:01:15 | |
Great Britain. | 0:01:28 | 0:01:29 | |
Land of cold, hard winters, where nature's forces reign supreme. | 0:01:29 | 0:01:34 | |
Sub-zero temperatures and biting winds. | 0:01:34 | 0:01:38 | |
Who in their right mind would venture out in conditions such as these? | 0:01:38 | 0:01:42 | |
Two hardy warriors, that's who! | 0:01:42 | 0:01:44 | |
Two great men who dare to do battle with the elements. | 0:01:44 | 0:01:49 | |
Brave antiques exporters racing to reach the summit of Mount Profit. | 0:01:49 | 0:01:54 | |
And, first to face up to the harsh conditions and attempt to | 0:01:54 | 0:01:57 | |
conquer the craggy crevices of cash, it's... | 0:01:57 | 0:02:00 | |
Up against him is a man who needs no Sherpa | 0:02:03 | 0:02:06 | |
to help him plant his flag on the pinnacle of profit. It's... | 0:02:06 | 0:02:10 | |
Our courageous experts will be pulling on their thermals | 0:02:14 | 0:02:17 | |
and exploring Peterborough Antiques Fair. | 0:02:17 | 0:02:20 | |
There's over 17,00 stands here and though there's plenty inside, | 0:02:20 | 0:02:24 | |
there's many more out in the elements. | 0:02:24 | 0:02:26 | |
So, our dealers face an added dilemma today - | 0:02:26 | 0:02:29 | |
brave the ice cold conditions in pursuit of the very best | 0:02:29 | 0:02:33 | |
bargains, or stay warm and risk missing out. | 0:02:33 | 0:02:36 | |
This will be their toughest challenge yet. | 0:02:36 | 0:02:39 | |
They've each got £750 of their own money to spend | 0:02:39 | 0:02:43 | |
and all the profit goes to their chosen charities. | 0:02:43 | 0:02:45 | |
John Cameron and Mark Franks, | 0:02:45 | 0:02:48 | |
it's time to put your money where your mouth is. | 0:02:48 | 0:02:51 | |
Franksy! How are you? Look at you, all dressed up like Paddington Bear. | 0:02:51 | 0:02:55 | |
I've got 28 layers on. Welcome to Peterborough. Well, I know. | 0:02:55 | 0:03:00 | |
How many stores are here? There's, I think, over 1,700. | 0:03:00 | 0:03:03 | |
The important question is, Mark, how many are indoors? | 0:03:03 | 0:03:06 | |
What you talking about? Is that dandruff or snow? I can't believe it. | 0:03:06 | 0:03:10 | |
So, come on, Mark, I'm not asking you to give anything away, | 0:03:10 | 0:03:13 | |
but any sort of strategy today? | 0:03:13 | 0:03:15 | |
Strategy. I knew I forgot something. I left it at home. | 0:03:15 | 0:03:18 | |
I haven't really got a strategy. I just want to... | 0:03:18 | 0:03:21 | |
If it fits in me pocket, I'm going to buy it. Is that your strategy? | 0:03:21 | 0:03:24 | |
Well, do you know what, you know Peterborough Arena is also home to speedway? | 0:03:24 | 0:03:28 | |
No, I didn't. Well, you know I am a big fan of the vintage scooters. | 0:03:28 | 0:03:32 | |
I do, I do. Well, I couldn't get us two vintage scooters today, | 0:03:32 | 0:03:35 | |
but I did manage to get us these. | 0:03:35 | 0:03:38 | |
Feast your eyes. This will help us get round the place, so...shall we? | 0:03:38 | 0:03:43 | |
# Born to be wild... # | 0:03:43 | 0:03:46 | |
Yes, these men of might won't let the weather hold them back. | 0:03:46 | 0:03:49 | |
On their metal steeds, they're off, roaring round the market. | 0:03:49 | 0:03:53 | |
They know it's a race to spot the best bargains first. | 0:03:53 | 0:03:56 | |
How much is that? How much is that? | 0:03:56 | 0:03:59 | |
Franksy is fast and furious while John is, well, cold. | 0:03:59 | 0:04:03 | |
So, having given the place the once over, | 0:04:03 | 0:04:05 | |
have our brave experts come up with a master plan for antiques domination? | 0:04:05 | 0:04:10 | |
John certainly knows winning means decimating your opponent, | 0:04:10 | 0:04:13 | |
and he has got a plan to help him do just that. | 0:04:13 | 0:04:16 | |
Strategy-wise, well, I'm looking out for things with particular | 0:04:16 | 0:04:20 | |
collectors or dealers in mind. | 0:04:20 | 0:04:22 | |
Old Franksy, he's a bit of a wily operator. | 0:04:22 | 0:04:25 | |
He has certainly got courage when it comes to buying weird | 0:04:25 | 0:04:28 | |
and wonderful things, so I'm going to have to go out on a limb today | 0:04:28 | 0:04:31 | |
if I'm going to give old Franksy a run for his money. | 0:04:31 | 0:04:33 | |
Hmm, best go for two limbs, John. Makes getting about that bit easier. | 0:04:33 | 0:04:37 | |
And he'll need all the help he can get, | 0:04:37 | 0:04:39 | |
as Mark has definitely got something up his sleeve. | 0:04:39 | 0:04:42 | |
Some sort of secret masterstroke, Franksy? | 0:04:42 | 0:04:45 | |
Did you ever think I was going to stay inside? | 0:04:45 | 0:04:48 | |
Now it's snowing, we're outside. | 0:04:48 | 0:04:50 | |
Mr Cameron thinks I'm inside. Not a chance. | 0:04:50 | 0:04:52 | |
What I'm looking for today is stuff that you can't buy just anywhere. | 0:04:52 | 0:04:58 | |
Weird stuff, unusual stuff. Different stuff. | 0:04:58 | 0:05:02 | |
Mmm, Mark's facing fearlessly up to the wroth of mother nature as | 0:05:02 | 0:05:06 | |
he strides wantonly into the frozen wastes that are the outside stalls. | 0:05:06 | 0:05:13 | |
And as the harsh winds blow through this unforgiving terrain, | 0:05:13 | 0:05:16 | |
a shrewd John is keeping warm indoors. | 0:05:16 | 0:05:19 | |
He knows this game can be won or lost on that crucial first buy | 0:05:19 | 0:05:23 | |
and has already locked on to a potential target. | 0:05:23 | 0:05:25 | |
Well, this is something I've never seen before. | 0:05:25 | 0:05:28 | |
These are Doulton stoneware. They look like planters. | 0:05:28 | 0:05:32 | |
They've got holes in the bottom. They almost look like drawers. | 0:05:32 | 0:05:35 | |
What's your best price on those? Erm, that would be £100. | 0:05:35 | 0:05:39 | |
£100 is your best price? I think I'll have them at that. Lovely. | 0:05:39 | 0:05:43 | |
Thank you very much. | 0:05:43 | 0:05:45 | |
Yes, he came, he saw, he bought. | 0:05:45 | 0:05:48 | |
And then he stayed a bit longer, cos he saw something else. | 0:05:48 | 0:05:51 | |
I do like that. It's a biscuit mould. Earthenware. | 0:05:51 | 0:05:56 | |
Very nice thing. Now, as I'm such a good customer, what can you do? | 0:05:56 | 0:06:01 | |
You've got 80 quid on that. | 0:06:01 | 0:06:03 | |
£65. £65. | 0:06:03 | 0:06:06 | |
I thought I was a good customer. Can you do something better? 60 quid? | 0:06:07 | 0:06:11 | |
£60. £60? Yeah, 60. Good man, £60. Well, another purchase. | 0:06:11 | 0:06:15 | |
I haven't even got off the first stall yet! | 0:06:15 | 0:06:18 | |
When I saw these from afar, I instantly recognised them as Doulton. | 0:06:18 | 0:06:22 | |
They are a high-fired stoneware, | 0:06:22 | 0:06:24 | |
a salt-glazed stoneware very typical of their manufacturer. | 0:06:24 | 0:06:28 | |
Form-wise, well, I think we worked out they look like jardinieres. | 0:06:28 | 0:06:31 | |
But this is a very distinctive pattern here. | 0:06:31 | 0:06:33 | |
The Doulton glazes, I think they date from about the 1880s. | 0:06:33 | 0:06:37 | |
They're very unusual, I've never seen the form before, | 0:06:37 | 0:06:39 | |
and I have no idea who I am going to sell them to. | 0:06:39 | 0:06:42 | |
But I think they're quirky enough to take a chance. £100 I paid for those. | 0:06:42 | 0:06:46 | |
This one here, well, this is a piece of pottery. | 0:06:46 | 0:06:50 | |
It's a biscuit mould advertising ware. | 0:06:50 | 0:06:53 | |
Stamped by Maling's, and it's got "England" under the stamp there. | 0:06:53 | 0:06:56 | |
That tells us it was probably made around somewhere between | 0:06:56 | 0:06:59 | |
1890-1910, something like that. | 0:06:59 | 0:07:01 | |
They would have been sold to bolster the brand's profile. | 0:07:01 | 0:07:05 | |
£60 that, £100 those, pretty sure there is some profit in there. | 0:07:05 | 0:07:09 | |
So, John is first to make a foothold in this epic trek. | 0:07:09 | 0:07:13 | |
Outside in the freezing winds, nothing can dampen Mark's fun-loving | 0:07:13 | 0:07:17 | |
spirit as he still searches for that elusive first buy. | 0:07:17 | 0:07:21 | |
Under pressure he may be, but he has still got time for a good gag. | 0:07:21 | 0:07:25 | |
It's one small step for man, | 0:07:25 | 0:07:28 | |
but one giant leap for antique mankind. | 0:07:28 | 0:07:32 | |
# Spaceman | 0:07:32 | 0:07:34 | |
# I always wanted you to... # | 0:07:34 | 0:07:36 | |
They're not silly - I'm freezing! | 0:07:36 | 0:07:38 | |
Mmm, freezing it may be, but it seems John Cameron is also | 0:07:38 | 0:07:42 | |
abandoning the warmth of inside and is joining his rival. | 0:07:42 | 0:07:45 | |
And he has spotted a bit of garden sculpture that reminds him | 0:07:45 | 0:07:47 | |
of a certain cheeky chappie. | 0:07:47 | 0:07:50 | |
I think it looks a bit like Mark Franks, don't you reckon? | 0:07:50 | 0:07:53 | |
This looks like Mark Franks at the end of the 12th round, doesn't it? | 0:07:53 | 0:07:56 | |
It's ugly as sin. I think you'd make money on this. Well, I don't know. | 0:07:56 | 0:08:00 | |
How much is it? I'm asking 90 quid, but you can bid me down to 70 quid. | 0:08:00 | 0:08:04 | |
If you push me hard enough. | 0:08:04 | 0:08:06 | |
60 quid?! | 0:08:06 | 0:08:08 | |
I'm not sure anybody would buy it off me for 60 quid. | 0:08:08 | 0:08:10 | |
I'll give you 50 for it. | 0:08:10 | 0:08:13 | |
You haven't got to look at it again. Well... | 0:08:13 | 0:08:16 | |
Go on then. I tell you what, I might regret this, but you won't! | 0:08:16 | 0:08:20 | |
I just bought this sculpture for £50. What is it? | 0:08:20 | 0:08:23 | |
Well, to me, it looks like a piece of driftwood. | 0:08:23 | 0:08:25 | |
It is certainly weathered, may well come from the root of a tree, | 0:08:25 | 0:08:28 | |
the plant that can sometimes emerge from the earth. | 0:08:28 | 0:08:31 | |
I hope I don't end up keeping this one. | 0:08:31 | 0:08:33 | |
That'll scare the kids and the grandkids! | 0:08:33 | 0:08:35 | |
It's pitchforks at the ready as John sets out to televise the locals. | 0:08:39 | 0:08:43 | |
Franksy, I told him not to have too much to drink before lunch. | 0:08:45 | 0:08:49 | |
What do you reckon? Yeah, a good buy, that is. 20 quid? | 0:08:49 | 0:08:52 | |
200 quid, it's yours! | 0:08:52 | 0:08:54 | |
You know what, I said it looked like Mark Franks, it's slightly taller. | 0:08:54 | 0:08:57 | |
It's taller. We're just going to see if we can get him a duffel coat. | 0:08:57 | 0:09:00 | |
This is the joke that keeps on giving for John. | 0:09:00 | 0:09:02 | |
Come on, let's get you home. | 0:09:02 | 0:09:05 | |
Well, John's certainly making himself laugh. Poor Franksy. | 0:09:05 | 0:09:08 | |
He'd never stoop so low as to take the mickey out of his rival. | 0:09:08 | 0:09:12 | |
John's having a little seat over there. He's happy. Oh! | 0:09:12 | 0:09:16 | |
How you getting on, John? | 0:09:16 | 0:09:18 | |
All right, not bad. Have you bought much? No, not... | 0:09:18 | 0:09:22 | |
Oh, it's just like watching a Saturday night talent show. | 0:09:22 | 0:09:26 | |
But, back to the buying or, rather, lack of it in Franksy's case, | 0:09:26 | 0:09:29 | |
as he hasn't yet crossed anyone's palm with silver. | 0:09:29 | 0:09:32 | |
Perhaps this tasty fairground scene can persuade him | 0:09:32 | 0:09:35 | |
to part with some pennies. | 0:09:35 | 0:09:37 | |
That's a nice thing. Do that for 60 quid. | 0:09:38 | 0:09:41 | |
If you'd have said 50, I'd have got my money out like that. | 0:09:41 | 0:09:45 | |
We'll split it then. 55. | 0:09:45 | 0:09:48 | |
First purchase of the day! | 0:09:48 | 0:09:50 | |
# Hallelujah! # | 0:09:50 | 0:09:51 | |
Right, what's it got going for it? It's an original. | 0:09:51 | 0:09:55 | |
The subject is good. Fairground. | 0:09:55 | 0:09:57 | |
When was the last time you saw a fairground painting? | 0:09:57 | 0:09:59 | |
What they're doing here is they're erecting the, um, arms | 0:09:59 | 0:10:04 | |
for what I would imagine is the swinging boats they used to have. | 0:10:04 | 0:10:08 | |
So that would date the period quite early. | 0:10:08 | 0:10:11 | |
Probably 1920, something like that is the time they've tried to do it. | 0:10:11 | 0:10:17 | |
55 quid? | 0:10:17 | 0:10:18 | |
It's got a chance. | 0:10:18 | 0:10:20 | |
You put your left foot in, your left foot out... | 0:10:21 | 0:10:24 | |
Go on, then. Give us a victory dance, Mark. | 0:10:24 | 0:10:27 | |
# That's what it's all about. # | 0:10:27 | 0:10:29 | |
No matter the pressure, our Franksy will always have a good time. | 0:10:29 | 0:10:32 | |
John, on the other hand, is serious and determined | 0:10:32 | 0:10:36 | |
as he smashes his way into another deal, | 0:10:36 | 0:10:38 | |
picking up a fireman's rammer for £50. | 0:10:38 | 0:10:41 | |
Now, sometimes when I come to a fair, | 0:10:41 | 0:10:43 | |
I really need to be kept on a lead, | 0:10:43 | 0:10:45 | |
cos I end up buying things like this and I'm sure you're asking yourself | 0:10:45 | 0:10:48 | |
why have I bought it and I'm asking myself the same. | 0:10:48 | 0:10:50 | |
This is a fireman's door-basher. I think this has got a bit of impact. | 0:10:50 | 0:10:54 | |
I could see that standing in the corner of someone's house. | 0:10:54 | 0:10:57 | |
I think it's wonderful. | 0:10:57 | 0:10:58 | |
I have paid £50 for it and I might rue the day that I did but, you know, | 0:10:58 | 0:11:02 | |
sometimes you've to get out of your comfort zone, haven't you? | 0:11:02 | 0:11:06 | |
Yes, you'd have to be a polar bear to be in your comfort zone | 0:11:06 | 0:11:09 | |
in this weather, John. And as the Arctic conditions | 0:11:09 | 0:11:12 | |
continue to plague this antiques tundra, | 0:11:12 | 0:11:14 | |
our two daring explorers swap notes on their buys. | 0:11:14 | 0:11:17 | |
And the Hammer is determined to wind up his opponent. | 0:11:17 | 0:11:21 | |
So then, Franksy, how you getting on...? Mark! | 0:11:21 | 0:11:24 | |
MARK LAUGHS | 0:11:24 | 0:11:25 | |
It looks like you after you've done a bit of boxing, John. | 0:11:25 | 0:11:28 | |
You know what? When I bought it, I thought I had to buy it. | 0:11:28 | 0:11:31 | |
You haven't! It reminded me of you. You haven't bought that. I have! | 0:11:31 | 0:11:34 | |
I paid 50 quid for it. | 0:11:34 | 0:11:36 | |
I got him down from 90, it wasn't too bad. But I like that. | 0:11:36 | 0:11:39 | |
How are you doing? Oh, mate, I've been outside all morning. | 0:11:39 | 0:11:44 | |
It's the biggest mistake I've made. Have you bought anything? | 0:11:44 | 0:11:47 | |
Frostbite, I got some frostbite. | 0:11:48 | 0:11:50 | |
I bought one picture. Only bought one picture? | 0:11:50 | 0:11:52 | |
Come on, Mark, you've got to pull your socks up. | 0:11:52 | 0:11:54 | |
Pull your thermal socks up, mate. I've been on fire this morning. | 0:11:54 | 0:11:58 | |
You know what they say - the worst buy is the buy you didn't make, | 0:11:58 | 0:12:00 | |
so don't go home with a pocket full of money, Mark. | 0:12:00 | 0:12:03 | |
"The worst buy's the buy you didn't make"? What does that mean? | 0:12:03 | 0:12:06 | |
Think about it. What DOES that mean? | 0:12:06 | 0:12:08 | |
So while Franksy ponders that bit of Cameron philosophy, | 0:12:08 | 0:12:11 | |
Let's see who's storming ahead and who's still stuck at base camp. | 0:12:11 | 0:12:15 | |
John and Mark each had up to £750 of their own cash to spend today. | 0:12:15 | 0:12:19 | |
John has bought four items so far, splashing out £260, | 0:12:19 | 0:12:24 | |
meaning he has £490 left to spend. | 0:12:24 | 0:12:28 | |
Mark is trailing behind with only one deal, spending just £55, | 0:12:31 | 0:12:35 | |
giving him a whopping £695 in his kitty. | 0:12:35 | 0:12:39 | |
We rejoin our intrepid explorers | 0:12:40 | 0:12:42 | |
in freezing temperatures and icy winds. | 0:12:42 | 0:12:45 | |
The clock is ticking. Time is running out. The end is nigh. | 0:12:45 | 0:12:49 | |
Mark has left himself a mountain to climb | 0:12:49 | 0:12:51 | |
with only one buy under his belt. | 0:12:51 | 0:12:54 | |
But climb it he will, purchase by purchase. | 0:12:54 | 0:12:57 | |
And it's not long before a set of brass taps catches his eye. | 0:12:57 | 0:13:00 | |
Go on, how much? | 0:13:00 | 0:13:02 | |
20 quid. What?! What did you say?! | 0:13:02 | 0:13:06 | |
You're having a laugh! How much?! | 0:13:06 | 0:13:09 | |
Can I make you a really bad offer? Don't hit me. You can. | 0:13:09 | 0:13:12 | |
Can I give you a tenner? Please? 12. | 0:13:12 | 0:13:15 | |
I hate all this messing around with numbers. | 0:13:15 | 0:13:17 | |
Toss a coin. 10 or 14. | 0:13:17 | 0:13:20 | |
Right, I'm having heads. | 0:13:20 | 0:13:22 | |
10 or 14. | 0:13:23 | 0:13:25 | |
Argh! | 0:13:25 | 0:13:26 | |
14 it is, then. | 0:13:26 | 0:13:28 | |
That is smashing. | 0:13:29 | 0:13:31 | |
But this is even more smashing! Look at that. | 0:13:31 | 0:13:35 | |
Now, you know in your kitchen when you mix your hot and cold | 0:13:35 | 0:13:38 | |
and it comes out of one big handle... | 0:13:38 | 0:13:40 | |
a big sort of spouty bit at the top, this is the same | 0:13:40 | 0:13:42 | |
but this is from a bath. This has got plenty of age. | 0:13:42 | 0:13:45 | |
Now, how do I know how old this is? | 0:13:45 | 0:13:47 | |
It's really, really heavy. Modern taps aren't that heavy. | 0:13:47 | 0:13:51 | |
I think it's a smashing thing and quite unusual. | 0:13:51 | 0:13:54 | |
14 quid. I'd have paid 24 quid for it. | 0:13:54 | 0:13:57 | |
Well, don't go shouting about it, Mark. | 0:13:57 | 0:13:59 | |
And, with that buy, he's off. | 0:13:59 | 0:14:01 | |
With a bit between his teeth, | 0:14:01 | 0:14:03 | |
there's no stopping him as he races around the fair. | 0:14:03 | 0:14:06 | |
And, in a flash of Franksy flamboyance, | 0:14:06 | 0:14:08 | |
he bags his next purchase, a metal carpenter's brace for a pound. | 0:14:08 | 0:14:13 | |
Is all of this yours? Yes, it is. | 0:14:13 | 0:14:15 | |
I'm not even going to ask for a discount. | 0:14:15 | 0:14:17 | |
This is the best pound I've ever spent. It's lovely. That's good. | 0:14:17 | 0:14:21 | |
Thank you very much. Wish me luck. I will do. Best of luck. Cheeky kiss? | 0:14:21 | 0:14:24 | |
A bit of cheeky charm from our cheeky chancer. Mark is on a roll. | 0:14:24 | 0:14:28 | |
His rival must be worried. | 0:14:28 | 0:14:29 | |
Oh, hang on. No, he's not. | 0:14:29 | 0:14:32 | |
Well, I'm exhausted after my buying spree this morning | 0:14:32 | 0:14:35 | |
and I think Mark is probably not doing as well, | 0:14:35 | 0:14:38 | |
so I think I'm going to take five and might just relax for a bit. | 0:14:38 | 0:14:42 | |
Mm. Be careful, Mr Cameron. | 0:14:45 | 0:14:46 | |
Don't go throwing away your advantage after such a strong start, | 0:14:46 | 0:14:50 | |
especially as Mark has already spotted something else | 0:14:50 | 0:14:53 | |
he likes the look of. | 0:14:53 | 0:14:54 | |
Just a little pair of cuff links. | 0:14:54 | 0:14:57 | |
Elegant, simple. | 0:14:57 | 0:14:58 | |
Very LIGHT. | 0:15:00 | 0:15:01 | |
They are very LIGHT. | 0:15:02 | 0:15:04 | |
What's the cheeky chancer up to now? | 0:15:04 | 0:15:07 | |
Prepare to witness Mark Franks' tactics in action. | 0:15:07 | 0:15:10 | |
Very nice. Nine carat gold. Very light. | 0:15:15 | 0:15:18 | |
Very light in weight. | 0:15:18 | 0:15:20 | |
What's the death on these? Pounds notes, cash. | 0:15:23 | 0:15:26 | |
Pretty please, pretty please, pretty please. They are very light. | 0:15:26 | 0:15:29 | |
Um... | 0:15:29 | 0:15:31 | |
60's the best, mate. Blimey! Yeah. | 0:15:31 | 0:15:34 | |
Very light, aren't they? | 0:15:34 | 0:15:35 | |
How about 50 quid? Can't do it. | 0:15:38 | 0:15:41 | |
Sorry. | 0:15:41 | 0:15:42 | |
He looks tight, doesn't he? | 0:15:47 | 0:15:48 | |
HE CHUCKLES | 0:15:48 | 0:15:49 | |
Go on, 55. Take a chance. You'd rather have the cash. | 0:15:49 | 0:15:53 | |
Er... Yeah, go on then. | 0:15:53 | 0:15:55 | |
Go on then. Good man. | 0:15:55 | 0:15:56 | |
Well done, Mark. You did it. | 0:15:56 | 0:15:58 | |
So what have we got? | 0:15:58 | 0:16:00 | |
Just a simple pair of cuff links. | 0:16:00 | 0:16:02 | |
Probably 1940, somewhere around about there. | 0:16:02 | 0:16:05 | |
Got a half-panel which is engine turned, | 0:16:05 | 0:16:07 | |
half-panel which is plain, so can have your initials stamped on them. | 0:16:07 | 0:16:11 | |
If we spin them over, on the rear, you've got "9 375" | 0:16:11 | 0:16:16 | |
so that means they're nine carat gold | 0:16:16 | 0:16:18 | |
and they're 37.5 percent gold, | 0:16:18 | 0:16:21 | |
which is gold mixed in with silver and other alloys, | 0:16:21 | 0:16:25 | |
which makes it a strong and hard gold. | 0:16:25 | 0:16:28 | |
55 quid. I'm hoping to double my money on them. | 0:16:28 | 0:16:31 | |
Let's crack on. | 0:16:31 | 0:16:33 | |
So, with that purchase, | 0:16:33 | 0:16:34 | |
our daredevil dealers are level at four apiece. | 0:16:34 | 0:16:37 | |
But it's John who makes the next move | 0:16:37 | 0:16:39 | |
as he eyes a blast from his past. | 0:16:39 | 0:16:41 | |
I quite like these Boxing News. | 0:16:41 | 0:16:43 | |
I used to get these when I was a kid. | 0:16:43 | 0:16:45 | |
I used to wait for it to come out and go over on a Friday | 0:16:45 | 0:16:48 | |
and get the Boxing News from the newsagents. | 0:16:48 | 0:16:51 | |
And these date from the beginning of the 20th century. | 0:16:51 | 0:16:54 | |
These are very early in date, 1915. | 0:16:54 | 0:16:57 | |
Excuse me, how much did you say these ones were? | 0:16:57 | 0:17:00 | |
They're £30 a set. | 0:17:00 | 0:17:01 | |
£30 a set. If you wanted to take a few of these and a few of these, | 0:17:01 | 0:17:04 | |
I could probably do a deal on the two. | 0:17:04 | 0:17:07 | |
OK, if you did 30 for 70 and I bought them as well, | 0:17:07 | 0:17:09 | |
100 quid for the 30 and those? | 0:17:09 | 0:17:12 | |
Go on. Yeah. Good man. That's very kind of you. | 0:17:12 | 0:17:16 | |
Now, here's something I didn't expect to buy here today, | 0:17:16 | 0:17:18 | |
a collection of early boxing magazines. | 0:17:18 | 0:17:21 | |
All titles I used to read as a youngster. | 0:17:21 | 0:17:23 | |
We've got the Boxing News and the American Ring magazine | 0:17:23 | 0:17:26 | |
and Boxing Illustrated. | 0:17:26 | 0:17:29 | |
The Boxing News, they date from the early part of the 20th century | 0:17:29 | 0:17:32 | |
when the magazine was first printed. Now, what am I going to do with them? | 0:17:32 | 0:17:36 | |
Well, I know a local gym | 0:17:36 | 0:17:37 | |
that is looking for stuff to decorate the walls with, | 0:17:37 | 0:17:40 | |
but I want to score at least double money | 0:17:40 | 0:17:42 | |
if I'm going to knock Franksy out. | 0:17:42 | 0:17:44 | |
That's fighting talk from the Hammer. | 0:17:44 | 0:17:46 | |
He thinks he's got Franksy on the ropes now, begging for mercy. | 0:17:46 | 0:17:50 | |
Not a chance! As it looks like the South London southpaw | 0:17:50 | 0:17:54 | |
is powering up for a purchase of his own. | 0:17:54 | 0:17:57 | |
So what you've actually got is you've got a first-day cover. | 0:17:57 | 0:18:00 | |
You've actually got the note which is of the Wellington | 0:18:00 | 0:18:03 | |
and the sovereign, so this is... | 0:18:03 | 0:18:05 | |
This hits coin collectors, stamp collectors, | 0:18:05 | 0:18:08 | |
and money, note collectors in the same way. | 0:18:08 | 0:18:11 | |
What would your absolute, absolute best be on that? | 0:18:11 | 0:18:15 | |
I'd do it for 250 for you, and that is absolute bottom-end. | 0:18:15 | 0:18:18 | |
That's less than gold price. | 0:18:18 | 0:18:19 | |
I'm not going to argue. You've got a deal, you're a gentleman. Thank you very much. | 0:18:19 | 0:18:22 | |
It is a collector's item, it is better than money in the bank. | 0:18:22 | 0:18:26 | |
Good luck. I need it. Thank you very much. | 0:18:26 | 0:18:29 | |
Gold sovereigns, cuff links? Playing it safe today, are we, Franksy? | 0:18:29 | 0:18:32 | |
Where are all the wild and wacky purchases | 0:18:32 | 0:18:34 | |
we've become so accustomed to? | 0:18:34 | 0:18:36 | |
Isn't it usually this sort of time | 0:18:36 | 0:18:39 | |
we see you eyeing up some strange old thing that's falling apart? | 0:18:39 | 0:18:43 | |
Do you want a ride on my pony? | 0:18:43 | 0:18:45 | |
Now, that's more like it. | 0:18:45 | 0:18:47 | |
Who have I got to bribe to buy this cheap? Me. | 0:18:47 | 0:18:50 | |
It can't go cheap, no. | 0:18:50 | 0:18:53 | |
How cheap's cheap? I'll do £90 on it. | 0:18:53 | 0:18:55 | |
Blimey, this is going to take a while, isn't it? What time's sunset? | 0:18:55 | 0:19:00 | |
What time's it get dark? I'll be a few hours. | 0:19:00 | 0:19:04 | |
We're going down £1 an hour. It's a nice little thing. | 0:19:04 | 0:19:06 | |
No, it's not nice, it's cream-crackered. It's not! | 0:19:06 | 0:19:10 | |
Come on, help me out, I've got to try and buy something cheap. | 0:19:10 | 0:19:12 | |
I'm struggling today. I've got frostbite of the nose. | 0:19:12 | 0:19:16 | |
£80. £60. | 0:19:16 | 0:19:18 | |
Meet you in the middle. 70 quid. | 0:19:18 | 0:19:20 | |
Come on! 75 - that's the middle. Oh! | 0:19:20 | 0:19:23 | |
You know it makes sense. Come on, Rodney. | 0:19:23 | 0:19:27 | |
Yeah, only fools and horses would buy that. You know it! | 0:19:27 | 0:19:30 | |
Sold. Thank you very much. | 0:19:30 | 0:19:33 | |
Yes, never one to disappoint. | 0:19:33 | 0:19:36 | |
There's the classic Mark Franks weird and wonderful purchase. | 0:19:36 | 0:19:39 | |
Now, our brutal bargain-hunters are facing their darkest hour. | 0:19:39 | 0:19:43 | |
With the day drawing to a close, | 0:19:43 | 0:19:44 | |
they must move swiftly to snag their last bits of profit-making booty. | 0:19:44 | 0:19:49 | |
Well, earlier I was really pleased with my progress. | 0:19:49 | 0:19:51 | |
I'd bought nearly all my items and I think I've got ahead of myself. | 0:19:51 | 0:19:55 | |
Bit of a hare-and-tortoise moment, | 0:19:55 | 0:19:56 | |
because people are starting to pack away | 0:19:56 | 0:19:59 | |
and I haven't bought all my things yet, | 0:19:59 | 0:20:01 | |
so now I'm starting to panic. | 0:20:01 | 0:20:03 | |
With the clock running down, John must find something, and quick. | 0:20:03 | 0:20:07 | |
This late in the day, he's certain to go for a safe bet, | 0:20:07 | 0:20:10 | |
something sure-fire. Hang on, what's this? | 0:20:10 | 0:20:14 | |
This is the sort of impulse buy I make, | 0:20:14 | 0:20:16 | |
and then I get it home and I think, "What have I done?" | 0:20:16 | 0:20:19 | |
Now, I do really like it, | 0:20:21 | 0:20:22 | |
but I haven't got a huge amount of money left. | 0:20:22 | 0:20:25 | |
What's your very, very, very best price? | 0:20:25 | 0:20:28 | |
The end of the day - 250. 250? Yeah. | 0:20:28 | 0:20:31 | |
I think at that price, it's not going to make a monkey out of me, is it? | 0:20:31 | 0:20:35 | |
£250, I've got to shake your hand. | 0:20:37 | 0:20:39 | |
Because I know I'll wake up tomorrow, if I don't buy this, and regret it, | 0:20:39 | 0:20:42 | |
at that money. Thank you very much. | 0:20:42 | 0:20:44 | |
Now, this is just the sort of thing I hoped I'd buy today here. | 0:20:44 | 0:20:48 | |
You don't have to ask me why I was drawn to this. | 0:20:48 | 0:20:51 | |
There's six individual carved chimps' heads here. | 0:20:51 | 0:20:55 | |
I've no idea what it is, it's just some sort of sculpture. | 0:20:55 | 0:20:58 | |
For 250 quid - pfft - I'd have been bananas not to buy it. | 0:20:58 | 0:21:03 | |
And with that bit of monkey madness John is all bought up. | 0:21:03 | 0:21:06 | |
Now, the day might be nearly done, | 0:21:06 | 0:21:08 | |
but not for Franksy, | 0:21:08 | 0:21:09 | |
who's still out in the elements, looking to snatch one last buy. | 0:21:09 | 0:21:13 | |
And with time ticking down, he has his eye on the clock - | 0:21:13 | 0:21:16 | |
well, a digital watch, to be precise. | 0:21:16 | 0:21:18 | |
I do remember, when I was a little boy, | 0:21:18 | 0:21:21 | |
getting a watch not dissimilar to this. | 0:21:21 | 0:21:24 | |
Mine was plastic, this is not, this is stainless steal. | 0:21:24 | 0:21:28 | |
Now, this is the same sort of time digital calculators, | 0:21:28 | 0:21:32 | |
all this technology, was coming through, | 0:21:32 | 0:21:35 | |
and the prices were really screamingly high. | 0:21:35 | 0:21:38 | |
This would have been the equivalent of a week's wages when it was new. | 0:21:38 | 0:21:41 | |
The guy's asking 30 quid for it | 0:21:41 | 0:21:44 | |
and inside he said it's got the original receipt. | 0:21:44 | 0:21:48 | |
The battery's gone, so you'd have to get a new battery. Will it work? | 0:21:48 | 0:21:52 | |
Not guaranteed. It's a risky business. What's the best on that? | 0:21:52 | 0:21:56 | |
Give us a chance. It may not work. 30 quid, really. | 0:21:56 | 0:22:01 | |
25? Go on, then, I'll do you 25. | 0:22:01 | 0:22:03 | |
You're a gentleman, thank you very much. | 0:22:03 | 0:22:05 | |
And with that final purchase, | 0:22:05 | 0:22:07 | |
both our dealers have come to the end of the day, | 0:22:07 | 0:22:10 | |
so let's top up the totals to see who's spent what. | 0:22:10 | 0:22:13 | |
John and Mark both started the day with £750 of their own money. | 0:22:13 | 0:22:17 | |
John has made six deals and spent a total of £610. | 0:22:17 | 0:22:21 | |
Mark went one better and made seven purchases, but only spent £475. | 0:22:21 | 0:22:28 | |
But the name of the game here is profit, | 0:22:28 | 0:22:30 | |
and as the day draws to a close, | 0:22:30 | 0:22:32 | |
it's time for both our adventurous experts | 0:22:32 | 0:22:35 | |
to return to base camp, warm up, and take stock of their haul. | 0:22:35 | 0:22:38 | |
So, Mark, here we are, end of the day, how you feeling? | 0:22:38 | 0:22:41 | |
I'm feeling like I need a big box of matches to give you a helping hand. | 0:22:41 | 0:22:45 | |
What is going on with all this nasty wood? You loved that. | 0:22:45 | 0:22:49 | |
That is rubbish, I don't like that at all. That's rubbish. | 0:22:49 | 0:22:52 | |
What about this? I'm pretty annoyed because I did see that | 0:22:52 | 0:22:55 | |
and I thought it was resin or plastic. | 0:22:55 | 0:22:57 | |
I just glanced at it, looked away, and it's not, is it? | 0:22:57 | 0:23:00 | |
It's actually really nice. | 0:23:00 | 0:23:02 | |
There's a certain likeness. If you put that on there... | 0:23:02 | 0:23:04 | |
I see what you mean, I see what you mean. | 0:23:04 | 0:23:08 | |
Charles Darwin had a point, didn't he? It's a nice thing, good buy. | 0:23:08 | 0:23:11 | |
So, hang on a second. | 0:23:11 | 0:23:12 | |
The wood brace - do tell me that's by a very rare maker. | 0:23:12 | 0:23:16 | |
Yes, it's by I Don't Know. | 0:23:16 | 0:23:18 | |
But, pro-rata, out of everything here, | 0:23:18 | 0:23:21 | |
that will make the biggest profit, | 0:23:21 | 0:23:23 | |
because that cost me £1. Brace yourself. I'm braced. | 0:23:23 | 0:23:27 | |
Well, I do wish you the best, but, erm, THAT is the winner. | 0:23:27 | 0:23:32 | |
THAT is the sinner. I was going to say, I'll swap that for that! | 0:23:32 | 0:23:35 | |
No, you're all right! | 0:23:35 | 0:23:37 | |
Yes, the buying is over, | 0:23:39 | 0:23:41 | |
and it's time to steam through the selling, | 0:23:41 | 0:23:43 | |
as our dealer supremos head back to their respective homes | 0:23:43 | 0:23:47 | |
to thaw out and think battle strategies. | 0:23:47 | 0:23:49 | |
Each is planning the other's destruction | 0:23:49 | 0:23:51 | |
as they plot to get the most profit from their plunder. | 0:23:51 | 0:23:54 | |
Down in his Portsmouth bunker, John is warming up | 0:23:54 | 0:23:57 | |
and inspecting his wares. | 0:23:57 | 0:23:59 | |
So, what have we got here? | 0:23:59 | 0:24:01 | |
Well, the only thing here I bought with somebody in mind | 0:24:01 | 0:24:05 | |
was these boxing magazines. | 0:24:05 | 0:24:06 | |
My Polson's biscuit mould is in good condition | 0:24:06 | 0:24:10 | |
and I do actually like that. These other four items. | 0:24:10 | 0:24:14 | |
Well, starting with my fireman's door-rammer, | 0:24:14 | 0:24:17 | |
then there are my Doulton stoneware window boxes. | 0:24:17 | 0:24:20 | |
Now, these are quite scarce | 0:24:20 | 0:24:22 | |
and I bought them because I've never seen them before. | 0:24:22 | 0:24:25 | |
Now, my monkey sculpture here is absolutely amazing. | 0:24:25 | 0:24:29 | |
A tour de force of wood carving. | 0:24:29 | 0:24:32 | |
And then last, but by no means least, | 0:24:32 | 0:24:34 | |
is my carved driftwood sculpture. | 0:24:34 | 0:24:36 | |
Finding a buyer might prove a little difficult, but do you know what, | 0:24:36 | 0:24:40 | |
it's starting to grow on me. | 0:24:40 | 0:24:42 | |
And if I do end up with it, well, I think I could live with it. | 0:24:42 | 0:24:46 | |
It'll remind me of my fun days with Mark. | 0:24:46 | 0:24:48 | |
This is no time to be sentimental, John - your rival certainly isn't, | 0:24:48 | 0:24:53 | |
as back at his South London HQ, Mark is assessing his arsenal. | 0:24:53 | 0:24:57 | |
Well, this is what I bought. I'm quite happy, really. | 0:24:57 | 0:25:00 | |
First item I bought was in the morning, | 0:25:00 | 0:25:03 | |
the rest were in the afternoon. | 0:25:03 | 0:25:04 | |
Now, the reason I bought this | 0:25:04 | 0:25:06 | |
is that I know a guy called John Saunders, | 0:25:06 | 0:25:09 | |
and it's a very similar name | 0:25:09 | 0:25:11 | |
to what's written on the side of the carriage there | 0:25:11 | 0:25:13 | |
that's got loads of fairground rides, | 0:25:13 | 0:25:14 | |
that's got loads of fairground rides, | 0:25:15 | 0:25:15 | |
so I'm hoping he'll have an interest in that. | 0:25:15 | 0:25:17 | |
The watch - what a cracker. I know exactly where I'm going to go. | 0:25:21 | 0:25:22 | |
Couple of guys that have got a shop. The taps? | 0:25:22 | 0:25:23 | |
Cuff links, looking at the style, | 0:25:27 | 0:25:28 | |
they look like 1920s, 1940s, I've got a young lady for those. | 0:25:28 | 0:25:32 | |
The horse and trap. I've got a couple of ideas. | 0:25:32 | 0:25:33 | |
The horse and trap. I've got a couple of ideas. | 0:25:34 | 0:25:35 | |
Here's a tale. | 0:25:35 | 0:25:36 | |
managed to get lost on the way back here from the antique fair. | 0:25:40 | 0:25:43 | |
I've got somebody that wants to buy an investment for his godson - | 0:25:58 | 0:26:01 | |
this may do the trick. | 0:26:01 | 0:26:03 | |
Yes, as it wasn't Mark's fault the presentation pack got lost, | 0:26:03 | 0:26:06 | |
the Put Your Money games masters decided it's only fair | 0:26:06 | 0:26:07 | |
So, the battle is back on, | 0:26:14 | 0:26:16 | |
as both our experts hit the phones and search the internet | 0:26:16 | 0:26:16 | |
to find the buyers who'll give them the best possible profit. | 0:26:20 | 0:26:22 | |
But remember, no deal will be done until it's sealed with a handshake. | 0:26:23 | 0:26:26 | |
It's John who's first to make a break. | 0:26:26 | 0:26:28 | |
he's been canny enough to find a collector | 0:26:31 | 0:26:32 | |
who's interested in not just one but both his wooden carvings. | 0:26:36 | 0:26:37 | |
I'm in Southsea to meet car dealer Mark. | 0:26:37 | 0:26:39 | |
No ordinary car dealer, he does like the weird and the wonderful, | 0:26:39 | 0:26:42 | |
as you will see from the inside of his apartment. | 0:26:43 | 0:26:45 | |
Now, the driftwood sculpture is already inside. | 0:26:45 | 0:26:46 | |
Now, the driftwood sculpture is already inside. | 0:26:47 | 0:26:48 | |
I've got a little monkey surprise - | 0:26:48 | 0:26:50 | |
hopefully, two birds with one stone. Nice profit as well. | 0:26:50 | 0:26:52 | |
certainly has an eye for the offbeat and oddball, | 0:26:57 | 0:26:59 | |
but will John's £50 driftwood carving | 0:27:00 | 0:27:02 | |
and the wooden monkey sculpture he paid £250 for tickle his fancy? | 0:27:02 | 0:27:08 | |
What do you think? I do like it, actually. | 0:27:08 | 0:27:09 | |
To start off with I thought it was resin, but it's made of wood. Do you know what, it's driftwood. | 0:27:11 | 0:27:14 | |
Coincidently, nothing to do with you. His name's Mark. That's good, then. | 0:27:14 | 0:27:18 | |
It complements my skull. | 0:27:18 | 0:27:20 | |
He looks like a bit of a ghoul next to the skull | 0:27:20 | 0:27:23 | |
but they kind of do go hand-in-hand. I do like it, surprisingly so. | 0:27:23 | 0:27:26 | |
I got something else I want to show you... The monkeys. The monkeys. | 0:27:26 | 0:27:30 | |
All right. Let's have a look at this. | 0:27:30 | 0:27:33 | |
Now... That's unusual. | 0:27:33 | 0:27:34 | |
Have a look at this. You've got six individual monkey faces on there. | 0:27:34 | 0:27:39 | |
Each one carved with an individual expression. Yeah. | 0:27:39 | 0:27:42 | |
It definitely is wood, isn't it? | 0:27:42 | 0:27:44 | |
Do you know, Mark, I spent hours looking on the internet. | 0:27:44 | 0:27:47 | |
I couldn't find anything like it. I've never seen anything like it. | 0:27:47 | 0:27:50 | |
This is a complete one-off work of art. I think this is worth 550. | 0:27:50 | 0:27:55 | |
That's 150, that 700 quid. | 0:27:55 | 0:27:58 | |
If you were to buy both, I would do 650. | 0:27:58 | 0:28:01 | |
I was going to say 550. Where you really? Would you do 600 quid? | 0:28:02 | 0:28:06 | |
Go on, then. Yeah. Let's have a deal. £600. | 0:28:06 | 0:28:09 | |
So our king of the jungle swings into a phenomenal profit | 0:28:09 | 0:28:13 | |
of £300 for his two sculptures. | 0:28:13 | 0:28:15 | |
But, up in London, local boy, Mark, is wasting no time | 0:28:15 | 0:28:19 | |
trying to sell his £25 digital watch to repairer, Tim. | 0:28:19 | 0:28:22 | |
Hey, Tim, how is it going? Are you all right? | 0:28:23 | 0:28:26 | |
Listen, I've seen your beautiful new signs saying watch batteries. | 0:28:26 | 0:28:29 | |
As I come here regularly, I thought I might be able to get a battery put in this little baby. | 0:28:29 | 0:28:33 | |
What do you make of that? Wow, retro! | 0:28:33 | 0:28:35 | |
Nice, isn't it? Yeah. | 0:28:35 | 0:28:36 | |
What's the story with this watch? | 0:28:36 | 0:28:38 | |
I bought it at an antiques fair | 0:28:38 | 0:28:40 | |
and I bashed the guy down to £25 on the price. | 0:28:40 | 0:28:42 | |
I'm just looking to make a profit, really. | 0:28:42 | 0:28:44 | |
If you are interested, make me an offer. | 0:28:44 | 0:28:46 | |
We have had more people looking for retro watches. | 0:28:46 | 0:28:50 | |
I think it will be quite a popular item. | 0:28:51 | 0:28:54 | |
This seems to fit. | 0:28:54 | 0:28:56 | |
Nothing's happening yet. It could just need a service. | 0:28:56 | 0:28:59 | |
It looks in pretty good condition. | 0:28:59 | 0:29:01 | |
The movement hasn't had any battery leakage in it. | 0:29:01 | 0:29:04 | |
I think £30 would be my limit, though. | 0:29:04 | 0:29:06 | |
OK, you've got a deal. Thank you very much. | 0:29:06 | 0:29:08 | |
So Mark winds up a winner | 0:29:08 | 0:29:11 | |
with his £5 profit on the watch. | 0:29:11 | 0:29:12 | |
But, this fiver's only just begun | 0:29:12 | 0:29:14 | |
and a pumped up John heads to a local boxing gym to try | 0:29:14 | 0:29:18 | |
and sell his £100 vintage magazines to club trainers, Endra and Josh. | 0:29:18 | 0:29:21 | |
But, what's this? | 0:29:21 | 0:29:24 | |
Instead of selling, John seems to be indulging in his favourite hobby. | 0:29:24 | 0:29:28 | |
So... | 0:29:28 | 0:29:30 | |
Are you ready to do this? | 0:29:30 | 0:29:31 | |
Keep it clean. | 0:29:32 | 0:29:34 | |
Right... | 0:29:34 | 0:29:36 | |
Oh, I almost forgot. | 0:29:36 | 0:29:37 | |
Hang on. | 0:29:37 | 0:29:39 | |
Well, you said you were looking for something to decorate the club with. | 0:29:41 | 0:29:45 | |
Josh, feast your eyes on these, | 0:29:45 | 0:29:48 | |
Boxing Illustrated and Boxing News. | 0:29:48 | 0:29:51 | |
Ring magazines from 1948. | 0:29:51 | 0:29:54 | |
What do you reckon. Yeah, brilliant. | 0:29:54 | 0:29:56 | |
As you see, we need some colour for the walls. | 0:29:56 | 0:29:57 | |
Well, it is looking a bit bare, to be honest with you. | 0:29:57 | 0:30:00 | |
You need to be inspired but I've saved the best till last. | 0:30:00 | 0:30:03 | |
Look at this... | 0:30:03 | 0:30:04 | |
Boxing News 1911. | 0:30:04 | 0:30:07 | |
The condition is exceptional. | 0:30:07 | 0:30:09 | |
What sort of price have you got in mind? | 0:30:09 | 0:30:12 | |
I reckon they are worth at least a fiver each. | 0:30:12 | 0:30:14 | |
There's a couple of hundred quid. | 0:30:14 | 0:30:16 | |
I'll offer you 150. 150. | 0:30:16 | 0:30:19 | |
170? | 0:30:19 | 0:30:21 | |
OK, 170. | 0:30:21 | 0:30:22 | |
I thought he was going to give me a harder fight than that, Josh. | 0:30:22 | 0:30:25 | |
John makes £70 profit and with that killer glint in his eye, | 0:30:25 | 0:30:29 | |
he's only got one man in his sights. | 0:30:29 | 0:30:32 | |
The Hammerhead straight into training as he aims to become | 0:30:36 | 0:30:39 | |
the Rocky of Relics. | 0:30:39 | 0:30:41 | |
He's a lean, mean antiques selling machine and every muscle in his body | 0:30:41 | 0:30:46 | |
is working for a common purpose, the annihilation of his opponent. | 0:30:46 | 0:30:50 | |
Yes, John might not be pulling any punches | 0:30:52 | 0:30:54 | |
but Mark is quick to counter, as he sells his carpenter's brace | 0:30:54 | 0:30:57 | |
to a hardware store in Wimbledon for a profit of £24. | 0:30:57 | 0:31:01 | |
Mark is on a roll. | 0:31:01 | 0:31:03 | |
Roll up, roll up, in fact, as he is straight off to the fair | 0:31:03 | 0:31:06 | |
to sell his £55 painting to John, a fairground ride collector. | 0:31:06 | 0:31:10 | |
Well, John, I bought this at Peterborough antiques fair. | 0:31:12 | 0:31:15 | |
As soon as I bought it, I thought of you. | 0:31:15 | 0:31:17 | |
I thought it said "Saunders". | 0:31:17 | 0:31:19 | |
I misread it, to be honest but I thought it's so close, | 0:31:19 | 0:31:21 | |
and you've got some form of swinging boats there. | 0:31:21 | 0:31:24 | |
It's a nice watercolour, isn't it? | 0:31:25 | 0:31:27 | |
That's exactly what it is, it's a watercolour. Yeah. | 0:31:27 | 0:31:30 | |
It says on the back, | 0:31:30 | 0:31:32 | |
"Pulling down the fairground, Uxbridge by Ernest Boswell 1948." | 0:31:32 | 0:31:36 | |
It says on the front, | 0:31:36 | 0:31:38 | |
"His family are from the fairground community." | 0:31:38 | 0:31:42 | |
Go on, make me an offer. It cost me 55. Give us a profit. | 0:31:42 | 0:31:45 | |
Well, I don't know. How about 60 quid? | 0:31:45 | 0:31:48 | |
65 and you've got a deal. | 0:31:48 | 0:31:50 | |
All right, 65. Are you happy? Yeah, I'm happy. I'm happy, too. | 0:31:50 | 0:31:53 | |
John will not be pushed on money. I know him from old. | 0:31:53 | 0:31:56 | |
That's about as good as it gets. | 0:31:56 | 0:31:59 | |
It's a profit and that's what counts. | 0:31:59 | 0:32:01 | |
Now, more importantly, let's have a go on the funfair ride. | 0:32:01 | 0:32:04 | |
Ooh! I want to go faster! | 0:32:04 | 0:32:06 | |
Ah! | 0:32:06 | 0:32:07 | |
# Scream if you want to go faster. # | 0:32:07 | 0:32:09 | |
Scream if you want to go faster? | 0:32:09 | 0:32:11 | |
So Mark makes a merry profit of £10 on his fairground painting | 0:32:11 | 0:32:15 | |
and, with that tenner in his pocket, | 0:32:15 | 0:32:17 | |
it's time to see who on this roller coaster ride of selling | 0:32:17 | 0:32:20 | |
has their hands in the air, enjoying the dizzy heights of success | 0:32:20 | 0:32:24 | |
and who is stuck on the teacups, feeling a bit queasy. | 0:32:24 | 0:32:27 | |
John has so far sold three items and made a huge profit of £370. | 0:32:29 | 0:32:34 | |
Mark has also done three deals | 0:32:34 | 0:32:37 | |
but is trailing behind with a profit of only £39. | 0:32:37 | 0:32:41 | |
So in this topsy-turvy tale of buying and selling, | 0:32:42 | 0:32:46 | |
John has left Mark a mountain to climb. | 0:32:46 | 0:32:48 | |
But, in the strange world of antiques, anything can happen | 0:32:48 | 0:32:51 | |
and Frank's determined not to play catch-up for long as he taps up | 0:32:51 | 0:32:55 | |
Simon, a collector of antique bathroom fittings, | 0:32:55 | 0:32:58 | |
looking for a profit on the £14 he paid for his Victorian mixer. | 0:32:58 | 0:33:02 | |
All right, Mark, pull up a pan. | 0:33:03 | 0:33:05 | |
Oh, smashing, I don't mind if I do, this is very nice. | 0:33:05 | 0:33:09 | |
Now, listen, I know that your experience is much vaster than mine | 0:33:09 | 0:33:13 | |
but I've bought a few... You see those taps with the mixers? | 0:33:13 | 0:33:16 | |
I've bought a few of those in my time. | 0:33:16 | 0:33:19 | |
But these I've never seen anything like it before. | 0:33:19 | 0:33:22 | |
Can I show it to you because I've not seen anything of the like. | 0:33:22 | 0:33:25 | |
Please fill me in. | 0:33:25 | 0:33:26 | |
Well, I do know what they are. | 0:33:26 | 0:33:29 | |
I have to admit they are very rare. | 0:33:29 | 0:33:31 | |
But, believe it or not, I collect salesmen's samples of old baths and loos, as well. Yeah. | 0:33:31 | 0:33:36 | |
I have an extremely rare salesman sample that shows | 0:33:36 | 0:33:39 | |
how that tap works and it's all correct and complete. | 0:33:39 | 0:33:42 | |
Please show me. | 0:33:42 | 0:33:44 | |
This is a bath with a wash basin built-in. | 0:33:44 | 0:33:47 | |
It was for rooms which were very small, trying to save on space. | 0:33:47 | 0:33:51 | |
The idea is you turn the taps on there | 0:33:51 | 0:33:53 | |
and if the spout is pointing that way, it fills the basin | 0:33:53 | 0:33:57 | |
and if you turn the spout that way, fills the bath. That is fantastic. | 0:33:57 | 0:34:02 | |
Would you be interested in buying that? | 0:34:02 | 0:34:04 | |
Well, we don't actually sell restored sanitary ware any more, | 0:34:04 | 0:34:07 | |
only brand-new exact replicas. Yeah. | 0:34:07 | 0:34:10 | |
But, I can't resist buying things for myself. | 0:34:10 | 0:34:13 | |
I've got something like 1,000 pairs of taps | 0:34:13 | 0:34:15 | |
but I don't think I've got... I shouldn't be saying this! | 0:34:15 | 0:34:18 | |
No, you should be saying this! | 0:34:18 | 0:34:20 | |
My hand is ready to shake, what do you want to pay for them? | 0:34:20 | 0:34:22 | |
Well, I mean... | 0:34:22 | 0:34:24 | |
What would you say to £80? | 0:34:24 | 0:34:26 | |
£80, they're sold to you. Nice and easy. | 0:34:26 | 0:34:28 | |
So Mark has reason to be flush as he reached a £66 reward | 0:34:28 | 0:34:33 | |
on the Victorian mixer taps and closes the gap on his rival. | 0:34:33 | 0:34:37 | |
John Cameron... | 0:34:37 | 0:34:39 | |
Flushed away. | 0:34:39 | 0:34:41 | |
Mark's selling streak continues as he shifts the gold cuff links | 0:34:41 | 0:34:45 | |
to a jeweller for a profit of £10 | 0:34:45 | 0:34:47 | |
but Mr Cameron is no slouch. | 0:34:47 | 0:34:49 | |
He's hoping antiques dealer, Ian, will be able to tell him | 0:34:49 | 0:34:52 | |
more about those rare Doulton planters he paid £100 for. | 0:34:52 | 0:34:56 | |
Hello, mate, how are you? Very well, thanks. | 0:34:56 | 0:34:58 | |
Let me put these down, they are rather heavy. | 0:34:58 | 0:35:01 | |
What are those, Victorian CD holders? | 0:35:01 | 0:35:03 | |
JOHN CHUCKLES | 0:35:03 | 0:35:05 | |
I've got to confess, I've never seen them before | 0:35:05 | 0:35:07 | |
but I know you know architectural antiques. | 0:35:07 | 0:35:09 | |
They are sectional, Doulton, | 0:35:09 | 0:35:11 | |
like a window box, really. | 0:35:11 | 0:35:14 | |
I think it was to go indoors, rather than outdoors. | 0:35:14 | 0:35:17 | |
When they're glazed, they're usually for inside. For a posh house. | 0:35:17 | 0:35:20 | |
OK, that's interesting. What do you reckon, 1900? | 0:35:20 | 0:35:23 | |
Yeah, I was thinking the end of the Victorian period. | 0:35:23 | 0:35:25 | |
I quite like these. You do? I think they're good. | 0:35:25 | 0:35:29 | |
We have always got to get down to the nitty-gritty. How much are they? | 0:35:29 | 0:35:32 | |
I think they're probably worth 200 quid. | 0:35:32 | 0:35:34 | |
What about 150 quid, John. | 0:35:34 | 0:35:37 | |
Would you do 170? 160 and I'll have a deal. | 0:35:37 | 0:35:39 | |
Ian, 160. | 0:35:39 | 0:35:41 | |
Yes, another £60 in profit for John's planters. | 0:35:41 | 0:35:45 | |
Now, Mark, might be slightly off the pace but he's hoping his £75 | 0:35:47 | 0:35:50 | |
horse and trap toy might get him back in the selling saddle. | 0:35:50 | 0:35:54 | |
I'm in Woodmansterne to see an old mate of mine, Andy. | 0:35:54 | 0:35:57 | |
He's nearly six foot four tall but he's interested in buying this. | 0:35:57 | 0:36:01 | |
I don't think he's really going to fit in it but I don't care, | 0:36:01 | 0:36:04 | |
I just want his money. | 0:36:04 | 0:36:06 | |
Come on. | 0:36:06 | 0:36:07 | |
Andy, how are you doing? How are you doing, Mark? | 0:36:07 | 0:36:10 | |
Please explain, why do you want this? Honestly? Yeah. | 0:36:10 | 0:36:14 | |
Who's this? That's my son, Levi. Levi, come here. | 0:36:15 | 0:36:18 | |
What do you think of this? | 0:36:18 | 0:36:21 | |
Good. Good. | 0:36:21 | 0:36:22 | |
Can you ride it, that's the problem? | 0:36:22 | 0:36:25 | |
Go on then, show me. | 0:36:25 | 0:36:27 | |
Well, Andy, we need to start talking about money because, | 0:36:27 | 0:36:29 | |
I tell you one thing, I'm not taking it back off of him. | 0:36:29 | 0:36:32 | |
Come on, let's have a ride in this. Let's see how it goes. | 0:36:32 | 0:36:35 | |
Come on then, mate. Go on. Walk on. Walk on. | 0:36:35 | 0:36:37 | |
I think the thing is, Andy... Yeah? | 0:36:37 | 0:36:40 | |
Levi is not being taken off that horse and cart by me. No. | 0:36:40 | 0:36:44 | |
He's going to have that, isn't he, Mark? He's got to, hasn't he? Yeah. | 0:36:44 | 0:36:47 | |
How old is it? | 0:36:47 | 0:36:48 | |
It's got to be of age. I'd say it's 30 years old. | 0:36:48 | 0:36:51 | |
It's not brand-new but it's not antique. | 0:36:51 | 0:36:53 | |
I think we will have to start talking about money | 0:36:53 | 0:36:55 | |
and I don't like talking about money. Do you want 40 quid for it? | 0:36:55 | 0:36:57 | |
Leave off! For your boy? 100 quid. | 0:36:57 | 0:37:00 | |
I'll tell you what, you're a generous bloke, you are a good fellow | 0:37:00 | 0:37:03 | |
and you now own two horses and Levi is happy. | 0:37:03 | 0:37:06 | |
Mark, I couldn't take it off him, anyway. | 0:37:06 | 0:37:09 | |
If you had said £1,000, I'd have had to give that for it. | 0:37:09 | 0:37:11 | |
Now you tell me! | 0:37:11 | 0:37:12 | |
Mark! You old softy. You should have pushed him harder. | 0:37:12 | 0:37:16 | |
But he still rides away with a profit of £25. | 0:37:16 | 0:37:19 | |
John is also looking to be rolling in the dough | 0:37:19 | 0:37:22 | |
as he heads off to set up a sweet deal. | 0:37:22 | 0:37:25 | |
I'm in the heart of the Dorset countryside | 0:37:25 | 0:37:27 | |
to see chef Lesley Waters at her renowned cookery school | 0:37:27 | 0:37:31 | |
and what better home for my biscuit mould. | 0:37:31 | 0:37:34 | |
I'm hoping to teach Lesley one or two things about kitchenalia | 0:37:34 | 0:37:36 | |
and pick up one or two tips about making biscuits in the process. | 0:37:36 | 0:37:41 | |
John paid £60 for his biscuit mould but will he get a tasty profit? | 0:37:41 | 0:37:45 | |
Excuse me, Miss, am I late for class? | 0:37:45 | 0:37:48 | |
Hello. How are you? | 0:37:48 | 0:37:51 | |
Good to see you. It's lovely to see you. | 0:37:51 | 0:37:53 | |
What have you got for me today, you naughty boy? | 0:37:53 | 0:37:55 | |
I've brought along a biscuit mould. | 0:37:55 | 0:37:58 | |
Here we are. | 0:37:58 | 0:37:59 | |
It's a shortbread mould by Brown & Polson. | 0:37:59 | 0:38:02 | |
Do you know anything about Brown & Polson's? No. | 0:38:02 | 0:38:05 | |
Brown & Polson's, very successful up in Paisley. | 0:38:05 | 0:38:09 | |
This is a genuine piece of advertising ware. | 0:38:09 | 0:38:13 | |
The mark would suggest with that Made In England | 0:38:13 | 0:38:15 | |
that we are looking probably into war period. | 0:38:15 | 0:38:17 | |
Maybe 1920s, 1925, something like that. | 0:38:17 | 0:38:20 | |
I'm assuming that it makes one hell of a biscuit? | 0:38:20 | 0:38:24 | |
THEY GIGGLE | 0:38:24 | 0:38:25 | |
The sort of biscuit I'D eat! | 0:38:25 | 0:38:27 | |
Certainly I'd like to put that to the challenge. | 0:38:27 | 0:38:30 | |
Do you think we could roll... | 0:38:30 | 0:38:31 | |
Could we get that in there? | 0:38:31 | 0:38:33 | |
YOU can do it. I was going to say you've got to make me do it. You can do it. | 0:38:33 | 0:38:36 | |
And it's ready, steady, profit as John is made to work for his money. | 0:38:36 | 0:38:41 | |
OK, Lesley, this could be the make or break of my prize, couldn't it? | 0:38:41 | 0:38:44 | |
Yes, it could be. | 0:38:44 | 0:38:46 | |
Look at that wonderful, golden brown... | 0:38:46 | 0:38:49 | |
Yes, antiques supremo and domestic God! | 0:38:49 | 0:38:53 | |
But John's biggest talent of all, cooking up a delicious profit. | 0:38:53 | 0:38:56 | |
It pains me to have to talk turkey. | 0:38:56 | 0:38:59 | |
Well, let's talk shortbread, then. | 0:38:59 | 0:39:01 | |
I think is probably worth about 120, | 0:39:01 | 0:39:05 | |
in that condition. Let's go with 110. | 0:39:05 | 0:39:08 | |
Oh! You're a wonderful person. | 0:39:08 | 0:39:10 | |
Because your rolling was exceptional. 110, that's very kind. | 0:39:10 | 0:39:14 | |
110. | 0:39:14 | 0:39:15 | |
Yes, John takes the biscuit as he makes a profit of £50. | 0:39:15 | 0:39:19 | |
He then piles even more pressure on Mark as he makes a further £100 | 0:39:19 | 0:39:23 | |
selling his fireman's rammer to Paul, an ex-fireman. | 0:39:23 | 0:39:27 | |
Mark has one last roll of the dice to take this competition and | 0:39:27 | 0:39:31 | |
he's putting all his hopes on his coin and note presentation pack. | 0:39:31 | 0:39:34 | |
He thinks he may have found the perfect buyer | 0:39:34 | 0:39:36 | |
but is it too little, too late? | 0:39:36 | 0:39:38 | |
So I'm back in Wimbledon to see my mate, Ritchie. | 0:39:40 | 0:39:42 | |
He asked me to find something for his godson | 0:39:42 | 0:39:45 | |
that would go up in value in the future. | 0:39:45 | 0:39:47 | |
I've got the gold coin, let's see if I can sell it to him. | 0:39:47 | 0:39:49 | |
Now, Ritchie, you said to me | 0:39:49 | 0:39:51 | |
you are looking for something for your godson. | 0:39:51 | 0:39:55 | |
I ideally want something for my godson. He's five. | 0:39:55 | 0:39:57 | |
Something he can maybe sell. | 0:39:57 | 0:40:00 | |
Something that's going to go up in value. | 0:40:00 | 0:40:02 | |
Sell it, go on holiday, towards a car, something like that. | 0:40:02 | 0:40:04 | |
So not now, in a few years' time? | 0:40:04 | 0:40:06 | |
Yeah, yeah, yeah, in about 15 years' time. Perfect. | 0:40:06 | 0:40:09 | |
I might have found the right thing. This is what I found, OK. | 0:40:09 | 0:40:12 | |
What this actually is, | 0:40:12 | 0:40:14 | |
is a limited edition. | 0:40:14 | 0:40:17 | |
It's to commemorate the Duke of Wellington. | 0:40:17 | 0:40:19 | |
It's a £5 note. | 0:40:19 | 0:40:21 | |
This is in mint condition, it's in a case, as you can see inside there. | 0:40:21 | 0:40:25 | |
It's never been touched by human hands. | 0:40:25 | 0:40:27 | |
The stamp, which again, | 0:40:27 | 0:40:29 | |
this is the 150 years anniversary of the Duke of Wellington. | 0:40:29 | 0:40:33 | |
That's in there, as well. | 0:40:33 | 0:40:34 | |
And, a gold sovereign, as well. | 0:40:34 | 0:40:36 | |
Gold, over the last five years has just quadrupled and gone up | 0:40:36 | 0:40:41 | |
sort of so much that I believe it will carry on going that way. | 0:40:41 | 0:40:44 | |
What do you think? I think it's very nice. Very nice. | 0:40:44 | 0:40:47 | |
At the end of the day I paid 250 for it. | 0:40:47 | 0:40:50 | |
I know you're a generous guy. I know you love your godson. | 0:40:50 | 0:40:52 | |
I don't know how much you love him, only your wallet will tell me. | 0:40:52 | 0:40:55 | |
Mark is relying on a generous offer from Ritchie, | 0:40:55 | 0:40:58 | |
but will the gold turn him into today's champion, | 0:40:58 | 0:41:01 | |
or will his hopes of winning melt away. | 0:41:01 | 0:41:04 | |
All will soon be revealed. | 0:41:04 | 0:41:06 | |
John and Mark both started out with £750 of their own money to spend. | 0:41:06 | 0:41:11 | |
John made six deals and spent a total of £610. | 0:41:11 | 0:41:15 | |
Mark picked up seven purchases and paid £475. | 0:41:15 | 0:41:20 | |
But all that matters now is who's made the most profit? | 0:41:20 | 0:41:23 | |
All the money from today's challenge will go to our dealers' chosen charities. | 0:41:23 | 0:41:27 | |
Let's find out who is today's | 0:41:27 | 0:41:29 | |
Put Your Money Where Your Mouth Is champion. | 0:41:29 | 0:41:32 | |
How are you doing, John? Are you all right, mate? | 0:41:32 | 0:41:35 | |
Good to see you, good to see you. How are you doing? Yes, not bad. | 0:41:35 | 0:41:38 | |
How did you get on at the antiques fair, then? | 0:41:38 | 0:41:40 | |
Oh... It was OK. | 0:41:40 | 0:41:42 | |
I got off to a bit of a stuttering start but I think I did all right. | 0:41:42 | 0:41:45 | |
How about you? | 0:41:45 | 0:41:46 | |
Thomas Crapper, I sold the taps to. Very good. | 0:41:46 | 0:41:48 | |
He bought the taps off me and that was the best profit of the day, | 0:41:48 | 0:41:51 | |
believe it or not, out of all that stuff. | 0:41:51 | 0:41:53 | |
Interestingly, the two things I thought would be the hardest to sell, | 0:41:53 | 0:41:56 | |
my driftwood sculpture, which you loved, and my monkey sculpture, | 0:41:56 | 0:42:01 | |
those two were in fact the easiest things to sell. | 0:42:01 | 0:42:03 | |
They were quite unusual. I didn't do too badly with them. | 0:42:03 | 0:42:06 | |
Are you ready to reveal the results? Better now than never. | 0:42:06 | 0:42:10 | |
OK, ready, steady, go! | 0:42:10 | 0:42:11 | |
Whoo! Wow, that's very good, John. | 0:42:12 | 0:42:14 | |
That's a lot of profit, mate. What did you do with my horse and cart? | 0:42:14 | 0:42:18 | |
Yes, John is today's winner | 0:42:18 | 0:42:20 | |
and, why, because Mark just didn't push hard enough on his gold coin. | 0:42:20 | 0:42:23 | |
What about 280? Deal. | 0:42:23 | 0:42:26 | |
Thank you very much, indeed. | 0:42:26 | 0:42:27 | |
Thank you and I really hope... He doesn't lose it! | 0:42:27 | 0:42:30 | |
And although he made a £30 profit, | 0:42:30 | 0:42:32 | |
it just couldn't put him into pole position. | 0:42:32 | 0:42:35 | |
John really cracked it there, nearly £600, it's a lot of money. | 0:42:36 | 0:42:40 | |
I'm pleased with the profit I made. | 0:42:40 | 0:42:42 | |
I didn't make any stonking big profits but a profit is a profit. | 0:42:42 | 0:42:46 | |
Well, I'm very pleased with the profit I made at the antiques fair | 0:42:46 | 0:42:49 | |
and I had some fun in the process. | 0:42:49 | 0:42:51 | |
I did very well with the monkey sculpture | 0:42:51 | 0:42:53 | |
and a piece that I really wanted to keep, but did good profits with, | 0:42:53 | 0:42:56 | |
was my Mark Franks driftwood piece. | 0:42:56 | 0:42:59 | |
Tomorrow Mark has his chance to stage a comeback | 0:42:59 | 0:43:03 | |
when our dynamic duo go head-to-head against each other | 0:43:03 | 0:43:06 | |
at an auction in Leicestershire. | 0:43:06 | 0:43:09 | |
Subtitles by Red Bee Media Ltd | 0:43:21 | 0:43:24 |