Browse content similar to Eric Knowles v Kate Bliss - Showdown. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This is Put Your Money Where Your Mouth Is, | 0:00:03 | 0:00:05 | |
the show that pitches TV's best-loved antiques experts | 0:00:05 | 0:00:08 | |
against each other in an all-out battle for profit. | 0:00:08 | 0:00:11 | |
Hey-hey! | 0:00:12 | 0:00:13 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
Who's there? | 0:00:18 | 0:00:19 | |
Each week, one pair of duelling dealers | 0:00:20 | 0:00:22 | |
will face a different daily challenge... | 0:00:22 | 0:00:24 | |
The original cheeky chappie! | 0:00:24 | 0:00:27 | |
Lovely! | 0:00:27 | 0:00:28 | |
..putting their reputations on the line... | 0:00:28 | 0:00:30 | |
Full house! | 0:00:30 | 0:00:31 | |
..and giving you their top tips and savvy secrets | 0:00:33 | 0:00:37 | |
on how to make the most money from buying and selling. | 0:00:37 | 0:00:40 | |
I'm feeling rather lucky! | 0:00:40 | 0:00:42 | |
Prepare for a white-knuckle ride | 0:00:46 | 0:00:48 | |
as our two daring experts are about to face | 0:00:48 | 0:00:50 | |
the most formidable challenge to date - | 0:00:50 | 0:00:52 | |
the Dealers' Showdown. | 0:00:52 | 0:00:54 | |
Coming up, | 0:00:55 | 0:00:56 | |
Kate's bidding gets out of control. | 0:00:56 | 0:00:59 | |
(Loads of money!) | 0:00:59 | 0:01:00 | |
440... ?440. | 0:01:00 | 0:01:02 | |
Eric stirs up trouble in the auction room. | 0:01:02 | 0:01:05 | |
Are they real diamonds? | 0:01:05 | 0:01:07 | |
Of course they're real diamonds! | 0:01:07 | 0:01:09 | |
I just wanted to make sure. You're putting them off! | 0:01:09 | 0:01:11 | |
And we find out the importance of a happy relationship. | 0:01:11 | 0:01:15 | |
Very often, two pieces were put together | 0:01:15 | 0:01:17 | |
that didn't start out in life together. | 0:01:17 | 0:01:20 | |
That's what's called a marriage. | 0:01:20 | 0:01:21 | |
This is Put Your Money Where Your Mouth Is. | 0:01:21 | 0:01:25 | |
Lords, ladies and gentlemen, | 0:01:38 | 0:01:40 | |
it's the Put Your Money Showdown - | 0:01:40 | 0:01:42 | |
the ultimate battle, in which our two high-flying foragers | 0:01:42 | 0:01:45 | |
take on four massive missions | 0:01:45 | 0:01:48 | |
in one seismic struggle. | 0:01:48 | 0:01:51 | |
Yes, this will be the finale to end all finales. | 0:01:51 | 0:01:54 | |
And the first of our two challengers | 0:01:56 | 0:01:58 | |
is the great pretender to the purchasing throne. | 0:01:58 | 0:02:01 | |
He's hoping to be the next in succession to Showdown success, | 0:02:01 | 0:02:03 | |
but will be reign supreme and be crowned King of the Dealers? | 0:02:03 | 0:02:07 | |
I'm in line to do just that. | 0:02:07 | 0:02:10 | |
Yes, it's the Prince of Porcelain... | 0:02:10 | 0:02:12 | |
And racing against him, | 0:02:17 | 0:02:18 | |
a fearless auctioneer is on the starting blocks, | 0:02:18 | 0:02:21 | |
waiting for the firing pistol. | 0:02:21 | 0:02:23 | |
She's definitely in it for the long run, | 0:02:23 | 0:02:25 | |
but will today go her way? | 0:02:25 | 0:02:27 | |
Let's hope that luck is with me. | 0:02:27 | 0:02:29 | |
It's Kate "Absolute" Bliss. | 0:02:29 | 0:02:32 | |
On the outside, she might look like the girl next door, | 0:02:34 | 0:02:37 | |
but on the inside, hard as nails, | 0:02:37 | 0:02:39 | |
and she's going to need to be, as she's facing | 0:02:39 | 0:02:42 | |
the final battle to sort out for once and for all | 0:02:42 | 0:02:45 | |
who's the better barterer. | 0:02:45 | 0:02:47 | |
If anyone out there is wearing a hat, | 0:02:47 | 0:02:48 | |
you'd better hold onto it, because it's time for a Showdown. | 0:02:48 | 0:02:52 | |
Good morning. Morning! | 0:02:54 | 0:02:55 | |
How are you doing? I'm fine. | 0:02:55 | 0:02:57 | |
We've got our cards. Yeah. Want to hear the challenge? | 0:02:57 | 0:03:00 | |
You start the ball rolling. | 0:03:00 | 0:03:01 | |
"Welcome to the mighty Showdown. | 0:03:01 | 0:03:04 | |
"The rules are simple - | 0:03:04 | 0:03:06 | |
"you must each buy two items | 0:03:06 | 0:03:07 | |
"at every one of your regular Put Your Money challenges. | 0:03:07 | 0:03:10 | |
"You have ?1,000 to spend. | 0:03:10 | 0:03:12 | |
"You can sell up to four items wherever you want. | 0:03:12 | 0:03:16 | |
"The rest will be sold at an auction | 0:03:16 | 0:03:18 | |
"in direct competition with your opponent." That's you. | 0:03:18 | 0:03:22 | |
"And the winner is the dealer who makes the most profit." | 0:03:22 | 0:03:26 | |
Well, there you go. | 0:03:26 | 0:03:27 | |
Listen... | 0:03:27 | 0:03:29 | |
May the best man, and all that! | 0:03:29 | 0:03:31 | |
Good luck, my friend. Good luck. | 0:03:31 | 0:03:32 | |
Cheerio. Bye. | 0:03:32 | 0:03:33 | |
So, no nonsense today. | 0:03:36 | 0:03:37 | |
These two know full well the enormity of the task ahead. | 0:03:37 | 0:03:41 | |
?1,000 of their own money to spend, | 0:03:41 | 0:03:43 | |
four locations to spend at - | 0:03:43 | 0:03:45 | |
an auction, a car boot sale, | 0:03:45 | 0:03:48 | |
a UK antiques fair | 0:03:48 | 0:03:51 | |
and a foreign antiques market. | 0:03:51 | 0:03:54 | |
So, let's unleash the titans. It's Round 1... | 0:03:54 | 0:03:57 | |
DING DING! The car boot sale. | 0:03:57 | 0:03:59 | |
Our duelling duo | 0:03:59 | 0:04:01 | |
will be let loose amongst the traders at the Battersea Car Boot | 0:04:01 | 0:04:04 | |
in southwest London. | 0:04:04 | 0:04:06 | |
There's plenty to choose from, | 0:04:06 | 0:04:07 | |
but they'll have to do a bit of heavy scouring | 0:04:07 | 0:04:10 | |
to find any treasures that might be lurking amongst the tat. | 0:04:10 | 0:04:13 | |
And after a quick sweep of the market, | 0:04:13 | 0:04:15 | |
Kate thinks she's found a possible game-winner. | 0:04:15 | 0:04:18 | |
It's a ceramic pot pourri holder. | 0:04:18 | 0:04:21 | |
Oooh! | 0:04:21 | 0:04:22 | |
What's your very best? | 0:04:22 | 0:04:24 | |
35. Ooh! | 0:04:24 | 0:04:26 | |
It's got a bit of a crack going through there, | 0:04:26 | 0:04:28 | |
which obviously affects it. I'm sure you're right. | 0:04:28 | 0:04:31 | |
I think we'll have to drop it to 30 in that case. | 0:04:31 | 0:04:33 | |
So, Kate gets the price down | 0:04:33 | 0:04:35 | |
and just as the trader is about to drop to ?25, | 0:04:35 | 0:04:38 | |
something unexpected happens. | 0:04:38 | 0:04:40 | |
Keep an eye on the chap lurking behind. | 0:04:40 | 0:04:43 | |
It's a bit wacky. It is wacky. | 0:04:43 | 0:04:45 | |
I'll give you 40 for it. You'll give me 40? | 0:04:45 | 0:04:47 | |
Oh, the cheeky monkey! | 0:04:47 | 0:04:49 | |
He's edging in on Kate's turf and has turned it into an auction. | 0:04:49 | 0:04:52 | |
OK, 40? | 0:04:52 | 0:04:54 | |
Well... | 0:04:54 | 0:04:56 | |
45. I'll give you 50. | 0:04:56 | 0:04:59 | |
Really? Have you got the cash? | 0:04:59 | 0:05:01 | |
I'll bring the cash along. I've got the cash right here. | 0:05:01 | 0:05:03 | |
You haven't got your money, mate! | 0:05:03 | 0:05:05 | |
45 from me, and I've got it right here. | 0:05:05 | 0:05:07 | |
45. It's right there. | 0:05:07 | 0:05:10 | |
Kate's flash of the cash gets her the goods | 0:05:10 | 0:05:12 | |
and she picks up her pot for ?45. | 0:05:12 | 0:05:15 | |
I think it dates from about 1900. | 0:05:15 | 0:05:18 | |
And essentially, I think this is known as a pot pourri, | 0:05:18 | 0:05:21 | |
because you've got some holes in the lid | 0:05:21 | 0:05:24 | |
and you would fill it with nice-smelling pot pourri. | 0:05:24 | 0:05:27 | |
It looks to be oriental, to be Chinese. | 0:05:27 | 0:05:30 | |
But if you look at the bottom, | 0:05:30 | 0:05:32 | |
you've got European letters here | 0:05:32 | 0:05:36 | |
and a European name. | 0:05:36 | 0:05:37 | |
And it's not made of oriental porcelain - | 0:05:37 | 0:05:40 | |
it's made of European porcelain, | 0:05:40 | 0:05:42 | |
what's known as hard-paste porcelain, | 0:05:42 | 0:05:45 | |
which has a slightly glassy look and feel to it. | 0:05:45 | 0:05:47 | |
It definitely needs some further research | 0:05:47 | 0:05:50 | |
and then I'll decide who I'm going to try and sell it to. | 0:05:50 | 0:05:54 | |
Well, Kate gets her first buy in the bag, | 0:05:54 | 0:05:56 | |
but what a struggle it was. | 0:05:56 | 0:05:58 | |
On the other side of the car boot, | 0:05:58 | 0:06:00 | |
Eric has found something to tickle his fancy - | 0:06:00 | 0:06:02 | |
a framed print. | 0:06:02 | 0:06:04 | |
Norman Parkinson. | 0:06:04 | 0:06:06 | |
You know, not a bad photographer. | 0:06:06 | 0:06:08 | |
That is a woman who...she would travel in style | 0:06:08 | 0:06:12 | |
and how I wish I'd been alive back in the sort of '40s and '50s. | 0:06:12 | 0:06:18 | |
Eric, you were! | 0:06:18 | 0:06:20 | |
It says "between 5 and 10". Fiver. | 0:06:20 | 0:06:23 | |
Fiver? Fiver. OK, you've got a deal. | 0:06:23 | 0:06:26 | |
So he snaps up the picture for ?5, | 0:06:26 | 0:06:29 | |
but Eric wouldn't be Eric if he didn't buy | 0:06:29 | 0:06:32 | |
a bit of pottery somewhere along the line, | 0:06:32 | 0:06:35 | |
and it's not long before he gets the urge. | 0:06:35 | 0:06:38 | |
We've got Chinese porcelain. | 0:06:38 | 0:06:42 | |
Not of any great age, but it is colourful. | 0:06:42 | 0:06:44 | |
This is all hand-decorated, | 0:06:44 | 0:06:46 | |
albeit on top of a transferred outline. | 0:06:46 | 0:06:48 | |
Just need to know how much you're asking for. | 0:06:48 | 0:06:51 | |
?40 for all of it? | 0:06:51 | 0:06:53 | |
All right. For ?40, | 0:06:53 | 0:06:55 | |
let me pull the hand out of the glove, | 0:06:55 | 0:06:58 | |
let me extend it so. | 0:06:58 | 0:06:59 | |
Eric's over the moon with the china dinner set, | 0:06:59 | 0:07:02 | |
and with his two purchases sorted, | 0:07:02 | 0:07:04 | |
he's feeling confident. | 0:07:04 | 0:07:06 | |
But Kate is chomping at the bit | 0:07:06 | 0:07:08 | |
and quickly picks up an antique decanter for ?8, | 0:07:08 | 0:07:11 | |
hoping to pour out a snifter of profit | 0:07:11 | 0:07:14 | |
when it comes to selling it on. | 0:07:14 | 0:07:15 | |
Now, this is cut glass. | 0:07:15 | 0:07:18 | |
It's heavy. It's got what you call a star-cut base, | 0:07:18 | 0:07:21 | |
which is a nice sign of quality. | 0:07:21 | 0:07:23 | |
And then what's known as a triple-ring neck. | 0:07:23 | 0:07:27 | |
A really nice 19th-century glass decanter. | 0:07:27 | 0:07:30 | |
Kate's cut glass brings this first cut-throat clash to a close. | 0:07:30 | 0:07:36 | |
But after the car boot, will Kate be crowing with her cockerel | 0:07:36 | 0:07:39 | |
or will Eric's crockery make a mockery of her efforts? | 0:07:39 | 0:07:42 | |
Let's see what they've spent so far. | 0:07:42 | 0:07:44 | |
Remember, both our experts started out with ?1,000 to play with. | 0:07:46 | 0:07:50 | |
Eric didn't go too wild with his spending on his first two items, | 0:07:50 | 0:07:54 | |
but forked out ?45, | 0:07:54 | 0:07:56 | |
which leaves him with a handsome ?955 | 0:07:56 | 0:07:59 | |
still in his kitty. | 0:07:59 | 0:08:00 | |
Kate Bliss turned out to be the queen of the car boot, | 0:08:00 | 0:08:03 | |
spending ?53 on her two items, | 0:08:03 | 0:08:06 | |
leaving herself ?947 | 0:08:06 | 0:08:08 | |
for the remainder of the Showdown. | 0:08:08 | 0:08:10 | |
And there's no time to relax | 0:08:10 | 0:08:13 | |
as we go straight into Round 2, | 0:08:13 | 0:08:15 | |
the UK antiques fair. | 0:08:15 | 0:08:16 | |
This time, our two battling knights of the barter | 0:08:16 | 0:08:20 | |
will be in their element, | 0:08:20 | 0:08:21 | |
as they're sent to Britain's biggest antiques event - | 0:08:21 | 0:08:24 | |
the Newark International Antiques and Collectors Fair. | 0:08:24 | 0:08:27 | |
Once again, it's Kate who's straight in there, | 0:08:27 | 0:08:29 | |
finding herself a potential money-maker - | 0:08:29 | 0:08:32 | |
two Japanese vases. | 0:08:32 | 0:08:34 | |
What's the best on those, then? 50 quid. | 0:08:34 | 0:08:36 | |
Oh, you're killing me! | 0:08:36 | 0:08:37 | |
You can't do 45? Yeah. 45? Great! | 0:08:37 | 0:08:41 | |
Done. | 0:08:41 | 0:08:42 | |
So, after one of the quickest haggles in history, | 0:08:42 | 0:08:46 | |
Kate peels ?5 off the price of a pair of Satsuma ware pots. | 0:08:46 | 0:08:50 | |
Satsuma ware is a type of Japanese earthenware pottery. | 0:08:50 | 0:08:55 | |
Essentially, not porcelain. | 0:08:55 | 0:08:57 | |
I'd put them probably 1920s. | 0:08:57 | 0:08:59 | |
What we've got here are some lovely Japanese ladies, | 0:08:59 | 0:09:03 | |
geisha girls, maybe, | 0:09:03 | 0:09:04 | |
in a big pagoda landscape, | 0:09:04 | 0:09:07 | |
typically Japanese. | 0:09:07 | 0:09:09 | |
The quality of the Satsuma ware often depends on the quality of the detail. | 0:09:09 | 0:09:13 | |
And the details here of the figures and the landscape | 0:09:13 | 0:09:17 | |
are really quite good. | 0:09:17 | 0:09:18 | |
Let's hope that luck is with me. | 0:09:18 | 0:09:20 | |
Well, Lady Luck Bliss has ventured into Eric's territory once again. | 0:09:20 | 0:09:23 | |
In fact, all she's bought so far is ceramic and glass. | 0:09:23 | 0:09:26 | |
Is the champion of china, the pottery powerhouse | 0:09:26 | 0:09:30 | |
about to be knocked off his pedestal? | 0:09:30 | 0:09:32 | |
I don't mind admitting that the Showdown is the trickiest | 0:09:32 | 0:09:35 | |
when it comes to doing the buying, | 0:09:35 | 0:09:37 | |
especially those objects you put at auction, | 0:09:37 | 0:09:40 | |
because I don't mind telling you, dear viewer, | 0:09:40 | 0:09:42 | |
that on previous occasions, I've come a bit of a cropper | 0:09:42 | 0:09:45 | |
when it comes to auctions. | 0:09:45 | 0:09:46 | |
Oh, Eric, self-doubt? | 0:09:46 | 0:09:49 | |
Well, with his confidence low and Kate moving in on his manor, | 0:09:49 | 0:09:53 | |
what our Knocker needs now is a nice tonic to cheer him up. | 0:09:53 | 0:09:56 | |
And he's found just the thing - | 0:09:56 | 0:09:58 | |
a tin-glazed vase that has the look of an 18th-century antique, | 0:09:58 | 0:10:02 | |
but is it the real deal? | 0:10:02 | 0:10:04 | |
That should date to something round about... | 0:10:04 | 0:10:07 | |
1720, 1750. | 0:10:07 | 0:10:11 | |
But the chances are | 0:10:11 | 0:10:13 | |
that I am probably older than it. | 0:10:13 | 0:10:15 | |
Still an antique, then, Eric! | 0:10:15 | 0:10:17 | |
I should be leaving that alone, but it's talking to me. | 0:10:17 | 0:10:21 | |
Combien? And let's use English from now on! | 0:10:21 | 0:10:24 | |
The best I can do...45. | 0:10:24 | 0:10:26 | |
Where was it made? | 0:10:26 | 0:10:28 | |
I think it's around 1900. | 0:10:28 | 0:10:31 | |
You do, do you? You think it's got some age to it? | 0:10:31 | 0:10:34 | |
?45. No haggle. | 0:10:34 | 0:10:36 | |
OK. Put it there. | 0:10:36 | 0:10:37 | |
So, what has Eric bought - | 0:10:37 | 0:10:39 | |
a modern vase or a genuine antique? | 0:10:39 | 0:10:41 | |
When I looked at it at first, I thought, "Hmm." | 0:10:41 | 0:10:44 | |
I thought I might be older than it. | 0:10:44 | 0:10:45 | |
Though I've turned it upside down | 0:10:45 | 0:10:47 | |
and there is genuine wear on that base. | 0:10:47 | 0:10:50 | |
So it would be lovely to think that it was made, | 0:10:50 | 0:10:54 | |
you know, in the sort of middle of the 18th century, | 0:10:54 | 0:10:57 | |
but I need to do a bit of research on it. | 0:10:57 | 0:11:00 | |
Just so sad...so sad that I've got to sell it! | 0:11:00 | 0:11:03 | |
Oh, come on, Eric, pull yourself together! | 0:11:03 | 0:11:06 | |
If that is a 300-year-old vase, | 0:11:06 | 0:11:08 | |
then perhaps it might be worth a bob or two. | 0:11:08 | 0:11:11 | |
Though for now, Knocker will have to wait to find out | 0:11:11 | 0:11:13 | |
what his vase is worth, as he's straight on to another deal. | 0:11:13 | 0:11:17 | |
For ?60, I'll have it. | 0:11:17 | 0:11:20 | |
This time, he's picked up an Art Nouveau pewter serving dish | 0:11:20 | 0:11:24 | |
for ?60. | 0:11:24 | 0:11:26 | |
Made in Germany. Marks on the back for Orivit, | 0:11:26 | 0:11:29 | |
and they were quite a well-known maker. | 0:11:29 | 0:11:32 | |
But it's very much in the Art Nouveau style. | 0:11:32 | 0:11:35 | |
It's got its original glass liner, which is a miracle! | 0:11:35 | 0:11:39 | |
And if I put that into auction, | 0:11:39 | 0:11:41 | |
I would think that I should at least double my money, | 0:11:41 | 0:11:44 | |
having paid all my auction expenses. | 0:11:44 | 0:11:47 | |
And with that, Eric is all bought up, | 0:11:47 | 0:11:50 | |
so Kate had better get her skates on and get buying. | 0:11:50 | 0:11:53 | |
Having strayed into Eric's specialist subject | 0:11:53 | 0:11:55 | |
and picked up several ceramic items, | 0:11:55 | 0:11:58 | |
Kate is heading back to home turf, | 0:11:58 | 0:11:59 | |
as a piece of jewellery has caught her eye. | 0:11:59 | 0:12:02 | |
Now, take a look at this, | 0:12:02 | 0:12:04 | |
because I quite fancy this ring. | 0:12:04 | 0:12:05 | |
It's known as a half-hoop ring, | 0:12:05 | 0:12:07 | |
because the stones go halfway round. | 0:12:07 | 0:12:09 | |
And this is quite fun. It's almost got a bit of an Art Deco look, | 0:12:09 | 0:12:13 | |
because you've got a combination of what's known as | 0:12:13 | 0:12:15 | |
baguette-cut diamonds, which are rectangular shape with facets | 0:12:15 | 0:12:19 | |
and then brilliant-cut diamonds in between. | 0:12:19 | 0:12:22 | |
The diamonds might be brilliant, but priced at ?95, | 0:12:22 | 0:12:26 | |
can cunning Kate cut the cost she'll have to pay? | 0:12:26 | 0:12:29 | |
There's a bit of damage to the mount there. | 0:12:30 | 0:12:33 | |
Just a tiny bit. | 0:12:33 | 0:12:34 | |
Could you do anything for me on that? | 0:12:34 | 0:12:36 | |
Could you do 75? | 0:12:36 | 0:12:38 | |
Just because of the damage? | 0:12:38 | 0:12:39 | |
Yes. OK, fantastic! | 0:12:39 | 0:12:42 | |
So, a very wily Miss Bliss | 0:12:42 | 0:12:44 | |
walks away with the 18-carat gold ring | 0:12:44 | 0:12:47 | |
with ?20 off. | 0:12:47 | 0:12:49 | |
And she's done. | 0:12:49 | 0:12:50 | |
Both our experts came, they saw | 0:12:50 | 0:12:53 | |
and, oh, yes, they conquered. | 0:12:53 | 0:12:55 | |
So let's see how things stand in the spending stakes. | 0:12:55 | 0:12:58 | |
Both our bargain busters each started | 0:12:58 | 0:13:01 | |
with ?1,000 of their own money. | 0:13:01 | 0:13:03 | |
Eric has once again been reluctant to spend too much | 0:13:03 | 0:13:07 | |
and across the two rounds has spent ?150, | 0:13:07 | 0:13:10 | |
which means he still has a huge ?850 left in his war chest. | 0:13:10 | 0:13:14 | |
Kate has pipped Eric to the post in the spending stakes so far, | 0:13:14 | 0:13:18 | |
as her expenditure comes to ?173. | 0:13:18 | 0:13:21 | |
So she's left with ?827 in her kitty. | 0:13:21 | 0:13:25 | |
Time is now running out | 0:13:25 | 0:13:27 | |
for both our dealers | 0:13:27 | 0:13:29 | |
as we spring forward to Round 3 - | 0:13:29 | 0:13:30 | |
the foreign antiques market. | 0:13:30 | 0:13:32 | |
Our two auction actioneers will need to have their wits about them, | 0:13:34 | 0:13:38 | |
because they're being sent to France, | 0:13:38 | 0:13:40 | |
where around 380 stalls of furniture, | 0:13:40 | 0:13:41 | |
trinkets, paintings and jewellery | 0:13:41 | 0:13:44 | |
await at the Port de Vanves flea market in Paris. | 0:13:44 | 0:13:47 | |
With both experts furiously foraging through the foreign market, | 0:13:49 | 0:13:52 | |
English silverware expert Kate | 0:13:52 | 0:13:53 | |
is delighted when she finds... a piece of English silverware. | 0:13:53 | 0:13:57 | |
It's a mustard pot, | 0:13:57 | 0:14:00 | |
and then the top is English silver, | 0:14:00 | 0:14:01 | |
really nice quality. If you feel the lid of that, | 0:14:01 | 0:14:04 | |
it's got some weight to it, | 0:14:04 | 0:14:05 | |
so you know there's quite a lot of silver in there. | 0:14:05 | 0:14:07 | |
And you've got a crystal-clear, crisp hallmark there. | 0:14:07 | 0:14:12 | |
Letter S - it's dating to the late Victorian period. | 0:14:12 | 0:14:15 | |
I don't think that's a bad buy. | 0:14:15 | 0:14:17 | |
?36.36, and the English silverware is hers. | 0:14:17 | 0:14:22 | |
While Kate walks away with a piece of silver, | 0:14:22 | 0:14:24 | |
Eric seems content with bronze, | 0:14:24 | 0:14:27 | |
when he picks up an antique bronze tray. | 0:14:27 | 0:14:29 | |
Date-wise, probably round about 1900. | 0:14:29 | 0:14:32 | |
The only thing that's missing is a signature. | 0:14:32 | 0:14:36 | |
I do like to see them when they're signed. | 0:14:36 | 0:14:38 | |
But that is a fabulous piece of bronze casting. | 0:14:38 | 0:14:41 | |
It's pure Art Nouveau. | 0:14:41 | 0:14:42 | |
And it just cost me 30 euros, | 0:14:42 | 0:14:45 | |
so seek...and ye will find. | 0:14:45 | 0:14:48 | |
Yes, Eric has sought and bought his first foreign purchase, | 0:14:48 | 0:14:51 | |
for 30 euros, or ?27.27, | 0:14:51 | 0:14:53 | |
for the bronze tray. | 0:14:53 | 0:14:55 | |
Kate is up next when she spends 15 euros - | 0:14:58 | 0:15:01 | |
that's ?13.64 to you and me - | 0:15:01 | 0:15:03 | |
on a pair of silk scarves, | 0:15:03 | 0:15:05 | |
including one which is a 1970s Christian Dior original. | 0:15:05 | 0:15:09 | |
Ha! Very French. | 0:15:09 | 0:15:11 | |
Very stylish. | 0:15:11 | 0:15:12 | |
Now, our Eric's next target is a vase. | 0:15:12 | 0:15:15 | |
Where's it from, Eric? | 0:15:15 | 0:15:17 | |
It was made in Leeds. | 0:15:17 | 0:15:18 | |
Yorkshire?! | 0:15:18 | 0:15:20 | |
Ay-up! This is Burmantoft. | 0:15:20 | 0:15:22 | |
Hmm. | 0:15:22 | 0:15:24 | |
The dernier prix on this? | 0:15:24 | 0:15:25 | |
35, best price. | 0:15:25 | 0:15:27 | |
35 is my best price. OK, I'll take that. | 0:15:27 | 0:15:30 | |
Quick as you like, Eric gets a good deal at 35 euros, | 0:15:30 | 0:15:34 | |
which converts to ?31.82. | 0:15:34 | 0:15:37 | |
Made in Leeds, probably around 1885, maybe 1890. | 0:15:37 | 0:15:42 | |
You don't have to turn it over to know it's by Burmantoft. | 0:15:42 | 0:15:47 | |
The shape, the decoration and the glaze | 0:15:47 | 0:15:49 | |
are enough of a signature for anybody | 0:15:49 | 0:15:51 | |
to go by. | 0:15:51 | 0:15:53 | |
So that is the end of our Round 3, | 0:15:53 | 0:15:55 | |
but which one will the winner be? | 0:15:55 | 0:15:58 | |
How will Kate's silverware and scarves | 0:15:58 | 0:16:00 | |
get on against Eric's bronze tray and vase? | 0:16:00 | 0:16:03 | |
Ah...the poetry of France! | 0:16:03 | 0:16:06 | |
Anyway, let's see where we're at. | 0:16:06 | 0:16:08 | |
Both our traders started this contest with ?1,000. | 0:16:08 | 0:16:11 | |
Eric for the third time | 0:16:11 | 0:16:13 | |
seemed reluctant to speculate to accumulate, | 0:16:13 | 0:16:16 | |
though in total so far has spent ?209.09, | 0:16:16 | 0:16:19 | |
leaving ?790.91 still to spend. | 0:16:19 | 0:16:23 | |
Kate too didn't exactly push the boat out in France, | 0:16:23 | 0:16:26 | |
but overall has spent a bit more than her rival. | 0:16:26 | 0:16:29 | |
?223, taking ?777 into the final round. | 0:16:29 | 0:16:35 | |
And so we come to Round 4 - | 0:16:39 | 0:16:41 | |
the auction. | 0:16:41 | 0:16:42 | |
And this time, our duelling duo | 0:16:42 | 0:16:44 | |
are in their comfort zones, | 0:16:44 | 0:16:46 | |
both being experienced auctioneers. | 0:16:46 | 0:16:48 | |
But this all-out war is going to be anything but comfortable. | 0:16:48 | 0:16:51 | |
Now, this is my last chance to buy two items, | 0:16:51 | 0:16:55 | |
so I've got big money to spend, so the pressure's on. | 0:16:55 | 0:16:57 | |
Our dealers are in Cottees auction rooms in Dorset | 0:16:57 | 0:17:00 | |
and the action is hotting up, as the bidding is about to start. | 0:17:00 | 0:17:04 | |
And first out the stalls, it's Kate, | 0:17:04 | 0:17:07 | |
as a terracotta plant holder has caught her eye. | 0:17:07 | 0:17:10 | |
But will she win it? | 0:17:10 | 0:17:11 | |
?40 for it, straight in. | 0:17:11 | 0:17:13 | |
45. 50. | 0:17:13 | 0:17:14 | |
55. | 0:17:14 | 0:17:16 | |
At ?55 and selling... | 0:17:16 | 0:17:19 | |
GAVEL BANGS | 0:17:19 | 0:17:20 | |
55. There we go. | 0:17:20 | 0:17:21 | |
Yes, and there she goes, indeed, | 0:17:21 | 0:17:24 | |
buying the pot for ?55, | 0:17:24 | 0:17:26 | |
making it ?64.90 with fees. | 0:17:26 | 0:17:29 | |
Now, this is what I would call a speculative lot. | 0:17:29 | 0:17:32 | |
The catalogue called it Regency style. | 0:17:32 | 0:17:35 | |
I think it's possibly a little bit later, | 0:17:35 | 0:17:38 | |
possibly even Art Nouveau, | 0:17:38 | 0:17:40 | |
because if you look at the motifs here, | 0:17:40 | 0:17:42 | |
this sort of strapwork, scrollwork, | 0:17:42 | 0:17:44 | |
it has a little bit of the Art Nouveau about it. | 0:17:44 | 0:17:47 | |
But I want to find out a little bit more about the age of it | 0:17:47 | 0:17:50 | |
and who might want it. | 0:17:50 | 0:17:52 | |
Well, let's hope someone does want it. | 0:17:52 | 0:17:54 | |
Kate still has plenty of money left in the kitty, | 0:17:54 | 0:17:58 | |
but only one purchase to go. | 0:17:58 | 0:17:59 | |
She'd better make it a big one. | 0:17:59 | 0:18:01 | |
But it's Eric who's up next, as he goes out on a limb, | 0:18:01 | 0:18:05 | |
bidding on a mahogany clock. | 0:18:05 | 0:18:06 | |
Like Kate, he has a massive amount left in his kitty, | 0:18:06 | 0:18:10 | |
so money shouldn't be a problem. | 0:18:10 | 0:18:12 | |
But how far is he willing to go? | 0:18:12 | 0:18:15 | |
110. 120. | 0:18:16 | 0:18:18 | |
130. | 0:18:18 | 0:18:20 | |
140. | 0:18:20 | 0:18:21 | |
150. 160. | 0:18:21 | 0:18:23 | |
170. | 0:18:23 | 0:18:24 | |
I'm out. 170 in the room. | 0:18:24 | 0:18:27 | |
GAVEL BANGS | 0:18:27 | 0:18:29 | |
Yes, Eric gets his mahogany clock | 0:18:29 | 0:18:31 | |
for ?170. | 0:18:31 | 0:18:33 | |
With fees, that comes to a shade over ?200. | 0:18:33 | 0:18:36 | |
You've got to gamble now and then in life. | 0:18:36 | 0:18:40 | |
And I've not seen this up and running. | 0:18:40 | 0:18:42 | |
They're often referred to as Vienna regulators. | 0:18:42 | 0:18:46 | |
Although this one has been described as a French regulator. | 0:18:46 | 0:18:49 | |
I think that this just needs a jolly good clean. | 0:18:49 | 0:18:53 | |
I think I can make this gleam. | 0:18:53 | 0:18:55 | |
Whether or not I can make the mechanism keep good time | 0:18:55 | 0:18:59 | |
is another matter. | 0:18:59 | 0:19:01 | |
Only time will tell! | 0:19:01 | 0:19:04 | |
Yes, and our Knocker wastes none of that precious time | 0:19:04 | 0:19:06 | |
as he moves straight on to buy | 0:19:06 | 0:19:08 | |
some World War I portrait tiles made by Carter of Poole. | 0:19:08 | 0:19:13 | |
He pays ?177, | 0:19:13 | 0:19:15 | |
and that means his Showdown buying is all done. | 0:19:15 | 0:19:18 | |
Now all eyes are on Kate. | 0:19:18 | 0:19:21 | |
Though her eyes are on a mahogany bookcase. | 0:19:21 | 0:19:23 | |
The auction is up and running, and already in the high hundreds. | 0:19:23 | 0:19:27 | |
She's got a lot of money left to spend, | 0:19:27 | 0:19:29 | |
but how far is she prepared to go? | 0:19:29 | 0:19:32 | |
320. 340. | 0:19:32 | 0:19:33 | |
360. | 0:19:33 | 0:19:35 | |
380. | 0:19:35 | 0:19:36 | |
400. | 0:19:36 | 0:19:38 | |
It's reached 400, but the price still goes up and up. | 0:19:39 | 0:19:43 | |
440, it's got to be. 440. | 0:19:44 | 0:19:46 | |
Kate may have the cash, but this is a huge outlay. | 0:19:46 | 0:19:49 | |
(Loads of money!) | 0:19:49 | 0:19:51 | |
440. ?440! | 0:19:51 | 0:19:53 | |
GAVEL BANGS | 0:19:53 | 0:19:55 | |
?440, with commission, | 0:19:55 | 0:19:57 | |
makes a whopping ?519.20 for the bookcase. | 0:19:57 | 0:20:02 | |
This is a risky gamble, | 0:20:02 | 0:20:04 | |
so will she be the author of her own demise | 0:20:04 | 0:20:06 | |
or is this chapter one of a winning strategy? | 0:20:06 | 0:20:09 | |
In style, it's classic George III, | 0:20:09 | 0:20:13 | |
which is late 18th century, | 0:20:13 | 0:20:15 | |
but actually, in period, it's Edwardian, | 0:20:15 | 0:20:18 | |
which is very early 20th century, | 0:20:18 | 0:20:21 | |
or maybe even a little bit later. | 0:20:21 | 0:20:23 | |
Now, the key thing with bookcases like this, | 0:20:23 | 0:20:25 | |
is whether the top belongs to the bottom, | 0:20:25 | 0:20:28 | |
because this bit comes off the bottom, | 0:20:28 | 0:20:31 | |
and very often, two pieces were put together | 0:20:31 | 0:20:33 | |
that didn't start out in life together, | 0:20:33 | 0:20:35 | |
and that's what's called a marriage. | 0:20:35 | 0:20:37 | |
Now, I'm certain that this probably is a marriage, | 0:20:37 | 0:20:40 | |
but it's been matched so well, | 0:20:40 | 0:20:42 | |
that actually, it doesn't bother me, | 0:20:42 | 0:20:44 | |
and hopefully, it won't bother my buyer. | 0:20:44 | 0:20:46 | |
Well, the question is, after spending so much on the bookcase, | 0:20:46 | 0:20:49 | |
will it be a match made in heaven | 0:20:49 | 0:20:51 | |
or will it end up on the rocks? | 0:20:51 | 0:20:53 | |
Kate's bookcase is the last item of the final location | 0:20:54 | 0:20:58 | |
in this Showdown, so it's time for a final round-up | 0:20:58 | 0:21:01 | |
of the figures as they stand. | 0:21:01 | 0:21:03 | |
Both our hardened hagglers started the Showdown | 0:21:05 | 0:21:08 | |
with ?1,000 of their own money. | 0:21:08 | 0:21:10 | |
Eric "Knocker" Knowles in the end parted with a total of ?586.69 | 0:21:10 | 0:21:15 | |
on his eight items. A tidy sum, but was it enough? | 0:21:15 | 0:21:19 | |
His arch rival, Kate "Absolute" Bliss, | 0:21:19 | 0:21:22 | |
ended up spending quite a lot more on her eight purchases, | 0:21:22 | 0:21:25 | |
splashing out a total of ?807.10, | 0:21:25 | 0:21:29 | |
giving her a distinct advantage. | 0:21:29 | 0:21:32 | |
It's the beginning of the end of this epic adventure, | 0:21:32 | 0:21:35 | |
and there's just enough time | 0:21:35 | 0:21:37 | |
for our dealers to compare notes on their Showdown purchases. | 0:21:37 | 0:21:40 | |
And Eric just can't wait to remind Kate | 0:21:40 | 0:21:43 | |
about his potential secret weapon - | 0:21:43 | 0:21:46 | |
the chinoiserie vase. | 0:21:46 | 0:21:48 | |
I did find my Chinese vase. Well, I say Chinese, | 0:21:48 | 0:21:51 | |
it's French and it's a faience | 0:21:51 | 0:21:53 | |
and it's decorated with a chinoiserie design. | 0:21:53 | 0:21:56 | |
You really liked that, didn't you? I love it. | 0:21:56 | 0:21:58 | |
And that is going to pain me to sell. | 0:21:58 | 0:22:00 | |
Well, my bookcase was obviously a big gamble, | 0:22:00 | 0:22:02 | |
so we'll see what happens with that. | 0:22:02 | 0:22:04 | |
So it's all ahead of us - all that selling. | 0:22:04 | 0:22:06 | |
It is. It's all down to the auction. I know. | 0:22:06 | 0:22:10 | |
See you there. See you there. Bye. Bye. | 0:22:10 | 0:22:11 | |
So, the torrential tornado of precision purchasing may be over, | 0:22:14 | 0:22:19 | |
but take cover, because the storm of Showdown selling | 0:22:19 | 0:22:22 | |
is about to get underway. | 0:22:22 | 0:22:24 | |
Both our antiques avengers must use their special powers | 0:22:24 | 0:22:27 | |
to sell their goods for as much as they can. | 0:22:27 | 0:22:30 | |
But the Showdown sell-off has a twist - | 0:22:30 | 0:22:32 | |
the auction. | 0:22:32 | 0:22:34 | |
Eric and Kate must put at least half their items under the hammer, | 0:22:34 | 0:22:37 | |
where they'll be unable to control | 0:22:37 | 0:22:39 | |
whether the profits go up, up and away or down, down, down. | 0:22:39 | 0:22:42 | |
So, both our experts retreat to their respective homes | 0:22:42 | 0:22:46 | |
and draw up their battle plans. | 0:22:46 | 0:22:48 | |
Back at base camp Buckinghamshire, | 0:22:48 | 0:22:50 | |
Eric is surveying his goods and assessing their worth. | 0:22:50 | 0:22:53 | |
He's still got research to do on his star item - the faience vase. | 0:22:53 | 0:22:58 | |
Though he's not yet sure of its age, | 0:22:58 | 0:23:00 | |
he's sure of his feelings. | 0:23:00 | 0:23:02 | |
I'm going to be very careful about who I'm going to sell this to. | 0:23:03 | 0:23:07 | |
This is not going to go to any Tom, Dick or Harry. | 0:23:07 | 0:23:10 | |
This is going to have to go to somebody | 0:23:10 | 0:23:12 | |
who has feelings and sensitivity | 0:23:12 | 0:23:15 | |
and enough money to give me a nice profit. | 0:23:15 | 0:23:19 | |
I'm not demanding in any other department, | 0:23:19 | 0:23:22 | |
but certain pots, it's so important | 0:23:22 | 0:23:25 | |
that they end up with the right people. | 0:23:25 | 0:23:28 | |
All right, all right, we get your point! | 0:23:28 | 0:23:30 | |
So, Eric's hopeful his hunch | 0:23:30 | 0:23:32 | |
that the vase could be from the 18th century will turn out true. | 0:23:32 | 0:23:35 | |
But there are seven other items on that table, Knocker. | 0:23:35 | 0:23:39 | |
I've got an extensive - I think you will agree - | 0:23:39 | 0:23:42 | |
part Chinese dinner set there. | 0:23:42 | 0:23:45 | |
That, I can tell you, is going to auction. | 0:23:45 | 0:23:49 | |
So I'm left with various items that I'm going to sell privately, | 0:23:49 | 0:23:52 | |
which includes this wonderful Art Nouveau bronze card tray, | 0:23:52 | 0:23:57 | |
which...I already have a buyer lined up. | 0:23:57 | 0:24:00 | |
I'm also going to be taking my four World War I portrait tiles | 0:24:00 | 0:24:05 | |
up to the Midlands. | 0:24:05 | 0:24:07 | |
I've got, again, a potential buyer up there, so fingers crossed. | 0:24:07 | 0:24:12 | |
And as well as the Chinese dinner service, | 0:24:12 | 0:24:14 | |
Eric will be putting into auction the Burmantoft vase, | 0:24:14 | 0:24:18 | |
the mahogany clock and the pewter serving dish. | 0:24:18 | 0:24:21 | |
Meanwhile, in her Hereford HQ, | 0:24:21 | 0:24:23 | |
Kate is also musing on her selling tactics. | 0:24:23 | 0:24:26 | |
Now, towering above me is my lovely Georgian-style mahogany bookcase. | 0:24:26 | 0:24:31 | |
At over ?500, a big investment, | 0:24:31 | 0:24:34 | |
but do you know what? Sometimes gambles pay off. | 0:24:34 | 0:24:38 | |
Down here, we've got my scarves that came from Paris, | 0:24:38 | 0:24:40 | |
and over here, we've got my terracotta planter | 0:24:40 | 0:24:43 | |
and I'm hoping that a reclamation yard is going to buy this from me, | 0:24:43 | 0:24:47 | |
with a good profit. | 0:24:47 | 0:24:48 | |
Now my pot pourri here has a little bit of a story behind it. | 0:24:48 | 0:24:52 | |
Because when we were at the car boot, | 0:24:52 | 0:24:54 | |
it was put on a table with some other items and unfortunately for me, | 0:24:54 | 0:24:58 | |
the table collapsed. | 0:24:58 | 0:24:59 | |
And my poor cockerel, which is the lovely finial here, | 0:24:59 | 0:25:03 | |
came off worst and you can see that the comb here, | 0:25:03 | 0:25:06 | |
right on top of his head, has a great big chip out of it, | 0:25:06 | 0:25:09 | |
which is really sad. | 0:25:09 | 0:25:11 | |
But the Put Your Money games masters | 0:25:11 | 0:25:14 | |
have very kindly offered to stump up the cost of restoring the piece, | 0:25:14 | 0:25:18 | |
which we're going to do, before it goes into auction. | 0:25:18 | 0:25:22 | |
Yes, we'll have him back to his crowning glory in no time, Kate. | 0:25:22 | 0:25:25 | |
Now, alongside the cockerel pot pourri holder, | 0:25:25 | 0:25:28 | |
also going into the auction are the Japanese vases, | 0:25:28 | 0:25:31 | |
the 18-carat ring | 0:25:31 | 0:25:33 | |
and the silver and glass preserve pot. | 0:25:33 | 0:25:35 | |
So, having formulated strategies and set out their schemes, | 0:25:35 | 0:25:39 | |
our two selling salmons must leap upstream | 0:25:39 | 0:25:42 | |
towards the promised land of profit, | 0:25:42 | 0:25:44 | |
knowing that no deal is sealed | 0:25:44 | 0:25:45 | |
until they've shaken and the cash is in their hands. | 0:25:45 | 0:25:48 | |
And first to take to the skies is Wing Commander Eric, | 0:25:48 | 0:25:52 | |
as he sets his sights on Wycombe Air Park, | 0:25:52 | 0:25:55 | |
where he's taking his Norman Parkinson framed photo print. | 0:25:55 | 0:25:58 | |
Now, does this pose look familiar? | 0:25:58 | 0:26:01 | |
I'm endeavouring to emulate the model | 0:26:01 | 0:26:05 | |
on my Norman Parkinson photograph. | 0:26:05 | 0:26:08 | |
I'm here to meet Karen, | 0:26:08 | 0:26:09 | |
and she's the manager of the on-site cafe restaurant. | 0:26:09 | 0:26:13 | |
I paid, yes, ?5 for this, | 0:26:13 | 0:26:16 | |
and I'm going to be a little bit cheeky, | 0:26:16 | 0:26:18 | |
because I'm going to ask for ?30 to ?40, | 0:26:18 | 0:26:21 | |
because I've got the right girl in the right place... | 0:26:21 | 0:26:24 | |
at the right time. | 0:26:24 | 0:26:26 | |
So here's me girl. | 0:26:26 | 0:26:28 | |
She's very lovely. | 0:26:28 | 0:26:29 | |
This is actually a lady model called Wenda. | 0:26:29 | 0:26:34 | |
She was initially Wenda Rogerson, | 0:26:34 | 0:26:36 | |
and in 1947 she married this man. | 0:26:36 | 0:26:39 | |
She married the photographer, Norman Parkinson. | 0:26:39 | 0:26:42 | |
This photograph was taken in 1951. | 0:26:42 | 0:26:45 | |
Looking around here, I can't help but think | 0:26:45 | 0:26:48 | |
it is just right for your restaurant. | 0:26:48 | 0:26:51 | |
It would look nice. Yeah? | 0:26:51 | 0:26:52 | |
Yeah. I'm not going to take anything less than... | 0:26:52 | 0:26:56 | |
?35. ?30. | 0:26:56 | 0:26:59 | |
Listen, if you want to pay me ?30 for that, we'll shake on it. | 0:26:59 | 0:27:02 | |
Yes, that sale means a profit of ?25 | 0:27:02 | 0:27:05 | |
and Eric's selling campaign is off to a flying start. | 0:27:05 | 0:27:09 | |
But that's not enough for our lad. | 0:27:09 | 0:27:11 | |
I cannot leave this air park | 0:27:11 | 0:27:13 | |
without endeavouring to fulfil a lifelong ambition. | 0:27:13 | 0:27:17 | |
HOLLYWOOD ACCENT: Introducing The Knocker as... | 0:27:17 | 0:27:21 | |
Top Deal. | 0:27:21 | 0:27:23 | |
When profits must be made, | 0:27:25 | 0:27:27 | |
there are no points for second place. | 0:27:27 | 0:27:29 | |
And only the most fearless flyers will survive. | 0:27:31 | 0:27:34 | |
Golf X-Ray Tango, ready to taxi. | 0:27:34 | 0:27:37 | |
Yes, nice try, Eric. | 0:27:41 | 0:27:43 | |
# Let's fly, let's fly away... # | 0:27:43 | 0:27:45 | |
So, as he enjoys the ride of his life, Kate is on a selling spree. | 0:27:47 | 0:27:51 | |
First, she shifts her silk scarves | 0:27:51 | 0:27:54 | |
to Debbie, who owns a vintage shop in Bath, | 0:27:54 | 0:27:57 | |
for a profit of ?66.36. | 0:27:57 | 0:27:59 | |
Ooh la la! | 0:27:59 | 0:28:00 | |
And then she moves on to her big money item - the mahogany bookcase. | 0:28:00 | 0:28:04 | |
I'm on my way to one of the biggest antiques centres in my area. | 0:28:04 | 0:28:08 | |
Now, I've already had my bookcase delivered there. | 0:28:08 | 0:28:11 | |
This is a big gamble for me. | 0:28:11 | 0:28:14 | |
I've spent over ?500 on it. | 0:28:14 | 0:28:16 | |
Can I make a profit? | 0:28:16 | 0:28:18 | |
Well, I'm going to try! | 0:28:18 | 0:28:20 | |
Try she might, but will antiques dealer Andrew | 0:28:20 | 0:28:22 | |
want the bookcase to sell on? | 0:28:22 | 0:28:24 | |
Yes, that's quite nice, isn't it? | 0:28:24 | 0:28:26 | |
It's Edwardian, about 1900, 1910. | 0:28:26 | 0:28:29 | |
Is this sort of a good seller for you? It is. | 0:28:29 | 0:28:32 | |
It'll fit in the more modern house and it'll fit in the older house. | 0:28:32 | 0:28:36 | |
It's one of those that will go anywhere. | 0:28:36 | 0:28:38 | |
Well, I'm looking for around the ?600 mark. How does that sound? | 0:28:38 | 0:28:41 | |
If we were looking at 575, I'd be a goer, | 0:28:41 | 0:28:43 | |
but I wouldn't want to do any more. | 0:28:43 | 0:28:45 | |
Well, that's great for me, Andrew. We got a deal, then? | 0:28:45 | 0:28:48 | |
Fantastic! | 0:28:48 | 0:28:49 | |
So it seems Kate's risky strategy has paid off, | 0:28:49 | 0:28:52 | |
and she walks away with a profit of ?55.80. | 0:28:52 | 0:28:55 | |
Now, Eric is also in Herefordshire, on Kate's home turf. | 0:28:55 | 0:29:00 | |
First, he sells the World War I portrait tiles | 0:29:00 | 0:29:02 | |
to the Ironbridge Gorge Tile Museum | 0:29:02 | 0:29:04 | |
for a profit of ?18. | 0:29:04 | 0:29:06 | |
And then he targets collector Martin | 0:29:08 | 0:29:10 | |
with his Art Nouveau bronze card tray. | 0:29:10 | 0:29:12 | |
I'm here to meet somebody that I've known for quite some time. | 0:29:13 | 0:29:17 | |
Not only is he a hotelier, but he's also an antique dealer | 0:29:17 | 0:29:21 | |
and I think it's fair to say that when it comes to taste, | 0:29:21 | 0:29:24 | |
we're bordering somewhere amongst the eclectic. | 0:29:24 | 0:29:27 | |
A two-headed sheep?! | 0:29:27 | 0:29:30 | |
We said sell a tray, Eric, not sell a field! | 0:29:30 | 0:29:32 | |
So, will Martin help Knocker find a profit | 0:29:32 | 0:29:35 | |
from the ?27.27 he paid for it at the French market? | 0:29:35 | 0:29:39 | |
Have a look at it. Have a feel. | 0:29:39 | 0:29:41 | |
Just feel the weight of that. | 0:29:41 | 0:29:43 | |
Oh, yes. You're getting your ?10 worth here, aren't you? | 0:29:43 | 0:29:46 | |
You certainly are. | 0:29:46 | 0:29:48 | |
Date-wise, I would put it around about 1895, 1900. | 0:29:48 | 0:29:52 | |
No, it's very nice. I can see that this will work here. | 0:29:52 | 0:29:56 | |
I was looking around about ?120 or thereabouts. | 0:29:56 | 0:30:00 | |
?90? | 0:30:00 | 0:30:02 | |
?90? There's no leeway there, is there? | 0:30:02 | 0:30:04 | |
For old times' sake, ?95. | 0:30:04 | 0:30:06 | |
?95. | 0:30:06 | 0:30:07 | |
That's got a nice ring to it. Put it there. | 0:30:07 | 0:30:09 | |
Eric earns a stupendous ?67.73 for the tray. | 0:30:09 | 0:30:13 | |
He's on fire! | 0:30:13 | 0:30:14 | |
And Kate is hardly petering out either. | 0:30:14 | 0:30:17 | |
She sold her decanter | 0:30:17 | 0:30:18 | |
to Herefordshire-based antiques dealer Steph, | 0:30:18 | 0:30:21 | |
making a profit of ?17. | 0:30:21 | 0:30:23 | |
Now she's taking the terracotta planter to Frome, | 0:30:23 | 0:30:26 | |
where she's hoping Steve, a reclamation merchant, | 0:30:26 | 0:30:29 | |
will want to buy the pot that cost her ?64.90 at the auction. | 0:30:29 | 0:30:32 | |
Well, this is what I brought for you. | 0:30:32 | 0:30:35 | |
Terracotta. I would say it's around 1900 - | 0:30:35 | 0:30:37 | |
very late Victorian, early Edwardian. | 0:30:37 | 0:30:40 | |
There's no name on the bottom, | 0:30:40 | 0:30:42 | |
but I think it possibly might be by Carter and Company. | 0:30:42 | 0:30:45 | |
Something you'd want to sell? | 0:30:45 | 0:30:47 | |
We'd have a go at it, yes. | 0:30:47 | 0:30:49 | |
OK. Well, I'm looking for somewhere... | 0:30:49 | 0:30:52 | |
Well, it would be good to get a couple of hundred pounds for it. | 0:30:52 | 0:30:55 | |
I do love a girl with a sense of humour! | 0:30:55 | 0:30:57 | |
How about ?80? | 0:30:57 | 0:30:58 | |
It's a bit too low for me. 150? | 0:30:58 | 0:31:00 | |
I'd stretch to ?100. | 0:31:00 | 0:31:02 | |
Could you go a wee bit more for me - say ?120? | 0:31:04 | 0:31:07 | |
It is quite unusual. I'll meet you halfway. 110 and we'll have a deal. | 0:31:08 | 0:31:11 | |
You're a hard man, but I'll go with 110. OK. Done. Thanks very much. | 0:31:13 | 0:31:16 | |
Steve buys the pot and affords Kate a profit of ?45.10, | 0:31:16 | 0:31:20 | |
meaning she's all sold up and ready to go to auction. | 0:31:20 | 0:31:24 | |
Knocker Knowles, on the other hand, | 0:31:24 | 0:31:26 | |
still has his secret weapon waiting in the wings - | 0:31:26 | 0:31:29 | |
the faience vase. | 0:31:29 | 0:31:30 | |
Now, from the moment he spotted it, | 0:31:30 | 0:31:33 | |
Eric felt that it might have some real value. | 0:31:33 | 0:31:35 | |
But that would depend entirely on how old it was. | 0:31:35 | 0:31:38 | |
He's been working tirelessly to find the right person to take it to. | 0:31:38 | 0:31:42 | |
And now he has a promising lead. | 0:31:42 | 0:31:44 | |
I do have a potential buyer, but he doesn't want to be filmed. | 0:31:46 | 0:31:50 | |
So what I thought was initially a 19th-century piece, | 0:31:50 | 0:31:53 | |
having done my research, | 0:31:53 | 0:31:55 | |
looks like it could well be from the 18th century. | 0:31:55 | 0:31:58 | |
And if it is, then I am in for what they call | 0:31:58 | 0:32:01 | |
a very tidy profit. | 0:32:01 | 0:32:03 | |
Eric is confident that, in his potential buyer, | 0:32:03 | 0:32:06 | |
he's found exactly the right person | 0:32:06 | 0:32:08 | |
to evaluate the true age of the vase. | 0:32:08 | 0:32:10 | |
So will he be looking at an 18th-century item worth big bucks | 0:32:10 | 0:32:15 | |
or a more modern and less valuable piece of pottery? | 0:32:15 | 0:32:18 | |
Well, we'll just have to wait and see how Eric gets on with that, | 0:32:18 | 0:32:22 | |
as now it's time for the Showdown auction. | 0:32:22 | 0:32:25 | |
But before we dive head first into the bidding, | 0:32:25 | 0:32:28 | |
let's recap the figures. | 0:32:28 | 0:32:30 | |
Eric has sold three of his four items, | 0:32:30 | 0:32:34 | |
but already has a profit of ?110.73. | 0:32:34 | 0:32:37 | |
Kate Bliss has sold all four of her items, | 0:32:37 | 0:32:40 | |
and has an impressive profit of ?184.26. | 0:32:40 | 0:32:45 | |
So that's it for the masterful selling skills. | 0:32:46 | 0:32:50 | |
Now Eric and Kate must head, with their hearts in their mouths, | 0:32:50 | 0:32:54 | |
and fear in their eyes, towards the auction, | 0:32:54 | 0:32:58 | |
where the rest of their items will go up for sale. | 0:32:58 | 0:33:00 | |
How are you doing, Kate? Yeah, fine. | 0:33:01 | 0:33:03 | |
I've got those pre-auction butterflies. | 0:33:03 | 0:33:05 | |
That comes from being a professional auctioneer. | 0:33:05 | 0:33:09 | |
A busman's holiday. | 0:33:09 | 0:33:11 | |
Yes, well, this won't be any kind of holiday, Eric. | 0:33:11 | 0:33:14 | |
With no reserve on today's lots, | 0:33:14 | 0:33:16 | |
there are no guarantees. | 0:33:16 | 0:33:18 | |
Before the auction kicks off, | 0:33:18 | 0:33:20 | |
Kate has been reunited with her pot pourri holder, | 0:33:20 | 0:33:23 | |
which has come back from the restorers. | 0:33:23 | 0:33:25 | |
I am thrilled, because she has done the most fantastic job | 0:33:25 | 0:33:29 | |
on what was chipped on that little cockscomb there. | 0:33:29 | 0:33:32 | |
Now, I paid 45 for this. | 0:33:32 | 0:33:34 | |
And the auctioneer has put an estimate of ?80 to ?120. | 0:33:34 | 0:33:39 | |
Looking good! | 0:33:39 | 0:33:41 | |
So Kate is brimming with confidence, and Eric too | 0:33:41 | 0:33:44 | |
is looking very pleased with himself. | 0:33:44 | 0:33:46 | |
This is a pot that could gladden the heart of any pottery collector. | 0:33:46 | 0:33:51 | |
And it's got everything you could ever want - | 0:33:51 | 0:33:53 | |
a fabulous glaze, | 0:33:53 | 0:33:55 | |
nice shape. | 0:33:55 | 0:33:57 | |
As far as pots go, | 0:33:57 | 0:33:59 | |
this is definitely premiership. | 0:33:59 | 0:34:01 | |
Yes, both experts feeling chipper, but for how long? | 0:34:01 | 0:34:04 | |
With the auction about to kick off, | 0:34:04 | 0:34:06 | |
our dealers' fates are now out of their hands. | 0:34:06 | 0:34:09 | |
And first up it's Eric and that Burmantoft vase, | 0:34:09 | 0:34:12 | |
which cost him ?31.82. | 0:34:12 | 0:34:15 | |
I think it's a good thing. It should do well. | 0:34:15 | 0:34:17 | |
It's the Burmantoft twin-handled rust-coloured vase. | 0:34:17 | 0:34:20 | |
I can start the bidding at... | 0:34:20 | 0:34:23 | |
?65. | 0:34:23 | 0:34:25 | |
Bid 70 in the room. | 0:34:25 | 0:34:26 | |
?75 with me. ?75 is the bid with me and we sell, ?75. | 0:34:26 | 0:34:32 | |
And that's a profit of ?31.92, | 0:34:32 | 0:34:34 | |
and a great start for Eric. | 0:34:34 | 0:34:37 | |
Well done, you. | 0:34:37 | 0:34:39 | |
It's hardly big business, but it is... It's business. | 0:34:39 | 0:34:42 | |
It's business. | 0:34:42 | 0:34:44 | |
Yes, and there's no business like Showdown business. | 0:34:44 | 0:34:47 | |
So, with Eric's first profit in the bag, | 0:34:47 | 0:34:49 | |
how will Kate get on with those two vases that cost her ?45? | 0:34:49 | 0:34:53 | |
Start me at 50? | 0:34:53 | 0:34:55 | |
Got a commission here. I'll start at 30. ?30 is the bid. | 0:34:55 | 0:34:58 | |
32. Surely... | 0:34:58 | 0:35:00 | |
?30. ?30 bid. They're lovely! | 0:35:00 | 0:35:02 | |
Do we have 32? | 0:35:02 | 0:35:04 | |
?32 is bid in the room. 32 in the room. 32 is bid, | 0:35:04 | 0:35:08 | |
and I'm selling. Sold. | 0:35:08 | 0:35:11 | |
That is NOT good news! | 0:35:11 | 0:35:14 | |
Yes, Kate's first lot is also her first loss, | 0:35:14 | 0:35:17 | |
and she ends up ?19 down | 0:35:17 | 0:35:19 | |
on the vases after fees. | 0:35:19 | 0:35:21 | |
You was robbed. Just robbed. | 0:35:21 | 0:35:24 | |
So it's back to Eric and the pewter serving dish | 0:35:24 | 0:35:26 | |
that cost him ?60. | 0:35:26 | 0:35:28 | |
I'm hopeful, you know, that somebody like Bill Gates | 0:35:28 | 0:35:31 | |
is actually looking in somewhere at the moment. | 0:35:31 | 0:35:33 | |
Yeah, Bill Gates?! It's a pewter dish, not a computer disk, Eric! | 0:35:33 | 0:35:37 | |
I start the bidding at ?55 with me. | 0:35:37 | 0:35:40 | |
Got 60. Not bad. 65 with me. | 0:35:40 | 0:35:43 | |
Right. ?65, the bid is with me. | 0:35:43 | 0:35:45 | |
65 is the bid. Any further interest? Sold. | 0:35:45 | 0:35:48 | |
Oh, dear, that didn't go well. | 0:35:48 | 0:35:51 | |
After fees, the dish nets Eric a loss of ?4.76, | 0:35:51 | 0:35:54 | |
the Showdown auction testing the will | 0:35:54 | 0:35:56 | |
of even the most experienced experts. | 0:35:56 | 0:35:58 | |
And next, it's time to see if diamonds are Kate's best friend, | 0:35:58 | 0:36:02 | |
as her ring, which set her back ?75, | 0:36:02 | 0:36:04 | |
goes under the hammer. | 0:36:04 | 0:36:06 | |
Here it is! | 0:36:06 | 0:36:07 | |
?60. Start me at ?60. | 0:36:07 | 0:36:10 | |
That's a rocky start! | 0:36:10 | 0:36:11 | |
?60 is bid. | 0:36:11 | 0:36:13 | |
Come on! | 0:36:13 | 0:36:14 | |
We're looking for 65. | 0:36:14 | 0:36:16 | |
Are they real diamonds? | 0:36:16 | 0:36:19 | |
Of course they're real diamonds! | 0:36:19 | 0:36:20 | |
I just wanted to make sure everyone knew. You're putting them off! | 0:36:20 | 0:36:23 | |
I believe they are real diamonds. | 0:36:23 | 0:36:25 | |
Would you like to take the auction? No, no, forgive me! | 0:36:25 | 0:36:27 | |
Eric, play nice! | 0:36:27 | 0:36:28 | |
I tell you what, I'll keep schtum in future. | 0:36:28 | 0:36:30 | |
Yes, sometimes silence is golden. | 0:36:30 | 0:36:33 | |
Kate's ring sells for ?85, | 0:36:33 | 0:36:35 | |
making a loss of ?2.76. | 0:36:35 | 0:36:38 | |
Next up is Eric's Chinese dinner service, | 0:36:38 | 0:36:41 | |
which cost him ?40. | 0:36:41 | 0:36:43 | |
And he's got high hopes for this one. | 0:36:43 | 0:36:45 | |
If you're into candlelit suppers, | 0:36:45 | 0:36:47 | |
I mean, you put that on the table, it's got the wow factor, hasn't it? | 0:36:47 | 0:36:51 | |
30 bid. ?30 in the room. | 0:36:51 | 0:36:53 | |
32 bid. 32 in the room. | 0:36:53 | 0:36:55 | |
35 on the net. | 0:36:55 | 0:36:57 | |
38? 38 bid. | 0:36:57 | 0:36:58 | |
Creeping up. | 0:36:58 | 0:37:00 | |
40. 42? | 0:37:00 | 0:37:02 | |
42 in the room. | 0:37:02 | 0:37:04 | |
45 on the net. 48? | 0:37:04 | 0:37:05 | |
48 bid in the room now. | 0:37:05 | 0:37:07 | |
50? 50 on the net. 55? | 0:37:07 | 0:37:10 | |
?50 it is on the net. | 0:37:10 | 0:37:12 | |
Pretty much a break-even, isn't it? | 0:37:12 | 0:37:14 | |
I had greater expectations. | 0:37:14 | 0:37:17 | |
Yes, but this auction is proving to be | 0:37:17 | 0:37:19 | |
a bit of a bleak house for our experts, | 0:37:19 | 0:37:21 | |
as Eric scrapes a small profit of ?2.50. | 0:37:21 | 0:37:24 | |
But up next is Kate's restored ceramic pot pourri holder. | 0:37:24 | 0:37:29 | |
Will it bring the sweet smell of success? | 0:37:29 | 0:37:32 | |
So it's a nice item. | 0:37:32 | 0:37:34 | |
Commission interest. | 0:37:34 | 0:37:36 | |
Not enormous commission interest, but I've got ?38 bid on commission. | 0:37:36 | 0:37:40 | |
It's a start. | 0:37:40 | 0:37:42 | |
38 is bid, then. We'll have to take the commission bid of ?38 only. | 0:37:42 | 0:37:45 | |
No further interest? | 0:37:45 | 0:37:46 | |
You're joking! | 0:37:46 | 0:37:48 | |
?38 the bid. Sold. | 0:37:48 | 0:37:49 | |
?38 is not good. | 0:37:49 | 0:37:51 | |
It certainly isn't, Kate. | 0:37:51 | 0:37:53 | |
In fact, it's a loss of ?13. | 0:37:53 | 0:37:55 | |
This auction is proving to be a tough challenge for our dealers. | 0:37:55 | 0:37:58 | |
They both have just one item left, | 0:37:58 | 0:38:00 | |
so there's a lot riding on those last two lots. | 0:38:00 | 0:38:03 | |
And it's Eric who's first up, | 0:38:03 | 0:38:05 | |
with his mahogany clock which cost him just over ?200. | 0:38:05 | 0:38:09 | |
Lot 750A is... | 0:38:10 | 0:38:12 | |
Here it is. Yeah. | 0:38:12 | 0:38:14 | |
?95 is my commission bid. | 0:38:14 | 0:38:16 | |
Do we have 100 anywhere? ?95 is bid and we will sell. 100. 110. | 0:38:16 | 0:38:20 | |
120. 120, I'm out. | 0:38:20 | 0:38:22 | |
120, we're in the room now. | 0:38:22 | 0:38:24 | |
130 with the lady. Do we have 140 anywhere? | 0:38:24 | 0:38:27 | |
At 130, and I'm selling. | 0:38:27 | 0:38:29 | |
Ooh, that's got to hurt! | 0:38:29 | 0:38:31 | |
The Lancastrian lad is devastated | 0:38:31 | 0:38:34 | |
as he swallows a loss of ?90.10. | 0:38:34 | 0:38:36 | |
At least his rival is on hand | 0:38:36 | 0:38:37 | |
with some words of comfort. | 0:38:37 | 0:38:38 | |
Do you want my hanky? | 0:38:40 | 0:38:42 | |
So that's it for Eric - he's all sold up. | 0:38:42 | 0:38:44 | |
And as he takes a moment to deal with his loss, | 0:38:44 | 0:38:47 | |
it's now over to Kate and her final item - | 0:38:47 | 0:38:50 | |
the silver and cut glass preserve pot that cost her ?36.36. | 0:38:50 | 0:38:54 | |
I think a really nice quality piece | 0:38:54 | 0:38:57 | |
and I'm pinning all my hopes on it. | 0:38:57 | 0:38:59 | |
Let's start the bidding at | 0:38:59 | 0:39:01 | |
?75. | 0:39:01 | 0:39:03 | |
?75 we have. Yes! | 0:39:03 | 0:39:05 | |
At last, there's a bidder who's splashing the cash. | 0:39:05 | 0:39:08 | |
90. 95? | 0:39:08 | 0:39:10 | |
95 in the room. | 0:39:10 | 0:39:12 | |
?100 on the net. | 0:39:12 | 0:39:14 | |
110, sir? 110 bid. | 0:39:14 | 0:39:15 | |
110 bid in the room. Looking for 120. Sold. | 0:39:15 | 0:39:19 | |
110! Yes! That's a profit. | 0:39:19 | 0:39:22 | |
It is indeed, Kate. Specifically, it's a profit of ?57.14. | 0:39:22 | 0:39:25 | |
So the auction is all done, | 0:39:25 | 0:39:28 | |
meaning finally our experts can relax, | 0:39:28 | 0:39:30 | |
which is precisely what they plan to do. | 0:39:30 | 0:39:32 | |
Shall we go and have a cup of tea? I think that's a jolly good idea. | 0:39:32 | 0:39:36 | |
But this story isn't over. | 0:39:38 | 0:39:39 | |
Remember Eric's tin-glazed vase? | 0:39:39 | 0:39:42 | |
Could it be true treasure? | 0:39:42 | 0:39:44 | |
Eric has sold it to the specialist collector that he took it to. | 0:39:44 | 0:39:47 | |
The buyer, who didn't want to be filmed, | 0:39:47 | 0:39:49 | |
confirmed that Eric's hunch was right. | 0:39:49 | 0:39:51 | |
The vase is an original 18th-century piece | 0:39:51 | 0:39:54 | |
and therefore, very valuable. | 0:39:54 | 0:39:56 | |
But before we reveal just how valuable, | 0:39:56 | 0:40:00 | |
Eric, being the gent that he is, | 0:40:00 | 0:40:02 | |
wants to share his special moment with his rival. | 0:40:02 | 0:40:05 | |
I bought it as 19th-century, | 0:40:05 | 0:40:07 | |
but the more I looked at it, I thought I'd better do more research. | 0:40:07 | 0:40:11 | |
So I actually showed it to two or three experts | 0:40:11 | 0:40:13 | |
and I got varying opinions, | 0:40:13 | 0:40:15 | |
and eventually, the idea of it being 18th-century | 0:40:15 | 0:40:20 | |
and not 19th-century. | 0:40:20 | 0:40:22 | |
18th-century tin-glazed... I can see where this is going. | 0:40:22 | 0:40:25 | |
Well, it's going quite some way from the ?45 I paid for it. | 0:40:25 | 0:40:30 | |
In fact, it's gone as far as a profit on the ?45 | 0:40:30 | 0:40:35 | |
of another ?2,000! | 0:40:35 | 0:40:37 | |
So... WOW! | 0:40:37 | 0:40:39 | |
Congratulations! | 0:40:39 | 0:40:40 | |
That's very noble of you. | 0:40:40 | 0:40:42 | |
That's amazing! | 0:40:42 | 0:40:44 | |
I've not come here to gloat, I promise you. | 0:40:44 | 0:40:46 | |
Yes, Eric made a record-breaking profit | 0:40:46 | 0:40:49 | |
of ?2,000 on the faience vase. | 0:40:49 | 0:40:52 | |
And with that amazing sale, | 0:40:52 | 0:40:53 | |
he has surely won the Showdown. | 0:40:53 | 0:40:56 | |
But before we find out by how much, | 0:40:56 | 0:40:58 | |
let's remind ourselves of what our experts both spent. | 0:40:58 | 0:41:01 | |
Both Eric and Kate began this contest with ?1,000. | 0:41:03 | 0:41:06 | |
Eric "Knocker" Knowles spent a total of ?586.69 | 0:41:06 | 0:41:11 | |
on his eight items. | 0:41:11 | 0:41:12 | |
His nemesis, Kate "Absolute" Bliss | 0:41:12 | 0:41:15 | |
bought the same amount, but spent a lot more - | 0:41:15 | 0:41:17 | |
?807.10 in total. | 0:41:17 | 0:41:19 | |
All the money that Eric and Kate have made today | 0:41:19 | 0:41:22 | |
will be going to a charity of their choice. | 0:41:22 | 0:41:25 | |
So, without further ado, it's time to find out | 0:41:25 | 0:41:27 | |
who is today's Put Your Money Where Your Mouth Is champion. | 0:41:27 | 0:41:31 | |
Hey! Here we are. | 0:41:33 | 0:41:34 | |
Showdown! I know. | 0:41:34 | 0:41:36 | |
Well, I don't think you've got anything to be worried about, | 0:41:36 | 0:41:40 | |
because I'm really... | 0:41:40 | 0:41:42 | |
knowing what's going to happen here. I feel like a lamb to the slaughter! | 0:41:42 | 0:41:46 | |
Not one to be smug, I can assure you! | 0:41:46 | 0:41:50 | |
OK, so come on, then - what's the damage? | 0:41:50 | 0:41:53 | |
Ready, steady...go! | 0:41:53 | 0:41:55 | |
Whoa! | 0:41:55 | 0:41:56 | |
Look at that - four figures! | 0:41:56 | 0:41:59 | |
That's fantastic! | 0:41:59 | 0:42:00 | |
I'm having an out-of-body experience! | 0:42:00 | 0:42:03 | |
Very, very good. | 0:42:03 | 0:42:05 | |
Well, shall we see how we went on for the entire week? | 0:42:05 | 0:42:08 | |
This could be a close one. Are you ready? Ready, steady... | 0:42:08 | 0:42:11 | |
go! | 0:42:11 | 0:42:12 | |
Ooh, look at that! | 0:42:12 | 0:42:14 | |
Just pipped you. | 0:42:14 | 0:42:17 | |
Closer than I thought it was going to be, actually. | 0:42:17 | 0:42:20 | |
Well, I've got to say that, | 0:42:20 | 0:42:22 | |
until yesterday, I thought it was all over bar the shouting, | 0:42:22 | 0:42:25 | |
but it just goes to show, it doesn't matter where you start from, | 0:42:25 | 0:42:28 | |
it's where you finish. I know! | 0:42:28 | 0:42:30 | |
Why am I thinking tortoise and hare...? | 0:42:30 | 0:42:32 | |
What a result! | 0:42:32 | 0:42:34 | |
Having been beaten on all four of the previous challenges, | 0:42:34 | 0:42:37 | |
Eric shows why he's dealing royalty, | 0:42:37 | 0:42:39 | |
having pulled the rug from under his rival's feet. | 0:42:39 | 0:42:42 | |
Both our duelling dealers | 0:42:42 | 0:42:44 | |
have made fantastic profits, | 0:42:44 | 0:42:46 | |
and all that money will be going to their chosen charities. | 0:42:46 | 0:42:49 | |
All my profits will go to Prostate Cancer UK, | 0:42:49 | 0:42:53 | |
which provides research and support for those who are suffering. | 0:42:53 | 0:42:57 | |
My charity is Blind Veterans UK. | 0:42:57 | 0:43:01 | |
Now, this is an organisation that looks after servicemen and women | 0:43:01 | 0:43:06 | |
returning from areas of combat | 0:43:06 | 0:43:08 | |
who have suffered visual impairment. | 0:43:08 | 0:43:10 | |
After a week of buying, bartering, battling and haggling, | 0:43:12 | 0:43:14 | |
Eric and Kate have put their money where their mouths are | 0:43:14 | 0:43:17 | |
and proved they can make big profits from antiques | 0:43:17 | 0:43:21 | |
when their own money is on the line. | 0:43:21 | 0:43:23 | |
Subtitles by Red Bee Media Ltd | 0:43:33 | 0:43:35 |