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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profit... | 0:00:07 | 0:00:10 | |
Hey-hey! | 0:00:11 | 0:00:12 | |
..and gives you the insider's view of the trade. | 0:00:12 | 0:00:16 | |
Who's there? | 0:00:17 | 0:00:18 | |
Each week, one pair of duelling dealers will face | 0:00:19 | 0:00:22 | |
a different daily challenge. | 0:00:22 | 0:00:24 | |
The original cheeky chappie. Lovely! | 0:00:24 | 0:00:27 | |
Putting their reputations on the line... Full house! | 0:00:27 | 0:00:31 | |
Oh, I say! | 0:00:31 | 0:00:32 | |
..and giving you their top tips and savvy secrets | 0:00:32 | 0:00:35 | |
on how to make the most money from buying and selling. | 0:00:35 | 0:00:39 | |
I'm feeling rather lucky. | 0:00:39 | 0:00:41 | |
Today's auction room ruckus | 0:00:43 | 0:00:45 | |
pits the antiques aficionado John "the Hammer" Cameron | 0:00:45 | 0:00:49 | |
against the chuckling champion that is Mark "Franksy" Franks. | 0:00:49 | 0:00:53 | |
Coming up, Mark talks out of turn... | 0:00:53 | 0:00:56 | |
Bargain! | 0:00:56 | 0:00:57 | |
Sorry? | 0:00:57 | 0:00:59 | |
I said "bargain," sir, sorry. | 0:00:59 | 0:01:01 | |
John proves that if you snooze, you lose. | 0:01:01 | 0:01:03 | |
I've just missed it. | 0:01:03 | 0:01:06 | |
And top tips from Franksy on auction know-how. | 0:01:06 | 0:01:09 | |
The most mistakes are made when you just put your hand up | 0:01:09 | 0:01:12 | |
on something you've not checked properly. | 0:01:12 | 0:01:14 | |
This is Put Your Money Where Your Mouth Is. | 0:01:14 | 0:01:17 | |
Today, we're at an auction in Leicestershire, | 0:01:30 | 0:01:32 | |
where our battling behemoths must bag the best bargains | 0:01:32 | 0:01:35 | |
to make the most profit. | 0:01:35 | 0:01:36 | |
They face a challenge of epic proportions, | 0:01:36 | 0:01:39 | |
a true 21st-century skirmish | 0:01:39 | 0:01:41 | |
because this auction is logged on and online. | 0:01:41 | 0:01:44 | |
They are not only up against each other, but the whole wide world. | 0:01:44 | 0:01:49 | |
Yes, our tenacious twosome face cut-throat competition | 0:01:49 | 0:01:52 | |
because internet bidders from all over the globe | 0:01:52 | 0:01:54 | |
will also be grappling with the gavel. | 0:01:54 | 0:01:57 | |
Buckle up. It's going to be a wild ride. | 0:01:57 | 0:01:59 | |
First up is a man who's held more gavels than a computer has gigabytes. | 0:01:59 | 0:02:03 | |
He's more likely to be found browsing collectables | 0:02:03 | 0:02:06 | |
than surfing the web. | 0:02:06 | 0:02:08 | |
It's John "The Hammer" Cameron. | 0:02:08 | 0:02:11 | |
His opponent today is the original cheeky chappie from London town. | 0:02:11 | 0:02:15 | |
He's done more deals then downloads, more haggles than hashtags. | 0:02:15 | 0:02:19 | |
It's Mark "Franksy" Franks. | 0:02:19 | 0:02:22 | |
Today's bidding bash takes place | 0:02:22 | 0:02:24 | |
at Gildings auctioneers in Leicestershire. | 0:02:24 | 0:02:27 | |
They've each got £1,000 of their own money to spend, | 0:02:27 | 0:02:30 | |
and all the profits go to their chosen charities. | 0:02:30 | 0:02:33 | |
Power up, John Cameron and Mark Franks. | 0:02:33 | 0:02:36 | |
It's time to put your money where your mouth is. | 0:02:36 | 0:02:40 | |
Out of your range, mate, innit? Well, it is in the fine art sale. | 0:02:40 | 0:02:43 | |
I was just admiring these three thoroughbreds, | 0:02:43 | 0:02:45 | |
and there we are standing here. Two donkeys! Two donkeys. | 0:02:45 | 0:02:48 | |
How are you doing, Mark? Yeah, good. To be fair, John, | 0:02:48 | 0:02:50 | |
you've been an auctioneer. | 0:02:50 | 0:02:52 | |
You used to be a market boy. We're in a market town. | 0:02:52 | 0:02:54 | |
What chance have I got today? Well, listen... I might as well go home. | 0:02:54 | 0:02:57 | |
The worry isn't us two | 0:02:57 | 0:02:58 | |
because, remember, we're not just competing against each other. | 0:02:58 | 0:03:01 | |
We're at an auction, so competing against the rest of the room. | 0:03:01 | 0:03:04 | |
And it's on the web, you can buy this on the web, | 0:03:04 | 0:03:06 | |
so we're competing against the world. Well, effectively you are, | 0:03:06 | 0:03:09 | |
so have you had a look at any of the lots, Mark? | 0:03:09 | 0:03:11 | |
I might have sat on the internet last night | 0:03:11 | 0:03:13 | |
and had a little cheeky look. | 0:03:13 | 0:03:15 | |
A sneaky peek. And have you got your £1,000? | 0:03:15 | 0:03:17 | |
Yes, in my skyrocket. Rhyming slang for pocket. | 0:03:17 | 0:03:20 | |
OK, well, you're not going to tell me anything you're interested in? | 0:03:20 | 0:03:23 | |
Yes, a cup of coffee, come on, let's go. | 0:03:23 | 0:03:25 | |
So, Franksy's acting like a true blue politician | 0:03:27 | 0:03:29 | |
and giving nothing away, | 0:03:29 | 0:03:31 | |
but John has studied his opponent and he wouldn't vote against him. | 0:03:31 | 0:03:35 | |
Mark is very clever | 0:03:35 | 0:03:37 | |
because he's got this gift of seeing an alternative use for an item, | 0:03:37 | 0:03:41 | |
so I'm expecting him to surprise me at the end of the day | 0:03:41 | 0:03:44 | |
with a lot that he's got a new end user for | 0:03:44 | 0:03:47 | |
but, anyway, I've had a good look | 0:03:47 | 0:03:49 | |
but I'm keeping my cards close to my chest, | 0:03:49 | 0:03:51 | |
so I don't want Mark to see what I'm looking at. | 0:03:51 | 0:03:54 | |
So John's going to keep his rival firmly in the dark | 0:03:54 | 0:03:57 | |
but Mark is also a man with a plan | 0:03:57 | 0:03:59 | |
and he knows the key to winning any battle is doing your homework. | 0:03:59 | 0:04:02 | |
Now, I'm very relaxed about today | 0:04:02 | 0:04:04 | |
because I've been sitting on my laptop and running through this sale | 0:04:04 | 0:04:08 | |
lot by lot by lot. | 0:04:08 | 0:04:10 | |
My catalogue is marked, I know what I want to buy. | 0:04:10 | 0:04:12 | |
It's me against the internet and the room and the whole wide world. | 0:04:12 | 0:04:16 | |
If anyone can take on the planet, Franksy can. | 0:04:16 | 0:04:19 | |
And he wastes no time in working the room to his advantage, | 0:04:19 | 0:04:22 | |
making a beeline for a garden urn he's researched earlier. | 0:04:22 | 0:04:26 | |
If you ever go round the big houses, you know, National Trust houses, | 0:04:26 | 0:04:30 | |
one of these out the front, very common. | 0:04:30 | 0:04:32 | |
This is called egg-and-dart, the reason being, | 0:04:32 | 0:04:35 | |
these look like eggs | 0:04:35 | 0:04:37 | |
and these look like darts, | 0:04:37 | 0:04:39 | |
so this is an egg-and-dart end. It's made of cast iron. | 0:04:39 | 0:04:41 | |
You can see the rust in it but that can be added at a later date. | 0:04:41 | 0:04:46 | |
What you can't get is where the rust has started to affect the finish. | 0:04:46 | 0:04:50 | |
You only get that with age. | 0:04:50 | 0:04:52 | |
Now, this, probably 100 years old, something like that. | 0:04:52 | 0:04:56 | |
It's been sat outside. | 0:04:56 | 0:04:57 | |
I think the estimate is about £50-£80 on this | 0:04:57 | 0:04:59 | |
and it will sell for absolute top retail. | 0:04:59 | 0:05:02 | |
I've pencilled it in but, in reality, I think | 0:05:02 | 0:05:04 | |
I've got more chance of getting John to buy me a pint afterwards. | 0:05:04 | 0:05:07 | |
Yes, no chance, then. | 0:05:07 | 0:05:09 | |
With just minutes until the auction kicks off, | 0:05:09 | 0:05:11 | |
John is hard at work checking out a set of crockery that caught his eye. | 0:05:11 | 0:05:15 | |
Quite a common sight at general auctions like this are dinner sets. | 0:05:15 | 0:05:18 | |
This one, in fact, is Doulton. | 0:05:18 | 0:05:20 | |
It's called the Fairfax pattern, and that's a reference to | 0:05:20 | 0:05:23 | |
this gilded decoration on this plain cream ground. | 0:05:23 | 0:05:27 | |
One of the things to check when you're looking at these dinner sets | 0:05:27 | 0:05:30 | |
is the condition of them. | 0:05:30 | 0:05:31 | |
Check to see if there's any wear to the gilding | 0:05:31 | 0:05:33 | |
and look at the dinner plates | 0:05:33 | 0:05:35 | |
and see if they have heavy knife marks right across the centre | 0:05:35 | 0:05:38 | |
because a set like this you might be able to buy for £100 | 0:05:38 | 0:05:41 | |
but if you go to a specialist dealer to supply a missing piece, | 0:05:41 | 0:05:44 | |
you may well pay £30 or £40 just for one plate. | 0:05:44 | 0:05:48 | |
So, with the crockery on his list, what will John go for next? | 0:05:48 | 0:05:52 | |
Oh, more crockery. | 0:05:52 | 0:05:54 | |
This is a mid-20th-century tea set, | 0:05:54 | 0:05:56 | |
and this is in the Derby Posies pattern, | 0:05:56 | 0:05:59 | |
so another lot I'm going to keep an eye on. | 0:05:59 | 0:06:01 | |
It's by Royal Crown Derby, | 0:06:01 | 0:06:03 | |
one of the best names in English porcelain production, a company | 0:06:03 | 0:06:06 | |
with a history stretching back to the middle of the 18th century. | 0:06:06 | 0:06:10 | |
So, while John searches for a kettle, | 0:06:10 | 0:06:12 | |
Mark's got his eye on something | 0:06:12 | 0:06:14 | |
that's not everyone's cup of tea - | 0:06:14 | 0:06:16 | |
a set of vintage men's mags. | 0:06:16 | 0:06:19 | |
I found something which I think is definitely undervalued | 0:06:19 | 0:06:22 | |
and has a huge potential to sell for big profits. | 0:06:22 | 0:06:24 | |
These are gent's magazines from the '50s and '60s. | 0:06:24 | 0:06:28 | |
Estimate, £10-£20. | 0:06:28 | 0:06:30 | |
82 of these magazines. But do you know what? | 0:06:30 | 0:06:32 | |
I've sold them before and made loads of money, | 0:06:32 | 0:06:35 | |
so these have got my name on them. | 0:06:35 | 0:06:37 | |
As Franksy marks his lot for later, | 0:06:37 | 0:06:39 | |
John has spotted a potential big money signing. | 0:06:39 | 0:06:42 | |
This is a lot of Topical Times player cards. | 0:06:42 | 0:06:45 | |
Issued in the '30s, very popular with children. | 0:06:45 | 0:06:48 | |
You could collect entire sets, full length, like this. | 0:06:48 | 0:06:52 | |
I will keep an eye on them. There's about 70-80 cards in here. | 0:06:52 | 0:06:56 | |
The thing to look out for in these is condition. | 0:06:56 | 0:06:58 | |
You want to check that the cards in the corners aren't too bumped. | 0:06:58 | 0:07:02 | |
You don't want cards with heavy creases in them and always look for | 0:07:02 | 0:07:05 | |
popular teams, like Manchester United | 0:07:05 | 0:07:08 | |
and Liverpool and Chelsea. | 0:07:08 | 0:07:09 | |
Those are the teams that are going to command the best prices today. | 0:07:09 | 0:07:13 | |
And, of course, Portsmouth. | 0:07:13 | 0:07:14 | |
Spoken like a true Pompey fan. | 0:07:14 | 0:07:17 | |
Now, John and Mark have both downloaded their items | 0:07:17 | 0:07:20 | |
and it's now time to transfer to the auction room, | 0:07:20 | 0:07:22 | |
as the bidding is about to begin. | 0:07:22 | 0:07:24 | |
Having been an auctioneer, John knows better than anyone | 0:07:24 | 0:07:28 | |
that this is one tough challenge. | 0:07:28 | 0:07:30 | |
We have got internet... live internet bidding here, | 0:07:30 | 0:07:33 | |
so those buyers, we can't see. We don't know who's viewed the sale | 0:07:33 | 0:07:37 | |
or who's going on the telephone, so it really is a game of chance. | 0:07:37 | 0:07:40 | |
Yes, nervous words from John and, across the room, Mark is suffering | 0:07:40 | 0:07:44 | |
his own bout of auction anxiety. | 0:07:44 | 0:07:45 | |
Auctions are a bit like going to the dentist. | 0:07:45 | 0:07:49 | |
You have that apprehension and that, sort of, fear and worry. | 0:07:49 | 0:07:53 | |
Then, afterwards, you think, it wasn't that bad. | 0:07:53 | 0:07:56 | |
"I love my dentist." | 0:07:56 | 0:07:57 | |
It's all smiles now, but as the auction gets under way, | 0:07:57 | 0:08:01 | |
our boys will need to get their game faces on, | 0:08:01 | 0:08:04 | |
as this is serious bidding business | 0:08:04 | 0:08:06 | |
and first to run the gauntlet of the gavel is John. | 0:08:06 | 0:08:09 | |
Remember that Doulton Fairfax dinner service that I saw earlier? | 0:08:09 | 0:08:13 | |
I'm going to keep my eye on it because I do know somebody | 0:08:13 | 0:08:16 | |
whose name is Fairfax and they've just got married, | 0:08:16 | 0:08:19 | |
so this could be a, sort of, belated wedding present to his wife. | 0:08:19 | 0:08:22 | |
But somewhere in cyberspace, there is a bidder who also | 0:08:22 | 0:08:26 | |
wants this dinner service. | 0:08:26 | 0:08:27 | |
70...5, 80. | 0:08:27 | 0:08:29 | |
And they are sending the price sky-high. | 0:08:29 | 0:08:32 | |
£100. 110 in the room now. At 110. GAVEL BANGS | 0:08:32 | 0:08:34 | |
Yes, it's first blood to John, as he beats the worldwide web | 0:08:36 | 0:08:40 | |
and gets the Doulton Fairfax dinner service for £129.80, | 0:08:40 | 0:08:44 | |
including auction fees. | 0:08:44 | 0:08:46 | |
I think I should get a profit out of that, | 0:08:46 | 0:08:49 | |
IF Mr and Mrs Fairfax want this dinner service. | 0:08:49 | 0:08:51 | |
If not, then I might be eating my breakfast off of it. | 0:08:51 | 0:08:55 | |
Well, stay focused, John, | 0:08:55 | 0:08:57 | |
as the second set of crockery is about to go under the hammer. | 0:08:57 | 0:09:00 | |
It's good to stay alert at auctions, cos it's quite easy to drift off. | 0:09:00 | 0:09:04 | |
Now, I want to make sure that nothing sells really cheaply. | 0:09:04 | 0:09:07 | |
I've marked quite a few lots | 0:09:07 | 0:09:09 | |
because there's always a danger you don't get them, | 0:09:09 | 0:09:12 | |
so I'm staying alert. | 0:09:12 | 0:09:13 | |
There's one coming up, that Crown Derby tea set. | 0:09:13 | 0:09:16 | |
Yes, the consummate professional, Mr Cameron would NEVER miss a lot. | 0:09:16 | 0:09:20 | |
I've just missed it. | 0:09:20 | 0:09:21 | |
I've just missed it. | 0:09:23 | 0:09:25 | |
Practise what you preach, John. | 0:09:25 | 0:09:28 | |
Yes, viewer, that's right. He's just missed his lot because he was | 0:09:28 | 0:09:32 | |
too busy telling us about the importance of not missing the lot. | 0:09:32 | 0:09:35 | |
Well, nothing gets past our Franksy, | 0:09:35 | 0:09:38 | |
as he swoops in on a potential cheap buy. | 0:09:38 | 0:09:41 | |
The next lot coming up is a lot I quite fancy - | 0:09:41 | 0:09:44 | |
a pair of Art Deco pink-tinted, | 0:09:44 | 0:09:46 | |
chrome-played table lamps. Need a bit of love. | 0:09:46 | 0:09:50 | |
Might sell cheap. Estimate, I think, is 40-60 quid. | 0:09:50 | 0:09:53 | |
Table lamps. 20 anywhere? 20? | 0:09:53 | 0:09:57 | |
Thank you. 20 bid. At 20, in the corner... | 0:09:57 | 0:10:00 | |
But he's got competition, from an online bidder. 28. | 0:10:00 | 0:10:03 | |
At 28. 30. 32. | 0:10:03 | 0:10:06 | |
At 35. | 0:10:06 | 0:10:07 | |
38. 40. At £40. | 0:10:07 | 0:10:09 | |
At 40. Going at 40. GAVEL BANGS | 0:10:09 | 0:10:12 | |
Yes! | 0:10:13 | 0:10:14 | |
So, Mark's up and running, beating the room and the internet | 0:10:14 | 0:10:18 | |
to pick up a set of Art Deco candleholders for £47.20, with fees. | 0:10:18 | 0:10:23 | |
These are Art Deco at its best. Look at the geometric lines | 0:10:23 | 0:10:28 | |
around the top and the circles round the bottom with the lines coming out. | 0:10:28 | 0:10:32 | |
The shapes are strong and bold. It's so Deco. The tops are made of glass. | 0:10:32 | 0:10:37 | |
A candle would have gone in there. If you run your fingers round, | 0:10:37 | 0:10:39 | |
you can actually feel there's no damage. That would come out | 0:10:39 | 0:10:44 | |
and then the base, we unscrew that, get this re-chromed, | 0:10:44 | 0:10:47 | |
because the chrome has gone on it. As you can see, it's coming through. | 0:10:47 | 0:10:50 | |
Suddenly, what you've got is two wonderful lamps. | 0:10:50 | 0:10:53 | |
These, I'm really pleased with. | 0:10:53 | 0:10:56 | |
So, it's one apiece, but not for long, | 0:10:56 | 0:10:59 | |
as John scores a screamer, | 0:10:59 | 0:11:00 | |
bagging the football cards he was eyeing up earlier | 0:11:00 | 0:11:04 | |
for £64.90, including commission. | 0:11:04 | 0:11:06 | |
And he's hoping to make it a hat-trick | 0:11:06 | 0:11:08 | |
as a set of sports encyclopaedias catch his eye. | 0:11:08 | 0:11:11 | |
But, once again, he's got competition from an internet bidder. | 0:11:11 | 0:11:15 | |
Four volume set. 20? 10 then? | 0:11:15 | 0:11:18 | |
10 bid. Thank you, at 10, at £10, at 10. | 0:11:18 | 0:11:20 | |
12, at £12, 12. | 0:11:20 | 0:11:22 | |
15, at £15. | 0:11:22 | 0:11:23 | |
20, at £20. 22. | 0:11:23 | 0:11:24 | |
Five. At £25. | 0:11:24 | 0:11:26 | |
Going at 25 then... | 0:11:26 | 0:11:28 | |
HAMMER DROPS Oh, just too late online. | 0:11:28 | 0:11:30 | |
Yes! Too late, online! | 0:11:30 | 0:11:32 | |
I bet they're sorry they didn't get that faster broadband connection. | 0:11:32 | 0:11:35 | |
Yes, John again comes out on top in this battle of man versus machine, | 0:11:35 | 0:11:40 | |
as he secures his encyclopaedias for £29.50, including fees. | 0:11:40 | 0:11:44 | |
I bought this set of four books. They are The Encyclopaedia Of Sport. | 0:11:46 | 0:11:51 | |
You can see they're in four volumes, they're 1911 in date, | 0:11:51 | 0:11:55 | |
and they've got their original gilt-tooled green cloth bindings. | 0:11:55 | 0:11:59 | |
I think these are going to go some way to seeing me | 0:11:59 | 0:12:02 | |
crowned the undisputed antiques champion. | 0:12:02 | 0:12:05 | |
Mmm, fighting talk from John | 0:12:05 | 0:12:07 | |
but across the room his rival is feeling more sociable. | 0:12:07 | 0:12:11 | |
John, John. Two bottles of wine coming up, do you want one each? | 0:12:11 | 0:12:14 | |
We could split this one, is there anything in the rules to say we can split this? | 0:12:14 | 0:12:17 | |
How are you doing? | 0:12:17 | 0:12:19 | |
Slowly, slowly, I'm hoping to catch a monkey. | 0:12:19 | 0:12:21 | |
Do you know what? I'm thinking about going | 0:12:21 | 0:12:24 | |
and cutting the fibre-optic to bring the internet down | 0:12:24 | 0:12:26 | |
because, I tell you what, it's barmy. | 0:12:26 | 0:12:28 | |
There are things nearly going down at 100 quid in the room | 0:12:28 | 0:12:31 | |
and they end up 300 quid on the internet. | 0:12:31 | 0:12:33 | |
That's what I said to you at the beginning of the day, didn't I? | 0:12:33 | 0:12:36 | |
It's not you against me, it's you against me, the room and the rest of the world. | 0:12:36 | 0:12:39 | |
I don't think there's any foul play here, | 0:12:39 | 0:12:41 | |
there's no-one in the room running us up, | 0:12:41 | 0:12:43 | |
it's the curse of the internet. The ether. | 0:12:43 | 0:12:45 | |
Well, good luck for the second half. Cheers, mate. | 0:12:45 | 0:12:48 | |
So, as we go into stand-by for a moment, time to see | 0:12:48 | 0:12:51 | |
which of our experts is running at full capacity | 0:12:51 | 0:12:54 | |
and who's gone into meltdown. | 0:12:54 | 0:12:56 | |
Our dealing duo started the day with £1,000 of their own money. | 0:12:57 | 0:13:02 | |
John is in the lead, bagging three lots costing £224.20. | 0:13:02 | 0:13:07 | |
Leaving him with £775.80 for the rest of the day. | 0:13:07 | 0:13:11 | |
Mark is lagging behind on just one purchase, | 0:13:11 | 0:13:14 | |
spending £47.20 and leaving him with £952.80 in his kitty. | 0:13:14 | 0:13:20 | |
We're ready to reboot this competition | 0:13:20 | 0:13:23 | |
and get back to the bidding. | 0:13:23 | 0:13:24 | |
With only one item to his name, | 0:13:24 | 0:13:26 | |
Mark is going to need to switch it on and fast. | 0:13:26 | 0:13:29 | |
But, behind or not, he's not hitting panic mode yet. | 0:13:29 | 0:13:32 | |
Most mistakes are made when you just put your hand up | 0:13:32 | 0:13:35 | |
on something you've not checked properly, | 0:13:35 | 0:13:37 | |
like a chest of drawers with knobs missing or broken drawers, | 0:13:37 | 0:13:40 | |
or a bit of China that's smashed and you haven't checked it. | 0:13:40 | 0:13:43 | |
Yes, good tip, Mark, | 0:13:43 | 0:13:45 | |
and one that John is completely ignoring, | 0:13:45 | 0:13:47 | |
as he goes in blind on the next item - a silver salver. | 0:13:47 | 0:13:50 | |
John's not even seen the salver | 0:13:52 | 0:13:53 | |
but the bidding's already reached the hundreds. | 0:13:53 | 0:13:56 | |
280, 290, 300... | 0:13:56 | 0:13:59 | |
At £300, at 300... | 0:13:59 | 0:14:01 | |
HAMMER DROPS Thank you. | 0:14:01 | 0:14:03 | |
Ooh, a massive risk by John. | 0:14:03 | 0:14:05 | |
He's paid a whopping £354 including fees | 0:14:05 | 0:14:09 | |
but what has he actually bought? | 0:14:09 | 0:14:11 | |
It's a silver salver, | 0:14:11 | 0:14:13 | |
a classic design dating from the 1740s or 1750s. | 0:14:13 | 0:14:18 | |
It would have just been used to put things on, | 0:14:18 | 0:14:20 | |
like drinks or a coaster or something like that. | 0:14:20 | 0:14:23 | |
Pie crust border, this has been cast and applied | 0:14:23 | 0:14:27 | |
and, typically, four cast and applied hoof feet. | 0:14:27 | 0:14:30 | |
Nicely, it hasn't been engraved. | 0:14:30 | 0:14:33 | |
It's hallmarked to Birmingham, 1931. | 0:14:33 | 0:14:35 | |
It does look to be in pretty good condition. | 0:14:35 | 0:14:38 | |
I'm pleased with that but I took a chance and got out of jail. | 0:14:38 | 0:14:41 | |
Always look before you buy. | 0:14:41 | 0:14:43 | |
John's dodged a bullet and storms into a 4-1 lead | 0:14:43 | 0:14:47 | |
but there's a long way to go yet and Mark is armed | 0:14:47 | 0:14:49 | |
with a secret weapon - his own bidding blueprint. | 0:14:49 | 0:14:53 | |
When I'm at the auction, I have a technique. | 0:14:53 | 0:14:57 | |
And it is nonchalant. | 0:14:57 | 0:14:59 | |
So, I put my...like that, up in the air, | 0:14:59 | 0:15:02 | |
nice and strong, as if you mean it, and leave it there. | 0:15:02 | 0:15:06 | |
And leave it there, leave it there, like that, | 0:15:06 | 0:15:08 | |
while they're bidding, look away, check your nails, | 0:15:08 | 0:15:11 | |
as if you don't care, as if you've got all the money in the world. | 0:15:11 | 0:15:14 | |
And at the last-minute... | 0:15:14 | 0:15:15 | |
drop it. | 0:15:15 | 0:15:17 | |
And then that way it shows you're interested in buying it | 0:15:17 | 0:15:20 | |
and you're there for the full run. | 0:15:20 | 0:15:22 | |
As the next item comes up, | 0:15:22 | 0:15:24 | |
it's the perfect opportunity to demonstrate his technique. | 0:15:24 | 0:15:27 | |
This is the gent's magazines. | 0:15:27 | 0:15:30 | |
Estimate, 10 to 20 quid. | 0:15:30 | 0:15:32 | |
I'll be quite happy to pay 150 quid for them. Here we go. | 0:15:32 | 0:15:35 | |
279 is the collection of girlie magazines, 1960s. | 0:15:35 | 0:15:39 | |
He's in at 130. | 0:15:39 | 0:15:40 | |
150, 160... | 0:15:40 | 0:15:42 | |
Yes, very nonchalant. | 0:15:42 | 0:15:44 | |
Back corner then, at 170. | 0:15:44 | 0:15:45 | |
Going at 170, selling at 170... | 0:15:45 | 0:15:48 | |
HAMMER DROPS | 0:15:48 | 0:15:49 | |
This is easy, I'm going to double my money. | 0:15:49 | 0:15:52 | |
Well, it seems his technique has paid off, | 0:15:52 | 0:15:54 | |
as Mark bags the vintage magazines, | 0:15:54 | 0:15:56 | |
though he pays a little more than he wanted at £200.60, | 0:15:56 | 0:16:00 | |
including commission. | 0:16:00 | 0:16:02 | |
But this spending spree is just getting started, | 0:16:02 | 0:16:04 | |
and he marches on and picks up a set | 0:16:04 | 0:16:06 | |
of Churchill centenary medals | 0:16:06 | 0:16:09 | |
for a whopping £318.60 with fees - | 0:16:09 | 0:16:11 | |
his biggest purchase so far. | 0:16:11 | 0:16:13 | |
There are actually 24 medals in here | 0:16:15 | 0:16:17 | |
and some beautiful coins which are solid silver and then gilded. | 0:16:17 | 0:16:22 | |
And each one showing what's going on in his life, | 0:16:22 | 0:16:25 | |
different parts of his life that are important. | 0:16:25 | 0:16:27 | |
This has got a real good chance. | 0:16:27 | 0:16:30 | |
If you wanted a set of these for your collection, | 0:16:30 | 0:16:32 | |
there's not a lot out there. | 0:16:32 | 0:16:34 | |
I'm amazed John didn't buy them. | 0:16:34 | 0:16:36 | |
In the words of Churchill, we'll take them on the beaches. | 0:16:36 | 0:16:40 | |
Yes, at ease, Mark, you're only one behind John now. | 0:16:40 | 0:16:43 | |
And it's not long before he draws level, | 0:16:43 | 0:16:45 | |
picking up a watercolour of Stanford in Lincolnshire | 0:16:45 | 0:16:48 | |
for £118 with commission. | 0:16:48 | 0:16:50 | |
When I was on the internet checking what's going into the auction - | 0:16:50 | 0:16:53 | |
which you can do at home, as well - | 0:16:53 | 0:16:55 | |
I saw this come up and thought, "I wonder if that's still like that." | 0:16:55 | 0:16:58 | |
So I Googled the image and guess what? | 0:16:58 | 0:17:01 | |
It's still just like that. | 0:17:01 | 0:17:03 | |
There was a fellow in the auction who was bidding against me. | 0:17:03 | 0:17:06 | |
I spoke to the chap and said, "You know, | 0:17:06 | 0:17:08 | |
"once I've done a bit of homework I might offer it to you." | 0:17:08 | 0:17:10 | |
He was still interested. | 0:17:10 | 0:17:12 | |
And, after that buying bonanza, Mark is back in the game. | 0:17:12 | 0:17:15 | |
But, at just four items apiece, this is no time to slow down. | 0:17:15 | 0:17:19 | |
As the gavel keeps falling, time is running out | 0:17:19 | 0:17:22 | |
and, having not raised his paddle in a while, | 0:17:22 | 0:17:25 | |
the Hammer is starting to worry. | 0:17:25 | 0:17:26 | |
The lots are running out | 0:17:26 | 0:17:28 | |
and I've still got quite a bit of money to spend, | 0:17:28 | 0:17:30 | |
so I'm starting to panic and I have to have another look at this catalogue. | 0:17:30 | 0:17:34 | |
MUSIC: "Panic" by The Smiths | 0:17:34 | 0:17:38 | |
The old panic's starting to set in a little bit. | 0:17:38 | 0:17:40 | |
A panic buy. | 0:17:43 | 0:17:44 | |
Going to the room at £25. | 0:17:44 | 0:17:47 | |
What did I buy there? | 0:17:47 | 0:17:48 | |
As hysteria takes hold, John's made another impulse buy. | 0:17:48 | 0:17:53 | |
This time it's a spinning chair | 0:17:53 | 0:17:55 | |
that's cost him £29.50 with fees. | 0:17:55 | 0:17:58 | |
Often associated with the Welsh spinning industry, | 0:18:00 | 0:18:04 | |
and usually made locally, vernacularly, | 0:18:04 | 0:18:07 | |
and using local materials. | 0:18:07 | 0:18:09 | |
This one's been decorated with poker work, | 0:18:09 | 0:18:12 | |
which is basically a series of little dots | 0:18:12 | 0:18:15 | |
that have been tooled to leave this decoration planed, | 0:18:15 | 0:18:19 | |
almost like marquetry. | 0:18:19 | 0:18:21 | |
I don't think anybody's going to want to use this any more. | 0:18:21 | 0:18:24 | |
We should get £50, £60 for this. | 0:18:24 | 0:18:26 | |
And the rush buying continues, | 0:18:26 | 0:18:28 | |
as John picks up a Victorian steel footman | 0:18:28 | 0:18:30 | |
for £21.24 commission. | 0:18:30 | 0:18:32 | |
But, having nabbed it, | 0:18:32 | 0:18:34 | |
he's now looking to his rival for reassurance. | 0:18:34 | 0:18:37 | |
It's got a scrap at that price, hasn't it? No. | 0:18:37 | 0:18:40 | |
Cheers, Mark(!) | 0:18:40 | 0:18:42 | |
I'm frantically buying in everything and anything, | 0:18:42 | 0:18:45 | |
all low-value stuff but, um... | 0:18:45 | 0:18:47 | |
It'll at least give me a chance of making a profit. | 0:18:47 | 0:18:50 | |
So, there is some method to John's buying madness | 0:18:50 | 0:18:53 | |
but, even with time ticking on, | 0:18:53 | 0:18:55 | |
Mark is not resorting to the tactics of his impulsive rival, | 0:18:55 | 0:18:58 | |
as he's waited for the garden urn he marked earlier | 0:18:58 | 0:19:01 | |
to go under the hammer. | 0:19:01 | 0:19:03 | |
The garden urn, lovely piece, this is, please. | 0:19:03 | 0:19:05 | |
I like this. | 0:19:05 | 0:19:07 | |
But, once again, the action isn't just in the room. | 0:19:07 | 0:19:11 | |
An internet bidder is waging war. | 0:19:11 | 0:19:13 | |
140, 150, 160. You're out on the net. | 0:19:13 | 0:19:16 | |
170... | 0:19:16 | 0:19:18 | |
All done? Go on, Mark. | 0:19:18 | 0:19:20 | |
£170, I shan't dwell. | 0:19:20 | 0:19:22 | |
HAMMER DROPS 802. | 0:19:22 | 0:19:23 | |
180 quid, you can't go wrong. | 0:19:23 | 0:19:26 | |
I'll swap you for my footman. | 0:19:26 | 0:19:28 | |
Yes, nice try, John, but you're going to have to keep hold of your footman for now. | 0:19:29 | 0:19:33 | |
However, Mark is a happy chappie, | 0:19:33 | 0:19:35 | |
as he gets his garden urn for £200.60 with fees. | 0:19:35 | 0:19:39 | |
I will sell that at a profit. | 0:19:39 | 0:19:41 | |
So, it's all going to plan for Mark but John is still flying blind | 0:19:41 | 0:19:45 | |
as he's bidding for another unviewed item - a glass vase. | 0:19:45 | 0:19:49 | |
£10, all done? Sold and away at £10. | 0:19:50 | 0:19:53 | |
Hey! I've just bought myself a carboy. | 0:19:53 | 0:19:56 | |
What is it? Well, they would have been used | 0:19:56 | 0:19:58 | |
for planting indoor gardens with cacti and things like that inside | 0:19:58 | 0:20:01 | |
and I remember these from the 1970s and always wanted one. | 0:20:01 | 0:20:05 | |
I know one or two people that may just want this. | 0:20:05 | 0:20:07 | |
Not massive profits but, hey, a profit's a profit. | 0:20:07 | 0:20:10 | |
So, with commission, John gets his carboy for £11.80. | 0:20:10 | 0:20:14 | |
And, as the final few items go under the hammer, | 0:20:14 | 0:20:16 | |
Mark is hoping for a sneaky last-minute steal | 0:20:16 | 0:20:19 | |
as he spots a wooden coffee table. | 0:20:19 | 0:20:22 | |
Sold then at £30. 802. | 0:20:22 | 0:20:24 | |
Bargain! | 0:20:24 | 0:20:25 | |
Sorry? I said bargain, sir, sorry. | 0:20:25 | 0:20:28 | |
Calm down, Mark. | 0:20:28 | 0:20:30 | |
Me and you can have a dance on it later, that's how strong it is. | 0:20:30 | 0:20:33 | |
You still don't want to swap it for my footman? | 0:20:33 | 0:20:35 | |
I wouldn't swap it for any of your lots. | 0:20:35 | 0:20:37 | |
As John once again tries to off-load his footman, | 0:20:37 | 0:20:41 | |
Mark walks away with his wooden coffee table | 0:20:41 | 0:20:43 | |
which, including auction fees, cost him £35.40. | 0:20:43 | 0:20:46 | |
Right, this is beautiful. | 0:20:46 | 0:20:48 | |
It's solid oak, there's lovely peg joints coming out there. | 0:20:48 | 0:20:52 | |
I mean, what a lump of timber. | 0:20:52 | 0:20:55 | |
30 quid plus commission? | 0:20:55 | 0:20:57 | |
It's the steal of the day. Back of the net. | 0:20:57 | 0:21:00 | |
And Mark is riding high as he swings straight in for another lot - | 0:21:00 | 0:21:04 | |
a Shaker-style rocker chair. | 0:21:04 | 0:21:06 | |
When that girl's sitting on that chair, that chair looks a million dollars. | 0:21:06 | 0:21:09 | |
When she gets off it... It looks about eight quid. | 0:21:09 | 0:21:12 | |
THEY LAUGH | 0:21:12 | 0:21:13 | |
The cheeky charmer gets the chair for £64.90 with fees. | 0:21:13 | 0:21:18 | |
I've got to be honest, without that pretty lady sitting in the chair, | 0:21:19 | 0:21:23 | |
it's not quite the same. | 0:21:23 | 0:21:25 | |
But it is a cracking chair. | 0:21:25 | 0:21:28 | |
It's in the Shaker style. | 0:21:28 | 0:21:30 | |
Now, the Shaker movement happened in the late 1700s, | 0:21:30 | 0:21:35 | |
1780, around about there. | 0:21:35 | 0:21:37 | |
This isn't from that period. | 0:21:37 | 0:21:38 | |
I reckon this is probably from the '60s. | 0:21:38 | 0:21:41 | |
I think it's going to be an absolute winner. | 0:21:41 | 0:21:44 | |
So, before our experts power-down, | 0:21:44 | 0:21:46 | |
time for a reminder of what they've spent. | 0:21:46 | 0:21:49 | |
They both started the day with £1,000 of their own money. | 0:21:52 | 0:21:56 | |
John is hoping he has done enough with his seven lots, | 0:21:56 | 0:21:59 | |
at a total cost of £640.74. | 0:21:59 | 0:22:02 | |
While Mark has also bought seven items | 0:22:02 | 0:22:06 | |
but paid more, spending £584.30. | 0:22:06 | 0:22:10 | |
But this game is all about the profit. | 0:22:10 | 0:22:13 | |
Our auction room supermen have had to fight | 0:22:14 | 0:22:17 | |
tooth and nail for everything today | 0:22:17 | 0:22:19 | |
but which of their items do they think deserve a hero's reward? | 0:22:19 | 0:22:22 | |
So, Mark, my old China, how are you feeling at the end of the day? | 0:22:22 | 0:22:26 | |
I feel bashed up by the World Wide Web. | 0:22:26 | 0:22:29 | |
It felt like anything I wanted to bid on, | 0:22:29 | 0:22:32 | |
the auction was bidding against me, bidding against me, | 0:22:32 | 0:22:35 | |
so I paid, really, top money for everything. | 0:22:35 | 0:22:37 | |
But what I have to say is one of your items that | 0:22:37 | 0:22:40 | |
I kind of almost wish I'd gone for was your gentleman's magazines. | 0:22:40 | 0:22:44 | |
170 plus commish. | 0:22:44 | 0:22:47 | |
My favourite knee jerk reaction lot | 0:22:47 | 0:22:49 | |
has to be my four sporting encyclopaedias. | 0:22:49 | 0:22:52 | |
They're a wonderful insight into sports of the Edwardian period. | 0:22:52 | 0:22:57 | |
But very fascinating. | 0:22:57 | 0:22:58 | |
Come on, let's pack up. | 0:22:58 | 0:23:00 | |
Right. Now, why is it you don't like China? | 0:23:00 | 0:23:03 | |
HE LAUGHS: Yeah, good luck. | 0:23:03 | 0:23:04 | |
So, with their bidding paddles safely sheathed, | 0:23:07 | 0:23:10 | |
the battle ground is shifting. | 0:23:10 | 0:23:11 | |
If our two dealers thought the buying was tough, | 0:23:11 | 0:23:14 | |
they're about to enter a whole new world of pain | 0:23:14 | 0:23:16 | |
as they now need to sell the items they fought so hard to acquire. | 0:23:16 | 0:23:20 | |
Back in Portsmouth, John is recovering from the bidding battle | 0:23:20 | 0:23:24 | |
and assessing his spoils of war. | 0:23:24 | 0:23:26 | |
I have to tell you, I much prefer being an auctioneer | 0:23:26 | 0:23:29 | |
than being a buyer at auction. | 0:23:29 | 0:23:31 | |
I marked 30 potential items from which to buy around six | 0:23:31 | 0:23:36 | |
and I came away with only two, | 0:23:36 | 0:23:38 | |
being this wonderful Fairfax Hatton Doulton dinner service | 0:23:38 | 0:23:43 | |
and these wonderful Topical Times football cards. | 0:23:43 | 0:23:46 | |
But, because of the disappointment | 0:23:46 | 0:23:49 | |
of being outbid by the internet bidders, I ended up with, | 0:23:49 | 0:23:52 | |
well, four spontaneous panic buys - | 0:23:52 | 0:23:55 | |
my carboy, my 19th-century cast iron footman, | 0:23:55 | 0:23:59 | |
my spinning chair and my encyclopaedia of sport, | 0:23:59 | 0:24:02 | |
which I've actually fallen in love with. | 0:24:02 | 0:24:04 | |
And that leaves me with something of a rather risky purchase - | 0:24:04 | 0:24:08 | |
my silver salver, which I hadn't even viewed. | 0:24:08 | 0:24:12 | |
But I do have a buyer in mind and if I do manage to get that away, | 0:24:12 | 0:24:17 | |
well, Franksy, it's game, set and match. | 0:24:17 | 0:24:20 | |
Yes, John is serving a warning there | 0:24:20 | 0:24:22 | |
but back at his rival's South London lair, | 0:24:22 | 0:24:24 | |
Mark is eyeing up his armoury and preparing to return fire. | 0:24:24 | 0:24:28 | |
This little lot here is nearly £1,000 worth. | 0:24:28 | 0:24:31 | |
How scary - I'm terrified. | 0:24:31 | 0:24:33 | |
This beautiful urn, which I really love, | 0:24:33 | 0:24:36 | |
the guy I had in mind is not interested, | 0:24:36 | 0:24:38 | |
so that's up in the air. | 0:24:38 | 0:24:40 | |
Coins. | 0:24:40 | 0:24:41 | |
The lovely little Art Deco candlesticks. | 0:24:41 | 0:24:44 | |
The chrome on the side there needs to be re-chromed. | 0:24:44 | 0:24:49 | |
I've got 15 quid, roughly, left in my budget. That should just about do it. | 0:24:49 | 0:24:53 | |
The picture, Stanford. It's a nice little watercolour. | 0:24:53 | 0:24:57 | |
I've never even been there but I'm going to go. | 0:24:57 | 0:25:00 | |
The magazines - they should have cost me 20 quid but I did want them. | 0:25:00 | 0:25:04 | |
The best buy is this coffee table. Solid oak, wasn't a lot of money. | 0:25:04 | 0:25:08 | |
And the rocking chair. Woo hoo! | 0:25:08 | 0:25:11 | |
You've got to love a rocking chair, ain't you? | 0:25:11 | 0:25:13 | |
Wish me luck. I think I'm going to need it. | 0:25:13 | 0:25:16 | |
Mmm, there's no luck in this game, Mark. | 0:25:16 | 0:25:18 | |
As our two bidding barbarians enter the selling arena | 0:25:18 | 0:25:21 | |
their weapons of choice are the trusty phone and contacts book | 0:25:21 | 0:25:25 | |
as they aim to make a killing from their purchases. | 0:25:25 | 0:25:28 | |
But, remember, a deal isn't ideal until it's sealed with a handshake. | 0:25:28 | 0:25:32 | |
John is the first act, as he runs on to the pitch | 0:25:33 | 0:25:36 | |
for a hometown fixture in Portsmouth, | 0:25:36 | 0:25:38 | |
where he's hoping to take an early lead. | 0:25:38 | 0:25:40 | |
I'm here to meet sports memorabilia dealer Steve | 0:25:40 | 0:25:43 | |
with my Topical Times cards. | 0:25:43 | 0:25:46 | |
The big question remaining is, | 0:25:46 | 0:25:48 | |
will this be a home win or an own goal? | 0:25:48 | 0:25:50 | |
John will be looking for a profit on his big money signing, | 0:25:50 | 0:25:54 | |
as the football cards cost him £64.90. | 0:25:54 | 0:25:57 | |
I have bought something that I'm hoping you might be interested in. | 0:25:57 | 0:26:01 | |
These are in immaculate condition, John. They're not bad. | 0:26:01 | 0:26:04 | |
The Topical Times was a magazine by Thompson, they did the Beano | 0:26:04 | 0:26:08 | |
and the Dandy, and it was in its heyday between 1919 and 1940. | 0:26:08 | 0:26:13 | |
Mostly football but it did cover other sports, boxing and so on. | 0:26:13 | 0:26:17 | |
There'd be a lot of people that come into the shop | 0:26:17 | 0:26:20 | |
that would be interested in the Pompey ones. | 0:26:20 | 0:26:22 | |
Yeah, these are really nice. How does a couple of hundred quid sound? | 0:26:22 | 0:26:25 | |
I'd probably be looking to pay, well, 120. | 0:26:25 | 0:26:30 | |
175? How about 150? Make it 160. | 0:26:30 | 0:26:34 | |
160. 160, you've got yourself a deal, yeah? Yeah. | 0:26:34 | 0:26:37 | |
OK, cracking, mate, yeah. 160, OK. OK, mate. | 0:26:37 | 0:26:40 | |
So the celebrations start early for John as he bags a profit of £95.10. | 0:26:40 | 0:26:46 | |
I think you'll find, Mr Franks, I'm the auction champion. | 0:26:47 | 0:26:51 | |
Yes, don't get too cocky, John, as this battle has only just begun. | 0:26:53 | 0:26:57 | |
You join us at Brighton Racecourse for the highest stakes | 0:26:57 | 0:26:59 | |
dealing derby. Over to commentator Mark Franksy-Franks. | 0:26:59 | 0:27:04 | |
Come on, round the bend, come on. Come on, giddy-up, yeah. | 0:27:04 | 0:27:08 | |
Mr Franks wins. | 0:27:08 | 0:27:10 | |
Yeah, not quite yet, Mark. He's here, | 0:27:10 | 0:27:12 | |
hoping to sell his oak table that set him back £35.40. | 0:27:12 | 0:27:16 | |
Welcome to Brighton Racecourse. | 0:27:16 | 0:27:19 | |
My mate Andy runs his auction house from here. | 0:27:19 | 0:27:22 | |
Now, do you remember the coffee table that I bought? | 0:27:22 | 0:27:25 | |
I'm going to show it to Andy and hopefully sell it to him | 0:27:25 | 0:27:28 | |
and I will be the race leader. | 0:27:28 | 0:27:30 | |
Well, Andy, here we are, Brighton, the sun's not really shining | 0:27:30 | 0:27:34 | |
and I thought I'd come and show you this | 0:27:34 | 0:27:36 | |
because I know you like a coffee table and you know a bit of quality, | 0:27:36 | 0:27:39 | |
so you're the man for the job, what do you think? | 0:27:39 | 0:27:42 | |
Yeah, let's have a look at it. Yeah, looks well made. | 0:27:42 | 0:27:45 | |
I'm not going to stand on it but I have stood on it, it's solid. | 0:27:45 | 0:27:48 | |
It's absolutely... Can you sit on it? I'll prove it to you. How about that? | 0:27:48 | 0:27:52 | |
Very nice. | 0:27:52 | 0:27:54 | |
I think I paid a very little price for it, I gave 35 for it. | 0:27:54 | 0:27:58 | |
Give you 45 quid for it. Tell you what, you've got a deal. | 0:27:58 | 0:28:00 | |
That was perfect, lovely. | 0:28:00 | 0:28:02 | |
Coffee table sold, profit made. Number one - Franks, two - Cameron, | 0:28:02 | 0:28:07 | |
second across the post. | 0:28:07 | 0:28:09 | |
And it's Franksy, Franksy in the lead by a nose. | 0:28:09 | 0:28:11 | |
Go on, Franksy, and Franksy takes it. | 0:28:11 | 0:28:14 | |
Yes, that's a respectable £9.60 in profit | 0:28:14 | 0:28:17 | |
but will John fall at the next hurdle? | 0:28:17 | 0:28:19 | |
He heads to a flower shop with the carboy that he bought for £11.80 | 0:28:19 | 0:28:24 | |
but, be warned, this smooth operator is armed with his best lines. | 0:28:24 | 0:28:29 | |
Hi, John. How are you? In a shop full of beautiful things, | 0:28:29 | 0:28:32 | |
you're still the most beautiful thing in here. Ah-h! The charm... | 0:28:32 | 0:28:35 | |
I'm trying to work the charm offensive. Lovely. | 0:28:35 | 0:28:37 | |
Oh, John, is that the best you can do? | 0:28:37 | 0:28:39 | |
Oh, this is wonderful. | 0:28:39 | 0:28:41 | |
I've seen one of these before, I know what it is. | 0:28:41 | 0:28:43 | |
They used to be all the rage in the '60s. It's called a carboy. | 0:28:43 | 0:28:46 | |
It is called a carboy. | 0:28:46 | 0:28:48 | |
And people used to use it to grow gardens inside of there. | 0:28:48 | 0:28:52 | |
You know, I always thought that you must have put the soil in | 0:28:52 | 0:28:56 | |
and then had to somehow with some sort of stick... | 0:28:56 | 0:28:59 | |
All you need to do is make a funnel out of newspaper or cardboard, | 0:28:59 | 0:29:02 | |
then you just drop the seeds down and they just kind of work together | 0:29:02 | 0:29:06 | |
and let nature take its course. So, how much do you want for it? | 0:29:06 | 0:29:10 | |
I was thinking about £40. And I was thinking about 20. | 0:29:10 | 0:29:14 | |
I'll tell you what, would you go to £30? £30, thank you, John. | 0:29:14 | 0:29:20 | |
Ah, the sweet smell of success as John makes an £18.20 profit | 0:29:20 | 0:29:25 | |
but, ever nipping at his heels, | 0:29:25 | 0:29:27 | |
Mark is heading to Hampshire on a horticultural trip of his own. | 0:29:27 | 0:29:30 | |
Now, do you remember the urn I bought at auction? | 0:29:30 | 0:29:33 | |
This is just the right place to sell it. | 0:29:33 | 0:29:35 | |
Fingers crossed that Ed will like it. | 0:29:35 | 0:29:38 | |
I'm going to show it to him and, hopefully, | 0:29:38 | 0:29:40 | |
I might even be able to make a profit. | 0:29:40 | 0:29:42 | |
He's brought his urn to an ornamental garden furniture dealer | 0:29:42 | 0:29:46 | |
but he's going to need a generous offer | 0:29:46 | 0:29:48 | |
as it set him back just over £200. | 0:29:48 | 0:29:50 | |
So, here it is, Ed, and I've got to be honest, | 0:29:51 | 0:29:54 | |
on the pedestal it's actually looking quite nice. | 0:29:54 | 0:29:56 | |
What do you think? I think it's very nice. | 0:29:56 | 0:29:58 | |
You mentioned that you'd got a cast-iron urn | 0:29:58 | 0:30:01 | |
and I was a bit worried that it could well be a modern copy | 0:30:01 | 0:30:04 | |
from India or the Far East or China or somewhere like that | 0:30:04 | 0:30:07 | |
but, actually, no, I'm quite happy that this is | 0:30:07 | 0:30:09 | |
a genuine 19th-century tazza-shaped urn. With original rust. | 0:30:09 | 0:30:15 | |
With original rust. Now I'm going to be really straight with you. | 0:30:15 | 0:30:17 | |
I fell in love with it, if I could keep it, I would, | 0:30:17 | 0:30:21 | |
I paid much more than I wanted. | 0:30:21 | 0:30:23 | |
It stands being, with commission, it was pence over £200. | 0:30:23 | 0:30:28 | |
Now, I know it's not cheap,. No, it's not. If it had been a pair... | 0:30:28 | 0:30:32 | |
Yes, I know. | 0:30:32 | 0:30:33 | |
..a pair would have been 500, | 0:30:33 | 0:30:35 | |
I'd be much happier but it being a single... Yeah, I know. | 0:30:35 | 0:30:39 | |
..but I would give you 230. 230, you've got a deal. | 0:30:39 | 0:30:42 | |
If you're happy, Ed, I'm happy. I'm happy. | 0:30:42 | 0:30:44 | |
Well, everyone's happy. | 0:30:44 | 0:30:46 | |
And Mark walks away with a profit of £29.40 | 0:30:46 | 0:30:50 | |
but, back in Portsmouth, John's setting out to wipe | 0:30:50 | 0:30:53 | |
the smile off his rival's face as he heads to meet antiquarian | 0:30:53 | 0:30:56 | |
book dealer John Westwood. | 0:30:56 | 0:30:58 | |
Now, these are the books I spoke to you about. | 0:30:58 | 0:31:01 | |
I've looked at them, condition-wise, minor bumps to the corners | 0:31:01 | 0:31:05 | |
but the cloth boards seem to be good, hinges are all OK. | 0:31:05 | 0:31:09 | |
Well, like you say, these are in nice condition for what they are | 0:31:09 | 0:31:12 | |
and the information inside is fantastic. So, are they of interest? | 0:31:12 | 0:31:18 | |
Well, I have to look at it through purely commercial eyes, | 0:31:18 | 0:31:20 | |
if I'm honest. I mean, did you have a figure in mind at all? | 0:31:20 | 0:31:23 | |
I certainly think a good set like this, | 0:31:23 | 0:31:25 | |
it's got to be worth about 150 quid, hasn't it? | 0:31:25 | 0:31:27 | |
The most I'd want to give is about £30 or £40. I couldn't do that, John. | 0:31:27 | 0:31:31 | |
Best I could give you is 60 and, if I'm honest, I'm going | 0:31:31 | 0:31:35 | |
to make minimal profit on it. 70 quid and I'll shake your hand. | 0:31:35 | 0:31:39 | |
I've got to squeeze every last penny. 65 and you've got a deal. | 0:31:39 | 0:31:42 | |
65, you're a mean man. | 0:31:42 | 0:31:46 | |
65, 68. Go on. | 0:31:46 | 0:31:48 | |
Oh, John was made to sweat on that one | 0:31:49 | 0:31:52 | |
but he comes by way with a profit of £38.50, piling more pressure on Mark | 0:31:52 | 0:31:56 | |
who's in Stamford in Lincolnshire looking for artistic inspiration. | 0:31:56 | 0:32:00 | |
He's brought his watercolour and he wants to see if the painting | 0:32:00 | 0:32:03 | |
is up to scratch but can he find the street in the picture? | 0:32:03 | 0:32:07 | |
PINK PANTHER THEME PLAYS | 0:32:07 | 0:32:08 | |
Stamford Broad Street, I've found it. | 0:32:14 | 0:32:16 | |
It's exactly the same as the picture, time's moved on a bit. | 0:32:16 | 0:32:20 | |
All I've got to do now is sell it. Let's see how I get on. | 0:32:20 | 0:32:23 | |
So now he has to find George, the man he outbid | 0:32:23 | 0:32:26 | |
when he bought the picture for £118. | 0:32:26 | 0:32:29 | |
Nice to meet you. | 0:32:29 | 0:32:30 | |
Well, what a lovely room, and Stamford, | 0:32:30 | 0:32:32 | |
what a charming place it is, isn't it? Yes, it's lovely. | 0:32:32 | 0:32:35 | |
We've been here for 25 years now. | 0:32:35 | 0:32:37 | |
Yes, and I feel quite guilty | 0:32:37 | 0:32:39 | |
because I bought this painting at the auction and, unfortunately, | 0:32:39 | 0:32:44 | |
the reason I bought it is because I thought that looks the same... | 0:32:44 | 0:32:47 | |
I've checked the image on the internet. | 0:32:47 | 0:32:49 | |
It looks exactly the same, it hasn't changed an awful lot, has it, George? | 0:32:49 | 0:32:52 | |
No, in fact, it's almost identical. | 0:32:52 | 0:32:53 | |
Virtually every building is still there exactly as it was. | 0:32:53 | 0:32:56 | |
Apart from that's a chip shop now. | 0:32:56 | 0:32:58 | |
Apart from the fact that that's a chip shop, yes. | 0:32:58 | 0:33:01 | |
And what was it you liked about it, then, George? | 0:33:01 | 0:33:03 | |
It's just that it is exactly the same... | 0:33:03 | 0:33:05 | |
almost exactly the same as it was in the mid-late 19th century. | 0:33:05 | 0:33:11 | |
Are you still interested in buying, George? | 0:33:11 | 0:33:14 | |
I think probably a deal could be done. | 0:33:14 | 0:33:16 | |
Would you like to make me an offer, so... | 0:33:16 | 0:33:18 | |
What you paid. You'd like to give me my money back? | 0:33:18 | 0:33:21 | |
Give me a pound profit. Then it's a profit. Deal's done. Deal's done. | 0:33:21 | 0:33:27 | |
George, you're a gentleman. | 0:33:27 | 0:33:28 | |
Well, it may only be a pound profit | 0:33:28 | 0:33:30 | |
but the painting has found an appreciative home | 0:33:30 | 0:33:32 | |
and with that sale, | 0:33:32 | 0:33:34 | |
let's see how our selling superstars are faring. | 0:33:34 | 0:33:37 | |
John has sold three items | 0:33:38 | 0:33:40 | |
for £258, giving him | 0:33:40 | 0:33:41 | |
a profit of £151.80. | 0:33:41 | 0:33:44 | |
Mark has also done three deals | 0:33:46 | 0:33:48 | |
but is trailing | 0:33:48 | 0:33:49 | |
with a profit of just £40. | 0:33:49 | 0:33:51 | |
John may be on top now but the fat lady isn't singing just yet. | 0:33:52 | 0:33:56 | |
However, he goes straight on to cement his lead, hitting the | 0:33:56 | 0:33:59 | |
high notes and selling his Victorian footman for a profit of £28.76 | 0:33:59 | 0:34:03 | |
and he's not stopping there, | 0:34:03 | 0:34:05 | |
as he warms up for another sale. | 0:34:05 | 0:34:08 | |
I'm at a tennis club on Hayling Island for a quick match | 0:34:08 | 0:34:11 | |
but, more importantly, I need to sell this silver salver. | 0:34:11 | 0:34:14 | |
Now do you think it's going to serve up a nice profit or will it | 0:34:14 | 0:34:17 | |
be a double fault? | 0:34:17 | 0:34:19 | |
John is meeting with Giles Babb, he is a member of the local tennis club | 0:34:19 | 0:34:22 | |
and is looking for commemorative trophy but will the service salver | 0:34:22 | 0:34:26 | |
John spent £354 on deliver a profit? | 0:34:26 | 0:34:30 | |
Well, some time ago, | 0:34:30 | 0:34:31 | |
you did mention to keep my eye out for some sort of silver | 0:34:31 | 0:34:35 | |
trophy or salver that you could possibly purchase to | 0:34:35 | 0:34:38 | |
donate at a tennis tournament in honour of your mum. | 0:34:38 | 0:34:42 | |
The idea... the thinking behind it is to try | 0:34:42 | 0:34:45 | |
and raise money for the Rowans Hospice. | 0:34:45 | 0:34:47 | |
I guess I ought to show you the salver. | 0:34:47 | 0:34:49 | |
I mean, absolutely pristine condition. | 0:34:49 | 0:34:53 | |
Birmingham hallmarks actually date it to 1931. | 0:34:53 | 0:34:58 | |
It's a form that's been around since the time of George II, | 0:34:58 | 0:35:02 | |
so this particular style of salver | 0:35:02 | 0:35:04 | |
very popular around the time of George II, George III, | 0:35:04 | 0:35:09 | |
and it's remained a classic. | 0:35:09 | 0:35:11 | |
That's exactly what we're looking for, to be honest, John. | 0:35:11 | 0:35:15 | |
I'm looking for around 600 quid for it. | 0:35:15 | 0:35:18 | |
Cor, sounds a bit steep to me, John. Well, what do you reckon? | 0:35:18 | 0:35:21 | |
What's your idea? 350. I paid more than that for it. | 0:35:21 | 0:35:25 | |
I can do better than that. How does 550 sound? | 0:35:25 | 0:35:30 | |
What about a nice round figure of £500? | 0:35:30 | 0:35:33 | |
I'll tell you what, 500, if you give me a whipping at tennis, right? | 0:35:33 | 0:35:39 | |
550 if you don't. Does that sound like a fair deal? | 0:35:39 | 0:35:43 | |
Sounds like a fair deal to me, John. New balls, please, then, Giles. | 0:35:43 | 0:35:46 | |
Yeah, no probs. | 0:35:46 | 0:35:48 | |
And we join them in the final game with Cameron 40/30 up | 0:35:48 | 0:35:52 | |
and serving for the match. | 0:35:52 | 0:35:54 | |
The pressure is on the hammer as the enormity of this one point | 0:35:54 | 0:35:57 | |
starts to dawn on him. | 0:35:57 | 0:35:59 | |
Will he be able to hold his nerve? | 0:35:59 | 0:36:01 | |
Powerful serve from Cameron, forehand return from Babb. | 0:36:05 | 0:36:08 | |
Cameron. | 0:36:08 | 0:36:09 | |
Babb returns. Oh, yes! Oh, it's long. | 0:36:09 | 0:36:13 | |
Oh, it's game, set and match to John and, with it, | 0:36:13 | 0:36:16 | |
a massive profit of £196. | 0:36:16 | 0:36:20 | |
Extra £50 and that's called putting your racket where your mouth is. | 0:36:20 | 0:36:25 | |
Where are the showers? | 0:36:25 | 0:36:26 | |
So while John scrubs up, Mark takes a small defeat in battle | 0:36:26 | 0:36:30 | |
as he makes a £24.90 loss on his Shaker-style rocking chair. | 0:36:30 | 0:36:36 | |
He may be down but he's not defeated | 0:36:36 | 0:36:38 | |
and on the front line in West London, | 0:36:38 | 0:36:40 | |
Mark knows that one failure is not fatal. | 0:36:40 | 0:36:43 | |
It's the courage to continue that counts. | 0:36:43 | 0:36:45 | |
Here I am in Notting Hill and I'm at The Churchill Arms. | 0:36:45 | 0:36:48 | |
Where else would I sell my Churchill medals? | 0:36:48 | 0:36:50 | |
These cost me roughly £320 at auction. | 0:36:50 | 0:36:53 | |
All I've got to do is now sell them for a profit. | 0:36:53 | 0:36:56 | |
And all it's going to take is a V for victory. | 0:36:56 | 0:36:59 | |
Mark is marching gallantly into meet with Jerry, the pub's landlord | 0:37:00 | 0:37:04 | |
and Churchill memorabilia collector. | 0:37:04 | 0:37:07 | |
Nice to meet you. We spoke on the phone. That's right. What a place. | 0:37:07 | 0:37:11 | |
I went to an auction and I bought these Churchill medals | 0:37:11 | 0:37:14 | |
so this is a limited edition, number 283, | 0:37:14 | 0:37:19 | |
and each one is made of solid silver and then gilded with gold. | 0:37:19 | 0:37:27 | |
These were reduced in 1975. | 0:37:27 | 0:37:30 | |
These have sold in top London auction houses in excess of £400. | 0:37:30 | 0:37:33 | |
I know it's a lot of money but they are made of silver. | 0:37:33 | 0:37:37 | |
Yes. Are you interested in them? | 0:37:37 | 0:37:38 | |
I am, I am, I'm definitely interested, | 0:37:38 | 0:37:40 | |
I'm definitely interested. | 0:37:40 | 0:37:41 | |
I'm going to let you make me an offer that you're happy with, yes, | 0:37:41 | 0:37:45 | |
and my hand is ready to shake. 350, how about that? 350? | 0:37:45 | 0:37:48 | |
I'll tell you what, 350, you've got a deal. | 0:37:48 | 0:37:51 | |
With a profit of £31.40, Mark advances but John holds him off | 0:37:51 | 0:37:56 | |
with a counter attack, selling his spinning chair to a contact | 0:37:56 | 0:37:59 | |
who's decorating his holiday home for a profit of £30.50. | 0:37:59 | 0:38:04 | |
And he is now sitting down for tea with newlyweds, Chris and Joanne, | 0:38:04 | 0:38:08 | |
hoping to dish up a tasty return | 0:38:08 | 0:38:11 | |
on the Doulton dinner service he paid £129.80 for. | 0:38:11 | 0:38:15 | |
So Mr and Mrs Fairfax, how does that sound, Joanne? | 0:38:15 | 0:38:19 | |
Absolutely fantastic, couldn't be happier about it. | 0:38:19 | 0:38:22 | |
Second question, did anybody buy you a dinner service for your wedding? | 0:38:22 | 0:38:28 | |
No, they didn't, actually. I'm afraid not, no. | 0:38:28 | 0:38:30 | |
Well, my lucky stars are shining down on me then. | 0:38:30 | 0:38:35 | |
When I saw this at auction, when I saw the word "Fairfax", I thought, | 0:38:35 | 0:38:38 | |
"I know a couple of newlyweds that might, just might, like that". | 0:38:38 | 0:38:42 | |
What are your first impressions? | 0:38:42 | 0:38:45 | |
I think it's really tasteful, actually. | 0:38:45 | 0:38:48 | |
You know, quite basic. I think they are kind of timeless. | 0:38:48 | 0:38:51 | |
Well, we've got a mark on the bottom here. Let's look at that cup. | 0:38:51 | 0:38:54 | |
We see Doulton, it's the famous Royal Doulton mark. | 0:38:54 | 0:38:56 | |
It says TC and then a number. | 0:38:56 | 0:38:58 | |
TC is short for a Translucent China. | 0:38:58 | 0:39:03 | |
That was a mark introduced, or a body, that was changed in 1960. | 0:39:03 | 0:39:07 | |
We know it's after 1960. | 0:39:07 | 0:39:09 | |
Have you any kind of idea in mind what you would want to pay for it? | 0:39:09 | 0:39:13 | |
I think the figure in my head is about £150. | 0:39:13 | 0:39:17 | |
150 is a little bit shy of the mark. | 0:39:17 | 0:39:19 | |
Would you do 250? | 0:39:19 | 0:39:22 | |
Erm... | 0:39:22 | 0:39:23 | |
I'll do 200. | 0:39:23 | 0:39:25 | |
200? Yeah, I'll do 200. | 0:39:25 | 0:39:27 | |
I think at £200 you have a deal and a dinner service. | 0:39:27 | 0:39:31 | |
Fantastic! Wonderful, thank you. | 0:39:31 | 0:39:34 | |
So the newlyweds get themselves a belated wedding present | 0:39:34 | 0:39:37 | |
and John leaves with a profit of £70.20. | 0:39:37 | 0:39:40 | |
With that, he's all sold up. | 0:39:40 | 0:39:43 | |
But his rival is still pounding the streets in search of sales. | 0:39:43 | 0:39:47 | |
Though it's not long before Mark makes a profit of £9.40 | 0:39:47 | 0:39:50 | |
on his collection of vintage magazines, | 0:39:50 | 0:39:53 | |
which leaves him with one final item. | 0:39:53 | 0:39:56 | |
Now do you remember these beautiful little, Art Deco lamps? | 0:39:56 | 0:39:59 | |
I have had the bottom resilvered and they look fantastic. | 0:39:59 | 0:40:03 | |
I'm in East Sussex, a place called Forest Road, to see my friend, | 0:40:03 | 0:40:07 | |
who hopefully will give me a profit. | 0:40:07 | 0:40:09 | |
Mark's taking the lamps, that cost him £47.20, | 0:40:09 | 0:40:13 | |
to a contact who's a specialist in Art Deco furniture | 0:40:13 | 0:40:15 | |
and decorative objects. Will he make enough profit to snatch victory? | 0:40:15 | 0:40:20 | |
What do you think? | 0:40:20 | 0:40:22 | |
As you say, you know, there's got to be something for everybody. | 0:40:22 | 0:40:26 | |
They look clean enough to me. | 0:40:26 | 0:40:28 | |
On a dining table, or sideboard, they might look quite pleasing. | 0:40:28 | 0:40:33 | |
Yeah, yeah, I mean... As long as they're not expensive. | 0:40:33 | 0:40:36 | |
They stand me in at roughly £60. That's including resilvering. | 0:40:36 | 0:40:39 | |
So what sort of profit are you looking for? | 0:40:40 | 0:40:43 | |
As much as purely possible! | 0:40:43 | 0:40:44 | |
All right. 70 would be fine for me. | 0:40:44 | 0:40:47 | |
Fine for you, is fine for me. Brilliant! | 0:40:47 | 0:40:49 | |
Mark spent £14.70 resilvering the lamps | 0:40:49 | 0:40:52 | |
and so has made a profit of £8.10. | 0:40:52 | 0:40:55 | |
With that he too is all sold up. | 0:40:55 | 0:40:57 | |
Now our exhausted experts can do no more. | 0:40:57 | 0:41:00 | |
Before we reveal all, let's have one last look at what they both spent. | 0:41:00 | 0:41:04 | |
Our gavel-gazing pair each started with £1,000 of their own money. | 0:41:08 | 0:41:12 | |
John bought seven items and spent a total of £640.74. | 0:41:12 | 0:41:17 | |
Mark also hauled seven items and, with the resilvering costs | 0:41:17 | 0:41:21 | |
for his lamps, he spent his whole budget, £1,000. | 0:41:21 | 0:41:26 | |
But one question still remains, who has made the most profit? | 0:41:26 | 0:41:30 | |
All the money that John and Mark have made will go to the charities of their choice. | 0:41:30 | 0:41:34 | |
Now let's find out who is today's Put Your Money Where Your Mouth Is champion. | 0:41:34 | 0:41:39 | |
Hello, Mr Franks. Hello, John. Fancy seeing you here again. | 0:41:39 | 0:41:42 | |
How did you get on at the auction, then? To be honest, John, | 0:41:42 | 0:41:45 | |
everything I bought I felt like I had paid top money for. | 0:41:45 | 0:41:49 | |
I struggled to make a profit because it's always the commission on top | 0:41:49 | 0:41:52 | |
is the thing that we always forget about. It eats into your profits. | 0:41:52 | 0:41:55 | |
Mark, I've got to be honest with you, as an auctioneer, | 0:41:55 | 0:41:58 | |
I don't do too well at the auction but I did have fun | 0:41:58 | 0:42:02 | |
selling one piece that I paid a lot of money for, | 0:42:02 | 0:42:05 | |
my silver salver, which I hadn't even viewed. | 0:42:05 | 0:42:08 | |
It's funny you should say that because you bought that, I bought the silver medals, Churchill medals, | 0:42:08 | 0:42:12 | |
and I thought you paid top money for the salver and I thought I paid | 0:42:12 | 0:42:15 | |
top money for the medals but I made a profit on those too. | 0:42:15 | 0:42:17 | |
Good, so shall we see how we did? Yeah, fingers crossed, mate. | 0:42:17 | 0:42:20 | |
One, two, three. | 0:42:20 | 0:42:22 | |
Wow! You wiped the floor with me! Mark, I thought that said 640. | 0:42:23 | 0:42:28 | |
I thought you did ME there. | 0:42:28 | 0:42:30 | |
Are you sure you haven't got my case and I've got yours? | 0:42:30 | 0:42:32 | |
Mark, finally, I've won an auction show. | 0:42:32 | 0:42:35 | |
So, you can see what a friend I am to you. You are, mate. | 0:42:35 | 0:42:37 | |
Yes, all's fair in love and war | 0:42:37 | 0:42:40 | |
and John emerges victorious due to some savvy selling. | 0:42:40 | 0:42:43 | |
At the auction, I chose the lots, | 0:42:43 | 0:42:46 | |
I paid top money and I just couldn't get a big profit out of them. | 0:42:46 | 0:42:50 | |
Mr Cameron, you wiped the floor with me, I take my hat off to you. | 0:42:50 | 0:42:55 | |
We both found it very difficult. | 0:42:55 | 0:42:57 | |
Neither of us bought the things that we'd hope to get. | 0:42:57 | 0:43:00 | |
The good thing about that is it pushes you outside of your comfort zone | 0:43:00 | 0:43:03 | |
and makes you search for new buyers. | 0:43:03 | 0:43:05 | |
Tomorrow, Mark has another chance to stage a comeback | 0:43:05 | 0:43:09 | |
as our intrepid heroes square up for a car boot bonanza. | 0:43:09 | 0:43:13 | |
Subtitles by Red Bee Media Ltd | 0:43:25 | 0:43:28 |