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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:05 | |
the show that pitches TV's best-loved antiques experts | 0:00:05 | 0:00:08 | |
against each other in an all-out battle for profit. | 0:00:08 | 0:00:11 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:17 | |
Who's there? | 0:00:18 | 0:00:19 | |
Each week, one pair of duelling dealers will face | 0:00:20 | 0:00:23 | |
a different daily challenge. The original cheeky chappie. Lovely! | 0:00:23 | 0:00:28 | |
Putting their reputations on the line. Full house! Go, I say! | 0:00:28 | 0:00:32 | |
And giving you their top tips and savvy secrets on how to make | 0:00:33 | 0:00:37 | |
the most money from buying and selling. I'm feeling rather lucky. | 0:00:37 | 0:00:42 | |
Coming up on today's show: Knocker Knowles finds his will is weak. | 0:00:46 | 0:00:50 | |
It's an unknown force which is sucking me | 0:00:50 | 0:00:53 | |
into the vortex of ceramic nirvana. Kate Bliss offers a top tip. | 0:00:53 | 0:00:58 | |
There's no factory mark on the bottom | 0:00:58 | 0:01:00 | |
but the way to trace the factory is to look at the pattern. | 0:01:00 | 0:01:03 | |
And Eric does a spot of moonlighting. | 0:01:03 | 0:01:06 | |
Excusez moi, monsieur, s'il vous plait. | 0:01:06 | 0:01:08 | |
This is Put Your Money Where Your Mouth Is. | 0:01:09 | 0:01:12 | |
Yes, welcome antiques lovers to Newark where we're back with | 0:01:25 | 0:01:28 | |
another tiptop, knick-knack and bric-a-brac challenge today, | 0:01:28 | 0:01:31 | |
as two of Great Britain's very finest fine art | 0:01:31 | 0:01:35 | |
and furniture fanciers take each other on to settle who is the best. | 0:01:35 | 0:01:40 | |
And first to stand up and put his reputation on the block is | 0:01:40 | 0:01:43 | |
the great master, in a woolly hat, | 0:01:43 | 0:01:45 | |
the undisputed sage of ceramics, | 0:01:45 | 0:01:48 | |
the man who puts the terror into terracotta, | 0:01:48 | 0:01:50 | |
it's Burnley's most excellent son, Eric "Knocker" Knowles. | 0:01:50 | 0:01:54 | |
I want to be seen to be buying good objects. OK, we'll have that. | 0:01:56 | 0:02:01 | |
And facing up to Eric is Herefordshire's favourite | 0:02:01 | 0:02:03 | |
lady auctioneer. | 0:02:03 | 0:02:04 | |
This antiques expert is as sharp as a whip, as keen as mustard, | 0:02:04 | 0:02:08 | |
and will do anything she can not to lose. | 0:02:08 | 0:02:11 | |
Fighting out of the Welsh borders, it's Kate "Absolute" Bliss. | 0:02:11 | 0:02:15 | |
Ooh! Look at that! Cor! | 0:02:16 | 0:02:19 | |
Today, our two battling knights of the haggle will be | 0:02:20 | 0:02:22 | |
in their element as they're going to be thrust into the hustle-bustle | 0:02:22 | 0:02:26 | |
of Europe's biggest antiques event, | 0:02:26 | 0:02:28 | |
the Newark International antiques and collectors fair, where | 0:02:28 | 0:02:32 | |
there are over 2,500 stands crammed with the treasures of yesteryear. | 0:02:32 | 0:02:38 | |
Remember, both experts have ?750 of their own money to spend. | 0:02:38 | 0:02:43 | |
And buying to sell is the aim of the game with all the profits | 0:02:43 | 0:02:47 | |
going to their chosen charities. | 0:02:47 | 0:02:49 | |
So stand by your bids, Eric Knowles and Kate Bliss. | 0:02:49 | 0:02:53 | |
It's time to Put Your Money Where Your Mouth Is. | 0:02:53 | 0:02:57 | |
Good morning, Kate. Good morning, sir. How are you? | 0:02:57 | 0:03:00 | |
Well, what I want to know is, what does a girl from Herefordshire | 0:03:00 | 0:03:03 | |
feel about being in a field here in Newark? Do you know, I love it here. | 0:03:03 | 0:03:07 | |
I love Newark International antiques fair and there's so much to go at. | 0:03:07 | 0:03:11 | |
There's over 2,000 stalls here. It's great. | 0:03:11 | 0:03:14 | |
I mean, the fact is, if you can't find it here, | 0:03:14 | 0:03:16 | |
you wouldn't be able to find it anywhere, would you? Well, exactly. | 0:03:16 | 0:03:20 | |
My strategy, because you know, in my case, I'm going to simply try | 0:03:20 | 0:03:23 | |
and remember where I am, because it's just so big. | 0:03:23 | 0:03:26 | |
Today, I think I'm going to play to my strengths, maybe, | 0:03:26 | 0:03:30 | |
and go for something along the jewellery line. A bit of silver. | 0:03:30 | 0:03:34 | |
Sparkly things, maybe. We'll see. | 0:03:34 | 0:03:36 | |
Why spoil the habit of a lifetime? Listen, good to see you. | 0:03:36 | 0:03:38 | |
Best of luck. Catch you later. | 0:03:38 | 0:03:40 | |
Might see you for a coffee in about an hour. Good idea. | 0:03:40 | 0:03:42 | |
So off they go. Kate - cool, calm, confident, knows what she wants. | 0:03:42 | 0:03:47 | |
Eric, on the other hand, feigning bewilderment, | 0:03:47 | 0:03:49 | |
but you just know, underneath that crumpled exterior | 0:03:49 | 0:03:52 | |
is a man who knows what he's looking for. | 0:03:52 | 0:03:55 | |
What are you looking for, Eric? | 0:03:55 | 0:03:56 | |
I'm looking for arts and crafts metalwork. | 0:03:56 | 0:03:59 | |
Beaten copper, beaten brass, if it's made in Newlyn or Keswick, | 0:03:59 | 0:04:03 | |
then it's going to be a bonus, | 0:04:03 | 0:04:05 | |
but I'm keeping my eye out for anything but any old iron. | 0:04:05 | 0:04:08 | |
So, Eric's decided to shun his beloved pottery | 0:04:11 | 0:04:14 | |
in favour of arts and crafts metalwork. | 0:04:14 | 0:04:17 | |
Bold decision because Kate knows she's up against a mighty opponent | 0:04:17 | 0:04:21 | |
and is sticking to what she knows best. | 0:04:21 | 0:04:23 | |
Well, I said to Eric I was going to home in | 0:04:23 | 0:04:25 | |
on jewellery and silver today | 0:04:25 | 0:04:26 | |
and the reason for that is I want to start the day | 0:04:26 | 0:04:29 | |
and get a couple of really good buys under my belt | 0:04:29 | 0:04:31 | |
and also, in a fair as big as this one, | 0:04:31 | 0:04:34 | |
you can easily get distracted looking at all sorts of things. | 0:04:34 | 0:04:37 | |
So I'm really hoping there's some really good sparkly things in here. | 0:04:37 | 0:04:41 | |
Yes, Kate very much sticking to her specialist subject | 0:04:41 | 0:04:43 | |
and Eric turning his back on his. | 0:04:43 | 0:04:46 | |
Although, if that's the case, | 0:04:46 | 0:04:47 | |
what's he doing lurking around the ceramics stall, eh? | 0:04:47 | 0:04:50 | |
Eric, that's not metalwork! | 0:04:52 | 0:04:54 | |
So there I am talking about looking for metalwork | 0:04:59 | 0:05:02 | |
and arts and crafts, but I can't help it - | 0:05:02 | 0:05:04 | |
there's a stand here and it's got lots of pots. | 0:05:04 | 0:05:08 | |
I'm being drawn into this, it's an unknown force which is | 0:05:08 | 0:05:12 | |
sucking me into the vortex of ceramic nirvana or something, I'm not sure. | 0:05:12 | 0:05:18 | |
I'm never happier than when I'm looking at pots. | 0:05:18 | 0:05:20 | |
Well, perhaps he's just going to have a quick look | 0:05:20 | 0:05:22 | |
and move onto metalwork. Yes, that'll be what he's thinking. | 0:05:22 | 0:05:26 | |
Is that what he's thinking? | 0:05:26 | 0:05:28 | |
I'm looking at a lovely piece of Majolica there, | 0:05:28 | 0:05:32 | |
with not a big price tag on it. | 0:05:32 | 0:05:34 | |
It is at fault... | 0:05:34 | 0:05:36 | |
In other words, it's got some damage to it, but it is Wedgwood | 0:05:36 | 0:05:40 | |
and I know it's around about 1870. | 0:05:40 | 0:05:44 | |
I like that and then I like the plate next to it as well. | 0:05:44 | 0:05:47 | |
Oh, Eric, you're so weak-willed. | 0:05:47 | 0:05:49 | |
Hello, hello, I'm just admiring your plate. | 0:05:49 | 0:05:53 | |
I'm just looking at what... I might go to... | 0:05:53 | 0:05:56 | |
It's just you tell me and I'll say... 15. ?15. | 0:05:56 | 0:06:00 | |
You see, will you pull that glove? OK, pull that hand there. | 0:06:00 | 0:06:04 | |
Excellent, thank you, ?15. | 0:06:04 | 0:06:07 | |
So, Eric pockets the plate, | 0:06:07 | 0:06:08 | |
but you didn't really think he was going to stop there, did you? | 0:06:08 | 0:06:11 | |
I normally have a rule not to buy anything with a crack in it | 0:06:12 | 0:06:15 | |
but I do like that and I see it's got a price on it. | 0:06:15 | 0:06:18 | |
What would it be? Is there an Eric price on that? | 0:06:18 | 0:06:21 | |
An Eric price would be 40. | 0:06:21 | 0:06:23 | |
It's talking to me, you know. | 0:06:25 | 0:06:27 | |
It's paranormal, it's saying, "You know you want me." | 0:06:27 | 0:06:30 | |
DEEP VOICE: You know you want me, Eric. | 0:06:30 | 0:06:34 | |
RECORD SCRATCHES OK, ?40, that's a double whammy. | 0:06:34 | 0:06:37 | |
OK, lovely. | 0:06:37 | 0:06:39 | |
So, Eric puts up no resistance to his ceramic urges | 0:06:39 | 0:06:43 | |
and walks away with a pair of pottery purchases. | 0:06:43 | 0:06:46 | |
Well, two buys in one go. | 0:06:46 | 0:06:49 | |
A super plate, dating to... | 0:06:49 | 0:06:51 | |
I don't know, got to do me research, | 0:06:51 | 0:06:53 | |
but that must be around about 1900 or so. | 0:06:53 | 0:06:56 | |
You know, good quality - ?15. | 0:06:56 | 0:06:59 | |
I just want to double me money. | 0:06:59 | 0:07:01 | |
If I want to double me money to my jardiniere, | 0:07:01 | 0:07:04 | |
it's the jardiniere now I'm actually selling it. | 0:07:04 | 0:07:07 | |
It was a plant-pot when I was buying it. | 0:07:07 | 0:07:10 | |
But it is Wedgwood. It is Majolica. | 0:07:10 | 0:07:13 | |
It does date to around about 1870/1880. | 0:07:13 | 0:07:16 | |
So, if I can't double me money on that, again it'll be a sad day. | 0:07:16 | 0:07:21 | |
Yes, Eric's broken his duck, but across the market, | 0:07:21 | 0:07:23 | |
how is Kate doing? | 0:07:23 | 0:07:25 | |
Remember her plan to stick to her strengths? | 0:07:25 | 0:07:27 | |
Diamonds, rubies, emeralds, that sort of thing. | 0:07:27 | 0:07:30 | |
Yes, it's jewellery all the way. | 0:07:30 | 0:07:31 | |
Any ideas what this is used for? | 0:07:33 | 0:07:35 | |
Is it a big necklace? | 0:07:35 | 0:07:37 | |
This is actually for cheese, would you believe? | 0:07:37 | 0:07:39 | |
If you imagine a huge round of cheese, | 0:07:39 | 0:07:43 | |
that would sit in this, what's known as a "truckle", a cheese truckle. | 0:07:43 | 0:07:47 | |
It's made of mahogany, and it's a really nice Georgian one, actually. | 0:07:47 | 0:07:51 | |
I would say, with these roundels, it's typically 1820. | 0:07:51 | 0:07:55 | |
Maybe a little bit later. | 0:07:55 | 0:07:57 | |
Lovely mahogany BUT it's had a bit of a history because, | 0:07:57 | 0:08:00 | |
if you look closely just in here, can you see that? | 0:08:00 | 0:08:04 | |
There's a patch that's been put in there. | 0:08:04 | 0:08:06 | |
So, obviously there was a problem | 0:08:06 | 0:08:08 | |
with a little bit of the mahogany there. | 0:08:08 | 0:08:11 | |
A little bit of restoration, it's had a bit of work. | 0:08:11 | 0:08:13 | |
I'm just going to enquire how much this is. | 0:08:13 | 0:08:15 | |
How much is this, madam? | 0:08:15 | 0:08:16 | |
120, but I'm sure we can do something on it. | 0:08:16 | 0:08:19 | |
Oh, 120, it's had a bit of repair work, hasn't it? Just here. | 0:08:19 | 0:08:24 | |
And it's got a crack, which is unfortunate. Yeah. | 0:08:24 | 0:08:26 | |
But it's a lovely thing. | 0:08:26 | 0:08:28 | |
What are you thinking? I'm thinking, sort of, 60-ish. | 0:08:29 | 0:08:32 | |
Ooh. "Ooh", she says. | 0:08:32 | 0:08:34 | |
Yeah, 100? Eh... | 0:08:34 | 0:08:37 | |
90. | 0:08:39 | 0:08:40 | |
75? | 0:08:40 | 0:08:42 | |
Hm, 85. 75 would be good for me, I'll take it off your hands. | 0:08:42 | 0:08:46 | |
I'll say 80 and then we're there, I can't go any more than that, | 0:08:46 | 0:08:49 | |
I'll be murdered. | 0:08:49 | 0:08:50 | |
OK, ?80, let's not beat around the bush. | 0:08:50 | 0:08:53 | |
Superb, thank you. Done, thank you so much. | 0:08:53 | 0:08:55 | |
Yes, the lady drives a hard bargain but so does Kate, | 0:08:55 | 0:08:58 | |
knocking ?40 off the original price, | 0:08:58 | 0:09:00 | |
and the truckle is hers. | 0:09:00 | 0:09:02 | |
She was so determined to stick to her beloved jewellery, | 0:09:02 | 0:09:05 | |
but was wooed by a cheese-related item. | 0:09:05 | 0:09:07 | |
Mm. So easy to do. | 0:09:07 | 0:09:09 | |
"I prefer a biscuit, myself." | 0:09:09 | 0:09:11 | |
So now both their strategies are out the window. It's anything goes. | 0:09:12 | 0:09:16 | |
Or, in Eric's case, anything stays as he can't bring himself to | 0:09:16 | 0:09:20 | |
move away from the pots, plates, vases and glasses. | 0:09:20 | 0:09:23 | |
Like that, look. | 0:09:23 | 0:09:24 | |
Single feather Ich dien. | 0:09:24 | 0:09:26 | |
When you see that you think of the Prince of Wales. | 0:09:26 | 0:09:29 | |
That's his...that's his motto. Ich dien - I serve. | 0:09:29 | 0:09:31 | |
But you normally get three feathers. | 0:09:33 | 0:09:34 | |
But I like that. | 0:09:34 | 0:09:37 | |
I think the goblet itself might be older than the engraving - | 0:09:37 | 0:09:40 | |
a lot older. | 0:09:40 | 0:09:42 | |
Excuse me, sir. | 0:09:42 | 0:09:43 | |
Can I bend your ear? | 0:09:43 | 0:09:44 | |
I'm interested in your goblet. It's got some age, but I don't know... | 0:09:46 | 0:09:50 | |
Well, it's... I think there's a date on it, actually, when it was... | 0:09:50 | 0:09:54 | |
1969. | 0:09:54 | 0:09:56 | |
Oh, '69. | 0:09:56 | 0:09:57 | |
It's number 38 of a limited edition. | 0:09:57 | 0:09:59 | |
OK. It's got a price on there. | 0:09:59 | 0:10:01 | |
Is there a... | 0:10:01 | 0:10:02 | |
Yeah, yeah. | 0:10:02 | 0:10:03 | |
?50 to you. ?50 to me. | 0:10:05 | 0:10:08 | |
Right, what I'm going to do, I'm going to hold it close, | 0:10:08 | 0:10:11 | |
I'm going to put my hand out like that | 0:10:11 | 0:10:12 | |
and say you've got yourself a deal. Thank you very much. Excellent. | 0:10:12 | 0:10:16 | |
Yes, ?50 for the glass goblet | 0:10:16 | 0:10:18 | |
and Eric is once again sticking to what he knows. | 0:10:18 | 0:10:21 | |
In fact, it seems like such a good idea, | 0:10:21 | 0:10:23 | |
Kate is also now sticking to what Eric knows. | 0:10:23 | 0:10:26 | |
I've just bought this jug and it was a bit of a cheeky buy, | 0:10:26 | 0:10:29 | |
cos the store holder was asking 45. I bought it for 25. | 0:10:29 | 0:10:33 | |
It may just look like an ordinary ceramic jug to you, but what's quite | 0:10:33 | 0:10:36 | |
interesting is that it's quite old - it's Victorian, | 0:10:36 | 0:10:40 | |
so late 19th century in date. | 0:10:40 | 0:10:42 | |
It's very English. It's probably by a factory like Spode. | 0:10:42 | 0:10:47 | |
There's no factory mark on the bottom, | 0:10:47 | 0:10:49 | |
but the way to trace a factory is to look at the pattern. | 0:10:49 | 0:10:52 | |
That's the interesting bit. | 0:10:52 | 0:10:53 | |
You've got a really interesting | 0:10:53 | 0:10:56 | |
English blue and white patterned jug, | 0:10:56 | 0:10:58 | |
but the pattern is Chinese. | 0:10:58 | 0:11:00 | |
So what you've got here is a British factory putting these | 0:11:00 | 0:11:04 | |
stylised landscapes on very English pottery. | 0:11:04 | 0:11:07 | |
I'm going to try and find a good private buyer | 0:11:07 | 0:11:09 | |
who wants a nice water jug. | 0:11:09 | 0:11:11 | |
Well, Kate giving herself a bit of research to do. | 0:11:11 | 0:11:13 | |
Although, to cut corners, she could probably ask Eric | 0:11:13 | 0:11:16 | |
who has at last left that ceramic stand | 0:11:16 | 0:11:19 | |
and made his way to a ceramic stall. | 0:11:19 | 0:11:21 | |
So predictable. | 0:11:21 | 0:11:23 | |
If I can go through that well-worn little ritual - what's the best? 30. | 0:11:23 | 0:11:28 | |
?30. | 0:11:28 | 0:11:29 | |
Yeah, OK. I like that. Yeah, I do like that. | 0:11:30 | 0:11:33 | |
Well, I just bought this Coalport mug here. | 0:11:33 | 0:11:36 | |
It shows the iron bridge in...in Ironbridge | 0:11:36 | 0:11:40 | |
and it's also got Wenlock Abbey in Shropshire. | 0:11:40 | 0:11:43 | |
So it might be finding its way back there. | 0:11:43 | 0:11:45 | |
So a nice little quickie from Eric gives him his fourth item. | 0:11:45 | 0:11:49 | |
A Coalport mug for ?30. | 0:11:49 | 0:11:51 | |
Kate is still indoors | 0:11:52 | 0:11:53 | |
and some silver salt and pepper shakers have caught her eye. | 0:11:53 | 0:11:56 | |
These are nice. What are these? | 0:11:57 | 0:11:58 | |
They're Cartier and sterling silver. | 0:11:58 | 0:12:01 | |
Oh, sterling. Yeah. | 0:12:03 | 0:12:05 | |
What do you want for those? | 0:12:05 | 0:12:06 | |
?55. | 0:12:07 | 0:12:09 | |
For the two? Yes. | 0:12:09 | 0:12:11 | |
I could do 30. | 0:12:11 | 0:12:13 | |
No, I can't do that. | 0:12:13 | 0:12:14 | |
45. | 0:12:14 | 0:12:15 | |
40 cash and I'm happy. No. No? | 0:12:15 | 0:12:18 | |
45. | 0:12:20 | 0:12:22 | |
Are you sure? 45. | 0:12:22 | 0:12:23 | |
Thank you very much. | 0:12:24 | 0:12:25 | |
Hard-bargaining Kate only manages to knock ?10 off the asking price, | 0:12:27 | 0:12:30 | |
so does she still think these shakers can give her a profit? | 0:12:30 | 0:12:34 | |
I think that 45 was a very good price | 0:12:34 | 0:12:37 | |
because not only have we got sterling silver, | 0:12:37 | 0:12:39 | |
but we have got Cartier on the bottom. | 0:12:39 | 0:12:42 | |
Great name, good private buyer, I think, for these. | 0:12:42 | 0:12:45 | |
So Kate's happy with her purchase. | 0:12:46 | 0:12:48 | |
So happy, in fact, she's gone outside | 0:12:48 | 0:12:50 | |
and is making a huge racket about it. | 0:12:50 | 0:12:53 | |
Well, I don't know how Eric's doing, but I'm having great fun. | 0:12:53 | 0:12:56 | |
As far as I'm concerned, it's game, set and match... | 0:12:56 | 0:12:59 | |
..to me. | 0:13:00 | 0:13:01 | |
Yes, lovely to see our experts in such high spirits, | 0:13:03 | 0:13:06 | |
and that brings us to the halfway mark in this buying bonanza. | 0:13:06 | 0:13:09 | |
Let's have a quick catch up to see who's serving for the match | 0:13:09 | 0:13:12 | |
and who needs new balls. | 0:13:12 | 0:13:15 | |
Our experts arrived at Newark each with ?750 in their pockets. | 0:13:16 | 0:13:21 | |
So far, Eric has spent ?135 and bought four items, | 0:13:21 | 0:13:25 | |
leaving him ?615 in his kitty. | 0:13:25 | 0:13:29 | |
Kate is slightly ahead on the spending stakes having spent ?150. | 0:13:29 | 0:13:34 | |
But she's only bought three items | 0:13:34 | 0:13:36 | |
and still has ?600 left to play with. | 0:13:36 | 0:13:38 | |
So as things stand at this stage, very little in it. | 0:13:39 | 0:13:43 | |
"Knocker Knowles." How are you doing? "Kiss me, Kate," | 0:13:43 | 0:13:46 | |
how are you, darling? | 0:13:46 | 0:13:47 | |
Are you well? Yeah, I'm fine, thank you. How's it going? | 0:13:47 | 0:13:50 | |
Yeah, it's going all right. | 0:13:50 | 0:13:51 | |
The frustration, as always, | 0:13:51 | 0:13:53 | |
I'm finding things that I don't want to sell, I want to keep. | 0:13:53 | 0:13:57 | |
I know! So there you are. What about you? | 0:13:57 | 0:13:59 | |
Have you bought lots of jewellery? | 0:13:59 | 0:14:01 | |
Do you know, I haven't. | 0:14:01 | 0:14:02 | |
My strategy hasn't worked at all! I've bought anything but. | 0:14:02 | 0:14:06 | |
I've bought a really nice Georgian cheese truckle. Oh, right. | 0:14:06 | 0:14:10 | |
Yeah, so that's my favourite buy. Is it? | 0:14:10 | 0:14:12 | |
What about you, favourite buy? Nothing old. | 0:14:12 | 0:14:14 | |
I bought a nice, sort of, goblet, | 0:14:14 | 0:14:16 | |
engraved with the Prince of Wales feathers on it. | 0:14:16 | 0:14:19 | |
Right. Limited edition, 1969. So, all in all, not too bad. Not bad. | 0:14:19 | 0:14:24 | |
Right, well, I've got no time to waste. Better get going. | 0:14:24 | 0:14:26 | |
You go that way, cos I'm going that way. All right. | 0:14:26 | 0:14:28 | |
Adios. See you later. See you. | 0:14:28 | 0:14:30 | |
So, pleasantries over, it's noses back to the grindstone. | 0:14:30 | 0:14:33 | |
With time ticking, both our dealers are racing against the clock. | 0:14:33 | 0:14:37 | |
Earlier on, Kate strayed into Eric's territory | 0:14:37 | 0:14:39 | |
and bought a bit of pottery. | 0:14:39 | 0:14:41 | |
Now the tables have turned, | 0:14:41 | 0:14:43 | |
and Eric has strayed into Kate's specialist area. | 0:14:43 | 0:14:46 | |
He's hovering around vintage ladies' cosmetics. | 0:14:46 | 0:14:49 | |
Little does he know, | 0:14:49 | 0:14:50 | |
though, that his rival is keeping a close eye on his movements. | 0:14:50 | 0:14:54 | |
I've just spotted Eric in the background, there, and I can't | 0:14:54 | 0:14:56 | |
quite see what he's buying but it looks like a lady's compact. | 0:14:56 | 0:14:59 | |
What's he doing buying ladies' stuff? | 0:14:59 | 0:15:02 | |
Yes, Eric, how very dare you? | 0:15:02 | 0:15:05 | |
It's a good-looking thing. There's not much to them, really, is there? | 0:15:05 | 0:15:08 | |
They're sort of pressed brass and... Pressed metal. Yeah. | 0:15:08 | 0:15:11 | |
That's quite a good design, that. | 0:15:11 | 0:15:13 | |
Of course, every lady had a compact. Yeah. | 0:15:13 | 0:15:16 | |
Yeah, yeah. They wouldn't go anywhere without them, would they? | 0:15:16 | 0:15:18 | |
Let's have a look at that...again. | 0:15:18 | 0:15:20 | |
And what's that? Is there a name on there at all? | 0:15:20 | 0:15:25 | |
Would it say...Rex of 5th Avenue? | 0:15:25 | 0:15:28 | |
Well, that's a bit of a giveaway for America, New York, New York. | 0:15:28 | 0:15:31 | |
Might be worth a punt. | 0:15:31 | 0:15:33 | |
Dare I... Is that your best? I'm sorry to ask the question. | 0:15:33 | 0:15:36 | |
I'm afraid it is. No, that's OK. Well, I'm not afraid. I'll... | 0:15:36 | 0:15:39 | |
I think I might just splash out ?15, then. | 0:15:39 | 0:15:43 | |
Well, I don't mind admitting | 0:15:43 | 0:15:44 | |
I'm a little bit out of my comfort zone with this. | 0:15:44 | 0:15:47 | |
This is more your sort of, dare I say it, say, the competition? | 0:15:47 | 0:15:52 | |
AKA Kiss Me Kate. | 0:15:52 | 0:15:54 | |
And I just went for it, because I like that design. It's... | 0:15:54 | 0:15:58 | |
We know it's American, and I'm assuming it's going to | 0:15:58 | 0:16:03 | |
be around about 1940, but I'm going to do a bit of research. | 0:16:03 | 0:16:07 | |
But for ?15, I thought that was a jolly good spend, | 0:16:07 | 0:16:11 | |
and anyway, got to go. | 0:16:11 | 0:16:13 | |
I'm just going to go and powder my nose. | 0:16:13 | 0:16:15 | |
Whatever next, a bit of lippy and some vintage concealer? | 0:16:16 | 0:16:20 | |
# Lipstick | 0:16:20 | 0:16:22 | |
# Powder and paint | 0:16:22 | 0:16:23 | |
# Lipstick | 0:16:23 | 0:16:25 | |
# Powder and paint... # | 0:16:25 | 0:16:27 | |
Well, I suppose he could always ask Kate to sell it for him. | 0:16:27 | 0:16:30 | |
Anyway, Kate, possibly buoyed by seeing Eric buying ladies' | 0:16:30 | 0:16:33 | |
stuff, has at last found a bit of antique jewellery. | 0:16:33 | 0:16:36 | |
Now, I've just spotted these earrings in here, | 0:16:38 | 0:16:41 | |
and you've got 15 carat gold, which was used a lot in Victorian | 0:16:41 | 0:16:44 | |
times, not used so much now, in modern jewellery. | 0:16:44 | 0:16:47 | |
It's either 9 or 18 carat. | 0:16:47 | 0:16:49 | |
But 15 carat was quite a usual gold to use in those times. | 0:16:49 | 0:16:52 | |
They're probably about 1890 in date, | 0:16:52 | 0:16:55 | |
and you've got a little old cut diamond in the middle there. | 0:16:55 | 0:16:58 | |
If I hold them together... | 0:16:58 | 0:17:00 | |
There, you can see a little bit of sparkle in the middle. | 0:17:01 | 0:17:05 | |
Quite sweet, really. | 0:17:05 | 0:17:07 | |
What can you do those for me? 55, they have to be. 55? | 0:17:07 | 0:17:11 | |
Yeah, all right. We'll do that. | 0:17:11 | 0:17:12 | |
55, lovely. Cheers. | 0:17:12 | 0:17:14 | |
Thank you very much. | 0:17:14 | 0:17:15 | |
Well, Kate managed to knock ?20 off the asking price, and has | 0:17:15 | 0:17:18 | |
high hopes that her diamond earrings will bring home a sparkling profit. | 0:17:18 | 0:17:22 | |
And, of course, she's at last got herself back in line | 0:17:22 | 0:17:25 | |
with her strategy. | 0:17:25 | 0:17:26 | |
And guess what - her rival has also, at last, | 0:17:26 | 0:17:28 | |
found what he was looking for. | 0:17:28 | 0:17:30 | |
It's Art Nouveau, it's made of metal, it could be a real bargain. | 0:17:30 | 0:17:34 | |
Now, if you're going to have a crumb scoop, | 0:17:34 | 0:17:36 | |
it may as well be one by Archibald Knox. | 0:17:36 | 0:17:39 | |
This is Archibald Kn... Look at that. | 0:17:39 | 0:17:41 | |
The reason you can tell that is, first of all, this decoration, | 0:17:41 | 0:17:47 | |
which is a little bit worn, but it's still nice, | 0:17:47 | 0:17:49 | |
and it says on the back, | 0:17:49 | 0:17:50 | |
"English Pewter." So, Knox is a man from the Isle of Man | 0:17:50 | 0:17:55 | |
who is designing at... around about the 1890s, 1900, | 0:17:55 | 0:18:02 | |
doing a lot of designs for Arthur Lasenby Liberty. | 0:18:02 | 0:18:05 | |
Think of Liberty and Co, and that's a good-looking object. | 0:18:05 | 0:18:10 | |
As they say in your part of Nottinghamshire, combien? | 0:18:10 | 0:18:13 | |
Just for you, I'll do 80 on that for you. 80. | 0:18:13 | 0:18:16 | |
I want to be seen to be buying good objects. OK, we'll have that. | 0:18:16 | 0:18:20 | |
So, Eric at last achieves what he set out to do, | 0:18:20 | 0:18:23 | |
and pays ?80 for his Archibald Knox pewter crumb scoop. | 0:18:23 | 0:18:27 | |
And before you can say "Art Nouveau," | 0:18:28 | 0:18:30 | |
he snaps up a tea tray from the same stall. | 0:18:30 | 0:18:33 | |
I could not resist this tray. | 0:18:33 | 0:18:36 | |
For two reasons - one is, it's such a pure Art Nouveau design. | 0:18:36 | 0:18:39 | |
The second reason I wasn't going to leave it behind | 0:18:39 | 0:18:41 | |
is that it was offered to me for ?20. | 0:18:41 | 0:18:44 | |
That double purchase brings Eric's tally to seven, | 0:18:44 | 0:18:47 | |
and he decides to call it a day. | 0:18:47 | 0:18:49 | |
His rival, on the other hand, is still on the lookout | 0:18:49 | 0:18:52 | |
for bargains, and she's spotted a Victorian folding bookshelf. | 0:18:52 | 0:18:56 | |
What's your very best? 50 for you. | 0:18:56 | 0:18:58 | |
50. | 0:18:58 | 0:19:00 | |
40? No, I'm sorry, that's rock bottom. | 0:19:00 | 0:19:03 | |
OK, we'll do 50 on that. | 0:19:03 | 0:19:05 | |
Done. | 0:19:05 | 0:19:06 | |
?50 is more than Kate wanted to pay, | 0:19:06 | 0:19:08 | |
but she adds the Victorian folding bookshelf to her collection. | 0:19:08 | 0:19:12 | |
Now, with this particular purchase, | 0:19:12 | 0:19:14 | |
I have committed what in my book is a cardinal sin, | 0:19:14 | 0:19:17 | |
because I've bought something that is damaged. | 0:19:17 | 0:19:20 | |
Somebody has screwed some horrible holes in the base, | 0:19:20 | 0:19:24 | |
and in the base that side, | 0:19:24 | 0:19:26 | |
it's obviously been screwed onto something, and one end extends | 0:19:26 | 0:19:30 | |
and one end ought to extend but it doesn't, it's fixed. | 0:19:30 | 0:19:35 | |
But the reason I bought it is, look at this lovely decoration | 0:19:35 | 0:19:38 | |
on the top here. Now, this is typically Victorian. | 0:19:38 | 0:19:41 | |
The combination of ivory and ebony, | 0:19:41 | 0:19:44 | |
dating typically from about 1880, and then these lovely brass studs. | 0:19:44 | 0:19:49 | |
And then, if you look really closely, | 0:19:49 | 0:19:51 | |
you've got, inlaid in the ivory, mother of pearl and abalone shell, | 0:19:51 | 0:19:56 | |
which just gives you a little bit of sheen there. | 0:19:56 | 0:19:59 | |
It's a good size, so it would fit in a small house, even, | 0:19:59 | 0:20:03 | |
and that makes it quite commercial. | 0:20:03 | 0:20:05 | |
So having broken all her rules, is Kate going to slope off defeated? | 0:20:05 | 0:20:09 | |
Not on your Nellie! She's spotted a watercolour she likes the look of | 0:20:09 | 0:20:13 | |
on the very next stall. And what's more, she even has a buyer in mind. | 0:20:13 | 0:20:18 | |
Now in Herefordshire, where I come from, there's a lovely vineyard. | 0:20:18 | 0:20:23 | |
And I happen to know the owner of the vineyard. | 0:20:23 | 0:20:26 | |
And I think she could just do with a watercolour like that on her wall. | 0:20:26 | 0:20:30 | |
So I'm really hoping I might have a sale for this piece. | 0:20:30 | 0:20:34 | |
What could you do for me on that? You've got 48 on there. I'll do 40. | 0:20:34 | 0:20:38 | |
I can't do 40. I'm thinking 30? Sorry, no! | 0:20:38 | 0:20:42 | |
OK, final offer, 35. 38, final. 38?! | 0:20:42 | 0:20:46 | |
OK, 38. Lovely. Thank you. | 0:20:46 | 0:20:50 | |
Yes, Kate concedes. ?38, but that's still a tenner off the asking price. | 0:20:50 | 0:20:55 | |
A good deal, and she is delighted! | 0:20:55 | 0:20:58 | |
Now this is really quite nicely painted, if you look at it. | 0:20:58 | 0:21:01 | |
It's a botanical watercolour. | 0:21:01 | 0:21:04 | |
And the nicest thing about it is that we have got a little signature, | 0:21:04 | 0:21:07 | |
pinpointing it to Lewis, the artist, but then a date for 1823. | 0:21:07 | 0:21:12 | |
So we know it's actually a Georgian watercolour, which is really nice. | 0:21:12 | 0:21:16 | |
But at ?38 - and with buyer in mind, I'm happy! | 0:21:16 | 0:21:21 | |
Yes, so happy, in fact, that Kate throws in the towel. | 0:21:21 | 0:21:24 | |
And while the stallholders pack up what's left of their wares, | 0:21:24 | 0:21:27 | |
time for a swift reminder about who spent how much and on what. | 0:21:27 | 0:21:31 | |
"They're both barking mad, if you ask me." | 0:21:31 | 0:21:34 | |
DOG YAWNS | 0:21:34 | 0:21:36 | |
Remember, both our dealers started with ?750 of their own money in their pockets. | 0:21:36 | 0:21:41 | |
Eric ended up buying seven items, | 0:21:41 | 0:21:43 | |
but spent a fraction of his budget - just ?250, in fact. | 0:21:43 | 0:21:47 | |
Is that going to be anywhere near enough to make a big profit | 0:21:47 | 0:21:51 | |
and beat his rival? Well, maybe, | 0:21:51 | 0:21:53 | |
because Kate bought just six items and, like Eric, | 0:21:53 | 0:21:56 | |
was also a bit slow putting her hand in her pocket. | 0:21:56 | 0:21:59 | |
She parted with a paltry ?293. | 0:21:59 | 0:22:02 | |
As far as money and items go, there's very little in it. | 0:22:04 | 0:22:08 | |
But as far as profit is concerned, how do our dealers think their rival has done? | 0:22:08 | 0:22:13 | |
Now, Knocker Knowles, you have veered off the ceramics a little bit, haven't you? I like this. | 0:22:13 | 0:22:18 | |
I have, yeah. I mean, I was trying to find arts and crafts metalwork, | 0:22:18 | 0:22:22 | |
and I came across this crumb scoop. | 0:22:22 | 0:22:24 | |
And I paid ?80 for it but it is a classic design. It is lovely. | 0:22:24 | 0:22:29 | |
Very arts and crafts. You've stuck to your guns, haven't you, | 0:22:29 | 0:22:32 | |
to a certain degree? You said jewellery. | 0:22:32 | 0:22:34 | |
I did. These are actually my favourite buy, I think. | 0:22:34 | 0:22:37 | |
This one - they're Victorian and they're 15 carat gold with a little diamond. | 0:22:37 | 0:22:41 | |
Lovely. Tell me about that? This is a Georgian cheese coaster. | 0:22:41 | 0:22:46 | |
Or truckle, if you want another word for it. | 0:22:46 | 0:22:49 | |
I've not come across that term. There you go. | 0:22:49 | 0:22:51 | |
We're on a learning curve, aren't we? | 0:22:51 | 0:22:52 | |
We are, all the time. I like it. I like it. | 0:22:52 | 0:22:55 | |
It's like a sledge, isn't it? And I like the jug, | 0:22:55 | 0:22:57 | |
but there again I'm a pottery person. I think it's time for a cup of tea. | 0:22:57 | 0:23:01 | |
I think it is. I know just the right place. Come on then. | 0:23:01 | 0:23:04 | |
Both our experts wave goodbye to buying | 0:23:09 | 0:23:12 | |
and say hello to selling, as they must now try | 0:23:12 | 0:23:15 | |
and shift all their goodies for as much money as possible, | 0:23:15 | 0:23:18 | |
in order to make the biggest profit and walk away victorious. | 0:23:18 | 0:23:22 | |
So, our competitors now return home to size up their goods. | 0:23:22 | 0:23:26 | |
Back in Buckinghamshire, Eric is assessing his hoard in his hall. | 0:23:26 | 0:23:32 | |
Well, I normally spend, spend, spend at Newark. | 0:23:32 | 0:23:34 | |
But I have to say that this time, it was a tough call. | 0:23:34 | 0:23:38 | |
The money was there but I just could not find those big money objects. | 0:23:38 | 0:23:42 | |
But I'm quite happy with what I did spend. | 0:23:42 | 0:23:45 | |
My Wedgewood Canadian plate, | 0:23:45 | 0:23:48 | |
I just thought it had been in a time warp, | 0:23:48 | 0:23:50 | |
because the colours and the enamels are as good as the day | 0:23:50 | 0:23:54 | |
it came out of the kiln in Etruria in Stoke-on-Trent. | 0:23:54 | 0:23:57 | |
My glass goblet, a piece that was designed to commemorate | 0:23:57 | 0:24:01 | |
the investiture of the Prince of Wales at Caernarfon Castle in 1969. | 0:24:01 | 0:24:07 | |
So a commemorative collector would be the perfect candidate there. | 0:24:07 | 0:24:13 | |
My compact - I've never bought a compact before. | 0:24:13 | 0:24:16 | |
I just thought the design was quite vivid. | 0:24:16 | 0:24:19 | |
I thought it was quite, you know, full of energy. | 0:24:19 | 0:24:21 | |
What about my mug? There it is - the Ironbridge in Ironbridge. | 0:24:21 | 0:24:27 | |
The date: Around about 1850, maybe 1860 at a push. | 0:24:27 | 0:24:31 | |
And I'm keen to sort of repatriate that piece to the Ironbridge Gorge. | 0:24:31 | 0:24:37 | |
And then last but not least, a classic piece | 0:24:37 | 0:24:40 | |
of British arts and crafts design. This crumb scoop cost me ?80. | 0:24:40 | 0:24:46 | |
I thought it was well worth the money. | 0:24:46 | 0:24:49 | |
At that sort of price, I'm confident of making a profit, | 0:24:49 | 0:24:52 | |
although I have to say, it's going to be a tricky one | 0:24:52 | 0:24:55 | |
to double up on this occasion. | 0:24:55 | 0:24:58 | |
But, hey, a profit's a profit! | 0:24:58 | 0:25:00 | |
Wise words from Knocker Knowles. | 0:25:00 | 0:25:03 | |
Eric also has the art nouveau tray and the Wedgwood plant pot to sell. | 0:25:03 | 0:25:06 | |
But what about Kate? She's back in her Herefordshire hideaway, | 0:25:06 | 0:25:10 | |
but how hopeful is she about her purchases? | 0:25:10 | 0:25:13 | |
I'm pleased to say that plans are in progress. | 0:25:13 | 0:25:16 | |
Now my watercolour behind me here, of this lovely grapevine, | 0:25:16 | 0:25:20 | |
lucky for me the buyer I intended it for has expressed great interest. | 0:25:20 | 0:25:26 | |
Here in Herefordshire we have got a cheesemaker. | 0:25:26 | 0:25:28 | |
And it suddenly occurred to me, this would be great | 0:25:28 | 0:25:32 | |
for the well-known cheesemaker to have either in their shop and dairy, or just at home. | 0:25:32 | 0:25:38 | |
For my lovely jug, I have contacted a collector of blue and white transferware. | 0:25:38 | 0:25:44 | |
And she seems very interested. So that's looking quite strong. | 0:25:44 | 0:25:48 | |
Because my earrings here are Victorian, | 0:25:48 | 0:25:51 | |
I'm going to direct these at somebody who loves antique jewellery as opposed to modern jewellery. | 0:25:51 | 0:25:56 | |
My silver pepper and salt, my pepperette by Cartier - | 0:25:56 | 0:26:01 | |
great name - I am also directing to an antique silver specialist. | 0:26:01 | 0:26:06 | |
Now for my little book shelf, I've found a specialist dealer | 0:26:06 | 0:26:09 | |
who deals in little wooden antique items just like this. | 0:26:09 | 0:26:14 | |
So I think this would be a great addition to his pieces. | 0:26:14 | 0:26:17 | |
So, Knocker Knowles, the gloves are off! | 0:26:17 | 0:26:20 | |
Yes, both our dealers have now assessed their arsenals | 0:26:21 | 0:26:24 | |
and are ready to strike. But first to draw fire is Eric, | 0:26:24 | 0:26:28 | |
as he travels to the capital hoping to find the streets paved with gold. | 0:26:28 | 0:26:32 | |
Or at least to get his first sale. | 0:26:32 | 0:26:34 | |
Having strayed into Kate's territory of ladies' cosmetics, | 0:26:34 | 0:26:38 | |
he's now cleverly tracked down a potential buyer in Linda, | 0:26:38 | 0:26:42 | |
a vintage fashion and jewellery shop owner. | 0:26:42 | 0:26:44 | |
And he's hoping for a profit on the ?15 he paid for his compact. | 0:26:44 | 0:26:48 | |
I know you know a thing or two about compacts? I do. I know you do. | 0:26:48 | 0:26:52 | |
So I'm here to see if I can interest you in this object. Yes. | 0:26:52 | 0:26:58 | |
I think, I haven't got one like this and I love the Art Deco motif and the flowers. | 0:26:58 | 0:27:02 | |
No, it's really nice. It's all original. | 0:27:02 | 0:27:06 | |
I do like that. You do? It says, "Rex Fifth Avenue". | 0:27:06 | 0:27:10 | |
Have you come across him before? I have heard Rex of Fifth Avenue. | 0:27:10 | 0:27:14 | |
I think it is about 1940s, '50s from the size, | 0:27:14 | 0:27:18 | |
cos the earlier ones were smaller. | 0:27:18 | 0:27:21 | |
But the design is very Deco. It's lovely. | 0:27:21 | 0:27:24 | |
Mm. Excellent. So, you see, I was hoping that I might get | 0:27:24 | 0:27:28 | |
somewhere in the region of around about ?45 for that. | 0:27:28 | 0:27:30 | |
Could you do any better on that? I could always do better. Always do better. | 0:27:30 | 0:27:35 | |
Come at me with what would be within your comfort zone. | 0:27:35 | 0:27:39 | |
I think about 35. About 35. OK. | 0:27:39 | 0:27:44 | |
?35, we got ourselves a deal. OK. OK. | 0:27:44 | 0:27:47 | |
A pleasure doing business with you, madam. | 0:27:47 | 0:27:50 | |
Eric's made up with his profit of ?20 from the compact | 0:27:50 | 0:27:53 | |
and he's off the starting blocks. | 0:27:53 | 0:27:56 | |
Well, that is one very stylish lady. But there again, | 0:27:56 | 0:27:59 | |
that was one very stylish compact. | 0:27:59 | 0:28:02 | |
And, er, I made myself a reasonable profit. | 0:28:02 | 0:28:05 | |
And on that basis alone, I do hope you're watching, Kate. | 0:28:05 | 0:28:09 | |
Well, actually, Kate's firmly focused on her own sales | 0:28:10 | 0:28:13 | |
as she heads to Leominster hoping to sell the 15 carat diamond earrings that cost her ?55. | 0:28:13 | 0:28:19 | |
But will Sally, an antiques dealer, be interested in them? | 0:28:19 | 0:28:23 | |
Well, have a look at these. Wow, they look pretty! | 0:28:23 | 0:28:25 | |
Yeah? You like? Mm-hm. So, they're Victorian. | 0:28:25 | 0:28:29 | |
So I would say very late 19th century in date. OK. | 0:28:29 | 0:28:32 | |
And they are gold. They're 15 carat gold. | 0:28:32 | 0:28:36 | |
And, of course, 15 carat was a grade of gold used quite a lot in the 19th century. Yeah. | 0:28:36 | 0:28:40 | |
And you've got a little old cut diamond set in there. | 0:28:40 | 0:28:44 | |
So, of course, the old cut diamond refers to the way the stone is faceted. | 0:28:44 | 0:28:49 | |
And the top of the stone just sits a little bit prouder than it would do on a modern... | 0:28:49 | 0:28:52 | |
So they will glisten nicely? Yeah, that's right. They have a different sort of reflective power, | 0:28:52 | 0:28:56 | |
old cut diamonds, as opposed to sort of modern brilliance. | 0:28:56 | 0:28:59 | |
And they've got very simple little clip fastenings. | 0:28:59 | 0:29:03 | |
So they are for pierced ears. Yes, well, that's good, cos screws now, nobody really wants, do they? | 0:29:03 | 0:29:07 | |
They can get quite uncomfortable, can't they, screws? Too right. | 0:29:07 | 0:29:11 | |
Yes, they're nice. I think they're quite a classic design, actually. | 0:29:11 | 0:29:16 | |
Yes, that wouldn't date. Well, because they are 15 carat gold | 0:29:16 | 0:29:19 | |
as opposed to 9 carat, so there's more parts of gold per thousand, | 0:29:19 | 0:29:23 | |
and you've got a diamond, I am looking for about ?150. | 0:29:23 | 0:29:27 | |
80 is going to be too cheeky, isn't it? | 0:29:27 | 0:29:29 | |
I think they are worth more than that, with the diamond. Yes. | 0:29:29 | 0:29:33 | |
130? | 0:29:33 | 0:29:34 | |
120. | 0:29:34 | 0:29:35 | |
120 is good for me. I'm happy with that. | 0:29:37 | 0:29:39 | |
It looks like I've bought myself some earrings. | 0:29:39 | 0:29:42 | |
An impressive profit of ?65 for the earrings | 0:29:42 | 0:29:45 | |
means Kate and Eric have both sold one apiece. | 0:29:45 | 0:29:48 | |
But not for long as Eric is hitting his selling stride. | 0:29:48 | 0:29:51 | |
After showing his Wedgwood plant pot to florist, Lisa, | 0:29:51 | 0:29:54 | |
he makes a pretty profit of ?10. | 0:29:54 | 0:29:57 | |
Next up he's back in London and hoping to get a princely sum for his glass goblet. | 0:29:57 | 0:30:03 | |
He's done his research and is taking it to Diana, | 0:30:03 | 0:30:05 | |
who collects decorative pieces and has a particular penchant for the Prince of Wales. | 0:30:05 | 0:30:11 | |
So I'm hoping you're going to like that. Oh, wow! It's very beautiful. | 0:30:11 | 0:30:16 | |
I'm glad you think so. | 0:30:16 | 0:30:17 | |
Or you could have a lovely glass of wine in it, that's for sure. Couldn't you just. | 0:30:17 | 0:30:20 | |
It'd hold half a bottle, wouldn't it? | 0:30:20 | 0:30:23 | |
It's engraved and it's actually signed on the base. | 0:30:23 | 0:30:27 | |
David Williams, 1969. | 0:30:27 | 0:30:30 | |
It's quite a weight as well, isn't it? It's lovely. | 0:30:30 | 0:30:35 | |
Now we come to the sticky question. We do! How much is it? | 0:30:35 | 0:30:39 | |
I was hoping for somewhere around about the ?75 mark. | 0:30:39 | 0:30:45 | |
?50 is my sort of top whack. | 0:30:45 | 0:30:48 | |
I was rather hoping you might just go a tad more. | 0:30:48 | 0:30:51 | |
I'll meet you half way. | 0:30:51 | 0:30:53 | |
55. Listen, I'm going to say "yes". | 0:30:53 | 0:30:56 | |
Do you know why? | 0:30:56 | 0:30:57 | |
For the simple reason I know that that goblet is now | 0:30:57 | 0:31:00 | |
amongst good friends. | 0:31:00 | 0:31:02 | |
Wonderful, thank you so much. ?55! | 0:31:02 | 0:31:06 | |
Eric sells the goblet for a modest profit of ?5 | 0:31:08 | 0:31:11 | |
but next in line for a sale is Kate. | 0:31:11 | 0:31:14 | |
She's taken the book shelf that cost her ?50 to antiques dealer, Ben, | 0:31:14 | 0:31:18 | |
hoping he's the man to buy it. | 0:31:18 | 0:31:20 | |
Hi, Ben. Hi, Kate. How are you? | 0:31:23 | 0:31:26 | |
Good to see you. And you. | 0:31:26 | 0:31:27 | |
I know you really like small decorative things. Mm-hm. | 0:31:27 | 0:31:31 | |
Yeah. So we've a little book slide. | 0:31:31 | 0:31:34 | |
Open it up and you put your books in. | 0:31:34 | 0:31:38 | |
That end is slightly stuck but with your magic, Ben, | 0:31:38 | 0:31:42 | |
I'm sure you could sort that out. It's more a book half slide. | 0:31:42 | 0:31:46 | |
Well, I'll tell you why I really liked it. Yeah. | 0:31:46 | 0:31:49 | |
I do think that could be sorted. | 0:31:49 | 0:31:51 | |
It's this decoration which I thought was lovely. | 0:31:51 | 0:31:53 | |
It's typically Victorian, isn't it, with these lovely brass cabochon. | 0:31:53 | 0:31:58 | |
You've got three different kinds of wood going on as well. | 0:31:58 | 0:32:01 | |
You've got a lovely walnut, some cross banding here. | 0:32:01 | 0:32:04 | |
So loads of work in that. | 0:32:04 | 0:32:07 | |
It's been through the wars. It's been screwed on a desk, or something. | 0:32:07 | 0:32:10 | |
What was it you were wanting for it? | 0:32:10 | 0:32:12 | |
Well, I think, with that lovely decoration, | 0:32:12 | 0:32:14 | |
which you don't see every day, | 0:32:14 | 0:32:16 | |
I'd like to say ?100, really. | 0:32:16 | 0:32:18 | |
Big intake of breath. Very big. | 0:32:20 | 0:32:23 | |
Can we go for 80? | 0:32:23 | 0:32:25 | |
85? | 0:32:25 | 0:32:27 | |
Yeah. Fantastic. I think we can do that. | 0:32:27 | 0:32:29 | |
Lovely, thank you, Ben. Cheers, Kate. | 0:32:29 | 0:32:31 | |
Great, I thought it was your cup of tea. | 0:32:31 | 0:32:33 | |
Kate's sale of the book shelf brings in a profit of ?35 | 0:32:33 | 0:32:36 | |
and also brings us to the halfway point | 0:32:36 | 0:32:38 | |
of this no holds barred selling battle. | 0:32:38 | 0:32:41 | |
So it's time to see who's rocketing ahead | 0:32:41 | 0:32:44 | |
and who's still in need of a fuel injection? | 0:32:44 | 0:32:47 | |
Eric Knowles has sold three items for a profit of ?35. | 0:32:49 | 0:32:53 | |
Kate Bliss has sold only two | 0:32:55 | 0:32:58 | |
but already has a profit of ?100. | 0:32:58 | 0:33:00 | |
So there's still everything to play for. Both our rivals have plenty of items to go | 0:33:03 | 0:33:07 | |
and only a fool would place bets just yet. | 0:33:07 | 0:33:10 | |
Next up Kate's back in Herefordshire with her | 0:33:10 | 0:33:13 | |
picture of a bunch of grapes. Now, remember, when she bought this | 0:33:13 | 0:33:16 | |
she cleverly had a potential buyer in mind. | 0:33:16 | 0:33:19 | |
So will she be able to turn that potential into profit? | 0:33:19 | 0:33:23 | |
I've come to Herefordshire's best-known vineyard. | 0:33:24 | 0:33:27 | |
I've brought my watercolour, which I paid ?38 for. | 0:33:27 | 0:33:30 | |
Now I think for an accomplished painting like this | 0:33:30 | 0:33:32 | |
there should be a good profit. | 0:33:32 | 0:33:34 | |
But will she be able to squeeze out that profit | 0:33:34 | 0:33:37 | |
from vineyard owner, Alexandra? | 0:33:37 | 0:33:39 | |
Shall I put the painting on here? What have you got here? | 0:33:39 | 0:33:42 | |
Oh, my goodness me. It's beautiful. | 0:33:42 | 0:33:45 | |
It looks to me as if it's perfectly situated. | 0:33:45 | 0:33:49 | |
Of course, they are white grapes that you grow, | 0:33:49 | 0:33:51 | |
so the painting is pretty apt. It's absolutely perfect. | 0:33:51 | 0:33:54 | |
Yes, and it's a beautiful picture. Can you tell me something about it? | 0:33:54 | 0:33:57 | |
I can, it's very competently done. Obviously, it's a watercolour | 0:33:57 | 0:34:00 | |
and we've got a date just under here for 1823, | 0:34:00 | 0:34:04 | |
which is quite nice. | 0:34:04 | 0:34:06 | |
It really pinpoints it in that early 19th century period. | 0:34:06 | 0:34:09 | |
It's original, isn't it? It's original, very definitely. | 0:34:09 | 0:34:12 | |
I like the way he's thrown up in relief the vine | 0:34:12 | 0:34:16 | |
because this is all heightened watercolour | 0:34:16 | 0:34:19 | |
and body colour as well, in white. | 0:34:19 | 0:34:22 | |
We've got a perfect spot for it in our cafe. Have you? Yes, we have. | 0:34:22 | 0:34:25 | |
I really do like it. | 0:34:25 | 0:34:28 | |
I am looking for between 150 and ?250. Right. | 0:34:28 | 0:34:32 | |
I think it's good condition, ready to go, framed and mounted. Right. | 0:34:32 | 0:34:38 | |
I'd hope for towards the upper end of that, but how do you feel? | 0:34:38 | 0:34:42 | |
I think I would be prepared to offer you... | 0:34:42 | 0:34:46 | |
..?200. Fantastic. Deal! | 0:34:47 | 0:34:50 | |
Thank you very much indeed. | 0:34:50 | 0:34:52 | |
With the deal done, | 0:34:52 | 0:34:53 | |
it's time to toast a profit of ?162 for Kate's painting. | 0:34:53 | 0:34:58 | |
Cheers, Kate. Cheers. | 0:34:58 | 0:35:00 | |
Nice doing business with you. My pleasure. | 0:35:00 | 0:35:03 | |
Yes, Kate's selling campaign is bubbling along nicely | 0:35:03 | 0:35:05 | |
and she goes straight on to sell her water jug to Steph, | 0:35:05 | 0:35:08 | |
a dealer who specialises in small items | 0:35:08 | 0:35:11 | |
for a profit of ?10. | 0:35:11 | 0:35:13 | |
But Eric is also making good progress with | 0:35:15 | 0:35:18 | |
a couple of quick fire sales. | 0:35:18 | 0:35:20 | |
First the French tray for a profit of ?5 to Sue, | 0:35:20 | 0:35:23 | |
who wanted it as a present for her daughter. | 0:35:23 | 0:35:26 | |
Then he hotfoots it to an antiques' fair at Alexandra Palace | 0:35:28 | 0:35:32 | |
in London where he sells his plate to a specialist dealer, | 0:35:32 | 0:35:35 | |
Peter, for a profit of ?20. | 0:35:35 | 0:35:37 | |
I like it, it's different. | 0:35:37 | 0:35:39 | |
High on his success, he travels to Shropshire, taking the Coalport mug, | 0:35:39 | 0:35:43 | |
decorated with the Ironbridge to yep, you guessed it, Ironbridge. | 0:35:43 | 0:35:48 | |
Now I'm here to meet a gentleman who knows a thing or two about Coalport porcelain. | 0:35:48 | 0:35:51 | |
He's expressed an interest, so I'm hoping to do a bit of business. | 0:35:51 | 0:35:55 | |
The mug cost Eric ?30 but will Simon, an antiques' dealer, | 0:35:56 | 0:36:00 | |
want to stir him up a profit? | 0:36:00 | 0:36:03 | |
And you're well situated in Ironbridge | 0:36:03 | 0:36:05 | |
because Coalport is how far away from here? | 0:36:05 | 0:36:07 | |
It's a five-minute walk away. | 0:36:07 | 0:36:10 | |
I'm bringing a pot made at Coalport. | 0:36:10 | 0:36:13 | |
I'm thinking this is around about 1840, 1845. | 0:36:13 | 0:36:16 | |
Yeah, that's right, 1840 to 1845. | 0:36:16 | 0:36:19 | |
Transferred. | 0:36:19 | 0:36:20 | |
Erm... | 0:36:20 | 0:36:22 | |
It's got the Ironbridge on the front. Yeah. | 0:36:22 | 0:36:24 | |
I've had it before, they do them on a black ground as well, | 0:36:24 | 0:36:27 | |
so the transfer is a black colourway. | 0:36:27 | 0:36:30 | |
The pink is actually a little bit rarer. | 0:36:30 | 0:36:32 | |
I mean, for the era as well, the transfer is really quite crisp. | 0:36:32 | 0:36:35 | |
A lot of the time you get overlaps and, yeah, it's nice. | 0:36:35 | 0:36:39 | |
What sort of price where you..? | 0:36:39 | 0:36:41 | |
I was hoping, or dare I even say wanting, | 0:36:41 | 0:36:45 | |
somewhere in the region of about ?70. | 0:36:45 | 0:36:48 | |
?70, that's a bit too rich for me. | 0:36:48 | 0:36:50 | |
Being generous, ?35. | 0:36:50 | 0:36:53 | |
If we could chop it to 40, we've got a deal. | 0:36:53 | 0:36:55 | |
It holds a good cup of tea, that does. It does. | 0:36:55 | 0:36:57 | |
I'd be tempted to have that. OK. I'll have it for ?40. Good lad, OK. You're on. | 0:36:57 | 0:37:02 | |
So Eric brews up a hot profit of ?10 | 0:37:02 | 0:37:05 | |
but Kate is determined to prove she is no mug either. | 0:37:05 | 0:37:09 | |
She's tracked down Mark, a local Herefordshire cheese maker who | 0:37:09 | 0:37:11 | |
she hopes will be interested in the truckle she bought for ?80. | 0:37:11 | 0:37:16 | |
This is the coaster. Right! | 0:37:16 | 0:37:18 | |
What you do is put the bread in there. Right. | 0:37:18 | 0:37:21 | |
So you break up your bread. Homemade bread. Homemade bread. | 0:37:21 | 0:37:24 | |
Put your round of cheese in there and then shoot it up | 0:37:24 | 0:37:27 | |
and down the dining table. | 0:37:27 | 0:37:29 | |
Cheese certainly keeps better if it's in a large-ish piece. | 0:37:29 | 0:37:33 | |
That makes sense then. | 0:37:33 | 0:37:35 | |
I reckon this dates from George III period, roughly. | 0:37:35 | 0:37:37 | |
It's made of mahogany. Right. | 0:37:37 | 0:37:39 | |
The mahogany has actually been steamed to make it bend | 0:37:39 | 0:37:43 | |
in this lovely curve. Yeah. | 0:37:43 | 0:37:45 | |
That obviously makes the wood more vulnerable to cracking | 0:37:45 | 0:37:47 | |
and stress fractures and that's what you've got here. | 0:37:47 | 0:37:50 | |
You can see the little crack there. | 0:37:50 | 0:37:52 | |
The nice thing about it though is if we tip it up, | 0:37:52 | 0:37:55 | |
you can see it's got these lovely little brass casters on the bottom. | 0:37:55 | 0:37:59 | |
Yeah. | 0:37:59 | 0:38:01 | |
To have brass casters on these coasters is actually quite unusual. | 0:38:01 | 0:38:04 | |
You often see them missing. | 0:38:04 | 0:38:05 | |
Let's get down to the nitty-gritty then. | 0:38:05 | 0:38:08 | |
Oh, I've got to pay for it? Yeah. | 0:38:08 | 0:38:10 | |
I was thinking 275. OK. | 0:38:10 | 0:38:12 | |
I was hoping a little bit more than that, say 320. | 0:38:14 | 0:38:17 | |
I would go to 285. OK. | 0:38:17 | 0:38:19 | |
290 and round it up? OK. | 0:38:22 | 0:38:23 | |
290, are you happy? Yes. Fantastic. | 0:38:23 | 0:38:26 | |
HE LAUGHS | 0:38:26 | 0:38:27 | |
Yes, Kate makes a sizeable profit of ?210 for the cheese coaster, | 0:38:27 | 0:38:32 | |
meaning she's down to her last item, the salt and pepper shakers. | 0:38:32 | 0:38:37 | |
She's travelling to London to see Daniel, an antiques dealer | 0:38:37 | 0:38:40 | |
who's got a new shop in the West End and is looking for goods to fill it. | 0:38:40 | 0:38:43 | |
She shakes out a not to be sneezed at profit of ?155 | 0:38:43 | 0:38:48 | |
and Daniel is one step closer to being open for business. | 0:38:48 | 0:38:52 | |
This will be my lucky piece of silver. | 0:38:52 | 0:38:54 | |
It's my first purchase in my new shop, so that's fantastic. | 0:38:54 | 0:38:57 | |
Another one in the bag, onwards and upwards. | 0:38:58 | 0:39:01 | |
Yes, for Eric, it's a case of onwards and upstream | 0:39:02 | 0:39:04 | |
as he travels to Buckinghamshire and Marlow on the River Thames. | 0:39:04 | 0:39:08 | |
Well, I've brought my pewter crumb scoop to a very smart hotel | 0:39:08 | 0:39:12 | |
and restaurant here on the River Thames. | 0:39:12 | 0:39:15 | |
Now, I paid ?80 for this crumb scoop. | 0:39:15 | 0:39:19 | |
And, erm, I'm on the trail of a profit. | 0:39:19 | 0:39:22 | |
But will Guy, the hotel manager, give Eric any more | 0:39:22 | 0:39:25 | |
than a crummy profit for the scoop? | 0:39:25 | 0:39:27 | |
I'm here for the simple reason that I've got something | 0:39:28 | 0:39:31 | |
that I think would prove rather useful. OK. | 0:39:31 | 0:39:34 | |
For anybody who's waiting on tables. | 0:39:34 | 0:39:37 | |
That is an Arts Crafts crumb scoop, | 0:39:37 | 0:39:42 | |
designed by Archibald Knox and it says on the back, | 0:39:42 | 0:39:46 | |
if you look on the back, it says simply, | 0:39:46 | 0:39:48 | |
"English pewter". | 0:39:48 | 0:39:50 | |
This was retailed by Liberty's. | 0:39:50 | 0:39:53 | |
I think, if I'm right in saying, that is probably a right-handed scoop | 0:39:53 | 0:39:57 | |
done around about 1902, 1903. | 0:39:57 | 0:40:01 | |
I see that as something that you bring out for special occasions. | 0:40:01 | 0:40:03 | |
It's in good condition, isn't it? | 0:40:03 | 0:40:05 | |
It is and that's quite typical of Knox. | 0:40:05 | 0:40:08 | |
He uses Celtic motifs because he's from the Isle of Man. | 0:40:08 | 0:40:12 | |
I think that is a classic piece of Arts Crafts design. Mm. | 0:40:12 | 0:40:16 | |
I'm looking for somewhere in the region of ?150 for it, | 0:40:16 | 0:40:20 | |
or thereabouts. | 0:40:20 | 0:40:22 | |
I think a crumber nowadays is about ?2.95. | 0:40:22 | 0:40:25 | |
Well, not by Archibald Knox. | 0:40:25 | 0:40:28 | |
How about 100? What if we were to go about 120, or thereabouts? | 0:40:28 | 0:40:32 | |
We'll shake on 120. ?120. Why not? | 0:40:32 | 0:40:37 | |
Eric makes ?40 for the crumb scoop | 0:40:37 | 0:40:39 | |
and having waited and waited for a profit, | 0:40:39 | 0:40:42 | |
now tries his hand at waiting tables. | 0:40:42 | 0:40:44 | |
Excusez-moi, monsieur, s'il vous plait. | 0:40:44 | 0:40:47 | |
DINERS CHUCKLE | 0:40:47 | 0:40:48 | |
FRENCH ACCENT: What I'm doing here is | 0:40:48 | 0:40:50 | |
removing the crumbs into an Arts Crafts crumb scoop. | 0:40:50 | 0:40:55 | |
I'm very grateful to you all and I can't keep this accent up! | 0:40:55 | 0:40:58 | |
THEY LAUGH | 0:40:58 | 0:41:00 | |
No, and we wouldn't want you to, Eric! | 0:41:00 | 0:41:03 | |
But with his outrageous accent Eric is all sold up. | 0:41:03 | 0:41:06 | |
Before we learn who will be today's winner, | 0:41:06 | 0:41:09 | |
let's remind ourselves of what our dealers have spent. | 0:41:09 | 0:41:13 | |
Having started the day with ?750 of their own money, | 0:41:15 | 0:41:18 | |
Eric bought seven items but spent only ?250. | 0:41:18 | 0:41:22 | |
Kate bought one fewer items, just six, | 0:41:23 | 0:41:26 | |
but spent ?293. | 0:41:26 | 0:41:28 | |
All of the money that Eric and Kate have made from today's challenge | 0:41:30 | 0:41:33 | |
will be going to a charity of their choice. | 0:41:33 | 0:41:35 | |
Now, it's time to find out who is today's | 0:41:35 | 0:41:37 | |
Put Your Money Where Your Mouth Is champion. | 0:41:37 | 0:41:40 | |
Hello. Hi. How are we doing? Good to see you. And you, too. | 0:41:40 | 0:41:44 | |
It was such a huge fair, wasn't it? | 0:41:44 | 0:41:46 | |
I went out there intending to go straight for what | 0:41:46 | 0:41:49 | |
I specialise in, jewellery and silver. | 0:41:49 | 0:41:51 | |
What did I do? I went out and bought a cheese coaster but... Yes. | 0:41:51 | 0:41:56 | |
It turned out to be one of my best buys. Did it now? | 0:41:56 | 0:41:58 | |
I bought it for ?80. Yes, OK. | 0:41:58 | 0:42:02 | |
Sold for ?290. No! | 0:42:02 | 0:42:05 | |
Actually, I think that's a fair retail price. | 0:42:05 | 0:42:07 | |
I'm really pleased for you! | 0:42:07 | 0:42:09 | |
Well, I've got to say that I was a little bit out of my comfort zone, | 0:42:09 | 0:42:12 | |
going into the world of compacts. | 0:42:12 | 0:42:15 | |
I paid something like 15 for mine | 0:42:15 | 0:42:18 | |
and sold it for about ?35, or thereabouts. | 0:42:18 | 0:42:21 | |
So both buying outside our comfort zones. | 0:42:21 | 0:42:23 | |
Let's see how we got on, shall we? Are you ready? Ready? | 0:42:23 | 0:42:26 | |
On, Two, three... | 0:42:26 | 0:42:27 | |
Oh, my goodness me! | 0:42:29 | 0:42:32 | |
Kate Bliss! | 0:42:32 | 0:42:33 | |
KATE GIGGLES | 0:42:33 | 0:42:35 | |
My goodness me, you're printing money. Printing it! | 0:42:35 | 0:42:38 | |
I owe you a cup of tea. | 0:42:38 | 0:42:39 | |
I don't know, I'll settle for a cheese sandwich. Come on. | 0:42:39 | 0:42:42 | |
Yes, Kate is the winner in today's tussle after bringing home | 0:42:42 | 0:42:45 | |
a profit at every turn. | 0:42:45 | 0:42:47 | |
I remember that antiques fair really well. | 0:42:47 | 0:42:51 | |
Walking miles in the freezing cold, | 0:42:51 | 0:42:53 | |
trying to pick out the right objects. | 0:42:53 | 0:42:56 | |
It turns out it all came right in the end. | 0:42:56 | 0:42:59 | |
I can't really think what is worse, | 0:42:59 | 0:43:02 | |
working on the day at that antique fair | 0:43:02 | 0:43:04 | |
in freezing cold conditions, or being beaten by such a huge margin! | 0:43:04 | 0:43:09 | |
Kate may have beaten Eric today but anything can happen tomorrow | 0:43:11 | 0:43:15 | |
as our experts go up against each other in the ultimate contest. | 0:43:15 | 0:43:18 | |
The showdown. | 0:43:18 | 0:43:19 | |
Loads of money. | 0:43:19 | 0:43:20 | |
Subtitles by Red Bee Media Ltd | 0:43:32 | 0:43:35 |